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The antiques are out, the stalls are open, what are we waiting for? | 0:00:01 | 0:00:04 | |
Let's go bargain hunting! | 0:00:04 | 0:00:07 | |
The Ardingly International Antiques And Collectors' Fair | 0:00:31 | 0:00:35 | |
is our scene today, bargain hunters, where our teams | 0:00:35 | 0:00:38 | |
are going to have to struggle through | 0:00:38 | 0:00:41 | |
literally hundreds of stalls to see what there is on offer. | 0:00:41 | 0:00:46 | |
But before that, why don't we see what's coming up? | 0:00:46 | 0:00:50 | |
The boys are caught red-handed. | 0:00:52 | 0:00:54 | |
Can you call the police? | 0:00:54 | 0:00:55 | |
I think they're trying to nick my watch. | 0:00:55 | 0:00:58 | |
But will they catch a profitable bargain or three? | 0:00:58 | 0:01:01 | |
-Mark's light fingers catch him out. -Hey, give me my plate back! -Oh. | 0:01:02 | 0:01:06 | |
Will the game be a steal for the Blues? | 0:01:06 | 0:01:10 | |
And will the auction drive them all to despair? | 0:01:10 | 0:01:13 | |
-Oh! -Please, no. | 0:01:13 | 0:01:15 | |
So, today, for the Reds, we have brothers Robert and Christopher. | 0:01:16 | 0:01:20 | |
And Catherine and Malcolm, a married couple, for the Blues. | 0:01:20 | 0:01:23 | |
-Hello, everyone. -Hello, Tim. -Really love to see you. | 0:01:23 | 0:01:26 | |
-Now, Chris, you're the eldest brother, is that right? -I am indeed. | 0:01:26 | 0:01:29 | |
I'm the eldest, but as you can see, he is the biggest. | 0:01:29 | 0:01:32 | |
-What does that mean, chunky? -No. | 0:01:32 | 0:01:34 | |
-He's a gym enthusiast, so much bulkier than I am. -I see. | 0:01:34 | 0:01:39 | |
And you've got a lot in common when it comes to your tastes. | 0:01:39 | 0:01:42 | |
Both of us spent years of actually doing karate | 0:01:42 | 0:01:45 | |
-and we both attained our second dan black belts, as well. -Technically, | 0:01:45 | 0:01:48 | |
according to the government, we are dangerous people. | 0:01:48 | 0:01:51 | |
What, two fingers and you could kill me at three yards? | 0:01:51 | 0:01:53 | |
-One finger. -Oh, one finger! | 0:01:53 | 0:01:56 | |
I am going to keep out of the way today, I can tell you that. | 0:01:56 | 0:01:58 | |
Have you got any collecting interest? | 0:01:58 | 0:02:00 | |
-Do you know about antiques? -Our dad's got a... | 0:02:00 | 0:02:03 | |
He is a collector, and has been for some time. | 0:02:03 | 0:02:06 | |
Has that rubbed off him? | 0:02:06 | 0:02:07 | |
-We hope so. -What sort of things does your dad collect? | 0:02:07 | 0:02:10 | |
It's mainly Victoriana that he collects. | 0:02:10 | 0:02:13 | |
-Particularly Gilbert and Sullivan, bits and bobs. -Really? | 0:02:13 | 0:02:16 | |
-Getting to be difficult to find that. -Yeah. | 0:02:16 | 0:02:19 | |
I don't see much HMS Pinafore lurking about. | 0:02:19 | 0:02:21 | |
-Anyway, so, you're full of confidence? -Yes. | 0:02:21 | 0:02:24 | |
-Youth is on your side. You have incredible energy, right? -Yes. | 0:02:24 | 0:02:27 | |
-You're going to go out there and win? -Obviously. -Yes. | 0:02:27 | 0:02:29 | |
That's the attitude. Now, are you quaking in your boots, you two? | 0:02:29 | 0:02:32 | |
-Absolutely. -I'd say, don't fall out with them, all right? | 0:02:32 | 0:02:37 | |
Whatever they say, if they look a bit aggressive, agree. | 0:02:37 | 0:02:40 | |
-We'll run. -Yes, that's it. | 0:02:40 | 0:02:43 | |
So, Catherine, how did you and Malc meet? | 0:02:43 | 0:02:45 | |
We met on a cruise, and I spent a week running away from him. | 0:02:45 | 0:02:50 | |
Then we came back a couple. | 0:02:50 | 0:02:52 | |
They say this cruising is very romantic. | 0:02:52 | 0:02:54 | |
-Well, 41 years. -41 years ago?! | 0:02:54 | 0:02:58 | |
-Today. -Today? | 0:02:58 | 0:03:00 | |
-It's not your 41st wedding anniversary! -It is. | 0:03:00 | 0:03:03 | |
That is something else! Well, congratulations. How lovely. | 0:03:03 | 0:03:07 | |
So, where were you cruising to, can you remember? | 0:03:07 | 0:03:10 | |
-A cruise around the Greek islands. -But it all went wrong. -Oh, yes. | 0:03:10 | 0:03:13 | |
-Did it? -It was meant to be a luxury cruise ship and it wasn't ready, | 0:03:13 | 0:03:16 | |
so they put us on a converted car ferry. | 0:03:16 | 0:03:19 | |
Oh, lovely. That sounds really romantic. | 0:03:19 | 0:03:22 | |
We had two deck chairs and one tennis ball between about 300 of us. | 0:03:22 | 0:03:26 | |
Well, never mind. | 0:03:26 | 0:03:27 | |
There wasn't anything else to do, so we had to get together. | 0:03:27 | 0:03:30 | |
You had to fall in love. How sweet is that? | 0:03:30 | 0:03:33 | |
Malcolm, you are retired now. What did you do before you retired? | 0:03:33 | 0:03:36 | |
Well, I worked in a bank for 25 years and became assistant manager. | 0:03:36 | 0:03:41 | |
Walked out, we bought a shop | 0:03:41 | 0:03:43 | |
down on the south coast and then I started a driving school. | 0:03:43 | 0:03:45 | |
I did that for 17 years and put 1,200 new idiots on the road. | 0:03:45 | 0:03:51 | |
Oh, I love that. That is another good one. | 0:03:51 | 0:03:54 | |
-You don't drive, you two, by any chance? -No. -Very sensible. | 0:03:54 | 0:03:56 | |
-He's retired now. -Don't go to Malcolm's driving school, | 0:03:56 | 0:04:00 | |
that's what I can tell you. Anyway, your luck is | 0:04:00 | 0:04:03 | |
about to be tested cos here is your £300. £300 apiece. | 0:04:03 | 0:04:06 | |
You know the rules. Your experts await. And off you go! | 0:04:06 | 0:04:10 | |
And very, very, very good luck. | 0:04:10 | 0:04:11 | |
Well, our teams are going to need some expertise | 0:04:11 | 0:04:14 | |
to help them in their profiteering. | 0:04:14 | 0:04:17 | |
For the martial-arts-loving Reds, it is the gavel-wielding auctioneer | 0:04:17 | 0:04:20 | |
Ms Anita Manning. | 0:04:20 | 0:04:22 | |
And for the Blues, they will be relying on the experience | 0:04:22 | 0:04:25 | |
and know-how of Mr Mark Stacey. | 0:04:25 | 0:04:28 | |
-You guys are into martial arts. -We are indeed. | 0:04:30 | 0:04:34 | |
How exciting is this! | 0:04:34 | 0:04:36 | |
-Are we going to slash our way to profit? -We are. | 0:04:36 | 0:04:38 | |
We're going to chop our way to it. | 0:04:38 | 0:04:40 | |
-Your anniversary? -41 years. | 0:04:40 | 0:04:42 | |
41 years, and it doesn't seem a day or too long. | 0:04:42 | 0:04:45 | |
I don't know about that. | 0:04:45 | 0:04:47 | |
-You like jewellery? -Yes, yes. | 0:04:47 | 0:04:49 | |
-Oh! I love jewellery! -I knew that would suit you. | 0:04:49 | 0:04:52 | |
-We've got an hour. -With your help, we'll do it. | 0:04:52 | 0:04:55 | |
HE LAUGHS | 0:04:55 | 0:04:56 | |
-Oh, you mad fools! -Wonderful, they've got faith in you, Mark. | 0:04:56 | 0:04:59 | |
What could possibly go wrong? Don't answer that. | 0:04:59 | 0:05:03 | |
When you are bargaining, the most valuable tool, my darlings, | 0:05:06 | 0:05:11 | |
is a lovely, big smile. | 0:05:11 | 0:05:13 | |
-Smile? -A big smile. -We've got those. -Have we got those? | 0:05:13 | 0:05:16 | |
A karate chop, delivered with a smile. That'll do it. | 0:05:16 | 0:05:21 | |
I think this guy climbs up the rope. | 0:05:25 | 0:05:29 | |
-You know? -Oh, right, there you go. | 0:05:29 | 0:05:32 | |
-There we go. -That looks like hard work. | 0:05:32 | 0:05:35 | |
They're made in China. Made in China. | 0:05:35 | 0:05:39 | |
Tinplate toys. This looks like a sort of Donald Duck character. | 0:05:39 | 0:05:46 | |
-Yeah, nice colours to him. -OK. Mm... | 0:05:46 | 0:05:50 | |
Hello. We were just wondering the price of your tinplate toys. | 0:05:50 | 0:05:54 | |
-They're various prices, from £30 to £40. -In that? A-ha. | 0:05:54 | 0:05:59 | |
-So, maybe keep them in mind. -Yeah, yeah. | 0:05:59 | 0:06:01 | |
-Tinplate toys, collectibles. -Yeah. -OK, guys. Thank you very much. | 0:06:01 | 0:06:05 | |
Thank you. | 0:06:05 | 0:06:07 | |
Something to toy with there, Reds. | 0:06:07 | 0:06:09 | |
Now, can Mark propel the Blues into action? | 0:06:09 | 0:06:12 | |
My grandfather was an aviation pioneer. | 0:06:13 | 0:06:16 | |
Shall I pick it up and we can have a look at it? | 0:06:16 | 0:06:19 | |
I don't think I'd manage to pick it up. Oh, isn't it beautiful? | 0:06:19 | 0:06:21 | |
-Do you like that? -I do! | 0:06:21 | 0:06:23 | |
I don't know whether anybody would want it. | 0:06:24 | 0:06:26 | |
Well, you know, polished up and things, that would look rather nice. | 0:06:26 | 0:06:29 | |
But where would you stick it, Mark? | 0:06:29 | 0:06:31 | |
It looks to me... | 0:06:31 | 0:06:33 | |
The clock has got a nice retailer's mark there from Portsmouth. | 0:06:33 | 0:06:38 | |
-I think it is gorgeous. -Should we ask how much it is? | 0:06:38 | 0:06:41 | |
-Malcolm? -Yeah. | 0:06:41 | 0:06:43 | |
How much is the propeller? | 0:06:43 | 0:06:45 | |
-One and a half, 150. -An awful lot of money for one thing. | 0:06:45 | 0:06:49 | |
Well, it is a nice-looking thing. It is quite unusual. | 0:06:49 | 0:06:52 | |
-It is very unusual. -And I like your reaction, you know, | 0:06:52 | 0:06:54 | |
that your grandfather was in aviation. | 0:06:54 | 0:06:57 | |
-He had his own airport. -Did he? Whereabouts? | 0:06:57 | 0:07:00 | |
-Up in the Midlands. -Radcliffe. -Really? How wonderful! | 0:07:00 | 0:07:05 | |
Well, it just fits you perfectly. | 0:07:05 | 0:07:07 | |
Well, it does, rather. | 0:07:07 | 0:07:08 | |
-What about the price, though? -Well... -It's an awful... 150. | 0:07:08 | 0:07:13 | |
Let's think about it. I don't think it is going to get sold very quickly. | 0:07:13 | 0:07:17 | |
It doesn't look like it, it's been here all day. | 0:07:17 | 0:07:19 | |
-We can always come back to that and think about it. -It is lovely. | 0:07:19 | 0:07:23 | |
That's one to think about, Blues, | 0:07:23 | 0:07:24 | |
but you're going to have to start haggling sooner or later. | 0:07:24 | 0:07:28 | |
Best foot forward. | 0:07:28 | 0:07:29 | |
-What sort of price is it? -75. | 0:07:35 | 0:07:38 | |
-What would be your best price on that? -85. | 0:07:38 | 0:07:41 | |
THEY LAUGH | 0:07:41 | 0:07:43 | |
These stall holders are a canny lot. | 0:07:43 | 0:07:46 | |
-This is great. -Oh, actually... | 0:07:46 | 0:07:48 | |
-You like those, boys? -Yeah, let's have a look. | 0:07:48 | 0:07:50 | |
That one, I think, is rather nice. | 0:07:50 | 0:07:53 | |
I quite like that one, as well, actually. | 0:07:53 | 0:07:55 | |
-That's the most expensive one. -They have got good taste, haven't they? | 0:07:55 | 0:07:59 | |
-85. -85. A-ha. | 0:07:59 | 0:08:02 | |
These are made of agate, and these agates were found | 0:08:02 | 0:08:06 | |
in the burns and streams and the shores of Scotland. | 0:08:06 | 0:08:11 | |
-Oh, right. -And they were taken down to Edinburgh, to the New Town, | 0:08:11 | 0:08:15 | |
where you had people who polished and sliced these stones | 0:08:15 | 0:08:19 | |
and mounted them on silver, on these lovely pieces. | 0:08:19 | 0:08:22 | |
So, they came from the burns. | 0:08:22 | 0:08:25 | |
But could that arrow get us a profit? | 0:08:28 | 0:08:31 | |
Well, would it matter that...? It might just be I'm not seeing it, | 0:08:31 | 0:08:34 | |
-but would it matter that it's not hallmarked? -Yeah. | 0:08:34 | 0:08:36 | |
No, it doesn't matter. It doesn't matter on these at all. | 0:08:36 | 0:08:41 | |
-Because they'd be doing it for the design. -Yeah, | 0:08:41 | 0:08:43 | |
they're doing it for the design. | 0:08:43 | 0:08:45 | |
The absolute death, and there's no bidding, no further bidding, | 0:08:45 | 0:08:48 | |
-is £75. -What do you think? | 0:08:48 | 0:08:51 | |
-I think we should go for it. I like that. -I think so. | 0:08:51 | 0:08:54 | |
I think you've made a good decision, boys, | 0:08:54 | 0:08:57 | |
because you've bought the best, | 0:08:57 | 0:09:00 | |
and the best will always be fancied. | 0:09:00 | 0:09:03 | |
-That's lovely. -Thank you so much. Cheers. Thank you. | 0:09:03 | 0:09:07 | |
Well done, lads, that's your first lot got. | 0:09:07 | 0:09:09 | |
And, surprise, surprise, it's a wee bit Scottish. | 0:09:09 | 0:09:13 | |
-That is a hell of a lump. -It is, isn't it? | 0:09:13 | 0:09:15 | |
You'd need a strong wall to hang it on, wouldn't you? | 0:09:15 | 0:09:18 | |
Well, yes. | 0:09:18 | 0:09:20 | |
That is probably a terrible amount of money. | 0:09:20 | 0:09:22 | |
-Yes, I'm sure it is. -Shall we have a laugh? | 0:09:22 | 0:09:24 | |
-Go on then, let's have a laugh. -How much is your panel here? | 0:09:24 | 0:09:27 | |
-It's way out of your range. -I thought it might be. -That'll do. | 0:09:27 | 0:09:30 | |
Thanks, that'll do. Well, we did well. | 0:09:30 | 0:09:32 | |
That's told us, hasn't it? | 0:09:32 | 0:09:33 | |
It is going according to plan so far, isn't it? | 0:09:33 | 0:09:36 | |
Don't lose heart, Blues, there's plenty to choose from. | 0:09:36 | 0:09:39 | |
The trick is being decisive and coming prepared. | 0:09:39 | 0:09:42 | |
Speaking of coming prepared... | 0:09:42 | 0:09:44 | |
Do you want a wee glass? | 0:09:44 | 0:09:47 | |
-Oh, he's got his own glass! -We brought one along just in case. | 0:09:47 | 0:09:50 | |
Well done! I think I've got a couple of professionals here. | 0:09:50 | 0:09:55 | |
Well, well, well, that hasn't seen ink for a few years. | 0:09:55 | 0:09:59 | |
December, 1901. | 0:09:59 | 0:10:00 | |
Yeah, so it's over 100 years old, | 0:10:00 | 0:10:02 | |
just the beginning of the Edwardian period. | 0:10:02 | 0:10:06 | |
And it's been given to someone as a presentation, | 0:10:06 | 0:10:10 | |
-which means that it's the best. -That's quite nice. | 0:10:10 | 0:10:13 | |
And you have a further detail on the base of it, where it's cut. | 0:10:13 | 0:10:17 | |
-The glass is nice. -That's good. | 0:10:17 | 0:10:19 | |
I mean, why take the bother? | 0:10:19 | 0:10:21 | |
Is there any damage round there? That's very important. | 0:10:21 | 0:10:24 | |
It seems to feel in pretty good order, actually. | 0:10:24 | 0:10:28 | |
It has been an item which has been loved. | 0:10:28 | 0:10:31 | |
It has been given as a gift and it has been treasured and cherished. | 0:10:31 | 0:10:34 | |
Right, yeah. | 0:10:34 | 0:10:36 | |
And could you imagine if it were...? It's a teacher it was given to? | 0:10:36 | 0:10:40 | |
It's given by the... | 0:10:40 | 0:10:42 | |
"For 25 years' service by a few friends and parents." | 0:10:43 | 0:10:48 | |
So, it may have been that it was a schoolteacher. | 0:10:48 | 0:10:52 | |
Yeah, that sounds about right. | 0:10:52 | 0:10:54 | |
In thanks for all the help she has given to children. | 0:10:54 | 0:10:58 | |
-How much is this one? -It's marked for 150. | 0:10:58 | 0:11:01 | |
Can you take a bit off of it for us? | 0:11:01 | 0:11:05 | |
I'll do 125. | 0:11:05 | 0:11:07 | |
125. What do you think, guys? | 0:11:07 | 0:11:10 | |
-I think we should go for it, definitely, yeah. -I agree. | 0:11:10 | 0:11:13 | |
-I think you've chosen quality again, guys. -Well, only the best. | 0:11:13 | 0:11:17 | |
Only the best. They're going to take it. Thank you very much. | 0:11:17 | 0:11:21 | |
Cheers, thank you. | 0:11:21 | 0:11:22 | |
Only the best will do. But will it do best at auction? | 0:11:22 | 0:11:24 | |
That's two items, guys. Two items, yeah. We've got one more. | 0:11:24 | 0:11:30 | |
20 minutes gone. Anita and the Reds are racing ahead of the Blues. | 0:11:30 | 0:11:34 | |
-I think we've done very well so far. -You like that inkwell. -I do, yeah. | 0:11:34 | 0:11:38 | |
I like the brooch. Very nice indeed. | 0:11:38 | 0:11:40 | |
Anita's guiding us, keeping us in line, I think, as well. | 0:11:40 | 0:11:43 | |
The boys are doing wonderfully well. | 0:11:43 | 0:11:45 | |
Often you get complacent if you bag the first two quickly, | 0:11:45 | 0:11:49 | |
and you lose time. | 0:11:49 | 0:11:51 | |
So, I'm going to remind them that they don't have a lot of time left | 0:11:51 | 0:11:55 | |
and they have got to find something really quite quickly. | 0:11:55 | 0:11:59 | |
Quite right. No time for complacency here, especially not | 0:11:59 | 0:12:02 | |
in the Blue camp. Come along, chaps, let's get you off the mark. | 0:12:02 | 0:12:06 | |
Eh, Mark? | 0:12:06 | 0:12:07 | |
-Would have you seen there? -I just rather like it. | 0:12:07 | 0:12:10 | |
Well, it's very typically late 19th century. I think it's continental. | 0:12:10 | 0:12:14 | |
-It has got very old hangers on it. -Yeah, it's very old. | 0:12:14 | 0:12:17 | |
And the subject's quite pretty, isn't it? | 0:12:17 | 0:12:19 | |
With the bluebirds and the ducklings. | 0:12:19 | 0:12:21 | |
Oh, it is signed there. Look, 1882. | 0:12:21 | 0:12:23 | |
-It's... -It's really quirky. -It is. I think it's absolutely gorgeous. | 0:12:23 | 0:12:27 | |
-Have we got a dealer? -How much is this? | 0:12:27 | 0:12:30 | |
-180. -Oh, gosh, it's 180. | 0:12:30 | 0:12:33 | |
Shame it's so expensive. | 0:12:33 | 0:12:36 | |
We do have to buy things, though, | 0:12:36 | 0:12:39 | |
and I think Malcolm is rather taken with this. Aren't you, Malcolm? | 0:12:39 | 0:12:42 | |
-I am. -That is so beautiful. Well, let's think about it. -OK. | 0:12:42 | 0:12:47 | |
-If we have to... -OK. That's two things we're thinking about now. | 0:12:47 | 0:12:50 | |
And maybe sometime we'll buy something, hopefully. | 0:12:50 | 0:12:53 | |
I think Mark is going to have to get pretty firm | 0:12:53 | 0:12:56 | |
with these Blues and get them haggling. It's the name | 0:12:56 | 0:12:59 | |
of the game if you want to piece together some good profits. | 0:12:59 | 0:13:02 | |
And I'm trying to piece together something rather special | 0:13:02 | 0:13:05 | |
that's caught my eye here. | 0:13:05 | 0:13:07 | |
So, what's all this? A heap of old junk? | 0:13:07 | 0:13:09 | |
Well, there are some rather strange parts here. | 0:13:09 | 0:13:13 | |
Sad face, bearded, mournful. | 0:13:13 | 0:13:18 | |
Next door, a piece of torso. | 0:13:18 | 0:13:20 | |
With fantastic abs, look. | 0:13:20 | 0:13:22 | |
And then that bit in the middle, | 0:13:22 | 0:13:25 | |
it's something fishy, it is the tail of the fish | 0:13:25 | 0:13:27 | |
covering up his crown jewels. | 0:13:27 | 0:13:30 | |
Here we have got another piece, back view. | 0:13:30 | 0:13:33 | |
And underneath that, two detached arms | 0:13:33 | 0:13:36 | |
and then some squiggly bits of metal at the bottom. | 0:13:36 | 0:13:40 | |
Well, the secret with this thing is that the metal | 0:13:40 | 0:13:43 | |
that's been used is bronze. | 0:13:43 | 0:13:45 | |
In sculpture, it denotes something of some quality. | 0:13:45 | 0:13:52 | |
Now, if I pick up the face of this character, | 0:13:52 | 0:13:55 | |
that actually is extremely finely defined. | 0:13:55 | 0:13:58 | |
If you pick up the torso bit, | 0:13:58 | 0:14:01 | |
you get to see this even better. | 0:14:01 | 0:14:03 | |
If I put the back part | 0:14:03 | 0:14:07 | |
and the front part together, | 0:14:07 | 0:14:10 | |
shove the face on top of the torso, | 0:14:10 | 0:14:13 | |
and hey, presto - this jigsaw starts to come alive. | 0:14:13 | 0:14:19 | |
And the two curlicue bits fit on either side | 0:14:19 | 0:14:22 | |
and they crawl underneath him and around him | 0:14:22 | 0:14:25 | |
because they are his tail, because this fellow is a merman. | 0:14:25 | 0:14:29 | |
Why is it in all these bits, though? | 0:14:29 | 0:14:32 | |
Well, the secret is that these bits have been used by a foundry master | 0:14:32 | 0:14:37 | |
to cast further editions of this particular piece of sculpture. | 0:14:37 | 0:14:43 | |
Well, I have never seen one of these prefabricated bronze casters' figures before, | 0:14:43 | 0:14:49 | |
and I think it's a pretty rare object. | 0:14:49 | 0:14:51 | |
As far as its date is concerned, | 0:14:51 | 0:14:53 | |
I'm hoping that it's French, late 17th century, early 18th century. | 0:14:53 | 0:14:58 | |
If I'm right, it ought to be worth about £3,000 or £4,000. | 0:14:58 | 0:15:03 | |
What might you have to pay for it here at Ardingly, | 0:15:04 | 0:15:07 | |
on an outside stall? It could be yours for £80. | 0:15:07 | 0:15:11 | |
Ooh, la, la! | 0:15:11 | 0:15:13 | |
40 minutes in and the Blues haven't bought a thing. | 0:15:13 | 0:15:16 | |
At this rate, they will never be crowned champions. | 0:15:16 | 0:15:19 | |
Oh, isn't that lovely! | 0:15:19 | 0:15:22 | |
It's a bit like sort of Edward The Confessor's crown, isn't it? | 0:15:22 | 0:15:26 | |
How beautiful. | 0:15:26 | 0:15:28 | |
-What have you found there? -That. | 0:15:28 | 0:15:30 | |
Very regal. | 0:15:32 | 0:15:34 | |
Not convinced, Mark, eh? | 0:15:34 | 0:15:36 | |
I don't know what you would do with this. | 0:15:36 | 0:15:38 | |
No, not at all, but you could hang things from it. | 0:15:38 | 0:15:41 | |
Sort of kitchen utensils or something, | 0:15:41 | 0:15:43 | |
but it's actually a shade. I think it's a lampshade. | 0:15:43 | 0:15:45 | |
I think it probably is an old lampshade. Would it sell? | 0:15:45 | 0:15:49 | |
I have no idea. | 0:15:49 | 0:15:51 | |
But at some point in the game, we're going to have to dip | 0:15:51 | 0:15:54 | |
our hands in the pockets and say we are going to do something! | 0:15:54 | 0:15:57 | |
Absolutely. | 0:15:57 | 0:15:59 | |
Yes, that's the idea. Be firm, Mark, | 0:15:59 | 0:16:01 | |
-they'll spend something soon, surely. -I like that. | 0:16:01 | 0:16:03 | |
-You like that? -Yes. -Malcolm, you spotted that, why did you pick up? | 0:16:03 | 0:16:07 | |
-What attracted you to it? -Your heritage. | 0:16:07 | 0:16:10 | |
-What's your heritage? -Oh, well, | 0:16:10 | 0:16:13 | |
I come from a titled family. | 0:16:13 | 0:16:16 | |
-Do you? Come on, spill. -I descend from Henry VIII. | 0:16:16 | 0:16:19 | |
His sister, Margaret Tudor, was my grandmother. | 0:16:19 | 0:16:22 | |
-Grandmother? -Yes. -Great... | 0:16:22 | 0:16:23 | |
-Great-great-great-great-grandmother. -I was going to say, | 0:16:23 | 0:16:26 | |
"A bit further back than that, darling." | 0:16:26 | 0:16:28 | |
-Otherwise, I would say you are aging very well. -I am. Historic. | 0:16:28 | 0:16:32 | |
Well, look, it's priced up at £22. | 0:16:32 | 0:16:35 | |
Should I go and have a word with the dealer and see what we can do? | 0:16:35 | 0:16:39 | |
-See what we can do. -All right. You carry on looking. | 0:16:39 | 0:16:42 | |
She said we can have it for £15. | 0:16:46 | 0:16:49 | |
-Well, I think that's a bargain. -Yes. -Well, I think we should say | 0:16:49 | 0:16:52 | |
-yes to that. -I think so. -That's our first purchase. | 0:16:52 | 0:16:54 | |
-15 quid. -Done. | 0:16:54 | 0:16:56 | |
Hallelujah! | 0:16:56 | 0:16:57 | |
They look at some pricey pieces | 0:16:57 | 0:17:00 | |
and what do they cough up after all that? £15. | 0:17:00 | 0:17:04 | |
Come on, Blues, there is still £285 in the kitty | 0:17:04 | 0:17:07 | |
and not a lot of time. | 0:17:07 | 0:17:08 | |
Oh, yeah, that's quite nice. | 0:17:08 | 0:17:10 | |
-Should we have a look at it? -Let's have a look. | 0:17:10 | 0:17:13 | |
-Have a wee look at it. -Careful there. -It's certainly big. | 0:17:13 | 0:17:16 | |
Have a look at the base, see if we have got a maker. | 0:17:16 | 0:17:18 | |
No maker as such. | 0:17:18 | 0:17:20 | |
It's just a nice, big Staffordshire pot. | 0:17:20 | 0:17:23 | |
It's quite substantial. Want to hold it? | 0:17:23 | 0:17:25 | |
It's going from... You boys like Victorian-style, | 0:17:25 | 0:17:29 | |
and this is going towards a simpler style, | 0:17:29 | 0:17:32 | |
into the Edwardian period. | 0:17:32 | 0:17:35 | |
-Should we ask him? -Only if you... | 0:17:35 | 0:17:38 | |
I mean, we've still got a bit of time, guys, | 0:17:38 | 0:17:40 | |
-and there are still lots of places up there. -Yeah. -We know where it is. | 0:17:40 | 0:17:43 | |
You know where it is. | 0:17:43 | 0:17:45 | |
Yeah, I'd give that one the chop if I were you. | 0:17:45 | 0:17:48 | |
I love that red vase. | 0:17:50 | 0:17:53 | |
-This one? -Yeah. Isn't it beautiful? | 0:17:53 | 0:17:57 | |
It's Doulton, isn't it? | 0:17:57 | 0:17:58 | |
You're absolutely right, it's Doulton, | 0:17:58 | 0:18:01 | |
and it's known as a range of ware called flambe, | 0:18:01 | 0:18:04 | |
where they have this very bright glaze. | 0:18:04 | 0:18:07 | |
And it's sort of painted with a fishermen. | 0:18:07 | 0:18:09 | |
They are normally by somebody called Noke. | 0:18:09 | 0:18:12 | |
This is... Yes, it says they are flambe woodcut. | 0:18:12 | 0:18:15 | |
And their shape number is 1617. | 0:18:15 | 0:18:18 | |
The mark is the mark for 1902 to 1932, I think. | 0:18:18 | 0:18:22 | |
It's... | 0:18:22 | 0:18:24 | |
I'm not hungry. | 0:18:25 | 0:18:26 | |
I'm checking to make sure it has not been restored. | 0:18:26 | 0:18:28 | |
-And it seems all right. -I love the colour. I go for red. | 0:18:28 | 0:18:32 | |
Would you like me to see what the lowest price is from the dealer? | 0:18:32 | 0:18:36 | |
-Shall I do that? -Yeah, OK. -Yeah, that's more like it. | 0:18:36 | 0:18:39 | |
-Have a good haggle, Mark. -Would you like it? -Yeah. | 0:18:39 | 0:18:42 | |
The dealer says that the margin on this is a little bit tight. | 0:18:45 | 0:18:49 | |
-I would pay £80 for it. -Well, that's the lowest she can take. -80? | 0:18:49 | 0:18:54 | |
80. We've still got a bit of money to find... | 0:18:54 | 0:18:56 | |
-Maybe the plate that Malcolm liked so much. -Absolutely, yes. | 0:18:56 | 0:19:00 | |
We could negotiate a bit on that. | 0:19:00 | 0:19:02 | |
-That's a good idea. -And then we'd have our three items. | 0:19:02 | 0:19:04 | |
-What do you think? -We'll go with that. | 0:19:04 | 0:19:06 | |
-I'll try, I'll just try one more. -Try hard. | 0:19:06 | 0:19:10 | |
Nothing we wanted to buy, but everything we loved. | 0:19:12 | 0:19:15 | |
How lovely. A chap could get a bit misty-eyed. | 0:19:18 | 0:19:22 | |
-75. -Done. | 0:19:24 | 0:19:26 | |
Well done, Mark, and the Blues are cooking with gas, | 0:19:26 | 0:19:28 | |
in a flambe style. | 0:19:28 | 0:19:31 | |
-See the wee lady's enamelled watch. -That's quite nice, actually. | 0:19:31 | 0:19:35 | |
Very pretty at the back. That's so beautiful. | 0:19:35 | 0:19:39 | |
Give me 90 quid. Look at the enamel on that. | 0:19:39 | 0:19:42 | |
I don't know if it's Faberge or not. | 0:19:42 | 0:19:44 | |
If it was Faberge, you would know. | 0:19:44 | 0:19:47 | |
I leave it to you people. | 0:19:47 | 0:19:50 | |
That's a nice little watch. It's from the 1930s. | 0:19:50 | 0:19:55 | |
The porcelain of the face is in good condition. | 0:19:55 | 0:19:58 | |
It has this lovely green enamel around here. | 0:19:58 | 0:20:02 | |
So, we like that. | 0:20:02 | 0:20:04 | |
But even better, we turn it round to the back, | 0:20:04 | 0:20:07 | |
we see a nice picture of a romantic, young couple. | 0:20:07 | 0:20:11 | |
Looks as if they're walking on the beach. | 0:20:11 | 0:20:13 | |
-So, it's a nice watch. Is that one working? -Yeah, it's guaranteed. | 0:20:13 | 0:20:18 | |
-Got a two-year guarantee. -Two-year guarantee. | 0:20:18 | 0:20:21 | |
-Yep, it's ticking away like a good'un. -Could we buy that for £50? | 0:20:24 | 0:20:28 | |
Can you call the police? I think they're trying to nick my watch. | 0:20:28 | 0:20:32 | |
-Well, it was worth a try. -It's a beautiful watch. | 0:20:32 | 0:20:36 | |
Would you go to 70? | 0:20:36 | 0:20:38 | |
-Will it be cash? -It's always cash. | 0:20:38 | 0:20:42 | |
-Shake hands. -Is that all right with you guys? -Cheers. | 0:20:42 | 0:20:45 | |
-Thank you. Very much. -If you do well, come back and give me | 0:20:45 | 0:20:47 | |
-another few quid. -I'll try and remember. | 0:20:47 | 0:20:49 | |
Yes, of course they will. | 0:20:49 | 0:20:51 | |
Ow! | 0:20:51 | 0:20:54 | |
So, that's it, Reds, third deal done. You can breathe easy. | 0:20:54 | 0:20:57 | |
The Blues are still one short and time is ticking away. | 0:20:57 | 0:21:00 | |
They have spotted a few pieces, but which to go for? | 0:21:00 | 0:21:03 | |
The big charger. You've packed it up, have you? | 0:21:03 | 0:21:06 | |
Look, it's come back out of the bag. Look at that. | 0:21:06 | 0:21:09 | |
Just think of the diesel you'll save not taking it home. | 0:21:09 | 0:21:12 | |
Has diesel really gone up that much? | 0:21:12 | 0:21:14 | |
That's a very good point. | 0:21:14 | 0:21:17 | |
I mean, it's lovely. I do love it. I just... | 0:21:17 | 0:21:21 | |
I haven't a clue what it will make at auction. | 0:21:21 | 0:21:23 | |
If two or three people love it, it will be great. | 0:21:23 | 0:21:26 | |
But 180 I think is quite a lot for us. | 0:21:27 | 0:21:30 | |
150? | 0:21:30 | 0:21:32 | |
-I can do 165. -Oh! | 0:21:33 | 0:21:36 | |
Halfway? 160? | 0:21:36 | 0:21:39 | |
Go on, go on. | 0:21:39 | 0:21:41 | |
A dashing smile from Malcolm and it's job done for the Blues. | 0:21:41 | 0:21:46 | |
-I'm surplus to requirements. -Nonsense, Mark. | 0:21:46 | 0:21:49 | |
They couldn't have done it without you. | 0:21:49 | 0:21:52 | |
Hey, bring my plate back! | 0:21:52 | 0:21:54 | |
That's it, shopping time's over. | 0:21:56 | 0:21:59 | |
Let's remind ourselves what the Red Team bought, eh? | 0:21:59 | 0:22:02 | |
Do you get the point? | 0:22:02 | 0:22:03 | |
First up, our boys and Anita found the Red's arrow. | 0:22:03 | 0:22:07 | |
The agate brooch costs them £75. | 0:22:07 | 0:22:11 | |
And they dipped their nibs in at the silver-mounted glass inkwell. | 0:22:11 | 0:22:15 | |
And it drew up at £125. | 0:22:15 | 0:22:18 | |
With plenty of time to spare, they found their third item, | 0:22:18 | 0:22:21 | |
a lady's enamelled wristwatch for a charming £70. | 0:22:21 | 0:22:25 | |
Three items of very nice quality, I'm delighted. | 0:22:25 | 0:22:28 | |
Hey, you ought to be delighted. Have you had a lovely time? | 0:22:28 | 0:22:31 | |
I had a lovely time. | 0:22:31 | 0:22:32 | |
-Was that a shopping experience to die for? -Oh, it was. | 0:22:32 | 0:22:34 | |
-The best. -Now, Robert, which is your favourite piece? | 0:22:34 | 0:22:37 | |
-Got to be the enamelled watch, Tim. -Do you agree with that, Chris? | 0:22:37 | 0:22:40 | |
I think the watch is pretty good, but the arrow brooch | 0:22:40 | 0:22:43 | |
-is a close second for me. -Is it? | 0:22:43 | 0:22:44 | |
Will that bring the biggest profit? | 0:22:44 | 0:22:46 | |
-I think the watch might. -Bags and bags of cash. | 0:22:46 | 0:22:49 | |
Bags and bags of cash. Don't you love the attitude? | 0:22:49 | 0:22:52 | |
Talking of cash, how much did you spend? | 0:22:52 | 0:22:54 | |
-A whopping 270. -£270, that is such a mature amount of money. | 0:22:54 | 0:22:58 | |
The brothers, I think, have it, don't you? | 0:22:58 | 0:23:00 | |
I think they have it in spades. | 0:23:00 | 0:23:01 | |
-So, who has got the £30? -That would be me, Tim. I've got it. | 0:23:01 | 0:23:04 | |
-30 right there. -Very good. Sort of meagre pickings for you today. | 0:23:04 | 0:23:09 | |
Well, it's not a lot of money and people are packing up, | 0:23:09 | 0:23:12 | |
so I'll have to get out and do a bit of work. | 0:23:12 | 0:23:15 | |
You will, you will. Anyway, interesting to see what happens. | 0:23:15 | 0:23:17 | |
Good luck, chaps. Relax up now. | 0:23:17 | 0:23:19 | |
Meanwhile, why don't we check out how the Blues are getting on, eh? | 0:23:19 | 0:23:23 | |
After much hunting, the Blues found their crowning first item. | 0:23:23 | 0:23:27 | |
But it hardly cost a king's ransom. | 0:23:27 | 0:23:29 | |
They were on fire with their second purchase - | 0:23:29 | 0:23:31 | |
the flambe vase cost them £75. | 0:23:31 | 0:23:35 | |
And they were drawn back to their hand-painted plate, | 0:23:35 | 0:23:38 | |
and spent £160. Wow. | 0:23:38 | 0:23:41 | |
But it all came together at the last minute, didn't it? | 0:23:41 | 0:23:44 | |
It did rather, didn't it? | 0:23:44 | 0:23:45 | |
Well, thank goodness it did all come together, | 0:23:45 | 0:23:48 | |
-otherwise we'd be in trouble, wouldn't we? -We would, would we? | 0:23:48 | 0:23:51 | |
-Yes. -Catherine, which is the favourite piece that you bought? | 0:23:51 | 0:23:54 | |
-The plate. -That's your favourite piece? Do agree with that? | 0:23:54 | 0:23:56 | |
-I do agree with it. -That's because you are such an agreeable couple. | 0:23:56 | 0:24:00 | |
-Well, 41 years. -I know. -I've had time to learn. | 0:24:00 | 0:24:04 | |
Quite right. Always agree. And what was the total expenditure? | 0:24:04 | 0:24:07 | |
-£250. -250? | 0:24:07 | 0:24:09 | |
I'd like £50 of leftover lolly. There you go. | 0:24:09 | 0:24:12 | |
£50, 50 smackers for you. Mark, what are you going to spend it on? | 0:24:12 | 0:24:15 | |
I've got something they've always wanted in mind, Tim. | 0:24:15 | 0:24:19 | |
Have you? | 0:24:19 | 0:24:20 | |
Oh, that's a bit enigmatic. A bit too deep for us on daytime. | 0:24:20 | 0:24:26 | |
Anyway, good luck. Have a nice relax, team. | 0:24:26 | 0:24:28 | |
Meanwhile, we are heading to the west of England, | 0:24:28 | 0:24:31 | |
actually to Bristol. Oo-arr! | 0:24:31 | 0:24:33 | |
I'm here in Bristol, the home of the BBC's Natural History Unit. | 0:24:35 | 0:24:40 | |
The production teams here are responsible for bringing us some | 0:24:42 | 0:24:45 | |
of the most groundbreaking natural history programming of all time. | 0:24:45 | 0:24:50 | |
A profound interest in natural history has been one | 0:24:52 | 0:24:55 | |
of the defining features of British art in the 18th and 19th centuries. | 0:24:55 | 0:25:02 | |
Here at the Bristol Museum And Art Gallery, | 0:25:02 | 0:25:05 | |
is an artist's interpretation of a story of truly biblical proportions. | 0:25:05 | 0:25:12 | |
Galleries like this throughout the land are full of pictures. | 0:25:24 | 0:25:29 | |
They come sometimes by way of gift, sometimes they are acquired, | 0:25:29 | 0:25:33 | |
sometimes they come in all shapes and sizes. | 0:25:33 | 0:25:38 | |
But not so many come in the scale of this picture | 0:25:38 | 0:25:42 | |
by Jan Griffier. I mean, this is an enormous picture, isn't it? | 0:25:42 | 0:25:47 | |
I'm six feet tall - what's this? | 0:25:47 | 0:25:50 | |
12 feet by 12 feet, something like that. | 0:25:50 | 0:25:53 | |
And it is painted with oil on canvas and was completed, | 0:25:53 | 0:25:58 | |
we think, early in the 18th century, say about 1710, something like that. | 0:25:58 | 0:26:04 | |
It, of course, depicts the biblical scene of Noah and his Ark, | 0:26:04 | 0:26:10 | |
with the animals entering this enormous Baroque-looking ark | 0:26:10 | 0:26:15 | |
two by two. | 0:26:15 | 0:26:16 | |
By what is interesting is the way that Griffier | 0:26:16 | 0:26:20 | |
has seriously studied the animal form. | 0:26:20 | 0:26:24 | |
And you are able to identify species in their embarkation. | 0:26:24 | 0:26:28 | |
In part, that's because Griffier worked with the great | 0:26:28 | 0:26:32 | |
British ornithological and animal painter Francis Barlow. | 0:26:32 | 0:26:38 | |
They worked together in the 1680s. | 0:26:38 | 0:26:41 | |
And this etching shows a work after Barlow | 0:26:41 | 0:26:45 | |
that was engraved by Griffier. | 0:26:45 | 0:26:47 | |
To create an engraving like this, Griffier would have taken | 0:26:47 | 0:26:51 | |
a copper plate and covered it in some black, sooty, waxy stuff. | 0:26:51 | 0:26:56 | |
And then, with a variety of engraving tools, | 0:26:56 | 0:27:00 | |
would have scratched through the black, | 0:27:00 | 0:27:02 | |
sooty stuff and then inserted the copper plate into a vat of acid. | 0:27:02 | 0:27:08 | |
The acid ate away at the metal where the sooty stuff | 0:27:08 | 0:27:12 | |
was scratched away. | 0:27:12 | 0:27:14 | |
You removed the sooty stuff and there is the copper plate, | 0:27:14 | 0:27:18 | |
engraved with the drawing. | 0:27:18 | 0:27:20 | |
Ink it up, put it on a piece of paper and - hey, presto - | 0:27:20 | 0:27:24 | |
you create a delicious image like this. | 0:27:24 | 0:27:27 | |
Now, the similarities between this etching and the picture | 0:27:27 | 0:27:33 | |
are quite close, particularly in relation to these two animals. | 0:27:33 | 0:27:38 | |
The fellow in the foreground is quite clearly an ostrich. | 0:27:38 | 0:27:42 | |
But the bird next door to him is something called a cassowary. | 0:27:42 | 0:27:46 | |
Have you ever seen a cassowary? | 0:27:46 | 0:27:49 | |
Well, nor have I, actually, but they are apparently horrible birds. | 0:27:49 | 0:27:54 | |
They are extremely bad tempered, very unpredictable | 0:27:54 | 0:27:58 | |
and they are big and strong and perfectly capable of maiming | 0:27:58 | 0:28:02 | |
you or a zoo keeper, which is why we don't see so many in zoos. | 0:28:02 | 0:28:07 | |
They stay largely in New Guinea and Australia. | 0:28:07 | 0:28:12 | |
Whatever you might think of the picture, | 0:28:12 | 0:28:14 | |
you have to agree that it is big. | 0:28:14 | 0:28:16 | |
As big, we hope, | 0:28:16 | 0:28:18 | |
as the profits our teams are going to make today over at the auction. | 0:28:18 | 0:28:22 | |
From Ardingly, if you take the 272, which is the Pilgrim Way, | 0:28:38 | 0:28:42 | |
where do you pitch up? You pitch up in Canterbury, | 0:28:42 | 0:28:45 | |
at Canterbury Auction with Anthony Pratt, if you're lucky. | 0:28:45 | 0:28:48 | |
Good to have you back again. | 0:28:48 | 0:28:49 | |
Great. Now, Christopher and Robert, first up, with Anita, | 0:28:49 | 0:28:53 | |
have gone with this wee Scottish brooch. | 0:28:53 | 0:28:55 | |
Nice agate bar, isn't it? | 0:28:55 | 0:28:56 | |
It's a nice, little brooch, | 0:28:56 | 0:28:58 | |
with a banded agate in the centre there | 0:28:58 | 0:29:00 | |
and the silver. It's nicely engraved. | 0:29:00 | 0:29:02 | |
Yes. So, what is it worth, Anthony? | 0:29:02 | 0:29:04 | |
I have been a bit mean. It is probably worth £30 to £50. | 0:29:04 | 0:29:06 | |
30 to 50? 75 paid. | 0:29:06 | 0:29:09 | |
Full price, I think. | 0:29:09 | 0:29:11 | |
All right, fair enough. | 0:29:11 | 0:29:12 | |
Moving on to the little glass inkwell here, | 0:29:12 | 0:29:15 | |
which is solid silver-mounted. | 0:29:15 | 0:29:17 | |
-Is that a good thing or bad thing? -I think it's nice quality. | 0:29:17 | 0:29:20 | |
The casting and the chasing is very nice. | 0:29:20 | 0:29:22 | |
And it's all there, hobnail-cut base. | 0:29:22 | 0:29:26 | |
It deserves to do well. It is a functional, useful piece. | 0:29:26 | 0:29:29 | |
-How much? -80 to 120 on that. | 0:29:29 | 0:29:31 | |
-Oh, Lordy, £125 paid. -A little too much. | 0:29:31 | 0:29:34 | |
Moving on to the watch. | 0:29:34 | 0:29:36 | |
How do you rate the gilt metal and enamel little wristwatch? | 0:29:36 | 0:29:40 | |
It's a reasonable quality wristwatch. | 0:29:40 | 0:29:42 | |
The enamel is good quality, but sadly, gilt metal, not silver. | 0:29:42 | 0:29:45 | |
Odd, that, isn't it? Because the enamel is great. | 0:29:45 | 0:29:48 | |
I mean, I love that little picture on the back. | 0:29:48 | 0:29:50 | |
-That's special, isn't it? -Very good quality. | 0:29:50 | 0:29:52 | |
-It is surprising. -OK, what's it worth then? | 0:29:52 | 0:29:54 | |
-I put £30 to £50 on it. -They paid £70. | 0:29:54 | 0:29:57 | |
Uniquely, we have three objects, | 0:29:57 | 0:29:59 | |
which we are predicting too much has been paid for. | 0:29:59 | 0:30:02 | |
In which case, they'll need the bonus buy. | 0:30:02 | 0:30:04 | |
Let's go and have a look at it. | 0:30:04 | 0:30:05 | |
Well, Robert, Christopher, this is the moment. | 0:30:05 | 0:30:08 | |
We are nearly on the edge. | 0:30:08 | 0:30:09 | |
You gave Anita all of £30, not a fortune. | 0:30:09 | 0:30:11 | |
What did Anita spend it on? | 0:30:11 | 0:30:12 | |
You clever girl. | 0:30:12 | 0:30:14 | |
The boys and I were looking at tinplate toys earlier on, | 0:30:14 | 0:30:18 | |
so I bought them a tinplate toy. | 0:30:18 | 0:30:22 | |
-Oh, guys. -Oh, Lord. | 0:30:22 | 0:30:24 | |
The stallholders were packing up, I was under time pressure, | 0:30:24 | 0:30:29 | |
I looked at this little creature. | 0:30:29 | 0:30:30 | |
It gazed at me with its light-up eyes, | 0:30:30 | 0:30:33 | |
which don't light up, | 0:30:33 | 0:30:35 | |
its poor, scruffy old coat and its broken paw | 0:30:35 | 0:30:39 | |
and my heart melted and I had to buy it. | 0:30:39 | 0:30:43 | |
Boys, I might have made a bit of a mistake. | 0:30:43 | 0:30:46 | |
But I couldn't resist it. It's Japanese, it's post-war. | 0:30:46 | 0:30:52 | |
I paid £15 for him. | 0:30:52 | 0:30:54 | |
We might get away with it, but what do you think? | 0:30:54 | 0:30:57 | |
Is he melting your hearts, boys? | 0:30:57 | 0:30:59 | |
-What do you reckon? -It's quite funky, | 0:30:59 | 0:31:01 | |
isn't it? But the big question here, Anita, is... | 0:31:01 | 0:31:04 | |
Is it going to get us loads of money? | 0:31:04 | 0:31:06 | |
It's not going to get you loads of money, boys. | 0:31:06 | 0:31:09 | |
We get to cross our paws, actually, that's what we old dogs do. | 0:31:09 | 0:31:11 | |
Maybe a walk in the park. | 0:31:11 | 0:31:13 | |
A walk in the park. I think we'll stop while we're ahead | 0:31:13 | 0:31:16 | |
and find out what the auctioneer thinks about Anita's dog. | 0:31:16 | 0:31:20 | |
Well, Tony, here is something really special for you. | 0:31:20 | 0:31:24 | |
Thank you for that, Tim. | 0:31:24 | 0:31:25 | |
I really can't quite think what I'm going to say about this. | 0:31:25 | 0:31:29 | |
It's Japanese. Probably 1950s or '60s. | 0:31:29 | 0:31:31 | |
-But I think it's had a rather hard life. -So odd, though, isn't it? | 0:31:31 | 0:31:35 | |
To have that Scotty tartan hat | 0:31:35 | 0:31:38 | |
and then really weird light-bulb eyes, watch-bulb eyes. | 0:31:38 | 0:31:42 | |
-Two different kinds of blue. -Two different kinds of blue. | 0:31:42 | 0:31:45 | |
Anita paid £15. She rates it as a profitable opportunity. | 0:31:45 | 0:31:48 | |
-We went for two to five. -Oh, did you? How embarrassing. | 0:31:48 | 0:31:51 | |
I've never had anything so low in my catalogue. | 0:31:51 | 0:31:54 | |
Have you never had such a low estimate? Lord. | 0:31:54 | 0:31:56 | |
Well, it's kind of you to try for us at all. | 0:31:56 | 0:31:59 | |
Anyway, that's it for the Reds, now for the Blues. | 0:31:59 | 0:32:02 | |
Their first item is weird. | 0:32:02 | 0:32:04 | |
That's the top of a chandelier or light fitting, isn't it? | 0:32:04 | 0:32:07 | |
Absolutely. Nice quality, but just missing the rest of it. | 0:32:07 | 0:32:11 | |
And on its own, is it worth a pound or two? | 0:32:11 | 0:32:13 | |
We've only put five to ten pounds on it. | 0:32:13 | 0:32:15 | |
-I think that's very generous. -It is good quality. | 0:32:15 | 0:32:17 | |
Malcolm paid £15. | 0:32:17 | 0:32:19 | |
Anyway, it's neither here nor there. Moving on, is the Doulton. | 0:32:19 | 0:32:23 | |
-How do you rate that? -Again, nice quality vase. | 0:32:23 | 0:32:25 | |
Not the most popular of patterns, but this one is a good example. | 0:32:25 | 0:32:29 | |
In good condition, as well. | 0:32:29 | 0:32:31 | |
-So, I've put £60 to £80 on this. -£75 they paid. | 0:32:31 | 0:32:34 | |
What's much more my cup of tea, though, | 0:32:34 | 0:32:37 | |
is this earthenware plate. | 0:32:37 | 0:32:38 | |
-Isn't that just a honey? -It's just stunning. | 0:32:38 | 0:32:41 | |
I think it's beautiful quality. It's been beautifully decorated. | 0:32:41 | 0:32:45 | |
I think it's a continental plaque that was sold in white | 0:32:45 | 0:32:48 | |
and then decorated by an amateur. | 0:32:48 | 0:32:50 | |
-But this amateur was a very good hand there. -Yes. I mean, | 0:32:50 | 0:32:54 | |
if you look at those sweet little chicks, | 0:32:54 | 0:32:56 | |
they are straight out of Walt Disney | 0:32:56 | 0:33:00 | |
40 years before Walt Disney did anything. | 0:33:00 | 0:33:03 | |
And then the tits in the sky and the fruit... | 0:33:03 | 0:33:05 | |
I mean, every single respect that you look | 0:33:05 | 0:33:08 | |
at the decoration on that thing, it is amazing. | 0:33:08 | 0:33:12 | |
-It's got everything going on it. -It's got everything going for it. | 0:33:12 | 0:33:15 | |
Lovely to hang in a nursery or something like that. | 0:33:15 | 0:33:17 | |
-Absolutely. -What's it worth then? -I put 80 to 120 on it. | 0:33:17 | 0:33:20 | |
OK, that's a good leading estimate. | 0:33:20 | 0:33:23 | |
-To tempt people. -We hope it will tempt them, | 0:33:23 | 0:33:26 | |
because they paid 160 and they need all the tempting they can get. | 0:33:26 | 0:33:29 | |
All around, though, | 0:33:29 | 0:33:30 | |
I suspect they're definitely going to need their bonus buy. | 0:33:30 | 0:33:33 | |
Let's go and have a look at it. | 0:33:33 | 0:33:36 | |
Malcolm, Catherine, welcome. | 0:33:36 | 0:33:37 | |
You spent 250, you gave Mark Stacey £50 of leftover lolly. | 0:33:37 | 0:33:41 | |
Mark, what did you spend it on? | 0:33:41 | 0:33:43 | |
I spent it on something you've always wanted. | 0:33:43 | 0:33:46 | |
Something silver. Let me hand you that. | 0:33:46 | 0:33:48 | |
-It's a Guernsey milk churn. -Isn't it beautiful! -Do you like it? | 0:33:48 | 0:33:53 | |
-I do. On its own? -No, funny you should mention it | 0:33:53 | 0:33:57 | |
as I'm going to hand one over to Tim. | 0:33:57 | 0:33:59 | |
-Oh, look! -Look at that! -Which is a pair of them. | 0:33:59 | 0:34:03 | |
-Do you like them? -Oh, they're beautiful, yeah. | 0:34:03 | 0:34:06 | |
It doesn't stop there. | 0:34:06 | 0:34:08 | |
-It doesn't stop there cos there's a third one. -No! -Oh, my! | 0:34:08 | 0:34:11 | |
-How much did you have? -Well, I had £50. | 0:34:11 | 0:34:15 | |
-Yes. -And I blew the lot on these three. -Are they're all silver? | 0:34:15 | 0:34:18 | |
All silver. I thought that was a pretty good buy, actually. | 0:34:18 | 0:34:22 | |
-£50 for three? -You did want some silver, and I had that in mind. | 0:34:22 | 0:34:26 | |
-Because we have to listen to her, don't we? -Absolutely. | 0:34:26 | 0:34:29 | |
So, I followed our orders. | 0:34:29 | 0:34:31 | |
What, he's deaf, he never listens to me. | 0:34:31 | 0:34:33 | |
-Well, isn't that nice? Do you like them, Malcolm? -I do, very much. | 0:34:33 | 0:34:37 | |
How much are they going to make? | 0:34:37 | 0:34:39 | |
-There's got to be 20 to 30 profit in there. -I would think so. | 0:34:39 | 0:34:42 | |
I hope so, anyway. | 0:34:42 | 0:34:44 | |
You don't think you're going to double your money then? | 0:34:44 | 0:34:46 | |
Well, you know, Tim, I like to keep a little bit in reserve. | 0:34:46 | 0:34:50 | |
-You don't want to tease too much. -No, I don't want to tease. | 0:34:50 | 0:34:53 | |
I'd have a tease if I were you. | 0:34:53 | 0:34:54 | |
-It's the only profit we're going to make. -Well, don't be like that. | 0:34:54 | 0:34:59 | |
It ain't over till the fat lady sings. | 0:34:59 | 0:35:02 | |
But for the audience at home, | 0:35:02 | 0:35:03 | |
let's find out what the auctioneer thinks about Mark's little jugs. | 0:35:03 | 0:35:06 | |
-These are fun, aren't they, Tony? -They are. Nice quality. | 0:35:06 | 0:35:09 | |
I don't know why in the Channel Islands, in particular, | 0:35:09 | 0:35:13 | |
they had this spherical milk and fluid container, | 0:35:13 | 0:35:17 | |
but it's attractive. | 0:35:17 | 0:35:18 | |
Yep. Always referred to as Jersey milk cans. | 0:35:18 | 0:35:21 | |
Normally a larger size than this, obviously. | 0:35:21 | 0:35:23 | |
These are miniature, little souvenirs. | 0:35:23 | 0:35:25 | |
But they are all silver, estimated at £70 to £100. | 0:35:25 | 0:35:27 | |
Oh, well that's good, because Mark paid 50. | 0:35:27 | 0:35:30 | |
A very good buy then. | 0:35:30 | 0:35:31 | |
The big question is will the team go with the bonus buy. | 0:35:31 | 0:35:35 | |
Anyway, we'll see. | 0:35:35 | 0:35:36 | |
-Now, Robert, Christopher, how are you feeling? -Very well, thank you. | 0:35:41 | 0:35:44 | |
-Feeling confident? -Yeah, I'd say so. | 0:35:44 | 0:35:48 | |
That doesn't sound so confident. | 0:35:48 | 0:35:50 | |
-I haven't decided yet. -We're trying. -That is difficult, isn't it? | 0:35:50 | 0:35:52 | |
Not deciding whether you're confident or not. | 0:35:52 | 0:35:55 | |
No, seriously, it's the moment, isn't it? | 0:35:55 | 0:35:57 | |
-It's always nice in a crowded sale room. -Yeah. | 0:35:57 | 0:35:59 | |
-But you come to sales quite a lot, don't you? -We do, yeah. | 0:35:59 | 0:36:03 | |
So, you know what it's all about. | 0:36:03 | 0:36:04 | |
The first lot up is going to be the arrow brooch, and here it comes. | 0:36:04 | 0:36:09 | |
This Scottish silver-metal-mounted agate brooch, | 0:36:09 | 0:36:11 | |
with arrow design. | 0:36:11 | 0:36:12 | |
A delightful little brooch here. Who will start me at £30? | 0:36:12 | 0:36:15 | |
-Come on. -30 for the brooch? 30 I have. | 0:36:15 | 0:36:19 | |
35, where? Who's 35? | 0:36:19 | 0:36:22 | |
35 I have. 40. 45. 50. | 0:36:22 | 0:36:26 | |
-55? -Go. -55, someone? -Come on! | 0:36:26 | 0:36:29 | |
Who is 55? Selling at £50, the bid standing. | 0:36:29 | 0:36:32 | |
-All in at £50 then. -No money. | 0:36:32 | 0:36:34 | |
-£50. -What a shame. | 0:36:34 | 0:36:36 | |
-That was a particularly pretty one. -It was a good one, wasn't it? -Yeah. | 0:36:36 | 0:36:40 | |
Now, here comes the inkwell. | 0:36:40 | 0:36:42 | |
Birmingham, 1900. | 0:36:42 | 0:36:44 | |
Been engraved there. Good quality inkwell then. | 0:36:44 | 0:36:46 | |
£60? | 0:36:46 | 0:36:48 | |
60 for the inkwell? 60 on the Internet. | 0:36:49 | 0:36:52 | |
65? 70? 75, the Internet. 75 where? | 0:36:52 | 0:36:56 | |
-I'm not liking this. -70 I have in the room, | 0:36:56 | 0:36:59 | |
75 where? 75. 80? 85. 90? | 0:36:59 | 0:37:03 | |
90 for someone? | 0:37:03 | 0:37:04 | |
-Selling at £85. Are we all done then? -£85. | 0:37:04 | 0:37:07 | |
Oh, no! Minus £40. | 0:37:07 | 0:37:12 | |
OK, that quickly, it's not too bad. Minus 65. | 0:37:12 | 0:37:14 | |
Now, here comes the enamelled watch. | 0:37:14 | 0:37:17 | |
Delightful little wrist watch with the enamel, decorative back. | 0:37:17 | 0:37:20 | |
We have commission bids, we start at £60. 65 where? | 0:37:20 | 0:37:24 | |
-That's close. -Who is 65? | 0:37:24 | 0:37:26 | |
The watch there. 65 for someone? | 0:37:26 | 0:37:30 | |
Selling at £60 then. Are we all done then? | 0:37:30 | 0:37:33 | |
On commission at £60... | 0:37:33 | 0:37:35 | |
Sold for £60, which is minus ten pounds, | 0:37:35 | 0:37:37 | |
which means overall you are minus 75. | 0:37:37 | 0:37:39 | |
What are we going to do about the old dog? | 0:37:39 | 0:37:41 | |
Oh, we're going to go for it. | 0:37:41 | 0:37:43 | |
It's going to make us bajillions. | 0:37:43 | 0:37:46 | |
-We'll make loads of money with it. -That's confidence for you. | 0:37:46 | 0:37:49 | |
-Anyway, that, I take it, is a yes? -Yes. | 0:37:49 | 0:37:51 | |
We are going with the Japanese tinplate dog, and here it comes. | 0:37:51 | 0:37:54 | |
He is looking for new home. At 135-A. | 0:37:54 | 0:37:57 | |
-Ten pounds? -Oh, please. | 0:37:57 | 0:37:59 | |
-Ten pounds I have. -Somebody has gone for it. -15 where? Who is 15? | 0:37:59 | 0:38:04 | |
15 I have, 20? | 0:38:04 | 0:38:06 | |
25. 30. 35? 35, someone? | 0:38:06 | 0:38:10 | |
Who is 35? | 0:38:10 | 0:38:12 | |
I have 30 on my left. 35 anywhere? | 0:38:12 | 0:38:14 | |
Selling at £30 then. Are we all done? | 0:38:14 | 0:38:17 | |
Well done, Anita, doubled your cash. | 0:38:17 | 0:38:19 | |
I wasn't barking up the wrong tree after all. | 0:38:19 | 0:38:21 | |
Yeah, you certainly weren't. | 0:38:21 | 0:38:23 | |
And it went for a walk at that, I tell you. | 0:38:23 | 0:38:25 | |
Anyway, that's plus 15, | 0:38:25 | 0:38:27 | |
which means, overall, your score is minus 60. | 0:38:27 | 0:38:29 | |
Now, the way things are today, that could be a winning score, right? | 0:38:29 | 0:38:32 | |
-Could be. -On that basis, don't say a word to the Blues. | 0:38:32 | 0:38:35 | |
-Catherine, Malcolm, how are you? -Very fine. -"Very fine." | 0:38:41 | 0:38:47 | |
Do you know how the Reds got on? No? We don't want you to. | 0:38:47 | 0:38:50 | |
Anyway, first up then is the pendant fitting, and here it comes. | 0:38:50 | 0:38:54 | |
Continental brass crown pattern pendant mount. Good quality item. | 0:38:54 | 0:38:57 | |
Ten pounds? | 0:38:57 | 0:38:59 | |
Ten I have. 15 where? | 0:38:59 | 0:39:02 | |
15 for someone? Selling at ten pounds then. | 0:39:02 | 0:39:06 | |
-All done? -No! -Come on! | 0:39:06 | 0:39:08 | |
To our youngest customer. | 0:39:08 | 0:39:09 | |
-Terrible. -Now, here comes the bottle vase. | 0:39:10 | 0:39:14 | |
These are Royal Doulton pottery flambe woodcut bottle-shaped vase. | 0:39:14 | 0:39:17 | |
A big decorative vase at 150-B. | 0:39:17 | 0:39:19 | |
-£50? -Yes. -50 I have. | 0:39:19 | 0:39:22 | |
55 where? | 0:39:22 | 0:39:23 | |
Who is 55 then? | 0:39:23 | 0:39:25 | |
I have £50 on my left. | 0:39:25 | 0:39:26 | |
55? 55. 60. 65. 70. | 0:39:26 | 0:39:30 | |
75? 75 for someone? | 0:39:30 | 0:39:32 | |
Selling at £70. The bid is still on my left. | 0:39:32 | 0:39:34 | |
-All done at £70? -One more. -Come on. -No further bid then? | 0:39:34 | 0:39:38 | |
-£70, was it? Was it £70? It was, wasn't it? -75. | 0:39:38 | 0:39:41 | |
Big imposing charger there, 16 in diameter. | 0:39:41 | 0:39:44 | |
Who will start me at £50? | 0:39:44 | 0:39:47 | |
50 where? 50. Hush out there. | 0:39:47 | 0:39:50 | |
-Come on! -Is anybody out there at all? | 0:39:50 | 0:39:52 | |
£50, the charger. 50 I have. | 0:39:52 | 0:39:54 | |
55. 60. | 0:39:54 | 0:39:56 | |
60? 60. 65? | 0:39:56 | 0:39:59 | |
-70. -Come on! | 0:39:59 | 0:40:00 | |
70? 75. 80. 85. | 0:40:01 | 0:40:05 | |
-90? -It's creeping. -No? | 0:40:05 | 0:40:07 | |
One more? 90. | 0:40:07 | 0:40:09 | |
95. | 0:40:09 | 0:40:11 | |
95. 100? | 0:40:11 | 0:40:13 | |
Top it off? | 0:40:13 | 0:40:15 | |
Selling at £95 then. All done then? | 0:40:15 | 0:40:18 | |
Oh, £95. | 0:40:18 | 0:40:20 | |
That's five off a 100, that's minus 65. | 0:40:20 | 0:40:23 | |
I'm afraid overall you are minus £75. | 0:40:23 | 0:40:25 | |
Minus £75, what are you going to do about the bonus buy? | 0:40:25 | 0:40:28 | |
-Are you going to go with it? -We're going to go with it. | 0:40:28 | 0:40:30 | |
-Go with it. -We trust the lad. | 0:40:30 | 0:40:31 | |
OK, you're going with a bonus buy, and here it comes. | 0:40:31 | 0:40:35 | |
The Victorian silver model of the Guernsey milk pail. | 0:40:35 | 0:40:38 | |
And the two other items with it. | 0:40:38 | 0:40:40 | |
Delightful little things or souvenirs of the Channel Islands. | 0:40:40 | 0:40:43 | |
£100, someone? | 0:40:43 | 0:40:44 | |
£100 I have. 110 where? | 0:40:44 | 0:40:46 | |
Who is 110? | 0:40:46 | 0:40:47 | |
110 I have. 120? 130? | 0:40:47 | 0:40:51 | |
Who is 130? | 0:40:51 | 0:40:52 | |
No further bid? Come on, there. | 0:40:52 | 0:40:54 | |
-Come on, one more. -Come on, one more. -Selling at 120. -One more! | 0:40:54 | 0:40:58 | |
Nobody is into action here, apparently. | 0:40:58 | 0:41:01 | |
130 for someone? | 0:41:01 | 0:41:03 | |
Selling at 120 then. | 0:41:03 | 0:41:05 | |
The bid is on my left still. | 0:41:05 | 0:41:06 | |
Oh, bad luck. 120 means that's plus 70, | 0:41:06 | 0:41:11 | |
but as you are minus 75, | 0:41:11 | 0:41:12 | |
we are still minus five pounds. | 0:41:12 | 0:41:15 | |
So, you missed making a profit by only five pounds. | 0:41:15 | 0:41:18 | |
But you need to congratulate him for saving your bacon. | 0:41:18 | 0:41:21 | |
My gosh, that's a good show. | 0:41:21 | 0:41:23 | |
Well done, Mark. They wanted to blame you, too. | 0:41:23 | 0:41:27 | |
I know. I pulled them back. | 0:41:27 | 0:41:30 | |
Listen, minus five pounds could be a winning score, | 0:41:30 | 0:41:33 | |
don't talk to the Reds. | 0:41:33 | 0:41:35 | |
All will be revealed in a moment. | 0:41:35 | 0:41:37 | |
What a great day we've had. | 0:41:44 | 0:41:45 | |
Every single team has lost on every single item. | 0:41:45 | 0:41:50 | |
How about that? That is a stellar performance. | 0:41:50 | 0:41:54 | |
Congratulation to the Blues and congratulations to the Reds, | 0:41:54 | 0:41:58 | |
you have all done miserably badly. | 0:41:58 | 0:42:01 | |
But haven't we had a lovely time? It has been just bliss, hasn't it? | 0:42:01 | 0:42:05 | |
What we can do, though, is congratulate our experts | 0:42:05 | 0:42:07 | |
on the bonus buy, | 0:42:07 | 0:42:09 | |
because both of our experts have turned in a massive profit. | 0:42:09 | 0:42:12 | |
Mark, with your profit of £70 | 0:42:12 | 0:42:16 | |
on the Guernsey silver pots | 0:42:16 | 0:42:18 | |
and, Anita, your £15 profit, darling, on the tinplate dog dog, | 0:42:18 | 0:42:22 | |
which gave us enormous amusement. | 0:42:22 | 0:42:26 | |
Thereby hangs the score a bit because, sadly, | 0:42:26 | 0:42:29 | |
the runners-up today are the boys. | 0:42:29 | 0:42:31 | |
ALL: Oh! | 0:42:31 | 0:42:32 | |
Your total score, lads, is minus £60, so it's no cash | 0:42:32 | 0:42:36 | |
-going home, all right? -Really? | 0:42:36 | 0:42:38 | |
There's no shame if we had a good time. | 0:42:38 | 0:42:39 | |
-A brilliant time, thank you. -I'm glad you enjoyed it. | 0:42:39 | 0:42:42 | |
Congratulations on your profit, Anita. | 0:42:42 | 0:42:44 | |
And the Blues are going away within a whisker of making money. | 0:42:44 | 0:42:49 | |
Sadly, you are only minus five pounds, | 0:42:49 | 0:42:51 | |
but you are still in the minus variety, | 0:42:51 | 0:42:53 | |
but helped out a lot by Mark's £70 profit on those jugs. | 0:42:53 | 0:42:57 | |
Well done for that. We came so close. | 0:42:57 | 0:43:00 | |
We've been so far. We've had a lovely time. | 0:43:00 | 0:43:02 | |
Join us soon for some more bargain hunting, yes? | 0:43:02 | 0:43:04 | |
ALL: Yes! | 0:43:04 | 0:43:05 | |
Subtitles by Red Bee Media Ltd | 0:43:07 | 0:43:10 |