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Today, it's girls versus boys. | 0:00:02 | 0:00:03 | |
Stand by for a monumental battle of the sexes as we go bargain hunting! | 0:00:03 | 0:00:07 | |
All right, chaps. Oh yes. | 0:00:07 | 0:00:09 | |
We're at Corby at the Deene Park Antiques Fair | 0:00:33 | 0:00:37 | |
which is compact but perfectly formed | 0:00:37 | 0:00:41 | |
with stands crammed with antiques and curiosities. | 0:00:41 | 0:00:44 | |
But will our teams be able to find the bargains? | 0:00:44 | 0:00:48 | |
Let's have a quick peek and see. | 0:00:48 | 0:00:50 | |
Cor, the boys are quick off the mark. | 0:00:52 | 0:00:55 | |
-I can see you down the pub on a Friday night in that. -I know. | 0:00:55 | 0:00:57 | |
Drinking beer out of it! | 0:00:57 | 0:01:00 | |
And eventually, the girls find their feet. Ha! | 0:01:00 | 0:01:04 | |
I'm quite happy to wear a decapitated bird foot on me. | 0:01:04 | 0:01:08 | |
I'm not sure anyone else would. | 0:01:08 | 0:01:10 | |
And I find a few surprises at the Sheffield Millennium Gallery. | 0:01:10 | 0:01:14 | |
This soup tureen was made to hold turtle soup. | 0:01:14 | 0:01:20 | |
That's all to come. Let's meet the teams... | 0:01:20 | 0:01:24 | |
Welcome girls. Charlie and Louise, and Jack and Ash for the boys. | 0:01:24 | 0:01:28 | |
Hi. | 0:01:28 | 0:01:29 | |
Louise, you are such good mates that you each have | 0:01:29 | 0:01:33 | |
spare rooms in your houses dedicated to each other. | 0:01:33 | 0:01:36 | |
-We do. -So you can do a sleep-over? -We do. | 0:01:36 | 0:01:39 | |
My room in Charlie's house is decorated to my preference as well. | 0:01:39 | 0:01:43 | |
-And vice versa? -Well, near enough. -Charlie, you have an unusual hobby. | 0:01:43 | 0:01:48 | |
-I have, yes. -Tell us about it. | 0:01:48 | 0:01:50 | |
I am a member of MCW Wrestling Company | 0:01:50 | 0:01:54 | |
and I'm a female wrestler for sports entertainment. | 0:01:54 | 0:01:57 | |
-You never are! Are you really? -I am, yeah. | 0:01:57 | 0:02:01 | |
I've never had a female wrestler on Bargain Hunt before! | 0:02:01 | 0:02:04 | |
So this wrestling lark, do you take your kit off for that? | 0:02:04 | 0:02:08 | |
-How does it work? -Well, I leave some items on! -Oh right, yeah. | 0:02:08 | 0:02:12 | |
We have a costume, a character and it's performance, so it's fun. | 0:02:12 | 0:02:17 | |
-What's your ringside name? -It's Poison. -Is it? Scary. | 0:02:17 | 0:02:21 | |
-What are your tactics today? -Spend a little. Make a lot. | 0:02:21 | 0:02:27 | |
-You're not going to spend much? -We're trying not to. -Beat the prices down! | 0:02:27 | 0:02:32 | |
We're going to steal their items! | 0:02:32 | 0:02:35 | |
-If stall holders aren't nice to you, give them a special throw into the barbed wire? -That's right. | 0:02:35 | 0:02:40 | |
-They'll get a quick busting crab. -Today's shopping is outside. | 0:02:40 | 0:02:44 | |
You'll find a nice roll of barbed wire behind the marquee. | 0:02:44 | 0:02:48 | |
Good luck, girls. Boys, frightening, isn't it? | 0:02:48 | 0:02:50 | |
-Have you ever come across female wrestlers, ever? -No. -I'm scared. | 0:02:50 | 0:02:56 | |
-Ash, it's antiques that brought you together. -Mainly. | 0:02:56 | 0:02:59 | |
We've been going to school together for the last eight or so years. | 0:02:59 | 0:03:03 | |
But be both went to car boots without actually knowing, | 0:03:03 | 0:03:06 | |
then we met each other at a car-boot. | 0:03:06 | 0:03:09 | |
-Were you trying to buy the same thing? -I think we were, actually. | 0:03:09 | 0:03:12 | |
Buying and selling between the two of us. | 0:03:12 | 0:03:15 | |
I suppose you could say the friendship blossomed from there. | 0:03:15 | 0:03:19 | |
So over eight years what sort of things have you been going for? | 0:03:19 | 0:03:22 | |
Toy cars. Trains, that's our domain. That area. | 0:03:22 | 0:03:26 | |
-So you like Dinky, Meccano, Hornby? The big names. -Yeah. | 0:03:26 | 0:03:31 | |
What are your team tactics today then, boys? | 0:03:31 | 0:03:34 | |
-What will you do to beat these wrestlers? -I don't know if we can beat wrestlers. | 0:03:34 | 0:03:38 | |
We are going to give it a good shot. I think we'll buy things you wouldn't expect. | 0:03:38 | 0:03:43 | |
Unusual things? | 0:03:43 | 0:03:45 | |
-We'll be different. -You want the oddball? -Definitely. | 0:03:45 | 0:03:48 | |
-Are you going to spend all your money? -It's not our money, so probably, yeah. | 0:03:48 | 0:03:53 | |
That is a very good answer. And indeed it's the money moment. | 0:03:53 | 0:03:57 | |
£300 apiece. You know the rules. Your experts await and off you go. | 0:03:57 | 0:04:02 | |
Very, very good luck. How lovely. Such unusual teams. | 0:04:02 | 0:04:06 | |
I think they're going to need a bit of help. | 0:04:08 | 0:04:11 | |
From Charles Hanson! | 0:04:11 | 0:04:13 | |
And David Harper. | 0:04:15 | 0:04:18 | |
And they're off, armed of course with the rules | 0:04:21 | 0:04:24 | |
because each team gets £300 and an hour to shop for three items | 0:04:24 | 0:04:27 | |
which they sell later at auction and the team wins | 0:04:27 | 0:04:30 | |
that makes the most profit. | 0:04:30 | 0:04:32 | |
Simple really, isn't it? | 0:04:32 | 0:04:33 | |
Now, I'm not needed for a bit, so let's have a bit of a read. | 0:04:33 | 0:04:36 | |
-Go on then, off you go! -The hour starts now. | 0:04:39 | 0:04:42 | |
£300 burning a hole, what are we going to do with it? | 0:04:42 | 0:04:45 | |
Bargain, bargain, bargain! | 0:04:45 | 0:04:47 | |
I think we've got to look for like, old toys, | 0:04:47 | 0:04:50 | |
-like car models, things like that. -Maybe trains as well. | 0:04:50 | 0:04:53 | |
How unusual, the girls want bargains and the boys want toys. Ha! | 0:04:53 | 0:04:58 | |
-I'm well liking that. -I'm well liking it as well! | 0:04:58 | 0:05:02 | |
-But I don't know what it is. -We beat the expert. -Already! | 0:05:02 | 0:05:09 | |
You said it! | 0:05:09 | 0:05:11 | |
Charlie? | 0:05:11 | 0:05:12 | |
A pair of gas lamps from Langham Baptist chapel. | 0:05:14 | 0:05:18 | |
Wow! What's the price on them? | 0:05:18 | 0:05:21 | |
£65. What's the best, madam? | 0:05:21 | 0:05:25 | |
I could do them for 55 for you. I don't think I can do them much less. | 0:05:25 | 0:05:29 | |
We are so early in our time. We've had two minutes. | 0:05:29 | 0:05:32 | |
-Can you save them for us? -I will. -Lovely. | 0:05:32 | 0:05:35 | |
-I think that's really cool. -Can you see me in this? -I can. | 0:05:35 | 0:05:39 | |
What's it worth? £15? 20? | 0:05:39 | 0:05:43 | |
-£40. -He'll take a bid from you, and from you. | 0:05:43 | 0:05:46 | |
-30. -Sold! | 0:05:46 | 0:05:47 | |
Oh girls, stop mucking about! | 0:05:50 | 0:05:52 | |
These war medals are very interesting. | 0:05:56 | 0:05:58 | |
So which ones do you think we've got a chance to make a profit on at auction? | 0:05:58 | 0:06:02 | |
-The Indian war medal will. -So that medal was issued to a native Indian? | 0:06:02 | 0:06:06 | |
-A Sepoy. -A Sepoy, yeah. -It's all on there, round the rim. | 0:06:06 | 0:06:10 | |
-Can we have a look at that one? -Yeah, it's all wrapped up. | 0:06:10 | 0:06:13 | |
-The best I would do is 90. -Is that trade? -That's trade, yeah. | 0:06:13 | 0:06:18 | |
-Are you into medals, chaps? -It's quite modern history, | 0:06:18 | 0:06:22 | |
this 1900 period is something that quite fascinates me. | 0:06:22 | 0:06:25 | |
So this character, whoever it was, served from 1897 | 0:06:25 | 0:06:29 | |
-to at least to 1902 so not only in Victoria's reign, but in Edward's reign. -Yeah. | 0:06:29 | 0:06:34 | |
And the ribbon is in good condition, too. | 0:06:34 | 0:06:38 | |
-Medals aren't my forte. -I know they're not. | 0:06:38 | 0:06:42 | |
-85, but that's it. -I think it's worth a go. | 0:06:42 | 0:06:45 | |
-Do you want have a go? -Yep. | 0:06:45 | 0:06:46 | |
-Shake his hand and do the deal. -Thank you, sir. -Thank you. | 0:06:46 | 0:06:51 | |
-Anything there you like? -No. -Let's walk on. | 0:06:56 | 0:06:59 | |
Talking of walking, I've found some rather smashing old sticks. | 0:07:01 | 0:07:05 | |
One of the most highly collected items that you find | 0:07:06 | 0:07:10 | |
in these fairs are these chaps. | 0:07:10 | 0:07:13 | |
I've found these two, one is for sale and one isn't. | 0:07:13 | 0:07:17 | |
The one that's for sale is this fellow. | 0:07:17 | 0:07:20 | |
This is a piece of cane that was once growing in the jungle in Java, or Batavia. | 0:07:20 | 0:07:26 | |
Look up the end, it's hollow which makes this thing extremely | 0:07:26 | 0:07:30 | |
light weight and it has the charm of an attached silver handle | 0:07:30 | 0:07:37 | |
which is also slim and elegant and feels just gorgeous to the touch. | 0:07:37 | 0:07:42 | |
The other encouraging thing is the price. | 0:07:42 | 0:07:47 | |
I reckon this cane, to a specialist came collector, is worth £180. | 0:07:47 | 0:07:53 | |
What would it cost you here? | 0:07:53 | 0:07:56 | |
Well, it's available on a stand down there for £65. | 0:07:56 | 0:08:00 | |
That's what they call a snip. | 0:08:00 | 0:08:03 | |
Now this one, which isn't for sale, is much more extraordinary. | 0:08:03 | 0:08:08 | |
Every square inch of this walking-stick | 0:08:08 | 0:08:13 | |
is covered in this knotted cord. | 0:08:13 | 0:08:16 | |
The thing is what is called sailor work. | 0:08:16 | 0:08:19 | |
This is what sailors on sailing ships in the 19th century | 0:08:19 | 0:08:23 | |
did during their voyages around the world. | 0:08:23 | 0:08:27 | |
The idea being to create a novelty like this, | 0:08:27 | 0:08:31 | |
using their extraordinary skills with ropes and knots | 0:08:31 | 0:08:37 | |
that would entertain and frankly earn them cash when they get back home. | 0:08:37 | 0:08:41 | |
Because around the ports of Britain, | 0:08:41 | 0:08:44 | |
the visitors would buy objects like this | 0:08:44 | 0:08:47 | |
directly from the sailors at the docks. | 0:08:47 | 0:08:49 | |
But I have to tell you one thing, it LOOKS like a walking stick, | 0:08:49 | 0:08:54 | |
but it doesn't ACT like a walking stick, | 0:08:54 | 0:08:57 | |
because if I put it on the ground and put some pressure on it, | 0:08:57 | 0:09:00 | |
Look what happens. Boing! Like that, see? | 0:09:00 | 0:09:04 | |
So the sailor that sells this on the docks is selling a novelty, | 0:09:04 | 0:09:09 | |
a novelty which is a joke. | 0:09:09 | 0:09:10 | |
Great, isn't it? | 0:09:12 | 0:09:14 | |
What isn't a joke about this though, is its likely value. | 0:09:14 | 0:09:18 | |
The dealer doesn't want to sell it. He thinks it's so marvellous he wants to hang on to it. | 0:09:18 | 0:09:22 | |
I said to him, "how much might you expect for it if you were | 0:09:22 | 0:09:26 | |
"to sell it?" and he thinks it would be worth 400-£600. | 0:09:26 | 0:09:31 | |
But he isn't selling. So he can get knotted! | 0:09:31 | 0:09:35 | |
-Into pirates? -Yeah. -Aye! -Aye aye, captain. There we go. | 0:09:35 | 0:09:40 | |
I quite like this here. | 0:09:44 | 0:09:46 | |
It is so Victorian in style. Look at the form. | 0:09:46 | 0:09:48 | |
It's this desk stand, typically high Victorian taste, typically 1890s. | 0:09:48 | 0:09:53 | |
You've got these two ink bottles here, they come out like so. | 0:09:53 | 0:09:57 | |
And what's it made of? | 0:09:57 | 0:09:58 | |
Bronzed rather than being bronze, a coated base metal. Do you like it? | 0:09:58 | 0:10:03 | |
-I love it. -It's nice. -I love that. | 0:10:03 | 0:10:05 | |
I wonder how old it really is? | 0:10:05 | 0:10:07 | |
Sir, may I ask you please how old you think this little object is? | 0:10:07 | 0:10:10 | |
1890, 1892, High Victorian. | 0:10:10 | 0:10:14 | |
I would say it could be 1900. | 0:10:14 | 0:10:17 | |
I quite like it because it has a nice feel about it. | 0:10:17 | 0:10:20 | |
Just feel the weight of that, Louise. | 0:10:20 | 0:10:22 | |
Wow! | 0:10:22 | 0:10:23 | |
Heavy, isn't it? | 0:10:23 | 0:10:25 | |
Oof, yeah! | 0:10:25 | 0:10:27 | |
The big question is, is it a reproduction? | 0:10:27 | 0:10:29 | |
I don't think it's a reproduction. I think it's an original desk set. | 0:10:29 | 0:10:33 | |
And does it matter that the clock's not working? | 0:10:33 | 0:10:37 | |
Well, if we wind it up, it might still... | 0:10:37 | 0:10:40 | |
THEY LAUGH | 0:10:40 | 0:10:42 | |
Sorry. It's not working. | 0:10:42 | 0:10:43 | |
-Do you want me to prop you up with my knee? -Please! | 0:10:43 | 0:10:46 | |
How much is that? | 0:10:46 | 0:10:47 | |
45. | 0:10:47 | 0:10:49 | |
45. What do you think? | 0:10:49 | 0:10:52 | |
I love it. And what's your best on that, sir? | 0:10:52 | 0:10:57 | |
38, how's that? | 0:10:57 | 0:10:59 | |
-Shall we think about it? -Can we come back? | 0:10:59 | 0:11:01 | |
-We've seen, so far, the lamps, haven't we? -Yeah. | 0:11:01 | 0:11:03 | |
I like either. It's up to you. | 0:11:03 | 0:11:06 | |
I like the lights. | 0:11:06 | 0:11:07 | |
I like the inkwells. | 0:11:07 | 0:11:10 | |
LAUGHTER | 0:11:10 | 0:11:11 | |
-Shall we think for five minutes, no more? -Yes. | 0:11:11 | 0:11:14 | |
-I love that. -Do you? | 0:11:14 | 0:11:15 | |
-Shall we buy it, then? -No, but I want it for ME! | 0:11:15 | 0:11:18 | |
Girls, don't leave it TOO long before you start shopping, please. | 0:11:19 | 0:11:26 | |
Tell me what you think about that. Where's it from? | 0:11:26 | 0:11:29 | |
Have a hold. I'm passing it to you cos it's blinking heavy. | 0:11:29 | 0:11:32 | |
It is heavy. Is it some sort of tribal piece or something like that? | 0:11:32 | 0:11:36 | |
Positively tribal. From where, do you think? | 0:11:36 | 0:11:40 | |
-Africa? -It's got to be, hasn't it? | 0:11:40 | 0:11:43 | |
It's got that African edge to it. | 0:11:43 | 0:11:45 | |
And I can with confidence say this is not new. | 0:11:45 | 0:11:48 | |
Yeah, you can tell. | 0:11:48 | 0:11:49 | |
The marks just here as well. | 0:11:49 | 0:11:52 | |
That is all hand-cut. It's quite crudely cut, | 0:11:52 | 0:11:54 | |
it was never meant to be a very fine piece of furniture | 0:11:54 | 0:11:58 | |
but I tell you what, it's bomb-proof. | 0:11:58 | 0:12:00 | |
-You could chuck it out of a window. -Yeah, it's heavy! | 0:12:00 | 0:12:03 | |
-I just don't know about it. -Shall we just get a price on it? | 0:12:03 | 0:12:06 | |
-We've got one there. -Yeah, but we can get him down a bit further. | 0:12:06 | 0:12:10 | |
Hi, guys. What's the trade on the tribal stool here? | 0:12:10 | 0:12:13 | |
About 110. | 0:12:13 | 0:12:14 | |
Really? Is that trade? | 0:12:14 | 0:12:16 | |
Yeah, it's a really good old one. | 0:12:16 | 0:12:18 | |
I've got to say, I rate it very highly. | 0:12:18 | 0:12:21 | |
-It couldn't be like 70 quid, guys, could it? -No. | 0:12:21 | 0:12:24 | |
-I can do a hundred on it at the most. -I don't know. | 0:12:24 | 0:12:27 | |
I think we're going to have to work on you two. | 0:12:27 | 0:12:30 | |
I do like the tribal stool, I've got to say. | 0:12:30 | 0:12:32 | |
I know, I'm liking it too. Just got to win this one over. | 0:12:32 | 0:12:34 | |
I just think we should have a look around. | 0:12:34 | 0:12:36 | |
All right. Come on. But if it was me, I'd be buying it! | 0:12:36 | 0:12:40 | |
It's not all about you, David. | 0:12:40 | 0:12:42 | |
Girls, stop window-shopping now, get spending. | 0:12:44 | 0:12:48 | |
Look at this. | 0:12:48 | 0:12:51 | |
Whoa! | 0:12:51 | 0:12:52 | |
Providence is a really, really important factor | 0:12:52 | 0:12:55 | |
and I, four-five years ago, bought one of these... | 0:12:55 | 0:13:00 | |
..on Bargain Hunt for £20 | 0:13:01 | 0:13:04 | |
and it went to auction | 0:13:04 | 0:13:06 | |
and made £105. | 0:13:06 | 0:13:07 | |
Wow! | 0:13:07 | 0:13:08 | |
And it's almost identical. | 0:13:08 | 0:13:11 | |
Fantastic. | 0:13:11 | 0:13:13 | |
Chrome-plated, Italian, it's got the feel of the 1950s, | 0:13:13 | 0:13:18 | |
think of the great American motor car, and it's red. | 0:13:18 | 0:13:22 | |
High risk, high gamble. It worked for me last time. What do you think? | 0:13:22 | 0:13:27 | |
-We like red. -We do like red. | 0:13:27 | 0:13:29 | |
Do you? It's on at £45. | 0:13:29 | 0:13:32 | |
If we could buy it for 25 or thereabouts, I would speculate, | 0:13:32 | 0:13:38 | |
solely based on what my last one made about five years ago. | 0:13:38 | 0:13:42 | |
How does it work with the electrics? | 0:13:42 | 0:13:44 | |
For auction, the actual compliance would require the plug | 0:13:44 | 0:13:48 | |
to be cut off and then for an electrician just to give it the test | 0:13:48 | 0:13:53 | |
to confirm it's safe to use. | 0:13:53 | 0:13:55 | |
But they are great icons. Probably this one's 1970s, 80s. | 0:13:55 | 0:13:59 | |
They have a great look about them. | 0:13:59 | 0:14:01 | |
Is there any damage on that one? | 0:14:01 | 0:14:03 | |
Have a look. | 0:14:03 | 0:14:04 | |
There you go. I think it's probably a '70s one. I love it. | 0:14:06 | 0:14:09 | |
It's just so iconic, of an age. | 0:14:09 | 0:14:12 | |
Have you got something on your nose or you just..? | 0:14:12 | 0:14:15 | |
Not convinced. | 0:14:15 | 0:14:16 | |
-Not convinced? -No. | 0:14:16 | 0:14:18 | |
I really like this. | 0:14:18 | 0:14:19 | |
I just don't know if it will go in modern-day. | 0:14:19 | 0:14:25 | |
Shall we try £18? | 0:14:25 | 0:14:26 | |
But you must like it. | 0:14:26 | 0:14:28 | |
-Let's do it, come on. £18 or nothing. -Yep. | 0:14:28 | 0:14:30 | |
Hello, there. We like the fire but we don't like the price. | 0:14:30 | 0:14:35 | |
We've got one offer and one offer only...£18. | 0:14:35 | 0:14:38 | |
-I'm afraid that wouldn't... -What would be your lowest? | 0:14:38 | 0:14:41 | |
The lowest would be 38. | 0:14:41 | 0:14:42 | |
Would you take 35? | 0:14:42 | 0:14:44 | |
35? I'll take 35, yeah. | 0:14:44 | 0:14:46 | |
Do we trust the men on this one? | 0:14:46 | 0:14:49 | |
-Man power! -Man power! | 0:14:49 | 0:14:51 | |
Not girl power, believe in man power, OK? | 0:14:51 | 0:14:54 | |
-£35. -Go on, do it. -Deal. | 0:14:54 | 0:14:57 | |
Thank you very much. Cheers. | 0:14:57 | 0:14:59 | |
You'd better be right! | 0:14:59 | 0:15:02 | |
I'll be right. | 0:15:02 | 0:15:03 | |
So electrical goods for the girls | 0:15:05 | 0:15:08 | |
and a...lampshade for the boys? | 0:15:08 | 0:15:11 | |
-That's nice. -Yeah, it's different, isn't it? | 0:15:11 | 0:15:14 | |
-Do you like that? -Yeah, it's... | 0:15:14 | 0:15:16 | |
Let's have a look at it. | 0:15:16 | 0:15:18 | |
Another heavy piece. | 0:15:18 | 0:15:20 | |
Two wires, so that would need rewiring. | 0:15:20 | 0:15:22 | |
Let's have a look on the underside. | 0:15:22 | 0:15:26 | |
Probably 1930s, or '40s. | 0:15:26 | 0:15:29 | |
'40s. | 0:15:29 | 0:15:30 | |
Now, is it glass or plastic? | 0:15:30 | 0:15:33 | |
I think that's plastic. | 0:15:34 | 0:15:35 | |
It's a plastic one, isn't it? | 0:15:35 | 0:15:37 | |
I think it's glass, because on one of them, it's cracked. | 0:15:37 | 0:15:41 | |
It's sort of age-related. | 0:15:41 | 0:15:44 | |
-What sort of trade is that? -Er... | 0:15:44 | 0:15:47 | |
-I could do that for 35. -35? | 0:15:49 | 0:15:52 | |
Do you think it'd make some profit? | 0:15:52 | 0:15:54 | |
I think it's got a chance, Steve, if it was £20. | 0:15:54 | 0:16:00 | |
Come on! | 0:16:00 | 0:16:02 | |
25. | 0:16:02 | 0:16:03 | |
25? | 0:16:03 | 0:16:05 | |
-Do you like it? -Yeah, I mean... | 0:16:05 | 0:16:07 | |
It's a good price. | 0:16:07 | 0:16:08 | |
I'd be more happy if it's 20. | 0:16:08 | 0:16:11 | |
25 quid, you can't go wrong. | 0:16:11 | 0:16:12 | |
It might make 50, it might make 60 and again, | 0:16:12 | 0:16:15 | |
how much are you going to lose? | 0:16:15 | 0:16:16 | |
The most you're going to lose... | 0:16:16 | 0:16:18 | |
Well, it's never not going to get a bid on it. | 0:16:18 | 0:16:21 | |
It's going to get a bid, yeah. | 0:16:21 | 0:16:22 | |
-Yep. -That's a safety one. We like a bit of safety. | 0:16:22 | 0:16:26 | |
Got to go out there, bag your safe one. | 0:16:26 | 0:16:29 | |
-25 quid, thanks a lot. -Cheers. | 0:16:29 | 0:16:31 | |
-Wow! -That is awesome. | 0:16:31 | 0:16:33 | |
-Do you like it? -No, but it's fantastic. | 0:16:33 | 0:16:37 | |
Isn't that absolutely lovely? | 0:16:37 | 0:16:39 | |
I want one of them. | 0:16:39 | 0:16:40 | |
Like it? Raaaarrr. | 0:16:40 | 0:16:42 | |
-That's an unusual piece, silver-topped. -Wow! | 0:16:42 | 0:16:45 | |
I would say... | 0:16:45 | 0:16:47 | |
Well, it's your choice, Louise. | 0:16:47 | 0:16:50 | |
It's gross! | 0:16:50 | 0:16:51 | |
It's really nice! | 0:16:51 | 0:16:53 | |
You need to decide, OK? | 0:16:53 | 0:16:55 | |
No, she won't let me buy the dead bird foot. | 0:16:55 | 0:16:58 | |
-It's my chicken's foot. -Oh, go on. | 0:16:58 | 0:17:00 | |
Wise decision, Charlie. | 0:17:00 | 0:17:02 | |
Oh, God. He's running again. | 0:17:03 | 0:17:06 | |
What is with all the running? | 0:17:06 | 0:17:08 | |
Right. | 0:17:08 | 0:17:09 | |
Out of that wind. | 0:17:10 | 0:17:12 | |
Out of the wind, redo my hair, you know how it is. | 0:17:12 | 0:17:15 | |
Follow me. Look at this. | 0:17:15 | 0:17:17 | |
Wow! | 0:17:17 | 0:17:19 | |
Just stagnating, isn't it? Just sitting here. | 0:17:19 | 0:17:22 | |
The top will come off? Yes, there we are. I quite like it. | 0:17:25 | 0:17:28 | |
And what would it have been? | 0:17:28 | 0:17:30 | |
-A dough box. -A dough box? | 0:17:30 | 0:17:32 | |
No lead lining any more. | 0:17:32 | 0:17:33 | |
-So it would have been for the purpose of...? -Rising the dough. | 0:17:33 | 0:17:36 | |
-Out of ten, how do you like it? -Zero. | 0:17:36 | 0:17:38 | |
-Zero?! -Nothing for me. | 0:17:38 | 0:17:40 | |
-Charlie, friends? -Probably a three or a four. | 0:17:40 | 0:17:43 | |
You're joking?! | 0:17:43 | 0:17:44 | |
THEY LAUGH | 0:17:44 | 0:17:45 | |
-Thanks for inviting me! -He's fired. | 0:17:45 | 0:17:48 | |
-I'm fired?! -Let's go. -Oh, right. | 0:17:48 | 0:17:50 | |
-Yeah, it's plastic. -OK. | 0:17:50 | 0:17:53 | |
There's only one of those stools here. | 0:17:57 | 0:17:59 | |
I don't think you'll find anything nicer. | 0:17:59 | 0:18:01 | |
I think we should play safe. | 0:18:01 | 0:18:03 | |
Play it safe. | 0:18:03 | 0:18:04 | |
Do you want to play it safe and buy that? | 0:18:04 | 0:18:06 | |
OK, yeah. | 0:18:06 | 0:18:07 | |
-That's a good cane, isn't it? -It is nice. | 0:18:07 | 0:18:10 | |
That's lovely. | 0:18:10 | 0:18:11 | |
Do know what, it's a wonderful cane and I just wonder | 0:18:11 | 0:18:14 | |
if it's out of our price range. | 0:18:14 | 0:18:17 | |
-Ah. -Is it not? -I don't know. There's no price. | 0:18:17 | 0:18:20 | |
I don't know, how much do you want to spend? | 0:18:20 | 0:18:23 | |
First of all, Malcolm, tell me about it. | 0:18:23 | 0:18:26 | |
We know that it's a vertebrate, but I'm not sure | 0:18:26 | 0:18:28 | |
whether it's a snake... | 0:18:28 | 0:18:30 | |
-Wow. -It's fantastic. -..or a reptile invertebrate. | 0:18:30 | 0:18:33 | |
If you're interested in it, we can do a bit on the price. | 0:18:33 | 0:18:37 | |
I would think it's, what? late Victorian? | 0:18:37 | 0:18:40 | |
I'd have thought, looking at it, Louise, Charlie, 1870. | 0:18:40 | 0:18:44 | |
-Malcolm, what's the best price on it? -Bucket price... | 0:18:44 | 0:18:47 | |
..cos I like Charles, £115. | 0:18:48 | 0:18:51 | |
We agreed not to spend more than £100 on a single item. | 0:18:52 | 0:18:57 | |
-Do you love the cane? -I love the cane. | 0:18:57 | 0:19:00 | |
I want to whip you with the cane. | 0:19:00 | 0:19:03 | |
Ooh, steady on! | 0:19:03 | 0:19:04 | |
Let's make some decisions. | 0:19:04 | 0:19:06 | |
-Let's do it! -Malcolm, we'll have your cane, sir. | 0:19:06 | 0:19:10 | |
Well done, girls. Two down and the boys are after a hat trick. | 0:19:10 | 0:19:14 | |
Windy out here. One of you big, strapping lads grab the stool, | 0:19:14 | 0:19:17 | |
-cos it's too heavy for me. -Easy! | 0:19:17 | 0:19:20 | |
Chaps, obviously... | 0:19:20 | 0:19:22 | |
-You like it? -Yeah. | 0:19:23 | 0:19:25 | |
And we don't have very much money and we hate spending money. | 0:19:25 | 0:19:28 | |
What's the absolute double death trade to me? | 0:19:28 | 0:19:31 | |
£90 and that's it. | 0:19:33 | 0:19:35 | |
I would pay £90 for that every day of the week. | 0:19:35 | 0:19:38 | |
-Yeah, it's something different. -Are we going to have it? -Yeah. | 0:19:38 | 0:19:41 | |
-Thank you. -Thanks. -Cheers mate. | 0:19:41 | 0:19:45 | |
It's going to be a sprint finish for the girls. | 0:19:45 | 0:19:48 | |
Now, what will it be? The clock or the lamps? | 0:19:48 | 0:19:52 | |
-We've got two choices. -It's your choice, Lou. | 0:19:52 | 0:19:55 | |
Out or in? | 0:19:57 | 0:19:59 | |
-Out. -Is it in the dough box? -No. -No. | 0:19:59 | 0:20:03 | |
-Literally four minutes to go. -Oh, God! | 0:20:03 | 0:20:06 | |
Run, Forrest! | 0:20:08 | 0:20:10 | |
-There it is. -Yay! | 0:20:10 | 0:20:12 | |
It's got to be, I think, the best price you can get. | 0:20:12 | 0:20:17 | |
-Now, how much do you like it? -Very much. | 0:20:17 | 0:20:19 | |
-Right, you've got four minutes to go in there, negotiate and buy. -£28. Go. | 0:20:19 | 0:20:25 | |
-Hi, I've come to barter. -Hello, kind sir. -Because we love you so much. | 0:20:29 | 0:20:35 | |
-Right, is that what it's all about, then? -Yes! | 0:20:35 | 0:20:37 | |
-We've got it. -You bought it? -Yes. | 0:20:37 | 0:20:40 | |
Hooray, they're done with only minutes to spare. | 0:20:41 | 0:20:45 | |
I'd better stop the clock. | 0:20:45 | 0:20:47 | |
Let's take another peek at what the Reds bought. | 0:20:50 | 0:20:53 | |
Charles eventually persuaded the girls | 0:20:53 | 0:20:56 | |
the electric heater was hot stuff. Ha! | 0:20:56 | 0:20:59 | |
As the hour run out, | 0:20:59 | 0:21:00 | |
Charlie fell in love with the snake vertebrae cane. | 0:21:00 | 0:21:04 | |
In the dying minutes, | 0:21:05 | 0:21:07 | |
Louise chose to go with the Victorian clock and ink stand. | 0:21:07 | 0:21:11 | |
Hey, come on, guys, that's enough of that. Share it round. | 0:21:13 | 0:21:17 | |
-You finished, which is a great relief, isn't it? -Yes. | 0:21:17 | 0:21:20 | |
-How much did you finish up by spending in the end? -185. | 0:21:20 | 0:21:24 | |
£185, that's brilliant, so we've got £115 of leftover lolly. | 0:21:24 | 0:21:29 | |
This is a nice sum to give you, Charles. £115 is grown-up. | 0:21:29 | 0:21:32 | |
-I'm quite nervous, Tim. -Are you? -There's lots of girl power here. | 0:21:32 | 0:21:36 | |
I must be careful and spend it wisely. | 0:21:36 | 0:21:38 | |
-You must be careful cos they'll be after you. -Exactly. -Good luck, Charles. Good luck, girls. | 0:21:38 | 0:21:43 | |
Why don't we check out what the Blues bought, eh? | 0:21:43 | 0:21:45 | |
Ash pinned his hopes on the Indian campaign medal. | 0:21:47 | 0:21:50 | |
The glass lampshade set them back £25. | 0:21:52 | 0:21:55 | |
And David pushed them towards the £90 African carved stool. | 0:21:57 | 0:22:03 | |
-Hello, Tim. -Isn't that lovely? | 0:22:04 | 0:22:06 | |
These two boys make you look thoroughly short. | 0:22:06 | 0:22:10 | |
And me, too, actually. | 0:22:10 | 0:22:12 | |
-You must be 6'1, 6'2, something like that? -Yes. | 0:22:12 | 0:22:15 | |
-Tim, I'm 6'3. -Get out! -They must be seven foot. | 0:22:15 | 0:22:19 | |
If you're 6'3, I'm 5'11(!) | 0:22:19 | 0:22:21 | |
-Anyway, how did you get on? Had a good time? -Yes, very good. | 0:22:23 | 0:22:26 | |
-Really enjoyed it. -How much did you spend? -We spent £200 on the dot. | 0:22:26 | 0:22:29 | |
£100 of leftover lolly, please. Nice and blustery today. | 0:22:29 | 0:22:32 | |
We don't want that lot blowing away. £100, David. That's folding money. | 0:22:32 | 0:22:37 | |
-Got any ideas? -I think something young and trendy and funky. | 0:22:37 | 0:22:40 | |
-Like ourselves. -For our young bucks. | 0:22:40 | 0:22:42 | |
-What? -Young bucks. -Oh, that's right. | 0:22:42 | 0:22:45 | |
My hearing's a little faulty, you know. Anyway, very good luck. | 0:22:45 | 0:22:48 | |
For me, I'm heading to Sheffield. What could be more divine? | 0:22:48 | 0:22:51 | |
The sheer ingenuity and imagination of the workers here in Sheffield | 0:22:58 | 0:23:04 | |
led to this place becoming known as | 0:23:04 | 0:23:07 | |
the metalworking metropolis of the world. | 0:23:07 | 0:23:10 | |
Just look at this thing. Isn't it wonderful? | 0:23:10 | 0:23:12 | |
Here at the Sheffield Millennium Gallery, | 0:23:17 | 0:23:20 | |
we have the candle stands, teapots, the cutlery that you'd expect, | 0:23:20 | 0:23:25 | |
but also there are some pure flights of fantasy. | 0:23:25 | 0:23:28 | |
For example, would you go to a dinner party today | 0:23:37 | 0:23:41 | |
and expect to find one of these flapping round on the sideboard? | 0:23:41 | 0:23:45 | |
Well, once upon a time, it might have been thought commonplace | 0:23:45 | 0:23:48 | |
because this Sheffield plated soup tureen | 0:23:48 | 0:23:53 | |
in the form of a green turtle was made to hold turtle soup. | 0:23:53 | 0:23:59 | |
And from the 17th century, | 0:23:59 | 0:24:01 | |
green turtle soup was a delicacy that was imported. | 0:24:01 | 0:24:05 | |
And soup made to go inside and ultimately be ladled out with some ceremony. | 0:24:05 | 0:24:12 | |
Another oddball and really rather fantastic object is this. | 0:24:12 | 0:24:18 | |
It's in the form of a beehive. | 0:24:18 | 0:24:20 | |
It's unusual because this thing is actually a tea or hot water urn. | 0:24:20 | 0:24:25 | |
Normally these hot water urns have a spirit burner underneath | 0:24:25 | 0:24:29 | |
where the methylated spirits is literally burned | 0:24:29 | 0:24:32 | |
to heat the liquid contents. | 0:24:32 | 0:24:34 | |
This one, though, you take the top off, | 0:24:34 | 0:24:37 | |
there's a central reservation, a cylindrical hole, | 0:24:37 | 0:24:42 | |
into which a pig of red-hot iron heated in the fire is inserted. | 0:24:42 | 0:24:48 | |
Then it would radiate heat into the surrounding fluid and keep it warm. | 0:24:48 | 0:24:54 | |
Sheffield produced some pretty extraordinary examples | 0:24:54 | 0:24:58 | |
of utility items such as this. | 0:24:58 | 0:25:01 | |
This spoon has got a most extraordinary lip on it. | 0:25:01 | 0:25:04 | |
And for those of us who sport beards and moustaches, | 0:25:04 | 0:25:09 | |
it's a very handy spoon. | 0:25:09 | 0:25:11 | |
You'd simply take your soup and then when you're drinking the soup, | 0:25:11 | 0:25:16 | |
the serrated raised piece on this side of the spoon | 0:25:16 | 0:25:19 | |
will enable you to keep your moustache perfectly dry. | 0:25:19 | 0:25:24 | |
And avoid that rather embarrassing red tomato soup high tide mark | 0:25:24 | 0:25:30 | |
running across the middle of your upper lip. | 0:25:30 | 0:25:32 | |
But possibly, today, the most gracious of the items | 0:25:32 | 0:25:37 | |
of a novelty nature that we are showing you is this thing. | 0:25:37 | 0:25:41 | |
Have you ever seen one of these before? | 0:25:41 | 0:25:43 | |
Well, it's actually a cucumber slicer. | 0:25:43 | 0:25:48 | |
What you do is to introduce your cucumber into this end | 0:25:48 | 0:25:52 | |
where it engages on that rather vicious looking plate. | 0:25:52 | 0:25:55 | |
And, as you wind the handle, | 0:25:55 | 0:25:58 | |
so the thread on the side advances the plate | 0:25:58 | 0:26:02 | |
with the spikes effectively pushing the cucumber to the fore. | 0:26:02 | 0:26:07 | |
As you whizz the blade around you get wafer thin slivers of cucumber | 0:26:07 | 0:26:14 | |
accumulating on the bottom here | 0:26:14 | 0:26:16 | |
which is when the great Victorian dame doing the tea ceremony | 0:26:16 | 0:26:21 | |
would take the pieces of cucumber and put them on | 0:26:21 | 0:26:23 | |
wafer thin bits of brown bread-and-butter | 0:26:23 | 0:26:26 | |
to have with the Earl Grey at 4:15pm. | 0:26:26 | 0:26:30 | |
How delicious! | 0:26:30 | 0:26:31 | |
Of course, the big question today is how big a slice of the action | 0:26:31 | 0:26:35 | |
will our teams achieve over at the auction? | 0:26:35 | 0:26:38 | |
It's a treat to be in Nottingham at any time of year | 0:26:44 | 0:26:47 | |
and an even bigger treat to be at Mellors & Kirk, the auctioneers here | 0:26:47 | 0:26:51 | |
with Nigel Kirk. | 0:26:51 | 0:26:52 | |
-Nigel, morning. -Good morning, Tim. -Lovely to be here. -Very welcome. | 0:26:52 | 0:26:56 | |
Rather red on this side of the table dominated by this red bar heater. | 0:26:56 | 0:27:01 | |
-Yes. -But it's an excellent looking object, don't you think? | 0:27:01 | 0:27:04 | |
Isn't it stylish? Chromium plated and bright scarlet. | 0:27:04 | 0:27:07 | |
-How much do you think it is worth? -Things like this are now quite collectable, of the 1960s. | 0:27:07 | 0:27:13 | |
-I think it will make £80-£100. -Do you? | 0:27:13 | 0:27:14 | |
-Well, that's brilliant, because they paid £35 for it. -Sounds reasonable. | 0:27:14 | 0:27:19 | |
Next is this walking stick made out of bits of vertebrae and whatnot. | 0:27:19 | 0:27:24 | |
How do you rate that on the scale of good things and bad things, | 0:27:24 | 0:27:28 | |
stick wise? | 0:27:28 | 0:27:30 | |
You'd struggle to get any competitive bidding on it. | 0:27:30 | 0:27:32 | |
OK, so translate that into money if you can. | 0:27:32 | 0:27:36 | |
£40-£60. | 0:27:36 | 0:27:38 | |
-But not £115 worth? -Sadly not. | 0:27:38 | 0:27:41 | |
Well, I think the good Lord might be giving with one hand and taking away with the other. | 0:27:41 | 0:27:45 | |
Their third item is this pretty wacky combo inkwell alarm clock job | 0:27:45 | 0:27:52 | |
which has its appeal, but is made of the wrong material, isn't it? | 0:27:52 | 0:27:55 | |
It's trying to make us think it's ormolu or gilded bronze. | 0:27:55 | 0:27:58 | |
In fact, it's an alloy known as spelter | 0:27:58 | 0:28:01 | |
which has been surface coated with a sort of bronzing paint. | 0:28:01 | 0:28:05 | |
It probably looked a good deal better when it was new in about 1910 | 0:28:05 | 0:28:09 | |
than it does today. | 0:28:09 | 0:28:12 | |
Yes. How much? | 0:28:12 | 0:28:13 | |
-£40-£60. -£35 paid. It's magic, isn't it? I mean, spot-on. | 0:28:13 | 0:28:19 | |
What a team, led by Mr Hanson. | 0:28:19 | 0:28:21 | |
They are hardly likely to need their bonus buy, | 0:28:21 | 0:28:23 | |
but let's go and have a look at it anyway. | 0:28:23 | 0:28:25 | |
Now, Thelma and Louise, I mean Charlotte and Louise, | 0:28:26 | 0:28:30 | |
-you gave Charles Hanson £115, which is a mammoth wallop. -Yes. | 0:28:30 | 0:28:35 | |
El Matador here has bought you something. | 0:28:35 | 0:28:38 | |
-OK, Charles, show us all. -Here it comes. | 0:28:38 | 0:28:41 | |
Charles! Thank you. | 0:28:41 | 0:28:43 | |
-Wow! -OK, have a feel of it. | 0:28:43 | 0:28:47 | |
What is it? | 0:28:47 | 0:28:49 | |
It's what I would call a late Victorian | 0:28:49 | 0:28:51 | |
specimen wood swagger stick or baton. | 0:28:51 | 0:28:54 | |
-What's it worth? -30, 40? | 0:28:54 | 0:28:57 | |
I wouldn't know what it was. | 0:28:57 | 0:28:59 | |
-Well, you're quite right. It cost me £40. -OK. | 0:28:59 | 0:29:03 | |
-So the cost is 40. -Feeling a little bit better. | 0:29:03 | 0:29:06 | |
-Feeling better now? -A little bit. -She's warming up, this girl. | 0:29:06 | 0:29:10 | |
It's all down to price with Louise. Be confident, be brave. | 0:29:10 | 0:29:13 | |
-Absolutely. -That's the way, Charlotte. | 0:29:13 | 0:29:15 | |
You don't have to pick it now. You can decide later. | 0:29:15 | 0:29:18 | |
But for the audience at home, let's find out what the auctioneer thinks about Charles' little stick. | 0:29:18 | 0:29:24 | |
-There you go, Nigel. What do you make of that? -Interesting, isn't it? | 0:29:24 | 0:29:27 | |
It's a pointing stick made of all manner of different specimen timbers | 0:29:27 | 0:29:31 | |
including ebony, olive wood, rosewood, | 0:29:31 | 0:29:34 | |
and several others which I can't immediately name. | 0:29:34 | 0:29:37 | |
Fascinating, but no doubt woods which have come from the four quarters of the globe. | 0:29:37 | 0:29:42 | |
-Yeah, interesting. What's it worth? -£40, £50. | 0:29:42 | 0:29:45 | |
Great. Charles paid £40 for it as a bonus buy. | 0:29:45 | 0:29:49 | |
And I fancy he'll make a small profit on it, too. | 0:29:49 | 0:29:53 | |
Now, that's it for the Reds. | 0:29:53 | 0:29:55 | |
Cruising over to the Blues, Jack and Ash, | 0:29:55 | 0:29:58 | |
first of all is the little campaign medal. | 0:29:58 | 0:30:02 | |
The interesting thing with campaign medals | 0:30:02 | 0:30:04 | |
is they have engraved around the edge the name of the recipient. | 0:30:04 | 0:30:09 | |
And if this had been awarded to a member of a regiment of the British Army, | 0:30:09 | 0:30:15 | |
it would have been worth perhaps three times as much as it is. | 0:30:15 | 0:30:19 | |
-Because it's awarded to a member of the Indian Army... -Ah. | 0:30:19 | 0:30:25 | |
..and, of course, because the actions were taking place in India, such medals are a lot more common | 0:30:25 | 0:30:30 | |
-when awarded to native recipients. -Right. | 0:30:30 | 0:30:33 | |
-OK, what's it worth, do you think? -£80-120. | 0:30:33 | 0:30:36 | |
Brilliant, £85 they paid. | 0:30:36 | 0:30:38 | |
Anyway, your next challenge is to parse this lampshade. | 0:30:38 | 0:30:43 | |
Is it 1930s, or is it Laura Ashley 1970s? | 0:30:43 | 0:30:47 | |
-I'm inclined to think it's probably 1970s, it certainly isn't as early as the '30s. -Hm. How much? | 0:30:47 | 0:30:53 | |
-I think pretty well whatever we can get for it. -Make a tenner, do you think? -Yeah. | 0:30:53 | 0:30:57 | |
Yeah. They paid £25. Their last item, which has more legs than most, is this stool, | 0:30:57 | 0:31:04 | |
a tribal stool. | 0:31:04 | 0:31:06 | |
Difficult things to value, these, aren't they? | 0:31:06 | 0:31:08 | |
They are. If you're lucky enough to find an example that you know dates from the 19th century, | 0:31:08 | 0:31:14 | |
or certainly before contact with Western civilisations, the sky is the limit. | 0:31:14 | 0:31:21 | |
But, of course, most, | 0:31:21 | 0:31:22 | |
the majority of these items that turn up today are trade goods. | 0:31:22 | 0:31:26 | |
-What do you think it might bring? -£20-40. | 0:31:26 | 0:31:29 | |
They paid £90 for it. I think they've gone slightly over the top. | 0:31:29 | 0:31:33 | |
But we shall see. So they seem to be OK with the medal, they've got a dodgy issue | 0:31:33 | 0:31:38 | |
with that stool and they aren't going to make much from the shade, | 0:31:38 | 0:31:41 | |
therefore, they will need their bonus buy. | 0:31:41 | 0:31:43 | |
Let's have a look at it. | 0:31:43 | 0:31:45 | |
Jack and Ash, you spent £200. You gave David £100 of leftover lolly, what did he spend it on? | 0:31:46 | 0:31:51 | |
OK, boys, are we ready? | 0:31:51 | 0:31:54 | |
-Right up your street, I think. -Wow, that's really good. -I like it now. | 0:31:54 | 0:31:58 | |
-You're liking it? -I'm liking that. | 0:31:58 | 0:32:01 | |
-Is it the box or the spoons you like? -I was unsure when I saw a box. -I was like, "What's in there?" | 0:32:01 | 0:32:06 | |
A box. That's it. | 0:32:06 | 0:32:08 | |
Lovely fitted box, solid silver spoons, coffee spoons probably, | 0:32:08 | 0:32:13 | |
in the Arts and Crafts style. | 0:32:13 | 0:32:15 | |
-You really like them, Jack? -I wouldn't buy them, but I do think... -Maybe your granny. -Yes. | 0:32:15 | 0:32:19 | |
Do like them, Ash? | 0:32:19 | 0:32:21 | |
-Yeah, I really like them. I think they'll go for quite a bit. How much did you pay? -20 quid. | 0:32:21 | 0:32:27 | |
-20 quid. -That's good. -In the box, ready to go, £20. -Come on. | 0:32:27 | 0:32:32 | |
-You're their hero, Dave. -Not yet! -Look at that! I can feel a group hug coming on. | 0:32:32 | 0:32:38 | |
Anyway. Let it be a victory hug, maybe. | 0:32:38 | 0:32:42 | |
Anyway, you decide later, boys, but for the audience at home, | 0:32:42 | 0:32:45 | |
let's find out what the auctioneer thinks about Dave's spoons. | 0:32:45 | 0:32:49 | |
-So, Nigel, there's something special for you. -Isn't it just? -Yeah. | 0:32:49 | 0:32:53 | |
A set of Edwardian silver coffee spoons, known as the seal-top pattern. | 0:32:53 | 0:32:57 | |
-And somebody's wedding present, no doubt, in about 1902. -Never got opened. | 0:32:57 | 0:33:02 | |
-Never got opened. -Never got used. | 0:33:02 | 0:33:05 | |
They are therefore in pristine condition, complete in their original cases. | 0:33:05 | 0:33:08 | |
-What are they worth? -About £20-25. | 0:33:08 | 0:33:11 | |
Brilliant. David Harper only paid £20. There may be a small profit. | 0:33:11 | 0:33:15 | |
That's absolutely marvellous. Thank you very much, Nigel, | 0:33:15 | 0:33:18 | |
for enlightening us in so many areas. | 0:33:18 | 0:33:21 | |
-Are you going to be taking the sale? -I am. -Ah, that's a treat. | 0:33:21 | 0:33:24 | |
What sort of a coincidence is this? | 0:33:28 | 0:33:31 | |
We've just been in Sheffield Millennium Galleries | 0:33:31 | 0:33:33 | |
looking at old Sheffield plate and what have I discovered in a sale in Nottinghamshire, | 0:33:33 | 0:33:38 | |
but a pair of old Sheffield plate chamber candlesticks? | 0:33:38 | 0:33:43 | |
What's a chamber candlestick? | 0:33:43 | 0:33:45 | |
You've got no electricity in your house | 0:33:45 | 0:33:48 | |
and you want to light your way to your chamber. | 0:33:48 | 0:33:51 | |
So downstairs you'd have a candlestick like this. | 0:33:51 | 0:33:55 | |
Extremely convenient to carry around. | 0:33:55 | 0:33:58 | |
And, when you get upstairs, and you want to put the candle out when you are settled beside your bed, | 0:33:58 | 0:34:03 | |
you take that snuffer and ram it on top of the candle. | 0:34:03 | 0:34:07 | |
That extinguishes the candle and you can have a nice doze. | 0:34:07 | 0:34:11 | |
The next time you want to use the candle, | 0:34:11 | 0:34:15 | |
it's going to have an untidy mess of wick on the top, | 0:34:15 | 0:34:18 | |
because you squashed it with this snuffer. | 0:34:18 | 0:34:21 | |
You need to straighten it out | 0:34:21 | 0:34:23 | |
and, to do that, you need to use a pair of trimmers, like this. | 0:34:23 | 0:34:28 | |
If you look carefully at these fellows, that's got a sharp point up there. | 0:34:28 | 0:34:32 | |
That would help you tease out the remnants of the wick. | 0:34:32 | 0:34:36 | |
When that wick gets too long, it guts. | 0:34:36 | 0:34:40 | |
It makes a nasty smell, little bits come off, it doesn't burn cleanly. | 0:34:40 | 0:34:45 | |
Then you open up this scissor action and that reveals a little plate there. | 0:34:45 | 0:34:50 | |
You approach the top of the candle like that and close the scissor bit like that | 0:34:50 | 0:34:55 | |
and it has the effect of trimming the wick on the candle. | 0:34:55 | 0:34:59 | |
Now, most chamber candlesticks you find like this | 0:34:59 | 0:35:03 | |
are either missing the snuffers - that bit - | 0:35:03 | 0:35:07 | |
or they're missing the trimmers, | 0:35:07 | 0:35:10 | |
which fit so neatly into the base like that. | 0:35:10 | 0:35:14 | |
Imagine my thrill finding not only that one complete in the sale, | 0:35:14 | 0:35:20 | |
but also this one. What are the odds of finding | 0:35:20 | 0:35:23 | |
a pair of old Sheffield-plated candlesticks with all their bits? | 0:35:23 | 0:35:28 | |
Very, very long odds, I have to tell you. | 0:35:28 | 0:35:31 | |
And, even better, if you look at this trimmer, you can see a mark. That mark says "Gilbert". | 0:35:31 | 0:35:39 | |
And Gilbert was a Sheffield plater recorded in the bible | 0:35:39 | 0:35:45 | |
of Sheffield platers as working in the city in 1804. | 0:35:45 | 0:35:49 | |
So you can precisely date these things, | 0:35:49 | 0:35:52 | |
which is absolutely fascinating. | 0:35:52 | 0:35:54 | |
What are they worth? Tickled up, cleaned, nicely presented, £200-300 at least. | 0:35:54 | 0:36:00 | |
What's the estimate? In the auction, here, today, £70-90. | 0:36:00 | 0:36:06 | |
Strike a light, heh? | 0:36:06 | 0:36:07 | |
-Charlotte and Louise, how are you feeling, chickens? -OK. -Fine. -Not at all tense? | 0:36:15 | 0:36:20 | |
-No tension there? -No. -No. -Completely cool. -Yes. -And relaxed. | 0:36:20 | 0:36:24 | |
Are you worried about anything in particular, Louise? | 0:36:24 | 0:36:27 | |
Any item you're concerned about? | 0:36:27 | 0:36:30 | |
Maybe the heater. I'm sorry to say. | 0:36:30 | 0:36:33 | |
-Maybe the heater. -It's so stylish. -Where are you, Charlotte, with this? | 0:36:33 | 0:36:37 | |
-Um... -Any concerns? -Half and half on the heater. -The heater. | 0:36:37 | 0:36:40 | |
-Strangely enough it's the first lot up. -Here we go. -Here it comes. | 0:36:40 | 0:36:45 | |
Lot 163, £30 for it. | 0:36:45 | 0:36:49 | |
1960s vintage. £20. | 0:36:49 | 0:36:51 | |
Any interest? £20 for it? | 0:36:51 | 0:36:53 | |
Is there a bid? £20. | 0:36:53 | 0:36:55 | |
20 I am bid. | 0:36:55 | 0:36:56 | |
20, 5. 30? | 0:36:56 | 0:36:57 | |
30, 5? No, at £30. | 0:36:57 | 0:37:01 | |
-All done at £30 only. -Oh. | 0:37:01 | 0:37:04 | |
Close. £30 is minus five. | 0:37:04 | 0:37:07 | |
Lot 164, £20. | 0:37:07 | 0:37:11 | |
20, 10? | 0:37:11 | 0:37:12 | |
£10. | 0:37:12 | 0:37:14 | |
10 I'm bid. At 10. 15 now. 20? | 0:37:14 | 0:37:16 | |
20, 25? Yes? 25. | 0:37:16 | 0:37:19 | |
30? No. £25. At the back of the room, all done at 25. | 0:37:19 | 0:37:25 | |
This is not so good. £25. That's 75, 85. That's minus 90. | 0:37:25 | 0:37:30 | |
Lot 165, £20 for this. | 0:37:30 | 0:37:33 | |
20. 20 it is. At 20, 5, 30, | 0:37:33 | 0:37:36 | |
35 anywhere? 35. 40. | 0:37:36 | 0:37:38 | |
40, 45, 45 and 50. | 0:37:38 | 0:37:42 | |
50 to you? £50. 55 is it? | 0:37:42 | 0:37:44 | |
£50, then, at the back of the room. Selling at 50. | 0:37:44 | 0:37:48 | |
£50. Good girl. That's plus 15. Are you pleased about that? | 0:37:48 | 0:37:53 | |
-I am. -You ought to be. Overall though, you're minus 80. | 0:37:53 | 0:37:56 | |
£80 down the toilet. | 0:37:56 | 0:37:58 | |
-You are going to go with the swagger, or not? Risk another 40? -(ALL) Yes. | 0:37:58 | 0:38:03 | |
They're going to do it. Here it comes. Here comes the swag. | 0:38:05 | 0:38:09 | |
Lot 170, £20 for this. Nicely made. | 0:38:09 | 0:38:13 | |
£20? £10. A bid at 10. I'm bid £10 only. 15 for it? | 0:38:13 | 0:38:20 | |
15 for it. At £10. All done? | 0:38:20 | 0:38:23 | |
-Uh-oh. -Just put us further into debt! -£10. Minus 30. | 0:38:23 | 0:38:28 | |
That is minus 110. | 0:38:28 | 0:38:30 | |
I can't believe that, Tim. | 0:38:30 | 0:38:32 | |
Well, it just happened, Charles. It just happened, mate. | 0:38:32 | 0:38:37 | |
All right? This could be a winning score, I have to tell you. | 0:38:37 | 0:38:41 | |
-No trouble at all. -It could be(!) | 0:38:41 | 0:38:43 | |
Next up are those nice Sheffield-plated chamber sticks. The estimate is £70 to £90. | 0:38:49 | 0:38:55 | |
A pair of them with the snuffers, all genuine and ready to go and here they come. | 0:38:55 | 0:38:59 | |
Lot 185, bidding here of £30. | 0:38:59 | 0:39:02 | |
30 I am bid. And five. 40 anybody? 40. | 0:39:02 | 0:39:06 | |
45. 50, 55, 60, 65. | 0:39:06 | 0:39:09 | |
£60 it is and five. 70, 75. 75, £80. | 0:39:09 | 0:39:15 | |
85. At 85 now. 90? | 0:39:15 | 0:39:18 | |
£85. All done at £85. | 0:39:18 | 0:39:22 | |
There we go. £85. That is cheap enough. | 0:39:22 | 0:39:26 | |
OK, Jack and Ash, do you know how the Reds got on? | 0:39:31 | 0:39:34 | |
-No. -No idea. -That's good. Don't want you to. | 0:39:34 | 0:39:36 | |
First up, is Ash's medal and here it comes. | 0:39:36 | 0:39:41 | |
Lot 186. Campaign medal. | 0:39:41 | 0:39:46 | |
And £40 for this, the medal. 40. 40 I am bid. At £40. | 0:39:46 | 0:39:51 | |
And five for it. 45. | 0:39:51 | 0:39:53 | |
50, 55, 60, 65. 65. | 0:39:53 | 0:39:58 | |
70. £65. Any more? And selling at £65. | 0:39:58 | 0:40:03 | |
65, bad luck. You're minus 20 on that. I don't believe it. | 0:40:03 | 0:40:08 | |
Lot 187. There it is. | 0:40:08 | 0:40:11 | |
£20 for this lot. | 0:40:11 | 0:40:13 | |
20, £10. Any bid? £5. | 0:40:13 | 0:40:17 | |
Five I am bid. 10, 15. | 0:40:17 | 0:40:19 | |
-Come on. -15, 20. £15. | 0:40:19 | 0:40:23 | |
£15. You're minus £10 on that. This is fast and furious. | 0:40:23 | 0:40:27 | |
-Here comes the Nigerian stool. -Uh-oh! | 0:40:27 | 0:40:30 | |
-This could be make or... -It could be bids coming in internationally here(!) | 0:40:30 | 0:40:34 | |
Lot 188. £20 for it. | 0:40:34 | 0:40:38 | |
A lot of work in this. £20? £10. | 0:40:38 | 0:40:40 | |
Oh, my... | 0:40:40 | 0:40:42 | |
10 I'm bid. 15 do I see? At £10. All done. | 0:40:42 | 0:40:45 | |
First and last bid. It sells. | 0:40:45 | 0:40:48 | |
-No! -£10. That's minus 80. | 0:40:48 | 0:40:51 | |
-It all looked pretty earlier on. Minus 110. -Sorry, guys. | 0:40:51 | 0:40:57 | |
-Minus 110. So what are we going to do about these spoons? -Just go. | 0:40:57 | 0:41:01 | |
It can only stir up more trouble! | 0:41:01 | 0:41:02 | |
-LAUGHTER -OK, fine, we're going with the spoons definitely, yes? | 0:41:02 | 0:41:06 | |
-(BOTH) Yes. -'Both teams are minus £110.' | 0:41:06 | 0:41:10 | |
'It's all down to the spoons.' | 0:41:10 | 0:41:12 | |
20, 10. 10 I'm bid. 15, 20. | 0:41:12 | 0:41:17 | |
-£15. -Come on! -No! -£15. -No, no! | 0:41:17 | 0:41:21 | |
That's it. I'm afraid the tragedy continues. £15 minus £5. | 0:41:21 | 0:41:26 | |
-I think we may have lost! -Minus 115. | 0:41:26 | 0:41:29 | |
Well, the thing is, Jack, you just never know. | 0:41:29 | 0:41:33 | |
This could be a winning score. I know it's disappointing, minus 115. | 0:41:33 | 0:41:37 | |
It's all on David's face. That is a disappointment. | 0:41:37 | 0:41:41 | |
-It's pretty horrendous, isn't it? -It is. | 0:41:41 | 0:41:43 | |
Sometimes, it's a bloodbath out there in the street and the gutters are just aflow. | 0:41:43 | 0:41:47 | |
Today, I'm afraid, it's one of those days, but it could be a winning score | 0:41:47 | 0:41:51 | |
-and all will be revealed in a moment. -Right. -Well done! | 0:41:51 | 0:41:56 | |
So I do hope you haven't been comparing any notes as to the profit you're taking home today. | 0:42:00 | 0:42:05 | |
-No. -Good, because if you've been talking about profits, you'd have been telling a bit of a fib. | 0:42:05 | 0:42:11 | |
Because both teams made substantial losses and there is only a £5 note between you. | 0:42:11 | 0:42:17 | |
-(ALL) Oh, no! -This is killing me. | 0:42:17 | 0:42:19 | |
So it's seriously close as to who is going to be the victor today. | 0:42:19 | 0:42:22 | |
The runners-up, because we don't have losers any more, | 0:42:22 | 0:42:25 | |
are the Blues. | 0:42:25 | 0:42:26 | |
CHEERING AND SHRIEKING | 0:42:26 | 0:42:30 | |
-LAUGHTER -I mean, that is a shriek of joy, isn't it? | 0:42:30 | 0:42:33 | |
-Well done. -I'm not going to dwell on this. It's simply minus 115. | 0:42:33 | 0:42:39 | |
Yes? Which is no money at all, when you think about it, | 0:42:39 | 0:42:42 | |
but, unfortunately, all the scores are minus, minus, minus. I'm not going to rub it in. | 0:42:42 | 0:42:47 | |
Good luck with everything, you've been a great team. | 0:42:47 | 0:42:50 | |
-But the victors are the Reds. -CHEERING | 0:42:50 | 0:42:52 | |
Very, very pleased. | 0:42:52 | 0:42:54 | |
Your final score is minus 110 and you're the victors and deserve all the spoils of victory. | 0:42:54 | 0:42:59 | |
You got Charles Hanson, after all. | 0:42:59 | 0:43:02 | |
-Anyway, join us soon for some more bargain hunting. Yes? -(ALL) Yes! | 0:43:02 | 0:43:05 | |
Subtitles by Red Bee Media Ltd | 0:43:25 | 0:43:27 | |
E-mail [email protected] | 0:43:27 | 0:43:29 |