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It might be peeing down with rain, | 0:00:00 | 0:00:02 | |
but our hearts are full of sunshine! | 0:00:02 | 0:00:05 | |
So let's go Bargain Hunting! | 0:00:05 | 0:00:07 | |
We're at Deene Park Antiques Fair and it's a bit damp! | 0:00:32 | 0:00:37 | |
But we've got £600 to spend today | 0:00:37 | 0:00:40 | |
cos it's double-up day! | 0:00:40 | 0:00:41 | |
And here's what's in store. | 0:00:42 | 0:00:44 | |
The blue team struggle to find their way. | 0:00:44 | 0:00:47 | |
It's the other way? Run that direction! | 0:00:47 | 0:00:50 | |
The red team struggle to stay together. | 0:00:51 | 0:00:54 | |
We've lost Carol. | 0:00:54 | 0:00:56 | |
Carol, where are you going? | 0:00:56 | 0:00:57 | |
And I trot up the road to Sheffield, to the Millennium Gallery. | 0:00:58 | 0:01:02 | |
So, for the reds today we've got Mandy and Carol. | 0:01:03 | 0:01:07 | |
And for the blues we've got friends Megan and Carol. Lovely! | 0:01:07 | 0:01:11 | |
-Hi, girls. -Hello. -Mandy, tell me how you met, darling. | 0:01:11 | 0:01:15 | |
I was working at a bingo club when Carol came to join eight years ago and took over as manager. | 0:01:15 | 0:01:21 | |
That sounds special. Is it good fun? | 0:01:21 | 0:01:23 | |
It's great fun. We get to meet a lot of people. | 0:01:23 | 0:01:25 | |
We make a lot of friends. | 0:01:25 | 0:01:27 | |
You couldn't go out in your pyjamas cos everybody knows who you are. | 0:01:27 | 0:01:31 | |
I don't go out in my pyjamas much. | 0:01:31 | 0:01:34 | |
-Now, you are on a health kick at the moment? -Yeah, me and Carol | 0:01:34 | 0:01:38 | |
decided we needed to trim up slightly | 0:01:38 | 0:01:40 | |
so three times a week, if we can, we get to the gym. | 0:01:40 | 0:01:44 | |
-Don't we? -Yes. -I drag her there, but we go! | 0:01:44 | 0:01:47 | |
-She's trying to get a shape like mine. -Naturally, very nice, too. | 0:01:47 | 0:01:52 | |
-What tactics are you going to use today? -Subtle. -Stylish. | 0:01:52 | 0:01:55 | |
-Sophisticated. -Like you lot, really. -Yes. -Yeah. We are the Bingo Babes! | 0:01:55 | 0:02:00 | |
That's sweet, isn't it? Do you ever go to bingo? | 0:02:00 | 0:02:03 | |
BOTH: No. | 0:02:03 | 0:02:05 | |
Already we feel a chasm opening up between our teams! | 0:02:05 | 0:02:10 | |
-Your biggest passion is your allotment? -Allotment and wildlife. | 0:02:10 | 0:02:14 | |
I have hedgehogs that visit my garden. | 0:02:14 | 0:02:17 | |
I feed the little hedgehogs. | 0:02:17 | 0:02:19 | |
And we have a canal very close to the home | 0:02:19 | 0:02:22 | |
and they have little ducklings at the moment. | 0:02:22 | 0:02:25 | |
So every day I have to go and feed the ducklings. | 0:02:25 | 0:02:28 | |
-A lot of feeding going on in your area. -It costs a lot of money. | 0:02:28 | 0:02:32 | |
-Carol, your job is pretty creative. -It is quite creative, yes. | 0:02:32 | 0:02:36 | |
-Tell us about it. -I recycle lots of old furniture, and turn them into something different. | 0:02:36 | 0:02:42 | |
-How long have you been doing this? -Most of my life, since I was little. | 0:02:42 | 0:02:46 | |
-Are you going to use any of your knowledge to bag some bargains? -I hope so. | 0:02:46 | 0:02:51 | |
-What do you plan to do? -I'm going to think big and blow the lot. -Really? -Yes. | 0:02:51 | 0:02:55 | |
I love that, when the lot gets blown. Very good. | 0:02:55 | 0:02:58 | |
It's just as well it's double-up day | 0:02:58 | 0:03:00 | |
because today you get £600 apiece. | 0:03:00 | 0:03:03 | |
That's £1,200 to spend. You know the rules. | 0:03:03 | 0:03:06 | |
Your experts await. Off you shove! Off to the wet tents! | 0:03:06 | 0:03:12 | |
I think our teams will need a little help. | 0:03:14 | 0:03:16 | |
Today this comes in the form of Charles Hanson for the reds | 0:03:16 | 0:03:20 | |
and David Harper for the blues. | 0:03:20 | 0:03:22 | |
The rules are simple. | 0:03:25 | 0:03:27 | |
£600, an hour to shop, three items to find. | 0:03:27 | 0:03:29 | |
The team with the most profit at auction win! | 0:03:29 | 0:03:32 | |
Let's get cracking! | 0:03:32 | 0:03:34 | |
-OK. Double-up day today. £600 to spend. -We're real excited. | 0:03:36 | 0:03:41 | |
-Where do we go with that? -We're ladies. We like to spend. We'll spend it all! | 0:03:41 | 0:03:45 | |
Good luck, Charles! | 0:03:45 | 0:03:47 | |
Girls, this is a very scary day. We've got £600. What will we do with it? | 0:03:48 | 0:03:53 | |
I don't know. I think we're looking at perhaps some silver. | 0:03:53 | 0:03:57 | |
-Silver. -Silver, glass. | 0:03:57 | 0:03:59 | |
-Are we going to spend the lot? -Yes, please! -Come on, then! | 0:03:59 | 0:04:03 | |
-OK. Do what you do best, girls, and spend some money. -Yes, please. | 0:04:03 | 0:04:08 | |
-Come on, Carol! -I've only got little legs. | 0:04:08 | 0:04:11 | |
Keep up, Carol. You've only just started, love! | 0:04:11 | 0:04:14 | |
A bit of Charles Rennie Mackintosh. If that's a real one, that would be nice. | 0:04:14 | 0:04:18 | |
This is a nice vase. | 0:04:18 | 0:04:20 | |
-Oh, I like that. -It's really striking. | 0:04:22 | 0:04:25 | |
-Look at that. -I like the red - they're like hearts. | 0:04:25 | 0:04:27 | |
A bit of romance and grace. | 0:04:27 | 0:04:30 | |
The spoons aren't going to be very expensive. | 0:04:31 | 0:04:34 | |
-No. -You wouldn't see a profit. -Sets of spoons, | 0:04:34 | 0:04:37 | |
possibly. | 0:04:37 | 0:04:38 | |
Nice glass. Caithness glass, all hand-blown. | 0:04:38 | 0:04:42 | |
But we've got 600 quid. | 0:04:42 | 0:04:44 | |
-Yes, this is it. -I know. | 0:04:44 | 0:04:47 | |
-Down comes the rain. Let's go inside here. -We'll head indoors. | 0:04:48 | 0:04:51 | |
Look out for that blue team! | 0:04:51 | 0:04:54 | |
-I love that pair of decanters. -Yes, they are beautiful, aren't they? | 0:04:54 | 0:04:59 | |
-What's trade on that? -They're not cheap. -100 quid? | 0:04:59 | 0:05:02 | |
200 quid! Bit of trade on that. | 0:05:03 | 0:05:06 | |
175. | 0:05:06 | 0:05:08 | |
I wouldn't... | 0:05:08 | 0:05:10 | |
Oh, we're going to start a fight! | 0:05:10 | 0:05:12 | |
-I like this box. Do you? -I do, yes. | 0:05:12 | 0:05:15 | |
It's a really handsome... If we close it up... | 0:05:15 | 0:05:17 | |
-Look at that. There you go. A really fine rosewood inlaid musical box. -Does it still work? | 0:05:18 | 0:05:25 | |
We'll try it. | 0:05:25 | 0:05:27 | |
-MUSIC PLAYS -There's a collector's market for these. | 0:05:27 | 0:05:30 | |
A massive market. This is a very good Swiss or German musical box, | 0:05:30 | 0:05:36 | |
probably around 1870. | 0:05:36 | 0:05:38 | |
-It was your entertainment of the day. -Yes, If you were in an elegant household, | 0:05:38 | 0:05:42 | |
if you were suave and sophisticated, after afternoon tea, you might have this on display and play it. | 0:05:42 | 0:05:48 | |
It's priced at 695, | 0:05:48 | 0:05:51 | |
and I like it. | 0:05:51 | 0:05:53 | |
-Our mission, Carol, is to spend big, isn't it? -It is. -But not quite that big. | 0:05:53 | 0:05:57 | |
Mandy, you spoilsport. | 0:05:57 | 0:06:00 | |
Now, I know these two. They give fantastic deals. | 0:06:01 | 0:06:04 | |
Yes, you may laugh! Right. | 0:06:06 | 0:06:08 | |
What do we have, trade, | 0:06:08 | 0:06:10 | |
that stands you absolutely nothing, | 0:06:10 | 0:06:12 | |
that we might have a chance to make a profit in auction? | 0:06:12 | 0:06:16 | |
They're sweet, yeah. | 0:06:16 | 0:06:17 | |
They are absolutely gorgeous. They are all there. | 0:06:17 | 0:06:21 | |
So no sneezing! | 0:06:21 | 0:06:22 | |
It's a miniature domino set. | 0:06:26 | 0:06:29 | |
I suppose it's a quirky little number. | 0:06:29 | 0:06:31 | |
You might take it travelling. Imagine on your coach. | 0:06:31 | 0:06:35 | |
-Yeah. -On a long journey. | 0:06:35 | 0:06:36 | |
Days on end. | 0:06:36 | 0:06:38 | |
-You could use it and play with it. -You could still use it. | 0:06:38 | 0:06:41 | |
Carol, what drew you to it? | 0:06:41 | 0:06:43 | |
I don't know. The quirkiness of it. | 0:06:43 | 0:06:45 | |
-I quite like the box, actually. -Mahogany, I think, isn't it? | 0:06:45 | 0:06:49 | |
I love miniature items. Miniature furniture can be worth more than the big pieces. | 0:06:49 | 0:06:55 | |
Because the quality is as good, but it's made in miniature. | 0:06:55 | 0:06:58 | |
There's so much craftsmanship goes into this sort of stuff. Amazing. | 0:06:58 | 0:07:03 | |
What's the absolute death trade? | 0:07:03 | 0:07:06 | |
The absolute death would be 38 on them. | 0:07:06 | 0:07:09 | |
Oh, you are being awful to me today! | 0:07:09 | 0:07:12 | |
You're normally much nicer than this! | 0:07:12 | 0:07:14 | |
-You're being terrible. -They are a very nice item. | 0:07:14 | 0:07:18 | |
To be honest, at auction, they would do quite well. | 0:07:18 | 0:07:23 | |
-Because I've never seen another set like that. -I haven't, either. | 0:07:23 | 0:07:27 | |
-I've never seen... -Stop agreeing with her! | 0:07:27 | 0:07:30 | |
You're doing very badly! | 0:07:30 | 0:07:33 | |
They're lovely ladies! | 0:07:33 | 0:07:35 | |
The best I could do, being as it's you, would be 35. | 0:07:36 | 0:07:39 | |
I think, to be honest, that gives you a good chance. | 0:07:39 | 0:07:43 | |
I absolutely adore it. | 0:07:43 | 0:07:44 | |
-It's beautiful, isn't it, Carol? -I do like it. | 0:07:44 | 0:07:47 | |
Let's think about age. | 0:07:47 | 0:07:49 | |
We do like to buy antiques and I think it's got to be heading to 100 years old. | 0:07:49 | 0:07:53 | |
I'd say if not older, to be honest with you. | 0:07:53 | 0:07:56 | |
-Definitely 100, maybe 150 years old. -It could be that, yeah. | 0:07:56 | 0:08:00 | |
So it's not all about size, is it? | 0:08:00 | 0:08:02 | |
You keep saying that, David. | 0:08:02 | 0:08:04 | |
Sometimes it's quality. | 0:08:04 | 0:08:06 | |
-It's over to you. -I think so, don't you, Carol? -Do you like it? | 0:08:08 | 0:08:12 | |
-I do, very much. -Yes. | 0:08:12 | 0:08:13 | |
And bearing in mind that the experts said we would have profit in it at auction. | 0:08:13 | 0:08:19 | |
I think so. | 0:08:19 | 0:08:21 | |
No, the stallholder is saying we'll have profit at auction! | 0:08:21 | 0:08:25 | |
-Happy? -Yes, please. -OK. | 0:08:25 | 0:08:27 | |
-I'm happy too. -Thank you very much. | 0:08:27 | 0:08:29 | |
Well, isn't that nice? Everybody's happy and the blues have one in the bag. | 0:08:31 | 0:08:37 | |
What I do like are those scent bottles there. | 0:08:37 | 0:08:39 | |
-Yeah, but you're not going to buy them. -Why not? | 0:08:39 | 0:08:42 | |
-They're too dear for you. -How much? | 0:08:42 | 0:08:44 | |
-They're £225. -Today we have £600 to spend. | 0:08:44 | 0:08:48 | |
-Carol, Mandy. -Yes? -Look at these. | 0:08:48 | 0:08:52 | |
There we go. | 0:08:52 | 0:08:54 | |
-Have a look at the other one, Carol. -I will do. | 0:08:54 | 0:08:57 | |
-How old are these? -I would say they're Edwardian in period. | 0:08:57 | 0:09:01 | |
The hallmark on here - are they 1902? | 0:09:01 | 0:09:04 | |
-1901. -1901. Fine. | 0:09:04 | 0:09:06 | |
Look at the cut. Look at the quality. | 0:09:06 | 0:09:10 | |
Is the glass in good condition? | 0:09:10 | 0:09:11 | |
-It feels... -Feels really good. There isn't any chips. | 0:09:11 | 0:09:15 | |
I've got a chip on this one. A chip on the corner. | 0:09:15 | 0:09:18 | |
-Well spotted. -Does that affect the price a lot? | 0:09:18 | 0:09:21 | |
Yeah, it does. What a shame. | 0:09:21 | 0:09:24 | |
Small chip. What do you think? Seriously, what do you think? | 0:09:24 | 0:09:29 | |
-They're beautiful. -Why? | 0:09:29 | 0:09:30 | |
I like the shininess, I like the glass through the light. | 0:09:30 | 0:09:33 | |
-Look at that. -Would you have them on your dressing table? -Yes, I would. | 0:09:33 | 0:09:38 | |
We've had a look at these scent bottles and we do like them. | 0:09:38 | 0:09:41 | |
Is there any chance we could tempt you with £150-worth of cash? | 0:09:41 | 0:09:46 | |
No, but you can tempt me with 160. You can't tempt me for 150. | 0:09:46 | 0:09:50 | |
-I like them. Let's do it. -Let's do it. | 0:09:50 | 0:09:53 | |
Call it a deal? 160. | 0:09:53 | 0:09:55 | |
-160 it is. -Thank you very much. I appreciate it. They're good things. | 0:09:55 | 0:09:59 | |
-OK. Great. Well played. -Well done. First one in the bag. -Excellent. Very happy. | 0:09:59 | 0:10:04 | |
Ready for the bingo lingo? | 0:10:04 | 0:10:06 | |
The beginning - number one. | 0:10:06 | 0:10:09 | |
-I quite like this. -What do you think it is? | 0:10:09 | 0:10:12 | |
-I think it's a nutcracker. -It is a nutcracker. A Black Forest bear. | 0:10:12 | 0:10:16 | |
-Nice. -"What do you think of the show?" -I like it! -"Rubbish!" | 0:10:16 | 0:10:21 | |
Speak for yourself, baby! | 0:10:22 | 0:10:25 | |
Now for something a little weightier. | 0:10:25 | 0:10:27 | |
WHISTLES | 0:10:29 | 0:10:32 | |
Oh, hello. | 0:10:32 | 0:10:33 | |
What do you think about this? | 0:10:33 | 0:10:35 | |
I'm having a bit of a toss-up about it, to be perfectly frank. | 0:10:35 | 0:10:40 | |
What is it? | 0:10:40 | 0:10:41 | |
Well, it's a bronzed cased object. | 0:10:41 | 0:10:45 | |
Now, either this thing has been buried for a good 100 years, | 0:10:45 | 0:10:50 | |
or it's extremely old. | 0:10:50 | 0:10:53 | |
How old is extremely old? | 0:10:54 | 0:10:56 | |
Well, it could be as early | 0:10:57 | 0:10:59 | |
as 13th or 14th or 15th century. | 0:10:59 | 0:11:03 | |
So what would you use this for in 1200 or 1300, for example? | 0:11:04 | 0:11:09 | |
In a marketplace you'd be weighing commodities | 0:11:09 | 0:11:12 | |
and in those days, the scales that they used were a long steel yard, | 0:11:12 | 0:11:17 | |
hung in the middle. | 0:11:17 | 0:11:19 | |
One end of the steel yard would have a weight pendant from it, like this. | 0:11:19 | 0:11:23 | |
On the other end, you'd have your commodity. What's it worth? | 0:11:23 | 0:11:27 | |
Well, it could be yours here today for £30. | 0:11:27 | 0:11:31 | |
What's it worth if it's confirmed to come from the late medieval period? | 0:11:31 | 0:11:37 | |
I would think a good 400 to £500-worth. | 0:11:37 | 0:11:41 | |
So, to buy or not to buy? | 0:11:41 | 0:11:45 | |
These are weighty questions. | 0:11:45 | 0:11:49 | |
Keep looking, ladies. | 0:11:51 | 0:11:53 | |
What do you think, Carol? What takes your fancy? | 0:11:53 | 0:11:55 | |
Surely it's not that bad, Carol? | 0:11:58 | 0:12:00 | |
Ah, that's a smoker's cabinet. | 0:12:00 | 0:12:02 | |
-Little drawers for tobacco, tobacco jars, mixing bowls. -OK. | 0:12:02 | 0:12:07 | |
-Everything you need... -For the smoker. | 0:12:07 | 0:12:09 | |
-Yeah. Surely you smoke a pipe? -Of course I do! | 0:12:09 | 0:12:12 | |
-Of course! -In the evening after dinner! | 0:12:12 | 0:12:14 | |
-I heard, actually. -I've caught her, as well! | 0:12:14 | 0:12:17 | |
But that's a collector's item. | 0:12:17 | 0:12:22 | |
It's a real collector's item, yes. | 0:12:22 | 0:12:24 | |
Late 19th, early 20th century. Probably Edwardian. 1900-ish. | 0:12:24 | 0:12:29 | |
And a scribbled out price, which means it's free! | 0:12:29 | 0:12:32 | |
-Yes! -Is it for free? | 0:12:32 | 0:12:34 | |
What's the trade on that one? | 0:12:34 | 0:12:36 | |
-110. -110. Is that the best trade? -Mmm. | 0:12:36 | 0:12:39 | |
It's not a fortune actually. We can bear that in mind. | 0:12:40 | 0:12:43 | |
Carol, where are you going? | 0:12:43 | 0:12:46 | |
Sorry. I'll come back. | 0:12:46 | 0:12:48 | |
Come on, Carol. Keep up, love! | 0:12:48 | 0:12:51 | |
-That's plate. I'll leave that. -It's a bit plain. | 0:12:51 | 0:12:54 | |
We need to seriously get something bought, now. | 0:12:55 | 0:12:59 | |
-There's half an hour to go, so we're OK. Don't panic, Mandy. -OK. | 0:12:59 | 0:13:02 | |
Plenty of time. | 0:13:02 | 0:13:04 | |
Some nice beads here, Charles. What are these made of? | 0:13:06 | 0:13:09 | |
That's nice. They're ivory or bone. | 0:13:09 | 0:13:11 | |
-This is nice, Mandy. -Charles, Carol's got the one that got away! | 0:13:11 | 0:13:15 | |
-What's the best price on that? -I can do £40. | 0:13:16 | 0:13:20 | |
-What do you think? -We could do with one of those today, Charles! | 0:13:20 | 0:13:24 | |
It's a really good late Victorian-cum-Edwardian parasol. | 0:13:24 | 0:13:28 | |
This collar here is actually later than the actual handle. | 0:13:28 | 0:13:32 | |
This might be ten years later or so. Importantly without courting bad luck, | 0:13:32 | 0:13:37 | |
what we'll do is just, without putting it up, | 0:13:37 | 0:13:41 | |
see that lovely quality? | 0:13:41 | 0:13:43 | |
-That's the original fabric on that. -It is, absolutely. | 0:13:44 | 0:13:48 | |
I like it. | 0:13:48 | 0:13:49 | |
-What do you think, Carol? -I'm leaving this one to you. | 0:13:50 | 0:13:53 | |
-What was your best price? 35, did you say? -No! | 0:13:53 | 0:13:57 | |
- I'll do 38. - I thought she said 30! | 0:13:57 | 0:14:00 | |
-38. -3-0, blind 30. | 0:14:00 | 0:14:01 | |
What are our tactics now, Carol? If we buy this, | 0:14:01 | 0:14:04 | |
where do we then go? We've got all this money left over. | 0:14:04 | 0:14:07 | |
We'll have to have our musical box. | 0:14:07 | 0:14:09 | |
-Carol, on your head. What do you think? -Oh, gosh. Yeah, I'll go for it. | 0:14:09 | 0:14:14 | |
-Is it a yes from you? -If Carol says yes, that's good enough for me. | 0:14:14 | 0:14:18 | |
Three yeses! | 0:14:18 | 0:14:20 | |
-And your best price is? -38. | 0:14:20 | 0:14:22 | |
It's a deal. Thank you very much. Job done. | 0:14:22 | 0:14:25 | |
Three yeses and one little duck. | 0:14:26 | 0:14:29 | |
Item number two. Now, | 0:14:29 | 0:14:31 | |
what has David spotted? | 0:14:31 | 0:14:33 | |
-This is nice. -Yes. | 0:14:34 | 0:14:36 | |
What have we got on that one? | 0:14:36 | 0:14:38 | |
-I've got 300 on that one. -Really. What is it? | 0:14:38 | 0:14:41 | |
It's Fratelli Toso, a very good artist in Italy. | 0:14:41 | 0:14:45 | |
-Do you want to have a look? -I'm tempted, yes. -Let's have a look. | 0:14:45 | 0:14:49 | |
-It is an expensive piece. -I know. -We've got to have one. -Yes. | 0:14:49 | 0:14:53 | |
-Oh, that is... -Oh, dear. -That's really pretty. -I daren't touch it. | 0:14:53 | 0:14:57 | |
It's a Fratelli Toso. I've never had much to do with him, | 0:14:57 | 0:15:01 | |
but I can spot quality from a few feet away. | 0:15:01 | 0:15:04 | |
-Ooh, I don't... -Hold it. | 0:15:04 | 0:15:06 | |
It's missing a stopper, I think. | 0:15:06 | 0:15:08 | |
Yeah? So it's a decanter, really. | 0:15:08 | 0:15:11 | |
It's more of a decanter than a vase. | 0:15:11 | 0:15:14 | |
What shape would the top be? | 0:15:14 | 0:15:15 | |
-A stopper. -A stopper, yeah. A glass stopper. | 0:15:15 | 0:15:19 | |
How old would that be, then? | 0:15:19 | 0:15:21 | |
I think that's probably 1950s. | 0:15:21 | 0:15:25 | |
-'50s, '60s. It's got a '50s style to it. -Yes, it has. | 0:15:25 | 0:15:29 | |
-A little pinched waist, hour-glass figure. -Yes, that's correct. | 0:15:29 | 0:15:33 | |
-It's lovely quality. -I like that. -What is... We're talking cash here. | 0:15:36 | 0:15:41 | |
250. | 0:15:41 | 0:15:42 | |
Death. 250. | 0:15:42 | 0:15:44 | |
-We've got 20 minutes left. -Well... | 0:15:44 | 0:15:46 | |
-Do you like it? -I like it. -Yes. -I do like it. | 0:15:46 | 0:15:49 | |
-I think we ought to have a go. -No, stop that! Stop saying that. | 0:15:49 | 0:15:52 | |
Because he won't come down from 250. | 0:15:52 | 0:15:55 | |
-OK. -Hang on. | 0:15:55 | 0:15:57 | |
What about 200 or 225 on the spin of a coin? | 0:15:57 | 0:16:02 | |
You're killing me! | 0:16:02 | 0:16:03 | |
210 and 225. | 0:16:03 | 0:16:06 | |
-Ready? -Yes. -You call for us. | 0:16:06 | 0:16:08 | |
Not that old trick again, David? | 0:16:08 | 0:16:10 | |
-Heads. -She called heads. | 0:16:10 | 0:16:12 | |
Yes! | 0:16:13 | 0:16:14 | |
Oh. The deal was made. | 0:16:16 | 0:16:18 | |
That's the winning formula. Whenever I call, I lose! | 0:16:19 | 0:16:22 | |
-What do you think about that? -Brilliant. | 0:16:22 | 0:16:25 | |
-Brilliant. Well done. -Thank you. -We're taking a chance, but it's gorgeous. | 0:16:25 | 0:16:29 | |
Don't drop it! | 0:16:29 | 0:16:31 | |
You got the result you wanted there, Harper. £210. Two in the bag | 0:16:32 | 0:16:37 | |
for Megan and Carol. | 0:16:37 | 0:16:38 | |
They say small is beautiful. | 0:16:40 | 0:16:42 | |
See? | 0:16:43 | 0:16:44 | |
Thank you. What do you think? | 0:16:46 | 0:16:48 | |
What's that pattern on there? Is it anything particular? | 0:16:48 | 0:16:52 | |
If I said date, what would you say? | 0:16:52 | 0:16:54 | |
-It looks old. -How old? | 0:16:54 | 0:16:56 | |
-I'd say 18-something. -I'd say 1840. | 0:16:56 | 0:16:59 | |
-This goes back to around 1755. -Wow. | 0:16:59 | 0:17:02 | |
It's a rare thing. | 0:17:02 | 0:17:04 | |
So... | 0:17:04 | 0:17:05 | |
Blue and white are made to imitate the finest Chinese porcelain. | 0:17:05 | 0:17:10 | |
Because at this time, we in England were only making porcelain for five or so years, | 0:17:10 | 0:17:15 | |
having discovered how the Chinese made it. But to the unassuming, it looks boring. | 0:17:15 | 0:17:19 | |
-Yes, it does. -OK. -Very everyday. -They don't like it! | 0:17:19 | 0:17:22 | |
-Sorry. -Right, OK. After all that lingo. Doesn't work. | 0:17:22 | 0:17:27 | |
How much is it, by the way? | 0:17:27 | 0:17:29 | |
395. | 0:17:29 | 0:17:31 | |
-It's not blingy enough. -Not blingy enough? | 0:17:31 | 0:17:34 | |
With all those rings on your hand, I can imagine why! | 0:17:34 | 0:17:37 | |
Charming(!) | 0:17:37 | 0:17:39 | |
Wait a minute. | 0:17:39 | 0:17:41 | |
What about this one up here? | 0:17:41 | 0:17:43 | |
-I like the Art Deco vase. -The big vase? | 0:17:43 | 0:17:45 | |
-This one? -Yeah, this one. | 0:17:47 | 0:17:49 | |
-Art Deco. Always popular. -That is nice, isn't it? | 0:17:49 | 0:17:53 | |
-So it's 1930s? -Yes, it is. | 0:17:53 | 0:17:55 | |
-Where's it signed? Signed... -I'll show you. | 0:17:55 | 0:17:59 | |
-Oh, wow! Yes, it's signed. Look. Muller Freres. -Muller Freres. | 0:18:05 | 0:18:09 | |
-Is that a really good make? -Right. The two brothers used to work for Galle. | 0:18:09 | 0:18:15 | |
-You've heard of Galle? -Yes. | 0:18:15 | 0:18:17 | |
-Then broke away from him... -And set up on their own. | 0:18:17 | 0:18:20 | |
-It is beautiful. -And dated. | 0:18:20 | 0:18:22 | |
-It's typical Art Deco. -Very much so. | 0:18:22 | 0:18:26 | |
It's got 450 on. What would be your very best price? | 0:18:26 | 0:18:30 | |
No, I'm not going to go up and down. | 0:18:30 | 0:18:32 | |
I'll tell you my very best and there is no movement. Dead 400. | 0:18:32 | 0:18:37 | |
-Don't look at me. -That could be tricky for you, Charles! -Don't look at me. | 0:18:39 | 0:18:43 | |
-Carol, what do you think? -It leaves you with two pounds! | 0:18:43 | 0:18:46 | |
The thing is, it's a massive spend. | 0:18:46 | 0:18:48 | |
It leaves me with two pounds? Is that right? Two pounds? | 0:18:48 | 0:18:51 | |
-But you're the expert. You can buy something... -Course I can. -..for two pounds. | 0:18:51 | 0:18:56 | |
It's got a money spider in. That's a good sign, a money spider in there! | 0:18:58 | 0:19:03 | |
-Carol, was that "Go for it", you whispered? -Yes. Go for it. | 0:19:03 | 0:19:06 | |
Go on, go for it. | 0:19:06 | 0:19:08 | |
400? It's a deal. We'll have that, thank you. | 0:19:08 | 0:19:11 | |
That's it? Thanks for inviting me. Two pounds to spend. Good day. Three objects. | 0:19:11 | 0:19:15 | |
-Good luck. -Go for it. -Very good luck! -Don't believe it. | 0:19:15 | 0:19:19 | |
Cup of tea, number three. | 0:19:19 | 0:19:22 | |
Carol and Mandy are done. And with a cool 15 minutes to spare. | 0:19:22 | 0:19:26 | |
What have you got that stands you very handy, trade, that we might have a chance? | 0:19:28 | 0:19:33 | |
Something nice and interesting and quirky. | 0:19:33 | 0:19:35 | |
-You like WMF, don't you? -I do like WMF. What have you got? | 0:19:35 | 0:19:39 | |
-I've got a couple of pieces. -Show me. We've got very few minutes left. | 0:19:39 | 0:19:43 | |
Down here. | 0:19:43 | 0:19:45 | |
-Typical Art Nouveau design. -Very Art Nouveau. | 0:19:45 | 0:19:47 | |
-It's got the stamp, WMF. -WMF. It's a German piece. Art Nouveau manufacturer. | 0:19:47 | 0:19:53 | |
They made a lot of cutlery. They've been going for donkeys' years. | 0:19:53 | 0:19:57 | |
Prolific makers, good quality. | 0:19:57 | 0:20:00 | |
In the Art Nouveau period, 1890 to about 1910, before the First World War, | 0:20:00 | 0:20:04 | |
they were knocking out this stuff by the bucket-load. Really, really good quality. | 0:20:04 | 0:20:09 | |
I'm rambling on. We've only got five minutes. | 0:20:09 | 0:20:12 | |
Nothing new there, Harper! | 0:20:12 | 0:20:14 | |
-What's the trade on that? -50 for trade. -50 trade. | 0:20:14 | 0:20:18 | |
Aw! | 0:20:20 | 0:20:21 | |
-Couldn't be 20? -You're right - it couldn't be! | 0:20:22 | 0:20:25 | |
I didn't think it could be! Three minutes to go, girls. | 0:20:25 | 0:20:28 | |
-What about the smoking box? -You want another look at that? Would you mind? | 0:20:28 | 0:20:33 | |
-I might see you later. -OK. -Cheers. Run! | 0:20:33 | 0:20:36 | |
Come on. I want to see you run! | 0:20:36 | 0:20:38 | |
-Where is it? -It's the other way! -The other way. -The other way? | 0:20:38 | 0:20:41 | |
Run that direction! | 0:20:41 | 0:20:43 | |
Come on, you lot, work out where you're going! | 0:20:43 | 0:20:46 | |
-You're not running! -No! | 0:20:49 | 0:20:51 | |
-Here! -There it is, yes. | 0:20:54 | 0:20:56 | |
-Hi, there. It's quite a clever little thing. -Ingenious. -Yes. | 0:20:56 | 0:21:00 | |
It's got a registration, which is like a patent number. | 0:21:00 | 0:21:03 | |
It's oak, Edwardian, | 0:21:03 | 0:21:05 | |
about 1905, 1910. Original handles. | 0:21:05 | 0:21:08 | |
Nice quirky action on the box when you close the drawer. | 0:21:08 | 0:21:12 | |
-How much was it? -How much was that? | 0:21:12 | 0:21:15 | |
-110. -Is that the very best you can do? | 0:21:15 | 0:21:17 | |
-We have two minutes. -I'll give you the scent bottle with it. | 0:21:17 | 0:21:21 | |
-Where's the scent bottle? -The one you were looking at. | 0:21:21 | 0:21:24 | |
I'll tell you what, you are brilliant. | 0:21:25 | 0:21:27 | |
-Bless her! -I've got 40 seconds and I'll use all my time. How about if we gave you 80 including the bottle? | 0:21:27 | 0:21:34 | |
-No. 100 including the scent bottle. -OK, girls. It's over to you. | 0:21:34 | 0:21:39 | |
-You have to make a decision. -Just take it. -Yes. | 0:21:39 | 0:21:42 | |
-£100 for the two. -OK. | 0:21:42 | 0:21:44 | |
-You're a dreamboat. Thank you very much. -Thank you. | 0:21:44 | 0:21:47 | |
Thank you. | 0:21:47 | 0:21:49 | |
With seconds to spare, Megan and Carol are done. | 0:21:51 | 0:21:55 | |
Right. That's it for our teams. | 0:21:56 | 0:21:58 | |
They stop shopping in the luxury of that marquee. | 0:21:58 | 0:22:01 | |
Let's have a gander at what the red team bought. | 0:22:01 | 0:22:04 | |
They all smelt success | 0:22:06 | 0:22:08 | |
in a pair of cut-glass and silver bottles. | 0:22:08 | 0:22:11 | |
Charles found them a silver-handled parasol for £38. | 0:22:12 | 0:22:16 | |
And Mandy insisted they buy the Art Deco glass vase | 0:22:17 | 0:22:21 | |
for a cool 400. | 0:22:21 | 0:22:23 | |
Oh, dear! | 0:22:23 | 0:22:24 | |
-That's it. We've spent out. -We have. | 0:22:25 | 0:22:27 | |
That's a really good call, isn't it? | 0:22:27 | 0:22:30 | |
In bingo, what do you call that? | 0:22:30 | 0:22:32 | |
-Bingo? -I could say that's a full house! | 0:22:32 | 0:22:34 | |
-Quite right. -Is that what you say? -Full house, yes. | 0:22:34 | 0:22:37 | |
I think it's bingo cos you've got how much to spend? A pound? | 0:22:37 | 0:22:41 | |
On its own, Tim. Number two. Two pounds. | 0:22:41 | 0:22:44 | |
Two pounds. Where's the two pounds? Oh, you've got one each! | 0:22:44 | 0:22:48 | |
-Two little ducks. -Was that good fun or not? | 0:22:48 | 0:22:50 | |
-It was. -What do you call them? Two little ducks? | 0:22:50 | 0:22:53 | |
One little duck - number two. | 0:22:53 | 0:22:56 | |
One little duck is number two. | 0:22:56 | 0:22:58 | |
Is that what it is? Shows I don't go to bingo much! | 0:22:58 | 0:23:01 | |
From one little duck to one big duck. | 0:23:01 | 0:23:04 | |
I don't know what you're going to do, but very good luck! | 0:23:05 | 0:23:08 | |
Good fun. Now, let's remind ourselves what the blues bought. | 0:23:08 | 0:23:12 | |
Carol fell in love with the miniature bone dominoes. | 0:23:14 | 0:23:17 | |
They all liked the shape of the 1950s Fratelli Toso vase. | 0:23:19 | 0:23:23 | |
And in the dying minutes, they agreed upon the oak smoker's cabinet | 0:23:24 | 0:23:28 | |
and glass scent bottle for £100. | 0:23:28 | 0:23:31 | |
Well done! Right in the dying seconds. That's what I like to see. | 0:23:34 | 0:23:38 | |
Why does he always look so pleased with himself after the shopping? | 0:23:38 | 0:23:42 | |
-Because he's got all the money left, that's why. -I'll give him the leftover lolly in a moment. | 0:23:42 | 0:23:47 | |
How good is this double-up day? | 0:23:47 | 0:23:49 | |
You get your £600, you get a first-rate man with you. Yes? | 0:23:49 | 0:23:54 | |
-Yes. -Yes, we do. -And then there's David. | 0:23:54 | 0:23:57 | |
Too nice. I knew you were just being too nice! | 0:23:57 | 0:24:00 | |
No, it was only momentary, that. | 0:24:00 | 0:24:02 | |
-Seriously, had a good time? -We had a great time. | 0:24:02 | 0:24:05 | |
You took it right to the wire, which is really good. How much did you spend overall? | 0:24:05 | 0:24:11 | |
-£345. -345. -Yes, we did. | 0:24:11 | 0:24:12 | |
£345. That's absolutely super. | 0:24:12 | 0:24:15 | |
-Can I have £255 of leftover lolly? -Yes, you can. | 0:24:15 | 0:24:18 | |
That's exactly what I'm looking for. Things are well-organised on this show! | 0:24:18 | 0:24:22 | |
Over it goes to you, Davido. That's a lot of money. | 0:24:22 | 0:24:25 | |
I haven't held that amount of money for a long time. | 0:24:25 | 0:24:28 | |
Good luck, girls. And David. Meanwhile, we're going to shove off to Sheffield. | 0:24:28 | 0:24:32 | |
The canny cutlers, platers and silversmiths of Sheffield | 0:24:37 | 0:24:41 | |
were always on the lookout for the very brightest of design talent. | 0:24:41 | 0:24:46 | |
The most successful of these designers | 0:24:56 | 0:24:59 | |
finished up as household names. | 0:24:59 | 0:25:01 | |
Their objects became iconic | 0:25:01 | 0:25:04 | |
and if they were really good, they'd find their pieces on display today | 0:25:04 | 0:25:08 | |
in the Sheffield Millennium Galleries. | 0:25:08 | 0:25:11 | |
The leading industrial designer of the 19th century | 0:25:11 | 0:25:15 | |
was, without doubt, Dr Christopher Dresser. | 0:25:15 | 0:25:18 | |
The items on this side of the table | 0:25:18 | 0:25:20 | |
are from designs attributed to him. | 0:25:20 | 0:25:24 | |
What's interesting about Christopher Dresser | 0:25:24 | 0:25:27 | |
is that he became an industrial designer. | 0:25:27 | 0:25:30 | |
He'd think of a form without ornamentation | 0:25:30 | 0:25:35 | |
that would be relatively simple to produce by industry. | 0:25:35 | 0:25:40 | |
It's all summed up, really, in this little teapot. | 0:25:40 | 0:25:43 | |
Look how unfussy these feet are, | 0:25:43 | 0:25:45 | |
the handle and spout and so forth. | 0:25:45 | 0:25:48 | |
He's done that so it would be simple to produce in a mechanical and industrial sense. | 0:25:48 | 0:25:55 | |
He's thinking about the man who has to make the teapot. | 0:25:55 | 0:25:59 | |
Will it go into mass production? | 0:25:59 | 0:26:02 | |
In this model, we've got an example of a sphere | 0:26:02 | 0:26:06 | |
which has been spun on a steam-driven lathe. | 0:26:06 | 0:26:09 | |
Once upon a time, this was a flat piece of metal. | 0:26:09 | 0:26:12 | |
It whizzed around on the lathe, | 0:26:12 | 0:26:14 | |
a chuck is introduced against that lathe. | 0:26:14 | 0:26:18 | |
The pressure and movement of the metal enables it to move and curl, if you like. | 0:26:18 | 0:26:24 | |
You get to this moment in time and stop spinning it. | 0:26:24 | 0:26:27 | |
You remove the chuck and there you've got, effectively, the body of the teapot. | 0:26:27 | 0:26:32 | |
If you look at the feet, that are sweated on to the sides of the sphere, | 0:26:32 | 0:26:37 | |
nothing could be more simple. | 0:26:37 | 0:26:39 | |
It's almost like a golf tee-type peg. | 0:26:39 | 0:26:43 | |
Then look at the other component parts, the cover, the knob and the handle. | 0:26:43 | 0:26:49 | |
They're angular, plain, very stylish and simple to make. | 0:26:49 | 0:26:54 | |
And they tick all the right boxes when it comes to Victorian industrial design. | 0:26:54 | 0:27:00 | |
Having set up a machine that can easily do this once, | 0:27:00 | 0:27:03 | |
it's perfectly possible for the machine to do it 100,000 times. | 0:27:03 | 0:27:07 | |
This coffee and tea service is also designed by Dresser. | 0:27:07 | 0:27:11 | |
It's in electro-plate. | 0:27:11 | 0:27:14 | |
But if you look at the design, it's a simple outline | 0:27:14 | 0:27:18 | |
into which Dresser has introduced some decoration, | 0:27:18 | 0:27:21 | |
but it's decoration that's mechanically produced. | 0:27:21 | 0:27:24 | |
If we scroll forward to the second half of the 20th century, | 0:27:39 | 0:27:44 | |
we come to another design classic, | 0:27:44 | 0:27:47 | |
produced by a Sheffield designer, David Mellor. | 0:27:47 | 0:27:50 | |
And this tea set, which, when you look at it, is not so different | 0:27:50 | 0:27:55 | |
from the Dresser tea set, | 0:27:55 | 0:27:57 | |
was produced by him in 1958. This range of wares is called Pride. | 0:27:57 | 0:28:02 | |
It, too, has little ornamentation. | 0:28:02 | 0:28:05 | |
Scrolling forward to the end of the 20th century, | 0:28:05 | 0:28:08 | |
Mellor comes up with his range of polished stainless steel cutlery | 0:28:08 | 0:28:13 | |
which is called City. | 0:28:13 | 0:28:15 | |
And you can't get more brand-spanking-new | 0:28:15 | 0:28:18 | |
and clean and simple a design than that. | 0:28:18 | 0:28:22 | |
The big question is today, of course, | 0:28:22 | 0:28:25 | |
are our teams' reputations going to be tarnished at all, | 0:28:25 | 0:28:28 | |
over at the auction? | 0:28:28 | 0:28:30 | |
We've pitched up at Mellors and Kirk saleroom in Nottingham. | 0:28:33 | 0:28:37 | |
And I just can't wait to find out what kind of bonus buy Carlos has found with next to no cash! | 0:28:37 | 0:28:42 | |
So, Mandy and Carol, this is the exciting moment. | 0:28:45 | 0:28:48 | |
You've left Charles Hanson with two pounds! We give you 600 | 0:28:48 | 0:28:51 | |
and you spent 598. Are you taking the mickey or what? | 0:28:51 | 0:28:56 | |
-Well... -Well... -We are ladies. We like to shop. So... | 0:28:56 | 0:28:59 | |
-we never come back with any money. -No. | 0:28:59 | 0:29:02 | |
For two pounds, I looked long and hard. | 0:29:02 | 0:29:04 | |
I went all round the fair two or three times and finally... | 0:29:04 | 0:29:08 | |
found this little man. | 0:29:08 | 0:29:10 | |
-Oh. -Look at him. -He's all right! | 0:29:10 | 0:29:13 | |
-A very sweet... -1970s. | 0:29:13 | 0:29:16 | |
-Possibly. -No, I like it. -Perhaps Italian. Isn't he nice? -I do. I do. | 0:29:16 | 0:29:20 | |
A penguin with all the feel of a cold, Arctic air. | 0:29:20 | 0:29:24 | |
Look at the two penguins within on this almost iceberg. | 0:29:24 | 0:29:28 | |
-Isn't it sweet? -Yes. -Blown. Italian. I don't know. | 0:29:28 | 0:29:31 | |
-Would you give it mantelpiece room? -Yes, I would. | 0:29:31 | 0:29:34 | |
And for two pounds, I think that's a bargain. | 0:29:34 | 0:29:37 | |
-Importantly, look at the condition. It's in good condition. -It's good. | 0:29:37 | 0:29:41 | |
A paperweight. | 0:29:41 | 0:29:43 | |
Exactly. Paperweight, ornamental. And surely for two pounds... | 0:29:43 | 0:29:48 | |
I like it. I do, honestly. | 0:29:48 | 0:29:49 | |
It's come out of a box. It's not antique. And at two pounds, I think that's pretty good going. | 0:29:49 | 0:29:56 | |
-Was it a box of crackers it came out of? -Could be. | 0:29:56 | 0:29:59 | |
But you only gave him two pounds so you can't expect a work of art. | 0:29:59 | 0:30:03 | |
Is it going to make four pounds? Six pounds... | 0:30:03 | 0:30:06 | |
I'll say this is a guaranteed auction estimate at least of ten to £15. | 0:30:06 | 0:30:11 | |
With that in mind, OK, it might only make eight. | 0:30:11 | 0:30:14 | |
But I'm sure, I'm positive, it's going to make at least £15. | 0:30:14 | 0:30:18 | |
-I think it's a winner. I think it's a winner. -I do. | 0:30:18 | 0:30:21 | |
Good, good. You've got two enchanted ladies here, Charles, which is a considerable achievement! | 0:30:21 | 0:30:27 | |
For the audience at home, let's find out now what the auctioneer thinks of the little penguin. | 0:30:27 | 0:30:32 | |
I'm ashamed showing you this, cos Charles only had two pounds left over. | 0:30:33 | 0:30:37 | |
He went out and spent his two pounds and got two decapitated cormorants | 0:30:37 | 0:30:42 | |
frozen in glass. | 0:30:42 | 0:30:44 | |
But still it's a paperweight and it's cased glass. | 0:30:44 | 0:30:49 | |
Two pounds is nothing, is it? | 0:30:49 | 0:30:51 | |
-I think he'll get 20 or £30 for that. -Do you really? | 0:30:51 | 0:30:54 | |
They'll be overjoyed with that. | 0:30:54 | 0:30:55 | |
First up for Mandy and Carol, | 0:30:55 | 0:30:57 | |
-they've got this pair of cut-glass scent or cologne bottles. -Yes. | 0:30:57 | 0:31:02 | |
Very typical of their period. | 0:31:02 | 0:31:04 | |
Silver-mounted, Edwardian. | 0:31:04 | 0:31:06 | |
Would they have come in a fitted set with a whole lot more of this, do you think? | 0:31:06 | 0:31:11 | |
They'd come with a dressing table set - tray, brushes and so forth, | 0:31:11 | 0:31:15 | |
rather than being in a fitted case. | 0:31:15 | 0:31:17 | |
They've lost their friends. | 0:31:17 | 0:31:19 | |
But we've got them together today. What will they make? | 0:31:19 | 0:31:22 | |
They're in reasonable condition, a little dented. Perhaps 80 to £100. | 0:31:22 | 0:31:27 | |
They paid 160. | 0:31:27 | 0:31:28 | |
-Next up is the parasol. -Yes. They're difficult things to display. What do you do with them? | 0:31:28 | 0:31:34 | |
You can't open them. Or if you do, very often they're so frayed | 0:31:34 | 0:31:39 | |
-and threadbare they'll fall apart. -The silks perish. | 0:31:39 | 0:31:42 | |
So they are uncommercial. | 0:31:42 | 0:31:44 | |
-How much? -30 quid. -OK, fine. They paid 38. No sweat about that. | 0:31:44 | 0:31:48 | |
Now, the big swell round here is this baby on the end. | 0:31:48 | 0:31:53 | |
-Yes. -This daffodil/primrose yellow | 0:31:53 | 0:31:57 | |
opaque glass. | 0:31:57 | 0:31:59 | |
Um, I suppose it's a vase, isn't it? | 0:31:59 | 0:32:02 | |
It is a vase, yes. It's very distinctive and there's no ignoring it. | 0:32:02 | 0:32:07 | |
It's the sort of thing you respond to. You either love it or loathe it. | 0:32:07 | 0:32:12 | |
-Yes. -Its sale value is going to be limited because of its rather poor quality of manufacture. | 0:32:12 | 0:32:18 | |
-So what might it bring? -There's a limited market for it. | 0:32:18 | 0:32:22 | |
It'll make £100. 150, maybe. | 0:32:22 | 0:32:25 | |
-Really? -Hmm. -They paid 400. | 0:32:25 | 0:32:27 | |
-Goodness! That's brave. -Anyway, | 0:32:27 | 0:32:30 | |
that's it for the reds. Now for the blues. | 0:32:30 | 0:32:32 | |
Megan and Carol, their first item is a miniature dominoes set. | 0:32:32 | 0:32:36 | |
These Victorian games, once so popular, | 0:32:36 | 0:32:39 | |
-are now completely lost at auction. They don't sell. -Oh, dear. | 0:32:39 | 0:32:43 | |
They paid £35. Will they get any of it back? | 0:32:43 | 0:32:46 | |
-Maybe ten. -Ten to £20. -Yes. -OK. Fine. | 0:32:46 | 0:32:50 | |
What about this Venetian glass waisted decanter? | 0:32:50 | 0:32:55 | |
Well, that has one great attraction | 0:32:55 | 0:32:58 | |
in as much as it dates from the 1950s. | 0:32:58 | 0:33:01 | |
It's quite... Whether it's going to make more than £100, I don't know. | 0:33:01 | 0:33:06 | |
They paid 210. | 0:33:06 | 0:33:08 | |
They paid fully the retail price for it. | 0:33:08 | 0:33:10 | |
Their last item is a stupid, strange combo | 0:33:10 | 0:33:13 | |
of an Edwardian smoker's cabinet and an atomiser. | 0:33:13 | 0:33:18 | |
It's quite well made, though. Edwardian, I would have thought. | 0:33:18 | 0:33:21 | |
It has a registration number on the drawer. | 0:33:21 | 0:33:24 | |
We're standing by them for a not particularly dazzling estimate. | 0:33:24 | 0:33:28 | |
-What do you think? -60 to £80. -That's not bad. They paid 100. | 0:33:28 | 0:33:31 | |
It's this decanter that's going to let them down a bit. | 0:33:31 | 0:33:34 | |
So they'll need their bonus buy. Let's go and have a look at it now. | 0:33:34 | 0:33:38 | |
Now, Carol and Megan. You spent £345. | 0:33:40 | 0:33:43 | |
You gave David Harper £255, | 0:33:43 | 0:33:46 | |
a small fortune for anybody. | 0:33:46 | 0:33:48 | |
-What did you spend it on, David? -I'm quite excited about this. | 0:33:48 | 0:33:52 | |
This is a proper antique, | 0:33:52 | 0:33:54 | |
something I'd really get excited about buying. | 0:33:54 | 0:33:57 | |
Oh, I like that. | 0:33:57 | 0:33:59 | |
-Isn't that lovely? -What do you think? -Yeah. -It's super. | 0:33:59 | 0:34:03 | |
-You know what it is? -Of course. -It's a sampler. | 0:34:03 | 0:34:06 | |
Samplers are always really highly collected. | 0:34:06 | 0:34:10 | |
There's an awful lot of people out there who want to buy these things. | 0:34:10 | 0:34:14 | |
We know the girl's name. We don't know her age - probably early teens. | 0:34:14 | 0:34:20 | |
A sampler is effectively a sample of your work, | 0:34:20 | 0:34:23 | |
a sample of your skill in needlework. | 0:34:23 | 0:34:25 | |
-Beautiful. -It's a lovely thing. -Yes. -A lovely thing. | 0:34:25 | 0:34:28 | |
-How much? -Do you like it, Carol? -Yes, I do. -Something that appeals? -Yes, it is. | 0:34:28 | 0:34:33 | |
-Yes. -I do like that. -Yes. | 0:34:33 | 0:34:35 | |
-What about you, Megan? -It's really beautiful. -Depends on the price. -Yes. | 0:34:35 | 0:34:39 | |
Well, this is it. This is where I could fall down. | 0:34:39 | 0:34:42 | |
It wasn't the bargain of a lifetime. | 0:34:42 | 0:34:44 | |
It took me an hour to buy it. | 0:34:44 | 0:34:46 | |
-OK. -I spent £250 on it. | 0:34:46 | 0:34:49 | |
-Nearly the full wodge. -I had a fiver left. | 0:34:51 | 0:34:53 | |
-I didn't have much left to work with. -OK. | 0:34:53 | 0:34:56 | |
-What do you think it might bring? -I think on a good day it might do £400. | 0:34:56 | 0:35:01 | |
On a bad day, I might lose 100. | 0:35:01 | 0:35:04 | |
You don't decide now. Let's find out what the auctioneer thinks about David's sampler. | 0:35:04 | 0:35:09 | |
-So, Nigel, as if by magic, there's your sampler. -Indeed. | 0:35:10 | 0:35:14 | |
-That's David Harper's bonus buy. -I like this sampler. | 0:35:14 | 0:35:18 | |
-What do you think it's worth, Nigel? -Perhaps 200 to £300. -Really? -Mmm. | 0:35:18 | 0:35:23 | |
David Harper's going to be delighted. He paid £250. | 0:35:23 | 0:35:27 | |
-That was a very fair price. -Right in the middle. Retail, 250 is a good number? -It is. | 0:35:27 | 0:35:32 | |
Super. Well, all will be decided in the auction in just a moment. | 0:35:32 | 0:35:37 | |
-Thanks very much, Nigel. -Thank you. | 0:35:37 | 0:35:39 | |
Mandy and Carol. How are you feeling, kids? | 0:35:46 | 0:35:49 | |
-Confident. -Very confident. -Are you? | 0:35:49 | 0:35:51 | |
-Got some good items. -Did you have a good breakfast today? -Oh, yes. | 0:35:51 | 0:35:55 | |
-Everything settled down? You're not nervy? -Definitely not. | 0:35:55 | 0:35:58 | |
It's a bit like bingo, this. You just don't know what will happen. | 0:35:58 | 0:36:02 | |
-No. -You don't know what numbers will come out of the hat. | 0:36:02 | 0:36:05 | |
-It's exciting. Charles hasn't got the faintest idea, nor have I. -No. | 0:36:05 | 0:36:09 | |
First up, your scent bottles. | 0:36:09 | 0:36:12 | |
Lot 71. | 0:36:12 | 0:36:14 | |
£40 for them? 40 I'm bid. And five. | 0:36:14 | 0:36:17 | |
50 anywhere? 50. Five. 60. | 0:36:17 | 0:36:19 | |
And five? 65, madam. | 0:36:19 | 0:36:22 | |
70. | 0:36:22 | 0:36:23 | |
-Come on. -75 with me. 80. 85. | 0:36:23 | 0:36:27 | |
90. £90 then, in the room. We sell. | 0:36:27 | 0:36:30 | |
At £90. | 0:36:30 | 0:36:32 | |
£90. Sorry about that, lads. | 0:36:32 | 0:36:35 | |
You are under 70 on that. Minus £70. | 0:36:35 | 0:36:38 | |
72 is a George V silver-mounted parasol. | 0:36:38 | 0:36:43 | |
£20 for it? 20. | 0:36:43 | 0:36:45 | |
£10. | 0:36:45 | 0:36:46 | |
-It's sunny out. You need one! -And I'm bid £10. 15 for it? | 0:36:46 | 0:36:50 | |
15 do I see? | 0:36:50 | 0:36:52 | |
£10. All done. 10 only. | 0:36:52 | 0:36:54 | |
-I don't believe it. -£10. That is minus £28. | 0:36:54 | 0:36:58 | |
-Not looking good. -That was not an encouraging shout, I'm afraid. | 0:36:58 | 0:37:02 | |
Lot 73 is the Muller Freres primrose yellow glass vase. | 0:37:02 | 0:37:05 | |
At £80 I am bid on commission for this lot. £80. 85. 90. | 0:37:06 | 0:37:11 | |
Five for it? 95. | 0:37:11 | 0:37:13 | |
100 and ten. 120. 130. | 0:37:13 | 0:37:16 | |
140. 150. | 0:37:16 | 0:37:19 | |
160. 170. | 0:37:19 | 0:37:20 | |
180. At 180 on my left and selling at £180. | 0:37:20 | 0:37:26 | |
Bad luck. 180. You are minus £220 on that. | 0:37:27 | 0:37:31 | |
OK. We're £318 down the toileto. | 0:37:31 | 0:37:34 | |
-Are you going with the penguins? -Where there's a will, there's a way. | 0:37:34 | 0:37:38 | |
We've got faith in the penguin. The penguin can do it for us. Is it worth £318, Charles? | 0:37:38 | 0:37:43 | |
-I think it'll do very well. -But not that well! -We'll slowly get away. | 0:37:45 | 0:37:49 | |
-I really hope it does well. -The £18 would be good. | 0:37:49 | 0:37:52 | |
-We're going with the penguin? -We want to go with it. | 0:37:53 | 0:37:56 | |
A seriously risky object, this. Two pounds! | 0:37:56 | 0:37:58 | |
-Here it comes. -Lot 78. | 0:37:58 | 0:38:02 | |
The glass penguin embedded paperweight. | 0:38:02 | 0:38:06 | |
Lot 78. £20 for it? | 0:38:06 | 0:38:09 | |
Ten to get on. Anybody want it? £10. | 0:38:09 | 0:38:12 | |
£5. Five I'm bid. | 0:38:12 | 0:38:14 | |
£5 only. | 0:38:14 | 0:38:15 | |
At £5. All done? | 0:38:15 | 0:38:18 | |
-That's a £3 profit. Well done. -It was worth much more than that. | 0:38:18 | 0:38:22 | |
-I'm sure. -I don't think so, actually. | 0:38:22 | 0:38:25 | |
He's done very well to sell it for £5. | 0:38:25 | 0:38:27 | |
Very lucky to get an offer at all in this saleroom. | 0:38:27 | 0:38:30 | |
Three pounds off that. You are minus 315. | 0:38:30 | 0:38:33 | |
Which is a pretty spectacular losing score. | 0:38:33 | 0:38:36 | |
But you never know. It could be a winning score. | 0:38:36 | 0:38:39 | |
Or maybe not. | 0:38:40 | 0:38:42 | |
Now, Megan and Carol. Do you know how the reds got on? | 0:38:49 | 0:38:52 | |
BOTH: No. | 0:38:52 | 0:38:53 | |
-They're not giving anything away. -Right. Good. | 0:38:53 | 0:38:56 | |
Let's find out where you're going to be. Your first lot is coming up. | 0:38:56 | 0:39:00 | |
Here come the miniature dominoes. And very lovely they are, too. | 0:39:00 | 0:39:04 | |
Lot 94. £20 for them? | 0:39:04 | 0:39:07 | |
20? £10? | 0:39:07 | 0:39:10 | |
-£5. -Come on! -Five I'm bid. At five. | 0:39:10 | 0:39:13 | |
Ten. 15? 15. | 0:39:13 | 0:39:16 | |
20? 20, sir? | 0:39:16 | 0:39:18 | |
-Yes! -No? £15. | 0:39:18 | 0:39:20 | |
In the second row we sell at £15. | 0:39:20 | 0:39:23 | |
£15. Sorry, girls. That's minus 20. | 0:39:23 | 0:39:26 | |
Lot 95 is the Fratelli Toso | 0:39:26 | 0:39:30 | |
aventurine and filigrana glass decanter. | 0:39:30 | 0:39:34 | |
£30 for this, please. 1950s in date. | 0:39:34 | 0:39:37 | |
30? 30 I'm bid. At £30. | 0:39:37 | 0:39:39 | |
30. Five anywhere? Five. 40. | 0:39:39 | 0:39:41 | |
Five. 50? £45. | 0:39:41 | 0:39:43 | |
50. Five. 60. 65. | 0:39:43 | 0:39:46 | |
70. 75. | 0:39:46 | 0:39:48 | |
80. 85. | 0:39:48 | 0:39:50 | |
-90. -Yes. -95? £95. | 0:39:50 | 0:39:53 | |
100? No? At 95. | 0:39:53 | 0:39:55 | |
In the doorway. Selling at £95. | 0:39:55 | 0:39:58 | |
That is minus £115 on that. | 0:39:58 | 0:40:02 | |
Not looking good. Already minus £135. | 0:40:02 | 0:40:07 | |
Lot 96, the Edwardian brass-mounted oak smoker's cabinet, | 0:40:07 | 0:40:11 | |
together with a scent bottle. £50 I am bid for this. 50. | 0:40:11 | 0:40:15 | |
Five for it anywhere? | 0:40:15 | 0:40:17 | |
55. 60. | 0:40:17 | 0:40:18 | |
-Yes, go on! -65. 70. -Go on! | 0:40:18 | 0:40:21 | |
80. 85. | 0:40:21 | 0:40:23 | |
90. Five. | 0:40:23 | 0:40:25 | |
-100. And ten? -Yes, yes, yes! -All done? | 0:40:25 | 0:40:28 | |
£100. | 0:40:28 | 0:40:30 | |
£100. It wiped its face. Well done, Dave. | 0:40:30 | 0:40:33 | |
£100. No profit, no loss. | 0:40:33 | 0:40:35 | |
No shame, no gain. So you are, girls, minus £135. | 0:40:35 | 0:40:40 | |
-That's really bad. -Now, a really difficult decision. | 0:40:40 | 0:40:44 | |
I know it's a difficult decision. | 0:40:44 | 0:40:46 | |
-Are you going to go with the 250 punt? -Are we gamblers? | 0:40:46 | 0:40:49 | |
-Yeah. -Yes. Without a doubt. | 0:40:49 | 0:40:51 | |
-I think so. -You're gamblers? -Yes. | 0:40:51 | 0:40:53 | |
-Really? -Yes. -OK. Well, you watched her lips. | 0:40:53 | 0:40:57 | |
101. Early Victorian linen sampler. | 0:40:57 | 0:41:01 | |
Dated 1846. | 0:41:01 | 0:41:03 | |
Half a dozen commission bids have been left on this lot. | 0:41:03 | 0:41:08 | |
£80 I have. | 0:41:08 | 0:41:10 | |
At 80. Five anywhere? Five. | 0:41:10 | 0:41:11 | |
90. Five. Five. 100 and ten. | 0:41:11 | 0:41:14 | |
-110. 120 with me. -Yes. -130. 140. 150. | 0:41:14 | 0:41:18 | |
-160. 170. At 160 the bid is still with me. -Come on! | 0:41:18 | 0:41:22 | |
170. 180. 190. 200. | 0:41:22 | 0:41:25 | |
And 20. I'm out. | 0:41:25 | 0:41:27 | |
£220. | 0:41:27 | 0:41:29 | |
Dear, oh, dear. | 0:41:31 | 0:41:33 | |
So close, David. So close! | 0:41:33 | 0:41:36 | |
But not quite close enough. It's only £30. | 0:41:36 | 0:41:39 | |
Minus 30. You are minus 165. | 0:41:39 | 0:41:43 | |
Um, the tension is something else. | 0:41:44 | 0:41:47 | |
You can cut that with a knife. | 0:41:47 | 0:41:49 | |
Anyway, well done. It didn't quite work, but very, very close. | 0:41:49 | 0:41:53 | |
Minus 165 could be a winning score. Don't say a thing to the reds. | 0:41:53 | 0:41:57 | |
All will be revealed in a moment. | 0:41:57 | 0:41:59 | |
Well, it's double-up day. | 0:42:04 | 0:42:06 | |
Double the happiness, double the joy. | 0:42:06 | 0:42:08 | |
Double the losses. | 0:42:08 | 0:42:10 | |
-Have you been chatting, you lot? -No. -No. -Good. | 0:42:11 | 0:42:15 | |
So you have no idea of the scale of the disaster that has befallen one of the teams. | 0:42:15 | 0:42:21 | |
And I'm afraid that the team that is running up by a long chalk is reds. | 0:42:21 | 0:42:25 | |
Oh, no! | 0:42:25 | 0:42:27 | |
-I'd stick to the bingo, if I were you! -I think I will. | 0:42:29 | 0:42:32 | |
A magnificent team, though. Thank you. | 0:42:32 | 0:42:35 | |
The blues have done marginally better by only losing £165. | 0:42:35 | 0:42:40 | |
It's remarkable! | 0:42:40 | 0:42:42 | |
There's no great accolade there, either, 165. | 0:42:42 | 0:42:45 | |
But nevertheless, you are well and truly the winners today. | 0:42:45 | 0:42:49 | |
-Join us soon for some more Bargain Hunting! Yes? -Yes! | 0:42:49 | 0:42:52 | |
Gosh! | 0:42:52 | 0:42:53 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:18 |