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Hang on to your toupees, girls and boys. It's that time of the day again. | 0:00:05 | 0:00:09 | |
And I promise you we're in for a real treat. Let's go bargain hunting! Yeah! | 0:00:09 | 0:00:14 | |
Imagine the fun that you could have spending £300 | 0:00:40 | 0:00:43 | |
on three items in an hour. Our teams today don't have to imagine. | 0:00:43 | 0:00:49 | |
They're here at the Edinburgh Antiques and Collectors Fair. | 0:00:49 | 0:00:53 | |
Let's have a quick peek at what's coming up. | 0:00:53 | 0:00:56 | |
'The Blue team lose their sense of direction.' | 0:00:56 | 0:01:00 | |
-Where shall we go? This way. -Shall we go up...? -Let's go that way? | 0:01:00 | 0:01:06 | |
'Hopeless! Whilst the Reds are bowled out by their bonus buy.' | 0:01:06 | 0:01:11 | |
Ah-ha! | 0:01:11 | 0:01:12 | |
LAUGHTER | 0:01:12 | 0:01:15 | |
So, Robin and Jenny, was it ornithology that brought you together? | 0:01:23 | 0:01:27 | |
If only that were true! | 0:01:27 | 0:01:29 | |
-I mean, you are Jenny and Robin, after all. -Oh, Jenny wren! | 0:01:29 | 0:01:33 | |
-And Robin redbreast. -Not quite. A friend of mine | 0:01:33 | 0:01:36 | |
rang me up to say that a friend of hers was having a party. | 0:01:36 | 0:01:41 | |
Their pianist had said that he couldn't make it and would I come and play the guitar and sing. | 0:01:41 | 0:01:46 | |
-She said, "You might meet the woman of your dreams." -Then what happened? | 0:01:46 | 0:01:50 | |
Then he met me. Nightmare! | 0:01:50 | 0:01:52 | |
-Well, isn't that charming? Good. So tell us about your political career then. -Very, very briefly. | 0:01:52 | 0:01:58 | |
When Rainbow Warrior was sunk I decided there are good guys and bad guys out there, | 0:01:58 | 0:02:03 | |
and I joined the Ecology Party and I started working for the Green Party. | 0:02:03 | 0:02:08 | |
Then when the Scottish Parliament came along, they chose me to be their candidate for Lothian. | 0:02:08 | 0:02:14 | |
So how long did you spend in the Parliament here in Scotland? | 0:02:14 | 0:02:17 | |
-12 years. -Did you? -Yes, retired this year. -That's quite a good slug, isn't it? -Yes. -So, Jenny... | 0:02:17 | 0:02:23 | |
-You have an exciting career of your own. -I've had a varied career. | 0:02:23 | 0:02:26 | |
I started in book publishing and then I went into the corporate world | 0:02:26 | 0:02:30 | |
and did corporate communications and, now I'm retired, I'm getting back to writing again, | 0:02:30 | 0:02:35 | |
but I've turned my hand to fiction. | 0:02:35 | 0:02:38 | |
So it's a fascinating world. I've made lots and lots of friends. | 0:02:38 | 0:02:42 | |
I'm still waiting for my big breakthrough, | 0:02:42 | 0:02:45 | |
-but I've got a very good agent and I think, fingers crossed... -We'd better watch out. | 0:02:45 | 0:02:50 | |
But you're very modest, cos the Women's Weekly Romantic Writer Of The Year accolade is yours! | 0:02:50 | 0:02:57 | |
-Er, runner up, runner up. -Well, who's picking a hair? | 0:02:57 | 0:03:01 | |
-Anyway, very good luck. -Thank you. -It's lovely to meet you. Now for the Blues! | 0:03:01 | 0:03:05 | |
Carol and Ronan. | 0:03:05 | 0:03:07 | |
So what drew you, Carol, to Ronan? | 0:03:07 | 0:03:10 | |
Oh, lots of things, but probably first of all I met Ronan through his underwear, Tim. | 0:03:10 | 0:03:15 | |
That's not quite as it sounds. | 0:03:15 | 0:03:17 | |
-Oh, really? -We were in the same halls at university | 0:03:17 | 0:03:20 | |
and I was down with my flatmate doing our laundry, | 0:03:20 | 0:03:23 | |
and Ronan's flatmate was down doing their flat's laundry. | 0:03:23 | 0:03:26 | |
As this underwear came out, I said, "Who owns these?" | 0:03:26 | 0:03:29 | |
The flatmate brought Ronan round that evening to meet us. | 0:03:29 | 0:03:32 | |
-Never looked back since. -Were you wearing the appropriate, cleansed underwear at the time, Ronan? | 0:03:32 | 0:03:38 | |
-LAUGHTER -I'm so taken with this idea. | 0:03:38 | 0:03:41 | |
-No, but they must have been lucky pants because... -Ah! | 0:03:41 | 0:03:44 | |
Are you sure they weren't hot pants? No, that's a fashion item. | 0:03:44 | 0:03:48 | |
So, Carol, what, apart from men's underwear, is your passion in life? | 0:03:48 | 0:03:52 | |
Well, men's underwear is not really my passion. | 0:03:52 | 0:03:55 | |
-Just a passing interest? -Well, I teach art and design. -Ah, now we understand! | 0:03:55 | 0:04:00 | |
-Arty? -I am arty. | 0:04:00 | 0:04:02 | |
Now, Ronan, Carol isn't the only creative one in your... | 0:04:02 | 0:04:05 | |
-Yes, I'm an architect. -What sort of things do you specialise in? | 0:04:05 | 0:04:09 | |
It's generally domestic but has some interesting extensions. | 0:04:09 | 0:04:13 | |
Quite funky architecture and interesting glass. | 0:04:13 | 0:04:16 | |
Try and get some environmental or sustainable angle into it as well. I've got a passion for that, so... | 0:04:16 | 0:04:23 | |
You'll be able to chat away to the Green Party over here. | 0:04:23 | 0:04:27 | |
Now the money moment. Your £300 apiece. | 0:04:27 | 0:04:29 | |
-There you go. There's your 300. -Thank you. | 0:04:29 | 0:04:32 | |
£300. You know the rules. Your experts await. And off you go! And very, very good luck! | 0:04:32 | 0:04:38 | |
Gosh, what fun we're going to have today! | 0:04:38 | 0:04:42 | |
Politics meets architecture. | 0:04:42 | 0:04:44 | |
'So who's going to be looking after our teams today? | 0:04:44 | 0:04:48 | |
'Reds will be ably assisted by expert Nick Hall. | 0:04:48 | 0:04:53 | |
'Whilst the Blues will be in the safe hands of Jeremy Lamond. | 0:04:53 | 0:04:57 | |
'So the clock has started and Jeremy has spotted something straight away.' | 0:04:59 | 0:05:04 | |
You've got a Royal Copenhagen vase there with a mallard duck on it. It's quite a good factory. | 0:05:05 | 0:05:11 | |
That's quite nice. It's quite a nice blue, isn't it? There's real depth to it. | 0:05:11 | 0:05:15 | |
You don't think that's a bit dull? Is it big enough to be a flower vase? Probably not. | 0:05:15 | 0:05:20 | |
It's a respected factory, so at the right money it would be... | 0:05:20 | 0:05:23 | |
-Are you suggesting we should ask? -Shall we ask? -It's worth asking. -Fine. We'll ask. | 0:05:23 | 0:05:28 | |
-Can I ask what you want for your vase? -This here? -Yeah. -There you go. -Can we look at it? | 0:05:28 | 0:05:33 | |
-How much is that? -45. -Not much money in it. -Not at that price anyway. | 0:05:35 | 0:05:39 | |
-No. -I wouldn't pay that for that. Would you? -No. I don't even know if I'd pay 30 for it. | 0:05:39 | 0:05:44 | |
It's kind of an in-between size, isn't it? | 0:05:44 | 0:05:48 | |
-But it's quite nicely painted. -Yeah. | 0:05:48 | 0:05:51 | |
-OK? -Right. I'll put it back. | 0:05:51 | 0:05:54 | |
'So that's a big "no" to the Royal Copenhagen vase then, but onwards and upwards.' | 0:05:54 | 0:06:00 | |
-The claret jugs are nice. -I love those. They might be rather expensive. | 0:06:00 | 0:06:04 | |
-They look kind of expensive. -I would be amazed if they weren't expensive. | 0:06:04 | 0:06:08 | |
-Oh, £100 for the pair. -Oh, it's plated, is it? -Yeah. | 0:06:10 | 0:06:14 | |
-You're not going to get solid silver for that sort of money. -Are they saleable? | 0:06:14 | 0:06:19 | |
Claret jugs are always... Look, there's even enough for one each. | 0:06:19 | 0:06:23 | |
And they're a good weight, aren't they? | 0:06:23 | 0:06:26 | |
-They're a lovely weight. They're nice quality. -These are not cut glass. -No, they're moulded, | 0:06:26 | 0:06:32 | |
-which is why they're £100 for the pair and not £500 each. -Would WE buy that? | 0:06:32 | 0:06:37 | |
We don't have a sideboard! | 0:06:37 | 0:06:40 | |
-Someone at an auction will. -I quite like them. | 0:06:40 | 0:06:44 | |
I think they're showy and stylish and quite elegant in the shape. | 0:06:44 | 0:06:49 | |
-This is the sort of thing that would have a classic auctioneer's estimate 80-120. -Right. | 0:06:49 | 0:06:53 | |
So if you could get the price down to about £80, you're at the right end of the estimate. | 0:06:53 | 0:06:57 | |
You've got £100 for the pair of these. Is there any room for manoeuvre in that? | 0:06:57 | 0:07:02 | |
-Well, as far as I can go is 90. -We were thinking more like 80. -No. | 0:07:02 | 0:07:07 | |
-They're reworked crystal from Ireland. -Yes. | 0:07:07 | 0:07:11 | |
-There's a stamp inside one of the lids. -Oh, yes. | 0:07:11 | 0:07:16 | |
-Yep. -Waterford crystal. | 0:07:16 | 0:07:19 | |
You can see exactly how modern they are when you open them up. | 0:07:19 | 0:07:22 | |
-Yes, that's right. -It's not about the age. | 0:07:22 | 0:07:25 | |
-It's more about the look. -And you've got a pair. | 0:07:25 | 0:07:27 | |
-What is the point of this? -You would cram ice in there, | 0:07:27 | 0:07:31 | |
-if you were putting a cold drink in. -Oh! | 0:07:31 | 0:07:34 | |
-That's quite a nice idea. -That's quite cunning. -They've got a classic look. | 0:07:34 | 0:07:38 | |
-Yeah. -But they are modern, with a practical twist. -Yes. | 0:07:38 | 0:07:42 | |
We just need to get that price down to £80. | 0:07:42 | 0:07:44 | |
-I think you're in with a... -He will take 80. -Really? | 0:07:44 | 0:07:48 | |
-Shall we go for 80, Robin? -I think you'll be all right with that. -I think so. -Yeah. | 0:07:48 | 0:07:52 | |
-OK. We've got a purchase. -Get that deal done and we'll go and toast our success. -Thank you very much. | 0:07:52 | 0:07:57 | |
'£80 is not bad for a lovely pair of jugs!' | 0:07:57 | 0:08:01 | |
What do you think of that bowl? | 0:08:01 | 0:08:04 | |
I don't object to it. I do quite like it. | 0:08:04 | 0:08:06 | |
-I don't know if I want it to be my first buy. Right. -That Clarice Cliff bowl | 0:08:06 | 0:08:11 | |
was made in the late 1920s. It's a very early zigzag design, | 0:08:11 | 0:08:15 | |
-which made her famous, really. -OK. | 0:08:15 | 0:08:18 | |
Something to consider or maybe come back to. | 0:08:18 | 0:08:20 | |
'Yeah! Hold that thought, Blues.' | 0:08:20 | 0:08:23 | |
-I think that... That's different. -Right. | 0:08:23 | 0:08:27 | |
-With the... -Is that quite modern? -It's certainly different. | 0:08:27 | 0:08:31 | |
We're talking about this '60s piece in the middle, are we? | 0:08:31 | 0:08:35 | |
Probably Scandinavian. Sometimes they're Italian. | 0:08:35 | 0:08:38 | |
There is actually quite a vogue for collecting post-War designer glass, | 0:08:38 | 0:08:44 | |
-or studio glass, it's sometimes called. -I think that's gorgeous. | 0:08:44 | 0:08:48 | |
-It's only £22. It's not a lot of money. -No. | 0:08:48 | 0:08:51 | |
Is that the sort of thing that you both like? Jenny? | 0:08:51 | 0:08:54 | |
Yeah. I don't dislike it. | 0:08:54 | 0:08:56 | |
I think I'd prefer to go for more antique things if we can. | 0:08:56 | 0:09:01 | |
-Right. -Modern design is within the antique world these days. -Yes, yes. | 0:09:01 | 0:09:06 | |
-So we don't want to dismiss it. -Well, we could remember it. | 0:09:06 | 0:09:10 | |
'These teams are doing lots of thinking, but they've got the time. | 0:09:10 | 0:09:14 | |
'No need to rush - yet! The Blue team have found something else to think about.' | 0:09:14 | 0:09:20 | |
-What is this? -It's a copy medal produced after the sinking of the ship. | 0:09:20 | 0:09:25 | |
-And that's the story of it. -In its original case. | 0:09:26 | 0:09:30 | |
So what we've got here is a propaganda medal on two counts really. | 0:09:30 | 0:09:35 | |
The Lusitania was sunk by a German submarine in 1915 off the coast of Ireland | 0:09:35 | 0:09:39 | |
and brought America into the First World War. | 0:09:39 | 0:09:42 | |
As a result of that and as anti-German propaganda, | 0:09:42 | 0:09:46 | |
produced in this country was a medal showing a medal produced in Germany | 0:09:46 | 0:09:50 | |
celebrating the sinking of the Lusitania. So really this was propaganda in this country saying, | 0:09:50 | 0:09:55 | |
"Look, the Germans are celebrating the loss of life," etc, etc. | 0:09:55 | 0:09:59 | |
So it's a replica of what was considered | 0:09:59 | 0:10:02 | |
to have been produced in Germany at the time to celebrate the sinking. | 0:10:02 | 0:10:05 | |
- How much is that? - That's 25. | 0:10:05 | 0:10:08 | |
-This is the kind of quirky thing I quite like. -Interesting. Interesting. | 0:10:08 | 0:10:12 | |
-I'm still resisting. I'm kind of... -What are we, 15 minutes in? | 0:10:12 | 0:10:16 | |
-Yeah. -You've got to plump for something. | 0:10:16 | 0:10:18 | |
-There's something very unusual about it. -What's your best price? | 0:10:18 | 0:10:21 | |
If you can still make a profit, what's the best price? | 0:10:21 | 0:10:24 | |
30. | 0:10:24 | 0:10:26 | |
You went up! | 0:10:26 | 0:10:28 | |
It was 25! | 0:10:28 | 0:10:30 | |
< I'm just testing you. | 0:10:30 | 0:10:33 | |
-What's the best price for you to still make a profit? -20. -20 quid. -That's it. | 0:10:33 | 0:10:38 | |
OK. | 0:10:39 | 0:10:40 | |
Now, that's your Clarice Cliff bowl as well, isn't it? | 0:10:40 | 0:10:43 | |
< Yes. | 0:10:43 | 0:10:45 | |
That was something else we were looking at. | 0:10:45 | 0:10:47 | |
If we were to get the two of them, what would be your best price? | 0:10:47 | 0:10:50 | |
< That was previously priced at 125. | 0:10:50 | 0:10:53 | |
-It's 1928 or so. -Yeah. 65. -It's a cute little bowl. | 0:10:53 | 0:10:59 | |
So we could get that at 65 and this at 20? So 85 for the two of them? | 0:10:59 | 0:11:04 | |
< Yes. | 0:11:04 | 0:11:05 | |
I think you've got a good deal here. | 0:11:05 | 0:11:08 | |
-Go on... -I can't believe we're getting two things within the first 15 minutes! | 0:11:08 | 0:11:12 | |
We would never buy a Clarice Cliff bowl. I appreciate it's early. | 0:11:12 | 0:11:16 | |
-It's in good condition. -And it's a nice size. It IS a nice size. | 0:11:16 | 0:11:20 | |
-And you think that's marketable? -Careful! Dunnae waggle it about! -You keep waggling it! | 0:11:20 | 0:11:24 | |
I know. Don't waggle it around. That's not funny. | 0:11:24 | 0:11:27 | |
I think we're getting a very good deal if we want to go for these two things. | 0:11:27 | 0:11:31 | |
We've got a really good hunt for our third piece then. | 0:11:31 | 0:11:34 | |
OK, 85. | 0:11:34 | 0:11:35 | |
-Yes. -We'll take it. Thank you, sir. -Thank you very much. | 0:11:35 | 0:11:38 | |
'Yup, all that thinking has paid off for the Blues. | 0:11:38 | 0:11:42 | |
'They were in two minds, but now they've made two buys. | 0:11:42 | 0:11:45 | |
-'So well done, team!' -These are nice. | 0:11:45 | 0:11:49 | |
And they're Chinese. And the Chinese market is quite buoyant at the moment. Primarily, | 0:11:49 | 0:11:54 | |
for the early porcelains, but also works of art. | 0:11:54 | 0:11:57 | |
They're bronze. I like the fact that, again, you've got a pair, which always displays well. | 0:11:57 | 0:12:04 | |
-What do you think? -I like them very much. -What date would you put on these? | 0:12:04 | 0:12:08 | |
-I would be inclined to think about 1900. -Yeah. -Or thereabouts. | 0:12:08 | 0:12:12 | |
-They do have a presence. -Yeah. -They have a presence and they're in lovely condition. | 0:12:12 | 0:12:17 | |
What sort of money are we talking about? | 0:12:17 | 0:12:20 | |
Er, there's 165. I'd do 135. | 0:12:20 | 0:12:23 | |
-What about a special, one-off, this is your lucky day... -Not for me! | 0:12:23 | 0:12:28 | |
..Bargain Hunt contestant price? | 0:12:28 | 0:12:31 | |
-I'd do 130. -£130. | 0:12:31 | 0:12:34 | |
The decision, guys, is up to you. | 0:12:34 | 0:12:37 | |
-I very much like them. -You like them? -I really do, yes. | 0:12:37 | 0:12:40 | |
I think there's a real feel of craftsmanship about them. | 0:12:40 | 0:12:44 | |
And also the design itself is, on this one - the flow of the feathers... | 0:12:44 | 0:12:49 | |
I think you guys have sold these to yourselves. Are we going to do the deal? | 0:12:49 | 0:12:53 | |
-Yes, I think so. -£130. -£130. | 0:12:53 | 0:12:56 | |
-There we are. Pay the man. -Excellent. Thank you very much. | 0:12:56 | 0:13:00 | |
- Thanks a lot. - Thank you. | 0:13:00 | 0:13:02 | |
'Two vases with presence, eh? Let's hope their aura travels to auction. | 0:13:02 | 0:13:07 | |
'Both teams have one more buy.' | 0:13:07 | 0:13:10 | |
There's a photo frame. Look, you can open the shutters and a wee photo underneath it. | 0:13:12 | 0:13:17 | |
-It's quite heavy. -Yes, it will be... -It's brass. | 0:13:17 | 0:13:20 | |
-It will be brass. -Everybody loves cleaning brass nowadays. It's a favourite... | 0:13:20 | 0:13:25 | |
-It's the thing to do? -..Occupation is to clean brass. That's why brass is so popular. | 0:13:25 | 0:13:30 | |
-Are you being serious? -No, I'm not. | 0:13:30 | 0:13:32 | |
'You had them there, Jeremy!' | 0:13:33 | 0:13:36 | |
-Hello, Tim! -How are you getting on? -Very well. | 0:13:40 | 0:13:43 | |
-Very well, I think. -How many pieces have you bought? -Two. | 0:13:43 | 0:13:47 | |
And we've spent two-thirds of our money. | 0:13:47 | 0:13:49 | |
-But only in half the time. -This is the man who's going to be supremely economical. -I was, yes. | 0:13:49 | 0:13:56 | |
-But things change. -So how much money have you got left? | 0:13:56 | 0:13:59 | |
-80. -£80. -90! -90? | 0:13:59 | 0:14:02 | |
-90. -£90 left. That's a decent sum, isn't it? | 0:14:02 | 0:14:04 | |
-Hope so. -And how much time? -Half an hour. -Oh, there you go. -It's a breeze. -Relaxez vous! | 0:14:04 | 0:14:09 | |
I feel a cappuccino coming on for you people. Have a good time! | 0:14:09 | 0:14:13 | |
'The Blues are losing all sense of direction.' | 0:14:13 | 0:14:17 | |
Where shall we go? This way? We've not been that way yet. | 0:14:17 | 0:14:21 | |
-Have you been up that way? -I've been up that way. I've been up that way, that way... | 0:14:21 | 0:14:26 | |
-Jeremy, will we head there? -It will be my fault! -I don't care. | 0:14:26 | 0:14:30 | |
-Shall we go up... -Let's go that way! | 0:14:30 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:35 | |
'Don't forget, Carol, the only way is up!' | 0:14:35 | 0:14:39 | |
So for this last item, what do you really, really want to buy? | 0:14:39 | 0:14:46 | |
I've no idea. There's just so much to choose from. | 0:14:46 | 0:14:49 | |
Jenny sounded quite keen on looking for a piece of jewellery. | 0:14:49 | 0:14:52 | |
I'd quite like to see something quirky that is, at the same time, very nicely made. | 0:14:52 | 0:14:57 | |
-Right. -Yes, a bit of fun. I'll go with Robin on that. | 0:14:57 | 0:15:00 | |
So good fun, quirky jewellery would tick all your boxes? | 0:15:00 | 0:15:05 | |
'Seems like you have a plan, Reds, which is more than I can say for the Blues.' | 0:15:05 | 0:15:09 | |
Oh, now that's quite cute. See that wee polar bear? Can I bring it out? | 0:15:09 | 0:15:14 | |
-Keep walking. -Run away! -Keep walking. | 0:15:14 | 0:15:17 | |
-OK. OK. -We're still walking. | 0:15:17 | 0:15:20 | |
OK. What about the jelly moulds? Jelly moulds? Brass jelly moulds? | 0:15:20 | 0:15:24 | |
The fish. This here. | 0:15:24 | 0:15:26 | |
-Keep walking. -Run away. -Keep walking. | 0:15:26 | 0:15:30 | |
'Time's marching on. You need to make that final purchase.' | 0:15:30 | 0:15:35 | |
This is quite an attractive piece of jewellery. | 0:15:37 | 0:15:40 | |
That's the sort of thing that would grab the bidders' attention. | 0:15:40 | 0:15:44 | |
-Do you like that one? -I quite like the setting, actually, but I'm a bit worried about the stone. | 0:15:44 | 0:15:49 | |
-Did you want it to be a sapphire, did you? -Well, a topaz. | 0:15:49 | 0:15:54 | |
-You do know what our budget is, don't you? -It looks too glassy. | 0:15:54 | 0:15:57 | |
You don't need to get too locked into what the stone is. | 0:15:57 | 0:16:02 | |
We need to know that the mounts are gold. That is important. | 0:16:02 | 0:16:06 | |
Let's just check. Just hold that a sec. Let me check the mounts. | 0:16:06 | 0:16:10 | |
Make sure that it's all gold and not gold plated. | 0:16:10 | 0:16:14 | |
There should be somewhere on the back, some markings. | 0:16:14 | 0:16:19 | |
-I think actually it's 14-carat gold. -Right, OK. | 0:16:19 | 0:16:23 | |
On the back of the clasp, which should mean that the mount is as well. | 0:16:23 | 0:16:27 | |
It's a pretty little mount, isn't it? What do you think, Robin? | 0:16:27 | 0:16:30 | |
Erm, I'm not entirely sure. | 0:16:31 | 0:16:34 | |
-It's something we could maybe think about. -What kind of cut is that? -We don't know. | 0:16:34 | 0:16:39 | |
It doesn't matter too much what the stone is. At the sort of money we're spending, | 0:16:39 | 0:16:44 | |
you're not going to get a big sapphire or a gemstone. | 0:16:44 | 0:16:47 | |
-No. -But it's all about the design and quality of the craftsmanship. | 0:16:47 | 0:16:51 | |
-Yes. -I think we've agreed it's nicely made. -Yes, yes. | 0:16:51 | 0:16:54 | |
'Nick's sold it to me! But will the Reds go for it?' | 0:16:54 | 0:16:57 | |
-I don't want to worry you, but you've got 12 minutes. -What do you think of this? | 0:17:01 | 0:17:05 | |
You told us about half an hour ago we had 45 minutes. | 0:17:05 | 0:17:10 | |
It's a lot worse! | 0:17:10 | 0:17:12 | |
-This is Thomas Forester and Sons. Does that appeal to you? -I don't know. It's unusual. | 0:17:12 | 0:17:17 | |
-It appeals to you at the right money, I suppose. -How much is it? -125 it is. No? Bit pricey. | 0:17:17 | 0:17:23 | |
It's a fair price, but I don't think you'll get more than that at auction. | 0:17:23 | 0:17:27 | |
Have we only got 12 minutes left? | 0:17:27 | 0:17:30 | |
-You really only have, yeah. -We'd better put that down then. -Thank you anyway. -Thank you. | 0:17:30 | 0:17:35 | |
'Mm, time's getting scarce. Have Nick and the Reds bought that necklace?' | 0:17:35 | 0:17:40 | |
We need to find out how much it is, of course. Excuse me. | 0:17:40 | 0:17:44 | |
Hello. How much is the pendant? | 0:17:44 | 0:17:48 | |
The very best I can do is maybe 68. That's rock bottom. | 0:17:48 | 0:17:52 | |
-£68. -It's a really nice piece. -Yeah. | 0:17:52 | 0:17:56 | |
It's the sort of thing that would appeal to someone that just wants it for themselves. | 0:17:56 | 0:18:00 | |
They will pay more than a dealer buying it for stock. | 0:18:00 | 0:18:03 | |
-Robin, what do you think? -Well, if we've got a guarantee on the gold. | 0:18:03 | 0:18:07 | |
-Oh, it's marked. I've checked it with my eyeglass and it's 14-carat. -OK. | 0:18:07 | 0:18:10 | |
-Let's go for it then. -OK. -So that's £68. -OK. | 0:18:10 | 0:18:14 | |
You can put that on. You can pay that lady. I can go and get myself a nice cup of tea. | 0:18:14 | 0:18:19 | |
'Oh-ho! Didn't they make it look easy? | 0:18:19 | 0:18:22 | |
'Come on, Blues, buck up!' | 0:18:22 | 0:18:24 | |
-We've got how long? Ten minutes. -We've got ten minutes. | 0:18:26 | 0:18:29 | |
-We are down to the wire. -That's good. We're happy with that. -We could go back... | 0:18:29 | 0:18:33 | |
..For the duck. Remember the duck vase we saw? | 0:18:33 | 0:18:36 | |
-Duck. Yes. -At the beginning. -Oh, yeah. The mallard. | 0:18:36 | 0:18:39 | |
-Let's go there. Quickly. We'd better rush, cos we are literally down to... -This one or that one? | 0:18:39 | 0:18:44 | |
-It's up there. -Let's go. | 0:18:44 | 0:18:46 | |
'The Blues are heading north. Or is that south? Or east? | 0:18:46 | 0:18:49 | |
'Or west? Oh, naughty! Ha-ha! They're lost again.' | 0:18:49 | 0:18:53 | |
-Here! -Oh, it's gone. | 0:18:53 | 0:18:55 | |
-No, no, it wasn't. -It was further up. -It was a chappie. -Further up. | 0:18:55 | 0:18:59 | |
Er, I thought it was further down there. We came in and we went up there. | 0:18:59 | 0:19:04 | |
-We went up that one, did we not? -Yeah. -So we'll go over that way and go down. -Right, right! | 0:19:04 | 0:19:10 | |
'Oh, dear! He's an architect, too.' | 0:19:10 | 0:19:12 | |
Hey! | 0:19:12 | 0:19:14 | |
Ten minutes to go. That's a good... | 0:19:14 | 0:19:18 | |
-Yes, this was supposed to be panic time and it's... -Relax time! -..Time for a coffee! | 0:19:18 | 0:19:22 | |
-So are you happy with what you bought, Robin? -Yes. | 0:19:22 | 0:19:25 | |
-Yes, absolutely. -You spent how much, you two love birds? | 0:19:25 | 0:19:28 | |
-278? -278, yes. | 0:19:28 | 0:19:30 | |
-278. So I want £22 of leftover lolly, please. -£22, yes. | 0:19:30 | 0:19:36 | |
-Er... -OK, the paymaster general has got... Oh, here we go. | 0:19:36 | 0:19:40 | |
-Yes. 20 and two. -£22. Well, that's not much, is it? | 0:19:40 | 0:19:44 | |
-It's not a lot, but... -You're going to have to negotiate hard somewhere. -I will. | 0:19:44 | 0:19:48 | |
I had the A-Team here for the shopping. I don't know what I'm going to do on my own now. | 0:19:48 | 0:19:53 | |
-They led you around, did they? -They did. They were very good. Very decisive as well. | 0:19:53 | 0:19:57 | |
-We really enjoyed it. -Quite a responsibility that £22. | 0:19:57 | 0:20:01 | |
-It can make all the difference between winning and running up. -We're expecting great things. | 0:20:01 | 0:20:06 | |
All right. Well, good luck with that challenge anyway and have a nice cup of coffee. | 0:20:06 | 0:20:10 | |
'Give them a map, someone! Maybe not.' | 0:20:11 | 0:20:14 | |
-Five minutes. -What if we can't find the stall? I'd recognise the man if I saw him. | 0:20:16 | 0:20:21 | |
-We don't know where he is. -Where did we start filming? -I don't know. | 0:20:21 | 0:20:25 | |
Oh, where are they? | 0:20:25 | 0:20:28 | |
Four minutes. | 0:20:28 | 0:20:30 | |
-I see him! I see him! I see him! -Oh, yeah, there. -He's up here. | 0:20:30 | 0:20:34 | |
-Yep, yep! That's it. -That's it. -Sorry. Excuse me. | 0:20:39 | 0:20:43 | |
- How much was this? - 45, I think. | 0:20:43 | 0:20:45 | |
What's the best price you would give us it for? | 0:20:45 | 0:20:48 | |
With you still making a profit. | 0:20:48 | 0:20:51 | |
-And be generous. -38. | 0:20:51 | 0:20:53 | |
-We need generosity. -38. -35. No? | 0:20:53 | 0:20:56 | |
Go on then. You've got a deal. > | 0:20:56 | 0:20:58 | |
- Excellent! Thank you very much. - You're welcome. | 0:20:58 | 0:21:01 | |
-Excellent. Thank you. -Now, can we have a proper look at it? | 0:21:01 | 0:21:05 | |
-We couldn't find you. I spotted YOU first! -It is a nice thing. | 0:21:07 | 0:21:10 | |
-It is a nice thing. -I like the painting. | 0:21:10 | 0:21:13 | |
'Well, that's lucky, isn't it? All three items bought for the Blues. Phew!' | 0:21:13 | 0:21:17 | |
Time is up! If you're still shopping, you're cheating. | 0:21:20 | 0:21:25 | |
Too late to change your mind now. | 0:21:25 | 0:21:28 | |
'The Reds bought a pair of reproduction claret jugs for £80. | 0:21:28 | 0:21:33 | |
'And a pair of Chinese bronze vases cost them £130. | 0:21:33 | 0:21:38 | |
'And finally, £68 was dished out for a gold pendant and chain | 0:21:38 | 0:21:43 | |
'inset with a blue stone, maybe glass.' | 0:21:43 | 0:21:47 | |
-Have you finished, you chaps? -Yes, yes, yes. | 0:21:48 | 0:21:50 | |
Well, right to the line as usual, as you would expect. | 0:21:50 | 0:21:54 | |
-Now how much did you spend all round? -120? | 0:21:54 | 0:21:56 | |
-120. -£120. That's OK. | 0:21:56 | 0:21:59 | |
'Let's remind ourselves what the £120 bought them. | 0:21:59 | 0:22:03 | |
'They spent £20 on a commemorative Lusitania medal. | 0:22:03 | 0:22:07 | |
'1920s Clarice Cliff breakfast bowl, which set them back £65. | 0:22:07 | 0:22:13 | |
'Lastly, a Royal Copenhagen vase cost them the sum of 35 smackers. | 0:22:13 | 0:22:17 | |
'Or were they crackers?' | 0:22:17 | 0:22:20 | |
-Who's got the 180 then? Have you got that, Ronan? -No. Carol has it. | 0:22:22 | 0:22:26 | |
OK, Carol, have you got the 180, darling? Now, here you go, boy. | 0:22:26 | 0:22:29 | |
There's £180 there - enough to buy half the fair. | 0:22:29 | 0:22:32 | |
-Enjoy! -Which half? | 0:22:32 | 0:22:34 | |
Yeah! Well, that's your challenge. | 0:22:34 | 0:22:37 | |
Very, very nice, too. Meanwhile, we're heading off to the Borders, to Traquair House! How glorious. | 0:22:37 | 0:22:43 | |
Traquair House - | 0:22:45 | 0:22:47 | |
a beautiful property set in stunning countryside on the Scottish Borders. | 0:22:47 | 0:22:53 | |
It's said to be one of the oldest inhabited houses in Scotland, with its foundations dating back | 0:22:53 | 0:22:58 | |
to the early 12th century and has played host to countless kings and queens. The name "Traquair" | 0:22:58 | 0:23:05 | |
comes from "tret" or "tre", | 0:23:05 | 0:23:08 | |
which means dwelling or hamlet | 0:23:08 | 0:23:12 | |
and "quair", which is a strange sort of meandering brook. | 0:23:12 | 0:23:18 | |
And right by Traquair runs a tributary, | 0:23:18 | 0:23:23 | |
which goes into the River Tweed. | 0:23:23 | 0:23:26 | |
And it's this spring water | 0:23:26 | 0:23:30 | |
that is the special ingredient for something rather special that goes on round here. | 0:23:30 | 0:23:37 | |
Ah, Catherine. Hello. | 0:23:37 | 0:23:40 | |
-Hello. -Let me introduce you to our audience. This is Catherine Maxwell Stuart, | 0:23:40 | 0:23:44 | |
who's the 21st laird, or should I say lady, of Traquair. | 0:23:44 | 0:23:49 | |
And, of course, this estate and house has been in your family since the 15th century. | 0:23:49 | 0:23:53 | |
Yes. Yes, for over 500 years. | 0:23:53 | 0:23:56 | |
And what exactly is the family involvement in this brewery? | 0:23:56 | 0:23:59 | |
Well, the brewery lies in one of the wings of the house. It was used as the family junk room. | 0:23:59 | 0:24:06 | |
It was disused in the 1800s when they brought duty in and, in 1965, | 0:24:06 | 0:24:10 | |
my father rediscovered the brewery and decided it would be quite fun to start brewing again. | 0:24:10 | 0:24:15 | |
So he started brewing in 1965 and we've been brewing ever since, really. | 0:24:15 | 0:24:20 | |
'So after the initial brewing process involving malt, hops and water, | 0:24:21 | 0:24:27 | |
'the beer then needs to ferment.' | 0:24:27 | 0:24:30 | |
So, Catherine, | 0:24:30 | 0:24:32 | |
-what do we call this room? -This is the tun room, where the fermentation takes place. | 0:24:32 | 0:24:37 | |
So once the beer has been transferred from the coolers, | 0:24:37 | 0:24:40 | |
it goes into these wonderful, oak, fermenting vats, | 0:24:40 | 0:24:43 | |
some of which are over 200 years old. | 0:24:43 | 0:24:46 | |
It's very unusual. We're now the only British brewery continuing to ferment all our production in oak. | 0:24:46 | 0:24:52 | |
And it makes a really big difference to the flavour. You can really taste the wood. | 0:24:52 | 0:24:57 | |
-So it stays here for five days... At this point the yeast is added. -Yes. -..Until it's fermented out. | 0:24:57 | 0:25:02 | |
-And then it's transferred into tanks and goes off to be bottled. -Goodness. | 0:25:02 | 0:25:07 | |
-It's a real craft-made process. -What does it taste like? | 0:25:07 | 0:25:10 | |
-That's the big question. -Well, I think we should go upstairs and try some. | 0:25:10 | 0:25:14 | |
Ooh, how nice! Thank you. | 0:25:14 | 0:25:17 | |
We have three main bottled beers. | 0:25:21 | 0:25:23 | |
-Which is the most powerful? -I have to say the Jacobite. It is extremely good. | 0:25:23 | 0:25:28 | |
-So maybe you should try that. -I think I will have a drop of that. How lovely! | 0:25:28 | 0:25:33 | |
And actually how many bottles would you produce in a year? | 0:25:33 | 0:25:36 | |
We produce around 250,000 bottles, | 0:25:36 | 0:25:40 | |
which is a kind of drip in the ocean for most breweries. | 0:25:40 | 0:25:43 | |
-We do manage to export nearly 70% of that, so it goes all over the world. -Well, here we go then. | 0:25:43 | 0:25:49 | |
It's got a good head on it and a great colour. Look at that! | 0:25:49 | 0:25:53 | |
-It's a healthy product. -It is. It does you a lot of good. | 0:25:53 | 0:25:56 | |
At 8.2%! Right... | 0:25:56 | 0:25:58 | |
My gosh! | 0:26:01 | 0:26:03 | |
That's got some bite to it, hasn't it? | 0:26:03 | 0:26:06 | |
Thank you very much, Catherine, for having us. | 0:26:06 | 0:26:08 | |
Well, this is biting stuff. The big question today is, | 0:26:08 | 0:26:11 | |
how fiery are our teams going to be over at the auction? Cheers! | 0:26:11 | 0:26:16 | |
Well, I can't tell you how smashing it is to be | 0:26:22 | 0:26:25 | |
at Great Western Auctions in Glasgow and to be with Anita Manning. Morning, Anita. | 0:26:25 | 0:26:30 | |
-Morning and welcome. -Thank you very much. | 0:26:30 | 0:26:33 | |
Now, the Red team have gone for chunky objects today in pairs. | 0:26:33 | 0:26:37 | |
First of all, the pair of so-called claret jugs. Do you rate those? | 0:26:37 | 0:26:41 | |
Well, they're not the best of quality, Tim, | 0:26:41 | 0:26:45 | |
but they do have a look and the silver-plate is in good condition. | 0:26:45 | 0:26:51 | |
-I've said 60-80 on these. -OK, £80 paid. | 0:26:51 | 0:26:55 | |
They might just scrape home, if they're lucky, | 0:26:55 | 0:26:57 | |
with your excellent auctioneering style. | 0:26:57 | 0:27:00 | |
Now, next up is this pair of Chinese, bronze babies. | 0:27:00 | 0:27:04 | |
This is the type of item which would have done much better | 0:27:04 | 0:27:09 | |
ten, 15 years ago. | 0:27:09 | 0:27:12 | |
But they do have the look. They are bronze. They do have very nice decoration. | 0:27:12 | 0:27:18 | |
-So they are still, to some extent, very desirable. -What's the extent of their desirability? | 0:27:18 | 0:27:25 | |
-70-90 and it would be much more. We would be well into three figures ten years ago. -Yes. | 0:27:25 | 0:27:31 | |
-Our lot paid £130. -130? -So that's quite a long way off from your estimate, Anita. | 0:27:31 | 0:27:37 | |
It might be a wee bit dear, but I'll do my very best on these. | 0:27:37 | 0:27:41 | |
They are traditional antique pieces. | 0:27:41 | 0:27:44 | |
-The last item is the blue-stone pendant in a gold mount. -It's very pretty. | 0:27:44 | 0:27:50 | |
And the gold mount is 14-carat. | 0:27:50 | 0:27:52 | |
The gold is high at the moment. | 0:27:52 | 0:27:55 | |
The mount is substantial. | 0:27:55 | 0:27:58 | |
It's not terribly old, but it is pretty. | 0:27:58 | 0:28:01 | |
-The blue stone is gorgeous. -Yes. -That will be appealing. | 0:28:01 | 0:28:04 | |
Good. Well, it does look nice glistening there in the box. How much, Anita? | 0:28:04 | 0:28:08 | |
-70-90. -OK, they paid £68. So there may be some clawing back | 0:28:08 | 0:28:13 | |
against the predicted loss on the Chinese pots. | 0:28:13 | 0:28:17 | |
But, anyway, let's go and have a look at their bonus buy. | 0:28:17 | 0:28:20 | |
So you gave Nicholas £22. What did you buy, Nick? | 0:28:21 | 0:28:25 | |
Well, I thought I'd be pretty safe with this because... | 0:28:25 | 0:28:28 | |
-Oh! -Oh! | 0:28:28 | 0:28:30 | |
I have been dreaming about that ever since we were at the auction. | 0:28:32 | 0:28:38 | |
It stuck in my mind. I loved it. | 0:28:38 | 0:28:40 | |
Yes, so I thought, "What better thing to buy?" | 0:28:40 | 0:28:43 | |
-Oh, thank you so much. That's brilliant. -Do you remember what they were asking for it? | 0:28:43 | 0:28:48 | |
-20, I think. -20, I think. | 0:28:48 | 0:28:50 | |
-I gave 12 in the end. -Well done, you. -Wonderful! | 0:28:50 | 0:28:53 | |
So there you go. There you are. | 0:28:53 | 0:28:55 | |
-I, honestly, would bid up to £40 on that. -If only you were allowed! | 0:28:55 | 0:29:00 | |
Well done, Nick. | 0:29:00 | 0:29:02 | |
It's just... It really is... It's lovely. I love holding it. | 0:29:02 | 0:29:06 | |
You've caused a great hit there, Nick. Well done. | 0:29:06 | 0:29:08 | |
-How much profit do you think it's going to make? -It's got to be 20, £30. Should do. | 0:29:10 | 0:29:15 | |
-Fine. -Yes. -Hope so! -Well, you watched his lips. Oh, Lordy! | 0:29:15 | 0:29:21 | |
-Getting affectionate. -You're very welcome. | 0:29:21 | 0:29:24 | |
Mind you don't get a kiss, too, Nick. Your moment to decide comes later. | 0:29:24 | 0:29:28 | |
But for the audience at home, let's find out what the auctioneer thinks about Nick's pot. | 0:29:28 | 0:29:33 | |
There we go, Anita. One of your favourites. | 0:29:34 | 0:29:37 | |
-A-ha, yes. -Scandinavian glass. -I do like 20th-century design. | 0:29:37 | 0:29:41 | |
And I do like the lovely sort of cranberry colour that we have here. | 0:29:41 | 0:29:46 | |
And the buyers like this period. It's from the 1960s, 1970s. | 0:29:46 | 0:29:51 | |
So it's not going to get a lot of money, but it will be fancied. | 0:29:51 | 0:29:56 | |
-How much? -15-20. | 0:29:56 | 0:29:58 | |
-OK, £12 paid by Nick Hall. So he paid the right price. -Yes. | 0:29:58 | 0:30:01 | |
Brilliant. I'll let that one snuggle there. | 0:30:01 | 0:30:04 | |
Anyway, that's it for the Reds and now for the Blues. | 0:30:04 | 0:30:07 | |
Their first item is the Lusitania sinking commemorative medal, | 0:30:07 | 0:30:12 | |
which must have been struck in considerable quantities, cos there are an awful lot of them about. | 0:30:12 | 0:30:17 | |
This medal would be struck in Britain as propaganda against Germany. | 0:30:17 | 0:30:23 | |
And this... I think there were 250,000 of these made. | 0:30:23 | 0:30:28 | |
And they cost a shilling apiece at the time. | 0:30:28 | 0:30:31 | |
So it's not a rare item, but it is a collectable. | 0:30:31 | 0:30:36 | |
-So what's your estimate? -20-25. | 0:30:36 | 0:30:40 | |
-They paid £20. -Well, they may make a profit. -Next is the Clarice Cliff bowl, | 0:30:40 | 0:30:45 | |
-which I do like with the geometric designs. -Yes. -How do you rate that? | 0:30:45 | 0:30:50 | |
This is the most desirable period of Clarice Cliff's items. | 0:30:50 | 0:30:53 | |
It was from the 1930s. It was from the Bizarre range. I like it as well. | 0:30:53 | 0:30:59 | |
-So how much then? -£40-£60. -OK, they paid 65. So that's quite enough really, isn't it? | 0:30:59 | 0:31:05 | |
You might struggle to make a profit on that. | 0:31:05 | 0:31:07 | |
Now you have sold, I know, the Copenhagen pieces here most successfully in the past. | 0:31:07 | 0:31:13 | |
-Will they do well with this little pot, do you think? -20th-century design and Royal Copenhagen | 0:31:13 | 0:31:19 | |
is one of the best of the factories and they make a very nice-quality product. | 0:31:19 | 0:31:24 | |
This little one has the mallard design, which is perhaps not quite as popular. | 0:31:24 | 0:31:31 | |
The Copenhagen buyers will still like that. I would have preferred a pair of them. | 0:31:31 | 0:31:35 | |
Yes. Well, we all like a matching pair. | 0:31:35 | 0:31:38 | |
-How much? -25-35. | 0:31:38 | 0:31:40 | |
£35 paid. So that, again, might be slightly on the high side. They haven't spent much money overall. | 0:31:40 | 0:31:46 | |
They spent £120. | 0:31:46 | 0:31:48 | |
So a really nice wallop of money went across to Jeremy to find his bonus buy. | 0:31:48 | 0:31:53 | |
Let's find out what he spent it on. | 0:31:53 | 0:31:56 | |
Now, you spent £120. You gave Jeremy 180. What did you spend it on, Jeremy? | 0:31:57 | 0:32:02 | |
They say the best things come in small packages. | 0:32:02 | 0:32:05 | |
So you'd better see it, really, hadn't you? | 0:32:05 | 0:32:08 | |
Oh! | 0:32:08 | 0:32:09 | |
This is a tiny little, | 0:32:09 | 0:32:11 | |
silver gilt, French, filigree | 0:32:11 | 0:32:14 | |
box and cover, and enamelled on the top here. | 0:32:14 | 0:32:19 | |
It's got French control marks. | 0:32:19 | 0:32:21 | |
-So we know it's silver. Very intricately made. -I like that. -You like that? | 0:32:21 | 0:32:26 | |
-Yeah. -Mmm. | 0:32:26 | 0:32:27 | |
-Can you see that on a dressing table? -I like that. It's like paisley pattern on the outside. | 0:32:27 | 0:32:33 | |
So if you remember it's silver. | 0:32:33 | 0:32:35 | |
What do you think you'd have to pay to have either one made or to buy it...? | 0:32:35 | 0:32:40 | |
-How much did you pay for it, Jeremy? -Guess. | 0:32:40 | 0:32:42 | |
-Oh, I've got no idea. -Silver. | 0:32:42 | 0:32:45 | |
-80. -I was going to say 45, 50. | 0:32:45 | 0:32:48 | |
-Nearer the mark. 40. -40. -That's all right. | 0:32:48 | 0:32:51 | |
-That's quite nice. -That's all right. | 0:32:51 | 0:32:53 | |
It's got the seal of approval. It got the Ronan "quite like that" moment, | 0:32:53 | 0:32:57 | |
which means it must be pretty fab. | 0:32:57 | 0:33:00 | |
Anyway, you don't pick it right now. You need to ask him how much profit it will make. | 0:33:00 | 0:33:05 | |
-That's a good point, actually. -I think on a good day we might double up on it. | 0:33:05 | 0:33:10 | |
£80. You watched his lips? | 0:33:10 | 0:33:13 | |
-I guessed 80, so that would be good. That would be handy. -OK. | 0:33:13 | 0:33:16 | |
Hold on to those thoughts. | 0:33:16 | 0:33:18 | |
Cos now, for the viewers at home, let's find out what the auctioneer thinks about Jeremy's little pot. | 0:33:18 | 0:33:24 | |
Here we go, Anita. Small, pretty | 0:33:24 | 0:33:28 | |
and perfectly formed. | 0:33:28 | 0:33:30 | |
I'm talking about the box! | 0:33:30 | 0:33:32 | |
I think this is such a sweet little item. I love it. | 0:33:32 | 0:33:36 | |
The filigree is in perfect condition | 0:33:36 | 0:33:39 | |
and I particularly love the coloured enamelling on the lid | 0:33:39 | 0:33:43 | |
and round the side. | 0:33:43 | 0:33:46 | |
I think it's very nice and would sit beautifully | 0:33:46 | 0:33:49 | |
on a lady's dressing table. She could keep her rings and bits and pieces in there. | 0:33:49 | 0:33:54 | |
Enamelling - a wee bit of damage on the surface here, | 0:33:54 | 0:33:58 | |
but, to tell you the truth, it's not worrying me too much. | 0:33:58 | 0:34:02 | |
-It's not taking too much away from the prettiness of the box. -No, quite. | 0:34:02 | 0:34:06 | |
It's a heck of a lot of work in that, isn't it? So it's got a lot going for it. How much? | 0:34:06 | 0:34:12 | |
-40-60. -OK, he paid £40. | 0:34:12 | 0:34:15 | |
-Not a bad buy. -Not a bad buy. Should do it - if you're taking the sale. Are you taking the sale? | 0:34:15 | 0:34:20 | |
-I am. -Ah, we're in safe hands! | 0:34:20 | 0:34:23 | |
Now, you two love birds, Jenny and Robin. | 0:34:32 | 0:34:35 | |
-How are you? All right? -Good. -Very well. | 0:34:35 | 0:34:38 | |
-Are you feeling quite confident? -Yes. -Are you? | 0:34:38 | 0:34:40 | |
-Auctions are exciting things, aren't they? -They are, yes. | 0:34:40 | 0:34:44 | |
There's this buzz. You've got a lot of people in the room. Most are here to buy your items! | 0:34:44 | 0:34:50 | |
-Yeah. -Anyway, there it is. First up are the claret jugs and here they come. | 0:34:50 | 0:34:55 | |
86 is this fine pair of claret jugs, ladies and gentlemen, | 0:34:55 | 0:35:00 | |
with the silver-plated mounts | 0:35:00 | 0:35:03 | |
and this wonderful hobnail pattern on the body. | 0:35:03 | 0:35:07 | |
Can we say £150? | 0:35:07 | 0:35:10 | |
100? | 0:35:10 | 0:35:12 | |
100, surely, for the pair of them. There's two. | 0:35:12 | 0:35:15 | |
£50? Start me at 40 then. | 0:35:15 | 0:35:18 | |
£40. 40 bid. | 0:35:18 | 0:35:20 | |
50. 60. 70. | 0:35:20 | 0:35:22 | |
-80. 90. 100. -You're in profit. -£100. | 0:35:22 | 0:35:28 | |
Any advance on 100? All done at 100? All done at 100? 100. | 0:35:28 | 0:35:33 | |
-Well done, Dennis. That's plus 20. -We knew what were doing! | 0:35:33 | 0:35:37 | |
Lot 87. These are a fine pair of 19th-century vases, | 0:35:37 | 0:35:42 | |
ladies and gentlemen, in bronze. | 0:35:42 | 0:35:45 | |
£200. | 0:35:45 | 0:35:46 | |
150. | 0:35:46 | 0:35:49 | |
100, surely. £50 then. 50 bid. | 0:35:49 | 0:35:53 | |
-That's cheap if that's all they make. -Any advance on 50? | 0:35:53 | 0:35:57 | |
60. 70. | 0:35:57 | 0:35:59 | |
80. 90. 100. | 0:35:59 | 0:36:02 | |
-Come on! -It's with you, sir, at 100. | 0:36:02 | 0:36:05 | |
110. Fresh bidder. | 0:36:05 | 0:36:08 | |
120. 130. | 0:36:08 | 0:36:11 | |
-Yes! -140. 150. 160. | 0:36:11 | 0:36:15 | |
£160... | 0:36:15 | 0:36:18 | |
..for the pair of bronze vases. | 0:36:18 | 0:36:21 | |
And advance on 160, or all done at 160? 160? | 0:36:21 | 0:36:25 | |
That is £30 profit. | 0:36:25 | 0:36:28 | |
-Well, they made their money, didn't they? -Eventually. | 0:36:28 | 0:36:31 | |
OK, now the pendant and chain. | 0:36:31 | 0:36:33 | |
A pretty piece, ladies and gentlemen. | 0:36:33 | 0:36:36 | |
Little, 14-carat gold, mounted, blue topaz pendant. Beautiful. | 0:36:36 | 0:36:42 | |
150. 100. | 0:36:42 | 0:36:45 | |
Will you start me at £50? | 0:36:45 | 0:36:47 | |
50 bid. With you, sir, at 50. | 0:36:47 | 0:36:50 | |
60. | 0:36:50 | 0:36:52 | |
70. | 0:36:52 | 0:36:54 | |
80. 80 with the lady. | 0:36:54 | 0:36:57 | |
-With the lady at £80. -Three out of three. | 0:36:57 | 0:37:01 | |
With you, madam, at £80. All done at £80? | 0:37:01 | 0:37:04 | |
£80. | 0:37:04 | 0:37:05 | |
-Plus 12. 30, 50... -Three out of three. Well done. | 0:37:05 | 0:37:09 | |
Plus 62. Well done. Look at that. | 0:37:09 | 0:37:13 | |
-Now, presumably, you're going to be going with your vase? -Absolutely. -I thought you were. | 0:37:13 | 0:37:19 | |
Lot 92. | 0:37:19 | 0:37:20 | |
A piece of 20th-century glass, ladies and gentlemen. | 0:37:20 | 0:37:24 | |
It's this 1960s, art glass vase. 50. 40. Start me at £20. | 0:37:24 | 0:37:29 | |
-20, surely. -Come on! Come on! | 0:37:29 | 0:37:32 | |
£10 then. 10 bid. | 0:37:32 | 0:37:36 | |
15. 20. 25. | 0:37:36 | 0:37:38 | |
30. 35. | 0:37:38 | 0:37:41 | |
With you, madam, at 35. It's a lovely vase at 35. 35... | 0:37:41 | 0:37:46 | |
Well, it made its profit. That makes £85 total. | 0:37:46 | 0:37:50 | |
-Well done, chaps. -This is a very good result. | 0:37:50 | 0:37:54 | |
-Now, don't say a word to the Blues. -We won't. | 0:37:54 | 0:37:56 | |
If we see them in the corridors of power, ignore them, as far as your profits are concerned. | 0:37:56 | 0:38:01 | |
-So, Ronan and Carol. Been chatting to the Reds at all? -No. -No. | 0:38:09 | 0:38:14 | |
-Good. So how are you feeling about things, Carol? All right? -All right. | 0:38:14 | 0:38:18 | |
All right! | 0:38:18 | 0:38:20 | |
-Barely all right, or... -All right. -..Pretty well all right? | 0:38:20 | 0:38:24 | |
-All right! -Ronan, you're looking rather nervous, old fruit. What's the matter? -I am nervous. | 0:38:24 | 0:38:28 | |
-Are you? -It's going to be interesting. See what happens. | 0:38:28 | 0:38:32 | |
Well, first up is the Lusitania sinking medal and here it comes. | 0:38:32 | 0:38:36 | |
Lot 105, ladies and gentlemen, | 0:38:36 | 0:38:39 | |
is the rare, commemorative, Lusitania, propaganda medal. | 0:38:39 | 0:38:45 | |
Can we say £50? £50 for the Lusitania medal? | 0:38:45 | 0:38:48 | |
-Go on! -Somebody. | 0:38:48 | 0:38:51 | |
Will you start me at £20? | 0:38:51 | 0:38:53 | |
-Somebody. -20. £10 then. -Oh, dear! | 0:38:53 | 0:38:56 | |
15. 20. | 0:38:56 | 0:38:59 | |
-Excellent. It's wiped its nose. -Look out. | 0:38:59 | 0:39:02 | |
The lady at 25. All done at 25? 25... | 0:39:02 | 0:39:07 | |
£25 is plus £5. Well done, Ronan. Plus £5, all right? | 0:39:07 | 0:39:11 | |
Cross everything. Here comes Clarice Cliff. | 0:39:11 | 0:39:14 | |
The Clarice Cliff Bizarre bowl. This is an early Clarice, | 0:39:14 | 0:39:18 | |
ladies and gentlemen. It's from the 1920s, 1930s. | 0:39:18 | 0:39:22 | |
60, surely, ladies and gentlemen. £60. Start me at £20. | 0:39:22 | 0:39:27 | |
-Oh, Lordy! -Goodness me! -20 bid. | 0:39:27 | 0:39:30 | |
-With the lady at 20. 30. -Hang on. | 0:39:30 | 0:39:33 | |
Come on, come on! | 0:39:33 | 0:39:35 | |
£30 for a Clarice Cliff bowl. | 0:39:35 | 0:39:38 | |
All done at £30? 40! | 0:39:38 | 0:39:40 | |
Fresh bidder at 40. Lady at £40. | 0:39:40 | 0:39:44 | |
Any advance on £40. All done at £40? | 0:39:44 | 0:39:46 | |
£40... | 0:39:46 | 0:39:48 | |
-£40... -Oh, dear! Let's go. -..Is minus £25. | 0:39:48 | 0:39:52 | |
You're minus 20 overall, lads. OK? Here comes Copenhagen. | 0:39:52 | 0:39:57 | |
Lot 107 is the Royal Copenhagen vase. | 0:39:57 | 0:40:01 | |
60. Start me at £20. | 0:40:01 | 0:40:03 | |
-Oh, come on! -£20 for the Copenhagen. | 0:40:03 | 0:40:06 | |
£20. £10 then. | 0:40:06 | 0:40:08 | |
£10. 10 bid. 15... | 0:40:08 | 0:40:10 | |
20. 25. 30. | 0:40:10 | 0:40:13 | |
-Come on, one more! -Any advance on 30? -One more. | 0:40:13 | 0:40:16 | |
Any advance on £30? All done at £30? £30. | 0:40:16 | 0:40:20 | |
Good. Minus £5. | 0:40:20 | 0:40:23 | |
Overall, you're only minus £25. There's no shame in that. | 0:40:23 | 0:40:26 | |
-What are you going to do about the filigree and enamel box? -I think we'll go for it. -We may as well. | 0:40:26 | 0:40:31 | |
-It may claw it all back for you. -It might do. -We may as well. | 0:40:31 | 0:40:34 | |
-Are you going to go with it? -Yes, we will. -Are you going to trust Jeremy? -Yes, we will. | 0:40:34 | 0:40:39 | |
-Full trust in Jeremy. -No pressure! | 0:40:39 | 0:40:41 | |
Another favourite lot. | 0:40:41 | 0:40:43 | |
It's this little, French, silver gilt, filigree box and cover. | 0:40:43 | 0:40:48 | |
Can we say £100? | 0:40:48 | 0:40:50 | |
-Go on! Go on! -100. 80. | 0:40:50 | 0:40:53 | |
50. Will you start me at £40? | 0:40:53 | 0:40:56 | |
-£40 for the filigree box. -Oh, come on! | 0:40:56 | 0:40:59 | |
-£20 then. 20 bid. Any advance on 20? -That's your fault! | 0:40:59 | 0:41:03 | |
Any advance on 20? 30. 40. | 0:41:03 | 0:41:07 | |
50. | 0:41:07 | 0:41:09 | |
-Well done. -We're in profit. -Any advance on 50? | 0:41:09 | 0:41:12 | |
Any advance on £50? All done at £50? | 0:41:12 | 0:41:16 | |
£50. | 0:41:16 | 0:41:18 | |
-£50. -Well done. Well done. -£50 is a £10 profit. Well done, J. | 0:41:18 | 0:41:23 | |
But you are minus £15 overall, which is nothing, is it? | 0:41:23 | 0:41:26 | |
I mean, on this programme, believe you me, minus £15 is nothing! | 0:41:26 | 0:41:31 | |
In fact, you've done rather well. So don't say a word to the Reds All will be revealed in a moment. | 0:41:31 | 0:41:38 | |
Well, what an extraordinary programme. | 0:41:46 | 0:41:49 | |
-How could there be such a world of difference between two teams? Have you been chatting? -No. | 0:41:49 | 0:41:55 | |
Well, it is my duty to reveal that the runners up today, | 0:41:55 | 0:41:59 | |
cos we don't have losers any more, of course, are the Blues. | 0:41:59 | 0:42:02 | |
-Ooh! -Ooh! -It started off so beautifully, didn't it? | 0:42:02 | 0:42:06 | |
-That £5 profit... -Wow! -..Sort of set the scene for the Lusitania sinking. | 0:42:06 | 0:42:11 | |
-Glug, glug, glug! -It went downhill from there. | 0:42:11 | 0:42:16 | |
-And even Jeremy's profit on the old filigree box was not enough to redress the balance. -No. | 0:42:16 | 0:42:21 | |
-But have you had a nice time? -Great time! -Has it been good, Ronan? -It has been. | 0:42:21 | 0:42:25 | |
Well, we've loved having you on the programme. | 0:42:25 | 0:42:28 | |
But the victors today are substantially ahead with their profit of £85. | 0:42:28 | 0:42:34 | |
-Whooo! -Now, Jenny, you're going to grip the cash, darling. -Oh! | 0:42:34 | 0:42:38 | |
That's yours now to take away, which is rather lovely. | 0:42:38 | 0:42:41 | |
And, of course, because you got a profit on all three items, | 0:42:41 | 0:42:44 | |
you get the award of the Golden Gavel, | 0:42:44 | 0:42:47 | |
which is an ancient and noble... And I'm very, very proud | 0:42:47 | 0:42:51 | |
to present you with your gavel, now in the form of a tie pin. | 0:42:51 | 0:42:55 | |
That's it! Do pin it on. There we go, Robin. | 0:42:55 | 0:42:58 | |
That's for you. And, Nick, your trusty expert - he gets one, too. | 0:42:58 | 0:43:03 | |
-One for the collection. -As well you deserve! We've had a wonderful time on Bargain Hunt. | 0:43:03 | 0:43:07 | |
-Join us soon for some more Bargain Hunting. Yes? -Yes! | 0:43:07 | 0:43:12 | |
Subtitles by Red Bee Media Ltd | 0:43:31 | 0:43:33 | |
E-mail [email protected] | 0:43:33 | 0:43:35 |