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Today, we're in Horncastle, | 0:00:02 | 0:00:04 | |
which has to be the antiques capital of Lincolnshire. | 0:00:04 | 0:00:08 | |
So, it'll be a great place... to go bargain hunting! Just look at that! | 0:00:08 | 0:00:14 | |
And that! And that! And that! | 0:00:16 | 0:00:20 | |
Horncastle gets its name from the Anglo-Saxon word, Hyrnecastre, | 0:00:44 | 0:00:51 | |
which apparently means "fort in the corner". | 0:00:51 | 0:00:54 | |
We've not come here today to defend any corners, | 0:00:54 | 0:00:58 | |
but more to deplete this place of some of its many riches. | 0:00:58 | 0:01:03 | |
But first, let's have a butcher's at what's coming up on today's show. | 0:01:04 | 0:01:09 | |
-The Reds let Charles take charge. -Come over here. Let's buy it. | 0:01:09 | 0:01:13 | |
-Let's go for a jog down the road. -Yes. | 0:01:13 | 0:01:16 | |
Whilst the Blues show their decisive side. | 0:01:16 | 0:01:19 | |
-Everybody's got to love a stag. -Yes, OK. -Do you want to? -Yes. -Deal. | 0:01:19 | 0:01:23 | |
Ah, there you are. You lot ought to know the rules by now. | 0:01:25 | 0:01:28 | |
Each team gets one hour, £300, | 0:01:28 | 0:01:31 | |
and have to find three items. And the team wins, | 0:01:31 | 0:01:34 | |
later over at the auction, that makes the biggest profit or the smallest loss. | 0:01:34 | 0:01:39 | |
Give us a kiss, darling! | 0:01:40 | 0:01:43 | |
Maybe not! Let's go and meet the teams, shall we? | 0:01:43 | 0:01:46 | |
WOLF WHISTLE | 0:01:47 | 0:01:49 | |
Today, we've got girls versus boys. | 0:01:51 | 0:01:53 | |
For the Reds, we've got Matt and Alfie. | 0:01:53 | 0:01:56 | |
And for the Blues, we've got Hannah and Imogen. Hello, everyone. | 0:01:56 | 0:01:59 | |
Lovely to see you. Now, Matt, you both met at university. | 0:01:59 | 0:02:03 | |
Yes, me and Alfie met at the University of Warwick, | 0:02:03 | 0:02:05 | |
-where we studied philosophy, of all things. -Did you? -Yes. And one day... | 0:02:05 | 0:02:10 | |
-Why? -Why, it's a good question. | 0:02:10 | 0:02:12 | |
I don't know now, and I've finished the degree! | 0:02:12 | 0:02:14 | |
-Alfie, you are the more physical one, right? -You could say that. | 0:02:14 | 0:02:18 | |
-What do you get into? -I work as a kayaking instructor. | 0:02:18 | 0:02:20 | |
So I'm often out on the water, teaching people how to control their boats. | 0:02:20 | 0:02:24 | |
-What a lovely job. -Yes. You could say that. -Where do you do that? -In London. like a water rat! | 0:02:24 | 0:02:29 | |
How do you reckon you're going to get on on this bargain-hunting lark? | 0:02:29 | 0:02:33 | |
We're no experts, we'll admit that. | 0:02:33 | 0:02:34 | |
We're just going to try and spend most of the money. | 0:02:34 | 0:02:37 | |
That's the only strategy we've got! | 0:02:37 | 0:02:39 | |
-Would you say you know nothing about antiques? -Absolutely nothing. | 0:02:39 | 0:02:42 | |
-Very, very little. -That's marvellous. | 0:02:42 | 0:02:44 | |
You'll do terribly well on the programme! | 0:02:44 | 0:02:46 | |
That's a dead cert. Brilliant. Good luck with that. | 0:02:46 | 0:02:49 | |
Now, Hannah, you met in rather an unusual way, I believe? | 0:02:49 | 0:02:53 | |
That's right. I met Imogen after my husband fell in love with her. | 0:02:53 | 0:02:58 | |
-It was before he met me. -Oh, right. -Obviously. | 0:03:00 | 0:03:02 | |
And the odd thing was, | 0:03:02 | 0:03:03 | |
I was best friends with a man called James, who is now Imogen's husband. | 0:03:03 | 0:03:08 | |
-No! -Yes! -Hannah, is it true you've got a sticker phobia? | 0:03:08 | 0:03:13 | |
I'm not sure if you'd call that a phobia. But I am scared of stickers. | 0:03:13 | 0:03:16 | |
-Are you? -I think it came from when I visited the dentist. | 0:03:16 | 0:03:19 | |
I had a traumatic experience, | 0:03:19 | 0:03:21 | |
-and they offered me a sticker for being a good girl. -Oh, I see! | 0:03:21 | 0:03:24 | |
And I just hate them. | 0:03:24 | 0:03:25 | |
I hate the peeling off of them and the sticking on them. | 0:03:25 | 0:03:29 | |
-No, it's just not for me. -Imogen, what do you do, darling? | 0:03:29 | 0:03:32 | |
It's not overly exciting. | 0:03:32 | 0:03:33 | |
I'm an executive assistant to the founder of a software company. | 0:03:33 | 0:03:36 | |
It says here that you've got a fascination with all things vintage. | 0:03:36 | 0:03:40 | |
Yes. I guess I just really like old things! | 0:03:40 | 0:03:43 | |
Are you going to buy retro stuff today to sell on Bargain Hunt? | 0:03:43 | 0:03:46 | |
I'd like to look, especially for some furniture, | 0:03:46 | 0:03:48 | |
because vintage and retro furniture, I think we're going to look at that, aren't we? | 0:03:48 | 0:03:53 | |
Is that your strategy then? | 0:03:53 | 0:03:55 | |
I think our strategy is to buy cheap, to buy things that we'd like, | 0:03:55 | 0:03:58 | |
for our home. Not necessarily that we think are going to make a lot of money. | 0:03:58 | 0:04:02 | |
But things that we like. | 0:04:02 | 0:04:03 | |
With your incredibly good taste, it's going to pull through? | 0:04:03 | 0:04:06 | |
-Hopefully. -We're hoping if we like it, | 0:04:06 | 0:04:08 | |
-someone else will like it as well. -OK. Brilliant. | 0:04:08 | 0:04:11 | |
Well, I hope so too. now the money moment. £300 apiece. | 0:04:11 | 0:04:14 | |
there you go, £300. You know the rules. Your experts await. | 0:04:14 | 0:04:17 | |
And off you go. And very, very, very good luck! | 0:04:17 | 0:04:19 | |
I never liked stickers much either. | 0:04:19 | 0:04:21 | |
Our experts today are a couple of gents that don't half | 0:04:21 | 0:04:24 | |
know their stuff. Able to branch out in any field, Charles Hanson. | 0:04:24 | 0:04:28 | |
And a man who is definitely no dummy, it's Jonathan Pratt. | 0:04:28 | 0:04:34 | |
OK, so here we are in Horncastle. What are you after? | 0:04:36 | 0:04:39 | |
Well, we both like retro and vintage stuff. Not necessarily antiques. | 0:04:39 | 0:04:42 | |
We're looking for maybe upcycling furniture and things like that. | 0:04:42 | 0:04:45 | |
I'm quite into '50s furniture. So something like that would be great. | 0:04:45 | 0:04:49 | |
-Alfie, Matt. -That's right. -What's the plan, guys? | 0:04:49 | 0:04:52 | |
-What are we looking for today? -We've not really got a plan, to be honest! | 0:04:52 | 0:04:56 | |
So, furniture, furniture, furniture. And accessories, maybe. Let's have a look, shall we? | 0:04:56 | 0:05:01 | |
You guys have travelled, haven't you, coast-to-coast, | 0:05:01 | 0:05:04 | |
you've lived the dream. Now, live your second dream! OK? | 0:05:04 | 0:05:07 | |
They're on Bargain Hunt though, Charles, the dream is reality! | 0:05:08 | 0:05:12 | |
-Oh, yes. I love that Ercol-style side table. -What's that? | 0:05:12 | 0:05:17 | |
Ercol, you know all the names! | 0:05:17 | 0:05:19 | |
Your job is going to be an easy one today, JP! | 0:05:19 | 0:05:22 | |
-We both like 1950s, '60s, Ercol-style furniture. -Yes. -It's useful. | 0:05:22 | 0:05:26 | |
It's retro. | 0:05:26 | 0:05:27 | |
My Nana has a 1950s Italian sideboard and ten years ago, | 0:05:27 | 0:05:33 | |
you couldn't get a penny for them. Now they've become more fashionable. | 0:05:33 | 0:05:37 | |
All the retro, what goes around comes around. | 0:05:37 | 0:05:39 | |
OK, well, with things like this, often a name, | 0:05:39 | 0:05:42 | |
if it has got a name on it, | 0:05:42 | 0:05:43 | |
and it could be just like the department store that retailed it, | 0:05:43 | 0:05:46 | |
would be inside a drawer, on the inside of a drawer, | 0:05:46 | 0:05:49 | |
or perhaps on the back. | 0:05:49 | 0:05:50 | |
So it's always worth having a look to see. OK. | 0:05:50 | 0:05:55 | |
There's nothing on here. But it is teak or something, isn't it? | 0:05:55 | 0:05:59 | |
-Oh, it's 1970s. -Is that not old enough? -No, it's nice. | 0:05:59 | 0:06:03 | |
-I just thought it looked a bit older. -It's only £20, though. | 0:06:03 | 0:06:06 | |
-OK, shall we think about it? -Yes. | 0:06:06 | 0:06:09 | |
We'll leave you to reflect on that one, Blues. | 0:06:09 | 0:06:11 | |
Right, have a look. Use your culture. Use your enthusiasm, OK? | 0:06:13 | 0:06:17 | |
-Whatever you see, talk to me. Over here, Matt. -Oh! | 0:06:17 | 0:06:24 | |
All breakages must be paid for, Alfie! | 0:06:24 | 0:06:26 | |
We're men about town, you see! | 0:06:26 | 0:06:27 | |
Men and shopping is an interesting combination. But we're here. | 0:06:27 | 0:06:31 | |
-All right, boys. that's quite a good little silver Victorian photo frame. Can you see it? -Yes. | 0:06:31 | 0:06:35 | |
And it says, a silver frame, somewhere, London, 1899. | 0:06:35 | 0:06:41 | |
-Now, who was Queen of England then? -Queen Victoria. -Correct. | 0:06:41 | 0:06:46 | |
-Because she died in what year? -She died in 1901. -Correct. | 0:06:46 | 0:06:51 | |
Well done, Matt! | 0:06:51 | 0:06:52 | |
It's Victorian. Of course, the definition of an antique, Alfie, is? | 0:06:52 | 0:06:56 | |
-100 years old? -Correct. -These boys are on fire! | 0:06:56 | 0:06:58 | |
Anything really post 1912 is what we call a collectable. | 0:06:58 | 0:07:01 | |
-So we're all collectables. -Is it hallmarked? | 0:07:01 | 0:07:04 | |
You have got some hallmarks which are clear, just down there. | 0:07:04 | 0:07:06 | |
What's up with it, Alfie, I'll test you? | 0:07:06 | 0:07:09 | |
-The back is a bit tattered, I suppose. -Yeah. | 0:07:09 | 0:07:12 | |
-Also at the front, there's some cracks here. -Exactly. | 0:07:12 | 0:07:15 | |
Because it's a sheet silver pressed metal, to create this | 0:07:15 | 0:07:19 | |
repousse ornament, we have got someone who's really rubbed it hard. | 0:07:19 | 0:07:22 | |
And they've made a wish, and they've made a hole in it as well. | 0:07:22 | 0:07:25 | |
it's priced at... what's it priced at? | 0:07:25 | 0:07:28 | |
-78, I think. -78. Shame. I think it's a bit too much. -Yes. -Yeah. | 0:07:28 | 0:07:31 | |
-Especially damaged as well. -Exactly. | 0:07:31 | 0:07:33 | |
So it's a no to the silver-plated frame. Keep going though, Reds. | 0:07:33 | 0:07:36 | |
Now, how are the Blues getting on with their furniture? | 0:07:36 | 0:07:39 | |
As the auctioneer, looking at that piece there, which I totally agree with you, | 0:07:39 | 0:07:43 | |
style-wise and value for money, perfect. | 0:07:43 | 0:07:45 | |
But standing to the left of it, you've got this little chair here. | 0:07:45 | 0:07:49 | |
I did see that out of the corner of my eye. | 0:07:49 | 0:07:51 | |
Why that draws me to it, is at auction you'd probably say it was like 80-120, 100-150. | 0:07:51 | 0:07:55 | |
It's a mid 19th century chair and it's what you call a metamorphic chair. OK? | 0:07:55 | 0:07:59 | |
And I'll explain to you why. You can probably work it out. | 0:07:59 | 0:08:02 | |
And I like it. It's all about getting the price right of course, with these things. | 0:08:02 | 0:08:06 | |
-But you tip it over... -Ah! -It's a step ladder. -..Into a little set of steps. | 0:08:06 | 0:08:10 | |
-Clever chappies, those Victorians. -Oh, I like that. How much is it? | 0:08:10 | 0:08:14 | |
-Yeah. -At the moment, the price is £150. But, they can do rather well. | 0:08:14 | 0:08:21 | |
I mean, not more than a couple of hundred, | 0:08:21 | 0:08:23 | |
but you can get that sort of money at auction for them. | 0:08:23 | 0:08:26 | |
-I like it, do you? -I do. -But you don't like the price? -No. | 0:08:26 | 0:08:30 | |
-Would that always generally fetch over £100? -normally they do, yes. | 0:08:30 | 0:08:33 | |
That's something to think about, if we could get it under 100. | 0:08:33 | 0:08:36 | |
-If we could haggle it down, the price, a little bit. -Under 100. | 0:08:36 | 0:08:40 | |
Two pretty girls, you've probably got more chance than me | 0:08:40 | 0:08:42 | |
-of getting a discount. -Oh, don't do yourself down, JP! -Good luck! | 0:08:42 | 0:08:47 | |
-OK, I'm going to go. I'm going to do some haggling. -Go on, Hannah. | 0:08:47 | 0:08:50 | |
See if you can transform the price as well as the chair. | 0:08:50 | 0:08:53 | |
-The little stool that changes into a set of ladders. -Yes. | 0:08:53 | 0:08:57 | |
-What your best offer is? -The best would be 100. | 0:08:57 | 0:09:00 | |
-Really no further than that. OK? -95? -98. 98, to make you feel happier. | 0:09:00 | 0:09:07 | |
It's under three figures. | 0:09:07 | 0:09:09 | |
I don't want to influence you, but that's quite, you know, | 0:09:10 | 0:09:15 | |
-it's better than I expected. -Yeah, -OK. Do you want to? -Yes. Deal. | 0:09:15 | 0:09:19 | |
-Cool! -Thank you very much. Cheers. -Thank you. -Well done. | 0:09:19 | 0:09:22 | |
-Thank you very much. -First buy! -We've got one in the bag already! | 0:09:22 | 0:09:25 | |
Spin again, go on! | 0:09:25 | 0:09:27 | |
# Wonder Woman! Wonder Woman! # | 0:09:28 | 0:09:32 | |
Wonder-ful! | 0:09:32 | 0:09:34 | |
-Do you like pigs? -I suppose so, yes. -Good man. -That's enough! -Good lad. | 0:09:36 | 0:09:40 | |
What it is, I think, it's a pen wipe. | 0:09:40 | 0:09:43 | |
So if you had a desk, in the Victorian times, | 0:09:43 | 0:09:46 | |
you'd wipe your nib on top of that pig. | 0:09:46 | 0:09:49 | |
-Looks like a sort of pig-hedgehog hybrid. -It's a really novel item. | 0:09:49 | 0:09:55 | |
Can you see the patination, how it's darkened in the crevices? | 0:09:55 | 0:09:59 | |
That's a good sign of it being Edwardian, Victorian. 1,900. | 0:09:59 | 0:10:04 | |
-A weighty pig, Matt, isn't it? -It is, it's heavy. | 0:10:04 | 0:10:06 | |
It's got a lot of weight to it. I do like him, yes. I like it. | 0:10:06 | 0:10:10 | |
-His eyes are a bit... -Squat face, yes. -Squat little face. -Yeah. | 0:10:10 | 0:10:15 | |
-What's on it? -98. -He's not going to market yet. | 0:10:15 | 0:10:18 | |
OK, Charles, but you'd better guide our boys to their first purchase soon. | 0:10:18 | 0:10:23 | |
-I quite like novelty dogs. -Oh, really? | 0:10:23 | 0:10:26 | |
-Our teams are animal crackers! -So, with this sort of vintage and retro. | 0:10:26 | 0:10:30 | |
-Kitsch. -Is the pottery dogs, you know, like the pottery Staffordshire dogs? | 0:10:30 | 0:10:34 | |
-I have a lot of Silvac. -Oh, have you? -Yeah, a lot of the cats. | 0:10:34 | 0:10:37 | |
Well, they need to get cracking, don't they? It's Blues one, Reds, nil. | 0:10:37 | 0:10:41 | |
Come on, hunters. 15 minutes gone! | 0:10:41 | 0:10:43 | |
I think let's go for a jog down the road. All right, let's do it. | 0:10:43 | 0:10:48 | |
-Let's go. -Jog on, then, Reds. | 0:10:48 | 0:10:50 | |
-Let's have a sense of urgency though, please! -This is our next shop, OK? | 0:10:50 | 0:10:54 | |
Through here, OK? come on! | 0:10:57 | 0:10:58 | |
Sometimes in an antiques centre, you can find a vitrine | 0:11:01 | 0:11:04 | |
that's full of specialist goods from a specialist dealer. | 0:11:04 | 0:11:09 | |
Like all the pieces of treen that sit in this vitrine. | 0:11:09 | 0:11:13 | |
Treen being small pieces of turned wood, or carved wood, | 0:11:14 | 0:11:19 | |
about which we're going to see a lot more later on in the programme. | 0:11:19 | 0:11:24 | |
If you're a bargain hunter, the trick is to go and find, | 0:11:24 | 0:11:28 | |
from a non-specialist dealer, a specialist object. | 0:11:28 | 0:11:33 | |
Now, this is a piece of treen that I found elsewhere. | 0:11:33 | 0:11:37 | |
And it is a perfect and peachy piece. | 0:11:37 | 0:11:41 | |
It's made out of solid block of sycamore, | 0:11:41 | 0:11:44 | |
it's been turned on the lathe. | 0:11:44 | 0:11:46 | |
And it's in the form of a slightly tapering barrel. | 0:11:46 | 0:11:49 | |
The cover fits snugly, because this thing has a practical purpose. | 0:11:49 | 0:11:54 | |
In the old days, little pots like this were filled with salted butter. | 0:11:54 | 0:11:59 | |
The butter is rammed completely inside, leaving no space for air. | 0:11:59 | 0:12:04 | |
The snug cover then goes on and these two lugs had a piece | 0:12:04 | 0:12:09 | |
of cord tied tightly across them to make the thing completely airtight. | 0:12:09 | 0:12:15 | |
Because what you didn't want to do, with no refrigeration, | 0:12:15 | 0:12:18 | |
is to allow your butter to go rancid. | 0:12:18 | 0:12:20 | |
And this little pot dates from that period. Between 1,800 and 1840. | 0:12:22 | 0:12:28 | |
If we look inside the cabinet, the specialist dealer also has | 0:12:28 | 0:12:32 | |
a perfect little peach of a piece of treen, | 0:12:32 | 0:12:35 | |
this time in the form of a bottle. | 0:12:35 | 0:12:38 | |
It's actually made of rosewood and if I undo it, you can see | 0:12:38 | 0:12:41 | |
it's exquisitely made and inside, | 0:12:41 | 0:12:44 | |
contains a roughed up piece of metal. | 0:12:44 | 0:12:47 | |
That's a grater. It's a grater for nutmeg. | 0:12:47 | 0:12:51 | |
Nutmeg that you would use to flavour your drinks and food. | 0:12:51 | 0:12:56 | |
But it's rare, it's in a perfect state, | 0:12:56 | 0:12:58 | |
And the price he's asking for it, let me see, is £325. | 0:12:58 | 0:13:03 | |
Now, I've told you this is as rare, | 0:13:05 | 0:13:07 | |
I've told you it is a peach of a piece of treen. So what's it worth? | 0:13:07 | 0:13:12 | |
Well, the non-specialist dealer is asking for this, £30. | 0:13:12 | 0:13:18 | |
What might it make in a specialist vitrine like this? £300. | 0:13:18 | 0:13:24 | |
So that's how you make money out of antiques. | 0:13:24 | 0:13:27 | |
Our menagerie tour has moved on to stags. | 0:13:27 | 0:13:30 | |
I love them because they are practical. | 0:13:30 | 0:13:32 | |
And we both kind of love stags and country things like that. | 0:13:32 | 0:13:35 | |
-Yes, especially Hannah. -Everybody's got to love a stag, I think. | 0:13:35 | 0:13:40 | |
I can tell you're in marketing! "Everyone loves a stag!" | 0:13:40 | 0:13:44 | |
What you've got to try to ascertain is how much you'd have to pay | 0:13:44 | 0:13:47 | |
somewhere else for them. If you found them somewhere else, how much would they be. | 0:13:47 | 0:13:51 | |
-I'd probably pay £40, £50 for them. in a shop. -For the three? -Yes. | 0:13:51 | 0:13:55 | |
And they're going for, combined, £80. | 0:13:55 | 0:13:58 | |
You've got 49 for the two and then that chap there is 29. | 0:13:58 | 0:14:01 | |
-So it's 49, 50, 60, 70, £68. Is it? Something like that. -About that. | 0:14:01 | 0:14:07 | |
-What's your name? -David. -Hello, David. -Hello. | 0:14:07 | 0:14:11 | |
We might be needing you quite a lot, David! | 0:14:11 | 0:14:14 | |
Are you interested in all three? or are you looking at two or one? | 0:14:14 | 0:14:18 | |
It depends what price. | 0:14:18 | 0:14:19 | |
For instance, I wouldn't pay more than £40, £50, for the whole lot. | 0:14:19 | 0:14:22 | |
-If I went to a shop. -Wouldn't you? -Really. | 0:14:22 | 0:14:25 | |
-And she's an avid stag collector. -I'm an avid stag collector, | 0:14:25 | 0:14:28 | |
-It would be like giving it to someone who loved it. -Really?! | 0:14:28 | 0:14:31 | |
-Hannah's doing your job for you, JP! -It's not just about making money. | 0:14:31 | 0:14:37 | |
-It's bringing joy to the world. -Yeah, don't push it though, girl! | 0:14:37 | 0:14:40 | |
Were you to have these, you could have them for 35. The pair. | 0:14:40 | 0:14:44 | |
-And were you to have this, I'd go to 20. -£55. You're getting close. | 0:14:44 | 0:14:51 | |
-OK? -Would you do it for 50? Please. | 0:14:51 | 0:14:55 | |
She may cry. | 0:14:55 | 0:14:57 | |
-I think HE may cry soon! -I think you might as well! | 0:14:57 | 0:15:01 | |
-You can have them for 50. -Thank you! -Are you happy now? -Yes! | 0:15:01 | 0:15:04 | |
Don't get too dizzy, Blues. You haven't triumphed yet! | 0:15:04 | 0:15:07 | |
-That's lovely. Thank you. -OK, well that's it, then. So it's two down! | 0:15:07 | 0:15:11 | |
Two down, one to go! | 0:15:11 | 0:15:12 | |
They're pretty amazing in that they know what they want, | 0:15:14 | 0:15:18 | |
and they're not afraid just to commit and buy things. | 0:15:18 | 0:15:21 | |
-It's brilliant. It's quite refreshing. -JP's good. Great advice. | 0:15:21 | 0:15:25 | |
-Yeah, I like him a lot. -Good waistcoat. -He's funny, as well. | 0:15:25 | 0:15:28 | |
Very informative. He's given us a lot to think about. | 0:15:30 | 0:15:33 | |
And hopefully he's right. Hopefully our products do make money. | 0:15:33 | 0:15:37 | |
Or we'll have to get angry with him. | 0:15:37 | 0:15:38 | |
Oh, dear! Did you hear that, JP? Don't make them angry! | 0:15:38 | 0:15:42 | |
But in the Red camp, they finally seem to be feeling a sense of urgency. | 0:15:42 | 0:15:45 | |
And as they're over the halfway mark, it's about time, too! | 0:15:45 | 0:15:48 | |
Time is of the essence. Let's just have that look in here, what there is. | 0:15:48 | 0:15:53 | |
-Silver, Charles. -So, in here, that's quite nice. Scottish. | 0:15:53 | 0:15:59 | |
-Silver brooch. -OK. -It is hallmarked silver there, look. | 0:15:59 | 0:16:03 | |
So you've got a very nice Glaswegian silver brooch | 0:16:03 | 0:16:08 | |
in the shape of an Anglo-Saxon type of bracelet. | 0:16:08 | 0:16:12 | |
Or torque, I think is what you call them. | 0:16:12 | 0:16:15 | |
It's 1952, it's in the Arts and Crafts style. And that's quite nice. | 0:16:15 | 0:16:19 | |
-That's £44. -What do you think of the price? -Come in, Mark. | 0:16:19 | 0:16:22 | |
We quite like this little silver brooch. | 0:16:22 | 0:16:25 | |
-You know, we are men about town. -Yes. -Hunting a bargain. -We are men! | 0:16:25 | 0:16:31 | |
Big men. They're struggling, all right! | 0:16:31 | 0:16:34 | |
What's the best price on this nice brooch? | 0:16:34 | 0:16:36 | |
-Well, he's got 44, I'll take four off. So, 40. -Yeah. | 0:16:36 | 0:16:39 | |
-And that's the very best? -What about 30? -No, no. | 0:16:39 | 0:16:43 | |
I mean, the best, it's basically five pounds for my pocket. £35. | 0:16:43 | 0:16:49 | |
Basically, you'd put it on, guys, like that. So that's how it's worn. | 0:16:49 | 0:16:55 | |
Nicely modelled, Charles, | 0:16:55 | 0:16:56 | |
but we really don't have time to dress up, old boy! | 0:16:56 | 0:16:59 | |
What do I think? | 0:16:59 | 0:17:00 | |
I mean, if you think it's got some mileage in it, 35, | 0:17:00 | 0:17:02 | |
-I'm happy to go with that. -35. Alfie? -Yeah, I'm confident. | 0:17:02 | 0:17:07 | |
-We've come a long way, here. -We have. -40 minutes has already elapsed. | 0:17:07 | 0:17:11 | |
-And we've bought absolutely nothing. And I reckon... -Let's buy it. | 0:17:11 | 0:17:15 | |
-We're not being fleeced. -No, it's a really good object. | 0:17:15 | 0:17:18 | |
-It's got great style. It can be worn, it's novel, we'll take it. -Yes. | 0:17:18 | 0:17:22 | |
-We'll take it. -Great. -Good man, we'll take it. Shake his hand. | 0:17:22 | 0:17:26 | |
Good work, boys. | 0:17:26 | 0:17:27 | |
And finally, well done, | 0:17:27 | 0:17:29 | |
the stag brooch will lock horns with the stag cruets at the auction. | 0:17:29 | 0:17:34 | |
Keep going, though, your stag hasn't led you out of the woods yet! | 0:17:34 | 0:17:38 | |
You want something impressive. | 0:17:38 | 0:17:40 | |
Well, when Queen Victoria came on the throne, in what year? | 0:17:40 | 0:17:45 | |
-They studied philosophy, not history, Charles! -1854? | 0:17:45 | 0:17:50 | |
-Have a guess. -What year? When did your great Queen Victoria come on...? | 0:17:50 | 0:17:54 | |
1860, I'll go for. | 0:17:54 | 0:17:55 | |
No, well you're warmer, because she came on the throne in 1837. | 0:17:55 | 0:17:59 | |
And this gorgeous box was made in that year. | 0:17:59 | 0:18:02 | |
And it's inscribed, | 0:18:02 | 0:18:04 | |
"Presented to Humble Taylor by his friends as a token of respect." | 0:18:04 | 0:18:11 | |
Isn't that gorgeous? And that's a stunning little snuffbox. | 0:18:11 | 0:18:16 | |
-You know, you want to go big, don't you? -Yeah. -You want to go big. | 0:18:16 | 0:18:20 | |
Mr Wonnacott would rather see you spend and buy quality | 0:18:20 | 0:18:24 | |
rather than just wince into a nominal buy that's worth £20. | 0:18:24 | 0:18:29 | |
I can't argue with that! Or with that ticking clock. | 0:18:29 | 0:18:32 | |
-15 minutes to go, you lot. -Here we are. 1837. | 0:18:32 | 0:18:36 | |
Stunning, early Victorian, silver rectangular snuffbox. | 0:18:36 | 0:18:42 | |
-What's your best price? -280. -We actually can't afford it at this juncture. | 0:18:42 | 0:18:47 | |
-Well, the best is really 250, to be fair. -That leaves us what, 15? | 0:18:47 | 0:18:52 | |
Yes, £15. I think at auction, if that came into my sale room, | 0:18:52 | 0:18:55 | |
I'd say to a client, it's worth between 150 and 250. All right. | 0:18:55 | 0:18:59 | |
And the best price is? | 0:18:59 | 0:19:02 | |
-235. -Oh! | 0:19:02 | 0:19:04 | |
-235. -Oh! It is tough. | 0:19:04 | 0:19:07 | |
-I think we'll have to go for it. -Would you go one more? | 0:19:07 | 0:19:10 | |
Would you go one more? And give us a firing chance of a profit. | 0:19:10 | 0:19:15 | |
-You're saying 235. We're saying... -230, I suppose. -230. -Deal! | 0:19:15 | 0:19:21 | |
-Oh, he's saying deal, now! Deal. -Is that done? | 0:19:21 | 0:19:25 | |
Good man. What a nice chap. | 0:19:25 | 0:19:27 | |
We'll see later on if they get a sniff of profit at the auction. | 0:19:27 | 0:19:30 | |
Thank you very much. | 0:19:30 | 0:19:32 | |
But no time to dwell on it, Reds, | 0:19:32 | 0:19:33 | |
we're heading quickly towards that 60 minutes deadline. | 0:19:33 | 0:19:36 | |
-Very typical, Granny's mantelpiece. -Yes. | 0:19:36 | 0:19:38 | |
We literally have such little time, we've got to move. | 0:19:38 | 0:19:43 | |
What do you think of those binoculars? | 0:19:43 | 0:19:46 | |
I like them, but I'm not sold on them. | 0:19:46 | 0:19:49 | |
Looks like she's gone off them! | 0:19:49 | 0:19:51 | |
It's pseudo-croc skin, but it's leather on the cover. | 0:19:51 | 0:19:54 | |
That's rather sweet. they're not in bad condition. | 0:19:54 | 0:19:56 | |
There's one or two knocks, but nothing out of the ordinary. | 0:19:56 | 0:19:59 | |
The case is in nice condition and it says Jockey Club on it, so it's got | 0:19:59 | 0:20:03 | |
a few things that make it a bit different from average. | 0:20:03 | 0:20:06 | |
-Mm-hmm. -Over to you. -It's £36. -£36... | 0:20:06 | 0:20:10 | |
-So, would you be willing to accept £10? -Erm...! | 0:20:10 | 0:20:13 | |
That's...! | 0:20:13 | 0:20:15 | |
-Yes, I would! -Oh, really? -You would? | 0:20:15 | 0:20:18 | |
Yeah... Yes, I would. | 0:20:18 | 0:20:20 | |
That's it, we're finished...! | 0:20:20 | 0:20:21 | |
Phew! I thought she was onto a loser there! | 0:20:21 | 0:20:23 | |
If you don't ask, you don't get. | 0:20:23 | 0:20:25 | |
Three items done, Blues, but where's your little spin? | 0:20:25 | 0:20:28 | |
Over on Team Red, it's Charles' head that's spinning. | 0:20:28 | 0:20:31 | |
Three minutes to go! | 0:20:31 | 0:20:34 | |
Three minutes. Just, whatever you see, just | 0:20:34 | 0:20:37 | |
look at, and if you think it appeals to you... | 0:20:37 | 0:20:39 | |
In fact, he looks a little shaken. | 0:20:39 | 0:20:42 | |
..you know, pick it up, and when you pick it up, you might fancy... | 0:20:42 | 0:20:46 | |
-Ha-ha! ..a cocktail! -And it looks silverish. | 0:20:46 | 0:20:49 | |
-What a surprise! -How much is that? -It is... | 0:20:49 | 0:20:51 | |
I mean, you boys like your drink, don't you? You're the beer man, | 0:20:51 | 0:20:55 | |
-you're the wine...? -Whatever's going. | 0:20:55 | 0:20:58 | |
Ha-ha-ha! That's a really good cocktail shaker. | 0:20:58 | 0:21:00 | |
On a more serious note, that's probably | 0:21:00 | 0:21:03 | |
1950... We'll ask the owner behind us in a second. | 0:21:03 | 0:21:06 | |
Probably 1950s, could be earlier, in the Art Deco style... | 0:21:06 | 0:21:10 | |
-It's been used, there's little... a little nu... -Dinks in it. | 0:21:10 | 0:21:13 | |
Little dink there. But if you're a cocktail man, doing all of that, | 0:21:13 | 0:21:16 | |
you know, in the '50s, you may have dropped it a few times. | 0:21:16 | 0:21:19 | |
The lid's there, you've got the screw centre for your ice - | 0:21:19 | 0:21:22 | |
that's all there as well. And these are | 0:21:22 | 0:21:25 | |
really popular things at auction. And it says that on it... | 0:21:25 | 0:21:28 | |
-Oh, hey... OK! -I'm going to ask the lady. Hello, madam. | 0:21:28 | 0:21:31 | |
-Oh, hello. -Is it your cocktail shaker? -It is. | 0:21:31 | 0:21:34 | |
We're admiring it very highly, aren't we, guys? | 0:21:34 | 0:21:36 | |
-Yeah, I'm a big fan. -What's the best price on it? | 0:21:36 | 0:21:39 | |
-Fiver, I think I can do? -Really? for a fiver? -Done, yeah... | 0:21:40 | 0:21:44 | |
-That's £3 off, and to me... -Done deal! | 0:21:44 | 0:21:46 | |
..that's done. Which means we've bought three items | 0:21:47 | 0:21:50 | |
with a minute to go! We've done it! | 0:21:50 | 0:21:52 | |
-Shake her hand, guys. -Thank you very much. -Thanks ever so much. | 0:21:52 | 0:21:55 | |
For £5, to me, that's a real bargain, so well done, chaps. | 0:21:55 | 0:21:58 | |
That's it, we're done - thanks to you, madam. | 0:21:58 | 0:22:01 | |
So, with item number three bagged, it's time for | 0:22:01 | 0:22:04 | |
-a little celebration snifter... -Have a shaker. | 0:22:04 | 0:22:06 | |
-Stirred! -Shake on it! | 0:22:06 | 0:22:08 | |
Time's ticking on all around the world, but right now, | 0:22:08 | 0:22:12 | |
for our teams, time's up! They must stop shopping. | 0:22:12 | 0:22:16 | |
The Reds started their shining performance | 0:22:16 | 0:22:19 | |
with this stag's head brooch. | 0:22:19 | 0:22:20 | |
Their silver theme continued with this Victorian snuff box, | 0:22:22 | 0:22:25 | |
bought for a hefty £230. | 0:22:25 | 0:22:28 | |
And at the last possible minute, they bought | 0:22:28 | 0:22:31 | |
this silver-plated cocktail shaker for a stirring £5. | 0:22:31 | 0:22:34 | |
-What about that? -I mean it! | 0:22:35 | 0:22:37 | |
Who DOESN'T like a cocktail shaker, I ask you! | 0:22:37 | 0:22:41 | |
I love a Bloody Mary, me! Now, tell me, | 0:22:41 | 0:22:45 | |
Matt - how did you get on? | 0:22:45 | 0:22:47 | |
Erm, it was great fun, yeah. All silver - | 0:22:47 | 0:22:50 | |
we went on a theme, and I think we got some very nice things. | 0:22:50 | 0:22:52 | |
And you spent how much, all told? | 0:22:52 | 0:22:54 | |
-Er, 270, was it? -I think it was 270, yeah. -£270 is a | 0:22:54 | 0:22:58 | |
-magnificent total, you know that, don't you? -Yeah, we went for it! | 0:22:58 | 0:23:01 | |
That's what they call a pukka amount of money. So, | 0:23:01 | 0:23:03 | |
-£30 of leftover lolly, please. -I think you've got that. | 0:23:03 | 0:23:06 | |
-Thank you, Alfie, that's marvellous. There's your 30. -Check that! | 0:23:06 | 0:23:09 | |
-Check, check, check. Over to you, Carlos. -Thanks, Tim. Pleasure. | 0:23:09 | 0:23:12 | |
Well, these men, they've travelled extensively, | 0:23:12 | 0:23:14 | |
they've been to the Far East, there's something...exotic, | 0:23:14 | 0:23:18 | |
-oriental... -Foreign! Good luck, chaps! | 0:23:18 | 0:23:21 | |
Meanwhile, we're going to check out | 0:23:21 | 0:23:22 | |
what the Blue Team bought, aren't we? | 0:23:22 | 0:23:24 | |
The Blues kicked off with this Victorian metamorphic oak | 0:23:25 | 0:23:28 | |
library chair. | 0:23:28 | 0:23:30 | |
They then had their own stag do - ha! | 0:23:32 | 0:23:33 | |
These cruets cost them £50. | 0:23:33 | 0:23:36 | |
And they got a run for their money with these racing glasses | 0:23:36 | 0:23:39 | |
in a leather-bound case - a tenner paid. | 0:23:39 | 0:23:41 | |
-Yes. -All done. Wonderful stuff. | 0:23:42 | 0:23:44 | |
Oh, you look marvellous out in the sunshine, you trio. | 0:23:44 | 0:23:47 | |
-It's great to be out and about, isn't it? -It is. | 0:23:47 | 0:23:49 | |
-Now, was that good for you, Imo? -Yeah, it was great. It was good fun. | 0:23:49 | 0:23:53 | |
-Lovely. Did you enjoy it, Hannah? -I did, yes. | 0:23:53 | 0:23:55 | |
You certainly seemed to - hard negotiating there! | 0:23:55 | 0:23:58 | |
-Now, how much did you spend overall? -£158. | 0:23:58 | 0:24:02 | |
158 - I'd like 142 of leftover lolly, please. | 0:24:02 | 0:24:05 | |
-It is here. -Thank you very much, Imo. Good. | 0:24:05 | 0:24:08 | |
-This is quite a lot of money, JP... -I might be frugal, | 0:24:08 | 0:24:11 | |
I might blow the lot - who knows? | 0:24:11 | 0:24:14 | |
-I've seen a few things. -That's what's called | 0:24:14 | 0:24:16 | |
-being enigmatic. -Yes. -And good on you. | 0:24:16 | 0:24:19 | |
Have a nice relax, kids. Meanwhile, we're heading off to Birmingham, | 0:24:19 | 0:24:22 | |
to a very, very, very fine museum. | 0:24:22 | 0:24:26 | |
I've come to the Birmingham Museum and Art Gallery | 0:24:30 | 0:24:33 | |
to look at something called the Pinto Collection - | 0:24:33 | 0:24:36 | |
a collection donated by a couple | 0:24:36 | 0:24:39 | |
to the museum. They were obsessed by wood - | 0:24:39 | 0:24:43 | |
6,000 pieces of it. | 0:24:43 | 0:24:46 | |
Edward and Eva Pinto's collection of what they called | 0:24:49 | 0:24:52 | |
"wooden bygones" is one of the most comprehensive ever made. | 0:24:52 | 0:24:57 | |
For them, this was about collecting wooden reminders of the past - | 0:24:57 | 0:25:00 | |
everything from a pedestrian wooden leg - ha! - | 0:25:00 | 0:25:04 | |
to the most exquisite 17th and 18th century carvings. | 0:25:04 | 0:25:08 | |
It's a stroke of luck that the collection is here | 0:25:08 | 0:25:11 | |
in the first place, | 0:25:11 | 0:25:13 | |
because when the Pintos decided that they were going to donate | 0:25:13 | 0:25:17 | |
their entire 6,000-piece collection, | 0:25:17 | 0:25:20 | |
they invited a number of museums | 0:25:20 | 0:25:24 | |
to write in and make their bid. | 0:25:24 | 0:25:27 | |
Unfortunately, there was a postal strike, | 0:25:27 | 0:25:30 | |
but Birmingham Museum and Art Gallery were sensible enough | 0:25:30 | 0:25:33 | |
to telephone the Pintos - and they thought that was so marvellous, | 0:25:33 | 0:25:37 | |
they decided to let them have the lot. | 0:25:37 | 0:25:41 | |
It's been incredibly difficult making a selection of | 0:25:42 | 0:25:46 | |
just a few items from this enormous collection. | 0:25:46 | 0:25:50 | |
But why don't we try this one on for size, | 0:25:50 | 0:25:53 | |
as a kick-off? | 0:25:53 | 0:25:55 | |
This is something called a wassail bowl. | 0:25:55 | 0:25:59 | |
It's a form of ceremonial drinking vessel, | 0:25:59 | 0:26:02 | |
made, probably, around 1620-1640. | 0:26:02 | 0:26:07 | |
So, we've got a turned cover, which encloses a small bowl, | 0:26:07 | 0:26:11 | |
that was supposed to contain spices. | 0:26:11 | 0:26:14 | |
If I carefully take the top off, | 0:26:14 | 0:26:16 | |
you can see that the depth of this bowl is enormous! | 0:26:16 | 0:26:21 | |
This is turned from one piece of wood, | 0:26:21 | 0:26:24 | |
and the wood that's been used is lignum vitae, | 0:26:24 | 0:26:28 | |
which is incredibly hard and heavy | 0:26:28 | 0:26:30 | |
and difficult to turn at the best of times, | 0:26:30 | 0:26:33 | |
and quite how you do it with such thin walls | 0:26:33 | 0:26:37 | |
for such a big lump, I just don't know. But it is | 0:26:37 | 0:26:40 | |
magnificent. The drink that it would contain | 0:26:40 | 0:26:44 | |
would be a mixture of strong ale, | 0:26:44 | 0:26:47 | |
whipped cream, partly caudled, | 0:26:47 | 0:26:51 | |
probably something to sweeten it - maybe honey - | 0:26:51 | 0:26:55 | |
and of course lots of spices. | 0:26:55 | 0:26:58 | |
And the whole lot would be frothed up, so that it gets | 0:26:58 | 0:27:01 | |
a kind of agitated surface, | 0:27:01 | 0:27:04 | |
sometimes called a mare's tail. | 0:27:04 | 0:27:07 | |
The drink itself would be presented like this. | 0:27:07 | 0:27:10 | |
You'd take a sip and pass it on to your next-door neighbour. | 0:27:10 | 0:27:15 | |
The relevance of using lignum vitae is of course | 0:27:15 | 0:27:19 | |
that it had certain medicinal qualities, | 0:27:19 | 0:27:23 | |
which were thought to include protection from venereal disease. | 0:27:23 | 0:27:28 | |
Next-door to that, we go from the large to the very, very small - | 0:27:29 | 0:27:34 | |
at least, small in detail. | 0:27:34 | 0:27:37 | |
Because what you have to do is to get your mind around | 0:27:37 | 0:27:40 | |
the amount of detail that's been lavished | 0:27:40 | 0:27:44 | |
on this small, ornamental object, which was made on a lathe. | 0:27:44 | 0:27:50 | |
No ordinary lathe, this, but an ornamental lathe. | 0:27:50 | 0:27:54 | |
Look at that central stem. It looks | 0:27:54 | 0:27:57 | |
like 20 washers piled up side-on-side, | 0:27:57 | 0:28:02 | |
but it's not - it's turned out of a single piece of wood. | 0:28:02 | 0:28:05 | |
And to do that on a lathe, you'd probably need | 0:28:05 | 0:28:09 | |
16 or 18 different chucks, | 0:28:09 | 0:28:12 | |
adjusted to the blade, to go in and out | 0:28:12 | 0:28:16 | |
as the thing rotates on the lathe most precisely and accurately. | 0:28:16 | 0:28:20 | |
And that's just the stem - look at the cutting required | 0:28:20 | 0:28:24 | |
in the bowl, and indeed throughout this thing, | 0:28:24 | 0:28:28 | |
and it's enough to take your breath away. | 0:28:28 | 0:28:31 | |
Next-door to that, we've got something incredibly early - | 0:28:32 | 0:28:35 | |
one of the earliest nutcrackers anywhere in the world. | 0:28:35 | 0:28:39 | |
It's dated 1570, | 0:28:39 | 0:28:42 | |
and was probably made in France or Italy. | 0:28:42 | 0:28:45 | |
It's in the form of Hercules, opening the jaws | 0:28:45 | 0:28:49 | |
of the Nemean lion - | 0:28:49 | 0:28:51 | |
except, of course, the jaws of the lion are being opened by Hercules | 0:28:51 | 0:28:56 | |
to receive a little nut. | 0:28:56 | 0:28:59 | |
Pop your little hazelnut in there, | 0:28:59 | 0:29:01 | |
and then squeeze the arm from behind, and... | 0:29:01 | 0:29:06 | |
The big question today is over at the auction - | 0:29:06 | 0:29:08 | |
will our teams be able to carve out a profit for themselves? | 0:29:08 | 0:29:13 | |
Batemans saleroom in Stamford is where we're at, | 0:29:18 | 0:29:21 | |
and our auctioneer is David Palmer. Feeling strong? | 0:29:21 | 0:29:24 | |
-Yes. -You'll need all your strength today, I can tell you. | 0:29:24 | 0:29:27 | |
Matthew and Alfie, led bravely by Charles Hanson, | 0:29:27 | 0:29:30 | |
firstly acquired the Celtic pin... | 0:29:30 | 0:29:33 | |
It's quite pleasant, but not wildly exciting. | 0:29:33 | 0:29:36 | |
-A long way from Scotland here. -It is. -So, how much? | 0:29:36 | 0:29:39 | |
-£20-£30. -OK. £35 paid. | 0:29:39 | 0:29:41 | |
Now, the snuffbox I think is just superb. | 0:29:41 | 0:29:45 | |
-It is. -Mainly because of its inscription. | 0:29:45 | 0:29:47 | |
-Yes - given to Mr Humble Taylor! -I know! | 0:29:47 | 0:29:51 | |
-What a magnificent name - straight out of a Dickens novel. -Yeah. | 0:29:51 | 0:29:54 | |
Perfect. What do you think it's going to bring in in your sale? | 0:29:54 | 0:29:58 | |
We've estimated it at 80-120. | 0:29:58 | 0:30:01 | |
Oh, dear! £230 it cost our lads. | 0:30:01 | 0:30:04 | |
-Ooh! -That's a pinch and a half, isn't it? | 0:30:04 | 0:30:07 | |
-It is a bit. -OK, well, we might make it up perhaps with a drink - | 0:30:07 | 0:30:11 | |
-a nice, shaken-but-not-stirred drink. -Right, | 0:30:11 | 0:30:16 | |
-a dry Martini. -A dry Martini. | 0:30:16 | 0:30:18 | |
But what a poor and paltry shaker that is, isn't it? | 0:30:18 | 0:30:21 | |
-It's as bad as you can get. -What's your estimate? | 0:30:21 | 0:30:24 | |
-I've got to say 5-10. -Because it's your lowest estimate? | 0:30:24 | 0:30:27 | |
-Kind of, yes! -They paid £5, so, not a lot of money... -No. | 0:30:27 | 0:30:30 | |
..which is fair enough, but my gosh, they've got some losses to make up, | 0:30:30 | 0:30:33 | |
and they're going to need their bonus buy, so let's have a look! | 0:30:33 | 0:30:37 | |
Now, Matt, Alfie, | 0:30:37 | 0:30:39 | |
£30 you gave him - what did you spend it on, Charles? | 0:30:39 | 0:30:42 | |
Well, team, I spent £25 with something that's a bit of a voyage | 0:30:42 | 0:30:46 | |
of history, and it's full of sentiment. | 0:30:46 | 0:30:48 | |
It's an old little Edwardian album of postcards | 0:30:48 | 0:30:52 | |
and all sorts, from the George V period, | 0:30:52 | 0:30:55 | |
from 1900 to about 1925-30 - what do you think? | 0:30:55 | 0:30:57 | |
Erm, I think it's fascinating, to be honest. | 0:30:57 | 0:31:01 | |
Erm, genuinely historical record, which is nice to have. | 0:31:01 | 0:31:05 | |
Exactly what you want in an antique, really, isn't it? | 0:31:05 | 0:31:07 | |
Will it make a profit? I would happily guide this to fetch | 0:31:07 | 0:31:11 | |
-between £30 and £40. -No, great, cheers. | 0:31:11 | 0:31:14 | |
-That's nice, Charles. -Thanks for that! -It's good fun, isn't it? | 0:31:14 | 0:31:17 | |
-Yes. -Let's hope that the audience today in the saleroom | 0:31:17 | 0:31:21 | |
will agree, but right now, let's find out | 0:31:21 | 0:31:23 | |
what the auctioneer thinks about Charles's scrapbook. | 0:31:23 | 0:31:25 | |
-OK, David Palmer, here's a little test for you... -Right. | 0:31:26 | 0:31:29 | |
-These are always exciting before you open them. -It's a period piece, | 0:31:29 | 0:31:33 | |
-isn't it? -It is. -So, how much, do you think, for that? | 0:31:33 | 0:31:36 | |
-£30-£50. -Charles only paid £25. | 0:31:36 | 0:31:39 | |
Anyway, that's it for the Reds. Now for the Blues. First up | 0:31:39 | 0:31:42 | |
for them is the so-called metamorphic chair, | 0:31:42 | 0:31:45 | |
-which is useful, isn't it...? -It is. -..in a modern house. -I like these. | 0:31:45 | 0:31:49 | |
-They're very useable chairs, in a home. -Wants a bit of a tickle-up, | 0:31:49 | 0:31:52 | |
-but how much as is? -I think | 0:31:52 | 0:31:55 | |
-60-100...? -OK. £98 paid. | 0:31:55 | 0:31:59 | |
-So, they paid on the cusp. -That's obtainable. | 0:31:59 | 0:32:02 | |
-Mmm. -I sold one recently, it made 160 quid. | 0:32:02 | 0:32:05 | |
All right, well, there might be an upside. What about the cruet? | 0:32:05 | 0:32:09 | |
Yes, I mean, this is so naff, it's good. | 0:32:09 | 0:32:11 | |
On that basis, how much? | 0:32:11 | 0:32:13 | |
-30-50. -OK, £50 paid, it's a bit of fun, isn't it? -Yes. | 0:32:13 | 0:32:16 | |
And whilst you might like to take these glasses with you | 0:32:16 | 0:32:20 | |
up on the moor, it would be the wrong place to take them, | 0:32:20 | 0:32:23 | |
-because they're really opera glasses, aren't they? -They are. | 0:32:23 | 0:32:26 | |
They've got the Jockey Club Paris on the inside, | 0:32:26 | 0:32:28 | |
but that's fairly standard for this type. | 0:32:28 | 0:32:30 | |
-The bonus is, you've got the case in good order. -So, how much? | 0:32:30 | 0:32:33 | |
-£20-£30. -£10 paid, so that could be a good purchase. -Yeah. | 0:32:33 | 0:32:37 | |
On that basis, they haven't lost that much, I don't think, | 0:32:37 | 0:32:40 | |
nor have they made that much, so they may need their bonus buy, | 0:32:40 | 0:32:44 | |
so let's go and have a look. | 0:32:44 | 0:32:45 | |
Imo, Hannah, you spent the 152, | 0:32:45 | 0:32:49 | |
£148 of leftover lolly went to JP - what did you spend it on, JP? | 0:32:49 | 0:32:52 | |
-Ooh! -Ooh! -A little | 0:32:52 | 0:32:55 | |
Victorian overmantel mirror. What drew my eye to this, | 0:32:55 | 0:32:58 | |
I mean, this would date to about, erm, | 0:32:58 | 0:33:01 | |
-1870, I suppose, that sort of date. -OK. | 0:33:01 | 0:33:04 | |
It's ebonised - not everyone likes the black colour. | 0:33:04 | 0:33:07 | |
Lacquer frame, not too big, so it will fit on most overmantels. | 0:33:07 | 0:33:11 | |
And in the way that fashion is moving now, people are moving into | 0:33:11 | 0:33:14 | |
a sort of more eclectic interior, and... | 0:33:14 | 0:33:17 | |
-not a lot of money. -How much are we talking? -I paid £30. | 0:33:17 | 0:33:21 | |
-Is that all? -That is good. -I like the stencilling round the outside. | 0:33:21 | 0:33:25 | |
I didn't want to sort of... It wasn't the most exciting of objects. | 0:33:25 | 0:33:29 | |
Obviously I wanted to see a smile on your face, so there we go. | 0:33:29 | 0:33:32 | |
-Well, you've been successful there. -We're smiling! | 0:33:32 | 0:33:35 | |
-Successful in stereo, I'd say. Happy with that? -Yep, fine. | 0:33:35 | 0:33:38 | |
Let's find out what the auctioneer thinks about JP's mirror. | 0:33:38 | 0:33:41 | |
Well, for a change, there's the bonus buy. | 0:33:42 | 0:33:45 | |
So, erm, how much do you think for that? | 0:33:45 | 0:33:48 | |
I think £20 or £30. | 0:33:48 | 0:33:50 | |
Oh. £30 paid. | 0:33:50 | 0:33:53 | |
That's it, £30 paid by Jonathan Pratt - are the teams | 0:33:53 | 0:33:56 | |
going to take it anyway? We'll find out in a minute, won't we? | 0:33:56 | 0:33:59 | |
Thank you very much, David. | 0:33:59 | 0:34:01 | |
Now, Matthew, Alfred, how are you? | 0:34:06 | 0:34:09 | |
-Fine. -Very good. -Yeah? | 0:34:09 | 0:34:10 | |
-A bit nervous... -Not feeling shifty at all? | 0:34:10 | 0:34:13 | |
Erm, no. | 0:34:13 | 0:34:15 | |
-Slight nerves. -So, first up is going to be the Celtic brooch. | 0:34:15 | 0:34:18 | |
-Good luck, chaps. -Thank you very much. -Good luck, this is it. | 0:34:18 | 0:34:21 | |
-AUCTIONEER: -Lot 192 is a silver Celtic brooch - | 0:34:21 | 0:34:24 | |
let's start at £20 for it - 20 quid...? | 0:34:24 | 0:34:26 | |
-£20? Tenner, then. 12... -He's got great style. Come on. | 0:34:26 | 0:34:30 | |
Do it again - 15, 18, 20, | 0:34:30 | 0:34:33 | |
22, 25, | 0:34:33 | 0:34:35 | |
-28... -Come on, one more. -28 with the lady seated. | 0:34:35 | 0:34:38 | |
At 28 now, who have I missed? 30. | 0:34:38 | 0:34:40 | |
And two, 32. At 32. 35? | 0:34:40 | 0:34:43 | |
At 32, I sell with the lady at 32. You're out on the stairs, sir. | 0:34:43 | 0:34:46 | |
Come on, let's get one more. | 0:34:46 | 0:34:49 | |
-With the lady, at 32... -Come on! -One more! | 0:34:49 | 0:34:51 | |
-I'll take a five. Try the five, 35... -Yes! | 0:34:51 | 0:34:54 | |
-Yes! -At 35, 38? | 0:34:54 | 0:34:56 | |
38. At 38. | 0:34:56 | 0:34:58 | |
-At 38... -That is the way to sell it! | 0:34:59 | 0:35:01 | |
-That's how to auctioneer. -Absolutely, Tim. -Good work! | 0:35:01 | 0:35:04 | |
At 38 - now go 40...! | 0:35:04 | 0:35:07 | |
At 38. I sell down here then at 38. The lady at £38, | 0:35:07 | 0:35:11 | |
no-one else at 38...? | 0:35:11 | 0:35:13 | |
-GAVEL FALLS -He held it... | 0:35:13 | 0:35:15 | |
-and he twisted it and he took it on. You are plus three. -£3 profit. | 0:35:15 | 0:35:18 | |
Yes. Now, can he do the same thing with the snuff box? | 0:35:18 | 0:35:21 | |
-Oh, come on! -Oh, god, here we go. Awful! | 0:35:21 | 0:35:23 | |
Let's say £100 to start. Straight in at 100... | 0:35:23 | 0:35:26 | |
-Got to be worth £100. -Oh, come on. | 0:35:26 | 0:35:28 | |
50 quid?! | 0:35:29 | 0:35:31 | |
-Silver. 50 I'm bid over there. -This is mortifying. | 0:35:31 | 0:35:34 | |
60. 60, 70, | 0:35:34 | 0:35:36 | |
80, 90, | 0:35:36 | 0:35:38 | |
100, 110, | 0:35:38 | 0:35:40 | |
120, 130... | 0:35:40 | 0:35:42 | |
-One more, come on! -130, 140... | 0:35:42 | 0:35:44 | |
At 140 on the Net. The Net at 140. | 0:35:44 | 0:35:47 | |
150. At 150 now. | 0:35:47 | 0:35:50 | |
-BABY CRIES OUT -At 150. In the room at 150. -Come on. | 0:35:50 | 0:35:53 | |
-Let that child bid if it wants to. -LAUGHTER | 0:35:53 | 0:35:55 | |
At 150. I sell in the room at 150 - the Net is out. | 0:35:55 | 0:35:59 | |
-GAVEL FALLS -Loss, £70. -That is... | 0:36:00 | 0:36:03 | |
It was such a gamble. | 0:36:06 | 0:36:08 | |
-I'm up for a drink, me. -I think we need it after that. | 0:36:08 | 0:36:12 | |
Tenner for it, £10, silver-plated one, cocktail shaker. 10... | 0:36:12 | 0:36:15 | |
Just needs a bit of a clean, that's all. Fiver... | 0:36:16 | 0:36:18 | |
Five, six, seven, eight, nine, | 0:36:18 | 0:36:21 | |
10, 12... | 0:36:21 | 0:36:23 | |
-One more. -..15. 15. | 0:36:23 | 0:36:26 | |
Only two hardened alcoholics today, then. 15 I sell there. | 0:36:26 | 0:36:29 | |
-18 off you. 15. Net, are you in? -One more. | 0:36:29 | 0:36:32 | |
£15. Sell to standing at 15. Is that it? | 0:36:32 | 0:36:35 | |
At 15. Doorway at £15... | 0:36:35 | 0:36:37 | |
That is £10 profit, which means you're minus 67. | 0:36:38 | 0:36:42 | |
So, not so bad, yeah? Are you going to go with the bonus buy or not? | 0:36:42 | 0:36:45 | |
-I think we'll have to. -Almost definitely, yeah. Charles? | 0:36:45 | 0:36:48 | |
I think it has a great chance of making a profit. | 0:36:48 | 0:36:51 | |
How much I don't know. | 0:36:51 | 0:36:52 | |
-Here comes your bonus buy, Charles. -Lot 198 | 0:36:52 | 0:36:54 | |
is the Edwardian album, containing photographs, postcards, | 0:36:54 | 0:36:57 | |
theatre programmes... £30 for it. 30? | 0:36:57 | 0:37:00 | |
£30? | 0:37:00 | 0:37:01 | |
-Anyone? 30? 20? -Come on. | 0:37:01 | 0:37:04 | |
Tenner? | 0:37:04 | 0:37:05 | |
£10? | 0:37:05 | 0:37:07 | |
10 I'm bid. Net at 10. Take two. | 0:37:07 | 0:37:09 | |
-Goes, then, at £10. -Oh, come on... -A little etching in there, | 0:37:09 | 0:37:12 | |
signed by the artist. 12. | 0:37:12 | 0:37:15 | |
On the Net then at 12 now. | 0:37:15 | 0:37:17 | |
-15 on the Net. -Come on, Matty! -It's all online, guys. | 0:37:17 | 0:37:20 | |
-Goes, then... -There's no-one bidding, it's all online. | 0:37:20 | 0:37:22 | |
Any more, then? At 15 - the Net at 15. | 0:37:22 | 0:37:25 | |
Who have I missed here in the room? 18 on the Net. | 0:37:25 | 0:37:28 | |
At 18 now. | 0:37:28 | 0:37:30 | |
Sell on the Net at £18. Is that it? | 0:37:30 | 0:37:32 | |
All done at 18. You're out in front at 18. | 0:37:32 | 0:37:35 | |
-Shame, though. -No-one else at £18... -It's painful. | 0:37:35 | 0:37:37 | |
It's really painful.... | 0:37:37 | 0:37:39 | |
-GAVEL FALLS -Uh-oh. -And it's gone. | 0:37:39 | 0:37:41 | |
-Sorry, guys. -No worries. -Minus £7. | 0:37:41 | 0:37:43 | |
-Sorry! -Yeah, well, there we go. | 0:37:44 | 0:37:46 | |
That takes you up to minus 74. | 0:37:46 | 0:37:49 | |
-Anyway, there we go. -Great! -It's not as bad as we thought! | 0:37:49 | 0:37:52 | |
-No point in bursting into tears, is there? -No. | 0:37:52 | 0:37:54 | |
and today, minus 74 could be a winning score, | 0:37:54 | 0:37:57 | |
-so don't say a word to those girls, all right? -We won't. | 0:37:57 | 0:38:00 | |
Now, Hannah, Imo, do you know anything about anything? | 0:38:04 | 0:38:08 | |
-Probably not, no. -Do you know anything about their score? | 0:38:08 | 0:38:10 | |
-Do you know how those Reds got on, those naughty boys? -No! | 0:38:10 | 0:38:13 | |
I think they did poorly, I'll be honest! | 0:38:13 | 0:38:15 | |
-Well, you're optimistic, aren't you? -No confidence in them! | 0:38:15 | 0:38:18 | |
First up, though, girls, is your metamorphic chair, | 0:38:18 | 0:38:22 | |
and here comes the stool steps chair. | 0:38:22 | 0:38:24 | |
-AUCTIONEER: -Should start at £100 for this. | 0:38:24 | 0:38:26 | |
Should be in at 100. Start me at 50. | 0:38:26 | 0:38:29 | |
£50 for the metamorphic chair | 0:38:29 | 0:38:30 | |
being juggled by my colleague on the side here. | 0:38:30 | 0:38:33 | |
50 I'm bid. At 50 now, and I sell | 0:38:34 | 0:38:36 | |
at 50 - take a five... | 0:38:36 | 0:38:38 | |
This is for nothing! At £50. And I sell it at 50... | 0:38:38 | 0:38:41 | |
-No! -He won't sell it. -55, 60, | 0:38:41 | 0:38:44 | |
-65, 70... -70. | 0:38:44 | 0:38:46 | |
-Oh, look. -At 70, 80, 85, | 0:38:46 | 0:38:49 | |
90. | 0:38:49 | 0:38:51 | |
-At 90. Try a five. -Come on! | 0:38:51 | 0:38:53 | |
At 90. Look, there's some young ladies down there! | 0:38:53 | 0:38:56 | |
-One more! -95... | 0:38:56 | 0:38:58 | |
-Everyone needs ladders. -We're in profit. -You're in profit. | 0:38:58 | 0:39:01 | |
£2. £2 profit. | 0:39:01 | 0:39:03 | |
-Two young women dressed in blue in with this. -Over here! -Anything! | 0:39:03 | 0:39:07 | |
£100 in the middle. At 100... | 0:39:08 | 0:39:11 | |
Well done, you are plus £2. | 0:39:12 | 0:39:14 | |
By the skin of your teeth! | 0:39:14 | 0:39:17 | |
I mean, these are so seriously cool... | 0:39:17 | 0:39:20 | |
-Yeah. -They really are. Everyone needs them. | 0:39:20 | 0:39:23 | |
..cutting edge designer, these are. 30 quid the lot. | 0:39:23 | 0:39:26 | |
£30. Got to go at 30 quid. | 0:39:26 | 0:39:28 | |
-£10 a stag. -Yeah, £10 a stag, there you are. | 0:39:28 | 0:39:32 | |
-That's the maths on this. -That's my method! -What's the point?! | 0:39:32 | 0:39:34 | |
Tenner the lot, then. £10 I'm bid down here. | 0:39:34 | 0:39:37 | |
The cheapskate again at 10, 12 on the Net, 15, | 0:39:37 | 0:39:40 | |
18, 20, | 0:39:40 | 0:39:42 | |
22, 25... | 0:39:42 | 0:39:44 | |
Come on! | 0:39:44 | 0:39:46 | |
At 25 - in the room at 28, they're back at 28. | 0:39:46 | 0:39:48 | |
32 now. Here at 32. Here, then, | 0:39:48 | 0:39:51 | |
at 35, | 0:39:51 | 0:39:52 | |
-38... -You see, they're going on. | 0:39:52 | 0:39:55 | |
And I sell at 38. All done | 0:39:55 | 0:39:57 | |
at £38... | 0:39:57 | 0:39:59 | |
Goes then on the Net at £38... | 0:39:59 | 0:40:02 | |
-Bad luck. Bad luck, chicks. -He's got his wife sitting next to him. | 0:40:02 | 0:40:05 | |
-That's really disappointing. -Minus £12. So, overall, | 0:40:05 | 0:40:08 | |
-you're minus 10. -A pair of French racing glasses, | 0:40:08 | 0:40:10 | |
the Jockey Club of Paris. 20 quid for them. | 0:40:10 | 0:40:13 | |
They're real binoculars. 20 quid for them. Anybody, 20? | 0:40:13 | 0:40:16 | |
10, then?! | 0:40:16 | 0:40:17 | |
10, the lady at 10. I'll take a two now. | 0:40:18 | 0:40:21 | |
Sell then at £10... 12, | 0:40:21 | 0:40:24 | |
the Net at 12, 15... 15. | 0:40:24 | 0:40:26 | |
-I sell at 15. -So cheap. | 0:40:26 | 0:40:29 | |
Is that it at £15? No-one else? | 0:40:29 | 0:40:31 | |
Net, you're nowhere. Far side at 15... | 0:40:31 | 0:40:34 | |
I'm loving it. That's £5 profit, but overall, | 0:40:34 | 0:40:37 | |
-you're minus £5, right...? -Shall we go for it? -..which is, I mean, | 0:40:37 | 0:40:40 | |
this is such a helter-skelter, isn't it? | 0:40:40 | 0:40:41 | |
You girls have really been through the mangle. | 0:40:41 | 0:40:44 | |
I'm so sorry. But anyway, at the end of that, you are minus £5. | 0:40:44 | 0:40:47 | |
-It could be worse. -You are so right. -You could have been with Charles. | 0:40:47 | 0:40:50 | |
Now, listen... Stop it! | 0:40:50 | 0:40:53 | |
-Listen, what about the mirror? -Yeah, we're going to go for it. | 0:40:53 | 0:40:57 | |
-Yeah, let's just go for it. -Definitely? -Yeah. -OK. | 0:40:57 | 0:41:00 | |
-And here it comes. -Lot 220 is a Victorian ebonised, | 0:41:00 | 0:41:03 | |
arch-framed overmantel mirror. | 0:41:03 | 0:41:04 | |
£50 for that. 50 quid, the mirror. Anyone, 50? | 0:41:04 | 0:41:07 | |
-Come on. -£50. | 0:41:07 | 0:41:09 | |
£20? £10? | 0:41:09 | 0:41:11 | |
-Oh, no! JB! -Goodness me! -That's just embarrassing. | 0:41:11 | 0:41:14 | |
10 I'm bid on the Net. At 10. | 0:41:14 | 0:41:16 | |
Internet at 10, | 0:41:16 | 0:41:18 | |
-and I sell, with the Net, then, at £10... -No! -Boo! | 0:41:18 | 0:41:21 | |
Boo! | 0:41:21 | 0:41:23 | |
Anyone in the room? 12? | 0:41:23 | 0:41:25 | |
-I sell at £10, on the Internet, at 10... -Oh, well. | 0:41:25 | 0:41:28 | |
I can't bear it. | 0:41:28 | 0:41:29 | |
-Never mind. I'm so sorry. -Everything's bleeding. | 0:41:29 | 0:41:32 | |
I may cry tonight, and it's your fault! | 0:41:32 | 0:41:35 | |
And it's minus 25. | 0:41:35 | 0:41:36 | |
It could have been very... But you never know, girls. | 0:41:36 | 0:41:39 | |
-Minus 25 could be a winning score today. -I think it will be. | 0:41:39 | 0:41:42 | |
Probably is, yeah! | 0:41:42 | 0:41:44 | |
Oh, dear, oh, dear, oh dear! | 0:41:49 | 0:41:51 | |
Some days is good days, some days bad days, | 0:41:51 | 0:41:53 | |
but for both teams, sadly today is not such a good day. | 0:41:53 | 0:41:57 | |
But one team with the mega losses department just happens to be | 0:41:57 | 0:42:00 | |
-the Reds! -Oh! | 0:42:00 | 0:42:03 | |
-Minus £74... -Yeah. | 0:42:03 | 0:42:05 | |
-..is not a good number, is it, really? -Shocking. -But frankly, | 0:42:05 | 0:42:08 | |
it's bad luck, because you had two profits, you were cruising nicely, | 0:42:08 | 0:42:11 | |
and that wretched silver box took you down by £80, | 0:42:11 | 0:42:14 | |
and that's impossible to recover from. | 0:42:14 | 0:42:16 | |
-But have you had a nice time, Alfie? -It's been fantastic. -And Matt? | 0:42:16 | 0:42:19 | |
It's been wonderful, really good. | 0:42:19 | 0:42:21 | |
Well, we've loved having you on the show, | 0:42:21 | 0:42:23 | |
you've been really sporting about all of this. | 0:42:23 | 0:42:26 | |
And girls, you're therefore the victors - | 0:42:26 | 0:42:28 | |
you've managed to win today by only losing £25. | 0:42:28 | 0:42:31 | |
-Hmm. -We still won! | 0:42:31 | 0:42:33 | |
You happy about that, Imo? | 0:42:33 | 0:42:34 | |
It would be better with a profit! | 0:42:34 | 0:42:36 | |
-You wanted to go home with money, didn't you, Imo? -Yes. | 0:42:36 | 0:42:38 | |
-Never mind, Hannah, eh? -Never mind. -You had a nice time? | 0:42:38 | 0:42:41 | |
-It's been lovely, thank you. -Good. Well, we've loved having you two. | 0:42:41 | 0:42:44 | |
A couple of losses there, a couple of profits. | 0:42:44 | 0:42:46 | |
It's the general scheme of the day and it just didn't go your way. | 0:42:46 | 0:42:49 | |
-But anyway, we've had fun. Yes? -Yes, we have. | 0:42:49 | 0:42:52 | |
Join us soon for some more Bargain Hunting, yes? | 0:42:52 | 0:42:54 | |
ALL: Yes! THEY LAUGH | 0:42:54 | 0:42:56 | |
I know - you're sitting there, thinking, | 0:42:56 | 0:42:58 | |
"I could've done better than that!" | 0:42:58 | 0:43:00 | |
Well, what's stopping you? | 0:43:00 | 0:43:03 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:03 | 0:43:07 | |
It'll be splendid to see you. | 0:43:07 | 0:43:09 | |
Subtitles by Red Bee Media Ltd | 0:43:12 | 0:43:15 |