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I've donned my hat, | 0:00:05 | 0:00:07 | |
the stallholders have laid out their goods, | 0:00:07 | 0:00:10 | |
and somewhere round here there's a Red team and a Blue team | 0:00:10 | 0:00:14 | |
zipping up their fleeces. | 0:00:14 | 0:00:16 | |
So...ah! Let's go bargain-hunting, yeah. | 0:00:16 | 0:00:19 | |
Today, we're in Oswestry, in Shropshire. | 0:00:45 | 0:00:48 | |
A certain Reverend Spooner | 0:00:48 | 0:00:50 | |
once hailed from these parts. | 0:00:50 | 0:00:53 | |
He became an Oxford don, | 0:00:53 | 0:00:55 | |
and famous for his ability at mixing his words up. | 0:00:55 | 0:00:59 | |
Hence spoonerisms. | 0:00:59 | 0:01:01 | |
Anyway, enough of that. | 0:01:01 | 0:01:02 | |
Let's see co's whoming up. Ha! | 0:01:02 | 0:01:04 | |
On today's show, our experts have their hands full... | 0:01:06 | 0:01:09 | |
-Come on! -I'm getting there. I'm getting there. | 0:01:09 | 0:01:12 | |
..with some very exacting requirements. | 0:01:12 | 0:01:15 | |
-I want his trunk up there. -I'm sure you do, but there's nothing we can do about that, is there, really? | 0:01:15 | 0:01:20 | |
Do you like cherubs? | 0:01:20 | 0:01:22 | |
Not particularly. | 0:01:22 | 0:01:24 | |
Let's meet these demanding teams. | 0:01:25 | 0:01:27 | |
Today it's ladies' day, my favourite kind of day. | 0:01:28 | 0:01:32 | |
For the Reds we've got June and Jude | 0:01:32 | 0:01:36 | |
and, for the Blues, we've got Cosmic Carol and Jacqui. | 0:01:36 | 0:01:39 | |
-Hello. -Hello. -Hello. | 0:01:39 | 0:01:41 | |
Lovely to see you. Now, Jude, how did you two hook up? | 0:01:41 | 0:01:43 | |
Well, we went to school together. | 0:01:43 | 0:01:47 | |
Fifty years ago, we met. | 0:01:47 | 0:01:49 | |
-In junior school? -No, no, secondary school. | 0:01:49 | 0:01:52 | |
-Ooh. -Thank you very much, though. | 0:01:52 | 0:01:54 | |
-How lovely. You're a swimming teacher? -I am, yes. | 0:01:54 | 0:01:57 | |
Have you been doing that for a long time? | 0:01:57 | 0:01:59 | |
30 years, yes. | 0:01:59 | 0:02:01 | |
Ever lost any? | 0:02:01 | 0:02:03 | |
-Not yet. -Not yet. | 0:02:03 | 0:02:05 | |
I suppose it's difficult in a pool, isn't it? | 0:02:05 | 0:02:07 | |
It is difficult when you've got a group of three-year-olds that don't really want to go in. | 0:02:07 | 0:02:11 | |
You're a bit of a jumper yourself, aren't you? | 0:02:11 | 0:02:13 | |
-Just a bit. -Tell us about that. | 0:02:13 | 0:02:16 | |
We went on holiday to Turkey, my husband and I, | 0:02:16 | 0:02:19 | |
and we took Mum with us. And we were looking at these paragliders | 0:02:19 | 0:02:24 | |
-that were doing these jumps off these cliffs. -Oh, yeah. | 0:02:24 | 0:02:26 | |
I saw these men that were doing it and I thought oof, | 0:02:26 | 0:02:30 | |
I'd like to be strapped to one of those, so... | 0:02:30 | 0:02:32 | |
You talking about the men or the machine? | 0:02:32 | 0:02:34 | |
Ooh, the machine and the man. | 0:02:34 | 0:02:36 | |
So we leapt off this lovely big cliff. | 0:02:37 | 0:02:39 | |
So you like jumping off 4,000ft high cliffs, do you? | 0:02:39 | 0:02:43 | |
As long as you're strapped to something solid. | 0:02:43 | 0:02:45 | |
Yes. OK, fine. | 0:02:45 | 0:02:47 | |
-Now, June. You're a PA for a law firm. -I am, yes. | 0:02:47 | 0:02:50 | |
Is that good fun? | 0:02:50 | 0:02:52 | |
-No. -No. -No. -All right. Honesty. -It can't be, can it? | 0:02:52 | 0:02:56 | |
You've had a milestone birthday recently? | 0:02:56 | 0:03:00 | |
We were 60, and we decided to save up. | 0:03:00 | 0:03:03 | |
-We decided we wanted to go to New York for our... -60th birthday. | 0:03:03 | 0:03:07 | |
It took us ten years to save. | 0:03:07 | 0:03:08 | |
What did you get up to? | 0:03:08 | 0:03:10 | |
Ooh, that'd be telling. | 0:03:10 | 0:03:11 | |
Well, there was a couple of 6'4" hunks there. | 0:03:11 | 0:03:14 | |
Oh, no. Not more, not more paragliding. | 0:03:14 | 0:03:18 | |
No, no, no. | 0:03:18 | 0:03:19 | |
-We went up the Statue of Liberty to the crown. -Yeah. | 0:03:19 | 0:03:22 | |
And we walked up and we didn't need oxygen masks. We did well. | 0:03:22 | 0:03:25 | |
What a nice thing to do, though. To save up for ten years. | 0:03:25 | 0:03:28 | |
-You had a great time? -Fabulous time. -A fabulous time. | 0:03:28 | 0:03:31 | |
I think you'll make an excellent team. | 0:03:31 | 0:03:33 | |
Now, talking of teams. | 0:03:33 | 0:03:35 | |
Team Carol. | 0:03:35 | 0:03:36 | |
-You're called Cosmic, right? -Yes. -Why's that? | 0:03:36 | 0:03:39 | |
Well, it's because I was asked, at my sister's, | 0:03:39 | 0:03:41 | |
she had a Halloween party and she said would I read some fortunes? | 0:03:41 | 0:03:46 | |
-Right. -Now, these fortunes came uncannily true. | 0:03:46 | 0:03:51 | |
But I did have some previous information. | 0:03:51 | 0:03:54 | |
-You cheated, that's what you did. -I did. | 0:03:54 | 0:03:57 | |
I was telling them something nice that would happen to them in the future. | 0:03:57 | 0:04:00 | |
-Now, you're retired? -I am. | 0:04:00 | 0:04:03 | |
-What did you do before that? -I was a physiotherapist in the health service for about 30 years. | 0:04:03 | 0:04:08 | |
-How do you feel about antiques? Are you good with antiques? -I love them. -Do you? -Yes. | 0:04:08 | 0:04:12 | |
Like going to auctions, like watching you. | 0:04:12 | 0:04:15 | |
-Do you? Oh... -Oh, yes. | 0:04:15 | 0:04:17 | |
-Jacs. you followed your mother into the medical profession? -I certainly did. | 0:04:17 | 0:04:21 | |
What do you get up to, darling? | 0:04:21 | 0:04:22 | |
I am now working in school health, | 0:04:22 | 0:04:25 | |
but I started out as a district nurse about ten years ago. | 0:04:25 | 0:04:28 | |
Then I had two little children. | 0:04:28 | 0:04:31 | |
And then after that I went into school health. | 0:04:31 | 0:04:35 | |
And what do you do outside work? | 0:04:35 | 0:04:37 | |
Outside of work... I've got three children in total. | 0:04:37 | 0:04:40 | |
-Gosh. -And we have a little dog who's called Beau who's... | 0:04:40 | 0:04:44 | |
-the main member of the family, in one respect. -She's a shared dog. | 0:04:44 | 0:04:47 | |
-Oh, yeah? -She's a shared dog. We took her into a dog show last year. | 0:04:47 | 0:04:51 | |
-We did. -Yeah. -And she won best puppy of breed. | 0:04:51 | 0:04:55 | |
And that was only because no other puppies turned up. | 0:04:55 | 0:04:59 | |
She was the only one there. | 0:04:59 | 0:05:01 | |
Now, what do you know about antiques, then, Jacs? | 0:05:01 | 0:05:03 | |
-Anything at all? -Not a lot. I rely on Mother here for that. -Do you? | 0:05:03 | 0:05:07 | |
-So we're going to get the expertise from Mum, all right. -Yes. | 0:05:07 | 0:05:10 | |
Are you good with the money? | 0:05:10 | 0:05:11 | |
No, I'm just going to keep Mother in check, because she's my firecracker. | 0:05:11 | 0:05:14 | |
-Right. -She's the one who's going to win it for us. | 0:05:14 | 0:05:17 | |
-So you're here as the restrainer? -I certainly am. | 0:05:17 | 0:05:19 | |
OK, fine. Well, on that happy note, I'm going to give you £300 apiece. | 0:05:19 | 0:05:22 | |
Here's your £300. | 0:05:22 | 0:05:24 | |
You know the rules. Your experts await. | 0:05:24 | 0:05:26 | |
And off you go. | 0:05:26 | 0:05:28 | |
Very, very good luck. | 0:05:28 | 0:05:30 | |
Gosh, we're going to have fun today. "Cosmic," eh? | 0:05:30 | 0:05:33 | |
MUSIC: Theme from Star Wars | 0:05:33 | 0:05:35 | |
And, talking of supernatural powers, | 0:05:37 | 0:05:39 | |
it's time to introduce our experts. | 0:05:39 | 0:05:42 | |
Able to move a collectible simply with the power of his mind, | 0:05:42 | 0:05:46 | |
it's the Yoda of the antique world... | 0:05:46 | 0:05:48 | |
And foraging for finds in the fair | 0:05:52 | 0:05:53 | |
is our very own cuddly Ewok... | 0:05:53 | 0:05:55 | |
-Tell me what the plan is. -We're going to spend, spend, spend. | 0:06:04 | 0:06:08 | |
Look at me with a gorgeous blonde and a gorgeous brunette. What a job. | 0:06:08 | 0:06:12 | |
We're going to win. It's going to be fantastic. Let's get out there. | 0:06:12 | 0:06:16 | |
-You like a bit of a thrill, Jude? -I do, I do. | 0:06:16 | 0:06:18 | |
-An adrenaline junkie, I hear? -Ooh, yes. -Really? -Definitely. | 0:06:18 | 0:06:22 | |
-Are we going to do something wild, then? -Ooh, yeah. | 0:06:22 | 0:06:24 | |
-Come on. -Let's go. -We love wild. | 0:06:24 | 0:06:26 | |
Oh, yes. There's no holding our teams back today. | 0:06:26 | 0:06:29 | |
Keep her away from that radio. | 0:06:29 | 0:06:31 | |
See that shape there? I think that's really nice. | 0:06:31 | 0:06:34 | |
The cherub. | 0:06:34 | 0:06:35 | |
On the Blue team, Cosmic's keen to get her hands on a certain type of pottery. | 0:06:35 | 0:06:40 | |
A little birdie tells me | 0:06:41 | 0:06:43 | |
-that you like Moorcroft. -I do. -But you don't like that one? | 0:06:43 | 0:06:45 | |
I like it. If it's a reasonable price, then I think it's something that will sell. | 0:06:45 | 0:06:51 | |
The dealer's just nodded at me and lifted one finger. | 0:06:51 | 0:06:54 | |
-OK. -I think what he was saying, it was 100. | 0:06:54 | 0:06:56 | |
-Right. -That seems a lot for that small piece. | 0:06:56 | 0:06:58 | |
-It's quite small, isn't it? Let's have another think about that one. -Yeah. | 0:06:58 | 0:07:02 | |
Meanwhile, the Red team have bigger things on their minds. | 0:07:02 | 0:07:06 | |
Ooh, elephants. Ah, but his trunk needs to be up. | 0:07:06 | 0:07:09 | |
-For good luck? -For good luck. | 0:07:09 | 0:07:11 | |
-Do you like him enough to get a price? -I don't like his trunk. | 0:07:11 | 0:07:14 | |
Cos his trunk's down. I want his trunk up there. | 0:07:14 | 0:07:16 | |
I'm sure you do. There's nothing we can do about that, is there? | 0:07:16 | 0:07:19 | |
-All right, let's leave him. All right. -OK. | 0:07:19 | 0:07:21 | |
While Jude keeps her eye out for an upright trunk, | 0:07:22 | 0:07:26 | |
Cosmic's hoping to get her first purchase pinned down. | 0:07:26 | 0:07:30 | |
-Jacqui... -What, Mother? -Come over... -Come here, Mum. He's having a look at something. | 0:07:30 | 0:07:33 | |
-What have we found? -No, it's all right. Have you found something? | 0:07:33 | 0:07:37 | |
-A very ugly frog. -You are joking. -I don't think it's terribly old. | 0:07:37 | 0:07:42 | |
-No. -And it is only £12. | 0:07:42 | 0:07:44 | |
-And we are going to a fine arts sale, remember. -Yeah. | 0:07:44 | 0:07:47 | |
So maybe not. | 0:07:47 | 0:07:48 | |
-I think you might be hopping mad with that. -Very cute. | 0:07:48 | 0:07:51 | |
So, Carol's suggestion has been pooh-poohed. | 0:07:51 | 0:07:54 | |
Now she's being shoo-shooed. | 0:07:54 | 0:07:56 | |
Come on, Mother. | 0:07:56 | 0:07:58 | |
Come on, Mother. Come on, Caroly. | 0:07:58 | 0:08:00 | |
-Come on, ladies. -Come on. | 0:08:00 | 0:08:02 | |
-Come on. -I know. Let's go. -We've got to get momentum. | 0:08:02 | 0:08:05 | |
We've had nearly 15 minutes already and we haven't bought anything. | 0:08:05 | 0:08:08 | |
Mark's keen for the Blue team to rise to the challenge | 0:08:08 | 0:08:11 | |
but Harper's taking Jude's upstanding requirements a bit too literally. | 0:08:11 | 0:08:16 | |
Right, this dog is going to give you a bit of a shock. | 0:08:16 | 0:08:19 | |
-Ooh, is he? -Have a look at him and I'm going to watch your faces. | 0:08:19 | 0:08:21 | |
He's not that many pennies. | 0:08:21 | 0:08:24 | |
He's, er... He's er... | 0:08:24 | 0:08:25 | |
SHE LAUGHS | 0:08:25 | 0:08:27 | |
We've looked at a lot of things, | 0:08:27 | 0:08:29 | |
but we actually haven't found anything that grips us enough to purchase it. | 0:08:29 | 0:08:33 | |
The Reds might've stumbled across something, though. | 0:08:33 | 0:08:36 | |
Oh, my goodness! It's from a graveyard. | 0:08:36 | 0:08:39 | |
But it's not a tombstone, is it? | 0:08:39 | 0:08:41 | |
-No. -It's actually a birdbath. | 0:08:41 | 0:08:43 | |
"At rest" sounds like it's from a graveyard. | 0:08:43 | 0:08:46 | |
You can buy them new looking very old. | 0:08:46 | 0:08:48 | |
-Yeah. -But that's old. -And they are very clever, but I think that is an old one. | 0:08:48 | 0:08:52 | |
-I haven't felt it yet but it looks old. -It's heavy. | 0:08:52 | 0:08:55 | |
Then it must be good. Let's have a look at this thing. | 0:08:55 | 0:08:58 | |
-Ooh, it's loose. -That's fine. It's made in three sections. | 0:08:58 | 0:09:01 | |
It'll probably have a rod underneath to keep these bits... | 0:09:01 | 0:09:04 | |
-It's got, look... -Yeah, it's been stuck with some kind of grout. -Resin? | 0:09:04 | 0:09:08 | |
What do you think? Do you know it's from a cemetery? | 0:09:08 | 0:09:10 | |
I'm positive. With that written on it, yes. | 0:09:10 | 0:09:13 | |
It's a Victorian birdbath. | 0:09:13 | 0:09:15 | |
If it was 30 or 40 quid, it'd be a no-brainer. | 0:09:15 | 0:09:18 | |
-Yeah. -What does he say? -75. | 0:09:18 | 0:09:20 | |
-What shall we say? -Well, do you like it? | 0:09:21 | 0:09:24 | |
-If it will make a profit, I love it. -I want that in my garden. | 0:09:24 | 0:09:26 | |
-I'd have it in my garden. -I'd have it in my garden. | 0:09:26 | 0:09:29 | |
-Shall we bid him 40 quid? -Yeah. | 0:09:29 | 0:09:32 | |
HE MOUTHS | 0:09:32 | 0:09:34 | |
MAN: 50'll be the death. | 0:09:34 | 0:09:35 | |
-50 the death? -Let's have it. -Go on. | 0:09:35 | 0:09:38 | |
-50 quid? -Have it. | 0:09:38 | 0:09:39 | |
-Thank you ever so much. -OK. -Good man, thank you. | 0:09:39 | 0:09:42 | |
So, the Reds are first to splash the cash. | 0:09:42 | 0:09:44 | |
Can the Blues clean up next with a piece of Moorcroft for Carol? | 0:09:44 | 0:09:48 | |
At £70, that seems quite a lot to me. | 0:09:49 | 0:09:52 | |
Can we not go any lower? | 0:09:52 | 0:09:54 | |
-We're talking... -I'll do 62 quid. | 0:09:54 | 0:09:57 | |
-That's the best. -62? -62. | 0:09:57 | 0:10:00 | |
I don't know, honestly. | 0:10:00 | 0:10:02 | |
-No? -What do you think, Carol? You're the Moorcroft lover, darling. | 0:10:02 | 0:10:05 | |
If it was about 50-ish. | 0:10:05 | 0:10:07 | |
40, Mother. What do you think? 40? | 0:10:07 | 0:10:10 | |
-No, no. -I'm going away. I'm leaving them to it. -We're being left alone now. | 0:10:10 | 0:10:14 | |
Our expert's just left us. | 0:10:14 | 0:10:16 | |
Mark's not wasting any time today. | 0:10:16 | 0:10:18 | |
Now, has Jude found that elusively angled elephant? | 0:10:18 | 0:10:22 | |
Oh, no. Is that in the right position? | 0:10:22 | 0:10:25 | |
-It needs to be up. -It is up. -It's over, look. | 0:10:25 | 0:10:29 | |
-As far as I'm concerned, that's up. -That's got to be up. | 0:10:29 | 0:10:32 | |
-Right. She's not very easily pleased, is she, this one? -No. | 0:10:32 | 0:10:35 | |
She's very particular about her trunks, that Jude. | 0:10:35 | 0:10:38 | |
I mean, there you go. That's got the wow factor. | 0:10:38 | 0:10:41 | |
-Oh, that has. -Goodness gracious me. -Not something heavy again. | 0:10:41 | 0:10:46 | |
Heavy, it's got to be good. | 0:10:46 | 0:10:49 | |
It's not floating the girls' boats, though. | 0:10:50 | 0:10:52 | |
All right. | 0:10:52 | 0:10:53 | |
Oh. That's a big solid piece. | 0:10:55 | 0:10:57 | |
This is called a toilet mirror. You see, this lifts up. | 0:10:58 | 0:11:01 | |
I've not seen one of those before. | 0:11:01 | 0:11:02 | |
They start in the Georgian period. | 0:11:02 | 0:11:04 | |
This is nice of its time. You've got... It's very Victorian. | 0:11:04 | 0:11:07 | |
-You know, with these... -It's quite decorative, isn't it? -It's mahogany. | 0:11:07 | 0:11:11 | |
-Is it something somebody would want? -Nice wood, | 0:11:11 | 0:11:13 | |
Well, it looks lovely on a chest of drawers in a bedroom. | 0:11:13 | 0:11:16 | |
-Yeah. -Yeah. -But, first of all, I want to establish | 0:11:16 | 0:11:18 | |
-whether you actually like it or not. -I like it. -I like it. It's nice. | 0:11:18 | 0:11:22 | |
-Caroly? -Yes, it's a nice piece, yeah. | 0:11:22 | 0:11:24 | |
I'm making a decision. | 0:11:24 | 0:11:26 | |
-OK. -What did you want for this? | 0:11:26 | 0:11:28 | |
-£100, but you can have it for 50. -Ooh. | 0:11:28 | 0:11:31 | |
What about 45? | 0:11:31 | 0:11:33 | |
No, it'll have to be 50. I really wanted 100, | 0:11:33 | 0:11:36 | |
-I was giving you a chance to make some profit. -Oh, what a sweetheart. | 0:11:36 | 0:11:39 | |
-Thank you very much. -Can you not give me a pound off? | 0:11:39 | 0:11:42 | |
-You can have two pound back. I'll take 48. -Yay! | 0:11:42 | 0:11:45 | |
-Hurray. -Is that our first purchase? -Yes. -Yes. | 0:11:45 | 0:11:47 | |
-# Hallelujah! # -Hallelujah. | 0:11:47 | 0:11:50 | |
Thank you very much, sir. You're a gentleman. | 0:11:50 | 0:11:53 | |
-Oh, come here. -Here's two quid back for you... ALL: Oh! | 0:11:53 | 0:11:56 | |
Two quid! | 0:11:56 | 0:11:57 | |
At last. Sound the horn, then. Give a cheer. | 0:11:57 | 0:12:01 | |
With over half the time gone, them Blues have made a purchase. | 0:12:01 | 0:12:05 | |
And, talking of horns... | 0:12:06 | 0:12:08 | |
Who was it that said | 0:12:10 | 0:12:12 | |
that size isn't everything? | 0:12:12 | 0:12:14 | |
Well, they clearly didn't know about these babies. | 0:12:15 | 0:12:19 | |
Because, with these, | 0:12:19 | 0:12:22 | |
cow horns, size is everything. | 0:12:22 | 0:12:26 | |
And have you ever seen such a whopper? | 0:12:26 | 0:12:30 | |
If you look carefully around the outer edge of the horn, | 0:12:30 | 0:12:34 | |
it's been mounted in silver. | 0:12:34 | 0:12:37 | |
Sadly, the silver isn't hallmarked. | 0:12:37 | 0:12:40 | |
So you can't precisely date this horn. | 0:12:40 | 0:12:43 | |
But, if you look a bit further up, | 0:12:43 | 0:12:45 | |
there are lots of little holes, | 0:12:45 | 0:12:47 | |
and the little holes indicate to me a woodworm. | 0:12:47 | 0:12:51 | |
So what's a woodworm doing eating a bit of cow horn? | 0:12:51 | 0:12:56 | |
Well, I suppose, for a woodworm it's rather delicious. | 0:12:56 | 0:13:00 | |
But all of this happened a long time ago. | 0:13:00 | 0:13:04 | |
As it is, with no hallmark, one just has to guess. | 0:13:04 | 0:13:08 | |
But even by today's standards | 0:13:08 | 0:13:11 | |
of size of bovine creatures, | 0:13:11 | 0:13:14 | |
this is a big horn. | 0:13:14 | 0:13:17 | |
That, coupled with the silver mount, | 0:13:17 | 0:13:19 | |
and the fact that it's in perfect condition, | 0:13:19 | 0:13:23 | |
gives it a sort of sculptural quality. | 0:13:23 | 0:13:26 | |
What's it worth? Well, to you, | 0:13:26 | 0:13:28 | |
here, in an agricultural fair like this, | 0:13:28 | 0:13:32 | |
it's priced at £65. | 0:13:32 | 0:13:35 | |
£65. | 0:13:35 | 0:13:38 | |
Hang on a minute. Let me just find out. | 0:13:38 | 0:13:41 | |
It's cheap. | 0:13:42 | 0:13:43 | |
Now, how are those rambunctious Reds getting along? | 0:13:44 | 0:13:47 | |
-Tell me why you like that one. -I just like all... | 0:13:47 | 0:13:50 | |
-Deep carving. -On the top. It is. -Quite plain, isn't it? Apart from that. -It's plain. | 0:13:51 | 0:13:55 | |
There's no lock on it, so it's not a tea caddy. | 0:13:55 | 0:13:57 | |
Looks at the veins. It's very distinctive of oak. | 0:13:57 | 0:14:00 | |
It's 19th century. | 0:14:00 | 0:14:02 | |
-Really? -These little blocks here, these are Georgian blocks. -Ooh. | 0:14:02 | 0:14:05 | |
-Half...well, it's like a quarter of a circle, the way they would block chairs on the underside. -Yes. | 0:14:05 | 0:14:12 | |
That's a Georgian way of blocking. | 0:14:12 | 0:14:13 | |
How much is it? | 0:14:13 | 0:14:16 | |
50? As an object, it's gorgeous. It's worth 50 quid all day long if you want it as a box. | 0:14:16 | 0:14:21 | |
But, to be really mercenary, it has a chance of not making it in auction, so it's too risky. | 0:14:21 | 0:14:26 | |
-OK. -But a lovely find. So, one last stroke each, girls. | 0:14:26 | 0:14:29 | |
-Mmm. -Enjoy it. | 0:14:29 | 0:14:30 | |
That's enough TLC, thank you. | 0:14:30 | 0:14:32 | |
Let's just stick with T, as in teapot. | 0:14:32 | 0:14:36 | |
-I do like the...oh, shame. -It's got a chip. -What do you think, Mum? | 0:14:36 | 0:14:39 | |
It's a pretty little teapot. | 0:14:39 | 0:14:41 | |
-But? -MAN: It's really popular. | 0:14:41 | 0:14:43 | |
-How much is it? -35. -35? | 0:14:43 | 0:14:46 | |
The thing with Clarice Cliff is, there's certain... | 0:14:46 | 0:14:49 | |
This is the "bonjour" shape, | 0:14:49 | 0:14:51 | |
and, do you know, it's not the most striking of designs. | 0:14:51 | 0:14:53 | |
And it's not signed. But it will be Clarice Cliff. | 0:14:53 | 0:14:56 | |
You're not keen, are you, Mum? | 0:14:56 | 0:14:58 | |
I don't know whether it would sell or not, to be honest. | 0:14:58 | 0:15:02 | |
-Well. -Yeah, go on. 25. | 0:15:02 | 0:15:04 | |
-That sounds reasonable to me. -£20 would sound lovely. | 0:15:04 | 0:15:07 | |
I'm only selling you it for 25 so that'll be on the telly. | 0:15:07 | 0:15:11 | |
ALL LAUGH | 0:15:11 | 0:15:12 | |
I must admit, I do like round figures, | 0:15:12 | 0:15:15 | |
-cos it's quite a substantial chip, isn't it? -It is. | 0:15:15 | 0:15:17 | |
That would put people off a bit, you see. | 0:15:17 | 0:15:20 | |
-I'm sure you can do it for 20. -Go on. Please. -You know you want to. | 0:15:21 | 0:15:25 | |
-20 quid. Come on. -Really good. | 0:15:25 | 0:15:27 | |
-Smashing. -Give the man a kiss. | 0:15:27 | 0:15:29 | |
-I don't do kisses. -Come on. | 0:15:29 | 0:15:32 | |
ALL LAUGH | 0:15:32 | 0:15:34 | |
And with that reluctant embrace, | 0:15:36 | 0:15:38 | |
the Blues have taken the lead. | 0:15:38 | 0:15:40 | |
It's two to one, Reds. | 0:15:40 | 0:15:42 | |
I'll have a quick word with Mark. I'll be with you... | 0:15:42 | 0:15:45 | |
Mark, you know, life isn't that bad. Cheer up! Chin up, my friend. | 0:15:45 | 0:15:50 | |
It'll get better. | 0:15:50 | 0:15:52 | |
I see what he means. | 0:15:53 | 0:15:54 | |
Only joshing, Mark. | 0:15:54 | 0:15:56 | |
Caroly here hasn't said very much. | 0:15:56 | 0:15:58 | |
It's your chance now to shine. | 0:15:58 | 0:16:01 | |
Can you find us that showbiz item that we need? | 0:16:01 | 0:16:05 | |
You've got confidence in me, Mark. I'm sure I will. | 0:16:05 | 0:16:07 | |
The Reds could do with similar encouragement. | 0:16:08 | 0:16:11 | |
With only 20 minutes left, they've still got two items to find. | 0:16:11 | 0:16:14 | |
They look like Royal Doulton to me. Let's have a look. | 0:16:14 | 0:16:16 | |
Look on the base. There you go, Doulton. | 0:16:17 | 0:16:19 | |
It's before Royal, so Doulton Lambeth, England. | 0:16:19 | 0:16:21 | |
England means that they were made after 1891. | 0:16:21 | 0:16:25 | |
Because everything was stamped England after '91. | 0:16:25 | 0:16:28 | |
That one is Doulton Lambeth, London, so that's slightly earlier. | 0:16:28 | 0:16:32 | |
Very good quality, but what does that colour and the feel of that pot remind you of? | 0:16:32 | 0:16:38 | |
-Somebody poor. -A bit rough. | 0:16:38 | 0:16:41 | |
-A bit. -Come on. -I'm getting there, I'm getting there. | 0:16:41 | 0:16:44 | |
Yes, spit it out, Harper. | 0:16:44 | 0:16:47 | |
-They look sort of posh. -Posh? -Because you've got these... -Oops. | 0:16:47 | 0:16:51 | |
You've got a tavern scene, you've got a hunting scene. | 0:16:51 | 0:16:53 | |
You've got fellows in pubs. And it's for beer or wine. | 0:16:53 | 0:16:57 | |
-Isn't that nice? -It's for socialising. | 0:16:57 | 0:16:59 | |
-Guys, how much are the two Doulton jugs here? -40 the pair. -40 the pair. | 0:16:59 | 0:17:04 | |
The thing is, they're not extraordinarily rare. | 0:17:04 | 0:17:07 | |
-So if you got them for... -30? -25, 30. | 0:17:07 | 0:17:10 | |
25 for the two? | 0:17:10 | 0:17:13 | |
-That's a bit low. -Is it? -Yes. | 0:17:13 | 0:17:15 | |
-35. -30? | 0:17:15 | 0:17:18 | |
-Yeah? -Go on. -Good, well, done. -Thank you. | 0:17:18 | 0:17:21 | |
Good game, Reds. | 0:17:21 | 0:17:22 | |
-Shall we have a little look inside? -Yes. | 0:17:22 | 0:17:24 | |
Do you like cherubs? | 0:17:27 | 0:17:29 | |
Not particularly. | 0:17:29 | 0:17:31 | |
-Come on. -Anything that catches your eye? | 0:17:31 | 0:17:34 | |
I've seen some Moorcroft up there, you see. | 0:17:34 | 0:17:36 | |
-That's why... -Where's the Moorcroft? Show us the Moorcroft. -Right. | 0:17:36 | 0:17:40 | |
-We've got a baluster shape. -Mm-hm. -But the colours and the design is a modern version. | 0:17:40 | 0:17:45 | |
When we turn it upside down, we can see various marks there. | 0:17:45 | 0:17:49 | |
-OK. -And the date, 2006. | 0:17:49 | 0:17:52 | |
-But it is £230. -No. | 0:17:52 | 0:17:54 | |
I like it, but I think that's a little bit too expensive. | 0:17:54 | 0:17:57 | |
The thing is, I don't know whether it is or not. | 0:17:57 | 0:18:00 | |
-I'll give you that back. Thank you for showing us. -Thank you. -What about... | 0:18:00 | 0:18:04 | |
Dear, oh dear. Carol's been thwarted again. | 0:18:04 | 0:18:07 | |
Time's running out, and money is burning a hole in the Reds' pockets. | 0:18:07 | 0:18:11 | |
-We've got £200 to spend. -Come on. | 0:18:11 | 0:18:14 | |
-These two want to spend big money. Can you help? -Big money. Lots of money. | 0:18:14 | 0:18:17 | |
-Butcher's block. -What sort of money is that? -£200. | 0:18:17 | 0:18:20 | |
-BOTH: No. -They don't like butcher's blocks. | 0:18:20 | 0:18:22 | |
-We've got all this money to spend, David. -I know, I know. | 0:18:22 | 0:18:26 | |
Yes. Get a jog on, Jude. | 0:18:26 | 0:18:28 | |
Stop reminiscing. This is all about making money. | 0:18:32 | 0:18:36 | |
There's no pressure, Mum. | 0:18:36 | 0:18:37 | |
OK, down here. Come on. | 0:18:38 | 0:18:40 | |
Now, can Cosmic finally get her way for the Blues' last buy? | 0:18:40 | 0:18:43 | |
See if there's anything here that you'll love, Mum. | 0:18:43 | 0:18:47 | |
-Ditchfield glass. -All right. Where's Mark? Hang on. | 0:18:47 | 0:18:51 | |
He's otherwise occupied. | 0:18:51 | 0:18:53 | |
I'm too busy. I'm doing autographs. | 0:18:53 | 0:18:55 | |
What is it? Paul? | 0:18:55 | 0:18:57 | |
Mark doesn't like to keep his fans waiting. | 0:18:57 | 0:18:59 | |
-I'll be over in a minute. -OK. | 0:18:59 | 0:19:01 | |
Well, really. | 0:19:01 | 0:19:03 | |
What have you found here? | 0:19:03 | 0:19:05 | |
I've found some Ditchfield glass. | 0:19:05 | 0:19:07 | |
Now that's rather nice, isn't it? | 0:19:07 | 0:19:10 | |
Also, there is another piece. | 0:19:10 | 0:19:11 | |
This is lovely, though, isn't it? This iridescent colour. | 0:19:11 | 0:19:14 | |
I like the green one, but I think that is more unusual. | 0:19:14 | 0:19:18 | |
OK, so you've got what looks like a nine-carat with a Berlin plaque. | 0:19:18 | 0:19:23 | |
It's a little miniature on enamel. | 0:19:23 | 0:19:25 | |
-The thing is, we don't know who that is. -Would we make money on that? | 0:19:25 | 0:19:28 | |
-I think we'd struggle in a general. -Yes. | 0:19:28 | 0:19:32 | |
We've got five minutes. Not long. | 0:19:32 | 0:19:34 | |
Do we have anything in reserve anywhere? | 0:19:34 | 0:19:36 | |
Well, only that oak box. | 0:19:36 | 0:19:39 | |
Yes, it's time to face facts. | 0:19:39 | 0:19:41 | |
What's the best price on this? | 0:19:41 | 0:19:43 | |
The smaller green one is £100. | 0:19:43 | 0:19:46 | |
And the other one is more expensive. It's a prototype, a one-off. | 0:19:46 | 0:19:52 | |
How would you know that? Can you tell? | 0:19:52 | 0:19:54 | |
-Cos I bought it straight from John Ditchfield. -Oh, you did? | 0:19:54 | 0:19:57 | |
Oh, that's a nice provenance. | 0:19:57 | 0:19:59 | |
I would go to £180. | 0:19:59 | 0:20:02 | |
-We've got... -It does sound a lot of money, but will collectors go for the provenance? You reckon? | 0:20:02 | 0:20:06 | |
The Reds might make a dash for that box. | 0:20:06 | 0:20:08 | |
How long will it take us to run over there? Wrong direction, girls. | 0:20:08 | 0:20:13 | |
-See, that's where I was looking. -Ooh, that way. -Yeah. -Oh. | 0:20:13 | 0:20:16 | |
Are the Blues heading in the right direction? | 0:20:16 | 0:20:19 | |
I think we'll go for this one, because I think we'll either make a lot of money on it, | 0:20:19 | 0:20:24 | |
or we'll lose a lot of money on it. | 0:20:24 | 0:20:25 | |
And hopefully we'll make a lot of money on it. I really do like it. | 0:20:25 | 0:20:28 | |
Can we get another fiver off, please? | 0:20:28 | 0:20:31 | |
-The lady was... -Go on then, 175. -You see? | 0:20:31 | 0:20:34 | |
Every fiver helps. | 0:20:34 | 0:20:35 | |
Well done, Blues. I wonder if Cosmic predicts a profit. | 0:20:35 | 0:20:39 | |
What about that little beaver you were looking at? | 0:20:39 | 0:20:41 | |
-A little beaver? Where's that? -That little beaver there. | 0:20:41 | 0:20:45 | |
Let's have a look. | 0:20:45 | 0:20:46 | |
-What's on the box? -There you go. It's a box. -Oh, it's so heavy! | 0:20:46 | 0:20:49 | |
Be careful, cos that's a lid. | 0:20:49 | 0:20:51 | |
-Oh. -Is that onyx? -It's onyx. -Feel. | 0:20:51 | 0:20:53 | |
-Oh, we love heavy stuff. -What's Asprey? | 0:20:53 | 0:20:56 | |
You've heard of Asprey. Have you not? | 0:20:56 | 0:20:59 | |
You have. | 0:20:59 | 0:21:01 | |
-Enlighten us. -Come on, tell us. -It's a very, very posh jewellers. | 0:21:01 | 0:21:05 | |
-Is it marked Asprey? -How will you know? | 0:21:05 | 0:21:07 | |
-Putting a sticker on saying it's Asprey doesn't mean it is. -Of course not. | 0:21:07 | 0:21:10 | |
We'll know by... | 0:21:10 | 0:21:12 | |
There you go. Can you see on the base? "Asprey, London." | 0:21:14 | 0:21:17 | |
Hi there. Sorry. What kind of money on the Asprey box? | 0:21:17 | 0:21:21 | |
-120's the very best. -120. | 0:21:21 | 0:21:24 | |
Shall we offer him £100 cash? | 0:21:24 | 0:21:26 | |
I think, if you got it for £100 cash, | 0:21:26 | 0:21:28 | |
nobody could shout at you for buying something | 0:21:28 | 0:21:32 | |
horrible and nasty, and it's got to be easy 1920s, 1940s. | 0:21:32 | 0:21:36 | |
-Oh. -And you've literally got 1.5 minutes. | 0:21:36 | 0:21:39 | |
Er, if we offer you £100 cash in your hand now... | 0:21:39 | 0:21:44 | |
You can give me £120, but I won't go lower than that. | 0:21:44 | 0:21:48 | |
-I think he's pretty firm on that. -OK. -OK, so you've got one minute. | 0:21:48 | 0:21:52 | |
You either buy this for 120 | 0:21:52 | 0:21:54 | |
or you don't do anything else. I don't know what the other suggestion is. | 0:21:54 | 0:21:59 | |
No, we've got to buy it. We've got to buy it. | 0:21:59 | 0:22:01 | |
-And just hope. -Yeah. Thank you. -SELLER: Lovely. | 0:22:01 | 0:22:03 | |
And with that, it's a done deal. | 0:22:03 | 0:22:05 | |
-Lovely. -Thank you very much indeed. | 0:22:05 | 0:22:07 | |
Let's stop this sophisticated chronographic device | 0:22:07 | 0:22:10 | |
that we use for timing the shopping, shall we? | 0:22:10 | 0:22:12 | |
Thank you very much. That's it. Time's up. | 0:22:12 | 0:22:15 | |
Let's check out what the Red team bought, eh? | 0:22:15 | 0:22:17 | |
It was a birdbath that caught their eye first, | 0:22:19 | 0:22:21 | |
weighing in at £50. | 0:22:21 | 0:22:24 | |
Not half a hundredweight. | 0:22:24 | 0:22:25 | |
David spotted their second purchase. | 0:22:25 | 0:22:27 | |
Two Doulton stoneware jugs | 0:22:27 | 0:22:29 | |
which cost them £30. | 0:22:29 | 0:22:31 | |
And with their time nearly up, | 0:22:31 | 0:22:33 | |
they invested £120 in an Asprey box. | 0:22:33 | 0:22:37 | |
-50 seconds. That was unreal, wasn't it? Could've gone very badly wrong. -It really was. | 0:22:37 | 0:22:43 | |
-Yeah. -Who says it hasn't already? | 0:22:43 | 0:22:45 | |
-Oh! -Time will tell. | 0:22:45 | 0:22:46 | |
ALL LAUGH | 0:22:46 | 0:22:47 | |
-Yeah. -To the wire. -To the wire. | 0:22:47 | 0:22:49 | |
It's getting better. I can tell. | 0:22:49 | 0:22:51 | |
What did you spend? | 0:22:51 | 0:22:52 | |
-We spent 200. -Did you? | 0:22:52 | 0:22:54 | |
That's reasonable, isn't it? | 0:22:54 | 0:22:56 | |
-Yeah, it's not bad. -Very good. -And we're going to sell high. -Is that what it is? | 0:22:56 | 0:22:59 | |
I've heard that before, Tim. | 0:22:59 | 0:23:01 | |
Funnily enough, so have I. | 0:23:01 | 0:23:03 | |
-Where's the £100 of leftover lolly, then? -I don't know. | 0:23:03 | 0:23:06 | |
Oops. | 0:23:06 | 0:23:07 | |
He's heard that before as well. | 0:23:07 | 0:23:09 | |
I can... Just a minute. | 0:23:09 | 0:23:11 | |
Somebody's got to check this and be in control. | 0:23:11 | 0:23:14 | |
-Oh, well, there's... -That's fine. Thank you very much. Lovely. | 0:23:14 | 0:23:17 | |
You've got your £100, boy. What are you going to spend it on? | 0:23:17 | 0:23:20 | |
Something better than a beaver. | 0:23:20 | 0:23:22 | |
-Or an elephant. -Or...we shall see. | 0:23:23 | 0:23:26 | |
Well, on that happy note, then, good luck, David. | 0:23:26 | 0:23:28 | |
Meanwhile, we're going to check out what the Blue team bought, right? | 0:23:28 | 0:23:32 | |
A Victorian dressing-table mirror caught their eye first. | 0:23:32 | 0:23:35 | |
£48 paid. | 0:23:35 | 0:23:38 | |
After handing over £20, | 0:23:38 | 0:23:40 | |
will this Clarice Cliff teapot stir up a profit? | 0:23:40 | 0:23:44 | |
And finally Cosmic set her sights on | 0:23:44 | 0:23:47 | |
this Ditchfield paperweight, | 0:23:47 | 0:23:49 | |
paying a hefty £175. | 0:23:49 | 0:23:52 | |
They do like to talk amongst themselves, these girls, don't they, Mark? | 0:23:52 | 0:23:56 | |
Now, Jacs. Which is your favourite piece, darling? | 0:23:56 | 0:23:58 | |
-Ooh, now. I went for the mirror. The big mirror with... -Is that your favourite? | 0:23:58 | 0:24:03 | |
I don't know, actually. | 0:24:03 | 0:24:05 | |
Cos I like that, but I also like the piece that Mother here got at the end. | 0:24:05 | 0:24:08 | |
-So, mother here. -Yes? -Is that your favourite? -Yes, that's my favourite. | 0:24:08 | 0:24:12 | |
And which piece is it? | 0:24:12 | 0:24:13 | |
-It's the John Ditchfield piece of... -Glass. -Glass, yes.. | 0:24:13 | 0:24:17 | |
-Lovely. -BOTH: We spent 243. | 0:24:17 | 0:24:21 | |
OK. I'd like £57, please. | 0:24:21 | 0:24:23 | |
-We'll give you £57. -Will you? -Yes. | 0:24:23 | 0:24:26 | |
That's marvellous, Cosmic. | 0:24:26 | 0:24:28 | |
Out of all of this, you've got a clear message as to what you're going to go and buy | 0:24:28 | 0:24:32 | |
-for a bonus buy, haven't you? -I have. I've got to get something that guarantees us a profit. | 0:24:32 | 0:24:37 | |
Well, go and take a couple of tablets while you're at it, Mark, | 0:24:37 | 0:24:40 | |
and you'll be fine. | 0:24:40 | 0:24:41 | |
Meanwhile, we're trotting off to the most glorious house | 0:24:41 | 0:24:44 | |
in Wolverhampton. | 0:24:44 | 0:24:46 | |
But first, let me take you back in time | 0:24:49 | 0:24:52 | |
to the second half of the 19th century. | 0:24:52 | 0:24:55 | |
The industrialisation of Britain was causing concern. | 0:24:55 | 0:24:59 | |
Writer and designer William Morris | 0:24:59 | 0:25:01 | |
advocated a return to traditional craftsmanship, | 0:25:01 | 0:25:05 | |
thus inspiring the Arts and Crafts movement. | 0:25:05 | 0:25:08 | |
At the same time, renowned playwright Oscar Wilde | 0:25:08 | 0:25:11 | |
was championing the Aesthetic movement, | 0:25:11 | 0:25:14 | |
which promoted the notion of arts for art's sake. | 0:25:14 | 0:25:18 | |
"Have nothing in your house that you don't know to be useful and believe to be beautiful." | 0:25:18 | 0:25:24 | |
That was William Morris's maxim, | 0:25:24 | 0:25:27 | |
a maxim taken up by Oscar Wilde in his lecture tour | 0:25:27 | 0:25:31 | |
in 1884, entitled The House Beautiful. | 0:25:31 | 0:25:35 | |
That lecture was attended by Theodore Mander, | 0:25:35 | 0:25:40 | |
who decided that he was going to create his own House Beautiful | 0:25:40 | 0:25:45 | |
here at Wightwick Manor. | 0:25:45 | 0:25:48 | |
Using Morris's principles of | 0:25:49 | 0:25:51 | |
seeking inspiration from the past, | 0:25:51 | 0:25:54 | |
Wightwick Manor was built with timber framing | 0:25:54 | 0:25:56 | |
to give the impression of a house built long before 1888. | 0:25:56 | 0:26:00 | |
Inside, the fabrics and woodwork are mostly handmade, | 0:26:00 | 0:26:04 | |
at great expense, using traditional craft methods. | 0:26:04 | 0:26:08 | |
And thanks to little redecoration over the years, | 0:26:08 | 0:26:10 | |
it's in a remarkable state of preservation. | 0:26:10 | 0:26:14 | |
The shop of choice for those following The House Beautiful lecture tour | 0:26:15 | 0:26:20 | |
was definitely Morris & Co, | 0:26:20 | 0:26:23 | |
the decorating firm founded by William Morris | 0:26:23 | 0:26:26 | |
and some like-minded chums. | 0:26:26 | 0:26:29 | |
And Wightwick is particularly important for us today | 0:26:29 | 0:26:34 | |
because it's a rare place where William Morris products | 0:26:34 | 0:26:39 | |
can be seen in the way that they were originally intended. | 0:26:39 | 0:26:43 | |
A good example of that is this wall-hanging. | 0:26:43 | 0:26:47 | |
This section is in a rare textile, | 0:26:47 | 0:26:51 | |
a textile that Morris had woven | 0:26:51 | 0:26:53 | |
for him in Scotland, | 0:26:53 | 0:26:55 | |
and it incorporates wool and silk material. | 0:26:55 | 0:26:59 | |
Two warps, which makes the material extremely tough. | 0:26:59 | 0:27:03 | |
It's called Dove and Rose Pattern | 0:27:03 | 0:27:07 | |
and you can see these doves, look, | 0:27:07 | 0:27:10 | |
having a nice bill and coo. | 0:27:10 | 0:27:12 | |
And it's typical William Morris, who was fascinated by organic forms. | 0:27:12 | 0:27:18 | |
Apart from being a shopkeeper, he was also an author | 0:27:18 | 0:27:21 | |
and an artist and a poet. | 0:27:21 | 0:27:24 | |
Did you know it? | 0:27:24 | 0:27:26 | |
In terms of his literary output, | 0:27:28 | 0:27:31 | |
his long narrative poem, The Earthly Paradise, | 0:27:31 | 0:27:36 | |
was published, finally, in 1870. | 0:27:36 | 0:27:40 | |
It described a group of wandering medieval travellers | 0:27:40 | 0:27:45 | |
looking for a land of everlasting life. | 0:27:45 | 0:27:49 | |
These four panels up above | 0:27:49 | 0:27:51 | |
relate to the prologue of William Morris's poem. | 0:27:51 | 0:27:56 | |
The one on the left is emblematic of Spring, | 0:27:56 | 0:28:00 | |
the girl in the middle is emblematic of Summer, | 0:28:00 | 0:28:03 | |
the guy next door to her is emblematic of Autumn | 0:28:03 | 0:28:07 | |
and, on the left, | 0:28:07 | 0:28:08 | |
we've got a figure emblematic of Winter. | 0:28:08 | 0:28:11 | |
This is appropriate for Wightwick | 0:28:11 | 0:28:13 | |
because the Manders, in love as they were with everything relating to William Morris, | 0:28:13 | 0:28:19 | |
would have found it most appropriate having these stained-glass panels | 0:28:19 | 0:28:23 | |
in their bay window. | 0:28:23 | 0:28:25 | |
What's really good about these is the fineness of the painting | 0:28:25 | 0:28:29 | |
and the way, by using abrasion and acid, | 0:28:29 | 0:28:33 | |
they've raised and reduced highlights, | 0:28:33 | 0:28:36 | |
so that the light comes through the folds of the dress that Summer is wearing | 0:28:36 | 0:28:40 | |
in such an interesting way. | 0:28:40 | 0:28:43 | |
And if you look at that Pre-Raphaelite Brotherhood-type expression | 0:28:43 | 0:28:48 | |
on the girl's face, | 0:28:48 | 0:28:49 | |
that, too, is incredibly special. | 0:28:49 | 0:28:52 | |
Huh. The big question is, of course, for our teams over at the auction, | 0:28:52 | 0:28:56 | |
are we about to achieve some special results? | 0:28:56 | 0:29:00 | |
Well, we've kicked on north up the M6 to Nantwich | 0:29:12 | 0:29:17 | |
to be at Peter Wilson's saleroom with the boss Robert Stones. | 0:29:17 | 0:29:21 | |
-How lovely to see you. -Nice to see you too, Tim. | 0:29:21 | 0:29:23 | |
Now, the teams' first item is this birdbath. | 0:29:23 | 0:29:28 | |
Is it going to be a birdbath, or is it going to be a profit? | 0:29:28 | 0:29:31 | |
It's quite nice to see these small birdbaths, | 0:29:31 | 0:29:34 | |
because they fit into people's gardens very easily. | 0:29:34 | 0:29:36 | |
It's not made of concrete, which is a big plus. | 0:29:36 | 0:29:40 | |
What do you think it's worth? | 0:29:40 | 0:29:41 | |
-60 to 80 on that. -Do you? That's great. Cos they paid £50. | 0:29:41 | 0:29:45 | |
-Oh, did they? That's very nice. -And next we've got two jugs. | 0:29:45 | 0:29:48 | |
I've looked up the impress marks on the base of these, | 0:29:48 | 0:29:50 | |
and there's actually 30 years between these two... | 0:29:50 | 0:29:54 | |
Is there really? So they weren't made to go together? | 0:29:54 | 0:29:57 | |
-No. -Our guys only paid £30. What do you think they're worth? | 0:29:57 | 0:30:00 | |
-30 to 40, I'd say. -Do you? | 0:30:00 | 0:30:01 | |
Let's try the Algerian onyx cigarette box. | 0:30:01 | 0:30:05 | |
First impressions are, I'm not incredibly enthusiastic about it, | 0:30:05 | 0:30:09 | |
but then it's got the magic name underneath it. | 0:30:09 | 0:30:11 | |
-Asprey. -And it's got a bit pitted on the top, hasn't it? | 0:30:11 | 0:30:15 | |
Well, it could do with a clean up. I think that would make quite a difference. | 0:30:15 | 0:30:19 | |
-What's your estimate, then, Robert? -50 to 100. -Is that all? | 0:30:19 | 0:30:21 | |
-Cos they paid 120. -Did they? | 0:30:21 | 0:30:24 | |
In which case, they're going to need their bonus buy, so let's have a look at it. | 0:30:24 | 0:30:29 | |
One, two, three... You can open your eyes now! | 0:30:29 | 0:30:31 | |
-Oh! -Ooh! | 0:30:32 | 0:30:33 | |
Ooh! | 0:30:33 | 0:30:35 | |
-That was a little whimper. -It's a little nest... | 0:30:35 | 0:30:38 | |
Oh, that's good. | 0:30:38 | 0:30:39 | |
-..of lacquered tables. -How old is it? | 0:30:39 | 0:30:42 | |
-Early 20th century, say 1920. -Really? | 0:30:42 | 0:30:45 | |
They're Japanese. But look at the shape. | 0:30:45 | 0:30:48 | |
-It's so Japanese. -Gorgeous, isn't it? | 0:30:48 | 0:30:50 | |
So plain yet incredibly elegant. Really good quality. | 0:30:50 | 0:30:54 | |
-They've got that contemporary twist to them. -You couldn't use them. -Yes, you could. | 0:30:54 | 0:30:58 | |
-They're made to be used. -The bit sticking up there... | 0:30:58 | 0:31:01 | |
-That's called age and patination. -OK. Right, OK. | 0:31:01 | 0:31:04 | |
Some would say damage. | 0:31:04 | 0:31:06 | |
No, Tim, no! | 0:31:06 | 0:31:07 | |
ALL LAUGH | 0:31:07 | 0:31:09 | |
(Ask him how much he paid.) | 0:31:09 | 0:31:13 | |
-Hmm, yes. -How much do you think? | 0:31:13 | 0:31:15 | |
-I think they're probably about... -The full whack. -£80. | 0:31:15 | 0:31:18 | |
Well done. I think they're good. | 0:31:18 | 0:31:19 | |
-I think they're really good. -I like them. -Yeah. | 0:31:19 | 0:31:22 | |
But right now, for the audience at home, let's find out what the auctioneer thinks about | 0:31:22 | 0:31:27 | |
David's Japanese quartetto. Yes. | 0:31:27 | 0:31:30 | |
How do you rate those, Robert? | 0:31:31 | 0:31:33 | |
Well, they're a bit tired, which is sad, because they've obviously seen a bit of use. | 0:31:33 | 0:31:37 | |
A quartetto with a chinoiserie decoration. | 0:31:37 | 0:31:39 | |
We can make them sound extremely grand, actually. | 0:31:39 | 0:31:42 | |
-Yes. -But colour. | 0:31:42 | 0:31:44 | |
The coloured ones, if they're red, green, blue | 0:31:44 | 0:31:47 | |
or sometimes yellow or that lovely, sort of, plum colour | 0:31:47 | 0:31:50 | |
-with depth in the lacquering, it does make a big difference. -OK. | 0:31:50 | 0:31:54 | |
Well, if you gird up your loins, then, | 0:31:54 | 0:31:56 | |
-what's your best estimate on this? -I'd put 50 to 80 on them. | 0:31:56 | 0:31:59 | |
-Harper paid £80. -Oh, did he? -And he really rates them... -OK. | 0:31:59 | 0:32:02 | |
..as a bonus buy. That's it for the Reds. | 0:32:02 | 0:32:04 | |
Now for the Blues. | 0:32:04 | 0:32:05 | |
And first up for them is the very handsome Victorian dressing-table mirror. | 0:32:05 | 0:32:10 | |
-Cor, look at that, Robert! -Absolutely fantastic quality. | 0:32:10 | 0:32:14 | |
Mahogany. But not so fashionable, really. | 0:32:14 | 0:32:16 | |
-No. -Which is a shame. | 0:32:16 | 0:32:19 | |
But it's a lovely shaped base, so really a very decent piece of furniture. | 0:32:19 | 0:32:24 | |
-So what's your estimate? -40 to 60. | 0:32:24 | 0:32:26 | |
-£48 paid. -Very good. -So there's some hope. | 0:32:26 | 0:32:29 | |
Yup, there is indeed. | 0:32:29 | 0:32:31 | |
Now, what about Clarice Cliff? | 0:32:31 | 0:32:32 | |
That is a name to conjure with, isn't it? | 0:32:32 | 0:32:35 | |
The "bonjour" shape. | 0:32:35 | 0:32:37 | |
This is a transfer-decorated one which has been produced, but it's got no mark on it. | 0:32:37 | 0:32:41 | |
Well, it doesn't help it, | 0:32:41 | 0:32:42 | |
but it's still fashionable. | 0:32:42 | 0:32:43 | |
It's quite a desirable thing from that point of view. | 0:32:43 | 0:32:46 | |
-How desirable? -£40 to £60 worth of desirable. | 0:32:46 | 0:32:49 | |
-We paid £20 worth of desirable. -Really? -That's desirable. -That's good, isn't it? | 0:32:49 | 0:32:54 | |
OK. Well, the last item | 0:32:54 | 0:32:56 | |
is their Ditchfield piece of glass | 0:32:56 | 0:32:58 | |
which, thank the Lord, has got a little silver bug on it. | 0:32:58 | 0:33:03 | |
The colours they get are quite fantastic in there, with a little insect on the top there. | 0:33:03 | 0:33:07 | |
-What's your estimate on that? -40 to 60. | 0:33:07 | 0:33:09 | |
-Gosh. -What did they pay? -They paid £175. | 0:33:09 | 0:33:13 | |
-They didn't? -They did. -Did they? -I'm sorry to tell you. Whilst I can't tell you your job, | 0:33:13 | 0:33:18 | |
-I think 40 to 60's a bit on the low side. -A bit mean? -I think that's a bit of a tempter. | 0:33:18 | 0:33:21 | |
If you're right, it's going to be a disaster. | 0:33:21 | 0:33:24 | |
If I'm right, it may not be quite so much of a disaster. | 0:33:24 | 0:33:27 | |
And they could, even so, need their bonus buy. | 0:33:27 | 0:33:30 | |
So let's have a look at it. | 0:33:30 | 0:33:33 | |
You gave Mark Stacey £57. | 0:33:33 | 0:33:35 | |
Mark, what did you spend it on? | 0:33:35 | 0:33:37 | |
Well, I spent it on, Tim... | 0:33:37 | 0:33:39 | |
-These. -Ooh. -OK. | 0:33:39 | 0:33:41 | |
-Would you like to take one each, there? -Yes. | 0:33:41 | 0:33:43 | |
A pair of candlesticks in pewter. I suppose 1920, sort of. | 0:33:43 | 0:33:48 | |
Vaguely Arts and Craftsy. | 0:33:48 | 0:33:50 | |
And then this, sort of, Art Nouveau, what I think is aluminium. | 0:33:50 | 0:33:53 | |
-Thank you. -What's inside? | 0:33:54 | 0:33:57 | |
Let's have a look. | 0:33:57 | 0:33:58 | |
-Nothing. -Oh. | 0:33:58 | 0:33:59 | |
-OK. -Do you want to know what I paid? | 0:33:59 | 0:34:02 | |
-We'd love to know. -How much did you pay? | 0:34:02 | 0:34:04 | |
For all three pieces, £15 for the three. | 0:34:04 | 0:34:08 | |
I'll be very disappointed if we don't double our money on those. | 0:34:08 | 0:34:11 | |
-I like boxes. -Nice to have a prediction | 0:34:11 | 0:34:13 | |
with the bonus buy that you could double your money. | 0:34:13 | 0:34:15 | |
-Double money. -We'll see what happens soon. Now, for the audience at home, | 0:34:15 | 0:34:19 | |
let's find out what the auctioneer thinks about Mark's lot. | 0:34:19 | 0:34:22 | |
-Well, well, well. This is a mixture, isn't it? -It is. | 0:34:23 | 0:34:26 | |
I was quite shocked when this was handed to me, | 0:34:26 | 0:34:29 | |
because it's so light. | 0:34:29 | 0:34:31 | |
But this is made out of aluminium. | 0:34:31 | 0:34:33 | |
And it's beautifully made, in fairness. | 0:34:33 | 0:34:35 | |
This could be, maybe, a bit of a surprise in the auction. | 0:34:35 | 0:34:39 | |
-Cos these fellas are much more standard. -They are. | 0:34:39 | 0:34:41 | |
-Yup. -This is your hammered English pewter. -Yup. | 0:34:41 | 0:34:44 | |
They've survived in quantities. | 0:34:44 | 0:34:46 | |
Perfectly attractive. | 0:34:46 | 0:34:47 | |
-Yeah. -Yeah. For me, I would've thought £15 to £25, maybe £20 to £30 | 0:34:47 | 0:34:53 | |
-for the candlesticks. -Yup. | 0:34:53 | 0:34:55 | |
-Quite possibly. -But let's focus now on what the aluminium box might be worth. | 0:34:55 | 0:35:01 | |
-It's clever. -Stylish thing. | 0:35:01 | 0:35:03 | |
-So what's your estimate? -Two together are a modest 40 to 60. -Really? | 0:35:03 | 0:35:07 | |
-Hmm. -Cos that cunning monkey, Mark Stacey, paid £15 for the three. | 0:35:07 | 0:35:11 | |
-15? -You taking the sale today, Robert? -I am, yeah. | 0:35:11 | 0:35:14 | |
We're in safe hands. | 0:35:14 | 0:35:16 | |
At £70, to 70. Sold for 70. | 0:35:18 | 0:35:21 | |
How are you feeling? | 0:35:22 | 0:35:23 | |
-Nervous. -Nervous. | 0:35:23 | 0:35:25 | |
-Why are you nervous? -I don't know. | 0:35:25 | 0:35:27 | |
First up, then, is your birdbath, | 0:35:27 | 0:35:29 | |
and here it comes. | 0:35:29 | 0:35:30 | |
£50, to start it off at 50. 50 is now. | 0:35:30 | 0:35:32 | |
Lovely thing for the garden. 50 I'm bid. | 0:35:32 | 0:35:34 | |
-£50 straight away, with you at £50. -Yes! -Yes! -£55 is now. | 0:35:34 | 0:35:37 | |
55 anywhere now do I hear? | 0:35:37 | 0:35:38 | |
At 50. 55 on the internet. 55 here, 55. | 0:35:38 | 0:35:42 | |
60 is the now. At 55, the bid's here. | 0:35:42 | 0:35:44 | |
-At £55. -We're in profit. -60 anywhere? | 0:35:44 | 0:35:46 | |
At £55 on the internet. I am disappointed. | 0:35:46 | 0:35:49 | |
I thought it would make more. | 0:35:49 | 0:35:50 | |
At £55 on the internet. | 0:35:50 | 0:35:52 | |
At £55. Going to be sold at 55. | 0:35:52 | 0:35:54 | |
GAVEL BANGS | 0:35:54 | 0:35:56 | |
Sold at 55. | 0:35:56 | 0:35:57 | |
-Plus £5. -Yes. | 0:35:57 | 0:35:58 | |
OK, girls. | 0:35:58 | 0:35:59 | |
The Doulton Lambeth jugs. Great condition, ladies and gentlemen. | 0:35:59 | 0:36:04 | |
What may we say on these? | 0:36:04 | 0:36:05 | |
20 I'm bid straight away. £20 I'm bid on these. | 0:36:05 | 0:36:08 | |
At 20. 22 is the now. 22. | 0:36:08 | 0:36:10 | |
£20 is here with me at 20. | 0:36:10 | 0:36:11 | |
-Come on. -22 is the now. | 0:36:11 | 0:36:12 | |
At 22, your bid. 25. 28, now. | 0:36:12 | 0:36:15 | |
-28, 28. Your bid at 28 there. -Yes! | 0:36:15 | 0:36:17 | |
At £28 bid. 28. 30 is the now. | 0:36:17 | 0:36:20 | |
At £28 only. 28. And they will be sold at £28. | 0:36:20 | 0:36:23 | |
-One more. -All finishing at £28 your bid. | 0:36:23 | 0:36:26 | |
£28 is minus £2. | 0:36:26 | 0:36:28 | |
-You're still plus three, girls. -We wanted three profits. | 0:36:28 | 0:36:31 | |
This wonderful box, ladies and gentlemen, | 0:36:31 | 0:36:34 | |
with the Asprey mark on it, | 0:36:34 | 0:36:36 | |
lot number 22 is what I sell | 0:36:36 | 0:36:38 | |
and I'm bid £40 for it straight away. | 0:36:38 | 0:36:40 | |
£40 I'm bid. £40. | 0:36:40 | 0:36:41 | |
45 is now. 45 anywhere now? | 0:36:41 | 0:36:43 | |
At £40 I'm bid. 45 is the now. | 0:36:43 | 0:36:45 | |
£40. 45. 50 with me. 55 is the now. | 0:36:45 | 0:36:48 | |
At £50 is all I'm bid. | 0:36:48 | 0:36:50 | |
-At 50. And 5 anywhere? -I'm getting a bad feeling. | 0:36:50 | 0:36:53 | |
50. 5 anywhere now, do I hear? | 0:36:53 | 0:36:54 | |
At £50 only, then, if you're all finished and done. | 0:36:54 | 0:36:57 | |
At £50 only. Bid's here. At 50. | 0:36:57 | 0:36:59 | |
Going to be sold at 50. Last chance. | 0:36:59 | 0:37:01 | |
GAVEL BANGS | 0:37:01 | 0:37:02 | |
-Sold. -Oh, no! -Oh! | 0:37:02 | 0:37:04 | |
Minus £70. | 0:37:04 | 0:37:06 | |
-Oh, no! -Overall, you are minus 67. | 0:37:06 | 0:37:09 | |
-What are you going to do about the bonus buy? -Go in for us. | 0:37:09 | 0:37:12 | |
Going for the lacquered tables? | 0:37:12 | 0:37:13 | |
-We like them. -Oh, yeah. -147 is your target now. | 0:37:13 | 0:37:16 | |
Lot number 26. | 0:37:16 | 0:37:18 | |
The chinoiserie tables, the quartetto. Beautiful lot, here. | 0:37:19 | 0:37:22 | |
All in this lovely lacquer ware. | 0:37:22 | 0:37:25 | |
What may we say for them? £40 to start them off. | 0:37:25 | 0:37:27 | |
£40 now do I hear? | 0:37:27 | 0:37:29 | |
£40 only, £40 is all I'm asking. | 0:37:29 | 0:37:30 | |
£40 is the now, surely. | 0:37:30 | 0:37:32 | |
At £40. At 40 I'm bid. 40. | 0:37:32 | 0:37:34 | |
5 now do I hear? | 0:37:34 | 0:37:35 | |
At 40's all I'm bid. | 0:37:35 | 0:37:36 | |
Sitting down at £40. | 0:37:36 | 0:37:38 | |
-Come on! -They're gorgeous! | 0:37:38 | 0:37:40 | |
And 5 anywhere now? | 0:37:40 | 0:37:41 | |
They are gorgeous. You heard what they said. | 0:37:41 | 0:37:44 | |
At £40 only. At 40. | 0:37:44 | 0:37:45 | |
And 5 now, do I hear? 45 anywhere now? | 0:37:45 | 0:37:47 | |
At £40, then. Bid's there with you at £40 then. | 0:37:47 | 0:37:51 | |
Going to be sold at 40. | 0:37:51 | 0:37:53 | |
Sold at 40. | 0:37:53 | 0:37:54 | |
Oh, no! I'm never coming here again! | 0:37:54 | 0:37:57 | |
You've never been here before. | 0:37:58 | 0:38:00 | |
-No. -The way things are going here today, £107 minus might be a winning score. | 0:38:00 | 0:38:06 | |
-Well, it could be. -Could be. | 0:38:06 | 0:38:08 | |
-Just don't say a word to the Blues, right? -Nope. -Nope. -Shtum. -Shtum. | 0:38:08 | 0:38:11 | |
So, Cosmic, Jacqui. | 0:38:17 | 0:38:19 | |
-Do you know how the Reds got on? -No. -No idea. | 0:38:19 | 0:38:21 | |
-Good. We don't want you to. -Nope. | 0:38:21 | 0:38:23 | |
First up item is the dressing-table mirror. Here it comes. | 0:38:23 | 0:38:27 | |
42's the lot number. | 0:38:27 | 0:38:28 | |
This delightful Victorian mahogany dressing-table mirror. | 0:38:28 | 0:38:32 | |
Anywhere now at 30, surely at 30? | 0:38:32 | 0:38:35 | |
30 do I hear? | 0:38:35 | 0:38:36 | |
30 bid straight away. | 0:38:36 | 0:38:38 | |
At 30. 32 is the now. | 0:38:38 | 0:38:39 | |
32 anywhere now, do I hear? | 0:38:39 | 0:38:40 | |
Here at 32. 35. | 0:38:40 | 0:38:42 | |
38. 38? | 0:38:42 | 0:38:44 | |
It's only money. | 0:38:44 | 0:38:45 | |
At 38...are you sure? | 0:38:45 | 0:38:46 | |
No? | 0:38:46 | 0:38:48 | |
At 35 is there. | 0:38:48 | 0:38:49 | |
35. You can change your mind. 35. The bid's there at £35. | 0:38:49 | 0:38:51 | |
£38 anywhere else. | 0:38:51 | 0:38:53 | |
£35. Bid's there. | 0:38:53 | 0:38:55 | |
At £35 it's going to be sold. 35. | 0:38:55 | 0:38:57 | |
-That is minus £13. -Disappointing. | 0:38:57 | 0:39:00 | |
Lot number 43. | 0:39:00 | 0:39:02 | |
This super teapot | 0:39:02 | 0:39:03 | |
by Clarice Cliff, of course. | 0:39:03 | 0:39:05 | |
At 30. Who says 30? 30 bid there, thank you. | 0:39:05 | 0:39:07 | |
At £30. 32 is the now. | 0:39:07 | 0:39:09 | |
30's there. | 0:39:09 | 0:39:10 | |
A lonely bid of £30. | 0:39:10 | 0:39:11 | |
32 is the now. | 0:39:11 | 0:39:13 | |
At 32 on the internet. | 0:39:13 | 0:39:14 | |
About time. 35? | 0:39:14 | 0:39:16 | |
At 32, it's there. | 0:39:16 | 0:39:17 | |
£32 on the internet at £32. | 0:39:17 | 0:39:19 | |
£35. I'm disappointed, | 0:39:19 | 0:39:21 | |
I have to tell you. | 0:39:21 | 0:39:22 | |
at £32 the bid's there. | 0:39:22 | 0:39:23 | |
£32. 35 there. | 0:39:23 | 0:39:25 | |
35. 38 on the internet. | 0:39:25 | 0:39:27 | |
35 on the second row. | 0:39:27 | 0:39:29 | |
At £35. Bid's there on the second row. | 0:39:29 | 0:39:31 | |
At £35. | 0:39:31 | 0:39:32 | |
£38. Goodness me, taking their time there. | 0:39:32 | 0:39:35 | |
40. She's bidding again. 42 is the now. | 0:39:35 | 0:39:37 | |
-Keep going! -42? | 0:39:37 | 0:39:39 | |
At £40, it's your bid, at £40. | 0:39:39 | 0:39:41 | |
42 on the internet. | 0:39:41 | 0:39:42 | |
You'll have to be quick. | 0:39:42 | 0:39:43 | |
At £40. Bid's there at £40. | 0:39:43 | 0:39:45 | |
It's going to be sold... | 0:39:45 | 0:39:46 | |
£40. £40. | 0:39:46 | 0:39:48 | |
Round of applause. | 0:39:49 | 0:39:50 | |
It's all too much for me, I'll tell you. | 0:39:50 | 0:39:53 | |
You were minus 13. You're now plus seven. | 0:39:53 | 0:39:54 | |
44, ladies and gentlemen. 44. John Ditchfield there. | 0:39:54 | 0:39:58 | |
The glass paperweight. | 0:39:58 | 0:40:00 | |
£60 I'm bid straight away. | 0:40:00 | 0:40:02 | |
£60. That's with me on the commission at £60. | 0:40:02 | 0:40:05 | |
£60. £60. 65. 65. | 0:40:05 | 0:40:07 | |
70. 75. 80. 85. | 0:40:07 | 0:40:09 | |
90. 95. | 0:40:09 | 0:40:11 | |
At 90 here on commission. | 0:40:11 | 0:40:13 | |
You can change your mind if you want. | 0:40:13 | 0:40:15 | |
At £90 with me. £90. | 0:40:15 | 0:40:17 | |
95? 95 is the now. | 0:40:17 | 0:40:19 | |
£90 only. At 90. | 0:40:19 | 0:40:20 | |
And I'm going to sell at £90 only. | 0:40:20 | 0:40:23 | |
Last chance at 90... | 0:40:23 | 0:40:25 | |
£90. | 0:40:25 | 0:40:26 | |
Minus 85. You had £7 worth of profit. | 0:40:26 | 0:40:30 | |
That makes it £78 of losses. | 0:40:30 | 0:40:34 | |
-Oh, well. -What are you going to do about the bonus buy? Going to go with it? | 0:40:34 | 0:40:38 | |
-We're going to trust him. -We are. -We're going to trust him. Come on. | 0:40:38 | 0:40:41 | |
48. The aluminium Arts and Crafts-style hinged box. | 0:40:41 | 0:40:46 | |
A lovely thing. | 0:40:46 | 0:40:47 | |
And the two candlesticks. Surely £30 from somebody? | 0:40:47 | 0:40:50 | |
At £30 now. At £30, do I hear? | 0:40:50 | 0:40:52 | |
At 30, is that a bid? | 0:40:52 | 0:40:54 | |
-At £30, a bid at 30. -We've got 30. | 0:40:54 | 0:40:56 | |
35 is the now. 32 if it helps you. | 0:40:56 | 0:40:58 | |
£30 is bid. I'll take £32 if it helps. 32. 35. | 0:40:58 | 0:41:01 | |
It's very reasonable. 35. 38. | 0:41:01 | 0:41:03 | |
38. 38. 40. | 0:41:03 | 0:41:05 | |
40? 40? Are you sure? You can change your mind. | 0:41:05 | 0:41:08 | |
38, the bid's there. | 0:41:08 | 0:41:09 | |
At £38, and I'm going to sell. | 0:41:09 | 0:41:11 | |
At £38. Super lot for little money. | 0:41:11 | 0:41:14 | |
At £38, going to be sold, then. | 0:41:14 | 0:41:16 | |
£38. | 0:41:16 | 0:41:17 | |
BOTH: Yay! | 0:41:17 | 0:41:18 | |
They like it. There we are. | 0:41:18 | 0:41:21 | |
They're quite loud, aren't they? | 0:41:21 | 0:41:23 | |
So you made £23 on that, which is brilliant. | 0:41:23 | 0:41:26 | |
Which means, overall, you are £55. | 0:41:26 | 0:41:28 | |
Which means you could have a winning score. | 0:41:28 | 0:41:31 | |
-We could. -We could. | 0:41:31 | 0:41:32 | |
-But don't say a word to the Reds. -Won't say a thing. | 0:41:32 | 0:41:35 | |
-Well, teams. Been chatting? -No. -No. -No, no. | 0:41:41 | 0:41:43 | |
Well, it's no secret to either of you that | 0:41:43 | 0:41:46 | |
-nobody's going home with any pound notes in their pocket. -Good. | 0:41:46 | 0:41:49 | |
In fact, it has been a day of unmitigated disaster | 0:41:49 | 0:41:53 | |
in terms of profit. | 0:41:53 | 0:41:55 | |
We've had a lot of fun but, unfortunately, it's all minus. | 0:41:55 | 0:41:58 | |
And the team that has done significantly worse | 0:41:58 | 0:42:02 | |
than the other is the Blues. | 0:42:02 | 0:42:05 | |
Oh! | 0:42:05 | 0:42:06 | |
Can't believe it. | 0:42:07 | 0:42:08 | |
Actually, it's the Reds. | 0:42:09 | 0:42:11 | |
-What? -Yes! | 0:42:11 | 0:42:12 | |
Oh! | 0:42:12 | 0:42:14 | |
Only kidding. | 0:42:14 | 0:42:16 | |
-Oh, no! -Yes. | 0:42:16 | 0:42:18 | |
-You've done really badly, you Reds. -Oh! | 0:42:19 | 0:42:22 | |
-You've lost £107. -Shh! -Thank you very much. | 0:42:23 | 0:42:27 | |
All right? And you've lost £55. | 0:42:27 | 0:42:29 | |
BLUES CHEER | 0:42:29 | 0:42:32 | |
So you've done twice as badly as they've done. | 0:42:32 | 0:42:35 | |
-So we are the biggest losers? -Well you are today, yes. | 0:42:35 | 0:42:39 | |
-Except nobody's a loser on this programme. -No. | 0:42:40 | 0:42:43 | |
You're either a runner-up, or you're a runner-runner-up. | 0:42:43 | 0:42:47 | |
So I'm happy to declare today, the victors are the Blues. | 0:42:47 | 0:42:51 | |
Hooray! | 0:42:51 | 0:42:52 | |
Join us soon for some more bargain-hunting, yes? | 0:42:52 | 0:42:55 | |
ALL: Yes! | 0:42:55 | 0:42:56 | |
Subtitles by Red Bee Media Ltd | 0:43:14 | 0:43:18 |