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Gosh! Is it that time of day already? Let's go bargain hunting! | 0:00:04 | 0:00:10 | |
It's a generation game today | 0:00:41 | 0:00:44 | |
here at the Edinburgh Antiques and Collectors Fair. | 0:00:44 | 0:00:48 | |
I just hope we're not teaching a grandmother how to suck eggs. | 0:00:48 | 0:00:53 | |
'Yes, today we're in Scotland | 0:00:53 | 0:00:55 | |
'and raring to sniff out the best bargains in Edinburgh are a grandson and grandma.' | 0:00:55 | 0:01:00 | |
-It suits you, Jean. -And it matches the sparkle in your eye. | 0:01:00 | 0:01:04 | |
'A mother and a daughter team.' | 0:01:04 | 0:01:06 | |
-Oh, that's lovely! -Are you a fan? -Oh, yes. | 0:01:06 | 0:01:09 | |
'Then we head west to Glasgow. But will either team find their fortune under the hammer of Anita Manning?' | 0:01:09 | 0:01:16 | |
Any advance on £60? If you can't afford diamonds, | 0:01:16 | 0:01:19 | |
this is the nearest you'll get to it. | 0:01:19 | 0:01:21 | |
'But before we do all that, let's meet the teams.' | 0:01:23 | 0:01:26 | |
Hi, everybody. Lovely to see you. | 0:01:27 | 0:01:30 | |
So, we have got here Billy and Jean. | 0:01:30 | 0:01:34 | |
The grandson-grandma combo from heaven. I love them. | 0:01:34 | 0:01:38 | |
-So why did you decide, Billy, to link up with your grandma? -Well, we live quite close together | 0:01:38 | 0:01:43 | |
so we spend a lot of time with each other. | 0:01:43 | 0:01:45 | |
I think with my youthful spirit and her wisdom, we make a good team. | 0:01:45 | 0:01:48 | |
Ah. So this is a tactical alliance. | 0:01:48 | 0:01:52 | |
-Yeah. -Across the generations. -Definitely. | 0:01:52 | 0:01:54 | |
-Billy, you're a student, but you've got an additional passion. -Yeah, swimming. | 0:01:54 | 0:01:58 | |
I was a competitive swimmer for about ten years and gave up last year and now I'm coaching. | 0:01:58 | 0:02:04 | |
You're very modest about our achievements as a professional swimmer. | 0:02:04 | 0:02:08 | |
So give us some statistics. | 0:02:08 | 0:02:10 | |
I was ranked top 50 in the world for a number of events so, yeah, it was good. | 0:02:10 | 0:02:14 | |
-Well, that's pretty cool. -Yeah, it's good fun. | 0:02:14 | 0:02:17 | |
-But it involves, presumably, endless training. -Yeah. | 0:02:17 | 0:02:21 | |
That was a problem, 28 hours a week at peak time. | 0:02:21 | 0:02:24 | |
-It's just really too much to fit everything else in. -Yes. | 0:02:24 | 0:02:27 | |
-It takes up a bit of the social life. -Cuts down on the drinking time. -Exactly. | 0:02:27 | 0:02:32 | |
And when you're a student, you've got to enjoy that side life. | 0:02:32 | 0:02:35 | |
When you spend so much time in the water... If I spend more than eight minutes in the bath, to go crinkly. | 0:02:35 | 0:02:40 | |
How does it work for you guys doing all this practising in the pool? | 0:02:40 | 0:02:45 | |
You just turn into a prune pretty much, yeah. | 0:02:45 | 0:02:47 | |
I think you'll do swimmingly today. Jean, do you have an interest in antiques? | 0:02:47 | 0:02:51 | |
-It says here that you like your Royal Crown Derby. -Yes, I do. And Royal Doulton and Wedgewood. | 0:02:51 | 0:02:57 | |
Will you two be able to agree what you're going to buy today, Jean? | 0:02:57 | 0:03:00 | |
-We'll compromise, put it that way. -Will you? -Yeah. | 0:03:00 | 0:03:04 | |
-We never argue, do we? -No, never argue. I'll just follow her lead. | 0:03:04 | 0:03:08 | |
Would you be going for more of the Victorian ornament | 0:03:08 | 0:03:11 | |
and you perhaps something modern or what? | 0:03:11 | 0:03:14 | |
Actually, I prefer Victorian stuff, as well. | 0:03:14 | 0:03:17 | |
A bit that's got something hidden inside it. | 0:03:17 | 0:03:20 | |
So if there's any items like that, definitely go for them. | 0:03:20 | 0:03:23 | |
A box with a sovereign hidden inside? | 0:03:23 | 0:03:25 | |
-Exactly. That sort of thing, yeah. -I think they're going to be cunning enough. | 0:03:25 | 0:03:29 | |
-Now for the Blues, Shona and Eileen. Welcome. -Thank you. | 0:03:29 | 0:03:34 | |
-Tell us about your family, Shona. -Well, we're kind of opposites | 0:03:34 | 0:03:38 | |
but we're all very creative. | 0:03:38 | 0:03:41 | |
My eldest daughter and my ex-husband are very clever | 0:03:41 | 0:03:45 | |
and Eileen and I are more creative. | 0:03:45 | 0:03:48 | |
But they're more into music and we're more into the art and design side of things. | 0:03:48 | 0:03:53 | |
-So would you say you're quite practical in your creativity? -Yes. | 0:03:53 | 0:03:58 | |
I like to do landscapes and I do still lifes | 0:03:58 | 0:04:01 | |
and at the moment I'm doing a portrait, a double portrait | 0:04:01 | 0:04:05 | |
-of my girlfriend's grandchildren. -Lovely. | 0:04:05 | 0:04:09 | |
-So, Eileen, you're also artistic. -Yes. -Do you paint, too? | 0:04:09 | 0:04:12 | |
No, no. I have done jewellery classes, jewellery-making classes. | 0:04:12 | 0:04:18 | |
When I was younger, I used to make my own clothes. | 0:04:18 | 0:04:20 | |
-Yes. -And I really love gourmet cooking. I think my creative side comes out in that | 0:04:20 | 0:04:25 | |
-cos you get the pleasure of eating it, as well. -Well, quite! | 0:04:25 | 0:04:28 | |
-And give so much pleasure to others! -Exactly! It's a win-win situation. -Certainly is. | 0:04:28 | 0:04:33 | |
-But you love a bit of live music. -Yes, I do. I love going to live gigs. | 0:04:33 | 0:04:37 | |
Glasgow's a great place to go and see them. | 0:04:37 | 0:04:40 | |
-I did say if I won the lottery, I would go to live music every night if I could. -Oh. | 0:04:40 | 0:04:46 | |
What I love about coming to Scotland is that you get this great divide between the Glaswegians | 0:04:46 | 0:04:51 | |
-and the Edinburgh folks. -We have an east and west divide! | 0:04:51 | 0:04:54 | |
We're shopping in Edinburgh but we're selling in Glasgow. | 0:04:54 | 0:04:57 | |
And the Reds come from Edinburgh | 0:04:57 | 0:05:00 | |
but you're going to have to go to Glasgow to do your selling, all of which is absolutely fascinating. | 0:05:00 | 0:05:06 | |
Anyway, now the money moment. Here's your £300. | 0:05:06 | 0:05:09 | |
You know the rules. Your experts await. And off you go! And very, very, very good luck. | 0:05:09 | 0:05:14 | |
Ooh, I say, Glasgow meets Edinburgh. | 0:05:14 | 0:05:18 | |
A battle royal. | 0:05:18 | 0:05:20 | |
'And which experts will be guiding our teams today? | 0:05:21 | 0:05:24 | |
'Well, Reds Billy and Jean | 0:05:24 | 0:05:26 | |
'are being led by their very own man in the mirror, Nick Hall.' | 0:05:26 | 0:05:30 | |
-What are the tactics today? -Well, I think, if we would buy it, hopefully someone else would buy it. | 0:05:31 | 0:05:36 | |
-Something unusual, quirky? -Yeah. -Unusual and quirky works well. | 0:05:36 | 0:05:40 | |
Let's get stuck in. Come on. | 0:05:40 | 0:05:43 | |
'Hoping to bowl over the Blues is the one and only Jeremy Lamond.' | 0:05:43 | 0:05:48 | |
-Ceramics. -Ceramics. -Art Deco. Glass. -Art Deco. | 0:05:49 | 0:05:52 | |
I can see a lot of Art Deco and ceramics over there | 0:05:52 | 0:05:55 | |
-so shall we go that way? -Yep. -OK. | 0:05:55 | 0:05:57 | |
'So, both teams have a plan of sorts. | 0:05:58 | 0:06:01 | |
'Let's see if they stick to it. Yeah, right. | 0:06:01 | 0:06:05 | |
'Start those stopwatches, crew.' | 0:06:05 | 0:06:09 | |
-What about this large forklift? -Oh, yeah! -If you get that for 50, it'd be all right. | 0:06:09 | 0:06:13 | |
That's a spoon and a half, isn't it? | 0:06:13 | 0:06:15 | |
-Goodness me, look at that. -You'd need a big mouth. | 0:06:15 | 0:06:19 | |
-Do people drink in Scotland at all? -No, not really. | 0:06:20 | 0:06:24 | |
I'm not very keen on buying stuff if it's not got a price on it. | 0:06:24 | 0:06:27 | |
You want the profit. Show me the money. I know. | 0:06:27 | 0:06:31 | |
'Now, Shona wanted some Art Deco glass.' | 0:06:32 | 0:06:35 | |
-These are nice. -What have you found? | 0:06:35 | 0:06:37 | |
-Now, that's nice. -There's three of them. | 0:06:37 | 0:06:41 | |
-There's four of them. -Oh, they're gorgeous. | 0:06:41 | 0:06:45 | |
They are chromium-plate, not silver. | 0:06:45 | 0:06:47 | |
-There's no silver mark on there. -But that's engine-turned, is it not? | 0:06:47 | 0:06:51 | |
-Enamel... -This is foil-back Guilloche enamel. | 0:06:51 | 0:06:55 | |
-I love that design and the colour and the different shapes are beautiful, as well. -Isn't it, yeah? | 0:06:55 | 0:07:00 | |
This one's got a wee bit of a crack at the top. | 0:07:00 | 0:07:03 | |
If you've got any problems with the enamel, it's really a no-no in terms of sale. | 0:07:03 | 0:07:07 | |
We could ask how much they are, so that we know. | 0:07:07 | 0:07:10 | |
-What's the price? -The price is £75 but I'll do it for 45. | 0:07:10 | 0:07:15 | |
40? Please? | 0:07:15 | 0:07:18 | |
Well, I suppose that makes it £10 a piece. | 0:07:18 | 0:07:20 | |
-And they are damaged, so yes. -Oh, thank you very much! That's wonderful! | 0:07:20 | 0:07:25 | |
-Thank you! -Just don't make too much money. | 0:07:25 | 0:07:27 | |
'Blimey! You don't waste any time, girls!' | 0:07:27 | 0:07:29 | |
-Thank you. -Well done, ladies. Four minutes in. All to play for. | 0:07:29 | 0:07:33 | |
-OK, then. -So we'll finish after 10, do you think? -THEY LAUGH | 0:07:33 | 0:07:37 | |
'And Shona's stuck to her plan of buying some Art Deco glass with item number one. | 0:07:38 | 0:07:44 | |
'Now, Jean said she was looking for something quirky.' | 0:07:44 | 0:07:48 | |
This is something that's quite in vogue at the minute. | 0:07:48 | 0:07:52 | |
Post-war Scandinavian design. And this is a Danish dish. | 0:07:52 | 0:07:55 | |
It's Royal Copenhagen | 0:07:55 | 0:07:58 | |
-and it's from their Fajance range. This'll be 1970s. -OK. | 0:07:58 | 0:08:02 | |
I mean, that's sort of fashionable at the moment. | 0:08:02 | 0:08:05 | |
Very much so, yeah. I mean, at £60, I don't know if there's much profit left in it. | 0:08:05 | 0:08:10 | |
I think it's the sort of thing at auction you'd see with a £40 to £60 estimate. | 0:08:10 | 0:08:14 | |
I mean, there's a whole load of this sort of stuff on the stall. | 0:08:14 | 0:08:18 | |
It might be that we can find something else with more of a profit margin left in it. | 0:08:18 | 0:08:22 | |
'Nice try, Nick. I think you talked yourself out of that one.' | 0:08:22 | 0:08:26 | |
Aw, that's quite cute! | 0:08:26 | 0:08:29 | |
-The pussycat in the mirror. -90. -90? -A bit dear. | 0:08:29 | 0:08:33 | |
-9 is more like it. -SHE LAUGHS | 0:08:33 | 0:08:35 | |
A bit of Carlton Ware for £15. | 0:08:36 | 0:08:39 | |
-Frae Dunbar? -Here's to ye. £15? | 0:08:39 | 0:08:43 | |
-With a Scottish theme at a Scottish saleroom? -I don't know. | 0:08:43 | 0:08:47 | |
It could be rare, that. If you don't like it, you don't like it. | 0:08:47 | 0:08:51 | |
I'd rather leave it. But I'll think about it. | 0:08:51 | 0:08:54 | |
That £200 goes back on the shelf. | 0:08:54 | 0:08:56 | |
'You wish, Jeremy. The Reds have spotted another unusual-looking item.' | 0:08:56 | 0:09:02 | |
-That's a nice piece of decorative art. -It is nice. -Yeah. | 0:09:02 | 0:09:06 | |
-Ceramic. I suspect this is Amphora, is it? -Yes, it is. It's Austrian Amphora. | 0:09:06 | 0:09:10 | |
Very typical of these 1920s ceramics. | 0:09:10 | 0:09:13 | |
It's erring towards the Art Deco period | 0:09:13 | 0:09:16 | |
with these lovely enamels on there. | 0:09:16 | 0:09:19 | |
And then they're sat next to this very matted glaze, as well, | 0:09:19 | 0:09:24 | |
-so it's a nice contradiction. -Nice contrast. | 0:09:24 | 0:09:26 | |
-For me, having this stork on there is nice. -I think that's something you could see someone buying. -Yeah. | 0:09:26 | 0:09:32 | |
-It looks to be in good condition. I can't see... -There's no nicks on it. | 0:09:32 | 0:09:36 | |
-Is these any restoration? -Nope. | 0:09:36 | 0:09:39 | |
-Why are you biting it? -I'm just checking for restoration. | 0:09:39 | 0:09:42 | |
When ceramics are restored and they're reglazed, you get a softness | 0:09:42 | 0:09:47 | |
and it's hard to pick up with your fingertips, | 0:09:47 | 0:09:49 | |
but you'll get a grittiness and the softness will pick up on your teeth. | 0:09:49 | 0:09:53 | |
-But that seems to be all right, I think. -Uh-huh. | 0:09:53 | 0:09:57 | |
-What sort of money? -45. -45? -45, yeah. | 0:09:57 | 0:10:00 | |
-£45, it's not... -You can't go too wrong with that. | 0:10:00 | 0:10:03 | |
Is there any movement? | 0:10:03 | 0:10:05 | |
-I'll do it for 40. -£40. That's fantastic. | 0:10:05 | 0:10:09 | |
-40 quid. -Oh, great! -I think, for your first buy, we like it | 0:10:09 | 0:10:13 | |
-and you were saying if we like it, someone else will buy it. -Yeah. | 0:10:13 | 0:10:17 | |
I think for 40 quid, you've got a chance with that. | 0:10:17 | 0:10:20 | |
-Definitely. -Yeah. -Can you give the man the money. -Yep. -Thank you very much. -Thank you. | 0:10:20 | 0:10:25 | |
'And the Reds have a bird in the hand with their first buy.' | 0:10:25 | 0:10:29 | |
-We've only used eight minutes. We're well on track. -Plenty of time to browse. | 0:10:29 | 0:10:33 | |
'Famous last words.' | 0:10:33 | 0:10:36 | |
These are from the Great Exhibition in Glasgow. | 0:10:36 | 0:10:38 | |
Without knowing anything about it, what would you pay for it? | 0:10:38 | 0:10:41 | |
Probably about £20. | 0:10:41 | 0:10:44 | |
-OK. So how much is it? -70 for the pair. | 0:10:44 | 0:10:48 | |
You might get another knowledgeable dealer that will buy it but that's the risk you take. | 0:10:48 | 0:10:52 | |
'So, lessons in bargain hunting from Mr Lamond. | 0:10:52 | 0:10:55 | |
-'I hope you were listening at the back there.' -Clever tactics. | 0:10:55 | 0:10:59 | |
'OK, class over. Let's see if you can put that into practise.' | 0:10:59 | 0:11:03 | |
-Oh, that's lovely! -Are you a fan? -Oh, yes! THEY LAUGH | 0:11:03 | 0:11:08 | |
-That's gorgeous. -You're a gardener, though, aren't you? -Oh, I think it's beautiful! | 0:11:08 | 0:11:12 | |
It's different, isn't it? It's very difficult to know whether it's particularly old, | 0:11:12 | 0:11:17 | |
but it's following the Japanese aesthetic movement. And you like it. That's the point. | 0:11:17 | 0:11:22 | |
-You like it. -I think it's wonderful. -You like the fans. -Yeah. | 0:11:22 | 0:11:26 | |
-And it's practical, as well. -It is practical. You can imagine three pots of beautiful geraniums on that. | 0:11:26 | 0:11:31 | |
-Yeah, it's wonderful. -How much is that? -60. | 0:11:31 | 0:11:35 | |
-It's a possibility, isn't it? -Would you take 40 for it? | 0:11:35 | 0:11:40 | |
-All right, I'll take 40. -Thank you! That's wonderful! Thank you very much! | 0:11:40 | 0:11:44 | |
'So, no messing about there. Shona knows what she likes and that's two items in the bag.' | 0:11:44 | 0:11:50 | |
You just never know when you come to these places | 0:11:51 | 0:11:54 | |
exactly what you're going to find. | 0:11:54 | 0:11:57 | |
Did I think this morning when I walked into this hall | 0:11:57 | 0:12:01 | |
that I was going to find a grand piano? | 0:12:01 | 0:12:04 | |
"Where?" you might ask. | 0:12:04 | 0:12:07 | |
"Here," I would say. Look at that. | 0:12:07 | 0:12:10 | |
Isn't that the most perfect miniature grand piano you ever did see? | 0:12:10 | 0:12:17 | |
All made out of filigree work. | 0:12:17 | 0:12:20 | |
Now, filigree work is simply | 0:12:20 | 0:12:23 | |
extremely fine little curlicues of solid silver wire | 0:12:23 | 0:12:29 | |
wrought expertly into all sorts of shapes and objects. | 0:12:29 | 0:12:34 | |
If you look at the detail on this grand piano, | 0:12:34 | 0:12:37 | |
it is extraordinary. | 0:12:37 | 0:12:40 | |
And that cover, effectively the cover on the top of the grand piano, | 0:12:40 | 0:12:44 | |
hinges open like that. | 0:12:44 | 0:12:47 | |
Apart from being very decorative, | 0:12:47 | 0:12:49 | |
I think this thing had a possible practical purpose. | 0:12:49 | 0:12:54 | |
Within the hinged cover, you could've secured a solid piece of scent | 0:12:54 | 0:12:59 | |
and this thing, with its perforations all over, | 0:12:59 | 0:13:02 | |
would've had the effect of a room freshener. | 0:13:02 | 0:13:06 | |
Dating from the 1860s to 1880s. | 0:13:06 | 0:13:09 | |
What's it worth? Well, you can buy it here in the fair for £35, | 0:13:09 | 0:13:15 | |
which is not expensive. | 0:13:15 | 0:13:17 | |
I mean, just look at all the work that's been involved in making it. | 0:13:17 | 0:13:21 | |
What would I expect it to make in a specialist sale? | 0:13:21 | 0:13:24 | |
Something like £150 to £200 | 0:13:24 | 0:13:28 | |
should strike the right note. | 0:13:28 | 0:13:30 | |
-These are quite fun. -Oh, they're nice. | 0:13:36 | 0:13:39 | |
-Snuff boxes. -Very smart. | 0:13:39 | 0:13:41 | |
These were made in the Georgian period. | 0:13:41 | 0:13:43 | |
The top will lift up. The snuff would go in there | 0:13:43 | 0:13:48 | |
and the gentleman would take a pinch, as you do about your daily business. | 0:13:48 | 0:13:52 | |
What's the best that could be? | 0:13:52 | 0:13:55 | |
58 would be my best price. | 0:13:55 | 0:13:57 | |
I quite like it. I just think it's whether it'll make a profit or not. That could be the difficult bit. | 0:13:57 | 0:14:02 | |
'Billy's got his thinking cap on, or should I say swimming cap?' | 0:14:02 | 0:14:07 | |
-Oh, I love that tea set. -That's very nice. | 0:14:08 | 0:14:11 | |
-What's the maker? -George Logan is the designer. | 0:14:11 | 0:14:14 | |
-A Scottish designer. -See, I love that. | 0:14:14 | 0:14:18 | |
-Do you like that? -That's the Glasgow rose. -Yeah. How much is this? | 0:14:18 | 0:14:21 | |
-I've got £150 on it. -No. It's lovely, though. | 0:14:21 | 0:14:26 | |
Now, this is pretty. | 0:14:28 | 0:14:30 | |
-It's very pretty. -Isn't that nice? -Lovely. -Really nice. | 0:14:30 | 0:14:33 | |
-Stands out a lot. -Yeah. -Yeah. | 0:14:33 | 0:14:35 | |
-Very stylish, isn't it? -It is, it's lovely. | 0:14:35 | 0:14:38 | |
It's made of glass, but it's what they call malachite glass. | 0:14:38 | 0:14:41 | |
-It's meant to simulate the stone malachite. -Yeah. | 0:14:41 | 0:14:45 | |
-It's very Art Deco. -Beautiful. -Yeah. | 0:14:45 | 0:14:47 | |
How much do you think a piece like this could go at auction for? | 0:14:47 | 0:14:50 | |
With Art Deco collectors, the market is quite buoyant at the minute | 0:14:50 | 0:14:55 | |
and that's a really stylish thing. | 0:14:55 | 0:14:57 | |
That would be comfortable at somewhere in the £50 to £80 mark. | 0:14:57 | 0:15:01 | |
-How much is it? -Er, 75. | 0:15:01 | 0:15:04 | |
-Right, 75. -It's the high end of that. | 0:15:04 | 0:15:07 | |
At the moment it is, yeah, but maybe we could work some magic on the stall holders. | 0:15:07 | 0:15:12 | |
-What's your best price? -The very best price I can do is 60. | 0:15:12 | 0:15:17 | |
-60? -I can't come down any lower than that. | 0:15:17 | 0:15:20 | |
I think you've got a chance with that, cos that would appeal to a lot of buyers. | 0:15:20 | 0:15:24 | |
And if you both like it... | 0:15:24 | 0:15:26 | |
-And you can afford it, we've got plenty of money left. -Right. | 0:15:26 | 0:15:31 | |
It's a sweet little thing. But it's up to you two. | 0:15:31 | 0:15:33 | |
I think people would buy that at auction. I think people would go and buy that. Do you want to go for it? | 0:15:33 | 0:15:39 | |
-We'll go for this, thank you. -Yep, go for it. -Thank you. | 0:15:39 | 0:15:43 | |
'A considered approach there by Billy and Jean | 0:15:43 | 0:15:46 | |
'who both fancy their chances on their second purchase. | 0:15:46 | 0:15:49 | |
'Now, who's this?' | 0:15:49 | 0:15:51 | |
-We've been on Bargain Hunt, my friend Effie and I. -Yes. | 0:15:51 | 0:15:55 | |
-And we've just met Tim. -So have you come to give us some pearls of wisdom? -Yes! | 0:15:55 | 0:16:01 | |
-Yes! -How did you get on when you did it? | 0:16:01 | 0:16:04 | |
-Well... -We won... BOTH: £252! | 0:16:04 | 0:16:08 | |
We could do with some of your luck, I think. | 0:16:08 | 0:16:11 | |
-Do you want to rub me for luck? -Ohh, there we go! | 0:16:11 | 0:16:14 | |
'Yes, rub some luck off those lovely ladies! It can't do any harm.' | 0:16:14 | 0:16:19 | |
-It's topaz, isn't it? -Is it not amber? | 0:16:19 | 0:16:22 | |
-It is amber, you're right. -It's nice. The silver detail's lovely. | 0:16:22 | 0:16:26 | |
£45. A wee bit dear. | 0:16:26 | 0:16:28 | |
19th century, Indian, hand-engraved. A spice container. | 0:16:28 | 0:16:33 | |
-British Army shell in the Days of the Raj. -That's pretty cool. | 0:16:33 | 0:16:36 | |
The damage is bothering me. | 0:16:36 | 0:16:39 | |
It's a big old lump all right, isn't it? | 0:16:42 | 0:16:45 | |
These are plate and they're modern reproductions. | 0:16:46 | 0:16:49 | |
All right to use at home, but you ain't going to get a bean in the saleroom. | 0:16:49 | 0:16:53 | |
'It seems their borrowed luck isn't helping the Reds track down that third elusive item. | 0:16:53 | 0:17:01 | |
'Time is ticking by. There's only 15 minutes left, Blues.' | 0:17:01 | 0:17:05 | |
-This is Royal Crown Derby. -Yes. -Butter dish. | 0:17:07 | 0:17:10 | |
-It's in the Imari palette. -Oh, right. | 0:17:10 | 0:17:13 | |
-Which is a Japanese design, underglazed blue, iron red and gilding. -Right. | 0:17:13 | 0:17:17 | |
It's taken from a Japanese design shipped from the port of Imari | 0:17:17 | 0:17:21 | |
and it was copied by British potters in the 18th and 19th century | 0:17:21 | 0:17:27 | |
and was taken on in a big way by Royal Crown Derby. | 0:17:27 | 0:17:30 | |
-And that's what you've got here. -Uh-huh. -You do know it's damaged just at the end there? | 0:17:30 | 0:17:35 | |
-Oh, so it is. -Yeah. -That could be easily glued in. | 0:17:35 | 0:17:39 | |
-Yeah, but once you start with damaged porcelain... -It's only £23. -Is it? -Mm-hm. | 0:17:39 | 0:17:44 | |
If we had it for 15, that would be worth a go. | 0:17:44 | 0:17:46 | |
-Cos you've got the little box. -Yeah, I like it. I think it's lovely. | 0:17:46 | 0:17:50 | |
-Right. -But it is a bit damaged, so... -Shall we try to get some money off it? -You want a bit of money off it. | 0:17:50 | 0:17:56 | |
'It's time to step up the plate, Eileen.' | 0:17:56 | 0:17:59 | |
-It is damaged. What would be your best price? -I could come down to 15. | 0:17:59 | 0:18:03 | |
Thank you very much. That's great. Thank you. That's lovely. | 0:18:03 | 0:18:06 | |
'And with only a few minutes left, that completes the buys for the Blues. Well done, team! | 0:18:06 | 0:18:12 | |
'Come on, Reds, you're running out of time.' | 0:18:14 | 0:18:17 | |
-This is elegant, isn't it? Look at that. -That's lovely, yeah. | 0:18:18 | 0:18:21 | |
-Very much in the Art Deco style. -It's two separate things. | 0:18:21 | 0:18:26 | |
-Yeah, you've got a bracelet and a necklace. -I quite like that. | 0:18:26 | 0:18:30 | |
The thing that makes it very special is the fact that it is an absolutely matching set. | 0:18:30 | 0:18:34 | |
-What sort of money are they? -It's 110 for the set. | 0:18:34 | 0:18:38 | |
So many people have a beautiful necklace and they match it up with something | 0:18:38 | 0:18:43 | |
and it never quite comes off. | 0:18:43 | 0:18:45 | |
But to have a set like that is fantastic. | 0:18:45 | 0:18:47 | |
The nice thing is that they've stayed together all their life. | 0:18:47 | 0:18:51 | |
If we could get it under the 100 mark... | 0:18:51 | 0:18:54 | |
The lowest I could possibly go on it would be 95. | 0:18:54 | 0:18:57 | |
-It does sit so well there, doesn't it? Beautiful. -It suits you, Jean. | 0:18:57 | 0:19:02 | |
-And it matches the sparkle in your eye, doesn't it? -Yeah. | 0:19:02 | 0:19:06 | |
'You old charmer, Nick.' | 0:19:06 | 0:19:08 | |
-You know these aren't diamonds, don't you? -Yeah. | 0:19:08 | 0:19:10 | |
We're looking at paste. That's why it's under 100 quid. | 0:19:10 | 0:19:14 | |
It's probably suited well for eveningwear, cocktail events. | 0:19:14 | 0:19:19 | |
'Cut to the chase, Billy!' | 0:19:19 | 0:19:22 | |
-Do you think it'll sell at auction? -Oh, there'll always be buyers for something as beautiful as this. | 0:19:22 | 0:19:27 | |
-We'll go for it, I think. -Are you sue? | 0:19:27 | 0:19:30 | |
-Yeah, let's go for it. -Both in agreement? -Yeah. | 0:19:30 | 0:19:33 | |
-There is one piece each, of course. -THEY LAUGH | 0:19:33 | 0:19:36 | |
Very fetching you'll look, too. | 0:19:36 | 0:19:38 | |
'Just don't wear it in the pool, Billy. | 0:19:38 | 0:19:41 | |
-'And with that...' -CANNON FIRES | 0:19:43 | 0:19:45 | |
Boom, boom. Well, that's Edinburgh's way of saying time's up. | 0:19:45 | 0:19:50 | |
'So, let's see how the Red Team got on. | 0:19:50 | 0:19:53 | |
'Their first purchase was the stork pattern ceramic vase. | 0:19:53 | 0:19:57 | |
'But will it deliver some profit at £40? | 0:19:57 | 0:20:01 | |
'They both loved the malachite vase at £60. | 0:20:01 | 0:20:04 | |
'And they handed over a sparkling £95 | 0:20:06 | 0:20:09 | |
'for the costume necklace and matching bracelet.' | 0:20:09 | 0:20:12 | |
-Hi, guys. -Hi. -How did you get on, Jean? All right? | 0:20:14 | 0:20:17 | |
-Oh, very well, thank you. -You were a bit nervy to start off with. | 0:20:17 | 0:20:21 | |
-A wee bit. -A wee bit. But you settled down very nicely. | 0:20:21 | 0:20:24 | |
Of course, having such an athletic teammate helps, doesn't it? | 0:20:24 | 0:20:29 | |
-Is that me you're talking about? -Oh, yes. | 0:20:29 | 0:20:31 | |
Anyway, you've spent up. How much did you spend in the end? | 0:20:31 | 0:20:35 | |
-Er... -195. -195. Can I have £105 of leftover lolly, please? | 0:20:35 | 0:20:41 | |
Thank you very much. 105. | 0:20:41 | 0:20:44 | |
So, Nick, what are you going to spend that on, old fruit? | 0:20:44 | 0:20:47 | |
I'm going to spend it very carefully. That's a lot of money to spend and there's a lot of good buys | 0:20:47 | 0:20:51 | |
so I'm very buoyed up with this. I think we could do well for you. | 0:20:51 | 0:20:55 | |
Well, that's quite the right sentiment. Good luck with it all. | 0:20:55 | 0:20:58 | |
Meanwhile, why don't we check out how the Blues got on, eh? | 0:20:58 | 0:21:01 | |
'Shona and Eileen steamed out of the blocks, buying dressing table jars | 0:21:02 | 0:21:06 | |
'for £40. | 0:21:06 | 0:21:09 | |
'Gardener Shona was a big fan of this metal plant stand, | 0:21:09 | 0:21:12 | |
'handing over another 40 notes. | 0:21:12 | 0:21:15 | |
'And Eileen negotiated the Imari butter dish and knife | 0:21:16 | 0:21:19 | |
'down to £15 for their final purchase.' | 0:21:19 | 0:21:22 | |
-How much did you spend all round? -£95. | 0:21:24 | 0:21:26 | |
-What, on the whole lot? -Yes. -That's pathetic. -I know. | 0:21:26 | 0:21:29 | |
So who's got the £205 of leftover lolly? | 0:21:29 | 0:21:32 | |
-I do. -OK. Thank you very much, Eileen, that's lovely. I won't count it. | 0:21:32 | 0:21:36 | |
I'll trust you. I'll hand that wodge over. | 0:21:36 | 0:21:39 | |
-There's enough here to buy... -A quality item that's going to bring a big profit. | 0:21:39 | 0:21:43 | |
Very good luck, teams. Meanwhile, we're heading off to the Borders | 0:21:43 | 0:21:46 | |
to Traquair House. | 0:21:46 | 0:21:49 | |
'Situated near Peebles on the Scottish Borders, | 0:21:54 | 0:21:57 | |
'Traquair House is heaped in history. | 0:21:57 | 0:22:00 | |
'The country residence has played host to no fewer than 27 Scottish kings and queens, | 0:22:00 | 0:22:07 | |
'one of whom was Mary Queen of Scots, who visited in 1566. | 0:22:07 | 0:22:11 | |
'This is the King's Room, where she was said to have stayed with her husband, Lord Darnley, | 0:22:12 | 0:22:18 | |
'and her baby son, who was to become James VI of Scotland | 0:22:18 | 0:22:22 | |
'and James I of England. | 0:22:22 | 0:22:24 | |
'Someone who knows all about the royal connections is Catherine Maxwell Stuart, | 0:22:24 | 0:22:29 | |
'the 21st Lady of Traquair.' | 0:22:29 | 0:22:33 | |
-Morning. -Very nice to meet you. Now, your family name is, of course, synonymous with this house. | 0:22:33 | 0:22:38 | |
Yes, the Stuarts of Traquair have been here since 1491, | 0:22:38 | 0:22:41 | |
so that's over 500 years, | 0:22:41 | 0:22:44 | |
and the line started when the Earl of Buchan gave a house to his second son, who was James Stuart, | 0:22:44 | 0:22:51 | |
and he became the first Laird of Traquair, | 0:22:51 | 0:22:54 | |
and 21 generations later, here I am. | 0:22:54 | 0:22:56 | |
-Quite something, I have to say. -Yes. | 0:22:56 | 0:22:59 | |
So what does history relate about Mary Queen of Scots' visit? | 0:22:59 | 0:23:03 | |
She came here in 1566, probably because the second Laird was the captain of her bodyguard. | 0:23:03 | 0:23:08 | |
And she was quite well recorded when she came and she was with her husband, Darnley, | 0:23:08 | 0:23:14 | |
and she brought her very newly-born son, who was later to be James VI of Scotland and James I of England. | 0:23:14 | 0:23:20 | |
And do you think the babe went a-bed in this very crib? | 0:23:20 | 0:23:25 | |
Yes, absolutely. Because the second laird was actually the captain of Mary's bodyguard, | 0:23:25 | 0:23:30 | |
-we had these very strong associations with Mary. -Mm. | 0:23:30 | 0:23:34 | |
While she was here, unfortunately, herself and her husband had a strong disagreement | 0:23:34 | 0:23:39 | |
and apparently she felt she may have been pregnant again | 0:23:39 | 0:23:42 | |
and over dinner she whispered to her husband, | 0:23:42 | 0:23:44 | |
could she be excused going on the hunting expedition the next day? | 0:23:44 | 0:23:48 | |
And apparently, Darnley turn around to all the assembled company and said, | 0:23:48 | 0:23:52 | |
"But ought not we to work a mare well when she's in full?" | 0:23:52 | 0:23:55 | |
which was considered a very un-Christian-like thing to say | 0:23:55 | 0:23:58 | |
-and he was rebuked strongly by the Earl of Traquair. -I bet he was! | 0:23:58 | 0:24:02 | |
I very much liked the look of the gates when I drove in on the left-hand side. | 0:24:02 | 0:24:06 | |
-Tell me about those. -Those are very famous gates | 0:24:06 | 0:24:09 | |
because those gates have been closed since 1745, when Bonny Prince Charlie was reported to have come here. | 0:24:09 | 0:24:15 | |
And this was as things were going well and he was on his campaign to regain the Scottish throne, | 0:24:15 | 0:24:20 | |
and the Earl gave him his support, and as he left through the gates, | 0:24:20 | 0:24:24 | |
the Earl closed the gates behind him and promised they would never be opened | 0:24:24 | 0:24:28 | |
until a Stuart king returned to the throne, | 0:24:28 | 0:24:31 | |
thinking this was a nice gesture and they'd be opened again in a few months' time, | 0:24:31 | 0:24:35 | |
but sadly that never came to pass, so the gates have remained closed every since. | 0:24:35 | 0:24:40 | |
-And the drive you came down today is still referred to as the temporary drive. -How sweet. | 0:24:40 | 0:24:44 | |
Of course, Culloden happened and that was the cause smashed forever. | 0:24:44 | 0:24:49 | |
Yes, it certainly was. Sadly, that was the end of Jacobite hopes. | 0:24:49 | 0:24:52 | |
'Traquair also has some fragile glass which has survived from the Jacobite era. | 0:24:52 | 0:24:58 | |
'Keeping their allegiance secret, the flowers on this glass | 0:24:58 | 0:25:03 | |
'spell "Charles" in code, | 0:25:03 | 0:25:05 | |
'beginning with a chrysanthemum for C. | 0:25:05 | 0:25:08 | |
'But catching my eye is this rare Amen glass | 0:25:08 | 0:25:12 | |
'which dates to the early 1700s.' | 0:25:12 | 0:25:15 | |
This is a precious glass because it's been diamond engraved, hasn't it? | 0:25:15 | 0:25:19 | |
-Yes. -With this incredible script. | 0:25:19 | 0:25:22 | |
Literally thousands of little dents into the surface | 0:25:22 | 0:25:25 | |
join up the indentations and make the script and so forth | 0:25:25 | 0:25:31 | |
and what I think is extraordinary is, one bad move, one heavy hammer tap on the diamond point, | 0:25:31 | 0:25:37 | |
-and you'd have broken the glass. -Yes. | 0:25:37 | 0:25:40 | |
-But it's beautifully done, isn't it? -The verse here is, "And God bless the Prince of Wales, | 0:25:40 | 0:25:45 | |
"the true-born Prince of Wales, send us by thee, | 0:25:45 | 0:25:49 | |
"send him soon over and kick out Hanover | 0:25:49 | 0:25:52 | |
"and then we'll recover our old liberty." | 0:25:52 | 0:25:54 | |
-THEY LAUGH -Isn't that marvellous? -We're still waiting. -Yes, absolutely. | 0:25:54 | 0:25:58 | |
'Now, I wonder if our teams will be left waiting for profits over at the auction.' | 0:26:00 | 0:26:05 | |
How lovely is this? We've nipped across Scotland to Glasgow. | 0:26:14 | 0:26:17 | |
Great Western Auctions is where we're at | 0:26:17 | 0:26:19 | |
with the lovely Anita Manning. Morning, Anita. | 0:26:19 | 0:26:22 | |
-Good morning and welcome. -Thank you. | 0:26:22 | 0:26:24 | |
Now, for the Reds, the Amphora vase with the old bird on the front. How do you rate that? | 0:26:24 | 0:26:30 | |
Well, these are very popular. | 0:26:30 | 0:26:32 | |
This factory only produced wares over 30, 40 years. | 0:26:32 | 0:26:37 | |
And their items were designed by students | 0:26:37 | 0:26:42 | |
from the Imperial School of Ceramic Design in Austria, | 0:26:42 | 0:26:46 | |
so we always have good design and it is quite popular. | 0:26:46 | 0:26:50 | |
-And how much? -30 to 40. | 0:26:50 | 0:26:53 | |
-£40 they paid. -Well... -So that might be a bit of a struggle. | 0:26:53 | 0:26:56 | |
The next item I think is absolutely fabulous, this malachite glass pot. | 0:26:56 | 0:27:01 | |
-Yes. -That, to me, has style, there's real quality to the material, | 0:27:01 | 0:27:05 | |
-fantastic colour. -I think it's a lovely thing, as well. | 0:27:05 | 0:27:08 | |
Designed by Heinrich Hoffmann, who was one of the master glass makers. | 0:27:08 | 0:27:14 | |
-How much? -£60 to £100. -OK, fine. They paid £60. -Yes. | 0:27:14 | 0:27:17 | |
-And their last item, a bit of bling. -Mm-hm. | 0:27:17 | 0:27:20 | |
Your necklace and bracelet, all in the Deco style. | 0:27:20 | 0:27:24 | |
-Pity they're not diamonds, hey? -THEY LAUGH | 0:27:24 | 0:27:27 | |
A big pity. But I think this is a wonderful piece of sparkly fun. | 0:27:27 | 0:27:34 | |
Now, I'm finding that period costume jewellery is doing very well in the saleroom. | 0:27:34 | 0:27:40 | |
So this might just appeal to those buyers. | 0:27:40 | 0:27:45 | |
-So how much, then? -45 to 70. | 0:27:45 | 0:27:48 | |
That's a bit of a come on. They paid 95. | 0:27:48 | 0:27:50 | |
-OK. -So they paid a good old whack for it. | 0:27:50 | 0:27:53 | |
It's a wee bit dear, but I wouldn't be surprised | 0:27:53 | 0:27:58 | |
if it went there or even if they made a little profit. | 0:27:58 | 0:28:01 | |
Well, if the bracelet doesn't do so well, they're going to need their bonus buy. | 0:28:01 | 0:28:05 | |
So let's go and have a look at it. | 0:28:05 | 0:28:08 | |
So, Billy and Jean, you gave Nick £105 of leftover lolly. What did you spend it on, Nick? | 0:28:08 | 0:28:14 | |
-There we go. -Oh. -Oh, I love it. -A nice Georgian tea caddy. | 0:28:14 | 0:28:19 | |
-You like that? -Oh, I do. -How much did you spend on it? -I spent £80. | 0:28:19 | 0:28:23 | |
-£80? -Yeah. -That's good. | 0:28:23 | 0:28:26 | |
It's not in perfect condition, but it's a genuine Georgian tea caddy. | 0:28:26 | 0:28:30 | |
-Nice shape, bit of inlay. -How much do you think it'll make? | 0:28:30 | 0:28:34 | |
Well, that's the million-dollar question. It's hard to say. They used to make a lot more than that. | 0:28:34 | 0:28:40 | |
The market's not what it was, but it's a good example and it's got a fighting chance. | 0:28:40 | 0:28:44 | |
After the sale of the first three items, you get your chance to have a go with it or not, | 0:28:44 | 0:28:48 | |
but right now, for the viewers at home, let's find out what the auctioneer thinks about Nick's box. | 0:28:48 | 0:28:54 | |
-Well, this is the quintessentially standard piece of tea caddy, isn't it? -Yes. | 0:28:54 | 0:29:00 | |
And probably more popular ten years ago. | 0:29:00 | 0:29:03 | |
But this is quite a nice example. | 0:29:03 | 0:29:07 | |
-We have handles missing here, which is really a wee bit of a shame. -Oh, yes. | 0:29:07 | 0:29:11 | |
-So they just plugged them with a bit of timber. -Yes. | 0:29:11 | 0:29:16 | |
The inside in not complete | 0:29:16 | 0:29:19 | |
and they've reupholstered it | 0:29:19 | 0:29:22 | |
-in this brown velvet. -THEY LAUGH | 0:29:22 | 0:29:24 | |
A bit of Dralon in the roof. That's not Georgian Dralon. | 0:29:24 | 0:29:27 | |
-It's not. -And then we would've had three tea containers, | 0:29:27 | 0:29:31 | |
silver or shagreen or something, in those at one time. | 0:29:31 | 0:29:36 | |
But I do like the little bracket feet here, little Georgian item. | 0:29:36 | 0:29:41 | |
Nice little brass escutcheon and this chequered banding here. So it's not bad. | 0:29:41 | 0:29:47 | |
-So how much? -50 to 70. | 0:29:47 | 0:29:49 | |
OK. £80 was paid by Nick Hall. | 0:29:49 | 0:29:53 | |
He's got great expectations set in that box. We'll have to see what happens. | 0:29:53 | 0:29:57 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:29:57 | 0:30:00 | |
First of all, the dressing table jars, which I have to say I think are hideous. | 0:30:00 | 0:30:06 | |
They're chipped enamel and it's only chromium-plated mounts. How do you rate them? | 0:30:06 | 0:30:10 | |
-We have to be positive if we're going to sell them. -Of course. | 0:30:10 | 0:30:14 | |
And I like the enamelling and I like the colour of the enamelling. | 0:30:14 | 0:30:18 | |
And I think they would look rather nice on a lady's dressing table. | 0:30:18 | 0:30:22 | |
-So what's your estimate on the four? -30 to 50. | 0:30:22 | 0:30:25 | |
They paid £40. So that's slap-bang in the middle. | 0:30:25 | 0:30:28 | |
-If you do that, Anita, you've done very well for chipped examples. -Yes. | 0:30:28 | 0:30:32 | |
Next is the cast-iron plant stand. | 0:30:32 | 0:30:36 | |
Not my favourite again, I'm afraid. | 0:30:36 | 0:30:38 | |
-I mean, it's black, it's slightly rusty and it's repro. -It is. | 0:30:38 | 0:30:43 | |
-But it is functional. -Yes. -It would look rather nice in a conservatory | 0:30:43 | 0:30:47 | |
with spider plants on it or ivy or whatever. | 0:30:47 | 0:30:52 | |
So it will appeal to the gardeners. | 0:30:52 | 0:30:55 | |
-Functional is the best that I can say for it. -Yes. | 0:30:55 | 0:30:58 | |
-How much, please? -40 to 60. -OK, £40 paid. | 0:30:58 | 0:31:01 | |
So they paid the right price, that's the important thing, like it or loathe it. | 0:31:01 | 0:31:05 | |
And lastly is this little cased set-up which is a butter dish and knife | 0:31:05 | 0:31:11 | |
in its cardboard box. Any good? | 0:31:11 | 0:31:14 | |
Royal Crown Derby, wonderful, wonderful factory. | 0:31:14 | 0:31:17 | |
This is quite a late piece, probably from the 1940s or 1950s. | 0:31:17 | 0:31:22 | |
Little crescent-shaped butter dish, which is quite sweet. | 0:31:22 | 0:31:26 | |
But the little knife has some damage here. There's something missing | 0:31:26 | 0:31:31 | |
which will affect the price of it. | 0:31:31 | 0:31:33 | |
-Your estimate is £15 to £25. -Mm-hm. -They paid £15, so they paid the right price. | 0:31:33 | 0:31:39 | |
Overall, depending on what happens with their plant stand, they may or may not need the bonus buy, | 0:31:39 | 0:31:44 | |
but let's have a look at it anyway. | 0:31:44 | 0:31:46 | |
Well, girls, you spent a miserable £95. | 0:31:46 | 0:31:49 | |
£205, a fortune, went to Jeremy. What did you spend it on, Jeremy? | 0:31:49 | 0:31:54 | |
I'm afraid I've bought junk. Sorry about that. | 0:31:54 | 0:31:57 | |
-Ooh! -Ahh! -Here it is! It's a Chinese junk. | 0:31:57 | 0:32:00 | |
-Oh, that's gorgeous! -That's lovely, yeah. | 0:32:00 | 0:32:03 | |
So this is a little Chinese white-metal junk | 0:32:03 | 0:32:07 | |
made probably in the late 19th, early 20th century. | 0:32:07 | 0:32:11 | |
It's got characters on the back. | 0:32:11 | 0:32:13 | |
It's got all the little features, cannon, figures, it's ready to sail away into profit. | 0:32:13 | 0:32:18 | |
-Oh, that's lovely. Really good. -What would you pay for that? | 0:32:18 | 0:32:22 | |
-40 quid. -Oh. | 0:32:22 | 0:32:24 | |
It really is junk, then. THEY LAUGH | 0:32:24 | 0:32:28 | |
-65. -That's good. -That's OK. -How much profit do you think it'll make? | 0:32:28 | 0:32:34 | |
I think you could get £80 to £100 on a good day. | 0:32:34 | 0:32:37 | |
-Happy, girls? -BOTH: Yes. -You don't pick now, you pick later, | 0:32:37 | 0:32:42 | |
but let's find out what the auctioneer thinks about Jeremy's bit of junk, I mean junk. | 0:32:42 | 0:32:47 | |
So, Anita, junk by name, junk by nature? | 0:32:47 | 0:32:50 | |
-SHE LAUGHS -Give us the lowdown. -I know. | 0:32:50 | 0:32:53 | |
I mean, there is a lot of detail in this little object | 0:32:53 | 0:32:58 | |
and I particularly like the little oars, the little Chinese script on the stern here. | 0:32:58 | 0:33:04 | |
But I quite like the wee cannons. | 0:33:04 | 0:33:06 | |
And you don't often see that sort of detail on this type of item. | 0:33:06 | 0:33:13 | |
This is not the best of quality but it has a certain appeal. | 0:33:13 | 0:33:19 | |
-What is your estimate? -£50 to £80. | 0:33:19 | 0:33:21 | |
OK, £65 was paid by Jeremy. He clearly thinks that it's going to do well, | 0:33:21 | 0:33:27 | |
in the troubled waters that are ahead for his team. | 0:33:27 | 0:33:31 | |
And we'll find out what happens in a minute. Thank you very much. | 0:33:31 | 0:33:34 | |
-So, Billy and Jean, how you feeling, kids? -Bit nervous. -Are you? | 0:33:43 | 0:33:47 | |
-Jean, are you looking forward to this? -Very much so, yes. | 0:33:47 | 0:33:50 | |
Is there any item, darling, that you are at all worried about? | 0:33:50 | 0:33:53 | |
-Er, no, not really. -No. Well, I don't think you have got any great worries here. | 0:33:53 | 0:33:59 | |
First up is the Amphora vase and here it comes. | 0:33:59 | 0:34:02 | |
Lot 48, ladies and gentlemen. | 0:34:02 | 0:34:05 | |
It's a superb little piece of Amphora. | 0:34:05 | 0:34:08 | |
It's Art Deco, it's from the 1960s, | 0:34:08 | 0:34:11 | |
decorated with the image of a stork. | 0:34:11 | 0:34:15 | |
Can we say £80? £60? | 0:34:15 | 0:34:18 | |
Start me at £20. £20 for the Amphora. | 0:34:19 | 0:34:23 | |
-Oh, dear. -£20. | 0:34:23 | 0:34:25 | |
20 bid. 25. | 0:34:25 | 0:34:27 | |
30. 35. 40. | 0:34:27 | 0:34:31 | |
-It's creeping. It's agonising, isn't it? -With the lady at £40. | 0:34:31 | 0:34:35 | |
45. Fresh bidder at 45. 50. | 0:34:35 | 0:34:39 | |
-£50. -Go on! | 0:34:40 | 0:34:43 | |
With the lady at £50. All done at £50? £50. | 0:34:43 | 0:34:48 | |
Well done. That's plus 10. Nothing wrong with that. | 0:34:48 | 0:34:50 | |
-That's all right. -Good start. -It's great. -Now, the malachite vase. | 0:34:50 | 0:34:54 | |
It's the Heinrich Hoffman Ingrid vase. | 0:34:54 | 0:34:57 | |
Moulded in relief with six Bacchanalian maidens. | 0:34:57 | 0:35:02 | |
And I can see a few Bacchanalian maidens on the floor here. | 0:35:02 | 0:35:07 | |
-We've got one here, Anita. -And there's a lady over there. | 0:35:07 | 0:35:10 | |
So this is a rare little piece, ladies and gentlemen. | 0:35:10 | 0:35:13 | |
Start me at 50 for the malachite glass. £50. | 0:35:13 | 0:35:16 | |
£30 then. | 0:35:16 | 0:35:19 | |
30 bid. 40. 50. 60. | 0:35:19 | 0:35:22 | |
70. | 0:35:22 | 0:35:25 | |
80. 90. 100. 110. | 0:35:25 | 0:35:29 | |
Any advance on 110? | 0:35:29 | 0:35:31 | |
All done at 110? 110. | 0:35:31 | 0:35:34 | |
-Well done. £50 profit. -Yeah! -Nearly doubled your money. | 0:35:34 | 0:35:37 | |
That's pretty good, isn't it? You must be pleased about that, Jean? | 0:35:37 | 0:35:41 | |
-Delighted. -Delighted, yeah. Here we go. | 0:35:41 | 0:35:43 | |
Are there any ladies in the room | 0:35:43 | 0:35:47 | |
that like diamonds? | 0:35:47 | 0:35:49 | |
If you can't afford diamonds, this is the nearest you will get to it. | 0:35:49 | 0:35:55 | |
Look how they sparkle. | 0:35:55 | 0:35:58 | |
Will you start me at £50 for the necklace and bracelet set? | 0:35:58 | 0:36:02 | |
£30. 30 bid. | 0:36:02 | 0:36:05 | |
40. 50. 60. | 0:36:05 | 0:36:08 | |
£60. 70. 80. | 0:36:08 | 0:36:10 | |
-£80. 90. -We're so close. | 0:36:10 | 0:36:14 | |
No? With you, sir, at £90. | 0:36:14 | 0:36:17 | |
All done at £90? £90. | 0:36:17 | 0:36:20 | |
-Bad luck. £5 off. I mean, nothing really. -That's not too bad. | 0:36:20 | 0:36:24 | |
Gosh, she worked hard on that, didn't she? | 0:36:24 | 0:36:26 | |
So that is £60 you had. | 0:36:26 | 0:36:28 | |
You've just lost a fiver, so you have plus £55. | 0:36:28 | 0:36:32 | |
£55 profit, which is lovely. What you going to do about this tea caddy? | 0:36:32 | 0:36:36 | |
-£80 paid. -You've got £55, don't forget. | 0:36:36 | 0:36:39 | |
Do you want to risk losing it? | 0:36:39 | 0:36:41 | |
-Stick. -You'd be sad if you lost it, wouldn't you? -I know. -Yes. -We'll just stick. | 0:36:41 | 0:36:46 | |
OK, you're parking your £55. Let's see what happens with the bonus buy. | 0:36:46 | 0:36:50 | |
Lot 54 is this superb little Georgian tea caddy. | 0:36:50 | 0:36:55 | |
I'll start the biding at £30. 40. | 0:36:55 | 0:36:59 | |
50. 60. £70. | 0:36:59 | 0:37:03 | |
Any advance on £70? | 0:37:03 | 0:37:05 | |
75, I'm out. With you, sir, at 75. All done? | 0:37:05 | 0:37:10 | |
-£75 is minus £5. You made exactly the right decision. -Well done. | 0:37:10 | 0:37:14 | |
Anyway, you've preserved your £55 profit, which is absolutely super. | 0:37:14 | 0:37:19 | |
The big thing now is, don't say a word to the Blues. | 0:37:19 | 0:37:22 | |
-No, definitely not. -Definitely not, OK. | 0:37:22 | 0:37:25 | |
-So, Eileen and Shona, how are you girls? -We're good. -Excited. -Nervous. | 0:37:37 | 0:37:42 | |
-Do you know how the grandmother and grandson got on? -No. No idea. | 0:37:42 | 0:37:45 | |
So this is very interesting, this family show, isn't it? | 0:37:45 | 0:37:49 | |
How do you predict it's all going to turn out, Eileen? | 0:37:49 | 0:37:52 | |
Well, no idea, but hopefully well. | 0:37:52 | 0:37:54 | |
Yeah? You feeling confident, Shona? | 0:37:54 | 0:37:56 | |
Well, I like all my items but I don't know if they'll make a profit. | 0:37:56 | 0:38:00 | |
Stand by, then, cross everything. Here we go! | 0:38:00 | 0:38:02 | |
This set of four very stylish Art Deco dressing jars | 0:38:02 | 0:38:07 | |
and I can start the bidding at £20. | 0:38:07 | 0:38:11 | |
With me at 20. 30. | 0:38:11 | 0:38:15 | |
35 with me. 40. | 0:38:15 | 0:38:19 | |
-You've wiped your face, Shona. -Good. -45. I'll take it in 5s. | 0:38:19 | 0:38:22 | |
-45. -45! -50. | 0:38:22 | 0:38:24 | |
55. With the lady at 55. | 0:38:24 | 0:38:27 | |
Any advance on 55? | 0:38:27 | 0:38:30 | |
All done at 55? 55. | 0:38:30 | 0:38:33 | |
Well done, girls. Plus £15. That's very good, isn't it? | 0:38:33 | 0:38:37 | |
And I was so rude about them, too. Anyway, there we go. | 0:38:37 | 0:38:40 | |
-Here comes the stand. -..the cast iron Japanese plant stand | 0:38:40 | 0:38:45 | |
with three tiers modelled as fans. | 0:38:45 | 0:38:49 | |
A romantic piece, ladies and gentlemen. Very sweet piece. | 0:38:49 | 0:38:52 | |
Start me at £20. £20. | 0:38:52 | 0:38:56 | |
20 bid. With you, madam, at 20. | 0:38:56 | 0:38:59 | |
25. 30. | 0:38:59 | 0:39:01 | |
35. 40. | 0:39:01 | 0:39:04 | |
45. 50. Oh, 55, fresh bidder. | 0:39:04 | 0:39:08 | |
Oh, no, I've got another one. Catch you in a wee minute. | 0:39:08 | 0:39:11 | |
55. 60. | 0:39:11 | 0:39:14 | |
-70. 80. 90. -Look at this! | 0:39:14 | 0:39:17 | |
With the lady at £90. | 0:39:17 | 0:39:19 | |
Any advance on £90? All done at £90? | 0:39:19 | 0:39:22 | |
Plus £50 on that. I must say, cast iron is terribly romantic. | 0:39:22 | 0:39:28 | |
Right, now we go for the Royal Crown Derby. | 0:39:28 | 0:39:31 | |
We have a little crescent-shaped butter dish and knife. | 0:39:31 | 0:39:35 | |
It's in the Imari palette | 0:39:35 | 0:39:38 | |
and it's in its original 1950s box | 0:39:38 | 0:39:41 | |
which gives it that additional charm. Can we say £50? 50? | 0:39:41 | 0:39:47 | |
Start me at £20. | 0:39:47 | 0:39:50 | |
£20? £10, then. | 0:39:50 | 0:39:52 | |
10 bid. | 0:39:52 | 0:39:54 | |
15. 20. 25. 30. 35. 40. | 0:39:54 | 0:39:58 | |
Lady at 40. Any advance on £40? | 0:39:58 | 0:40:02 | |
-Doubled your money. -All done at £40? £40. | 0:40:02 | 0:40:06 | |
You've made £25 on that. That is just extraordinary. | 0:40:06 | 0:40:09 | |
50, 75, 85, you've made £90. | 0:40:09 | 0:40:12 | |
-You only spent £95 and you made £90. -THEY LAUGH | 0:40:12 | 0:40:15 | |
-I told you, Tim, canny Scots. -Canny Scots. Well, I'm taking my toupee off to you. | 0:40:15 | 0:40:20 | |
-You're doing very nicely here. -Do you need the junk, though? No. | 0:40:20 | 0:40:24 | |
-I don't think we do. I mean, it's pretty but I don't think so. -You're not going to go with it? | 0:40:24 | 0:40:30 | |
-You have a magnificent £90 profit, you're not going with the bonus buy. Is that a decision made? -Yes. | 0:40:30 | 0:40:35 | |
OK. Well, let's see what it makes, anyway. Here it comes. | 0:40:35 | 0:40:38 | |
Lot 73 is a late-19th century Chinese silver model | 0:40:38 | 0:40:42 | |
of a junk in full sail. | 0:40:42 | 0:40:44 | |
And it's on a carved hardwood stand. 60? | 0:40:44 | 0:40:49 | |
£60? Surely. £40 then? | 0:40:49 | 0:40:52 | |
40 bid. With you, sir, at 40. | 0:40:52 | 0:40:56 | |
Any advance on 40? 45. 50. | 0:40:56 | 0:40:59 | |
-55. 60. -Look out, she's going on. | 0:40:59 | 0:41:02 | |
-65. -Yes. -65. | 0:41:02 | 0:41:06 | |
With the gentleman at 65. Any advance on 65? | 0:41:06 | 0:41:09 | |
All done at 65? | 0:41:09 | 0:41:12 | |
It's done it. 65, it's wiped its face, no profit, | 0:41:12 | 0:41:14 | |
no loss, no shame and no gain. | 0:41:14 | 0:41:17 | |
-OK? So that was a wise move, wasn't it? -Yes. -Mm. -Well done, Jeremy, no shame in that. | 0:41:17 | 0:41:23 | |
Anyway, so overall, girls, you are £90, an unbelievable £90 up. | 0:41:23 | 0:41:27 | |
Anyway, we'll park that. Don't say a word to the Reds. No point spoiling their day. | 0:41:27 | 0:41:32 | |
-Well, what an exciting day we've had today. Have you been chatting, you teams? -ALL: No. | 0:41:42 | 0:41:48 | |
Well, it should come as no secret that both of you are into monster profit country | 0:41:48 | 0:41:53 | |
as far as Bargain Hunt is concerned, anyway, which is always exciting. | 0:41:53 | 0:41:57 | |
To be able to give you substantial wodges of cash gives me great pleasure. | 0:41:57 | 0:42:01 | |
It's just a question of scale today. | 0:42:01 | 0:42:03 | |
And the team which are marginally behind in the profit stakes | 0:42:03 | 0:42:08 | |
-are the Reds. -Oh, never mind! | 0:42:08 | 0:42:10 | |
I mean, it's a bad do this, isn't it? To say that you're the runners-up with £55 of profits. | 0:42:10 | 0:42:16 | |
-That's what you're going to take, £55. Boy, that's very good, isn't it? -Yeah. | 0:42:16 | 0:42:22 | |
You resisted the bonus buy, which was very, very close, Nick. But nevertheless, you preserved your 55. | 0:42:22 | 0:42:27 | |
-Have you had a great time? -Brilliant time. -Fantastic. -Very nice to see you both. | 0:42:27 | 0:42:31 | |
And congratulations, Nick. Now, the victors, who are going to go home with £90... | 0:42:31 | 0:42:37 | |
£90! Look at that! | 0:42:37 | 0:42:40 | |
Because you made a profit on all three items, | 0:42:40 | 0:42:43 | |
which is practically unheard of on Bargain Hunt, | 0:42:43 | 0:42:46 | |
-you are eligible for the ancient order of the golden gavel. -Ooh! | 0:42:46 | 0:42:49 | |
We've run out of golden gavels. So we now lob out these things. And not very many of them. | 0:42:49 | 0:42:54 | |
So if you take that one, well done. Shona, you take that and pin it on. | 0:42:54 | 0:42:58 | |
-And the maestro... -Thank you. -J, there we go. | 0:42:58 | 0:43:01 | |
Something you can wear down the people's high street with pride. | 0:43:01 | 0:43:06 | |
-And we've had a thoroughly good day. In fact, join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:06 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:14 | 0:43:18 | |
E-mail [email protected] | 0:43:18 | 0:43:22 | |
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