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Three items to find, two teams, one hour! | 0:00:04 | 0:00:06 | |
Let's go Bargain Hunting! | 0:00:06 | 0:00:10 | |
Today, our teams get to stroll in the grounds of Kedleston Hall | 0:00:32 | 0:00:36 | |
at Jaguar Fairs Antiques in the Park. | 0:00:36 | 0:00:39 | |
There's plenty to choose from, yes? Well, here's what's coming up. | 0:00:40 | 0:00:44 | |
Musical brothers Richard and Adrian | 0:00:45 | 0:00:48 | |
decide to try before they buy! | 0:00:48 | 0:00:50 | |
FLAT NOTE | 0:00:50 | 0:00:52 | |
Do that! | 0:00:52 | 0:00:53 | |
But are they in tune with the bidders? | 0:00:53 | 0:00:56 | |
-£10. -Woops! | 0:00:56 | 0:00:59 | |
The blues, Suzanne and Siobhan, can sure dish out rejection! | 0:01:00 | 0:01:04 | |
-What do you think about those two chaps? -They're hideous! | 0:01:04 | 0:01:07 | |
-Not impressed, are you? -No! | 0:01:07 | 0:01:09 | |
-£40. -But can they take it? | 0:01:09 | 0:01:11 | |
I don't like the look of this. This is getting worse! | 0:01:11 | 0:01:14 | |
Once our red and blue teams have blown their £300 budget, | 0:01:15 | 0:01:20 | |
they head off to auction | 0:01:20 | 0:01:22 | |
and the team that wins is the team that makes the most profit. | 0:01:22 | 0:01:25 | |
Now, let's go and meet 'em! | 0:01:25 | 0:01:29 | |
You guys, you're both incredibly musical. | 0:01:31 | 0:01:33 | |
-Yes? -Yep. -Yep. -What do you get up to, Richard? | 0:01:33 | 0:01:36 | |
I primarily hire out chamber organs that I've made myself. | 0:01:36 | 0:01:41 | |
And I tune harpsichords as well. | 0:01:41 | 0:01:43 | |
-Do you deliver them? -I deliver them, tune them, | 0:01:43 | 0:01:46 | |
and take them away again at the end. | 0:01:46 | 0:01:48 | |
-Do you collect instruments as well as make them? -I have a collection of South American instruments | 0:01:48 | 0:01:54 | |
which I acquired on a trip to South America. | 0:01:54 | 0:01:57 | |
What sort of things? | 0:01:57 | 0:01:59 | |
I've got a tarango | 0:01:59 | 0:02:01 | |
-and various percussive instruments such as braces with llama toe-nails! -Oh, my Lord! | 0:02:01 | 0:02:08 | |
What did the llama think about their toe-nails being used? | 0:02:08 | 0:02:11 | |
-I didn't ask them, actually! -No. -No. | 0:02:11 | 0:02:14 | |
Now, your younger brother, Adrian, works in the music industry too, right? | 0:02:14 | 0:02:19 | |
Yes, I'm an organist and piano teacher. | 0:02:19 | 0:02:22 | |
-The organ is a wonderful instrument. -It is, yes. | 0:02:22 | 0:02:26 | |
-Something you can seriously get gutsy with! -You can make an awful lot of noise! | 0:02:26 | 0:02:31 | |
An AWFUL lot of noise! | 0:02:31 | 0:02:33 | |
-And you ring the bells? -Yes, I'm a bell-ringer, too, | 0:02:33 | 0:02:36 | |
at one of the churches in Leamington, where I live. | 0:02:36 | 0:02:39 | |
It can be quite a dangerous business, bell-ringing? | 0:02:39 | 0:02:42 | |
If you don't know what you're doing, yes. | 0:02:42 | 0:02:45 | |
If the rope decides to fly away. | 0:02:45 | 0:02:48 | |
Fly away and it's tangled round your ankle at the time! | 0:02:48 | 0:02:51 | |
-Or your neck! -Or your neck! | 0:02:51 | 0:02:52 | |
You'd sure know about it! | 0:02:52 | 0:02:55 | |
What do you enjoy collecting? | 0:02:55 | 0:02:57 | |
I've been collecting Archibald Knox pewterware for a couple of years. | 0:02:57 | 0:03:02 | |
Good area, that. | 0:03:02 | 0:03:04 | |
-Have you got any enamelled pieces? -No, I haven't. | 0:03:04 | 0:03:07 | |
They're the kind of Holy Grail, aren't they? If you can come across a piece like that. | 0:03:07 | 0:03:12 | |
We've got some incredible talent here on the reds today, I must say! | 0:03:12 | 0:03:16 | |
Suzanne, you've got Siobhan, lovely Siobhan. Any other children? | 0:03:16 | 0:03:21 | |
Three more. Jeff, Corisand and Charlie. | 0:03:21 | 0:03:24 | |
-Corisand. That's an unusual name. -Isn't it? Yes. | 0:03:24 | 0:03:28 | |
-Siobhan, you've got a baby. -I have. -What's he called? | 0:03:28 | 0:03:31 | |
-Little Sam. -How old is he? | 0:03:31 | 0:03:32 | |
-He's 14 months. -So he won't necessarily be watching you today? | 0:03:32 | 0:03:37 | |
-Not today, no. -No, quite. | 0:03:37 | 0:03:39 | |
Suzanne, apart from being a full-time mother, what else do you do? | 0:03:39 | 0:03:43 | |
I'm a receptionist at a very large college for 14 to 19-year-olds. | 0:03:43 | 0:03:48 | |
-I should think they're a nightmare! -No, they're wonderful! -Oh, good! | 0:03:48 | 0:03:52 | |
-What sort of things do you have to do? -I deal with the sick ones, the crying ones, the upset ones! | 0:03:52 | 0:03:57 | |
The ones that have lost things. And that's just the teachers! | 0:03:57 | 0:04:01 | |
I love it! Now, Siobhan, are you loving being a mother? | 0:04:01 | 0:04:06 | |
Yes, I love it to bits. Really happy. | 0:04:06 | 0:04:08 | |
-What do you do when you're not looking after Sam? -I work from home. | 0:04:08 | 0:04:12 | |
I work for a car dealership and make customer service calls from home. | 0:04:12 | 0:04:18 | |
-Yes? -I get to make sure they're happy with their cars. -And are most of them? -Yes. | 0:04:18 | 0:04:24 | |
The majority. We get the odd one, but the vast majority are happy. | 0:04:24 | 0:04:28 | |
-Which is good. -I have to say that! -Yes! | 0:04:28 | 0:04:31 | |
-You're particularly fond of Italy and Rome. -A very special place for me, yes. | 0:04:31 | 0:04:37 | |
-My husband took me there and that's where he proposed. -Did he really? | 0:04:37 | 0:04:40 | |
-At the Trevi fountain. -Is he quite a romantico man? | 0:04:40 | 0:04:44 | |
He likes to be. Likes to think he is. | 0:04:44 | 0:04:46 | |
Instead of pulling a coin out of his pocket to throw into the fountain, | 0:04:46 | 0:04:50 | |
he pulled out my ring and asked me then. | 0:04:50 | 0:04:54 | |
-Pretty gooey stuff. -Gorgeous, isn't it? | 0:04:54 | 0:04:56 | |
On that happy note, all I'm going to pull out of my pocket | 0:04:56 | 0:05:00 | |
is £300 apiece. There you go. £300. That's your money for today. | 0:05:00 | 0:05:04 | |
-You're happy with that? -I am. -Yes. | 0:05:04 | 0:05:06 | |
You know the rules. Your experts await. Off you go! | 0:05:06 | 0:05:09 | |
Very, very good luck! | 0:05:09 | 0:05:11 | |
Anita Manning has the job of conducting the reds. | 0:05:13 | 0:05:16 | |
And Nick Hall is marching off with the blues. | 0:05:16 | 0:05:20 | |
What's on the shopping list? | 0:05:22 | 0:05:24 | |
-We're looking for musical instruments? -Yes. | 0:05:24 | 0:05:26 | |
We thought perhaps glass, some quality ceramics. | 0:05:26 | 0:05:30 | |
-We just want nice things. Perhaps a bit of silver. -I like silver. | 0:05:30 | 0:05:34 | |
-Quality. -Yeah. -We're looking for quality. | 0:05:34 | 0:05:36 | |
Something quirky, perhaps? | 0:05:36 | 0:05:38 | |
So that narrows it down, then! | 0:05:38 | 0:05:39 | |
-Shall we look in here? -Yes. | 0:05:39 | 0:05:41 | |
£225! | 0:05:43 | 0:05:45 | |
-Bit out of our budget! -Yeah. | 0:05:45 | 0:05:48 | |
We're open-minded. Pieces like Lalique always catch my eye. | 0:05:51 | 0:05:56 | |
That doesn't look like Lalique. | 0:05:57 | 0:05:59 | |
The quality of the print. | 0:05:59 | 0:06:01 | |
-It's a commemorative decanter. Copeland Spode made many of that type of item. -Right. | 0:06:01 | 0:06:08 | |
This is commemorating the coronation of George V and Queen Mary. | 0:06:08 | 0:06:13 | |
We have these embossed flags | 0:06:13 | 0:06:16 | |
with King George and Queen Mary on. | 0:06:16 | 0:06:21 | |
I like the decanter lid. | 0:06:21 | 0:06:23 | |
That little crown is in good condition. | 0:06:23 | 0:06:26 | |
-There are no chips or breaks... -Absolutely perfect. -..on the rim. | 0:06:26 | 0:06:33 | |
It fits. That's the correct lid for the decanter. | 0:06:33 | 0:06:37 | |
And if we look underneath we have Copeland Spode. | 0:06:37 | 0:06:42 | |
A good factory. So it's of some quality. | 0:06:42 | 0:06:45 | |
But the thing is, look at the price there. | 0:06:45 | 0:06:48 | |
That's a good price. That's a good price. | 0:06:48 | 0:06:52 | |
-Do you think at £28 we're in with a chance? -I think at £28, you are. | 0:06:52 | 0:06:58 | |
You could try to get something off that. | 0:06:58 | 0:07:01 | |
It's leaving us plenty of money for something else. | 0:07:01 | 0:07:06 | |
-I don't think that you'll lose on that. -That would be good. | 0:07:06 | 0:07:10 | |
But you've got to try and pull it down a wee bit. | 0:07:10 | 0:07:12 | |
Can you do that? | 0:07:12 | 0:07:14 | |
Who's wanting to bargain? | 0:07:15 | 0:07:18 | |
On you go. On you go! | 0:07:19 | 0:07:21 | |
-I like it. -You both like it? -Yes. | 0:07:24 | 0:07:26 | |
If it doesn't sell, we'll just have a game ourselves! | 0:07:26 | 0:07:30 | |
I don't think that's a winning tactic! Right, | 0:07:30 | 0:07:33 | |
back to Adrian. | 0:07:33 | 0:07:35 | |
-How did you get on? -I had a word and he can do it for 22. | 0:07:35 | 0:07:38 | |
-Well done! -It's a good price. -Yeah. -That's good. | 0:07:38 | 0:07:41 | |
I know you wanted to spend money but I think it's quite a good idea | 0:07:41 | 0:07:46 | |
tactically, to get one in the bag really quite quickly | 0:07:46 | 0:07:50 | |
and to get something that's not a huge price. | 0:07:50 | 0:07:53 | |
-I think we have a chance of making a profit on that. -OK. | 0:07:53 | 0:07:56 | |
So that sure is one in the bag for the reds. You're playing catch-up, girls! | 0:07:57 | 0:08:03 | |
They're cute. | 0:08:04 | 0:08:07 | |
And useful. Do you want to have a look? | 0:08:07 | 0:08:09 | |
Is the anchor Birmingham? | 0:08:09 | 0:08:11 | |
Absolutely spot on. You've done your homework! | 0:08:11 | 0:08:14 | |
And also the lion. Is that for Britain? | 0:08:14 | 0:08:17 | |
The lion is interesting. It's called the lion passant. | 0:08:17 | 0:08:20 | |
That's the way the lion stands. | 0:08:20 | 0:08:23 | |
That tells you it is English standard silver. It's been assayed by an English assay office | 0:08:23 | 0:08:29 | |
and it's up to our standard of silver. | 0:08:29 | 0:08:31 | |
As you say, the anchor is the Birmingham assay office. | 0:08:31 | 0:08:34 | |
These are made in a style much earlier than when they were actually made. | 0:08:34 | 0:08:39 | |
A classic 18th-century Georgian look, but these were made around the First War, that period. | 0:08:39 | 0:08:45 | |
-OK. -So in their day they were reproductions, though they're old now. | 0:08:45 | 0:08:49 | |
-But they're nice things. -They look a bit dented here. | 0:08:49 | 0:08:52 | |
-A little bit. -Is that bad? -Not really, no. | 0:08:52 | 0:08:55 | |
It's such a soft metal anyway, it can easily be knocked about. | 0:08:55 | 0:08:59 | |
But that is so insignificant it wouldn't make any difference to a collector. | 0:08:59 | 0:09:04 | |
-What price is on them? -They're looking at 145 for the pair. | 0:09:04 | 0:09:09 | |
Ooh! That's a bit rich, isn't it? | 0:09:09 | 0:09:11 | |
-It's not too bad, actually. -There's two. -For the pair. | 0:09:11 | 0:09:15 | |
They're quite sweet little things. | 0:09:15 | 0:09:17 | |
If we could get it down a bit more on that, I think we'd be OK. | 0:09:17 | 0:09:22 | |
What about at auction? How would they go? | 0:09:22 | 0:09:24 | |
-I think they'll make 100 to £150. -Really? -I'm pretty sure they do. | 0:09:24 | 0:09:29 | |
-I think we all like these, don't we? -Yes. | 0:09:29 | 0:09:32 | |
-Yes. -Do you not? -Well, we wanted a bit of silver. -Yes. | 0:09:32 | 0:09:36 | |
Let's have a chat to the dealer and see what we can do on price. | 0:09:36 | 0:09:40 | |
Maybe you could charm him down a bit. Get him down to 100 quid. | 0:09:40 | 0:09:43 | |
-Right. -See what he says. | 0:09:43 | 0:09:45 | |
-Go and have a look. See what he says. -Let's go and find him. | 0:09:45 | 0:09:49 | |
Are these girls finally going to buy something? | 0:09:50 | 0:09:53 | |
-How did you get on? -The lovely gentleman let us have them for 95. | 0:09:53 | 0:09:57 | |
-Well done! -I'm really pleased with those. | 0:09:57 | 0:10:00 | |
So, one lot down. £95 gone. | 0:10:00 | 0:10:03 | |
-Two to go. Ten to 15 minutes we've used up. -We're doing well. | 0:10:03 | 0:10:07 | |
Fantastic job. Well done, girls. Come on. | 0:10:07 | 0:10:09 | |
Yes, you go and pat all of yourselves on the back. Bravo! | 0:10:09 | 0:10:13 | |
-I really like this piece. -Isn't that beautiful? | 0:10:14 | 0:10:17 | |
That's wonderful. It's got a translucent quality. | 0:10:17 | 0:10:21 | |
Wow! Three-dimensional... | 0:10:21 | 0:10:25 | |
-What do you think, Anita? -I think it's absolutely beautiful. | 0:10:25 | 0:10:28 | |
-It looks like Lalique. It LOOKS like it. -That's what caught my eye. | 0:10:28 | 0:10:32 | |
Avesn. Avesn worked with Lalique | 0:10:32 | 0:10:37 | |
at one point and went on to Daum. | 0:10:37 | 0:10:39 | |
So we see the Lalique influence. | 0:10:39 | 0:10:43 | |
We have this wonderful opalescent glass | 0:10:43 | 0:10:46 | |
with these stylised swallows | 0:10:46 | 0:10:49 | |
swooping into the centre section here. Look at the work. | 0:10:49 | 0:10:54 | |
-The quality of this plate is wonderful. -Really sharp. | 0:10:54 | 0:10:57 | |
The quality is good. | 0:10:57 | 0:10:59 | |
A good weight. Good colour. | 0:10:59 | 0:11:02 | |
-Beautiful design. I think this is a lovely, lovely piece. -Mm-hmm. | 0:11:02 | 0:11:06 | |
-What do you think? -I think it's absolutely wonderful. | 0:11:06 | 0:11:10 | |
It's really chunky. | 0:11:10 | 0:11:14 | |
-It feels good. -It feels good. | 0:11:14 | 0:11:16 | |
Feels good. And it is period. It is from the 1930s. | 0:11:16 | 0:11:20 | |
From the '30s. | 0:11:20 | 0:11:22 | |
How much is it? | 0:11:22 | 0:11:24 | |
165. | 0:11:24 | 0:11:26 | |
165. | 0:11:26 | 0:11:27 | |
It will be fancied in the sale room. | 0:11:28 | 0:11:30 | |
They will recognise the quality of it. | 0:11:30 | 0:11:33 | |
-See what you can do to get the price down. -Right. | 0:11:33 | 0:11:36 | |
-I'll have a word with the stallholder and see what she can do. -Charm her! | 0:11:36 | 0:11:40 | |
Go for it, Lofty! | 0:11:40 | 0:11:41 | |
-What do you think about those two chaps? -Oh, goodness! Hideous! -Really? | 0:11:43 | 0:11:47 | |
-You're not impressed? -No! -You're not with me on this. | 0:11:47 | 0:11:50 | |
-No. -No, not that one! -Am I wasting my time? | 0:11:50 | 0:11:53 | |
-You are with those! -Shall we move on? | 0:11:53 | 0:11:55 | |
Hold on - you're forgetting something, girls. | 0:11:57 | 0:12:00 | |
Something a bit quirky, perhaps. | 0:12:00 | 0:12:02 | |
Just in case you'd forgotten! | 0:12:02 | 0:12:05 | |
I've had a word with the stallholder and she'll do it for 125. | 0:12:07 | 0:12:12 | |
That sounds good. | 0:12:12 | 0:12:13 | |
125 is a great price. | 0:12:13 | 0:12:16 | |
You've bought that bit of quality. | 0:12:16 | 0:12:18 | |
-I feel that's the case. -Well done. | 0:12:18 | 0:12:20 | |
-We're in with a chance of a profit. -Give her the money quick! | 0:12:20 | 0:12:24 | |
I feel quite stately here, sitting in the grounds of a stately home. | 0:12:32 | 0:12:36 | |
But what I'm sitting on, I promise you, you'd never have found in a house like that. | 0:12:36 | 0:12:42 | |
Why? Because this is | 0:12:42 | 0:12:44 | |
the arch-typical rustic peasant-style piece of furniture, the like of which | 0:12:44 | 0:12:51 | |
you wouldn't find in an Adam residence. | 0:12:51 | 0:12:54 | |
The style of this is Irish. | 0:12:54 | 0:12:56 | |
It looks as if it was made sometime between about 1750 and about 1850. | 0:12:56 | 0:13:03 | |
And it looks as right as rain. | 0:13:03 | 0:13:06 | |
This thing, as a rustic piece of furniture, is worth a cool £1,200. | 0:13:06 | 0:13:13 | |
How come the price is £129, then? | 0:13:13 | 0:13:18 | |
Because this is a reproduction. | 0:13:18 | 0:13:20 | |
Made by the Chinese. Look at this paint job. | 0:13:20 | 0:13:25 | |
Look at all this flaking and blistering and the cracked ure on here | 0:13:25 | 0:13:29 | |
that make you think that this thing is at least 150 years old. | 0:13:29 | 0:13:34 | |
But what it hasn't got is any wear or rot on the bottom of its feet. | 0:13:34 | 0:13:39 | |
That's pointer number one. | 0:13:39 | 0:13:42 | |
Because this thing stood on mud floors and old stone flags for a couple of hundred years. | 0:13:42 | 0:13:48 | |
And you don't get feet like that if you've been hanging around in those conditions. | 0:13:48 | 0:13:53 | |
So the old Chinese have got this wrong as a fake. | 0:13:53 | 0:13:57 | |
But it still works somehow. | 0:13:57 | 0:14:01 | |
It's got the look. | 0:14:01 | 0:14:02 | |
If you've got yourself a cottage in the Cotswolds or in the Peak District, | 0:14:02 | 0:14:08 | |
up here in Derbyshire and you want the right-looking little rustic seat, | 0:14:08 | 0:14:12 | |
at £129 I tell you this is a snip. | 0:14:12 | 0:14:18 | |
-Girls, look what I've seen shining like a beacon over there. -The lantern? | 0:14:26 | 0:14:30 | |
-The lantern. -It's beautiful. -It's lovely, yeah. | 0:14:30 | 0:14:34 | |
Is there any age to it at all, or does that not matter? | 0:14:34 | 0:14:37 | |
It doesn't matter enormously because it's such a great decorative item. | 0:14:37 | 0:14:43 | |
You've got cranberry glass, it's the original oil lamp. | 0:14:43 | 0:14:47 | |
You'd put the paraffin in there. That's the reservoir. | 0:14:47 | 0:14:50 | |
In the top you've got the glass chimney so all the fumes and smoke go up and out. | 0:14:50 | 0:14:56 | |
-But it would light all these fantastic pieces of coloured glass. -Lovely. | 0:14:56 | 0:15:01 | |
Originally these were made in the late 19th century | 0:15:01 | 0:15:05 | |
through to the Edwardian period. | 0:15:05 | 0:15:07 | |
This one might be slightly later, but not much. | 0:15:07 | 0:15:10 | |
It's in pretty fair condition. | 0:15:10 | 0:15:13 | |
-It's had one or two knocks. -It's a bit battered, but you'd expect it to be. | 0:15:13 | 0:15:18 | |
-Antiques are all about that lived-in look. -Exactly. | 0:15:18 | 0:15:21 | |
-It adds a bit of character. -None of the glass is broken. It's intact. | 0:15:21 | 0:15:25 | |
-It is really pretty. -I think that would do well at auction. | 0:15:25 | 0:15:29 | |
-Do you? -We don't know how much it is yet and I can't see a price on it. -No. | 0:15:29 | 0:15:33 | |
-I'll go and have a chat with the stallholder. -Yes. | 0:15:33 | 0:15:36 | |
-We'll leave this one to you! -Yes. -You're in my hands. | 0:15:36 | 0:15:40 | |
Yes, for this one. | 0:15:40 | 0:15:41 | |
Be quick, Nick. Half your time's gone already. | 0:15:41 | 0:15:44 | |
The lady will only take £200 for it as it is. | 0:15:44 | 0:15:48 | |
But what I suggested was, if we leave her with the oil lamp and the reservoir, | 0:15:48 | 0:15:55 | |
and we just take the shade, we can get that at 125. | 0:15:55 | 0:15:58 | |
She's got someone interested in the other part. | 0:15:58 | 0:16:01 | |
-Do you like it enough to do that? -Yes, I do. | 0:16:01 | 0:16:03 | |
-OK, yes. -Happy? -Yes. -I'll go and break the good news. -OK! | 0:16:03 | 0:16:07 | |
So the blues have got their second item. | 0:16:07 | 0:16:10 | |
Well - some of it! | 0:16:10 | 0:16:12 | |
Let's see if we can find a Stradivarius! | 0:16:15 | 0:16:19 | |
Good old reds, racing on. | 0:16:20 | 0:16:22 | |
Whoops! | 0:16:22 | 0:16:23 | |
Whoopsie! And the blues are... Oh, well, just having a chat! | 0:16:23 | 0:16:28 | |
-Nothing I would have thought of, but it's gorgeous. -Great find. | 0:16:28 | 0:16:31 | |
What are we looking for for our last lot? | 0:16:31 | 0:16:34 | |
-Um... -What do you fancy? | 0:16:34 | 0:16:36 | |
-You fancy a bit of pot or glass? -I do like pot and glass. | 0:16:36 | 0:16:39 | |
-Let's find you a nice bit of Italian glass. -Yes, that would be good. | 0:16:39 | 0:16:44 | |
The weird and wonderful! | 0:16:47 | 0:16:48 | |
Have you got any musical instruments? | 0:16:50 | 0:16:52 | |
We're looking to form a band, do a bit of busking! | 0:16:53 | 0:16:56 | |
Maracas? | 0:16:59 | 0:17:01 | |
The reds are going to be somewhere round this fair with their head in their hands like this! | 0:17:03 | 0:17:08 | |
Or marching on with a plan - unlike some! | 0:17:10 | 0:17:13 | |
Grumpy and Grumpier! | 0:17:13 | 0:17:15 | |
-Oh, love! -Good luck to them, anyway! -Yes! | 0:17:15 | 0:17:18 | |
A music stand. | 0:17:18 | 0:17:20 | |
We might find a Stradivarius. | 0:17:21 | 0:17:24 | |
-A-ha! -Is that a Stradivarius? | 0:17:26 | 0:17:27 | |
No, I think it's cheap Chinese, actually! | 0:17:30 | 0:17:33 | |
Put it down and let's go! | 0:17:33 | 0:17:35 | |
The trumpet could be a bit of fun. | 0:17:36 | 0:17:39 | |
Have those cunning girls got wind of the reds' plan? | 0:17:39 | 0:17:42 | |
Ooh, a trombone. | 0:17:42 | 0:17:45 | |
That looks rather nice. Pick it up and let's have a look. | 0:17:47 | 0:17:50 | |
It looks quite special, really, with the engraving. | 0:17:50 | 0:17:55 | |
-Do you think it works? -I'll have a go. | 0:17:55 | 0:17:58 | |
Yeah! | 0:17:58 | 0:17:59 | |
FLAT NOTE | 0:17:59 | 0:18:02 | |
Do that. Do that! | 0:18:02 | 0:18:04 | |
FLATTER NOTE | 0:18:04 | 0:18:07 | |
-Try again. -I'm better on the keyboard! | 0:18:07 | 0:18:09 | |
Better with beans! | 0:18:09 | 0:18:10 | |
-Spotted anything yet? -Not yet. | 0:18:10 | 0:18:13 | |
Less wind, more buying, please! | 0:18:15 | 0:18:17 | |
It could be good, it could be bad! | 0:18:17 | 0:18:19 | |
I think that's worth having a go at. | 0:18:19 | 0:18:22 | |
It's complete, it's in good condition. | 0:18:22 | 0:18:26 | |
-And this detail here. -That's very unusual, isn't it? | 0:18:26 | 0:18:30 | |
It also gives it a reasonable amount of edge. | 0:18:30 | 0:18:34 | |
From the look of it I would think that's 1910, 1920. | 0:18:34 | 0:18:40 | |
-It's got an inscription. -"Boosey & Co." | 0:18:40 | 0:18:43 | |
-Boosey before it became Boosey & Hawkes. -Boosey & Hawkes. | 0:18:43 | 0:18:46 | |
They're prestigious instrument makers. | 0:18:46 | 0:18:50 | |
I think we should have a very strong go at that. | 0:18:50 | 0:18:52 | |
-This is quite sweet. -That's nice. -It's unusual. | 0:18:58 | 0:19:00 | |
Lovely Italian stuff. It might not be Italian. | 0:19:00 | 0:19:03 | |
Would you believe it? That, to me, looks typically continental. | 0:19:05 | 0:19:08 | |
Could be Venice or somewhere. | 0:19:08 | 0:19:10 | |
Way-ho, made in England. | 0:19:10 | 0:19:12 | |
There you go! | 0:19:12 | 0:19:14 | |
Anita Harris. She designed for Poole Pottery. | 0:19:14 | 0:19:17 | |
She worked for Moorcroft as well. | 0:19:17 | 0:19:18 | |
-She's set up on her own in the last couple of years. -It's as modern as that? | 0:19:18 | 0:19:22 | |
Yeah. | 0:19:22 | 0:19:24 | |
We can have it for 45. | 0:19:24 | 0:19:26 | |
-I think we should go for it. -Yes, I feel 45 is the right price. -I'm happy to do that. | 0:19:27 | 0:19:31 | |
I think that's a good buy. | 0:19:31 | 0:19:34 | |
-Yes. -Great. -Happy with that. -Thank you! | 0:19:34 | 0:19:36 | |
Reds are home and dry. | 0:19:37 | 0:19:39 | |
So we've got the mark underneath which we've learned is Anita Harris. | 0:19:40 | 0:19:45 | |
-Yes. -Which is quite a good thing to have. | 0:19:45 | 0:19:48 | |
You always need the artist's monogram, signature or factory stamp. | 0:19:48 | 0:19:52 | |
-It's stylish as well. -Yeah. It stands out. | 0:19:52 | 0:19:54 | |
-Yes, it's very distinctive. -The colours work as well. | 0:19:54 | 0:19:57 | |
I see you're asking £45 on it. What would be your best? | 0:19:57 | 0:20:02 | |
The best would be 38. | 0:20:02 | 0:20:03 | |
-£38. -We'll do it for 35. | 0:20:03 | 0:20:07 | |
-£35 doesn't sound out of the way. -No. | 0:20:07 | 0:20:11 | |
-It looks European. -It's actually growing on me. | 0:20:11 | 0:20:14 | |
-I like a lot of the post-war design stuff, anyway. -I like this one. | 0:20:14 | 0:20:18 | |
-£35. Have you got your hand in your pocket? -I think we should. | 0:20:18 | 0:20:21 | |
-Buy it. -Thank you very much. -Thank you. | 0:20:21 | 0:20:24 | |
Time's up. I wonder if our teams' items are going to bomb today. | 0:20:24 | 0:20:28 | |
So, what's exploding into today's auction? | 0:20:30 | 0:20:34 | |
The brothers had a plan to start low spending only £22 on the Copeland Spode decanter. | 0:20:36 | 0:20:42 | |
Then splash out, paying £125 for the Art Deco plate. | 0:20:42 | 0:20:47 | |
And then...buy an old trombone | 0:20:48 | 0:20:51 | |
for 45 smackers. | 0:20:51 | 0:20:52 | |
Hmm. I feel a light shower of leftover lolly coming on! | 0:20:52 | 0:20:57 | |
Well, this has turned out rather nice, hasn't it? Anita, | 0:20:58 | 0:21:02 | |
-were they good, these boys? -We had a wonderful time. | 0:21:02 | 0:21:05 | |
They'd worked out the tactics beforehand. They wanted to buy quality | 0:21:05 | 0:21:10 | |
and that's exactly what they did. | 0:21:10 | 0:21:12 | |
-I'm pleased with them. They were wonderful! -I can feel the glow! | 0:21:12 | 0:21:16 | |
How much did you spend, boys? | 0:21:16 | 0:21:18 | |
-£192. -192. I'd like £108 of leftover lolly, please. | 0:21:18 | 0:21:23 | |
There we go. Hand it to one person, then hand it on to somebody more attractive. | 0:21:23 | 0:21:29 | |
-Anita, what are you going to do next? -I'm still going to keep with the quality. | 0:21:29 | 0:21:35 | |
I hope so, anyway. | 0:21:35 | 0:21:37 | |
I have to do that for them! They like nice things. | 0:21:37 | 0:21:41 | |
They like nice things. That's why they like you so much! Anyway! | 0:21:41 | 0:21:45 | |
On that happy note, why don't we check out what the blues bought? | 0:21:45 | 0:21:49 | |
The blues oozed charm to bag the bonbon dishes for £95. | 0:21:49 | 0:21:53 | |
They sealed a deal on the lamp at 125. | 0:21:56 | 0:22:00 | |
The girls then brought things bang up to date paying £35 for the modern studio vase. | 0:22:02 | 0:22:07 | |
Ah, the funds and the weather have dried up. | 0:22:08 | 0:22:11 | |
-Had a great time? -Yeah. -Loved it. | 0:22:11 | 0:22:13 | |
All shopped up. How much did you spend? | 0:22:13 | 0:22:15 | |
-255. -That is such a good number! 255. I love it. | 0:22:15 | 0:22:19 | |
I need £45 leftover. Which is your favourite piece? | 0:22:19 | 0:22:22 | |
-I like the vase the most. -Yeah? -Yep. | 0:22:22 | 0:22:25 | |
-Suzanne? -I like the vase, but also the silver dishes we bought. | 0:22:25 | 0:22:30 | |
Fine. You're ambidextrous. That's good! | 0:22:30 | 0:22:32 | |
-Please may I have the £45 of leftover lolly? -You may. | 0:22:32 | 0:22:35 | |
Thank you. That goes straight to Nicholas. | 0:22:35 | 0:22:38 | |
-It's not a lot of money. -Not huge, but it's a big fair. A lot of scope. | 0:22:38 | 0:22:42 | |
It is a big fair, isn't it? | 0:22:42 | 0:22:44 | |
Walk for four-and-a-half miles and not turn over one pot! | 0:22:44 | 0:22:48 | |
That's my experience. So I tell you, it's tough for the man. | 0:22:48 | 0:22:51 | |
Good luck, anyway. We're heading up the M1, and we're going to Barnsley. | 0:22:51 | 0:22:56 | |
This country pile, set in 70 acres of historic parkland | 0:23:00 | 0:23:04 | |
is called Cannon Hall. | 0:23:04 | 0:23:06 | |
It's home to a group of paintings collected by a local lad, | 0:23:06 | 0:23:11 | |
Victorian entrepreneur William Harvey. | 0:23:11 | 0:23:14 | |
Of his 54 pictures, | 0:23:20 | 0:23:23 | |
46 are Flemish, dating from the 17th century. | 0:23:23 | 0:23:28 | |
He particularly loved genre paintings from the Low Countries. | 0:23:28 | 0:23:32 | |
For example, | 0:23:32 | 0:23:34 | |
these two paintings by Gabriel Metsu sum up the best of Dutch and Flemish genre painting. | 0:23:34 | 0:23:43 | |
The top one is entitled The Music Lesson | 0:23:43 | 0:23:46 | |
and here we've got a rich Flemish matron | 0:23:46 | 0:23:51 | |
sitting in her Amsterdam house | 0:23:51 | 0:23:53 | |
about to receive her music teacher. | 0:23:53 | 0:23:56 | |
Rather like the central character in the movie The Girl With the Pearl Earring. | 0:23:56 | 0:24:01 | |
She's surrounded by all her luxurious possessions, | 0:24:01 | 0:24:06 | |
including, of course, the cello, lying on a carpet-wrapped table. | 0:24:06 | 0:24:12 | |
Down below, things get a little more raucous and bawdy. | 0:24:12 | 0:24:16 | |
And one of the endless fascinations for 17th-century Dutch artists | 0:24:16 | 0:24:22 | |
is the consumption of alcohol! | 0:24:22 | 0:24:25 | |
They just loved tavern scenes! | 0:24:25 | 0:24:28 | |
Here we've got a sportsman who's gone to his local tavern | 0:24:28 | 0:24:32 | |
and he has consumed a vast amount of alcohol. | 0:24:32 | 0:24:36 | |
So much so that he's slumped in a corner. | 0:24:36 | 0:24:40 | |
One of his stockings is descending. | 0:24:40 | 0:24:43 | |
His faithful hound is still looking on, | 0:24:43 | 0:24:47 | |
and standing to one side is the publican's wife, | 0:24:47 | 0:24:51 | |
removing yet another empty glass and carafe. | 0:24:51 | 0:24:54 | |
But behind his head - tee-hee-hee - | 0:24:54 | 0:24:58 | |
some fiend is coming through the shutters to remove the goose that he shot earlier | 0:24:58 | 0:25:03 | |
and is about to have a go, I suspect, at the pheasant down below! | 0:25:03 | 0:25:07 | |
But our Harvey didn't always get it right. | 0:25:09 | 0:25:11 | |
For example, with this charming picture on panel, | 0:25:13 | 0:25:18 | |
it says on the note underneath, "Rubens". | 0:25:18 | 0:25:21 | |
You'd think if you see a note like that, this is by the great master, Sir Peter Paul Rubens. | 0:25:21 | 0:25:27 | |
Actually, this delightful sketch of a young girl who's thought to be one of his eight children, | 0:25:27 | 0:25:35 | |
is probably by a later hand. | 0:25:35 | 0:25:38 | |
But at the time that William Harvey bought it, | 0:25:38 | 0:25:41 | |
he, no doubt, thought it was the genuine object. | 0:25:41 | 0:25:45 | |
I think it's just charming, don't you? | 0:25:45 | 0:25:48 | |
Such a different perspective on a child. | 0:25:48 | 0:25:52 | |
Just look at that soft and delicate string of poppets | 0:25:52 | 0:25:56 | |
around her neck. | 0:25:56 | 0:25:59 | |
But the collection includes some real surprises, little gems hidden away. | 0:25:59 | 0:26:04 | |
Like this portrait. It doesn't date from the 17th century, nor is it Flemish. | 0:26:04 | 0:26:11 | |
It's mid-18th century and painted by the famous British artist | 0:26:11 | 0:26:15 | |
William Hogarth. | 0:26:15 | 0:26:16 | |
Think The Rake's Progress. Think Marriage a-la-mode. | 0:26:16 | 0:26:21 | |
The artist that created those tremendous series of pictures | 0:26:21 | 0:26:26 | |
also painted this portrait. | 0:26:26 | 0:26:28 | |
It shows, in a very relaxed pose, | 0:26:28 | 0:26:32 | |
Frances, Lady Bowring, walking, nay, indeed, exercising her terrier in the park. | 0:26:32 | 0:26:39 | |
She's just deliciously teasing her glove. | 0:26:39 | 0:26:44 | |
The big question is, is she putting it on, or is she taking it off? | 0:26:44 | 0:26:49 | |
Let's hope it'll be gloves off for our teams today | 0:26:49 | 0:26:53 | |
over at the auction! | 0:26:53 | 0:26:55 | |
We've trotted out of Derbyshire, gone over the M1 | 0:27:04 | 0:27:07 | |
and headed to the south-east, all the way to Market Harborough to be with Mark Gilding | 0:27:07 | 0:27:12 | |
-at Gilding's Auctioneers. Hi, Mark. -Good morning! -Lovely to be here. | 0:27:12 | 0:27:16 | |
Now, for a kick-off, Richard and Adrian bought this commemorative decanter. | 0:27:16 | 0:27:21 | |
-Yes. -Light your fire? | 0:27:21 | 0:27:24 | |
I'm not into commemorative myself, but it's a good example. | 0:27:24 | 0:27:27 | |
Absolutely. In a Georgian mallet form, old-fashioned form of decanter, | 0:27:27 | 0:27:33 | |
but to make it in a sort of stoneware thing, I think it's got wheels, this. | 0:27:33 | 0:27:38 | |
Yes, it's nice and in good order as well. | 0:27:38 | 0:27:41 | |
-What's your estimate? -30 to 40. | 0:27:41 | 0:27:42 | |
Good. £22 paid. That's a good start. Secondly, | 0:27:42 | 0:27:46 | |
we've got an unpronounceable glassmaker's made this Deco swallow or... | 0:27:46 | 0:27:53 | |
-Swallows. -Are they? -Yes. Known as the swallow pattern. | 0:27:53 | 0:27:56 | |
Right! | 0:27:56 | 0:27:58 | |
This is by P. D'Avesn. Pierre D'Avesn. | 0:27:58 | 0:28:03 | |
French. Used to work for Lalique and Daum. | 0:28:03 | 0:28:06 | |
-So it's a known glassmaker. That's great. -And a known pattern. | 0:28:06 | 0:28:10 | |
What do you think it's worth? | 0:28:10 | 0:28:13 | |
About £100. 80 to 120. | 0:28:13 | 0:28:15 | |
They paid 125. They paid the retail price, didn't they? | 0:28:15 | 0:28:19 | |
Yes, but it's a good-looking bit of glass and we may get to top estimate. | 0:28:19 | 0:28:24 | |
Right. They need to get there and further. | 0:28:24 | 0:28:27 | |
If they're going to make a profit. | 0:28:27 | 0:28:30 | |
Good luck with that. | 0:28:30 | 0:28:31 | |
And lastly, the Boosey & Co trombone. | 0:28:31 | 0:28:35 | |
Coming to auction to find musical instruments is a good idea. | 0:28:35 | 0:28:40 | |
-A brilliant idea. -It's a place where they're traded at a fraction of the new price. | 0:28:40 | 0:28:46 | |
Yes, as long as the buyers are prepared to put in a bit of effort | 0:28:46 | 0:28:51 | |
to find the models and makers they like | 0:28:51 | 0:28:54 | |
and check the condition of it. | 0:28:54 | 0:28:56 | |
What's this worth, then? Are we going to hit the high notes, Mark? | 0:28:56 | 0:29:00 | |
-I don't think so. 30, maybe £40. -Hardly any notes at all! -No. -No? | 0:29:00 | 0:29:04 | |
£45 they paid. | 0:29:04 | 0:29:06 | |
-Again, it could be a struggle, couldn't it? -Yes. | 0:29:06 | 0:29:09 | |
This could all go very, very flat! | 0:29:09 | 0:29:12 | |
Now, let's have a look at their bonus buy! | 0:29:12 | 0:29:15 | |
You spent 192. You gave Anita £108. What did she buy? Anita? | 0:29:16 | 0:29:22 | |
Well, I know these chaps like quality | 0:29:22 | 0:29:25 | |
so I bought this very bonny little Royal Worcester blush ivory vase. | 0:29:25 | 0:29:32 | |
What do you think, chaps? | 0:29:32 | 0:29:34 | |
-It looks really nice. Is it hand-painted? -Hand-painted. -Yes. | 0:29:34 | 0:29:38 | |
-What sort of age? -Turn of the century. -Right. | 0:29:38 | 0:29:42 | |
Late 19th century. | 0:29:42 | 0:29:44 | |
It's really nice. I like it. | 0:29:47 | 0:29:48 | |
-Do you like it? -It's so pretty. | 0:29:48 | 0:29:51 | |
-How much did it cost? -The important question! | 0:29:51 | 0:29:54 | |
£75. | 0:29:54 | 0:29:56 | |
-Do you see a profit in it? -Yes. | 0:29:56 | 0:29:58 | |
Might struggle to go to 100, but I hope to get at least £80 for that. | 0:29:58 | 0:30:02 | |
Right. | 0:30:02 | 0:30:04 | |
Perhaps 85. 90. | 0:30:04 | 0:30:06 | |
OK. I'm happy with that. | 0:30:06 | 0:30:07 | |
-Yes. -Do you like it? -It's a good bonus buy. | 0:30:07 | 0:30:10 | |
Well done, Anita. You've got two satisfied brothers here. | 0:30:10 | 0:30:15 | |
For the audience at home, let's find out what the auctioneer thinks of Anita's vase. | 0:30:15 | 0:30:20 | |
-So, Mark, there's a familiar subject for you. -Yes. Worcester blush. | 0:30:21 | 0:30:27 | |
Obviously Worcester. | 0:30:27 | 0:30:28 | |
Quite nicely painted, but something's missing from the top. | 0:30:28 | 0:30:32 | |
Either an inner liner or outer cover or both. Something's missing. | 0:30:32 | 0:30:37 | |
But it is what it is. | 0:30:37 | 0:30:39 | |
It is what it is. Pretty standard object. | 0:30:39 | 0:30:42 | |
Someone may have a cover that goes with this particular model. | 0:30:42 | 0:30:46 | |
-That would be a happy day! -It would! -The optimistic auctioneer! | 0:30:46 | 0:30:50 | |
So, how much for this, Mark? | 0:30:50 | 0:30:52 | |
-60 to 80. -Brilliant. | 0:30:52 | 0:30:54 | |
Anita paid £75 for it for her bonus buy. So that's about right. | 0:30:54 | 0:30:58 | |
OK. That's it for the reds. Now for the blues. | 0:30:58 | 0:31:02 | |
Their first item are the little footed tasters. | 0:31:02 | 0:31:06 | |
Good sellers, usually, those little sweetmeat jobs. | 0:31:06 | 0:31:10 | |
-Yes, they're nice bits of silver. -Yes. | 0:31:10 | 0:31:12 | |
A little bit worn, but otherwise in good order. | 0:31:12 | 0:31:15 | |
How much? | 0:31:15 | 0:31:17 | |
-50 to 70. -Really? | 0:31:17 | 0:31:19 | |
£95 they paid. They've torpedoed their chances with that! | 0:31:19 | 0:31:23 | |
-I think so. -You never know, though. Next, | 0:31:23 | 0:31:26 | |
is the hall lantern. These were very good sellers at one time. | 0:31:26 | 0:31:31 | |
-Yes, they were. -Every Victorian house-owner had to have at least two of these in the entrance hall! | 0:31:31 | 0:31:36 | |
-How do you rate it now? -I think we've got a chance of making close to 100. | 0:31:36 | 0:31:41 | |
-My assessment is 70 to £100. -They paid £125. I fancy a tad too much. | 0:31:41 | 0:31:47 | |
-I think so. -So that's two times too much money so far! | 0:31:47 | 0:31:52 | |
And their third item, the contemporary studio vase. | 0:31:52 | 0:31:56 | |
Is this quite avant-garde for Market Harborough or not? | 0:31:56 | 0:32:01 | |
-You can still buy these on the internet! -Brand-new?! -Yes, brand-new. | 0:32:01 | 0:32:05 | |
-Hot out of the kiln. -Hot out of the kiln by Anita Harris. | 0:32:05 | 0:32:09 | |
They've got a team of people working on these things. | 0:32:09 | 0:32:12 | |
It's Amsterdam pattern. Not a bad-looking thing, | 0:32:12 | 0:32:16 | |
-but I think it's a struggle. 20 to £30. -Is that your estimate? -It is. | 0:32:16 | 0:32:20 | |
They paid £35, you see. | 0:32:20 | 0:32:22 | |
So, all three of our contestants' items are billed as being too expensive. | 0:32:22 | 0:32:28 | |
Which means only one thing. | 0:32:28 | 0:32:29 | |
They've only got the bonus buy to look forward to! | 0:32:29 | 0:32:32 | |
Now, Suzanne and Siobhan, you spent £255. | 0:32:33 | 0:32:37 | |
You gave Nicholas £45 to spend on the bonus buy. | 0:32:37 | 0:32:40 | |
It's beautifully presented here, I fancy, | 0:32:40 | 0:32:43 | |
and you can take the rag off! | 0:32:43 | 0:32:45 | |
-I feel a bit like a magician! -Abracadabra, then! | 0:32:45 | 0:32:48 | |
-Are you ready? -I don't know! | 0:32:48 | 0:32:51 | |
Oh, my God! | 0:32:51 | 0:32:53 | |
Now, they are house-trained! I checked. | 0:32:53 | 0:32:56 | |
-Why are we not surprised? -What's your initial reaction? | 0:32:56 | 0:33:00 | |
Wow. Yes. | 0:33:00 | 0:33:02 | |
-Are you doggy people? Do you like dogs? -Cats. -We're cats. | 0:33:02 | 0:33:06 | |
-Very architectural, very decorative. -Indeed. | 0:33:06 | 0:33:09 | |
-How much? -Well, you gave me £45 and I blew the budget. | 0:33:09 | 0:33:15 | |
-Did you? -It was £45. -OK. | 0:33:15 | 0:33:18 | |
I must point out it's not an original. It's a modern pastiche. | 0:33:18 | 0:33:22 | |
The style is classic Art Deco, 1930s. | 0:33:22 | 0:33:24 | |
Russian hunting dogs, Borzois. But it's a modern version. Hence £45. | 0:33:24 | 0:33:30 | |
-Not thousands. -OK. | 0:33:30 | 0:33:32 | |
It might make 50, 60. It might make 30 or 40. That's the gamble. | 0:33:32 | 0:33:36 | |
-Definite maybes. -Yeah. -Yeah. | 0:33:36 | 0:33:38 | |
I think you got half a hit there, Nick. | 0:33:38 | 0:33:41 | |
For the audience at home, let's see what the auctioneer thinks about Nick's dogs. | 0:33:41 | 0:33:46 | |
There you go, Mark. Bet you haven't seen any like these before, have you? | 0:33:47 | 0:33:52 | |
Only yesterday, Tim! | 0:33:52 | 0:33:54 | |
Oh. Really? | 0:33:54 | 0:33:55 | |
Yes, we see lots of these. | 0:33:55 | 0:33:57 | |
Cast concrete. Coloured concrete that's then been patinated | 0:33:57 | 0:34:02 | |
with this colour to make it look as if it's been sitting in a garden | 0:34:02 | 0:34:07 | |
with all that acid rain from the Industrial Revolution pouring over these dogs for a century! | 0:34:07 | 0:34:14 | |
-Yes. -And actually, they came from Taiwan in a container last week! -That's it. | 0:34:14 | 0:34:19 | |
We've got that cracked, then! Lovely! What are they worth by the gross? | 0:34:19 | 0:34:25 | |
-30 to 40. -Really? -Yes. | 0:34:25 | 0:34:26 | |
£45 paid. | 0:34:26 | 0:34:28 | |
-Oh, dear. -Oh, dear! Still, they may not take the bonus buy. | 0:34:28 | 0:34:32 | |
-Are you taking the sale today? -I am. -We're in safe hands! | 0:34:32 | 0:34:36 | |
-Guys, how are you feeling? -A bit nervous. | 0:34:43 | 0:34:48 | |
We keep thinking, "Have we paid too much?" You know. | 0:34:48 | 0:34:53 | |
"Are we going to make anything?" | 0:34:53 | 0:34:55 | |
I know. You've waited long enough for this. | 0:34:55 | 0:34:57 | |
So the agony will soon be over. | 0:34:57 | 0:34:59 | |
First item is your commemorative decanter. Here it comes. | 0:34:59 | 0:35:03 | |
A Copeland Spode decanter. | 0:35:03 | 0:35:05 | |
Bidding here opened at £10. | 0:35:05 | 0:35:07 | |
Decanter at £10. £12. 15. | 0:35:07 | 0:35:10 | |
18. 20. | 0:35:10 | 0:35:12 | |
-22. 25. -Yes! -Yes. -25. | 0:35:12 | 0:35:15 | |
At £25 I'm bid. At 25. 28 I'll take. 28. | 0:35:15 | 0:35:20 | |
New bid at 28. 30 now. At £30. | 0:35:20 | 0:35:22 | |
He's shaking his head. It's £30. At 32 do I see? | 0:35:22 | 0:35:25 | |
It's £30. I will sell at £30. | 0:35:25 | 0:35:28 | |
-Yes! -£30. -Well done! | 0:35:29 | 0:35:32 | |
-Well done! -Plus eight is lovely. | 0:35:32 | 0:35:34 | |
A French moulded glass charger. | 0:35:34 | 0:35:36 | |
-Look at this! -With swallows. Lots of interest here. | 0:35:36 | 0:35:39 | |
I'll start the bidding at £60. | 0:35:39 | 0:35:42 | |
60 I'm bid on the book. At £60. Five. | 0:35:42 | 0:35:44 | |
70. Five. | 0:35:44 | 0:35:46 | |
80. | 0:35:46 | 0:35:48 | |
90 we're now into. At 90. | 0:35:50 | 0:35:52 | |
-More! -Five I'll take. At £90. Phone and e-bidding. £90. | 0:35:52 | 0:35:55 | |
95. At 95 I'm bid. | 0:35:55 | 0:35:58 | |
100 I'll take. 100, now. At 100. | 0:35:58 | 0:36:01 | |
100 bid. 110. | 0:36:01 | 0:36:02 | |
£110 bid. | 0:36:02 | 0:36:04 | |
-120. -Yes! | 0:36:04 | 0:36:06 | |
130. | 0:36:06 | 0:36:08 | |
140. | 0:36:08 | 0:36:10 | |
-Here we go. -Yes! | 0:36:10 | 0:36:11 | |
150. | 0:36:11 | 0:36:12 | |
160. | 0:36:14 | 0:36:15 | |
170. | 0:36:15 | 0:36:18 | |
-180. -Yes! | 0:36:18 | 0:36:20 | |
-190. -Yes! | 0:36:20 | 0:36:22 | |
-200. -200! | 0:36:23 | 0:36:25 | |
£200. The telephone's out, then. | 0:36:26 | 0:36:28 | |
With the internet at 200 and will sell. All out? | 0:36:28 | 0:36:30 | |
One last look at £200. And selling. | 0:36:30 | 0:36:34 | |
-Yes! -Yes! -Well done! | 0:36:34 | 0:36:35 | |
-£200. -Yes! -Thank you very much! | 0:36:35 | 0:36:38 | |
-Plus 75. -That was excellent! | 0:36:38 | 0:36:40 | |
Lovely! | 0:36:40 | 0:36:42 | |
And 67. A Boosey & Co silver-plated trombone. | 0:36:42 | 0:36:45 | |
A Vector model, Class A. | 0:36:45 | 0:36:49 | |
£10? 10. 12. 15. | 0:36:49 | 0:36:52 | |
18. 18 I'm bid. At 18. 20 I'll take. It's £18. | 0:36:52 | 0:36:56 | |
18 I'm bid. Here to be sold. 20, new bidding. | 0:36:56 | 0:36:59 | |
22. £22. Still at 22. Five I'll take at 22. | 0:36:59 | 0:37:03 | |
At £22, the trombone. I will sell. | 0:37:03 | 0:37:05 | |
At £22. | 0:37:05 | 0:37:07 | |
-£22. -What a shame! -That is a shame. | 0:37:08 | 0:37:11 | |
It's minus 23. | 0:37:11 | 0:37:13 | |
Which means you are plus £60 at the end of that score. | 0:37:13 | 0:37:17 | |
Which ain't half bad! | 0:37:17 | 0:37:19 | |
Be very careful. Be very careful. You're up well. | 0:37:19 | 0:37:25 | |
Be very careful. | 0:37:25 | 0:37:27 | |
We're inclined not to go with the bonus buy. | 0:37:27 | 0:37:30 | |
-I'd say no. -No?! | 0:37:30 | 0:37:33 | |
It's no. It's a nice item, | 0:37:33 | 0:37:35 | |
-but I think it's... -No?! | 0:37:35 | 0:37:39 | |
I think it's pushing the limits! | 0:37:39 | 0:37:42 | |
Right! | 0:37:42 | 0:37:43 | |
We have no bonus buy. But we're going to sell it anyway. Here it is. | 0:37:43 | 0:37:47 | |
The Royal Worcester ivory ground vase, nicely painted with flowers. | 0:37:47 | 0:37:51 | |
Bidding starts at 30. 35 with me. At 35. | 0:37:51 | 0:37:54 | |
35 for the Worcester here. At 35. | 0:37:54 | 0:37:56 | |
35 here. At 35. | 0:37:56 | 0:37:57 | |
35 I'm bid. At 35. Eight I'll take. | 0:37:57 | 0:38:00 | |
38. 40, now. At £40. | 0:38:00 | 0:38:01 | |
40 bid. At 40. £40. At 42 to bid. At £40. | 0:38:01 | 0:38:04 | |
It's with the internet at £40. At 40. | 0:38:04 | 0:38:06 | |
All out in the room. Selling to the internet, the Worcester vase at £40. | 0:38:06 | 0:38:11 | |
You made the right decision. | 0:38:11 | 0:38:13 | |
The right decision! | 0:38:13 | 0:38:15 | |
Put it there, boy. | 0:38:15 | 0:38:17 | |
Very good. Well done. | 0:38:17 | 0:38:19 | |
Well done, my sweet chicken! | 0:38:19 | 0:38:22 | |
-Do you know how the reds got on? -No, we don't. | 0:38:33 | 0:38:36 | |
-You've not been chatting to them? -No. | 0:38:36 | 0:38:38 | |
Good. First up are the silver wee dishes. Here they come. | 0:38:38 | 0:38:43 | |
The hallmarked silver pedestal bonbon dishes. | 0:38:43 | 0:38:47 | |
Birmingham 1926. | 0:38:47 | 0:38:49 | |
I'm bid here 20, 30, 40, £50. | 0:38:49 | 0:38:52 | |
-Yes! -Halfway there! | 0:38:52 | 0:38:56 | |
50 I'm bid here. £50. 55. | 0:38:56 | 0:38:58 | |
-60. At 65 in the room. -Come on! -65 I'm bid. -More than that, surely! | 0:38:58 | 0:39:03 | |
I'll take five. It's £70 seated here. £70. | 0:39:03 | 0:39:06 | |
At 70. | 0:39:06 | 0:39:08 | |
75. He's back in at 75. Your turn now. Right at the back at 75. | 0:39:08 | 0:39:12 | |
And selling. At £75. | 0:39:12 | 0:39:15 | |
-Ouch! -Bad luck. £75 is minus 20. -Yeah. | 0:39:15 | 0:39:19 | |
OK, now the hall-lantern. | 0:39:19 | 0:39:22 | |
A Victorian brass-framed hall lantern. | 0:39:22 | 0:39:26 | |
-Swinging on this lot, isn't it? -Yes. | 0:39:26 | 0:39:29 | |
£100, do I see? | 0:39:29 | 0:39:31 | |
Silence. At £45, then. | 0:39:33 | 0:39:35 | |
Someone surely needs a hall lamp! | 0:39:35 | 0:39:37 | |
45. 55. | 0:39:37 | 0:39:39 | |
£60. 60 right at the back. | 0:39:39 | 0:39:41 | |
At £60. At 60. | 0:39:41 | 0:39:43 | |
Someone's woken up at the back, now! | 0:39:43 | 0:39:45 | |
£60. At 60. Right at the back. And five. | 0:39:45 | 0:39:47 | |
-65, there he is. At 70, now. At 70. -Come on! Don't stop now! | 0:39:47 | 0:39:51 | |
£70. At 70. | 0:39:51 | 0:39:53 | |
Five I'll take. At £70. All done and selling now at £70. | 0:39:53 | 0:39:57 | |
This is getting worse! Minus £55. | 0:39:57 | 0:40:01 | |
Now, here's your studio pot. | 0:40:01 | 0:40:03 | |
Which he didn't like! | 0:40:03 | 0:40:05 | |
Anita Harris studio pottery vase. | 0:40:05 | 0:40:07 | |
Amsterdam pattern. | 0:40:07 | 0:40:09 | |
£5 I'm bid. £8. £10. | 0:40:09 | 0:40:12 | |
It's a start! | 0:40:12 | 0:40:14 | |
12 seated. £12. 15 I'll take. £12 again. | 0:40:14 | 0:40:17 | |
Must be sold. It's £12. 15. | 0:40:17 | 0:40:19 | |
£15. 18. 20. At 22. | 0:40:19 | 0:40:21 | |
25. 28. | 0:40:21 | 0:40:23 | |
28 here. At 28. 28. | 0:40:23 | 0:40:26 | |
30. | 0:40:26 | 0:40:27 | |
With you now at £30. At £30. | 0:40:27 | 0:40:30 | |
30 and will sell now. £30. | 0:40:30 | 0:40:31 | |
Uh-oh! Minus £5 on that. | 0:40:31 | 0:40:34 | |
55. 60. That is minus 80. | 0:40:34 | 0:40:37 | |
Minus 80! | 0:40:37 | 0:40:39 | |
Hey, girls! | 0:40:39 | 0:40:41 | |
Ee-up! | 0:40:41 | 0:40:43 | |
What are you going to do about the Borzoi? Going with the stone Borzoi? | 0:40:43 | 0:40:47 | |
-We'll go with it, yeah. -Can't get much worse, can it? -Go on! | 0:40:47 | 0:40:50 | |
-You're going with it? -Yeah! -You don't like dogs, though! -We don't like it, but we trust Nick! | 0:40:50 | 0:40:56 | |
Reproduction Art Deco-style stoneware model. | 0:40:56 | 0:40:58 | |
Two Borzoi. What do we say for this? £10 I'm bid. | 0:40:58 | 0:41:03 | |
-Away. -12. 15. 18. 20. | 0:41:03 | 0:41:05 | |
22. 25. 28. 30. | 0:41:05 | 0:41:08 | |
32. 35. 38. | 0:41:08 | 0:41:11 | |
40. 42. | 0:41:11 | 0:41:12 | |
-45. -There you go! | 0:41:12 | 0:41:15 | |
45. It's 45. | 0:41:16 | 0:41:17 | |
It's £45. | 0:41:17 | 0:41:19 | |
I will sell at 45. | 0:41:19 | 0:41:21 | |
£45. Wiped its face. | 0:41:22 | 0:41:24 | |
-Well done! -There we go. It wasn't all a loss, was it? | 0:41:24 | 0:41:27 | |
-No profit, no loss. No pain, no gain. -Yeah. | 0:41:27 | 0:41:30 | |
Anyway, overall you are minus £80. Just don't say a thing to the reds! | 0:41:30 | 0:41:35 | |
-No, we won't! -OK. | 0:41:35 | 0:41:37 | |
Well, we have got quite a contrast between the two teams today. | 0:41:45 | 0:41:49 | |
Without further ado, I must reveal that the blues are the runners-up. | 0:41:49 | 0:41:53 | |
By a considerable margin, I have to say! | 0:41:57 | 0:42:00 | |
You guys are minus £80, right? | 0:42:01 | 0:42:03 | |
-You sadly didn't make a profit on any lot. -No. | 0:42:03 | 0:42:07 | |
The bonus buy washed its face, which is unusual, so there you go. | 0:42:07 | 0:42:11 | |
-I hope you had a nice time. -Brilliant. -Been good? -Yep. | 0:42:11 | 0:42:14 | |
-Fantastic. -Fabulous. -Good. | 0:42:14 | 0:42:17 | |
We've loved having you on the show. Now, you guys. | 0:42:17 | 0:42:20 | |
I'm going to give you some money. £60 they get. | 0:42:20 | 0:42:23 | |
60 smackers of real money comes your way. There you are. | 0:42:24 | 0:42:27 | |
You made a £75 profit on the Art Deco bowl. That was the real treat. | 0:42:27 | 0:42:34 | |
Which, strictly speaking, was your find, Richard? | 0:42:34 | 0:42:37 | |
It was, yes. | 0:42:37 | 0:42:38 | |
You're very pleased about that. | 0:42:38 | 0:42:41 | |
-You didn't go with the bonus buy. -Thank goodness! -It was just as well. | 0:42:41 | 0:42:45 | |
Have you had a good time? | 0:42:46 | 0:42:48 | |
-A great time. -Great. -Lovely. We enjoyed having you on the show. | 0:42:48 | 0:42:52 | |
Join us soon for some more bargain hunting, yes? | 0:42:52 | 0:42:54 | |
Yes! | 0:42:54 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:43:15 | 0:43:19 |