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Oh! So many objects, so little time - so little sunshine! Let's go | :00:08. | :00:18. | |
:00:18. | :00:36. | ||
Today we're hunting bargains in the showground close to the historic | :00:36. | :00:42. | |
city of Norwich. I just wonder what sort of history is going to be made | :00:42. | :00:47. | |
here today. The reds are ladies with expensive tastes. Have a guess. | :00:47. | :00:54. | |
Maybe 150. Oh, dear! My God, we were well out! Is that expensive as | :00:54. | :00:58. | |
well? Yes. OK. If you two look at it it's bound to be. The blues | :00:58. | :01:05. | |
can't make a decision. I think it's a possibility. Do you think it's a | :01:05. | :01:08. | |
possibility? Yes, I think we ought to think a little while. We'll have | :01:08. | :01:11. | |
a think about that one as well. Three minutes. But they are saved | :01:11. | :01:15. | |
by the David Barby fan club. like David Barby and he deserves to | :01:15. | :01:21. | |
win. Let's says �60. Thank you very much. Here are the rules again. We | :01:21. | :01:24. | |
have two teams each with �300 to spend on three items which they | :01:24. | :01:28. | |
take away and sell at auction. Hopefully to make a profit. Let's | :01:29. | :01:37. | |
Serena and Jenny, how do you know each other? We are sisters. | :01:37. | :01:43. | |
away! Yeah. Are you really? I'm the slightly older sister. Really? You | :01:43. | :01:46. | |
can't tell that. One blonde and one brunette, that's brilliant. Mine's | :01:46. | :01:51. | |
natural, yours isn't. Quite catty, too! You know each other because | :01:51. | :01:56. | |
you are sisters. Yes. Did you have what is the usual sisterly | :01:56. | :02:01. | |
relationship when you were younger? Sisterly love? No. Did you fight a | :02:01. | :02:05. | |
lot? Absolutely. If there was something to fight about, we would | :02:05. | :02:09. | |
do it. As petty as you like. What do you do for a living? I'm a | :02:09. | :02:12. | |
finance assistant for a local high school. That's a nice job. It is. | :02:12. | :02:15. | |
So you get great holidays. Absolutely, that's the best bit. | :02:15. | :02:18. | |
That fits in perfectly. Do you have any children? I do, a daughter who | :02:18. | :02:22. | |
is seven. Jenny, do you have nice, long summer holidays as well? | :02:22. | :02:24. | |
currently not working I'm technically on maternity leave, so | :02:24. | :02:28. | |
I can have as much holiday as I like. Congratulations. When did you | :02:28. | :02:32. | |
have your baby? She's nearly nine months old now. So you'll be back | :02:32. | :02:36. | |
to work soon? I run a company with my husband so I'm not planning on | :02:36. | :02:39. | |
going back to full-time work. What experience have you got of | :02:40. | :02:43. | |
antiques? Both Jenny and I had childhood hobbies of collecting | :02:43. | :02:49. | |
animals. Jenny collected pigs. And I collected owls. Little china | :02:49. | :02:53. | |
pigs? I had loads of them around my bedroom. I think we're going to get | :02:53. | :02:57. | |
on terribly well today on Bargain Hunt. This is going to be an | :02:57. | :03:00. | |
absolute hoot. Welcome to the show. We'll see how you get on in a | :03:00. | :03:04. | |
minute. Now, the blues. Yvonne and Ricardo. How do you know each | :03:04. | :03:09. | |
other? Richard is my brother-in-law. He is married to my eldest sister, | :03:09. | :03:13. | |
Bernice. They've been married 27 years. That's how I know Richard. | :03:14. | :03:17. | |
Do you see quite a lot of each other as a family? We do. I've got | :03:18. | :03:22. | |
three sisters and we've all got husbands and two children each. | :03:22. | :03:26. | |
Tell us about your animals. I've got three cats, a rabbit and guinea | :03:26. | :03:33. | |
pig. Do they all get on? Yes. I get pigeons brought in quite regular. | :03:33. | :03:37. | |
The cat, Henry, brings me pigeons and mice. I try and revive most of | :03:37. | :03:41. | |
them and send them out into the wild. And I've had a rat. Do you | :03:42. | :03:47. | |
give mouth-to-mouth? Try and revive that! What about animals in your | :03:47. | :03:52. | |
life? We are full of animals. When I proposed to my wife, she accepted | :03:52. | :03:57. | |
on one condition. That when we went on honeymoon we had to have the two | :03:57. | :04:02. | |
new additions to the family. What, straight away? Straight away. We | :04:02. | :04:06. | |
spent about 10 day in North Wales looking for Border collie pups. | :04:06. | :04:09. | |
you were successful? Yes, we have had Border collies ever since. | :04:09. | :04:12. | |
Amongst rabbits, guinea pigs, cockerels and hens. What relevance | :04:12. | :04:16. | |
has any of this got to Bargain Hunt and antiques, do you know anything | :04:16. | :04:19. | |
about it, Richard? I don't, no. I'm relying on Yvonne because she does | :04:19. | :04:24. | |
a lot of car boot. You do the car boot, do you? Yes. What you like | :04:24. | :04:28. | |
about it? I like the buying side of it and the buzz, if I get it cheap. | :04:29. | :04:33. | |
I like a bargain. I have brought you a little present. Have you? | :04:33. | :04:39. | |
Look at that. Darling, how sweet - look. It's a bow-tie. Well, I do | :04:39. | :04:43. | |
admire your bow-ties. I thought that would be nice for you. This is | :04:43. | :04:47. | |
just my colour scheme, too. Good. If I accept this gift, is it going | :04:47. | :04:50. | |
to upset the reds because it's a blue bow-tie. I did notice you'd | :04:50. | :04:54. | |
bought a blue bow-tie. There we are, that's really sweet. Thank you very | :04:54. | :04:57. | |
much. Now the money moment. �300 apiece. You know the rules, your | :04:57. | :05:04. | |
experts await. Off you go and very Each team is led by one of our | :05:04. | :05:11. | |
select experts. Guide dog for the reds is David Harper. Are you | :05:11. | :05:14. | |
raring to go? Absolutely. When those doors open you've got 60 | :05:14. | :05:24. | |
:05:24. | :05:26. | ||
Dishing out the advice for the Well, you can start by browsing | :05:26. | :05:32. | |
through everything in here. There's a lot to choose from. If there's | :05:32. | :05:37. | |
anything there that's going to take your eye, let's have a look at it. | :05:37. | :05:40. | |
Moorcroft is just absolutely... is a beautiful vase. Worth every | :05:40. | :05:49. | |
penny. It's 600 quid but we are I like something like that. They | :05:49. | :05:54. | |
are superb, but these are �300 to �400 a time. It looks like the reds | :05:54. | :05:58. | |
have found something already. at that, that genuinely is a piece | :05:58. | :06:03. | |
of art. Yes. Isn't it? And in the true sense of the word, because | :06:03. | :06:07. | |
that is an absolute one-off. There may be hundreds of items similar to | :06:07. | :06:10. | |
it but there will be nothing on planet earth that is exactly the | :06:10. | :06:16. | |
same as that. It's a hand-made piece of glass, probably Murano. I | :06:16. | :06:19. | |
never get sick of talking about Murano because it's such a good | :06:19. | :06:24. | |
quality product. I like the colours. Yes. It's just beautiful, | :06:24. | :06:30. | |
absolutely beautiful. I really like that. Do you? I do like that. | :06:30. | :06:34. | |
it's modern. It is. It's something anybody could have in their house. | :06:35. | :06:38. | |
It's probably 1960s, 1970s. Do you think it's that old? It probably | :06:38. | :06:43. | |
could be. And it's not a lot of money. To be honest, I was | :06:43. | :06:46. | |
surprised, I was expecting a bit more money. I'm sure they'd be | :06:46. | :06:50. | |
happy to take a bit more off you. As a dealer, you'd be my dream | :06:50. | :06:57. | |
client! In an auction I think that should make 30 quid all day long. | :06:57. | :07:02. | |
It should do. So I think anything under that would stand a chance. | :07:02. | :07:07. | |
How much is your best price on this? Ask her to be kind. Can you | :07:07. | :07:17. | |
:07:17. | :07:18. | ||
be kind to us, please? 28 any help? 25? Yeah, OK. Fantastic. Very good. | :07:18. | :07:22. | |
They are good, aren't they? That's quick off the mark, reds. I didn't | :07:22. | :07:25. | |
think we'd find anything le t alone in six minutes. To be honest, it | :07:25. | :07:28. | |
doesn't take us very long and money. Exactly, especially when it's not | :07:28. | :07:32. | |
yours - it's the perfect money to spend! Come on, keep on doing a | :07:32. | :07:36. | |
great job. Let's see if the blues are off to a good start. | :07:36. | :07:41. | |
barometer. A nice piece of work there. �68, not bad. It's Art Deco | :07:41. | :07:51. | |
Beswick. Quite clever, isn't it? It's worth a thought but we'll | :07:51. | :07:54. | |
think about it. We need to come back, we've just started shopping. | :07:54. | :07:56. | |
Good point, David, but don't get complacent. Poole Pottery, very | :07:56. | :07:59. | |
collectible. This is an Hors d'Oeuvres set. You've got pickles | :07:59. | :08:04. | |
there, yoghurt and chutney, pickled onions, gherkins. Yeah. It's quite | :08:04. | :08:11. | |
nice. It is. What is so nice is it's on its original stand. Right. | :08:11. | :08:15. | |
Each piece nice and sharp, no chips and the stamp mark there. It's | :08:15. | :08:21. | |
called Saladin. So they are trying to emulate that Saladin glazes of | :08:21. | :08:29. | |
the Chinese. That would be very Art Deco style. Do you like that? | :08:29. | :08:35. | |
Just confer with Richard, your brother-in-law. He has said nothing. | :08:35. | :08:39. | |
It's a possibility. Do you think it's a possibility? Yes. Well done, | :08:39. | :08:46. | |
Richard - do speak up, man. They are asking �45 for it. I was | :08:46. | :08:56. | |
:08:56. | :09:00. | ||
thinking 20. 25. That still is a little bit much. 22? Can you go 22? | :09:00. | :09:06. | |
Yes, I can. OK. We'll have that. Thank you very much. Well done, | :09:06. | :09:16. | |
:09:16. | :09:18. | ||
Those owls are really quirky. are absolutely gorgeous. Are they | :09:18. | :09:24. | |
peppers, salt? Yes. Really? They are very sweet. I used to collect | :09:24. | :09:30. | |
those. You did. Did you really? There you go. There is owl each. | :09:30. | :09:34. | |
They are amazing. Have you seen the price? I did. I'm now crying inside. | :09:34. | :09:39. | |
What is it? �300. I know. And they are worth �300, they really are. | :09:39. | :09:45. | |
Don't forget you're on a budget, ladies. 150. He is lovely. I used | :09:45. | :09:50. | |
to collect pigs. Did you? What would you put in there? Matches. | :09:50. | :09:56. | |
Yes. A Vesta. Named after the old vesta matches. He is cute. Is he | :09:56. | :10:00. | |
hallmarked? No, he's not. Because we can't categorically say it's | :10:00. | :10:05. | |
silver it's a problem when we go to auction. So leave old piggy here, | :10:05. | :10:09. | |
I'm afraid. It looks like this little piggy is not going to market | :10:09. | :10:14. | |
either. The blues have got their eye on a pair of Doulton vases. | :10:14. | :10:19. | |
They are late, 1910, 1920. Yes, they've got an early Royal Doulton | :10:20. | :10:26. | |
but often they got Doulton Lambeth period. What I particularly like is | :10:26. | :10:29. | |
the mottled effect glaze you have. It was very fashionable for that | :10:29. | :10:35. | |
time. Then you have this trailed Tudor rose. I find them very cool. | :10:35. | :10:39. | |
They've got taste, they are sophisticated. Like us - the blue | :10:39. | :10:42. | |
team. They are blue, all blue. That's what attracted me. And | :10:42. | :10:47. | |
they're both in nice condition. What do you think, Richard? I think | :10:47. | :10:54. | |
they're in very nice condition. They are nice, aren't they? I think | :10:54. | :11:03. | |
they've got 150. I could do 130. How about 100? 110. 110. I think we | :11:03. | :11:07. | |
ought to pass wait for a little while and perhaps come back. Could | :11:07. | :11:11. | |
you hold them just for a little while? Could you put them on | :11:11. | :11:15. | |
reserve for 15 minutes, sir? Yes, I will put them on there but I won't | :11:15. | :11:18. | |
sell them. Thank you very much. Come on, let's move. That's it, | :11:18. | :11:21. | |
David, take control. Reds are still aiming high, too high. 365. | :11:21. | :11:27. | |
gosh! Troika. Is that expensive as well? It will be. If you two look | :11:27. | :11:33. | |
at it it's bound to be. What kind of money is it? 240. We are getting | :11:33. | :11:43. | |
:11:43. | :11:45. | ||
Have a guess. Maybe 150. 120. dear. We are well out! You and your | :11:45. | :11:50. | |
expensive items. Serena and Jenny, you are not a cheap date either of | :11:50. | :11:55. | |
you! Remember, you are up against the clock. Hello, what's this? | :11:55. | :12:00. | |
you heard of Victory V? I haven't. You've never had a Victory V? | :12:00. | :12:03. | |
You've never lived. Is it like a Fisherman's Friend? It is. Really | :12:03. | :12:09. | |
powerful. But this is an advertising clock for Victory Vs. I | :12:09. | :12:15. | |
would imagine if you're a shopkeeper in 1900... If you were | :12:15. | :12:18. | |
flogging loads of Victory Vs you would get this for free and you'd | :12:18. | :12:24. | |
put it in your shop. This container is issued for our world famous | :12:24. | :12:29. | |
Victory V lozenges. The world's winter sweetmeats. Not a nice | :12:29. | :12:35. | |
description. No. Do you like it? do, actually. I don't like it. | :12:35. | :12:41. | |
don't like it? No. You've got a much better eye than me, as you | :12:41. | :12:45. | |
proved already. It's got an alarm on it as well. That's it, the shop | :12:45. | :12:50. | |
has now closed. And look at the decoration here. That is positively | :12:50. | :12:56. | |
art-nouveau influenced. And when it was new it would have been very | :12:56. | :13:01. | |
bright and vibrant. I'm sorry, Jen, but I do really like that. I just... | :13:01. | :13:04. | |
It's something different. There are people that buy and collect | :13:04. | :13:10. | |
advertising things. So you think that would be a good one? I think | :13:10. | :13:14. | |
it's a potential if the price was right. What would the very best for | :13:14. | :13:21. | |
us be? 65. Never mind that. I could do 55. Can we be cheeky and say 50? | :13:21. | :13:27. | |
50. I'm happy. Take a chance. You don't make money in this business | :13:27. | :13:30. | |
unless you take a chance. Happy? Yes. Thank you very much. | :13:30. | :13:34. | |
Marvellous. So two in the old bag for the reds. She's proved she's | :13:34. | :13:40. | |
got the better I then I have. you both got good eyes, genuinely. | :13:40. | :13:44. | |
Well, we haven't. You've got good taste. Me, too, we are in the club | :13:44. | :13:46. | |
here! Yeah, people with specs always spot the most interesting | :13:46. | :13:50. | |
things. Look what I've found. Were you keen on playing with jigsaws | :13:50. | :13:55. | |
when you were a kiddywink? Well I was, and what a great example this | :13:55. | :14:04. | |
thing is. Look at that. I reckon this is a 400 to 500 piece jigsaw. | :14:04. | :14:07. | |
Because it's been enclosed in a frame from the moment that it was | :14:07. | :14:16. | |
made in 1937, it hasn't been played with. So you have none of that | :14:16. | :14:21. | |
play-worn damage which you so often get on jigsaws. This thing has been | :14:21. | :14:27. | |
perfectly frozen in time. Within its frame. And it's a lovely image, | :14:27. | :14:32. | |
isn't it? This vessel, the Queen Mary, was one of the most iconic | :14:32. | :14:39. | |
passenger vessels that ever floated. We see her travelling in 1937, | :14:39. | :14:42. | |
which is about the time that the sister ship, Queen Elizabeth, was | :14:42. | :14:52. | |
:14:52. | :14:53. | ||
launched in Scotland. It is an enormous craft, some 80,000 tonnes. | :14:53. | :14:57. | |
And, of course, for many years, nearly 50 years in fact, she was in | :14:57. | :14:59. | |
service and provided excellent accommodation to many millions of | :14:59. | :15:08. | |
passengers travelling back and forth across the Atlantic. What | :15:08. | :15:14. | |
would it cost you, for a memory? �25. That's what I'd call a cheap | :15:14. | :15:23. | |
David has found something but can he get the blues thrilled about it? | :15:23. | :15:28. | |
I love it. Do you like that? Is it leaves? Yes, overlapping leaves. | :15:28. | :15:33. | |
Very much in Arts and Crafts style. It's quite nice, what do you think? | :15:33. | :15:42. | |
Japanese-style. Early 1900s. Can I have a look at the mark underneath? | :15:42. | :15:49. | |
That's a registration mark there. England, made after 1891. I like it. | :15:49. | :15:52. | |
But it depends whether you like it. What's the best price you've got on | :15:52. | :15:56. | |
this? �65. I don't know, David, we'll have a think about that one | :15:56. | :16:04. | |
Isn't that just so plain and so elegant? Early 19th century. | :16:04. | :16:14. | |
:16:14. | :16:20. | ||
Georgian. So late George III. About 1820. With that lovely shade | :16:20. | :16:24. | |
description therefore the key. That thing has been loved and cared for | :16:24. | :16:26. | |
and polished for generation after generation after generation. Just | :16:26. | :16:29. | |
think of all the people that have come and gone. All their problems | :16:29. | :16:32. | |
that they were living with, using this box are all gone and forgotten. | :16:33. | :16:36. | |
When you are handling things like this you are getting a touch back | :16:36. | :16:39. | |
into history and time. Time is something the blues don't have much | :16:39. | :16:42. | |
of. This was made by the biggest manufacturer in Birmingham of brass | :16:42. | :16:47. | |
bedsteads. What's the price of that? 45. Richard, it's your choice. | :16:47. | :16:54. | |
Bedsteads indeed! Time to wake up, blues. We've got 27 minutes left. | :16:54. | :17:00. | |
We bought one object, the Saladin green. You want the Doulton vases, | :17:00. | :17:05. | |
you are interested in them. What else have we seen? We'd better get | :17:05. | :17:08. | |
looking. There's plenty to look outside but both our teams have | :17:08. | :17:15. | |
opted to stay inside in the dry. It's a perfume bottle. It is | :17:15. | :17:21. | |
damaged, I know, but it is silver. It is circa 1900. You've got a nice, | :17:21. | :17:26. | |
engine-turned style enamel top to it. How much would you pay for | :17:26. | :17:34. | |
that? I'm scared to say now. Go on, you are very good. �100. 50. | :17:34. | :17:44. | |
:17:44. | :17:47. | ||
are closer. �2. �2! �2. Really? How could we lose on that? It is | :17:47. | :17:53. | |
utterly bonkers. �2, it's going to make a tenner, isn't it? Someone is | :17:53. | :17:57. | |
going to pay a tenner for it but it's not going to set the world on | :17:57. | :18:02. | |
fire. So we can do a deal if you fancy it. We are going to put | :18:02. | :18:05. | |
together a nice, cheeky, little auction lot. Victorian, engraved on | :18:05. | :18:09. | |
the top. That's nice. That would have been part of a lady's dressing | :18:09. | :18:13. | |
table set. Do you know what that is? No idea. It's a sugar caster. | :18:13. | :18:18. | |
Is it? Do you know why they are called sugar caster? Dead simple. | :18:18. | :18:25. | |
Because they cast the sugar. If it was only small... That's a nice | :18:25. | :18:31. | |
thing. What have we got here? That is probably 1920s. A bit of | :18:31. | :18:34. | |
something made during the Art Deco period. Can you see the shape of | :18:34. | :18:38. | |
the elephant? Yeah, that's quite cool. This is a proper trade lot | :18:38. | :18:41. | |
this. How are you feeling? smiling. I think we can be quite | :18:41. | :18:45. | |
cheeky putting a group of stuff together as one item. Cheeky? | :18:45. | :18:51. | |
I'd be up for that. That is not a silver, that is it talcum powder. | :18:51. | :18:58. | |
There you go, you've got two, four, six sweet things. One is worthless. | :18:58. | :19:02. | |
What would be the absolute death, guys? 70. Really? I'd love to get | :19:02. | :19:10. | |
it a bit cheaper to give us a chance. 65. 62? 65. OK. You drive a | :19:10. | :19:14. | |
hard bargain, don't you? We are here to make money like everyone. | :19:14. | :19:18. | |
It's up to you. It's a quirky one. We want something different, | :19:18. | :19:24. | |
unusual. There we go up. Brilliant. Job-lot. Proper antique dealers, | :19:24. | :19:29. | |
these two. Marvellous. Thanks, guys, really good of you. Well done, reds, | :19:29. | :19:35. | |
all done. But the blues have still got two to find. We have not got | :19:35. | :19:38. | |
much time. You are telling me, David. It looks like they're going | :19:38. | :19:44. | |
back for those vases to me. Did you say 100? I didn't. Would you? | :19:44. | :19:53. | |
all right. Just for you. He's going to do them for 100 for me. What | :19:53. | :20:00. | |
about 80? Cheeky! No. Can we shake on the vases? �100. Thank you very | :20:00. | :20:10. | |
:20:10. | :20:14. | ||
Still one more to go, though, blues. Moorcroft, 285. 195. Now we have | :20:14. | :20:24. | |
:20:24. | :20:25. | ||
I'll do 50, that's the best. It's too much probably. You are running | :20:25. | :20:30. | |
out of time and panic is setting in. The pot, the green with the leaves, | :20:30. | :20:39. | |
I prefer that than the other. are talking about this. You have | :20:39. | :20:43. | |
got a minute to go back. Do you know where it is? And I'm going to | :20:43. | :20:53. | |
:20:53. | :21:02. | ||
see you run from here. Do you know We said 65, didn't we? Can you do | :21:02. | :21:12. | |
55? Not really. Because I like David Barby so much and he deserves | :21:12. | :21:18. | |
to win, let's say �60. �60? Yes, we'll take that. Thank you very | :21:18. | :21:22. | |
much. At last, Blues, and in the nick of time. Let's remind | :21:22. | :21:25. | |
ourselves of what the teams have bought. For �25, the red team | :21:25. | :21:28. | |
bought this 1960s Murano bars. The clock and lozenge combo is a breath | :21:29. | :21:33. | |
of fresh air at �50. And for �65, they put together a mixed lot of | :21:33. | :21:43. | |
:21:43. | :21:44. | ||
silver. You're alright, you've got some shelter inside, but outside it | :21:44. | :21:47. | |
is pouring. Have you been outside? I have been outside. Desperately | :21:47. | :21:53. | |
trying to find some bargains. How have you got on in here? We've done | :21:53. | :22:00. | |
quite well in fact. How much did you spend? �140. I'll have your | :22:00. | :22:03. | |
�160 of leftover lolly, please. Thank you. That's a nice watch. | :22:03. | :22:05. | |
David Harper, "The Shark". Shark! I've been called much worse. | :22:05. | :22:15. | |
What you going to do? Are you going to spend a lot? I will spend it on | :22:15. | :22:18. | |
something big and meaty, I think. Yes. Good luck, David. Good luck, | :22:18. | :22:22. | |
girls. Why don't we check out how the Blues are getting on, eh? For | :22:22. | :22:25. | |
�22 they are hoping to dine out with this 1930s Poole Pottery | :22:25. | :22:29. | |
supper tray. And they bought this pair of Doulton Art vases for �100. | :22:29. | :22:33. | |
David is positively delighted with this bulrush jardiniere. I like it. | :22:33. | :22:37. | |
How much did you spend all together? We spent �182. �182. I | :22:38. | :22:41. | |
would like �118 of leftover lolly please. 118 is a nice amount to | :22:41. | :22:44. | |
pass over to you. Gives you plenty of scope to go for something, what, | :22:44. | :22:50. | |
glitzy? I have instructions that it has to be a cat. Got to be a cat? | :22:50. | :22:53. | |
cat brooch, something like that? Let's not be catty about this. Good | :22:53. | :22:56. | |
luck, David. Good luck, team. Meanwhile, we are heading off to | :22:56. | :23:06. | |
:23:06. | :23:09. | ||
the Usher Art Gallery in Lincoln The Usher Art Gallery in Lincoln | :23:09. | :23:13. | |
holds a substantial collection of the fine and decorative arts. The | :23:13. | :23:16. | |
principal collection was the gift of James Ward Usher, who died in | :23:16. | :23:23. | |
1921. He also endowed the place with funds to build this splendid | :23:24. | :23:26. | |
museum building. Since then, there have been substantial additions to | :23:26. | :23:36. | |
the collection, including a number of paintings. Of significant | :23:36. | :23:39. | |
importance to the Usher Art Gallery is the collection of works by Peter | :23:39. | :23:45. | |
de Wint. During the 18th century, Britain was in the process of | :23:45. | :23:47. | |
industrialisation and De Wint's paintings captured pre-industrial | :23:47. | :23:56. | |
Lincolnshire in its most idyllic state. This is a very typical De | :23:56. | :24:01. | |
Wint picture, in his favourite medium, watercolour. What we've got | :24:01. | :24:04. | |
is a painting of Torksey Castle, which is about seven miles outside | :24:04. | :24:12. | |
Lincoln and meandering across the front here is the River Trent. What | :24:12. | :24:15. | |
De Wint loved was to use soft washes, emphasising a broad, open | :24:15. | :24:23. | |
landscape. What I like about this picture is that it illustrates the | :24:23. | :24:32. | |
river traffic. At this time, Britain is still transporting large | :24:32. | :24:34. | |
numbers of commercial goods up-and- down our navigable rivers, but | :24:34. | :24:37. | |
nowhere in this painting do you see anything that smacks of | :24:37. | :24:47. | |
:24:47. | :24:49. | ||
100 years later, things had changed dramatically. Britain's landscape | :24:49. | :24:55. | |
was completely altered and industry This painting certainly does have | :24:55. | :25:04. | |
industrial overtones. It is, of course, by the 20th century's | :25:04. | :25:07. | |
brilliant British artist, Lawrence Stephen Lowry. And it shows a | :25:07. | :25:13. | |
quintessential Lowryesque scene. Thousands of little stick figures | :25:14. | :25:17. | |
walking busily on the far side of the river, as if they have just | :25:17. | :25:24. | |
knocked off from the factory gates. And larger figures here in the | :25:24. | :25:26. | |
foreground, some of them earnestly leaning forward in typical Lowryish | :25:26. | :25:32. | |
style. There is a hint of industry here with the power-station chimney | :25:33. | :25:35. | |
smoking and an intensely impasto and rather grimy white sky, a | :25:35. | :25:43. | |
typical Lowry signature. And sitting moodily in the centre of | :25:43. | :25:53. | |
:25:53. | :25:56. | ||
the picture is Lincoln Cathedral Interestingly, this commission was | :25:56. | :26:06. | |
:26:06. | :26:10. | ||
placed by the then MP for Lincoln, one Geoffrey DeFreitas. In the mid- | :26:10. | :26:12. | |
Fifties he records in his letter that he commissioned Lowry by | :26:12. | :26:15. | |
approaching his gallery in London, the Le Feuvre Gallery, and they | :26:15. | :26:18. | |
said that Lowry was likely to be vain about wearing his glasses and | :26:18. | :26:22. | |
to watch out for him in case he fell over. Which he promptly did, | :26:22. | :26:25. | |
in the House of Commons at the meeting he fell downstairs and as | :26:25. | :26:30. | |
DeFreitas said, the meeting did not go well. The commission did go | :26:30. | :26:33. | |
ahead and Lowry visited Lincoln and was shown around by the MP and they | :26:34. | :26:41. | |
settled on this particular spot where the subject was to be painted. | :26:41. | :26:43. | |
Lowry was determined to include the power station chimneys and | :26:43. | :26:53. | |
:26:53. | :26:54. | ||
DeFreitas was determined that Lowry should include the cathedral. So, | :26:55. | :26:58. | |
the end painting, finished in 1959, satisfied all parties. It was | :26:58. | :27:01. | |
acquired by the Usher Gallery Trust in 1990 for display here and there | :27:01. | :27:11. | |
:27:11. | :27:13. | ||
can be no more appropriate gallery Of course, the big question today | :27:13. | :27:16. | |
is for our teams. At the auction, are they going to be equally | :27:16. | :27:20. | |
industrious? We are off to Sworders sale room outside Stansted | :27:20. | :27:27. | |
Mountfitchet to meet our auctioneer, John Black. Good morning, John. | :27:27. | :27:32. | |
Great to be here. Serena and Jenny, their first item is this Murano | :27:32. | :27:38. | |
glass vase. How do you rate that? think it's a lovely decorative vase. | :27:38. | :27:48. | |
:27:48. | :27:49. | ||
Good colouring. We've estimated it at �20 to �30. Good, because they | :27:49. | :27:53. | |
paid 25 and therefore that is slap- bang in the middle and therefore | :27:53. | :27:58. | |
they will be very pleased with John Black. They should be. The next | :27:58. | :28:01. | |
item is the Victory V tin and lozenge box. Which I guess is quite | :28:01. | :28:08. | |
an unusual item, isn't it? It is. It is odd to put lozenges in a tin | :28:08. | :28:15. | |
with a clock. A good bit of advertising, from the twenties or | :28:15. | :28:18. | |
thirties. It is in fairly rough condition and 50 to �80, it should | :28:18. | :28:21. | |
do that. They paid 50, so they will be delighted if they get anything | :28:21. | :28:29. | |
more than that, that would be great. Lastly, the mixed bag of some | :28:29. | :28:32. | |
silver-topped bottles, not out of a set, and a pretty oddball lot. | :28:32. | :28:37. | |
in brilliant condition. Most of them are silver topped, but two | :28:37. | :28:41. | |
aren't. The enamel is lost on one of them as well. But 60 to �100, I | :28:41. | :28:45. | |
think that is a fair price. �65 was paid. David Harper found them. He | :28:45. | :28:49. | |
thought that the whole lot together would do better, and I think he is | :28:49. | :28:55. | |
likely to be right. If he isn't, though, they are going to need | :28:55. | :28:59. | |
their bonus buy, so let's go and have a look at it. Now, girls, you | :28:59. | :29:06. | |
spend �140, right? Yes. And �160 you gave to David Harper. What did | :29:06. | :29:09. | |
you spend �160 on, David? Probably something that they would never buy | :29:09. | :29:14. | |
a in a million years. But, have a look at that. It is silver, it is a | :29:14. | :29:17. | |
cigarette case, but it is the engraving that we need to look at | :29:17. | :29:27. | |
:29:27. | :29:28. | ||
very closely. OK. What does it say? We have got Karl Hames Preis, 1940, | :29:28. | :29:31. | |
one year into the second world war. It is obviously German and this is | :29:31. | :29:35. | |
his award, the Iron Cross, so it is sending shivers up the back of my | :29:35. | :29:40. | |
spine because it has historical interest. A militaria collector | :29:40. | :29:46. | |
would be fascinated by it. Okay. it going to make a profit? Well, | :29:46. | :29:51. | |
how much you think I paid for it? Well, you had 160. I'm really | :29:51. | :29:58. | |
hoping you didn't pay all of that. Maybe �80? Very good. 75. I think | :29:58. | :30:01. | |
it has a chance. With the right buyers online, particularly, to | :30:01. | :30:11. | |
:30:11. | :30:12. | ||
make a profit. You guys don't pick it now, you pick it after the sale | :30:12. | :30:15. | |
of your first three items, but let's see for the audience at home | :30:15. | :30:18. | |
what the auctioneer thinks about the German box. So, John, how do | :30:18. | :30:24. | |
you rate that? It's a pretty box. A little damage on it. But a nice | :30:24. | :30:29. | |
inscription. We have not found anything about Karl Hames Preis. | :30:29. | :30:32. | |
the intriguing mystery of who this man is, and why he got his Iron | :30:32. | :30:35. | |
Cross remains a mystery. But there we are, these things are intensely | :30:35. | :30:45. | |
:30:45. | :30:45. | ||
collectible, aren't they? Is this sale listed on the internet? It is. | :30:45. | :30:48. | |
So anyone interested in militaria from the German perspective can | :30:48. | :30:54. | |
follow this all away. What you think it is worth? 40 to �60. | :30:54. | :30:57. | |
will be disappointing for David Harper because he paid �75. Still, | :30:57. | :31:01. | |
you never know. The teams might not go with it or it might, as they say, | :31:01. | :31:07. | |
take off in the auction room. Now, that's it for the Reds. Now the | :31:07. | :31:13. | |
Blues, Richard and Yvonne. Their first item, which I think is | :31:13. | :31:17. | |
actually a very smart is the little Poole supper tray. It is a useful | :31:17. | :31:22. | |
lot. A nice tray, nicely fitted. seems to be in pretty good nick. | :31:22. | :31:26. | |
is. The condition is always important. Good condition, the | :31:26. | :31:30. | |
trade stand is a little bit flaking, but all in all, 30 to �50. �22 paid, | :31:30. | :31:33. | |
that should make a profit. Brilliant. Next is the Doulton art | :31:33. | :31:42. | |
pottery. Any good? They're a nice slim and decorative pair. We've | :31:42. | :31:46. | |
only put �40 to �60 on them. You're teasing them, John? They should | :31:46. | :31:50. | |
make closer to 80 or �90. Good, because �100 was paid. Yvonne will | :31:50. | :31:53. | |
be completely distraught if you only get 40 to �60 for them. But | :31:53. | :31:58. | |
that's the way the cookie crumbles. What about the Bretby foliate | :31:58. | :32:08. | |
:32:08. | :32:12. | ||
jardiniere? Quite standard for Bretby. It is a nice colur, but it | :32:12. | :32:22. | |
:32:22. | :32:23. | ||
may have had a stand at one point. 40 to �60. �60 paid. David Barbie | :32:23. | :32:29. | |
found that and rated it. There we go, depending on Bretby and Doulton, | :32:30. | :32:33. | |
they may or may not need the bonus buy, but let's go and have a look | :32:34. | :32:37. | |
at it anyway. Now, David, you have been in the wars. I have. What | :32:37. | :32:40. | |
happened? I tripped over a paving slab and propelled myself towards | :32:40. | :32:43. | |
the bench. Dear, oh dear. Are you OK? Fine, just a dull headache, but | :32:43. | :32:46. | |
otherwise OK. And you're under repair. Sorry, what did you say? | :32:46. | :32:49. | |
Well, you haven't lost your sense of humour, which is marvellous. If | :32:49. | :32:52. | |
you can cast your mind back to before the fall, you had �118 to | :32:53. | :32:57. | |
buy the leftover lolly object. What did you do? I fell to temptation. | :32:57. | :33:05. | |
And I bought this. Together with 11 others, all representing the months | :33:05. | :33:11. | |
of the year. These are 50s/60s, decorated and designed by a | :33:11. | :33:14. | |
gentleman called Bjorn Wimblad. These are typical Scandinavian | :33:14. | :33:24. | |
:33:24. | :33:25. | ||
items. They were made to hang up on the wall. Now, just imagine the | :33:25. | :33:28. | |
plain yellow surface of the 1950s and 60s, these would look very | :33:28. | :33:35. | |
striking. I think they are very minimalistic as regard to design | :33:35. | :33:39. | |
and I think they would look good in a house today. There are 12 of them, | :33:39. | :33:43. | |
all mounted on one wall. Yes, how much did you pay, David? �70. | :33:43. | :33:48. | |
the 12? Right. Good. How much do you think they would make at | :33:48. | :33:56. | |
auction? I have seen them in antique shops round about �12 or | :33:56. | :34:01. | |
�15 each, so I think there is a possibility of a good profit margin. | :34:01. | :34:11. | |
So retailing, maybe 140 or 160 the 12 and you paid �70 the lot. OK, | :34:11. | :34:14. | |
that is the information you need to hang on to, Yvonne and Richard, but | :34:14. | :34:17. | |
now for the viewers at home, let's find out what the auctioneer thinks | :34:18. | :34:21. | |
about David's plaques. There are 12 of these. That is why they are | :34:21. | :34:24. | |
called monthly plaques. How do you rate those, John? Rather | :34:24. | :34:27. | |
disappointing. We have seen them quite a lot. I think they were mass | :34:27. | :34:32. | |
produced. They were. They are rather fun images, but to be honest | :34:32. | :34:35. | |
with you, we have only put 20 to �30 on it. Gosh, that is honest. | :34:35. | :34:43. | |
For 12. Our Barby, the genius of the bonus buy, paid �70 for them. | :34:43. | :34:47. | |
So if the team go with them, they are almost certain to make a loss | :34:47. | :34:52. | |
on the bonus buy, aren't they? Are you taking the sale today? Yes. | :34:52. | :35:02. | |
:35:02. | :35:06. | ||
So, girls, are you excited? Nervous. Very nervous. Why are you so | :35:06. | :35:12. | |
nervous? Because Jenny really didn't like the clock, and if that | :35:12. | :35:16. | |
doesn't make some money, I'm in trouble. Well, it is a bit of a | :35:16. | :35:20. | |
thing, isn't it? But actually, the auctioneer rather likes it and he's | :35:20. | :35:24. | |
put 50 to �80 on it and if he's right, you'll make a profit, which | :35:24. | :35:29. | |
is lovely. We are hopeful. Your first lot, coming up, is the Murano | :35:29. | :35:34. | |
glass vase, and here it comes. 1960s, Murano art glass vase, we | :35:34. | :35:41. | |
will start the bidding, low-start, at �10. Don't worry, don't worry. | :35:41. | :35:49. | |
12, 15, 18. At �18. Are we all done? 20 now? Are we all done at | :35:49. | :35:59. | |
:35:59. | :35:59. | ||
18? �18, you are minus �7. We ain't The next lot is the rare | :35:59. | :36:02. | |
advertising clock in the Chinese style and we will start the bidding | :36:02. | :36:12. | |
:36:12. | :36:13. | ||
here at �30. I am bid 30. Any advance? 40, 45, 50. 60. 65, 70. 75, | :36:13. | :36:23. | |
:36:23. | :36:25. | ||
�90 then, all done. That is what we like. Well done, girls! That is | :36:25. | :36:31. | |
plus �40, straight up. Happy? are now. A quantity of silver- | :36:31. | :36:34. | |
topped items and we have interest here. I can start the bidding here | :36:34. | :36:44. | |
:36:44. | :36:48. | ||
at �30. At 30 I am bid. 35, 40, 45, 50. 60, and �60, 65? 70. 75. 80, 85, | :36:48. | :36:58. | |
:36:58. | :37:04. | ||
90, 95. Get in there. 110. 120. 120, the lady has bid and I am selling. | :37:04. | :37:11. | |
�120. Excellent. Fantastic. So, 30 and 20 is 50, so that is plus 55 | :37:12. | :37:17. | |
and it means overawe you are plus �88. 88 smackers up. How good is | :37:17. | :37:22. | |
that? What you going to do about the cigarette case? Do you mind if | :37:22. | :37:30. | |
we pass? No, I don't mind. Are you happy with that? You don't like it? | :37:30. | :37:37. | |
No, sorry. No offence. Don't worry, I'm offended. You are definitely | :37:37. | :37:40. | |
not going with the bonus buy. OK, we are going to sell it anyway. | :37:40. | :37:46. | |
Here it comes. Lot 105 is the German World War period cigarette | :37:46. | :37:50. | |
box. We have interest here and I can start the bidding at �60. 60 | :37:50. | :37:59. | |
I'm bid. Any advance? 70, 75, 80, 90, 95, 100, 110, 110 in the room. | :37:59. | :38:09. | |
:38:09. | :38:10. | ||
Any further interest? �110 and I will sell. 110. The smuggler. | :38:11. | :38:16. | |
done. Well, that was 35. We never were very good at taking advice. | :38:16. | :38:21. | |
Well done, David. Listen, you are actually up 88, and that is | :38:21. | :38:24. | |
something to be proud of. Don't tell the Blues a thing. Keep quiet | :38:24. | :38:34. | |
:38:34. | :38:39. | ||
about that. Well done, girls. Do you know how the Reds got on? | :38:39. | :38:42. | |
Not at all. You don't know how they did. Are you feeling a bit nervous, | :38:42. | :38:51. | |
darling? Why? I don't know. It's just a game. I know. He's ever so | :38:51. | :38:59. | |
calm. Nerves of steel. I know, I know. First lot up is the Poole | :38:59. | :39:05. | |
supper tray, and here it comes. Lot 120, this very pretty 1930s Poole | :39:05. | :39:09. | |
Pottery Party tray. We will start the bidding at �40. Some interest | :39:09. | :39:13. | |
here. You have nearly doubled your money. Any advance at 40? I will | :39:13. | :39:20. | |
take five. �40, I will sell on the maiden bid. �40 only. Doesn't | :39:20. | :39:30. | |
:39:30. | :39:31. | ||
matter. �40 is plus 18, a very nice start. A pair of delightful Doulton | :39:31. | :39:36. | |
vases. There we are. We will start straight away at �40. Any advance | :39:36. | :39:45. | |
on �40? 45, 50, 55, 60, 70,75, 80, at �80. One more! Are we all done? | :39:45. | :39:51. | |
85 anywhere? �80, I will sell. was right, �80 was a bit rich, but | :39:51. | :39:57. | |
nearly got there. That is minus 20, which means you are minus two. I | :39:57. | :40:06. | |
can't bear the tension. The jardiniere. The low-start to tempt | :40:06. | :40:11. | |
the bidders. �15 for it. 15 is bid, thank you. I can't believe this. | :40:11. | :40:21. | |
:40:21. | :40:26. | ||
22, 25. 28. 30. 32. 35. 38. 40. �40 here on the left. Come on! At �40, | :40:26. | :40:36. | |
:40:36. | :40:36. | ||
I will sell. Oh dear, �40 is minus �20 which means -�22. Are you going | :40:36. | :40:40. | |
to risk it all or ring-fence your losses at �22? What is it to be? | :40:40. | :40:46. | |
think we are going to ring fence. We are going to stick. You're not | :40:46. | :40:53. | |
going with Wimblad? Definitely not. We are not doing it. She doesn't | :40:54. | :41:02. | |
like them. Richard doesn't like them either. Well, if you don't | :41:02. | :41:05. | |
like them, it is difficult. �70 would be quite a lot to invest. | :41:05. | :41:14. | |
Here we go. 12 Bjorn Wimblad pottery roundels showing the 12 | :41:14. | :41:18. | |
months of the year. Shall we start at �20? 20. In the room at �20. 22. | :41:18. | :41:22. | |
25, 28, 30, at �30. I am going to sell. Make no mistake, your last | :41:22. | :41:29. | |
chance, at �30 only. Oh, David, that is a tragedy. I wanted those | :41:29. | :41:36. | |
myself. Well, you cannot bid yourself. -40, you did not go with | :41:36. | :41:40. | |
them. Overall losses of �22, but that might be a winning score, just | :41:40. | :41:50. | |
:41:50. | :41:59. | ||
You have been chatting to one another? No, well I'm afraid to say | :41:59. | :42:04. | |
that the team that is behind today is just a little bruised. Minus �22, | :42:05. | :42:14. | |
:42:15. | :42:15. | ||
chaps. It started off so beautifully, didn't it? �18 up and | :42:15. | :42:18. | |
I had full and high hopes from that moment on, but then unfortunately | :42:18. | :42:28. | |
:42:28. | :42:30. | ||
it went into decline. Just a slight one. Just a slight one. I don't | :42:30. | :42:33. | |
want to dwell on that, and -�22 would normally on Bargain Hunt be a | :42:33. | :42:36. | |
winning score, but today the Reds are unstoppable. They are going to | :42:36. | :42:40. | |
go home with �88. That is a folding amount of money. Well done. Thank | :42:40. | :42:47. | |
you very much. There is some of it and here is the �3 to make up the | :42:47. | :42:52. | |
eight. So congratulations on that, and congratulations, of course, on | :42:52. | :42:55. | |
getting your bonus buy, because if these girls had trusted their | :42:55. | :42:59. | |
expert they would have another �35 to go home with and you would have | :42:59. | :43:02. | |
had 123, but we're not going to rub that in. The secret is, always | :43:02. | :43:10. |