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It's a breezy day. In fact, it's quite fresh. | 0:00:03 | 0:00:06 | |
What could be better for the scene of great battles? | 0:00:06 | 0:00:09 | |
Let's go bargain hunting! | 0:00:09 | 0:00:11 | |
Today, we're in the Royal Norfolk Showground, just outside Norwich. | 0:00:35 | 0:00:39 | |
Norfolk's a county that's been invaded lots of times, | 0:00:39 | 0:00:43 | |
by the Romans, by the Vikings, by the Normans, | 0:00:43 | 0:00:45 | |
and now by us! | 0:00:45 | 0:00:47 | |
Coming up - the Reds are bargaining hard. | 0:00:47 | 0:00:51 | |
Do we dare negotiate at a fiver? | 0:00:51 | 0:00:54 | |
While the Blues just can't make up their minds. | 0:00:54 | 0:00:56 | |
-And you like those? -I like them all, yes. | 0:00:56 | 0:00:58 | |
But at the end of the day, it's all about keeping the ladies happy. Oh, yes! | 0:00:58 | 0:01:02 | |
-Ruth likes it. Let's do it. -If it makes Sarah happy, then I'm happy. | 0:01:02 | 0:01:07 | |
Oh, you're so sweet, the pair of you. | 0:01:07 | 0:01:09 | |
So, two teams each with married couples today. | 0:01:10 | 0:01:14 | |
First up, Ruth and Doug. So how long actually have you been married? | 0:01:14 | 0:01:18 | |
We've been married about 25 years. | 0:01:18 | 0:01:21 | |
About?! | 0:01:21 | 0:01:23 | |
-Not counting. -Oh, you're not counting any more? -No. | 0:01:23 | 0:01:26 | |
-And how did you meet? -We worked together. Well, actually Ruth worked for me for a while. | 0:01:26 | 0:01:32 | |
-Oh! -So I was in charge, but not any more. -What were you doing at that time? | 0:01:32 | 0:01:37 | |
Computing within the civil service for Her Majesty's Stationery Office. | 0:01:37 | 0:01:41 | |
And do you miss, now you're retired, not handling all that bumpf? | 0:01:41 | 0:01:45 | |
-No. -No? -No, no. I now have time to do the things I want to do, | 0:01:45 | 0:01:49 | |
rather than the things people paid me to do. We travel. | 0:01:49 | 0:01:53 | |
I work in a local museum. We go dancing. We do lots of things. | 0:01:53 | 0:01:57 | |
-Have you got any time left for antiques? -Yes, we do have small collections. | 0:01:57 | 0:02:02 | |
I collect Wedgwood strawberry pattern. | 0:02:02 | 0:02:05 | |
And things like cutlery and we like ticking clocks, the old-fashioned clocks. | 0:02:05 | 0:02:10 | |
-So are you going to work together as a team today, you two? -Yes. -Oh, of course. | 0:02:10 | 0:02:14 | |
I mean, after "about" 25 years, you ought to know each other well enough. | 0:02:14 | 0:02:18 | |
-Absolutely. -And you're going to be victorious? | 0:02:18 | 0:02:20 | |
-Of course! -Oh, absolutely, yes. -Are you? Well very good luck. | 0:02:20 | 0:02:24 | |
Now, Sarah and Mark. How long have you been married, Sarah? | 0:02:24 | 0:02:27 | |
-We've been married for eight years now. -And where did you meet? | 0:02:27 | 0:02:31 | |
We met in a pub. It was a pub that we both frequented. | 0:02:31 | 0:02:36 | |
Mark says he saw me long before I saw him, but I was new to the area, so there were many new faces. | 0:02:36 | 0:02:41 | |
He'd obviously got his eye on you though. | 0:02:41 | 0:02:44 | |
Yeah. The first time I saw her, | 0:02:44 | 0:02:46 | |
I knew that this was the girl for me. | 0:02:46 | 0:02:49 | |
But she has no recollection of that moment at all. | 0:02:49 | 0:02:52 | |
And how did Sarah convince you, Mark, that the time was ripe to propose? | 0:02:52 | 0:02:57 | |
Well, we'd just moved into a new house. | 0:02:57 | 0:02:59 | |
And I sent Sarah to a local retro shop to get some curtains and a few other bits and pieces. | 0:02:59 | 0:03:04 | |
And she came back with curtains, lamp and a wedding dress. | 0:03:04 | 0:03:09 | |
Ah! That was the hint, was it? | 0:03:09 | 0:03:11 | |
She showed me the curtains and lamp. I said, "What's in the bag?" | 0:03:11 | 0:03:14 | |
And she said, "That's a dress for an event you haven't invited me to yet." | 0:03:14 | 0:03:18 | |
-Oh, how sweet! So that promoted you? -I got the hint. | 0:03:18 | 0:03:22 | |
-Did you immediately drop to one knee? -Not immediately at that moment but not long after. | 0:03:22 | 0:03:27 | |
After you put the curtains up, anyway. No, good. | 0:03:27 | 0:03:30 | |
Vintage wedding dress. Is that what you like? Do you like vintage clothes? | 0:03:30 | 0:03:33 | |
I really do. | 0:03:33 | 0:03:36 | |
I like anything from the 1930s right through to the '80s. | 0:03:36 | 0:03:39 | |
I really like little bags and clutch purses. | 0:03:39 | 0:03:43 | |
-Dresses... I just love fashion from those times. -Are you going to make a great team today, you two? | 0:03:43 | 0:03:50 | |
-Hopefully. -We always thought we'd come on the show and see if we could do better than other people. | 0:03:50 | 0:03:55 | |
-Do you sit at home and say, "I could do better than that." -Of course! | 0:03:55 | 0:03:59 | |
Well, now you're going to get your comeuppance. Very interesting! | 0:03:59 | 0:04:03 | |
Now the Money Moment. £300 apiece. There's your £300. You know the rules. | 0:04:03 | 0:04:07 | |
Your experts await and off you go! And very, very, very good luck. | 0:04:07 | 0:04:10 | |
Gosh! What's going to happen? | 0:04:10 | 0:04:13 | |
And guiding our teams today are our two Davids. | 0:04:14 | 0:04:18 | |
Advising the Reds is... | 0:04:18 | 0:04:22 | |
And browsing with the Blues is... | 0:04:22 | 0:04:26 | |
Dear old boy! | 0:04:26 | 0:04:28 | |
Well, there's nothing else better in the world than early morning - | 0:04:28 | 0:04:31 | |
-a bit chilly in the middle of a field with loads of antiques. -Absolutely wonderful! | 0:04:31 | 0:04:35 | |
-What are you looking for? -Well, I really don't know. | 0:04:35 | 0:04:38 | |
I like the idea of having an open mind and seeing what jumps out at me really. | 0:04:38 | 0:04:43 | |
-Something that's going to make money. -Dream woman. | 0:04:43 | 0:04:46 | |
Arts and Crafts. Things that have been made by people's hands. | 0:04:46 | 0:04:48 | |
Go! | 0:04:48 | 0:04:50 | |
'You know the rules. They have one hour to buy three items, | 0:04:51 | 0:04:55 | |
'which they will attempt to sell for a profit at auction.' | 0:04:55 | 0:04:58 | |
-Does that look an interesting stall? -It looks interesting to me. | 0:04:58 | 0:05:01 | |
'Better get stuck in, Reds!' | 0:05:01 | 0:05:04 | |
-Are you into toys? -Yes. | 0:05:04 | 0:05:06 | |
-Really old, tin toys. That sort of thing. -I think that's very good. | 0:05:06 | 0:05:10 | |
'I hope you find something to play with, Blues.' | 0:05:10 | 0:05:13 | |
-We're not really into nicky-nacky kind of stuff. -Is that a technical term, Ruth? | 0:05:13 | 0:05:17 | |
It's as technical as I get. | 0:05:17 | 0:05:20 | |
'Technical nick-nacks aside, Mr Harper has already found something.' | 0:05:20 | 0:05:25 | |
-Do you like that? -Oh, no! -Do you know what it is? -No. | 0:05:25 | 0:05:28 | |
It's Chinese. It's soapstone. So it's a stone. It's carved. But it's a brush pot. | 0:05:28 | 0:05:33 | |
-Oh, OK. -What, for painting? -For painting. -Oh, right! | 0:05:33 | 0:05:37 | |
-You're an artist, Ruth. -Yeah. Well... | 0:05:37 | 0:05:39 | |
-You're an amateur artist, aren't you? What do you paint, watercolour? -Watercolour, yeah. | 0:05:39 | 0:05:43 | |
-OK. It's five quid. -Oh, we must spend more than that! | 0:05:43 | 0:05:48 | |
Hey, listen. Don't knock it, baby. | 0:05:48 | 0:05:50 | |
-How old do you think that is? -I would say early 20th century. | 0:05:50 | 0:05:54 | |
-Say up to about 1920s. But it is handmade. -It is unusual. | 0:05:54 | 0:05:57 | |
It's not something I'd like, but we are not about buying things for ourselves. | 0:05:57 | 0:06:01 | |
I've just noticed, heads gone. Can you see? | 0:06:01 | 0:06:04 | |
-We've got two monkeys and he's missing his head. -Yeah. -Oh, that's such a shame. | 0:06:04 | 0:06:09 | |
I think he's wonderful for a fiver. | 0:06:09 | 0:06:11 | |
Could we ask them to keep it, maybe? | 0:06:11 | 0:06:14 | |
-I'm nervous about buying something like that as our first item. -OK. Let's just leave it there. | 0:06:14 | 0:06:19 | |
'Less monkeying around, Reds. Start buying!' | 0:06:19 | 0:06:23 | |
The clouds are turning in on us. We need to go into the auditorium. | 0:06:23 | 0:06:26 | |
'The Blues are predicting rain, but for the Reds, the forecast is brighter!' | 0:06:26 | 0:06:30 | |
-It's a shame that it's damaged. -Oh, that's nice, isn't it? | 0:06:32 | 0:06:34 | |
-Cos the spirit level inside is floating around. -So why do you like that? -Because of the quality. | 0:06:34 | 0:06:40 | |
It's a compass, complete with spirit level. And you can take a sighting through there. | 0:06:40 | 0:06:44 | |
It's a lovely, useful, practical thing. It's got a nice weight to it. It's a good, solid thing. | 0:06:44 | 0:06:50 | |
You don't want anything which is damaged. | 0:06:50 | 0:06:52 | |
You are right. Superbly constructed. | 0:06:52 | 0:06:55 | |
'You are on the right bearing, Doug. Steer clear of those damaged goods.' | 0:06:55 | 0:06:59 | |
An incense burner - a koro. This is, I think, a Japanese one. | 0:06:59 | 0:07:04 | |
The whole idea is absolutely magnificent. | 0:07:04 | 0:07:06 | |
You'd sit down and you'd meditate and you'd contemplate. | 0:07:06 | 0:07:09 | |
And you'd set light to your incense. | 0:07:09 | 0:07:12 | |
And the smoke that billowed out would represent the souls of your dead ancestors. | 0:07:12 | 0:07:17 | |
-A nice thought. -It's a lovely thought. It's, again, a connection to the past. | 0:07:17 | 0:07:21 | |
-Peace and tranquillity, Doug. That's what we search for. -Yes. | 0:07:21 | 0:07:25 | |
'That's very Zen of you, David, but it's a bargain we're searching for.' | 0:07:25 | 0:07:30 | |
-It's got a little dent there. -Little dent. -Yep. | 0:07:37 | 0:07:40 | |
-< -I've got 50 on it. | 0:07:40 | 0:07:42 | |
-I'll do 30. -It is shaped like a heart. | 0:07:42 | 0:07:46 | |
It's really quite beautiful. How did they make the flowers? | 0:07:46 | 0:07:50 | |
-Is that just pressed? -Well, that's pressed. -Yeah. | 0:07:50 | 0:07:52 | |
I wonder if you would possibly keep it just for a little while. | 0:07:52 | 0:07:57 | |
Would that be all right? Cos it is very pretty. | 0:07:57 | 0:08:00 | |
'Mm, while the Blues dither, the Reds are pushing for a deal. | 0:08:00 | 0:08:03 | |
'They are taking another look at that paint brush holder.' | 0:08:03 | 0:08:07 | |
-Do we dare negotiate at a fiver? -£5. -It's five quid or nothing? | 0:08:07 | 0:08:12 | |
I thought that might be the case. | 0:08:12 | 0:08:15 | |
-I think... Come on! -Let's go for it. | 0:08:15 | 0:08:17 | |
He's missing his head, but we'll have that. Thank you very much. | 0:08:17 | 0:08:21 | |
'A fiver! That's pathetic, but it's a buy. Now, David Barby is homing in on the action.' | 0:08:21 | 0:08:26 | |
-Seems to be a lot of activity over there. Let's go and have a look. -OK. | 0:08:26 | 0:08:29 | |
'What have they ploughed up here?' | 0:08:31 | 0:08:35 | |
-A Mettoy mechanical tractor set. -Oh, wow! | 0:08:35 | 0:08:39 | |
-It's absolutely superb. -It is very pricey. | 0:08:39 | 0:08:42 | |
-Did you have one of these as a child? -No, not at all! | 0:08:42 | 0:08:45 | |
There was plastics by the time I was a child. | 0:08:45 | 0:08:48 | |
-1950, you say. -It's almost perfect condition, isn't it? | 0:08:48 | 0:08:53 | |
I mean, there's a tiny bit of scratching on there. | 0:08:53 | 0:08:56 | |
-Yeah, I think that's in the paint finish, but all the trademarks are good. -Yeah. | 0:08:56 | 0:09:01 | |
Made in Great Britain. This is tin plate. | 0:09:01 | 0:09:05 | |
-It's lovely. -It's tin plate. -That's just in the material I was hoping to find something in. | 0:09:05 | 0:09:09 | |
It's very pricey, but I can understand that it's in really nice condition. | 0:09:09 | 0:09:14 | |
-Look at how that works. -It is beautiful. | 0:09:14 | 0:09:19 | |
The key is there and you're welcome to try it, cos it does work. | 0:09:19 | 0:09:21 | |
-Wow! -And you get five little wagons and rakes and whatever. -I love this. | 0:09:21 | 0:09:28 | |
-1950. It's the last of the British tin-plate toys. -Yes. -Really. | 0:09:28 | 0:09:33 | |
-What's the best price you can do on that, sir? -160. | 0:09:33 | 0:09:36 | |
Can you do a reduction on 160, please, sir? | 0:09:36 | 0:09:40 | |
I'll go to 150. That would be it. | 0:09:40 | 0:09:43 | |
-MARK: How about 140? -Could you, please? | 0:09:43 | 0:09:46 | |
-145 then. I'll split the difference. -In the middle. | 0:09:46 | 0:09:48 | |
I think that's really fair. I think it's beautiful and I think you've been really kind. | 0:09:48 | 0:09:54 | |
-That sounds great. -Yeah, I think that's lovely. | 0:09:54 | 0:09:57 | |
'So the Blues have sowed a deal and it's one apiece for our teams.' | 0:09:57 | 0:10:01 | |
'Now something shiny has caught David Harper's eye.' | 0:10:01 | 0:10:04 | |
-What's that? -White metal. -White metal. | 0:10:04 | 0:10:08 | |
-Oof! She's... -£200? -Read the back. | 0:10:08 | 0:10:11 | |
-Mm. -"Lady Louise Luscom. | 0:10:13 | 0:10:16 | |
"This portrait was engraved by Mr Balaam. | 0:10:16 | 0:10:19 | |
"His charge was £45, | 0:10:19 | 0:10:22 | |
"which the lady refused to pay." Wonder why? She looks all right to me. | 0:10:22 | 0:10:26 | |
-It's signed by him. -You say it's white metal. | 0:10:26 | 0:10:29 | |
So you're assuming it's silver. You see, if... | 0:10:29 | 0:10:32 | |
-But it's not hallmarked? -No. -That's the thing. If something isn't hallmarked - | 0:10:32 | 0:10:36 | |
as in British hallmarked, or even continental hallmarked - | 0:10:36 | 0:10:39 | |
-then you have to refer to it as white metal. -Right. | 0:10:39 | 0:10:42 | |
But it could be. Do you think it is? | 0:10:42 | 0:10:44 | |
-It looks like silver. -What sort of date? | 0:10:44 | 0:10:47 | |
-Early 20th century. Would you agree? -Yeah. -1900, 1920. | 0:10:47 | 0:10:51 | |
Yeah. What sort of money to us is that? | 0:10:51 | 0:10:54 | |
160, but not a penny less. | 0:10:54 | 0:10:57 | |
-Who is...? -With this story, does that add to the value? -Very much. | 0:10:57 | 0:11:01 | |
If we had the luxury of time and we could discover who she was, the back story behind this | 0:11:01 | 0:11:07 | |
-and the artist, then wonderful. -What if it was cheaper? -150, there we are. | 0:11:07 | 0:11:12 | |
If you're in the mood for taking risks, this is a big risk. | 0:11:12 | 0:11:17 | |
It could make 30 quid. Or it could make 300. | 0:11:17 | 0:11:20 | |
-Shall we go for it? -Oh, my gosh! You, you! -Good girl! Gambler! -> | 0:11:20 | 0:11:24 | |
-Absolutely. -It's not my money! | 0:11:24 | 0:11:27 | |
I feel like a cat on a hot-tin roof, honestly. | 0:11:27 | 0:11:30 | |
Ruth likes it, let's do it. | 0:11:30 | 0:11:33 | |
-Oh, well, let's go for it. -Oh, you're dreadful, you two. -Good girl. -> | 0:11:33 | 0:11:38 | |
-Take a risk. -Shake his hand. Once you've done it, you've done it. -Well done. Thank you. | 0:11:38 | 0:11:42 | |
Thank you. | 0:11:42 | 0:11:43 | |
'Well done, Ruth, for taking a gamble. It's a risky business, | 0:11:43 | 0:11:47 | |
'but sometimes you can come up trumps. | 0:11:47 | 0:11:49 | |
'Take a look at this.' | 0:11:49 | 0:11:52 | |
Have you ever seen one of these before? | 0:11:52 | 0:11:54 | |
Well, they are pretty unusual objects, I have to say. | 0:11:54 | 0:11:58 | |
This is a lump of stone | 0:11:58 | 0:12:00 | |
and it's been carved in the shape of a shield. | 0:12:00 | 0:12:04 | |
And then within the shield, very faintly inscribed, | 0:12:04 | 0:12:09 | |
is a mask of a dragon with a curly "Q" tail. | 0:12:09 | 0:12:13 | |
That's the outside decoration. Now if I turn it round, | 0:12:13 | 0:12:17 | |
you can see that this solid lump of stone has been carved | 0:12:17 | 0:12:22 | |
so that it's got this loop on the back. | 0:12:22 | 0:12:25 | |
That's because this thing is something called a belt hanger. | 0:12:25 | 0:12:29 | |
And it's Chinese. And the Chinese, wearing their kimonos, | 0:12:29 | 0:12:35 | |
didn't have much opportunity for many pockets. | 0:12:35 | 0:12:39 | |
But what they did have, normally, was a sash or belt running around their middles. | 0:12:39 | 0:12:44 | |
So they'd feed the cloth sash through this belt hanger | 0:12:44 | 0:12:49 | |
and tie it with a knot at the front, | 0:12:49 | 0:12:52 | |
and then, off the belt hanger, they'd suspend all sorts of objects. | 0:12:52 | 0:12:56 | |
Anyway, quite an unusual object, I thought, | 0:12:56 | 0:13:00 | |
up the way there when I found it and invested £10. | 0:13:00 | 0:13:04 | |
Only to go around the corner and what do I discover on a completely different stand? | 0:13:04 | 0:13:10 | |
You've got it! Another belt hanger! | 0:13:10 | 0:13:13 | |
This one is much more elaborately carved though. | 0:13:13 | 0:13:17 | |
And the material that it's carved off is a slightly shinier, blacker stone. | 0:13:17 | 0:13:23 | |
So two stone-carved, Chinese belt hangers, | 0:13:23 | 0:13:28 | |
each of them costing £10. | 0:13:28 | 0:13:32 | |
But this is not my expert area. What I need is somebody who can advise me. | 0:13:32 | 0:13:38 | |
'And who should I bump into but a pair of Chinese antiques experts.' | 0:13:38 | 0:13:43 | |
..Very well, thank you. Do you watch Bargain Hunt? | 0:13:43 | 0:13:46 | |
-Yes, a lot. -Oh, good. So you know the form? -Yeah. | 0:13:46 | 0:13:49 | |
I've got these two belt hangers and I'd like to find out some more about them. First of all, | 0:13:49 | 0:13:55 | |
-how old do you think that fellow is? -Oh, what do you think? | 0:13:55 | 0:13:59 | |
I do think he's 100 years old. | 0:13:59 | 0:14:03 | |
-I would think he's quite a young piece. -OK. -Compared to that one. | 0:14:03 | 0:14:07 | |
-What about this one? -Much older. -Do you like this? -Yes. It's quite eye catching. | 0:14:07 | 0:14:10 | |
I think it's in the Han Dynasty, which is about 1,000 years ago. | 0:14:10 | 0:14:15 | |
-How many years? -1,000. -More than 1,000 years ago. | 0:14:15 | 0:14:18 | |
-1,000 years old! -Yes. -Oh! Well, that's marvellous. -Yes. | 0:14:18 | 0:14:22 | |
If you'd found it and you took it back to China, what sort of price would you get in China for it? | 0:14:22 | 0:14:27 | |
-I'd say £1,000. -Yeah, if it's a real piece, I'd say almost £1,000. | 0:14:27 | 0:14:32 | |
-£1,000. -That's the bottom. -The bottom is £1,000? -Yes. -If it's a real piece. | 0:14:32 | 0:14:37 | |
Well, that's extremely kind of you. | 0:14:37 | 0:14:40 | |
-Thank you very much. -You're welcome. -Really pleased to meet you. | 0:14:40 | 0:14:43 | |
'£10 that could become 1,000. Now that's a belter of a find! | 0:14:43 | 0:14:48 | |
'I wonder if our teams can beat that?' | 0:14:48 | 0:14:50 | |
Where shall we go? Let's go down here. | 0:14:50 | 0:14:52 | |
-Right, Sarah. -Oh, yes. | 0:14:56 | 0:14:58 | |
It's your choice, isn't it? You wanted a pair of something. | 0:14:58 | 0:15:01 | |
So here we've got a pair of hallmarked silver candlesticks. | 0:15:01 | 0:15:06 | |
And these are, sort of, dressing table candlesticks, little "bonheur du jour" candlesticks. | 0:15:06 | 0:15:12 | |
Any sweet little piece of furniture that you wanted to decorate with silver candlesticks. | 0:15:12 | 0:15:18 | |
Now what's nice about these, they're in the sort of late 19th-, early 20th-century style, | 0:15:18 | 0:15:22 | |
although they were made in the 1950s. | 0:15:22 | 0:15:25 | |
-So there's no damage on these. -They're in very nice condition. | 0:15:25 | 0:15:28 | |
There's no dents. There's no wearing through. They're in lovely condition and they're decorative. | 0:15:28 | 0:15:34 | |
The other thing you wanted to look for was little bonbon dishes. | 0:15:34 | 0:15:39 | |
And there we have an early 20th-century example, all pierced with a little swing handle. | 0:15:39 | 0:15:44 | |
-And that is £40. -I really like both the candlesticks and the bonbon dish. | 0:15:44 | 0:15:50 | |
I don't know what... I like the work that's gone on to this, | 0:15:50 | 0:15:55 | |
but I'm not sure about the price. | 0:15:55 | 0:15:58 | |
-Well, bear in mind, it's light because it's pierced. -Yes. | 0:15:58 | 0:16:02 | |
-Of course. And that's what attracts me to it, is the piercing. -OK. | 0:16:02 | 0:16:06 | |
-And I like the swing handle as well. -Yes, yes. | 0:16:06 | 0:16:09 | |
I'm just wondering whether, if you like the two objects... | 0:16:09 | 0:16:11 | |
-Right. -..We could ask the dealer if he could do a special price, | 0:16:11 | 0:16:15 | |
if we're going to buy both the objects. | 0:16:15 | 0:16:18 | |
-We could do that. Would you be... -It's your choice, darling. -We could certainly ask him. | 0:16:18 | 0:16:22 | |
OK. £80 on that, he said, and 40 on that. | 0:16:22 | 0:16:25 | |
-If we buy the two, he might come back with a reasonable offer. -OK. | 0:16:25 | 0:16:30 | |
-They are beautiful. -Do your very best. -I will. | 0:16:30 | 0:16:32 | |
'Good luck, Sarah.' | 0:16:32 | 0:16:34 | |
Late Regency, maybe 1830. | 0:16:35 | 0:16:38 | |
-Would you agree to that? -I would. -OK. | 0:16:38 | 0:16:40 | |
He's trying to hide... Get your hand out of there! | 0:16:40 | 0:16:43 | |
-A candlestick... -No! This would have had a big column here, on both sides. | 0:16:43 | 0:16:48 | |
It would have held a big mirror. It's, effectively, a toilet mirror. | 0:16:48 | 0:16:51 | |
That would be nice, if the mirror was on it. | 0:16:51 | 0:16:54 | |
-Yeah. -We would convert it into a writing desk. | 0:16:54 | 0:16:58 | |
Two nice finials, nice little inkwells. | 0:16:58 | 0:17:00 | |
-Do you know what that is? -Recycling. -Recycling. | 0:17:00 | 0:17:03 | |
-Yeah. Yeah. -It's the best recycling in the world. | 0:17:03 | 0:17:06 | |
And where could you get that quality of workmanship? | 0:17:06 | 0:17:10 | |
-How much is it, £20 quid? -20 quid. -It's ridiculous. -We've got 30 on it, but... | 0:17:10 | 0:17:13 | |
-I mean, the work... -For you. -For me, 40. -For you, 40. | 0:17:13 | 0:17:16 | |
'Now what price did Sarah pay for that silver?' | 0:17:20 | 0:17:24 | |
-£105. -That's 30 on that and 75 on that? -Yes. | 0:17:24 | 0:17:28 | |
-And you like those? -I like them all, yes. I think they're beautiful. | 0:17:28 | 0:17:32 | |
I think you could even have them both on your dressing table. | 0:17:32 | 0:17:35 | |
-Would you have those at home yourself? -Well, I would like to. | 0:17:35 | 0:17:38 | |
-I don't... Yes! -OK, well, that's a good thing. | 0:17:38 | 0:17:41 | |
-Mark, do we go with those? -I think it's an absolutely superb idea. | 0:17:41 | 0:17:45 | |
-All right. -If it makes Sarah happy, then I'm happy. | 0:17:45 | 0:17:48 | |
-Oh, you're so sweet, the pair of you. -Not always. -Ah! | 0:17:48 | 0:17:52 | |
DAVID LAUGHS | 0:17:52 | 0:17:53 | |
-OK, let's go for them. -Lovely. Thank you. | 0:17:53 | 0:17:57 | |
'So the Blues are done.' | 0:17:57 | 0:17:59 | |
I can't believe we've shopped in 30 minutes. | 0:17:59 | 0:18:02 | |
-That's almost a record. Mwah! Thank you very much. Let's get some lunch. -Absolutely. -Let's go. | 0:18:02 | 0:18:07 | |
'Sarah made all the decisions and led the Blues to an early finish. | 0:18:07 | 0:18:11 | |
'Risky Ruth and Dangerous Doug have one more item to buy. | 0:18:11 | 0:18:14 | |
'What will they gamble on next?' | 0:18:14 | 0:18:17 | |
-What is that? -This one, Ruth? -Yes. -OK. | 0:18:17 | 0:18:20 | |
That, I assume, is a card carrying case. | 0:18:20 | 0:18:24 | |
-The hinge has gone. -It's broken. | 0:18:24 | 0:18:27 | |
But it's never been engraved, so if this was a gift for Ruth, you'd put Ruth's initials there. | 0:18:27 | 0:18:31 | |
It would be quite nice to use. | 0:18:31 | 0:18:34 | |
You wouldn't get very many business cards in there. | 0:18:34 | 0:18:36 | |
-It's gilded on the interior. Can you see the gold reflection? -Yes. | 0:18:36 | 0:18:40 | |
-So it's gold plated on the interior. -And that's solid silver? | 0:18:40 | 0:18:43 | |
Laid with gold. And then all that lovely detailed work. | 0:18:43 | 0:18:47 | |
-I mean, it's a delicious thing. -We wouldn't normally go for something as fancy. | 0:18:47 | 0:18:51 | |
-Do you like it? -But can you appreciate the work there? -I can! | 0:18:51 | 0:18:55 | |
-I can appreciate the work that's in it. -What's on that? | 0:18:55 | 0:18:58 | |
35. That's scrap silver. | 0:18:58 | 0:19:01 | |
-It couldn't be 25, could it? -RUTH: 25 would be really helpful. | 0:19:01 | 0:19:06 | |
My wife will be very grateful. | 0:19:06 | 0:19:08 | |
And look at her. She's lovely. She's lovely. | 0:19:08 | 0:19:11 | |
Yeah. Yeah, I can do that on that, I think. | 0:19:13 | 0:19:17 | |
-Oh! -Happy? -Yep. Good, good. -Yeah? -Yeah. | 0:19:17 | 0:19:20 | |
-Marvellous. Thank you very much. -Thank you. | 0:19:20 | 0:19:22 | |
'Everybody's happy. So shopping's over. Let's recap on what they bought. | 0:19:22 | 0:19:27 | |
'They hope to brush up a profit with this artist's pot | 0:19:27 | 0:19:32 | |
'at a bargain £5. | 0:19:32 | 0:19:34 | |
'A risky £150 was spent on this white metal plaque. | 0:19:34 | 0:19:37 | |
'Will it turn out to be silver? | 0:19:37 | 0:19:39 | |
'And they spent £25 on a card case. | 0:19:39 | 0:19:42 | |
'This one is definitely silver.' | 0:19:42 | 0:19:45 | |
-How much did you spend altogether? -£180. | 0:19:46 | 0:19:49 | |
180. I'd like £120 of Leftover Lolly, please. Who's got that? Well done, Ruth. | 0:19:49 | 0:19:53 | |
You've got that. £120 then, David 'Arper! | 0:19:53 | 0:19:57 | |
-Thank you. -What are you going to do with that, old fruit? | 0:19:57 | 0:20:00 | |
Well, I might just follow Ruth and take a big risk. | 0:20:00 | 0:20:04 | |
Because she's taught me a thing or two today. | 0:20:04 | 0:20:06 | |
-Has she? -Yes. It's good to take a risk. She had me worried, I can tell you. | 0:20:06 | 0:20:12 | |
Who's to say that you can't teach an old dog new tricks, eh? | 0:20:12 | 0:20:15 | |
-True. -There we are, David. There's your challenge. Good luck, team. | 0:20:15 | 0:20:19 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:20:19 | 0:20:22 | |
'Will they harvest a profit with this toy tractor set for £145? | 0:20:22 | 0:20:26 | |
'Ooh-aagh! | 0:20:26 | 0:20:28 | |
'This pair of decorative candlesticks was bought for £75. | 0:20:28 | 0:20:33 | |
'They added this silver bonbon dish for £30. Sweet enough. | 0:20:33 | 0:20:39 | |
'Another kiss?' | 0:20:39 | 0:20:41 | |
-Was that a good shop or not, Sarah? -It was great fun, yes. I think we did well. | 0:20:42 | 0:20:46 | |
-And how much did you spend all round? -We spent £250. | 0:20:46 | 0:20:50 | |
That is a mature amount. Well done. | 0:20:50 | 0:20:52 | |
-Please may I have £50 of Leftover Lolly? -You certainly may. That's here. -Lovely. | 0:20:52 | 0:20:56 | |
-Thank you. -20, 50. -Two 20s and a couple of fivers. | 0:20:56 | 0:21:00 | |
-There you go, David. -Thank you very much. Lovely. -Lovely fair this, isn't it? | 0:21:00 | 0:21:04 | |
Oh, it's super. I have instructions from Sarah. | 0:21:04 | 0:21:07 | |
I've got to buy something entirely different to what they've bought so far. | 0:21:07 | 0:21:10 | |
-Oh. There you go. Bit of scope. -Thank you, please. -Good luck with that! | 0:21:10 | 0:21:15 | |
Meanwhile, I'm heading off to the middle of Lincoln, | 0:21:15 | 0:21:18 | |
where you're in for a big surprise! | 0:21:18 | 0:21:21 | |
The Usher Gallery was a gift to the City of Lincoln | 0:21:23 | 0:21:27 | |
by local businessman and art collector James Ward Usher. | 0:21:27 | 0:21:31 | |
Over his lifetime, Usher collected a large range of art objects, | 0:21:31 | 0:21:36 | |
travelling many thousands of miles in pursuit of the most desirable pieces. | 0:21:36 | 0:21:41 | |
Before his death in 1921, | 0:21:42 | 0:21:45 | |
he left his entire collection, together with a substantial amount of money, | 0:21:45 | 0:21:50 | |
in order to build the art gallery. | 0:21:50 | 0:21:53 | |
In a statement that he made at the time, he said, | 0:21:53 | 0:21:57 | |
"I would like to indulge in the hope that my life has not been in vain | 0:21:57 | 0:22:03 | |
"and that I leave Lincoln in a better state than I found it." | 0:22:03 | 0:22:08 | |
So what do you do if you're about to endower your local town | 0:22:21 | 0:22:26 | |
with your extraordinary collection in your own extraordinary gallery? | 0:22:26 | 0:22:31 | |
Well, for a kickoff, it's a good idea to record exactly what's in the collection. | 0:22:31 | 0:22:37 | |
Which is just what Usher did. Except he went the whole hog. | 0:22:37 | 0:22:41 | |
He had privately printed 300 copies of this massive tome, | 0:22:41 | 0:22:47 | |
which he entitled, in gilt embossed into the outer cover, | 0:22:47 | 0:22:52 | |
"An Art Collector's Treasure". | 0:22:52 | 0:22:55 | |
And a treasure it is, indeed. | 0:22:55 | 0:22:58 | |
As you flip through it, you can see that there are colour illustrations | 0:22:58 | 0:23:03 | |
of selected items from the collection. | 0:23:03 | 0:23:06 | |
What's, I think, truly amazing is that each of these images | 0:23:06 | 0:23:10 | |
are watercolours, originally produced by Usher himself. | 0:23:10 | 0:23:14 | |
On this page, we've got an illustration of a vitrine. | 0:23:14 | 0:23:19 | |
And here, beside me, is exactly the self same piece of furniture. | 0:23:19 | 0:23:25 | |
Isn't that marvellous? | 0:23:25 | 0:23:27 | |
It's made of rosewood. It's inlaid with Renaissance-style cut ivory and boxwood, | 0:23:27 | 0:23:34 | |
which is typical of the celebrated cabinetmaking firm Collinson and Lock. | 0:23:34 | 0:23:40 | |
In the illustration in Usher's book, you can see, | 0:23:40 | 0:23:44 | |
arranged within the cabinet, a group of his objects. | 0:23:44 | 0:23:48 | |
And today, in the gallery, we can see a similar arrangement. | 0:23:48 | 0:23:53 | |
It is indeed an impressive array of porcelain. | 0:23:53 | 0:23:58 | |
But perhaps the most important piece, historically, | 0:23:58 | 0:24:00 | |
is the little group of muffineers and a saucer. | 0:24:00 | 0:24:05 | |
In the middle of the saucer dish you can see, very carefully laid out, | 0:24:05 | 0:24:09 | |
a meticulously detailed coat of arms, | 0:24:09 | 0:24:12 | |
the outer border of the dish being enamelled with oak leaves and acorns. | 0:24:12 | 0:24:19 | |
Oak leaves and acorns are a particular reference to the British Navy. | 0:24:19 | 0:24:24 | |
The wooden walls of England | 0:24:24 | 0:24:27 | |
made out of oak trees, | 0:24:27 | 0:24:29 | |
essentially the sailing navy from Nelson's time. | 0:24:29 | 0:24:34 | |
And what we have in the middle of this dish | 0:24:34 | 0:24:36 | |
is Nelson's coat of arms. | 0:24:36 | 0:24:38 | |
Because it's a surviving piece from the tea set | 0:24:38 | 0:24:41 | |
that was especially commissioned by the ladies of England. | 0:24:41 | 0:24:46 | |
So grateful were they for his stunning victory at Copenhagen | 0:24:46 | 0:24:50 | |
that they commissioned a tea service and gave it to him in 1802. | 0:24:50 | 0:24:55 | |
It came complete with a group of these fellows. | 0:24:55 | 0:24:59 | |
These charming little shakers, which if you look at the enamelling on these, | 0:24:59 | 0:25:05 | |
say, "Nelson. Baltic. | 0:25:05 | 0:25:08 | |
"2nd April", either side of a fouled anchor - | 0:25:08 | 0:25:12 | |
the naval emblem. | 0:25:12 | 0:25:15 | |
The idea with these shakers was that you'd fill them, probably, with nutmeg. | 0:25:15 | 0:25:20 | |
and, as muffineers, sprinkle the delicious nutmeg to savour it on top of your muffins | 0:25:20 | 0:25:27 | |
for afternoon tea. | 0:25:27 | 0:25:29 | |
The big question today is, of course, for our teams over at the auction, | 0:25:29 | 0:25:33 | |
will they need a bit of sweetening up themselves, | 0:25:33 | 0:25:36 | |
or are they just simply savoury? | 0:25:36 | 0:25:40 | |
Today, we're at Sworders saleroom in Stansted, Mountfitchet, | 0:25:48 | 0:25:54 | |
a brand-new saleroom purpose built for the job. | 0:25:54 | 0:25:57 | |
And it's a treat to be here with our auctioneer John Black. | 0:25:57 | 0:26:00 | |
-John, morning to you. -Morning. -Very nice to be in your saleroom built of straw bales. | 0:26:00 | 0:26:06 | |
-Mm-hm. -Is that right? -It is indeed. | 0:26:06 | 0:26:08 | |
-Is this a green saleroom then? -Very environmentally friendly. -Good. | 0:26:08 | 0:26:12 | |
Now what about our environmentally friendly piece of carved soapstone? | 0:26:12 | 0:26:17 | |
Well, it is going to be 1920 soapstone. | 0:26:17 | 0:26:21 | |
-We've only put £20-£30 on. -Don't apologise. -OK. | 0:26:21 | 0:26:24 | |
Because £5 was paid by David Harper. He really rated it. | 0:26:24 | 0:26:28 | |
And if you can get anything more than £5, he'll be thoroughly chuffed. | 0:26:28 | 0:26:32 | |
Next is this beautifully embossed and engraved plaque. | 0:26:32 | 0:26:36 | |
-I mean, that is a stunner, isn't it? -It is. It's really good quality. | 0:26:36 | 0:26:41 | |
It's in a modern frame with modern glass. | 0:26:41 | 0:26:44 | |
We've had it out of the frame as well. It's not English hallmarked, but it does test silver. | 0:26:44 | 0:26:50 | |
-Oh, it is silver? -It does. -Oh, good. -It's signed on the bottom left S. Balaam. | 0:26:50 | 0:26:56 | |
Obviously, the inscription on the back tells us a lot about who the sitter was as well. | 0:26:56 | 0:27:01 | |
So very, very pretty lot. | 0:27:01 | 0:27:04 | |
Pretty little lot and well done for testing it for silver, cos that's important. | 0:27:04 | 0:27:07 | |
-So what will it bring then, do you think? -It should make 100-150. | 0:27:07 | 0:27:12 | |
OK. £150 paid. So they're about spot on with that. | 0:27:12 | 0:27:15 | |
And, lastly, out of their three, is this shaped visiting card case. | 0:27:15 | 0:27:22 | |
Completely useless today, but I suppose there are collectors for these little bits. | 0:27:22 | 0:27:26 | |
There are. It's a lovely little card case but the hinge is broken. | 0:27:26 | 0:27:30 | |
So that will deplete the value. So £20-£30. | 0:27:30 | 0:27:35 | |
OK. £25 they paid. I think that was taken in account. | 0:27:35 | 0:27:38 | |
-OK. -So pretty well spot on, really. | 0:27:38 | 0:27:40 | |
Slightly depending on whether the embossed, silver plaque takes off though. | 0:27:40 | 0:27:44 | |
They could, or they could not, need their Bonus Buy, but let's go and have a look at it anyway. | 0:27:44 | 0:27:49 | |
Now, Ruth and Doug, you spent £180. | 0:27:50 | 0:27:52 | |
You gave David Harper £120. David, what did you do? | 0:27:52 | 0:27:57 | |
All right. You've heard the term Heath Robinson? | 0:27:57 | 0:28:00 | |
-A-ha! -Yeah? -Yes. -Oh, yes! -Applying to an eccentric, mad, bonkers | 0:28:00 | 0:28:05 | |
piece of machinery made out of all sorts of wild and crazy things. | 0:28:05 | 0:28:09 | |
Well, this is him. He was a cartoonist and illustrator. | 0:28:09 | 0:28:11 | |
Died during the Second World War, about 1944. | 0:28:11 | 0:28:15 | |
But really well-known for creating humorous sketches and this is one of a set of nine | 0:28:15 | 0:28:22 | |
that was commissioned by the Great Western Railway in 1935. | 0:28:22 | 0:28:25 | |
Heath Robinson was commissioned to create drawings and cartoons based on what was going on. | 0:28:25 | 0:28:31 | |
Tunnelling, laying of track, new trains. So it's all fun, humorous stuff. | 0:28:31 | 0:28:37 | |
-This is an original, not a print? -Well, I don't know. They were introduced in 1935. | 0:28:37 | 0:28:41 | |
It's got a little bit of foxing. The frames are obviously much fresher. It's wonderful. | 0:28:41 | 0:28:46 | |
And there's nine of them. I can only carry one. | 0:28:46 | 0:28:48 | |
-So have a look. -Oh, I see! You've bought all nine? -I got nine! | 0:28:48 | 0:28:51 | |
-There's nine of them. -I thought you could only afford one. -That's brilliant. -Give us the damage then. | 0:28:51 | 0:28:56 | |
Well, surprisingly, reasonable. | 0:28:56 | 0:29:00 | |
-20 quid for a set of nine. -Really? -That's for nothing. | 0:29:00 | 0:29:03 | |
-What, for all of them? -For nine. | 0:29:03 | 0:29:05 | |
-Nine?! -Nine, 20 quid. -Nine like this? -Nine like that. Some are a bit bigger. | 0:29:05 | 0:29:09 | |
I think they should be 100 quid. They might make £10 or £20 profit. | 0:29:09 | 0:29:14 | |
You don't have to pick 'em now. | 0:29:14 | 0:29:16 | |
You're choice will come after the sale of your first three items. | 0:29:16 | 0:29:19 | |
But for the viewers at home, let's find out what the auctioneer thinks | 0:29:19 | 0:29:22 | |
about the NINE Heath Robinson prints and their lovely frames. | 0:29:22 | 0:29:27 | |
Right then, John. We're got nine of these. | 0:29:28 | 0:29:30 | |
And very decorative they are, too, aren't they? | 0:29:30 | 0:29:33 | |
Just right for a toilet, but their modern, framed prints. | 0:29:33 | 0:29:37 | |
Probably out of a book and framed up nicely. | 0:29:37 | 0:29:41 | |
Saleable, all the same. I would have thought they are only going to be worth £20 or £30. | 0:29:41 | 0:29:46 | |
He's a marvellous cartoonist though, isn't he, Heath Robinson? | 0:29:46 | 0:29:50 | |
The inventive genius of the man. To have these characters underground, | 0:29:50 | 0:29:56 | |
ferreting away in such a humorous way. | 0:29:56 | 0:30:00 | |
-So, £20-£30 for the nine? -That's right. -David Harper thought he'd done very well, | 0:30:00 | 0:30:04 | |
spending £20 for the nine. They might take off and do a bit better than that, mightn't they? | 0:30:04 | 0:30:09 | |
Every one that's an original is worth £1,500 or £2,000. | 0:30:09 | 0:30:14 | |
So we shall see. Good. Thank you very much for that, John. | 0:30:14 | 0:30:18 | |
That's it for the Reds. | 0:30:18 | 0:30:21 | |
Now for the Blues. First up, is the brilliant Mettoy box of toys, | 0:30:21 | 0:30:26 | |
farmyard implements and a tractor. | 0:30:26 | 0:30:29 | |
-That's great, isn't it? -It is a really good lot. | 0:30:29 | 0:30:32 | |
Good bit of tin plate in such good condition. | 0:30:32 | 0:30:34 | |
The box is a little bit tatty on the edges. But all the same, sort of £100, £150. | 0:30:34 | 0:30:40 | |
-That's the estimate, is it? -It is. -£145 they paid. | 0:30:40 | 0:30:44 | |
-Let's see whether we can get the top end of that. -Next are the hallmarked dwarf candlesticks. | 0:30:44 | 0:30:50 | |
We've got these down as 1960s. They're hallmarked 1964, | 0:30:50 | 0:30:56 | |
rather than early 20th century. | 0:30:56 | 0:30:58 | |
The quality isn't as great as what it should be in the early 20th century. | 0:30:58 | 0:31:03 | |
I think he thought that they were Edwardian-type period. | 0:31:03 | 0:31:07 | |
Nevertheless, what do you think they're going to bring, John? | 0:31:07 | 0:31:09 | |
They should make between £50-£80. | 0:31:09 | 0:31:12 | |
Well, that's not bad. He paid £75, so he's pretty well spot on with the money, | 0:31:12 | 0:31:16 | |
even if he's got the period out a bit. | 0:31:16 | 0:31:19 | |
And, lastly, is the little bonbon dish. | 0:31:19 | 0:31:23 | |
Pretty little swing-handled bonbon dish. | 0:31:23 | 0:31:25 | |
-It's probably missing a little glass liner as well. -Yes. | 0:31:25 | 0:31:30 | |
But pretty lot. 20-30. | 0:31:30 | 0:31:33 | |
-£30 paid. -OK. -So it's all a bit risky really, as far as the Blues are concerned today. | 0:31:33 | 0:31:39 | |
So they're likely to need their Bonus Buy. Let's go and have a look at it. | 0:31:39 | 0:31:43 | |
Well, Sarah and Mark, poor old David's been in the wars. David, tell us what happened. | 0:31:43 | 0:31:48 | |
Very simply, I tripped over a paving slab. | 0:31:48 | 0:31:51 | |
-It happened to be in the courtyard of a public house. -Oh! | 0:31:51 | 0:31:54 | |
I hadn't been drinking. I was there for a meal whilst we were filming. | 0:31:54 | 0:31:58 | |
And I propelled myself forward on to a bench and it caught me there. | 0:31:58 | 0:32:02 | |
Oh, dear! You poor thing. It's given you a terrible whack. | 0:32:02 | 0:32:05 | |
I wanted to cry and go home, but I couldn't. | 0:32:05 | 0:32:07 | |
-And you've pitched up for us today, so that's very noble. -Thank you. | 0:32:07 | 0:32:11 | |
£50 of Leftover Lolly you gave David. | 0:32:11 | 0:32:14 | |
-Did you spend the lot, David? -No. -No. | 0:32:14 | 0:32:16 | |
-Show us what you bought. -I bought an object which I've never seen before. | 0:32:16 | 0:32:20 | |
-Ooop! -Wow! -What an earth is that? That's lovely. | 0:32:20 | 0:32:23 | |
It is lovely. It's Victorian. 1860, 1870, that sort of period. | 0:32:23 | 0:32:28 | |
And it is bamboo, and it's been decorated all the way down. | 0:32:28 | 0:32:33 | |
-It has a most peculiar action. It was sold to me as a flower plucker's plucker. -Ah! | 0:32:33 | 0:32:39 | |
I think, possibly, it has something of a greater interest. | 0:32:39 | 0:32:44 | |
Maybe in a vineyard. | 0:32:44 | 0:32:46 | |
-For cutting grapes. -Oh! I really like it. -I like that, too. -This was £30. -£30! | 0:32:46 | 0:32:52 | |
-I think it's a steal! -I was looking for something quirky and unusual. It fits the bill. | 0:32:52 | 0:32:55 | |
I don't believe it. £30 is all you paid, David. | 0:32:55 | 0:32:59 | |
-That is amazing. -Anyway, so we're happy with that, team? | 0:32:59 | 0:33:01 | |
-Very. -You don't pick it now, you pick it later if you want to. | 0:33:01 | 0:33:04 | |
But right now, let's find out what the auctioneer thinks about David's flower picker's picker. | 0:33:04 | 0:33:10 | |
Now this is very unusual, John, isn't it? What a lovely thing. | 0:33:11 | 0:33:15 | |
Every Victorian gentlemen should have one of these. | 0:33:15 | 0:33:17 | |
It's down as a flower plucker. | 0:33:17 | 0:33:21 | |
But we think that it's probably going to be | 0:33:21 | 0:33:25 | |
-a grape or apple cutter. -Yes! | 0:33:25 | 0:33:29 | |
Cos what we've got here is a very sharp edge to that. You could shave off that blade. | 0:33:29 | 0:33:35 | |
-You could. -But nice shaft, isn't it? -It is a nice shaft. | 0:33:35 | 0:33:38 | |
And it's nicely stamped on the end as well. "G. Harris. | 0:33:38 | 0:33:41 | |
-"Patent. Leicester." -Yeah, there we go. How interesting. | 0:33:41 | 0:33:45 | |
-So what do you think it's worth? -We've put £50-£100 on. | 0:33:45 | 0:33:50 | |
-Well, good for you. That's nice and brave. -Good. | 0:33:50 | 0:33:53 | |
£30 was paid by David Barby and I think that was £30 that was very well spent. | 0:33:53 | 0:33:58 | |
If the team decide to go with it. It's exciting. | 0:33:58 | 0:34:02 | |
Now, Ruth and Doug, how are you feeling? Had your Weetabix? | 0:34:10 | 0:34:13 | |
-Nervous. Yes. Yes. -Why are you nervous then? | 0:34:13 | 0:34:16 | |
Worried about one of our items. | 0:34:16 | 0:34:19 | |
-Are you? Which one? -The lady in the frame. | 0:34:19 | 0:34:22 | |
-The auctioneer has tested it for silver. -Has he? -So that's good. | 0:34:22 | 0:34:25 | |
-It's silver. -It is silver? -It is silver. | 0:34:25 | 0:34:27 | |
So he's able to sell it as silver-coloured metal as opposed to being plate. | 0:34:27 | 0:34:32 | |
You paid £150. He's put £100-£150 on it, which is, I mean, quite a modest estimate | 0:34:32 | 0:34:39 | |
for something of that quality. It just depends on who's here. | 0:34:39 | 0:34:42 | |
Anyway, first up is the little bit of soapstone and here it comes. | 0:34:42 | 0:34:46 | |
Lot 180. | 0:34:46 | 0:34:47 | |
The 20th-century, Chinese, carved, soapstone brush pot. | 0:34:47 | 0:34:51 | |
Decorated with the monkeys. | 0:34:51 | 0:34:53 | |
£10 to bid. Any bids now? | 0:34:53 | 0:34:56 | |
-Go on! -At £10. -Oh! Yes, is there a bid? | 0:34:56 | 0:34:59 | |
Any interest now? At £10 only, who would like to bid? | 0:34:59 | 0:35:01 | |
-Go on! -You only paid five. -Yeah, it's brilliant. | 0:35:01 | 0:35:05 | |
-It's a lovely brush pot. And £5 is bid. -Oh! Oh, no! | 0:35:05 | 0:35:10 | |
Any advance on £5? Eight. Ten. | 0:35:10 | 0:35:12 | |
-12. -Yes! -Brilliant! -£12. -Go on! | 0:35:12 | 0:35:16 | |
At £12 only and I'm going to sell. Make no mistake. | 0:35:16 | 0:35:19 | |
-Oh! Well... -That's great. -It's over 100%, isn't it? | 0:35:20 | 0:35:23 | |
Yes. You've got to look at it like that. | 0:35:23 | 0:35:26 | |
Lot 181. Delightful silver plaque of a lady, after Gainsborough. | 0:35:26 | 0:35:31 | |
Signed S. Balaam. It's a lovely, pretty plaque. | 0:35:31 | 0:35:34 | |
We'll start here - it's a low start - at £80. | 0:35:34 | 0:35:38 | |
Any advance on £80 now? I'll take five, if you wish, madam. | 0:35:38 | 0:35:41 | |
Ooh, come on! | 0:35:41 | 0:35:43 | |
At £80. Any advance now? | 0:35:43 | 0:35:46 | |
At £80. | 0:35:46 | 0:35:47 | |
-No! -85. -Oh, good! -90. | 0:35:47 | 0:35:49 | |
Five. 95. Your bid, sir. | 0:35:49 | 0:35:52 | |
-Come on! -£100, do I see? -Yes! -More, more. | 0:35:52 | 0:35:55 | |
At £95. Gentleman's bid. | 0:35:55 | 0:35:57 | |
-Aaaah! -I'm going to sell now. 95. Any further interest? | 0:35:57 | 0:36:01 | |
Oh! Ruth, not to worry. Honestly, you were very brave. Seriously. | 0:36:01 | 0:36:05 | |
-Minus 55. -It could have gone the other way. -There we go. | 0:36:05 | 0:36:09 | |
-Well, I'm afraid that is minus 48. -Yes. | 0:36:09 | 0:36:13 | |
-Now here comes the card case. Let's see what happens. -OK. | 0:36:13 | 0:36:16 | |
There is a little bit of damage to the hinge, all the same... | 0:36:16 | 0:36:18 | |
Lot 182, we can start the bidding here at £10. | 0:36:18 | 0:36:21 | |
-Ten? -Any advance on £10 now? 12. 15. | 0:36:21 | 0:36:24 | |
At £15. On commission. 18. 20. | 0:36:24 | 0:36:28 | |
-At £20. Lady's bid now. -More than that. -Go on! -At £20. | 0:36:28 | 0:36:32 | |
-Your bid, madam. And I'm going to sell. -No, no! -£20. | 0:36:32 | 0:36:36 | |
Minus five. Which takes you back up, I'm afraid, to minus 53. | 0:36:37 | 0:36:42 | |
-So minus £53. What are you going to do about the Heath Robinson...? -DOUG: Go with it. | 0:36:42 | 0:36:48 | |
-Definitely go with it. -Going with those? -Yeah. We like them. | 0:36:48 | 0:36:51 | |
-We all think they're pretty cheap. -Yes. -Nine of them. Yeah, you're going to do it? -Yeah. | 0:36:51 | 0:36:56 | |
Well, you're minus £53. We're going to trust in Mr Heath Robinson and here it comes. | 0:36:56 | 0:37:02 | |
We have the set of nine William Heath Robinson | 0:37:02 | 0:37:06 | |
humorous railway prints. Modern, nicely framed. | 0:37:06 | 0:37:09 | |
Where shall we start the bidding? 20? | 0:37:09 | 0:37:12 | |
-Ten is bid. -Ten! -At £10. 12. 15. | 0:37:12 | 0:37:16 | |
18. 20. 22. | 0:37:16 | 0:37:18 | |
-Yes! -25. 28. 30. | 0:37:18 | 0:37:21 | |
-30 in the green there. -That's it. Come on! | 0:37:21 | 0:37:25 | |
32. 35. 38. | 0:37:25 | 0:37:27 | |
-Come on! -Yes! -38 here on my right. | 0:37:27 | 0:37:30 | |
£38. £38. I'm selling. Make no mistake. | 0:37:30 | 0:37:34 | |
-OK, £38 is still plus 18. -Almost 100%. -Thank you for that. | 0:37:35 | 0:37:39 | |
Plus 18. Well, that's very good. | 0:37:39 | 0:37:42 | |
So that's two short of 20. That would be 33. You're minus 35. | 0:37:42 | 0:37:47 | |
-It could have been more. -You are minus £35. Well, it could. | 0:37:47 | 0:37:51 | |
-Without the bonus buy it could have been. -Yes. | 0:37:51 | 0:37:53 | |
-The big thing is that minus £35 could easily be a winning score. -Let's hope so. | 0:37:53 | 0:37:58 | |
-So don't say anything to the Blues. -No, absolutely not. -Good sport. Well done, Ruthy. | 0:37:58 | 0:38:03 | |
So what about the toy set? How do you think it's going to do? | 0:38:11 | 0:38:16 | |
-I'm not sure. -I still think it will make a profit. -Do you? | 0:38:16 | 0:38:19 | |
Well, the auctioneer's estimate is £100-£150. You paid £145. | 0:38:19 | 0:38:23 | |
So it falls within the estimate. I think he's pretty bullish about it. | 0:38:23 | 0:38:28 | |
On the basis of finding another one that's in quite such dazzling order, it would be difficult. | 0:38:28 | 0:38:34 | |
-It is beautiful. -Unplayed condition. | 0:38:34 | 0:38:36 | |
Anyway, here it comes. | 0:38:36 | 0:38:38 | |
The 1950s, Mettoy, clockwork, model tractor in the original box. | 0:38:38 | 0:38:43 | |
It graces our lovely front of the catalogue as well today. | 0:38:43 | 0:38:46 | |
-Ah! That's a bonus! -Lot 200. | 0:38:46 | 0:38:48 | |
£50 to bid. Any bids now at £50? | 0:38:48 | 0:38:52 | |
50 is bid. Any advance on 50? | 0:38:52 | 0:38:55 | |
Five. 60. Five. 70. | 0:38:55 | 0:38:58 | |
Five. 80. Five. 90. | 0:38:58 | 0:39:02 | |
Five. 100. | 0:39:02 | 0:39:04 | |
-£100 in the centre of the room. -Come on, come on! | 0:39:04 | 0:39:07 | |
-At £100. -Come on! -Are we all done? I'm going to sell to you, sir. | 0:39:07 | 0:39:11 | |
At £100. | 0:39:11 | 0:39:13 | |
-£100. -That was so disappointing. -Really unfortunate. | 0:39:14 | 0:39:17 | |
-I still think it was lovely. -So do I. | 0:39:17 | 0:39:20 | |
Next lot up is the delightful pair of silver repousse candlesticks. | 0:39:20 | 0:39:25 | |
Birmingham, 1964. We can start the bidding here at £20. | 0:39:25 | 0:39:30 | |
At £25. 30. Five. | 0:39:30 | 0:39:33 | |
40. Five. 50. | 0:39:33 | 0:39:36 | |
-At £50. -More! | 0:39:36 | 0:39:38 | |
55. At £55. Your bid, sir. And I'll sell. | 0:39:38 | 0:39:42 | |
Blast it! Minus £20. | 0:39:44 | 0:39:46 | |
OK, let's not get depressed. Let's go with the bonbon dish. | 0:39:46 | 0:39:49 | |
Lot 202, the silver pierced and swing-handled bonbon dish. | 0:39:49 | 0:39:52 | |
Birmingham, 1910. | 0:39:52 | 0:39:55 | |
I will start the bidding here at £10. | 0:39:55 | 0:39:58 | |
At 10. 12 if you wish, madam. | 0:39:58 | 0:40:00 | |
12. 15. 18. | 0:40:00 | 0:40:03 | |
20. 22. 25. | 0:40:03 | 0:40:07 | |
28. | 0:40:07 | 0:40:08 | |
At £28. | 0:40:08 | 0:40:10 | |
Are we all done now? 30 anywhere now? | 0:40:10 | 0:40:12 | |
-30 right at the back! -30! -Wipes its face! -£30. | 0:40:12 | 0:40:15 | |
I'm selling now at £30. | 0:40:15 | 0:40:18 | |
£30! It's wiped its face. Very good. Well done about that. | 0:40:19 | 0:40:23 | |
But, overall, I'm afraid it's minus £65, | 0:40:23 | 0:40:25 | |
-which is a body blow, really. -Oh! | 0:40:25 | 0:40:28 | |
What are we going to do about the flower picker's plucker? | 0:40:28 | 0:40:32 | |
-Most definitely. -Absolutely. -I think they're beautiful. | 0:40:32 | 0:40:36 | |
-David was incredibly clever to find them. You're going to definitely go with them? -Yes. | 0:40:36 | 0:40:40 | |
I can tell you what the auctioneer's estimate is, which is £50-£100. | 0:40:40 | 0:40:44 | |
It must make a profit on £30. Let's see what happens. | 0:40:44 | 0:40:48 | |
We have a mid-19th-century bamboo and metal squeeze grip. | 0:40:48 | 0:40:51 | |
It's not a flower plucker. It is a grape cutter. There we are. | 0:40:51 | 0:40:56 | |
Every gent or lady should have one in Stansted, Mountfitchet. | 0:40:56 | 0:41:01 | |
Start the bidding here at £35. 35. | 0:41:01 | 0:41:05 | |
40. Five. 50. | 0:41:05 | 0:41:07 | |
-Come on! Come on! -At £50. An advance on 50? -Sssh! -All done? | 0:41:07 | 0:41:12 | |
£50. There must be someone else here | 0:41:12 | 0:41:14 | |
who's got some grapes to cut. At £50. | 0:41:14 | 0:41:17 | |
-I'm going to sale. -I can't believe this! -Is that all? At £50. Yes. | 0:41:17 | 0:41:21 | |
And I'm going to sell to you, sir. at 50. | 0:41:21 | 0:41:23 | |
£50 then. Fairly good. That is a profit of £20. | 0:41:24 | 0:41:29 | |
Thank you very much, David. £20 up, which is brilliant. | 0:41:29 | 0:41:32 | |
Not as much as we were hoping for. Nevertheless, it's reduced your losses... Well done, David Barby. | 0:41:32 | 0:41:37 | |
-..To minus £45, which could be a winning score. Just don't talk to the Reds. -OK. | 0:41:37 | 0:41:43 | |
Well, the auction's still going on, but have we been chatting? | 0:41:52 | 0:41:55 | |
-No! -No. -No, not at all? Good. | 0:41:55 | 0:41:58 | |
Well, there were remarkable similarities in our teams today. | 0:41:58 | 0:42:01 | |
Neither of them have made any profits. | 0:42:01 | 0:42:04 | |
Oh! | 0:42:04 | 0:42:05 | |
Both teams went with the Bonus Buy. | 0:42:05 | 0:42:08 | |
Both teams made a substantial profit out of the Bonus Buy, | 0:42:08 | 0:42:12 | |
so bravo to both of our experts for guiding their teams so beautifully, | 0:42:12 | 0:42:17 | |
and for the teams making the right decision. | 0:42:17 | 0:42:20 | |
It's just a question of the scale of the losses. | 0:42:20 | 0:42:22 | |
Sadly, the runners up on the losses stakes are the Blues. | 0:42:22 | 0:42:27 | |
-Oooh! -Aaah! -I can't believe it! -Minus £45. | 0:42:27 | 0:42:30 | |
-Right, kids? -Yes. | 0:42:30 | 0:42:33 | |
The tractor and trailer set by Mettoy should have done a lot better than that. | 0:42:33 | 0:42:37 | |
The flower plucker's plucker did you very nicely and it was good result all round. | 0:42:37 | 0:42:43 | |
Not quite good enough to beat our Reds, who are minus £35. | 0:42:43 | 0:42:47 | |
-Oh! -So there's only a tenner between you, | 0:42:47 | 0:42:50 | |
-which is nothing. -Close! -Nothing really. | 0:42:50 | 0:42:53 | |
-The silver plaque, minus £55, was really your nemesis, wasn't it? -Yeah. | 0:42:53 | 0:42:57 | |
Well done for the Heath Robinson prints. We've had a great day. I hope you lot have enjoyed it. | 0:42:57 | 0:43:01 | |
-In fact, join us soon for some more bargain hunting. Yes? -Yes! | 0:43:01 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:23 | 0:43:25 | |
E-mail [email protected] | 0:43:29 | 0:43:31 |