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Today, two teams of good friends go head-to-head | 0:00:06 | 0:00:10 | |
in the ultimate game of bagging bargains. | 0:00:10 | 0:00:12 | |
No doubt there will be lots of twists and turns, | 0:00:12 | 0:00:15 | |
so let's go Bargain Hunting! Yeah! | 0:00:15 | 0:00:18 | |
Today we're at the Devon County Showground | 0:00:44 | 0:00:46 | |
where there's a vast assortment of antiques and collectables. | 0:00:46 | 0:00:50 | |
But here is a snippet of what's coming up. | 0:00:50 | 0:00:53 | |
The reds employ desperate tactics. | 0:00:54 | 0:00:57 | |
You wouldn't take 50? No. Not 52? No, 55. | 0:00:57 | 0:01:00 | |
Not 52 and a half? No, 55. | 0:01:00 | 0:01:03 | |
Not even if... No, you're trying. Not even if I did a tap dance? | 0:01:03 | 0:01:06 | |
To match, the blues go all-out for a bargain. | 0:01:08 | 0:01:11 | |
32? No, 35. | 0:01:11 | 0:01:13 | |
33? 35. | 0:01:13 | 0:01:16 | |
34? 35! | 0:01:16 | 0:01:18 | |
But will all that effort produce a profit at auction? | 0:01:20 | 0:01:23 | |
But that's all still to come. First, let me remind you of the rules. | 0:01:24 | 0:01:28 | |
Each team gets £300 and an hour to shop for three items | 0:01:28 | 0:01:32 | |
which they sell later at auction. | 0:01:32 | 0:01:34 | |
The team that wins is the team that makes the most profit. | 0:01:34 | 0:01:38 | |
Let's meet the teams. | 0:01:38 | 0:01:41 | |
On Bargain Hunt today we have two teams of friends. | 0:01:43 | 0:01:46 | |
For the reds, Gerry and Keith. | 0:01:46 | 0:01:48 | |
And for the blues, Emma and Soph. Hi, guys. Hello! | 0:01:48 | 0:01:52 | |
Lovely to see you. Gerry, how did you two become friends? | 0:01:52 | 0:01:55 | |
We met 11 years ago. I was in a band and we needed a drummer. | 0:01:55 | 0:02:00 | |
And Keith fitted the bill, so to speak. | 0:02:00 | 0:02:05 | |
We've been friends ever since. | 0:02:05 | 0:02:06 | |
We're not in the band any more, but we remained friends. | 0:02:06 | 0:02:09 | |
Do you still like to sing? I love to. That's what I do for a job. | 0:02:09 | 0:02:13 | |
I sing all the time. What do you like to sing? | 0:02:13 | 0:02:16 | |
Anything from Nat King Cole, ZZ Top and, of course, Adele. Very popular. | 0:02:16 | 0:02:23 | |
You're also a world record holder? I was. Don't be modest! | 0:02:23 | 0:02:28 | |
A long time ago, five years ago, a group of 12 of us | 0:02:28 | 0:02:32 | |
did a VersaClimber challenge over a 24-hour period. | 0:02:32 | 0:02:37 | |
We climbed 210,886 feet in 24 hours. | 0:02:37 | 0:02:41 | |
But it was beaten, so I'm not a world record holder any more. | 0:02:41 | 0:02:45 | |
So are you going up a wall, then, rather than Mount Everest? | 0:02:45 | 0:02:49 | |
It's a piece of equipment which is a long pole and you've got two pedals. | 0:02:49 | 0:02:54 | |
And two handles. | 0:02:54 | 0:02:56 | |
And you get on and you go... Thank you! | 0:02:56 | 0:03:00 | |
We go like that. You don't actually go anywhere, you keep... You stay where you are but make an elevation. | 0:03:00 | 0:03:06 | |
And you go as fast as you can and as far as you can. | 0:03:06 | 0:03:09 | |
You must be terribly fit? I was. | 0:03:09 | 0:03:12 | |
I've put on a few pounds since then! I don't know. Looks OK to me! | 0:03:12 | 0:03:17 | |
Keith, you're quite a serious music fan, then? | 0:03:18 | 0:03:21 | |
A professional. A professional session drummer. | 0:03:21 | 0:03:24 | |
This is my 45th year. I started when I was 15 and I'm 60 now. | 0:03:24 | 0:03:27 | |
Gosh. And it's inspired a collecting hobby for you, too. | 0:03:27 | 0:03:32 | |
Yes, I've got a collection of 14 drum kits. | 0:03:32 | 0:03:35 | |
Are you looking forward to today? Yes, it'll be a good competition. We'll have a good time. | 0:03:35 | 0:03:41 | |
We look forward to the results. Good luck with that. | 0:03:41 | 0:03:44 | |
Now, girls. | 0:03:44 | 0:03:45 | |
Emma, what do you do for a living? Weekdays I work in a fashion shop. | 0:03:45 | 0:03:50 | |
On Saturdays I work in a BMX and skateboarding shop. | 0:03:50 | 0:03:53 | |
Can you do this BMX biking yourself? No! | 0:03:53 | 0:03:57 | |
What about skateboarding? No. | 0:03:57 | 0:03:59 | |
This is going rather well! How did your interest in antiques come about? | 0:03:59 | 0:04:05 | |
When me and my twin sister were young, about six or seven, | 0:04:05 | 0:04:10 | |
my grandma and granddad used to hide the coins granddad collected under various rugs in the house. | 0:04:10 | 0:04:16 | |
We used to go with a metal detector and find them! Really? What fun! Yes. | 0:04:16 | 0:04:21 | |
It became a bit tedious for my grandparents, though! | 0:04:21 | 0:04:24 | |
You wanted to do it every ten minutes! | 0:04:24 | 0:04:27 | |
Finding cash. Soph, what do you do for a living? | 0:04:27 | 0:04:30 | |
I've just graduated from university. I currently work in an after-school club. | 0:04:30 | 0:04:36 | |
Tell me about your middle name. My made-up middle name! | 0:04:36 | 0:04:39 | |
When I was in school, I was jealous because all my friends had middle names. | 0:04:39 | 0:04:43 | |
So lied and said it was Apricot and my granddad was an apricot farmer. | 0:04:43 | 0:04:48 | |
Then the name stuck since. I've just kept it. | 0:04:48 | 0:04:51 | |
Are you Sophie Apricot or Apricot Sophie? Sophie Apricot. | 0:04:51 | 0:04:54 | |
Do you ever get Apricot on its own? No. It's a nice name. It's cute. | 0:04:54 | 0:04:59 | |
Sophie, how do you think you'll get on today? | 0:04:59 | 0:05:01 | |
I don't know. What we don't have in knowledge, we might make up in enthusiasm! | 0:05:01 | 0:05:06 | |
That's a very good answer. Thank you. | 0:05:06 | 0:05:09 | |
Anyway, | 0:05:09 | 0:05:10 | |
the money moment. £300 apiece. There. You know the rules. | 0:05:10 | 0:05:13 | |
Your experts await. Off you go, and very, very good luck! | 0:05:13 | 0:05:17 | |
Hmm. Timothy Apricot Wonnacott. | 0:05:17 | 0:05:20 | |
Doesn't really do it, does it? | 0:05:20 | 0:05:23 | |
Escorting our bargain hunters today, | 0:05:26 | 0:05:28 | |
distinguished expert Philip Serrell with the reds. | 0:05:28 | 0:05:32 | |
And sassy Catherine Southon will guide the blues. | 0:05:33 | 0:05:36 | |
Let's see how they get on. | 0:05:39 | 0:05:41 | |
OK, girls, this is it. £300, one hour. | 0:05:42 | 0:05:46 | |
Sorry, I can't stop laughing! | 0:05:46 | 0:05:48 | |
Tell you what, the best plan is to have no plan. | 0:05:48 | 0:05:51 | |
Open mind. We're with you on that one. I've got an open mind. | 0:05:51 | 0:05:55 | |
It's got nothing in it! I'm with you all the way there. | 0:05:55 | 0:05:59 | |
One hour, £300. | 0:05:59 | 0:06:01 | |
Three things to buy. Are you excited? Yes, very. | 0:06:01 | 0:06:04 | |
Do you know what you're going to buy? Something odd. Something odd. | 0:06:04 | 0:06:08 | |
OK. | 0:06:08 | 0:06:10 | |
Right. Let's get started. I think we should go that way. OK. | 0:06:10 | 0:06:14 | |
So, two bubbly blondes versus a rock drummer and a record breaker. | 0:06:14 | 0:06:19 | |
Who would you put your money on? | 0:06:19 | 0:06:22 | |
Ah. Phil Serrell's spotted some of his favourite porcelain. | 0:06:29 | 0:06:33 | |
Billy Powell was the best Worcester painter of birds. | 0:06:33 | 0:06:38 | |
He was fantastic. There was a Walter Powell and a Billy Powell. | 0:06:38 | 0:06:41 | |
Both signed their works W.Powell. No-one's sure which is which. | 0:06:41 | 0:06:45 | |
If that came into my sale room, I'd put 80 to £120 as an estimate on it. | 0:06:45 | 0:06:49 | |
So in my eyes, you'd need to buy that for around the £80 mark | 0:06:49 | 0:06:54 | |
to show you a cast-iron profit. | 0:06:54 | 0:06:56 | |
I think that's lovely. Do you like it? | 0:06:56 | 0:06:59 | |
I can tell from the forest of enthusiasm behind me | 0:06:59 | 0:07:02 | |
that it's time to swiftly walk on. I don't like it. It's beautifully made. | 0:07:02 | 0:07:07 | |
I can take rejection. Honestly... I can take it. | 0:07:07 | 0:07:10 | |
No, I'm not attracted to that at all. | 0:07:10 | 0:07:12 | |
Sorry. There are some things you can't hide from the camera. | 0:07:12 | 0:07:16 | |
I'll see you later. Thank you very much. Sorry. It's a no deal! | 0:07:16 | 0:07:20 | |
I'd say... I love that dog! Which dog? I love that dog. | 0:07:27 | 0:07:30 | |
Which dog? That dog! It's so cute! | 0:07:30 | 0:07:33 | |
Let's see how much it is. | 0:07:37 | 0:07:38 | |
What date is the dog? | 0:07:38 | 0:07:41 | |
Sweetest thing you've ever seen. | 0:07:41 | 0:07:43 | |
I think that's nice. Oh. The horse. | 0:07:43 | 0:07:46 | |
Does that say £1,900? No, no, that's the date! | 0:07:46 | 0:07:50 | |
Oh! That's the date! Right. | 0:07:50 | 0:07:52 | |
1900, dear! | 0:07:52 | 0:07:53 | |
A-hem! Important not to confuse dates and prices, dearie! | 0:07:53 | 0:07:58 | |
145. Do you love it, Soph? I don't love it... OK. | 0:07:58 | 0:08:02 | |
I think that's quite dinky. But it's a lot of money at 145. | 0:08:02 | 0:08:05 | |
It would need to be about 60. Yeah. | 0:08:05 | 0:08:08 | |
No, I don't think we can haggle that much. | 0:08:08 | 0:08:11 | |
I like that. Is it 1,400? | 0:08:11 | 0:08:13 | |
A child's rustic wooden toy priced at £1,900. That would be worth seeing! | 0:08:13 | 0:08:19 | |
These little Vesta cases have come up massively in value. | 0:08:24 | 0:08:27 | |
Silver, five years ago, was three quid an ounce. | 0:08:27 | 0:08:31 | |
Scrap silver is now like £20-odd an ounce. | 0:08:31 | 0:08:33 | |
So all of a sudden, things like this that used to be 20 quid are now 60 and £70. | 0:08:33 | 0:08:38 | |
These are lovely. That's not overly dear. Personally, | 0:08:38 | 0:08:42 | |
I'd leave that alone for auction. Right. There we go. | 0:08:42 | 0:08:46 | |
You've been told, Keith. I've been told. | 0:08:46 | 0:08:48 | |
Any of those that you really like? | 0:08:48 | 0:08:50 | |
I really like that one. | 0:08:50 | 0:08:51 | |
I really like that. Quite novel. | 0:08:51 | 0:08:54 | |
It's different, it's smart. It would appeal to more people. | 0:08:54 | 0:08:57 | |
I think that really is... You say it's 1906? Yep. | 0:08:57 | 0:09:01 | |
It's a continental piece of silver and it's priced at how much? | 0:09:01 | 0:09:05 | |
We've got 125 on it. Can we get it under 100? | 0:09:05 | 0:09:08 | |
We could do 105. | 0:09:08 | 0:09:11 | |
Would you put that by for us for an hour, if we come back? We can. | 0:09:11 | 0:09:15 | |
The lady's nodding. Can't guarantee we'll buy it. | 0:09:15 | 0:09:18 | |
Thank you very much. We've got to be fair. See you later on. | 0:09:18 | 0:09:21 | |
Come on. Let's go. | 0:09:21 | 0:09:23 | |
Come on. | 0:09:23 | 0:09:24 | |
Now, can Sophie and Emma find something to appeal? | 0:09:29 | 0:09:34 | |
I like this. Can you see that? | 0:09:34 | 0:09:36 | |
Owls are my favourite things in the whole world! | 0:09:36 | 0:09:39 | |
We're looking out for owls. I love them. Why do you love owls? They're cute. | 0:09:39 | 0:09:43 | |
What do you think about the object? It's a tape measure, so you pull it out. | 0:09:43 | 0:09:48 | |
Yeah. I like his eyes. | 0:09:48 | 0:09:50 | |
It's really cute. How much? | 0:09:50 | 0:09:52 | |
I love the feather detail. Yeah. Very pretty. | 0:09:52 | 0:09:55 | |
I love the feather detail. Yeah. Very pretty. | 0:09:55 | 0:09:56 | |
What would be your lowest on this, please? | 0:09:56 | 0:09:59 | |
Do cute owl eyes! | 0:09:59 | 0:10:01 | |
"Try your cute owl eyes"? | 0:10:03 | 0:10:05 | |
It would be 35. | 0:10:06 | 0:10:08 | |
Oh. I don't think so. | 0:10:08 | 0:10:10 | |
Could we come back? You can do anything you like. | 0:10:10 | 0:10:14 | |
Would that be OK if we have a potter around? | 0:10:14 | 0:10:16 | |
Thank you. I do really like it. | 0:10:16 | 0:10:19 | |
Thank you, sir. Thank you very much. Thank you. | 0:10:19 | 0:10:22 | |
Shall we head down there? Definitely. | 0:10:22 | 0:10:24 | |
OK. Both sides have something to think about. | 0:10:29 | 0:10:32 | |
But I've been browsing, too. | 0:10:32 | 0:10:33 | |
No Bargain Hunt would be complete without the discovery of a spectacular little box. Like this. | 0:10:35 | 0:10:41 | |
Don't you think that's beautiful? And very unusual. | 0:10:41 | 0:10:45 | |
This thing, basically, is made out of a South Sea island shell. | 0:10:45 | 0:10:51 | |
Now, I'm no conchologist and can't identify precisely which shell this is. | 0:10:51 | 0:10:58 | |
But originally, its outer surface would have been smooth | 0:10:58 | 0:11:03 | |
and it would have had lots of brown and pink flecks. | 0:11:03 | 0:11:06 | |
A bit like a tiger shell. | 0:11:06 | 0:11:09 | |
Except the box maker that made this | 0:11:09 | 0:11:12 | |
has very carefully and cunningly | 0:11:12 | 0:11:14 | |
cut the surface with a series of vertical cuts | 0:11:14 | 0:11:19 | |
making this radiating series of bands | 0:11:19 | 0:11:23 | |
which rise from the bottom. | 0:11:23 | 0:11:25 | |
Indeed, if I open it up, you can see the smooth shell inside | 0:11:25 | 0:11:29 | |
and it's even more shiny. | 0:11:29 | 0:11:31 | |
But it's when you come to the foot rim | 0:11:31 | 0:11:34 | |
that you see something really unusual. | 0:11:34 | 0:11:36 | |
Instead of that being a solid piece of silver, | 0:11:36 | 0:11:39 | |
the silversmith has pierced this with an arabesque, | 0:11:39 | 0:11:42 | |
a complicated series of piercings | 0:11:42 | 0:11:46 | |
which go to make up meandering foliage. | 0:11:46 | 0:11:49 | |
It's very unusual. | 0:11:49 | 0:11:51 | |
So when does it date from? | 0:11:51 | 0:11:52 | |
At earliest, it might be about 1840 or so. What's it worth? | 0:11:52 | 0:11:56 | |
Well, here in the fair, it could be yours for £40. | 0:11:56 | 0:12:01 | |
What might it make elsewhere, | 0:12:01 | 0:12:04 | |
properly identified and decently catalogued? | 0:12:04 | 0:12:07 | |
Well, shall we say about 400? | 0:12:07 | 0:12:11 | |
Now, can our teams find something with equal potential? | 0:12:15 | 0:12:19 | |
Is it an ashtray? No, it's not. This is quite cool, actually. | 0:12:19 | 0:12:23 | |
It's a nutcracker. Oh! | 0:12:23 | 0:12:26 | |
It's in the form of a ship's wheel. | 0:12:26 | 0:12:28 | |
This is not the sort of thing you'd normally go for. | 0:12:28 | 0:12:31 | |
I think we've realised maybe cute but functional as well. | 0:12:31 | 0:12:35 | |
Like the tape measure wasn't just an ornament. | 0:12:35 | 0:12:38 | |
Problem is, I'm not sure it's of the highest quality. | 0:12:38 | 0:12:41 | |
Seeing that owl tape measure, | 0:12:41 | 0:12:43 | |
I'm not going to like anything else as much! | 0:12:43 | 0:12:46 | |
Oh, I'm sure you will, Emma. Keep at it, girl. | 0:12:46 | 0:12:49 | |
I love this stuff. It's absolutely fantastic. | 0:12:56 | 0:12:59 | |
I think it's a sure-fire way to lose money at auction! Yes, I'm not keen. | 0:12:59 | 0:13:05 | |
I think you could spend 150 quid on something here | 0:13:05 | 0:13:08 | |
and you could lose serious money. | 0:13:08 | 0:13:11 | |
It's about cutting down the risks, this bargain hunting. | 0:13:11 | 0:13:14 | |
We've got to cut down the risks. Yeah. | 0:13:14 | 0:13:17 | |
So I think we should move on a bit. | 0:13:17 | 0:13:19 | |
I love this here, Brian Wilshire. That's nice. Yes. | 0:13:19 | 0:13:23 | |
I sold some Brian Wilshire not long ago and got between 300 and £600 for it. Really? | 0:13:23 | 0:13:28 | |
It's different. Well, it is. | 0:13:28 | 0:13:30 | |
To be truthful, when it first came in, I thought it was somebody's A level project! | 0:13:30 | 0:13:35 | |
Emma and Sophie have come back to something that could measure up. | 0:13:38 | 0:13:42 | |
I think we're going to have the owl. | 0:13:42 | 0:13:45 | |
Shake the chap's hand. What did you say? 30? 32. | 0:13:45 | 0:13:49 | |
Are you happy with that? Yes, I really like it. | 0:13:49 | 0:13:52 | |
32? That's fine. Thank you. | 0:13:52 | 0:13:55 | |
So, finally, the blues are off the mark. | 0:13:55 | 0:13:58 | |
But will their owl tape measure fly at auction? | 0:13:58 | 0:14:02 | |
The reds have bought nothing. Phil, you have to get them up to speed! | 0:14:06 | 0:14:11 | |
I think we need to have a bit of a plan and walk a bit quicker! OK! My legs are old! | 0:14:11 | 0:14:17 | |
Three-quarters of the shopping time has gone and only a single purchase so far. | 0:14:18 | 0:14:23 | |
But the girls have their eyes on a fancy pen and letter opener. | 0:14:23 | 0:14:28 | |
What do you think of that? I like it. It doesn't excite me. No. | 0:14:28 | 0:14:32 | |
It's nice quality and in the original case. | 0:14:32 | 0:14:35 | |
I'm just thinking about the time. | 0:14:35 | 0:14:37 | |
What's your best price on that one? | 0:14:37 | 0:14:39 | |
90? | 0:14:39 | 0:14:41 | |
It looks continental, so probably French. | 0:14:44 | 0:14:47 | |
This is silver. | 0:14:47 | 0:14:49 | |
And ivory. | 0:14:49 | 0:14:52 | |
And enamel. | 0:14:52 | 0:14:53 | |
The thing I would say is there's quite a bit of wear. Yeah. | 0:14:53 | 0:14:57 | |
But it's just unusual to have a nice set like that. I do like it. | 0:14:57 | 0:15:02 | |
We've got 15 minutes and... Yeah. | 0:15:02 | 0:15:06 | |
We'll go with it? Can we shake your hand and say yes to 90? | 0:15:06 | 0:15:09 | |
Oh, she's going for it. I'm worried about the time. | 0:15:09 | 0:15:12 | |
Do you not want to? It's entirely up to you. It's your call. | 0:15:12 | 0:15:16 | |
You're passing the blame! What do you think, Emma? | 0:15:16 | 0:15:19 | |
Can we just think about it for two minutes? Yes. | 0:15:19 | 0:15:22 | |
We can think about it for two minutes, at £90. | 0:15:22 | 0:15:25 | |
OK. Is that all right? Thank you. But we need to hurry up. | 0:15:25 | 0:15:28 | |
Like you said, the condition. | 0:15:28 | 0:15:30 | |
Yes, blues, you DO need to hurry up! | 0:15:30 | 0:15:32 | |
But that's nothing compared to the reds. After 50 minutes, they have nothing to show for it. | 0:15:32 | 0:15:37 | |
I think this fantastic. | 0:15:42 | 0:15:44 | |
This is from the time of the Napoleonic Wars. It's made from straw on wood. | 0:15:44 | 0:15:48 | |
You can see the design of it. | 0:15:48 | 0:15:51 | |
This is a French prisoner of war straw-work box. | 0:15:51 | 0:15:57 | |
It's got there somewhere between 1790 and 1815. | 0:15:57 | 0:16:00 | |
Now, I spoke with the man earlier. | 0:16:00 | 0:16:03 | |
His ticket price is £75. Yes. | 0:16:03 | 0:16:07 | |
The best price he'll do it for is £60. | 0:16:07 | 0:16:10 | |
What do you think? Um... | 0:16:10 | 0:16:11 | |
I can feel enthusiasm waving over me! I like it. Yeah. | 0:16:11 | 0:16:15 | |
You like it? I like it because of the history. | 0:16:15 | 0:16:18 | |
I like this one, actually, Phil. You like that one. | 0:16:18 | 0:16:21 | |
OK. I can sense a solution coming on here. | 0:16:21 | 0:16:24 | |
You like this one? Why? It's the inlay and just the feel of it. | 0:16:24 | 0:16:30 | |
You prefer this? Yes. This one is priced at £75. | 0:16:30 | 0:16:33 | |
That's the ticket price. He may give you a bit off. You can buy both. See who's right! | 0:16:33 | 0:16:38 | |
Oh, no! Oh, yes! | 0:16:38 | 0:16:40 | |
Yeah! Oh, no! Yeah. Thank you, Phil. | 0:16:42 | 0:16:45 | |
Basically, Gerry loves this. Keith loves this. | 0:16:46 | 0:16:49 | |
So I suggested if they buy both, they can see who's right and who's wrong. | 0:16:49 | 0:16:53 | |
He needs to talk to you on ticket price. I'm out of this. | 0:16:53 | 0:16:57 | |
VENDOR: It's got 75 on it, but I'LL do it for 55. | 0:16:57 | 0:16:59 | |
55. My very best on that. | 0:16:59 | 0:17:01 | |
You wouldn't take 50? No. Not 52? | 0:17:01 | 0:17:04 | |
No. 55. Not even 52 and a half? | 0:17:04 | 0:17:06 | |
No, 55. | 0:17:06 | 0:17:07 | |
Not even if... No, you're trying, Keith. | 0:17:07 | 0:17:10 | |
Not even if I did a tap dance? I hate tap dance! And your best price on this one was? | 0:17:10 | 0:17:15 | |
That one's 60. 60. I just wanted to test you. | 0:17:15 | 0:17:17 | |
If you buy both, I'll take an extra fiver off. | 0:17:17 | 0:17:20 | |
So I've got mine to 55. Then it's a totally even battle. | 0:17:20 | 0:17:23 | |
We'll make a deal there. OK. Thank you. Thank you very much. | 0:17:23 | 0:17:27 | |
So suddenly the reds have two items. | 0:17:27 | 0:17:30 | |
And have set up a mini contest between themselves. | 0:17:30 | 0:17:34 | |
We're going to get the pen. OK. Go and get the pen. | 0:17:34 | 0:17:37 | |
While the blues run back for the pen set. | 0:17:37 | 0:17:40 | |
My very best on this is £90. | 0:17:42 | 0:17:45 | |
I can't do any less than that. | 0:17:45 | 0:17:47 | |
OK. We will buy it, yes? Yeah. 90. Thank you very much. Thank you. | 0:17:47 | 0:17:52 | |
Are you happy? Yeah. Good. Happy? Yes. | 0:17:54 | 0:17:57 | |
We've still got one more thing to buy, ladies. We've got to run off. | 0:17:57 | 0:18:02 | |
Only minutes left, and Gerry's doing a sprint finish! | 0:18:07 | 0:18:10 | |
Hello. Hello. | 0:18:11 | 0:18:13 | |
Hello. You haven't sold that silver match stick holder? | 0:18:13 | 0:18:16 | |
I'd like to buy it from you if I may, please. | 0:18:16 | 0:18:19 | |
No, we haven't. Good. I'm out of breath now! | 0:18:19 | 0:18:21 | |
Brilliant. OK. Well, could I have it please? The price was? | 0:18:21 | 0:18:25 | |
105. OK. We'll shake on that. | 0:18:25 | 0:18:28 | |
Yes. Thank you very much. We'll wrap it for you. Thanks. | 0:18:28 | 0:18:31 | |
Well done, reds. Home and dry. | 0:18:31 | 0:18:33 | |
But look at the blues. | 0:18:34 | 0:18:36 | |
No time to dither, girls! | 0:18:36 | 0:18:39 | |
We are looking for our last piece. We want the most beautiful piece of silver at a beautiful price. | 0:18:40 | 0:18:46 | |
Spoons? Enamelled spoons? | 0:18:46 | 0:18:49 | |
I like them. Can they be really especially cheap? | 0:18:49 | 0:18:54 | |
Please? Please. | 0:18:54 | 0:18:55 | |
Please, please, please? | 0:18:55 | 0:18:57 | |
We've got 85. Birmingham. 1919. | 0:18:57 | 0:19:00 | |
Blues. Yes. Blue for the blue team. | 0:19:00 | 0:19:04 | |
Yes, in a little presentation case. | 0:19:04 | 0:19:06 | |
The thing is these aren't the easiest things to sell | 0:19:06 | 0:19:10 | |
unless this lovely chap will give us a reasonable price on them. | 0:19:10 | 0:19:14 | |
The condition is very good. Yes. I can do the very best at £45. | 0:19:14 | 0:19:19 | |
Could you do 30? Please? Please? | 0:19:19 | 0:19:23 | |
Say please, breeze. | 0:19:23 | 0:19:24 | |
Can we agree on 35? | 0:19:24 | 0:19:27 | |
32. No, 35. | 0:19:27 | 0:19:30 | |
33. 35. | 0:19:30 | 0:19:32 | |
34. 35. | 0:19:32 | 0:19:34 | |
35 it is. | 0:19:34 | 0:19:36 | |
Are you happy? I have to be. You tried hard. | 0:19:36 | 0:19:40 | |
Yeah, that's fine. We haven't got any time anyway, so yeah. | 0:19:40 | 0:19:44 | |
I'm not worried. Happy? Yeah. Happy. | 0:19:44 | 0:19:47 | |
Happy. As long as we're happy. | 0:19:48 | 0:19:50 | |
So, in the nick of time, the blues agreed on their third purchase. | 0:19:50 | 0:19:54 | |
Phew! | 0:19:54 | 0:19:56 | |
Right, that's it. No more time left to shop. | 0:19:57 | 0:20:01 | |
But before we give the experts the leftover lolly, | 0:20:01 | 0:20:04 | |
let's check out what the red team have bought. | 0:20:04 | 0:20:07 | |
Gerry sang the praises of a prisoner of war straw-work box at £55. | 0:20:07 | 0:20:12 | |
Keith drummed up enthusiasm for a marquetry box at the same price. | 0:20:12 | 0:20:17 | |
And the reds sprinted home with a silver box shaped like a shirt | 0:20:19 | 0:20:23 | |
at 105. Let's hope they don't lose theirs! | 0:20:23 | 0:20:26 | |
Has that reached resolution with those boxes? Who's going to win? | 0:20:27 | 0:20:30 | |
I'll definitely win. I'll win, Phil. No, I've got history in mine. No, but... | 0:20:30 | 0:20:36 | |
Is there an argument here? Mine's bigger! I beg your pardon? | 0:20:36 | 0:20:40 | |
Listen, how much did you spend all round? | 0:20:40 | 0:20:43 | |
£215. 215. Who's got the £85? | 0:20:43 | 0:20:46 | |
I have. £85. Thank you very much, Keith. | 0:20:46 | 0:20:50 | |
Which is your favourite piece? I like the silver match holder. | 0:20:50 | 0:20:54 | |
Do you? Yes. And you, Gerry? Same. I really like that. What are you arguing about? | 0:20:54 | 0:20:59 | |
The boxes, Tim. It's the size of them. I want to win. | 0:20:59 | 0:21:02 | |
And yours is bigger. It is. I see. OK. | 0:21:02 | 0:21:06 | |
But mine is older. Yours is older. More history. | 0:21:06 | 0:21:09 | |
So you think yours will bring a profit. I hope so. We'll see. | 0:21:09 | 0:21:13 | |
We will. That's the lovely thing about going to auction. | 0:21:13 | 0:21:16 | |
I'm keeping well away from the boxing match. Very sensible. Spend your £85 wisely! | 0:21:16 | 0:21:22 | |
Good luck. Meanwhile, let's check out what the blue team bought. | 0:21:22 | 0:21:26 | |
Emma pulled out a 1930s tape measure | 0:21:26 | 0:21:28 | |
with owl eyes for £32. | 0:21:28 | 0:21:31 | |
Sophie drew up a 1920s cased French pen and paper-knife set for £90. | 0:21:33 | 0:21:39 | |
And the girls completed their trio with six silver teaspoons | 0:21:39 | 0:21:43 | |
that cost them 35. | 0:21:43 | 0:21:45 | |
Emma and Sophie, are you happy, girls? Yes. A bit frantic. | 0:21:48 | 0:21:51 | |
I mean three beauties all together. Amazing, isn't it? | 0:21:51 | 0:21:55 | |
Which is your favourite piece? | 0:21:55 | 0:21:57 | |
The owl tape measure. Do you agree, Sophie? Yes, it's cute and weird. | 0:21:57 | 0:22:02 | |
Will it bring the biggest profit? I don't think so, but maybe. | 0:22:02 | 0:22:06 | |
Life's like that, isn't it? Yeah. | 0:22:06 | 0:22:08 | |
How much did you spend all round? | 0:22:08 | 0:22:10 | |
£157. 157. | 0:22:10 | 0:22:13 | |
Then I would like, please, £143 of leftover lolly. | 0:22:13 | 0:22:19 | |
Thank you. There you go, Catherine. What are you going to spend it on? | 0:22:19 | 0:22:22 | |
I'm going to buy something beautiful and stylish like these lovely ladies. | 0:22:22 | 0:22:27 | |
Ooh, you're such a one, you are! | 0:22:27 | 0:22:29 | |
Anyway, good luck. Good luck, girls. | 0:22:29 | 0:22:32 | |
Do you know, I feel a bit of a castle coming on! | 0:22:32 | 0:22:35 | |
Sherborne Castle, actually. | 0:22:38 | 0:22:40 | |
It was built originally by Sir Walter Raleigh in the late 16th century. | 0:22:40 | 0:22:44 | |
It houses an assortment of treasures and some breathtaking furniture | 0:22:44 | 0:22:49 | |
including pieces created from a fascinating catalogue, | 0:22:49 | 0:22:52 | |
a craftsman's bible. | 0:22:52 | 0:22:54 | |
By the middle of the 18th century, the firm Ince and Mayhew | 0:22:56 | 0:23:02 | |
were set to rival the great Thomas Chippendale. | 0:23:02 | 0:23:06 | |
Because in 1762, they brought out their own design book | 0:23:06 | 0:23:12 | |
and here we've got an original 1762 edition of that. | 0:23:12 | 0:23:18 | |
It was called The Universal System of Household Furniture. | 0:23:18 | 0:23:23 | |
Look how beautifully a firm like Ince and Mayhew went about advertising their wares. | 0:23:23 | 0:23:29 | |
If I flip through the design book itself, you can see | 0:23:29 | 0:23:34 | |
the sheer variety of these 300 designs. | 0:23:34 | 0:23:38 | |
All manner of objects could be produced by Ince and Mayhew themselves | 0:23:38 | 0:23:44 | |
or, if you were an aristocratic property owner, | 0:23:44 | 0:23:47 | |
and you fancied one of these pieces and didn't want to use Ince and Mayhew, | 0:23:47 | 0:23:52 | |
you'd simply buy the design book and give it to your local cabinet maker | 0:23:52 | 0:23:56 | |
and say, "Make me one like this." | 0:23:56 | 0:23:59 | |
If I flip to this particular page, | 0:23:59 | 0:24:01 | |
there's a piece of furniture that's of particular interest to us today at Sherborne Castle. | 0:24:01 | 0:24:06 | |
What we have here is a ladies' dressing table, | 0:24:06 | 0:24:10 | |
two varieties of that type of dressing table. | 0:24:10 | 0:24:14 | |
They each have a hinged folding top | 0:24:14 | 0:24:18 | |
and the one on the right has a rising rectangular mirror. | 0:24:18 | 0:24:22 | |
Just take a look at that a bit closer. | 0:24:22 | 0:24:25 | |
Yes, you're right, we have got in the house | 0:24:29 | 0:24:33 | |
the almost matching ladies' dressing table. | 0:24:33 | 0:24:37 | |
I say almost matching, because there are a few differences | 0:24:37 | 0:24:42 | |
from Ince and Mayhew's drawing. | 0:24:42 | 0:24:44 | |
This one doesn't have the fancy decoration on the legs | 0:24:44 | 0:24:49 | |
that the drawing book shows. | 0:24:49 | 0:24:51 | |
Nor has it got the elaborate pierced gallery | 0:24:51 | 0:24:55 | |
going around the platform. | 0:24:55 | 0:24:58 | |
But it has got identical rectangular hinged flaps. | 0:24:58 | 0:25:02 | |
It has got the fitted pigeon holes and compartments | 0:25:02 | 0:25:06 | |
that ladies would have used for their powder and rouge. | 0:25:06 | 0:25:10 | |
And it has got, of course, the all-important hinged central mirror, | 0:25:10 | 0:25:15 | |
so vital to a dressing table. | 0:25:15 | 0:25:17 | |
What I love is the way that these hinged sides neatly fold in together | 0:25:17 | 0:25:24 | |
to give you a useful rectangular work surface as well. | 0:25:24 | 0:25:28 | |
But how do you tell in a market or sale room | 0:25:28 | 0:25:32 | |
that you've come across a piece of Ince and Mayhew furniture | 0:25:32 | 0:25:36 | |
if you haven't actually got the drawing book with you? | 0:25:36 | 0:25:40 | |
Well, there are some signature elements to Ince and Mayhew. | 0:25:40 | 0:25:44 | |
Apart from the normally very high quality to the cabinet work itself, | 0:25:44 | 0:25:49 | |
it's the veneered surfaces which are important. | 0:25:49 | 0:25:53 | |
If you look at this veneered frieze running round the outside, | 0:25:53 | 0:25:56 | |
you see it's got all this vertical grain, | 0:25:56 | 0:25:59 | |
almost in sticks, | 0:25:59 | 0:26:01 | |
which is a bit odd-ball. | 0:26:01 | 0:26:03 | |
It's repeated again in the top. | 0:26:03 | 0:26:06 | |
And the timber that Ince and Mayhew seemed to favour | 0:26:06 | 0:26:10 | |
is yew wood. | 0:26:10 | 0:26:12 | |
The big question today is, over at the auction, | 0:26:12 | 0:26:15 | |
rather than Ince and Mayhew, is it going to be instant mayhem? | 0:26:15 | 0:26:20 | |
I'm looking forward to today's auction, bargain hunters. | 0:26:24 | 0:26:28 | |
But first, let's get the auctioneer's opinion on our teams' lots. | 0:26:28 | 0:26:32 | |
At 120 it is. Do I see 130 anywhere? | 0:26:32 | 0:26:34 | |
At £120. All done. | 0:26:34 | 0:26:37 | |
We've trotted from Exeter in Devon to Bridgwater in Somerset, | 0:26:37 | 0:26:42 | |
to be at Tamlyn's Auction House with Claire Rawle. Good morning! | 0:26:42 | 0:26:46 | |
Good morning! Lovely to see you. First up, | 0:26:46 | 0:26:49 | |
a novelty silver box cast with a shirt, | 0:26:49 | 0:26:53 | |
apparently from 1906. | 0:26:53 | 0:26:56 | |
But unfortunately from 1965! | 0:26:56 | 0:26:58 | |
It's not 1906? No, it's got a modern mark on it. | 0:26:58 | 0:27:02 | |
Oh. Hmm. What's it, as a reproduction, worth? | 0:27:02 | 0:27:06 | |
30 to £40. Uh-oh! It's quite heavy. Yes. | 0:27:06 | 0:27:09 | |
Quite decorative. Yes. But no age. | 0:27:09 | 0:27:11 | |
But not £105? | 0:27:11 | 0:27:13 | |
No. No. No. Right. | 0:27:13 | 0:27:15 | |
That's not so good. What about the Napoleonic straw work box and cover? | 0:27:15 | 0:27:21 | |
Well, it's lost its colour. It's a fairly standard design. Nothing very unusual on it. | 0:27:21 | 0:27:27 | |
When they're in good nick, | 0:27:27 | 0:27:29 | |
all those straws are coloured very brightly. Wonderful colours. | 0:27:29 | 0:27:34 | |
Greens and reds, and all the different yellows and oranges. | 0:27:34 | 0:27:38 | |
They did the most intricate designs on them, beautiful designs. | 0:27:38 | 0:27:41 | |
That's a more standard vase of flowers. Oh, dear! | 0:27:41 | 0:27:45 | |
How much for that? 30 to 50. Not too bad. | 0:27:45 | 0:27:48 | |
They paid 55. Oh, well. Not bad. Getting closer! | 0:27:48 | 0:27:51 | |
Now, this is rather a magnificent little box, isn't it? | 0:27:51 | 0:27:54 | |
It's very attractive. It's beautifully worked. I like it. | 0:27:54 | 0:27:58 | |
But the only problem I felt was if you look at the lid rather carefully, | 0:27:58 | 0:28:04 | |
it looks as if somebody's been drawing on top of it. It's gouged. | 0:28:04 | 0:28:08 | |
Yes, it's got quite deep marks in it. | 0:28:08 | 0:28:11 | |
I think it will put people off. It put me off. What a pity! | 0:28:11 | 0:28:14 | |
Otherwise, it's very fine. How much? 20 to 40. | 0:28:14 | 0:28:18 | |
OK. £55 paid. Overall, | 0:28:18 | 0:28:21 | |
what with the silver box and all, | 0:28:21 | 0:28:23 | |
they'll need their bonus buy. Let's go and have a look. | 0:28:23 | 0:28:26 | |
Now, Gerry, Keith. Are you looking forward to this? Yes, Tim. | 0:28:27 | 0:28:32 | |
If you had a guess, just looking at that rag, what P.Serrell spent your £85 on? | 0:28:32 | 0:28:37 | |
He's such a tease, Philip. Here it comes. Here we go. | 0:28:37 | 0:28:40 | |
Yes. | 0:28:40 | 0:28:42 | |
Bet you didn't guess it was that! No. I think it's really nice. | 0:28:42 | 0:28:45 | |
It's very nice. It is. Very nice. What is it? | 0:28:45 | 0:28:48 | |
"It's nice, but what is it?"! | 0:28:48 | 0:28:50 | |
What is it? I love that, Gerry. | 0:28:50 | 0:28:52 | |
It's a little 19th-century gilt figure of, the guy said, the harbourmaster or postmaster. | 0:28:52 | 0:28:58 | |
He's a nice little figure. | 0:28:58 | 0:29:00 | |
It was only 14 quid. £14. £14. It's got a bit of weight. Is it heavy? | 0:29:00 | 0:29:04 | |
Got a bit of weight, there. Has it got a hole on its bottom? | 0:29:04 | 0:29:09 | |
Yes, it has got a hole. What did it do? Where's it come from? | 0:29:09 | 0:29:12 | |
Has it been stuck on something? | 0:29:12 | 0:29:14 | |
How long have we got? | 0:29:14 | 0:29:17 | |
She's quite full-on, isn't she? But there is a hole. I've no idea what it's off or where it's from. | 0:29:17 | 0:29:22 | |
But I thought it was really sweet. I do like it. Good. | 0:29:22 | 0:29:25 | |
He's very smart. I'm not overly fond of it. You're not? | 0:29:25 | 0:29:28 | |
But we've been against each other all the time so it's no surprise that you don't like it and I do! | 0:29:28 | 0:29:34 | |
One out of two is a result! I do. | 0:29:34 | 0:29:36 | |
Thank you. Well, you've heard the prediction. | 0:29:36 | 0:29:40 | |
For you at home, let's find out what the auctioneer thinks about it. | 0:29:40 | 0:29:44 | |
Isn't that nicely cast? | 0:29:45 | 0:29:47 | |
It's actually very decorative and got some good colouring to it. | 0:29:47 | 0:29:50 | |
I think it might be more commercial if it was a pretty lady. Yes. | 0:29:50 | 0:29:55 | |
I see your point there. | 0:29:55 | 0:29:58 | |
Could be sort of 1830s, 1840s, couldn't it? | 0:29:58 | 0:30:01 | |
Yes, I think it has got age to it. | 0:30:01 | 0:30:03 | |
Fortunately, it hasn't been polished or stripped. It's still got all its natural colours. | 0:30:03 | 0:30:09 | |
How much? 15 to 25. | 0:30:09 | 0:30:11 | |
OK. That cunning monkey Philip Serrell only paid £14, so that's good. Now, | 0:30:11 | 0:30:15 | |
that's it for the reds. Now for the blues. | 0:30:15 | 0:30:18 | |
Their first item is the tape measure that has the look of Woolworths about it, to me! | 0:30:18 | 0:30:23 | |
It is a little cheaply made. But it has got an owl on it! | 0:30:23 | 0:30:27 | |
Owls are quite popular. That's a saving grace. | 0:30:27 | 0:30:30 | |
And it's a tape measure, a collectable item. | 0:30:30 | 0:30:33 | |
But no great quality in the making of it. | 0:30:33 | 0:30:35 | |
How much? | 0:30:35 | 0:30:37 | |
Ten to 20. £32. OK. | 0:30:37 | 0:30:39 | |
Emma loved it. She'll have to dream up an excuse if it only makes a fiver! | 0:30:39 | 0:30:44 | |
OK. Next is the lilac enamelled pen set. | 0:30:44 | 0:30:49 | |
It's a very attractive item. | 0:30:49 | 0:30:52 | |
It would have been more attractive had it not been damaged. | 0:30:52 | 0:30:55 | |
Unfortunately, the enamel on the paper knife... That front edge. | 0:30:55 | 0:30:59 | |
Yes, quite a bit of damage to it. | 0:30:59 | 0:31:01 | |
And there isn't a lot you can do about that. OK. | 0:31:01 | 0:31:04 | |
The pen's nice, though. | 0:31:04 | 0:31:06 | |
Is the pen worth £90 on its own? No. No. | 0:31:06 | 0:31:09 | |
What do you think the combo's worth? | 0:31:09 | 0:31:11 | |
Thirty to fifty. OK. Well, they paid 90. | 0:31:11 | 0:31:14 | |
So that could be a bit nasty. | 0:31:14 | 0:31:16 | |
And the six spoons. | 0:31:16 | 0:31:19 | |
Their saving grace is they've got some enamel on them. | 0:31:19 | 0:31:23 | |
Yes, they have, but unfortunately, same thing applies, | 0:31:23 | 0:31:27 | |
there is damage to those as well. I thought at first the enamel was graded in colour. | 0:31:27 | 0:31:31 | |
But if you look closer to the bowl of the spoon, the enamel's come out. | 0:31:31 | 0:31:35 | |
What are they worth? £35 to 50. | 0:31:35 | 0:31:38 | |
OK. 35 to 50 is a nice estimate | 0:31:38 | 0:31:41 | |
because they only paid £35. | 0:31:41 | 0:31:44 | |
So that's our only ray of hope, really. | 0:31:44 | 0:31:46 | |
But whether it's enough to help them out on the pen set is another matter. | 0:31:46 | 0:31:51 | |
So let's go and have a look at the bonus buy. | 0:31:51 | 0:31:53 | |
Now, Soph, Emms, you gave the girl £143 of leftover lolly. | 0:31:54 | 0:32:00 | |
What has she blown it on? Catherine? | 0:32:00 | 0:32:02 | |
Well, I have bought you two girls... | 0:32:02 | 0:32:04 | |
..an hors d'oeuvres dish. | 0:32:05 | 0:32:07 | |
Wow. What is it? | 0:32:07 | 0:32:09 | |
An hors d'oeuvres dish for putting your nuts and bits in. It's sweet. | 0:32:09 | 0:32:13 | |
It is quite sweet. It's pretty. | 0:32:13 | 0:32:15 | |
Have a feel. And it's rather nice quality. | 0:32:15 | 0:32:17 | |
It's chrome, frosted-glass, Bakelite. | 0:32:17 | 0:32:20 | |
I like it. Yeah. How much did you spend? | 0:32:20 | 0:32:22 | |
Ooh, about a hundred and... | 0:32:22 | 0:32:24 | |
£17, I spent, in total. | 0:32:25 | 0:32:28 | |
£117?! £17 in total. | 0:32:28 | 0:32:31 | |
£17. | 0:32:31 | 0:32:33 | |
Are all these bits of glass in good nick? Absolutely. | 0:32:33 | 0:32:36 | |
All individual dishes. Look at that. | 0:32:36 | 0:32:39 | |
Look at them. Love them. I think they're beautiful. | 0:32:39 | 0:32:42 | |
Like it, Emma? I really like it. I like it. | 0:32:42 | 0:32:45 | |
You don't love it! I don't LOVE it. | 0:32:45 | 0:32:47 | |
You don't love it? No. You don't. | 0:32:47 | 0:32:49 | |
I... But, yeah. | 0:32:49 | 0:32:51 | |
You feel that. That's beautifully made. It's glass. None of this plastic nonsense. | 0:32:51 | 0:32:56 | |
What sort of period are we talking? Are we talking 1930s, Catherine? | 0:32:56 | 0:33:00 | |
I would say so. 1930s. | 0:33:00 | 0:33:02 | |
For £17, I think that is a bargain. | 0:33:02 | 0:33:05 | |
That should definitely make a profit. | 0:33:05 | 0:33:08 | |
OK. Happy, girls? Yes, very. Any other information you'd like? | 0:33:08 | 0:33:12 | |
How much do you think it'll make? Hopefully. You're putting me on the spot! | 0:33:12 | 0:33:16 | |
Good for you. Good for you. | 0:33:16 | 0:33:18 | |
Profit-wise, it should make £10. | 0:33:19 | 0:33:21 | |
OK. We trust you. Do you? | 0:33:21 | 0:33:24 | |
So sweet! For the audience at home, let's see what the auctioneer thinks about Catherine's Deco dish. | 0:33:26 | 0:33:32 | |
Would you like a little nut? | 0:33:33 | 0:33:35 | |
Oh, that's terribly kind of you! | 0:33:35 | 0:33:37 | |
Not at all. Or a gherkin or a pickled onion? | 0:33:37 | 0:33:40 | |
That's all there, isn't it? Yes. Yes, indeed. | 0:33:40 | 0:33:42 | |
Very useful if you wanted to put out your hors d'oeuvres. | 0:33:42 | 0:33:46 | |
I don't think it's seen a lot of use. | 0:33:46 | 0:33:48 | |
It's the only thing that might deter people from buying it. I'm not sure people would use them. | 0:33:48 | 0:33:54 | |
Oh, right. You could put it on your desk with paper clips in! | 0:33:54 | 0:33:58 | |
You could. In between eating your nuts! You could. | 0:33:58 | 0:34:01 | |
I don't know. It's got some style to it anyway. I like the Deco feel to it. | 0:34:01 | 0:34:06 | |
Do you reckon it'll sell all right? | 0:34:06 | 0:34:08 | |
I did put five to ten on it. How much? | 0:34:08 | 0:34:10 | |
Five to ten. Is that all? Yes, I was a bit mean with it. | 0:34:10 | 0:34:13 | |
You might have been a bit mean with that. | 0:34:13 | 0:34:15 | |
Catherine paid £17 and she really rates it. Yeah. | 0:34:15 | 0:34:20 | |
It might make 20 or 30. Yes, it might catch someone's eye. | 0:34:20 | 0:34:24 | |
Yes, let's hope so. | 0:34:24 | 0:34:25 | |
Indeed. Yes, indeed! | 0:34:25 | 0:34:27 | |
So, Gerry, Keith. Excited? | 0:34:36 | 0:34:39 | |
Yes. Look at it. Crowded out, this room. | 0:34:39 | 0:34:42 | |
It's got a lovely buzz. It's nice. | 0:34:42 | 0:34:44 | |
Are you nervous at all, Keith? No. | 0:34:44 | 0:34:46 | |
Good. You, Gerry? I know we've done well. | 0:34:46 | 0:34:48 | |
You're going to do well. Yeah. Lovely. | 0:34:48 | 0:34:51 | |
What about you, Gerry? I'm excited, but I'm a little worried. | 0:34:51 | 0:34:55 | |
Are you? Worried, Philip. Anything you're particularly worried about? | 0:34:55 | 0:34:59 | |
I'm worried that my box won't make more than Keith's box. | 0:34:59 | 0:35:02 | |
If his box makes more than mine, I'll never hear the end of it. | 0:35:02 | 0:35:06 | |
I'm more bullish, to be frank, about your box than yours, Gerry. | 0:35:06 | 0:35:10 | |
Thank you, Tim! But we do have a problem with the match case. | 0:35:10 | 0:35:13 | |
£105. Because she's found the hallmark isn't 1906, it's 1965. | 0:35:13 | 0:35:19 | |
Anyway, her estimate is 30 to £40. | 0:35:19 | 0:35:21 | |
The first lot up is that silver box, and here it comes. | 0:35:21 | 0:35:26 | |
Lot 138 is this little silver hinged box in the form of a shirt. | 0:35:26 | 0:35:32 | |
There we are. Import marks on it. Lot 138. | 0:35:32 | 0:35:34 | |
And I start straight in. | 0:35:34 | 0:35:36 | |
I have got £40 on it. At £40. Do I see five anywhere? | 0:35:36 | 0:35:40 | |
Bid's with me at 40. At £40. Now five. | 0:35:40 | 0:35:43 | |
45. £50. Now five? | 0:35:43 | 0:35:45 | |
No. At 50, the bid's with me. | 0:35:45 | 0:35:47 | |
At £50, then. All done? Selling here with me at £50. | 0:35:47 | 0:35:51 | |
£50. Minus 55. | 0:35:51 | 0:35:53 | |
Ouch! Now, here comes the straw-work box. | 0:35:53 | 0:35:56 | |
Lot 139 is the Napoleonic prisoner of war straw-work box. | 0:35:56 | 0:36:01 | |
Straw box. Start me away this time. What can I say? | 0:36:01 | 0:36:05 | |
£20 anywhere for it, please. | 0:36:05 | 0:36:06 | |
Napoleonic box. £20. | 0:36:06 | 0:36:09 | |
All the straw-work. £20? | 0:36:09 | 0:36:11 | |
Nobody? | 0:36:11 | 0:36:12 | |
£10, then. Ten I have here. At £10. Do I see 12 anywhere? | 0:36:12 | 0:36:17 | |
Bid's at ten. At £10. | 0:36:17 | 0:36:19 | |
12. | 0:36:19 | 0:36:20 | |
15. 18. 20. | 0:36:20 | 0:36:22 | |
No? | 0:36:22 | 0:36:23 | |
Are you sure? At £20. At 20 here, then. | 0:36:23 | 0:36:27 | |
At £20. Now two. | 0:36:27 | 0:36:28 | |
At £20 it's going to sell. | 0:36:28 | 0:36:30 | |
Are you all done? Selling then at 20. | 0:36:30 | 0:36:32 | |
Bad luck, sweet pea. Minus £35. | 0:36:32 | 0:36:34 | |
Lot 140 is this very decorative continental marquetry box. | 0:36:34 | 0:36:39 | |
Lot 140. Start me away this time at £20, please. | 0:36:39 | 0:36:42 | |
£20. Nice marquetry box. £20? | 0:36:42 | 0:36:45 | |
£20? Anyone, £20? | 0:36:45 | 0:36:48 | |
Thank you. 20 I have. | 0:36:48 | 0:36:49 | |
At £20. Jokesville! £20. Five anywhere? | 0:36:49 | 0:36:52 | |
Bid's there at 20. At £20. Now five. | 0:36:52 | 0:36:54 | |
At £20 it is, then. All done? It's going to a maiden bid of £20. | 0:36:54 | 0:36:58 | |
Both exactly the same! | 0:36:58 | 0:37:01 | |
Minus 35! Well, it's fair. | 0:37:01 | 0:37:03 | |
There's no shame. You're not walking. | 0:37:03 | 0:37:06 | |
Nobody is carping on in the car with you lot! No. | 0:37:06 | 0:37:09 | |
An identical score on your boxes. Brilliant for that. | 0:37:09 | 0:37:12 | |
Just sadly it's a minus number. So that's 70. That means minus 125. | 0:37:12 | 0:37:17 | |
What are you going to do, pray, about the bonus buy? | 0:37:17 | 0:37:21 | |
£14 bonus buy. I don't think we've got any option. No. | 0:37:21 | 0:37:24 | |
Thanks, Philip, we'll go with this. | 0:37:24 | 0:37:27 | |
I doubt it'll make 120 quid or whatever it is! Thank you. | 0:37:27 | 0:37:31 | |
You're going with it. I don't blame you. | 0:37:31 | 0:37:34 | |
Have a punt. You're a great team. Here's Phil's standing figure. | 0:37:34 | 0:37:38 | |
Lot 144. This mid-19th century cast and gilded figure. | 0:37:38 | 0:37:43 | |
Possibly of a harbourmaster or postmaster. | 0:37:43 | 0:37:46 | |
A bearded gentleman in a tail coat. | 0:37:46 | 0:37:48 | |
What can I say for this one, then? £10 anywhere? | 0:37:48 | 0:37:51 | |
Ten I have. At £10. At ten. | 0:37:51 | 0:37:53 | |
£10 it is. Do I see 12 now anywhere? | 0:37:53 | 0:37:57 | |
12. 15. | 0:37:57 | 0:37:58 | |
No. Took 15 in the alcove. At £15. | 0:37:58 | 0:38:01 | |
18 anywhere? | 0:38:01 | 0:38:03 | |
At 15 it's going to be. All done. Selling at 15. | 0:38:03 | 0:38:06 | |
All done. Wa-hey! Woo! | 0:38:06 | 0:38:08 | |
Plus one pound. That's great. | 0:38:08 | 0:38:10 | |
Which reduces the overall problem to £124. | 0:38:10 | 0:38:15 | |
I'm going to give up, I think. | 0:38:15 | 0:38:17 | |
I feel like George Osborne trying to reduce the deficit here! | 0:38:17 | 0:38:21 | |
But there we go. | 0:38:21 | 0:38:23 | |
£125. Equals minus 124. | 0:38:23 | 0:38:25 | |
All right? Which could be a winning score. | 0:38:25 | 0:38:28 | |
So, girls, have you been chatting to the reds? | 0:38:35 | 0:38:38 | |
No. So you don't know how well they've done? No. | 0:38:38 | 0:38:41 | |
Or how badly they've done! OK. Hopefully! | 0:38:41 | 0:38:44 | |
So first up is the owl tape measure. Here it comes. | 0:38:44 | 0:38:48 | |
160 is the little tape measure. | 0:38:48 | 0:38:51 | |
With the face of an owl on one side. Lot 160. | 0:38:51 | 0:38:54 | |
I have to start this one at £20. | 0:38:54 | 0:38:56 | |
20. 22. 25. | 0:38:56 | 0:38:59 | |
28. In the alcove at 28. 30, anywhere? | 0:38:59 | 0:39:02 | |
At £28 it is, then. At 28. | 0:39:02 | 0:39:04 | |
All sure? Selling, then, at £28. | 0:39:04 | 0:39:07 | |
To-wit, to-woo! | 0:39:07 | 0:39:09 | |
That's minus £4. | 0:39:09 | 0:39:12 | |
That's not so bad. Better than we thought! | 0:39:12 | 0:39:15 | |
Lot 161. | 0:39:15 | 0:39:17 | |
The little cased lilac enamelled paper-knife and matching pencil. | 0:39:17 | 0:39:23 | |
Lot 161. | 0:39:23 | 0:39:24 | |
And I start this one away. I've got £55. At 55. | 0:39:24 | 0:39:28 | |
Do I see 60 in the room? The bid's with me at 55. | 0:39:28 | 0:39:31 | |
Oh, no. At 55. 55 it's going to be, then. | 0:39:31 | 0:39:34 | |
All sure in the room? It's going to my bidder at £55. | 0:39:34 | 0:39:37 | |
I don't believe it. £55. That is just terrible. | 0:39:37 | 0:39:41 | |
55. Such a shame! So it's minus 35. | 0:39:41 | 0:39:43 | |
OK. Now the teaspoons. | 0:39:43 | 0:39:45 | |
Lot 162. The set of six silver teaspoons in a case. | 0:39:45 | 0:39:49 | |
Birmingham 1919. | 0:39:49 | 0:39:52 | |
Start me away this time, please. | 0:39:52 | 0:39:54 | |
£20 anywhere for the teaspoons? 20 I have. At £20. | 0:39:54 | 0:39:58 | |
22. 25. 28. 30. | 0:39:58 | 0:40:02 | |
32. No. | 0:40:02 | 0:40:03 | |
Back of the room at £32. At 32. Now five anywhere? | 0:40:03 | 0:40:07 | |
All done. Selling then at 32. So close! | 0:40:07 | 0:40:09 | |
At £32. You're minus three pounds on that. | 0:40:09 | 0:40:13 | |
38 and four is 42. Minus 42. | 0:40:13 | 0:40:17 | |
That's just the pits. I could burst into tears. But let's not cry. | 0:40:17 | 0:40:21 | |
Let's decide whether to go with the bonus buy or not. Yes. Yeah. | 0:40:21 | 0:40:24 | |
You're going to do it for £17. | 0:40:24 | 0:40:26 | |
That's a decision. Yeah. OK, fine. | 0:40:26 | 0:40:29 | |
I think it's a brilliant dish. | 0:40:29 | 0:40:30 | |
I think Catherine is very clever to find that for £17. | 0:40:30 | 0:40:33 | |
We trust Catherine. Another day, another place, I see that 40 to £50, no trouble. | 0:40:33 | 0:40:39 | |
What's going to happen today, though, is anybody's bet! | 0:40:39 | 0:40:42 | |
You've made your decision. We shall find out. Here's the hors d'oeuvre dish. | 0:40:44 | 0:40:49 | |
Lot 166 is the Art Deco hors d'oeuvre dish. | 0:40:49 | 0:40:53 | |
A nice little chrome, glass and Bakelite one. | 0:40:53 | 0:40:56 | |
Lot 166. Start me away. What can I say for it? | 0:40:56 | 0:40:59 | |
£10 anywhere? Stylish little thing. | 0:40:59 | 0:41:01 | |
£10? £10 anywhere? | 0:41:01 | 0:41:04 | |
They're a mean lot, aren't they? | 0:41:04 | 0:41:07 | |
£5, then? | 0:41:07 | 0:41:09 | |
Five at the back of the room. £5. Do I see eight anywhere? At five. | 0:41:09 | 0:41:13 | |
At £5 now. Eight? | 0:41:13 | 0:41:14 | |
At £5 it is, then. All done? | 0:41:14 | 0:41:16 | |
Selling at the back at five. | 0:41:16 | 0:41:18 | |
That was very quick. £5. | 0:41:18 | 0:41:21 | |
Well, got to keep the record up. | 0:41:21 | 0:41:23 | |
Minus 12. That means you are minus £54. | 0:41:23 | 0:41:27 | |
But that might be a winning score. | 0:41:27 | 0:41:30 | |
It could be a winning score. Don't despair. Don't talk to the reds. | 0:41:30 | 0:41:34 | |
Not a word. | 0:41:34 | 0:41:36 | |
Well, well, well, well, well. | 0:41:43 | 0:41:45 | |
When things go badly, they sure go badly, don't they? | 0:41:45 | 0:41:48 | |
Teams, have you been chatting to one another? No. Just as well. | 0:41:48 | 0:41:52 | |
We've got monumental losses. | 0:41:52 | 0:41:54 | |
One team has made nearly twice as many losses as the other. | 0:41:54 | 0:41:58 | |
And that team is the reds! | 0:41:58 | 0:42:00 | |
Yay! Your end score is minus 124. | 0:42:00 | 0:42:03 | |
Which is pretty hot stuff, I have to say. | 0:42:03 | 0:42:06 | |
You were, however, redeemed by your expert and his bonus buy | 0:42:06 | 0:42:10 | |
because that made a profit... It did! ..of one pound! | 0:42:10 | 0:42:14 | |
Thank you, Philip. You can walk away from this feeling great! | 0:42:14 | 0:42:18 | |
But minus 125 was the score before the pound came along so you're minus 124. | 0:42:18 | 0:42:23 | |
Had a good time? I've had a lovely time, thank you. Had a great time. | 0:42:23 | 0:42:27 | |
Don't give up the day job. | 0:42:27 | 0:42:30 | |
The blues have won by losing £54. | 0:42:30 | 0:42:32 | |
Yay! Yay! Yeah. | 0:42:32 | 0:42:34 | |
Who says that youth versus experience doesn't sometimes win out? | 0:42:34 | 0:42:38 | |
That's what's happened. We're shocked. Can't believe we won! | 0:42:38 | 0:42:43 | |
That's rather lovely, then. | 0:42:43 | 0:42:45 | |
So what's been the high moment for you? | 0:42:45 | 0:42:48 | |
The actual auction. Yeah, I liked the auction. Never been to one before. It's fun. | 0:42:48 | 0:42:52 | |
Well, they're not all as bad as this when it comes to the end result! | 0:42:52 | 0:42:57 | |
Join us soon for some more bargain hunting, yes? Yes! | 0:42:57 | 0:43:00 | |
Subtitles by Red Bee Media Ltd | 0:43:19 | 0:43:21 |