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Oh, I do love a good read. I love a good book, particularly if it's got a happy ending. | 0:00:02 | 0:00:08 | |
Is there going to be a happy ending today? | 0:00:08 | 0:00:10 | |
You're just going to have to wait and see as we go bargain hunting. | 0:00:10 | 0:00:15 | |
Four friends divided by rivalry, | 0:00:38 | 0:00:41 | |
passionate about history, | 0:00:41 | 0:00:45 | |
consumed with the desire to win - this story is a cracker. | 0:00:45 | 0:00:49 | |
Where's it set? | 0:00:49 | 0:00:52 | |
In the heart of Wales, at the Royal Welsh Showground, in fact here. | 0:00:52 | 0:00:58 | |
Coming up, Fiona and Anna run around like headless chickens | 0:01:00 | 0:01:04 | |
while Zoe and Loll put their feet up. | 0:01:04 | 0:01:07 | |
And I head off to the Lady Lever Art Gallery. | 0:01:07 | 0:01:11 | |
Right, let's get on with it. | 0:01:11 | 0:01:13 | |
I am surrounded by friends, literally surrounded by friends. | 0:01:14 | 0:01:19 | |
We've got sisters Zoe and Loll-Loll for the Reds, | 0:01:19 | 0:01:25 | |
and we've got Ann-Ann and Fifi for the Blues. | 0:01:25 | 0:01:29 | |
-Sounds like a panda convention but actually they're all bosom buddies, is that right? -Yes. | 0:01:29 | 0:01:35 | |
Were you all at the same school together? | 0:01:35 | 0:01:38 | |
In junior schools, yes. In secondary school, us three were together. | 0:01:38 | 0:01:42 | |
-So there's lots of cross-pollination here? -There is. | 0:01:42 | 0:01:45 | |
You're all great buddies, right? But you're sisters? | 0:01:45 | 0:01:49 | |
-We are. -Yes. -And you're great friends? -We are. -It's wonderful. | 0:01:49 | 0:01:53 | |
Were you close then, when you grew up, Loll? | 0:01:53 | 0:01:56 | |
We've not always been close. | 0:01:56 | 0:01:59 | |
-Oh. -When I was younger, Zoe and my eldest sister Julia used to gang up on me quite often | 0:01:59 | 0:02:06 | |
-and dress up as ugly old women and pretend to come and take me away. -Oh! | 0:02:06 | 0:02:11 | |
-So were you traumatised by lovely Zozo? -Definitely. | 0:02:11 | 0:02:17 | |
-Perhaps this is not going to be such a happy... -But we're really close. | 0:02:17 | 0:02:21 | |
-You patched it up after that. -Yes. | 0:02:21 | 0:02:23 | |
-Zozo, you have a penchant for dressing up? -I do, yes. | 0:02:23 | 0:02:27 | |
You also have another rather unusual hobby. | 0:02:27 | 0:02:30 | |
Yes, I'm a qualified blacksmith and welder. | 0:02:30 | 0:02:34 | |
Just what exactly is your knowledge of antiques? | 0:02:34 | 0:02:37 | |
-We used to go to auctions with my dad when we were little... -I see. | 0:02:37 | 0:02:42 | |
..and I kind of liked dabbling for a while, so we'll see. | 0:02:42 | 0:02:46 | |
Well, we'll find out as we go along and very good luck. | 0:02:46 | 0:02:50 | |
-Now, Fiona you're determined to give these girls a run for their money? -Absolutely, | 0:02:50 | 0:02:54 | |
Fiona, where does your knowledge of antiques come from? | 0:02:54 | 0:02:57 | |
Some years ago, I bought a gypsy caravan, which made me interested in getting stuff from auctions. | 0:02:57 | 0:03:03 | |
But you don't restrict your travel just to caravans? | 0:03:03 | 0:03:06 | |
No, I've been to a few places. | 0:03:06 | 0:03:09 | |
I travelled in India for six months with my daughter when she was five. | 0:03:09 | 0:03:13 | |
-Did you? -I like to go places that are warm. | 0:03:13 | 0:03:16 | |
-Anna, are you as well travelled as Fifi? -No, not as well travelled. | 0:03:16 | 0:03:20 | |
-No. I lived in France for a time, did a bit of nannying and interpreting. -Oh, yes. | 0:03:20 | 0:03:25 | |
There's been a few disasters, notably when I went to a friend's wedding | 0:03:25 | 0:03:30 | |
and to spend New Year in Germany and left my suitcase in the car. | 0:03:30 | 0:03:33 | |
-Does chaos follow you? -Pretty much. | 0:03:33 | 0:03:37 | |
I knocked myself out in a cookery lesson with a wooden rolling pin, pretending to be a weightlifter, | 0:03:37 | 0:03:44 | |
-dropped it on my head. -Lovely. -Yes. Most days are like that really. | 0:03:44 | 0:03:50 | |
We have a health and safety officer on the show today everybody will be glad to hear. They will be alerted. | 0:03:50 | 0:03:57 | |
Anna, what are your tactics today to beat your mates? | 0:03:57 | 0:04:01 | |
I'll do anything to beat them because they are determined that they're going to win, and so are we. | 0:04:01 | 0:04:07 | |
I love it. The battle of the wills. Anyway, we come to the money moment. | 0:04:07 | 0:04:12 | |
-Here you go, 300 smackers apiece. -Lovely, thank you. | 0:04:12 | 0:04:14 | |
You know the rules, your experts await, off you go and good luck. | 0:04:14 | 0:04:20 | |
Two determined pairs of friends - we've got a fight on our hands today. | 0:04:20 | 0:04:26 | |
Our two teams need two experts. | 0:04:26 | 0:04:29 | |
Counting the cash for the Blues is Kate Bliss. | 0:04:30 | 0:04:35 | |
And wringing out the notes for the Reds is Jonathan Pratt. | 0:04:35 | 0:04:39 | |
So what do the teams think of each other's chances? | 0:04:39 | 0:04:43 | |
Well, Anna's taste is just appalling. | 0:04:43 | 0:04:46 | |
They'll find something very gaudy. | 0:04:46 | 0:04:48 | |
They'll think it's worth a fortune and it's not. | 0:04:48 | 0:04:51 | |
-We're streets ahead really, we're going to win this. -We are. | 0:04:51 | 0:04:54 | |
This drama really is kicking off, but the big question is are they going to stick to the rules? | 0:04:55 | 0:05:02 | |
They got £300 and an hour to buy three items. Let's find out. | 0:05:02 | 0:05:07 | |
On your marks, get set, go. | 0:05:08 | 0:05:11 | |
-We've got £300. Are you thinking you might blow the lot or just keep a lid on it? -We'll leave you a bit, Kate. | 0:05:11 | 0:05:17 | |
Yes, we'll leave you a bit About £2.50. | 0:05:17 | 0:05:20 | |
OK! At least we know where we stand! | 0:05:20 | 0:05:24 | |
-So it's quirky and unusual? -Yes. | 0:05:24 | 0:05:27 | |
And garden ornaments. OK, let's have a look in here. | 0:05:27 | 0:05:30 | |
What about China? | 0:05:30 | 0:05:32 | |
Not overly keen on China, to be honest. | 0:05:32 | 0:05:35 | |
Quirky and unusual - that doesn't narrow it down. | 0:05:35 | 0:05:38 | |
No, it doesn't. I quite like these actually. | 0:05:38 | 0:05:42 | |
Well, that's quirky and unusual. | 0:05:42 | 0:05:44 | |
Quite sweet, isn't it? They were made during the war for... | 0:05:44 | 0:05:48 | |
It's made by someone in the Yorkshire Regiment | 0:05:48 | 0:05:51 | |
and it says, "Remember me," so it's a sort of memento. | 0:05:51 | 0:05:54 | |
-Because it's in the shape of a heart, it's sentimental as well, isn't it? -Yes. | 0:05:54 | 0:06:02 | |
-This is machine made, but it's right for the late-19th century. It is certainly quirky. -Yes. | 0:06:02 | 0:06:07 | |
I quite like that actually. We've only been going a couple of minutes, | 0:06:07 | 0:06:11 | |
but do you want to have a chat with someone about a price? | 0:06:11 | 0:06:15 | |
-Yes. -Because it's quite good to get one tucked aside. | 0:06:15 | 0:06:17 | |
-Even more relaxed then. -Yes. | 0:06:17 | 0:06:20 | |
Zoe and Loll could take the lead here. Watch out, Fiona and Anna. | 0:06:20 | 0:06:26 | |
I'd like to look at those spoons. Those spoons are quite unusual. | 0:06:26 | 0:06:31 | |
-These ones here, the gilt ones? -Yes. | 0:06:31 | 0:06:33 | |
Georg Jensen spoons. They produced | 0:06:33 | 0:06:37 | |
a series of commemorative spoons, one each year, starting with 1971. | 0:06:37 | 0:06:43 | |
They are fully hallmarked and they're dated as well. | 0:06:43 | 0:06:46 | |
They did a run, I think it was for 12 years, and they're a very good name, very collectable. | 0:06:46 | 0:06:52 | |
-Georg Jensen is very collectable, but it is relatively modern Georg Jensen. -Right. | 0:06:52 | 0:06:57 | |
As opposed to the earlier 20th century pieces. | 0:06:57 | 0:06:59 | |
-Is that not as popular? -It's just not quite as commercial. -OK. | 0:06:59 | 0:07:04 | |
-Do you like that piece, Fiona? -I think it's very nice, unusual. | 0:07:04 | 0:07:07 | |
This is the little mark that you're looking for, which is the oval mark with the name Georg Jensen on it. | 0:07:07 | 0:07:14 | |
-Right. -That's really important. | 0:07:14 | 0:07:15 | |
This is Danish silver and then gilded, and this flower is depicted in enamel. | 0:07:15 | 0:07:22 | |
It's not an antique as such but it is something which collectors will like it because it's Georg Jensen. | 0:07:22 | 0:07:28 | |
But it just depends on the price, and we've got here 75. | 0:07:28 | 0:07:33 | |
-It's quite a lot isn't it? -What would be a fair price to pay at an auction for that? | 0:07:33 | 0:07:38 | |
I think between 30 to 50. | 0:07:38 | 0:07:40 | |
-That's quite a lot to ask him to come down. -It is, but we can see what he could do. | 0:07:40 | 0:07:46 | |
-Yes, and then we can always come back, can't we? -We can. | 0:07:46 | 0:07:50 | |
Girls, you're not going to win the game without making snappy decisions. | 0:07:50 | 0:07:55 | |
-Is it a pair? -I think it is, it looks the same. | 0:07:57 | 0:08:00 | |
What you call a three tier, obviously, ceiling light with faceted prism drops. Circa 1900. | 0:08:00 | 0:08:07 | |
He's got them marked as £110 each for these two, but they are a pair | 0:08:07 | 0:08:13 | |
and it seems sensible to buy them as the two - | 0:08:13 | 0:08:17 | |
there's much more call for pairs and they don't come up at auction that often. They're really lovely. | 0:08:17 | 0:08:22 | |
They're good for a small bedroom, in modern houses, they are a good size. | 0:08:22 | 0:08:25 | |
And you often find it's the private buyers that go for them. | 0:08:25 | 0:08:30 | |
They know how much it's going to cost to buy them from a shop and it would be quite a bit more than that. | 0:08:30 | 0:08:36 | |
Who owns this one? I'll just quickly ask him. | 0:08:36 | 0:08:38 | |
The Red team on a roll here. Have Fiona and Anna bought anything yet? | 0:08:38 | 0:08:43 | |
That I can do for 50 and leave a little bit for me | 0:08:43 | 0:08:48 | |
and a little bit for you, hopefully. | 0:08:48 | 0:08:51 | |
I'd like to wander around a bit more. | 0:08:53 | 0:08:56 | |
Come on, Fifi, you need to decide, girl. | 0:08:56 | 0:09:00 | |
Right, ladies, they could do the pair for £90 each, | 0:09:01 | 0:09:05 | |
that's £180 for the pair, which I don't think is that bad. | 0:09:05 | 0:09:09 | |
I'd be surprised if you don't get more than £200 for them, | 0:09:09 | 0:09:14 | |
-and he'll do another fiver on the Valentine. -Oh, great. | 0:09:14 | 0:09:18 | |
So that's £180 for those, £50 for those, £230 in total. | 0:09:18 | 0:09:22 | |
-Two objects bought. -That sounds good, yes, that sounds good to me. | 0:09:22 | 0:09:26 | |
We can just go and chill out now, | 0:09:26 | 0:09:28 | |
-then find that last item, maybe a gardening piece, and just enjoy it have a nice walk around. -Brilliant. | 0:09:28 | 0:09:34 | |
The red team take the lead, two down. | 0:09:37 | 0:09:39 | |
Fiona and Anna, are you still at the same silver stall? | 0:09:39 | 0:09:45 | |
-I really like that. -That is lovely. -How much is your hip flask? | 0:09:45 | 0:09:49 | |
We've 135 on that, my best discount on that can take it to 110. | 0:09:49 | 0:09:54 | |
OK, can we have a little look? | 0:09:54 | 0:09:56 | |
-That's a really neat one, isn't it? -That's lovely. | 0:09:56 | 0:09:59 | |
The hallmark's slightly rubbed, but you just make it out. | 0:09:59 | 0:10:03 | |
-It's a great thing to have in your hand or your pocket. -How old is it? | 0:10:03 | 0:10:07 | |
It's 1915, it's George V, is that right? Yes. | 0:10:07 | 0:10:11 | |
-That's lovely. -What do you think? | 0:10:11 | 0:10:13 | |
-Yes. -It's a nice little thing, isn't it? | 0:10:13 | 0:10:16 | |
-Big enough for you? -No. -I had a feeling you were going to say that! | 0:10:17 | 0:10:22 | |
It may have had an inscription at some point but it's been erased. | 0:10:22 | 0:10:26 | |
That can be done, and you just need to see if the silver is thin. | 0:10:26 | 0:10:32 | |
But to be honest with you, I don't think there are any problems there, nothing to worry about. | 0:10:32 | 0:10:38 | |
These make great presents for... wedding presents, christening presents, | 0:10:38 | 0:10:43 | |
and I think that's just a really neat example. | 0:10:43 | 0:10:46 | |
I wouldn't want to pay 110 though. | 0:10:46 | 0:10:49 | |
-No. -Perhaps £80. | 0:10:49 | 0:10:51 | |
-80 sounds a bit mean, I think. I'm probably going to be a bit tight on 80. -OK. | 0:10:51 | 0:10:58 | |
I can probably meet you at 100, take the 35 off. | 0:10:58 | 0:11:02 | |
We're after a profit, you see. | 0:11:02 | 0:11:04 | |
90, meet you halfway? | 0:11:06 | 0:11:09 | |
90 will just about do it. | 0:11:09 | 0:11:12 | |
-Yes, OK, we'll do 90. -Yes. | 0:11:12 | 0:11:14 | |
-I think it might stand a chance. -OK. | 0:11:14 | 0:11:18 | |
Great, item number one. Let's keep going. | 0:11:18 | 0:11:22 | |
Fi and Anna are back in the game, | 0:11:22 | 0:11:24 | |
but let's leave them for a moment and come and see what I've found. | 0:11:24 | 0:11:29 | |
We all know what a bit of lippo is, right? That's the lipstick or lip gloss that the ladies put on, | 0:11:29 | 0:11:34 | |
but have you ever come across a lip chair? | 0:11:34 | 0:11:38 | |
Well, that is what this thing is. | 0:11:38 | 0:11:41 | |
These are called lip chairs. | 0:11:41 | 0:11:44 | |
They look just like Orkney chairs, | 0:11:44 | 0:11:46 | |
and the Orkneys and certain parts of Wales | 0:11:46 | 0:11:49 | |
are where this type of constructed chair comes from. | 0:11:49 | 0:11:53 | |
What we've got here is, basically, | 0:11:53 | 0:11:57 | |
a whole lot of relatively narrow rolls of straw. | 0:11:57 | 0:12:02 | |
The thong-like things are all bark that had been stripped off a thorn, | 0:12:02 | 0:12:07 | |
so great long strands of this skin have been used instead of string. | 0:12:07 | 0:12:13 | |
You tie up and bind each of these sausages of straw | 0:12:13 | 0:12:18 | |
and then you weave those together to form this curricle, | 0:12:18 | 0:12:22 | |
or rather winged, chair-shaped back. | 0:12:22 | 0:12:25 | |
But the clever bit is this because, underneath, if you have a look, | 0:12:25 | 0:12:30 | |
you can see a whole framework here of pine. | 0:12:30 | 0:12:35 | |
The person that made this chair started off with a sturdy stool | 0:12:35 | 0:12:39 | |
so that no matter how big a person sits in this chair, | 0:12:39 | 0:12:43 | |
their weight is all borne by these thick wooden supports. | 0:12:43 | 0:12:48 | |
It's like a type of straw cladding that's been put on the outside. | 0:12:48 | 0:12:54 | |
Now these straw chairs were made, as I say, in Scotland and Wales | 0:12:54 | 0:12:59 | |
but over a very long period of time from the medieval period, it is thought, | 0:12:59 | 0:13:05 | |
right up until the end of the 19th century, which is when this Welsh lip chair dates from. | 0:13:05 | 0:13:12 | |
So the big question is, what is a big lipped chair like this worth? | 0:13:12 | 0:13:19 | |
It's Welsh, it's being sold here in the heart of Wales | 0:13:19 | 0:13:24 | |
and, not surprisingly, the price is £1,250. | 0:13:24 | 0:13:28 | |
Is that lip enough for you? | 0:13:28 | 0:13:31 | |
That's lovely, really sweet. | 0:13:34 | 0:13:37 | |
-What have you found, girls? -Just looking at this here, it's like a sort of trowel thing, very unusual. | 0:13:37 | 0:13:43 | |
What are they? | 0:13:43 | 0:13:45 | |
It's a little bookmark actually. You do get some modern ones, | 0:13:45 | 0:13:49 | |
but if you've got a period one with a hallmark, that tends to sell much better. | 0:13:49 | 0:13:54 | |
-Is it all right if I have a look? -Oh, yes, by all means. | 0:13:54 | 0:13:58 | |
This one is hallmarked, which is lovely, and it's Victorian, which is great. | 0:14:01 | 0:14:05 | |
It's 1895, and the handle | 0:14:05 | 0:14:08 | |
looks as if it is agate actually, which is rather nice, isn't it? | 0:14:08 | 0:14:13 | |
-That's a sweet little thing. -It is lovely, it's really nice. -Quite unusual. | 0:14:13 | 0:14:17 | |
They do sell quite well in my experience, fingers crossed. | 0:14:17 | 0:14:21 | |
-58, hm... -Is that a bit... | 0:14:21 | 0:14:24 | |
-I'd like to see it nearer 40, to be honest. -Or less. | 0:14:24 | 0:14:26 | |
We can see what he'll say, especially with the agate handle, that's a really nice feature. | 0:14:26 | 0:14:31 | |
Do you want to flutter your eyelids, Anna, this time? | 0:14:31 | 0:14:34 | |
-OK, where's the man? -See what sort of price. | 0:14:34 | 0:14:36 | |
Let's be having you. | 0:14:36 | 0:14:38 | |
What would your best price be on that? | 0:14:38 | 0:14:40 | |
-What have we got on that? -58. | 0:14:40 | 0:14:43 | |
-55, I'll do it for £50. -50. | 0:14:43 | 0:14:46 | |
You couldn't go further down? | 0:14:46 | 0:14:48 | |
No, I won't come any lower. | 0:14:48 | 0:14:50 | |
It's a nice little piece and nice unusual handle. | 0:14:50 | 0:14:53 | |
-Yes. -And it's nicely hallmarked. | 0:14:53 | 0:14:55 | |
-It's a gamble. I think £50 is a fair price here. -It could be its money though, couldn't it? | 0:14:55 | 0:15:01 | |
But an auctioneer would probably put 40 to 60 on it, so you're in with a chance. Can you do 48 just as a push? | 0:15:01 | 0:15:07 | |
That'd be 20%, no £50. | 0:15:07 | 0:15:10 | |
I'll sell at £50. | 0:15:10 | 0:15:12 | |
Oh, he's hard, isn't he? | 0:15:12 | 0:15:13 | |
He is hard. | 0:15:13 | 0:15:15 | |
I've come down £8. | 0:15:15 | 0:15:17 | |
It's not a walk in the park this, you know. | 0:15:17 | 0:15:20 | |
Can you not knock off that two pounds? | 0:15:20 | 0:15:24 | |
No, absolutely not. I need to eat tonight. | 0:15:24 | 0:15:27 | |
Oh, Fiona, you're a tough woman too. | 0:15:27 | 0:15:30 | |
-Shall we do it? -Yes. -Come on. | 0:15:30 | 0:15:32 | |
-Lovely, thank you very much. -Thank you. | 0:15:32 | 0:15:34 | |
At last, two in the bag. | 0:15:35 | 0:15:37 | |
Now, what's happened to Zo and Loll? | 0:15:37 | 0:15:40 | |
Oh, here they are, relaxing, hey? | 0:15:40 | 0:15:44 | |
Cappuccino, latte, hot chocolate, or tea? | 0:15:44 | 0:15:48 | |
-Ooh, latte please. -OK, two latte. | 0:15:48 | 0:15:51 | |
This is the life, isn't it? | 0:15:51 | 0:15:52 | |
Ladies, you won't beat your friends while sitting in a caff. | 0:15:52 | 0:15:56 | |
-You love your looking around, you girls, don't you? -We do, yes. | 0:15:56 | 0:16:00 | |
Listen, you've bought two items. | 0:16:00 | 0:16:02 | |
-Yes. -How's it going so far, Kate? | 0:16:02 | 0:16:04 | |
Well, I can't keep up with them. | 0:16:04 | 0:16:06 | |
Are they incorrigible? | 0:16:06 | 0:16:09 | |
I had to leave at one point, it was getting embarrassing. | 0:16:09 | 0:16:11 | |
It must be getting embarrassing. | 0:16:11 | 0:16:13 | |
That happens quite a lot with us. | 0:16:13 | 0:16:15 | |
So what, is it all double entendre, innuendo, naughtiness? | 0:16:15 | 0:16:20 | |
No, they were actually really hammering a hard bargain. | 0:16:20 | 0:16:23 | |
-Are they? -The poor chap got such a beating, he thought they were never going to leave him alone. | 0:16:23 | 0:16:27 | |
-It didn't work, though. -But we have bought two things. | 0:16:27 | 0:16:30 | |
You've bought two things. How much have you spent so far? | 0:16:30 | 0:16:33 | |
-£140. -Well done. | 0:16:33 | 0:16:35 | |
-£140, so you've got £160 left. -Yes. | 0:16:35 | 0:16:40 | |
So there's plenty to go for for the last item, isn't it? | 0:16:40 | 0:16:43 | |
I'm sure we'll see a lot knowing these two. | 0:16:43 | 0:16:45 | |
I think I'll get out of here while I'm still alive. | 0:16:45 | 0:16:47 | |
SHE LAUGHS | 0:16:47 | 0:16:49 | |
So which way next, girls? | 0:16:49 | 0:16:51 | |
The clock is still ticking, stop dawdling, Reds. | 0:16:51 | 0:16:56 | |
It's almost like a lava one, isn't it? | 0:16:56 | 0:16:59 | |
It's a German lava-style lamp from the '60s. | 0:16:59 | 0:17:01 | |
Yes. | 0:17:01 | 0:17:03 | |
Quite grotesque, but quite brilliant. | 0:17:03 | 0:17:05 | |
It is just that, it's like basalt. | 0:17:05 | 0:17:08 | |
-Yes, it's a nice studio print. -It's kind of quite cool, isn't it? | 0:17:08 | 0:17:12 | |
-Yes. -You can exfoliate your hands whilst turning the light on. | 0:17:12 | 0:17:15 | |
You could make a water feature out of it. | 0:17:15 | 0:17:18 | |
I like it, I'm just wondering what sort of shade you'd put on it. | 0:17:18 | 0:17:21 | |
-It would have to be about that big, wouldn't it? -Yes, it would. | 0:17:21 | 0:17:25 | |
-What about the chap on the end? -That is really quite attractive. | 0:17:25 | 0:17:28 | |
-It is. -And this is still German, the one at the end? | 0:17:28 | 0:17:31 | |
West Germany, yes. | 0:17:31 | 0:17:33 | |
All the same price? This one you've got 55 on. | 0:17:33 | 0:17:35 | |
-Yes. -Is that the same for all of them? | 0:17:35 | 0:17:37 | |
-That's 30 at the end. -The one at the end is £30? -Yes. | 0:17:37 | 0:17:40 | |
-Is that advertised as 30 or 30 your best price 30? -25. -£25. | 0:17:40 | 0:17:46 | |
25. It says West Germany on the bottom. | 0:17:46 | 0:17:51 | |
-£30, £25. -That's pretty good. | 0:17:51 | 0:17:56 | |
Is that just the remnants of a sticker or something? I think it is actually. | 0:17:56 | 0:18:00 | |
-That's a big lump for not very much money. -It is, yes. | 0:18:00 | 0:18:04 | |
-West German and it's quite nice this sort of oily look to it. -Yes. | 0:18:04 | 0:18:07 | |
It is quite fashionable, isn't it? | 0:18:07 | 0:18:09 | |
You could even have it as like an umbrella stand in the hall or something. | 0:18:09 | 0:18:14 | |
-Yes, I think you could. I like that. -£25 is not a lot of money really. | 0:18:14 | 0:18:18 | |
It's not a lot of money at all, is it? | 0:18:18 | 0:18:20 | |
It's not something I'd buy. I wouldn't have it in my own home. | 0:18:20 | 0:18:22 | |
-How do you think it will sell at auction? -I saw a West German | 0:18:22 | 0:18:25 | |
lava pottery of that size for I think about £75 or £80 recently, | 0:18:25 | 0:18:30 | |
because it is modern design and there's a lot of people interested in that sort of thing. | 0:18:30 | 0:18:35 | |
I think it's a new market. For £25, I'd be surprised if we don't make a tenner on it. | 0:18:35 | 0:18:40 | |
So we've got ten minutes left. | 0:18:40 | 0:18:42 | |
We'll just wander down there, see if we can see anything else, | 0:18:42 | 0:18:43 | |
and then just come back and buy it on the wire. | 0:18:43 | 0:18:45 | |
-Would you be happy? -Yes. Yes. I think so. | 0:18:45 | 0:18:48 | |
-See you in five minutes. -OK. Cheers. | 0:18:48 | 0:18:52 | |
So our battling friends sprint to the finish. | 0:18:52 | 0:18:55 | |
-That's a sprint, Reds! -This way, guys. | 0:18:57 | 0:19:02 | |
We've got about just under 20 minutes. | 0:19:02 | 0:19:05 | |
-OK. -So I think we better really crack on a bit. | 0:19:05 | 0:19:08 | |
It's getting a bit wet out there. | 0:19:08 | 0:19:11 | |
Just up here, come and have a look. | 0:19:11 | 0:19:13 | |
Isn't that the stall Zoe and Loll started on? | 0:19:13 | 0:19:16 | |
-"Picquot"? -French? | 0:19:16 | 0:19:19 | |
It is not French, it says, "Made in England." | 0:19:19 | 0:19:22 | |
SHE LAUGHS | 0:19:22 | 0:19:24 | |
Very good, Anna, well spotted. | 0:19:25 | 0:19:28 | |
What have you found? Ah! | 0:19:28 | 0:19:31 | |
So we found something retro after all. | 0:19:31 | 0:19:33 | |
It's a great shape, really streamlined. | 0:19:33 | 0:19:36 | |
This is... You can see "Picquot Ware" on the bottom here, made in England. | 0:19:36 | 0:19:42 | |
The French do something similar but this is very definitely an English shape. | 0:19:42 | 0:19:46 | |
They started making them around 1947. | 0:19:46 | 0:19:49 | |
This, I would say, is '50s, perhaps '60s, | 0:19:49 | 0:19:51 | |
so fairly early in the run of them and quite an unusual size. | 0:19:51 | 0:19:56 | |
-Two minutes we've got apparently. -How much? | 0:19:56 | 0:19:59 | |
-Two minutes. -No, how much does it cost? | 0:19:59 | 0:20:01 | |
-Don't know. Don't know where the stallholder is. -Let's find out. | 0:20:01 | 0:20:04 | |
There are only two minutes left, make a decision. | 0:20:04 | 0:20:07 | |
Now! | 0:20:07 | 0:20:09 | |
Can we take that, please? | 0:20:09 | 0:20:10 | |
-And that's on the nail, last minute, fantastic. -£25. | 0:20:10 | 0:20:14 | |
-25 quid? -Yes. -Job done. Happy? | 0:20:14 | 0:20:17 | |
How much did he want? | 0:20:17 | 0:20:18 | |
-It's got to be 55. -That's fine, we're out of time anyway. | 0:20:18 | 0:20:22 | |
We are out of time. Happy? | 0:20:22 | 0:20:23 | |
Yes, it's lovely thing, I'm very happy with that. | 0:20:23 | 0:20:26 | |
Well done. Fantastic! | 0:20:26 | 0:20:29 | |
Now they've hunted, they've haggled, | 0:20:31 | 0:20:34 | |
and they've finally purchased, and their time is up. | 0:20:34 | 0:20:38 | |
Let's take another look at what the Reds bought. | 0:20:40 | 0:20:42 | |
Zoe fell in love with a Valentine cushion, | 0:20:42 | 0:20:46 | |
they all liked the price on the pair of chandeliers, | 0:20:46 | 0:20:50 | |
and finally settled on the West German vase for £25. | 0:20:50 | 0:20:54 | |
I think we did extremely well, and we had time for tea, as well. | 0:20:54 | 0:20:57 | |
-We did. -I don't know about this self-congratulation, | 0:20:57 | 0:21:00 | |
where is this "I think we did very well" coming from? | 0:21:00 | 0:21:04 | |
-Is that from him? -It's from all of us. | 0:21:04 | 0:21:06 | |
-You all think you've done very well. -Team building, you see. | 0:21:06 | 0:21:10 | |
-Is that what it is? Good, how much did you spend actually? -£255. | 0:21:10 | 0:21:15 | |
£255, how much is there left, £45? | 0:21:15 | 0:21:18 | |
-£45. -You got the £45 roll? There we go very beautifully clutched. | 0:21:18 | 0:21:22 | |
Which piece will bring the biggest profit do you think, Zo-Zo? | 0:21:22 | 0:21:26 | |
-I think the vase. -The vase? | 0:21:26 | 0:21:29 | |
We're all over the shop today, aren't we? I'm not going to | 0:21:29 | 0:21:32 | |
ask you your opinion, Jonathan, you're already looking very pleased. | 0:21:32 | 0:21:36 | |
I'm going to give you £45 and wish you bon voyage in your search... | 0:21:36 | 0:21:39 | |
Merci. | 0:21:39 | 0:21:40 | |
..for a lucrative bonus buy. Good luck. | 0:21:40 | 0:21:43 | |
Why don't we check out what the Blues bought, hey? | 0:21:43 | 0:21:47 | |
The silver hip flask caught their eye at £90. | 0:21:47 | 0:21:51 | |
Fiona dug deep for a silver bookmark trowel, | 0:21:51 | 0:21:56 | |
and they paid £55 for a Picquot ware kettle. | 0:21:56 | 0:21:59 | |
I think you were pretty last-minute there, girls. | 0:21:59 | 0:22:02 | |
-There was a little bit of a... -A bit of a rush wash? -Yes. | 0:22:02 | 0:22:04 | |
You had had plenty of time and then it just ran away with you? | 0:22:04 | 0:22:07 | |
-That's right. -Had to keep her under control, that's why. | 0:22:07 | 0:22:10 | |
-Keeping her under control. -Keep pulling her back. | 0:22:10 | 0:22:13 | |
It's like calling a pot black. | 0:22:13 | 0:22:16 | |
-It might be. -Thank you, Tim. -Thank you, Fifi. | 0:22:16 | 0:22:19 | |
Now tell me, darling, which is your favourite piece, your bestest best? | 0:22:19 | 0:22:23 | |
-I really like the kettle. -The kettle. What about you darlin'? | 0:22:23 | 0:22:26 | |
-The kettle definitely. -Right we're double kettle wonder here, | 0:22:26 | 0:22:29 | |
and how much did you spend overall? | 0:22:29 | 0:22:31 | |
-195. -OK, please, may I have £105? -There it is. | 0:22:31 | 0:22:36 | |
By the way, which piece is going to bring the biggest profit? | 0:22:36 | 0:22:39 | |
If any of them do, the kettle. | 0:22:40 | 0:22:42 | |
-The kettle. I would've thought so. -Kettle obsessed. -We are. | 0:22:42 | 0:22:45 | |
-Anyway here we go, lovely Kate. -Thank very much. | 0:22:45 | 0:22:47 | |
£105 for you to spend. | 0:22:47 | 0:22:49 | |
-Lovely. -Is it all there? Just check. -I think so, yes. -Do us proud! | 0:22:49 | 0:22:53 | |
On that happy note, girls, I shall leave you. | 0:22:53 | 0:22:56 | |
But we will head off to Port Sunlight | 0:22:56 | 0:22:59 | |
for something really rather tasty. | 0:22:59 | 0:23:02 | |
Welcome to the Lady Lever Art Gallery. | 0:23:08 | 0:23:12 | |
It is the creation of soap baron William Hesketh Lever | 0:23:12 | 0:23:17 | |
who built the place in 1922 | 0:23:17 | 0:23:19 | |
when he ran out of wall space at home to hang his art collection. | 0:23:19 | 0:23:24 | |
'Lever didn't catch the collecting bug until he was in his 40s, | 0:23:30 | 0:23:34 | |
'but once he started, he couldn't stop. | 0:23:34 | 0:23:37 | |
'Over 30 years, he bought 20,000 works of art.' | 0:23:37 | 0:23:43 | |
Lever finished up by furnishing no less than 13 of his houses, | 0:23:44 | 0:23:50 | |
but they weren't just ordinary houses. | 0:23:50 | 0:23:53 | |
Look at these period photographs from the turn of the 20th century. | 0:23:53 | 0:23:57 | |
Here we've got an image of the music room | 0:23:57 | 0:24:01 | |
at his Number One Cheshire house up the Wirral, | 0:24:01 | 0:24:05 | |
down the road at Thornton Hough. | 0:24:05 | 0:24:07 | |
This is the music room, which was built for Lord Lever | 0:24:07 | 0:24:11 | |
in the, what he liked to call, "Christopher Wren-style" | 0:24:11 | 0:24:16 | |
and crammed with Georgian and French furniture and, of course, | 0:24:16 | 0:24:21 | |
a never-ending series of most expensive Chinese pots | 0:24:21 | 0:24:27 | |
lining the room. | 0:24:27 | 0:24:29 | |
Take a look at this photograph. This is the Hill in Hampstead Heath, | 0:24:29 | 0:24:34 | |
one of his London properties. The scale of the room is breathtaking. | 0:24:34 | 0:24:38 | |
Lots of Georgian furniture again and the Chinese pots lined up | 0:24:38 | 0:24:43 | |
all the way round, almost as if they are in a saleroom. | 0:24:43 | 0:24:46 | |
Also at the Hill is this, the Adams-style drawing room. | 0:24:46 | 0:24:51 | |
We've got Adam-style mouldings in the ceiling and this is a room | 0:24:51 | 0:24:56 | |
that is filled with Sheraton and Hepplewhite furniture | 0:24:56 | 0:25:00 | |
and, of course, lots and lots of watercolours. | 0:25:00 | 0:25:03 | |
But the crunch moment happened for Lever in 1913. | 0:25:03 | 0:25:08 | |
His houses were full to the brim with treasures and then he realised | 0:25:10 | 0:25:15 | |
he needed yet more space, because he bought a monster painting. | 0:25:15 | 0:25:22 | |
This picture is some 19 feet long | 0:25:22 | 0:25:27 | |
and it certainly would have encouraged Lever | 0:25:27 | 0:25:30 | |
to set up the Lady Lever Art Gallery | 0:25:30 | 0:25:33 | |
for the permanent display of some of these monster works. | 0:25:33 | 0:25:38 | |
The gallery provided the perfect backdrop for the finest pieces in his collection. | 0:25:38 | 0:25:44 | |
Lever's transformation from casual art buyer to serious collector was complete. | 0:25:44 | 0:25:50 | |
Of course the big question today is, over at the auction, are our teams | 0:25:51 | 0:25:55 | |
going to be able to transform their objects into cash? | 0:25:55 | 0:26:00 | |
Well, we've trotted north-northeast to Shrewsbury | 0:26:06 | 0:26:10 | |
to be with Jeremy LeMond our auctioneer today | 0:26:10 | 0:26:13 | |
-at Hall's excellent saleroom. Jeremy. -Hi, Tim. | 0:26:13 | 0:26:16 | |
-Good to see you. -Very nice to see you again too. | 0:26:16 | 0:26:18 | |
Anyway for our lucky teams Zoe and Loll, | 0:26:18 | 0:26:22 | |
their first item is the Valentine's Day pincushion. | 0:26:22 | 0:26:26 | |
Now, that has got a story I guess, has it? | 0:26:26 | 0:26:28 | |
Yes, it's the Princess Alexandra, | 0:26:28 | 0:26:31 | |
Princess of Wales, own Yorkshire Regiment and she presented | 0:26:31 | 0:26:37 | |
the battalion colours to the battalion in 1875, | 0:26:37 | 0:26:41 | |
and this is dated 1875, in Sheffield. | 0:26:41 | 0:26:44 | |
Assuming it wasn't stuck on in 1975. | 0:26:44 | 0:26:46 | |
HE CHUCKLES | 0:26:46 | 0:26:48 | |
Well, we have to rely on you in that respect. | 0:26:48 | 0:26:50 | |
But seriously, it looks absolutely fine, doesn't it? | 0:26:50 | 0:26:53 | |
It does, it looks good. It's in tremendous condition. | 0:26:53 | 0:26:56 | |
-How much do you think it's going to bring? -We thought £30-£50. | 0:26:56 | 0:27:00 | |
£50 was paid. So you need to crack on, Jeremy, if we're going to show much of a profit there, | 0:27:00 | 0:27:05 | |
but it's an interesting object and, quite frankly, anything can happen. | 0:27:05 | 0:27:09 | |
Next was a pair of light fittings, | 0:27:09 | 0:27:11 | |
I wouldn't exactly call them chandeliers, would you? | 0:27:11 | 0:27:14 | |
We'd call from waterfall chandeliers, because of the style of them. | 0:27:14 | 0:27:18 | |
-This rippling shower of pendants. -Little chandeliers, we see them all the time. | 0:27:18 | 0:27:22 | |
Prismatic drops - quite bright and sparkly. | 0:27:22 | 0:27:25 | |
It could have been made at any time really. | 0:27:25 | 0:27:29 | |
-Yes, I mean they're down as listed as being 1920s for our team. -Style. | 0:27:29 | 0:27:34 | |
Style, isn't it? Because those could be 1960s, 1980s or anything really. | 0:27:34 | 0:27:38 | |
They haven't gone out of fashion at all. | 0:27:38 | 0:27:41 | |
No. Are they desirable? | 0:27:41 | 0:27:43 | |
A pair like that, does that make your heart tremble when you see it. | 0:27:43 | 0:27:47 | |
Good decorators pieces, so yes, they could do well, £60-£80 for the pair. | 0:27:47 | 0:27:51 | |
-How much? -£60-£80. | 0:27:51 | 0:27:52 | |
-Our guys are paid £180 for the pair. -Well, they obviously like them. | 0:27:52 | 0:27:57 | |
-Have they gone completely bonkers? -Yes. | 0:27:57 | 0:27:59 | |
Thank you for that honest answer. | 0:27:59 | 0:28:02 | |
OK. That's a big dark hole they're about to fall into | 0:28:02 | 0:28:05 | |
with these fellows, we fancy. | 0:28:05 | 0:28:07 | |
Lastly though, is the gigantic almost lava-like vase on the floor. | 0:28:07 | 0:28:15 | |
How do you rate that? It's a big pot, isn't it? | 0:28:15 | 0:28:17 | |
Yes, that's by Shurik Keramik. | 0:28:17 | 0:28:21 | |
German firm, West German, late '60s. | 0:28:21 | 0:28:24 | |
The style is not quite fat lava, which is very popular at the moment. | 0:28:24 | 0:28:29 | |
So they've done well to spot it. | 0:28:29 | 0:28:30 | |
Late '60s early '70s, and it's an up-and-coming market. | 0:28:30 | 0:28:35 | |
All the books on fat lava and that sort of genre of West German ceramics art - unobtainable | 0:28:35 | 0:28:40 | |
at the moment, so they've picked the market just at the beginning of it. | 0:28:40 | 0:28:43 | |
-Well, they paid a keen £25 for it, which is not much for lump is it? -They should get that back. | 0:28:43 | 0:28:49 | |
-Would they? -Yes. -What's your estimate? | 0:28:49 | 0:28:51 | |
Well, is 30 to 50, but that's a market that I think will take off. | 0:28:51 | 0:28:55 | |
Ah, well that's intriguing. | 0:28:55 | 0:28:57 | |
You mean it might bring in more than £50? | 0:28:57 | 0:28:59 | |
-Give it five years. -Oh, I see. | 0:28:59 | 0:29:01 | |
Actually we are here today, Jeremy. | 0:29:01 | 0:29:03 | |
Buy it. | 0:29:03 | 0:29:05 | |
On the face of it, they're going to need their bonus buy, let's go and have a look at it. | 0:29:05 | 0:29:10 | |
Now Zozo and Loll, this is the leftover loll-loll moment, Loll, | 0:29:10 | 0:29:14 | |
because you gave Jonathan Pratt £45 to go off and find something spectacular - his bonus buy. | 0:29:14 | 0:29:21 | |
Let's have a look at it, Jonathan, what have you done? | 0:29:21 | 0:29:25 | |
-I bought an aneroid barometer. -Oh. -Look at Tim's face, he loves it. | 0:29:29 | 0:29:33 | |
It's by Short and Mason, mahogany, boxwood and ebony strung, every home should have one. | 0:29:33 | 0:29:39 | |
Take it from Jonathan and have a feel. I think actually handling an object, seeing how heavy it is, | 0:29:39 | 0:29:44 | |
how beautifully made it is and all the rest of it is interesting. | 0:29:44 | 0:29:48 | |
People are moving back to a traditional style in the modern interior now. | 0:29:48 | 0:29:52 | |
-Yes. -And that's it, I think it's a nice useful practical object | 0:29:52 | 0:29:56 | |
and I didn't pay too much for it. I wasn't given too much money actually! | 0:29:56 | 0:30:00 | |
-Well, you were given £45 actually. -Yes, a real lot. Yes. | 0:30:00 | 0:30:03 | |
What do you think is the date for it, somewhere around 1935 or 1940? | 0:30:03 | 0:30:06 | |
I think it's a bit of a crossover really, the way it's laid out inside | 0:30:06 | 0:30:10 | |
-and the geometry because it's in an octagon. -Angular. -Angular, | 0:30:10 | 0:30:13 | |
which kind of says '20s, so I think it probably is a bit of a '20s thing. | 0:30:13 | 0:30:17 | |
Says "Copyright 1930" on it, so it can't be before that. | 0:30:17 | 0:30:21 | |
-Thank you, Tim. Can I borrow your glasses? -What do you think, Loll? | 0:30:24 | 0:30:27 | |
-I don't think you'll like it very much, do you? -Don't you love it, Loll? -It's not my cup of tea. | 0:30:27 | 0:30:33 | |
-Is that not what you'd spend your leftover lolly on, then, Loll? -No. -OK, fine. | 0:30:33 | 0:30:39 | |
Well, we seem to have a moderate reaction to that, Jonathan. Of course the trick is, girls, | 0:30:39 | 0:30:44 | |
you don't have to take this if you don't want to. | 0:30:44 | 0:30:47 | |
For the audience at home, let's find out what the auctioneer thinks about Jonathan's little barometer. | 0:30:47 | 0:30:52 | |
Right then, Jeremy, the pressure rising here in the saleroom. How do you rate that? | 0:30:52 | 0:30:58 | |
I think that is Short and Mason, £30-£50 we'd put on it. | 0:30:58 | 0:31:02 | |
Good barometer, nice commercial shape, octagonal shape, good dial, does what it says on the tin. | 0:31:02 | 0:31:08 | |
Yes, that's fair enough, isn't it? | 0:31:08 | 0:31:10 | |
John paid £45, he spent all his bonus-buy money on it, he rates it. | 0:31:10 | 0:31:16 | |
-He should get it back. -A small profit. -Yes. -Good. | 0:31:16 | 0:31:18 | |
IF the team decide to go with it... which is the million dollar question. | 0:31:18 | 0:31:23 | |
Next the Blue team, led by your neighbour Kate Bliss, she comes in these parts, doesn't she? | 0:31:23 | 0:31:29 | |
-Yes, she does. -Close down the road. | 0:31:29 | 0:31:30 | |
The silver little hip flask. | 0:31:30 | 0:31:33 | |
Well, silver is all right at the moment, precious metals are up in the market. | 0:31:33 | 0:31:37 | |
-What's your estimate? -£30 to £50. | 0:31:37 | 0:31:39 | |
£90 paid. Stand a chance? | 0:31:39 | 0:31:42 | |
-It will sell. -It will sell, everything sells. -It will sell. | 0:31:42 | 0:31:46 | |
-Difficult to make a profit on £90. -Yes, tricky. | 0:31:46 | 0:31:48 | |
Next is the little silver bookmarker, | 0:31:48 | 0:31:51 | |
which is kind of a standard little Edwardian bit of nonsense in a way. | 0:31:51 | 0:31:58 | |
-Novelty really. -Yes. | 0:31:58 | 0:31:59 | |
I can remember seeing those things marked up in bric-a-brac type shops for £15 to £20. | 0:31:59 | 0:32:05 | |
-I think that's about right. -They paid £50. | 0:32:05 | 0:32:08 | |
That's enough, really, but it is a novelty, I haven't seen one recently so they might be lucky. | 0:32:08 | 0:32:14 | |
-Brilliant, so what's your estimate on the little bookmarker? -£25 to £35. -Well, another uphill struggle. | 0:32:14 | 0:32:20 | |
We've got two uphill struggles but you know what they say about tea and sympathy? | 0:32:20 | 0:32:24 | |
Their last item is a kettle. | 0:32:24 | 0:32:26 | |
Yes, by Berridge and Boyd, the manufacturers of the non-electric vacuum cleaner. | 0:32:26 | 0:32:32 | |
-Really? -In 1932. | 0:32:32 | 0:32:34 | |
You are a mine of information I have to say. | 0:32:34 | 0:32:37 | |
-We know it as Picquot-ware which sounds French. -It does. -Northampton. -Is it? -Mmm. | 0:32:37 | 0:32:43 | |
Nothing very French about Northampton, I tell you. | 0:32:43 | 0:32:46 | |
But very stylish. | 0:32:46 | 0:32:48 | |
Very stylish and still going. | 0:32:48 | 0:32:50 | |
-Are they? -Still going. -We are picking up some vital facts today. | 0:32:50 | 0:32:54 | |
Most important thing is, though, what's it worth? | 0:32:54 | 0:32:57 | |
It is worth £20 or £30. | 0:32:57 | 0:33:00 | |
-£55 they paid. -Yes, that's fine retail. | 0:33:00 | 0:33:03 | |
That's fine retail, they seem to have paid three very fine retail prices for their three items. | 0:33:03 | 0:33:09 | |
They'll struggle at the auction and, by jingo, they are going to need their bonus buy. | 0:33:09 | 0:33:14 | |
Now, Fifi and Anna, you've have spent £195, you gave Kate Bliss £105. What did she spend it on? | 0:33:14 | 0:33:22 | |
-I hope I've done the right thing here because I know you girls were disappointed... -Ahh... | 0:33:22 | 0:33:27 | |
-..to leave that spoon behind, weren't you? -We were. | 0:33:27 | 0:33:30 | |
We talked about it quite a bit in the shop so you know quite a bit about it | 0:33:30 | 0:33:34 | |
but it is obviously George Jensen and silver gilt so with a lovely layer of gilt over the top. | 0:33:34 | 0:33:40 | |
It's not an antique, it's 1971, but as a piece of George Jensen for a collector, | 0:33:40 | 0:33:47 | |
it's a nice affordable piece. Have a little look. | 0:33:47 | 0:33:50 | |
How much did you pay for that? | 0:33:50 | 0:33:52 | |
I managed to go and negotiate an even better deal. | 0:33:52 | 0:33:55 | |
-Did you? -I managed to get it for £45. | 0:33:55 | 0:33:58 | |
Ooh, that is good. Yes, it's lovely, Kate, I like that. | 0:33:58 | 0:34:01 | |
The year I was born, 1971. | 0:34:01 | 0:34:04 | |
Me too. | 0:34:04 | 0:34:06 | |
You're shockers, you girls, I tell you. | 0:34:07 | 0:34:10 | |
You need to ask Kate one last final question. | 0:34:10 | 0:34:14 | |
-Do you think is going to make any profit? -I think it's got the chance of making £50 at auction. | 0:34:14 | 0:34:21 | |
-OK. -It depends if the right collector is there, so I think it's got a chance. -OK. | 0:34:21 | 0:34:25 | |
Thank you, Kate. For the viewers at home, | 0:34:25 | 0:34:27 | |
let's find out what the auctioneer thinks about the Jensen spoon. | 0:34:27 | 0:34:31 | |
-Well, that's pretty glitz. -Isn't it? | 0:34:31 | 0:34:33 | |
-And always lovely to have that Jensen name stamped on a bit of silver. -Yes. | 0:34:33 | 0:34:38 | |
-Yes. Artist designed, Rigmor Andersen and Annalise Bjorne. -These are two girls, aren't they? | 0:34:38 | 0:34:43 | |
Yes, they are, one sadly no longer with us. | 0:34:43 | 0:34:46 | |
They were well known for floral flatware. | 0:34:46 | 0:34:49 | |
-What is a single piece like that are worth, do you think? -Like this? £20 or £30. | 0:34:49 | 0:34:54 | |
Kate paid £45, it's her bonus buy she is relying on it to make huge profits | 0:34:54 | 0:34:59 | |
-and dig them out of three huge black holes that they've got ahead of them. -Well, I've been wrong before. | 0:34:59 | 0:35:05 | |
-There you are, the modesty of the man, charming. Anyway you're taking the sale today? -Yes. | 0:35:05 | 0:35:10 | |
We are in safe hands. | 0:35:10 | 0:35:11 | |
OK, so how are you feeling, sweetie? | 0:35:16 | 0:35:18 | |
-Really nervous. -Are you? What have you got to be nervous about? | 0:35:18 | 0:35:22 | |
-I don't know, I just want to make some money. -Are you all right, Loll? -Yes, I'm OK. | 0:35:22 | 0:35:29 | |
You look a bit frightened actually. | 0:35:29 | 0:35:31 | |
-I feel a bit nervous. -Are you? | 0:35:31 | 0:35:34 | |
You spend a lot of time to get to the cliff face - what is going to happen? | 0:35:34 | 0:35:39 | |
And if the worst comes to the worst you, you've got the barometer to fall back on. | 0:35:39 | 0:35:43 | |
Anyway, first lot up, it's the Valentine. | 0:35:43 | 0:35:45 | |
The soldier's Valentine, Alexandra | 0:35:45 | 0:35:47 | |
Princess of Wales's Own (Yorkshire Regiment). | 0:35:47 | 0:35:50 | |
Already I have interest on commission at £30. | 0:35:50 | 0:35:55 | |
Starting at 30, at £30 it is, 40, five, on the internet at 45. | 0:35:55 | 0:35:59 | |
-Come on. -On the internet at 50... | 0:35:59 | 0:36:04 | |
Come on, internet. Come on, internet. | 0:36:04 | 0:36:07 | |
At 50, it is now... £50 I'm selling it, | 0:36:07 | 0:36:10 | |
the internet is out... At £50... | 0:36:10 | 0:36:13 | |
Brilliant, it's wiped its face. | 0:36:13 | 0:36:15 | |
No profit no loss, no shame no gain. | 0:36:15 | 0:36:18 | |
The pair of 1920s style glass waterfall style chandeliers, | 0:36:18 | 0:36:22 | |
commission bids at £90 already, 100 in the doorway... | 0:36:22 | 0:36:25 | |
110... | 0:36:25 | 0:36:27 | |
120, 130 now... | 0:36:27 | 0:36:29 | |
130 with the lady, at £130... | 0:36:29 | 0:36:33 | |
any more at £130, selling. | 0:36:33 | 0:36:36 | |
Oh, no. £130, that is minus £50. | 0:36:36 | 0:36:43 | |
The West German Shurik vase. At £25 start me... | 0:36:43 | 0:36:48 | |
at 25, where is £25? At 25 bid me? | 0:36:48 | 0:36:53 | |
-£25. -£20, start it, then. | 0:36:53 | 0:36:55 | |
Oh, Lord. | 0:36:55 | 0:36:57 | |
Who wants it at £20? | 0:36:57 | 0:36:59 | |
£20? £15, then, to go... | 0:36:59 | 0:37:01 | |
£15 bid here, at £15, I'll sell it. | 0:37:01 | 0:37:05 | |
Maiden bid at £15 and selling. | 0:37:05 | 0:37:10 | |
Oh, OK. £15, that is not a result. | 0:37:10 | 0:37:13 | |
Minus £10 on that, so you are overall minus 60 smackers, girls. | 0:37:13 | 0:37:18 | |
All right. Well, I'm sorry about that because that German vase was set to sail away. | 0:37:18 | 0:37:24 | |
And you've done a lot better with the chandeliers than I thought you would do. | 0:37:24 | 0:37:30 | |
The big decision now is what you're going to do with the barometer? Do you fancy going with it, Loll? | 0:37:30 | 0:37:35 | |
-I think we got to go for it. -Yes. -Minus 60 could be a winning score. | 0:37:35 | 0:37:38 | |
We've got nothing to lose. We'll go for it. | 0:37:38 | 0:37:41 | |
You're going to have a go, well, I don't blame you. Why not? | 0:37:41 | 0:37:45 | |
We're going with the bonus buy. Jonathan paid £45 for the barometer. Here it is. | 0:37:45 | 0:37:49 | |
The mahogany and boxwood strung aneroid barometer by Short and Mason, Lot 56. | 0:37:49 | 0:37:53 | |
Mason is a good make. | 0:37:53 | 0:37:55 | |
Who will start me up £20? £20... a good barometer at £20, | 0:37:55 | 0:38:01 | |
20 bid internet... I'm selling to an internet bidder at £20... | 0:38:01 | 0:38:05 | |
Using the internet... | 0:38:05 | 0:38:06 | |
At £20, it is to an internet bid. All sure at 20? | 0:38:06 | 0:38:12 | |
-Oh, no. -£20, we've compounded the error here with another £25. | 0:38:13 | 0:38:20 | |
You are overall minus £85. | 0:38:20 | 0:38:23 | |
Oh, no. It could have been worse. | 0:38:23 | 0:38:26 | |
Well, it could have been, really, with those waterfall chandeliers. | 0:38:26 | 0:38:30 | |
Anyway, bad luck, but on the other hand this could be a winning score, no shame in minus £85. | 0:38:30 | 0:38:35 | |
-Don't say a word to the Blues. -No. | 0:38:35 | 0:38:38 | |
-Even though you've got a chummy with them. -OK. -Lips are sealed. Thank you very much, kids. | 0:38:38 | 0:38:43 | |
-Do you know how the Reds got on? -No. | 0:38:49 | 0:38:50 | |
-No idea? Lovely. -Not a clue. | 0:38:50 | 0:38:52 | |
OK, fine. How do you reckon they did? | 0:38:52 | 0:38:54 | |
-Not very well. -Not very well? -No. -How do you reckon you're going to do? | 0:38:54 | 0:38:58 | |
-Erm... -Bit of a mixed bag. -Just look at busy this room is. -Well, yes. | 0:38:58 | 0:39:02 | |
They've got internet bidding here, don't be depressed, that's the secret. | 0:39:02 | 0:39:06 | |
And if all else fails, you got that silver gilt spoon. | 0:39:06 | 0:39:10 | |
Of course you have, now first up is Kate's flask and here it comes. | 0:39:10 | 0:39:15 | |
72 is the silver hip flask here William Neill and Son, | 0:39:15 | 0:39:19 | |
Birmingham 1915, starting at £55... | 0:39:19 | 0:39:22 | |
60 in the door, five commission... | 0:39:22 | 0:39:25 | |
At 65 it's a commission bid, at £65 are we all done? | 0:39:25 | 0:39:29 | |
It could go a bit stronger than that. | 0:39:29 | 0:39:31 | |
At £65 and selling to a commission bidder, at 65. | 0:39:31 | 0:39:34 | |
-Sorry, girls. -Dear me, 65, you are minus £25 on that, that's disappointing, Kate. | 0:39:36 | 0:39:40 | |
-It is, isn't it? -Anyway, here comes the bookmark. | 0:39:40 | 0:39:44 | |
Lot 73, again various commissions here 25, 35 here. | 0:39:45 | 0:39:48 | |
At £35 on commission... | 0:39:48 | 0:39:50 | |
At £35, I will sell at £35... You're all finished in the room, and 35... | 0:39:50 | 0:39:56 | |
He's doing it again. | 0:39:56 | 0:39:58 | |
-£35, we are minus £15. -Very cheap. -This is not looking good, girls. | 0:39:58 | 0:40:03 | |
-It's not. -OK, let's hope it's all in the kettle. | 0:40:03 | 0:40:05 | |
Here is the Picquot-ware 1960s magnalium kettle with wooden handle, | 0:40:05 | 0:40:10 | |
Lot 74, again various commissions here as £20, £22, £25, at 25... | 0:40:10 | 0:40:16 | |
-At £25... -Come on. | 0:40:16 | 0:40:18 | |
For the Picault, 25 I've got... | 0:40:18 | 0:40:20 | |
28, at £28... 30 now, | 0:40:20 | 0:40:25 | |
30 in the room against you. | 0:40:25 | 0:40:27 | |
It's coming to the boil! | 0:40:27 | 0:40:30 | |
At £30, selling. | 0:40:30 | 0:40:31 | |
£30, that is minus 25. 25 and 25 is 50. I make that minus £65. | 0:40:31 | 0:40:39 | |
-It could have been worse. -It's difficult because this could be a winning score. | 0:40:39 | 0:40:43 | |
Going on the prices that we've realised so far, it's all been pretty low, hasn't it? Think about that. | 0:40:43 | 0:40:50 | |
-We are going for it. -Yes. -Are you going to go with this bonus buy? -Yes. Yes. | 0:40:50 | 0:40:54 | |
-Are you really going to go with the bonus buy? Look at me, are you going to go with the bonus buy? -Yes. | 0:40:54 | 0:41:00 | |
-You don't have to do go with it, you know. -We really want to. -You want to? | 0:41:00 | 0:41:03 | |
All right you are going to go with the bonus buy, the decision is made, here we go. | 0:41:03 | 0:41:08 | |
Jensen, dated spoon, 1971, designed by Andersen and Annelise Bjorne, | 0:41:08 | 0:41:15 | |
20 start me, at £20... | 0:41:15 | 0:41:17 | |
Where's £20 for it? £20 to start... | 0:41:17 | 0:41:20 | |
20? 20 bid me... 20 bid front row, in the room, then, at £20... | 0:41:20 | 0:41:27 | |
-Not looking good. -Internet 25, 30 with you... | 0:41:27 | 0:41:31 | |
at 30 front row against the internet... | 0:41:31 | 0:41:34 | |
all done 30 pounds? | 0:41:34 | 0:41:37 | |
£30, that is minus £15, 65, 75, you are minus £80. | 0:41:37 | 0:41:45 | |
Minus £80, girls. | 0:41:45 | 0:41:47 | |
-I congratulate you because you are a couple of punters, aren't you? -Absolutely. | 0:41:47 | 0:41:51 | |
-You were determined to go with that, absolutely determined. -Yeah. | 0:41:51 | 0:41:55 | |
And look what happened, you lost £15. But never mind, don't talk to those Reds. | 0:41:55 | 0:42:00 | |
-No. -And all will be revealed in the moment, because this could be the winning score. | 0:42:00 | 0:42:07 | |
Well, it's no secret to the teams that we have had some disgraceful results today, | 0:42:13 | 0:42:18 | |
-but do you know any specifics? Have you been talking to one another at all? -No. | 0:42:18 | 0:42:23 | |
Absolutely not. Well, there are some whopping losses about and the team with marginally more losses, | 0:42:23 | 0:42:29 | |
and there is only £5 between the two teams today. It happens to be...the runners-up, the Reds. | 0:42:29 | 0:42:37 | |
No! | 0:42:37 | 0:42:39 | |
Minus £85, which by today's standards is not a bad score, I have to say. | 0:42:41 | 0:42:47 | |
But the victors today who have won by only losing £80 are the Blues. | 0:42:47 | 0:42:52 | |
Congratulations, I bet they look pleased about it. | 0:42:52 | 0:42:56 | |
I do not propose to go through the scores - they are all so appalling. | 0:42:56 | 0:43:00 | |
I'll ask the question, though, have you had a nice time? | 0:43:00 | 0:43:03 | |
-Brilliant. -Have you had a nice time? -Fab. -We've all had a great time, | 0:43:03 | 0:43:06 | |
-so join us soon for some more Bargain Hunting, yes? -Yes! | 0:43:06 | 0:43:11 |