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For the first time in the history of mankind, | 0:00:09 | 0:00:12 | |
we have come down under to Australia. | 0:00:12 | 0:00:15 | |
So let's go bargain hunting, yeah! | 0:00:15 | 0:00:18 | |
In our quest to track down the very best bargains, | 0:00:40 | 0:00:43 | |
we've travelled 10,500 miles to Australia. | 0:00:43 | 0:00:47 | |
Just a short tram ride away from central Melbourne is the bustling suburb of Prahran. | 0:00:47 | 0:00:53 | |
And it's here that we find the fun and eclectic Chapel Street Bazaar. | 0:00:53 | 0:00:59 | |
Here's a quick peek at what's bizarre up at the bazaar. | 0:00:59 | 0:01:04 | |
Red team sisters, Ariel and Melanie, | 0:01:04 | 0:01:07 | |
won't take no for an answer. | 0:01:07 | 0:01:09 | |
Really, the most we can pay is 200. That's our bottom line. | 0:01:09 | 0:01:12 | |
We really need that for 200. | 0:01:12 | 0:01:14 | |
-That's my bottom line. I'm not going any higher. -40, and we've got a deal. -No. | 0:01:14 | 0:01:18 | |
And the Blues, Sydney-based friends, Rod and Drew, know what they like... | 0:01:18 | 0:01:22 | |
He's kitsch, he's orange, he's flamboyant. He's us. | 0:01:22 | 0:01:26 | |
-..and will do anything to get it. -Oh, deary dear! My children! | 0:01:26 | 0:01:31 | |
That's all still to come. | 0:01:33 | 0:01:35 | |
But because we're in Oz, we've swapped pounds for dollars. | 0:01:35 | 0:01:39 | |
500 of them. But otherwise, the rules remain the same. | 0:01:39 | 0:01:43 | |
Each team has one hour to shop for three items, | 0:01:43 | 0:01:46 | |
which they sell later at auction | 0:01:46 | 0:01:48 | |
and the team wins that makes the most profit. | 0:01:48 | 0:01:51 | |
You got all that? Strewth! Anyway, let's go and meet today's teams. | 0:01:51 | 0:01:56 | |
-Ariel and Melanie. Welcome, girls. -Hello. | 0:01:58 | 0:02:01 | |
You have a great interest in Bargain Hunt, | 0:02:01 | 0:02:03 | |
as I can see from your rather cheeky knitted bowtie. | 0:02:03 | 0:02:07 | |
-Yes. -Both of you? -We love Bargain Hunt. | 0:02:07 | 0:02:08 | |
We love Bargain Hunt. We watch it pretty much every day, | 0:02:08 | 0:02:12 | |
so when I was sitting on the couch and you suddenly came on | 0:02:12 | 0:02:15 | |
and said, "We're coming to Australia," I started to scream. | 0:02:15 | 0:02:19 | |
-Did you? -In excitement, yes. | 0:02:19 | 0:02:20 | |
And Melanie looked at me like I was going completely over the top. | 0:02:20 | 0:02:24 | |
I applied right away and luckily, we got on. So we're very excited. | 0:02:24 | 0:02:27 | |
Well, we're very, very excited to have you both with us. | 0:02:27 | 0:02:30 | |
Ariel, what do you do for a living, darling? | 0:02:30 | 0:02:32 | |
Well, I'm currently studying to be a teacher. | 0:02:32 | 0:02:36 | |
I graduate at the end of this year. | 0:02:36 | 0:02:38 | |
-Mel, what do you do for a living, darling? -I'm a librarian. | 0:02:38 | 0:02:40 | |
And I really love books and I love that it's a chilled out | 0:02:40 | 0:02:44 | |
and peaceful environment that the library gives you. | 0:02:44 | 0:02:46 | |
What sort of books do you like? | 0:02:46 | 0:02:48 | |
I like the Count Of Monte Cristo and old 18th-century books. | 0:02:48 | 0:02:53 | |
-And what do you enjoy collecting? -We collect strange clothes. | 0:02:53 | 0:02:58 | |
We have a passion for Japan, so we've got maid costumes, | 0:02:58 | 0:03:01 | |
bear costumes, anime costumes. | 0:03:01 | 0:03:04 | |
Have you ever been to Japan? | 0:03:04 | 0:03:05 | |
-No, I haven't, but Ariel has a couple of times. -Have you? | 0:03:05 | 0:03:08 | |
-And was it absolutely fab, Ariel? -Mind blowing. | 0:03:08 | 0:03:11 | |
So different from Australia, but it's absolutely fantastic. | 0:03:11 | 0:03:15 | |
Maybe you can fund your tickets from your Bargain Hunt winnings! | 0:03:15 | 0:03:18 | |
-Hopefully! Hopefully! -Yeah. Well, that would be fun. | 0:03:18 | 0:03:22 | |
Great to meet you, girls. | 0:03:22 | 0:03:24 | |
Rod, how did you first meet Drew? | 0:03:24 | 0:03:26 | |
I met Drew in an Op Shop, actually. | 0:03:26 | 0:03:29 | |
It's like a second-hand store in Australia. | 0:03:29 | 0:03:32 | |
-We've been friends ever since. -That's brilliant. | 0:03:32 | 0:03:35 | |
Do you go to these Op Shops because you like a bargain? Is that it? | 0:03:35 | 0:03:38 | |
Oh, I'm such a bargain hunter, Tim. I'm just shocking. | 0:03:38 | 0:03:41 | |
I can't even walk past a skip without looking inside. | 0:03:41 | 0:03:44 | |
So what do you do, seriously, to earn a dollar? | 0:03:44 | 0:03:46 | |
I'm a food service supervisor at St Luke's Hospital in Sydney | 0:03:46 | 0:03:50 | |
I serve all the food and look after all the patients, | 0:03:50 | 0:03:53 | |
cleaning up, sterilisation. | 0:03:53 | 0:03:54 | |
-Now, you also have a passion for art? -Oh, yes. | 0:03:54 | 0:03:58 | |
I do optical art, which is like geometric art in really kind of swirly, | 0:03:58 | 0:04:01 | |
wild kind of '60s and '70s psychedelic colours. | 0:04:01 | 0:04:06 | |
And much to my surprise... | 0:04:06 | 0:04:08 | |
much to my surprise, | 0:04:08 | 0:04:10 | |
I've, erm, sold a few. | 0:04:10 | 0:04:12 | |
Well then, you must be pretty good. Drew, what do you do for a living? | 0:04:12 | 0:04:16 | |
I work at the passport office in Sydney. | 0:04:16 | 0:04:19 | |
I've worked there for a few years. | 0:04:19 | 0:04:22 | |
It's great, I get to talk and chat to customers about their travel plans. | 0:04:22 | 0:04:25 | |
I know you enjoy collecting. What sort of things interest you? | 0:04:25 | 0:04:28 | |
I like 1920s, 1930s trinket things, glass things. | 0:04:28 | 0:04:33 | |
Mainly, though, my huge focus is on anything to do with Cluedo. | 0:04:33 | 0:04:38 | |
Cluedo, the board game. Love it. | 0:04:38 | 0:04:40 | |
I've got about 30 to 40 different editions of the actual game. | 0:04:40 | 0:04:43 | |
I also have the Cluedo umbrella, Cluedo Christmas bonbons. | 0:04:43 | 0:04:48 | |
-You also like horror films? -Exactly. Cluedo, horror, hand-in-hand. | 0:04:48 | 0:04:52 | |
I love watching a horror film, freaking myself out, | 0:04:52 | 0:04:55 | |
and not being able to sleep the next night. | 0:04:55 | 0:04:57 | |
Then wake up the next morning and want to watch it again! | 0:04:57 | 0:05:00 | |
On that happy note, I'm going to give you some money. | 0:05:00 | 0:05:03 | |
AU500, there you go. 500 each. | 0:05:03 | 0:05:06 | |
You know the rules, your experts await, and off you go! | 0:05:06 | 0:05:09 | |
And very, very, very good luck! | 0:05:09 | 0:05:11 | |
What fun this is! | 0:05:11 | 0:05:14 | |
So, in unfamiliar Australian territory, | 0:05:14 | 0:05:17 | |
we thought we'd bring along a taste of British expertise. | 0:05:17 | 0:05:21 | |
Hoping to make a good return for the Reds is super Scotsman, Paul Laidlaw. | 0:05:21 | 0:05:26 | |
And English gent and globetrotter, David Barby, will be in charge of the Blues. | 0:05:26 | 0:05:32 | |
-Best of luck. Best of luck. Good luck. -All right, teams. | 0:05:34 | 0:05:38 | |
You're on the clock, enough hugging. Time to get shopping! | 0:05:38 | 0:05:41 | |
-This is it, girls. How are you feeling? -Fantastic! Excited! | 0:05:41 | 0:05:45 | |
-500 bucks, is it burning a hole in our collective pocket? -Yes, certainly is! | 0:05:45 | 0:05:50 | |
Scan the store. The clock is ticking away. | 0:05:51 | 0:05:53 | |
Looks like the Blues are feeling the heat of the Barby! | 0:05:53 | 0:05:58 | |
And they're only just off the starting block. | 0:05:58 | 0:06:00 | |
-Look at that for a bracelet! -Oh, yeah! -That's interesting, isn't it? | 0:06:00 | 0:06:04 | |
-What's that made out of? -Agates. | 0:06:04 | 0:06:07 | |
-Polished hard stones, and typically Scottish. -OK. | 0:06:07 | 0:06:11 | |
I've got to be honest with you, I can see the price tag from here, | 0:06:11 | 0:06:14 | |
it's not going to happen for us today. | 0:06:14 | 0:06:16 | |
But that is about as sexy a piece as I've seen in many a moon. | 0:06:16 | 0:06:21 | |
Expensive taste, ladies! What about those Blues? | 0:06:21 | 0:06:23 | |
-A bear bottle. -Oh! | 0:06:23 | 0:06:26 | |
-I'll put it back. -38. -It's a steal. | 0:06:28 | 0:06:32 | |
If you got it for a five, it would be. | 0:06:32 | 0:06:34 | |
Remember, you have 500, guys. Don't think cheap! | 0:06:34 | 0:06:38 | |
We want something more upmarket. | 0:06:38 | 0:06:40 | |
Oh, gosh, that's rather nice. With a very elegant gentleman. | 0:06:43 | 0:06:48 | |
Oh, look at that. That is a good piece of poker ware. | 0:06:48 | 0:06:51 | |
-That's beautiful. -I love these fruits here. | 0:06:51 | 0:06:53 | |
What year is that, David? | 0:06:53 | 0:06:55 | |
1920s, 1930s. | 0:06:55 | 0:06:57 | |
-But this is typical... This is good quality poker work. -Yes. | 0:06:57 | 0:07:01 | |
And that would have been used purely for decoration. | 0:07:01 | 0:07:04 | |
You wouldn't put flowers in it. or only dried flowers. | 0:07:04 | 0:07:07 | |
It's not nouveau, is it? | 0:07:07 | 0:07:09 | |
It's very elegant, and it's in very good condition. | 0:07:09 | 0:07:13 | |
-A lot of work has gone into it. -It's very flamboyant. | 0:07:13 | 0:07:15 | |
-As soon as I saw it, I thought of you. -It's beautiful, David. | 0:07:15 | 0:07:19 | |
No damage on it. It's been turned. | 0:07:19 | 0:07:22 | |
-What's the very best you can do on that? 100? -120, maybe? | 0:07:22 | 0:07:28 | |
No, I'd go 100. 90. | 0:07:28 | 0:07:30 | |
THEY LAUGH No? | 0:07:30 | 0:07:32 | |
-Well, I think 100 will do it. -Yes, please. | 0:07:32 | 0:07:35 | |
-Thank you very much. -Pleasure. | 0:07:35 | 0:07:37 | |
-Lovely to meet you. -And nice to meet you as well. -Thanks a lot. | 0:07:37 | 0:07:40 | |
-Enjoy it. You've done well. -Thank you. | 0:07:40 | 0:07:42 | |
Oh, let's have a shake on it. | 0:07:42 | 0:07:44 | |
So, that's one in the old bag for the Blues. | 0:07:44 | 0:07:46 | |
At 100, that's a very good price. Well done. | 0:07:46 | 0:07:50 | |
Meanwhile, our ladies in red have spotted some Aussie bling. | 0:07:50 | 0:07:53 | |
How do we feel about the feather form brooch? | 0:07:53 | 0:07:58 | |
It's peacock feather, isn't it? | 0:07:58 | 0:08:00 | |
It doesn't have the eye, it's not peacock. I'll tell you what I can. | 0:08:00 | 0:08:03 | |
Charles Horner is Macclesfield, which is north-west of England. | 0:08:03 | 0:08:07 | |
-OK. -Close to my home. | 0:08:07 | 0:08:09 | |
He is renowned, the firm is renowned for enamelled silver jewellery. | 0:08:09 | 0:08:15 | |
Given that we can date this almost certainly to the tail end of the 19th century, | 0:08:15 | 0:08:20 | |
I think that's a surprisingly modern looking brooch. | 0:08:20 | 0:08:23 | |
Yes, it is, isn't it? | 0:08:23 | 0:08:24 | |
If I said to you that was contemporary, would you find that plausible? | 0:08:24 | 0:08:28 | |
I definitely would buy that. You could imagine buying that in a store. | 0:08:28 | 0:08:32 | |
-We've got a brand here, we've got a name. -Yeah. | 0:08:32 | 0:08:34 | |
How is it close up? | 0:08:34 | 0:08:36 | |
-I think it's even nicer close up. -I love the colour. | 0:08:36 | 0:08:39 | |
-It's surprisingly modern. -It's got a hallmark. | 0:08:39 | 0:08:42 | |
You have a good set of marks there. | 0:08:42 | 0:08:44 | |
Sheaves is the assay mark for Chester, if it was assayed there. | 0:08:44 | 0:08:48 | |
-CH? -CH, 1911, I think. -1911! | 0:08:48 | 0:08:51 | |
Could you believe that? 100 years old. | 0:08:51 | 0:08:54 | |
-It doesn't look it. -You'd think it's contemporary. Fantastic. | 0:08:54 | 0:08:57 | |
Sounds promising, Reds. How are those Blues getting on? | 0:08:57 | 0:09:00 | |
-Japanese dolls. Pottery. -Those boys don't look impressed! | 0:09:00 | 0:09:05 | |
-Is this in your line? -No, not really. | 0:09:05 | 0:09:09 | |
Keep looking, guys! | 0:09:09 | 0:09:12 | |
Undecided on the feather brooch, Ariel and Melanie want to check out a second piece of jewellery. | 0:09:12 | 0:09:18 | |
-That would be gold, wouldn't it? -That is so sweet. 14 carat, frosted gold. | 0:09:19 | 0:09:24 | |
Is there something wrong with the tail? | 0:09:24 | 0:09:27 | |
I think that is just a little natural pearl, probably freshwater. | 0:09:27 | 0:09:31 | |
-Beautiful. -Baroque pearl. I mean, it just oozes it. | 0:09:31 | 0:09:36 | |
-That is divine. -It's lovely, it's lovely. | 0:09:36 | 0:09:39 | |
On a bad day, that stops at 150. | 0:09:39 | 0:09:42 | |
Yes. | 0:09:42 | 0:09:43 | |
So I think you've got to buy it at 150, and no more. | 0:09:43 | 0:09:46 | |
It looks like the girls are going to make an offer for both pieces. | 0:09:46 | 0:09:50 | |
-You do that one. -No, you do them both, because they're from the same cabinet. | 0:09:50 | 0:09:54 | |
-Go for 100. Just ask. Just ask! -Oh, I'll ask. | 0:09:54 | 0:09:58 | |
I love a feisty redhead! | 0:09:58 | 0:10:00 | |
Excuse me, do you think you could do a deal on the both of these? | 0:10:00 | 0:10:04 | |
-150 for the two? -150 for the two. | 0:10:04 | 0:10:07 | |
All right, if you just wait one moment, I'll just check for you. | 0:10:07 | 0:10:11 | |
Those Aussie girls are pretty shrewd! | 0:10:11 | 0:10:14 | |
-Suspiria! -We're shopping for the show, not for your personal... | 0:10:14 | 0:10:21 | |
-I know. -Come on, Blues, we need focus here! | 0:10:21 | 0:10:24 | |
-The best we could do would be 250. -200? | 0:10:24 | 0:10:28 | |
-Really, the most we can pay is 200. -Yes, 200. -That's our bottom line. | 0:10:28 | 0:10:33 | |
We really need that for 200. | 0:10:33 | 0:10:34 | |
-So if we can get both for 200, it's guaranteed, it's cash. -Yeah, yeah. | 0:10:34 | 0:10:38 | |
-But we can't do 250. -I'll just have to check with you again, sorry. | 0:10:38 | 0:10:41 | |
It's OK. Thank you. | 0:10:41 | 0:10:43 | |
-That's Australian straight talking! -I am loving your work! | 0:10:43 | 0:10:47 | |
Me too! | 0:10:47 | 0:10:48 | |
Leaving the Reds to haggle, the Blues have spotted a potential buy. | 0:10:48 | 0:10:52 | |
-How retro is it? -It's definitely 1950s, I'd say. | 0:10:52 | 0:10:56 | |
Is that silver round the rim? | 0:10:56 | 0:10:58 | |
It's silver round the rim, yeah. | 0:10:58 | 0:11:00 | |
-Very smart. -It's smart. Are we going to sell that at auction and make a profit? | 0:11:00 | 0:11:04 | |
-Oh, I don't think so. Not at that price. -I don't think so. | 0:11:04 | 0:11:08 | |
So, what's the latest on the jewellery deal? | 0:11:08 | 0:11:11 | |
They're stretching it, 220. | 0:11:11 | 0:11:14 | |
-Mm. -No. | 0:11:16 | 0:11:18 | |
It really has to be 200, you know, we've got a few other options. | 0:11:18 | 0:11:22 | |
Otherwise, we won't able to have it. | 0:11:22 | 0:11:24 | |
The best we could do would be 220. | 0:11:24 | 0:11:26 | |
Well look, why don't we compromise? Could it be 210, cash, job done? | 0:11:26 | 0:11:30 | |
-210, cash. -Fantastic. -Thank you. -That's a deal, then. | 0:11:30 | 0:11:33 | |
-Thank you very much. -Thank you. -Thank you. | 0:11:33 | 0:11:36 | |
Well done. 105 each that equates to, for two good brooches. Excellent. | 0:11:36 | 0:11:40 | |
Well done, Reds. And a deal as sharp as any brooch pin. | 0:11:42 | 0:11:45 | |
With 30 minutes gone, we're halfway through the shopping, | 0:11:45 | 0:11:48 | |
and the Reds are 21 up on the Blues. | 0:11:48 | 0:11:51 | |
That's Rosenthal porcelain. | 0:11:53 | 0:11:55 | |
The designer is an artist called Bjorn Wiinblad. Quite nice. Period. | 0:11:55 | 0:12:01 | |
1970s, 1980s. Do you like it? | 0:12:01 | 0:12:05 | |
-I'm not really sure about smoking things. -OK. | 0:12:05 | 0:12:09 | |
Melanie doesn't mind this oriental one, which is a 1930s' cigarette box. | 0:12:11 | 0:12:16 | |
But I don't mind the walnut one. | 0:12:16 | 0:12:17 | |
For my money, you killed it with "cigarette". | 0:12:17 | 0:12:21 | |
If you've got a strong feeling, it's all about price. | 0:12:21 | 0:12:23 | |
I think we can do better. We're on a roll at the moment. | 0:12:23 | 0:12:26 | |
-I think we can aim higher. -Fair enough. | 0:12:26 | 0:12:28 | |
It seems smoking items have the thumbs down. | 0:12:28 | 0:12:31 | |
So why are we looking at this? | 0:12:31 | 0:12:33 | |
It's very art deco. It's a German little figure. | 0:12:33 | 0:12:37 | |
It's orange, I do have a fetish for orange. | 0:12:37 | 0:12:40 | |
-Art Deco, orange marriage made in heaven. -You know what it is? It's for cigarettes. -Oh! | 0:12:40 | 0:12:46 | |
It's something which happened in the 1920s, | 0:12:46 | 0:12:48 | |
it doesn't mean to say you've got to use it. | 0:12:48 | 0:12:50 | |
-It's a decorative item, as a collector's piece. -It's very cute. | 0:12:50 | 0:12:54 | |
-Could we have a look at it? -Yes. | 0:12:54 | 0:12:55 | |
You put cigarettes here, and matches there, | 0:13:02 | 0:13:04 | |
strike it on the front and light your cigarette. | 0:13:04 | 0:13:07 | |
-So, what's the condition like? -Condition's OK, it's not rubbed. | 0:13:07 | 0:13:11 | |
A little bit of rubbing there. But no cracks, no breaks. | 0:13:11 | 0:13:15 | |
-What year is that, David? -Oh, this would be 1930s. | 0:13:15 | 0:13:18 | |
-Think in terms of Cabaret. -Oh, Weimar Republic? -Yes. -Oh, wow. -That sort of period. | 0:13:18 | 0:13:23 | |
What's the very best you can do? | 0:13:23 | 0:13:26 | |
How about 270? | 0:13:26 | 0:13:28 | |
No, no. | 0:13:29 | 0:13:30 | |
That has got to be well under 100. | 0:13:30 | 0:13:33 | |
-100? -It's got to be well under 100. -That's quite a reduction. -It is. | 0:13:33 | 0:13:38 | |
Those, back home, would sell for something in the region of £50. | 0:13:38 | 0:13:41 | |
But, David, we're not in England! | 0:13:41 | 0:13:44 | |
The Australian market is completely different. | 0:13:44 | 0:13:47 | |
Is there anything you could on that? | 0:13:47 | 0:13:49 | |
The best we can do is 150. | 0:13:49 | 0:13:51 | |
-150. -THEY SIGH | 0:13:51 | 0:13:53 | |
120? Could you stretch to that? | 0:13:53 | 0:13:55 | |
Well, I said 150, you said 120. I'll meet you halfway at 135. | 0:13:55 | 0:14:00 | |
-What do you think, Drew? -Oh, it's too much for me. -Let's stick by 120. | 0:14:01 | 0:14:05 | |
-120. -120. | 0:14:07 | 0:14:08 | |
-You're killing me! -120. | 0:14:08 | 0:14:12 | |
-All right, 120. -Whooooh! Yes! Yes! | 0:14:12 | 0:14:15 | |
So, that's item number two, and our Blues sure are happy. | 0:14:15 | 0:14:19 | |
He's kitsch, he's orange, he's flamboyant. He's us. | 0:14:19 | 0:14:23 | |
What do you think of these vases? | 0:14:27 | 0:14:30 | |
-What can you tell us about them? -These are cloisonne enamelled. | 0:14:30 | 0:14:34 | |
Japanese, Chinese in origin. | 0:14:34 | 0:14:36 | |
It's ubiquitous. There's tons of it out there. | 0:14:36 | 0:14:39 | |
-I don't think it's us. -OK, that's cool. | 0:14:39 | 0:14:42 | |
-You don't mind me being so honest? -No, we want honest opinions, it's what we're looking for. | 0:14:42 | 0:14:46 | |
Good old straight talking again. | 0:14:46 | 0:14:49 | |
The ones I like are those there with the art nouveau painted designs on. | 0:14:49 | 0:14:52 | |
How much are they? | 0:14:52 | 0:14:54 | |
Oh, I think they're very expensive. | 0:14:54 | 0:14:56 | |
-900. -900! That's just too much. -What?! -It's too much. | 0:14:56 | 0:15:01 | |
Even in dollars, that's expensive. | 0:15:01 | 0:15:03 | |
-What's this? -Well, I'm staring at that as you pointed it out. | 0:15:08 | 0:15:13 | |
We know it's an aviation-themed piece. | 0:15:13 | 0:15:15 | |
-But do you see a transfer decal down below there? -Yeah. -Can you read it? | 0:15:15 | 0:15:21 | |
-Yeah. RAAF. -Which is? -Which is the Royal Air Force. | 0:15:21 | 0:15:24 | |
Royal Australian Air Force. | 0:15:24 | 0:15:27 | |
-Royal Australian Air Force! -I'll wager, the best air force in Australia. -Definitely in Australia! | 0:15:27 | 0:15:34 | |
So, what do we have? Period-wise, no earlier than the '40s, | 0:15:34 | 0:15:38 | |
and perhaps '50s. So immediate post-war. And what is it? | 0:15:38 | 0:15:42 | |
A little desk piece, a retirement presentation piece, | 0:15:42 | 0:15:46 | |
something like that. Lovely quality. | 0:15:46 | 0:15:49 | |
The propeller is laminated which means it's made of layers of mahogany. | 0:15:49 | 0:15:55 | |
The clock - the label, importantly, tells us working order. Good news. | 0:15:55 | 0:16:02 | |
I like the RAAF thing. It's got that military heritage behind it. | 0:16:02 | 0:16:07 | |
Um, I don't mind that. I can see appeal from a number of quarters. | 0:16:07 | 0:16:11 | |
-I don't mind that either. -Are you liking it? -Yeah, I do. | 0:16:11 | 0:16:14 | |
That's more probably the male thing. Would you buy it? | 0:16:14 | 0:16:18 | |
I would buy something similar to it, yes! | 0:16:18 | 0:16:21 | |
-Um, price wise? -I reckon 45. | 0:16:21 | 0:16:26 | |
-I reckon 20. Try 20. -I wouldn't try that. | 0:16:26 | 0:16:30 | |
We're talking about trying. | 0:16:30 | 0:16:32 | |
-I think we need to see what the bottom line is. -Definitely. -OK. Cool. | 0:16:32 | 0:16:36 | |
This girl's good. | 0:16:36 | 0:16:39 | |
-"Hand-painted cups, saucers, plates. One cup as is." -That means damaged. | 0:16:39 | 0:16:46 | |
And the hunt goes on for the Blues. The Reds have found a stallholder. | 0:16:46 | 0:16:50 | |
But I don't think he knows what he's up against. | 0:16:50 | 0:16:54 | |
-50, bottom. -50. -I don't know. Because this is my last item, | 0:16:54 | 0:16:58 | |
I don't want to pay that much. | 0:16:58 | 0:17:00 | |
So my maximum that I would pay for that is 30. | 0:17:00 | 0:17:04 | |
-That's my bottom line, I'm not going any higher. -40 and we've got a deal. -No, 30, that's the bottom line. | 0:17:04 | 0:17:10 | |
-You tell him, girl. -30 cash then. -Yeah, deal. -OK. -Thank you. | 0:17:10 | 0:17:16 | |
Wow, Ariel, that's amazing! | 0:17:16 | 0:17:19 | |
-We nailed that with almost 15 minutes to spare. -Of course. | 0:17:19 | 0:17:23 | |
-Which leaves us time for a coffee. -Sounds good, let's go! -Celebratory coffee! | 0:17:23 | 0:17:30 | |
With shopping over for the Reds, the Blues are feeling the pressure. | 0:17:30 | 0:17:35 | |
Wasn't there something up here that we particularly liked and we bypassed it? | 0:17:35 | 0:17:40 | |
The clock's ticking, gents. | 0:17:40 | 0:17:42 | |
-Quick, we haven't got much time! -You're absolutely right. | 0:17:42 | 0:17:45 | |
Oh... I love that. | 0:17:50 | 0:17:54 | |
-What is it? -Well, it's got it down as a Bosley South Australian bread bin. | 0:17:54 | 0:17:59 | |
Oh, wow! It's huge. | 0:17:59 | 0:18:03 | |
-Don't. -How old? -Why don't you like it? | 0:18:03 | 0:18:07 | |
-It's... -It's pottery. Yeah, no... | 0:18:07 | 0:18:11 | |
-It's a bin. -I think that... has a multiplicity of uses. | 0:18:11 | 0:18:17 | |
It could be a jardiniere. The very fact it's got the lid to it as well. | 0:18:17 | 0:18:22 | |
And it's sort of what we call a lead glaze, | 0:18:22 | 0:18:24 | |
a majolica glaze. I think that's quite clever. | 0:18:24 | 0:18:27 | |
What's the price? 295. | 0:18:27 | 0:18:30 | |
-Do you like that? It's Australian. -It is a bit of Australiana. -It is. | 0:18:30 | 0:18:34 | |
-Nice and heavy, chunky. -I think it's chunky. -We like chunky. | 0:18:34 | 0:18:38 | |
-Yeah, chunky's good. -How can I help? | 0:18:38 | 0:18:39 | |
-This particular piece... -Right. -What date is it? | 0:18:39 | 0:18:43 | |
It's a gorgeous 1920s-30s' piece. | 0:18:43 | 0:18:47 | |
Made in South Australia. | 0:18:47 | 0:18:49 | |
Very rare to get it all in one piece without a large crack through it. | 0:18:49 | 0:18:54 | |
And, um, the best I can do on it is 125. | 0:18:54 | 0:18:59 | |
Could we say 100, please? | 0:18:59 | 0:19:02 | |
-100, please? -Hands and knees? | 0:19:05 | 0:19:08 | |
Oh, yes! | 0:19:08 | 0:19:10 | |
Oh dear, oh dear! My children. | 0:19:10 | 0:19:13 | |
LAUGHTER | 0:19:13 | 0:19:15 | |
All right, 100. | 0:19:15 | 0:19:17 | |
Well, the Blue boys' prayers have been answered just with five minutes to go. | 0:19:18 | 0:19:23 | |
God, strewth, what's up? Time's up! | 0:19:23 | 0:19:27 | |
Let's remind ourselves what the Red team bought. | 0:19:27 | 0:19:31 | |
The girls first spotted an early 20th century enamelled brooch. | 0:19:31 | 0:19:35 | |
-I definitely would buy that. -And then they did, for 105. | 0:19:35 | 0:19:41 | |
Another 105 was spent on this leaf-shaped enamelled gold brooch. | 0:19:41 | 0:19:47 | |
-It's gorgeous. -That is divine. | 0:19:47 | 0:19:49 | |
And with plain talking negotiating skills... | 0:19:49 | 0:19:53 | |
I don't want to pay that much for it. | 0:19:53 | 0:19:55 | |
..Ariel made sure they picked up this mantle clock for 30. | 0:19:55 | 0:19:59 | |
-So, how much did you spend all through? -240. -240. | 0:19:59 | 0:20:03 | |
-That's 260 of leftover lolly, please. -No worries. | 0:20:03 | 0:20:07 | |
Thank you, Ariel, that's great. | 0:20:07 | 0:20:09 | |
Which goes straight across to the legend. There you go, man. What you going to do with that? | 0:20:09 | 0:20:14 | |
I think I spied something out of the corner of my eye, | 0:20:14 | 0:20:17 | |
that I think it is complementary but contrasting well with our purchases in hand. | 0:20:17 | 0:20:23 | |
-Ah! -We have faith in you. -We all have faith in you. | 0:20:23 | 0:20:26 | |
And he's so coy sometimes. He's not going to tell us what it is. | 0:20:26 | 0:20:29 | |
Anyway, we'll find out when we get to the bonus buy reveal. | 0:20:29 | 0:20:33 | |
But right now, why don't we remind ourselves what the Blue team bought? | 0:20:33 | 0:20:37 | |
The Blues paid 100 for a 1930s' Australian pokerware vase. | 0:20:37 | 0:20:42 | |
It's very flamboyant. As soon as I saw that, I thought of you chaps. | 0:20:42 | 0:20:45 | |
And they took a shine to this art deco cigarette dispenser | 0:20:45 | 0:20:49 | |
and picked it up for a shocking 120. | 0:20:49 | 0:20:53 | |
And finally, they fell on their knees, literally, | 0:20:53 | 0:20:57 | |
to plead to buy a South Australian bread bin with 100 of dough. | 0:20:57 | 0:21:01 | |
-How much did you spend all through then? -320. | 0:21:01 | 0:21:05 | |
-I'd like 180 of leftover lolly, please. -Here's the money. -180. | 0:21:05 | 0:21:09 | |
He does the housekeeping, OK. 180 goes straight to the Barby. | 0:21:09 | 0:21:14 | |
So what are you going to find with that, David? | 0:21:14 | 0:21:17 | |
There's got to be something exciting, maybe musical. | 0:21:17 | 0:21:20 | |
-Yes. -Drew's very much into musicals. | 0:21:20 | 0:21:22 | |
Did you realise, Tim, we were both in the same production, | 0:21:22 | 0:21:25 | |
-obviously not the same year, called The Boyfriend? -Get away! | 0:21:25 | 0:21:28 | |
-I played Tony and he played... -Bobby. -Can you remember any tunes? | 0:21:28 | 0:21:34 | |
# Won't you Charleston with me? | 0:21:34 | 0:21:37 | |
# Won't you Charleston with me? # | 0:21:37 | 0:21:41 | |
That's enough of that, thank you! We've got a whole programme to get on with. | 0:21:41 | 0:21:45 | |
Anyway, you go and find your bonus buy. He was a choir boy, you know. You have a nice cup of tea, boys. | 0:21:45 | 0:21:49 | |
Meanwhile, we're going to shove off to a marvellous property | 0:21:49 | 0:21:53 | |
called The Briars. Where is it? You are about to find out. | 0:21:53 | 0:21:58 | |
So, we leave the city of Melbourne behind and head out south | 0:21:58 | 0:22:02 | |
for just over an hour's drive to the Mornington Peninsula, where, | 0:22:02 | 0:22:05 | |
tucked away in a beautiful rural setting, is this colonial homestead, The Briars. | 0:22:05 | 0:22:12 | |
Once home to the Balcombe family, it's now one of the oldest properties on the peninsula. | 0:22:12 | 0:22:18 | |
But inside this classic Australian building | 0:22:18 | 0:22:22 | |
are treasures relating to the Emperor Napoleon Bonaparte, | 0:22:22 | 0:22:26 | |
which are of great importance to French national history. | 0:22:26 | 0:22:31 | |
Welcome to the Dame Mabel Brooks Napoleonic collection. | 0:22:31 | 0:22:35 | |
In 1815, Napoleon was exiled to the island of St Helena | 0:22:36 | 0:22:41 | |
where he was initially a guest at The Briars, | 0:22:41 | 0:22:44 | |
the home of Dame Mabel's great grandfather, William Balcombe. | 0:22:44 | 0:22:47 | |
Napoleon gave Balcombe and his family a number of gifts, | 0:22:47 | 0:22:51 | |
which ultimately came to Australia at a later date. | 0:22:51 | 0:22:56 | |
And what I have been surprised at is the number of pieces here in the Australian house, The Briars, | 0:22:56 | 0:23:05 | |
that have got a connection with Napoleon's hair. | 0:23:05 | 0:23:07 | |
Because here we've got a ring, | 0:23:07 | 0:23:11 | |
a delightful Georgian gold ring. | 0:23:11 | 0:23:13 | |
In the centre, it has a little panel filled with Napoleon's hair. | 0:23:13 | 0:23:18 | |
And if you look at the back, inscribed in the gold band, it says, | 0:23:18 | 0:23:23 | |
"The hair of Napoleon Bonaparte." | 0:23:23 | 0:23:27 | |
This was given to Dr Elliott, his physician, | 0:23:27 | 0:23:32 | |
quite early on in 1816. | 0:23:32 | 0:23:34 | |
The next character in our hair-related Napoleon story | 0:23:34 | 0:23:39 | |
is a fellow called Denzil Ibbetson. | 0:23:39 | 0:23:42 | |
He came over with Napoleon in 1815 on HMS Northumberland, | 0:23:42 | 0:23:48 | |
and they became friendly. | 0:23:48 | 0:23:50 | |
Ultimately, Ibbetson became the supplier of goods | 0:23:50 | 0:23:54 | |
to Napoleon's household at Longwood. | 0:23:54 | 0:23:58 | |
And here, we've got a shard of hair that Napoleon presented to his friend, Ibbetson, | 0:23:58 | 0:24:04 | |
and as Ibbetson was an amateur artist, | 0:24:04 | 0:24:07 | |
he created this delightful pen and ink and watercolour image, | 0:24:07 | 0:24:11 | |
almost a cartoon, of Napoleon, from behind, | 0:24:11 | 0:24:14 | |
with his hand tucked characteristically underneath his tailcoat. | 0:24:14 | 0:24:20 | |
But the most amusing piece of hair is pasted into this scrapbook. | 0:24:20 | 0:24:27 | |
Here we've got an original letter from the period, | 0:24:27 | 0:24:30 | |
from a Captain Poppleton, part of the military garrison on St Helena. | 0:24:30 | 0:24:35 | |
His job was to trail Napoleon wherever he went when exercising around the island. | 0:24:35 | 0:24:42 | |
But Poppleton liked Napoleon and Napoleon like Poppleton. | 0:24:42 | 0:24:46 | |
And inevitably, a bit of Napoleon's hair went Poppleton's way. | 0:24:46 | 0:24:50 | |
There you can see it, stapled to the letter that he sent back to Britain. | 0:24:50 | 0:24:57 | |
But I guess the most valuable and precious | 0:24:57 | 0:25:01 | |
of Dame Maple's collected pieces of Napoleana | 0:25:01 | 0:25:05 | |
is this solid silver ink well. | 0:25:05 | 0:25:08 | |
What's unusual about it is that around the concave-sided base, | 0:25:08 | 0:25:13 | |
we've got three solid gold Napoleonic coins, | 0:25:13 | 0:25:17 | |
and it says on the inscription, | 0:25:17 | 0:25:19 | |
"These Napoleons", that's the gold coins, | 0:25:19 | 0:25:22 | |
"presented to Mrs Egerton by Sir Thomas Reade, | 0:25:22 | 0:25:27 | |
"Lieutenant Governor of St Helena." | 0:25:27 | 0:25:30 | |
"They were found in the pockets of Napoleon Bonaparte | 0:25:30 | 0:25:35 | |
"after his death on the 5th of May 1821." | 0:25:35 | 0:25:38 | |
So Reade, the Deputy Governor, | 0:25:38 | 0:25:41 | |
somehow half-inched the three gold coins in Napoleon's pockets. | 0:25:41 | 0:25:46 | |
By the following year, the gold coins are back in London | 0:25:46 | 0:25:49 | |
and silversmiths have mounted them in this splendid inkwell, | 0:25:49 | 0:25:55 | |
which goes to make it very, very precious. | 0:25:55 | 0:25:58 | |
But not half as precious as this. | 0:25:58 | 0:26:01 | |
MILITARY STYLE DRUM BEAT | 0:26:01 | 0:26:03 | |
Spooky, isn't it? | 0:26:08 | 0:26:10 | |
The day after Napoleon's death, | 0:26:10 | 0:26:12 | |
an autopsy was prepared by the British naval authorities | 0:26:12 | 0:26:18 | |
and Napoleon's physician, Corsican Antommarchi. | 0:26:18 | 0:26:21 | |
And this is his death mask. | 0:26:21 | 0:26:25 | |
Literally, a cast taken from his face in wax and then translated into plaster and bronze. | 0:26:25 | 0:26:33 | |
After that, Napoleon was interred in a tomb at the head of the Seine Valley. | 0:26:33 | 0:26:39 | |
Perhaps most movingly out of Dame Maple's collection, we have this, | 0:26:39 | 0:26:46 | |
a spray of dried foliage from the willow tree planted at the head of the tomb. | 0:26:46 | 0:26:52 | |
Still, before we all burst into tears about this, perhaps we should head off to the auction | 0:26:53 | 0:26:58 | |
and find out today whether it's going to be tears or smiles for our teams. | 0:26:58 | 0:27:03 | |
Leaving Melbourne behind, it's time to hit the dramatic sites of Sydney and find Lawsons sale room. | 0:27:05 | 0:27:11 | |
Luckily, we're in the safe hands of auctioneer Shauna Farren-Price. | 0:27:11 | 0:27:15 | |
-Shauna, good morning. -Good morning. | 0:27:15 | 0:27:17 | |
First up, this little enamel and silver broach. | 0:27:17 | 0:27:20 | |
Is Charles Horner a name much in Australia in jewellery collecting terms? | 0:27:20 | 0:27:25 | |
Not very huge, not bandied about that often. | 0:27:25 | 0:27:28 | |
Obviously in England it would be much more collectible than over here. | 0:27:28 | 0:27:33 | |
-So, how much? -15, 20, something like that. | 0:27:33 | 0:27:36 | |
Oh, dear! They paid 105 for this thing. | 0:27:36 | 0:27:39 | |
-It could get up there. We just hope. -Yes. -A lot of hope. | 0:27:39 | 0:27:43 | |
OK. Next up is the very pretty pearl and gold brooch. | 0:27:43 | 0:27:48 | |
-Do you fancy that one? -I think it's a very sweet little brooch, actually. | 0:27:48 | 0:27:52 | |
-It's fantastic quality. -It is. It's very well made. | 0:27:52 | 0:27:56 | |
-We've been conservative again. -You haven't! -We have. -Oh, no. | 0:27:56 | 0:28:00 | |
-We have put an estimate of 30-40 on it. -How much?! -30-40. | 0:28:00 | 0:28:05 | |
-They paid 105 again. -Again. -Well, I will cross my legs. | 0:28:05 | 0:28:11 | |
And the last item can only really be of Australian interest, | 0:28:11 | 0:28:15 | |
at least for the Royal Australian Airforce collectors. | 0:28:15 | 0:28:19 | |
-It's a handsome object. -It is. | 0:28:19 | 0:28:21 | |
It would grace any desk or mantelpiece and, you know, | 0:28:21 | 0:28:24 | |
-it's useful as well as beautiful. -How much? -20-30. -OK, 30 paid. | 0:28:24 | 0:28:29 | |
So we are seriously going to have to dig deep | 0:28:30 | 0:28:34 | |
and trust in the Internet and see what happens. But if all goes wrong, | 0:28:34 | 0:28:38 | |
they're going to need their bonus buy, | 0:28:38 | 0:28:40 | |
so let's go and have a look at it. | 0:28:40 | 0:28:42 | |
Now, girls, you spent 240, you gave the Laidlaw 260, what did you buy? | 0:28:42 | 0:28:48 | |
Well, brooches, apparently, are us. | 0:28:48 | 0:28:52 | |
-Wow. -Let me just get my glasses. | 0:28:52 | 0:28:55 | |
It's not quite a brooch. | 0:28:57 | 0:28:59 | |
This is a badge. | 0:28:59 | 0:29:02 | |
It's the badge of the British North Borneo Company, | 0:29:02 | 0:29:06 | |
who were founded in about 1880. | 0:29:06 | 0:29:09 | |
They lasted through until the 1940s | 0:29:09 | 0:29:12 | |
and they governed North Borneo, | 0:29:12 | 0:29:14 | |
much as the East India Company did a century previous. | 0:29:14 | 0:29:19 | |
This would be worn, I suspect, by police, perhaps even the military. | 0:29:19 | 0:29:24 | |
-It's an uncommon badge of high quality. Feel the weight. -Oh, yes. | 0:29:24 | 0:29:30 | |
-Scarce badge, good thing. -Oh, look at this. -Let's talk numbers. | 0:29:30 | 0:29:34 | |
-Yes, let's talk numbers. -25. -Well, that doesn't seem dear at all. | 0:29:34 | 0:29:38 | |
-That's great. -I think it's worth 50 to 80, | 0:29:38 | 0:29:40 | |
-effortlessly. -I think it's fantastic, I actually really like it. | 0:29:40 | 0:29:44 | |
Let's find out what the auctioneer thinks about Paul's badge. | 0:29:44 | 0:29:48 | |
I think it's a splendid little thing, a nice piece of craftsmanship, | 0:29:49 | 0:29:54 | |
probably a local piece, and very rare. | 0:29:54 | 0:29:58 | |
I've never seen one before. | 0:29:58 | 0:30:00 | |
I wouldn't hazard a guess of how many were made and in existence, | 0:30:00 | 0:30:05 | |
so just how rare it is is difficult to pin down, really. | 0:30:05 | 0:30:08 | |
I think probably 30-40. | 0:30:10 | 0:30:12 | |
OK, 25 invested by Mr Laidlaw. | 0:30:12 | 0:30:17 | |
And, knowing him, that is probably quite a cunning investment. | 0:30:17 | 0:30:21 | |
Anyway, that's it for the Reds. Now, moving on to the Blues. | 0:30:21 | 0:30:25 | |
First is the pokerwork turned wood vase. | 0:30:25 | 0:30:28 | |
There seems to be a lot of this pokerwork knocking about. | 0:30:28 | 0:30:31 | |
It's very, very popular in Australia. | 0:30:31 | 0:30:33 | |
The majority of it has sort of gum nut leaves and kangaroos - | 0:30:33 | 0:30:37 | |
the Australiana themes. | 0:30:37 | 0:30:38 | |
So with a Georgian dandy on it, it's very different. | 0:30:38 | 0:30:43 | |
Slightly strange. What sort of estimate? | 0:30:43 | 0:30:46 | |
-20-30. -100 paid. So we're a bit off the mark. | 0:30:46 | 0:30:53 | |
Next up is the Weimar Republic German cigarette dispenser | 0:30:54 | 0:30:59 | |
in the form of a bellhop! | 0:30:59 | 0:31:01 | |
A shocked bellhop. | 0:31:01 | 0:31:03 | |
Yes, as if he's just had his bottom pinched or something. | 0:31:03 | 0:31:06 | |
-Anyway, a bit of fun. -A bit of fun indeed. | 0:31:06 | 0:31:09 | |
In that uranium orange, which has a certain '30s look to it. | 0:31:09 | 0:31:14 | |
-How much do you think then? -60-80. | 0:31:14 | 0:31:16 | |
120 paid, so that's the second disaster. | 0:31:16 | 0:31:20 | |
Now, moving on to the barrel. | 0:31:20 | 0:31:23 | |
We have got a bit of a problem here, because the lid, | 0:31:23 | 0:31:26 | |
the ceramic lid that went with this has unfortunately been damaged, | 0:31:26 | 0:31:31 | |
irreparably damaged, | 0:31:31 | 0:31:33 | |
so we're not able to sell it with it. | 0:31:33 | 0:31:36 | |
When you see these things coming up in the sale room, | 0:31:36 | 0:31:40 | |
complete with ceramic lids, how much would you estimate on it? | 0:31:40 | 0:31:43 | |
With a lid, I would say 150-200. | 0:31:43 | 0:31:47 | |
OK, and what is your estimate as it is? | 0:31:47 | 0:31:52 | |
As it is, without a lid, 50 to 80? | 0:31:52 | 0:31:54 | |
So, I think on the basis of being fair to the team, | 0:31:54 | 0:31:58 | |
if the difference is 100, | 0:31:58 | 0:32:00 | |
then we should allow the team a credit of 100, | 0:32:00 | 0:32:03 | |
irrespective of what it actually brings in the auction. | 0:32:03 | 0:32:07 | |
So if it brings in the auction 50, they'll actually be paid 150, | 0:32:07 | 0:32:10 | |
and I will explain that to them. | 0:32:10 | 0:32:12 | |
I think that's very fair. | 0:32:12 | 0:32:14 | |
And depending on how everything else dishes up, | 0:32:14 | 0:32:18 | |
they may or may not need their bonus buy, | 0:32:18 | 0:32:20 | |
but let's go and have a look at it anyway. | 0:32:20 | 0:32:22 | |
So, you spent 320, quite magnificent, you gave David 180. | 0:32:22 | 0:32:29 | |
What did you spend it on, David? | 0:32:29 | 0:32:31 | |
Well, knowing how you guys like retro, anything 1950s, '60s, | 0:32:31 | 0:32:34 | |
I bought this counter-weighted desk light. | 0:32:34 | 0:32:39 | |
So that is quite a heavy object. | 0:32:39 | 0:32:41 | |
It goes on the desk, it sits flat and then you can swing this round | 0:32:41 | 0:32:44 | |
to whatever angle you want it. | 0:32:44 | 0:32:46 | |
I think it's absolutely super, I'd have it in my house. | 0:32:46 | 0:32:49 | |
It's a bit like a Starship Enterprise. | 0:32:49 | 0:32:51 | |
-Well, you think of a flying saucer or spaceship. -It's interesting. | 0:32:51 | 0:32:55 | |
-Be good for my painting. -Why? -Well, you swivel the light. | 0:32:55 | 0:32:58 | |
That's true, but I can imagine this on a nice mahogany or walnut desk. | 0:32:58 | 0:33:04 | |
-So how much of our money did you spend, David? -I spent 120 of your money. | 0:33:04 | 0:33:07 | |
-120. -What do you think, Drew? -Yeah, next question! | 0:33:07 | 0:33:11 | |
He's underwhelmed! | 0:33:11 | 0:33:14 | |
-He's a bit dumbstruck, I think. -How much extra? | 0:33:14 | 0:33:18 | |
I think it could do 20 on, | 0:33:18 | 0:33:21 | |
I think it will do something in the region of about 180. | 0:33:21 | 0:33:24 | |
Oh, I'm going to keep you to that. | 0:33:24 | 0:33:26 | |
Well, we watched his lips, we saw the prediction of profit there. | 0:33:26 | 0:33:30 | |
Let's find out for the audience at home what the auctioneer thinks about David's lamp. | 0:33:30 | 0:33:35 | |
Well, here we go, there's a futuristic-looking lamp for you. | 0:33:35 | 0:33:39 | |
-It's fabulous. -Would you want it on your desk? -I would, actually. | 0:33:39 | 0:33:44 | |
-Would you have it on your desk? -Well, I think it might grow on me too. | 0:33:44 | 0:33:49 | |
I have great hopes for it. | 0:33:49 | 0:33:51 | |
How high are your hopes in relation to the estimate? | 0:33:51 | 0:33:54 | |
Having said that, we've estimated it at 80-120. | 0:33:54 | 0:33:58 | |
That's not so bad. 120, Mr Barby paid, and he's quite excited by it. | 0:33:58 | 0:34:04 | |
Anyway, here we go. You're going to be taking the sale. | 0:34:04 | 0:34:07 | |
We'll look forward to that. Thank you. | 0:34:07 | 0:34:10 | |
We love you, Tim, and you're a big part of what we love about Bargain Hunt, | 0:34:18 | 0:34:22 | |
you in your lovely outfits and your wisdom, so we've got you this. | 0:34:22 | 0:34:26 | |
Oh, look at that! It's a combo! It's a bowtie. | 0:34:26 | 0:34:30 | |
How clever you are. And what's this? Oh, look, it's the cup of wisdom. | 0:34:30 | 0:34:36 | |
-Is that me? -Yes, it is you. -Who drew this? -I did. | 0:34:36 | 0:34:40 | |
You're absolute darlings. | 0:34:40 | 0:34:42 | |
Thank you very much. Aren't I lucky? A souvenir to take home. | 0:34:42 | 0:34:46 | |
Now, first up is Charles Horner, and here it comes. | 0:34:46 | 0:34:49 | |
Lot 93, a silver and enamel feather brooch here. Starting at 50. | 0:34:49 | 0:34:55 | |
At 50 with absentee, 60, 70, here on my right. At 70 standing. At 70, 80. | 0:34:55 | 0:35:01 | |
Seated at 80. 90 up back. At 90. 100 here. You can all join in. | 0:35:01 | 0:35:07 | |
At 100 on my right. 100 only, is that all? | 0:35:07 | 0:35:11 | |
At 100, any further? 110. 120. | 0:35:11 | 0:35:15 | |
At 120, are we all done and sure at 120? Once, twice and thrice, | 0:35:15 | 0:35:20 | |
no more. | 0:35:20 | 0:35:22 | |
120 bucks, well done, guys. That is plus 15. | 0:35:22 | 0:35:28 | |
An early 20th-century gold brooch, a very pretty one indeed. | 0:35:28 | 0:35:32 | |
Couple of hundred for it anywhere? Couple of hundred? 50 for it. | 0:35:32 | 0:35:36 | |
Give me a start. 50, she says. Thank you, Madam. At 50, at 50 seated. | 0:35:36 | 0:35:40 | |
At 50, it's only money. | 0:35:40 | 0:35:42 | |
At 50 only, I must sell, are we done, 50 no further? | 0:35:42 | 0:35:47 | |
Fair warning at 50. | 0:35:47 | 0:35:49 | |
-Sold. -Absolutely crackers. 50. -Oh, well. -That's £30. | 0:35:49 | 0:35:55 | |
That's rubbish. | 0:35:55 | 0:35:57 | |
So, that is -55. | 0:35:57 | 0:35:59 | |
Lot 95, a post-World War II mantle clock. | 0:35:59 | 0:36:03 | |
20 starts me away, and off we go. 20 here, 30 he says. 40 up back. At 40. | 0:36:03 | 0:36:09 | |
50. 60, 70, 80. | 0:36:09 | 0:36:12 | |
90. At 90. 100 with the lady, against you, sir. | 0:36:12 | 0:36:18 | |
100. | 0:36:18 | 0:36:20 | |
110, he says. At 110. | 0:36:20 | 0:36:22 | |
120, she says. He shakes his head. All done and sure. | 0:36:24 | 0:36:29 | |
120 is plus 90 on that. | 0:36:29 | 0:36:34 | |
You had 15, you lost 55, you were -40, you are now plus 90. | 0:36:34 | 0:36:40 | |
Which means overall you are plus 50! | 0:36:40 | 0:36:44 | |
Plus 50, how good is that? | 0:36:44 | 0:36:46 | |
-So, what are you going to do about the bonus buy? -Take it? -Take it. | 0:36:46 | 0:36:49 | |
-Definitely, not even an issue. -We're going to go with it. | 0:36:49 | 0:36:53 | |
Ask us a million times, we'll always say yes. Yes, yes, yes. | 0:36:53 | 0:36:57 | |
25, you paid. She has estimated 30-40 on it. | 0:36:57 | 0:37:01 | |
She rates it, she thinks it is a good object. | 0:37:01 | 0:37:03 | |
Let's hope she is right. | 0:37:03 | 0:37:05 | |
Lot 99, it's a silver cap badge | 0:37:05 | 0:37:07 | |
of the British North Borneo Protectorate. | 0:37:07 | 0:37:10 | |
Very interesting little piece, exquisite craftsmanship there, | 0:37:10 | 0:37:13 | |
and straightaway 30-40 starts me and off we go. | 0:37:13 | 0:37:16 | |
At 40, 50, I'm out. | 0:37:16 | 0:37:19 | |
60, 70 he says. 80, 90, 100, 110. | 0:37:19 | 0:37:25 | |
At 110 he shakes his head. | 0:37:25 | 0:37:27 | |
110 on my right, are you done and sure at 110 only? | 0:37:27 | 0:37:31 | |
110 bucks. That is plus 85 for your bonus buy. He is a maestro. | 0:37:31 | 0:37:38 | |
Plus the 50 that you already had means that you are plus 135, | 0:37:38 | 0:37:42 | |
-and that, girls, could be a winning score. -Yay! | 0:37:42 | 0:37:46 | |
The old bread bin, I'm afraid, has had a sorry event happen to it. | 0:37:53 | 0:37:59 | |
In the transportation up from Melbourne, | 0:37:59 | 0:38:01 | |
the lid has been smashed. | 0:38:01 | 0:38:03 | |
I mean, we just don't have a lid to sell with it. | 0:38:03 | 0:38:07 | |
So we're going to sell the bread bin bottom, | 0:38:07 | 0:38:11 | |
give you a 100 compensation package to put into the end total, | 0:38:11 | 0:38:15 | |
and that's the only way I'm afraid I can deal with it. | 0:38:15 | 0:38:18 | |
Anyway, first up is your Australian pokerwork vase, | 0:38:18 | 0:38:21 | |
which is in brilliant original condition! | 0:38:21 | 0:38:24 | |
Lot 107 is an Australian 1930s' pokerwork treen vase. | 0:38:24 | 0:38:30 | |
-A lot of interest here, I'll start the bidding at 40, 50, 60. -60, yes! | 0:38:30 | 0:38:35 | |
At 60. At 60 only. 70, at 70 in the room. | 0:38:35 | 0:38:41 | |
80, seated, against you, sir, at 80. | 0:38:41 | 0:38:44 | |
Are we done and sure at 80 only? | 0:38:44 | 0:38:46 | |
-Come on! -80. Once, twice and thrice, sold. | 0:38:46 | 0:38:52 | |
80 is minus 20. That's a good deal better than she thought. Here we go. | 0:38:52 | 0:39:00 | |
Lot 108. | 0:39:00 | 0:39:01 | |
It's a German Weimar Republic ceramic cigarette dispenser. | 0:39:01 | 0:39:05 | |
Isn't he cute? | 0:39:05 | 0:39:07 | |
How about 100 to start me? 20, 30 starts me and off we go. At 30, then. | 0:39:07 | 0:39:13 | |
At 30 only. 40 exhausts my bid. | 0:39:13 | 0:39:16 | |
-At 50, 50 only. -Come on, come on! -50 at 50, sold. | 0:39:16 | 0:39:23 | |
That is -70. Not looking so good, this. OK, now, the bread bin. | 0:39:23 | 0:39:30 | |
Remember, you have your credit of 100 in the bank | 0:39:30 | 0:39:34 | |
before anything happens. Here we go. | 0:39:34 | 0:39:37 | |
Lot 109 is a South Australian pottery bread crock. 100. | 0:39:37 | 0:39:44 | |
Start me at 50 if you like. At 20. 30 exhausts my bid. 30. | 0:39:44 | 0:39:50 | |
-Come on, come on, more! -40, at 40. | 0:39:50 | 0:39:54 | |
50, at 50. Are you sure at 50? | 0:39:54 | 0:39:58 | |
-I'm selling then at 50. Sold. -50, she sold it for. | 0:39:58 | 0:40:02 | |
So, with your credit in the bank, | 0:40:02 | 0:40:04 | |
because of the loss of the top, you will get a plus 50 score for that. | 0:40:04 | 0:40:11 | |
So overall you were minus 90, you've just won 50, | 0:40:11 | 0:40:16 | |
so you are -40 at this moment. | 0:40:16 | 0:40:18 | |
What are you going to do about the swivel desk lamp? | 0:40:18 | 0:40:20 | |
-Are you going on with it? -I'm going to go with our expert. | 0:40:20 | 0:40:23 | |
He said it is worth 180. So I think we should go for it. | 0:40:23 | 0:40:28 | |
-What do you think, Drew? -OK! | 0:40:28 | 0:40:30 | |
The auctioneer's estimate on it is 80-120, | 0:40:30 | 0:40:33 | |
which is close enough to the 120 purchase price, | 0:40:33 | 0:40:37 | |
so let's hope for the best there. | 0:40:37 | 0:40:40 | |
Anyway, you're minus 40, we're going with the bonus. | 0:40:40 | 0:40:43 | |
Here it comes. | 0:40:43 | 0:40:44 | |
Lot 113, it's a 1950s' swivel desk lamp and it's a beauty. | 0:40:44 | 0:40:50 | |
It had a lot of interest during the viewing, | 0:40:50 | 0:40:52 | |
a lot of interest in this one, I must start the bidding with me at 160. | 0:40:52 | 0:40:59 | |
At 160. At 160 then. 180, | 0:40:59 | 0:41:03 | |
200 with me. At 200 against you, sir. | 0:41:03 | 0:41:06 | |
At 200, 220, 240. | 0:41:06 | 0:41:09 | |
With the absentee at 240. At 240, | 0:41:09 | 0:41:14 | |
260, 280. At 280 only. 300, 325 with the auctioneer. | 0:41:14 | 0:41:22 | |
325, done and sure at 325. Sold. | 0:41:22 | 0:41:28 | |
That is an amazing 205 profit, which is something else, isn't it? | 0:41:28 | 0:41:34 | |
You've got minus 40, | 0:41:36 | 0:41:38 | |
-which means you are plus 165 at this moment. -You're kidding! | 0:41:38 | 0:41:46 | |
How lovely is this? To be out in the sunshine enjoying a splendid day. | 0:41:53 | 0:41:58 | |
-Happy, girls? Happy, boys? -Yes. -Been chatting about the scores? | 0:41:58 | 0:42:01 | |
-No. -No, not at all! | 0:42:01 | 0:42:03 | |
Both teams know that they made a substantial profit. | 0:42:03 | 0:42:07 | |
Both teams know they have made a three figure profit, | 0:42:07 | 0:42:10 | |
which on Bargain Hunt is practically unheard of! | 0:42:10 | 0:42:15 | |
One team, sadly, is the runner-up, with a marginally lower score. | 0:42:15 | 0:42:20 | |
And that team is... | 0:42:20 | 0:42:22 | |
Reds. | 0:42:22 | 0:42:24 | |
-Ohh! -Oh, well. -Oh, well. | 0:42:24 | 0:42:27 | |
Sadly, you are runners-up today with a massive score of 135 profit. | 0:42:27 | 0:42:35 | |
Which is a chunk of cash, I have to tell you. | 0:42:35 | 0:42:39 | |
Congratulations, we loved having you on the show. It's been tremendous. | 0:42:39 | 0:42:42 | |
But the winners today are the boys. You're going to go home with 165. | 0:42:42 | 0:42:47 | |
-165. -Yes! -Woo! | 0:42:47 | 0:42:50 | |
For which you should be entirely grateful to David, | 0:42:50 | 0:42:54 | |
who brings a 205 profit from his bonus buy, | 0:42:54 | 0:43:00 | |
which dug you out of a rather awkward situation! | 0:43:00 | 0:43:04 | |
We had a great show. Join us soon for some more bargain-hunting, yes? | 0:43:04 | 0:43:08 | |
Yes! | 0:43:08 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:25 | |
Email [email protected] | 0:43:25 | 0:43:28 |