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Today, we're in Derby, a town given its city status by the Queen, | 0:00:04 | 0:00:09 | |
at the time of her Silver Jubilee in 1977. | 0:00:09 | 0:00:13 | |
Today, our teams will be looking for a right royal gem, | 0:00:13 | 0:00:17 | |
so let's go bargain hunting! | 0:00:17 | 0:00:21 | |
Today we're at the Jaguar Antiques and Collectors Fair | 0:00:44 | 0:00:48 | |
at The Roundhouse in Derby, | 0:00:48 | 0:00:51 | |
which is a Grade II listed building. | 0:00:51 | 0:00:54 | |
This is a new venue for us but there are 200 stalls, | 0:00:54 | 0:00:57 | |
selling a wide range of collectables and antiques. | 0:00:57 | 0:01:00 | |
But before the hunt starts, let me allow the crew to tell you | 0:01:00 | 0:01:05 | |
what the rules are. | 0:01:05 | 0:01:07 | |
The teams have to find three items, while I chase after them. | 0:01:09 | 0:01:13 | |
I check the receipts to make sure they don't spend more than £300. | 0:01:13 | 0:01:17 | |
And I've got the stopwatch, as the Reds and Blues only have an hour to make the deal. | 0:01:17 | 0:01:21 | |
Today, our teams go for broke, trying to find that special item | 0:01:21 | 0:01:25 | |
that could just save the day. | 0:01:25 | 0:01:27 | |
Oh, I love that! | 0:01:27 | 0:01:30 | |
It's a risk, you would be taking a risk. | 0:01:30 | 0:01:32 | |
We are making a decision with our hearts and not our heads. | 0:01:32 | 0:01:35 | |
And just how much of a gamble are they prepared to take? | 0:01:35 | 0:01:37 | |
We could lose everything, we could lose £100. | 0:01:37 | 0:01:40 | |
You could so easily lose the £100 but isn't that exciting? | 0:01:40 | 0:01:43 | |
-Are you a gambler? -No! -Yes! You've got to be a gambler to make money. | 0:01:43 | 0:01:46 | |
But first, let's go and meet our teams. | 0:01:46 | 0:01:49 | |
Today on the show, for the Reds, we have friends and workmates. | 0:01:49 | 0:01:53 | |
Deborah and Naomi, very nice to see you. | 0:01:53 | 0:01:57 | |
-Hello. -Hi, Tim. -For the Blues, we have Sally and another Naomi! | 0:01:57 | 0:02:01 | |
-Hello, Naomi. Hello, Sally. -Hello. -Hello. -Mother and daughter, | 0:02:01 | 0:02:04 | |
how lovely. Now, Deborah, where do you two work? | 0:02:04 | 0:02:08 | |
We both work for the British Red Cross. | 0:02:08 | 0:02:11 | |
-It says here you're a first responder. -I am. -What does that mean? | 0:02:11 | 0:02:15 | |
Sounds like an amplifier in a piece of kit! | 0:02:15 | 0:02:17 | |
I probably could, with my American lungs, I could shout out | 0:02:17 | 0:02:20 | |
when there's an emergency. | 0:02:20 | 0:02:21 | |
In the village I live in, which is very small and very remote, | 0:02:21 | 0:02:25 | |
it could take a bit longer for an ambulance to get to us, | 0:02:25 | 0:02:28 | |
so there's a small band of us that have little back-packs | 0:02:28 | 0:02:32 | |
with defibrillators, oxygen, things like that. | 0:02:32 | 0:02:34 | |
Just a little bit of Americano in there, not a heck of a lot | 0:02:34 | 0:02:38 | |
-but still a little bit. -Thank you! Usually people say, "You're so American still!" | 0:02:38 | 0:02:42 | |
I'm like, "Not if you have me next to a regular American." | 0:02:42 | 0:02:45 | |
Naomi, you have a lot of fun in your office, don't you? | 0:02:45 | 0:02:47 | |
-Yes. -Tell us about your wild swimming parties. | 0:02:47 | 0:02:51 | |
I'm a founding member of SAS - Sheffield Adventure Swimmers | 0:02:51 | 0:02:54 | |
and we like to drive out to the Peak District and jump in our nearest river or lake. | 0:02:54 | 0:02:58 | |
We wear wetsuits, or the brave among us wear swimsuits. | 0:02:58 | 0:03:01 | |
If ever you'd like to come and join us, Tim... | 0:03:01 | 0:03:04 | |
So you like getting in any old kind of pond water, or... | 0:03:04 | 0:03:07 | |
No, it's got to be, you know, a nice river, good, fresh water. | 0:03:07 | 0:03:11 | |
A few days ago, I was swimming in the River Derwent, which runs through Chatsworth. | 0:03:11 | 0:03:15 | |
Really? So a whole flotilla of you going up the River Derwent? | 0:03:15 | 0:03:18 | |
-Yes, yes! -When you do this in the morning, what do the old moo-cows think? | 0:03:18 | 0:03:22 | |
They're having a nice old chew on the bank | 0:03:22 | 0:03:24 | |
and suddenly, looking like seals in your rubber suits... | 0:03:24 | 0:03:28 | |
Like seals, Tim? I think we look a bit more glamorous than that! | 0:03:28 | 0:03:31 | |
So, you girls, what are your tactics going to be today? | 0:03:31 | 0:03:34 | |
Haggle hard. Debs is a great haggler. | 0:03:34 | 0:03:36 | |
-She's got that American charm. -Some people call it "wearing people down!" | 0:03:36 | 0:03:39 | |
-You're good at that though, are you? -Yeah. | 0:03:39 | 0:03:42 | |
And we want to buy nice things that we would want to have. | 0:03:42 | 0:03:45 | |
-On the basis that your lovely taste that you have yourself will be reflected. -We've got amazing taste! | 0:03:45 | 0:03:50 | |
-Yeah, that's it. -Yeah! -And mo... And modesty... | 0:03:50 | 0:03:54 | |
-That top quality! -Well, good luck. We're going to have fun, I tell you. | 0:03:54 | 0:03:58 | |
-Great. How are you both? -Good, thank you. -We're really good, thank you. | 0:03:58 | 0:04:02 | |
Seems to me you've got some serious competition over here but your love of antiques runs in your family? | 0:04:02 | 0:04:06 | |
My dad was an antiques dealer. | 0:04:06 | 0:04:08 | |
Everything in our house was for sale when we were young. | 0:04:08 | 0:04:12 | |
Everything had a price ticket on! | 0:04:12 | 0:04:13 | |
So I got into going to auctions and things, | 0:04:13 | 0:04:16 | |
and Naomi came along, obviously did the same with my children! | 0:04:16 | 0:04:18 | |
Oh, brilliant. But you've got quite an eye for design, haven't you, Sal? | 0:04:18 | 0:04:22 | |
Mainly textiles, curtains, the carpets, more interior design. | 0:04:22 | 0:04:25 | |
-Interior design. Is that good fun? -Brilliant, lovely. | 0:04:25 | 0:04:29 | |
-Naomi, what do you do? -I'm a restaurant manager, it's an Italian, | 0:04:29 | 0:04:33 | |
it's quite a family-based restaurant which is good | 0:04:33 | 0:04:36 | |
because it means we get lots of nice families in and parties, so it's good like that. | 0:04:36 | 0:04:39 | |
It says here that you're a bit of a heroine. | 0:04:39 | 0:04:41 | |
-Well...they do say that. -Don't be modest, tell us about it. | 0:04:41 | 0:04:46 | |
Well, I worked as an air hostess. We were just about to take off, | 0:04:46 | 0:04:50 | |
everything was all fine, we'd done our checks. Next thing I know, | 0:04:50 | 0:04:53 | |
this man's shouting, "Come here, come here! I need some help!" | 0:04:53 | 0:04:55 | |
-I went over there. -It's a crisis. -His son was choking on a boiled sweet. | 0:04:55 | 0:05:00 | |
So I was like, "What do I do? What do I do?" | 0:05:00 | 0:05:03 | |
I ended up having to do the Heimlich manoeuvre on him. | 0:05:03 | 0:05:06 | |
As I looked round, after it had all gone, the whole of the plane was silent, | 0:05:06 | 0:05:09 | |
just staring at me. | 0:05:09 | 0:05:11 | |
-The boy was absolutely fine. -You saved the boy's life. | 0:05:11 | 0:05:14 | |
He slept the whole way, completely unfazed by the whole thing. | 0:05:14 | 0:05:17 | |
-Did they thank you? -They thanked me, yes, which was really nice, | 0:05:17 | 0:05:20 | |
and the captain thanked me as well, which was very nice. | 0:05:20 | 0:05:22 | |
Anyway, it's a lovely story. Let's hope we don't have an incident like that anywhere today | 0:05:22 | 0:05:28 | |
because we are very well-qualified today on this programme, | 0:05:28 | 0:05:31 | |
if we have any sort of emergency. | 0:05:31 | 0:05:33 | |
-Just goes to show why you need to learn first aid! -It certainly does. | 0:05:33 | 0:05:36 | |
Anyway, we've got the £300, the money moment, £300, | 0:05:36 | 0:05:40 | |
you know the rules, your experts await, and off you go! | 0:05:40 | 0:05:43 | |
And very, very, very good luck. | 0:05:43 | 0:05:45 | |
I never liked boiled sweets, me. | 0:05:45 | 0:05:47 | |
Guiding the Reds with his expertise is Thomas Plant. | 0:05:51 | 0:05:56 | |
And making a fresh appearance for the Blues is David Harper. | 0:05:56 | 0:06:00 | |
-You're North American, aren't you? -Yes, I am. | 0:06:02 | 0:06:04 | |
-So does that make you uber-competitive? -Yes! | 0:06:04 | 0:06:07 | |
-Really? Is that right? -In everything that she does. | 0:06:07 | 0:06:11 | |
My tactic is to find an old wooden trunk with an undiscovered Faberge egg inside. | 0:06:11 | 0:06:16 | |
-What do you think of the chance here? -Dream on! | 0:06:16 | 0:06:19 | |
Dream on. | 0:06:19 | 0:06:21 | |
-Are we going to absolutely beat eggs with a stick? -Oh, yeah! | 0:06:21 | 0:06:24 | |
OK, three, two, one! One hour now, go! | 0:06:24 | 0:06:27 | |
All this egg talk is making me hungry, | 0:06:27 | 0:06:31 | |
but it seems to have whipped the Reds into shape. | 0:06:31 | 0:06:32 | |
They've spotted something already. | 0:06:32 | 0:06:35 | |
I love this beautiful leaf bowl. | 0:06:35 | 0:06:38 | |
-Isn't that beautiful, Debs? -That is lovely. -Do you like that? | 0:06:38 | 0:06:41 | |
It looks quite new. Is there any age to that? | 0:06:41 | 0:06:43 | |
It's not new at all. | 0:06:43 | 0:06:44 | |
No, it's not new at all. It's by WMF. | 0:06:44 | 0:06:47 | |
WMF is a manufacturer from Germany, from about the 1900s. | 0:06:47 | 0:06:53 | |
And it stands for "Weimar Metallfabriken". | 0:06:53 | 0:06:57 | |
Something like that. | 0:06:57 | 0:06:59 | |
But it's in the art nouveau style, so early part of the 20th century. | 0:06:59 | 0:07:03 | |
It is silver plate, it's not solid silver. | 0:07:03 | 0:07:05 | |
And you can see a little calling to the art nouveau there. | 0:07:05 | 0:07:10 | |
So I'm guessing it's in this lovely curve | 0:07:10 | 0:07:13 | |
and maybe the grapes at the bottom there? | 0:07:13 | 0:07:15 | |
Absolutely. And it's what we would call a sinuous stem. | 0:07:15 | 0:07:19 | |
Oh. Will it matter that it's plated rather than solid silver? | 0:07:19 | 0:07:22 | |
Will that affect it in the auction? | 0:07:22 | 0:07:24 | |
"Woomf" as we call it in the business, WMF, | 0:07:24 | 0:07:27 | |
normally...well, it's always going to be plated. | 0:07:27 | 0:07:29 | |
-What did you like about it? -I love anything inspired by nature. | 0:07:29 | 0:07:35 | |
I just thought the leaf looked lovely, like it had fallen from a tree onto your table or something. | 0:07:35 | 0:07:40 | |
That's exactly what they tried to incorporate | 0:07:40 | 0:07:42 | |
when they were doing this, the art nouveau period. | 0:07:42 | 0:07:45 | |
But Tom, have you seen the price? That dish is £85! | 0:07:45 | 0:07:49 | |
It's quite a strong price for us to pay. | 0:07:49 | 0:07:51 | |
I think we can look at 70 for you. | 0:07:51 | 0:07:54 | |
-70. -70. How much do you think that's going to fetch at auction? | 0:07:54 | 0:07:58 | |
It's very difficult, because the thing is, | 0:07:58 | 0:08:00 | |
WMF has slightly gone off the boil a little bit. | 0:08:00 | 0:08:03 | |
So, Thomas, what do you think it is worth? | 0:08:03 | 0:08:05 | |
I was more like thinking 50 but that's my opinion. | 0:08:05 | 0:08:10 | |
I'll go to 60 and that gives me a very, very small profit. | 0:08:10 | 0:08:13 | |
Very kind of you, very kind. | 0:08:13 | 0:08:15 | |
Well, I think, as you're being so kind, we're going to take your kindness! | 0:08:15 | 0:08:20 | |
-That's a very nice piece for £60. -Yes, lovely. | 0:08:20 | 0:08:21 | |
-And I can see some little bonbons in there. -Let's get our next... | 0:08:21 | 0:08:27 | |
-Second item! -Let's go. | 0:08:27 | 0:08:28 | |
Bonbons, yes, much nicer than boiled sweets. | 0:08:28 | 0:08:32 | |
Well, the Reds have their first buy | 0:08:32 | 0:08:35 | |
but the Blues aren't wasting any time. | 0:08:35 | 0:08:37 | |
-Tell me why you like that. -I like the shape of it. | 0:08:37 | 0:08:39 | |
Yeah, it's really unusual, isn't it? | 0:08:39 | 0:08:42 | |
I do actually quite like that. | 0:08:42 | 0:08:43 | |
It is rather nice, isn't it? And why's it doing that? | 0:08:43 | 0:08:47 | |
-It's to go on a boat, isn't it? -It is, well done! | 0:08:47 | 0:08:51 | |
-Yeah, I'm impressed! -Where did that come from? | 0:08:51 | 0:08:55 | |
It says, "French boat clock"! | 0:08:55 | 0:08:57 | |
French boat clock. That is a real cool thing. | 0:08:57 | 0:09:00 | |
That's really nice. | 0:09:00 | 0:09:02 | |
So obviously, as the boat is moving around, hopefully the clock will stay in position. | 0:09:02 | 0:09:07 | |
It's got an alarm on it as well. | 0:09:07 | 0:09:09 | |
-1950s. -1950s. But a good-looking thing. | 0:09:09 | 0:09:13 | |
-I quite like it. -It's really unusual as well, I really like it. | 0:09:13 | 0:09:17 | |
It's got a real art deco feel to it. | 0:09:17 | 0:09:18 | |
Yes, which we quite like, we like that look. | 0:09:18 | 0:09:21 | |
-No, it is nice, I like it. -Yes, really nice. | 0:09:21 | 0:09:24 | |
Shall we ask the lady... What do we know about the clock? | 0:09:24 | 0:09:26 | |
Well, it's made by Bayard, which is a very reputable French manufacturer. | 0:09:26 | 0:09:31 | |
What do you think it would get at auction? | 0:09:31 | 0:09:33 | |
I think...I think, to be cruel, it might be £20-40 in auction. | 0:09:33 | 0:09:37 | |
So, depending on what we can get it for... | 0:09:37 | 0:09:41 | |
Would you do it for 20? | 0:09:41 | 0:09:43 | |
We're really looking for 35. | 0:09:43 | 0:09:46 | |
-What about 33? -Yes, you can have it for 33. | 0:09:46 | 0:09:50 | |
-Thank you! -Yay! | 0:09:50 | 0:09:52 | |
-First purchase! Hey, this is very quick. -Thank you. | 0:09:52 | 0:09:56 | |
First stall and we're buying. Well done! | 0:09:56 | 0:10:00 | |
Yup, well done indeed. Although I doubt that timepiece | 0:10:00 | 0:10:03 | |
has ever seen a life on the ocean wave. | 0:10:03 | 0:10:06 | |
However, if anyone does make a profit today, | 0:10:06 | 0:10:09 | |
what better place to store wads of cash than in the pretty little purse the Reds have found. | 0:10:09 | 0:10:13 | |
That's quite beautiful, isn't it? | 0:10:14 | 0:10:16 | |
Why do you find it beautiful? | 0:10:18 | 0:10:19 | |
I just love the design on it, it's kind of timeless. | 0:10:19 | 0:10:22 | |
-Where do you think it's from? -Ooh, France. | 0:10:22 | 0:10:25 | |
-It's probably Indian, actually. -Oh. | 0:10:25 | 0:10:26 | |
No, it's probably made in the Far East, | 0:10:26 | 0:10:28 | |
probably art deco, it is going to be 1920s, 1930s. | 0:10:28 | 0:10:33 | |
-1920s evening bag. -The thing is that birds are really in this season. | 0:10:33 | 0:10:38 | |
-Are they? Are they now? -And handbags fit everybody. | 0:10:38 | 0:10:41 | |
I think 35 is a bit steep, my honest opinion. | 0:10:41 | 0:10:45 | |
-Think about it. -Weirdly, you two, you've got plenty of time! | 0:10:45 | 0:10:48 | |
-OK. -Haven't you? | 0:10:48 | 0:10:49 | |
-Happy with that? -Happy with that. -Let's move on. | 0:10:49 | 0:10:52 | |
Well actually, you've hit the 20-minute mark, | 0:10:52 | 0:10:55 | |
so don't get left on the shelf, eh, Blues? | 0:10:55 | 0:10:57 | |
-It's just a shelving unit, yeah? -Yeah. | 0:10:58 | 0:11:00 | |
-I just love it, it's just really different. -Yep. | 0:11:00 | 0:11:03 | |
Is it Chinese? | 0:11:03 | 0:11:06 | |
I think it's positively Japanese, as opposed to Chinese. | 0:11:06 | 0:11:09 | |
That little mark there, that little signature, | 0:11:09 | 0:11:11 | |
is a Japanese signature, that's not Chinese script. | 0:11:11 | 0:11:14 | |
And the decoration... | 0:11:14 | 0:11:15 | |
-This raised decoration. -It's so ornate. -Yes. | 0:11:15 | 0:11:18 | |
In enamel, with butterflies representing longevity, happiness. | 0:11:18 | 0:11:22 | |
And there's an awful lot going on in Chinese and Japanese pieces. | 0:11:22 | 0:11:25 | |
I like it. | 0:11:25 | 0:11:27 | |
It's good quality, isn't it? Early 20th century, late 19th century. | 0:11:27 | 0:11:31 | |
But...do you think there's going to be a market for it? | 0:11:31 | 0:11:33 | |
That's a very, very good question. Very good, | 0:11:33 | 0:11:35 | |
because the market for Japanese pieces is not like the market for Chinese pieces. | 0:11:35 | 0:11:40 | |
Chinese items, some of them can absolutely rocket. | 0:11:40 | 0:11:44 | |
But you do have that little bit of damage. | 0:11:44 | 0:11:46 | |
That would put me off buying it, I think. | 0:11:46 | 0:11:47 | |
It will put people off but I do think it's very, very good. | 0:11:47 | 0:11:52 | |
And this gentleman here, he wants to give us such an unbelievable deal, | 0:11:52 | 0:11:56 | |
we might collapse! | 0:11:56 | 0:11:57 | |
MAN: 295. | 0:11:57 | 0:11:59 | |
-Oh! -It's too much. | 0:11:59 | 0:12:01 | |
We need all the help we can get. | 0:12:01 | 0:12:04 | |
The absolute best price on it would be 200. | 0:12:04 | 0:12:07 | |
-200. -Yeah. | 0:12:07 | 0:12:09 | |
-If it was my money, I'd buy it. -200, it worries me. | 0:12:09 | 0:12:11 | |
I think that's it. We could lose everything, we could lose £100! | 0:12:11 | 0:12:14 | |
You could so easily lose the £100 but isn't that exciting? | 0:12:14 | 0:12:17 | |
-You could make 100! Are you a gambler? -No! | 0:12:17 | 0:12:20 | |
Yes! You've got to be a gambler to make money! | 0:12:20 | 0:12:23 | |
Ah well, in for a penny, in for a pound, as they say. | 0:12:24 | 0:12:27 | |
-It's so risky, it's unbelievable but it's so exciting. -Such a risk, | 0:12:27 | 0:12:31 | |
but it makes it more exciting. | 0:12:31 | 0:12:32 | |
What are you going to do? Are you going to buy something ordinary, Doulton or ordinary silver | 0:12:32 | 0:12:36 | |
and just make a £2, £5 profit? | 0:12:36 | 0:12:38 | |
Or are you going to take something you could lose 100 or make 100? | 0:12:38 | 0:12:41 | |
We're going to go for it. | 0:12:41 | 0:12:43 | |
At the auction, I'll be saying to you two... | 0:12:43 | 0:12:45 | |
Yes, you probably will. | 0:12:45 | 0:12:46 | |
-But we're going to have a good day out. -Done. | 0:12:46 | 0:12:48 | |
Done? Yuppity doodah! Shake the man's hand and give him some money. | 0:12:48 | 0:12:52 | |
Thank you so much. | 0:12:52 | 0:12:53 | |
Girls, it's nice to see you're up for the challenge. | 0:12:53 | 0:12:57 | |
I think our game plan has gone completely out of the window, to be honest! | 0:12:57 | 0:13:00 | |
-But... -We never planned to spend £200 on one item! | 0:13:00 | 0:13:03 | |
..24 minutes in, two items and we've still got £67 left? | 0:13:03 | 0:13:08 | |
I think that's brilliant! | 0:13:08 | 0:13:09 | |
If it bombs at the auction, we're going to be in really deep trouble! | 0:13:09 | 0:13:13 | |
Yes, David, it is a long shot | 0:13:13 | 0:13:15 | |
but they may not be the only ones putting all their eggs in one basket. | 0:13:15 | 0:13:19 | |
Time will tell. | 0:13:19 | 0:13:21 | |
Oh! I love that. I tried to get one of these for my dad, | 0:13:21 | 0:13:23 | |
he collects pocket watches. | 0:13:23 | 0:13:25 | |
So this is a travel clock, isn't it? | 0:13:25 | 0:13:27 | |
-Yes. -That's gorgeous. -And it's the Goliath size. | 0:13:27 | 0:13:31 | |
-I love... -So it's a big boy. -I love that. | 0:13:31 | 0:13:35 | |
What are you thinking, Thomas? | 0:13:35 | 0:13:36 | |
The face has got to be perfect cos they always do crack. | 0:13:36 | 0:13:40 | |
So the whole watch is silver plate. It's in its own travelling leather case here. | 0:13:40 | 0:13:46 | |
Whether that's the original one is something one has to take a view on. | 0:13:46 | 0:13:52 | |
This crown looks like the Rolex crown, to be honest with you. | 0:13:52 | 0:13:55 | |
What's lovely... I'll just put that down. ..is this movement. | 0:13:55 | 0:13:57 | |
-Ohh... -That is nice. I don't think I've seen that before. | 0:13:57 | 0:14:02 | |
What was your very best on that? | 0:14:02 | 0:14:04 | |
I'll do 140. That's as far as I can go. | 0:14:04 | 0:14:07 | |
It's a risk, you would be taking a risk. | 0:14:07 | 0:14:10 | |
-I think the romantic, beautiful... -OK. -..and I'd love to tell my dad | 0:14:10 | 0:14:14 | |
I bought a travel pocket watch and we sold it in an auction! | 0:14:14 | 0:14:17 | |
-Oh, Debs! -Is that OK? -Yeah, go for it! | 0:14:17 | 0:14:19 | |
-Thank you! -Hang on, you've just let her walk all over you! | 0:14:19 | 0:14:22 | |
Because of the emotion of it! | 0:14:22 | 0:14:24 | |
But...we are making a decision with our hearts and not our heads. | 0:14:24 | 0:14:28 | |
You are making that decision, so right, you're making that decision! | 0:14:28 | 0:14:31 | |
There's no business element to this decision, is there? | 0:14:31 | 0:14:35 | |
MAN: Twist my arm! | 0:14:35 | 0:14:36 | |
MAN: 120! | 0:14:37 | 0:14:39 | |
120! Oh, come on! | 0:14:39 | 0:14:42 | |
-OK then. -Oh, thank you! | 0:14:42 | 0:14:46 | |
I really want that, I love it! | 0:14:46 | 0:14:48 | |
I'm telling you, we are going to make money on that. | 0:14:48 | 0:14:50 | |
I can feel it in my bones. | 0:14:50 | 0:14:52 | |
Naomi, I don't think you had a choice, really. | 0:14:52 | 0:14:55 | |
With both teams living on the edge, this could get quite painful. | 0:14:55 | 0:14:59 | |
-Now then... -Is it a musical box? | 0:14:59 | 0:15:01 | |
Ooh no! It's so not musical. | 0:15:01 | 0:15:04 | |
The only noise... It could create a noise, this, | 0:15:04 | 0:15:07 | |
but it wouldn't be a noise you'd want to hear. | 0:15:07 | 0:15:09 | |
So just imagine that we're on a ship in the 19th century. | 0:15:09 | 0:15:12 | |
You're a pair of sailors - good-looking ones, I've got to admit! | 0:15:12 | 0:15:16 | |
You're feeling a bit peaky, yep? You're under the weather. | 0:15:16 | 0:15:19 | |
I am the ship's surgeon. | 0:15:19 | 0:15:21 | |
I will come to you, to visit you, | 0:15:21 | 0:15:23 | |
and I will say, "You need to lose a bit of blood." | 0:15:23 | 0:15:25 | |
In those days, we thought by letting blood, | 0:15:25 | 0:15:28 | |
we'd relieve pressure on the heart, we'd relieve fever. | 0:15:28 | 0:15:31 | |
So you load it, you would place it onto a vein, over a vein, yeah? | 0:15:31 | 0:15:36 | |
-And you'd shoot it, bang. -Goodness. | 0:15:36 | 0:15:39 | |
You didn't see what happened there. If you just look, very carefully... | 0:15:39 | 0:15:42 | |
Can you see those blades? | 0:15:42 | 0:15:44 | |
-Weird. -How much do you think it is? | 0:15:44 | 0:15:47 | |
What's the best on that one? | 0:15:47 | 0:15:48 | |
-WOMAN: 130. -130. | 0:15:48 | 0:15:50 | |
-Oh... -We can't do it anyway. | 0:15:50 | 0:15:53 | |
-No. We've spent all our money! -Amazing. Thanks anyway. -Thank you! | 0:15:53 | 0:15:56 | |
Something less piercing, perhaps. | 0:15:56 | 0:16:00 | |
But stay sharp, teams, you've only got 20 minutes left. | 0:16:00 | 0:16:03 | |
-That is gorgeous! -I love that. -Iridescent. | 0:16:05 | 0:16:08 | |
-Can I have a... -Oh, I love that. | 0:16:08 | 0:16:10 | |
Oh dear, hold on. Debs is going gooey again! | 0:16:10 | 0:16:12 | |
Uh-oh, Debs has got that look in her eye! | 0:16:12 | 0:16:15 | |
-Calm down! -What substance do you think this is? | 0:16:15 | 0:16:19 | |
-I'm thinking mother-of-pearl? -You're quite right, mother-of-pearl. | 0:16:19 | 0:16:22 | |
-This is a little silver bit here. -And that's... | 0:16:22 | 0:16:24 | |
-Oh! -Oh, cute! | 0:16:24 | 0:16:26 | |
-That is sweet. -That is precious. | 0:16:26 | 0:16:28 | |
-You like that? -I love that. -I do like that. | 0:16:28 | 0:16:30 | |
I love that. That's in really good condition on the inside. | 0:16:30 | 0:16:34 | |
-How old is that? -Again, Edwardian. | 0:16:34 | 0:16:36 | |
A little silver cartouche. That's what we call a cartouche, | 0:16:36 | 0:16:39 | |
-without any engravings in there. -That's good. So could somebody get it engraved, if they wanted to? | 0:16:39 | 0:16:44 | |
-Could get it engraved. And a silk interior. -Do you like it? | 0:16:44 | 0:16:49 | |
I do love it, I think it's beautiful. | 0:16:49 | 0:16:51 | |
What's your very best on this? | 0:16:51 | 0:16:53 | |
-25. -£25. | 0:16:53 | 0:16:56 | |
I think, let's go for it. 25 is a good price. | 0:16:56 | 0:16:58 | |
-I think it is. -This is our first consensus item! -We've agreed! | 0:16:58 | 0:17:03 | |
-Absolutely! -I think we'll have it. -Great. | 0:17:03 | 0:17:05 | |
TIM WHISTLES | 0:17:06 | 0:17:07 | |
That's got those two sorted. | 0:17:07 | 0:17:09 | |
Blues, there are only ten minutes to go so don't buckle under the pressure! | 0:17:09 | 0:17:13 | |
-Oh, these, definitely. -OK, let's have a look. | 0:17:13 | 0:17:16 | |
-They're shoe buckles, aren't they? -Well done, yes. | 0:17:16 | 0:17:19 | |
-Really nice. -Two of them, is there two? | 0:17:19 | 0:17:21 | |
-They're really different, aren't they? -Sally, what are you thinking? | 0:17:24 | 0:17:27 | |
I think they're quite nice. You could make them into brooches | 0:17:27 | 0:17:30 | |
or you could actually use them as shoe buckles. | 0:17:30 | 0:17:32 | |
That would be jazzy, wouldn't it? Would you wear them as shoe buckles? | 0:17:32 | 0:17:35 | |
I might do, if I was having a jazzy moment! | 0:17:35 | 0:17:38 | |
-Are they Victorian? -They look even earlier to me. What do you think? | 0:17:38 | 0:17:44 | |
-Are they 19th century? -I think so, yes. | 0:17:44 | 0:17:47 | |
-And...and no hallmarks. -They're not marked so they're sold as white metal. | 0:17:47 | 0:17:52 | |
-When something's not hallmarked... -Is that a problem? | 0:17:52 | 0:17:55 | |
..put it into auction, it's always described as white metal. | 0:17:55 | 0:17:58 | |
They could be silver but the auctioneer won't put his neck on the line and say they're silver. | 0:17:58 | 0:18:02 | |
What kind of money are they, to us? | 0:18:02 | 0:18:04 | |
I've got 38 on them. | 0:18:04 | 0:18:05 | |
-Would you do them for 25? -I can't really come down to 25. | 0:18:05 | 0:18:10 | |
-I'll do 28. -Would you? -28. | 0:18:10 | 0:18:14 | |
That's leaving me quite a bit, in actual fact, isn't it? | 0:18:14 | 0:18:17 | |
-Yeah. -It's up to you. -Yes, I think so. -Done. | 0:18:17 | 0:18:20 | |
-I think you've got a very good chance of making a good profit on those buckles. -Fab. -Do you? | 0:18:20 | 0:18:23 | |
-I really do. Are we done? -Done. -Done. -Done deal. | 0:18:23 | 0:18:26 | |
Thank you very much indeed. Thank you. | 0:18:26 | 0:18:28 | |
That's it, time's up. The teams have spent their money | 0:18:30 | 0:18:34 | |
and taken their chances. | 0:18:34 | 0:18:36 | |
Let's remind ourselves what the Red team bought, eh? | 0:18:36 | 0:18:39 | |
The team fell for the sinuous beauty of this art nouveau dish, | 0:18:41 | 0:18:45 | |
but knocked the price down to £60. | 0:18:45 | 0:18:48 | |
Next up was the Goliath fob watch and case. | 0:18:49 | 0:18:53 | |
A time bomb at £120, perchance? | 0:18:53 | 0:18:57 | |
Finally, the Edwardian silver-plated and mother-of-pearl purse, | 0:18:58 | 0:19:02 | |
a gift at just £25. Maybe... | 0:19:02 | 0:19:06 | |
Well, this is fun, isn't it? | 0:19:07 | 0:19:08 | |
I mean, didn't they do well? Do well, do well. What was your total? | 0:19:08 | 0:19:13 | |
-We spent £205. -That is such a mature amount of money. | 0:19:13 | 0:19:17 | |
-Thank you. -Thank you! -£95, is that what you're clutching there? | 0:19:17 | 0:19:21 | |
-Yes, that's what I'm clutching here. -I'm going to re-clutch it, thank you very much. | 0:19:21 | 0:19:24 | |
-Which is your favourite piece? -Mine is the mother-of-pearl purse | 0:19:24 | 0:19:28 | |
-that we bought last. Beautiful. -That's your favourite. -Yes. | 0:19:28 | 0:19:31 | |
-Do you go along with that? -My favourite, I'm sticking with my travel clock, pocket watch | 0:19:31 | 0:19:38 | |
-which is, I think, fantastic. -Is that going to be a winner? | 0:19:38 | 0:19:42 | |
Is that going to make you the most profit? | 0:19:42 | 0:19:44 | |
I think so but I am in a bit of a minority there. | 0:19:44 | 0:19:46 | |
A minority of one! Well, there you go, Tom. | 0:19:46 | 0:19:50 | |
-I think another quality item for you two. -Yes, absolutely. -Yes, please! | 0:19:50 | 0:19:54 | |
Well, Tom, you're our number-one man for finding quality. | 0:19:54 | 0:19:57 | |
Meanwhile, why don't we check out what the Blue team bought? | 0:19:57 | 0:20:00 | |
Sally and Naomi stepped back in time with this art deco jobby. | 0:20:00 | 0:20:05 | |
£33 paid. | 0:20:05 | 0:20:07 | |
They made a daring nod to the East | 0:20:08 | 0:20:10 | |
with this Japanese hardwood wall shelf, at a whopping £200. | 0:20:10 | 0:20:14 | |
And finally, these dandy 19th-century shoe buckles | 0:20:16 | 0:20:19 | |
tickled their fancy at £28. | 0:20:19 | 0:20:22 | |
Well, buckle my shoe. | 0:20:22 | 0:20:24 | |
Aren't they cool, these girls, David? | 0:20:24 | 0:20:26 | |
-Professionals. -Amazing. -Yes. | 0:20:26 | 0:20:28 | |
So which is your favourite piece? | 0:20:28 | 0:20:29 | |
-I quite like the clock. -Yes. | 0:20:29 | 0:20:32 | |
And I like the buckles. I like the shelf but it worries me! | 0:20:32 | 0:20:35 | |
-Naomi, what do you think? -I like the shelf. We're going to go for it, | 0:20:35 | 0:20:39 | |
-and that will be our winner. -And you finished up spending how much? | 0:20:39 | 0:20:42 | |
-261. -261, I'd like £39 of leftover lolly, please. | 0:20:42 | 0:20:47 | |
Who's got that? | 0:20:47 | 0:20:48 | |
Ma's got the housekeeping, very nice. Thank you. | 0:20:48 | 0:20:52 | |
Straight across to David Harper. Any idea what you're going to spend it on? | 0:20:52 | 0:20:55 | |
Oh, maybe something medical and painful, girls? | 0:20:55 | 0:20:57 | |
-Oh no! -You like that sort of thing. -No way! -No. | 0:20:57 | 0:21:00 | |
-You never know. -He's such a tease, isn't he? | 0:21:00 | 0:21:03 | |
Anyway, go and take a tablet, girls! | 0:21:03 | 0:21:05 | |
Meanwhile, we're heading off to Bath. | 0:21:05 | 0:21:07 | |
Not to take the waters, but to take in a museum or two. | 0:21:07 | 0:21:11 | |
Prominently positioned at the head of Great Pulteney Street in Bath | 0:21:14 | 0:21:19 | |
sits the Holburne Museum. | 0:21:19 | 0:21:20 | |
It was the private collection of Sir Thomas William Holburne | 0:21:20 | 0:21:25 | |
that formed the nucleus of this museum. | 0:21:25 | 0:21:29 | |
Sir William's purchases were intended for his Bath townhouse, | 0:21:29 | 0:21:34 | |
where literally every single surface was covered, | 0:21:34 | 0:21:39 | |
every nook and cranny filled with the thousands of items | 0:21:39 | 0:21:43 | |
that were in his collection. | 0:21:43 | 0:21:45 | |
Sir William assembled a varied selection of delights. | 0:21:48 | 0:21:52 | |
Some of the most interesting are to be found in his collection of miniature objects. | 0:21:52 | 0:21:56 | |
That's what I've come to see today. | 0:21:56 | 0:21:59 | |
When I say miniature, | 0:21:59 | 0:22:01 | |
most of us tend to think about things that look like this - | 0:22:01 | 0:22:05 | |
a miniature image, painted on ivory, | 0:22:05 | 0:22:08 | |
providing a record of somebody's features | 0:22:08 | 0:22:11 | |
before the advent of photography. | 0:22:11 | 0:22:14 | |
Indeed, this portrait miniature is of Sir Thomas William Holburne. | 0:22:14 | 0:22:20 | |
It says on the back, "Painted by Jagger of Bath in the year 1827. | 0:22:20 | 0:22:25 | |
"Price 30 guineas." | 0:22:25 | 0:22:27 | |
That is a considerable amount of money to pay | 0:22:27 | 0:22:31 | |
for a miniature at that period. | 0:22:31 | 0:22:33 | |
It shows Sir William looking his most cherubic. | 0:22:33 | 0:22:37 | |
He was indeed a dandy. He's got a black cravat | 0:22:37 | 0:22:41 | |
and an extremely neatly fitted green coat. | 0:22:41 | 0:22:46 | |
The whole composition is designed to show his facial features | 0:22:46 | 0:22:50 | |
as it stands out so brilliantly from the darkish background. | 0:22:50 | 0:22:55 | |
Who knows? Perhaps Sir William was interested in miniatures | 0:22:55 | 0:23:00 | |
because he'd run out of space in his collection. | 0:23:00 | 0:23:03 | |
For those who set out on their Grand Tour of Europe, | 0:23:03 | 0:23:07 | |
particularly Italy in the 18th and 19th century, | 0:23:07 | 0:23:11 | |
they were almost bound to buy a little piece of pietra dura. | 0:23:11 | 0:23:16 | |
The important thing being the fineness of the little chips of stone | 0:23:16 | 0:23:21 | |
that go to make up the picture. | 0:23:21 | 0:23:23 | |
If I put my glass on this, you can see literally thousands | 0:23:23 | 0:23:28 | |
of little chips of glass and stone that go to make up the picture | 0:23:28 | 0:23:34 | |
of Pliny's doves from Rome. | 0:23:34 | 0:23:37 | |
The plaque is mounted on the top of a stone and gold box | 0:23:37 | 0:23:42 | |
that would have been used for snuff. | 0:23:42 | 0:23:44 | |
But one of the most spectacular, and probably locally made, objects | 0:23:44 | 0:23:50 | |
in Sir William's collection of miniatures is this small frame. | 0:23:50 | 0:23:55 | |
It's a scene that's entitled "Garlanding The Herm", | 0:23:55 | 0:24:00 | |
the herm being a piece of garden statuary. | 0:24:00 | 0:24:03 | |
He's the bloke in the middle. | 0:24:03 | 0:24:06 | |
The two stark naked girls are putting garlands of flowers | 0:24:06 | 0:24:10 | |
around his neck. | 0:24:10 | 0:24:12 | |
And then consider that this is made out of carved ivory. | 0:24:12 | 0:24:16 | |
The wafers of ivory are then set in an ingenious way | 0:24:16 | 0:24:22 | |
that trick your eye into seeing what you think is some depth of field, | 0:24:22 | 0:24:27 | |
or perspective. And the craftsmen that created this | 0:24:27 | 0:24:31 | |
were Stephany and Dresch, two characters who were recorded as working in Bath | 0:24:31 | 0:24:36 | |
between about 1792 and 1798. | 0:24:36 | 0:24:41 | |
But the big question today is, will our teams be capable of carving out | 0:24:41 | 0:24:46 | |
any more than a miniature profit over at the auction? | 0:24:46 | 0:24:50 | |
Now, we all got used to Charles Hanson's sales being down the road in the pub, | 0:24:55 | 0:25:00 | |
but now, they're in your new saleroom, aren't they? | 0:25:00 | 0:25:03 | |
-Etwall, four or five miles out of Derby. -It is. | 0:25:03 | 0:25:07 | |
Well, it's great to be here, Charles. | 0:25:07 | 0:25:09 | |
Now, Deb and Naomi, their first item is the WMF leaf-form dish. | 0:25:09 | 0:25:15 | |
-Pretty standard item, isn't it? -Yes, Tim. It's almost 30 years too late. | 0:25:15 | 0:25:18 | |
We think back to the great early 20th century for WMF's art nouveau production, | 0:25:18 | 0:25:24 | |
this has that loose nouveau feel but on those fairly heavy bun feet, | 0:25:24 | 0:25:28 | |
it's probably 1950s. | 0:25:28 | 0:25:30 | |
-How much? -Guide price between £30 and £40. | 0:25:30 | 0:25:34 | |
Oh dear, they paid 60. Too much. Now, we've got the eight-day watch, | 0:25:34 | 0:25:38 | |
in what is a slightly dodgy-looking case. How do you rate that case? | 0:25:38 | 0:25:42 | |
This morocco case is obviously carrying a Rolex mark, | 0:25:42 | 0:25:46 | |
and obviously, Rolex, over the years, have altered their crown mark slightly. | 0:25:46 | 0:25:50 | |
I can't be sure if it is a Rolex case but it doesn't really matter | 0:25:50 | 0:25:53 | |
because the actual Goliath pocket watch inside isn't. | 0:25:53 | 0:25:57 | |
-No. -Probably again, 1900 and period. | 0:25:57 | 0:25:59 | |
I mean, what you want is a Rolex movement inside a Rolex case, don't you? | 0:25:59 | 0:26:03 | |
Course you do, Tim. | 0:26:03 | 0:26:04 | |
If you haven't got that, you've just got the Rolex case, | 0:26:04 | 0:26:07 | |
-it's a bit of a how's-your-father. -Half-deal. | 0:26:07 | 0:26:09 | |
It's in quite good condition, it's a pretty timepiece | 0:26:09 | 0:26:11 | |
which still a collector today would probably race away | 0:26:11 | 0:26:15 | |
-and make between £50 and £70. -They paid 120, they paid too much. | 0:26:15 | 0:26:18 | |
That's two too muches. | 0:26:18 | 0:26:20 | |
What about this mother-of-pearl and silver-mounted purse? | 0:26:20 | 0:26:24 | |
-Isn't it sweet, Tim? -It is, but is it just a bit of clutter? | 0:26:24 | 0:26:28 | |
-I think it's a wonderful love token. -Do you? -Oh, I do. | 0:26:28 | 0:26:31 | |
-You're so romantic, Charles! -If a gent's out there, | 0:26:31 | 0:26:34 | |
wanting to buy a wonderful purse for his wonderful lady... | 0:26:34 | 0:26:36 | |
-What's she going to do with it? -You can put the odd sovereign in there. | 0:26:36 | 0:26:40 | |
How many young people do you go out with, with sovereigns in their palm? | 0:26:40 | 0:26:45 | |
-Maybe Charles! -Maybe a sixpence. | 0:26:45 | 0:26:47 | |
-10p! -Absolutely. -Right then, Charles, how much? | 0:26:47 | 0:26:51 | |
I think it will do very well, Tim, I think it'll make between £30 and £40. | 0:26:51 | 0:26:54 | |
That's lovely. Thank goodness you're predicting a profit on one item, | 0:26:54 | 0:26:57 | |
they only paid £25. So we have two unprofitable ones, | 0:26:57 | 0:27:00 | |
one vaguely profitable one, which may not be enough, in which case | 0:27:00 | 0:27:03 | |
they're going to need their bonus buy, let's have a look at it! | 0:27:03 | 0:27:05 | |
Now, Debs, Naomi, how are you feeling? | 0:27:06 | 0:27:09 | |
-Nervous! -This is not the nervy moment, this is the easy bit. -Calm, then! | 0:27:09 | 0:27:14 | |
Calm. £205, you spent. And you gave the boy £95. | 0:27:14 | 0:27:20 | |
-Thomas, what did you spend it on? -Well, I said I'd buy quality. | 0:27:20 | 0:27:23 | |
And I bought you a very fine little ladies' or gentlemen's travelling penknife | 0:27:23 | 0:27:31 | |
for one's fruit. And even better, it's by Asprey. | 0:27:31 | 0:27:35 | |
We're not talking regional department store, | 0:27:35 | 0:27:39 | |
we're talking Asprey, the Bond Street retailer. | 0:27:39 | 0:27:43 | |
-This is what everybody wants. -Tom, you're getting scary. | 0:27:43 | 0:27:46 | |
-Sorry! -You're frightening them. | 0:27:46 | 0:27:48 | |
-You've sold it to me! -But it is quality. | 0:27:48 | 0:27:51 | |
-Forget any of the other houses you've heard of. -These are gold? | 0:27:51 | 0:27:54 | |
-Gold-plated. -Are you building us up to say you've spent the whole £95? | 0:27:54 | 0:27:59 | |
-No. It's sumptuous, I spent £70... -That's great. | 0:27:59 | 0:28:05 | |
..on a very fine... Oh, it's got two blades. | 0:28:05 | 0:28:08 | |
Careful you don't cut yourself, Debs. | 0:28:08 | 0:28:10 | |
-That is lovely. -I think it's beautiful and I would buy that. | 0:28:10 | 0:28:13 | |
-Really nice. -How did you know that, Tom? You're so clever. | 0:28:13 | 0:28:17 | |
Well, you know, these girls, such quality with them. | 0:28:17 | 0:28:20 | |
How much do you think that's going to make us at auction? | 0:28:20 | 0:28:23 | |
-Good on you, Naomi. -It's a small profit, I have to say, | 0:28:23 | 0:28:26 | |
of about £10. It could fly but 80-100 is what I'd put it in at, | 0:28:26 | 0:28:31 | |
-just because of the name. -It depends how desperate you are. | 0:28:31 | 0:28:35 | |
You may not be desperate at all. | 0:28:35 | 0:28:37 | |
-We think we probably will be! -You're that confident! | 0:28:37 | 0:28:41 | |
This could save us, could get a bidding war. | 0:28:41 | 0:28:42 | |
That's the attitude to take. | 0:28:42 | 0:28:44 | |
Right now though, for the audience at home, | 0:28:44 | 0:28:46 | |
let's check out what the auctioneer thinks about Tom's little knife. | 0:28:46 | 0:28:50 | |
Now, Charles, don't you go slitting your wrists before the auction. | 0:28:50 | 0:28:53 | |
-Life's too short. -In despair! -I think it's a wonderful thing. | 0:28:53 | 0:28:56 | |
I think it's got that great name, Asprey. | 0:28:56 | 0:28:58 | |
Ivory-cased and then obviously you've got the gold-plated mounting. | 0:28:58 | 0:29:03 | |
It could even be 1920s, 30s. It's Asprey, a wonderful name going back | 0:29:03 | 0:29:06 | |
to 1781, but this is more like 1920s, I'd have thought. A bit exotic. | 0:29:06 | 0:29:11 | |
-How much? -Between £40 and £60. -Gosh. -But it has got some mileage. | 0:29:11 | 0:29:17 | |
Thomas has paid 70, so you're going to have to canter at it, Charles. | 0:29:17 | 0:29:21 | |
I'm being quite cautious, I'm that sort of person. | 0:29:21 | 0:29:24 | |
That's it now for the Reds. | 0:29:24 | 0:29:26 | |
-Yes. -Next for the Blues is this so-called boat clock. | 0:29:26 | 0:29:29 | |
This is no boat clock. That sat between two single beds | 0:29:29 | 0:29:35 | |
and when madam wanted to see what the time was, | 0:29:35 | 0:29:38 | |
she pressed it like that, looked at the things in the middle of the night. | 0:29:38 | 0:29:41 | |
And when her old man, the other side of the crack, wanted to have a look, | 0:29:41 | 0:29:44 | |
he pressed it like that and had a look. It's nothing to do with a boat. The fact it's an alarm clock | 0:29:44 | 0:29:49 | |
is the secret to the whole thing really. | 0:29:49 | 0:29:51 | |
And you'd be checking the time perhaps in the night, | 0:29:51 | 0:29:54 | |
so that's why it's in that novel thing. | 0:29:54 | 0:29:56 | |
I think it's beautifully made, I have to say. | 0:29:56 | 0:29:58 | |
-I'd put it in with a guide price of between £20 and £30. -Very sensible. | 0:29:58 | 0:30:02 | |
They paid 33, but if somebody picks up on it that it is quite an unusual jobby, | 0:30:02 | 0:30:06 | |
you might just get there. | 0:30:06 | 0:30:08 | |
This is vaguely typical, speculative Oriental-looking object, | 0:30:08 | 0:30:12 | |
this bracket, isn't it? | 0:30:12 | 0:30:13 | |
The market today, it's so buoyant for all things Eastern. | 0:30:13 | 0:30:17 | |
-Cos this is Japanese, isn't it? -It is, it's Japanese Shibayama, | 0:30:17 | 0:30:21 | |
because we have the inlay of the mother-of-pearl | 0:30:21 | 0:30:24 | |
into this hardwood shelf stand. | 0:30:24 | 0:30:27 | |
And it's probably Meiji period. M-E-I-J-I. | 0:30:27 | 0:30:31 | |
-I know the one. -1868-1912. I think it's decorative. | 0:30:31 | 0:30:36 | |
-It's circa 1890, 1900. -I quite agree, what's it worth? | 0:30:36 | 0:30:40 | |
We've got some minor... A bit of gilding wear and damage, | 0:30:40 | 0:30:43 | |
only very minor, it will do very well, Tim. | 0:30:43 | 0:30:46 | |
-I can see it making up to £100. -Is that all? | 0:30:46 | 0:30:48 | |
-Well, it might make a bit more. -OK. They paid 200. | 0:30:48 | 0:30:52 | |
-Let's cross our legs, shall we? -We will do, Tim. | 0:30:52 | 0:30:56 | |
Cross everything else! Now, what about the buckles? | 0:30:56 | 0:30:58 | |
I think they're quite sweet buckles, because I enjoy wearing shoes, | 0:30:58 | 0:31:02 | |
and one looks at buckles, I think it's a wonderful send-off | 0:31:02 | 0:31:06 | |
for a man's attire. | 0:31:06 | 0:31:07 | |
These buckles are probably 1820, 1830 in date. | 0:31:07 | 0:31:11 | |
-You wouldn't buy them and put them on your shoes, would you? -I would! | 0:31:11 | 0:31:14 | |
-Wouldn't you? -No! -Yes, you would. | 0:31:14 | 0:31:16 | |
-I definitely wouldn't. Why not? -I've never bought a buckle | 0:31:16 | 0:31:19 | |
and put it on my shoes in all my life. | 0:31:19 | 0:31:22 | |
Delightful buckles, they'd be great! | 0:31:22 | 0:31:24 | |
I'm seeing a completely different side to you, Charles! | 0:31:24 | 0:31:26 | |
-I had no idea you were into this sartorial lark. -No, I think... | 0:31:26 | 0:31:30 | |
I know you're a sharp dresser and all the rest of it... | 0:31:30 | 0:31:33 | |
Tim, I'm no dandy but I think buckles have a certain style about them. | 0:31:33 | 0:31:37 | |
Being that enthusiastic about them means they're probably worth a great deal of money, right? | 0:31:37 | 0:31:42 | |
I've been quite mean in my guide, meaning between 20 and 30. | 0:31:42 | 0:31:46 | |
-Well, they paid £28. -OK. -After all that then, | 0:31:46 | 0:31:49 | |
they stand a good chance of getting there, | 0:31:49 | 0:31:51 | |
-that's what we're saying? -I think so, Tim. -Lovely. | 0:31:51 | 0:31:53 | |
Overall it doesn't look too bad. | 0:31:53 | 0:31:55 | |
I think they won't need their bonus buy but let's look at it anyway. | 0:31:55 | 0:31:58 | |
-Tell me, Sal, how are you feeling? -Excited, yeah. | 0:31:59 | 0:32:02 | |
The auction's just around the corner. Do you get the flutters? | 0:32:02 | 0:32:05 | |
-Yeah, it's quite a buzz, I'm loving it. -Ooh, are you? That's good. | 0:32:05 | 0:32:08 | |
The big thing is, are you going to love David Harper's bonus buy? | 0:32:08 | 0:32:11 | |
You gave him £39, he's been out, so let's see what David's bought. | 0:32:11 | 0:32:17 | |
OK. Sal, will you reveal? | 0:32:17 | 0:32:19 | |
-Yes. -I did say something medical and painful. | 0:32:19 | 0:32:23 | |
-I've gone with medieval and painful! -Gosh! | 0:32:23 | 0:32:27 | |
They're magnificent! Have a grab of that. | 0:32:27 | 0:32:31 | |
-What is it? -It's a mace, it's a medieval mace. | 0:32:31 | 0:32:34 | |
It wasn't made in the medieval period! | 0:32:34 | 0:32:36 | |
It's a medieval-style mace. | 0:32:36 | 0:32:38 | |
-But what a piece of kit! -Is it something to do with the theatre, | 0:32:38 | 0:32:41 | |
do you think? Some Shakespearean production. | 0:32:41 | 0:32:43 | |
Possibly, or maybe a re-enactment group | 0:32:43 | 0:32:45 | |
-or just in a pub. -How much was it? Come on! | 0:32:45 | 0:32:48 | |
-First of all, are you impressed with it? -Impressed but a bit scared! | 0:32:48 | 0:32:51 | |
-Yes, you look a bit worried! -Unexpected! | 0:32:51 | 0:32:56 | |
-It was unexpected for me. -Unexpected all round! | 0:32:56 | 0:32:59 | |
-What do you think, Sal? -Somebody would probably pay a fiver for it. | 0:32:59 | 0:33:02 | |
I'm horrified and devastated. | 0:33:02 | 0:33:05 | |
It was 20 quid and probably the best 20 quid I've spent all day. | 0:33:05 | 0:33:08 | |
-Ask him how much it's going to make. -Oh, don't. | 0:33:08 | 0:33:11 | |
-Come on, how much? -I don't know. -We need to know these things. | 0:33:11 | 0:33:15 | |
Come on, it could make a tenner, it could make 50 quid. | 0:33:15 | 0:33:18 | |
You don't have to decide until after the sale of your first three items, | 0:33:18 | 0:33:21 | |
but for the audience at home, let's find out what Charles Hanson...makes of it all. | 0:33:21 | 0:33:27 | |
OK, Charles, now for something completely different. | 0:33:28 | 0:33:30 | |
-Yes. -Sadly not made in the medieval era, but made in the 20th century, | 0:33:30 | 0:33:35 | |
-cos they're reproductions. -They are. -What's all this frilly business? | 0:33:35 | 0:33:40 | |
This hasn't a flange on. If it had a flange on, | 0:33:40 | 0:33:42 | |
you would sort of do this, whip it round your head | 0:33:42 | 0:33:45 | |
and I'd strike you. Obviously, the force of these heavy balls | 0:33:45 | 0:33:48 | |
would cause you injury and if there's a flange on, | 0:33:48 | 0:33:51 | |
in the Middle Age, it would have ripped your arm off as well. | 0:33:51 | 0:33:54 | |
Oh, lovely! Anyway, it's not come out of a dungeon, | 0:33:54 | 0:33:58 | |
-it's come out of a modern catalogue. -Yes. | 0:33:58 | 0:34:00 | |
This is something that Mr Harper thinks is a suitable object as a bonus buy. | 0:34:00 | 0:34:05 | |
-They might make between £20 and £30. -Yes, all right, lovely. | 0:34:05 | 0:34:08 | |
That's £20 to £30 worth there which is lovely | 0:34:08 | 0:34:12 | |
-cos the Harper paid £20. -Good. | 0:34:12 | 0:34:15 | |
The cunning monkey may have paid the right price and who knows what will happen in the saleroom. | 0:34:15 | 0:34:19 | |
The only thing we can ask from you now is a well-conducted sale, | 0:34:19 | 0:34:22 | |
-which we always get here. -I hope so, Tim, God willing. -God willing. | 0:34:22 | 0:34:25 | |
How excited are you, on an excited scale? | 0:34:32 | 0:34:35 | |
-Oh, off the scale, Tim. -Above ten? | 0:34:35 | 0:34:37 | |
-Definitely above ten. -What about you? | 0:34:37 | 0:34:39 | |
-I'm an American so I'm about 150. -That's OK then. | 0:34:39 | 0:34:42 | |
If the worst comes to the worst, you've got the penknife to fall back on. | 0:34:42 | 0:34:45 | |
The first item is the WMF leaf-form dish, and here it comes. | 0:34:45 | 0:34:50 | |
WMF, a plated leaf dish, with a sinuous, organic, free-flowing | 0:34:50 | 0:34:56 | |
veiny design on its leaf. | 0:34:56 | 0:34:58 | |
-He's talking it up! -Certainly is. | 0:34:58 | 0:35:00 | |
Bid's here, 25, 30. 35, 40, I'll take 2 now. | 0:35:00 | 0:35:05 | |
-42, 5... -Go, Hanson! | 0:35:05 | 0:35:09 | |
I look for 50 now. | 0:35:09 | 0:35:10 | |
50, 5, 50, I'll take five, sir, one more, I'll take... | 0:35:10 | 0:35:14 | |
say, if it helps you, 2. 2, 5... | 0:35:14 | 0:35:16 | |
Oh, he's off again. Good old Charles! He is a lovely man. | 0:35:16 | 0:35:21 | |
One for the road, sir, 60 I'll take. 60. | 0:35:21 | 0:35:24 | |
5, no, he says. 60, I'll take 5. | 0:35:24 | 0:35:27 | |
Calm down! | 0:35:27 | 0:35:30 | |
At £60, fair warning. | 0:35:30 | 0:35:32 | |
-Wiped its face, marvellous. -I'm sorry, I'm sorry! | 0:35:32 | 0:35:37 | |
-No profit, but still. -Now the Goliath watch. | 0:35:37 | 0:35:39 | |
Interesting, eight-day, open-face Goliath silver-plated fob watch. | 0:35:39 | 0:35:44 | |
And I've got two bids here, £35, 45, 55, | 0:35:44 | 0:35:49 | |
65, 70. I'm out. 70, I'll take 5. | 0:35:49 | 0:35:54 | |
It could be worse. | 0:35:54 | 0:35:55 | |
Interesting watch. 70, I'll take 5 now, | 0:35:55 | 0:35:57 | |
one more do I see? 70, I'll take 5. | 0:35:57 | 0:36:00 | |
-I don't like that look of this, girls. -That's pretty grim. | 0:36:00 | 0:36:04 | |
We're going. | 0:36:04 | 0:36:05 | |
-Sorry about that, Debs. -Do not blame me! | 0:36:05 | 0:36:09 | |
What do you mean, do not blame you?! | 0:36:09 | 0:36:11 | |
-You're the only one... -Minus 50, girls, let's not fall out. | 0:36:11 | 0:36:14 | |
Minus 50. You could get it all back with this purse. | 0:36:14 | 0:36:19 | |
-Absolutely. Come on. -It was worth it for the look on your face! | 0:36:19 | 0:36:21 | |
Silver-plated, mother-of-pearl purse. | 0:36:21 | 0:36:22 | |
It's a wonderful love token for a loved one, I'm sure. | 0:36:22 | 0:36:25 | |
£15, it's a wonderful thing. | 0:36:25 | 0:36:28 | |
18, 22, 5, 8, I'm out. | 0:36:28 | 0:36:32 | |
-28... -You're in profit. -I look for 30 now. 29 bid, do I see 30? | 0:36:32 | 0:36:37 | |
-Come on! -Come on. | 0:36:37 | 0:36:39 | |
Going, going, gone to you, sir. | 0:36:39 | 0:36:42 | |
So, you made £3 on that, that's excellent, which means overall, | 0:36:42 | 0:36:46 | |
you are minus £47. | 0:36:46 | 0:36:49 | |
-That could be a winning score, couldn't it, Tim? -It could. | 0:36:49 | 0:36:51 | |
-But are you going to go with the bonus buy? -Yes! -Gosh, yes! | 0:36:51 | 0:36:55 | |
-Why? You're going to go for it? -Yeah, we're doing it! | 0:36:55 | 0:36:59 | |
-I love that knife. -Positive? -We play to win. | 0:36:59 | 0:37:00 | |
We're going with the bonus buy, here it comes. | 0:37:00 | 0:37:03 | |
This art deco ivory and gold-plated... I'm only bid £25. | 0:37:03 | 0:37:08 | |
It's Asprey. I'll take 8 now. | 0:37:08 | 0:37:11 | |
-Uh-oh. -8, 30 and 2. | 0:37:11 | 0:37:13 | |
5, 8, I'm with 40 and 2. | 0:37:13 | 0:37:15 | |
-I'm out. -Uh-oh. -At £42 now, | 0:37:15 | 0:37:19 | |
I'll take 5, 48? 48, 50. | 0:37:19 | 0:37:22 | |
2! Fair warning to you, sir, at 50. | 0:37:22 | 0:37:27 | |
-Minus 20, minus £20. -So there you are. | 0:37:27 | 0:37:31 | |
So, overall, you're minus 67. | 0:37:31 | 0:37:34 | |
-Well. -Which is... -Respectable! | 0:37:34 | 0:37:36 | |
..perhaps today, a winning score! | 0:37:36 | 0:37:38 | |
-Anyway, don't say a thing to the Blues, all right? -OK. -No. | 0:37:39 | 0:37:42 | |
-Great team. -For once. | 0:37:42 | 0:37:43 | |
Sally, Naomi, have you been talking to the Reds? | 0:37:51 | 0:37:54 | |
No, not at all, it's been tempting. | 0:37:54 | 0:37:56 | |
It's been tempting. You saw them, did they look comfortable? | 0:37:56 | 0:37:59 | |
-Uncomfortable? -They gave us a big thumbs-up! | 0:37:59 | 0:38:01 | |
-Did they? Ah... -I've seen it all before, Tim. | 0:38:01 | 0:38:05 | |
The big thing is, nobody knows what's going to happen at this point, | 0:38:05 | 0:38:10 | |
-which is what makes it so much fun. -Absolutely. -Excellent. | 0:38:10 | 0:38:12 | |
-Bring it on! -Bring it on. The first lot, then, is the deco-style ship ornament, and here it comes. | 0:38:12 | 0:38:19 | |
A very fine French art deco bedside clock. | 0:38:19 | 0:38:23 | |
Stamped Bayard, circa 1950s and I'm bid £10. | 0:38:23 | 0:38:28 | |
£10, 15, 18. | 0:38:28 | 0:38:31 | |
I'm out, £18. | 0:38:31 | 0:38:33 | |
-Come on. -20, 20, 20... | 0:38:33 | 0:38:36 | |
£18, 20 I'll take now. Look at it. One more do I see? All done. | 0:38:36 | 0:38:41 | |
-£18, we're going at £18. -Not good, is it? | 0:38:41 | 0:38:44 | |
Fair warning. We're going, going, gone. | 0:38:44 | 0:38:47 | |
-Minus 15, bad luck, team. -Shame. | 0:38:47 | 0:38:52 | |
-Now, Oriental shelf. -Just a blip. | 0:38:52 | 0:38:55 | |
Japanese hardwood, Shibayama decorated, two-tiered | 0:38:55 | 0:38:59 | |
hanging wall shelf, 25, 35, 40, I'll take 5 now. | 0:38:59 | 0:39:06 | |
40, I'll take 5, come on. | 0:39:06 | 0:39:07 | |
Not looking good. | 0:39:07 | 0:39:08 | |
55, 65, one more... | 0:39:08 | 0:39:12 | |
5, I've got you, 5, I'll take now 70, | 0:39:12 | 0:39:15 | |
or we sell, make no mistake. I'm out, you're in. | 0:39:15 | 0:39:19 | |
-Oh... -That's not good, is it? I'm sorry about that. | 0:39:20 | 0:39:24 | |
-That is a massive loss. -I don't think we can come back from that. | 0:39:24 | 0:39:28 | |
That is minus 135. | 0:39:28 | 0:39:29 | |
-Overall, you're minus 150. -Right. | 0:39:29 | 0:39:33 | |
Now, the buckles. | 0:39:33 | 0:39:35 | |
Nice buckles, I like them. They are circa 1820, 1830. | 0:39:35 | 0:39:40 | |
And they maybe belonged to a dandy. | 0:39:40 | 0:39:42 | |
I'm only bid £20, | 0:39:42 | 0:39:45 | |
for a piece of Regency social history, where they walked. | 0:39:45 | 0:39:49 | |
20, I'll take 2 now, 25, 8, one more or are we out, sir? Are you sure? | 0:39:49 | 0:39:54 | |
For a fine pair of buckles, come on. | 0:39:54 | 0:39:56 | |
For a fine pair of buckles. Fair warning, we'll go on commission. | 0:39:56 | 0:40:00 | |
-I can't watch any more! -One more, sir? No, he says. | 0:40:00 | 0:40:02 | |
-We sell at £25... -He's going to sell them, look out. | 0:40:02 | 0:40:06 | |
..on commission. Fair warning. Gone! | 0:40:06 | 0:40:09 | |
-Oh no! -Minus £3. So overall, you are minus 153 | 0:40:09 | 0:40:12 | |
-which doesn't sound too bad when you say it quickly! -Sounds all right. | 0:40:12 | 0:40:15 | |
Are you going to go with the medieval thwacker? | 0:40:15 | 0:40:18 | |
Oh yeah, we've got nothing to lose. I think we've got to. | 0:40:18 | 0:40:22 | |
-Just go. -Just go with it. -Go with the flow. -Go on. | 0:40:22 | 0:40:25 | |
Well, we're going with the weapon then, here it comes. | 0:40:25 | 0:40:28 | |
There we are... CROWD LAUGHS | 0:40:28 | 0:40:31 | |
It's a reproduction, cast-metal, medieval or Middle-Aged style mace. | 0:40:31 | 0:40:37 | |
We like it for its novelty appearance and I'm bid nothing. | 0:40:37 | 0:40:42 | |
Oh, for goodness' sake! | 0:40:42 | 0:40:44 | |
Do I see £10? Sir, you have great taste, £10. | 0:40:44 | 0:40:48 | |
I'll take now 12, at £10, I'll take 12 now, come on. | 0:40:48 | 0:40:52 | |
-He's done well to get £10. -He's trying hard. -He's doing well. | 0:40:52 | 0:40:57 | |
£10 I'm bid, one more do I see now? | 0:40:57 | 0:40:59 | |
-It's got to go. -No, no, no. | 0:40:59 | 0:41:02 | |
15, 18... | 0:41:02 | 0:41:04 | |
-Yes! -Yes! | 0:41:04 | 0:41:05 | |
No more, he says, at £15. At £15, we'll sell it. | 0:41:05 | 0:41:09 | |
Fair warning to you, sir. All out at £15! | 0:41:09 | 0:41:15 | |
It's going... | 0:41:15 | 0:41:16 | |
-Well, it's worth that for the entertainment. -Yes. | 0:41:16 | 0:41:19 | |
And to be honest, I never thought you'd get 15 for that. | 0:41:19 | 0:41:22 | |
I hope it'll make somebody very, very happy. | 0:41:25 | 0:41:27 | |
-I'm sure it will. -Anyway, there we go, it is minus 158, | 0:41:27 | 0:41:31 | |
is your grand total. | 0:41:31 | 0:41:33 | |
That might be a winning score, don't say a word to the Reds. | 0:41:33 | 0:41:36 | |
-Keep it quiet. -All will be revealed in a moment, thank you. | 0:41:36 | 0:41:39 | |
-Keep it quiet. -Well done, you two. | 0:41:39 | 0:41:41 | |
Well, some days it's good days, and some days it's bad days. | 0:41:48 | 0:41:52 | |
I'm afraid for both our teams today, today is a very, very bad day! | 0:41:52 | 0:41:57 | |
Well, I've given you a hint, it's been an appalling day all round | 0:41:57 | 0:42:00 | |
but for one team, it's been particularly appalling. | 0:42:00 | 0:42:02 | |
It's been nearly as appalling as I can possibly remember, | 0:42:02 | 0:42:05 | |
And that team is the Re... Blues! | 0:42:05 | 0:42:07 | |
Yes, Blues, it's you. Minus £158. | 0:42:10 | 0:42:14 | |
Largely contributed by the Oriental bracket. | 0:42:15 | 0:42:18 | |
Don't look... I can feel the burning eyes! | 0:42:18 | 0:42:21 | |
I'm not looking at you! I'm looking at the camera. | 0:42:21 | 0:42:24 | |
Anyway, there we go. To lose £135 on one object is a fairly big old strike to recover from. | 0:42:24 | 0:42:30 | |
I'm amazed you didn't. | 0:42:30 | 0:42:32 | |
But there it is, and I hope you had a good time. | 0:42:32 | 0:42:35 | |
-Lovely. -You're so good! | 0:42:35 | 0:42:38 | |
-Such a liar! -You're so good. Anyway, there we go. | 0:42:38 | 0:42:41 | |
It's been great, lovely to see you. | 0:42:41 | 0:42:44 | |
But the victors today, who've managed to win by only losing £67... | 0:42:44 | 0:42:47 | |
-THEY CHEER -Still a victory, Tim! | 0:42:47 | 0:42:51 | |
They've got nothing to crow about. | 0:42:51 | 0:42:53 | |
They made a profit of £3 | 0:42:53 | 0:42:54 | |
on Tom's purse, and that was about it, really. | 0:42:54 | 0:43:00 | |
So let's not bang on. | 0:43:00 | 0:43:01 | |
Minus £67 is not so bad, considering everything else! | 0:43:01 | 0:43:05 | |
It's been great fun though, so join us soon | 0:43:06 | 0:43:08 | |
-for some more bargain hunting, yes? -ALL: Yes. | 0:43:08 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:22 | 0:43:25 | |
E-mail [email protected] | 0:43:25 | 0:43:28 |