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'Here are today's Bargain Hunt headlines.' | 0:00:02 | 0:00:04 | |
It has been confirmed | 0:00:04 | 0:00:06 | |
that Catherine Southon is helping the Red team. | 0:00:06 | 0:00:10 | |
News has just come in that Thomas Plant is supporting the Blues. | 0:00:10 | 0:00:15 | |
And now, finally, | 0:00:15 | 0:00:17 | |
let's go Bargain Hunting! | 0:00:17 | 0:00:21 | |
'The venue for our show - Lewes in the heart of Sussex.' | 0:00:42 | 0:00:47 | |
'Coming up...' | 0:00:50 | 0:00:52 | |
'Catherine can't get her own way.' | 0:00:54 | 0:00:59 | |
I really hate it. That would be my worst nightmare. | 0:00:59 | 0:01:01 | |
'Thomas cracks the whip.' | 0:01:01 | 0:01:04 | |
Back! | 0:01:04 | 0:01:06 | |
'And it's all thrills and spills at the auction.' | 0:01:08 | 0:01:11 | |
-Oh... -Got a bargain. | 0:01:11 | 0:01:13 | |
-Come on, come on! -That's a hell of a loss. | 0:01:13 | 0:01:16 | |
Yay! | 0:01:16 | 0:01:17 | |
I think it's about time we met those teams, don't you? | 0:01:17 | 0:01:21 | |
Paul, how did you two meet? | 0:01:24 | 0:01:27 | |
We met in a china shop in Brighton. | 0:01:27 | 0:01:31 | |
I'd relocated from Devon to Brighton | 0:01:31 | 0:01:35 | |
and in the move, my entire crockery case was smashed. | 0:01:35 | 0:01:40 | |
So I went in to this shop in North Street, Brighton, | 0:01:40 | 0:01:44 | |
and out of a thunderbolt or a strike of lightning, there he was. That's how met. | 0:01:44 | 0:01:49 | |
-And you're married? -We've had a civil partnership ceremony, yes. -Yeah. That's fantastic. | 0:01:49 | 0:01:56 | |
-Terry, you're in property management, is that right? -Yes, Tim. | 0:01:56 | 0:01:59 | |
-Tell us about that. -I would call myself a private housekeeper, a posher title. | 0:01:59 | 0:02:05 | |
I go in, I clean, shop, do ironing... | 0:02:05 | 0:02:08 | |
These are for people who aren't necessarily living full-time in their properties. | 0:02:08 | 0:02:13 | |
Full-time people that are working all day. | 0:02:13 | 0:02:16 | |
-I go in and I've got keys to the properties and... -Brilliant. -I do whatever they need to be done. | 0:02:16 | 0:02:21 | |
-Paul, there's nothing you like more that rummaging around in the market. -I do like a good rummage. | 0:02:21 | 0:02:26 | |
My best success would be the purchase of a walnut sideboard | 0:02:26 | 0:02:32 | |
in Torquay for £75, and I sold it for £500. | 0:02:32 | 0:02:38 | |
-An experience which we hope you're going to replicate today. -So do I, sir. | 0:02:38 | 0:02:42 | |
-Any profit would be nice. -That's the spirit, that's what we like to hear. | 0:02:42 | 0:02:47 | |
-Very good luck with that. -Thank you. | 0:02:47 | 0:02:49 | |
Now, Val, how did you two meet? | 0:02:49 | 0:02:51 | |
We met when I was directing Bloody Jack for Rustington Players. | 0:02:51 | 0:02:56 | |
Patsy was the prompt and she held it all together for me. | 0:02:56 | 0:03:01 | |
-So you're both Thespians, are you? -We're both Thespians, yeah. | 0:03:01 | 0:03:04 | |
-And you collect a range of things, Val. -Yes, I do. | 0:03:04 | 0:03:08 | |
-Including some oddball items. -Yes, would you like to see them? | 0:03:08 | 0:03:12 | |
-Yes, let's have a bird's eye. -I brought some small ones. They're called hagstones. | 0:03:12 | 0:03:17 | |
And if you see, it must take a hell of a long time | 0:03:17 | 0:03:22 | |
for those holes to appear in the stones. | 0:03:22 | 0:03:25 | |
And they take a lot of finding on the beach. | 0:03:25 | 0:03:28 | |
Yes. So you wander up and down the beach trying to find stones with holes in them? | 0:03:28 | 0:03:33 | |
I'm trying to find the perfect hagstone. And it's quite cosmic. | 0:03:33 | 0:03:37 | |
-Patsy, what are your tactics going to be today? -Buy what we like. | 0:03:37 | 0:03:42 | |
-Not let Val bully me into buying what she likes. -Right. | 0:03:42 | 0:03:47 | |
-So resisting Val is a big part of your strategy? -Gosh, yeah! | 0:03:47 | 0:03:50 | |
-So we'll have a bit of sparking between you? -We are, by the looks of it. | 0:03:50 | 0:03:54 | |
-That's what I like the sound of. -Yes. | 0:03:54 | 0:03:56 | |
Anyway, here's the money moment. Here's your £300. You know the rules, your experts await, | 0:03:56 | 0:04:01 | |
-and off you go and very, very, very good luck! -Bye! | 0:04:01 | 0:04:04 | |
Hagstones, indeed. | 0:04:04 | 0:04:07 | |
WESTERN FILM STYLE MUSIC | 0:04:07 | 0:04:11 | |
-Hello! Have a nice shop. -OK, see you later. | 0:04:34 | 0:04:37 | |
-See you later. Bye! -Bye! | 0:04:37 | 0:04:40 | |
-Oh, it's like an Aladdin's cave. -It is. | 0:04:42 | 0:04:44 | |
-That little silver buckle. -Let's look for something a little bit bolder. | 0:04:44 | 0:04:49 | |
-I don't want silver. -So you're going to be rebellious, are you? | 0:04:49 | 0:04:55 | |
-We are, yes. -Of course we are. We'll spend every penny. | 0:04:55 | 0:04:57 | |
-Oh! -Oh! This is James Dixon & Sons, a good maker. | 0:05:11 | 0:05:16 | |
-We've got a hunting flask, a hip flask. -That's nice. | 0:05:16 | 0:05:19 | |
-We've got a little thing there for your little sarnies. -LAUGHS: -Very small. | 0:05:19 | 0:05:24 | |
Is it marked at all? Is it silver or...? | 0:05:24 | 0:05:27 | |
-Plated. -It's probably plated, yeah. | 0:05:27 | 0:05:29 | |
I love the fact that it's shaped like the case. It's beautiful. | 0:05:29 | 0:05:33 | |
-It's a lovely quality one. -What price? | 0:05:33 | 0:05:35 | |
Ouch, it's a bit... What can you do on that? It's £160. | 0:05:35 | 0:05:40 | |
-The best trade on it would be 140. -140? Really? | 0:05:40 | 0:05:45 | |
-It should be 145, but we'll make it 140. -140, 120? | 0:05:45 | 0:05:48 | |
-No, no. 140. -It was worth a shot, wasn't it? | 0:05:48 | 0:05:51 | |
-That is nice. What do you think of the price, though? -I think it's lovely. | 0:05:51 | 0:05:55 | |
But I'm not sure if it would make a profit, really. | 0:05:55 | 0:05:58 | |
-But lovely quality. It's something to remember. -It was nice. | 0:05:58 | 0:06:02 | |
'Well, you'll certainly remember the price, Catherine.' | 0:06:03 | 0:06:06 | |
Back! | 0:06:06 | 0:06:08 | |
'You keep them in line, Thomas. | 0:06:08 | 0:06:11 | |
'There must be something pretty around here.' | 0:06:11 | 0:06:13 | |
'Maybe not.' | 0:06:15 | 0:06:17 | |
-That's quirky. I like that. -How much is that? | 0:06:17 | 0:06:20 | |
-Isn't that marvellous? -It's marvellous. That is... Hee-hee-hee! Love it. | 0:06:20 | 0:06:25 | |
The Margaret Thatcher teapot by Luck and Flaw. | 0:06:25 | 0:06:29 | |
It's another Spitting Image character. | 0:06:29 | 0:06:31 | |
They had Margaret Thatcher and Ronald Reagan as well. | 0:06:31 | 0:06:34 | |
They are quite widely collected within the political world, and there are political collectors. | 0:06:34 | 0:06:39 | |
-Circa 1980, so it's 31 years old. -I love it. | 0:06:39 | 0:06:43 | |
It's good fun, isn't it? Whatever you think of her, it's great. | 0:06:43 | 0:06:46 | |
-I admired her, actually. -Of course, yeah. Absolutely. | 0:06:46 | 0:06:49 | |
I think that is brilliant. What's the price? | 0:06:49 | 0:06:51 | |
It's a lot of money. These always are a lot of money. | 0:06:51 | 0:06:54 | |
-They're £175, I mean, it is far too... -But we have £300. -You have £300, yeah. | 0:06:54 | 0:06:59 | |
But do you want to blow that much on... | 0:06:59 | 0:07:01 | |
-We wouldn't pay that. -Yeah, but you're not going to get him down to... | 0:07:01 | 0:07:05 | |
-What would we get him down to? -They always sell at between 120 and 180. That's what they sell at. | 0:07:05 | 0:07:10 | |
-So we'd need to get it for 100. He's not going to come down £75. -I would be surprised if he does. | 0:07:10 | 0:07:16 | |
I personally think that's too much of a gamble. | 0:07:16 | 0:07:18 | |
-But it's great fun. Do you want me to go and ask? -Yes, please do. | 0:07:18 | 0:07:22 | |
'Get on with it then, Thomas. Val and Patsy are racing ahead.' | 0:07:22 | 0:07:27 | |
-I like those. -So do I. -What do you think? -I do. I do like them. | 0:07:27 | 0:07:30 | |
-That's too expensive. -I think it's too expensive, but I quite like it. | 0:07:31 | 0:07:35 | |
-Let's have the bad news first. -There's no bad news. -Good! | 0:07:36 | 0:07:39 | |
-Good news and good news! -There's no bad news. £125. | 0:07:39 | 0:07:43 | |
-£125. -What do you think? -That's 50 quid off. That's not bad. | 0:07:43 | 0:07:46 | |
-What do you think? -I like it, but it's a team effort. -Yeah. | 0:07:46 | 0:07:51 | |
-Do you want to go for Mrs T? -Yeah. -Yeah! -Do you feel she represents you? | 0:07:51 | 0:07:55 | |
-Yeah. We're good. -Yes, yes! We're quirky. -Cos you're fun. -Brilliant, we'll do it. | 0:07:55 | 0:08:00 | |
'You certainly are, Val. | 0:08:00 | 0:08:02 | |
'First purchase for the Blue team.' | 0:08:02 | 0:08:05 | |
'Nothing yet for the Reds. Can you smell a bargain, Catherine?' | 0:08:06 | 0:08:10 | |
-Leather-cased enamel top bottle. Can you see it's like an engine-turned...? -Is it? | 0:08:11 | 0:08:17 | |
-Yeah, it's engine-turned and it's got that nice little pattern on it. -That's nice, isn't it? | 0:08:17 | 0:08:22 | |
-And the stopper looks original. -It's original. -It is, isn't it? | 0:08:22 | 0:08:26 | |
-It fits nicely. -I wonder what his best price would... | 0:08:26 | 0:08:31 | |
-What would your best be on...? -£43. -£40? -No, I can't, really. | 0:08:31 | 0:08:37 | |
£43. I think it's worth £40-50. | 0:08:37 | 0:08:40 | |
-Shall we think? -BOTH: Yes. | 0:08:40 | 0:08:43 | |
-Shall me move on? -Yes. | 0:08:43 | 0:08:45 | |
'Putting it off again, boys? Oh dear, oh dear. | 0:08:45 | 0:08:49 | |
'The girls are lining up another item already.' | 0:08:49 | 0:08:52 | |
-It's a powder... -Is it for talcum powder? | 0:08:54 | 0:08:56 | |
-It's Deco, isn't it? A lovely finial. -That is nice. | 0:08:56 | 0:08:59 | |
This would be for your dressing table. You put your rings in there, or anything. | 0:08:59 | 0:09:03 | |
It's properly cut, yeah. Proper piece of cut glass and definitely Deco. | 0:09:03 | 0:09:08 | |
-£25. -Ah, yes. | 0:09:08 | 0:09:10 | |
Look at that lovely finial. Lovely cut design. | 0:09:10 | 0:09:14 | |
-Isn't that great? -Love it. -Good-looking thing, isn't it? -Yes. | 0:09:14 | 0:09:18 | |
-Do you want to ask about the price or do you want to carry on looking? -No, I think we like that. | 0:09:18 | 0:09:23 | |
-We like it. -If we can get it for £20. -You like it, do you? | 0:09:23 | 0:09:26 | |
-OK, we might get two items quite quickly. -Yeah. | 0:09:26 | 0:09:29 | |
-We could spend a bit of time on the third item. -If it comes out at us, we could buy it. -It's jumped out. | 0:09:29 | 0:09:34 | |
-This jar and cover, you've got £25 on it. -£25, yes. | 0:09:34 | 0:09:40 | |
-What's the best on that? -I think 20 quid is reasonable. -20 quid. That's not bad, actually. | 0:09:40 | 0:09:45 | |
-It looks in good condition as well. -It will be, yes. -That's good. Good thing, that. | 0:09:45 | 0:09:49 | |
-What do you want to do, girls? -Go for it. Thank you. | 0:09:49 | 0:09:52 | |
-Another one down. -Yes. Thank you very much. | 0:09:52 | 0:09:54 | |
'Well, I never. The Blues have already got their second buy. You're falling behind, Reds!' | 0:09:54 | 0:10:00 | |
-The lowest, lowest, lowest you could go. -£180. -£180? | 0:10:00 | 0:10:05 | |
-£100. I say yes. -You just said no! -I changed my mind. | 0:10:06 | 0:10:10 | |
-Do you think we should go and buy that first bottle? -BOTH: Yes. | 0:10:11 | 0:10:15 | |
-How much was that? -£43. -£43, yes. | 0:10:15 | 0:10:19 | |
-See if you can get it for £40. -OK. | 0:10:19 | 0:10:22 | |
'Give it a go, boys, eh?' | 0:10:23 | 0:10:25 | |
Would you go to £40? | 0:10:25 | 0:10:27 | |
-Or £42? -No, £43. -OK. | 0:10:27 | 0:10:31 | |
-Catherine? -Yeah. -He won't go any lower than £43, but we think yes, let's go for it. | 0:10:31 | 0:10:37 | |
OK, let's go for it. Then we've got one item. | 0:10:37 | 0:10:39 | |
'Hurrah! That's the Reds on their way. | 0:10:39 | 0:10:43 | |
'Now, come and have a look at what I found. I might even save you some money.' | 0:10:43 | 0:10:47 | |
Do you ever get fed up with paying huge amounts of money | 0:10:47 | 0:10:52 | |
for curtain material and wallpaper? | 0:10:52 | 0:10:56 | |
Well, if you do, you should come and mosey around some of these antiques stands. | 0:10:56 | 0:11:01 | |
Because you could be doing it yourself. | 0:11:01 | 0:11:04 | |
Take this fellow. It's soft wood. It's been carved out of the solid | 0:11:04 | 0:11:10 | |
with these incredibly intricate designs. | 0:11:10 | 0:11:13 | |
Not only have you cut out this pattern, | 0:11:13 | 0:11:16 | |
which seems to be the stalk and foliage of a small plant, | 0:11:16 | 0:11:20 | |
but you've also cut down into the block | 0:11:20 | 0:11:23 | |
so that each one of these designs stands well proud. | 0:11:23 | 0:11:28 | |
You then cover the surface in ink. | 0:11:28 | 0:11:32 | |
In this case, last time it was used, it was red ink, | 0:11:32 | 0:11:35 | |
and then simply apply the wet-inked block to the surface of material, | 0:11:35 | 0:11:41 | |
plonk it down and then remove it, hey presto, | 0:11:41 | 0:11:45 | |
revealing the beginning of your design. | 0:11:45 | 0:11:48 | |
Included in this group is this block. Similar technique, look, | 0:11:48 | 0:11:52 | |
except this time, carved out of the solid, we've got a stylized tree | 0:11:52 | 0:11:58 | |
that has been printed in black. | 0:11:58 | 0:12:02 | |
If you fancied a more striped effect, have a look at this block. | 0:12:02 | 0:12:06 | |
We've got three lines of taut foliage, | 0:12:06 | 0:12:10 | |
effectively making borders. | 0:12:10 | 0:12:13 | |
And if you were to apply this to your walls, | 0:12:13 | 0:12:15 | |
you'd create a series of Regency stripes. | 0:12:15 | 0:12:18 | |
But what would these things cost you? | 0:12:18 | 0:12:21 | |
Well, if you were lucky, you'd do a deal with the storeholder, | 0:12:21 | 0:12:25 | |
who'd let you have all three for £15 each. | 0:12:25 | 0:12:30 | |
And while you're on the story, why not simply pick up | 0:12:30 | 0:12:33 | |
another decorative block? Not used for printing purposes, | 0:12:33 | 0:12:37 | |
but used originally in an Indian or Middle Eastern interior | 0:12:37 | 0:12:43 | |
as a bit of coffering to decorate a timber ceiling. | 0:12:43 | 0:12:47 | |
Look at the surface. | 0:12:47 | 0:12:48 | |
I mean, how many times has this been decorated in oil paint? | 0:12:48 | 0:12:52 | |
This panel must be at least 150 years old. | 0:12:52 | 0:12:57 | |
And how much would an antique block like this cost you? | 0:12:57 | 0:13:00 | |
Well, that too could be yours for £15. | 0:13:00 | 0:13:04 | |
You see, it's all a question of identifying | 0:13:04 | 0:13:08 | |
the correct chip of the old block. | 0:13:08 | 0:13:11 | |
'Right then, boys! Spotted anything yet?' | 0:13:13 | 0:13:16 | |
-£115 is a lot of money. -Oh... | 0:13:16 | 0:13:20 | |
Now, what's this here? | 0:13:20 | 0:13:21 | |
-Is there anything up there? -No, let's get out of here. | 0:13:22 | 0:13:25 | |
I'm actually loving this one today, although Paul is a little indecisive. | 0:13:25 | 0:13:29 | |
One minute he's a definite yes, then he's a, "No, I don't think I like that." | 0:13:29 | 0:13:33 | |
But I think we're going to buy these quite easily. | 0:13:33 | 0:13:36 | |
THEY SING AND GIGGLE | 0:13:41 | 0:13:43 | |
VAL GIGGLES | 0:13:45 | 0:13:47 | |
-Look at that! -It's the wrong colour, darling. | 0:13:47 | 0:13:50 | |
-I think it's quite nice, that mint green. -THEY GIGGLE | 0:13:50 | 0:13:52 | |
They're brilliant, aren't they? Full of energy. They're great fun. | 0:13:52 | 0:13:56 | |
And quick decision-makers. If they like something, they're going to go for it. | 0:13:56 | 0:14:00 | |
-How are you doing, then? -So, Southon... Well, we've bought two items. | 0:14:00 | 0:14:04 | |
-Two? -Two, yeah. -We've bought one. -Really? What have you bought? | 0:14:04 | 0:14:08 | |
A very nice thing. You'll see it at the auction. | 0:14:08 | 0:14:11 | |
-You're not going to tell me? Not let me into a secret? -No, no, no. | 0:14:11 | 0:14:14 | |
-Is it ceramic? Metal? -No, I'm not telling you anything, Thomas. You'll just have to wait and see. | 0:14:14 | 0:14:20 | |
Disappointment. | 0:14:20 | 0:14:22 | |
'Play nicely, you two.' | 0:14:22 | 0:14:25 | |
-Oh, I say. -Art Deco, 1930s... -Yes. I would have that for... -Clock. | 0:14:25 | 0:14:30 | |
-Yes. -Would you? You'd buy that? | 0:14:30 | 0:14:33 | |
-I would definitely buy that. -Does it work? | 0:14:33 | 0:14:35 | |
Well, the chime obviously works. It just needs to be reset. | 0:14:35 | 0:14:40 | |
I'm not sure that it is 1930s, actually. It might be later. | 0:14:40 | 0:14:43 | |
-It has got the style. -Yeah. -That's the main thing, isn't it? | 0:14:43 | 0:14:47 | |
-You would buy that, would you? -Not at that price, | 0:14:47 | 0:14:50 | |
but as time is running out... | 0:14:50 | 0:14:52 | |
What about all that damage around there? | 0:14:52 | 0:14:54 | |
From a distance... | 0:14:54 | 0:14:57 | |
That's it, Tel. There you go. What damage, where? | 0:14:57 | 0:15:00 | |
We've just got to shimmy along a bit, haven't we? | 0:15:00 | 0:15:03 | |
-So I'm saying yes on that. -I think... -Do you like it? -Yeah. | 0:15:03 | 0:15:06 | |
-Really? -We both do. You don't have to, but we do. | 0:15:06 | 0:15:09 | |
-See what you think of this. -Shall I come as well? | 0:15:12 | 0:15:15 | |
-Or is it just the girlfriend? -Yes, please. -Come on, Thomas. | 0:15:15 | 0:15:19 | |
-So this is it? This is what I've been dragged to see? -Sorry. | 0:15:21 | 0:15:24 | |
-No, no, it's OK. -It's Dobbin! -"It's Dobbin..." | 0:15:24 | 0:15:28 | |
He's got a bit of age, hasn't he? | 0:15:28 | 0:15:30 | |
-He's missing one stirrup. -I hadn't noticed that. | 0:15:30 | 0:15:33 | |
It's not the end of the world. He's marked up at £89. | 0:15:33 | 0:15:36 | |
He's got lovely little eyes, look. He's got a sweet little face. | 0:15:36 | 0:15:42 | |
I think they're probably replacements. | 0:15:42 | 0:15:44 | |
Yeah, that's a replacement. One is glass and one is plastic. | 0:15:44 | 0:15:48 | |
What do you like about it? | 0:15:48 | 0:15:51 | |
-I've got a new grandchild, and I just thought, you know... -Yeah. | 0:15:51 | 0:15:54 | |
They are very emotive. I mean, it is a lovely thing, | 0:15:54 | 0:15:58 | |
but we've got a bit more time, | 0:15:58 | 0:16:00 | |
-so we can keep it as a sort of backstop. -OK. -Yeah? -Right. | 0:16:00 | 0:16:04 | |
-What is your best price? -What's the asking price? -It's £45. | 0:16:07 | 0:16:10 | |
It should be £40. We'll do £35 on it. | 0:16:10 | 0:16:14 | |
-Oh dear... You couldn't go to £30? Oh, go on. -Shouldn't do, | 0:16:14 | 0:16:19 | |
-but as it's you, 30 quid. -£30. You'll get a return on that. | 0:16:19 | 0:16:22 | |
-Do you really like it? -Yes. -Go for it, then. -OK. | 0:16:22 | 0:16:25 | |
-That's a yes. -Thank you very much. | 0:16:25 | 0:16:27 | |
'Paul takes charge. That's the Reds' second item.' | 0:16:27 | 0:16:31 | |
I hate that clock. | 0:16:31 | 0:16:32 | |
I really hate it. That would be my worst nightmare. | 0:16:32 | 0:16:35 | |
But they're happy, so what can you do? | 0:16:35 | 0:16:39 | |
It's a portrait miniature of a young girl, | 0:16:43 | 0:16:46 | |
-probably done in the 1920s, 1930s. More 1930s, this dress. -Yeah. | 0:16:46 | 0:16:50 | |
-That's the style of the hair. -Lovely face, nice tulips. | 0:16:50 | 0:16:53 | |
It's an engagement one as well, | 0:16:53 | 0:16:54 | |
cos she's got an engagement ring just there, you see? | 0:16:54 | 0:16:58 | |
"Miniature on ivory, 1930s." | 0:16:58 | 0:17:00 | |
-We can buy ivory from this date, cos it's pre-1947. -It is. | 0:17:00 | 0:17:04 | |
Yeah, so it's old enough to be bought. | 0:17:04 | 0:17:07 | |
It's a good thing. It's quite pretty. | 0:17:07 | 0:17:09 | |
It's not signed by anybody. It's probably the family's portrait artist. | 0:17:09 | 0:17:15 | |
This was a travelling one. | 0:17:15 | 0:17:18 | |
-Does it come out of the case? -It will come out. | 0:17:18 | 0:17:20 | |
If it's in the catalogue and there's no famous names, | 0:17:20 | 0:17:23 | |
is it going to attract any attention? | 0:17:23 | 0:17:25 | |
No, cos they're quite popular, these miniatures, | 0:17:25 | 0:17:27 | |
and it's of a pretty girl. £185. | 0:17:27 | 0:17:31 | |
THEY GASP | 0:17:31 | 0:17:32 | |
-We haven't got that. -What's the very best on that? -£160. | 0:17:32 | 0:17:36 | |
-You couldn't do a bit more? -150, then. | 0:17:36 | 0:17:39 | |
-140? -No, can't go that far. -Can't go 140? -We'll go between. 145. | 0:17:39 | 0:17:44 | |
145. What do you want to do? | 0:17:44 | 0:17:47 | |
At 145 you've got an opportunity of making a profit. | 0:17:47 | 0:17:51 | |
-A small profit, not a big profit. -No, no. | 0:17:51 | 0:17:53 | |
-It's a lovely item. -And she's beautiful. -She is. | 0:17:53 | 0:17:56 | |
-She's delicate. -She's lovely. -We'll go for it. | 0:17:56 | 0:17:59 | |
-You want to go for it? -Yeah, we're hungry. -We're going to go for it. Yes. | 0:17:59 | 0:18:03 | |
-£145. -Thank you. -Thank you very much. Brilliant. | 0:18:03 | 0:18:08 | |
-She is beautiful. -So that's three items done. -Yeah, finished! | 0:18:08 | 0:18:12 | |
-And you've £290, and you've left me with a tenner. -Yeah. | 0:18:12 | 0:18:16 | |
-Cheers. -Good luck! | 0:18:16 | 0:18:18 | |
'That's the Blues all done. But £10 for your bonus buy? | 0:18:18 | 0:18:23 | |
'No pressure, Tom!' | 0:18:23 | 0:18:24 | |
-This would have been a better buy. I hate that clock. -Well, in your opinion. | 0:18:24 | 0:18:29 | |
-Nice little lid. -Mm-hmm. | 0:18:29 | 0:18:32 | |
You're not convinced, are you? Refracting telescope. | 0:18:32 | 0:18:36 | |
Three-draw. It's got a name on there, Chadburn Bros. £25. | 0:18:36 | 0:18:39 | |
-Is there a profit in it? -I think we could get a profit in that. -Yeah? | 0:18:39 | 0:18:43 | |
Whereas I would rather go back and have a look at the Dixon... | 0:18:43 | 0:18:47 | |
The James Dixon & Sons flask? | 0:18:47 | 0:18:49 | |
-It is a bit of a risk one. -Yeah, but we like to take a risk. | 0:18:49 | 0:18:53 | |
-Do you? -Absolutely. | 0:18:53 | 0:18:54 | |
What's your final decision - this or the James Dixon? | 0:18:54 | 0:18:57 | |
-Dixon. -Dixon? -Off we go, tally-ho! -Let's go for the Dixon. Tally-ho! | 0:18:57 | 0:19:02 | |
'Nice and decisive, Terry. | 0:19:02 | 0:19:04 | |
'Good to see you're both focused on the bargains.' | 0:19:04 | 0:19:07 | |
-Come on, Paul! -Paul! -You're gorgeous. | 0:19:07 | 0:19:09 | |
-Paul? Paul! -I'm talking to the dog! | 0:19:09 | 0:19:12 | |
-We've only got about eight minutes! -'Hmm... Spoke to soon.' | 0:19:12 | 0:19:15 | |
-I love it, I absolutely love it. -She does, she absolutely loves it. | 0:19:17 | 0:19:21 | |
-But the price puts me off. -What would be your best? -One minute. -Your lowest price possible? | 0:19:21 | 0:19:27 | |
-The trade on it is £145, but... -Yes, but? -We can go down to 140. | 0:19:27 | 0:19:31 | |
-140. -Can we do 130? -No. -135? -No, unfortunately... | 0:19:31 | 0:19:35 | |
-137,50? 138? -No, unfortunately we can only do 140. WHISPERS: -Damn! | 0:19:35 | 0:19:40 | |
-OK. Take a risk! -Well, if we've got one minute... We've got no time. | 0:19:40 | 0:19:44 | |
-Yeah? -Yes, but I'm happy to take that. -£140? -Yes, please. Thank you very much, sir. | 0:19:44 | 0:19:49 | |
'Finally, the Red team have done it. All three items ready for the auction.' | 0:19:49 | 0:19:55 | |
Now the shopping's over, the experts can head out to find their bonus buys, | 0:19:55 | 0:20:01 | |
spending all that leftover lolly, but how much cash will the teams leave each expert? | 0:20:01 | 0:20:06 | |
First up, the Reds. | 0:20:06 | 0:20:07 | |
'For £43 there could be a splash of profit | 0:20:07 | 0:20:11 | |
'with the gentleman's scent bottle. | 0:20:11 | 0:20:14 | |
'Catherine's least favourite mantel clock cost them £30. | 0:20:14 | 0:20:19 | |
'And last of all, £140 bought them the leather hunting case.' | 0:20:19 | 0:20:24 | |
-Guys, what that a good shop or not? -It was. -It was fun. | 0:20:24 | 0:20:28 | |
-How much did you spend? -£213. -Did you? -Yes. | 0:20:28 | 0:20:32 | |
-Would that be £87 of leftover lolly, then? -I do hope so, sir. -Oh, look. | 0:20:32 | 0:20:36 | |
-Oh, look at that. -And there's your change. -Thank you very much. | 0:20:36 | 0:20:39 | |
Which piece is going to bring the biggest profit, Terry? | 0:20:39 | 0:20:42 | |
-I would like to say the Dixon's sandwich and flask set. -Yeah. | 0:20:42 | 0:20:48 | |
-You would like to say that. -But it might not. -It might not, yeah. | 0:20:48 | 0:20:52 | |
-So what are you going to say, then? -The Dixon & Sons flask. | 0:20:52 | 0:20:56 | |
-Here you go, Catherine. -Thank you. -There's your pile of dosh, darling. -Lovely. -Good luck. | 0:20:56 | 0:21:01 | |
I should go inside and warm up, love, cos it's getting rather cold. | 0:21:01 | 0:21:04 | |
Anyway, good luck with that, guys. Why don't we check out what the Blue team bought? | 0:21:04 | 0:21:09 | |
'At £125, I hope this lady is for turning...a profit.' | 0:21:09 | 0:21:15 | |
'They were quick off the mark with the cut-glass powder bowl for £20.' | 0:21:15 | 0:21:19 | |
'And will the Art Deco miniature be a BOOTY at the auction for £145?' | 0:21:21 | 0:21:27 | |
You spent nearly all the dosh. How much? | 0:21:27 | 0:21:30 | |
-£290. -That's really good going, that's really good. | 0:21:30 | 0:21:35 | |
And tell me, which is your favourite piece? | 0:21:35 | 0:21:38 | |
I liked the crystal powder bowl. | 0:21:38 | 0:21:42 | |
Out of both of you. What about you, Val? | 0:21:42 | 0:21:44 | |
The Maggie Thatcher teapot. It's just so quirky! | 0:21:44 | 0:21:48 | |
-OK. That's your favourite. Which is going to bring the biggest profit? -The powder bowl. | 0:21:48 | 0:21:54 | |
-Most probably right. -Most probably right. | 0:21:54 | 0:21:56 | |
Who's got the £10 of leftover lolly, please? | 0:21:56 | 0:21:59 | |
-THEY ALL LAUGH -Thank you. | 0:21:59 | 0:22:01 | |
I take the money from a girl and I give it to you, like the taxman. | 0:22:01 | 0:22:05 | |
-£10. -You take it with one hand and give it back with the other. | 0:22:05 | 0:22:09 | |
-That's not much, Tom, is it? -Not much at all, but you know, | 0:22:09 | 0:22:12 | |
I've met some really nice people in the antique shops. | 0:22:12 | 0:22:15 | |
-I'm sure they'll do me a deal on something. -Good luck, girls. Good luck, Tom. | 0:22:15 | 0:22:20 | |
Meanwhile, I'm heading off west to Brighton, just up the coast. | 0:22:20 | 0:22:25 | |
Somewhere really regal. | 0:22:25 | 0:22:27 | |
In the early 19th century, George Prince of Wales created a pleasure palace | 0:22:34 | 0:22:40 | |
here in the centre of Brighton. | 0:22:40 | 0:22:43 | |
200 years on, it's still going strong. | 0:22:43 | 0:22:47 | |
'Not bad, eh?' | 0:22:48 | 0:22:50 | |
'Head indoors, and it's clear that George loved the finer things in life.' | 0:22:57 | 0:23:02 | |
And he created a banqueting hall fit for a king, or at least a king-in-waiting. | 0:23:04 | 0:23:12 | |
The banqueting room is essentially, in decorative terms, the creation of Robert Jones. | 0:23:12 | 0:23:19 | |
The walls are dominated by a series of paintings with oriental themes. | 0:23:19 | 0:23:25 | |
The dome above is utterly sublime. | 0:23:29 | 0:23:34 | |
What we have here is a series of fronds of foliage | 0:23:34 | 0:23:38 | |
that are from the plantain tree, | 0:23:38 | 0:23:41 | |
essentially an exotic, eastern tree, | 0:23:41 | 0:23:45 | |
which would have reminded the Prince Regent | 0:23:45 | 0:23:47 | |
of his empire in the East. | 0:23:47 | 0:23:50 | |
As if he needed reminding, though. | 0:23:50 | 0:23:53 | |
Look at the elaborate and extraordinary structures | 0:23:53 | 0:23:56 | |
that go to make up these chandeliers, | 0:23:56 | 0:23:58 | |
the centre one weighing over a ton, and again designed by Robert Jones. | 0:23:58 | 0:24:05 | |
But these aren't the only light fittings in this extraordinary room. | 0:24:05 | 0:24:09 | |
Because running up either side of the banqueting room | 0:24:15 | 0:24:19 | |
are these magnificent standard lamps, | 0:24:19 | 0:24:22 | |
the like of which you are not going to find anywhere else in the world. | 0:24:22 | 0:24:27 | |
We've got a combination of materials here, | 0:24:27 | 0:24:30 | |
between porcelain and gilt bronze, the porcelain being made by Spode | 0:24:30 | 0:24:35 | |
and the metalwork being made by Benjamin Lewis Vulliamy, | 0:24:35 | 0:24:39 | |
the celebrated metalworker and clock case maker. | 0:24:39 | 0:24:45 | |
Seriously bonkers and glitzy. | 0:24:51 | 0:24:53 | |
But the glitz here at Brighton simply goes on and on, | 0:24:57 | 0:25:01 | |
because the sideboards here in the banqueting room | 0:25:01 | 0:25:05 | |
are just laden with silver gilt. | 0:25:05 | 0:25:07 | |
Now, the Prince Regent loved everything gilt. | 0:25:07 | 0:25:11 | |
He loved his silver not plain silvery, but covered in gold. | 0:25:11 | 0:25:14 | |
He even had the rigging on the royal yacht gilt, | 0:25:14 | 0:25:18 | |
he loved it so much. | 0:25:18 | 0:25:21 | |
The pieces that we see on display here today | 0:25:21 | 0:25:24 | |
are what are called ambassadorial plate. | 0:25:24 | 0:25:26 | |
Because in the old days, | 0:25:26 | 0:25:29 | |
if you were an ambassador or envoy representing your sovereign abroad, | 0:25:29 | 0:25:33 | |
you were presented, at the time that you went off on your mission, | 0:25:33 | 0:25:37 | |
with silver plate to take with you. | 0:25:37 | 0:25:41 | |
It was provided by Rundell, Bridge and Rundell | 0:25:41 | 0:25:43 | |
and has the hallmark of Paul Storr. | 0:25:43 | 0:25:47 | |
And quite frankly, you don't get any better than that. | 0:25:47 | 0:25:51 | |
Interestingly, during this period, | 0:25:51 | 0:25:54 | |
if you were the ambassador and you retired from your position abroad, | 0:25:54 | 0:25:59 | |
you were allowed to keep the silver gilt. | 0:25:59 | 0:26:02 | |
It was called a perquisite, hence the word, today, "perk". | 0:26:02 | 0:26:08 | |
A big question today is, of course, | 0:26:08 | 0:26:10 | |
are there going to be many perks for our teams over at the auction? | 0:26:10 | 0:26:16 | |
Well, it's a treat to be here in Wisborough Green at Bellmans Saleroom, | 0:26:25 | 0:26:29 | |
-with my old mucker Jonathan Pratt. Good morning, Jonathan. -Welcome. -Lovely to be here. | 0:26:29 | 0:26:34 | |
Now, first up with Terry and Paul | 0:26:34 | 0:26:37 | |
is this wee gentleman's square leather-cased perfume bottle. | 0:26:37 | 0:26:42 | |
I quite like this. | 0:26:42 | 0:26:43 | |
I like the quality that they make in their leather boxes | 0:26:43 | 0:26:47 | |
to fit these things. It's nice quality. | 0:26:47 | 0:26:49 | |
It's made to be durable. Silver would be better. | 0:26:49 | 0:26:52 | |
There's a slight blemish to the enamel, otherwise it's in nice condition. | 0:26:52 | 0:26:56 | |
There's a tear running slightly down the side of the... | 0:26:56 | 0:26:59 | |
A tear in the leather, yeah. | 0:26:59 | 0:27:01 | |
It's limited in its value because you want it to be silver. | 0:27:01 | 0:27:04 | |
-What's your estimate? -£20-30. -£43 paid. | 0:27:04 | 0:27:08 | |
-Terry found it, he loved it. -Good. | 0:27:08 | 0:27:10 | |
Anyway, it's not looking good. | 0:27:10 | 0:27:13 | |
Next is this archetypical 1930s mantel clock, isn't it? | 0:27:13 | 0:27:18 | |
It's really late Deco with the chromed metal numbers on the front. | 0:27:18 | 0:27:23 | |
It just looks the part. | 0:27:23 | 0:27:24 | |
And there is a retro feel going on in the market at the moment, | 0:27:24 | 0:27:28 | |
so who knows? | 0:27:28 | 0:27:29 | |
-Where do you come from money-wise? -£30-40. | 0:27:29 | 0:27:32 | |
£30 paid, so they paid the right price for it. | 0:27:32 | 0:27:34 | |
The next thing I really like. | 0:27:34 | 0:27:36 | |
I think this is just the most super thing. | 0:27:36 | 0:27:38 | |
-Do you like it? -It's great quality. | 0:27:38 | 0:27:40 | |
-Dixons are good makers. -Good Sheffield maker. | 0:27:40 | 0:27:43 | |
I like the fact that the shape to the spirit flask is really sweet | 0:27:43 | 0:27:47 | |
to make it fit in to that domed case. A lot of thought goes into it. | 0:27:47 | 0:27:51 | |
You're going to have to be quite brave with your estimate with this. | 0:27:51 | 0:27:54 | |
Because Catherine's going what they call quite strongly on it. | 0:27:54 | 0:27:57 | |
Who's going to buy it? You're not going to use it, particularly. | 0:27:57 | 0:28:01 | |
So my estimate is coming from the practical sense of it all. | 0:28:01 | 0:28:05 | |
It's historically interesting, but it's £40-60. | 0:28:05 | 0:28:08 | |
I think she's coming from the romantic end of it all, | 0:28:08 | 0:28:11 | |
-and it said £140. -Ouch! -So we've got pragmatist and romantic. | 0:28:11 | 0:28:16 | |
Whether the twain shall meet | 0:28:16 | 0:28:19 | |
will determine whether this team do well or not. | 0:28:19 | 0:28:22 | |
If not, they're going to need their bonus buy. | 0:28:22 | 0:28:24 | |
Let's go and have a look at it. | 0:28:24 | 0:28:26 | |
-Chaps, how are you feeling? -Good, thank you. -This is the leftover lolly moment. | 0:28:27 | 0:28:33 | |
Catherine is going to reveal, did she spend the £87 or not? Catherine? | 0:28:33 | 0:28:37 | |
-Are you ready? You are going to love me. -Yes, I know. | 0:28:37 | 0:28:40 | |
-Oh, my God... -Thank you. We thought you would. | 0:28:40 | 0:28:45 | |
-Yes. -What do you mean you thought she would? | 0:28:45 | 0:28:48 | |
It's the one thing we said we didn't like very much at all. | 0:28:48 | 0:28:51 | |
-Oh, really? -It's a nice four-draw telescope. | 0:28:51 | 0:28:54 | |
Refracting telescope. | 0:28:54 | 0:28:56 | |
If you're going to buy a telescope, that's quite a nice one to buy, | 0:28:56 | 0:29:00 | |
cos it's got a nice little cap on the end. | 0:29:00 | 0:29:03 | |
-And how much? -And for £22. -That was good. | 0:29:03 | 0:29:07 | |
-That's good. -That is going to make money. | 0:29:07 | 0:29:09 | |
-Will it make a profit? -Absolutely. | 0:29:09 | 0:29:11 | |
It's going to make probably about £40. | 0:29:11 | 0:29:16 | |
Any day, this is worth £40. | 0:29:16 | 0:29:18 | |
-Would that be doubling your money, then? -I think it should be. | 0:29:18 | 0:29:21 | |
-You should be really happy about this. -I am. -You hate this, don't you? | 0:29:21 | 0:29:25 | |
Inwardly, I'm filled with joy. | 0:29:25 | 0:29:27 | |
-Outwardly? -Not a chance. -Not a chance. No, seriously, | 0:29:27 | 0:29:31 | |
-it surely won't make less than £22, will it, Catherine? -I really hope not, Tim. | 0:29:31 | 0:29:36 | |
-On your life. -Anyway, you don't decide right now. You decide after the sale of the first three items. | 0:29:36 | 0:29:41 | |
But for the viewers at home, let's find out what the auctioneer thinks about Catherine's scope. | 0:29:41 | 0:29:47 | |
-There you go, Jonathan. Something to get your eye in. -Ah, yes. | 0:29:47 | 0:29:51 | |
It's a very pretty little thing that, isn't it? It's a nice... | 0:29:51 | 0:29:54 | |
Nice little size with the mahogany sleeve, | 0:29:54 | 0:29:59 | |
and it's signed by the maker Chadburn Bros. of Sheffield. | 0:29:59 | 0:30:04 | |
Were they any good? | 0:30:04 | 0:30:06 | |
They were makers to the late Prince Consort, Prince Albert. | 0:30:06 | 0:30:09 | |
So it obviously had a certain merit. It's nice quality, isn't it? | 0:30:09 | 0:30:13 | |
I like the colour of the metal, don't you? When brass is old... | 0:30:13 | 0:30:17 | |
-It's not been cleaned. -It's got a little bit of patination to it. | 0:30:17 | 0:30:21 | |
-What's your estimate? -£40-60. | 0:30:21 | 0:30:24 | |
Really? Catherine's done terribly well. She only paid £22. Good on her. | 0:30:24 | 0:30:29 | |
That's it for the Reds, and now for the Blues, | 0:30:29 | 0:30:31 | |
where it gets even more wacky with Margaret Thatcher. | 0:30:31 | 0:30:36 | |
The collector's piece for this is the Spitting Image connection. | 0:30:36 | 0:30:40 | |
-It's not an unlimited edition or anything, is it? -No. | 0:30:40 | 0:30:43 | |
But if you have the rubber mask and it was used on the programme, | 0:30:43 | 0:30:47 | |
there's only the one. What do you pay for a mass-produced teapot? | 0:30:47 | 0:30:51 | |
My value for that is £20-30. | 0:30:51 | 0:30:54 | |
-You're joking, aren't you? -Not at all. -£20-30? | 0:30:54 | 0:30:57 | |
£125 they paid. Frankly, if you're right, | 0:30:57 | 0:31:00 | |
this is going to be an absolute disaster for our girls. | 0:31:00 | 0:31:03 | |
Anyway, next up is the powder bowl. That's handsome, isn't it? | 0:31:03 | 0:31:06 | |
-1920s style. -An interesting shape, piece of glass. | 0:31:06 | 0:31:11 | |
But it's not overtly 1920s. OK, the stepped top and whatnot, | 0:31:11 | 0:31:15 | |
-but otherwise, it's just a cut-glass bowl, isn't it? -How much? | 0:31:15 | 0:31:18 | |
I've been generous at £20-30, I think. | 0:31:18 | 0:31:20 | |
That's fine. Don't worry. They only paid £20. | 0:31:20 | 0:31:23 | |
Where are we going to go with this not particularly great miniature? | 0:31:23 | 0:31:28 | |
Yeah, personally, I don't think it's painted on ivory. | 0:31:28 | 0:31:31 | |
I think it's some sort of celluloid or something. | 0:31:31 | 0:31:35 | |
The way that this is painted is a bit weak. | 0:31:35 | 0:31:37 | |
There's some Sellotape mark at the top, which is a bit of a pain. | 0:31:37 | 0:31:41 | |
I don't rate it very highly, to be honest. | 0:31:41 | 0:31:43 | |
Where's your estimate coming from? | 0:31:43 | 0:31:45 | |
-£50-70. -OK, £145 paid. | 0:31:45 | 0:31:48 | |
So we have another chasm. In fact, such a huge chasm | 0:31:48 | 0:31:51 | |
there was hardly any bonus buy money left to hand over to the Planter. | 0:31:51 | 0:31:55 | |
But let's see what Thomas Plant spent it on! | 0:31:55 | 0:31:59 | |
-Valery et Patsy... -HE CHUCKLES | 0:32:00 | 0:32:02 | |
You only gave the poor boy £10 of leftover lolly. | 0:32:02 | 0:32:06 | |
-What did you spend it on, Tom? -I didn't spend it all. | 0:32:06 | 0:32:09 | |
I spent £8 on a little treen nail buff. | 0:32:09 | 0:32:13 | |
You unscrew it, and inside is a nail buff | 0:32:13 | 0:32:16 | |
for buffing your nails, and it's lavender flavour or whatever it is. | 0:32:16 | 0:32:20 | |
It's something for the girls, nails... £8, but a bit of treen... | 0:32:20 | 0:32:25 | |
I think it's quite good. This is of boxwood, a little cylindrical vial. | 0:32:25 | 0:32:29 | |
Early 20th century. It's got a bit of nice advertising on there. | 0:32:29 | 0:32:32 | |
-£8! You only gave me a tenner. -I know. We didn't do very... | 0:32:32 | 0:32:36 | |
-It's quite a girly choice, isn't it? -Of course. | 0:32:36 | 0:32:39 | |
I had two beautiful girls. | 0:32:39 | 0:32:41 | |
It's quite quirky, actually. | 0:32:41 | 0:32:44 | |
-You like it, Val? -It grabs my imagination. | 0:32:44 | 0:32:46 | |
-What about you, Pat? -Yeah, I think we might need it. | 0:32:46 | 0:32:49 | |
Do you? Oh dear, that's a confident start to the proceedings. | 0:32:49 | 0:32:54 | |
Anyway, hold that thought. £8 paid. He thinks you'll make a small profit on it. | 0:32:54 | 0:32:59 | |
-For sure! -Meanwhile, for the viewers at home, | 0:32:59 | 0:33:02 | |
let's find out what the auctioneer thinks about Thomas's nail buff. | 0:33:02 | 0:33:05 | |
Well, Jonathan, what do you make of that? | 0:33:06 | 0:33:09 | |
-Nicely turned little box. -It is, a little boxwood box, | 0:33:09 | 0:33:12 | |
-containing... -Something special. -There we go. | 0:33:12 | 0:33:15 | |
A little crayon. "Les fleurs" for polishing "ze nails". | 0:33:15 | 0:33:21 | |
These things are always included with other items in a lot at auction. | 0:33:23 | 0:33:27 | |
-Well, 40 other items. -Yes. | 0:33:27 | 0:33:29 | |
Nice to have seen it with that sort of Mauchline ware type, | 0:33:29 | 0:33:32 | |
maybe some sort of regional transfer on the outside. | 0:33:32 | 0:33:36 | |
That would have made the difference, | 0:33:36 | 0:33:39 | |
where it turns it from a straightforward tenner, you know... | 0:33:39 | 0:33:43 | |
But you've done this job, haven't you? | 0:33:43 | 0:33:45 | |
I mean, it's a tenner. That's all he had, £10. | 0:33:45 | 0:33:48 | |
And you've had that moment, where you only get the £10 to spend | 0:33:48 | 0:33:51 | |
to find something to bring along. | 0:33:51 | 0:33:53 | |
-What do you think you'll get for it? -£10-15. -Do you? | 0:33:53 | 0:33:56 | |
Well, Planter paid £8. We'll look forward to that. Thank you very much. | 0:33:56 | 0:33:59 | |
220, 230... 240. At 240 by the pillar. | 0:34:02 | 0:34:07 | |
-Tel and Paul, how are you feeling? -Very well, thank you. -Confident? -Yes, yes, yes. | 0:34:07 | 0:34:12 | |
-You're going to win today? -Yes, why not? | 0:34:12 | 0:34:15 | |
That confident. | 0:34:15 | 0:34:16 | |
Here comes the gent's scent bottle, and we are on! | 0:34:16 | 0:34:19 | |
Lot 17-19 A. | 0:34:19 | 0:34:21 | |
An early 20th century gentlemen's square glass scent bottle. | 0:34:21 | 0:34:25 | |
I've got £35. | 0:34:25 | 0:34:28 | |
-With me at £35. -Yes, yes! -Yes, yes, yes! | 0:34:28 | 0:34:30 | |
-40, 45. £50 at the back of the room. -We're in profit. -Excellent. | 0:34:30 | 0:34:36 | |
Hey, Terry, you've got the eye. | 0:34:36 | 0:34:38 | |
All done at £50. Any more at £50? It's going, at the back of the room. | 0:34:38 | 0:34:42 | |
At £50 and selling, all done? | 0:34:42 | 0:34:44 | |
-Wow! -Plus £7. How good is that? | 0:34:44 | 0:34:48 | |
Lot 17-20 A. A late Art Deco walnut and chrome metal mantel clock, | 0:34:48 | 0:34:52 | |
circa 1940. Nice-looking lot this. | 0:34:52 | 0:34:55 | |
And I have two matching bids... | 0:34:55 | 0:34:58 | |
of £10. Who will bid me 12? | 0:34:58 | 0:35:00 | |
Is bid, thank you, at 12. Looking for 15. Surely worth more. | 0:35:00 | 0:35:03 | |
15, 18, 20... | 0:35:03 | 0:35:06 | |
22, 25... | 0:35:06 | 0:35:09 | |
-25 with the lady behind. Do I see 28? -Come on, come on, come on! | 0:35:09 | 0:35:12 | |
-£25 in the centre, at £25. -He's going to sell it. -Any more at 25? | 0:35:12 | 0:35:15 | |
Selling, £25. | 0:35:15 | 0:35:17 | |
-Oh, bad luck, Paul. £25. -Never mind. -It's minus £5. | 0:35:17 | 0:35:22 | |
You're still plus £2, though. | 0:35:22 | 0:35:24 | |
-That's a pound each. -Now, James Dixon. | 0:35:24 | 0:35:27 | |
-Here it comes. -A silver-plated hunting case by James Dixon & Sons, | 0:35:27 | 0:35:31 | |
circa 1900. You've the sandwich box, you've got the spirit flask. | 0:35:31 | 0:35:36 | |
And I've got a lot of interest. | 0:35:36 | 0:35:38 | |
I want a lot, a lot, a lot of interest. | 0:35:38 | 0:35:41 | |
Against my estimation, 60, 70, 80... | 0:35:41 | 0:35:45 | |
Here we go, £140. Straight in at £140. £140, who'll bid me 150? | 0:35:45 | 0:35:51 | |
-150, 160... -Look at this, Catherine! Yes! -Yay, well done! | 0:35:51 | 0:35:57 | |
Do I see 180? On the left at £170. Any more? | 0:35:57 | 0:36:00 | |
-Come on! -£170, I'll sell, all done at 170? | 0:36:00 | 0:36:04 | |
-You brilliant woman! How good is that? -Well done! | 0:36:04 | 0:36:07 | |
Is she brilliant or is she not brilliant? | 0:36:07 | 0:36:10 | |
So that is plus £30, all right? | 0:36:10 | 0:36:12 | |
You were plus £2 before. You are plus £32. | 0:36:12 | 0:36:15 | |
What are you going to do about the telescope? Are you going to go with the telescope? | 0:36:15 | 0:36:20 | |
-Yes. -Yes. | 0:36:20 | 0:36:22 | |
-That took a nanosecond. -Are you sure? Cos this, I mean it could... | 0:36:22 | 0:36:26 | |
-Are you happy to go with this? -Yes, I like it. -Yeah. Definitely. | 0:36:26 | 0:36:30 | |
-It should, but it might not. -I don't care. It's a nice telescope. | 0:36:30 | 0:36:34 | |
We've got a universal opinion here. We're going with the bonus buy, | 0:36:34 | 0:36:38 | |
-and here it comes. -Lot 17-24 A. | 0:36:38 | 0:36:40 | |
19th century brass and mahogany four-draw telescope | 0:36:40 | 0:36:43 | |
inscribed Chadburn Bros. of Sheffield. | 0:36:43 | 0:36:46 | |
-I can start at £45. -Yes! -Look at that! | 0:36:46 | 0:36:51 | |
Who'll bid me 50 now? It's £45. Looking for 50. | 0:36:51 | 0:36:55 | |
-Surely worth another 5? -Come on, one more! -It's £45. | 0:36:55 | 0:36:58 | |
Any more at £45? Are we all done? Straight in, maiden bid. | 0:36:58 | 0:37:01 | |
Selling, £45. | 0:37:01 | 0:37:04 | |
-So that is plus £23. 3, 4, 5... -Pressure's off. | 0:37:05 | 0:37:10 | |
That is £55 of profit. | 0:37:10 | 0:37:15 | |
-Wow, that's great. -Entirely, almost, down to the lovely Catherine Southon. | 0:37:15 | 0:37:19 | |
-So well done for that. -Thank you. | 0:37:19 | 0:37:21 | |
The big trick now, boys, is not to say a word to the Blues. All right? | 0:37:21 | 0:37:25 | |
-Do you know how the Reds got on? -No. | 0:37:37 | 0:37:39 | |
-Do you know how those naughty boys did? -No. | 0:37:39 | 0:37:41 | |
No. You don't want to either, I tell you. | 0:37:41 | 0:37:43 | |
Anyway, how confident are you, girls? | 0:37:43 | 0:37:47 | |
-Very! -Yeah. | 0:37:47 | 0:37:49 | |
OK. First up is the Margaret Thatcher teapot, and here it comes. | 0:37:49 | 0:37:53 | |
We have a Luck and Flaw pottery teapot | 0:37:53 | 0:37:56 | |
modelled as Margaret Thatcher, circa 1980... | 0:37:56 | 0:37:58 | |
-So cheeky, isn't it? -And bids I have, | 0:37:58 | 0:38:01 | |
starting at 30, 35, 40, £45. | 0:38:01 | 0:38:06 | |
-£45. -Looking for 50. Bid at £45. Who'll bid 50? | 0:38:06 | 0:38:10 | |
Any further interest at £45? It's 45 against you all, then. | 0:38:10 | 0:38:14 | |
-Commission bid at 45. -I don't like the look of this. | 0:38:14 | 0:38:17 | |
No further interest? At 45 and selling, all done? | 0:38:17 | 0:38:21 | |
£45 is, I'm afraid... | 0:38:21 | 0:38:25 | |
-That's a hell of a loss. -That's a hell of a loss. -£80 down the drain. | 0:38:25 | 0:38:29 | |
I'll do the washing up. | 0:38:29 | 0:38:31 | |
-OK, the powder bowl. Here it comes. -1920s cut-glass | 0:38:31 | 0:38:34 | |
powder bowl and cover with that interesting finial. Someone start me. | 0:38:34 | 0:38:39 | |
Surely start me at £20, someone? £10, then? | 0:38:39 | 0:38:43 | |
-THEY ALL SIGH -Struggling... | 0:38:43 | 0:38:44 | |
10 I'm bid. Let's go up now. Looking for 12. | 0:38:44 | 0:38:47 | |
-It's £12 in the centre. -Oh, dear... -12, thank you. 12. | 0:38:47 | 0:38:50 | |
15, 18... | 0:38:50 | 0:38:52 | |
-Got a bargain. -Come on! -20. | 0:38:52 | 0:38:55 | |
-I'll go twos if you like, 22. -We're going to break even. -22. | 0:38:55 | 0:38:59 | |
-25, madam? 25. -Yes, good girl! | 0:38:59 | 0:39:02 | |
-No? 28? -Go on. One more. | 0:39:02 | 0:39:05 | |
It's £25, then. 28 by the pillar. | 0:39:05 | 0:39:08 | |
-LAUGHS: The tension... -He's trying. -He's trying! | 0:39:09 | 0:39:12 | |
Any more at £28? I'll sell it at £28. | 0:39:12 | 0:39:14 | |
It's £28, all done? | 0:39:14 | 0:39:15 | |
Nice bit of auctioneering, that. | 0:39:15 | 0:39:17 | |
-That is plus £8. -He's good, isn't he? | 0:39:17 | 0:39:19 | |
You are at the moment minus £72. | 0:39:19 | 0:39:22 | |
-So... Here comes the miniature. -The miniature. -The miniature, yes. | 0:39:22 | 0:39:26 | |
36 A, a 1920s portrait miniature of a pretty young lady... | 0:39:26 | 0:39:29 | |
-She's very attractive. -In a nice leather case. | 0:39:29 | 0:39:32 | |
-It could have been me. -And I have bids to 85... 80, 85... | 0:39:32 | 0:39:40 | |
-I've got £90. -There you go! -90. -At £90. | 0:39:40 | 0:39:44 | |
-95, 100. -Oh, we're getting there! | 0:39:44 | 0:39:48 | |
-And 5 and 10. -Oh, go on. He's going to want it. | 0:39:48 | 0:39:51 | |
-And 20 and 30. £130 against you. -Go on. A few more, a few more. | 0:39:51 | 0:39:55 | |
£130. £130 against you all, at 130. Commission bid at 130. Anyone else? | 0:39:55 | 0:39:59 | |
It's £130 and selling, all done? | 0:39:59 | 0:40:02 | |
How annoying. Very close, and much better than people thought. | 0:40:02 | 0:40:06 | |
So well done for that. | 0:40:06 | 0:40:07 | |
That's minus £15. 72, 82... Minus £87. | 0:40:07 | 0:40:13 | |
Minus £87. So what are you going to do? | 0:40:13 | 0:40:16 | |
-Are you going with the bonus buy? -Absolutely. -I think you should do. | 0:40:16 | 0:40:20 | |
If I can get £8 for your nail buff, I think it's rather good fun. | 0:40:20 | 0:40:24 | |
Thomas is a bit of a buff himself, so that's all very nice, isn't it? | 0:40:24 | 0:40:28 | |
You're going with the bonus buy, | 0:40:28 | 0:40:30 | |
and here it comes. | 0:40:30 | 0:40:32 | |
We have a boxwood cylindrical container | 0:40:32 | 0:40:34 | |
enclosing a Boots nail polishing crayon. | 0:40:34 | 0:40:37 | |
I have nothing, so start me at £10, someone. | 0:40:37 | 0:40:41 | |
Any interest at £10? Start me at 10. I can't go lower than a tenner. | 0:40:41 | 0:40:45 | |
Any interest at 10? £10, surely? | 0:40:45 | 0:40:47 | |
-Surely! -£8, then? | 0:40:47 | 0:40:50 | |
Cor blimey... You're a tough bunch now. | 0:40:50 | 0:40:53 | |
-It's like tumbleweed, isn't it? -Any interest at 8? 5? | 0:40:53 | 0:40:57 | |
£5. Come on, £5. Jill? You'll do a fiver, thank you very much. | 0:40:57 | 0:41:02 | |
-£5 is bid. -Well done, Jill. -Well done, Jill. -Let's go up. | 0:41:02 | 0:41:05 | |
There we go. £5 is bid. £6, someone? | 0:41:05 | 0:41:07 | |
5. Let's go upwards. It's £5 at the front. Are we all done? | 0:41:07 | 0:41:11 | |
Your nails are all far too tidy, then. It's £5 and selling. | 0:41:11 | 0:41:16 | |
-There we go. -£5, minus £3. | 0:41:16 | 0:41:18 | |
I'm not suggesting for a minute yours aren't. I'm sorry, Jill. | 0:41:18 | 0:41:21 | |
-Minus £90. -Oh, excellent. | 0:41:21 | 0:41:23 | |
-It's not quite a record, then. -That's right. -Nice round number though, isn't it? | 0:41:23 | 0:41:27 | |
-It's just ghastly! -Well, I have to say, £90 could be a winning score. | 0:41:27 | 0:41:33 | |
Could be. It's happened before. We've had losses of more than £90, I promise you. | 0:41:33 | 0:41:37 | |
Substantially more, so there's no shame in that, I can tell you. | 0:41:37 | 0:41:41 | |
Anyway, the big thing is, don't mention it to the Reds. | 0:41:41 | 0:41:44 | |
All will be revealed in a moment. | 0:41:44 | 0:41:46 | |
Well, what a programme of contrasts today! | 0:41:53 | 0:41:56 | |
-Have you been chatting at all, the boys and the girls? -No, we haven't. -Not a word. | 0:41:56 | 0:42:00 | |
Well, this is the exciting moment, because who is ahead? | 0:42:00 | 0:42:04 | |
We don't have losers any more, we only have runners-up, | 0:42:04 | 0:42:07 | |
and the runners-up today are, I'm sad to say, | 0:42:07 | 0:42:10 | |
-the girls. -ALL: Oh... | 0:42:10 | 0:42:12 | |
The girls are runners-up because they managed to lose £90. | 0:42:12 | 0:42:16 | |
-LAUGHTER -Largely made up by the Margaret Thatcher teapot, I have to say. | 0:42:16 | 0:42:21 | |
That substantial loss was a difficult moment to recover from, so bad luck, girls. | 0:42:21 | 0:42:26 | |
-Have you had a nice time? -Lovely! -We've loved having you on the show. | 0:42:26 | 0:42:30 | |
It's been brilliant. But the victors today, | 0:42:30 | 0:42:32 | |
-who are going home with £55 in cash... -THEY CHEER | 0:42:32 | 0:42:37 | |
-Look at this! -Thank you very much indeed, sir. -There is £55 coming over. | 0:42:37 | 0:42:41 | |
Congratulations. I hope you've enjoyed it. | 0:42:41 | 0:42:44 | |
We've loved having you on the show. | 0:42:44 | 0:42:45 | |
Join us soon for some more Bargain Hunting, yes? | 0:42:45 | 0:42:48 | |
ALL: Yes! | 0:42:48 | 0:42:49 | |
Subtitles by Red Bee Media Ltd | 0:43:09 | 0:43:10 | |
E-mail [email protected] | 0:43:10 | 0:43:12 |