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'Today, we're in Anglesey, | 0:00:02 | 0:00:04 | |
'the island home of the Duke and Duchess of Cambridge. | 0:00:04 | 0:00:07 | |
'So, let's go bargain hunting!' | 0:00:07 | 0:00:10 | |
Now, Wills and Kate aren't the only royals | 0:00:41 | 0:00:44 | |
to have a connection with this place. | 0:00:44 | 0:00:46 | |
Edward I defeated the Welsh here | 0:00:46 | 0:00:49 | |
by cutting off their army's food supply. | 0:00:49 | 0:00:53 | |
'But will there be salvation rather than starvation today, | 0:00:55 | 0:00:59 | |
'as our teams fight for the Bargain Hunt honours? | 0:00:59 | 0:01:02 | |
'Speaking of honours, you'll never guess who we spotted. | 0:01:05 | 0:01:08 | |
'It's the Duchess of Cambridge herself! Well, I'm blowed! | 0:01:08 | 0:01:12 | |
'Will the reds or the blues win the Bargain Hunt crown when we get to the auction? | 0:01:15 | 0:01:20 | |
'Let's meet the teams, eh?' | 0:01:20 | 0:01:22 | |
So, taking the fair by storm today we have some loving couples. | 0:01:24 | 0:01:29 | |
For the reds, we've got Rhian and Peter. | 0:01:29 | 0:01:32 | |
For the blues, we've got Sophie and Connor. | 0:01:32 | 0:01:35 | |
-Hello. How are you all? -Hello. -Hi. | 0:01:35 | 0:01:37 | |
Very lovely to see you. Now, Rhian, how did you two meet? | 0:01:37 | 0:01:41 | |
I was with a group of friends in a nice restaurant. | 0:01:41 | 0:01:44 | |
I could feel somebody looking at me from a distance. | 0:01:44 | 0:01:48 | |
-You know that kind of magnetic glance. -Yes. Very much so! | 0:01:48 | 0:01:52 | |
-Strange kind of stare. -That's right. | 0:01:52 | 0:01:54 | |
So I turned round to investigate and there he was, | 0:01:54 | 0:01:58 | |
sitting there smiling at me, but he had some food on his face! | 0:01:58 | 0:02:02 | |
-There's nothing wrong with a little bit of dribble! -No, quite. | 0:02:02 | 0:02:06 | |
Anyway, we started talking and we got on really well. | 0:02:06 | 0:02:10 | |
-And the rest is history. -And you're married now? -Newlyweds. | 0:02:10 | 0:02:13 | |
-Ah, isn't that sweet? Rhian, you've got quite a few talents. -I do. | 0:02:13 | 0:02:17 | |
I studied karate for some years. | 0:02:17 | 0:02:20 | |
RHIAN LAUGHS | 0:02:20 | 0:02:22 | |
-And a bit of kickboxing. -Oh, yeah! | 0:02:22 | 0:02:24 | |
Anyway, I also like music. | 0:02:24 | 0:02:28 | |
I play the violin, piano, and I played the harp when I was younger. | 0:02:28 | 0:02:32 | |
You've got a bit of an obsession, too. | 0:02:32 | 0:02:35 | |
Well, I do tend to go towards buying things that are wooden. | 0:02:35 | 0:02:39 | |
-Our house is starting to get a bit overrun... -Frames. | 0:02:39 | 0:02:43 | |
-..with my purchases. -Wooden frames. -With nothing in them? | 0:02:43 | 0:02:46 | |
There are paintings in them and I do class myself as a bit of an amateur art dealer. | 0:02:46 | 0:02:51 | |
-You're building up a stock, right? -Exactly. You're right, Tim. | 0:02:51 | 0:02:54 | |
-CHUCKLES -Basically, anything made of wood? | 0:02:54 | 0:02:57 | |
I do have a secret weapon that Rhian doesn't know about, so, yeah... | 0:02:57 | 0:03:02 | |
-Which you're going to reveal? -All will be revealed in the show! | 0:03:02 | 0:03:05 | |
Well, there's a little excitement. | 0:03:05 | 0:03:08 | |
You never know what these newlyweds are going to come up with! How sweet! | 0:03:08 | 0:03:13 | |
Anyway, very good luck. It's a treat to have you on the show. | 0:03:13 | 0:03:16 | |
Now we've got another couple of young lovers, which is marvellous. | 0:03:16 | 0:03:20 | |
-Soph... -Hiya. -You met Connor when you were students? | 0:03:20 | 0:03:23 | |
-Yeah, in Liverpool, on a classy night out. -Classy night out? | 0:03:23 | 0:03:27 | |
Not so much really. It was one of those slimy kind of clubs. | 0:03:27 | 0:03:30 | |
-LAUGHING: -Of which Liverpool has plenty! | 0:03:30 | 0:03:35 | |
-What were you studying? -I was studying to be a vet, which I've completed now. -You never have? -Yeah. | 0:03:35 | 0:03:40 | |
-More qualified than a doctor, you vets, right? -We like to think so. | 0:03:40 | 0:03:45 | |
-Is it seven years? -No, it's five, the same as a doctor. | 0:03:45 | 0:03:48 | |
But it's more than one animal and they can't talk, | 0:03:48 | 0:03:51 | |
so we have to figure out what's going on, without them giving the game away. | 0:03:51 | 0:03:56 | |
-What else do you enjoy doing? -I'm quite musical as well, so might have a bit of competition! | 0:03:56 | 0:04:01 | |
-Now, you're very competitive, Connor. -I am, unfortunately. | 0:04:01 | 0:04:04 | |
I absolutely hate to lose - | 0:04:04 | 0:04:07 | |
-at anything, really. -Yeah. -She'll say that! -Yeah. | 0:04:07 | 0:04:10 | |
-Do you go into a complete mood if you lose? -Pretty much, yeah. | 0:04:10 | 0:04:13 | |
-You're not happy losing? -Even if it's the smallest loss, I'm not a happy man. | 0:04:13 | 0:04:18 | |
Well, we'd better stand by for some sparks today. | 0:04:18 | 0:04:21 | |
What's your plan of action? You got a plan? | 0:04:21 | 0:04:24 | |
Yeah, three items. I'm going to pick one. Connor's going to pick one and the third one we can battle it out. | 0:04:24 | 0:04:29 | |
I also like wood so, you know, whoever gets there first! | 0:04:29 | 0:04:33 | |
-It's on! -Watch out, the dealers of Anglesey. Ha ha! | 0:04:33 | 0:04:38 | |
Now, the money moment. There's your £300... £300. | 0:04:38 | 0:04:41 | |
You know the rules. Your experts await. And off you go! | 0:04:41 | 0:04:44 | |
And very, very, very good luck. Super-competitive or what? | 0:04:44 | 0:04:48 | |
Watch out! | 0:04:48 | 0:04:49 | |
'Our tutor for the reds today is: | 0:04:53 | 0:04:57 | |
'And hoping the blues will fly off with the deals of the day: | 0:04:57 | 0:05:03 | |
'Shop to it, then, teams.' | 0:05:06 | 0:05:08 | |
-Here we go, you two. Are you excited? -Yeah. -Very excited. | 0:05:08 | 0:05:12 | |
I'm intrigued, what's this secret weapon I've been hearing about? | 0:05:12 | 0:05:16 | |
Well, I am going to use my little love of wood | 0:05:16 | 0:05:19 | |
to look for one item, which I hear is a good seller in Cheshire. | 0:05:19 | 0:05:24 | |
Oh, my Lord! OK. 60 minutes. Here we go. Off you go. Go! | 0:05:24 | 0:05:28 | |
OK, let's go. | 0:05:28 | 0:05:30 | |
'The reds don't waste time just sitting around.' | 0:05:36 | 0:05:39 | |
As we like chairs, look at this lot. | 0:05:39 | 0:05:42 | |
Tall chairs, small chairs, baby chairs, upright chairs, | 0:05:42 | 0:05:46 | |
low chairs, armchairs. | 0:05:46 | 0:05:47 | |
'Whoa! That's enough about chairs!' | 0:05:47 | 0:05:50 | |
-If we buy any of these chairs, it'll be decorative. -Yeah. | 0:05:50 | 0:05:54 | |
-Unusual, not for practicality. -Yeah. | 0:05:54 | 0:05:56 | |
-Are we interested in the chairs? -Let's go. -OK, let's go. | 0:05:56 | 0:06:00 | |
'So, it's a no to the chairs, reds. | 0:06:00 | 0:06:03 | |
'Have the blues got off on the right note?' | 0:06:07 | 0:06:09 | |
-The music box over here? Accordion, I think? -Oh, right. | 0:06:09 | 0:06:13 | |
OK. Do you play? | 0:06:13 | 0:06:15 | |
-No, but I'll have a go. -You can have a go! | 0:06:15 | 0:06:18 | |
-Really good that. -You like it? -I love that. -How did you...? | 0:06:19 | 0:06:22 | |
I was going to say, "How did you see that?" How can you miss it? | 0:06:22 | 0:06:25 | |
It's fabulous, isn't it? Gosh! | 0:06:25 | 0:06:28 | |
-Sophie, please tell me you can play it! -Not officially, no. | 0:06:28 | 0:06:32 | |
-But I would have a go. -This is going to be a new experience. | 0:06:32 | 0:06:36 | |
-There should be two straps, which you put round each arm. -OK. | 0:06:37 | 0:06:41 | |
PLAYS TUNELESSLY | 0:06:45 | 0:06:48 | |
'Ooh, crikey!' | 0:06:48 | 0:06:51 | |
-I think that's beautiful. -Shall I give up the day job? | 0:06:54 | 0:06:58 | |
-No. I wouldn't. Stick to fixing animals. -OK. | 0:06:58 | 0:07:01 | |
-It's a bit funky, isn't it? -It's a bit unusual. -A bit unusual. | 0:07:01 | 0:07:05 | |
Musical instruments is a really funny market. | 0:07:05 | 0:07:08 | |
-Things can sell for 40 quid or £500, and you don't know why. -Right. | 0:07:08 | 0:07:14 | |
Because it's a limited edition or whatever. Very specialist market. | 0:07:14 | 0:07:18 | |
-It's chancey. -Hm. That could be our risk purchase. -It is £110. | 0:07:18 | 0:07:23 | |
You'll get it a bit less, £90 or something. | 0:07:23 | 0:07:25 | |
-We can think about it and come back. -OK, leave it there. | 0:07:25 | 0:07:28 | |
I don't think it's going anywhere quickly, | 0:07:28 | 0:07:31 | |
because they probably heard you play it. | 0:07:31 | 0:07:33 | |
I've got to put off his customers! | 0:07:33 | 0:07:36 | |
-Do you want to leave it for now? -Yeah. We'll come back. | 0:07:36 | 0:07:39 | |
-You're only seconds in. -Yeah. -Let's have a look up here. -OK. | 0:07:39 | 0:07:43 | |
'I love your enthusiasm, Sophie - | 0:07:43 | 0:07:45 | |
'considerably more than your playing ability, actually.' | 0:07:45 | 0:07:49 | |
We call it cranberry cos the Americans call it cranberry. | 0:07:56 | 0:08:00 | |
In fact, the real name is ruby glass. | 0:08:00 | 0:08:02 | |
-Very pretty. -That is very pretty. Quite different. | 0:08:02 | 0:08:06 | |
45. | 0:08:06 | 0:08:09 | |
-Is this a Victorian piece? -STALL HOLDER: Yeah. | 0:08:09 | 0:08:12 | |
-I don't know about the funnel. -So this is replacement. | 0:08:12 | 0:08:16 | |
It's quite unusual, isn't it? | 0:08:16 | 0:08:18 | |
-It is unsual. -What would your estimate be? | 0:08:18 | 0:08:20 | |
If I were at an auction and this came up, I'd expect it to go for 50. | 0:08:20 | 0:08:25 | |
Would you? | 0:08:25 | 0:08:27 | |
Well, look, we're undecided. | 0:08:27 | 0:08:29 | |
This is on the reserve list, if you don't mind. | 0:08:29 | 0:08:32 | |
-Well, that's the first thing that we all agree that we like. -OK. | 0:08:32 | 0:08:36 | |
'So, the reds have a ruby in reserve | 0:08:36 | 0:08:39 | |
'whilst the blues have located a large nut.' | 0:08:39 | 0:08:42 | |
-Is it a coconut? -Yeah. It's a carved coconut! | 0:08:42 | 0:08:46 | |
-A carved coconut. -Isn't that bonkers? -I think it's brilliant. | 0:08:46 | 0:08:50 | |
-How much is it? -£95! How much can you buy a coconut for today? | 0:08:50 | 0:08:55 | |
The coconut was free as well! He didn't buy the coconut, did he? | 0:08:55 | 0:08:59 | |
-He probably just picked it up. -Ah! Let's think. | 0:08:59 | 0:09:02 | |
That was carved in about 1800 - 200 years ago and more. | 0:09:02 | 0:09:05 | |
You couldn't go to the supermarket and pay £1 for one. | 0:09:05 | 0:09:09 | |
This was an absolute top-end bizarre luxury item. | 0:09:09 | 0:09:14 | |
Most people had never even dreamed of something called a coconut. | 0:09:14 | 0:09:18 | |
It would have taken months to get it back. | 0:09:18 | 0:09:21 | |
That's why somebody went to such great effort to carve it. | 0:09:21 | 0:09:25 | |
-Nice, isn't it? -It's lovely. -It's a particularly big one! | 0:09:25 | 0:09:29 | |
-It's a particularly big one. -A massive coconut. | 0:09:29 | 0:09:31 | |
-Do you want it? -Do you want a massive coconut? | 0:09:31 | 0:09:34 | |
-Do you want to pay £100 for a coconut? -That's a...music box! | 0:09:34 | 0:09:39 | |
Let's leave it there for now. It's just an interesting object. | 0:09:39 | 0:09:43 | |
It's lovely. | 0:09:43 | 0:09:45 | |
'Nice find, blues. | 0:09:45 | 0:09:47 | |
'What are those reds tuning into?' | 0:09:51 | 0:09:53 | |
-The telly. -The telly. -Yeah. | 0:09:53 | 0:09:55 | |
Is it Bakelite or wood? | 0:09:55 | 0:09:59 | |
It's Bakelite. | 0:09:59 | 0:10:01 | |
Now, do you like it, first of all? | 0:10:01 | 0:10:04 | |
Whether you like it or not, I'm going to tell you about old tellies. | 0:10:04 | 0:10:07 | |
They are collectable. A, for the Bakelite. | 0:10:07 | 0:10:10 | |
B, because most of these were binned. | 0:10:10 | 0:10:13 | |
-So those that do remain are actually quite rare. -OK. | 0:10:13 | 0:10:17 | |
Whether they work or not is irrelevant. They probably don't. | 0:10:17 | 0:10:21 | |
It's Bush. Good name. Very good name. | 0:10:21 | 0:10:25 | |
That could go for over 100, easily. | 0:10:25 | 0:10:28 | |
-Enthusiasm? -I'll have to trust you on that one. | 0:10:28 | 0:10:30 | |
-I don't see it myself, but... -Sir? | 0:10:30 | 0:10:33 | |
Do you mind if we do a bit of bargaining and bartering? | 0:10:33 | 0:10:37 | |
I like going up. Hope you don't want to go down. | 0:10:37 | 0:10:40 | |
-Well, we like the other way. -Do you? | 0:10:40 | 0:10:43 | |
-How much? -95. -95? -Yeah. | 0:10:43 | 0:10:46 | |
-What's your very best? -My very best is 80. | 0:10:46 | 0:10:48 | |
-My vote would be yes. -PETER: I'll shake your hand on 75. | 0:10:48 | 0:10:52 | |
STALL HOLDER: No. It's got to be 80. It's honestly cheap. | 0:10:52 | 0:10:56 | |
I think we've got about half an hour left. | 0:10:56 | 0:10:58 | |
And nothing has been bought! We haven't spent a penny! | 0:10:58 | 0:11:01 | |
There's that looking us in the face for 80 quid. | 0:11:01 | 0:11:05 | |
-Right. -Shall we just go with it? -Let's do it. -Hallelujah! | 0:11:05 | 0:11:09 | |
Thank you very much. No worries. | 0:11:09 | 0:11:11 | |
Thank you very much. | 0:11:11 | 0:11:13 | |
'You're switched on all right, reds. First item bought. Come on, blues.' | 0:11:13 | 0:11:17 | |
-This is unusual. What's this? -Sophie, we've got animals. -Yay! | 0:11:18 | 0:11:23 | |
-We've got definite animals. We've got elephants. -Camel. -Horse. | 0:11:23 | 0:11:27 | |
So what do we... There's another one. You've got two. | 0:11:27 | 0:11:31 | |
-There's bits missing. -Yeah, they need fixing. | 0:11:32 | 0:11:35 | |
I do like them. Do you like them? | 0:11:35 | 0:11:37 | |
Yeah. They're interesting, a bit different. | 0:11:37 | 0:11:40 | |
-What are they? -That's what I want to know. -They're just serving trays. | 0:11:40 | 0:11:44 | |
They're Indian. From...the 1920s, the last days of the Raj. | 0:11:44 | 0:11:51 | |
But I do think they were made for us in India. | 0:11:51 | 0:11:55 | |
Things you would serve your gin and tonics to stave off malaria. | 0:11:55 | 0:11:58 | |
Get that tonic and that gin, pile it in. | 0:11:58 | 0:12:01 | |
On the verandah, your G&T would be served on something like this. | 0:12:01 | 0:12:05 | |
You leave India and you bring them home. | 0:12:05 | 0:12:09 | |
Really good quality things. GOOD quality. | 0:12:09 | 0:12:12 | |
-How much are they? -Let me find out. You hold that one. | 0:12:12 | 0:12:16 | |
'So, whilst David checks out the price on the trays, | 0:12:16 | 0:12:19 | |
'Chris gets to hear Peter's plan of action.' | 0:12:19 | 0:12:22 | |
My little secret weapon is that I believe chess sets sell well. | 0:12:22 | 0:12:26 | |
-Good, carved... -They do. -..ornamental chess sets. | 0:12:26 | 0:12:29 | |
-Weighted pieces, as well. -Uh-huh. | 0:12:29 | 0:12:31 | |
-I think that Knutsford is quite an affluent area. -It is, you're right. | 0:12:31 | 0:12:36 | |
Chess sets - collectors, for one thing. | 0:12:36 | 0:12:39 | |
-Practicality and entertainment. -And it looks beautiful. | 0:12:39 | 0:12:43 | |
-Ornamental. -All right, so, chess sets. | 0:12:43 | 0:12:46 | |
'Better go and find one then, guys.' | 0:12:46 | 0:12:49 | |
Yeah, they're nice. They've got a bit of damage, so... | 0:12:51 | 0:12:54 | |
I'm going to test you. How much do you think you can buy them for now? | 0:12:54 | 0:12:58 | |
-For the pair. -About... 80 quid? | 0:12:58 | 0:13:01 | |
-OK. Connor? -I think maybe a wee bit lower than that, 50 to 60? | 0:13:01 | 0:13:06 | |
-OK. How about a ten pound note? -SOPHIE GASPS | 0:13:06 | 0:13:09 | |
BOTH: Sold! | 0:13:09 | 0:13:11 | |
-Combined! -They've got to be. -Yeah. | 0:13:11 | 0:13:14 | |
No point negotiating. Just have them. | 0:13:14 | 0:13:16 | |
Yeah. Bargain. | 0:13:16 | 0:13:18 | |
-Yes! -Brilliant! -Good spot, Connor. | 0:13:18 | 0:13:21 | |
Well, you know. | 0:13:21 | 0:13:22 | |
Day's work! | 0:13:23 | 0:13:25 | |
'A day's work, indeed, Connor. Your job's done there, blues.' | 0:13:25 | 0:13:29 | |
-Rhian's found something that tickled her fancy. -What about these? | 0:13:36 | 0:13:40 | |
-Oh, nice. -There's another two. -There's three of them? -Yeah. | 0:13:40 | 0:13:44 | |
If this were old, this would be much more bashed about. | 0:13:44 | 0:13:47 | |
The price is £7, so really decorative, but no age. | 0:13:47 | 0:13:51 | |
-Shall I take it back? -Take that back. | 0:13:51 | 0:13:53 | |
-I like the look of that horse. -Oh, I saw it. | 0:13:53 | 0:13:56 | |
-Did you see that horse? -Yeah. Shall we have a look? | 0:13:56 | 0:14:00 | |
-# Ta-da! # -Lovely. Thank you very much. | 0:14:03 | 0:14:05 | |
Oh, we like that. It's not bronze. | 0:14:05 | 0:14:08 | |
It's got the weight of bronze. It's spelter. | 0:14:08 | 0:14:11 | |
-It's a good-looking piece, isn't it? -Yeah. -Isn't it fantastic? | 0:14:11 | 0:14:16 | |
Nice price. It'll make a bit of money. | 0:14:18 | 0:14:21 | |
-What do you think? -It might make about 90. -OK. | 0:14:21 | 0:14:25 | |
Hello, sir. Could you give us your best possible price | 0:14:25 | 0:14:30 | |
on our lovely horse here? 47's on it. | 0:14:30 | 0:14:34 | |
The best I could do is 40. | 0:14:34 | 0:14:37 | |
40. I think that the man's given us a fair price there. | 0:14:37 | 0:14:41 | |
We're all happy? | 0:14:41 | 0:14:42 | |
Shake the man's hand. Thank you very much. Good man. | 0:14:42 | 0:14:46 | |
-Thanks very much. Lovely. -Item number two. -Item number two. | 0:14:46 | 0:14:50 | |
'Good work, reds, but the blues have only bought one item. | 0:14:50 | 0:14:54 | |
'What are they playing at?' | 0:14:54 | 0:14:57 | |
-Connor, it's competition time. -SOPHIE LAUGHS | 0:14:57 | 0:15:00 | |
Don't look at the ticket and cheat. | 0:15:00 | 0:15:02 | |
It's Victorian - 1860, 1880. | 0:15:02 | 0:15:05 | |
-Dining table top? -It's for dining. It's actually for drinking. | 0:15:05 | 0:15:10 | |
-It's for tea. -Oh, right! -It's a teapot stand. | 0:15:10 | 0:15:13 | |
-It's for drinking tea, which is just lovely. -I love tea. | 0:15:13 | 0:15:17 | |
I love tea! And look at the feet on it. | 0:15:17 | 0:15:20 | |
-The feet are lovely. -Little porcelain feet. | 0:15:20 | 0:15:22 | |
-I like that bit in the wood. -Yeah, that's marquetry. | 0:15:22 | 0:15:25 | |
You've got a walnut body to it. | 0:15:25 | 0:15:28 | |
This here is satinwood stringing. | 0:15:28 | 0:15:31 | |
-Then ebony in the background. -Oh, right. | 0:15:31 | 0:15:33 | |
-That's not painted on. -It's pretty. -It's actually cut in. | 0:15:33 | 0:15:37 | |
It's a good shape. Normally, you find them just in the round. | 0:15:37 | 0:15:40 | |
-Do you like it? -I like it. Do you like it? -Yeah. | 0:15:40 | 0:15:44 | |
-Do you want me to get a price? -Yeah. -Please. -You keep on looking. | 0:15:44 | 0:15:47 | |
'Do your best, David. Now, what's Chris spotted?' | 0:15:47 | 0:15:51 | |
What about these vases up here, these yellow ones? | 0:15:51 | 0:15:54 | |
-Interesting. -Shall we have a look? -Yeah. | 0:15:54 | 0:15:57 | |
-Look at that! LOOK at that! -Hand-painted? | 0:15:57 | 0:16:01 | |
Well, they're Carlton Ware. There you have it. | 0:16:01 | 0:16:05 | |
-Early Carlton Ware. -CHRIS LAUGHS | 0:16:05 | 0:16:07 | |
-I know these are going to be way beyond our budget. -OK. | 0:16:07 | 0:16:12 | |
I love the colour. Early Carlton Ware. It's going to be a seller. | 0:16:12 | 0:16:16 | |
-They're going to be a very good seller. -About £180? | 0:16:16 | 0:16:20 | |
Probably slightly more. I'll find out. | 0:16:20 | 0:16:23 | |
'Whilst Chris seeks a price, | 0:16:23 | 0:16:26 | |
'David's found a price.' | 0:16:26 | 0:16:28 | |
A trade price. When we say a trade price, this is a dealer to a dealer. | 0:16:28 | 0:16:32 | |
He said, "No arguing, it's 55 quid." | 0:16:32 | 0:16:35 | |
-Do you want it? -Yeah. -Your purchase? -This is my purchase. | 0:16:35 | 0:16:40 | |
I'll go and tell him we're going to have it. | 0:16:40 | 0:16:42 | |
Yes! | 0:16:42 | 0:16:43 | |
'Yes, indeed, Sophie. Good work, team Harper. Two down. | 0:16:43 | 0:16:47 | |
'But it's bad news for the reds.' | 0:16:50 | 0:16:52 | |
-Forget it. -OK. -It's £350. -Right. | 0:16:52 | 0:16:55 | |
-Aw! -But lovely! We can't afford them. | 0:16:55 | 0:16:59 | |
What have we got? Ten minutes? Quick! Another pair of vases. | 0:16:59 | 0:17:02 | |
'Now Sophie's puckering up.' | 0:17:08 | 0:17:10 | |
Oh, dear. This is going to be interesting. | 0:17:10 | 0:17:13 | |
SILENCE | 0:17:14 | 0:17:15 | |
So are you going to start or what? | 0:17:15 | 0:17:18 | |
'Go on, girl.' | 0:17:18 | 0:17:20 | |
TUNELESS NOISE | 0:17:20 | 0:17:22 | |
What other instruments do you play? Connor, is she better on the piano? | 0:17:25 | 0:17:29 | |
She's a lot better on the piano. | 0:17:29 | 0:17:31 | |
-You have a go! -Don't you...! Give it to me. | 0:17:31 | 0:17:34 | |
It's all about the mouth movement and the dingle donglers on there. | 0:17:34 | 0:17:38 | |
-Are you ready? -OK. | 0:17:38 | 0:17:40 | |
FANFARE ON SOUNDTRACK | 0:17:40 | 0:17:43 | |
They might dub in something over the top of that. | 0:17:43 | 0:17:46 | |
'Well, we couldn't broadcast what you really played.' | 0:17:46 | 0:17:50 | |
I'm kind of liking that. 45 quid in its box. | 0:17:50 | 0:17:53 | |
-Sophie, what are you thinking? -I'm thinking accordion. Hm. | 0:17:53 | 0:17:56 | |
Because you play that better than the trumpet? | 0:17:56 | 0:17:59 | |
-Does your heart say accordion? -My heart sings accordion. | 0:17:59 | 0:18:02 | |
-Well, if that's the case, you have to have the accordion. -Yeah. | 0:18:02 | 0:18:06 | |
We've got four minutes. If it's gone we're in trouble. | 0:18:06 | 0:18:09 | |
-Oh, no! -OK, go! It might be gone. -Oh, no. | 0:18:09 | 0:18:12 | |
'It's all getting a bit tense for both teams. | 0:18:15 | 0:18:18 | |
'Peter is still on the hunt for that elusive chess set.' | 0:18:18 | 0:18:21 | |
-Clock is ticking and I'm about to go on one of my tangents. -You're free to do it. -Off the rein! | 0:18:23 | 0:18:29 | |
'Peter's found a chess set, but sadly, it's not complete. | 0:18:38 | 0:18:41 | |
'Bad move, reds.' | 0:18:41 | 0:18:43 | |
-How long have we got left now? -13 minutes. I'm glad you asked. | 0:18:49 | 0:18:52 | |
-Shall we find something quickly? -Yeah. | 0:18:52 | 0:18:55 | |
'Even though time's running out, the blues are still trying to make sweet music.' | 0:18:56 | 0:19:02 | |
-Is it still there? -Yeah. -It is still there. | 0:19:02 | 0:19:04 | |
-Oh, brilliant! -There's the dream machine. | 0:19:04 | 0:19:07 | |
STALL HOLDER: It's only 110. | 0:19:07 | 0:19:10 | |
-We can make it 120. -Aw! -Perfect! Yeah. | 0:19:10 | 0:19:14 | |
Make it 150 and you've got yourself a deal! | 0:19:14 | 0:19:17 | |
Oh! I like your style! | 0:19:17 | 0:19:19 | |
Very best, £90. Can't do any more. | 0:19:19 | 0:19:22 | |
It does come with a guarantee, but it's only 30 minutes! | 0:19:22 | 0:19:26 | |
Or 30 yards. | 0:19:26 | 0:19:28 | |
OK, shake his hand, you're done. | 0:19:28 | 0:19:30 | |
-Thank you very much. -Well done, you two. | 0:19:30 | 0:19:34 | |
'Job's done, blues, but time's a-ticking, | 0:19:34 | 0:19:36 | |
'and the reds have to find their last item.' | 0:19:36 | 0:19:39 | |
That any good? It's very unusual. | 0:19:39 | 0:19:42 | |
-It doesn't rock your boat? -Not really. | 0:19:42 | 0:19:45 | |
Four minutes. > | 0:19:45 | 0:19:47 | |
Is this a yes or a no? I like it. | 0:19:47 | 0:19:50 | |
It's a no, I'm afraid. | 0:19:50 | 0:19:52 | |
What about these vases? | 0:19:52 | 0:19:54 | |
-Do you like? -I do. Not enough age for us. -OK. | 0:19:54 | 0:19:59 | |
-You want bling? Big? Flash? -Oh, look at this! | 0:19:59 | 0:20:03 | |
Look at that FANTASTIC inkwell. | 0:20:03 | 0:20:06 | |
It's glass. It's crystal. It's on this big bold wooden base. | 0:20:06 | 0:20:10 | |
Brass top. I think that's really got it. | 0:20:10 | 0:20:13 | |
It would sit well on a nice desk in Cheshire. | 0:20:13 | 0:20:16 | |
It's got great quality. It's £175. | 0:20:16 | 0:20:19 | |
I would love to buy that. I really would love to buy that. | 0:20:19 | 0:20:23 | |
-I'd buy that. -Quick! Shall we find out the price? | 0:20:23 | 0:20:26 | |
-< Two minutes. -Two minutes! | 0:20:26 | 0:20:28 | |
Shall we find the man that works on the stall? | 0:20:28 | 0:20:31 | |
Or lady. > | 0:20:32 | 0:20:34 | |
-We love the inkwell. -Oh, right. -We love the inkwell. | 0:20:34 | 0:20:37 | |
-Unfortunately, we haven't got a lot of time or money. What's your very best? -135? | 0:20:37 | 0:20:42 | |
Er... Well, I love it. | 0:20:42 | 0:20:45 | |
-I don't think it'll make us money, but time is against us. -Oh! | 0:20:45 | 0:20:48 | |
-But it's lovely. -Lovely quality. | 0:20:48 | 0:20:51 | |
It MAY make us a bit. | 0:20:51 | 0:20:53 | |
If it's not going to make money, I'm afraid... | 0:20:53 | 0:20:56 | |
-< One minute. -What do you think of that vase? | 0:20:56 | 0:21:00 | |
I think we should buy it. | 0:21:00 | 0:21:02 | |
We're buying an item that's probably not going to make any money! | 0:21:02 | 0:21:06 | |
-I'll do 130. -Oh, let's have it. | 0:21:06 | 0:21:08 | |
CHRIS LAUGHS | 0:21:08 | 0:21:11 | |
-Well? -Ten, nine, eight... | 0:21:11 | 0:21:13 | |
-What about that? -We haven't got time to think about that. -OK. | 0:21:13 | 0:21:17 | |
-Let's have it. -Thank you very much. | 0:21:17 | 0:21:20 | |
I think they'll do all right. Shake the lady's hand. | 0:21:20 | 0:21:23 | |
Shake the lady's hand, Rhian. | 0:21:23 | 0:21:25 | |
'Blimey! That was close to the wire. Well done, then, reds.' | 0:21:25 | 0:21:29 | |
That's it. Time's up. Let's check out what the red team bought. | 0:21:34 | 0:21:38 | |
'They paid £80 for this vintage Bakelite television set. | 0:21:40 | 0:21:44 | |
'Then they trotted off with this 20th century horse. | 0:21:44 | 0:21:49 | |
'And at the last moment, they bought this gorgeous inkwell.' | 0:21:51 | 0:21:56 | |
-Are you both happy? -Yes. -We are. | 0:21:58 | 0:22:00 | |
Is it true that you spent £250? | 0:22:00 | 0:22:03 | |
-Yes. -250 smackers. -That is a marvellous result! | 0:22:03 | 0:22:07 | |
-Who's got the £50 leftover lolly? -I have. | 0:22:07 | 0:22:10 | |
I'm going to hand that straight over to Chris. | 0:22:10 | 0:22:13 | |
Your challenge - find something to make a profit. Super-dooper. | 0:22:13 | 0:22:17 | |
Meanwhile, why don't we check out what the blue team bought? | 0:22:17 | 0:22:20 | |
'Connor got the team started when he spotted this pair of Indian trays. | 0:22:20 | 0:22:26 | |
£55 was spent on this embellished early Victorian teapot stand. | 0:22:27 | 0:22:32 | |
'The blues finished on a happy note | 0:22:32 | 0:22:35 | |
'when they bought this accordion for a song - well, £90, actually.' | 0:22:35 | 0:22:39 | |
-You spent how much in toto? -155. -155. | 0:22:39 | 0:22:43 | |
I'd like 145 of leftover lolly, please. | 0:22:43 | 0:22:46 | |
OK, 145. Yes? Over to the Harper. You've got a challenge here, Dave? | 0:22:46 | 0:22:50 | |
I do, but I've proven that I have a natural, inbuilt musical ability, so I might go down that route. | 0:22:50 | 0:22:57 | |
-Might you? -I might. -You're such a tease. -Thank you. | 0:22:57 | 0:23:00 | |
Let's hope you don't blow the wrong note! Good luck, team. Relax up. | 0:23:00 | 0:23:04 | |
We're heading to Buckinghamshire, to the gorgeous Waddesdon Manor. | 0:23:04 | 0:23:08 | |
At one time, there were over 40 Rothschild mansions and palaces | 0:23:23 | 0:23:28 | |
strung out across Europe. | 0:23:28 | 0:23:30 | |
Waddesdon Manor today stands as a living testament to a great family | 0:23:30 | 0:23:36 | |
of collectors and connoisseurs. | 0:23:36 | 0:23:38 | |
It was built by Ferdinand de Rothschild | 0:23:38 | 0:23:42 | |
and was completed around about 1883. | 0:23:42 | 0:23:45 | |
It still contains the most extraordinary eclectic collection of art and objects. | 0:23:45 | 0:23:53 | |
Following Ferdinand de Rothschild's death in 1898, | 0:23:55 | 0:23:59 | |
the house was inherited by his sister, Alice de Rothschild. | 0:23:59 | 0:24:04 | |
Alice de Rothschild must have been the most extraordinary woman | 0:24:05 | 0:24:09 | |
because in the 19th century, the latter end, | 0:24:09 | 0:24:12 | |
for a woman to be collecting arms and armour, | 0:24:12 | 0:24:15 | |
I guess was probably unique. | 0:24:15 | 0:24:17 | |
Whether you know much about arms and armour or not, | 0:24:17 | 0:24:21 | |
the shapes and the materials are absolutely fascinating. | 0:24:21 | 0:24:25 | |
Two of the pieces which I think are very special are these. | 0:24:25 | 0:24:30 | |
This is something called a couter, which is an elbow piece, | 0:24:30 | 0:24:36 | |
making up part of what could be 36 pieces of armour, all told, | 0:24:36 | 0:24:42 | |
to fully protect your body in a battle or ceremony. | 0:24:42 | 0:24:47 | |
If you could feel this thing, | 0:24:47 | 0:24:49 | |
you'd be surprised as to how light it is, | 0:24:49 | 0:24:52 | |
because the steel has been beaten so that it's extremely thin. | 0:24:52 | 0:24:57 | |
It's then been raised with an acanthus leaf. | 0:24:57 | 0:25:01 | |
That acanthus leaf finishes in a lovely terminal here. | 0:25:01 | 0:25:05 | |
Look at the way that scrolls around so tightly. | 0:25:05 | 0:25:09 | |
When you consider that that's been made in the 16th century | 0:25:09 | 0:25:14 | |
by a hammering technique, it's extraordinary. | 0:25:14 | 0:25:17 | |
The central helmet's fun, too. | 0:25:18 | 0:25:20 | |
This is called a burgonet. It's a type of open helmet. | 0:25:20 | 0:25:26 | |
Burgonets have a peak to them with a central ridge. | 0:25:26 | 0:25:31 | |
It, too, is 16th century, said to date from the 1530s, | 0:25:31 | 0:25:36 | |
and was made by the Madroni family in Mantua in Italy. | 0:25:36 | 0:25:41 | |
It's an extremely rare and handsome example. | 0:25:41 | 0:25:45 | |
And there are other things of Italian interest around these parts. | 0:25:46 | 0:25:50 | |
This magnificent piece of furniture is one of a pair. | 0:26:01 | 0:26:06 | |
It's by an Italian craftsman like no other, | 0:26:06 | 0:26:11 | |
Pietro Piffetti, | 0:26:11 | 0:26:13 | |
who was making furniture like this in Turin in the 1730s and 1740s - | 0:26:13 | 0:26:20 | |
very, very early Rococo style pieces of furniture. | 0:26:20 | 0:26:25 | |
His speciality, believe it or not, | 0:26:25 | 0:26:27 | |
was veneering in ivory and precious woods. | 0:26:27 | 0:26:31 | |
If you look at the eccentric shaped top, | 0:26:31 | 0:26:35 | |
it is almost completely plastered in the stuff. | 0:26:35 | 0:26:39 | |
Except that, instead of just inlaying flat sheets of ivory, | 0:26:39 | 0:26:44 | |
he treats them in a special decorative way. | 0:26:44 | 0:26:47 | |
Each sheet is engraved. | 0:26:47 | 0:26:49 | |
In the middle of the cartouche, | 0:26:49 | 0:26:51 | |
we've got a scene with a group of putti, one riding a dolphin | 0:26:51 | 0:26:55 | |
whilst playing a violin - that's clever. | 0:26:55 | 0:26:58 | |
And his putti mates are on the shore playing with each other | 0:26:58 | 0:27:03 | |
and a lot of fish. | 0:27:03 | 0:27:05 | |
When you consider that practically every other surface, | 0:27:05 | 0:27:09 | |
all the curvy uprights and the drawer fronts, | 0:27:09 | 0:27:12 | |
all of which curve and move, | 0:27:12 | 0:27:14 | |
are also covered with engraved ivory, | 0:27:14 | 0:27:17 | |
you get to twig just how important and special | 0:27:17 | 0:27:20 | |
these pieces of furniture are. | 0:27:20 | 0:27:22 | |
The big question today is, just how magnificent | 0:27:22 | 0:27:26 | |
are our teams' performances going to be over at the auction? | 0:27:26 | 0:27:30 | |
I'm selling away... 85. | 0:27:32 | 0:27:34 | |
90. Five. Right at the back, then, 95. | 0:27:34 | 0:27:39 | |
Frank Marshall & Co is where we're at in Knutsford | 0:27:40 | 0:27:43 | |
with Nicholas Hall, our auctioneer of the moment and all-round hero. | 0:27:43 | 0:27:47 | |
-Welcome Tim. -How are you? -Very well, thanks. -Lovely to see you again. | 0:27:47 | 0:27:50 | |
-It's busy enough in this place. -Packed to the gunwales all day long, it's been. | 0:27:50 | 0:27:55 | |
-We've brought all this to button your life up with. -Thanks, Tim(!) | 0:27:55 | 0:27:59 | |
Not at all. Well, the red team are responsible for the Bakelite telly, | 0:27:59 | 0:28:03 | |
which I guess dates from about 1950. | 0:28:03 | 0:28:05 | |
Yeah, when we catalogued it we said '30s, '40s. | 0:28:05 | 0:28:08 | |
It's going to be nearer '50 than '40. | 0:28:08 | 0:28:10 | |
-The old brown Bakelite's not the best colour scheme. -No. | 0:28:10 | 0:28:14 | |
The rarer the colour, the higher the value, but it's got a nice shape to it. | 0:28:14 | 0:28:18 | |
That streamlined Deco look about it. We've said 80 to 120 on there. | 0:28:18 | 0:28:23 | |
-£80 they paid. -OK, good. -So that was the right price. -Yeah. | 0:28:23 | 0:28:27 | |
Now, we've got a spelter horse. Is it really spelter? | 0:28:27 | 0:28:31 | |
-Is it bronze or bronzed? -It's bronze, that. | 0:28:31 | 0:28:35 | |
-Yeah. -That's cast bronze or I'm a Dutchman. | 0:28:35 | 0:28:39 | |
-Either way, it's a modern lump. -It's a modern lump. | 0:28:39 | 0:28:42 | |
But at least it's bronze to start off with. So, how much? | 0:28:42 | 0:28:45 | |
-Well, we've gone for £50 to £80. -Good man. | 0:28:45 | 0:28:49 | |
-£40 paid, so they got it at the right price. -Yeah. | 0:28:49 | 0:28:52 | |
Now, moving on, we've got this so-called crystal, | 0:28:52 | 0:28:55 | |
but actually it's moulded glass, inkwell. | 0:28:55 | 0:28:58 | |
It's a magnificent thing, isn't it? | 0:28:58 | 0:29:00 | |
You can see that coming from the corporation mayoral chamber. | 0:29:00 | 0:29:04 | |
"I'll just sign a document using my..." | 0:29:04 | 0:29:07 | |
-That's very good. -Is it? -Yeah. You should do this professionally. | 0:29:07 | 0:29:11 | |
You stop jesting and give us an estimate on this magnificent lump. | 0:29:11 | 0:29:16 | |
-OK. £70 to £100. -£130 they paid, so they're a bit over-the-top. | 0:29:16 | 0:29:21 | |
-A tad. -They could have signed their own death warrant with that. -Yeah. | 0:29:21 | 0:29:25 | |
In which case, they're going to need their Bonus Buy, so let's go and have a look at it. | 0:29:25 | 0:29:29 | |
Peter, Rhian, you spent 250 - which was a magnificent total, I have to say. | 0:29:29 | 0:29:35 | |
And you gave 50 smackers to Chris. | 0:29:35 | 0:29:37 | |
-What did you buy, Christopher? -Another inkwell. | 0:29:37 | 0:29:41 | |
LAUGHTER | 0:29:41 | 0:29:44 | |
No, it's not a joke. | 0:29:44 | 0:29:46 | |
I know how much you love inkwells. Quite different from the last one. | 0:29:46 | 0:29:50 | |
A partners' inkwell. Silver plate, unfortunately. | 0:29:50 | 0:29:53 | |
-Not silver for the £50 I had. -Right, OK. -Do you like it? | 0:29:53 | 0:29:57 | |
Um... If you like it, we like it. CHRIS LAUGHING | 0:29:57 | 0:30:01 | |
-And I think it'll make us a profit, which is most important. -OK. | 0:30:01 | 0:30:06 | |
-How much did you spend, Chris? -£50. I spent the full amount. | 0:30:06 | 0:30:10 | |
It's a clean thing, ready to go. | 0:30:10 | 0:30:12 | |
-For £50, to buy that retail, I think is pretty cool. -I think so, too. | 0:30:12 | 0:30:17 | |
-I'm warming to it. -Yeah? He's warming to it. | 0:30:17 | 0:30:20 | |
-I'm warming to it. -Everybody's warming to it. | 0:30:20 | 0:30:24 | |
In fact, we're getting red hot here. | 0:30:24 | 0:30:26 | |
Let's not go too far, and find out, for the audience at home, | 0:30:26 | 0:30:30 | |
what the auctioneer thinks about Chris's inkwell. | 0:30:30 | 0:30:33 | |
Thank you. | 0:30:33 | 0:30:35 | |
Talking of signing your death warrant. | 0:30:37 | 0:30:39 | |
-There's a definite theme. -There is something going on here. | 0:30:39 | 0:30:43 | |
-A real running theme. This is a better quality one. -Isn't it? | 0:30:43 | 0:30:46 | |
Yeah. Nice. Silver plate. Early 20th century. | 0:30:46 | 0:30:50 | |
-Good classic style. -Proper bottles. -Yeah. | 0:30:50 | 0:30:52 | |
Proper bottles, bit of wear and age to them. | 0:30:52 | 0:30:55 | |
This could do all right. Good buy, I think. | 0:30:55 | 0:30:58 | |
-What do you think it might bring? -80-120. | 0:30:58 | 0:31:00 | |
-Really? -Yeah. -That Gower paid £50 for it. -He did well. -That's cunning. -Yeah. | 0:31:00 | 0:31:06 | |
IF the teams decide to go with the Bonus Buy. | 0:31:06 | 0:31:09 | |
That's the big question at the time. | 0:31:09 | 0:31:11 | |
That's it for the reds. Now for the blues. | 0:31:11 | 0:31:14 | |
-What a table full we've got here, Nick. -Yeah. | 0:31:14 | 0:31:16 | |
Table full of something, Tim. | 0:31:16 | 0:31:18 | |
How do you rate these teak tray table jobs? | 0:31:18 | 0:31:22 | |
-It would be nice if the inlay was still intact. -Yes. | 0:31:22 | 0:31:26 | |
Again, I think it falls into that tourist ware art, really. | 0:31:26 | 0:31:30 | |
Visakhapatnam was the place for this type of inlay. | 0:31:30 | 0:31:34 | |
-Yeah. -It's a great shame those lumps are missing. | 0:31:34 | 0:31:37 | |
-They'd be very difficult to replace. -That's the issue. | 0:31:37 | 0:31:40 | |
The restoration cost is going to keep the price down. Although we're not being too mean. | 0:31:40 | 0:31:44 | |
-What's your estimate? -We said 30 to 50. | 0:31:44 | 0:31:47 | |
Our team, though, only paid £10. Yes! | 0:31:47 | 0:31:50 | |
-That was a good buy. -For £10? -Gosh! Each or the pair? -No, for the pair. | 0:31:50 | 0:31:55 | |
A five pound note each. That's Anglesey bargain hunting! | 0:31:55 | 0:31:59 | |
-I'll be off there in a minute. Gosh. -I'm surprised. | 0:31:59 | 0:32:02 | |
-Anyway, shut up on that. -OK. -Move on to the beadwork. -Yeah. | 0:32:02 | 0:32:05 | |
-We're missing beads, aren't we? -Again, more missing beads. | 0:32:05 | 0:32:09 | |
-We had a bad moth in there? -Yeah. I like the inlay round the side. | 0:32:09 | 0:32:13 | |
The walnut veneers are good and the little feet are pretty. | 0:32:13 | 0:32:16 | |
You could, rather than restore that, | 0:32:16 | 0:32:19 | |
get a nice mirrored inset top as a table centre. | 0:32:19 | 0:32:22 | |
Now you're talking. That's pure genius. | 0:32:22 | 0:32:25 | |
-What's your estimate? -40 to 60. -Is that all, after all that genius? | 0:32:25 | 0:32:29 | |
-We haven't got the mirror, yet. -That's true. | 0:32:29 | 0:32:31 | |
They paid £55. So there's a good chance. | 0:32:31 | 0:32:33 | |
-Somebody will have a bright idea like you, and save it. -Sure. | 0:32:33 | 0:32:37 | |
Now, whether you'll have a bright idea about the accordion or not! | 0:32:37 | 0:32:42 | |
-Would that be Sellotape keeping it together? -The finest Sellotape. | 0:32:42 | 0:32:46 | |
It's obviously been at some raucous parties. | 0:32:46 | 0:32:49 | |
-It's had it, basically. -Yeah. -Difficult thing to value. | 0:32:49 | 0:32:52 | |
-They do make money if they're in good nick. -Yeah. | 0:32:52 | 0:32:55 | |
They will make three figures, in good condition. | 0:32:55 | 0:32:58 | |
-In that condition, we've plumped for 30 to 50. -OK, £90 paid. -Ouch. | 0:32:58 | 0:33:02 | |
-I think they struck the wrong note with that. -A bum note. -They have. | 0:33:02 | 0:33:06 | |
And on that note, we'll have a look at their Bonus Buy, | 0:33:06 | 0:33:09 | |
cos they're going to need it. | 0:33:09 | 0:33:11 | |
Sophie, Connor, you spent 155. | 0:33:11 | 0:33:13 | |
£145 went to Mr David Harper. What did you spend it on, David? | 0:33:13 | 0:33:18 | |
Ho ho ho! | 0:33:18 | 0:33:20 | |
We made music, did we not? Come on! | 0:33:20 | 0:33:23 | |
-Brilliant! -Sophie, here's your opportunity to redeem yourself! | 0:33:23 | 0:33:28 | |
I thought I'd never have to look at it again. ALL LAUGH | 0:33:28 | 0:33:32 | |
It's got its case, of course. | 0:33:32 | 0:33:34 | |
We think it might be a cornet, as opposed to a trumpet. | 0:33:34 | 0:33:37 | |
-We should know that, being so musical. -I can play the trumpet! | 0:33:37 | 0:33:41 | |
-Oh, I do apologise. -Cornet, yeah. | 0:33:41 | 0:33:44 | |
-How much did you pay for it? -30 quid, with its box. | 0:33:45 | 0:33:48 | |
I thought, "We've got to have it!" | 0:33:48 | 0:33:50 | |
-How much do you think it's going to make? -Not much! | 0:33:50 | 0:33:53 | |
-Could it make £60? -It could do. | 0:33:53 | 0:33:55 | |
A £30 to £50 estimate, I'd have thought. It might make 50 quid. | 0:33:55 | 0:33:59 | |
Well done. For the viewers at home, | 0:33:59 | 0:34:01 | |
let's find out what the auctioneer thinks about the trumpet-cornet. | 0:34:01 | 0:34:05 | |
OK, Nick, this is your opportunity to shine on national television. | 0:34:05 | 0:34:09 | |
Unfortunately, I'd ruin your viewing figures if I played this, Tim. | 0:34:09 | 0:34:13 | |
-I'd better not. -Is this going to bring many notes, do you think? | 0:34:13 | 0:34:17 | |
They are collectable. A little bit of pitting on the silver plate. | 0:34:17 | 0:34:21 | |
It could be polished out and done. £30 to £50. | 0:34:21 | 0:34:24 | |
-£30 paid. -That's the right money. -By David Harper. -Good on him. | 0:34:24 | 0:34:28 | |
-You taking the sale today? -I shall, Tim. -Good luck! -Thank you. | 0:34:28 | 0:34:32 | |
On the left at 120. At £120, any advance? | 0:34:32 | 0:34:37 | |
On the left at 120. Selling and away at 120... | 0:34:37 | 0:34:40 | |
-Rhian, Peter, you excited? -Yes. | 0:34:42 | 0:34:44 | |
-Isn't it lovely to see a crowded saleroom? Stuffed up with folk who are here to buy your items! -Yes! | 0:34:44 | 0:34:50 | |
-Maybe. -I hope so. | 0:34:50 | 0:34:52 | |
Anyway, first lot up is your Bush TV set and here it comes. | 0:34:52 | 0:34:55 | |
Lot number 118 is the Bush type 22 TV in the Bakelite case. | 0:34:55 | 0:35:03 | |
Where are we going to go with this? £80 for it? 80? 60? | 0:35:03 | 0:35:06 | |
50? Surely at £50. £40? £30? | 0:35:06 | 0:35:10 | |
Oh, lordy! | 0:35:10 | 0:35:12 | |
Wake up. Have a go at this at £30, surely. | 0:35:12 | 0:35:14 | |
Thank you. 30 I'm bid. Gent seated at 30... | 0:35:14 | 0:35:17 | |
-This is no money, Chris. -..Five I have. | 0:35:17 | 0:35:21 | |
40. 40 on the very end. Bidding in the middle? 45. | 0:35:21 | 0:35:25 | |
50 the end, now. At 50. Try another. At 50. Five I have. | 0:35:25 | 0:35:29 | |
Go 60? Thank you. 60. At £60. Nice early one. | 0:35:29 | 0:35:32 | |
With you on the end, sir. At £60 the bid. | 0:35:32 | 0:35:36 | |
-All done and selling away... -I don't believe this. | 0:35:36 | 0:35:39 | |
-BANGS GAVEL -£60. That's no money. | 0:35:39 | 0:35:42 | |
Minus £20. You'll make it up now on this gee gee, hopefully. | 0:35:42 | 0:35:46 | |
The ornamental 20th century cast bronze figure | 0:35:46 | 0:35:49 | |
of a standing racehorse. | 0:35:49 | 0:35:51 | |
Not sure if he's a National winner, but he's in solid bronze. | 0:35:51 | 0:35:54 | |
Starting blocks at where? 50? | 0:35:54 | 0:35:57 | |
40? £40? £30? Thank you, sir. 30 I'm bid. At 30. | 0:35:57 | 0:36:01 | |
Any advance on £30? 35. 40. | 0:36:01 | 0:36:04 | |
-< Five. 50... -You're in profit. | 0:36:04 | 0:36:07 | |
Giddy up, horsey! | 0:36:07 | 0:36:09 | |
..Any advance? At £50 for the bronze. Selling away at £50. | 0:36:09 | 0:36:13 | |
Oh, well. £50 is plus £10. You are now only minus £10. | 0:36:13 | 0:36:19 | |
Lot 120 is the large, late 19th century hexagonal glass inkwell | 0:36:19 | 0:36:26 | |
a real desk-filler this one. | 0:36:26 | 0:36:28 | |
Smart looking object. Nice quality. 70? 60? 50? | 0:36:28 | 0:36:32 | |
£50 anywhere? Surely 50 for it. Come on, don't be mean. | 0:36:32 | 0:36:36 | |
50 online. They've had a look. It's £50 and away. Where's five? | 0:36:36 | 0:36:40 | |
Five in the room. 65 here. 70 with you, sir. At 70 standing. | 0:36:40 | 0:36:45 | |
Five? 80. Back in the room at 80 bid. And five now. | 0:36:45 | 0:36:49 | |
90. 90 has it in the room. | 0:36:49 | 0:36:51 | |
Five will you? The bid's at 90. It's against you online. At £90. | 0:36:51 | 0:36:56 | |
-£90 only. -< Selling if you're sure. | 0:36:56 | 0:36:59 | |
-BANGS GAVEL -£90 is minus £40. | 0:36:59 | 0:37:01 | |
Oh, I'm sorry! Oh, dear! | 0:37:01 | 0:37:05 | |
-I'm sorry about that, chaps. You're minus £50. -Oh! | 0:37:05 | 0:37:09 | |
-What are you going to do? -Let's go for it. Why not? | 0:37:09 | 0:37:13 | |
We've always had a thing for inkwells. LAUGHTER | 0:37:13 | 0:37:16 | |
-You're going to do it? -Yes, do it. -We're going with the Bonus Buy. | 0:37:16 | 0:37:21 | |
Lot number 124 is a 1940s silver-plated desk-top ink stand. | 0:37:21 | 0:37:27 | |
More commission bids on the book. | 0:37:27 | 0:37:29 | |
I'm going to start the bidding here at 75, 85... | 0:37:29 | 0:37:32 | |
-Look at this! -At £90. The bid's with me at 90. | 0:37:32 | 0:37:36 | |
At 90 bid. On commission at £90. | 0:37:36 | 0:37:40 | |
Five? 100 against you. Back on commission at £100. | 0:37:40 | 0:37:43 | |
-Gosh! You doubled your money. -Try one more. | 0:37:43 | 0:37:47 | |
110, thank you. The book's out. The bid's online at £110. | 0:37:47 | 0:37:52 | |
120, snuck in, thank you. At 120 in the back. | 0:37:52 | 0:37:55 | |
120 in the room and selling away... | 0:37:55 | 0:37:58 | |
-BANGS GAVEL -That is plus £70! | 0:37:58 | 0:38:01 | |
-Yay! -You've done it. | 0:38:01 | 0:38:04 | |
£70 profit saves your bacon | 0:38:05 | 0:38:08 | |
and sends you away with plus £20. | 0:38:08 | 0:38:11 | |
-Yes! -There we go. It's a success. | 0:38:11 | 0:38:13 | |
-Don't say a word to the blues. -We won't. | 0:38:13 | 0:38:16 | |
-Soph, Connor, you been chatting to those naughty reds? -Yes. -No. -No. | 0:38:23 | 0:38:27 | |
-Yes? No? You haven't. -No. | 0:38:27 | 0:38:30 | |
-Not about the score, anyway. -No, about the weather. | 0:38:30 | 0:38:33 | |
-You're so sweet, Soph. -How lovely Knutsford is. | 0:38:33 | 0:38:36 | |
-Just want to be sociable, but not break the rules. -Yeah. -Very good. | 0:38:36 | 0:38:41 | |
First up are the Indian trays and here they come. | 0:38:41 | 0:38:44 | |
Lot number 135, pair of early to mid 20th century | 0:38:44 | 0:38:47 | |
Indian marquetry inlaid trays. | 0:38:47 | 0:38:50 | |
Smart looking things and good to find a pair as well. | 0:38:50 | 0:38:54 | |
50? £50 for the pair? | 0:38:54 | 0:38:56 | |
40? 30? Who's in at £30? | 0:38:56 | 0:38:59 | |
-At £30? -Uh-oh! | 0:38:59 | 0:39:02 | |
Start me now at £20. Anyone awake still? | 0:39:02 | 0:39:05 | |
-Let's get some bids going. -Come on! -At £20? 15? -Oh! | 0:39:05 | 0:39:10 | |
Ten? Hello, do you want them? | 0:39:10 | 0:39:12 | |
Yes! | 0:39:12 | 0:39:13 | |
At £10, second row seated. At £10. | 0:39:13 | 0:39:16 | |
-15. 20. -Yes, come on! | 0:39:16 | 0:39:19 | |
You've doubled your money. | 0:39:19 | 0:39:22 | |
At 20 only and selling away at £20... | 0:39:22 | 0:39:25 | |
-BANGS GAVEL -Ooh! -£20, then. Plus £10. | 0:39:25 | 0:39:28 | |
Disappointing, but it's a profit. | 0:39:28 | 0:39:31 | |
Lot 136 is the Victorian beadwork and inlaid stand. | 0:39:31 | 0:39:36 | |
Nice little lot there. Commission bids. I start at 30. | 0:39:36 | 0:39:40 | |
At £30. Selling and away, if you're sure and done? | 0:39:40 | 0:39:43 | |
At £30 and selling... | 0:39:43 | 0:39:45 | |
-BANGS GAVEL -Oh, no. £30 is minus £25. | 0:39:45 | 0:39:48 | |
You are minus 15. | 0:39:48 | 0:39:50 | |
OK, now, the accordion. Stand by. | 0:39:50 | 0:39:52 | |
Lot 137 is the mid 20th century Italian Soprani | 0:39:52 | 0:39:57 | |
120 button piano accordion - interesting little lot this. | 0:39:57 | 0:40:01 | |
If you don't bid up, I promise I will play it. | 0:40:01 | 0:40:04 | |
That'll make you wish you'd bid on it then! £50 for this? | 0:40:04 | 0:40:08 | |
50? 40? 30? At £30? | 0:40:08 | 0:40:11 | |
25? Thank you. 25 seated. Any advance on £25? | 0:40:11 | 0:40:15 | |
At 25. 30 online. 35. Don't let it go now at £35. | 0:40:15 | 0:40:20 | |
40. | 0:40:20 | 0:40:22 | |
-Come on. Come on. -Ooh! | 0:40:22 | 0:40:24 | |
The bid's online at 40. All done and sure? Selling away at £40... | 0:40:24 | 0:40:28 | |
-BANGS GAVEL -£40 is minus 50. | 0:40:28 | 0:40:32 | |
That is overall minus £65. | 0:40:32 | 0:40:34 | |
-Ooh! -Ooh, dear! What about the trumpet and cornet, then? | 0:40:34 | 0:40:38 | |
-We were going to buy it anyway. -We're going to go for it. | 0:40:38 | 0:40:42 | |
-Yeah. -Yes? -Mm-hm. -That's the decision. | 0:40:42 | 0:40:44 | |
Going to trust you, Dave. We're going with the trumpet-cornet. | 0:40:44 | 0:40:48 | |
You're going with the Bonus Buy - | 0:40:48 | 0:40:51 | |
one cornet, two ice lollies and a trumpet. | 0:40:51 | 0:40:54 | |
Who's going to make sweet music with this lot? | 0:40:54 | 0:40:57 | |
Silver-plated trumpet. Actually, we think it's probably a cornet. | 0:40:57 | 0:41:01 | |
Where are we going to go? Start me where? £50? 40? | 0:41:01 | 0:41:05 | |
30? Nice one in the silver plate. Good named maker as well. | 0:41:05 | 0:41:09 | |
20 I'll start. Who's in at £20? Surely. | 0:41:09 | 0:41:12 | |
-Thank you, sir. 20 I'm bid... -Come on. Come on. | 0:41:12 | 0:41:15 | |
..Bid's in the room at £20. 25 online against you. 25 here. | 0:41:15 | 0:41:20 | |
30 I'm bid. At £30. | 0:41:20 | 0:41:23 | |
You finished online? Yes or no? At £30 on my left and selling. | 0:41:23 | 0:41:26 | |
-35 new bidder. -Yes! -Come on! | 0:41:26 | 0:41:29 | |
40, he's still in. At 40. Going another one, sir? Come on. | 0:41:29 | 0:41:33 | |
-Go on! -40 against you. | 0:41:33 | 0:41:35 | |
The bid's in the front on my left. You finished at the back? | 0:41:35 | 0:41:40 | |
It's 40 here. Selling away on my left at £40 and done... | 0:41:40 | 0:41:44 | |
-BANGS GAVEL -Yeah! -Plus £10, well done. | 0:41:44 | 0:41:47 | |
Always lovely to see the Bonus Buy make a profit. | 0:41:47 | 0:41:51 | |
-Overall, you're minus £55. -Oh! -BOTH: Oh! | 0:41:51 | 0:41:54 | |
Nothing to brag about but you never know, it might be a winning score | 0:41:54 | 0:41:58 | |
so don't say a thing to the reds and we'll convene in a moment. | 0:41:58 | 0:42:02 | |
You're great, you two. | 0:42:02 | 0:42:04 | |
-What a belting day we've had, haven't we? -Yeah. | 0:42:12 | 0:42:15 | |
-You haven't been chatting about the scores? -No. -No. | 0:42:15 | 0:42:18 | |
Well, it is my privilege and my duty to reveal that today, | 0:42:18 | 0:42:21 | |
by a substantial chunk, the runners-up are... | 0:42:21 | 0:42:24 | |
-the blues. -Oh, no! | 0:42:24 | 0:42:26 | |
LAUGHTER | 0:42:26 | 0:42:28 | |
-I'm afraid it's minus 55. -Oh! | 0:42:30 | 0:42:33 | |
-Yes! -LAUGHTER | 0:42:33 | 0:42:36 | |
-Don't look too sad about it. -I'm quite sad. -No! | 0:42:36 | 0:42:40 | |
You've been such a smashing couple and I'm sorry for you, | 0:42:40 | 0:42:43 | |
but nevertheless, the tidal wave that's hit us from the reds is unstoppable. | 0:42:43 | 0:42:48 | |
Because they're going home with a profit of £20. There are the 20 smackers, darling, which is lovely. | 0:42:48 | 0:42:54 | |
-You had a good time? -Fantastic. | 0:42:54 | 0:42:56 | |
Join us soon for some more bargain hunting, yes? | 0:42:56 | 0:42:59 | |
YES! | 0:42:59 | 0:43:01 | |
-Ooh! -LAUGHTER | 0:43:01 | 0:43:03 | |
I know you're sitting there thinking "I could have done better!" | 0:43:04 | 0:43:08 | |
Well, what's stopping you? | 0:43:08 | 0:43:10 | |
If you think you can spot a bargain, go to our website and apply. | 0:43:10 | 0:43:14 | |
It'll be splendid to see you! | 0:43:14 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:19 | 0:43:22 | |
E-mail [email protected] | 0:43:22 | 0:43:26 |