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We're at the largest antiques fair in Europe | 0:00:02 | 0:00:04 | |
so there's no time to waste! Let's go bargain hunting. Yeah! | 0:00:04 | 0:00:09 | |
Today we're in Newark, where our teams will be battling it out | 0:00:32 | 0:00:35 | |
in the 4,000 stalls that there are at this fair. | 0:00:35 | 0:00:40 | |
So, let's have a look at what to expect. | 0:00:40 | 0:00:44 | |
There's disagreement in the red camp. | 0:00:46 | 0:00:48 | |
-I quite like that but I don't think Jill does, do you? -No! | 0:00:48 | 0:00:51 | |
But ultimately, they do head in the right direction | 0:00:52 | 0:00:57 | |
and the Blues get all sentimental. | 0:00:57 | 0:00:58 | |
Darling, it's not going to ruin a wonderful friendship, is it? | 0:00:58 | 0:01:01 | |
I love you to bits but not enough to say I like that brass candlestick! | 0:01:02 | 0:01:06 | |
But that's all coming up. | 0:01:06 | 0:01:08 | |
First though, let me explain the rules. | 0:01:08 | 0:01:10 | |
Each team gets £300 and an hour to shop for three items which they sell on at auction. | 0:01:10 | 0:01:14 | |
The team wins that makes the biggest profit | 0:01:14 | 0:01:17 | |
or the smallest loss! Simple, innit? Let's go and meet today's teams. | 0:01:17 | 0:01:23 | |
For the Reds today, we've got married couple Paddy and Jill. | 0:01:23 | 0:01:28 | |
And for the Blues, we've got Jean and Keith who are, apparently, just good friends! | 0:01:28 | 0:01:33 | |
Good. Now, moving on, | 0:01:33 | 0:01:35 | |
you are a retired professional footballer. | 0:01:35 | 0:01:38 | |
Tell us about that. | 0:01:38 | 0:01:39 | |
I'm originally from Hull, Tim, I played for Hull City, | 0:01:39 | 0:01:42 | |
got transferred to Barnsley and then to Nottingham Forest, | 0:01:42 | 0:01:46 | |
-where I met Mr Clough. -Oh, did you? | 0:01:46 | 0:01:48 | |
-I did, yes. -Fantastic. And what's this about you playing with Pele? | 0:01:48 | 0:01:51 | |
I played two seasons in America | 0:01:51 | 0:01:54 | |
and my only claim to fame was playing against Pele in New York. | 0:01:54 | 0:01:58 | |
-So you had a good time? -Yes. -You retired from professional football | 0:01:58 | 0:02:01 | |
-a couple of years ago. -I wish I did, yeah! | 0:02:01 | 0:02:05 | |
-What have you been doing in the couple of years you've been off the game? -For the last 18 years, | 0:02:05 | 0:02:09 | |
we've been running pubs and clubs, etc. | 0:02:09 | 0:02:13 | |
-Having a bit of fun then. -Yeah, we have, yeah. | 0:02:13 | 0:02:16 | |
-Did you realise you were going to become a WAG when you hooked up with him? -I didn't realise at the time. | 0:02:16 | 0:02:22 | |
They didn't call us WAGs in those days. | 0:02:22 | 0:02:23 | |
-What did they call you in those days? -Footballers' wives | 0:02:23 | 0:02:26 | |
and really, we were just very proud of our husbands playing football | 0:02:26 | 0:02:30 | |
-but I enjoyed every minute of it! -I bet you did. | 0:02:30 | 0:02:33 | |
What do you do with your spare time? | 0:02:33 | 0:02:35 | |
My favourite thing is stately homes, I just love stately homes. | 0:02:35 | 0:02:39 | |
Is that the best bit of Bargain Hunt for you, | 0:02:39 | 0:02:41 | |
-when I go off to the stately homes? -Oh, I love it! | 0:02:41 | 0:02:44 | |
-We'll have some of that today. -I want you to go round a bit more. | 0:02:44 | 0:02:47 | |
-Do you? -Yeah, yeah. I want to see a bit more. | 0:02:47 | 0:02:50 | |
What, less Red team and less Blue team? You can't say that, | 0:02:50 | 0:02:52 | |
you are the Red team! | 0:02:52 | 0:02:53 | |
Never mind about all this dribbling on, | 0:02:53 | 0:02:56 | |
how are you two going to get on today? Are you going to beat the Blues? | 0:02:56 | 0:02:59 | |
-I hope so. -That's what we're going to try and do. | 0:02:59 | 0:03:02 | |
I would say the Blues are looking pretty scared, actually. | 0:03:02 | 0:03:05 | |
-We're terrified! -Terrified? Petrified! | 0:03:05 | 0:03:09 | |
How did you two meet, Jean? | 0:03:09 | 0:03:11 | |
I went to have my hair done about 30 years ago | 0:03:11 | 0:03:14 | |
with this man whose reputation came before him. | 0:03:14 | 0:03:16 | |
And he was a brilliant hairdresser | 0:03:16 | 0:03:19 | |
and he's also become a very good friend. | 0:03:19 | 0:03:21 | |
-Well, isn't that lovely? -Yes. | 0:03:21 | 0:03:22 | |
You are a professional television scriptwriter, retired? | 0:03:22 | 0:03:26 | |
-Yes. -Tell us about the shows you've been involved with. | 0:03:26 | 0:03:28 | |
Well, I went to work with Eric Chappell, who wrote Rising Damp, | 0:03:28 | 0:03:32 | |
at Yorkshire Television. And he encouraged me to write. | 0:03:32 | 0:03:35 | |
Then we did Duty Free and Singles Night | 0:03:35 | 0:03:38 | |
and a play called Singles. | 0:03:38 | 0:03:40 | |
-And I've been involved with it for 30 years. -Have you? | 0:03:40 | 0:03:45 | |
-And loved it. The golden age of television. -Now, Keith, | 0:03:45 | 0:03:48 | |
-you're a hairdresser. -Yes. -Have you always done this as a living? | 0:03:48 | 0:03:52 | |
Yes, always. My mother was a hairdresser | 0:03:52 | 0:03:54 | |
-and I just followed in her footsteps. -Her scissors! | 0:03:54 | 0:03:56 | |
-Almost, yes! -Was it a bit of a clickety-click in the kitchen | 0:03:56 | 0:04:00 | |
and you had your conversion? | 0:04:00 | 0:04:01 | |
Well, I think I was about four when I was sitting on somebody's knee | 0:04:01 | 0:04:04 | |
while she was putting rollers or doing something. | 0:04:04 | 0:04:06 | |
It seemed a natural progression for me to do it. | 0:04:06 | 0:04:08 | |
Is that where we get the designer sideboards that continue up | 0:04:08 | 0:04:11 | |
-into the head? -Well, you see, I have no hair. | 0:04:11 | 0:04:13 | |
I'm very beige. Unless I paint things on my face like furniture, | 0:04:13 | 0:04:17 | |
-you would pass me in the street without noticing! -It's incredibly fetching. | 0:04:17 | 0:04:21 | |
For all I know, it will set off a new fashion across the land. | 0:04:21 | 0:04:24 | |
I do hope so. I might add some more zigzags yet. | 0:04:24 | 0:04:27 | |
They'll be known as "Keiths" whenever they're seen on the street. | 0:04:27 | 0:04:30 | |
Go-faster stripes! | 0:04:30 | 0:04:31 | |
You're going to do very well on Bargain Hunt today. | 0:04:31 | 0:04:34 | |
In fact, we're going to have a riot and to start off the riot, | 0:04:34 | 0:04:37 | |
here comes £300 apiece. £300. You know the rules, your experts await, | 0:04:37 | 0:04:40 | |
and off you go! Very, very good luck. | 0:04:40 | 0:04:43 | |
Anybody standing by for a Keith? | 0:04:43 | 0:04:45 | |
Hot off the Bargain Hunt rails today | 0:04:47 | 0:04:49 | |
is the ever glitzy Anita Manning, | 0:04:49 | 0:04:51 | |
who'll be helping out the Reds. | 0:04:51 | 0:04:53 | |
While the Blues will be enlightened | 0:04:53 | 0:04:55 | |
by the ever glistening David Barby. | 0:04:55 | 0:04:57 | |
Here we go, on a particularly cold day in Newark. They're off! | 0:05:00 | 0:05:05 | |
Guys, this is my first time at Newark, it looks so exciting! | 0:05:05 | 0:05:10 | |
It was a much smaller affair when I came, many years ago. | 0:05:10 | 0:05:13 | |
-How many years ago? -I'm not telling you! | 0:05:13 | 0:05:15 | |
-You're going to start asking me my age in a minute. -Not at all. | 0:05:15 | 0:05:18 | |
Hiya! | 0:05:18 | 0:05:20 | |
No sooner inside from the cold | 0:05:24 | 0:05:27 | |
and Keith spots a rather interesting jug. | 0:05:27 | 0:05:29 | |
That's very nice. | 0:05:32 | 0:05:34 | |
I like that one better. | 0:05:34 | 0:05:37 | |
I just think that's so unusual. | 0:05:37 | 0:05:39 | |
I'm not happy with Doulton though, I think it's dull and uninteresting. | 0:05:39 | 0:05:43 | |
-Yeah? -I like the combination of the silver plate and the ceramic. | 0:05:43 | 0:05:47 | |
-Yes, I do. -The crystal ones are overdone. | 0:05:47 | 0:05:52 | |
-How much is it? -110. | 0:05:52 | 0:05:54 | |
Got to be 80, hasn't it, for us to do anything with it. | 0:05:54 | 0:05:57 | |
-Ooh, it's got to be less than that. -Sir? | 0:05:57 | 0:05:59 | |
What's the best you can do on the claret jug, please? | 0:05:59 | 0:06:02 | |
-90. -90. | 0:06:02 | 0:06:04 | |
90, is that the best? | 0:06:04 | 0:06:06 | |
-We did say "the best", not the... -That's quite a good buy. | 0:06:06 | 0:06:10 | |
-Do you? -I like it. -Do you think if we could get it for 80, it might be even better? | 0:06:10 | 0:06:14 | |
I don't sense that you're terribly... | 0:06:14 | 0:06:16 | |
There must be something in it if you both like it! | 0:06:16 | 0:06:18 | |
First of all, it's the ceramic. | 0:06:18 | 0:06:20 | |
-This is their studio ware. -Yes. | 0:06:20 | 0:06:23 | |
So this was made by potters at Lambeth in London. | 0:06:23 | 0:06:28 | |
They had a potters' studio there and these are all designed | 0:06:28 | 0:06:31 | |
and the actual signature of the artist is there. | 0:06:31 | 0:06:34 | |
Well, let's see if we can get it for a little bit less than 90, shall we? | 0:06:34 | 0:06:38 | |
-Yes. -Shall we talk to him? -If we talk to him. | 0:06:38 | 0:06:40 | |
-If we could get it for 80... -75. | 0:06:40 | 0:06:44 | |
-Shall I... -She's a hard woman. | 0:06:44 | 0:06:46 | |
Go and have a word. | 0:06:46 | 0:06:48 | |
Jean's not a hard woman, she's lovely! | 0:06:48 | 0:06:50 | |
Now, try and get it for a snip. | 0:06:50 | 0:06:52 | |
-What does he say, Keith? -OK, guys. | 0:06:52 | 0:06:54 | |
The best he'll do is 80. | 0:06:54 | 0:06:56 | |
-Right, I think that's quite... -Do you think it's good? | 0:06:56 | 0:06:59 | |
I like it. I'm biased because I like Doulton. | 0:06:59 | 0:07:02 | |
I like Doulton studio ware. | 0:07:02 | 0:07:04 | |
-Buy it. -Darling, it's not going to ruin a wonderful friendship, is it? | 0:07:04 | 0:07:07 | |
-No! -We're for it! -It's your gut feeling. I like it, you like it. | 0:07:07 | 0:07:12 | |
-I was drawn to it. -Jean's got to buy the next object. | 0:07:12 | 0:07:15 | |
Yes, I've got to love the next object! | 0:07:15 | 0:07:16 | |
Ten minutes into the shop, the Blues have made their first purchase. | 0:07:16 | 0:07:21 | |
Well done, darlings! | 0:07:21 | 0:07:22 | |
Not to be outdone, the Reds have spotted a jug of their own. | 0:07:22 | 0:07:25 | |
That's a nice thing you've picked up. | 0:07:25 | 0:07:28 | |
It's not silver, it's silver plated. It's lovely. | 0:07:28 | 0:07:32 | |
I like the shape of it as well. | 0:07:32 | 0:07:33 | |
-I like the shape. -And you like claret? | 0:07:33 | 0:07:36 | |
THEY ALL LAUGH | 0:07:36 | 0:07:38 | |
-How much would you take for it? -75 quid. -75. | 0:07:38 | 0:07:42 | |
I don't want to pay 75 for it cos I don't think I'd make much. | 0:07:42 | 0:07:46 | |
Uh-huh. You can keep it in mind. | 0:07:46 | 0:07:49 | |
-Yes. -That was a good choice, well done! -Thank you. | 0:07:49 | 0:07:53 | |
The Blues have hardly moved before another item catches their beady little eyes. | 0:07:56 | 0:08:01 | |
Keith, Jean noticed these. | 0:08:01 | 0:08:03 | |
You want to buy something that's unusual. | 0:08:03 | 0:08:06 | |
These are delightful little menu holders. | 0:08:06 | 0:08:09 | |
-Yes. -These are priced at £95 the pair. | 0:08:09 | 0:08:14 | |
There's the silver mark there, they're French. | 0:08:14 | 0:08:16 | |
And they're in shapes of fans, which I think are lovely. | 0:08:16 | 0:08:21 | |
Are people still using things like that at their dining table? | 0:08:21 | 0:08:24 | |
I would love to do that cos I like a formal table. | 0:08:24 | 0:08:27 | |
Are we buying something that's fashionable still? | 0:08:27 | 0:08:29 | |
These are cabinet pieces, aren't they? | 0:08:29 | 0:08:32 | |
-These are collector's pieces. -I'd love to use them! I never leave anything in my cabinet. | 0:08:32 | 0:08:36 | |
Shall I go and sing the aria from Madame Butterfly and see if I can get them? | 0:08:36 | 0:08:40 | |
-Er... -They'll probably put money on! | 0:08:40 | 0:08:42 | |
How much shall I try and get them for? | 0:08:42 | 0:08:45 | |
£95, I think we might be able to shout across to this gentleman. | 0:08:45 | 0:08:48 | |
Can I go... | 0:08:48 | 0:08:50 | |
You go, girl! Fly away, me pretty. | 0:08:50 | 0:08:53 | |
-Do you think she's going to be successful? -She can flutter those eyelashes at him. | 0:08:55 | 0:08:58 | |
She's usually successful when she does that. | 0:08:58 | 0:09:01 | |
-Right, Jean, what does he say? -He'll do them for 70. | 0:09:06 | 0:09:09 | |
That's a bit much. Let's have a feel of the weight. | 0:09:09 | 0:09:13 | |
Are we spending money too quickly? | 0:09:14 | 0:09:16 | |
Then it gives us a nice bit of time to look around for something more interesting. | 0:09:16 | 0:09:21 | |
-But I think they're lovely. -I think they're lovely. | 0:09:21 | 0:09:24 | |
-Shall we go for those? -I think we should go for those. | 0:09:24 | 0:09:26 | |
-What do you say, David? -I think those are nice. | 0:09:26 | 0:09:28 | |
-Unanimous decision! -I think there's a potential profit margin on those. | 0:09:28 | 0:09:31 | |
OK. Well done, darling. | 0:09:31 | 0:09:33 | |
Wow! Speedy shopping indeed. | 0:09:33 | 0:09:35 | |
That's good going. | 0:09:35 | 0:09:38 | |
It's going very well, we've got two items already. | 0:09:38 | 0:09:41 | |
Do you think we're too decisive, too impulsive? | 0:09:41 | 0:09:43 | |
We're spending money too quickly! | 0:09:43 | 0:09:45 | |
Oh, I've always been impulsive! | 0:09:45 | 0:09:47 | |
-And it's not my own money. -Well, there you are. | 0:09:47 | 0:09:49 | |
Meanwhile, I hope the Reds aren't getting left behind. | 0:09:49 | 0:09:52 | |
Come on, guys. | 0:09:52 | 0:09:54 | |
These are a nice wee pair of salts here. | 0:09:54 | 0:09:57 | |
-And they're only £60. -Oh, I like those. | 0:09:57 | 0:10:00 | |
Yes, I do. | 0:10:00 | 0:10:03 | |
-It's marked, isn't it? -Would anybody buy that? | 0:10:03 | 0:10:05 | |
These are nice little items here. | 0:10:05 | 0:10:08 | |
-In good condition, you've got a pair. -Yeah. | 0:10:08 | 0:10:11 | |
They are hallmarked silver. | 0:10:11 | 0:10:13 | |
-Er, made in Birmingham. -I like those. -Those are nice. | 0:10:13 | 0:10:17 | |
That's nice. A pair, and that's good. | 0:10:17 | 0:10:20 | |
Get them down to 45! | 0:10:20 | 0:10:23 | |
-Uh-huh. -Excuse me, what's the best price you can do on those for us? | 0:10:23 | 0:10:26 | |
Er, I'll do £50 the pair, sir. | 0:10:26 | 0:10:31 | |
-50. -45, do you think they would sell? -45? | 0:10:31 | 0:10:34 | |
We're only amateurs! | 0:10:37 | 0:10:38 | |
OK, yes, 45. | 0:10:38 | 0:10:40 | |
-45. -45. -I think he'd have gone down to 40, the way it went! | 0:10:40 | 0:10:44 | |
I think he's come down well. | 0:10:44 | 0:10:46 | |
-I think that's a good buy. -Yes. -I think that's a good buy. | 0:10:46 | 0:10:50 | |
Yes, OK. | 0:10:50 | 0:10:51 | |
-Our first item! -Got one! | 0:10:51 | 0:10:54 | |
So, finally the Reds are shaking things up. | 0:10:54 | 0:10:56 | |
The salts are their first buy. | 0:10:56 | 0:10:58 | |
Now it looks like Jean might be getting brassed off with David. | 0:10:58 | 0:11:02 | |
I hate it. | 0:11:02 | 0:11:04 | |
-Yes, actually... -I hate it. | 0:11:04 | 0:11:06 | |
-It's a little camp. -Camp? -Yes! | 0:11:06 | 0:11:09 | |
-Don't you think? -Camp! | 0:11:09 | 0:11:11 | |
I think that is good but if you don't like it, | 0:11:11 | 0:11:16 | |
we can always come back to it. | 0:11:16 | 0:11:17 | |
I love you to bits but not enough to say I like that brass candlestick! | 0:11:17 | 0:11:21 | |
We're now 25 minutes into the shopping. | 0:11:23 | 0:11:25 | |
I hope David isn't getting on Jean's wick. | 0:11:25 | 0:11:28 | |
I was just saying I always get mixed up with dominant women | 0:11:28 | 0:11:30 | |
and Jean is showing that dominant side today. | 0:11:30 | 0:11:33 | |
Do you like being dominated? That's more to the question. | 0:11:33 | 0:11:35 | |
No! | 0:11:35 | 0:11:37 | |
There you are, look. | 0:11:38 | 0:11:40 | |
Oh, look! | 0:11:40 | 0:11:41 | |
Let's see how good you are! | 0:11:41 | 0:11:43 | |
Oh! | 0:11:44 | 0:11:46 | |
Here you are, I'm from Glasgow, I should know how to do it. | 0:11:46 | 0:11:49 | |
Yeah! | 0:11:49 | 0:11:50 | |
Good header, Anita! | 0:11:50 | 0:11:52 | |
You'll be signing up for Celtic next. | 0:11:52 | 0:11:54 | |
I'm dafter than him! Tell me about this football. | 0:11:54 | 0:11:59 | |
Well it's gone up £5, I think! | 0:12:00 | 0:12:01 | |
Brings back memories. | 0:12:03 | 0:12:05 | |
Now, here's something to take their eye off the ball. | 0:12:05 | 0:12:07 | |
Not for £70, no. | 0:12:07 | 0:12:10 | |
-What are those? -No. They're opera glasses but they're not silver. | 0:12:10 | 0:12:13 | |
But these are lovely. | 0:12:13 | 0:12:15 | |
That is the original wallet. A good retailer, | 0:12:16 | 0:12:20 | |
Hatton Garden, it's a posh, posh place. | 0:12:20 | 0:12:23 | |
They're not silver but these little things do well in auction. | 0:12:23 | 0:12:28 | |
And they've got scenes of deer, a stag there | 0:12:28 | 0:12:32 | |
and some hounds, so it's a hunting scene. | 0:12:32 | 0:12:35 | |
-Yes. -I think that these are nice. | 0:12:35 | 0:12:38 | |
-Shall we ask? -Are they working? | 0:12:38 | 0:12:40 | |
Yes, good. | 0:12:41 | 0:12:43 | |
-You like them? -I do, yes. -Yes, I do. | 0:12:43 | 0:12:46 | |
I think they're very nice and I don't think it's too dear. | 0:12:46 | 0:12:49 | |
-What has he got on them? 70. -70. | 0:12:49 | 0:12:51 | |
Excuse me, what was your best price for these? | 0:12:51 | 0:12:53 | |
65. | 0:12:53 | 0:12:55 | |
-65. -I do like them and I know that these things... -60 quid then. | 0:12:55 | 0:12:59 | |
-60. -60. -I think you might make a profit on that. | 0:12:59 | 0:13:02 | |
These things do well in auction. | 0:13:02 | 0:13:04 | |
-Can we do that for 60 square? -Yes. | 0:13:04 | 0:13:06 | |
Shake your hand, thank you. | 0:13:06 | 0:13:08 | |
Two down then. | 0:13:08 | 0:13:09 | |
-Yes. -Yes. -Two in the net. | 0:13:09 | 0:13:11 | |
Yep. 2-0 up! | 0:13:11 | 0:13:13 | |
-Two in the... -2-0 up! -Oh, 2-0! | 0:13:14 | 0:13:18 | |
I love your accent. I don't have an accent! | 0:13:18 | 0:13:22 | |
No, no, no. Queen's English. | 0:13:22 | 0:13:24 | |
Actually, Paddy, it's now 2-2. | 0:13:24 | 0:13:26 | |
It's going absolutely wonderfully well. | 0:13:27 | 0:13:30 | |
They're quite decisive, they've chosen two items | 0:13:30 | 0:13:33 | |
really all by themselves | 0:13:33 | 0:13:36 | |
and I'm wondering if I'll have enough money to get him that ball | 0:13:36 | 0:13:40 | |
for the bonus buy but I don't know. | 0:13:40 | 0:13:41 | |
40 minutes in now, and silky smooth David has something up his sleeve. | 0:13:41 | 0:13:46 | |
Right, this is a complete... | 0:13:46 | 0:13:49 | |
Something completely different, away from pottery and glass. | 0:13:49 | 0:13:51 | |
Coventry Steven silk pictures. | 0:13:51 | 0:13:54 | |
What do you think of these? | 0:13:54 | 0:13:56 | |
They're all woven in silk on a Jacquard loom. | 0:13:56 | 0:14:00 | |
They were first produced by Thomas Stevens. | 0:14:00 | 0:14:02 | |
He made little slips for bookmarks | 0:14:02 | 0:14:05 | |
and then developed the ribbon industry into producing these. | 0:14:05 | 0:14:08 | |
This one is interesting. Now, why's it interesting? | 0:14:08 | 0:14:10 | |
-What does it say? -Oh, I haven't got my glasses on, you tell me. | 0:14:10 | 0:14:15 | |
It's trains, trains are going through... | 0:14:15 | 0:14:17 | |
"The Present Time. 60 miles an hour." | 0:14:17 | 0:14:20 | |
Yes, doing 60 miles an hour. | 0:14:20 | 0:14:23 | |
It's wonderful, that tall stack. | 0:14:23 | 0:14:25 | |
So we're looking round about the 1880, 1890 period. | 0:14:25 | 0:14:28 | |
And what's written on the back? | 0:14:28 | 0:14:30 | |
On the back, there's a presentation inscription. | 0:14:30 | 0:14:33 | |
"To Father on your 70th birthday, May Ellen." | 0:14:33 | 0:14:38 | |
-That's delightful. -I think that's lovely. | 0:14:38 | 0:14:40 | |
Not Sue Ellen from Dallas! | 0:14:40 | 0:14:42 | |
Let's have a look on the other side. | 0:14:42 | 0:14:43 | |
"The Good Old Days", that's a coach scene. | 0:14:43 | 0:14:46 | |
Those are very good, I love that one. | 0:14:46 | 0:14:50 | |
-Anybody interested in railways... -Is going to go for that. | 0:14:50 | 0:14:53 | |
-How many? -Two, you get the pair. | 0:14:55 | 0:14:57 | |
There's a lovely inscription on the back. | 0:14:57 | 0:14:59 | |
-I know, "To Father..." -Yes. | 0:14:59 | 0:15:00 | |
Just two, are there just two? | 0:15:00 | 0:15:01 | |
There's two of them. What's the best price on these, sir? | 0:15:01 | 0:15:04 | |
-On the two? -Yes. | 0:15:04 | 0:15:05 | |
-120. -Is that your very best? | 0:15:05 | 0:15:08 | |
-Gosh. -You didn't ask me my very best, you only said "best"! | 0:15:08 | 0:15:12 | |
That comes the third time! | 0:15:12 | 0:15:14 | |
Darling, darling, tell me, how low could you go? | 0:15:14 | 0:15:18 | |
Cheeky madam! You go, girl. | 0:15:18 | 0:15:22 | |
Go on, tell me. | 0:15:22 | 0:15:23 | |
We'll say 110 then. | 0:15:23 | 0:15:24 | |
100. | 0:15:24 | 0:15:26 | |
Do it for 100... | 0:15:26 | 0:15:28 | |
Go on, then. | 0:15:28 | 0:15:29 | |
-100. -Yes. | 0:15:29 | 0:15:30 | |
-Right, now what do you think? -People have got to know what they are. | 0:15:30 | 0:15:33 | |
-Do you think we might make any money on them? -They won't be a major leader on making the big profit, no. | 0:15:33 | 0:15:38 | |
-No. -No, I don't think so. | 0:15:38 | 0:15:40 | |
But I can see where you're going with them. | 0:15:40 | 0:15:42 | |
-Let's come back on these, shall we? -Yes. -Let's come back. | 0:15:42 | 0:15:44 | |
Time's moving on, but here's a question for you. | 0:15:44 | 0:15:49 | |
When was the last time you went to St Ives, | 0:15:50 | 0:15:53 | |
in sunny Cornwall? | 0:15:53 | 0:15:55 | |
Well, if you have been to St Ives, you may have visited the gallery | 0:15:55 | 0:16:00 | |
of the great Barbara Hepworth, | 0:16:00 | 0:16:02 | |
one of the most celebrated 20th-century British sculptors. | 0:16:02 | 0:16:06 | |
A friend of Moore and famous for modernism. | 0:16:06 | 0:16:11 | |
Moore's and Hepworth's modernist sculpture though, | 0:16:12 | 0:16:16 | |
tended to take the form of abstract human bodies. | 0:16:16 | 0:16:20 | |
This has less of the abstract human body about it | 0:16:20 | 0:16:24 | |
and more of the cubist form, so it probably dates from a slightly earlier period. | 0:16:24 | 0:16:30 | |
The sculptor I would like you to think about | 0:16:30 | 0:16:35 | |
when looking at this, is actually a Lithuanian called Lipchitz. | 0:16:35 | 0:16:39 | |
Lipchitz was an early cubist sculptor | 0:16:39 | 0:16:44 | |
who took a simple block of stone | 0:16:44 | 0:16:48 | |
and chiselled to create forms that are not dissimilar to this form, | 0:16:48 | 0:16:55 | |
which fair takes my breath away, I have to tell you, | 0:16:55 | 0:16:58 | |
because I think it's so incredibly clever. | 0:16:58 | 0:17:01 | |
Apart from the manual dexterity of literally chipping away | 0:17:01 | 0:17:06 | |
to create these smooth forms, | 0:17:06 | 0:17:08 | |
how does the inspiration come to you? | 0:17:08 | 0:17:11 | |
Because this is so complicated. Pablo Picasso was the man | 0:17:11 | 0:17:16 | |
who popularised Cubism early in the 20th century, | 0:17:16 | 0:17:20 | |
and this Lithuanian, Lipchitz, translated it into stone. | 0:17:20 | 0:17:25 | |
What's all this got to do with Newark international antiques and collectors fair, | 0:17:26 | 0:17:31 | |
I hear you say. | 0:17:31 | 0:17:33 | |
I've selected this because it's an object that you can find here, | 0:17:33 | 0:17:38 | |
sitting on a tarmac driveway just down the way. | 0:17:38 | 0:17:41 | |
It's here for sale. | 0:17:41 | 0:17:43 | |
What would this complicated stone-form object cost you | 0:17:43 | 0:17:49 | |
here in Newark, today? | 0:17:49 | 0:17:51 | |
£100, I say. If it was by the great Lipchitz, | 0:17:51 | 0:17:57 | |
a piece of carved cubist stone like this | 0:17:57 | 0:18:01 | |
could make, at auction, the top end of £350,000. | 0:18:01 | 0:18:06 | |
Do you invest £100 in a piece of stone | 0:18:06 | 0:18:09 | |
that's so beautifully carved, it could be by the great Lipchitz? | 0:18:09 | 0:18:14 | |
I think you probably do. | 0:18:14 | 0:18:16 | |
Don't you? | 0:18:16 | 0:18:18 | |
We're not expecting a six-figure sum out of our teams today. | 0:18:20 | 0:18:23 | |
Two figures will do. | 0:18:23 | 0:18:25 | |
Is that a silly item up there? | 0:18:25 | 0:18:27 | |
Do you like dogs or do you just like silly items? | 0:18:29 | 0:18:33 | |
What do you think about that? | 0:18:36 | 0:18:38 | |
I quite like that but I don't think Jill does, do you? | 0:18:40 | 0:18:43 | |
-No. -No! | 0:18:43 | 0:18:45 | |
Well, it's unusual, isn't it? | 0:18:46 | 0:18:48 | |
It's grotesque! | 0:18:48 | 0:18:50 | |
-Well, tribal art.. -Seriously, we don't like it, do we. | 0:18:50 | 0:18:53 | |
Tribal art is not one of my strengths. | 0:18:53 | 0:18:55 | |
It certainly is an interesting item. | 0:18:55 | 0:18:57 | |
-Your wife doesn't like it. -OK then. | 0:18:57 | 0:18:59 | |
Hey, Paddy... | 0:19:01 | 0:19:02 | |
Just do what your wife tells you! | 0:19:03 | 0:19:06 | |
Oh, to be henpecked, Paddy! | 0:19:06 | 0:19:09 | |
Jean's at it again! | 0:19:09 | 0:19:10 | |
You couldn't give me a ridiculously low price on that, could you? | 0:19:10 | 0:19:14 | |
No. I can give you a price | 0:19:14 | 0:19:17 | |
-but it wouldn't be a ridiculously low one. -Do you like that clock, Jean? | 0:19:17 | 0:19:20 | |
I love it, yes. Don't you? | 0:19:20 | 0:19:22 | |
You don't, do you? | 0:19:22 | 0:19:24 | |
It's not my taste but it's not up to me, it's what you consider is going to sell at auction. | 0:19:24 | 0:19:31 | |
I think that might be a limited sale, limited people. | 0:19:31 | 0:19:34 | |
No, I can't have it, that's answered of the question, I can't have it. | 0:19:34 | 0:19:37 | |
And we thought he was a nice man when we came on! | 0:19:37 | 0:19:39 | |
Ah well, Jean, you can't always get everything you want. | 0:19:39 | 0:19:42 | |
OK, we're running out of time here, guys. | 0:19:45 | 0:19:47 | |
What about these Doulton vases here? | 0:19:47 | 0:19:50 | |
Doulton and it's quite a humorous subject here. | 0:19:53 | 0:19:56 | |
We have a fat old friar. | 0:19:56 | 0:19:59 | |
-Maybe Friar Tuck of Nottingham? -Of course. | 0:19:59 | 0:20:02 | |
He's having a swig. | 0:20:02 | 0:20:04 | |
-He is, yeah. -Right. -They're different, aren't they? | 0:20:04 | 0:20:08 | |
-They're quite interesting. -Yeah. | 0:20:08 | 0:20:11 | |
£140, I wouldn't have thought there'd be much money in them. | 0:20:11 | 0:20:15 | |
Well, see what we can get. | 0:20:15 | 0:20:18 | |
It's good stoneware. | 0:20:18 | 0:20:19 | |
Jill's not too keen, but can a price reduction convince her otherwise? | 0:20:19 | 0:20:24 | |
Could you come to 100 on them? | 0:20:24 | 0:20:25 | |
-I'll do 100. -What do you think? | 0:20:25 | 0:20:29 | |
You need to make your mind up, Reds! And you Blues need to be hasty too. | 0:20:29 | 0:20:34 | |
There's only three minutes left. | 0:20:34 | 0:20:35 | |
We've got to make a decision. | 0:20:35 | 0:20:36 | |
We can't go on looking, just wandering down, doing nothing. | 0:20:36 | 0:20:39 | |
-You've got the brass candlestick or you've got the Stevengraphs. -Yes. | 0:20:39 | 0:20:43 | |
-Stevengraphs for me. -I think yes. | 0:20:43 | 0:20:46 | |
OK, I'll go and get them. | 0:20:46 | 0:20:48 | |
Well done, David. So come on, Jill, what's the score? | 0:20:48 | 0:20:51 | |
-Yes, I think we'll go for them. -We'll get these then. | 0:20:51 | 0:20:54 | |
Jill thinks it's over! | 0:20:55 | 0:20:58 | |
Well, it is now. | 0:20:58 | 0:20:59 | |
We'll go for these then, thank you very much. | 0:20:59 | 0:21:01 | |
Will you wrap them up for us? OK. | 0:21:01 | 0:21:04 | |
-Great. -Or, as they do in football, aahh! | 0:21:04 | 0:21:07 | |
-Right, there we are. -We've finished! | 0:21:08 | 0:21:11 | |
-Jean. -Thank you. | 0:21:11 | 0:21:13 | |
I deserve a cup of tea, I don't know about you two. | 0:21:13 | 0:21:15 | |
We trust you implicitly, yes, you do deserve tea. | 0:21:15 | 0:21:17 | |
What am I... What have I got to do with these? | 0:21:17 | 0:21:19 | |
-Have I... -I'll take them. | 0:21:19 | 0:21:22 | |
You've got to sell them, darling! | 0:21:22 | 0:21:24 | |
HORN TUNE | 0:21:24 | 0:21:27 | |
That's it, time's up. Let's remind ourselves what the Red team bought. | 0:21:27 | 0:21:31 | |
HORN TUNE AGAIN | 0:21:31 | 0:21:33 | |
The Reds had a ball and spent £45 | 0:21:33 | 0:21:35 | |
on two silver salts. | 0:21:35 | 0:21:37 | |
They focused £60 of their budget on a pair of opera glasses. | 0:21:39 | 0:21:43 | |
And they spent £100 on a pair of Royal Doulton vases. | 0:21:46 | 0:21:49 | |
Every time Anita goes out, she seems to have fun. | 0:21:53 | 0:21:56 | |
I don't know what's going on round here! | 0:21:56 | 0:21:58 | |
-Seriously, it's been good, hasn't it, Paddy? -I've really enjoyed it. | 0:21:58 | 0:22:01 | |
-Which is your favourite bit? -The opera glasses. | 0:22:01 | 0:22:04 | |
-The opera glasses are your favourite. Jill, what about you? -I just enjoyed spending it all | 0:22:04 | 0:22:08 | |
and looking at everything. I love the salt cellars we got. | 0:22:08 | 0:22:12 | |
-Salt cellars are your favourite. -Yes. -How much did you spend? | 0:22:12 | 0:22:15 | |
-£205. -£205. £95 do I spy there? | 0:22:15 | 0:22:19 | |
£95 going straight to Anita. What are you going to spend it on? | 0:22:19 | 0:22:22 | |
Something that will give them a lot of fun. | 0:22:22 | 0:22:26 | |
-Oh, lovely. -What, more fun? -Yes! | 0:22:26 | 0:22:28 | |
Is that possible? | 0:22:28 | 0:22:31 | |
No second guessing, all will be revealed later! | 0:22:32 | 0:22:35 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:22:35 | 0:22:38 | |
The Blues poured £80 | 0:22:38 | 0:22:40 | |
into a Doulton Lambeth claret jug. | 0:22:40 | 0:22:43 | |
They forked out £70 on a pair | 0:22:44 | 0:22:46 | |
of 19th-century silver menu holders. | 0:22:46 | 0:22:49 | |
Finally, they blew £100 | 0:22:50 | 0:22:52 | |
on a pair of silk Stevengraphs. | 0:22:52 | 0:22:54 | |
We enjoyed it, we didn't feel railroaded into anything, | 0:22:56 | 0:22:59 | |
-we felt that was our own decision. -And it was your choice... | 0:22:59 | 0:23:01 | |
Did I hear "railroaded"? | 0:23:01 | 0:23:03 | |
Would you be railroaded by Mr Barby, I ask you? | 0:23:03 | 0:23:06 | |
Yes, but we bought these lovely little railroad pictures, didn't we? | 0:23:06 | 0:23:09 | |
-Anyway, you've had a good time? -Loved it. | 0:23:10 | 0:23:12 | |
-How much did you spend all round? -We spent £250. | 0:23:12 | 0:23:15 | |
Did you? That's a good amount. Which is your favourite piece, Jean? | 0:23:15 | 0:23:18 | |
My favourite piece... Oh, the little menu holders. | 0:23:18 | 0:23:22 | |
-The little fan menu holders. -That's your favourite. | 0:23:22 | 0:23:24 | |
-That's my favourite. -What about you, Keith? -I like the claret jug, | 0:23:24 | 0:23:27 | |
-I felt I had to make Jean warm to that. -Oh, yes. | 0:23:27 | 0:23:30 | |
-Took a little persuading, didn't it, David? -Yes, it did. | 0:23:30 | 0:23:33 | |
She got there in the end! | 0:23:33 | 0:23:34 | |
-Who's got the £50? -I have the £50. | 0:23:34 | 0:23:36 | |
The £50, thank you very much, which I give straight across... | 0:23:36 | 0:23:39 | |
-Thank you very much. -..to David Barby. -Spend wisely! | 0:23:39 | 0:23:42 | |
-Yes. -What are you going to spend it on? | 0:23:42 | 0:23:44 | |
Well, I thought something colourful like brassware! | 0:23:44 | 0:23:47 | |
-Really? -Not the brass candlestick! | 0:23:49 | 0:23:52 | |
-I won't inflict that on you! -Please, don't. | 0:23:52 | 0:23:54 | |
Anyway, good luck, David. Good luck, team. | 0:23:54 | 0:23:56 | |
Meanwhile, we're heading off somewhere absolutely splendiferous. | 0:23:56 | 0:23:59 | |
Deep in the forests of Selkirk is Bowhill House, | 0:24:04 | 0:24:09 | |
home to the Scotts of Buccleuch, who rose to eminence in the 16th century, | 0:24:09 | 0:24:15 | |
thanks to dashing exploits in border raids. | 0:24:15 | 0:24:18 | |
The Scott clan have an illustrious pedigree, | 0:24:18 | 0:24:22 | |
including a blood line to Mary, Queen of Scots. | 0:24:22 | 0:24:26 | |
When Charles II's illegitimate son, James, married into the family, | 0:24:26 | 0:24:31 | |
he became the first Duke Of Buccleuch. | 0:24:31 | 0:24:35 | |
And the title and Scott name continue to this day. | 0:24:35 | 0:24:40 | |
Bowhill is now looked after by the 10th duke and open to the public, | 0:24:40 | 0:24:44 | |
so we can all take a peek at the fine works of art | 0:24:44 | 0:24:48 | |
and prized heirlooms that have been handed down | 0:24:48 | 0:24:50 | |
through successive generations. | 0:24:50 | 0:24:53 | |
In 1814, Charles, 4th Duke of Buccleuch, | 0:24:53 | 0:24:57 | |
commissioned his architect to extend the wings of the house, | 0:24:57 | 0:25:01 | |
including this grand dining room. | 0:25:01 | 0:25:04 | |
What could be grander to have in your dining room | 0:25:04 | 0:25:07 | |
but the largest silver wine cooler | 0:25:07 | 0:25:10 | |
that you could possibly imagine? | 0:25:10 | 0:25:12 | |
Isn't it extraordinary? | 0:25:12 | 0:25:14 | |
A piece of silver commissioned by Queen Anne | 0:25:14 | 0:25:17 | |
as a piece of ambassadorial plate in 1711. | 0:25:17 | 0:25:22 | |
But just look at the scale of this thing! | 0:25:22 | 0:25:24 | |
How many bottles would you fit inside to cool down? | 0:25:24 | 0:25:28 | |
50? Half a tonne of ice and the whole thing weighs | 0:25:28 | 0:25:31 | |
a cool 2,000 ounces. | 0:25:31 | 0:25:36 | |
The scale of the silver in the dining room just gets better and better. | 0:25:39 | 0:25:43 | |
I mean, look at this baby! | 0:25:43 | 0:25:45 | |
It must be six foot tall | 0:25:45 | 0:25:48 | |
when it's off its plinth and it weighs in at a cool 3,000 ounces. | 0:25:48 | 0:25:53 | |
Commissioned by the 5th duke in 1830, | 0:25:53 | 0:25:58 | |
from the silversmith Garrard. | 0:25:58 | 0:26:00 | |
And apart from being of exquisite quality, | 0:26:00 | 0:26:04 | |
what's fun about it is it tells the story | 0:26:04 | 0:26:07 | |
of the legend of the origins of the Buccleuch family name. | 0:26:07 | 0:26:13 | |
In Scotland, a "cleuch" is a steep, narrow ravine. | 0:26:13 | 0:26:18 | |
In the legend, one day an ancient Scottish king was hunting deer, | 0:26:18 | 0:26:24 | |
and a young buck jumped out in the middle of the cleuch and was about to attack him. | 0:26:24 | 0:26:31 | |
But into the fore leaps our hero, our muscular young man, | 0:26:31 | 0:26:35 | |
whose family name was Scott, from whom the Buccleuchs are descended, | 0:26:35 | 0:26:41 | |
physically restrained the young deer | 0:26:41 | 0:26:45 | |
and flung it over his shoulder, | 0:26:45 | 0:26:48 | |
earning the term "Buck...cleuch", | 0:26:48 | 0:26:52 | |
hence Buccleuch, hence their family name. | 0:26:52 | 0:26:56 | |
How sweet is that? | 0:26:56 | 0:26:58 | |
The big question today is, of course, | 0:26:58 | 0:27:00 | |
over at the auction. Is it going to be buck or bust? | 0:27:00 | 0:27:04 | |
Well, it's lovely to be in Market Harborough, | 0:27:12 | 0:27:14 | |
with our auctioneer of the moment, Mark Gilding. | 0:27:14 | 0:27:17 | |
-How very nice to see you. -Very good to see you. | 0:27:17 | 0:27:18 | |
Lovely to be back, actually. | 0:27:18 | 0:27:21 | |
Now, we've got some interesting gear today. | 0:27:21 | 0:27:23 | |
Kicking off with the Reds with these silver salts. | 0:27:23 | 0:27:26 | |
Yes, they're probably the most boring lot that they bought. | 0:27:26 | 0:27:30 | |
-They're kind of standard things, aren't they? -They are, yes. | 0:27:30 | 0:27:33 | |
Frames with silver piercing and little ball feet. | 0:27:33 | 0:27:36 | |
They are what they are at the end of the day. | 0:27:36 | 0:27:38 | |
-What's your estimate on those? -40-60. | 0:27:38 | 0:27:41 | |
Perfect. £45 paid. | 0:27:41 | 0:27:43 | |
-Oh good. -They paid the right price and with any luck, will make a wee profit | 0:27:43 | 0:27:48 | |
which would be lovely. | 0:27:48 | 0:27:49 | |
Next up are these very unusual opera glasses. | 0:27:49 | 0:27:52 | |
When was the last time you went to the opera | 0:27:52 | 0:27:54 | |
and took glasses with you that are covered in stags? | 0:27:54 | 0:27:58 | |
-Weird, isn't it? -It's a while since I went to the opera, | 0:27:58 | 0:28:01 | |
let alone with some stag opera glasses. | 0:28:01 | 0:28:03 | |
-I think they're a fun lot. -Yes. -Quite well decorated, | 0:28:03 | 0:28:06 | |
and in a good original box. | 0:28:06 | 0:28:09 | |
-Do you think they're going to go well? -I think £60-£80. | 0:28:09 | 0:28:12 | |
Good man. £60 paid. | 0:28:12 | 0:28:14 | |
Complete in their case, that is the right price to pay. | 0:28:14 | 0:28:18 | |
Lastly, the Doulton series ware vases, any good? | 0:28:18 | 0:28:22 | |
-Unfortunately, one of them does have a crack in it... -Does it? | 0:28:22 | 0:28:25 | |
..which is going to put the perfectionists off, of course. | 0:28:25 | 0:28:28 | |
But Royal Doulton is still collectable, although prices aren't as strong as they have been. | 0:28:28 | 0:28:33 | |
So, where do you pitch those then? | 0:28:33 | 0:28:35 | |
-60-80. -Ah, they paid £100. | 0:28:35 | 0:28:37 | |
There we go. | 0:28:37 | 0:28:39 | |
So what they got with one hand, they might lose with the other! | 0:28:39 | 0:28:42 | |
In which case, they're going to need their bonus buy, | 0:28:42 | 0:28:44 | |
so let's go and have a look at it. | 0:28:44 | 0:28:46 | |
Paddy, Jill, you spent a magnificent £205, I'm so proud of you. | 0:28:47 | 0:28:50 | |
You gave £95 to the Manning, what did she go off and buy? | 0:28:50 | 0:28:54 | |
-Anita. -Well, there was only one thing in the fair I could have bought for Paddy. | 0:28:54 | 0:28:58 | |
I used to play with one of these, years ago. | 0:29:02 | 0:29:06 | |
I thought that must be for you. | 0:29:06 | 0:29:07 | |
It's probably an American one, | 0:29:07 | 0:29:09 | |
made by Epic Sports. There's probably 18 pieces of leather | 0:29:09 | 0:29:14 | |
making up that football. | 0:29:14 | 0:29:16 | |
I read that in a book but I know nothing about football! | 0:29:16 | 0:29:19 | |
Well, you're probably right. | 0:29:19 | 0:29:21 | |
-But it's not that old, is it? -It's not that old. -What did you pay? | 0:29:21 | 0:29:25 | |
I paid £50 for it! | 0:29:25 | 0:29:27 | |
-That's a lot of money! -I know but I couldn't resist it. | 0:29:27 | 0:29:31 | |
Let's just hope it's not going to be offside. | 0:29:31 | 0:29:33 | |
Anyway, you don't pick right now, you choose later, | 0:29:33 | 0:29:36 | |
after the sale of your first three items. For the audience at home, | 0:29:36 | 0:29:39 | |
let's find out what the auctioneer thinks about Anita's ball. | 0:29:39 | 0:29:43 | |
-Well, let's dribble in with this. -OK. | 0:29:44 | 0:29:45 | |
-How do you rate it? -I think it's a fun-looking thing, | 0:29:45 | 0:29:49 | |
everything about it says a bit of age | 0:29:49 | 0:29:51 | |
but not as old as it's meant to be. | 0:29:51 | 0:29:53 | |
-Is it a reproduction? -It is a repro one. -Right. | 0:29:53 | 0:29:56 | |
-Anyway, it reminds you of the great game. -Yes. | 0:29:56 | 0:30:00 | |
It isn't directly associated with any great game. | 0:30:00 | 0:30:03 | |
-What's it worth, do you think? -£20 or £30. | 0:30:03 | 0:30:05 | |
Uh-oh. £50. She could get kicked into touch with that! | 0:30:05 | 0:30:10 | |
Anyway, that's it for the Reds. Now for the Blues. | 0:30:10 | 0:30:14 | |
What have they got to start off with? | 0:30:14 | 0:30:15 | |
The Doulton claret jug. | 0:30:15 | 0:30:17 | |
-That's a handsome thing, isn't it? -It is a good-looking lump of Doulton, | 0:30:17 | 0:30:21 | |
the silver plate's not been over-polished. A good lot. | 0:30:21 | 0:30:24 | |
A good lot. How much? | 0:30:24 | 0:30:26 | |
-80-120. -Bravo! | 0:30:26 | 0:30:29 | |
£80 paid. I think £80 in a fair is pretty cheap, don't you? | 0:30:29 | 0:30:34 | |
I think that's good value for money, that one. | 0:30:34 | 0:30:35 | |
Something going well. | 0:30:35 | 0:30:37 | |
Jean fell in love with the silver fan-form menu holders. | 0:30:37 | 0:30:42 | |
-OK. -Do you rate them? | 0:30:42 | 0:30:44 | |
I think they're quite good, quite well cast and the engraving's quite good. | 0:30:44 | 0:30:48 | |
They're a good-looking lot. | 0:30:48 | 0:30:49 | |
And displaying magnificently a beautiful card for us today, | 0:30:49 | 0:30:53 | |
-don't you think? -I think it's incredible. -Incredible. | 0:30:53 | 0:30:56 | |
Seriously, if you weren't using them as menu holders, | 0:30:56 | 0:30:59 | |
really, really nice things to put a modern photograph in. | 0:30:59 | 0:31:03 | |
Absolutely, then save them for your weekends of fine dining! | 0:31:03 | 0:31:06 | |
Absolutely, dual purpose! | 0:31:06 | 0:31:08 | |
On that happy note, how much? | 0:31:08 | 0:31:10 | |
-60-80. -OK, they paid 70. But if I had a punt | 0:31:10 | 0:31:14 | |
as to what might fly out of this little tribe, | 0:31:14 | 0:31:17 | |
I think they might do quite well. | 0:31:17 | 0:31:18 | |
Now, the Stevengraphs. I always think, slightly yesterday's collectable, | 0:31:18 | 0:31:23 | |
-without being rude about them. -One of them titled "The Good Old Days", | 0:31:23 | 0:31:28 | |
I mean, that's exactly the good old days when everybody wanted these | 0:31:28 | 0:31:31 | |
and we're no longer there. | 0:31:31 | 0:31:32 | |
-I like the one with the train, don't you? -Yeah, | 0:31:32 | 0:31:34 | |
the train's going to be the thing that draws in the collectors. | 0:31:34 | 0:31:37 | |
Yes, right. What's your estimate? | 0:31:37 | 0:31:39 | |
I've put 50-70. | 0:31:39 | 0:31:41 | |
They paid 100. I think they paid just a tad too much | 0:31:41 | 0:31:44 | |
but still, we'll see. | 0:31:44 | 0:31:46 | |
In which case, they're going to need their bonus buy. Let's go and have a look at it. | 0:31:46 | 0:31:49 | |
Jean and Keith, this is exciting. | 0:31:49 | 0:31:52 | |
You spent £250, super duper. | 0:31:52 | 0:31:54 | |
You gave the £50 to David Barby, who's been off to buy you a bonus buy. | 0:31:54 | 0:31:58 | |
I almost spent the lot, Tim. | 0:31:58 | 0:32:00 | |
-Oh, good. -I bought this. | 0:32:00 | 0:32:02 | |
This is a piece of Monart glass, it's Scottish art glass. | 0:32:02 | 0:32:06 | |
What I like about it is this inclusion of gilt fleck | 0:32:06 | 0:32:11 | |
and all these other pink and white and green. It's so beautiful. | 0:32:11 | 0:32:15 | |
Do handle it, it's quite a tactile piece. | 0:32:15 | 0:32:18 | |
-I like that. -I love that. -I like the gold flecks. | 0:32:18 | 0:32:22 | |
-You like that? -You may save our bacon with this! | 0:32:22 | 0:32:24 | |
Well, it was £50, less 5, so 45. | 0:32:26 | 0:32:30 | |
It was within the margin that you gave me. | 0:32:30 | 0:32:32 | |
-Do you think there's any profit in that? -I think a £20-£25 profit. | 0:32:32 | 0:32:36 | |
-Really? -I hope so. -I can feel that. -Can you? | 0:32:36 | 0:32:40 | |
-Feel that. -Where do you feel it? -In the gilt. -Oh, do you? | 0:32:40 | 0:32:43 | |
That's all right. | 0:32:43 | 0:32:45 | |
Well, I can't help it if you're "gilty"! | 0:32:46 | 0:32:48 | |
On that happy note, are you happy, guys? | 0:32:49 | 0:32:51 | |
-Yes. -You choose after the sale of your first three items. | 0:32:51 | 0:32:54 | |
Now, let's find out what the auctioneer thinks about | 0:32:54 | 0:32:56 | |
David's Monart bowl. | 0:32:56 | 0:32:58 | |
Well, there we go, Mark, that's kind of handsome, isn't it? | 0:32:58 | 0:33:03 | |
It is, it's a very good bit of glass. | 0:33:03 | 0:33:05 | |
It's clever though, isn't it? The more you look at it, | 0:33:05 | 0:33:08 | |
these rolls and scrolls of the creamy styrations | 0:33:08 | 0:33:12 | |
as they kind of go into the green is clever. | 0:33:12 | 0:33:15 | |
And then you get this gold aventurine sprinkling through it. | 0:33:15 | 0:33:20 | |
-It's a sophisticated object. -It is, yeah. | 0:33:20 | 0:33:24 | |
OK, what's your pitch at that? | 0:33:24 | 0:33:26 | |
Probably been a bit mean with this, I like it the more I see it. 40-60. | 0:33:26 | 0:33:29 | |
Fair enough. The cunning fox, Barby, paid £45 as his bonus buy. | 0:33:29 | 0:33:34 | |
You're saying 40-60, you reckon that's a modest estimate. | 0:33:34 | 0:33:38 | |
-So it might make 80. -It could indeed. | 0:33:38 | 0:33:40 | |
If it takes off on the internet, it might make £120. | 0:33:40 | 0:33:43 | |
-We're going to have some excitement today, yes? -I think so. | 0:33:43 | 0:33:46 | |
I think so. | 0:33:46 | 0:33:47 | |
-OK, team, happy? -Yes. -Yes. | 0:33:55 | 0:33:57 | |
Tell me, Paddy, is this a bit like the beginning of a football match? | 0:33:57 | 0:34:00 | |
-Are you a bit nervous? -I am actually. -Dry mouth? | 0:34:00 | 0:34:03 | |
It's the first time I've been to an auction. | 0:34:03 | 0:34:05 | |
-The first time you've been to an auction? -Yes. -It never is. | 0:34:05 | 0:34:07 | |
-I'm shaking. -You're an auction virgin. | 0:34:07 | 0:34:10 | |
-Yes. -What about you, Jill? Are you virginal or not? | 0:34:10 | 0:34:12 | |
Oh, absolutely! | 0:34:12 | 0:34:14 | |
We've got two virgins! | 0:34:14 | 0:34:16 | |
Your first lot are the salts with the glass liners, here they come. | 0:34:16 | 0:34:20 | |
Lot 50, the pair of oval silver salts. | 0:34:20 | 0:34:23 | |
1920, with clear glass liners. Bidding opens here at £20. | 0:34:23 | 0:34:28 | |
£20 I'm bid for the pair of these, at 20. 22, 25, | 0:34:28 | 0:34:32 | |
28, 28 I'm bid then. Bid at 28, | 0:34:32 | 0:34:36 | |
30, bid in the room at 32... | 0:34:36 | 0:34:38 | |
35, it's against you, internet, 38. | 0:34:40 | 0:34:43 | |
38 on the internet, good old internet. | 0:34:43 | 0:34:45 | |
38, you're out in the room then, it's with the internet at 38. | 0:34:45 | 0:34:47 | |
38 I'm bid then, at 38, to the internet then, | 0:34:47 | 0:34:49 | |
at £38. | 0:34:49 | 0:34:51 | |
Uh-oh. | 0:34:51 | 0:34:52 | |
38, that's not so good, that's minus 7. | 0:34:52 | 0:34:55 | |
Well, bad luck on that. | 0:34:55 | 0:34:57 | |
Your bank has gone! | 0:34:57 | 0:34:59 | |
Now, opera glasses. | 0:34:59 | 0:35:02 | |
The velvet-lined case and bidding on my books here | 0:35:02 | 0:35:06 | |
open at £30. | 0:35:06 | 0:35:07 | |
£30 for the pair of these and the box. | 0:35:08 | 0:35:10 | |
32, 35, 38, | 0:35:10 | 0:35:11 | |
40, £40 bid then, at 40. | 0:35:11 | 0:35:15 | |
For the pair and the box, at £40 I'm bid, at 42... | 0:35:15 | 0:35:19 | |
Uh-oh. | 0:35:19 | 0:35:20 | |
42 bid then, at 42. My bids are out here and it's with the internet | 0:35:20 | 0:35:24 | |
and you're all out in the room as well. At £42, | 0:35:24 | 0:35:26 | |
I'm bid then and I will sell. | 0:35:26 | 0:35:28 | |
HE BANGS GAVEL | 0:35:28 | 0:35:29 | |
£42... That's minus £18 on that. | 0:35:29 | 0:35:32 | |
That's not good, is it? | 0:35:32 | 0:35:35 | |
-No. -Dear, oh dear, oh dear. | 0:35:35 | 0:35:38 | |
A pair of Royal Doulton series ware vases, | 0:35:38 | 0:35:40 | |
bidding here, again I'm going to start at 30, 32, 35, 38, 40, 42. | 0:35:40 | 0:35:47 | |
42 for the pair of these, at 45, 48, 50, 5, 60, | 0:35:47 | 0:35:51 | |
5, 70, 5... | 0:35:51 | 0:35:55 | |
75 here and you're out. | 0:35:55 | 0:35:57 | |
75 bid in the middle. | 0:35:57 | 0:35:59 | |
At 75 then, away to the room at 75. | 0:35:59 | 0:36:02 | |
Oh no, he's done it. £75, that's minus 25. | 0:36:03 | 0:36:06 | |
Overall, that's minus £50. | 0:36:06 | 0:36:08 | |
-I don't like the look of this! -No. | 0:36:08 | 0:36:10 | |
What is going on here? | 0:36:12 | 0:36:14 | |
I mean, I know we had the crack in the vases but those opera glasses were perfect and very unusual. | 0:36:14 | 0:36:19 | |
Disappointed, very disappointed. | 0:36:19 | 0:36:21 | |
What are you going to do about the football? | 0:36:21 | 0:36:23 | |
Are you going to have a go at that? | 0:36:23 | 0:36:24 | |
-Well... -You've got to be careful here, guys. | 0:36:24 | 0:36:27 | |
-No, no. -We'll go for it. | 0:36:27 | 0:36:29 | |
No... No! | 0:36:30 | 0:36:33 | |
-Not going... -No. -You're not, are you sure about that? | 0:36:33 | 0:36:35 | |
-Yes. -Jill's determined. OK, we're not going with the bonus buy. | 0:36:35 | 0:36:39 | |
But we're going to sell it anyway and here it comes. | 0:36:39 | 0:36:41 | |
A leather football, marked "Epic Sports"... | 0:36:41 | 0:36:44 | |
..and a good start for this one, £40, I'm bid. | 0:36:45 | 0:36:48 | |
£40, I'm bid, at 40. | 0:36:49 | 0:36:51 | |
At 40 then, selling away. 42 with the internet. | 0:36:51 | 0:36:55 | |
45, 50...55. | 0:36:55 | 0:36:59 | |
55, 55 bid, at 55, 60. | 0:37:00 | 0:37:02 | |
My bids are out now, it's £60 and I'm selling to the internet, | 0:37:02 | 0:37:07 | |
at £60. | 0:37:07 | 0:37:09 | |
£60, I'm afraid to say, | 0:37:09 | 0:37:12 | |
is plus £10! | 0:37:12 | 0:37:13 | |
What do you know about football? | 0:37:13 | 0:37:15 | |
What do you know about footballs?! | 0:37:17 | 0:37:19 | |
Anyway, there we go, it's all a lot of footballs really. | 0:37:19 | 0:37:22 | |
So, overall, you are minus £50. | 0:37:22 | 0:37:25 | |
But that could be a winning score so just don't talk to the Blues. | 0:37:25 | 0:37:28 | |
I daren't! | 0:37:28 | 0:37:30 | |
Now, Jean, Keith, do you know how the Reds got on? | 0:37:39 | 0:37:41 | |
-No. -No, you don't want to know, I tell you. | 0:37:41 | 0:37:44 | |
-Anyway, so, are you happy? -Very. -Are you confident? | 0:37:44 | 0:37:48 | |
-Very. -Yes. -Anyway, first up is the Doulton claret jug, | 0:37:48 | 0:37:51 | |
which I think is fab and here it comes. | 0:37:51 | 0:37:53 | |
The Doulton Lambeth stoneware jug, 1877, | 0:37:53 | 0:37:57 | |
with plated mounts and £50 is my opening bid. | 0:37:57 | 0:38:00 | |
£50 I'm bid, here at 50. | 0:38:00 | 0:38:03 | |
At £50 I'm bid here on the book, at £50. | 0:38:03 | 0:38:05 | |
55... Against you, internet, | 0:38:05 | 0:38:08 | |
it's in the room at 55. At 55 I'm bid, at 55. | 0:38:08 | 0:38:11 | |
60 I'll take. At 55 I'm bid, it's here to sell. | 0:38:11 | 0:38:14 | |
-Oh no! -Come on! | 0:38:14 | 0:38:17 | |
Selling at 55... | 0:38:17 | 0:38:18 | |
HE BANGS GAVEL | 0:38:18 | 0:38:20 | |
Dear, oh dear, oh dear! | 0:38:20 | 0:38:22 | |
55! That's minus 25! | 0:38:22 | 0:38:25 | |
How can that be? | 0:38:25 | 0:38:26 | |
71, pair of French silver fan-shaped pedestal menu holders, | 0:38:26 | 0:38:29 | |
with cast and chased decoration, | 0:38:29 | 0:38:32 | |
and more bids here, 18, 20, 22, 25. | 0:38:32 | 0:38:36 | |
25 bid, 28, 30, | 0:38:36 | 0:38:38 | |
32, 35, 38, 40, | 0:38:38 | 0:38:40 | |
42, 45, 48. | 0:38:40 | 0:38:42 | |
48 I'm bid then, at 48... | 0:38:43 | 0:38:45 | |
Oh no! | 0:38:45 | 0:38:46 | |
50 do I see? At 48 I'm bid. | 0:38:46 | 0:38:48 | |
50 with the internet. | 0:38:48 | 0:38:50 | |
55. | 0:38:50 | 0:38:51 | |
60? For you, internet... It's £55 in the room. | 0:38:51 | 0:38:54 | |
At 55 I'm bid then. Fair warning, internet. 60, | 0:38:54 | 0:38:58 | |
65, £65 I'm bid, at 65. | 0:38:58 | 0:39:01 | |
Go on! | 0:39:01 | 0:39:02 | |
At 65 then, at 65. | 0:39:02 | 0:39:04 | |
Internet's out then, and selling at 65. | 0:39:04 | 0:39:06 | |
HE BANGS GAVEL | 0:39:06 | 0:39:07 | |
-Oh no! -That's not so bad, £65. | 0:39:07 | 0:39:09 | |
Anyway, that's minus £5. Minus 30 overall. | 0:39:09 | 0:39:13 | |
Now, Stevengraphs, stand by. | 0:39:13 | 0:39:17 | |
With original mounts and in the frames, | 0:39:17 | 0:39:19 | |
bidding opens with me at £45. | 0:39:19 | 0:39:22 | |
45 bid now, 50, 55, 60, | 0:39:22 | 0:39:25 | |
5, you're both out, 70, 5, 80, | 0:39:25 | 0:39:28 | |
-85, 90... -Yes. | 0:39:28 | 0:39:31 | |
At £90, I'm bid at 90. | 0:39:31 | 0:39:34 | |
5 I'll take. Telephone, are you bidding? | 0:39:34 | 0:39:36 | |
WOMAN ON PHONE: Do you want to bid? | 0:39:36 | 0:39:38 | |
-Yes. -She's got a phone bid. | 0:39:38 | 0:39:40 | |
100. | 0:39:40 | 0:39:41 | |
Come on! | 0:39:41 | 0:39:43 | |
-110... -That's good. -We're in the money! -120... | 0:39:43 | 0:39:46 | |
-130. -This is getting exciting! | 0:39:47 | 0:39:48 | |
Come on, come on. | 0:39:48 | 0:39:50 | |
You're both out then, it's 130 here then, at 130. | 0:39:50 | 0:39:52 | |
With the telephone at 130 and selling at 130. | 0:39:52 | 0:39:56 | |
HE BANGS GAVEL | 0:39:56 | 0:39:57 | |
Oh, £130. £130 is plus £30, which means | 0:39:57 | 0:40:02 | |
you've got nothing! | 0:40:02 | 0:40:04 | |
That's the story of my life! | 0:40:06 | 0:40:08 | |
Twice the story of mine! | 0:40:08 | 0:40:10 | |
You've got no profit, you've got no loss. | 0:40:10 | 0:40:12 | |
What you've got is a white face, all right? | 0:40:12 | 0:40:14 | |
Which is pretty good, isn't it? | 0:40:14 | 0:40:16 | |
-Not too bad, though. -This is a ridiculous business. | 0:40:16 | 0:40:19 | |
You've got absolutely nothing after all that, all that flimflam. | 0:40:19 | 0:40:22 | |
-What are you going to do... -We had a good time out of it! | 0:40:22 | 0:40:24 | |
Listen, what about this bowl then. Are we going with the bowl? | 0:40:24 | 0:40:28 | |
-We're going with the bowl, we love the bowl. -We really like the bowl. | 0:40:28 | 0:40:30 | |
-Is Barby clever to find that bowl or not? -Very clever. | 0:40:30 | 0:40:33 | |
He is our hero. We're going with the bonus buy, aren't we? | 0:40:33 | 0:40:36 | |
-We're going with the bonus buy. -Here it comes. | 0:40:36 | 0:40:39 | |
A Monart shallow glass circular bowl. | 0:40:39 | 0:40:42 | |
And bidding opens on the book here at £25. | 0:40:42 | 0:40:46 | |
28, 30, 32... | 0:40:46 | 0:40:48 | |
Come on. | 0:40:48 | 0:40:49 | |
32, 35, 38, | 0:40:49 | 0:40:51 | |
40, 42, 45... | 0:40:51 | 0:40:53 | |
45 here then, at 45, on my right. | 0:40:55 | 0:40:57 | |
Can't stop here! | 0:40:57 | 0:40:59 | |
45 and selling to the room at 45. | 0:40:59 | 0:41:00 | |
Oh no! | 0:41:00 | 0:41:03 | |
£45. | 0:41:05 | 0:41:06 | |
You got nothing again! | 0:41:06 | 0:41:09 | |
-Nothing! -You've still got... -All this way for nothing! | 0:41:09 | 0:41:13 | |
-Hours getting lost in that car! -Hundreds of miles getting here... | 0:41:14 | 0:41:18 | |
-You've got nothing! -I blame the navigator. | 0:41:18 | 0:41:20 | |
-Right, well, listen. -Well, it could have been a loss, couldn't it? | 0:41:20 | 0:41:25 | |
Could have been. You've got absolutely nothing. | 0:41:25 | 0:41:27 | |
Perfect, perfect. | 0:41:27 | 0:41:29 | |
Now listen, nothing could be a winning score. | 0:41:29 | 0:41:32 | |
-Keep very quiet. -Don't say a word to those Reds. | 0:41:32 | 0:41:36 | |
-No. -Schtum. -Schtum. -Schtum. | 0:41:36 | 0:41:38 | |
Well, well, well, well, well. Who would have predicted the result today? | 0:41:44 | 0:41:49 | |
Impossible, isn't it? | 0:41:49 | 0:41:51 | |
-Reds, do you know how the Blues were doing? Blues, do you know how the Reds were doing? -No. -No. No idea. | 0:41:51 | 0:41:55 | |
This is all going to be fresh news to you. | 0:41:55 | 0:41:58 | |
It's no news that I'm afraid no team today | 0:41:58 | 0:42:01 | |
are wandering home with profits. | 0:42:01 | 0:42:02 | |
So that is the first bit of news. | 0:42:02 | 0:42:05 | |
The second bit of news is we don't have losers any more on Bargain Hunt, we only have runners-up. | 0:42:05 | 0:42:09 | |
The runners-up today are, by a convincing margin, | 0:42:09 | 0:42:12 | |
the Reds. | 0:42:12 | 0:42:13 | |
-Oh! -Oh! | 0:42:13 | 0:42:15 | |
I'm sorry to tell you this, Reds, minus £50. | 0:42:15 | 0:42:21 | |
Stop cackling, you lot. | 0:42:21 | 0:42:23 | |
-Sorry. -Cackling with glee! | 0:42:23 | 0:42:26 | |
Some days it's good days, and some days it's average days, right? | 0:42:26 | 0:42:28 | |
And today, I'm afraid, at auction, it was only average. | 0:42:28 | 0:42:31 | |
But you've been a smashing team. | 0:42:31 | 0:42:33 | |
-We've enjoyed it. -I hope you've enjoyed it. -We had a super time. | 0:42:33 | 0:42:35 | |
-Lovely time. -We've loved having the three of you on our show. | 0:42:35 | 0:42:39 | |
But the victors today, by a substantial margin, | 0:42:39 | 0:42:42 | |
are the Blues, who managed to win by scoring absolutely nothing. | 0:42:42 | 0:42:46 | |
They have a zero score. Isn't that brilliant? | 0:42:49 | 0:42:52 | |
-Amazing. -Such hard work! -Such hard work | 0:42:52 | 0:42:55 | |
to go through all this process and get absolutely nowhere. | 0:42:55 | 0:42:58 | |
That took a lot of doing. | 0:42:58 | 0:43:00 | |
Doesn't happen so often, so congratulations for that. | 0:43:00 | 0:43:03 | |
-Have you had a nice time, Jean? -Marvellous. | 0:43:03 | 0:43:06 | |
-Keith, has it been good for you? -Marvellous. -We've loved having you. | 0:43:06 | 0:43:09 | |
It's been such fun, join us soon for some more bargain hunting, yes? | 0:43:09 | 0:43:12 | |
ALL: Yes! | 0:43:12 | 0:43:13 | |
Subtitles by Red Bee Media Ltd | 0:43:19 | 0:43:22 |