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Today, we're in Leominster in Herefordshire, | 0:00:07 | 0:00:10 | |
with our teams who are prepared to fight the good fight. | 0:00:10 | 0:00:14 | |
But will they achieve the unattainable? | 0:00:14 | 0:00:17 | |
Will they reach those sweet uplands | 0:00:17 | 0:00:20 | |
and eventually bask in the glory of enormous profit? | 0:00:20 | 0:00:25 | |
Well, we can live in hope. | 0:00:25 | 0:00:28 | |
Let's go bargain hunting, yeah! | 0:00:28 | 0:00:30 | |
Herefordshire is part of the Slow Food movement, | 0:00:56 | 0:01:00 | |
which tries to promote regional cuisine. | 0:01:00 | 0:01:04 | |
Of course, on Bargain Hunt, we source all our ingredients locally. | 0:01:04 | 0:01:09 | |
But the teams can't afford to be too slow, | 0:01:09 | 0:01:11 | |
because there's only one hour on the clock. | 0:01:11 | 0:01:14 | |
Coming up on today's show, the Reds like changing their minds... | 0:01:14 | 0:01:18 | |
I kind of dismissed it initially, | 0:01:18 | 0:01:19 | |
and now I think it's the prettiest bag I have ever seen. | 0:01:19 | 0:01:22 | |
..whilst the Blues just can't make any decisions at all. | 0:01:22 | 0:01:25 | |
I'm not going to discount it, but I suggest we park it for now. | 0:01:25 | 0:01:28 | |
Just park that for now, if you would. That would be great. Thanks very much. | 0:01:28 | 0:01:31 | |
Let's meet the teams. | 0:01:31 | 0:01:34 | |
Today on the programme, we've got chums Carlo and Victoria, | 0:01:34 | 0:01:38 | |
or should I say Vicky? | 0:01:38 | 0:01:40 | |
And Sheila and Stephen are an engaged couple for the Blues. | 0:01:40 | 0:01:44 | |
Hello, everyone. Lovely to see you. | 0:01:44 | 0:01:46 | |
Now, Carlo, what do you do to earn a crust? | 0:01:46 | 0:01:48 | |
I have always been passionate about classical music, but it's not always easy to earn a living. | 0:01:48 | 0:01:52 | |
So, at the moment, I work at Colston Hall in Bristol. | 0:01:52 | 0:01:55 | |
But really, you'd like to be interfacing with music yourself. | 0:01:55 | 0:01:59 | |
-As a performer? -Yeah, I think so. | 0:01:59 | 0:02:01 | |
I'm concentrating on classical music, so I've bought a grand piano. | 0:02:01 | 0:02:05 | |
-That's an investment! -It is, yeah, yeah! | 0:02:05 | 0:02:08 | |
I wanted one for ages, but finally got one to practise my scales on, | 0:02:08 | 0:02:11 | |
so I'll see where it takes me. | 0:02:11 | 0:02:14 | |
-Vic, what do you do for a living? -I'm a dance teacher. -Oh, are you? | 0:02:14 | 0:02:17 | |
Yeah, all ages from preschool up to 70. Yeah, good fun. | 0:02:17 | 0:02:22 | |
And what do the 70-year-olds dance to that the three-year-olds don't? | 0:02:22 | 0:02:26 | |
So three-year-olds would maybe do Dingle Dangle Scarecrow or Heads, Shoulders, Knees And Toes, | 0:02:26 | 0:02:31 | |
-which might not be mature enough for 70-year-olds. -Well, I don't know! | 0:02:31 | 0:02:35 | |
I suppose we all come to it sooner or later, don't we? | 0:02:35 | 0:02:38 | |
-So what inspired you to get into dance? -I have always been dancing. | 0:02:38 | 0:02:42 | |
I have always been a big fan of Michael Jackson and Madonna. | 0:02:42 | 0:02:45 | |
I used to learn all the routines from their concerts, | 0:02:45 | 0:02:48 | |
and my mum said she still knows the routine to Lucky Star | 0:02:48 | 0:02:51 | |
because she has seen me do my performances so many times. | 0:02:51 | 0:02:54 | |
So what are your tactics today, you two? | 0:02:54 | 0:02:57 | |
-We want to spend all the money! -Yeah. -Do you? | 0:02:57 | 0:03:00 | |
Yeah, cover all bases and go for some cheap, | 0:03:00 | 0:03:03 | |
middle-of-the-range, something expensive. | 0:03:03 | 0:03:05 | |
Now, moving on to the Blues. | 0:03:05 | 0:03:07 | |
Sheila, how did you two meet? | 0:03:07 | 0:03:09 | |
We met in a bar in Chester. | 0:03:09 | 0:03:11 | |
You came up to me, started talking, and that was it head over heels. | 0:03:11 | 0:03:14 | |
-And what do you refer to him as? -He's going to kill me for this! | 0:03:14 | 0:03:17 | |
-There's lots of things, but I don't think... -It says here, "Mr Darcy". | 0:03:17 | 0:03:21 | |
-Yeah, cos he's lovely. -Is that it? | 0:03:21 | 0:03:23 | |
No, then there's Gorgeous Scrumptious. | 0:03:23 | 0:03:27 | |
Gorgeous Scrumptious is a nice one, isn't it? | 0:03:27 | 0:03:30 | |
It says here you've just started a new project that's keeping you busy. | 0:03:30 | 0:03:33 | |
Yes, I'm currently writing a series of children's books. | 0:03:33 | 0:03:36 | |
-A series of children's books? -Yeah, I want to do about ten altogether. | 0:03:36 | 0:03:40 | |
I'm on number four at the moment. | 0:03:40 | 0:03:42 | |
It's about a snail who wants to be a superhero. | 0:03:42 | 0:03:45 | |
-And why shouldn't he be? -Why shouldn't he?! | 0:03:45 | 0:03:48 | |
Just cast off your shell and set forth! | 0:03:48 | 0:03:50 | |
It's not going to plan for him at the moment, but I'm sure at some point it'll work. | 0:03:50 | 0:03:53 | |
-Stephen, what do you do for a living? -Slightly more boring, | 0:03:53 | 0:03:56 | |
but I'm an area sales manager for an independent lubricant blender. | 0:03:56 | 0:04:00 | |
An independent lubricant blender? | 0:04:00 | 0:04:02 | |
In other words, I work for an oil company. | 0:04:02 | 0:04:04 | |
Lubricants, greases, fluids, coolants. | 0:04:04 | 0:04:07 | |
Sticky stuff! | 0:04:07 | 0:04:08 | |
-Sticky stuff. -THEY LAUGH | 0:04:08 | 0:04:11 | |
-Anything that keeps industry moving. -No, brilliant. | 0:04:11 | 0:04:13 | |
And what you get up to outside work? | 0:04:13 | 0:04:16 | |
My main hobby from the age of probably 14 to about ten years ago was coarse angling. | 0:04:16 | 0:04:21 | |
I was a competition angler for most of that time. | 0:04:21 | 0:04:24 | |
And do you think you'll make a great team today, you two? | 0:04:24 | 0:04:27 | |
I think we make a pretty good team everywhere else, | 0:04:27 | 0:04:30 | |
-so, yeah, I think we will, we'll be good. -Just have some fun. | 0:04:30 | 0:04:33 | |
I think that's very sweet. That's the right answer to have some fun, | 0:04:33 | 0:04:37 | |
which is exactly what we're going to do. Now, the money moment. | 0:04:37 | 0:04:40 | |
Here you go, £300 apiece. Whoopsie! Hoo-hoo-hoo! | 0:04:40 | 0:04:43 | |
-That doesn't happen often! -THEY LAUGH | 0:04:43 | 0:04:45 | |
£300, you know the rules, your experts await, and off you go! | 0:04:45 | 0:04:49 | |
Very, very good luck. | 0:04:49 | 0:04:51 | |
Lubricants, eh? | 0:04:51 | 0:04:52 | |
So, which fine experts have we got lined up for you today? | 0:04:56 | 0:05:00 | |
Hoping to unmask a few bargains for the Reds, we have Claire Rawle. | 0:05:00 | 0:05:04 | |
And finding out what's hot and what's not for the Blues, | 0:05:04 | 0:05:08 | |
it's Paul Laidlaw. | 0:05:08 | 0:05:10 | |
So, teams, you have £300 to spend on three items in 60 minutes. | 0:05:12 | 0:05:16 | |
Step to it! | 0:05:16 | 0:05:19 | |
What are your tactics going to be? What do you want, Vic? | 0:05:19 | 0:05:22 | |
I don't think we're afraid to spend, to be honest. | 0:05:22 | 0:05:25 | |
We did have a tactic to stick with £30-60 items. | 0:05:25 | 0:05:29 | |
I like kind of pretty, sparkly kind of things. | 0:05:29 | 0:05:31 | |
I'd like something wooden, if we can find something nicely carved. | 0:05:31 | 0:05:35 | |
-Not really! -We had a plan. But it changes by the minute. -See whatever. | 0:05:35 | 0:05:40 | |
-"See whatever"... -See what we find. -..is probably fair enough. -Yeah, open mind. | 0:05:40 | 0:05:44 | |
OK, off we go. | 0:05:44 | 0:05:46 | |
# Groove is in the heart... # | 0:05:46 | 0:05:50 | |
Now, what has caught the Blues' attention in that cabinet? | 0:05:54 | 0:05:58 | |
What is this item here? What's it made of? | 0:05:58 | 0:06:00 | |
That is tool hide, isn't it? | 0:06:00 | 0:06:02 | |
It's leather, but pressed in imitation of reptile skin. | 0:06:02 | 0:06:06 | |
It says, "Victorian binocular case", in inverted commas. | 0:06:06 | 0:06:11 | |
"Travelling inkwell..." | 0:06:11 | 0:06:13 | |
-I love all of this apart from... -The price! | 0:06:13 | 0:06:17 | |
It's all about the price, Blues. | 0:06:17 | 0:06:19 | |
Now, have those Reds found something to guide them through the day? | 0:06:19 | 0:06:22 | |
-We've found this item. -Yeah, OK. Yeah. | 0:06:22 | 0:06:26 | |
That's a ship's lantern, isn't it? Copper and brass. | 0:06:26 | 0:06:29 | |
Looks like it's been converted to electricity | 0:06:29 | 0:06:32 | |
rather than having its original burner. | 0:06:32 | 0:06:34 | |
So what has he got on the ticket? | 0:06:34 | 0:06:36 | |
-It's priced at 42. -OK, we want to get it for a bit less than that, | 0:06:36 | 0:06:39 | |
otherwise there's not an awful lot in it. | 0:06:39 | 0:06:41 | |
We can either go with it or keep looking a little bit more? | 0:06:41 | 0:06:45 | |
We found it, we'll keep it. | 0:06:45 | 0:06:48 | |
-Keep it logged? -Yeah, yeah. -OK, let's pop him back then. | 0:06:48 | 0:06:51 | |
You carry on. Carry on looking. We can always come back to him later. | 0:06:51 | 0:06:55 | |
So that's one to think about, eh, Reds? But time will fly. | 0:06:55 | 0:06:58 | |
Now, there are so many goodies in that cabinet that the Blues have drafted in Ros to help. | 0:06:58 | 0:07:02 | |
So, very pleasing domed form, | 0:07:03 | 0:07:07 | |
and we've got inset a little bit of nickel. A key would've been nice. | 0:07:07 | 0:07:11 | |
-Yes. -You must have liked your deck of cards if you kept them under lock and key, eh? | 0:07:11 | 0:07:15 | |
Obviously a marked pack in there. | 0:07:15 | 0:07:17 | |
Ah-ha, we know your type, Stephen! | 0:07:17 | 0:07:20 | |
-May I have a wee look? -Of course. | 0:07:20 | 0:07:21 | |
-So, it's a fabulous burr, isn't it? -Yeah. | 0:07:21 | 0:07:24 | |
Of course, you know what a burr is? | 0:07:24 | 0:07:27 | |
You know when you see those growths on the side of trees? | 0:07:27 | 0:07:29 | |
It slices through that for your veneer and this is what you get. | 0:07:29 | 0:07:33 | |
Absolutely delightful. Datewise? | 0:07:33 | 0:07:35 | |
-No idea. -No clue. -It's a Victorian piece, isn't it? | 0:07:37 | 0:07:39 | |
-Price? -Price is at 48. | 0:07:39 | 0:07:42 | |
And I'm going to estimate £30-50 on that. | 0:07:42 | 0:07:45 | |
-So you want to be paying £20 for that. -Yeah. -Yeah. | 0:07:45 | 0:07:49 | |
Do you want to take a punt? | 0:07:49 | 0:07:51 | |
So, as Ros goes off to get the best price from the dealer, | 0:07:51 | 0:07:55 | |
something has taken the Reds' fancy. | 0:07:55 | 0:07:57 | |
-Got a racing-pigeon clock. -They're quite collectable, actually. | 0:07:57 | 0:08:00 | |
-Are they? -Oh, really? -Yeah. -No way. How much is that? | 0:08:00 | 0:08:03 | |
£55 on that one. | 0:08:03 | 0:08:06 | |
Turn him round, let's have a look at his mechanism. | 0:08:06 | 0:08:09 | |
Yeah, so you can clock your pigeons in and out. | 0:08:09 | 0:08:12 | |
I think, probably, it dates from the '50s or the '60s. | 0:08:12 | 0:08:15 | |
It's not old in those terms, but it is just quite fun. | 0:08:15 | 0:08:20 | |
You'd want to get it nearer £30, if you could, really. | 0:08:20 | 0:08:22 | |
I know the box is a bit kind of scathed... | 0:08:22 | 0:08:25 | |
-Yeah, yeah, but it's obviously been used, hasn't it? -It's well-loved. | 0:08:25 | 0:08:30 | |
-It's random. -It appeals to... Oh, random is good! | 0:08:30 | 0:08:32 | |
-He seems really happy with it. I think we should. -Do you think so? | 0:08:32 | 0:08:35 | |
Do you think I should go and find the guy we need to speak to? | 0:08:35 | 0:08:37 | |
OK. Oh, here's the man himself, lurking here. Must have heard us. | 0:08:37 | 0:08:40 | |
-Hello. -So you've seen your pigeon... | 0:08:40 | 0:08:44 | |
-Pigeon racing clock, yeah. -That's right. Nice, isn't it? Absolutely. | 0:08:44 | 0:08:47 | |
-It's marked at 55. -Right. | 0:08:47 | 0:08:50 | |
-And, obviously, it jumped out because it's unusual. -Yeah. | 0:08:50 | 0:08:55 | |
-What's the best price you could let it go for? -The best best? | 0:08:55 | 0:08:58 | |
Well, I know the dealer fairly well, as it's me. | 0:08:58 | 0:09:01 | |
THEY LAUGH | 0:09:01 | 0:09:02 | |
That was handy! | 0:09:02 | 0:09:04 | |
Well, let's see, it's 55. I think the very, very best would be 45. | 0:09:04 | 0:09:09 | |
Do you think you could go any lower than 45? Maybe heading towards 35? | 0:09:09 | 0:09:15 | |
-I tell you what, the very, very best is 40. -Very best, 40? -Very best, 40. -40's great. | 0:09:15 | 0:09:20 | |
-What do you think? -That's not bad, that's not bad. | 0:09:20 | 0:09:23 | |
I can see you clutching it! He's hugging it, isn't he? Yeah! | 0:09:23 | 0:09:27 | |
-He really wants that. -He's stroking it. -Yeah! | 0:09:27 | 0:09:29 | |
I tell you what, let's go for it at 40, | 0:09:29 | 0:09:32 | |
and if we make a profit, fantastic. | 0:09:32 | 0:09:34 | |
If we don't, it'll be great to see how it goes anyway. | 0:09:34 | 0:09:37 | |
You're flying now, Reds. But how are the Blues doing? | 0:09:37 | 0:09:40 | |
Here you go, Sheila. | 0:09:40 | 0:09:42 | |
The best he'll do on this is 30. | 0:09:42 | 0:09:45 | |
-Oh, it's the magic number. -Right on the knuckle, isn't it? | 0:09:45 | 0:09:48 | |
It's the magic number. Over to you, boss. | 0:09:48 | 0:09:51 | |
-Yeah, over to you, boss. -I'm not going to discount it, but I'm going to suggest we park it for now, | 0:09:51 | 0:09:55 | |
have a tour, and if we're struggling, come back for it. | 0:09:55 | 0:09:59 | |
Cor, you're a hard man to please. | 0:09:59 | 0:10:01 | |
But the boss has spoken, Blues, so jump to it! | 0:10:01 | 0:10:03 | |
Hold on a minute! | 0:10:10 | 0:10:11 | |
Those Blues haven't moved on. | 0:10:11 | 0:10:13 | |
-Do we know what those are? -It says... | 0:10:13 | 0:10:16 | |
-Yeah, that's cheating! -THEY LAUGH | 0:10:16 | 0:10:18 | |
-They're sugar nips. -Sugar nips. | 0:10:20 | 0:10:22 | |
Yeah, probably made in the 18th century. | 0:10:22 | 0:10:25 | |
We're looking at age here, 250 years, perhaps. | 0:10:25 | 0:10:29 | |
Silver, probably English, | 0:10:29 | 0:10:31 | |
and we can see a more baroque feel that we have going on there. | 0:10:31 | 0:10:35 | |
Now, they tend to be marked precisely there. | 0:10:35 | 0:10:39 | |
And I've got a feeling... | 0:10:39 | 0:10:41 | |
Now, these are Victorian copies of Georgian originals. | 0:10:42 | 0:10:48 | |
What are they worth? They're worth 40-60. Yeah, it's fair enough. | 0:10:48 | 0:10:53 | |
50-80 on a good day. | 0:10:53 | 0:10:54 | |
They're priced at 68, which isn't a country mile off. | 0:10:54 | 0:10:58 | |
Are you still liking them? | 0:10:58 | 0:11:01 | |
-Not as a copy so much. -A Victorian copy! | 0:11:01 | 0:11:05 | |
It's still firmly in antique category. | 0:11:05 | 0:11:08 | |
-It costs nothing to ask. -OK. -OK. -Sound OK? -Yeah, definitely. | 0:11:08 | 0:11:13 | |
We quite like these as well. Oh, right, OK. | 0:11:13 | 0:11:17 | |
-But we want to see how flexible they can be. -How flexible our friends are. | 0:11:17 | 0:11:22 | |
Oh, we all like flexible friends, Blues! | 0:11:22 | 0:11:24 | |
So, fingers crossed, eh? | 0:11:24 | 0:11:26 | |
Now, how are the Reds getting on with their mission to spend big? | 0:11:26 | 0:11:30 | |
-Erm, if you just sort of... -It's just the price, though! -Yeah. | 0:11:30 | 0:11:33 | |
-You thought it was suitably expensive, did you? -It's only 170. -Oh, is that all(?) -That's all. | 0:11:33 | 0:11:38 | |
That's quite a lot. It's quite nice, and people like rustic items. | 0:11:38 | 0:11:42 | |
It's a food preparation boat. It's come from India, maybe Africa. | 0:11:42 | 0:11:47 | |
They're not the easiest things to sell. I know you're burning to spend all your money, | 0:11:47 | 0:11:51 | |
-but let's not rush into it too quickly. -Maybe we'll reject it. | 0:11:51 | 0:11:55 | |
Let's not lose track of what we're actually... | 0:11:55 | 0:11:57 | |
We're buying stuff and, like, the pigeon clock, is that practical? | 0:11:57 | 0:12:02 | |
Well, it is for the pigeon fancier, Carlo. | 0:12:02 | 0:12:05 | |
So, is it sweet news for the Blues? | 0:12:05 | 0:12:07 | |
How did the price work out? | 0:12:07 | 0:12:09 | |
The best would be 40. | 0:12:09 | 0:12:12 | |
OK. I've got to say, the ball is in your court again. | 0:12:12 | 0:12:17 | |
-I'll tell you this much... -I think we should take a chance on them. | 0:12:17 | 0:12:20 | |
If they only made 35, I think you'd be hellishly unlucky. | 0:12:20 | 0:12:24 | |
If they made 60 or 70, I think you'd be lucky in the other direction. | 0:12:24 | 0:12:29 | |
I think the odds are that there's a little profit in it. | 0:12:29 | 0:12:32 | |
So, it ain't, "Book a world cruise". | 0:12:32 | 0:12:34 | |
It ticks a couple of boxes, doesn't it? Silver, it's quirky, it's about the right money, | 0:12:34 | 0:12:38 | |
-I think we'll take them. -I like them. -Is that a yes? -We'll take them. | 0:12:38 | 0:12:41 | |
-The decision was made. -We'll take those. -Get in! There you go. | 0:12:41 | 0:12:45 | |
-Thank you very much. -Thank you very much. | 0:12:45 | 0:12:47 | |
Timewise, just over half an hour. | 0:12:47 | 0:12:50 | |
So, with the box in hand, you're doing all right. OK, let's go. | 0:12:50 | 0:12:55 | |
At last, a buy. But 30 minutes at the same cabinet? Come along! | 0:12:55 | 0:13:00 | |
Better get a move on and move on. | 0:13:00 | 0:13:02 | |
It looks OK, actually. Yeah, it's quite nice. | 0:13:02 | 0:13:05 | |
That's going to be sort of late 19th, getting into the 20th century. | 0:13:05 | 0:13:09 | |
They used quite a lot of celluloid in their jewellery and things. | 0:13:09 | 0:13:12 | |
It's nicely pressed. Pretty beadwork. | 0:13:12 | 0:13:15 | |
-With some of it being missing there, would that affect...? -Not too badly. | 0:13:15 | 0:13:18 | |
You'd expect it to have a little bit of wear, | 0:13:18 | 0:13:21 | |
otherwise you'd be nervous about the age of it. | 0:13:21 | 0:13:23 | |
To find one in perfect condition would be very, very rare, | 0:13:23 | 0:13:25 | |
and then it would be worth a lot more than that. | 0:13:25 | 0:13:28 | |
But it's not too drastic. A clever restorer could put something back. | 0:13:28 | 0:13:33 | |
-To be honest, it doesn't detract too much, does it? -No, no. | 0:13:33 | 0:13:35 | |
The important thing is to look inside at the lining. | 0:13:35 | 0:13:38 | |
That's not too bad at all, because the silk lining is fraying | 0:13:38 | 0:13:41 | |
really badly, but that's actually not bad in there at all. | 0:13:41 | 0:13:46 | |
So, you have a closer look at it. Are you still happy about it? | 0:13:46 | 0:13:49 | |
Yeah, I like... I kind of dismissed it initially, | 0:13:49 | 0:13:53 | |
and now I think it's the prettiest bag I've ever seen. | 0:13:53 | 0:13:56 | |
-CLAIRE LAUGHS -Excellent, right! | 0:13:56 | 0:13:58 | |
Wow! The Blues have found another cabinet. | 0:14:03 | 0:14:07 | |
Now, would you have put a bet on this? | 0:14:07 | 0:14:09 | |
We're going back to where we started. | 0:14:09 | 0:14:11 | |
The boss said you could have this for 25, if you're still interested. | 0:14:11 | 0:14:15 | |
-That's far more appealing. -That means he could probably let it go for 20, | 0:14:15 | 0:14:19 | |
-but I'm not going to push to that! -THEY LAUGH | 0:14:19 | 0:14:22 | |
-SHEILA: 25. -Do you want to still...? | 0:14:22 | 0:14:25 | |
We've still got some time. Do you want to still park it? | 0:14:25 | 0:14:27 | |
Accept the price and just have a little look around. Is that doable? | 0:14:27 | 0:14:31 | |
-You're the boss! -Are you happy for us to do that? -That's fine. | 0:14:31 | 0:14:33 | |
-Park that for now, if you would. -Yeah, OK. -Thanks very much, appreciate that. | 0:14:33 | 0:14:37 | |
Oh, Stephen, you are a hard man to please! | 0:14:37 | 0:14:39 | |
Hello, again. Hi. Right, now then, over to you. | 0:14:39 | 0:14:43 | |
-They've seen this pretty bag. -It's really nice, isn't it? Quite unique. | 0:14:43 | 0:14:47 | |
It's 75. | 0:14:47 | 0:14:49 | |
The best we can do on that is 68. | 0:14:49 | 0:14:51 | |
Quite nice to get it nearer 50, I think, if it's possible. | 0:14:51 | 0:14:56 | |
Well, because it's one of the dealers that has got this on at the moment, | 0:14:56 | 0:15:00 | |
I need to ring her and just check. | 0:15:00 | 0:15:02 | |
So if you'd like me to do that, I can get the very, very best. | 0:15:02 | 0:15:05 | |
-VICTORIA: If that's OK, yeah. -That would be absolutely excellent. | 0:15:05 | 0:15:08 | |
-Give me five minutes and I'll do that. -OK, shall I hang onto it? | 0:15:08 | 0:15:11 | |
Brilliant, OK. Right, we'll... | 0:15:11 | 0:15:15 | |
A tense moment waiting for you. | 0:15:15 | 0:15:17 | |
So, as the call is made to the bag dealer, | 0:15:17 | 0:15:20 | |
the Blues are finally on the move. | 0:15:20 | 0:15:22 | |
Is it good news for the Reds? | 0:15:26 | 0:15:29 | |
-I wish I had, because being a sunny day, I can't get hold of the dealer. -Oh, no! | 0:15:29 | 0:15:34 | |
Both phones aren't answering, so the very best I'm afraid I would be able | 0:15:34 | 0:15:38 | |
to do is the £68 that I said earlier, without talking to the dealer. | 0:15:38 | 0:15:42 | |
-Yeah. -Is it something we could come back to? | 0:15:42 | 0:15:44 | |
How dare she be outside in the sun, I mean, really(!) | 0:15:44 | 0:15:46 | |
-I do apologise! -We'll pop this in the cabinet and have a look down there. | 0:15:46 | 0:15:50 | |
OK, we'll leave that with you to shut away. | 0:15:50 | 0:15:53 | |
-Thank you so much. -Thank you for trying, anyway. | 0:15:53 | 0:15:55 | |
It's Bargain Hunt, this, not Browsing Hunt, teams! | 0:15:55 | 0:15:58 | |
Check out the ancient rowing machine. | 0:15:58 | 0:16:01 | |
How mad is THAT? It is a rowing machine, isn't it? | 0:16:01 | 0:16:05 | |
-I'm not really sure! I have my own views, but... -THEY LAUGH | 0:16:05 | 0:16:08 | |
You should be running, not rowing, you Blues. | 0:16:08 | 0:16:12 | |
You've still got two bargains to find. | 0:16:12 | 0:16:14 | |
-Lots of wood in here, Carlo. -I know. -Yes, yes. -Easy, girl! | 0:16:14 | 0:16:19 | |
Please, am I going to have to have a look at this? Take your hand? | 0:16:24 | 0:16:29 | |
Easy, Blues! | 0:16:29 | 0:16:31 | |
-On your head, be it! -It's fun. It's fun. | 0:16:31 | 0:16:33 | |
Moving swiftly on, then... | 0:16:33 | 0:16:37 | |
Right, enough of this running about, teams. | 0:16:37 | 0:16:39 | |
Come on, experts, it's time to take charge. | 0:16:39 | 0:16:42 | |
Right, it's decision time. We need to make a decision about the bag. | 0:16:42 | 0:16:46 | |
-Right, so... -We've got the box downstairs. | 0:16:46 | 0:16:48 | |
Come on, let's not beat about the bush. The box is going to happen, isn't it? | 0:16:48 | 0:16:51 | |
I think we need to move somewhere else. We're not going to have time to come back here and talk about it. | 0:16:51 | 0:16:56 | |
15 minutes left. I guess we're starting to run out of time. | 0:16:56 | 0:16:59 | |
-The very best we are going to be able to do is £68. -OK. | 0:16:59 | 0:17:01 | |
Got a hell of a budget, but no time. | 0:17:01 | 0:17:03 | |
-Quite pleased with it, are you? -Yeah, I love it. -You love it, don't you? -I love it, yeah. | 0:17:03 | 0:17:07 | |
-It's yours. Well done. Yay! Thank you so much. -Well done, Reds. | 0:17:07 | 0:17:10 | |
I would hot on the trot, like virtually jog. | 0:17:10 | 0:17:14 | |
Absolutely jog on, team! | 0:17:14 | 0:17:16 | |
Time is running out. | 0:17:18 | 0:17:19 | |
-Is that doing anything for you? -Well, it's... | 0:17:19 | 0:17:23 | |
The money is obviously attractive, but it depends on what it's going to return. | 0:17:23 | 0:17:27 | |
It's a black slate mantel clock. | 0:17:27 | 0:17:29 | |
Late Victorian architectural case. | 0:17:29 | 0:17:32 | |
-Why am I even looking at it? -Tell us, Paul. | 0:17:32 | 0:17:34 | |
Partly because of that, and because it's priced at £38. | 0:17:34 | 0:17:37 | |
-And listen to that. -It's working. -It's running. -Yeah. | 0:17:37 | 0:17:40 | |
What's that worth at auction? | 0:17:40 | 0:17:42 | |
-20? -No, it's £30-50, £40-60 on a good day. | 0:17:42 | 0:17:47 | |
Because there is one problem. | 0:17:47 | 0:17:49 | |
-There are hairlines to the porcelain chapter ring. -Right. -OK? | 0:17:49 | 0:17:55 | |
I'm not proud of this, I'm not saying to you, "I have found an absolute gem." | 0:17:55 | 0:17:59 | |
-I have found something that's going to make you a profit. -That's what it's about. | 0:17:59 | 0:18:03 | |
But I tell you what, I would be brutal on price. | 0:18:03 | 0:18:05 | |
I would go in really pushy and say, "Look, could that be £10 or £20?" | 0:18:05 | 0:18:09 | |
Because it's another black slate clock, | 0:18:09 | 0:18:11 | |
but it's got a fractured chapter ring. | 0:18:11 | 0:18:15 | |
Look, we've got ten, 12 minutes. You can walk from here to the counter. | 0:18:15 | 0:18:20 | |
If we find something startling, the Holy Grail jumps out, bingo. | 0:18:20 | 0:18:23 | |
-But there's a fall-back. -OK. -Yeah. -Quick, quick, quick. -I don't like it, but I think... | 0:18:23 | 0:18:27 | |
If it's going to make a profit... We've got two we like. | 0:18:27 | 0:18:29 | |
Let's go and get a price on it. Let's go and get a price. | 0:18:29 | 0:18:32 | |
So, as the Blues find out the price, | 0:18:32 | 0:18:34 | |
the Reds are on the prowl for their last item. | 0:18:34 | 0:18:36 | |
What about something like this? | 0:18:38 | 0:18:40 | |
I know we're not talking hundreds of pounds here | 0:18:40 | 0:18:42 | |
and you are so desperate to spend money! | 0:18:42 | 0:18:45 | |
I know you liked wood. It's sort of late Victorian, early Edwardian. | 0:18:45 | 0:18:50 | |
It's quite nice wood. It's what they sort of loosely term red walnut. | 0:18:50 | 0:18:53 | |
65. If we can get a bit off, there's a bit of money to be made on that one. | 0:18:53 | 0:18:58 | |
-What do you think? -Do you think we could make money out of it? | 0:18:58 | 0:19:01 | |
How much do you think we should get it down to? | 0:19:01 | 0:19:03 | |
I mean, if we can get it down to... | 0:19:03 | 0:19:04 | |
Under 50 would be absolutely ideal, as near 40 as possible. | 0:19:04 | 0:19:08 | |
It just depends how much they are willing to come down. | 0:19:08 | 0:19:10 | |
Obviously, I am looking at a bigger profit then. | 0:19:10 | 0:19:12 | |
It's the sort of thing I could see making sort of £70, £80, | 0:19:12 | 0:19:16 | |
perhaps a little bit more than that at auction. | 0:19:16 | 0:19:18 | |
-What do you think, Vicky? -We've got something each that we like, | 0:19:18 | 0:19:22 | |
so maybe we should think practically about profit-making. | 0:19:22 | 0:19:25 | |
Although, you do want to spend £1 million! | 0:19:25 | 0:19:29 | |
-Well, how long have we got left? -Only seven minutes to go. | 0:19:29 | 0:19:32 | |
-A few more minutes. -Well, we know where it is. We know where it is. | 0:19:32 | 0:19:36 | |
These teams just can't make decisions today. | 0:19:36 | 0:19:39 | |
Meanwhile, the Blues have picked up the pace. | 0:19:39 | 0:19:41 | |
This is something else we want to offer you a price for. | 0:19:52 | 0:19:57 | |
OK. | 0:19:57 | 0:19:58 | |
It's listed at 38. I can only see it at 20. | 0:19:58 | 0:20:01 | |
How does that sound to you? | 0:20:03 | 0:20:05 | |
-Can I just check on that? -Of course you can. -Thank you. | 0:20:07 | 0:20:10 | |
It's not a piece of cake, is it? | 0:20:10 | 0:20:12 | |
Now, stop pricing, Reds, Claire's getting a grip. | 0:20:13 | 0:20:15 | |
Right. Hi, guys! | 0:20:15 | 0:20:17 | |
Here we are, this is the gentleman you need to speak to. | 0:20:17 | 0:20:19 | |
So come on round and here we are. | 0:20:19 | 0:20:22 | |
This is the little cabinet that has caught their eye. | 0:20:22 | 0:20:26 | |
If a nice deal can be done, of course! | 0:20:26 | 0:20:28 | |
-We'll do our best for you. -Over to you, Carlo. | 0:20:28 | 0:20:32 | |
Let's begin with your best price and see if we like the sound of that. | 0:20:32 | 0:20:37 | |
It says 65, doesn't it? | 0:20:37 | 0:20:40 | |
So if I were to give you 10% off... | 0:20:40 | 0:20:42 | |
Well, we could do better than that. | 0:20:42 | 0:20:44 | |
How about if I make it... | 0:20:44 | 0:20:46 | |
Oh, I'll squeeze it right down, £50? | 0:20:46 | 0:20:49 | |
-£50? -Yes. | 0:20:49 | 0:20:51 | |
-Any chance of going any lower, towards the £45 mark? -45. | 0:20:52 | 0:20:57 | |
Let's make a deal on 50. | 0:20:59 | 0:21:01 | |
I'm going to go for 45, that would be a done deal. | 0:21:06 | 0:21:09 | |
-No, I can't do that. That's too much. -Split the difference and go 48. | 0:21:09 | 0:21:11 | |
-48? -Go on, then. | 0:21:11 | 0:21:13 | |
Job's done, Reds. Now, how are those Blues getting along? | 0:21:13 | 0:21:17 | |
That'll be fine. | 0:21:21 | 0:21:24 | |
-Damn! -We're running out of time. | 0:21:24 | 0:21:26 | |
So, a few minutes left, are we sealing the deal? | 0:21:26 | 0:21:30 | |
Yes, we're taking that, and we're doing that at 25. We're done. | 0:21:30 | 0:21:34 | |
I'm sure you're going to throw in a slice of cake. | 0:21:35 | 0:21:38 | |
Don't push it, Stephen. | 0:21:38 | 0:21:39 | |
-I think we've done it. -Well done, guys. | 0:21:39 | 0:21:42 | |
Well done, teams, indeed. | 0:21:42 | 0:21:44 | |
But where does the time go? That's the 60 minutes up. | 0:21:44 | 0:21:48 | |
Let's remind ourselves what the Red team bought. | 0:21:48 | 0:21:51 | |
They took a flutter of £40 on the automatic pigeon-racing timer. | 0:21:51 | 0:21:56 | |
They bagged a vintage beaded bag for £68. | 0:21:56 | 0:22:00 | |
And £48 was paid for the Victorian walnut table cabinet. | 0:22:02 | 0:22:05 | |
We got there in the end, didn't we? | 0:22:07 | 0:22:09 | |
Getting there is the important thing, of course. | 0:22:09 | 0:22:13 | |
-Did you have fun getting there? -Yeah, lots of fun. | 0:22:13 | 0:22:16 | |
Really pleased with what we've got in the end. | 0:22:16 | 0:22:18 | |
Well, what a lovely couple they are. | 0:22:18 | 0:22:20 | |
Absolute smilers. | 0:22:20 | 0:22:22 | |
Don't know when I've seen such good smiles! | 0:22:22 | 0:22:25 | |
Which was the best bit for you? | 0:22:25 | 0:22:27 | |
The bag, I love the bag. | 0:22:27 | 0:22:28 | |
-The bag is your favourite. -Really pretty. | 0:22:28 | 0:22:30 | |
Is that your favourite, Carlo? | 0:22:30 | 0:22:31 | |
No, it's the racing-pigeon timer, | 0:22:31 | 0:22:34 | |
I thought it was quite unusual so I'd go with that one. | 0:22:34 | 0:22:37 | |
Is that going to bring the biggest profit? | 0:22:37 | 0:22:40 | |
Not sure, I think I am going to go with Claire's cabinet on that on. | 0:22:40 | 0:22:43 | |
Sensible. | 0:22:43 | 0:22:45 | |
What did you spend in total? | 0:22:45 | 0:22:47 | |
156. | 0:22:47 | 0:22:48 | |
Can I have 144 of your leftover lolly? Look at that, lovely. | 0:22:48 | 0:22:54 | |
Good, well, Claire, you're getting rather good at this. | 0:22:54 | 0:22:57 | |
I'm going to ask you what you've got in mind. | 0:22:57 | 0:23:00 | |
I've got a few ideas. | 0:23:00 | 0:23:02 | |
You're not giving very much away. | 0:23:02 | 0:23:04 | |
-I like surprise. -Do you? -I do. | 0:23:04 | 0:23:07 | |
Well, go away and surprise us. | 0:23:07 | 0:23:10 | |
What fun! | 0:23:10 | 0:23:11 | |
Now, let's check out what the Blue team bought. | 0:23:11 | 0:23:14 | |
They spent £40 on the mid-18th century style sugar nips. | 0:23:14 | 0:23:19 | |
They took some time to decide | 0:23:21 | 0:23:23 | |
on the burr walnut playing-card box costing £25, | 0:23:23 | 0:23:26 | |
and at the same time paid £20 | 0:23:26 | 0:23:27 | |
for the Victorian black slate architectural mantel clock. | 0:23:27 | 0:23:32 | |
Buy one, get one free. | 0:23:32 | 0:23:34 | |
Well, not quite. | 0:23:34 | 0:23:36 | |
Hey, that was tight on time, wasn't it? | 0:23:38 | 0:23:41 | |
-Yes, very much. -I don't know. | 0:23:41 | 0:23:44 | |
-Now which is your favourite piece? -Mine has got to be the sugar nips. | 0:23:44 | 0:23:47 | |
-Do you agree with that, Stephen? -I do, actually, surprisingly. | 0:23:47 | 0:23:51 | |
Are they going to bring the biggest profit? | 0:23:51 | 0:23:53 | |
-I've got a funny feeling the clock might surprise us. -Really? | 0:23:53 | 0:23:56 | |
It was a bit of a last-minute purchase. | 0:23:56 | 0:23:58 | |
And spent the grand sum of what? | 0:23:58 | 0:24:01 | |
Oh, it was £85. | 0:24:01 | 0:24:04 | |
Very good. Then I'd like £215 of leftover lolly, please. | 0:24:04 | 0:24:08 | |
There you go. | 0:24:08 | 0:24:09 | |
That's 215, very good. Across to Paul, then. | 0:24:09 | 0:24:13 | |
This is your opportunity to let rip. | 0:24:13 | 0:24:14 | |
Well, I've found something. | 0:24:17 | 0:24:18 | |
-Have you? -It might take a bit of selling to you guys, | 0:24:18 | 0:24:21 | |
if I can buy it in the first place, | 0:24:21 | 0:24:23 | |
but it's a good collectable, a good thing. | 0:24:23 | 0:24:28 | |
OK, that's your challenge, good luck with that. | 0:24:28 | 0:24:31 | |
Meanwhile we're heading off to Kent, somewhere just so interesting. | 0:24:31 | 0:24:36 | |
In 1831, the 22-year-old Charles Darwin was about to set sail | 0:24:40 | 0:24:43 | |
on a voyage of discovery that would determine his whole career. | 0:24:43 | 0:24:47 | |
Darwin was about to travel the world aboard HMS Beagle, | 0:24:49 | 0:24:53 | |
exploring Brazil, Chile, the Galapagos Islands, | 0:24:53 | 0:24:57 | |
Tahiti and New Zealand. | 0:24:57 | 0:24:59 | |
The last leg covered Australia, the Keeling Islands and South Africa, | 0:24:59 | 0:25:03 | |
reaching St Helena and Ascension Island in July, 1836. | 0:25:03 | 0:25:08 | |
Six years after his return, Darwin, now married and with two children, | 0:25:10 | 0:25:15 | |
came to live here at Down House in Kent, | 0:25:15 | 0:25:19 | |
and it was thought that he was already developing | 0:25:19 | 0:25:22 | |
his revolutionary theories regarding evolution. | 0:25:22 | 0:25:26 | |
This house, where Darwin lived for 40 years, is now a museum. | 0:25:27 | 0:25:31 | |
Visitors can come and walk in his intrepid footsteps, | 0:25:31 | 0:25:35 | |
learn about the man and about his life. | 0:25:35 | 0:25:38 | |
And this is a model of the ship that the Cambridge graduate | 0:25:38 | 0:25:43 | |
was called upon to be companion to Captain Robert FitzRoy, | 0:25:43 | 0:25:48 | |
as well as being the ship's naturalist. | 0:25:48 | 0:25:51 | |
I can't tell you what a thrill it is | 0:25:54 | 0:25:57 | |
to actually be in Charles Darwin's front room, | 0:25:57 | 0:26:00 | |
examining the objects | 0:26:00 | 0:26:03 | |
that he specifically shopped for to take with him on the Beagle. | 0:26:03 | 0:26:08 | |
One of the things in particular that Captain, later Admiral, FitzRoy advised him to do | 0:26:08 | 0:26:14 | |
was to splash the cash on a decent pistol. | 0:26:14 | 0:26:18 | |
And sure enough, Darwin acquired | 0:26:18 | 0:26:21 | |
this double-barrelled percussion-cap pistol. | 0:26:21 | 0:26:24 | |
FitzRoy also told Darwin | 0:26:24 | 0:26:27 | |
never ever to go ashore without a loaded pistol, | 0:26:27 | 0:26:30 | |
and I guess, for five years, whenever he went ashore, | 0:26:30 | 0:26:33 | |
Darwin did exactly that, | 0:26:33 | 0:26:34 | |
because these rubs and marks and scrapes, | 0:26:34 | 0:26:38 | |
for example, on the walnut butt, | 0:26:38 | 0:26:40 | |
would indicate that it has had hard service, | 0:26:40 | 0:26:44 | |
but what we don't know | 0:26:44 | 0:26:45 | |
is whether Darwin actually ever fired it. | 0:26:45 | 0:26:48 | |
This is an amusing object, | 0:26:48 | 0:26:50 | |
the like of which I have not seen before. | 0:26:50 | 0:26:54 | |
It's a cosh, | 0:26:54 | 0:26:55 | |
it's a weapon to protect yourself, if you like, | 0:26:55 | 0:26:59 | |
but what's unusual about it, for me, | 0:26:59 | 0:27:02 | |
is that this spiral core is actually porcupine quills, | 0:27:02 | 0:27:06 | |
and then on either end there is a lump of lead | 0:27:06 | 0:27:09 | |
that has been enclosed by some netting, | 0:27:09 | 0:27:12 | |
and actually, I guess it would be quite a lethal weapon. | 0:27:12 | 0:27:16 | |
You would expect to find at Down House | 0:27:16 | 0:27:19 | |
examples of Darwin's voluminous correspondence, | 0:27:19 | 0:27:23 | |
and, sure enough, we've got a letter here which he wrote | 0:27:23 | 0:27:26 | |
to his sister Susan before he departed on the voyage. | 0:27:26 | 0:27:31 | |
"First, I will give you my commissions. | 0:27:31 | 0:27:35 | |
"Tell Mary to make me soon 12 instead of eight shirts. | 0:27:35 | 0:27:40 | |
"Tell Edward to send me up my carpetbag, | 0:27:40 | 0:27:45 | |
"my Spanish boots, | 0:27:45 | 0:27:47 | |
"my new microscope, my geological compass et cetera." | 0:27:47 | 0:27:52 | |
And actually, by a quirk, I think that this | 0:27:52 | 0:27:56 | |
is Charles Darwin's geological compass, | 0:27:56 | 0:27:59 | |
the one he describes in that letter. | 0:27:59 | 0:28:02 | |
But the interesting thing, | 0:28:02 | 0:28:04 | |
as far as the geological part is concerned, | 0:28:04 | 0:28:08 | |
is here we've got an inclinometer. | 0:28:08 | 0:28:11 | |
Attach a piece of cotton and a lead weight to that, | 0:28:11 | 0:28:15 | |
and you could measure the angle | 0:28:15 | 0:28:17 | |
of any geological specimen in the ground, | 0:28:17 | 0:28:21 | |
which proved to Darwin that the world | 0:28:21 | 0:28:24 | |
had not been created in seven days, | 0:28:24 | 0:28:27 | |
it had indeed taken many millions of years to evolve. | 0:28:27 | 0:28:32 | |
The big question today is, of course, for our teams over at the auction, | 0:28:32 | 0:28:35 | |
will their belief in their objects prove to be well founded? | 0:28:35 | 0:28:41 | |
28, it's in the room with you, sir, then, £28... | 0:28:47 | 0:28:49 | |
All done. | 0:28:55 | 0:28:56 | |
Jeremy Lamond's our man today at Halls in Shrewsbury, | 0:28:56 | 0:29:00 | |
and it's a treat to be with you here, Jeremy. | 0:29:00 | 0:29:02 | |
Thank you for having us. | 0:29:02 | 0:29:04 | |
Good, now, the Red team have gone for a mixture, | 0:29:04 | 0:29:07 | |
how are you on pigeon-timing clocks? | 0:29:07 | 0:29:11 | |
They're not great sellers | 0:29:11 | 0:29:12 | |
because they were made in quite large numbers, as you'd expect. | 0:29:12 | 0:29:15 | |
I date this one, if I'm being perfectly honest, at earliest | 0:29:15 | 0:29:19 | |
being about 1950. | 0:29:19 | 0:29:21 | |
The ones that I've seen that have made money are about 1910 or 1920, | 0:29:21 | 0:29:25 | |
which horologically have something interesting going on in them. | 0:29:25 | 0:29:29 | |
So, tin case like this, beechwood box, what's it worth? | 0:29:29 | 0:29:33 | |
Is it worth £30? | 0:29:33 | 0:29:35 | |
At the most. | 0:29:35 | 0:29:37 | |
Well, our lot paid 40. | 0:29:37 | 0:29:39 | |
Next is the beaded bag with the plastic fittings. | 0:29:39 | 0:29:42 | |
It looks like celluloid, it looks like the sort of thing that was made in the '20s. | 0:29:42 | 0:29:45 | |
I think we have to say £20-30. | 0:29:45 | 0:29:48 | |
-Do you really? Is that all? £68 our lot paid. -Wow! | 0:29:48 | 0:29:52 | |
But you see, the thing is, all this is naked of beadwork, | 0:29:52 | 0:29:56 | |
so all those little bits of glass have come shying off | 0:29:56 | 0:29:59 | |
in some party when the owner was having a bit of a jig. | 0:29:59 | 0:30:03 | |
-It's nearly bald. -Nothing wrong with that. | 0:30:03 | 0:30:06 | |
Oh, moving on, then! | 0:30:06 | 0:30:08 | |
Next is the table cabinet. | 0:30:08 | 0:30:11 | |
You know those dressing tables that have a cresting on here, | 0:30:11 | 0:30:14 | |
and then they have a mirror that goes heave-ho in between, | 0:30:14 | 0:30:17 | |
then it sits on a flat surface, | 0:30:17 | 0:30:19 | |
I bet you a £5 note once upon a time this was part of a dressing table. | 0:30:19 | 0:30:23 | |
It could well have been, or a tobacco cabinet | 0:30:23 | 0:30:26 | |
-with its little drawer and pipe cupboard. -How much? | 0:30:26 | 0:30:29 | |
-£20. -Fair enough, our lot paid £48. This is not looking good. | 0:30:29 | 0:30:34 | |
Let's trot off and have a look at the bonus buy. | 0:30:34 | 0:30:37 | |
So, Carlo, Victoria, you spent a thoroughly respectable £156, | 0:30:37 | 0:30:42 | |
144 went across to Claire what did you spend, Claire? | 0:30:42 | 0:30:46 | |
I spent £100 on | 0:30:46 | 0:30:48 | |
a little Sheraton-style stationery box. | 0:30:48 | 0:30:52 | |
I thought it was quite an attractive item, | 0:30:52 | 0:30:54 | |
because you've got the nice inlay work, | 0:30:54 | 0:30:56 | |
then if you look inside, it's all fitted | 0:30:56 | 0:31:00 | |
and you can put your stationery and whatever in there. | 0:31:00 | 0:31:02 | |
-That's good, I love that. £100? -Yes. | 0:31:02 | 0:31:05 | |
Do you think it will make much? | 0:31:05 | 0:31:06 | |
Well, I'm always hopeful we'll make a profit on it, 120, 130. | 0:31:06 | 0:31:10 | |
I know it's not a lot but I just thought it looked very decorative. | 0:31:10 | 0:31:13 | |
I agree, I like it. | 0:31:13 | 0:31:14 | |
Sometimes the problem is that this inlay can shy off, can't it? | 0:31:14 | 0:31:18 | |
Yes, they dry out as well, if they're kept in very heated houses, | 0:31:18 | 0:31:22 | |
but it's got a nice bit of figuring in the front, hasn't it? | 0:31:22 | 0:31:25 | |
-What do you think? -Yes, it's really pretty. | 0:31:25 | 0:31:28 | |
I thought it was a jewellery box to begin with. | 0:31:28 | 0:31:31 | |
But stationery is nice as well. Just as good. | 0:31:31 | 0:31:35 | |
You can put whatever you like in there, I guess. | 0:31:35 | 0:31:38 | |
Well, treasure those thoughts. | 0:31:38 | 0:31:40 | |
Because right now we're going to find out from the auctioneer | 0:31:40 | 0:31:43 | |
what he thinks about the stationery box. | 0:31:43 | 0:31:45 | |
Now, Jeremy, your old favourite, nice Edwardian box. | 0:31:45 | 0:31:49 | |
Here we are, mahogany Adam style, Adam revival. | 0:31:49 | 0:31:53 | |
That has been relined, hasn't it? | 0:31:53 | 0:31:56 | |
£30, £40? | 0:31:56 | 0:31:57 | |
£100 paid. | 0:31:57 | 0:32:00 | |
Claire has invested £100 in that and she reckons it stands a chance. | 0:32:00 | 0:32:04 | |
Now, moving on from the Reds to the Blues. | 0:32:04 | 0:32:06 | |
Bit of a specky group, here, look. | 0:32:06 | 0:32:09 | |
How do you rate those nips? | 0:32:09 | 0:32:10 | |
I think it is nice that they are shell bowls, | 0:32:10 | 0:32:14 | |
they are in the style of George II. | 0:32:14 | 0:32:17 | |
And they're quite collectable little things, £30 to £40. | 0:32:17 | 0:32:20 | |
OK, £40 paid, so they're more or less on the money there. | 0:32:20 | 0:32:22 | |
Then we've got the burr walnut playing-card box. | 0:32:22 | 0:32:25 | |
People do still play cards, | 0:32:25 | 0:32:28 | |
nice little box for all of that. In good condition. | 0:32:28 | 0:32:30 | |
Lovely amboyna. | 0:32:30 | 0:32:32 | |
Nicely finished. | 0:32:32 | 0:32:33 | |
Not too much veneer off it, it's all right, £20 or £30. | 0:32:33 | 0:32:37 | |
£25 they paid. | 0:32:37 | 0:32:39 | |
I rate that, I think it could get nearer 40 or 50, actually. | 0:32:39 | 0:32:42 | |
Well, I like the inlay. | 0:32:42 | 0:32:43 | |
With your persuasive powers on the rostrum, | 0:32:43 | 0:32:46 | |
legendary in this part of the world, anything could happen. | 0:32:46 | 0:32:50 | |
Last but not least is the black slate mantel clock. | 0:32:50 | 0:32:55 | |
-This is Ansonia Clock Company. -American. | 0:32:55 | 0:32:59 | |
-Anson George Phelps of Connecticut. -How much? | 0:32:59 | 0:33:03 | |
-£30-50. -£20 our lot paid. | 0:33:03 | 0:33:07 | |
Which just goes to show, | 0:33:07 | 0:33:09 | |
retail for £20, you can buy something | 0:33:09 | 0:33:12 | |
that looks as splendiferous as that. | 0:33:12 | 0:33:14 | |
It's a good looker, I have to say. | 0:33:14 | 0:33:16 | |
Anyway, there we go, thank you very much. | 0:33:16 | 0:33:18 | |
Overall, I think they're going to do all right, | 0:33:18 | 0:33:20 | |
I think they're not going to need their bonus buy, | 0:33:20 | 0:33:23 | |
but let's have a look at it anyway. | 0:33:23 | 0:33:25 | |
Sheila, Stephen, you two lovebirds. | 0:33:25 | 0:33:28 | |
£85 is what you spent. | 0:33:28 | 0:33:30 | |
£215 to Paul Laidlaw. | 0:33:30 | 0:33:34 | |
Never has an expert been given more, I fancy. What did you find, mate? | 0:33:34 | 0:33:38 | |
Right, well, it'll make a difficult sell, this. | 0:33:38 | 0:33:42 | |
Manky old tinplate. | 0:33:42 | 0:33:44 | |
Do you like it? Do you like what I bought? | 0:33:46 | 0:33:49 | |
-What is it? -I'm speechless. | 0:33:49 | 0:33:51 | |
I don't expect you to be enlightened by the term, it is a fire mark, | 0:33:51 | 0:33:54 | |
or a fire office mark. | 0:33:54 | 0:33:56 | |
After the fire of London, | 0:33:56 | 0:33:57 | |
it transpired that there was no adequate firefighting service, | 0:33:57 | 0:34:02 | |
so some bright sparks | 0:34:02 | 0:34:04 | |
decided that they could sell some protection against fires. | 0:34:04 | 0:34:08 | |
And for your money | 0:34:08 | 0:34:10 | |
you knew that if the terrible event happened, | 0:34:10 | 0:34:13 | |
Worcester Fire Office guys would turn up and put your fire out. | 0:34:13 | 0:34:16 | |
-These marks are on the outside. -You would see this bolted to the outside of the property. | 0:34:16 | 0:34:20 | |
They would only come and put your fire out if you had paid up. | 0:34:20 | 0:34:24 | |
-What did you pay for that is? -I paid £20 for that. | 0:34:24 | 0:34:26 | |
And seriously, I think that's, "Get in!" | 0:34:26 | 0:34:30 | |
Because...it's definitely worth £20. | 0:34:30 | 0:34:34 | |
It's going to set the world alight, is it? | 0:34:34 | 0:34:38 | |
Could it do £100? It could do £100. | 0:34:38 | 0:34:41 | |
What do you think, Stephen? | 0:34:41 | 0:34:43 | |
Not a lot. | 0:34:43 | 0:34:44 | |
We had a choice of expert, yes?! | 0:34:44 | 0:34:48 | |
I've no idea. | 0:34:49 | 0:34:50 | |
It doesn't feel much, didn't cost much, | 0:34:50 | 0:34:54 | |
-doesn't look much! -It's certainly got a lot of history to it. | 0:34:54 | 0:34:58 | |
I wasn't expecting to see that. | 0:34:58 | 0:35:00 | |
There we go, we have had the pearls of wisdom, | 0:35:02 | 0:35:05 | |
let's find out what the auctioneer thinks about Paul's fire mark. | 0:35:05 | 0:35:08 | |
Well, we're not far from Worcester here. | 0:35:08 | 0:35:11 | |
This is a fire plate, a sheet-tin one, | 0:35:11 | 0:35:15 | |
and the very earliest were lead, | 0:35:15 | 0:35:17 | |
so this is a late example. | 0:35:17 | 0:35:20 | |
You're in the right part of the world, and it's £20 or £30. | 0:35:20 | 0:35:24 | |
All right, fine, £20 paid by the Laidlaw, he's a canny fellow. | 0:35:24 | 0:35:29 | |
He might get out of that, but it is a late one. | 0:35:29 | 0:35:31 | |
He's bought for the right auction room | 0:35:31 | 0:35:33 | |
and it's got that kind of ring to it, the ring of quality. | 0:35:33 | 0:35:36 | |
-TAPS PLATE -Very tinny ring. | 0:35:36 | 0:35:38 | |
Thank you very much for that. | 0:35:38 | 0:35:40 | |
-Just don't do that on the rostrum in a minute. Promise? -Promise. | 0:35:40 | 0:35:44 | |
35. | 0:35:47 | 0:35:49 | |
OK, Carlo. How do you see it? | 0:35:51 | 0:35:52 | |
Loads of profit. | 0:35:52 | 0:35:55 | |
That's what your vision is telling you. Do you agree with that? | 0:35:55 | 0:35:59 | |
£1,000 we've said all along we're sure we're going to make, so yes, excited. | 0:35:59 | 0:36:04 | |
What is going to turn you this four-figure profit? | 0:36:04 | 0:36:07 | |
The handbag, yeah, that I picked. | 0:36:07 | 0:36:10 | |
The beaded bag. £68 you paid for that. | 0:36:10 | 0:36:14 | |
The auctioneer has estimated between 20 and 30. | 0:36:14 | 0:36:17 | |
That was me, sorry. | 0:36:17 | 0:36:19 | |
I think his problem with it is | 0:36:19 | 0:36:22 | |
that a lot of the beads have fallen off, | 0:36:22 | 0:36:24 | |
but we've seen all of this change very easily, | 0:36:24 | 0:36:26 | |
don't take any notice of that, let us hope for the best. | 0:36:26 | 0:36:29 | |
Let's hope that your bird is about to come in. | 0:36:29 | 0:36:33 | |
Because first up is the pigeon clock, and here it comes. | 0:36:33 | 0:36:36 | |
Lot 162, the automatic timing clock for pigeon racing. £10. | 0:36:36 | 0:36:42 | |
Who's going to start me at £10? For the pigeon clock. | 0:36:42 | 0:36:46 | |
10 is bid, at £10 immediately. 15. | 0:36:46 | 0:36:49 | |
20. £20. | 0:36:49 | 0:36:51 | |
Against you, internet, £20 and I'm selling it. | 0:36:52 | 0:36:55 | |
All done at 20... Be quick, internet, £20. | 0:36:55 | 0:36:58 | |
It didn't take off, £20 is minus £20. | 0:36:59 | 0:37:04 | |
Beaded bag, all right, your fav. Come on, old bag. | 0:37:04 | 0:37:07 | |
163 is the beaded bag, lot 163, I'm bid already £22. | 0:37:07 | 0:37:14 | |
At 22, 22, any more? | 0:37:14 | 0:37:17 | |
At 22, 25, 28. | 0:37:17 | 0:37:20 | |
28, on commission at 28, selling at £28. | 0:37:21 | 0:37:24 | |
-28, I think, he sold it for is minus 40. -Down the pan. | 0:37:26 | 0:37:31 | |
-Minus 60. -We need to make £1,000 on this, then. -Yeah. | 0:37:31 | 0:37:34 | |
Lot 164, the Victorian walnut table cabinet with drawer and base. | 0:37:34 | 0:37:38 | |
Who'll start me at £15? | 0:37:38 | 0:37:40 | |
Nice handy cabinet. | 0:37:40 | 0:37:43 | |
15 at the very back of the room. 18. | 0:37:43 | 0:37:45 | |
20. Something happening. | 0:37:45 | 0:37:48 | |
22, 25. | 0:37:48 | 0:37:50 | |
Against you, sir, 28. 30. | 0:37:50 | 0:37:51 | |
One more? £30, finished at 30. | 0:37:51 | 0:37:55 | |
Minus £18, which means overall you are minus £78. | 0:37:56 | 0:38:02 | |
It hasn't been your morning, has it? | 0:38:02 | 0:38:04 | |
What are you going to do about the stationery box? | 0:38:04 | 0:38:07 | |
Do you fancy having a go? | 0:38:07 | 0:38:08 | |
No question, it's a no-brainer, I think we'll go for it. | 0:38:08 | 0:38:13 | |
-Definitely? -Yes. -That's your decision, | 0:38:13 | 0:38:15 | |
let's find out what's going to happen because here it comes. | 0:38:15 | 0:38:18 | |
Stationery box, lot 168, who's going to start me at £25? | 0:38:18 | 0:38:22 | |
18. 25 immediately at £25. 28 if you like. | 0:38:22 | 0:38:27 | |
At £25. 28, | 0:38:27 | 0:38:29 | |
30, 32, 35, 38, 40, | 0:38:29 | 0:38:34 | |
£40 now, on the aisle at £40. At 40. | 0:38:34 | 0:38:37 | |
One more, anyone? At £40, all done at 40. | 0:38:37 | 0:38:41 | |
£40 he sold, minus 60, you were 78, that is minus 138. | 0:38:41 | 0:38:49 | |
If you say that quickly, it doesn't sound too bad. | 0:38:49 | 0:38:52 | |
Might be a winning score, you never know, | 0:38:52 | 0:38:54 | |
if everything goes really badly for the Blues. | 0:38:54 | 0:38:57 | |
-So do you know how the Reds got on? -No. | 0:39:01 | 0:39:04 | |
Did they look gloomy or happy when you passed them in the corridor? | 0:39:04 | 0:39:07 | |
-One of each. -A poker face. | 0:39:07 | 0:39:10 | |
-It is a mixed message. You feeling OK? -Yes. | 0:39:10 | 0:39:14 | |
-Slightly nervy? -A little. Excited. | 0:39:14 | 0:39:17 | |
Listen, first up are your sugar nips and here they come. | 0:39:17 | 0:39:20 | |
Lot 179, the silver sugar nips, hallmarked, | 0:39:20 | 0:39:23 | |
I'm bid £30 already, lot 179, | 0:39:23 | 0:39:25 | |
at £30 for the sugar nips, at 30, £30. | 0:39:25 | 0:39:30 | |
-Come on. -£30, one and only, | 0:39:30 | 0:39:34 | |
at £30. All done. | 0:39:34 | 0:39:36 | |
£30 is minus £10. | 0:39:38 | 0:39:40 | |
That's disappointing. Now, watch this box. | 0:39:42 | 0:39:45 | |
180 is the walnut playing-card box, stylish thing here, | 0:39:45 | 0:39:49 | |
who will give me £15 to start? | 0:39:49 | 0:39:51 | |
15 is bid. | 0:39:53 | 0:39:55 | |
15, 20, 25 already, £25, | 0:39:55 | 0:39:58 | |
anybody else want to go? £25. | 0:39:58 | 0:40:00 | |
On the internet, | 0:40:00 | 0:40:03 | |
all done at 25, at 28 in the room, £28 against you, internet, | 0:40:03 | 0:40:06 | |
all finished at £28. | 0:40:06 | 0:40:08 | |
Plus £3. | 0:40:08 | 0:40:10 | |
Better than nothing. Overall you are minus seven. | 0:40:11 | 0:40:14 | |
191 is the Victorian black slate architectural mantel clock | 0:40:14 | 0:40:19 | |
by the Ansonia Clock Company, lot 181. | 0:40:19 | 0:40:21 | |
Start me at £25. | 0:40:21 | 0:40:23 | |
£25 only for this large clock, £25. | 0:40:23 | 0:40:26 | |
Who's got it? 25? Start me at £20. £20 only. | 0:40:26 | 0:40:31 | |
20's bid with you, sir, £20. I'll take two if it helps. | 0:40:31 | 0:40:35 | |
At £20 here, I'm going to sell it. | 0:40:35 | 0:40:39 | |
20. | 0:40:39 | 0:40:40 | |
£20, wiped its face. | 0:40:40 | 0:40:43 | |
Overall minus £7. That is ridiculous. | 0:40:43 | 0:40:47 | |
What about the fire mark? Going with that? | 0:40:47 | 0:40:50 | |
I recognise quality when I see it. | 0:40:50 | 0:40:52 | |
-Go with it. -You said it was tinny. | 0:40:52 | 0:40:55 | |
Where is all this quality coming from? | 0:40:55 | 0:40:58 | |
Nobody is buying quality. | 0:40:58 | 0:41:00 | |
-You're going to go with it then? -Definitely. -Risk it for a biscuit? | 0:41:00 | 0:41:04 | |
Going with the fire mark, here we go. | 0:41:04 | 0:41:07 | |
185 the Worcester fire plate here, lot 185, | 0:41:07 | 0:41:10 | |
who will bid me 15 to start? | 0:41:10 | 0:41:14 | |
On the fire plate, 15 bid on the net already, at £15. | 0:41:14 | 0:41:17 | |
At £15, 18 if you want, at £15. | 0:41:17 | 0:41:20 | |
15 on the internet. | 0:41:20 | 0:41:22 | |
£15, all done at 15. Sure? | 0:41:25 | 0:41:29 | |
Minus £5. | 0:41:29 | 0:41:31 | |
That equals...equals minus £12, that is where you stand. | 0:41:32 | 0:41:39 | |
That could be a winning score today. It could be a winning score. | 0:41:39 | 0:41:42 | |
Don't burst into tears, all will be revealed in a moment. | 0:41:42 | 0:41:46 | |
-Everybody happy? -Yes. -As you ought to be. | 0:41:56 | 0:42:01 | |
Because basically there's not a lot of profit going home with anybody to day. | 0:42:01 | 0:42:06 | |
There's nothing amusing about that. | 0:42:06 | 0:42:08 | |
Actually, for one team, it has been absolutely shocking, | 0:42:08 | 0:42:11 | |
and that is for the Red team. | 0:42:11 | 0:42:13 | |
That performance of minus 138... | 0:42:14 | 0:42:19 | |
is kind of going some. | 0:42:19 | 0:42:22 | |
But we don't like to dwell on all these minus signs. | 0:42:22 | 0:42:26 | |
What happened to your £1,000 profit? | 0:42:26 | 0:42:28 | |
I got it wrong today. | 0:42:28 | 0:42:30 | |
Just by a little bit. | 0:42:30 | 0:42:32 | |
-Had a nice time, though, yes? -Really good. | 0:42:32 | 0:42:35 | |
We have had a joyous time, but for the victors who have managed to win | 0:42:35 | 0:42:39 | |
by only losing £12, that is quite a difference, isn't it? | 0:42:39 | 0:42:43 | |
How can sane, intelligent people in the same shopping environment | 0:42:43 | 0:42:47 | |
get it so polar opposite? It is very strange. | 0:42:47 | 0:42:51 | |
You made a profit of £3 on a Victorian card box | 0:42:51 | 0:42:54 | |
but apart from that, you made absolutely no profit. | 0:42:54 | 0:42:57 | |
Bit of fun, though, right? | 0:42:57 | 0:42:59 | |
Can I just say, Sheila and Paul take full responsibility? | 0:42:59 | 0:43:03 | |
OK, that's enough of that. We have had a great time. | 0:43:03 | 0:43:06 | |
Join us soon for some more bargain hunting, yes? Yes! | 0:43:06 | 0:43:10 | |
I know you're sitting thinking, "I could have done better than that." | 0:43:11 | 0:43:15 | |
Well, what's stopping you? | 0:43:15 | 0:43:17 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:17 | 0:43:22 | |
It'll be splendid to see you! | 0:43:22 | 0:43:24 |