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Cor, it's chilly today. | 0:00:01 | 0:00:03 | |
In fact, it's downright freezing! | 0:00:03 | 0:00:06 | |
And the only thing that's going to warm us up is a spot of bargain hunting. | 0:00:06 | 0:00:11 | |
Cor, what an urner. | 0:00:11 | 0:00:12 | |
Welcome to Newark, | 0:00:36 | 0:00:37 | |
the largest antiques fair in Europe. | 0:00:37 | 0:00:41 | |
There are 3,000 stalls here, | 0:00:41 | 0:00:43 | |
and thank goodness I've got this little baby. | 0:00:43 | 0:00:46 | |
We're talking about the buggy, and here's a snippet of what's coming up. | 0:00:46 | 0:00:50 | |
Take it away, girl! | 0:00:50 | 0:00:52 | |
In Red today, Anthea has teamed up with her Auntie Julie. | 0:00:54 | 0:00:59 | |
What about £60, and I'll show you my boots! | 0:00:59 | 0:01:03 | |
LAUGHTER | 0:01:03 | 0:01:04 | |
Their opponents are Janet and her friend Anne. | 0:01:05 | 0:01:09 | |
I keep getting left behind. | 0:01:09 | 0:01:12 | |
Shopping's not as easy as it looks. | 0:01:12 | 0:01:15 | |
-What have you found, ladies? -Absolutely nothing. | 0:01:15 | 0:01:17 | |
I'm panicking now, James. | 0:01:17 | 0:01:19 | |
How will it pan out at the auction? | 0:01:19 | 0:01:21 | |
But that's for later. | 0:01:23 | 0:01:25 | |
-Hi, guys. -BARGAIN HUNTERS: Hello. | 0:01:25 | 0:01:27 | |
Lovely to see you. Now, what's your tactics to beat the Blues? | 0:01:27 | 0:01:30 | |
I think we're going to flutter our eyelashes. | 0:01:30 | 0:01:33 | |
Yeah, and flirt with the boots. | 0:01:33 | 0:01:35 | |
-Is that the boots? -Yes, the boots. | 0:01:35 | 0:01:37 | |
They are something else, those boots, aren't they? | 0:01:37 | 0:01:40 | |
-They are. -I mean, you are definitely in the Red team. | 0:01:40 | 0:01:43 | |
-We are. -Now what's it with you and pyjamas then? | 0:01:43 | 0:01:47 | |
Gosh, after about nine o'clock, I'm very settled, so if I need to | 0:01:47 | 0:01:50 | |
got to the shop, unfortunately, I still go in my pyjamas and slippers. | 0:01:50 | 0:01:54 | |
We're talking about nine o'clock in the evening? What, you just walk round the corner? | 0:01:54 | 0:01:58 | |
No, I have to drive there, as well. | 0:01:58 | 0:02:01 | |
-You get in the car, in your jim-jams, with your slippers? -Yeah. | 0:02:01 | 0:02:05 | |
And drive to the garage after nine? | 0:02:05 | 0:02:06 | |
Yeah. | 0:02:06 | 0:02:08 | |
Gosh. What about you, Jules, you've had one or two unfortunate experiences at work, haven't you? | 0:02:08 | 0:02:13 | |
I have. Yes. I started work in a new office. | 0:02:13 | 0:02:18 | |
I didn't know the sort of office protocol. | 0:02:18 | 0:02:20 | |
I went to the toilet, later on in the evening. | 0:02:20 | 0:02:24 | |
-Well, it was about quarter to five. -You just had the call of nature. | 0:02:24 | 0:02:27 | |
Yes. Just went to the toilet, | 0:02:27 | 0:02:29 | |
and after I'd finished, I went to open the door, I couldn't get out. | 0:02:29 | 0:02:33 | |
They'd bolted the door from the outside, it was a protocol to bolt the door at the top. | 0:02:33 | 0:02:37 | |
-And they locked you in? -Yes. -And they had gone home? | 0:02:37 | 0:02:41 | |
-Yes. -So what did you do, settle down for the night? | 0:02:41 | 0:02:44 | |
Well, I did start to, I sort of raided the cupboard, there was some | 0:02:44 | 0:02:47 | |
mops in there, thinking I could sit on the toilet | 0:02:47 | 0:02:50 | |
-and make myself comfortable for the night. -Absolutely. | 0:02:50 | 0:02:53 | |
Get a few rolls out, just in case you want to make a nice pillow. | 0:02:53 | 0:02:57 | |
I was in the right place. There was water, I had a toilet handy. | 0:02:57 | 0:03:01 | |
Very handy. So that was it, you were set for the night. | 0:03:01 | 0:03:05 | |
Yeah, so in the end, I sort of broke the window, I could see outside. | 0:03:05 | 0:03:11 | |
I was praying that somebody was going to come back to this van, | 0:03:11 | 0:03:15 | |
and they did, and the fire engine came, | 0:03:15 | 0:03:17 | |
the police came, and it was very embarrassing. | 0:03:17 | 0:03:20 | |
It was a drama. What a beastly experience. | 0:03:20 | 0:03:23 | |
It was at the time. I can just about laugh at it now. | 0:03:23 | 0:03:25 | |
No, quite! Well, I don't want to pick over any old wounds, you know. | 0:03:25 | 0:03:29 | |
On that happy note, we'd better shove off to the Blues I think. | 0:03:29 | 0:03:32 | |
Be very careful where you go to the lavatory. | 0:03:32 | 0:03:35 | |
How do you two girls know each other? | 0:03:35 | 0:03:37 | |
We've known each other for about ten years, we bowl together at Oakham Bowls Club. | 0:03:37 | 0:03:41 | |
-Do you? Fanatically? -Absolutely. | 0:03:41 | 0:03:43 | |
Do you get anywhere with your bowling? | 0:03:43 | 0:03:46 | |
Yes, we've reached the national finals at Leamington. | 0:03:46 | 0:03:48 | |
So would you say you're pretty competitive, you two? | 0:03:48 | 0:03:52 | |
Because of the bowls? Yeah? | 0:03:52 | 0:03:53 | |
Losing is not an option. | 0:03:53 | 0:03:56 | |
I rather think these Reds are quaking in their boots here. | 0:03:56 | 0:04:00 | |
Anne, what about you and antiques, darling, do you collect? | 0:04:00 | 0:04:03 | |
I collect figurines made by Francesca, which are no longer in production. | 0:04:03 | 0:04:07 | |
What other things do you get up to? | 0:04:07 | 0:04:09 | |
Well, I've written my life story for my grandchildren, | 0:04:09 | 0:04:14 | |
and told them all about the stories that happened to their mothers | 0:04:14 | 0:04:19 | |
when they were small, like the time we were going on holiday to Rhodesia, | 0:04:19 | 0:04:24 | |
and we had to cross the Zambezi on a platform attached to a motor boat. | 0:04:24 | 0:04:30 | |
And halfway across, the motor boat broke down, | 0:04:30 | 0:04:33 | |
and we went floating away down the Zambezi, which is a crocodile-infested river. | 0:04:33 | 0:04:39 | |
Is this another one of your lavatory stories? | 0:04:39 | 0:04:42 | |
Don't tell me, and you couldn't find a lavatory! | 0:04:42 | 0:04:46 | |
And we were looking around to find something that we could actually put | 0:04:46 | 0:04:51 | |
the children on, because they were quite tiny at the time. | 0:04:51 | 0:04:54 | |
Crocodiles and things are not good with little children. | 0:04:54 | 0:04:57 | |
-Absolutely not. -No, just a snack really. | 0:04:57 | 0:04:59 | |
All of a sudden, they got the boat going again, | 0:04:59 | 0:05:01 | |
and the crisis was over. | 0:05:01 | 0:05:04 | |
So listen, here's the £300, the £300 moment. You know the rules. | 0:05:04 | 0:05:08 | |
Your experts await, and off you go, and very, very, very good luck. | 0:05:08 | 0:05:13 | |
Today's experts are very competitive. | 0:05:13 | 0:05:15 | |
-I'm going to win. -I'm going to win. | 0:05:15 | 0:05:19 | |
-I'm going to win. -I'm going to win. | 0:05:19 | 0:05:20 | |
For the Reds, Catherine Southon. | 0:05:20 | 0:05:23 | |
For the Blues, James Lewis. | 0:05:23 | 0:05:26 | |
-Bit nippy today. -It is. -Yes. | 0:05:28 | 0:05:30 | |
All right, girls, what are we going to do? What we going to look for? | 0:05:30 | 0:05:34 | |
We have an option, we can spend little or we can spend big. | 0:05:34 | 0:05:39 | |
What are we are going to do? | 0:05:39 | 0:05:41 | |
-Spend big. -Spend big? -I think, yeah. | 0:05:41 | 0:05:43 | |
-If we spend little, then we don't lose so much. -Oh no! | 0:05:43 | 0:05:47 | |
How about we have a little look outside first of all, | 0:05:47 | 0:05:50 | |
-that's where we're more likely to find the bargains. -OK. | 0:05:50 | 0:05:53 | |
-Come on. Let's go looking. -Let's go looking. | 0:05:55 | 0:05:58 | |
So they're off. In just one hour, | 0:05:58 | 0:06:00 | |
each team has to buy three items with the £300 I've just given them. | 0:06:00 | 0:06:03 | |
But who's going to find their bargains first? | 0:06:03 | 0:06:08 | |
They don't rock my boat. | 0:06:10 | 0:06:13 | |
Two against one. | 0:06:13 | 0:06:14 | |
All right. THEY LAUGH | 0:06:14 | 0:06:16 | |
£65. | 0:06:16 | 0:06:18 | |
That's really pretty. | 0:06:18 | 0:06:20 | |
It's pretty but it's not hallmarked. | 0:06:20 | 0:06:23 | |
-Does that mean it's continental silver? -Yeah. | 0:06:23 | 0:06:26 | |
-Thank you. -Thank you. | 0:06:26 | 0:06:28 | |
I did like the post box as well. | 0:06:28 | 0:06:30 | |
Really? | 0:06:30 | 0:06:32 | |
Hm. Catherine doesn't. | 0:06:32 | 0:06:35 | |
-£245. -Oh my goodness. | 0:06:35 | 0:06:37 | |
I've got expensive tastes. | 0:06:37 | 0:06:39 | |
You have. | 0:06:39 | 0:06:41 | |
See, that's lovely. That's really pretty. | 0:06:41 | 0:06:43 | |
Art Nouveau - that nice, sort of, long, flowing hair | 0:06:43 | 0:06:48 | |
that you associate with Art Nouveau. | 0:06:48 | 0:06:51 | |
It would be nice if it was silver or something like that, | 0:06:51 | 0:06:54 | |
but it's not. | 0:06:54 | 0:06:57 | |
£140. Thank you very much. | 0:06:57 | 0:07:00 | |
We haven't bought anything yet, have we? | 0:07:00 | 0:07:02 | |
Stop. Don't! | 0:07:02 | 0:07:05 | |
-Ooh. That stick. -This one? | 0:07:08 | 0:07:11 | |
Why do you like that? | 0:07:14 | 0:07:16 | |
It's quite sweet, isn't it? | 0:07:16 | 0:07:18 | |
-Do you think it's definitely the right pommel on the top? -Probably not, | 0:07:18 | 0:07:22 | |
-if I like it. -It might have been put on later. -Yeah. | 0:07:22 | 0:07:27 | |
-How much? -£120? | 0:07:27 | 0:07:31 | |
I thought he said £20. | 0:07:31 | 0:07:33 | |
That's too much. That's way too much for us. | 0:07:33 | 0:07:35 | |
Too much. Nice though. Lovely. | 0:07:35 | 0:07:38 | |
No-one's bought anything. Come on, girls. | 0:07:40 | 0:07:45 | |
This is a tough old game. But look, I've spotted something. | 0:07:45 | 0:07:49 | |
This old boy is really quite special. | 0:07:49 | 0:07:52 | |
Towards the end of the 19th century in the 1880s, a brand new artistic | 0:07:52 | 0:07:57 | |
colony sprung up in the port of Newlyn, close to Penzance, | 0:07:57 | 0:08:03 | |
and all sorts of artists were attracted to that part | 0:08:03 | 0:08:06 | |
of Cornwall, and set up their painting easels outside. | 0:08:06 | 0:08:10 | |
The founder of the Newlyn School was Walter Langley. | 0:08:10 | 0:08:14 | |
Now, this picture says absolutely nothing on it | 0:08:14 | 0:08:18 | |
as to who the artist may be. | 0:08:18 | 0:08:21 | |
It simply says here, "Sketch from life in pencil." | 0:08:21 | 0:08:26 | |
But it doesn't tell you who the artist is. Maddeningly. | 0:08:26 | 0:08:29 | |
Or fortunately, depending on how your speculative | 0:08:29 | 0:08:33 | |
juices are going, because, if this picture said, "W Langley" | 0:08:33 | 0:08:38 | |
in the bottom right-hand corner, I promise you it would not | 0:08:38 | 0:08:41 | |
be sitting in this antiques fair at Newark. | 0:08:41 | 0:08:45 | |
It would have been sold years ago, on the international market. | 0:08:45 | 0:08:50 | |
Now, the first thing I do is to spin it round | 0:08:50 | 0:08:53 | |
and have a look at the back. | 0:08:53 | 0:08:54 | |
And if you look carefully, the pasted-on paper back | 0:08:54 | 0:08:59 | |
has never been disturbed, not since the day this was framed, | 0:08:59 | 0:09:03 | |
potentially 120 years ago. | 0:09:03 | 0:09:06 | |
Even the rusty ended nails are there, as placed originally | 0:09:06 | 0:09:11 | |
under the paper, and that to me is a very good sign, | 0:09:11 | 0:09:14 | |
because this picture has not been messed about with. | 0:09:14 | 0:09:17 | |
It hasn't been taken out of the frame, and quite frankly, if you | 0:09:17 | 0:09:21 | |
were to take it out of the frame and discover on the back an inscription | 0:09:21 | 0:09:26 | |
that confirmed it was by Walter Langley, | 0:09:26 | 0:09:29 | |
then it would transform the watercolour from a simple and ordinary | 0:09:29 | 0:09:33 | |
picture into an important work of art | 0:09:33 | 0:09:35 | |
that at auction would be worth at least £2,000-£3,000. | 0:09:35 | 0:09:40 | |
What might you buy it for on a stall around the corner? | 0:09:40 | 0:09:45 | |
Well, it could be yours for £120. | 0:09:45 | 0:09:49 | |
Exciting stuff. But is anything in the frame for our teams yet? | 0:09:49 | 0:09:53 | |
-What have you found, ladies? -Absolutely nothing. | 0:09:53 | 0:09:57 | |
Nothing? This is lovely. But I think the price is very high. | 0:09:57 | 0:10:00 | |
-I saw the bowl. -It's WMF. | 0:10:00 | 0:10:02 | |
It's really weighty as well. | 0:10:02 | 0:10:04 | |
It's a nice early one because it's got the ostrich symbol, and that was | 0:10:04 | 0:10:08 | |
the first before they stamped "WMF", they used the ostrich symbol. | 0:10:08 | 0:10:14 | |
So that tells us it's quite early. | 0:10:14 | 0:10:17 | |
But, £190, that's a lot of money. | 0:10:17 | 0:10:23 | |
That's a lot of money. Just see what his best price is. | 0:10:23 | 0:10:27 | |
What's your best price on the WMF? | 0:10:27 | 0:10:30 | |
£160 is my very best. | 0:10:30 | 0:10:32 | |
-That's an awful lot. -I mean, I can see that at auction, | 0:10:32 | 0:10:36 | |
probably about £120, £180, something like that? | 0:10:36 | 0:10:40 | |
In case you're wondering, WMF means Wurttembergische Metallwarenfabrik. | 0:10:40 | 0:10:47 | |
-Might pinch a profit on it. -Might get a little something. | 0:10:47 | 0:10:50 | |
-Do you like it? -Yeah. -Good name. | 0:10:50 | 0:10:52 | |
Can you do £140? | 0:10:52 | 0:10:54 | |
£150 at the very best. | 0:10:54 | 0:10:56 | |
Might be in with a chance. What do you want to do? | 0:10:56 | 0:10:59 | |
If you want to go for it, go for it. | 0:10:59 | 0:11:02 | |
-You're going to blame me. -I'm not! | 0:11:02 | 0:11:05 | |
We're here to have fun. Like we said, Anthea. | 0:11:05 | 0:11:08 | |
Go for it. One piece done. | 0:11:08 | 0:11:10 | |
Two to go. | 0:11:10 | 0:11:11 | |
At last! Only 30 minutes left, though. | 0:11:13 | 0:11:16 | |
-I wonder if the Blues know. -Hate it? | 0:11:16 | 0:11:18 | |
I hate it, but is it good? | 0:11:18 | 0:11:20 | |
A lot of the time, you'd expect to have little covers on there. | 0:11:22 | 0:11:27 | |
But it's French. | 0:11:27 | 0:11:29 | |
-It's 1890. -So are they ink wells? | 0:11:30 | 0:11:33 | |
Ink wells, one for red, one for black ink. You didn't have blue in the 19th century. | 0:11:33 | 0:11:37 | |
It's £35, which isn't a huge amount of money. | 0:11:37 | 0:11:39 | |
Let's see. What would be, well, could you do any less than that? | 0:11:39 | 0:11:44 | |
-What would be your best price? -£35, that would be £32, £30. | 0:11:44 | 0:11:50 | |
We've got to make a profit at auction. Could you do it for £20, please? | 0:11:50 | 0:11:54 | |
I couldn't do it for £20. No. | 0:11:54 | 0:11:56 | |
What about £22? | 0:11:56 | 0:11:59 | |
-No. -Go on! -£28. I'll do it for £28. | 0:11:59 | 0:12:02 | |
I wouldn't pay that for it. I really wouldn't. | 0:12:02 | 0:12:06 | |
-OK. -Sure? | 0:12:06 | 0:12:07 | |
-Well. We know it's there. -Thank you. | 0:12:07 | 0:12:11 | |
-Your best on it is £28? -£28. | 0:12:11 | 0:12:14 | |
You couldn't make it £25, could you? | 0:12:14 | 0:12:15 | |
-That Anne's not giving up. -Please? | 0:12:17 | 0:12:20 | |
Erm... | 0:12:20 | 0:12:22 | |
Go on then. £25. | 0:12:22 | 0:12:25 | |
James. He'll do it for £25. | 0:12:25 | 0:12:27 | |
You both need to be in agreement. | 0:12:29 | 0:12:31 | |
Right. Janet, he'll do it for £25. | 0:12:31 | 0:12:34 | |
Do you think that's good? | 0:12:34 | 0:12:36 | |
It's up to you. I don't want to force you into it, if you don't like it. I mean, the thing is... | 0:12:36 | 0:12:40 | |
I think it's hideous. | 0:12:40 | 0:12:42 | |
No sale. | 0:12:42 | 0:12:44 | |
Don't mince your words though, Janet, but you'd better buy something soon. | 0:12:44 | 0:12:48 | |
Ooh, that feels much better. | 0:12:48 | 0:12:51 | |
-Right. Don't look at the jewellery. -There's a lot of pretty things. | 0:12:51 | 0:12:55 | |
-We don't have that sort of money. -I know. OK. | 0:12:55 | 0:12:58 | |
Now, that is lovely and early. | 0:13:02 | 0:13:05 | |
-Have you found something? -Yeah, it's known as black slip. | 0:13:05 | 0:13:09 | |
It's a colour-coated ware, but it's very early. | 0:13:09 | 0:13:12 | |
These three little impressed marks are typical of Ancient Greece. | 0:13:12 | 0:13:18 | |
-Hellenistic, 300 BC, 2,000 years old. -Really? | 0:13:18 | 0:13:24 | |
Really. That is fantastic. | 0:13:24 | 0:13:26 | |
It must be awfully expensive then. | 0:13:26 | 0:13:28 | |
These things are appreciated by the academics, but there isn't a massive following for them. | 0:13:28 | 0:13:33 | |
-I mean, these things are going to be on the internet, aren't they? -Yes, but it's whether the auction room | 0:13:33 | 0:13:39 | |
are confident enough in their ability to say, "Yes, we know it's right." It is right. | 0:13:39 | 0:13:43 | |
Everything is right about it, the way the foot rim is done, the base, these wonderful impressed marks. | 0:13:43 | 0:13:50 | |
-What's your gut feeling about it? -It should make, in my opinion... | 0:13:50 | 0:13:53 | |
-Hello, Tim. -Hello, darling. -Tell me, what do you think? | 0:13:53 | 0:13:56 | |
-That's an old bowl. -It is, isn't it? | 0:13:56 | 0:13:58 | |
-How much have you bought so far? -We haven't bought anything yet. | 0:13:58 | 0:14:02 | |
-I'm really panicking. -Nothing? | 0:14:02 | 0:14:03 | |
We're getting a bit desperate. | 0:14:03 | 0:14:05 | |
I mean, that's an old bowl, isn't it? | 0:14:05 | 0:14:07 | |
-I don't like it. -You don't like it? -No. I'd rather have that pink thing. | 0:14:07 | 0:14:11 | |
What don't you like about it? | 0:14:11 | 0:14:12 | |
Well, how much is it? | 0:14:12 | 0:14:14 | |
-It's £50 at the moment. -£50? -I can't influence you, | 0:14:14 | 0:14:17 | |
but all I can say is, I think you're going to have to, you know, buck up, really. | 0:14:17 | 0:14:23 | |
-I really know. -Quite a big buck up. -If you say yes, we'll have it. | 0:14:23 | 0:14:26 | |
-I'll leave you to cogitate. -I'd pay £50 for that. -You would? | 0:14:26 | 0:14:31 | |
-Yeah, I would. -So you'd be excited if it came into your sale room? | 0:14:31 | 0:14:34 | |
I'd love it. It's not huge money, and it never will be, but... | 0:14:34 | 0:14:39 | |
-And we'll make a profit on it, James? -I hope so. | 0:14:39 | 0:14:42 | |
Or we'll wipe our faces. | 0:14:42 | 0:14:44 | |
Or you'll wipe away your tears if you don't get a move on. Only 20 minutes to go, teams. | 0:14:44 | 0:14:49 | |
-That's really nice. -Mega money again. | 0:14:51 | 0:14:53 | |
-Yeah. -Is there's something missing? | 0:14:53 | 0:14:56 | |
It's very nice, but it's far too expensive for us. | 0:14:56 | 0:15:00 | |
Nice thing, though. | 0:15:00 | 0:15:02 | |
Oh. | 0:15:02 | 0:15:04 | |
-Wow, look at that! -I don't know how much it is. | 0:15:04 | 0:15:07 | |
-Do you like it, Janet? -I quite like that, actually. | 0:15:07 | 0:15:11 | |
I absolutely hate it with a passion. | 0:15:11 | 0:15:13 | |
Right, that's fine then. | 0:15:13 | 0:15:15 | |
-But no, it doesn't matter if it's the right money. -Has it got any age? | 0:15:15 | 0:15:19 | |
How old it is? 1920s? | 0:15:19 | 0:15:21 | |
'30s, '40s, yeah. | 0:15:21 | 0:15:24 | |
-£140. -£140? | 0:15:24 | 0:15:26 | |
-£140. Let's move on. Come on. -Let's move on. | 0:15:26 | 0:15:30 | |
What do you think about this? | 0:15:34 | 0:15:36 | |
Erm...not an awful lot, to be honest! | 0:15:36 | 0:15:39 | |
It's a pair of mother of pearl binoculars. | 0:15:39 | 0:15:41 | |
Sometimes you get the mother of pearl around the eye piece as well. | 0:15:41 | 0:15:45 | |
I mean, they're in working condition, seem to be OK. | 0:15:45 | 0:15:48 | |
The lenses are OK. Originally, they would have been in a case. | 0:15:48 | 0:15:52 | |
A nice case. Sometimes, as well, you get a handle here. | 0:15:52 | 0:15:56 | |
-OK. -In this sort of state, you'd probably be looking at £30-£50, | 0:15:56 | 0:16:00 | |
£30-£40, something like that. | 0:16:00 | 0:16:02 | |
I mean, they're OK, but they are sort of two a penny, to be honest. | 0:16:02 | 0:16:06 | |
-Why do you like them? -I just like the mother-of-pearl on it, yeah. | 0:16:06 | 0:16:11 | |
It's a shame they haven't got the case. | 0:16:11 | 0:16:13 | |
-Yeah, yeah. -But they're nice. | 0:16:13 | 0:16:16 | |
-Sometimes you get a signature as well round the eye piece. -OK. | 0:16:16 | 0:16:20 | |
They're nice, though. They're still nice. | 0:16:20 | 0:16:22 | |
-I do like them. -We might be able to find something a bit more exciting. | 0:16:22 | 0:16:26 | |
-All right. -Shall we carry on? | 0:16:26 | 0:16:28 | |
We'll see how we get on. | 0:16:28 | 0:16:30 | |
-You can bear them in mind. -Yeah. Keep it in mind. | 0:16:30 | 0:16:33 | |
We're not saying a definite no, | 0:16:33 | 0:16:35 | |
-but we're saying... -No to £35, and no at the moment. | 0:16:35 | 0:16:39 | |
I don't know about you, viewers, but I'm not getting a sense of urgency here. | 0:16:39 | 0:16:43 | |
Both teams still need two items. | 0:16:43 | 0:16:46 | |
How many minutes? | 0:16:46 | 0:16:49 | |
-You've got 15. -Oh, God. -OK, now, I say we buy that ink stand, | 0:16:49 | 0:16:53 | |
we get one of them out of the way. | 0:16:53 | 0:16:55 | |
We've still got one to find. | 0:16:55 | 0:16:57 | |
Because I think otherwise we'll have two minutes, and two things to find, | 0:16:57 | 0:17:01 | |
and we're going to just pick up anything and probably lose even more. | 0:17:01 | 0:17:05 | |
-We'll do it. -Let's go do that. | 0:17:05 | 0:17:07 | |
That's more like it. Back to the ink well. | 0:17:07 | 0:17:09 | |
It's Oriental. They say Chinese, salt glaze, I love the colour, the colour's wonderful. | 0:17:09 | 0:17:14 | |
-You don't like it? -Jules likes it. | 0:17:14 | 0:17:16 | |
-I like it, yes. -What's your rock bottom? | 0:17:16 | 0:17:18 | |
-Do you like that? -£65. | 0:17:18 | 0:17:22 | |
£50 and we might make a bit of money on it. | 0:17:22 | 0:17:26 | |
-I'm losing money. -£50? | 0:17:26 | 0:17:28 | |
£55? | 0:17:28 | 0:17:30 | |
-Oh, go on. We've got ten minutes. -I did say £65, and I think £65 is, | 0:17:30 | 0:17:35 | |
if you see the starting price, you're doing very well. | 0:17:35 | 0:17:39 | |
-He's gone down quite a bit. -I think it's quite nice, I think it's quite an interesting piece. | 0:17:39 | 0:17:45 | |
£55. | 0:17:45 | 0:17:48 | |
That's my, you know, I can't... | 0:17:48 | 0:17:50 | |
What about £60 and then it's straight then, isn't it? £60 and I'll show you my boots. | 0:17:50 | 0:17:56 | |
She said "boots"! | 0:17:56 | 0:17:58 | |
Sadly. | 0:17:58 | 0:18:00 | |
-Nice and even. -And we've got red wellies on. | 0:18:00 | 0:18:03 | |
-Go on. £60. -Thank you. | 0:18:03 | 0:18:07 | |
£60. I don't know why I would do it. | 0:18:07 | 0:18:10 | |
I suppose I'll see myself on telly one day. | 0:18:10 | 0:18:14 | |
-Ooh! The ink well is still here. -On the left. | 0:18:15 | 0:18:19 | |
24 quid. Any good? | 0:18:19 | 0:18:20 | |
If it goes up in fives, it means we might get a pound, that's all. | 0:18:20 | 0:18:24 | |
-Er... Go on then. -Deal. | 0:18:25 | 0:18:28 | |
-Thank you. -Thank you very much. Thank you. Well done. | 0:18:28 | 0:18:30 | |
Let's keep going. This way. | 0:18:30 | 0:18:32 | |
Cor, things don't half turn round quickly on this programme. | 0:18:32 | 0:18:36 | |
I did really like the thermometer. | 0:18:36 | 0:18:38 | |
-We couldn't have afforded that. -I know. So I need to get over it. | 0:18:38 | 0:18:42 | |
We've only got ten minutes left and we've got to find that last piece. | 0:18:42 | 0:18:45 | |
-Yeah, OK. -You look really upset. | 0:18:45 | 0:18:47 | |
She looks devastated! | 0:18:47 | 0:18:49 | |
-I liked it. -You liked it, Jules. | 0:18:49 | 0:18:51 | |
-You wanted that, didn't you? -I did like it. Yes. | 0:18:51 | 0:18:53 | |
But it's too much money. | 0:18:53 | 0:18:55 | |
-You two are a nightmare! -It's too much money. | 0:18:55 | 0:18:57 | |
I'm going home. I'm going home. | 0:18:57 | 0:19:00 | |
These are horrible. These are horrible. | 0:19:02 | 0:19:04 | |
-I'm panicking now, James. -Keep looking. | 0:19:04 | 0:19:07 | |
-Right, we've got to keep on top of it, girls. -Yes. | 0:19:07 | 0:19:09 | |
-The little box? -I'm not sure. | 0:19:11 | 0:19:14 | |
£25. That's the rock bottom price. | 0:19:14 | 0:19:16 | |
Rock bottom? OK. | 0:19:16 | 0:19:18 | |
£25, little dressing table box. | 0:19:18 | 0:19:21 | |
Nice shaped sides, so it's not plain, and the bracket feet | 0:19:21 | 0:19:25 | |
-on the bottom there. -I'd have that on my dressing table. | 0:19:25 | 0:19:28 | |
-That, to me, is a sweet little object. -It is, yeah. | 0:19:28 | 0:19:31 | |
The lining's seen better days. | 0:19:31 | 0:19:33 | |
-That's original, is it? -It's original, but it's poor. | 0:19:33 | 0:19:36 | |
But it would polish up. Yeah, look. | 0:19:36 | 0:19:39 | |
-Oh my goodness, yes. -Coming off. | 0:19:40 | 0:19:43 | |
-Is it silver? -Solid silver. It's £25. | 0:19:43 | 0:19:46 | |
-I think so, yes. -There's a profit there. | 0:19:46 | 0:19:48 | |
We've got seven minutes to go and if I'd found that five minutes from the beginning, I'd have bought it. | 0:19:48 | 0:19:53 | |
-I think we've done all right there. -OK. -At 25 quid. OK, yeah? | 0:19:53 | 0:19:57 | |
I'm confident, for the first time. | 0:19:57 | 0:19:59 | |
-OK. -Yes. Deal. Thank you very much. | 0:19:59 | 0:20:01 | |
For the first time he's confident. | 0:20:01 | 0:20:03 | |
Who'd have thought the Blues would finish first? | 0:20:03 | 0:20:08 | |
Shall we get the binoculars? | 0:20:08 | 0:20:10 | |
Or do you want to get your stick, see if you can go and offer him £90? | 0:20:10 | 0:20:15 | |
-How much have we got? £90? -We need to get £80. | 0:20:15 | 0:20:18 | |
You could leave me a fiver. £85. | 0:20:18 | 0:20:22 | |
Desperate, desperate. Run, run, run! | 0:20:22 | 0:20:25 | |
Do you want to go and try? Why don't you go that way | 0:20:26 | 0:20:29 | |
and see if you can get the binoculars for rock bottom. | 0:20:29 | 0:20:32 | |
-And then we make that decision in the last minute. -OK. | 0:20:32 | 0:20:35 | |
What we're going to go for. | 0:20:35 | 0:20:37 | |
Ah, but which one will get the best price? | 0:20:37 | 0:20:41 | |
Anthea or Auntie Julie? | 0:20:41 | 0:20:43 | |
-Huh? -No, because it's his friend's. | 0:20:44 | 0:20:47 | |
It's his friend's stall and he won't do it. | 0:20:47 | 0:20:50 | |
Oh man. That's bad. | 0:20:50 | 0:20:52 | |
He's not happy. | 0:20:52 | 0:20:54 | |
Have we found her? Pretty please? | 0:20:54 | 0:20:59 | |
-Are we there? How much? -£15? | 0:20:59 | 0:21:01 | |
Oh yes. | 0:21:01 | 0:21:03 | |
You have to give her them for £15. | 0:21:03 | 0:21:05 | |
It's the last item, | 0:21:05 | 0:21:07 | |
and we're running out of time. | 0:21:07 | 0:21:09 | |
Thank you very much. Thank you. | 0:21:09 | 0:21:11 | |
-Thank you. -Are you happy with those? | 0:21:11 | 0:21:13 | |
-Yeah. -Are you? | 0:21:13 | 0:21:16 | |
She likes them. | 0:21:16 | 0:21:19 | |
Too late now, girls. | 0:21:19 | 0:21:20 | |
Time ladies, please. | 0:21:22 | 0:21:24 | |
That's it, the shopping's over, but what about the leftover lolly? | 0:21:24 | 0:21:28 | |
Well, Catherine and James are just going to have to shove off around the fair, | 0:21:28 | 0:21:33 | |
and find the bonus buy - the mystery item, which pitches up later in the auction, | 0:21:33 | 0:21:39 | |
and the teams then have to decide whether to go with it | 0:21:39 | 0:21:41 | |
and maybe enhance their profit, or stand the risk of making a disastrous loss. | 0:21:41 | 0:21:46 | |
Anyway, right now, let's recap on what the Reds bought. | 0:21:46 | 0:21:50 | |
The red-booted Reds kicked off paying £150 for an Art Nouveau bowl. | 0:21:51 | 0:21:57 | |
Next, they got all fired up about the green Chinese jar. | 0:21:59 | 0:22:03 | |
And, determined to see a profit at auction, | 0:22:03 | 0:22:05 | |
they paid £15 for the mother-of-pearl opera glasses. | 0:22:05 | 0:22:11 | |
Well, look at that, you beautiful team. | 0:22:12 | 0:22:15 | |
-How fantastic, you finished. -We have. | 0:22:15 | 0:22:17 | |
Which is quite an achievement, isn't it? Have you ever been so cold? | 0:22:17 | 0:22:20 | |
I'm freezing. | 0:22:20 | 0:22:22 | |
Absolutely bitter, isn't it? But you've had a nice time, I hope? | 0:22:22 | 0:22:25 | |
-Yes, it's been lovely. -How much did you spend? | 0:22:25 | 0:22:27 | |
We spent £225. | 0:22:27 | 0:22:29 | |
You spent £225? That is a really good total. | 0:22:29 | 0:22:31 | |
OK, £225 spent, so you have £75 in leftover lolly. | 0:22:31 | 0:22:37 | |
-Where is that? -I've got it. -Oh yes. | 0:22:37 | 0:22:39 | |
Thank you very much. I won't check it. | 0:22:39 | 0:22:41 | |
See, out comes the hand. | 0:22:41 | 0:22:42 | |
Her tiny hand is frozen. | 0:22:44 | 0:22:47 | |
Go off and sing an aria. | 0:22:47 | 0:22:49 | |
I will. I hope so, I've got to do something good for these girls. | 0:22:49 | 0:22:53 | |
I'm getting the vibes they're a bit despondent. | 0:22:53 | 0:22:55 | |
-Are you? -Yes. | 0:22:55 | 0:22:57 | |
-I don't think so, you're not despondent, are you? -No. | 0:22:57 | 0:23:00 | |
You look perfectly happy to me. Good luck with spending your £75. | 0:23:00 | 0:23:06 | |
Good luck, girls. Love you loads. | 0:23:06 | 0:23:07 | |
Missing you already. | 0:23:07 | 0:23:09 | |
Why don't we check out what the Blues have bought? | 0:23:09 | 0:23:11 | |
Once they started splashing the cash, | 0:23:13 | 0:23:15 | |
they paid £50 for an Ancient Greek bowl. | 0:23:15 | 0:23:18 | |
What does a Greek earn? | 0:23:18 | 0:23:20 | |
-On a grade of one to ten, how much did you hate that bowl? -Nought. | 0:23:20 | 0:23:25 | |
So you love it? No, you hate it. | 0:23:25 | 0:23:28 | |
They umm-ed and ah-ed over the ink stand, eventually buying it for £24. | 0:23:29 | 0:23:34 | |
Finally, they parted with £25 for the silver Edwardian trinket box. | 0:23:35 | 0:23:41 | |
And how much have you spent overall? | 0:23:44 | 0:23:46 | |
-£99. -£99. | 0:23:46 | 0:23:48 | |
That could be why you found it so difficult. | 0:23:48 | 0:23:50 | |
We were prepared to pay more if we could have found something that we liked. | 0:23:50 | 0:23:55 | |
But the stuff we like was a lot, lot more, so no profit. | 0:23:55 | 0:24:00 | |
£201 of leftover lolly. | 0:24:00 | 0:24:02 | |
This is more than he earns in a week. | 0:24:02 | 0:24:04 | |
No better man to do it for you than James Lewis. | 0:24:06 | 0:24:09 | |
And very, very, very good luck. | 0:24:09 | 0:24:11 | |
But for me, now, I'm going to head off somewhere really rather political. | 0:24:11 | 0:24:15 | |
Hughenden Manor, the home of Benjamin Disraeli, or "Dizzy" | 0:24:15 | 0:24:19 | |
to his mates. Ha! | 0:24:19 | 0:24:21 | |
Just look at this gorgeous Georgian house. | 0:24:24 | 0:24:27 | |
Built originally in 1730, it's got double bays, | 0:24:27 | 0:24:32 | |
it's covered with stucco and is, of its type, a splendid example. | 0:24:32 | 0:24:38 | |
You just can't believe that that is this. Amazing, isn't it? | 0:24:38 | 0:24:44 | |
This house, Hughenden Manor, was bought by Benjamin Disraeli in 1848. | 0:24:47 | 0:24:53 | |
Shortly afterwards he commissioned Edward Buckton Lamb, | 0:24:53 | 0:24:57 | |
his favourite architect, to make it Gothic in feel. | 0:24:57 | 0:25:02 | |
If you look along the top tier, that balustrade on the top, the kind of parapet level, | 0:25:07 | 0:25:13 | |
is kind of hit-and-miss and looks rather like a castle. | 0:25:13 | 0:25:17 | |
That's called castellation. | 0:25:17 | 0:25:19 | |
If you come down the bays, you can see that the lintel's been given the Gothic treatment. | 0:25:19 | 0:25:25 | |
They have been built out from the surface in brick, | 0:25:25 | 0:25:28 | |
and look rather harsh and angular, almost as if they're fortified. | 0:25:28 | 0:25:32 | |
And, of course, the window frames themselves are all champfered in the Gothic manner. | 0:25:32 | 0:25:37 | |
But the biggest change of all is knocking off all that white stucco and revealing the brick itself. | 0:25:37 | 0:25:45 | |
But that's not all they did. | 0:25:45 | 0:25:47 | |
Inside, the alterations continued. | 0:25:49 | 0:25:53 | |
So, what could look more Gothic than this, eh? | 0:25:56 | 0:25:59 | |
Actually, when Disraeli bought this house | 0:25:59 | 0:26:01 | |
this outer entrance hall already had the Gothic fan vaulting in it, | 0:26:01 | 0:26:07 | |
which had been inserted by his predecessor. | 0:26:07 | 0:26:10 | |
This stuff's made of solid plaster. | 0:26:10 | 0:26:12 | |
What Disraeli did was to extend the theme into that hallway, | 0:26:12 | 0:26:17 | |
with almost matching fan vaulting, | 0:26:17 | 0:26:21 | |
except this fan vaulting is made of plaster and linen. | 0:26:21 | 0:26:24 | |
The theme continues, though. | 0:26:24 | 0:26:27 | |
This is a pure Disraeli Gothic space. The garden hall. | 0:26:27 | 0:26:32 | |
Once again we have a nice, spiky lozenge Gothic-effect ceiling. | 0:26:32 | 0:26:38 | |
I love these doorways, don't you? | 0:26:38 | 0:26:40 | |
With their gothic arch and within each of the doors | 0:26:40 | 0:26:44 | |
you've got these cusped, sharp bits. | 0:26:44 | 0:26:48 | |
We've got two pieces of Disraeli Gothic furniture, | 0:26:48 | 0:26:51 | |
one early piece dating from 1832. A chair made in the Gothic style, | 0:26:51 | 0:26:58 | |
but the frivolous early Gothic revival style. | 0:26:58 | 0:27:02 | |
This chair was made down the road in High Wycombe around 1832. | 0:27:02 | 0:27:08 | |
At the time of the election when Disraeli stood for Parliament. | 0:27:08 | 0:27:12 | |
It's an election chair. | 0:27:12 | 0:27:15 | |
Favourite Disraeli colours of pink and cream and these iron bits | 0:27:15 | 0:27:19 | |
on the side were made to take long poles, so that when Disraeli was returned | 0:27:19 | 0:27:24 | |
as the Member of Parliament, he could be picked up and paraded through the town. | 0:27:24 | 0:27:30 | |
The only problem was he lost the election and they never used the chair. | 0:27:30 | 0:27:34 | |
But this chair, which is just over 30 years later is truly this churchy-type, | 0:27:34 | 0:27:41 | |
muscular Gothic that we tend to associate with the Gothic revival. | 0:27:41 | 0:27:47 | |
The back's carved from a solid lump of oak, | 0:27:47 | 0:27:51 | |
but so crisply carved that you could practically prick your fingers on the end of these holly leaves. | 0:27:51 | 0:27:58 | |
This is painful, High Church Gothic. | 0:27:58 | 0:28:03 | |
And just as Hughenden moved from Palladian to Victorian Gothic, so, too, did its owner. | 0:28:05 | 0:28:11 | |
From the Georgian dandy to the Victorian statesmen we remember - an Englishman and his castle, eh? | 0:28:11 | 0:28:18 | |
We've come steaming down the A1, to Gilding's saleroom in Market Harborough, to be with Mark Gilding. | 0:28:28 | 0:28:34 | |
-Good morning, Tim. -Now, Anthea and Julie and Catherine, | 0:28:34 | 0:28:39 | |
their expert, have gone into a pretty macabre mix of objects. | 0:28:39 | 0:28:43 | |
They have, yes. | 0:28:43 | 0:28:45 | |
Spanning lots of periods, starting off with this so-called WMF brass and copper jardiniere. | 0:28:45 | 0:28:52 | |
Now, Mark, how do you rate that? | 0:28:52 | 0:28:54 | |
I think it fits into a particular style. | 0:28:54 | 0:28:56 | |
It's pretty nice quality. I would say £50-£70. | 0:28:56 | 0:29:00 | |
-How much? -£50-£70. | 0:29:00 | 0:29:02 | |
They paid 150. | 0:29:02 | 0:29:05 | |
Well, there we go. | 0:29:05 | 0:29:07 | |
And I have to be the one to tell 'em. | 0:29:07 | 0:29:09 | |
Thanks(!) OK. | 0:29:09 | 0:29:12 | |
Now, the ginger jar, this stoneware, green drizzle-glazed Chinese job. | 0:29:12 | 0:29:18 | |
-Do you like it? -Not particularly, no. | 0:29:18 | 0:29:21 | |
Is it 18th century? That's the question. | 0:29:21 | 0:29:23 | |
Well, quite. Unless you have that test, which is about £1,500 worth, | 0:29:23 | 0:29:29 | |
-it's jolly difficult to tell, isn't it? -It is. | 0:29:29 | 0:29:31 | |
And my estimate of £20-£30, it's not worth the process, I don't think. | 0:29:31 | 0:29:35 | |
No, they only paid 60. | 0:29:35 | 0:29:38 | |
But 20-30, to 60 equals another loss, I fancy. | 0:29:38 | 0:29:41 | |
This is not looking pretty, chaps. | 0:29:41 | 0:29:44 | |
The last hope for them are the opera glasses. | 0:29:44 | 0:29:46 | |
Now, how do you see them? | 0:29:46 | 0:29:51 | |
I think they're very nice. A good example of their type. | 0:29:51 | 0:29:55 | |
Nice mother-of-pearl on them. | 0:29:55 | 0:29:57 | |
I think we'll make £30-£50. | 0:29:57 | 0:29:59 | |
£15 paid. Phew! That's a relief. | 0:29:59 | 0:30:02 | |
At least they are predicting a possible profit on one of their three items. | 0:30:02 | 0:30:06 | |
This team are definitely going to need their bonus buy, so let's go and have a look at it. | 0:30:06 | 0:30:11 | |
-Jules and Anthea, are you OK? -Fine, thank you. -Now, you spent £235. | 0:30:12 | 0:30:16 | |
You gave that coy Catherine £75 of leftover lolly to find your bonus buy. | 0:30:16 | 0:30:21 | |
What did you buy, Catherine? | 0:30:21 | 0:30:22 | |
-Ooh! -OK! | 0:30:24 | 0:30:27 | |
I know it's a bit manly. | 0:30:27 | 0:30:28 | |
It's not very feminine. | 0:30:28 | 0:30:30 | |
-I've heard of him. -Have you? There we are. | 0:30:30 | 0:30:32 | |
It is a Crown Devon musical tankard. | 0:30:32 | 0:30:36 | |
Have a listen to this. If it's going to work. | 0:30:36 | 0:30:39 | |
I can't get it to work now. | 0:30:39 | 0:30:41 | |
COGS TURN | 0:30:41 | 0:30:43 | |
-Hang on. -Oh. It sounded better than that when I bought it, I promise. | 0:30:43 | 0:30:46 | |
1930s. | 0:30:46 | 0:30:48 | |
Cost a few shillings during their time. | 0:30:48 | 0:30:52 | |
They were made before and after the war. | 0:30:52 | 0:30:54 | |
That's in beautiful condition, by the way, perfect condition. | 0:30:54 | 0:30:58 | |
It looks nice. How much did you pay for it? | 0:30:58 | 0:31:01 | |
Now, I paid £35 for this. | 0:31:01 | 0:31:04 | |
-OK. -And they always make about £50-£60 at auction. | 0:31:04 | 0:31:07 | |
-Always? -Actually, don't quote me on that! | 0:31:07 | 0:31:09 | |
Now, how do you feel about this, Jules? | 0:31:11 | 0:31:14 | |
Erm...it's a mug, isn't it? | 0:31:15 | 0:31:18 | |
But the musical bit might be appealing to people. | 0:31:18 | 0:31:24 | |
Appealing! Ha-ha! | 0:31:24 | 0:31:26 | |
They like a joke! | 0:31:26 | 0:31:28 | |
I will be perfectly honest with you, it is not a particularly rare item. | 0:31:31 | 0:31:35 | |
They do come up from time to time. | 0:31:35 | 0:31:37 | |
But it's in lovely condition. | 0:31:37 | 0:31:38 | |
You're not very excited, are you? | 0:31:38 | 0:31:41 | |
No. | 0:31:42 | 0:31:45 | |
Well, on that happy note, I think we'll find out what the auctioneer thinks about the musical jug. | 0:31:45 | 0:31:50 | |
We're some distance from the West Country. | 0:31:52 | 0:31:55 | |
Is this likely to do any good, do you think? | 0:31:55 | 0:31:57 | |
I think it will do OK. | 0:31:57 | 0:31:59 | |
But a Crown Devon, with a hunting theme... | 0:31:59 | 0:32:02 | |
-Hunting theme, which is good around here. -Absolutely. | 0:32:02 | 0:32:05 | |
The condition is pretty good. | 0:32:05 | 0:32:08 | |
That's a good sign for it. | 0:32:08 | 0:32:10 | |
And I think we'll make £40-£60. | 0:32:10 | 0:32:12 | |
Brilliant. £35 paid by Catherine. She'll be well pleased with that. | 0:32:12 | 0:32:15 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:32:15 | 0:32:18 | |
Janet and Anne and James Lewis. First item, the Hellenistic bowl. | 0:32:18 | 0:32:24 | |
Yes. Bit of a rarity in Market Harborough. | 0:32:24 | 0:32:27 | |
Not much Greek stuff around here, I'd say. | 0:32:27 | 0:32:30 | |
No, we'd put £100-150, could make anything. | 0:32:30 | 0:32:35 | |
On the other hand, if you haven't got so much Greek interest | 0:32:35 | 0:32:37 | |
as you thought you might have got, you might be struggling at 30 notes, mightn't you? | 0:32:37 | 0:32:42 | |
-Yes. -It is a difficult thing. | 0:32:42 | 0:32:44 | |
-It is. -You can only have a punt. | 0:32:44 | 0:32:46 | |
He paid £50, that cunning monkey, James Lewis. | 0:32:46 | 0:32:49 | |
-Much more predictable will be the porcelain ink set, won't it? -Yes it will. Absolutely. | 0:32:49 | 0:32:55 | |
-Very decorative. -Yes, nice French desk piece. | 0:32:55 | 0:32:58 | |
Quite nice quality and well decorated, as you say. | 0:32:58 | 0:33:01 | |
-And how much do you think for that? -£60-£80. | 0:33:01 | 0:33:03 | |
Great - £24 paid. | 0:33:03 | 0:33:05 | |
If you are right, this team is going to do very well. | 0:33:05 | 0:33:08 | |
The silver trinket box next. | 0:33:08 | 0:33:12 | |
Classic piece of dressing table silverware. | 0:33:12 | 0:33:14 | |
Yes, it is. A very collectible piece of small silver, little bit worn, | 0:33:14 | 0:33:18 | |
-but I have high hopes for this one, at least 100, maybe 150. -£25 paid. | 0:33:18 | 0:33:24 | |
Maybe they are not going to need a bonus buy, but we're going to have a look at it anyway. | 0:33:24 | 0:33:28 | |
You only spent £99. | 0:33:28 | 0:33:30 | |
-I know. Pathetic, wasn't it? -£201 went to the genius. | 0:33:30 | 0:33:34 | |
Did he blow the lot? James, show us your ware. | 0:33:34 | 0:33:37 | |
I didn't blow the lot, but... | 0:33:37 | 0:33:39 | |
-Oh, wow! Wow! -Good! You like it? | 0:33:39 | 0:33:46 | |
-Oh, I love it! -Fantastic, good. -Gorgeous. | 0:33:46 | 0:33:49 | |
I take it you like cats, you girls. | 0:33:49 | 0:33:51 | |
It's Crown Derby, it's Imari, and it's beautiful. | 0:33:51 | 0:33:55 | |
Absolutely. How much did you pay for it? | 0:33:55 | 0:33:57 | |
Did you blow the lot on it? | 0:33:57 | 0:33:59 | |
It's a first, there's no scratch through the mark, so it's a first. | 0:33:59 | 0:34:03 | |
It's from the Abyssinian Cat range. So it's quite a good thing. | 0:34:03 | 0:34:06 | |
What do you think? | 0:34:06 | 0:34:08 | |
£70? 90? | 0:34:08 | 0:34:10 | |
Would you be pleased at that? | 0:34:10 | 0:34:12 | |
I mean, I would pay that because I think it's gorgeous. | 0:34:12 | 0:34:16 | |
Absolutely fantastic. | 0:34:16 | 0:34:17 | |
-OK. I paid 30. -No! | 0:34:17 | 0:34:20 | |
Wow! | 0:34:20 | 0:34:22 | |
What a clever boy! | 0:34:22 | 0:34:23 | |
There, you see? | 0:34:23 | 0:34:27 | |
That is why he's so popular with these girls. | 0:34:27 | 0:34:30 | |
Because he's so cheap to take out. | 0:34:30 | 0:34:32 | |
Wonderful. You couldn't have done better. | 0:34:32 | 0:34:35 | |
That's brilliant. Thank you. | 0:34:35 | 0:34:37 | |
-What is your prediction, James? -I would put £70-£100 on it | 0:34:37 | 0:34:41 | |
as an estimate, so if it makes £100 I think that's a fantastic result. | 0:34:41 | 0:34:45 | |
If it makes 70 I'd be pleased, as well. | 0:34:45 | 0:34:47 | |
We'll find out in the auction, won't we? Girls, hold on to those thoughts. | 0:34:47 | 0:34:51 | |
But for the audience at home, let's find out what the auctioneer thinks about James' little cat. | 0:34:51 | 0:34:57 | |
What do you rate that at? Anything? | 0:34:59 | 0:35:01 | |
-I'm allergic to cats. -Are you? -Yes. | 0:35:01 | 0:35:03 | |
Don't, for goodness sake, start sneezing. | 0:35:03 | 0:35:06 | |
-It's a magnificently decorated modern piece of porcelain. -It is. | 0:35:06 | 0:35:10 | |
-Absolutely. -A real collectible, if you like that sort of thing. | 0:35:10 | 0:35:13 | |
We have quite a few clients who do buy these things in the sales | 0:35:13 | 0:35:17 | |
and I think we should make perhaps 60, maybe even £80. | 0:35:17 | 0:35:21 | |
Lewis paid £30, so he paid the right price for it. | 0:35:21 | 0:35:24 | |
And are you taking the auction for us? | 0:35:24 | 0:35:26 | |
-Yes, we'll be starting in a few minutes. -We're in safe hands! | 0:35:26 | 0:35:29 | |
OK, Anth, Jules, ready for this? | 0:35:36 | 0:35:38 | |
-Very. -Quite excited, aren't you? | 0:35:38 | 0:35:40 | |
-Very. -Yes. I can tell. | 0:35:40 | 0:35:43 | |
You've got that Crown Devon musical mug job to fall back on, which is reassuring for you, isn't it? | 0:35:43 | 0:35:48 | |
Very much, yes. | 0:35:48 | 0:35:50 | |
THEY LAUGH | 0:35:50 | 0:35:52 | |
First lot up is your old pot, | 0:35:52 | 0:35:54 | |
-and here it comes. -We've got to pray. | 0:35:54 | 0:35:57 | |
Bidding with me here, £45. 55. | 0:35:57 | 0:36:01 | |
60. | 0:36:01 | 0:36:02 | |
£60? 5? 70? | 0:36:02 | 0:36:06 | |
In the room at 70. Internet's down five. 80? | 0:36:06 | 0:36:09 | |
85? 90? £90 in the room, £90 in the room, still out. | 0:36:11 | 0:36:16 | |
95, 100. | 0:36:16 | 0:36:18 | |
-£100 bidding tens now, please, at £100. £100 in the room... -Come on. | 0:36:18 | 0:36:25 | |
-£100, selling now. £100. -No! | 0:36:25 | 0:36:30 | |
£100. That is minus 50. | 0:36:30 | 0:36:34 | |
-So close. -Not off to a great start. | 0:36:35 | 0:36:37 | |
-Better than we thought. -So close but yet so far. | 0:36:37 | 0:36:39 | |
-Still exciting. -Still exciting. | 0:36:39 | 0:36:42 | |
Come on. Here comes your green pot. | 0:36:42 | 0:36:43 | |
10 I'm bid for the jar, £12, 15, 18, 20, 25, | 0:36:43 | 0:36:47 | |
25 at the back, at 25? 25 bid, at 8 I'll take. At 25. | 0:36:47 | 0:36:51 | |
It's in the room, make no mistake, selling here. | 0:36:51 | 0:36:55 | |
£25. | 0:36:55 | 0:36:58 | |
You paid 60. £25. | 0:36:58 | 0:37:00 | |
That is minus £35. | 0:37:00 | 0:37:02 | |
A bit of a disaster, that one. | 0:37:02 | 0:37:05 | |
-It is, isn't it? -Not so good at the moment. | 0:37:05 | 0:37:06 | |
Let's go with the binoculars. | 0:37:06 | 0:37:08 | |
-Come on. -Quite nice little things these. | 0:37:08 | 0:37:11 | |
Bidding here at £22 on the book, at 22. | 0:37:11 | 0:37:13 | |
22 I'm bid here, at 22. | 0:37:13 | 0:37:15 | |
It will be sold, I'll take five. | 0:37:15 | 0:37:17 | |
Come on. | 0:37:17 | 0:37:19 | |
At 22, 25 on the Internet. 25. | 0:37:19 | 0:37:22 | |
-I thought these would make more, at 25. -So did I. | 0:37:22 | 0:37:25 | |
At £25. | 0:37:25 | 0:37:28 | |
You're minus £75. | 0:37:28 | 0:37:31 | |
It could be a lot worse. | 0:37:31 | 0:37:34 | |
It could be a lot worse, believe me. | 0:37:34 | 0:37:37 | |
You are minus 75. What are you going to do about this bonus buy? | 0:37:37 | 0:37:40 | |
-Go for it. -You're going to go with that musical mug? | 0:37:40 | 0:37:43 | |
-Let's have the Peel. -Here it comes. -OK. | 0:37:43 | 0:37:45 | |
A musical jug. John Peel. | 0:37:45 | 0:37:47 | |
£20 bid. | 0:37:47 | 0:37:49 | |
£20 I'm bid, at £22, 22, 25, 28. | 0:37:49 | 0:37:53 | |
At 30? Two I'll take. £30, right at the back. | 0:37:53 | 0:37:58 | |
-Come on. -32 on the Internet. | 0:37:58 | 0:38:01 | |
32, with you at 35. £35. At £35. Have another go at £35, £35 in the room. | 0:38:01 | 0:38:08 | |
At 35, it will sell. | 0:38:08 | 0:38:11 | |
-£35. Wiped its face. -No profit. | 0:38:11 | 0:38:14 | |
No losses, no shame, no gain. | 0:38:14 | 0:38:17 | |
Overall you are minus £75. | 0:38:17 | 0:38:18 | |
You monkeys! | 0:38:18 | 0:38:20 | |
Don't you go telling those Blues a thing, right? | 0:38:20 | 0:38:23 | |
-Janet and Anne, do you know how the Reds got on? -Not at all. | 0:38:32 | 0:38:35 | |
Haven't spoken to them? Good. We don't want you to know. | 0:38:35 | 0:38:38 | |
But I think you've got a really good chance. | 0:38:38 | 0:38:40 | |
-Do you think so? -I really think so, Janet. | 0:38:40 | 0:38:43 | |
-You're looking doubtful. -Not very confident. -We're not confident. | 0:38:43 | 0:38:47 | |
This is your chance now. This old bowl. | 0:38:47 | 0:38:49 | |
Hellenistic period bowl. | 0:38:49 | 0:38:51 | |
What do we say for this one, then? | 0:38:51 | 0:38:53 | |
I'm opening the bidding here at £45. | 0:38:53 | 0:38:56 | |
45 I'm bid, at 45. | 0:38:56 | 0:39:00 | |
£50 I'm bid, and I'm out now, more bids on the book. Five. | 0:39:00 | 0:39:04 | |
60, five, 70, at 65, 70, five, £75 then? | 0:39:04 | 0:39:11 | |
£75, then. Selling at 75. | 0:39:13 | 0:39:17 | |
Well, I don't care. £25 up. | 0:39:17 | 0:39:19 | |
That's what that says to me. | 0:39:19 | 0:39:21 | |
Plus 25. I love it. Well done, Lewis. | 0:39:21 | 0:39:24 | |
Now the ink stand. | 0:39:24 | 0:39:26 | |
-There's the ink stand. -£30 to start, at £30 bid? | 0:39:26 | 0:39:29 | |
30 I'm bid, at 30. | 0:39:29 | 0:39:31 | |
£30, 30 bid. | 0:39:33 | 0:39:34 | |
At five, I'll take. | 0:39:34 | 0:39:36 | |
-Come on. -£30. | 0:39:36 | 0:39:38 | |
With me then, all out in the room, at £30, on the book and selling it, £30. | 0:39:38 | 0:39:43 | |
£30. | 0:39:43 | 0:39:45 | |
That says plus six to me. | 0:39:45 | 0:39:47 | |
Does seem to be quite reasonable. | 0:39:47 | 0:39:49 | |
OK, the trinket box. | 0:39:49 | 0:39:51 | |
This has to be a winner now. Lewis. | 0:39:51 | 0:39:55 | |
On the book now, bidding with me here at £50, £50 I'm bid. | 0:39:55 | 0:39:58 | |
Double the money. | 0:39:58 | 0:40:00 | |
65, 75, 80, five, 90. At £90 right at the back, five? | 0:40:00 | 0:40:07 | |
100. 110. | 0:40:07 | 0:40:08 | |
110, right at the back. 120. | 0:40:08 | 0:40:10 | |
Are you bidding? | 0:40:10 | 0:40:13 | |
120 here, it's your turn. | 0:40:13 | 0:40:14 | |
Almost, almost. | 0:40:14 | 0:40:16 | |
140. 140 in the front here, at 140. | 0:40:16 | 0:40:22 | |
150, are you bidding? £150, next, all out at 150, still out at 150. | 0:40:22 | 0:40:27 | |
Sold that for £150. | 0:40:29 | 0:40:31 | |
That is phenomenal. | 0:40:31 | 0:40:33 | |
That is plus 125. | 0:40:33 | 0:40:34 | |
Plus the 31 you had before, which is plus 156. | 0:40:34 | 0:40:40 | |
-156 up. -Well done. | 0:40:40 | 0:40:42 | |
Thank you! | 0:40:42 | 0:40:44 | |
£156 up. | 0:40:44 | 0:40:47 | |
Now you can go out and buy that scent bottle you liked, all right? | 0:40:47 | 0:40:51 | |
-And you can keep it. -Yes! | 0:40:51 | 0:40:53 | |
Girls, what are you going to do about the cat? | 0:40:53 | 0:40:56 | |
Oh, definitely, yes. | 0:40:56 | 0:40:58 | |
We are going with the Abyssinian and here she comes. Miaow! | 0:40:58 | 0:41:02 | |
Derby Royal Cats paperweight. | 0:41:02 | 0:41:04 | |
40, 50, 60, 70, 80, £90 I'm bid. | 0:41:04 | 0:41:08 | |
£90 on the book here, at £90. Are we all out in the room at 90? | 0:41:08 | 0:41:12 | |
100, I'll take. | 0:41:12 | 0:41:14 | |
£90 bid. | 0:41:14 | 0:41:16 | |
Last chance then, at 90, it will sell. | 0:41:16 | 0:41:19 | |
That is some cat, isn't it? £90. | 0:41:19 | 0:41:22 | |
Well done, James. You're a star. | 0:41:22 | 0:41:25 | |
That is another £60 up, which means, overall, you are plus 216 smackers. | 0:41:25 | 0:41:33 | |
£216! We'll need to go to a hole in the wall. We haven't got that much! | 0:41:33 | 0:41:39 | |
The runners-up today by a substantial margin are the Reds. | 0:41:45 | 0:41:50 | |
-Did you have a funny feeling this was coming your way? -We somehow did think that. | 0:41:50 | 0:41:55 | |
I thought you might have done, what with minus 50, minus 35. | 0:41:55 | 0:41:58 | |
You did make a tenner on your binoculars, though. | 0:41:58 | 0:42:01 | |
Overall, sadly, minus £75. | 0:42:01 | 0:42:04 | |
-Which doesn't sound so much if you say it quickly, does it? -No. | 0:42:04 | 0:42:08 | |
-Have you had fun? -We had a good time. | 0:42:08 | 0:42:10 | |
You had a good time. We've loved having you on the programme and you've been real sports. | 0:42:10 | 0:42:15 | |
But the victors today who have won £216... | 0:42:15 | 0:42:19 | |
THEY GASP | 0:42:19 | 0:42:22 | |
£216! | 0:42:22 | 0:42:26 | |
This is, like, awesome. | 0:42:26 | 0:42:28 | |
-Well done. -And I congratulate you. | 0:42:28 | 0:42:30 | |
All thanks to James. | 0:42:30 | 0:42:32 | |
A team effort. Well, it's very sweet of you. | 0:42:32 | 0:42:34 | |
But you had a good hand in this, James, congratulations. | 0:42:34 | 0:42:37 | |
I don't know what James Lewis' commission is on all of this. | 0:42:37 | 0:42:41 | |
And I don't choose to know, quite frankly. Passing the £1 along. | 0:42:41 | 0:42:44 | |
-Have you had a good time, girls? -Fantastic. -Wonderful. Thank you very much. | 0:42:44 | 0:42:47 | |
It's right up there on the profit league on Bargain Hunt. | 0:42:47 | 0:42:50 | |
You've been a great team. | 0:42:50 | 0:42:52 | |
-So join us soon for some more Bargain Hunting, yes? -Yes! | 0:42:52 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:43:00 | 0:43:02 | |
E-mail [email protected] | 0:43:02 | 0:43:05 |