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Today, we're on the island of Anglesey, off the North Wales coast. | 0:00:04 | 0:00:09 | |
Apparently, one million people visit this place every year | 0:00:09 | 0:00:14 | |
to enjoy its delights, | 0:00:14 | 0:00:15 | |
which is exactly what we're going to do in just a second. | 0:00:15 | 0:00:19 | |
Right now, though, let's go bargain hunting! Yeah. | 0:00:19 | 0:00:23 | |
Anglesey is said to be the last refuge of the Druids from the Romans. | 0:00:52 | 0:00:58 | |
Well, there's one thing for certain, | 0:00:58 | 0:01:00 | |
there'll be no refuge for these stallholders | 0:01:00 | 0:01:04 | |
from our contestants today. | 0:01:04 | 0:01:06 | |
Do you fancy a sneak preview? | 0:01:06 | 0:01:08 | |
The Reds resort to magic to get the best deal. | 0:01:10 | 0:01:13 | |
Repeating it now. Over and over. | 0:01:13 | 0:01:15 | |
I'm going through the deck in my mind while we're doing this. | 0:01:15 | 0:01:19 | |
Isn't that cheating? | 0:01:19 | 0:01:20 | |
While the Blues seem to be hearing voices. | 0:01:20 | 0:01:23 | |
Just try and find a piece of silver that sings. | 0:01:23 | 0:01:27 | |
-And we take it up to the wire at the auction. -Yes! | 0:01:27 | 0:01:30 | |
That is just marvellous, isn't it? | 0:01:30 | 0:01:33 | |
All that is coming up, | 0:01:33 | 0:01:34 | |
but, first of all, let me remind you of the rules. | 0:01:34 | 0:01:37 | |
Each team gets 60 minutes | 0:01:37 | 0:01:39 | |
to find three items, which they take away | 0:01:39 | 0:01:43 | |
and sell later at auction and, hopefully, make a profit. | 0:01:43 | 0:01:47 | |
The team that wins that makes the most profit or the least losses. | 0:01:47 | 0:01:50 | |
Right, let's go and meet the jolly old teams, shall we? | 0:01:50 | 0:01:55 | |
So on today's show, we have married couple Rob | 0:01:57 | 0:02:01 | |
-and Rowena for the Reds. How do you do? -Very well. | 0:02:01 | 0:02:03 | |
-And good mates Tracey and Janet for the Blues. Hi, girls. -BOTH: Hi. | 0:02:03 | 0:02:08 | |
Lovely to see you. Now, Rob, how did you to meet? | 0:02:08 | 0:02:11 | |
We met originally ten, 15 years ago at the pagan camp that Ro's dad organised. | 0:02:11 | 0:02:19 | |
-Really? -Yes. -What goes on at a pagan camp? | 0:02:19 | 0:02:22 | |
This one was a May Day celebration, so lots of people coming together | 0:02:22 | 0:02:26 | |
to dance around maypoles and drink and eat and share good times together. | 0:02:26 | 0:02:32 | |
-Lovely. -Yeah, great. | 0:02:32 | 0:02:34 | |
-So are you a pagan yourself? -Yes, yes. | 0:02:34 | 0:02:37 | |
I spent ten years studying and practising Druidry | 0:02:37 | 0:02:41 | |
and have continued on into other areas, but, yes. | 0:02:41 | 0:02:47 | |
So what do you know about antiques? Lots, then? | 0:02:47 | 0:02:50 | |
Um, not as much as I should, but my interest comes | 0:02:50 | 0:02:53 | |
more from finding things that tell stories, | 0:02:53 | 0:02:56 | |
things that have a tale to be told around them | 0:02:56 | 0:02:59 | |
and to use them in the work I do. | 0:02:59 | 0:03:01 | |
What work do you do? | 0:03:01 | 0:03:02 | |
-I'm a magician and hypnotist. -Are you? -Yes. | 0:03:02 | 0:03:06 | |
-Does that mean you are a member of the Magic Circle? -Not yet. It scares me. | 0:03:06 | 0:03:09 | |
Oh, does it?! | 0:03:09 | 0:03:11 | |
What's scary about the Magic Circle? | 0:03:11 | 0:03:13 | |
It's the thought of having to perform in front of magicians | 0:03:13 | 0:03:16 | |
-to get the thumbs up. -Oh, I see. | 0:03:16 | 0:03:19 | |
-I can perform in front of 1,000 people. Three magicians... -Very interesting. | 0:03:19 | 0:03:22 | |
I'd never thought about it like that. So Ro, what do you do, darling? | 0:03:22 | 0:03:26 | |
I'm a sales manager, accounts manager, | 0:03:26 | 0:03:29 | |
I work with an environmental business network | 0:03:29 | 0:03:32 | |
promoting local sustainability. | 0:03:32 | 0:03:34 | |
-Is that good fun? -It is. I enjoy the banter with the customers | 0:03:34 | 0:03:39 | |
and bartering the prices up rather than down. | 0:03:39 | 0:03:43 | |
From the other side today. | 0:03:43 | 0:03:44 | |
You don't do anything on stage in the magic shows? | 0:03:44 | 0:03:47 | |
I haven't got my sparkly leotard out yet. | 0:03:47 | 0:03:50 | |
So how do you think you will get on today, Rob? | 0:03:50 | 0:03:53 | |
Brilliantly. I am feeling good about it, really positive. | 0:03:53 | 0:03:56 | |
-We work well as a team. -Yeah, we do. | 0:03:56 | 0:03:58 | |
-And you're going to spend the lot, are you? -Ooh, no. | 0:03:58 | 0:04:01 | |
-You're not? You're going to be coy and careful. -Possibly. -We'll see. | 0:04:01 | 0:04:06 | |
Anyway, welcome. So, Janet. How did you two meet? | 0:04:06 | 0:04:09 | |
We met at a post office in Hampshire. | 0:04:09 | 0:04:12 | |
I was living in Hampshire, a place called Four Marks, | 0:04:12 | 0:04:15 | |
and was looking for a job and Tracey was the sub-postmistress | 0:04:15 | 0:04:18 | |
who advertised for the post, so we became very good friends in the process. | 0:04:18 | 0:04:23 | |
-Isn't that nice? -Yes. -What do you know about antiques? | 0:04:23 | 0:04:26 | |
Not an awful lot. I like what I see - | 0:04:26 | 0:04:29 | |
it sings to me and calls my name, and goes, "Janet, come and buy me." | 0:04:29 | 0:04:32 | |
-Does it? -Oh, yes. | 0:04:32 | 0:04:34 | |
-Does this happen often? -Yes. I'm the impulsive one. | 0:04:34 | 0:04:37 | |
Tracey is the steady, reliable one. | 0:04:37 | 0:04:39 | |
-Well, you're the sub-postmistress. -Former sub-postmistress. | 0:04:39 | 0:04:42 | |
I mean there is a very steady job. | 0:04:42 | 0:04:46 | |
I go into my sub-post office, the complexity of what you have to do | 0:04:46 | 0:04:50 | |
in that job in the way of forms, stamps, bits of paper, it's incredible. | 0:04:50 | 0:04:55 | |
It is, yes, there is an awful lot to it. | 0:04:55 | 0:04:58 | |
-How do you think you'll get on as a bargain hunter? -LAUGHTER | 0:04:58 | 0:05:01 | |
I think... Yeah. Janet's very good at spending money, | 0:05:01 | 0:05:05 | |
I'm good at not letting her spend money. | 0:05:05 | 0:05:07 | |
-Between the two of us... -She's pure Yorkshire, you see. | 0:05:07 | 0:05:10 | |
This is what it is. | 0:05:10 | 0:05:12 | |
Is that going to stand you in good stead today | 0:05:12 | 0:05:14 | |
when looking out over this ocean of treasures? | 0:05:14 | 0:05:17 | |
Without a doubt, without a doubt. | 0:05:17 | 0:05:20 | |
Especially if there's a tea shop round the corner. | 0:05:20 | 0:05:22 | |
I don't know whether you will be able to spend your £300 on tea, | 0:05:22 | 0:05:25 | |
but, anyway, here comes the £300. | 0:05:25 | 0:05:27 | |
-There's your £300. -Thank you very much. | 0:05:27 | 0:05:30 | |
You know the rules. | 0:05:30 | 0:05:31 | |
Your experts await and off you go and very, very good luck. | 0:05:31 | 0:05:35 | |
Well, well, I've never met a Druid before. | 0:05:35 | 0:05:38 | |
Offering a guiding hand to our teams today, | 0:05:39 | 0:05:42 | |
we have a pair of experts waiting in the wings. | 0:05:42 | 0:05:45 | |
The Reds are relying on the magic touch of bold-as-brass Anita Manning. | 0:05:45 | 0:05:49 | |
And Jonathan Pratt is keen to make a good impression on the Blues. | 0:05:49 | 0:05:54 | |
So vain! | 0:05:54 | 0:05:55 | |
I can't believe you're a magician. | 0:05:56 | 0:05:58 | |
I hope you're going to work some magic today. | 0:05:58 | 0:06:01 | |
And you could be the glamorous assistant. | 0:06:01 | 0:06:04 | |
I like Moorcroft and ceramics. | 0:06:04 | 0:06:06 | |
So I'd like to find something that's got that quality that really sings to me. | 0:06:06 | 0:06:11 | |
I think find something shiny, sparkly, that's going to attract | 0:06:11 | 0:06:14 | |
loads of people at the auction house and sell for lots of money. | 0:06:14 | 0:06:18 | |
She knows exactly what she wants. | 0:06:18 | 0:06:20 | |
There's loads to see. Let's dive in and see what we can find. | 0:06:20 | 0:06:24 | |
-Let's get going. -Brilliant stuff. | 0:06:24 | 0:06:27 | |
-They're off already. Look. -HE CHUCKLES | 0:06:32 | 0:06:36 | |
-I like those plates. -I hate them. -No, yeah. | 0:06:36 | 0:06:40 | |
That's fair enough. | 0:06:40 | 0:06:42 | |
-Carry on looking here? -Move on, I think. | 0:06:45 | 0:06:48 | |
Ladies, I quite like these as a pretty, fashionable sort of thing. | 0:06:56 | 0:07:00 | |
It's six bowls. | 0:07:00 | 0:07:03 | |
But it's Swansea pattern, OK, | 0:07:03 | 0:07:05 | |
so it's copying 18th-century Swansea porcelain. | 0:07:05 | 0:07:09 | |
It's part of a dessert service and, frankly, | 0:07:09 | 0:07:12 | |
most dinner and tea wares are cheap. | 0:07:12 | 0:07:14 | |
But I think that's a fashionable... I see the reactions on your face. | 0:07:14 | 0:07:19 | |
It's just part of a service. | 0:07:19 | 0:07:20 | |
Six bowls for dessert. And he said he'd do it for £12. | 0:07:20 | 0:07:25 | |
Yeah. | 0:07:25 | 0:07:26 | |
So that's £2 a bowl. You go to a department... | 0:07:26 | 0:07:30 | |
I paid £4 a bowl for breakfast bowls. | 0:07:30 | 0:07:33 | |
So it's quite cheap. | 0:07:33 | 0:07:34 | |
You can, in a dresser, put them up. They're traditional 18th-century. | 0:07:34 | 0:07:37 | |
You're not going to get £40 or £30 for them, | 0:07:37 | 0:07:42 | |
but what I'm saying is it's the sort of thing that is a safe buy, | 0:07:42 | 0:07:45 | |
-not a great investment. -Yes. | 0:07:45 | 0:07:48 | |
If you get 10, 15, then you're on a way to making a little profit | 0:07:48 | 0:07:51 | |
and you have confidence to go on with. | 0:07:51 | 0:07:53 | |
But I'll hand them over. Have a look at them. | 0:07:53 | 0:07:55 | |
-If you don't buy, them he'll be disappointed. -THEY LAUGH | 0:07:55 | 0:07:58 | |
I'm feeling pressure. I feel we need to buy something. | 0:07:58 | 0:08:01 | |
-It's not bad for £10, is it, Martin? -£10! £12. | 0:08:01 | 0:08:05 | |
-You are a robber, Jonathan! -We'll take them. Thank you. | 0:08:05 | 0:08:09 | |
Nice try, JP, but the price agreed was £12. | 0:08:09 | 0:08:13 | |
I hope you're going to let your team have a say over what they buy. | 0:08:13 | 0:08:17 | |
It can be overwhelming, coming into a place like this. | 0:08:17 | 0:08:20 | |
There's a lot to see and the lights | 0:08:20 | 0:08:23 | |
and I suppose there's apprehension about what you want to buy. | 0:08:23 | 0:08:27 | |
Um, I think I'm sort of helping them into it more than I'd normally like to. | 0:08:27 | 0:08:32 | |
He's lovely, isn't he? | 0:08:32 | 0:08:34 | |
And didn't cost us much. | 0:08:34 | 0:08:36 | |
Thrifty Tracey is keeping an eye on the dosh, | 0:08:37 | 0:08:40 | |
but Rowena's has been caught by something. | 0:08:40 | 0:08:43 | |
Bright and colourful. I like it. | 0:08:43 | 0:08:45 | |
Does she like all that colour? | 0:08:45 | 0:08:48 | |
-Colour, shining and sparkling. -It's happy. | 0:08:48 | 0:08:51 | |
-I think she's a colourful character. -Definitely. Definitely. | 0:08:51 | 0:08:56 | |
OK, feast your eyes on that and tell me what you like, but, remember, | 0:08:56 | 0:09:00 | |
-we've got to think about price and making a profit, as well. -OK. | 0:09:00 | 0:09:04 | |
-I'm liking this one. -The orangey one? | 0:09:04 | 0:09:09 | |
-Shall I get that? -Yeah, yeah. | 0:09:09 | 0:09:11 | |
Let's have a look. | 0:09:11 | 0:09:12 | |
So we've got Clarice Cliff. | 0:09:12 | 0:09:16 | |
-This is a later plate. -Yeah. | 0:09:16 | 0:09:18 | |
It's made by Wedgwood and it is in the Bizarre pattern. | 0:09:18 | 0:09:24 | |
I think that's very nice and I think that it's appealing. | 0:09:24 | 0:09:27 | |
I think that, at 33, it might be a bit dear, | 0:09:27 | 0:09:32 | |
but if you can get it from between 20 and 25, | 0:09:32 | 0:09:35 | |
-you might have a chance of making a profit in the auction. -Yes? | 0:09:35 | 0:09:39 | |
-Yes. -Shall we have a go at that? -Yes? | 0:09:39 | 0:09:42 | |
Yes, well, its Wedgwood, it's a Clarice Cliff design. | 0:09:42 | 0:09:46 | |
All the information is on the back. | 0:09:47 | 0:09:50 | |
-And so is the price. -Is there anything we can do on that? | 0:09:50 | 0:09:52 | |
Yes. | 0:09:52 | 0:09:54 | |
-What about 28? -Oh! Any better? | 0:09:54 | 0:09:58 | |
-Go on. -I thought you were going to say that. | 0:09:58 | 0:10:01 | |
How about 20? | 0:10:01 | 0:10:03 | |
-We're having to sell it in auction. -Yes, yes, I know. | 0:10:03 | 0:10:07 | |
I would prefer 25, more or less in the middle. | 0:10:07 | 0:10:10 | |
22 and you've got a deal. | 0:10:10 | 0:10:12 | |
-24 and I've got a deal. -Oh! | 0:10:12 | 0:10:14 | |
What do you think? | 0:10:15 | 0:10:16 | |
I'm admiring your battling skills already. | 0:10:16 | 0:10:20 | |
LAUGHTER | 0:10:20 | 0:10:21 | |
-ROB: 23. -In the middle. | 0:10:21 | 0:10:24 | |
23, will you go to 23? Please! | 0:10:24 | 0:10:28 | |
-DEALER: Oh, go one then. -Fabulous. | 0:10:28 | 0:10:30 | |
That's wonderful. Thank you very much. | 0:10:30 | 0:10:32 | |
Nice haggling, Ro-ro. | 0:10:32 | 0:10:35 | |
It's certainly bright and colourful. | 0:10:35 | 0:10:37 | |
Do you like modern glass? | 0:10:37 | 0:10:39 | |
-I do. -Yeah. -Do you like the vase at the top there. The red one? | 0:10:39 | 0:10:43 | |
-You know Mdina. -Yes. -Maltese glass? | 0:10:43 | 0:10:46 | |
I've bought loads of those in the past. | 0:10:46 | 0:10:48 | |
I really like them | 0:10:48 | 0:10:49 | |
and it's quite unusual, because it's got this drizzled glass covering. | 0:10:49 | 0:10:54 | |
They said they had a good day yesterday, | 0:10:54 | 0:10:56 | |
so, "Right, surely you could knock a few things down!" | 0:10:56 | 0:10:59 | |
So they could almost do that at half price. Have a look at it. I don't want to push you. | 0:10:59 | 0:11:03 | |
But that's the sort of thing glass-wise I'd be looking at. | 0:11:03 | 0:11:06 | |
-See what you think. -You're a glass person. -You can always come back. Go on have a look. | 0:11:06 | 0:11:11 | |
Sounds to me like you're taking over again, Jonathan Bossy Boots. | 0:11:11 | 0:11:15 | |
Anita's at it, too. | 0:11:15 | 0:11:16 | |
-There's something I'd like to show you and it's just up here. -OK. | 0:11:16 | 0:11:21 | |
I'm wondering if Rob might like it. | 0:11:21 | 0:11:24 | |
-If I... -Oh! -..wobbled this wand, what do you think of that? | 0:11:24 | 0:11:30 | |
-I really like that, actually. -Oh, yeah. | 0:11:30 | 0:11:32 | |
We're in Wales and Wales is the land of song and this is | 0:11:33 | 0:11:38 | |
-a chorister's baton. It could double up as a magician's wand. -Absolutely! | 0:11:38 | 0:11:42 | |
-Very easy. -It might just for us. -I think so. I like it. | 0:11:42 | 0:11:47 | |
I think it might be quite nice to buy it. | 0:11:47 | 0:11:49 | |
-It is lovely. -It is lovely. -She's a great haggler. | 0:11:49 | 0:11:52 | |
Do you want to bargain, or do you want to send your beautiful assistant? | 0:11:52 | 0:11:56 | |
-Do you want to? -I think maybe you should try and work some magic with it. -Completely. | 0:11:56 | 0:12:01 | |
I've got 28 on it. OK. | 0:12:01 | 0:12:04 | |
Yes. Er, 25? | 0:12:04 | 0:12:07 | |
Oooh. 20. | 0:12:07 | 0:12:10 | |
I could do 20. | 0:12:10 | 0:12:11 | |
-20 sounds good. -Yes? -20's good. -OK, then. -Excellent. Thank you very much. | 0:12:11 | 0:12:18 | |
Hm. That was suspiciously easy. Did Rob hypnotise her, or something? | 0:12:18 | 0:12:24 | |
12 minutes, two items, what a team. | 0:12:24 | 0:12:28 | |
The Reds are on a roll, so the Blues have got some catching up to do. | 0:12:28 | 0:12:32 | |
-I quite like the colour. Feel it. -Oh, gosh, it is heavy isn't it? -Yes. | 0:12:32 | 0:12:37 | |
-What age is it? -Late 1970s and early 1980s. -Right. | 0:12:37 | 0:12:43 | |
Mdina orange. I do like it. | 0:12:43 | 0:12:46 | |
-How much is on it? 48. -£48! | 0:12:47 | 0:12:50 | |
-Send in the postmistress. -Do your best voice. | 0:12:50 | 0:12:53 | |
-I could do it for 24 for you. -Could you? | 0:12:55 | 0:13:00 | |
-24. -Yeah. | 0:13:00 | 0:13:02 | |
Would you take 20 for it? | 0:13:02 | 0:13:04 | |
-No, I got it for £48. 24. -Yeah? OK. | 0:13:05 | 0:13:09 | |
-Yes, you like it? -I do like it. -It's your buy. | 0:13:11 | 0:13:14 | |
OK. Thank you. | 0:13:14 | 0:13:16 | |
-We've got a good price for it. -Have you actually said you'll have it? | 0:13:16 | 0:13:19 | |
-That's number two. So how much for? -24. -£24. Very good. | 0:13:19 | 0:13:24 | |
I think you chose that vase, didn't you Jonathan? | 0:13:24 | 0:13:28 | |
It's completely down to you now. I am only going to give you advice. | 0:13:28 | 0:13:33 | |
LAUGHTER | 0:13:33 | 0:13:34 | |
Huh, a likely story. | 0:13:34 | 0:13:35 | |
I told them to buy the last object themselves. | 0:13:35 | 0:13:37 | |
I'm a little bit nervous about that now. | 0:13:37 | 0:13:40 | |
I'm quite sure you don't need to be, JP. | 0:13:40 | 0:13:42 | |
It's amazing what you can find at these fairs. | 0:13:43 | 0:13:46 | |
Look what I've stumbled across. | 0:13:46 | 0:13:49 | |
Most these antiques fairs are crammed with ceramics, | 0:13:49 | 0:13:53 | |
but it's not so often that you come across a pot that looks like this. | 0:13:53 | 0:13:58 | |
Handsome, isn't it? | 0:13:58 | 0:14:01 | |
The first thing that ought to draw your eye is the extremely luscious colour scheme. | 0:14:01 | 0:14:06 | |
Look at that gorgeous mottled blue. | 0:14:06 | 0:14:10 | |
This is a type of maiolica ware, made by Mintons, | 0:14:10 | 0:14:15 | |
and it is Britain's greatest contribution, strangely enough, | 0:14:15 | 0:14:19 | |
to the Art Nouveau movement. | 0:14:19 | 0:14:22 | |
You think of Art Nouveau and you think of France. | 0:14:22 | 0:14:25 | |
Well, Minton, just at the turn of the 19th and 20th centuries, | 0:14:25 | 0:14:30 | |
produced a range of wares called tube-lined maiolica. | 0:14:30 | 0:14:35 | |
Now, tube lining is rather like icing a cake. | 0:14:35 | 0:14:39 | |
You get one of those cake ices bags and you fill it with a molten clay. | 0:14:39 | 0:14:46 | |
There's a little orifice on the end and you squeeze the bag | 0:14:46 | 0:14:50 | |
and out comes a little squitter. | 0:14:50 | 0:14:52 | |
And that green line is the squitter of clay. | 0:14:52 | 0:14:57 | |
You then fill inside the squitter with a colour | 0:14:57 | 0:15:01 | |
and move on to the next section. | 0:15:01 | 0:15:03 | |
All of the swags, all the tall, organic roots, | 0:15:03 | 0:15:06 | |
which seem to grow from the bottom of the vase | 0:15:06 | 0:15:11 | |
are all outlined with this tube-lined process, | 0:15:11 | 0:15:15 | |
which is very labour intensive and actually liable to damage. | 0:15:15 | 0:15:21 | |
But, joy of joy, this Minton tube-lined pot, | 0:15:21 | 0:15:25 | |
made in about 1902, 1905, something like that, is absolutely perfect. | 0:15:25 | 0:15:32 | |
What's it worth? Well, here in Wales, you can have it for £200. | 0:15:32 | 0:15:37 | |
What might it bring somewhere else? | 0:15:37 | 0:15:39 | |
Probably not a lot more, maybe between £200 and £400, | 0:15:39 | 0:15:43 | |
but there's definitely a profit in it. | 0:15:43 | 0:15:45 | |
I wonder if the same will apply to our team's purchases? | 0:15:45 | 0:15:49 | |
'And profits are the order of the day for our teams.' | 0:15:49 | 0:15:53 | |
Dive in now. There's no pressure. No pressure. | 0:15:55 | 0:15:59 | |
Guys! We've only spent 40-odd quid and got two items. | 0:15:59 | 0:16:01 | |
I think we should splash out a bit now. | 0:16:01 | 0:16:04 | |
-Do you want to spend big? -Yes. | 0:16:04 | 0:16:06 | |
Spend big, make big. | 0:16:06 | 0:16:08 | |
Remember what Jonathan was saying about leaving the Blues to it? | 0:16:08 | 0:16:12 | |
I picked this up because I like strong design, | 0:16:12 | 0:16:15 | |
I think it's probably one the things that makes things sell really well. | 0:16:15 | 0:16:19 | |
This, I don't know what you describe it as, but you've got this | 0:16:19 | 0:16:23 | |
bronze figure and this on the top is the gymnast doing a tumble of sorts. | 0:16:23 | 0:16:27 | |
And the trophy on the front, | 0:16:27 | 0:16:29 | |
the presentation, put it down as a competition between | 0:16:29 | 0:16:34 | |
Canada, hammer and sickle, Russia. But it's bronze. | 0:16:34 | 0:16:37 | |
The other thing is, it's not signed. | 0:16:37 | 0:16:39 | |
They're saying is possibly by... If you find out who it's by, it might be worth £300. | 0:16:39 | 0:16:43 | |
If it's by someone that someone says, "That's his work | 0:16:43 | 0:16:46 | |
"and that's really good." | 0:16:46 | 0:16:47 | |
-That's what I think about it, what do you think? -I absolutely love that. | 0:16:47 | 0:16:51 | |
I think it's fabulous. The shape is amazing. | 0:16:51 | 0:16:54 | |
I would actually have that in the house. I think it's fabulous. | 0:16:54 | 0:16:57 | |
-It's pretty classy. -Beautiful, yes. Really, really lovely. | 0:16:57 | 0:17:00 | |
The fact is it's bronze and not smelter, as well. | 0:17:00 | 0:17:03 | |
-You can still turn round and ask for a discount. -Yes, of course we well. | 0:17:03 | 0:17:06 | |
It's not silver. You wanted silver. | 0:17:06 | 0:17:08 | |
It's not silver. It's OK, I'll get my paints out. | 0:17:08 | 0:17:11 | |
-Your decision. -No, I like it. I think it is very stylish. | 0:17:11 | 0:17:14 | |
I did say I was going to leave it all down to you. | 0:17:14 | 0:17:17 | |
-Now I've just done it again. -Never mind, eh? | 0:17:17 | 0:17:20 | |
See what you think. You have plenty of time. We could come back. | 0:17:20 | 0:17:23 | |
Jonathan is leaving it all up to the girls, | 0:17:23 | 0:17:26 | |
but will they ignore his advice? | 0:17:26 | 0:17:29 | |
-If we look in the box, we have a writing slope. -Mm-hm. | 0:17:29 | 0:17:33 | |
And it's the type of thing you would take when you went travelling | 0:17:33 | 0:17:39 | |
on your Grand Tour in Europe. | 0:17:39 | 0:17:41 | |
You have the ink wells here, you have this pen tray. | 0:17:41 | 0:17:45 | |
If you look under here, this is where you'd keep your letters | 0:17:45 | 0:17:49 | |
and other bits and pieces. | 0:17:49 | 0:17:52 | |
The price is 165. | 0:17:52 | 0:17:54 | |
It also has the original key, so that's another plus for it. | 0:17:54 | 0:17:58 | |
-But if you look at that, isn't it just...? -It's exquisite. -It's perfect. | 0:17:58 | 0:18:03 | |
DEALER: I could do it for 150. | 0:18:03 | 0:18:05 | |
Would you be willing to go down a bit more | 0:18:05 | 0:18:08 | |
if my magician here performed a trick for you? | 0:18:08 | 0:18:12 | |
Magic the price down a little bit more? | 0:18:12 | 0:18:15 | |
-He doesn't look convinced, but he could be a Druid. -It wouldn't go down an awful lot. | 0:18:15 | 0:18:19 | |
-This I must see. -Just say stop for me, very quickly. | 0:18:19 | 0:18:22 | |
Stop. | 0:18:22 | 0:18:24 | |
Fabulous, take the card, have a look at it. Marvellous. | 0:18:24 | 0:18:27 | |
I'll put those there. | 0:18:27 | 0:18:29 | |
Just have a look at it | 0:18:29 | 0:18:30 | |
and once you've had a look, place it down on the deck for me. | 0:18:30 | 0:18:35 | |
-That's marvellous. -I'll put it on your box. -On our box! Yes. | 0:18:35 | 0:18:38 | |
Wonderful. If I can take your arm, just rest it on mine, just like that. | 0:18:38 | 0:18:41 | |
I want you to say the card in your mind over and over again. | 0:18:41 | 0:18:44 | |
Just keep saying it, repeating it, repeating it over and over. | 0:18:44 | 0:18:48 | |
I'm going through the deck in my mind whilst you're doing this. | 0:18:48 | 0:18:51 | |
-OK, thank you. Seven of hearts. -It certainly is -It is? -Is it? | 0:18:53 | 0:18:58 | |
Let's have a look. | 0:18:58 | 0:18:59 | |
-Yes. -How did you do that? -Well.. | 0:18:59 | 0:19:03 | |
How much has Rob's magic saved the team? | 0:19:03 | 0:19:05 | |
I'll do 145. That's the very best. | 0:19:05 | 0:19:09 | |
Hm. Not so much then. | 0:19:09 | 0:19:12 | |
-Was that worth the extra fiver? -SHE LAUGHS | 0:19:12 | 0:19:15 | |
-Yes? -Yes. | 0:19:15 | 0:19:17 | |
-Well that's three items bought. -Fantastic. | 0:19:19 | 0:19:22 | |
It's good. | 0:19:22 | 0:19:23 | |
-You guys don't hang about, do you? -No. | 0:19:23 | 0:19:25 | |
LAUGHTER | 0:19:25 | 0:19:27 | |
-I'm happy with all of your items. -Excellent. Thank you. -Well done. | 0:19:27 | 0:19:31 | |
-Thank you. -You did it all. | 0:19:31 | 0:19:33 | |
Well, they said they wanted to spend big. | 0:19:33 | 0:19:36 | |
So the Reds have pulled one out of a hat | 0:19:36 | 0:19:38 | |
and finished with time in hand. | 0:19:38 | 0:19:41 | |
How are the Blues getting on? | 0:19:41 | 0:19:42 | |
I don't know. It's a case of I'll know it when I see it. | 0:19:42 | 0:19:46 | |
Nothing's singing to you, Blues? | 0:19:46 | 0:19:48 | |
Maybe not. | 0:19:48 | 0:19:50 | |
SHE LAUGHS | 0:19:50 | 0:19:52 | |
-It's got noughts on the end of it. -Yes. | 0:19:52 | 0:19:54 | |
-I know, I just found something that was 895. -Ooh! None of that. | 0:19:54 | 0:19:58 | |
Nothing to see here. Walk on. Nothing to see. | 0:19:58 | 0:20:02 | |
Spendthrift Janet is struggling to part with the money. | 0:20:02 | 0:20:06 | |
The bronze it is. Yes. Come on. | 0:20:11 | 0:20:15 | |
-Go and deal it. -Thank you! | 0:20:15 | 0:20:17 | |
Hiya, we're back! | 0:20:17 | 0:20:20 | |
Hello. | 0:20:20 | 0:20:21 | |
Yes, we do want it, please. What's the best price you can do on it? | 0:20:21 | 0:20:26 | |
-65. -I think that's fair. It's nice. | 0:20:26 | 0:20:29 | |
I think it's just a quality object and £65 seems a fair price to me. | 0:20:29 | 0:20:34 | |
There is a lot of work in it. Yes? We'll take it, thank you. | 0:20:34 | 0:20:37 | |
Right, no need to stop clock as the teams have already finished. | 0:20:37 | 0:20:42 | |
Let's take the time to remind ourselves what the Red team bought. | 0:20:42 | 0:20:45 | |
Rowena showed her haggling colours | 0:20:45 | 0:20:47 | |
and paid £23 for this reproduction Clarice Cliff plate. | 0:20:47 | 0:20:52 | |
-A colourful woman likes this colourful plate. -I think so. | 0:20:52 | 0:20:55 | |
The ebony and silver-plated baton is just wizard | 0:20:55 | 0:20:59 | |
and Rob mysteriously persuaded the dealer to sell it to him | 0:20:59 | 0:21:03 | |
for only £20. | 0:21:03 | 0:21:04 | |
But, despite his best efforts, | 0:21:04 | 0:21:05 | |
Rob's magic didn't do the trick with this dealer | 0:21:05 | 0:21:08 | |
and they hand to hand over £145 for the Victorian writing slope. | 0:21:08 | 0:21:14 | |
Wow. | 0:21:14 | 0:21:15 | |
-Well, well, that's handsome, isn't it? -Isn't it just? | 0:21:15 | 0:21:18 | |
-Are you happy with your three objects? -Very happy. Really good. | 0:21:18 | 0:21:22 | |
And how's Anita been for you? All right? | 0:21:22 | 0:21:25 | |
Magic. LAUGHTER | 0:21:25 | 0:21:27 | |
Magic. How corny is that? OK, so what did you spend overall? | 0:21:27 | 0:21:32 | |
£188, I believe. | 0:21:32 | 0:21:35 | |
You spent 188. Who has the £112 of leftover lolly. | 0:21:35 | 0:21:39 | |
I look after the cash. | 0:21:39 | 0:21:41 | |
-Oh, yes? Here we go. -There's the two. -There's a bit more magic. | 0:21:41 | 0:21:46 | |
ROWENA LAUGHS | 0:21:46 | 0:21:47 | |
The money goes over in safe and reliable hands to Anita Manning. | 0:21:47 | 0:21:52 | |
what are you going to do with? | 0:21:52 | 0:21:53 | |
I don't know. Buy another box of tricks! | 0:21:53 | 0:21:56 | |
LAUGHTER | 0:21:56 | 0:21:57 | |
-Were you taken in by all that? -Yes. -He's got me, too. | 0:21:57 | 0:22:01 | |
Anyway, have a good time, have a nice cup of tea. Good luck, Anita. | 0:22:01 | 0:22:04 | |
Why don't we check out what the Blue team bought. | 0:22:04 | 0:22:08 | |
At two pounds apiece, | 0:22:08 | 0:22:09 | |
Jonathan persuaded the Blues that these six modern Wedgwood bowls | 0:22:09 | 0:22:13 | |
wouldn't break the bank, | 0:22:13 | 0:22:15 | |
or should that be post office? Ha! | 0:22:15 | 0:22:17 | |
Tracey kept a tight hold on the readies | 0:22:17 | 0:22:19 | |
and got Mdina-style ruby vase for half price. £24. | 0:22:19 | 0:22:23 | |
And Janet finally splashed some cash | 0:22:23 | 0:22:25 | |
on this bronze sculpture of a gymnast, bought for £65. | 0:22:25 | 0:22:29 | |
Will it prove money well spent? | 0:22:29 | 0:22:32 | |
-Let's see if you can build your muscles up with that. -It can join the team! | 0:22:34 | 0:22:39 | |
That is a lump, girls. How exciting. | 0:22:39 | 0:22:42 | |
-Have you had a nice time, Trace? -Yes, a great time, thank you. -Good. | 0:22:42 | 0:22:45 | |
-Which is your favourite piece? That? -Absolutely. I would take it home. | 0:22:45 | 0:22:48 | |
We've got to prise it out of her hands to take it to auction! | 0:22:48 | 0:22:52 | |
Which is your favourite? | 0:22:52 | 0:22:53 | |
-Um, for think of value of money the plates. -Right. | 0:22:53 | 0:22:57 | |
-But the glass. I like the colours in the glass. -What will bring the biggest profit? | 0:22:57 | 0:23:02 | |
-The plates. -Is it? | 0:23:02 | 0:23:04 | |
-What did you spend all round? -£101. | 0:23:04 | 0:23:06 | |
-101. Almost like a bingo call. 101. -Room 101! | 0:23:06 | 0:23:11 | |
OK, can I have 199 of leftover lolly, please? | 0:23:11 | 0:23:15 | |
Quite complicated with you and your lovely trophy. | 0:23:15 | 0:23:18 | |
That's OK, JP. What are you going to buy? Any idea? | 0:23:18 | 0:23:22 | |
The ladies said they like silver | 0:23:22 | 0:23:24 | |
and we've not managed to buy any, | 0:23:24 | 0:23:26 | |
so I might look at some silver, maybe. | 0:23:26 | 0:23:28 | |
But I want to make money and it's got to be right, so you never know. | 0:23:28 | 0:23:32 | |
In your capable hands. | 0:23:32 | 0:23:34 | |
Meanwhile, I'm heading off to Eastnor Castle and at it's fab. | 0:23:34 | 0:23:38 | |
The size and splendour of a country house was often used | 0:23:44 | 0:23:49 | |
to illustrate the fortune and vigour of the family living within it. | 0:23:49 | 0:23:57 | |
And Eastnor Castle here in Herefordshire is no exception. | 0:23:57 | 0:24:01 | |
It was built by the first Earl Somers between 1810 and 1824, | 0:24:01 | 0:24:08 | |
specifically with a view to catapulting his family | 0:24:08 | 0:24:11 | |
into the highest echelons of the ruling classes. | 0:24:11 | 0:24:16 | |
The earl employed the 29-year-old architect Robert Smirke, | 0:24:16 | 0:24:20 | |
who proposed building the house along the lines of a Norman keep | 0:24:20 | 0:24:24 | |
to create the impression of a mediaeval fortress guarding the Welsh borders. | 0:24:24 | 0:24:29 | |
In the aftermath of the French Revolution, | 0:24:29 | 0:24:32 | |
this style was seen as an assertion of the power of the old guard | 0:24:32 | 0:24:36 | |
and the symmetry of the design certainly emphasises authority. | 0:24:36 | 0:24:41 | |
Robert Smirke's references really work impeccable. | 0:24:41 | 0:24:45 | |
He'd recently rebuilt Lowther Castle for Lord Lonsdale | 0:24:45 | 0:24:50 | |
and in Lonsdale's letter to Lord Somers | 0:24:50 | 0:24:53 | |
he says, "Mr Robert Smirke's management of the works | 0:24:53 | 0:24:56 | |
"under his direction at this place, and his personal attention, | 0:24:56 | 0:25:02 | |
"entitle him to every commendation it is in my power to give him." | 0:25:02 | 0:25:07 | |
Which is a pretty good reference, isn't it? | 0:25:07 | 0:25:10 | |
And of course Robert Smirke was renowned for his ability | 0:25:10 | 0:25:15 | |
to produce a building to estimate. | 0:25:15 | 0:25:18 | |
And here I've got the original estimate. | 0:25:18 | 0:25:20 | |
And he breaks it down into sections. | 0:25:20 | 0:25:25 | |
Masonry, £13,000, for all this lot. | 0:25:25 | 0:25:29 | |
Carpenter, plumber, slater and smiths' works, £18,500. | 0:25:30 | 0:25:34 | |
Joiners, plasterers, painters and glaziers' works, £27,500, | 0:25:34 | 0:25:37 | |
then you've got the terraces, the walls and the landscaping, | 0:25:37 | 0:25:42 | |
that's another £6,000. | 0:25:42 | 0:25:43 | |
And a further £17,000 for the stables | 0:25:43 | 0:25:46 | |
and all the domestic offices. | 0:25:46 | 0:25:49 | |
Which totals £82,000. | 0:25:49 | 0:25:51 | |
Well, can you believe it? | 0:25:51 | 0:25:54 | |
It took 15 years of hard labour, | 0:25:54 | 0:25:58 | |
and what was the end bill for the whole lot? | 0:25:58 | 0:26:01 | |
Some £86,000. | 0:26:01 | 0:26:03 | |
This man Smirke, he's a genius! | 0:26:03 | 0:26:06 | |
The main building works were completed by 1820. | 0:26:09 | 0:26:12 | |
But such was the enormity of the cost | 0:26:12 | 0:26:16 | |
that the family decided not to incorporate, largely, | 0:26:16 | 0:26:19 | |
Smirke's decorative scheme for the interior. | 0:26:19 | 0:26:23 | |
It was simply costing far too much. | 0:26:23 | 0:26:27 | |
Anyway, the family must have been fed up, | 0:26:27 | 0:26:30 | |
because they'd been living in the west wing | 0:26:30 | 0:26:32 | |
for the previous seven years, | 0:26:32 | 0:26:35 | |
the castle was still a shell, | 0:26:35 | 0:26:37 | |
and they decided to finish the interior | 0:26:37 | 0:26:39 | |
in a much plainer, and in fact, more medieval style. | 0:26:39 | 0:26:44 | |
So what remains in the castle that actually was touched | 0:26:44 | 0:26:48 | |
by the hand of Smirke? | 0:26:48 | 0:26:50 | |
Well, the furnishings include this suite of oak seat furniture. | 0:26:50 | 0:26:57 | |
And what Smirke has incorporated, surprise, surprise, | 0:26:57 | 0:27:00 | |
is an enfilade of gothic pierced work. | 0:27:00 | 0:27:04 | |
And then you've got a couple of rails | 0:27:04 | 0:27:06 | |
interposed by stained fruitwood balls, | 0:27:06 | 0:27:09 | |
and indeed, each of the feet have a ball foot. | 0:27:09 | 0:27:15 | |
They are charming, and integral to the design of the castle. | 0:27:15 | 0:27:20 | |
The big question today, of course, for our teams over at the auction, | 0:27:20 | 0:27:23 | |
is it going to be frowns, or are we going to be "Smirke"-ing? | 0:27:23 | 0:27:27 | |
It's lovely to be back in Knutsford, | 0:27:42 | 0:27:44 | |
at Frank Marshall's saleroom, with Nick Hall. Good morning, Nick. | 0:27:44 | 0:27:47 | |
Welcome, Tim. | 0:27:47 | 0:27:49 | |
First item is Rowena's, which is this reproduction plate. | 0:27:49 | 0:27:53 | |
Yes, it's a modern slant on Clarice Cliff. | 0:27:53 | 0:27:56 | |
-I think they bought the rights to the patents, didn't they? -Any good? | 0:27:56 | 0:28:00 | |
OK. There's a bit of a slim margin for it. £10, £15. | 0:28:00 | 0:28:03 | |
OK, £23 they paid, might not be so hot. | 0:28:03 | 0:28:06 | |
Next up is the silver mounted conductor's baton. | 0:28:07 | 0:28:11 | |
They're nice when they have a plaque | 0:28:11 | 0:28:13 | |
relating to a specific symphony or orchestra, | 0:28:13 | 0:28:16 | |
or even a major show, | 0:28:16 | 0:28:18 | |
much more sought after and valuable. | 0:28:18 | 0:28:20 | |
But it is at the low end of collecting, still. | 0:28:20 | 0:28:25 | |
-What do you think it is worth, Nicholas? -We've put 30 to 50. | 0:28:25 | 0:28:28 | |
Oh, brilliant. They only paid £20. Pity it's in plate though. | 0:28:28 | 0:28:31 | |
-Can't have everything. -Quite right. | 0:28:31 | 0:28:33 | |
Now, what about this over-polished box? | 0:28:33 | 0:28:36 | |
Erm, possibly over-priced, as well. | 0:28:36 | 0:28:38 | |
Yeah, used to do fantastic trade, these Victorian boxes, | 0:28:38 | 0:28:41 | |
writing slopes, jewellery boxes, all that sort of thing. | 0:28:41 | 0:28:44 | |
Obviously the market is not what it was, but it's a reasonable example. | 0:28:44 | 0:28:48 | |
-Nice veneers. -How much? -Well, £60, £80, is about its market worth. | 0:28:48 | 0:28:52 | |
Oof! There's a hit coming here. They paid £145 for this! | 0:28:52 | 0:28:56 | |
-What, recently?! -Yeah! Last week! | 0:28:56 | 0:28:59 | |
That is its retail price, absolutely right, | 0:28:59 | 0:29:02 | |
-but to buy it with profit in mind? -Forget it. -Yeah. | 0:29:02 | 0:29:05 | |
So, a bit of a loser with that, and they may have a loser | 0:29:05 | 0:29:08 | |
with the Clarice Cliff lookalike. | 0:29:08 | 0:29:10 | |
Overall, they will need the bonus buy. | 0:29:10 | 0:29:12 | |
Let's have a look at it and hope for the best. | 0:29:12 | 0:29:14 | |
Now, you two love birds, you spent £188. | 0:29:14 | 0:29:17 | |
£112 went to Anita Manning. What did you spend it on? | 0:29:17 | 0:29:23 | |
Ooh! | 0:29:24 | 0:29:25 | |
Ha-ha! A little bit racy, | 0:29:25 | 0:29:28 | |
but I know Rowena loves the art deco period, | 0:29:28 | 0:29:32 | |
and this figure is from that time, 1930s. | 0:29:32 | 0:29:35 | |
The art deco period, they loved anything exotic, | 0:29:35 | 0:29:39 | |
and a little racy. | 0:29:39 | 0:29:41 | |
Tell me what you think. | 0:29:41 | 0:29:42 | |
It's very pretty. It's a good shape. | 0:29:42 | 0:29:45 | |
So, a wee bit of restoration there, | 0:29:45 | 0:29:47 | |
and obviously this base has been painted, | 0:29:47 | 0:29:49 | |
this sort of silvery colour. | 0:29:49 | 0:29:52 | |
-So it's had a wee bit of... -..pimping up! | 0:29:52 | 0:29:55 | |
-Yes! -And you paid how much for it? | 0:29:55 | 0:29:58 | |
-£75. -75, OK. | 0:29:58 | 0:30:00 | |
It's not going to fly into the hundreds, | 0:30:00 | 0:30:03 | |
but I think, at 75, not too bad. | 0:30:03 | 0:30:06 | |
-OK. -Team, think about it. Don't pick now, pick later, if you want to. | 0:30:06 | 0:30:12 | |
But for the audience at home, | 0:30:12 | 0:30:13 | |
let's find out what the auctioneer thinks of the art deco figure. | 0:30:13 | 0:30:17 | |
Here is something to titillate you. | 0:30:17 | 0:30:19 | |
I'll be careful where I hold this, Tim. | 0:30:19 | 0:30:21 | |
Quite right, this is a family daytime show! | 0:30:21 | 0:30:24 | |
What's happened to the top, then? | 0:30:24 | 0:30:26 | |
Well, she is topless, in more ways the one, Tim. | 0:30:26 | 0:30:30 | |
Where do you get these lines?! | 0:30:30 | 0:30:31 | |
-She's missing her shade. That's what you mean! -Yes, there should be | 0:30:31 | 0:30:35 | |
a nice big globular glass shade on the top there, | 0:30:35 | 0:30:37 | |
long-since missing, sadly, and it's plaster, not bronze, | 0:30:37 | 0:30:40 | |
of course, importantly. | 0:30:40 | 0:30:42 | |
Yes. It's amazing that it's survived in that sort of nick then, | 0:30:42 | 0:30:46 | |
because if that's plaster, one little tweak on that and that's... | 0:30:46 | 0:30:50 | |
All over, yeah. | 0:30:50 | 0:30:52 | |
-What's your estimate? -Er, 60 to 100, as it's stylish. | 0:30:52 | 0:30:55 | |
Well, good for you, Anita paid £75, | 0:30:55 | 0:30:58 | |
which is about spot on with that estimate. | 0:30:58 | 0:31:01 | |
Anyway, we shall see. | 0:31:01 | 0:31:02 | |
There you go, my dear, you sit down over there. Lovely. | 0:31:02 | 0:31:04 | |
Now, moving on, that's it for the reds, now for the blues. | 0:31:04 | 0:31:07 | |
And first for Tracey and Janet, | 0:31:07 | 0:31:10 | |
the six Swansea plates. | 0:31:10 | 0:31:12 | |
It would have been nice if they were Victorian and hand-painted, | 0:31:12 | 0:31:16 | |
then we could have got away with it. | 0:31:16 | 0:31:17 | |
But second hand, 20th century? Just buy them to use them, really. | 0:31:17 | 0:31:21 | |
Quite. And you've only got those oddball plates. So, how much? | 0:31:21 | 0:31:26 | |
Reasonable quality, but not terribly collectable, £10, £20. | 0:31:26 | 0:31:30 | |
-Couple of pounds apiece? -Thereabouts. -That's what they paid. | 0:31:30 | 0:31:33 | |
Perfect. Good. | 0:31:33 | 0:31:35 | |
£2 each. Next up is the vase. Your favourite. | 0:31:35 | 0:31:38 | |
We've got a specific 20th century design section within the sale, | 0:31:38 | 0:31:42 | |
so we'll have the target audience for it. | 0:31:42 | 0:31:45 | |
It's not the best example of Maltese glass, | 0:31:45 | 0:31:48 | |
but there is a market out there. | 0:31:48 | 0:31:50 | |
-One's got to start somewhere. -Absolutely. | 0:31:50 | 0:31:52 | |
-Your estimate? -20 to 40 for that one. | 0:31:52 | 0:31:54 | |
-£24 paid. -Good. -They're spot on in the middle. | 0:31:54 | 0:31:57 | |
-Yeah. -And the last item Jonathan Pratt got really excited about, | 0:31:57 | 0:32:02 | |
we're rather hoping you've had a chance to do a bit of research. | 0:32:02 | 0:32:05 | |
Stylish thing, bronze of course. | 0:32:05 | 0:32:07 | |
When it came in there was a loose attribution to Gordon Lochhead, | 0:32:07 | 0:32:12 | |
and we just questioned it. | 0:32:12 | 0:32:14 | |
So actually we tracked down and phoned him, spoke to him. | 0:32:14 | 0:32:17 | |
You rang old Lochhead up? | 0:32:17 | 0:32:19 | |
Well, we're diligent. Doing our homework, our research. | 0:32:19 | 0:32:22 | |
-Impressive! What did he have to say? -He said it wasn't him. | 0:32:22 | 0:32:25 | |
Ha! Really? | 0:32:25 | 0:32:27 | |
But what he did tell us was fascinating. | 0:32:27 | 0:32:29 | |
He thought he knew who the designer for this particular piece was. | 0:32:29 | 0:32:33 | |
A lady called Steiger. So we tracked down and spoke to her, as well. | 0:32:33 | 0:32:37 | |
Did you? And she confirmed that she was the sculptor? | 0:32:37 | 0:32:42 | |
Yeah. She knew and remembered the piece, | 0:32:42 | 0:32:44 | |
and confirmed it as one of her designs. | 0:32:44 | 0:32:46 | |
Just as well it's not a very old piece, | 0:32:46 | 0:32:48 | |
-you wouldn't have found them in a telephone book! -A Ouija board, then! | 0:32:48 | 0:32:52 | |
Ha-ha! Quite! | 0:32:52 | 0:32:53 | |
Anyway, so after all that work on your part, | 0:32:53 | 0:32:58 | |
what's the estimate? | 0:32:58 | 0:32:59 | |
After all the work we hope someone buys the thing, | 0:32:59 | 0:33:01 | |
but we've put a wide spread, £100 to £200. | 0:33:01 | 0:33:03 | |
-Well, £65 was paid by Jonathan, so if you're right... -Yeah. | 0:33:03 | 0:33:07 | |
And by virtue of your hard work | 0:33:07 | 0:33:09 | |
you jolly well ought to be able to sell it, | 0:33:09 | 0:33:11 | |
-so, we'll be rooting for you! -Good, thank you. | 0:33:11 | 0:33:14 | |
Cos depending on how that gets on will determine | 0:33:14 | 0:33:17 | |
whether we need the bonus buy or not, so let's have a look at it. | 0:33:17 | 0:33:20 | |
Tracey, Janet, this is exciting, isn't it? | 0:33:20 | 0:33:24 | |
It is, yeah. You only spent £101, | 0:33:24 | 0:33:26 | |
you gave Jonathan Pratt £191, | 0:33:26 | 0:33:29 | |
a small fortune by anybody's standards, | 0:33:29 | 0:33:32 | |
-Jonathan, did you spend the lot? -Would you be disappointed if I did? | 0:33:32 | 0:33:37 | |
-No! -Oh, no, look at that! | 0:33:37 | 0:33:38 | |
Well, I didn't, I'm afraid. I bought a little silver broach. | 0:33:38 | 0:33:43 | |
It's from Iona, the Scottish Island of Iona | 0:33:43 | 0:33:46 | |
in the Northwest of Scotland. Again it's in the tradition | 0:33:46 | 0:33:49 | |
of Arts & Crafts, which is very collectable. Scottish jewellery | 0:33:49 | 0:33:53 | |
-of this type is very collectable, too. -OK, how much? | 0:33:53 | 0:33:56 | |
£24, in my eye it's worth £40. | 0:33:56 | 0:34:01 | |
-£25! -Yeah, yeah. | 0:34:01 | 0:34:03 | |
I think there's a profit of £10 or £15, quite possibly. | 0:34:03 | 0:34:08 | |
Let's cross our legs, and for the audience at home find out | 0:34:08 | 0:34:11 | |
what the auctioneer thinks about Jonathan's little brooch. | 0:34:11 | 0:34:15 | |
Now, there you go, Nick. | 0:34:15 | 0:34:17 | |
Very delicately take that. Sweet little thing, isn't it? | 0:34:17 | 0:34:22 | |
Isn't it nice? If you like Scottish jewellery it's just a peach. | 0:34:22 | 0:34:25 | |
It's all the way from Iona, to Knutsford, it's Sterling silver, | 0:34:25 | 0:34:29 | |
a nice design, you'd be forgiven for thinking | 0:34:29 | 0:34:32 | |
it's the Arts & Crafts periods, it's got that look about it. | 0:34:32 | 0:34:35 | |
-Certainly has. How much do you think it might bring? -£20 - £40. | 0:34:35 | 0:34:39 | |
OK. £24. I thinks that's quite a sensible buy. | 0:34:39 | 0:34:43 | |
-We'll find out in minute, won't we? -Absolutely. -Absolutely. | 0:34:43 | 0:34:47 | |
£45, I have. | 0:34:48 | 0:34:50 | |
With you, sir. Sold. £45. | 0:34:53 | 0:34:55 | |
So how excited are you two on a scale of one to ten? | 0:34:55 | 0:34:58 | |
About twelve! | 0:34:58 | 0:35:00 | |
-Are you? -Definitely. -It's quite a moment, isn't it? | 0:35:00 | 0:35:02 | |
You look out of this busy sale room | 0:35:02 | 0:35:04 | |
and you just don't know what's going to happen. | 0:35:04 | 0:35:07 | |
First up is the Wedgwood Clarice Cliff look-alike and here it comes. | 0:35:07 | 0:35:11 | |
Lot 176 is the modern Wedgwood limited edition | 0:35:11 | 0:35:14 | |
Clarice Cliff plate. £10. Where are we bidding? Online, thank you. | 0:35:14 | 0:35:18 | |
Online bidder at £10. Someone from Staffordshire, I expect. | 0:35:18 | 0:35:21 | |
15, 18, 20 all online still bidding at £20. | 0:35:21 | 0:35:25 | |
Any advance with you? It's online. The bid's at £20. Any further? | 0:35:25 | 0:35:29 | |
We're hovering, flickering, £20, the bid's online, | 0:35:29 | 0:35:32 | |
the room's out, £20 I'm selling. Sure? | 0:35:32 | 0:35:36 | |
Minus £3, very close. Bad luck. | 0:35:36 | 0:35:40 | |
Come on, here comes the baton. | 0:35:40 | 0:35:43 | |
Smart thing, this conductor's baton. What are we going to say, £30? | 0:35:43 | 0:35:47 | |
£20 online, thank you. 2 with you, madam? Be kind. | 0:35:47 | 0:35:51 | |
Going for good cause, look at their faces. £22, thank you. | 0:35:51 | 0:35:54 | |
£22 bidding in the front row, you're going to get this, | 0:35:54 | 0:35:57 | |
you lucky lady, at £22, front row all done if you're sure. | 0:35:57 | 0:36:01 | |
£22, plus £2, which is great, overall you're minus £1! | 0:36:01 | 0:36:05 | |
Wow! | 0:36:05 | 0:36:07 | |
Lot 178 is the Victorian inlaid walnut and marquetry | 0:36:07 | 0:36:11 | |
ladies' travelling writing slope at £80 on the book. | 0:36:11 | 0:36:14 | |
Any advance on £80? | 0:36:14 | 0:36:16 | |
£80 I'm bid, at £80, go on, | 0:36:16 | 0:36:20 | |
£5 I have, at £85, 90, go on, 95, thank you. | 0:36:20 | 0:36:23 | |
I've got 100 against you. At £100, 110? | 0:36:23 | 0:36:27 | |
5, if it helps, 105, 110, still commissioned against you, though, | 0:36:27 | 0:36:32 | |
at 110 the bids are with me, are you sure? 110 holding, | 0:36:32 | 0:36:35 | |
110 I'm selling, all done, sold. | 0:36:35 | 0:36:38 | |
Bad luck, you're £35 pounds down, | 0:36:38 | 0:36:41 | |
overall you're minus 36. | 0:36:41 | 0:36:44 | |
That is tough, isn't it? That's really tough. Sorry, Rob. | 0:36:44 | 0:36:50 | |
OK, so what are you going to do about the Deco plaster figure? | 0:36:50 | 0:36:55 | |
Fancy having a go at that? | 0:36:55 | 0:36:57 | |
Yeah, let's go for it. | 0:36:57 | 0:36:59 | |
Yeah, we'll go for it. | 0:36:59 | 0:37:02 | |
-No pressure. -No pressure. | 0:37:02 | 0:37:04 | |
It's got the look, hasn't it? Yeah. | 0:37:04 | 0:37:06 | |
We're going with the Deco figure, here it comes. | 0:37:06 | 0:37:09 | |
The Art Deco patinated plaster table light, 40 I'm bid. | 0:37:09 | 0:37:13 | |
-Red-blooded male bid at the back. Thank you, sir. -£40. | 0:37:13 | 0:37:16 | |
£45, they're clambering now. | 0:37:16 | 0:37:19 | |
50, 5 in the doorway. 55 the bid, go a bit more. | 0:37:19 | 0:37:23 | |
At 60, £60, a fantastic shade. | 0:37:23 | 0:37:27 | |
65, 80, I have, £ 80, 85, don't be shy, bid up. | 0:37:27 | 0:37:31 | |
85, 90, 95, back in the room at £95. | 0:37:31 | 0:37:35 | |
At £95, in the room standing, in the doorway, at 95.. | 0:37:38 | 0:37:42 | |
100, bid on line, shakes his head, | 0:37:42 | 0:37:47 | |
at 110 he's back in, well done, sir, | 0:37:47 | 0:37:50 | |
110, at 100 I'm selling, if you're sure? | 0:37:50 | 0:37:55 | |
-Yes! -Thank you! | 0:37:55 | 0:37:57 | |
That is so close. That is plus £35, well done, Anita, | 0:37:57 | 0:38:02 | |
but you had minus 36, so overall you're minus £1! | 0:38:02 | 0:38:06 | |
Oh, no! £1! | 0:38:06 | 0:38:09 | |
That's 50p each! | 0:38:11 | 0:38:15 | |
Listen, this could be a winning score, | 0:38:15 | 0:38:17 | |
so don't say a word to the blues, all right? | 0:38:17 | 0:38:20 | |
Janet, you've got any precitions on how you're going to do today? | 0:38:24 | 0:38:30 | |
If we break even Tracey doesn't want the bronze to sell cos | 0:38:30 | 0:38:33 | |
she wants to take it home herself. | 0:38:33 | 0:38:36 | |
Listen, it will sell for something. | 0:38:36 | 0:38:38 | |
She's brought a big bag with her. | 0:38:38 | 0:38:41 | |
No, no no, Tracey, none of that's going to happen, baby, | 0:38:41 | 0:38:45 | |
it's going to go. | 0:38:45 | 0:38:46 | |
First though, are the plates and here they come. | 0:38:46 | 0:38:49 | |
Six Wedgwood Swansea pattern circular transfer printed bowls. | 0:38:49 | 0:38:53 | |
£20 for the six? £20. | 0:38:53 | 0:38:55 | |
15, at £10, nice little pattern, good make, Wedgwood, | 0:38:55 | 0:39:00 | |
good condition as well. £10 for the six. | 0:39:00 | 0:39:03 | |
You're not going to make me beg again, are you? | 0:39:03 | 0:39:07 | |
10, I'm bid, thank you. It's 10, it's going, I'm selling at £10 only. | 0:39:07 | 0:39:12 | |
Oh, dear, he's sold it. Minus 2, bad luck, girls. | 0:39:12 | 0:39:16 | |
I think you were lucky to get away with that. Now here comes Dina? | 0:39:16 | 0:39:20 | |
Nice bit of multi studio glass here by Dina. | 0:39:20 | 0:39:24 | |
£20 for it? | 0:39:24 | 0:39:27 | |
10, I'll take, thank you. Any advance on the 10? 15. | 0:39:27 | 0:39:30 | |
20, 25, | 0:39:30 | 0:39:31 | |
lady with the scarf in the front row for 25, | 0:39:31 | 0:39:36 | |
come on, chaps, where's your spirit? I've got 25, 30, new bidder. | 0:39:36 | 0:39:41 | |
35 right at the back, new bidder with the white coat. 35. | 0:39:41 | 0:39:45 | |
At 35 at the very back standing. | 0:39:45 | 0:39:48 | |
At 35 the bid, you sure in the front row? You're hesitant, go on, | 0:39:48 | 0:39:52 | |
have a bid, if in doubt, bid. Thank you. Front row at £40. | 0:39:52 | 0:39:55 | |
All done, if you're sure. Front row it is, 40 I sell. | 0:39:55 | 0:39:59 | |
£40 is lovely, that is plus 16. | 0:39:59 | 0:40:02 | |
A very respectable profit which means overall that you are plus £14. | 0:40:02 | 0:40:07 | |
Now, what is going to happen with the exciting bronze? Here it comes. | 0:40:07 | 0:40:11 | |
A smart little thing, this. | 0:40:11 | 0:40:13 | |
Good bit of artwork, I've got commission interest as well. | 0:40:13 | 0:40:17 | |
I'm going to start the bidding straight in at £180. | 0:40:17 | 0:40:20 | |
At £180, any advance? With you at 180. | 0:40:20 | 0:40:25 | |
190, 200, 210, 220, 230, 240, | 0:40:25 | 0:40:29 | |
at £240 you're sure? | 0:40:29 | 0:40:31 | |
You're out at the back, nothing online, | 0:40:31 | 0:40:36 | |
the bid's at £240, I sell. | 0:40:36 | 0:40:39 | |
£240, that is just marvellous! | 0:40:41 | 0:40:43 | |
That's fantastic, isn't it? | 0:40:49 | 0:40:52 | |
£240, you're £189 up! £189. | 0:40:54 | 0:40:56 | |
Now, what are you going to do about the brooch? You're going to risk | 0:41:00 | 0:41:03 | |
anything on that? Or you just going to pocket all that cash? | 0:41:03 | 0:41:07 | |
-Yes. -Yeah. -We're going to chance £24 on the brooch and here it comes. | 0:41:07 | 0:41:12 | |
Scottish Stirling silver circular brooch. £20 for it, 20, thank you. | 0:41:12 | 0:41:16 | |
20 I'm bid, at 20, it is solid silver. | 0:41:16 | 0:41:19 | |
25, 30, 35, 40. | 0:41:19 | 0:41:22 | |
45, 45 standing right at the back, anyone else? | 0:41:22 | 0:41:27 | |
50 seated, 55. | 0:41:29 | 0:41:31 | |
Look at his face! | 0:41:31 | 0:41:32 | |
55 standing, yes, sir? | 0:41:32 | 0:41:35 | |
You out, madam? | 0:41:35 | 0:41:37 | |
55 I've got right at the back, £55, all done. | 0:41:37 | 0:41:42 | |
Get in there! | 0:41:42 | 0:41:44 | |
25 and 25 would make it 50, | 0:41:44 | 0:41:46 | |
so, hang on a minute, 24, 30, 25, | 0:41:46 | 0:41:50 | |
£31 plus £31... | 0:41:50 | 0:41:54 | |
nine and one is ten, and eight, twelve, | 0:41:54 | 0:41:58 | |
that is £220. | 0:41:58 | 0:42:01 | |
How good is that! Don't say a word to the reds, all right? | 0:42:01 | 0:42:04 | |
No point in spoiling their day. | 0:42:04 | 0:42:06 | |
-What excitement Have you been chatting you lot? -No. | 0:42:12 | 0:42:16 | |
You haven't been chatting? | 0:42:16 | 0:42:18 | |
It's just been so much fun, and the runners up, sadly, are the reds. | 0:42:18 | 0:42:23 | |
Ah! | 0:42:23 | 0:42:24 | |
Minus £1 is just so bad luck, isn't it? | 0:42:24 | 0:42:30 | |
-When you've made profit, largely out of Anita. -Thank you! | 0:42:30 | 0:42:34 | |
-Have you had a nice time? -Yes! | 0:42:34 | 0:42:36 | |
We've loved having you on the show, you've been really good sports. | 0:42:36 | 0:42:39 | |
Brought some colour into our lives, which is lovely, | 0:42:39 | 0:42:41 | |
-I hope you've enjoyed it. -Very much. -Good, But the victors today who | 0:42:41 | 0:42:45 | |
go home with the unbelievable £220! | 0:42:45 | 0:42:48 | |
Thank you, very, very much, Jonathan, for finding that bronze | 0:42:52 | 0:42:55 | |
and thank you very much to the auction house for properly | 0:42:55 | 0:42:58 | |
researching it and getting the buyers all lined up | 0:42:58 | 0:43:01 | |
because it was a result, wasn't it? | 0:43:01 | 0:43:03 | |
-This has been J Pratt's day, hasn't it? -It has. | 0:43:03 | 0:43:07 | |
-Are you proud of him, girls? -We absolutely are. | 0:43:07 | 0:43:09 | |
You go home with a wedge of cash. You're looking rather jealous! | 0:43:09 | 0:43:15 | |
Not really, anyway, we've had such a good time. | 0:43:15 | 0:43:18 | |
-Join us soon for some more bargain hunting. Yes? -Yes! | 0:43:18 | 0:43:22 |