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1,700 stalls, six marquees, 90 shopping arcades - | 0:00:03 | 0:00:09 | |
all spread across 150 acres! | 0:00:09 | 0:00:13 | |
This is Ardingly, the largest antiques fair in the south of England. | 0:00:13 | 0:00:18 | |
Great! Let's go bargain hunting! | 0:00:18 | 0:00:22 | |
-Coming up: -Come on! Quick! | 0:00:47 | 0:00:51 | |
-The Blues are divided. -I'm convinced by it. | 0:00:51 | 0:00:55 | |
Ooooh... | 0:00:55 | 0:00:58 | |
And the Reds are in a tight spot. | 0:00:58 | 0:01:01 | |
-30 seconds left. -Have we? -Yes. 30 seconds. | 0:01:01 | 0:01:06 | |
And at the auction, excitement soars to dangerous levels. | 0:01:06 | 0:01:11 | |
Everyone wants this lot. | 0:01:11 | 0:01:13 | |
Somebody's going to have a heart attack! | 0:01:13 | 0:01:16 | |
'All that's all to come. Stand by for the rules.' | 0:01:16 | 0:01:20 | |
Each team is given a princely £300 | 0:01:20 | 0:01:24 | |
and has 60 minutes to shop for three items which will be sold at the auction. | 0:01:24 | 0:01:29 | |
The team wins that makes the most profit. Ha ha! | 0:01:29 | 0:01:34 | |
First, let's meet today's Reds and Blues. | 0:01:34 | 0:01:39 | |
Competing on Bargain Hunt today are two teams of friends. | 0:01:41 | 0:01:45 | |
well, they're friends at the moment. | 0:01:45 | 0:01:48 | |
We've Jerry and Jason for the Reds | 0:01:48 | 0:01:52 | |
and Gemma and Matt for the Blues. Welcome, teams. | 0:01:52 | 0:01:55 | |
-Now how did you two meet? -We met through your wife, Nikki. -Yes. -About four years ago. | 0:01:55 | 0:02:02 | |
-Our children go to the same school so pick up and drop off. -Yeah. | 0:02:02 | 0:02:07 | |
-And you start chatting. -We do. And we've ended up sharing the same office! So it's every day. | 0:02:07 | 0:02:14 | |
-What do you do for a living? -I'm a lifestyle manager. I organise everybody's life and mine is chaos! | 0:02:14 | 0:02:21 | |
-You do that as a profession? -I do. -So these people would be very rich and incapable? | 0:02:21 | 0:02:26 | |
I don't think they'd like to be described as that! | 0:02:26 | 0:02:30 | |
-Rich and busy people. -Very busy. I help make their lives easier. | 0:02:30 | 0:02:34 | |
-And Jason, what do you do? -I run a couple of businesses. One in print management. | 0:02:34 | 0:02:40 | |
-And the other is motorsport marketing. -Tell me about your wedding last year. | 0:02:40 | 0:02:46 | |
Four days before the wedding, my best man got swine flu. | 0:02:46 | 0:02:50 | |
-Lucky for us, Lady Jerry stepped in and she was my best man. -Really? -Yes. -Well, that's great. | 0:02:50 | 0:02:57 | |
-And it was so much fun! -Did you have to tell dirty stories? | 0:02:57 | 0:03:01 | |
I told a few. | 0:03:01 | 0:03:04 | |
-She was absolutely brilliant. Best best man ever. -Isn't that nice? | 0:03:04 | 0:03:08 | |
You're clearly very close friends. How will you get on today? | 0:03:08 | 0:03:12 | |
-Probably argue all the way. -We're bound to argue! -Will you? | 0:03:12 | 0:03:18 | |
We love a bit of an argument. Gemma, how did you two meet? | 0:03:18 | 0:03:22 | |
My boyfriend needed a new housemate and Matt answered the advert on the internet. | 0:03:22 | 0:03:27 | |
-And Matt moved in. -Interesting. What do you do for a living? -I work at a college in Brighton. | 0:03:27 | 0:03:34 | |
I'm a higher education officer dealing with senior administration of foundation degree courses. | 0:03:34 | 0:03:41 | |
Despite being a pillar of the educational community, you're also a bit saucy. | 0:03:41 | 0:03:48 | |
-Yes. You're talking about my addiction to hot sauce. -I think so! | 0:03:48 | 0:03:53 | |
My old housemate got me into it. I have to put hot sauce on everything I eat. | 0:03:53 | 0:03:58 | |
-Do you have it really hot? -Yes. -Really, really hot? -Really. | 0:03:58 | 0:04:04 | |
-Obviously a dangerous lady to visit for dinner. -Yes! -Very good. | 0:04:04 | 0:04:09 | |
-Matt, what do you do for a living? -I'm a student, studying a Masters in Architecture. | 0:04:09 | 0:04:15 | |
And I'm hoping to do restoration work on stately homes, cottages, churches. | 0:04:15 | 0:04:22 | |
It's quite a divide between you architecture gurus who are either so cutting edge, | 0:04:22 | 0:04:28 | |
so carbuncle, so out there, or looking back enjoying history. | 0:04:28 | 0:04:33 | |
Yeah, I'm looking back, but most of my friends look forward. | 0:04:33 | 0:04:37 | |
-How do you think you'll get on? -Just fine. We've got similar taste so I think we will agree. | 0:04:37 | 0:04:44 | |
-Do you like hot sauce? -A bit! -Well, that's brilliant. | 0:04:44 | 0:04:48 | |
Now the money moment. Here's your £300. | 0:04:48 | 0:04:53 | |
Your experts await. Off you go! And very, very, very good luck. I like a bit of sauce myself. | 0:04:53 | 0:04:59 | |
Now time to meet our experts. | 0:05:02 | 0:05:04 | |
Helping the Reds is Catherine Southon. | 0:05:04 | 0:05:08 | |
The Blues will be under the supervision of Anita Manning. | 0:05:09 | 0:05:13 | |
-Have you got a plan of attack? -We do. -Yes, we have. -Oh, and he's got a map! OK. | 0:05:17 | 0:05:23 | |
-What sort of thing do you fancy buying today? -Maybe something a bit sort of 20th century? | 0:05:23 | 0:05:29 | |
-Yes! -Definitely. | 0:05:29 | 0:05:31 | |
-I've never had such organised contestants. -We start well... | 0:05:31 | 0:05:36 | |
That's what we're looking for. Good 20th-century designs. | 0:05:36 | 0:05:40 | |
Something with lots of oomph! Let's go! | 0:05:40 | 0:05:44 | |
-Let the shopping commence! -What do you think of those? | 0:05:44 | 0:05:48 | |
Yeah, well, the colour is great(!) | 0:05:48 | 0:05:51 | |
-I know. -They'll certainly stand out in a saleroom. | 0:05:51 | 0:05:56 | |
-What do you think? -I love them! | 0:05:58 | 0:06:01 | |
They're very stylish. 20th-century design is coming up in price in the saleroom. | 0:06:01 | 0:06:08 | |
Young people like yourselves are interested, going along, saying, "That presses my buttons!" | 0:06:08 | 0:06:15 | |
-How old are they? -From the 1970s, 1980s. | 0:06:15 | 0:06:19 | |
-And I think that these are Italian. -Oh, right. OK. | 0:06:19 | 0:06:23 | |
We've got this marvellous tub seat here. Looking back to '50s design, | 0:06:23 | 0:06:28 | |
-but it's not just as old as that. -OK. -And marvellous chrome legs. | 0:06:28 | 0:06:33 | |
We like them as well. And this absolutely...awful orange colour! | 0:06:33 | 0:06:39 | |
-Isn't it awful? -It's good! -Shall we ask how much they are? Some of these can be quite dear. | 0:06:39 | 0:06:46 | |
-Hiya! Hi. -How you doing? -Nice to meet you, darling. | 0:06:48 | 0:06:52 | |
My team love these chairs. | 0:06:54 | 0:06:56 | |
Well, they're £40 each, singly. If you buy all four, 10% off. | 0:06:56 | 0:07:01 | |
Could you do them for £130? | 0:07:01 | 0:07:04 | |
Cash. | 0:07:04 | 0:07:06 | |
-135 cash and you've got a deal. -135? | 0:07:06 | 0:07:10 | |
They're 1970s. > | 0:07:10 | 0:07:12 | |
Copy of an Arne Jacobsen pot chair. A design icon. | 0:07:12 | 0:07:17 | |
-I think 130 and we'd have a deal. -Yeah. | 0:07:17 | 0:07:20 | |
Playing hardball! All right. | 0:07:20 | 0:07:22 | |
-We'll go with your 130. -Oh, you're a darling. | 0:07:22 | 0:07:26 | |
Thank you very much. That's great. | 0:07:26 | 0:07:29 | |
That's nice, isn't it? Is that a little compact? Let's just have a little look. | 0:07:38 | 0:07:44 | |
-I like the colour. -Yes, I do. | 0:07:47 | 0:07:49 | |
We've got sort of engine turning. Let's open it. Apparently silver. | 0:07:50 | 0:07:55 | |
Hasn't got the puff as well. | 0:07:55 | 0:07:57 | |
-I wouldn't know about that kind of thing. -Do you not wear this stuff? -It doesn't suit me. | 0:07:57 | 0:08:03 | |
Not during the week, anyway. | 0:08:03 | 0:08:06 | |
-There's the hallmark. -Right. | 0:08:06 | 0:08:09 | |
-Birmingham. -Yes. -M. We'll need to look that up. | 0:08:09 | 0:08:13 | |
-Try to find the date. -I like that. -It's very nice. | 0:08:13 | 0:08:16 | |
-It's got to be '20s or '30s, by the style of it. -Yes, yes. | 0:08:16 | 0:08:20 | |
What do you think it might be worth? £65 is a bit pricey. | 0:08:20 | 0:08:24 | |
-What's the best...? -30-50? -You think? | 0:08:27 | 0:08:31 | |
-What's the best on that? -< 40. | 0:08:31 | 0:08:34 | |
It's tight, isn't it? | 0:08:34 | 0:08:37 | |
-I think if we could get that... -If we could get that in the 30 sort of region. | 0:08:37 | 0:08:43 | |
-Surely we can maybe come back? -Do you want to? -At 40 it's touch and go. | 0:08:43 | 0:08:48 | |
I think it probably is. It's the colour that's appealing. | 0:08:48 | 0:08:53 | |
-Do you want to think about it? -Yeah. | 0:08:53 | 0:08:55 | |
While they're thinking, take a look at what I've found. | 0:08:55 | 0:09:00 | |
It's a letter opener with a twist. | 0:09:00 | 0:09:03 | |
You come across quite a few of these things at these fairs with an ivory blade to it. | 0:09:03 | 0:09:09 | |
This one's nice. It's got a cast gilt bronze shaft to it. | 0:09:09 | 0:09:14 | |
And if you were putting a value to it, you'd expect something like this, round about 1900, | 0:09:14 | 0:09:21 | |
to be worth what...? £150? | 0:09:21 | 0:09:24 | |
£200 top end? | 0:09:24 | 0:09:27 | |
well, if I spin it over, it reveals an extra special feature. | 0:09:27 | 0:09:32 | |
Look at that. The handle is mounted with a miniature timepiece. | 0:09:32 | 0:09:37 | |
You can see the face here with the numerals and it tells us the time, | 0:09:37 | 0:09:43 | |
which is 25 to seven. Well, that's wrong, actually, but it's probably not wound up. | 0:09:43 | 0:09:49 | |
To wind it, you simply turn the end ferrel like that. | 0:09:49 | 0:09:53 | |
That winds the movement and if I turn it over this knob here, | 0:09:53 | 0:09:58 | |
if you pull that out it enables you to change the position of the hands. | 0:09:58 | 0:10:04 | |
I've only seen once before a miniature movement like this | 0:10:04 | 0:10:08 | |
and it was on a walking stick. | 0:10:08 | 0:10:11 | |
And the maker of that movement was an Austrian | 0:10:11 | 0:10:15 | |
called Holuska. | 0:10:15 | 0:10:18 | |
And I think this movement is by him. | 0:10:18 | 0:10:20 | |
If you took it apart, undoing these little screws, | 0:10:20 | 0:10:25 | |
you'd find the movement housed inside that bronze shaft. | 0:10:25 | 0:10:29 | |
And the price online for the walking stick with the Holuska movement in it | 0:10:29 | 0:10:35 | |
was nearly 3,000. | 0:10:35 | 0:10:37 | |
What's the price here today at Ardingly | 0:10:37 | 0:10:41 | |
for the Holuska movement mounted in the letter knife page turner? | 0:10:41 | 0:10:46 | |
Well, it could be yours for £850. | 0:10:46 | 0:10:50 | |
Quite a page turner. | 0:10:50 | 0:10:53 | |
So the powder compact. What's your decision, Reds? | 0:10:56 | 0:11:00 | |
-People, people, what do we think? -I think we should go back for it. | 0:11:00 | 0:11:05 | |
-I think it's really pretty. -I...agree. -No, you don't agree. | 0:11:05 | 0:11:10 | |
-You don't agree! Honestly, what do you think? -I think we should get it if they'll budge a little bit. | 0:11:10 | 0:11:17 | |
-Just a little bit more. -Go and negotiate. -Can you budge them? Are you the man to budge? | 0:11:17 | 0:11:24 | |
-I think he is. -We'll find out! | 0:11:24 | 0:11:26 | |
Go on, Jason! Be manly! Get bargaining. | 0:11:26 | 0:11:30 | |
-So, guys, we've got you cool chairs for your cool, modern apartment. -Yeah. | 0:11:30 | 0:11:36 | |
-I spotted something which I think will fit in absolutely perfectly. -Excellent! | 0:11:36 | 0:11:41 | |
-Oh, my gosh! -I already love it. | 0:11:49 | 0:11:52 | |
It is good. Look at that! | 0:11:52 | 0:11:54 | |
-Isn't that marvellous? -Oh, my gosh. | 0:11:54 | 0:11:58 | |
-So when...? This is from the '80s? -Yeah. Uh-huh. | 0:11:58 | 0:12:01 | |
-It's like a big space helmet, isn't it? -It's amazing. So good for kids' bedrooms. | 0:12:01 | 0:12:07 | |
So you could sit on your lovely 20th-century design chair | 0:12:08 | 0:12:13 | |
-and watch your 1970s box. -What do you think, Matt? | 0:12:13 | 0:12:18 | |
I'm not sure. | 0:12:18 | 0:12:20 | |
-I like it. -I don't know. I love it, but... | 0:12:20 | 0:12:25 | |
I'm not sure the people will. | 0:12:25 | 0:12:27 | |
OK. This sale will be on the internet so it doesn't just depend on who is in the room at the time. | 0:12:27 | 0:12:35 | |
-Yeah. -This is the type of thing that people will be trawling the auction searches for. -Yeah. | 0:12:35 | 0:12:43 | |
-And there's not a lot of them about. -45 is a quite cheap price. | 0:12:43 | 0:12:48 | |
I've seen these going for substantially more than that. | 0:12:48 | 0:12:53 | |
-It goes well with our chairs. -It would. -It will go well. | 0:12:55 | 0:12:59 | |
-They can go in the 20th century section. -What we need to find out | 0:12:59 | 0:13:03 | |
-is if it's in working order. -I don't think that matters. | 0:13:03 | 0:13:07 | |
What you're looking for and paying for is the design | 0:13:07 | 0:13:11 | |
and the look of it. It doesn't matter. You can put your beer in there at the end of the day. | 0:13:11 | 0:13:18 | |
-I do really like it. -It could go down or it could go up. | 0:13:19 | 0:13:23 | |
But I've seen that type of telly do quite well in auction. | 0:13:23 | 0:13:27 | |
But we're taking a chance, guys! Do you want to take a chance? | 0:13:27 | 0:13:32 | |
-I want to take a chance. -Let's go for it. -I'm happy to. | 0:13:32 | 0:13:36 | |
That's 45 quid, please. | 0:13:36 | 0:13:39 | |
Thanks a lot. I hope you win! | 0:13:39 | 0:13:41 | |
What? No haggling? That's a first! | 0:13:41 | 0:13:45 | |
He doesn't look as if he's actually bought it. Have you? | 0:13:47 | 0:13:51 | |
-How did you get on? -You did get it! | 0:13:51 | 0:13:53 | |
-How much? -£40. -Ohhh! -There was no way he was budging. | 0:13:53 | 0:13:58 | |
-Well, we needed one item. -We're on a roll now. Let's go. | 0:13:58 | 0:14:03 | |
Half an hour gone. We have one item. We've a lot of ground to cover. | 0:14:03 | 0:14:08 | |
-Is that...? Is it a rabbit? Or a hare? -A hare, I think. | 0:14:14 | 0:14:19 | |
That's such fun because of the tape and the tail. > | 0:14:19 | 0:14:23 | |
-That is a most unusual item! -Look at the tail going round. | 0:14:23 | 0:14:28 | |
What a lovely thing for a very fancy dressmaker. | 0:14:28 | 0:14:32 | |
Oh, I think that's so lovely. | 0:14:32 | 0:14:35 | |
And so to wind it back up you just wind the tail. | 0:14:35 | 0:14:40 | |
-So it would date from about the 1920s. -Yeah. | 0:14:40 | 0:14:44 | |
-What's interesting is this celluloid body here. -Yeah. -It's like an early plastic. | 0:14:44 | 0:14:51 | |
-And the colour of that green. -Is great. The colour is great. | 0:14:51 | 0:14:55 | |
-That's a very interesting item. -It's £90. | 0:14:55 | 0:14:59 | |
£90... | 0:14:59 | 0:15:01 | |
-What do you think about that? -I think it's well worth £90 for it's a little oddity, | 0:15:01 | 0:15:07 | |
it's a little curiosity. | 0:15:07 | 0:15:10 | |
-But I think you may struggle to make profit on it. But if you really like it. -It'll struggle. | 0:15:10 | 0:15:17 | |
-I think we carry on looking. -Yeah. -Carry on looking? | 0:15:17 | 0:15:21 | |
-But I'm convinced by it, so... -Ohhhh! | 0:15:21 | 0:15:25 | |
You have to find something better. | 0:15:25 | 0:15:28 | |
Hm. Tension in the camp, eh? | 0:15:30 | 0:15:33 | |
The Reds are still looking for their second item. Get a move on, chaps. | 0:15:33 | 0:15:38 | |
-I like that colour. That is gorgeous. -I like this... | 0:15:39 | 0:15:44 | |
-It's a lava effect. -Fantastic, isn't it? | 0:15:44 | 0:15:48 | |
-And the colours are beautiful. -'70s stuff is getting collectable. | 0:15:48 | 0:15:53 | |
-It's beautiful. -Quite funky. -I love the colours. -What's your best on that? | 0:15:53 | 0:15:58 | |
I can do 40 as the very best. | 0:15:58 | 0:16:01 | |
We are selling in a very traditional country saleroom. | 0:16:01 | 0:16:05 | |
-This is more your London piece. -I think it would sell anywhere. -Do you? -I do. | 0:16:05 | 0:16:11 | |
-Would you have it in your home? -I would. -It's nice. -35 and it's... | 0:16:11 | 0:16:17 | |
-No, it's striking. -< 38 and it's a deal. | 0:16:17 | 0:16:20 | |
-Ohhh! -Ohhh! -Ohhh! | 0:16:20 | 0:16:23 | |
Ohhhh! Oh, oh, oh! | 0:16:23 | 0:16:26 | |
-I like it. -It's '70s. '70s is quite trendy. German. | 0:16:26 | 0:16:30 | |
-I'm actually agreeing here. -Maybe we should get this while he's agreeing! -Yeah? You sure? | 0:16:30 | 0:16:37 | |
Takes some of the pressure off me. | 0:16:37 | 0:16:40 | |
Can you feel it? Can you feel all the pressure? | 0:16:40 | 0:16:44 | |
£38? Oh, deal. | 0:16:44 | 0:16:47 | |
I don't know what you're feeling, girls. | 0:16:47 | 0:16:50 | |
Now listen up. Anita's got some good advice. | 0:16:50 | 0:16:54 | |
-Don't leave it to the last minute. -OK. -We've got 12 minutes. | 0:16:54 | 0:16:59 | |
-Are you going to try to persuade him? -Yeah. He's got 12 minutes to find something better. | 0:16:59 | 0:17:05 | |
12 minutes! | 0:17:05 | 0:17:06 | |
So sweet. The pressure's on, Matt! | 0:17:06 | 0:17:10 | |
No. | 0:17:13 | 0:17:14 | |
-I personally like this type of thing. Do you like it? -No. | 0:17:14 | 0:17:19 | |
-What about the little match case? -No. | 0:17:19 | 0:17:24 | |
Hm, bad luck, Matt. Have the Reds found their third item yet? | 0:17:24 | 0:17:28 | |
There's one there and one there. Take your pick. | 0:17:28 | 0:17:32 | |
That'll be a "no", then. | 0:17:32 | 0:17:34 | |
Come on, quick! Only got 8 minutes! | 0:17:34 | 0:17:37 | |
-Am I able to persuade you for the hare? -If you've fallen in love with it and think other people will. | 0:17:37 | 0:17:43 | |
-Someone there will want it. -We need a better price. | 0:17:43 | 0:17:47 | |
Hello! We're back. | 0:17:47 | 0:17:50 | |
We couldn't resist the tape measurer. | 0:17:50 | 0:17:54 | |
So what's your very, very best price? | 0:17:54 | 0:17:57 | |
-£85. -85? | 0:17:57 | 0:17:59 | |
Can we push that? 75? | 0:17:59 | 0:18:01 | |
No. 80. | 0:18:01 | 0:18:03 | |
-80? -80? -I mean, that's £10 off it. That's quite good. | 0:18:03 | 0:18:08 | |
-You're definitely convinced? -Yep. -We'll definitely make a profit? | 0:18:08 | 0:18:12 | |
If we don't, I'll buy you a drink. | 0:18:12 | 0:18:15 | |
A reasonable idea. | 0:18:15 | 0:18:18 | |
-So you say! -So £80? | 0:18:18 | 0:18:20 | |
Fair enough. Excellent. Thank you very much. | 0:18:20 | 0:18:24 | |
The Blues are done, but with five minutes to go the Reds are starting to panic. | 0:18:25 | 0:18:31 | |
Keep looking! ..That's too much. | 0:18:31 | 0:18:33 | |
-That's very sweet, isn't it? -Do you like that? | 0:18:35 | 0:18:38 | |
-I quite like the matching lid. -It is very pretty. | 0:18:38 | 0:18:43 | |
-It's in lovely condition. -It is. | 0:18:43 | 0:18:46 | |
You can imagine something like this on a gentleman's desk. It's fake tortoiseshell, not real. | 0:18:46 | 0:18:52 | |
Probably '50s. Maybe slightly later. | 0:18:53 | 0:18:56 | |
-It's unusual, but practical as well. -Hello. -Hello. | 0:18:56 | 0:19:00 | |
-what do you think, Jason? -It's a decorative piece. I can see it on my desk. | 0:19:00 | 0:19:06 | |
-Would you buy it? -I said a gentleman's desk. | 0:19:06 | 0:19:10 | |
Maybe not on my desk, then! | 0:19:10 | 0:19:13 | |
How much is on this? | 0:19:13 | 0:19:16 | |
£55. | 0:19:16 | 0:19:17 | |
-We have 30 seconds left. -Have we? -30 seconds. | 0:19:17 | 0:19:21 | |
-What about that? -No, no, no. | 0:19:21 | 0:19:24 | |
Let's go for this, Catherine. | 0:19:24 | 0:19:27 | |
-We've got 10 seconds. Sure? -We'd like this. Is that OK? -Yes! | 0:19:27 | 0:19:32 | |
Thank you! | 0:19:32 | 0:19:33 | |
Cor, that sure is close to the wire. | 0:19:35 | 0:19:38 | |
Hold fire, everyone. Your time is up! | 0:19:40 | 0:19:44 | |
Let's remind ourselves what our teams have bought. | 0:19:44 | 0:19:48 | |
An enamel powder compact was purchased for £40. | 0:19:48 | 0:19:53 | |
This 1970s West German lava vase was snapped up for £38. | 0:19:56 | 0:20:02 | |
And this ink stand was bought, with only seconds to go, for £55. | 0:20:03 | 0:20:08 | |
-Last-minute stuff there! -It was a little bit exciting! | 0:20:10 | 0:20:14 | |
A little bit desperate, I think. | 0:20:14 | 0:20:17 | |
-So you spent 133? -Yes. | 0:20:17 | 0:20:19 | |
So £167 of leftover lolly. That's lovely - 167 for you. Are you as cold as you look? | 0:20:19 | 0:20:27 | |
I'm absolutely freezing and I'm not going to take such a desperate purchase. I'll take my time. | 0:20:27 | 0:20:33 | |
We'll catch up with you later. Why don't we remind ourselves of what the Blues bought? | 0:20:33 | 0:20:39 | |
Those! | 0:20:39 | 0:20:41 | |
At £130, these four Italian chairs should certainly brighten up the saleroom! | 0:20:41 | 0:20:47 | |
And the retro theme continues. | 0:20:50 | 0:20:52 | |
£45 paid for this spaced-out television set. | 0:20:52 | 0:20:56 | |
And, finally, Gemma got the measure of Matt with the novelty hare. | 0:20:58 | 0:21:02 | |
-Right, you two. You've had a 20th-century design fest. -We have. | 0:21:04 | 0:21:08 | |
-Did you enjoy it? -Yes. Really enjoyed it. -Good. | 0:21:08 | 0:21:12 | |
-And you spent a good wodge. How much? -We spent £255. | 0:21:12 | 0:21:16 | |
I'd like £45 of leftover lolly. That goes straight to Anita. | 0:21:16 | 0:21:21 | |
-It's something of a task, isn't it? With only £45. -No. | 0:21:21 | 0:21:26 | |
-That's easy peasy. -Och! Easy peasy? | 0:21:26 | 0:21:30 | |
Pride before a fall, Anita! | 0:21:30 | 0:21:32 | |
Good luck. For the rest of us, we're about to shove off to sunny Chiswick. | 0:21:32 | 0:21:39 | |
Chiswick House is magnificent. | 0:21:41 | 0:21:44 | |
Designed by the Earl of Burlington, its pillars and porticos echo the classical buildings | 0:21:44 | 0:21:50 | |
of Greece and Rome, made famous by the greatest of Venetian architects. | 0:21:50 | 0:21:56 | |
Andrea Palladio was born in 1508 and died in 1580. | 0:21:56 | 0:22:02 | |
And apart from his obvious skills as an architect, | 0:22:02 | 0:22:06 | |
he was also a great self-publicist | 0:22:06 | 0:22:09 | |
because he produced four volumes on architecture | 0:22:09 | 0:22:14 | |
which survived and became the inspirational for subsequent generations of architects. | 0:22:14 | 0:22:22 | |
But what are the salient features of Palladianism? | 0:22:22 | 0:22:26 | |
Well, as you can see, this structure is of supremely high quality. | 0:22:26 | 0:22:30 | |
It's made of Portland stone and every moulding and element of it has been carefully conceived. | 0:22:30 | 0:22:38 | |
These three windows each incorporate arches and they're referred to today as Italianate windows. | 0:22:39 | 0:22:46 | |
The central Italianate window provides a landing | 0:22:46 | 0:22:50 | |
for this elaborate series of double staircases that lead up to it. | 0:22:50 | 0:22:56 | |
And if you look at the mouldings underneath this terrace, | 0:22:56 | 0:23:00 | |
you see that it incorporates a Greek key fret pattern here | 0:23:00 | 0:23:05 | |
and underneath we have a Vitruvian scroll, | 0:23:05 | 0:23:09 | |
which looks slightly like a series of stylised waves rolling towards the shore. | 0:23:09 | 0:23:16 | |
All of this is classical ornament, | 0:23:16 | 0:23:19 | |
but actually this is the least ornamented of the elevations here at Chiswick | 0:23:19 | 0:23:25 | |
because it's the back door. Just come and have a look at the front. | 0:23:25 | 0:23:30 | |
Wow! Look at this! | 0:23:41 | 0:23:44 | |
Perfect symmetry. | 0:23:44 | 0:23:46 | |
Absolute luxury. | 0:23:46 | 0:23:49 | |
Can you imagine the thrill of arriving here | 0:23:49 | 0:23:53 | |
and enjoying a party with Lord Burlington? This is the ultimate in classical architecture. | 0:23:53 | 0:24:01 | |
And it was designed by Burlington himself. | 0:24:01 | 0:24:05 | |
No architect by training, but a man inspired by the designs of Palladio some 200 years earlier. | 0:24:05 | 0:24:13 | |
The portico here is perfectly proportioned. | 0:24:17 | 0:24:21 | |
We've got a perfect triangular pediment sitting on massive fluted columns | 0:24:21 | 0:24:28 | |
with Corinthian capitals | 0:24:28 | 0:24:32 | |
and acreage of entirely plain walls on either side. | 0:24:32 | 0:24:36 | |
But below the piano nobile sits the basement level | 0:24:36 | 0:24:41 | |
which has been rusticated | 0:24:41 | 0:24:43 | |
Each of those blocks of stone originally was smooth. | 0:24:43 | 0:24:47 | |
They've been deliberately sculpted, chiselled away to create this almost lava, grotto-like effect | 0:24:47 | 0:24:55 | |
which is not only rough, but extremely elegant. | 0:24:55 | 0:25:00 | |
The big question is today, of course, over at the auction | 0:25:01 | 0:25:05 | |
will our contestants be finding it rough? | 0:25:05 | 0:25:09 | |
80. 400. And 20. 450. | 0:25:16 | 0:25:21 | |
It's great to be with Jonathan Pratt over at Bellmans. | 0:25:21 | 0:25:25 | |
First up, then, Jason and Jerry with the powder compact. | 0:25:25 | 0:25:30 | |
Well, it's silver and it's enamel. That's always nice. | 0:25:30 | 0:25:33 | |
-Pale blue, nice touch, but scratched to smithereens. -Scratches. Bad condition. | 0:25:33 | 0:25:39 | |
You could polish it back. We'd probably put it with other items so I'm putting it at £25-£35. | 0:25:39 | 0:25:47 | |
£40 paid. I frankly don't think that stands a snowflake's chance. | 0:25:47 | 0:25:51 | |
-Next is the lava vase - one of the most grotesque and ghastly things I've seen in years! -Absolutely. | 0:25:51 | 0:25:59 | |
-I should be standing in sandals and socks. -You should. | 0:25:59 | 0:26:03 | |
-It's just... Well, an acquired taste and it's not mine, but someone will love it, will they? -Yes. | 0:26:03 | 0:26:09 | |
-They will. -What's your estimate on it? -£30-£40. | 0:26:09 | 0:26:14 | |
£38 paid. They may have just paid spot on for that. | 0:26:14 | 0:26:18 | |
-Now this faux tortoiseshell, which is actually plastic. -It is. -Plastic and gilt metal. | 0:26:18 | 0:26:24 | |
-The word "faux" - fantastic(!) -Made when? 1970s? 1980s? | 0:26:24 | 0:26:29 | |
-Fairly modern. -Fairly modern. -I've been a little bit scathing on my estimate. -What did you put? | 0:26:29 | 0:26:35 | |
-£15-£20. -Good estimate. £55 paid. | 0:26:35 | 0:26:38 | |
-Possibly my estimate is conservative, but to get £55, well, we hope. -We hope. | 0:26:38 | 0:26:44 | |
We'll have to hope quite strongly. They're almost guaranteed to need the Bonus Buy. | 0:26:44 | 0:26:50 | |
Jason and Jerry, you did very well in the shopping. You gave Catherine £167. | 0:26:50 | 0:26:58 | |
-And she's bought your Bonus Buy. Has she burnt the lot? -I wouldn't. | 0:26:58 | 0:27:03 | |
-There we are. -Ahh! -OK. | 0:27:03 | 0:27:05 | |
A loving cup. | 0:27:05 | 0:27:07 | |
-Is that what it is? -With the two handles. -I haven't seen anything like this. | 0:27:07 | 0:27:13 | |
This is called lustreware. Sunderland lustreware. | 0:27:13 | 0:27:17 | |
It's got this wonderful iridescent finish. | 0:27:17 | 0:27:20 | |
-And that's achieved by using metallic pigments. -Right. -I think it's a lovely effect | 0:27:20 | 0:27:26 | |
-and it is very collectable. -Looks nice. -Pretty. | 0:27:26 | 0:27:30 | |
Then we've got the transfer decoration of the ship here. | 0:27:30 | 0:27:34 | |
-And a little poem underneath. -A lovely poem. | 0:27:34 | 0:27:39 | |
-I think that's lovely. -What do you think? -Yeah, I really like it. So how much? -I only paid £50. | 0:27:39 | 0:27:46 | |
And I used to sell these for... | 0:27:46 | 0:27:49 | |
Dare I say, about £80-£100. | 0:27:50 | 0:27:53 | |
-And I would be upset if it didn't... if it stayed at 50 or a bit below. -So would I if we choose it! | 0:27:53 | 0:28:00 | |
-But I do think there is profit in that. -OK. -Well, let's not get too muggy about this, | 0:28:00 | 0:28:06 | |
but for the viewers at home, let's find out what the auctioneer thinks of Catherine's loving cup. | 0:28:06 | 0:28:12 | |
-So two-handled, splodgy pink decoration like that is typical of Sunderland. -Absolutely. | 0:28:12 | 0:28:20 | |
-They made their name out of it. -They did, really. | 0:28:20 | 0:28:24 | |
-We're a long way from Northumberland. Will you have a buyer? -With the internet. -How much? | 0:28:24 | 0:28:30 | |
-£40-£60. -Brilliant. Catherine paid £50 for it and she loves it. | 0:28:30 | 0:28:35 | |
Now for the Blues. First up are four of these uranium orange upholstered jokers down there. | 0:28:35 | 0:28:42 | |
Well, it's a reproduction of a '60s chair in the manner of Eames or something like that. | 0:28:42 | 0:28:49 | |
-Yes. -They're all the rage. People will put a Georgian side table in the room | 0:28:49 | 0:28:55 | |
-and have those on a painted wooden floor. -Yes, and quite stylish it is. | 0:28:55 | 0:29:00 | |
I would be perfectly happy having those in my house. | 0:29:00 | 0:29:04 | |
-It would all boil down to price. -Well, there's four of them. £70-£100. | 0:29:04 | 0:29:09 | |
They paid £130. They got slightly carried away, | 0:29:09 | 0:29:13 | |
but they're clearly a pretty funky team because that leads us straight to the Discoverer TV set, | 0:29:13 | 0:29:21 | |
-which is again an acquired taste. -Absolutely. I think it's funny. | 0:29:21 | 0:29:26 | |
I did some research on it and I found one in an auction described as a TV modelled as a motorcycle helmet. | 0:29:26 | 0:29:33 | |
Which, when you think about it, it's exactly that. | 0:29:33 | 0:29:38 | |
-What sort of price range was the Discoverer selling for? -As little as £40 or £50 | 0:29:38 | 0:29:44 | |
and, crikey, one example sold in Scotland, not in Anita's saleroom, | 0:29:44 | 0:29:48 | |
-but somewhere in Scotland for over £160. -Did it? | 0:29:48 | 0:29:52 | |
-But you're not going to be able to plug it in and use it. -Well, I don't know. Can't you? | 0:29:52 | 0:29:59 | |
Not when it goes digital. | 0:29:59 | 0:30:01 | |
Well, we've got that broad spectrum of price. What will you put on it in today's sale? | 0:30:01 | 0:30:07 | |
-Still I've gone for... I think £80-£120 is realistic. -Have you? | 0:30:07 | 0:30:12 | |
-£45 they paid. -Good. -So, you see, they have got the eye and they could make a wodge on that. | 0:30:12 | 0:30:19 | |
Lastly, and at the other end of the size and generation spectrum, we've got this oddball tape measure, | 0:30:19 | 0:30:27 | |
-which is great fun. -Yeah. Novelty items are just the key when selling works of art. | 0:30:27 | 0:30:33 | |
-And then it's got function. Winding the tail is great fun. -Yeah. -But it's base metal. | 0:30:33 | 0:30:40 | |
-It's an entry-level collectable. -A seriously cheap job, but fun. | 0:30:40 | 0:30:45 | |
-How much, do you think? -I've put £30-£40. | 0:30:45 | 0:30:48 | |
OK. They paid £80. So, overall, they should be just about all right, | 0:30:48 | 0:30:53 | |
but they might need the Bonus Buy. | 0:30:53 | 0:30:56 | |
Gemma and Matt, you spent a magnificent £255, | 0:30:57 | 0:31:02 | |
leaving Anita with only £45 of leftover lolly. Anita? | 0:31:02 | 0:31:07 | |
-Ohh...that's interesting. -Is it? -What is it? | 0:31:08 | 0:31:12 | |
Have a wee look at it. It's a lovely wee gilt metal box. | 0:31:12 | 0:31:18 | |
If you open it up, you'll see how beautifully it's made. | 0:31:18 | 0:31:23 | |
-That is pretty. -And on the lid we have these lovely little florets. -Yeah. | 0:31:23 | 0:31:29 | |
With the little centres made of turquoise. I would imagine | 0:31:29 | 0:31:34 | |
that you could keep beetles in there, tiny wee beetles, | 0:31:34 | 0:31:38 | |
or you could put some scented leaves or scented flowers. | 0:31:38 | 0:31:42 | |
-Awww. -Awww! | 0:31:42 | 0:31:44 | |
-How old is it? -I would say it's the beginning of the 20th century. | 0:31:44 | 0:31:49 | |
-Late 19th, early 20th century. -And how much did you pay? | 0:31:49 | 0:31:53 | |
-I paid £20. -Mmm. -Which I think is quite a reasonable price | 0:31:53 | 0:31:59 | |
-for such a nicely-made little object. -Yes. | 0:31:59 | 0:32:04 | |
-And how much profit will we make? -It could make £10. Or £20. | 0:32:04 | 0:32:10 | |
I think there is profit in it. Just how much we will not know until the hammer falls. | 0:32:10 | 0:32:16 | |
-Yeah. -You're absolutely right. You don't choose until after the sale of your first three items, | 0:32:16 | 0:32:22 | |
but let's find out what the auctioneer thinks. | 0:32:22 | 0:32:26 | |
So this is intriguing, isn't it? Look - the pierced top with those little turquoise eyes in it. | 0:32:26 | 0:32:34 | |
I think if this were made of silver it would be a wonderful thing. | 0:32:34 | 0:32:38 | |
-A nice quality, low-grade product. Very nicely made. I like it. -What's your estimate on it? | 0:32:38 | 0:32:44 | |
-I've put £30-£40. -She'll love you. She only paid 20. | 0:32:44 | 0:32:48 | |
That is just the right note if the team go with it, which we'll find out later. | 0:32:48 | 0:32:54 | |
-Feeling confident? -Oh, yeah. -You're going to kill 'em. -Yes! -Great. | 0:32:54 | 0:32:59 | |
-Jason and Jerry, is this exciting or is it exciting? -Absolutely! | 0:33:07 | 0:33:12 | |
-You've waited a good old time to arrive at the auction. -Yeah. -Are you full of any concerns? | 0:33:12 | 0:33:19 | |
-We're a little concerned. -What about? -The inkwell. -Are you? -It was a desperate choice. | 0:33:19 | 0:33:25 | |
-We had about three seconds. -He's put a very low estimate of £15-£20. | 0:33:25 | 0:33:30 | |
But in the same breath he says there are inkwell collectors, it will be on the internet... | 0:33:31 | 0:33:38 | |
First up is the compact. | 0:33:38 | 0:33:40 | |
In RAF blue, here it comes. | 0:33:40 | 0:33:42 | |
A silver and pale blue enamel powder compact. Birmingham, 1936. | 0:33:42 | 0:33:47 | |
And start me at £20 for this? The compact for £20? Thank you. | 0:33:47 | 0:33:52 | |
£20 is bid. 5 anywhere? £20 front row. I'll take 2. | 0:33:52 | 0:33:57 | |
-The maiden bid is £20. All done? -Scratching. -22. | 0:33:57 | 0:34:02 | |
25. 28. | 0:34:02 | 0:34:04 | |
-Yes! -30. 35. | 0:34:04 | 0:34:07 | |
35 with the gentleman on the right. 40. | 0:34:07 | 0:34:11 | |
-£40. -Get away! £40! -I'll sell it for 40, then. | 0:34:11 | 0:34:16 | |
-At £40. -You wiped your face. | 0:34:16 | 0:34:18 | |
That is just so good! Who could possibly have believed that? | 0:34:18 | 0:34:23 | |
-Now the lava vase. -We like this. -I like this. -You do? | 0:34:23 | 0:34:28 | |
A floor vase. West German. I've got...£15. | 0:34:28 | 0:34:34 | |
With me at £15. 20. | 0:34:34 | 0:34:36 | |
25. 30 at the back. At 30. | 0:34:36 | 0:34:40 | |
-35 in front. 40. -In profit. -45. 50. £50, back of the room. | 0:34:40 | 0:34:45 | |
5 anywhere else? He's gone 55 now. | 0:34:45 | 0:34:49 | |
-60. -It's going on! -5 now. 70. | 0:34:49 | 0:34:53 | |
-75. -Somebody will have a heart attack! | 0:34:53 | 0:34:56 | |
85. 90. £90, still standing. Back of the room at £90. | 0:34:56 | 0:35:01 | |
- He's a good lad! - All done. 90. | 0:35:01 | 0:35:05 | |
-Well done. -That would be plus 52. | 0:35:05 | 0:35:08 | |
-Plus 52. -It can't be! | 0:35:08 | 0:35:10 | |
Plus 52! Plus 52! | 0:35:10 | 0:35:13 | |
-I'm in shock. -Amazing. -Now the ink stand. -Where it all goes wrong. | 0:35:13 | 0:35:18 | |
-We have the ink stand to surmount. -Yeah. | 0:35:18 | 0:35:22 | |
Lot 1793A. A faux tortoiseshell | 0:35:22 | 0:35:24 | |
glass and brass-mounted ink stand of square form. Two bids I have. | 0:35:24 | 0:35:30 | |
15. 18. 20. | 0:35:30 | 0:35:31 | |
And 5. £25 I'm bid. | 0:35:31 | 0:35:34 | |
At 25. Looking for 28 now. £25 commission. | 0:35:34 | 0:35:38 | |
Come on, Jonathan. | 0:35:38 | 0:35:40 | |
Are you all done? Straight in at £25. All done? | 0:35:40 | 0:35:44 | |
£25. | 0:35:44 | 0:35:46 | |
-£25 means you're minus 30. -You were doing so well. | 0:35:47 | 0:35:51 | |
So you are plus 22 overall. | 0:35:51 | 0:35:53 | |
Nothing wrong with that. £22 in the bank. That's good! | 0:35:53 | 0:35:57 | |
After what we said about your lava vase, being so crabby about it. | 0:35:57 | 0:36:02 | |
-I know! -You've done really well. -It's a trendy thing. | 0:36:02 | 0:36:06 | |
What about the loving cup? Going to take a chance at 50? Or bank the £22? | 0:36:06 | 0:36:13 | |
-You're taking home money at 22. -We like it. -And banking it. | 0:36:13 | 0:36:17 | |
-No... -We're going to go for it. We like it. -Are you sure? -Every confidence. | 0:36:17 | 0:36:22 | |
The die is cast. The loving cup. Here it comes. | 0:36:22 | 0:36:27 | |
A Sunderland mottled pink lustre loving cup. 1971, with motto, ships and all sorts on there. | 0:36:27 | 0:36:34 | |
A good example this is. And I've got five bids. | 0:36:34 | 0:36:38 | |
And I've got...40, | 0:36:38 | 0:36:41 | |
-60, 65, £70 straight in. -Yes! | 0:36:41 | 0:36:46 | |
75 now I'm bid. At 75. 80. Do I see 5? | 0:36:46 | 0:36:49 | |
Any more? At £80, then. 85. | 0:36:49 | 0:36:52 | |
-Yes! -90. 95. | 0:36:52 | 0:36:55 | |
95 on the right. At 95 and selling. All done? It's going. | 0:36:55 | 0:37:00 | |
Last chance. At £95. All done. | 0:37:00 | 0:37:04 | |
Catherine, you are brilliant. | 0:37:04 | 0:37:06 | |
-Thank you. -Superb! | 0:37:06 | 0:37:08 | |
So £95. You are up £45 on the loving cup. | 0:37:08 | 0:37:13 | |
45, 65, £67. | 0:37:13 | 0:37:17 | |
£67 up. | 0:37:17 | 0:37:20 | |
-Fabulous. -Superb. -I'd say that's good, too. | 0:37:20 | 0:37:23 | |
Don't say a word to the Blues. No point in spoiling their day. | 0:37:23 | 0:37:28 | |
# Money, money, money, money Money! | 0:37:28 | 0:37:32 | |
# Money, money, money, money Money! # | 0:37:32 | 0:37:36 | |
Now Gemma and Matt, | 0:37:36 | 0:37:39 | |
-had a chat with the Reds? -No. -Not yet. -Got any news from them? | 0:37:39 | 0:37:44 | |
-No. -No. Well, I hope you haven't been chatting. | 0:37:44 | 0:37:49 | |
-Now how confident are you? -Mixed, mixed feelings. | 0:37:49 | 0:37:53 | |
We can make a profit on the TV, not sure about the chairs. | 0:37:53 | 0:37:57 | |
We don't have a lot of 20th-century design in the room, | 0:37:57 | 0:38:01 | |
but I'm hoping it will have been viewed on the internet. | 0:38:01 | 0:38:05 | |
Let's hope for the best. | 0:38:05 | 0:38:08 | |
A set of four tub chairs in the manner of Charles and Eames. | 0:38:08 | 0:38:13 | |
Orange upholstery. Fashionable lot, this, I'm sure. | 0:38:13 | 0:38:16 | |
I have £60 to start me. At £60. | 0:38:16 | 0:38:21 | |
I'll take 5. 65. 70. 75. | 0:38:21 | 0:38:23 | |
-And 80. -Yes, go on. -£80. -Kick on. | 0:38:23 | 0:38:27 | |
-One more might do it. -Oh, £80. | 0:38:27 | 0:38:30 | |
-I'll sell it at 80. -I don't believe this. | 0:38:30 | 0:38:33 | |
Last chance, then, at £80. | 0:38:33 | 0:38:35 | |
£80. You are minus 50 on that. | 0:38:35 | 0:38:38 | |
-Not a good buy! -Minus 50, but don't worry. You'll make it all back. | 0:38:38 | 0:38:43 | |
We have this Philips Discoverer television set in the shape of a space helmet. | 0:38:43 | 0:38:49 | |
1980s one. I can start at... | 0:38:49 | 0:38:53 | |
-£50. -Straight into profit. | 0:38:53 | 0:38:56 | |
A commission bid at 50. I'll take 5. 55. 60. | 0:38:56 | 0:39:00 | |
65. 70. 75. 80. | 0:39:00 | 0:39:03 | |
-Look at this. -85. 90. -Look at this. | 0:39:03 | 0:39:06 | |
95. And 100. With me at £100. | 0:39:06 | 0:39:09 | |
Do I see 10? Against you at £100. | 0:39:09 | 0:39:12 | |
Going at £100. | 0:39:12 | 0:39:14 | |
That is so good. That is so good. That is plus 55. | 0:39:14 | 0:39:18 | |
You were minus 50. Now plus 5. | 0:39:18 | 0:39:21 | |
You're a fiver up, right? | 0:39:21 | 0:39:23 | |
-A fiver up. Now you paid £80 for this. -Gemma paid £80. | 0:39:23 | 0:39:29 | |
£80 for the novelty hare. | 0:39:29 | 0:39:31 | |
-It's been on the internet. -A brass novelty tape measure in the form of a seated hare. | 0:39:31 | 0:39:37 | |
Crikey. Everyone wants this lot. | 0:39:37 | 0:39:40 | |
-Hey! -Start low, though - 35, 55, 60...60. | 0:39:40 | 0:39:46 | |
£70 I'm bid and I'll take 5. | 0:39:46 | 0:39:49 | |
£70 and I'll take 5. Lots of interest. At £70, commission bid. | 0:39:49 | 0:39:54 | |
-At 70. -Oh, no. -75 clears the commission. Any more than £75? | 0:39:54 | 0:39:59 | |
-Are we all done at £75? -I don't believe this! Selling at 75! This is terrible! | 0:39:59 | 0:40:05 | |
-£75. -£75 is minus £5, which means you're nowhere! | 0:40:05 | 0:40:11 | |
You have no profit and no loss. You have absolutely nothing! | 0:40:12 | 0:40:18 | |
Listen - could be a winning score. | 0:40:18 | 0:40:21 | |
-Or are you going to go with the Bonus Buy? -We've got to. -Got to go for it. | 0:40:21 | 0:40:27 | |
-Have you? -I trust this lady. I trust this lady. -You trust her? | 0:40:27 | 0:40:32 | |
-You're going to go with the box? -Yes. -Here comes the Bonus Buy. | 0:40:32 | 0:40:36 | |
A rectangular gilt metal box, | 0:40:36 | 0:40:39 | |
early 19th-century design. Nicely pierced with an inset top. | 0:40:39 | 0:40:44 | |
-£25 I have to start. At £25. -We're already in profit. -Take 28. | 0:40:44 | 0:40:50 | |
At £25. 28. And 30. 32. 35. | 0:40:50 | 0:40:53 | |
-Look out. -38. And 40. £40. | 0:40:53 | 0:40:56 | |
Look out, kids. This is typical Anita Manning. | 0:40:56 | 0:41:01 | |
-At £40, selling. -Plus £20. So, overall, you are plus 20. | 0:41:01 | 0:41:06 | |
-How good is that? -I'm pleased. -Everybody should be chuffed. | 0:41:06 | 0:41:11 | |
Could be a winning score. Don't say a thing to the Reds. We'll reveal all in a moment. | 0:41:11 | 0:41:17 | |
# Money, money, money, money Money! | 0:41:17 | 0:41:20 | |
# Money, money, money, money... # | 0:41:20 | 0:41:24 | |
Well, that was fun, wasn't it? In fact, great fun. Today's teams are both going to go home | 0:41:24 | 0:41:31 | |
with cash in their pockets as a result of the great expertise and skills they've shown today. | 0:41:31 | 0:41:38 | |
And they also deserve a medal. To make a profit on this programme is difficult enough. | 0:41:38 | 0:41:45 | |
You're both ahead, but which is which? | 0:41:45 | 0:41:49 | |
Which team is marginally nudging in front of the other? They genuinely don't know. | 0:41:49 | 0:41:55 | |
We don't have losers any more. We simply have runners-up. Today it's the Blues. | 0:41:55 | 0:42:02 | |
-Sorry, kids. You had a good time? -Yeah, we did. -You gave them a really good run for your money. | 0:42:02 | 0:42:08 | |
-That lovely profit of £20 on the gilt metal box was helpful. -Yes, you saved us. | 0:42:08 | 0:42:14 | |
Actually, they had no profit, no loss at that moment, but the Bonus Buy gave them £20. | 0:42:14 | 0:42:20 | |
-Saved the day. -There's the £20. Not bad, is it? -Not bad at all. | 0:42:20 | 0:42:25 | |
To be walking home with cash! You've been a lovely team. Thank you. | 0:42:25 | 0:42:30 | |
But the victors today are going to take home 67 smackers! | 0:42:30 | 0:42:35 | |
-Thank you. -£52 up on that hideous lava vase! I mean... | 0:42:35 | 0:42:41 | |
Just shows what I know about stuff. That was really good. | 0:42:41 | 0:42:46 | |
£45 up on the Sunderland lustre loving cup, which was a real achievement, Catherine. Well done. | 0:42:46 | 0:42:54 | |
-Anyway, overall it shakes out at plus £67. -We're over the moon. -That's amazing. | 0:42:54 | 0:43:00 | |
We're over the moon for you. It's lovely to have two teams of winners. | 0:43:00 | 0:43:05 | |
Join us soon for more bargain hunting! | 0:43:05 | 0:43:08 | |
Subtitles by Subtext for Red Bee Media Ltd - 2010 | 0:43:20 | 0:43:24 | |
Email [email protected] | 0:43:25 | 0:43:27 |