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Welcome to Peterborough. And looking around me, | 0:00:04 | 0:00:07 | |
I can already spy some bargains. | 0:00:07 | 0:00:09 | |
So let's go bargain-hunting...yeah! | 0:00:09 | 0:00:12 | |
We're at the East of England Showground, | 0:00:40 | 0:00:42 | |
primed and ready to do battle with the multitude of indoor | 0:00:42 | 0:00:48 | |
and outdoor stalls that they have on offer here. | 0:00:48 | 0:00:50 | |
So, while our teams get to their battle stations, | 0:00:50 | 0:00:54 | |
here's a quick squint as to what's coming up. | 0:00:54 | 0:00:58 | |
The British weather may just rain on the Red Team's parade. | 0:01:00 | 0:01:04 | |
An umbrella stand. | 0:01:04 | 0:01:06 | |
So our plan is out the window! | 0:01:06 | 0:01:09 | |
Whilst the Blues keep in time...and in tune. | 0:01:09 | 0:01:13 | |
Do you like the tangerine, do you like the pewter | 0:01:13 | 0:01:15 | |
-or do you like the kingfisher? -BOTH: Kingfisher. | 0:01:15 | 0:01:17 | |
There you go! | 0:01:17 | 0:01:20 | |
In unison. But first, let's get to the nitty-gritty and meet the teams. | 0:01:20 | 0:01:24 | |
Well, on the show today we've got boys versus girls, | 0:01:26 | 0:01:28 | |
and for the boys, we've got Barnaby and George | 0:01:28 | 0:01:31 | |
and for the girls, we've got Christie and Sarah. | 0:01:31 | 0:01:34 | |
-Hello, everyone! -ALL: Hello. | 0:01:34 | 0:01:35 | |
Lovely to see you. | 0:01:35 | 0:01:36 | |
Now, Barnaby, you met at school, you two, | 0:01:36 | 0:01:39 | |
and you've been at the same university. | 0:01:39 | 0:01:40 | |
Yes, we both went to Kimbolton School and met about 13 years ago. | 0:01:40 | 0:01:44 | |
And now we're both studying at the University of York. | 0:01:44 | 0:01:47 | |
So, what have you been doing at university? | 0:01:47 | 0:01:49 | |
I'm studying economics and politics. | 0:01:49 | 0:01:51 | |
I'm in my final year, with not too long left to go now. | 0:01:51 | 0:01:54 | |
And what are you hoping to do when you leave? | 0:01:54 | 0:01:56 | |
I'm hoping to go into the Army. I've got a place at Sandhurst. | 0:01:56 | 0:01:59 | |
And how long will you be in for initially? | 0:01:59 | 0:02:02 | |
It's a minimum of three years. | 0:02:02 | 0:02:04 | |
But I could probably see myself doing a bit longer than that. | 0:02:04 | 0:02:07 | |
But I'm not sure if I'd want to stay in for my whole career. | 0:02:07 | 0:02:10 | |
Good luck with that. George, what are you studying? | 0:02:10 | 0:02:12 | |
I study history and politics at the University of York as well, | 0:02:12 | 0:02:15 | |
so a little bit of overlap with Barney's degree. | 0:02:15 | 0:02:17 | |
-Are you going into the Army too? -No, I'm not going into the Army. | 0:02:17 | 0:02:20 | |
What are you hoping to do, then? | 0:02:20 | 0:02:21 | |
I'm hopefully going to travel, go travelling, | 0:02:21 | 0:02:24 | |
-and then perhaps do a law conversion after that. -Right. | 0:02:24 | 0:02:27 | |
What, the budding solicitor? | 0:02:27 | 0:02:29 | |
Yeah, following in the father's footsteps. | 0:02:29 | 0:02:31 | |
So your combined knowledge of economics, politics, | 0:02:31 | 0:02:35 | |
and history and your obvious dress sense | 0:02:35 | 0:02:38 | |
is going to take you to great places today on Bargain Hunt, is it? | 0:02:38 | 0:02:41 | |
Well, hopefully, yes. | 0:02:41 | 0:02:43 | |
We'll spend lots of money, not leave much for our expert, | 0:02:43 | 0:02:46 | |
and cover a variety of different areas. | 0:02:46 | 0:02:49 | |
Well, that sounds exciting. Very good luck with that, chaps. | 0:02:49 | 0:02:52 | |
Now, girls. | 0:02:52 | 0:02:53 | |
Christie, you first met Sarah in the kitchen - is that right? | 0:02:53 | 0:02:56 | |
-Ish. -Ish? -We worked for a kitchen company. -Oh, I see. | 0:02:56 | 0:03:00 | |
We met about ten years ago. | 0:03:00 | 0:03:02 | |
Were you installing them or advising people about them? | 0:03:02 | 0:03:05 | |
We were supplying them, to the trade. | 0:03:05 | 0:03:08 | |
It's rather good, isn't it, when your friendship | 0:03:08 | 0:03:11 | |
can span a number of years, through the workplace. | 0:03:11 | 0:03:13 | |
That's it, yes. | 0:03:13 | 0:03:14 | |
You then left, did you? | 0:03:14 | 0:03:16 | |
I then decided to have a child, | 0:03:16 | 0:03:18 | |
so, yeah, I then left. | 0:03:18 | 0:03:20 | |
-She's now two. -How sweet. | 0:03:20 | 0:03:22 | |
Now, Sarah, you're something of an entrepreneur, I gather? | 0:03:22 | 0:03:26 | |
Trying to be, yes. | 0:03:26 | 0:03:28 | |
My mother and I set up a small business, selling home-made fudge. | 0:03:28 | 0:03:31 | |
What tempted you to go towards fudge? | 0:03:31 | 0:03:34 | |
Well, I left our kitchen company when I fell pregnant, | 0:03:34 | 0:03:38 | |
-and my daughter's two also. -Really? | 0:03:38 | 0:03:41 | |
-You left at the same time, then? -Pretty much. | 0:03:41 | 0:03:43 | |
I started doing a bit of part-time work | 0:03:43 | 0:03:45 | |
at this company where we get our fudge from, | 0:03:45 | 0:03:48 | |
and Mum said to me, "Why don't we have a go ourselves?" | 0:03:48 | 0:03:51 | |
-But your mother was an antiques dealer. -She was, yes. | 0:03:51 | 0:03:54 | |
So has it all rubbed off on you? | 0:03:54 | 0:03:56 | |
It has. From the age of about 12, | 0:03:56 | 0:03:58 | |
I was dragged round to many antiques fairs. | 0:03:58 | 0:04:01 | |
I think these boys are quaking in their boots | 0:04:01 | 0:04:04 | |
now that they get the truth! | 0:04:04 | 0:04:06 | |
You're up against a pro here. | 0:04:06 | 0:04:08 | |
And what are you planning to buy between you | 0:04:08 | 0:04:11 | |
to get these profits rolling in? | 0:04:11 | 0:04:13 | |
We came with a bit of a plan, and silver | 0:04:13 | 0:04:17 | |
-is something we're going to look for. -Cheap and shiny, I think, | 0:04:17 | 0:04:21 | |
-is the plan of action. -Yes. | 0:04:21 | 0:04:23 | |
At least you're going to start at that! | 0:04:23 | 0:04:25 | |
Wait and see what happens! | 0:04:25 | 0:04:27 | |
We've heard all this before. | 0:04:27 | 0:04:28 | |
Anyway, now the money moment. Your £300. Here we go. | 0:04:28 | 0:04:31 | |
£300 apiece. You know the rules. | 0:04:31 | 0:04:33 | |
Your experts await. And off you go! And very, very, very good luck. | 0:04:33 | 0:04:36 | |
What lovely teams we've got today! | 0:04:36 | 0:04:38 | |
Let's see who our experts are today. | 0:04:38 | 0:04:41 | |
SHE HUMS A FANFARE | 0:04:42 | 0:04:43 | |
Not afraid to blow her own trumpet, | 0:04:43 | 0:04:46 | |
for the Reds, it's Catherine Southon. | 0:04:46 | 0:04:48 | |
And for the Blues, a man who knows how to tap into a good deal | 0:04:48 | 0:04:52 | |
and keep it in the palm of his hand. | 0:04:52 | 0:04:54 | |
It's Thomas Plant. | 0:04:54 | 0:04:55 | |
-Girls, excited? -Very! -Oh, yes. | 0:04:59 | 0:05:02 | |
-Is it Christie or Chrissie? -It's Christie. -Christie. | 0:05:02 | 0:05:04 | |
-And Sarah. -Yes. | 0:05:04 | 0:05:06 | |
-Very nice to meet you. -And you. | 0:05:06 | 0:05:08 | |
Adieu?! We've only just started! | 0:05:08 | 0:05:10 | |
Now, I think I am going to have a bit of fun with you guys. | 0:05:10 | 0:05:14 | |
-I like different. -And a bit of heating, I think. | 0:05:17 | 0:05:19 | |
Heating's always good! | 0:05:19 | 0:05:21 | |
Are you two suffering? | 0:05:21 | 0:05:23 | |
Beautiful day for bargain-hunting(!) | 0:05:23 | 0:05:25 | |
Yes, Christie, we do quite often have to weather the storm. | 0:05:29 | 0:05:32 | |
But you could have opted for the great heated indoors, like the Reds. | 0:05:32 | 0:05:36 | |
We have a bit of a three-point plan. | 0:05:38 | 0:05:40 | |
We had a think on the way here today. | 0:05:40 | 0:05:42 | |
-And I think we want to look for some militaria, perhaps... -Militaria. | 0:05:42 | 0:05:45 | |
-..something ornamental, for example, for a mantelpiece or desk... -Right. | 0:05:45 | 0:05:49 | |
..and something novelty, a novelty item as well. | 0:05:49 | 0:05:52 | |
-Something quirky. -A little bit quirky. I like that. OK. | 0:05:52 | 0:05:55 | |
All right. | 0:05:55 | 0:05:57 | |
There you, go Catherine - that was easy. | 0:05:57 | 0:06:00 | |
By gum, though, it's nippy...even inside these sheds. | 0:06:00 | 0:06:03 | |
-Morning! -Morning. | 0:06:03 | 0:06:05 | |
Well, it might be chilly, | 0:06:07 | 0:06:09 | |
but we British, we can take the cold - we've had lots of practice. | 0:06:09 | 0:06:12 | |
-So what's this, then? -Well, we've got United States... | 0:06:12 | 0:06:17 | |
-Yes. -Yeah. -What's this flag here? -Don't know. | 0:06:17 | 0:06:19 | |
-Our nation's flag. -It's different! | 0:06:19 | 0:06:22 | |
It IS different. It is different. | 0:06:22 | 0:06:24 | |
But it's got our home nations on. | 0:06:24 | 0:06:26 | |
So you've got Scotland, the three lions, and what's that there? | 0:06:26 | 0:06:30 | |
-Wales? -No, it's an Irish harp. | 0:06:30 | 0:06:32 | |
So this is pre-independence for Ireland. | 0:06:32 | 0:06:34 | |
-Ireland separated in 1921. -OK. | 0:06:34 | 0:06:38 | |
-So that's got some age about it? -It's got some age about it. | 0:06:38 | 0:06:40 | |
But is that First World War? Could be. | 0:06:40 | 0:06:43 | |
"United we stand." In 1917, they joined us. | 0:06:43 | 0:06:46 | |
-It's in pretty good condition as well. -It's in nice condition. | 0:06:46 | 0:06:49 | |
Sometimes these bits of commemorative do do quite well. | 0:06:49 | 0:06:52 | |
Is it a wall plaque? | 0:06:52 | 0:06:54 | |
Yes, you're quite right, it is a wall plaque. | 0:06:54 | 0:06:56 | |
Normally, these were produced in the northeast - | 0:06:56 | 0:06:58 | |
Sunderland, around there. | 0:06:58 | 0:07:00 | |
With this lustre design, this could be a Staffordshire piece. | 0:07:00 | 0:07:03 | |
-It's quite an interesting object. -What price is it? | 0:07:03 | 0:07:06 | |
It's at £45. Shall we ask about this? Do you like this? | 0:07:06 | 0:07:09 | |
Yes, I...I don't think it's particularly attractive, | 0:07:09 | 0:07:12 | |
but I think what it stands for... | 0:07:12 | 0:07:14 | |
-is nice. -It's quite interesting, isn't it? | 0:07:14 | 0:07:16 | |
Yeah, if we can get the price down. | 0:07:16 | 0:07:18 | |
Quite right, Christie. | 0:07:18 | 0:07:19 | |
It all comes down to the money | 0:07:19 | 0:07:21 | |
and making sure you have some of it left for a rainy day. | 0:07:21 | 0:07:24 | |
Like today. | 0:07:24 | 0:07:26 | |
I love this. Look at the colour of it! | 0:07:28 | 0:07:30 | |
Very interesting. | 0:07:30 | 0:07:32 | |
Put your umbrellas in there... It's very Art Nouveau, isn't it? | 0:07:32 | 0:07:35 | |
Look at all these lovely curves. | 0:07:35 | 0:07:37 | |
-Very rich colour. -Looks continental. | 0:07:37 | 0:07:39 | |
Go to Paris, Metropolitan signs... | 0:07:39 | 0:07:42 | |
You know you've got all those curves and all those swirls? | 0:07:42 | 0:07:45 | |
It's that same sort of idea, isn't it? | 0:07:45 | 0:07:46 | |
-I'd love that by the back door, anyway. -How much? | 0:07:46 | 0:07:49 | |
£145. | 0:07:49 | 0:07:50 | |
-CATHERINE GASPS -£145. | 0:07:50 | 0:07:53 | |
-Do you like it, boys? -I do really like that. | 0:07:53 | 0:07:55 | |
I like the curves. | 0:07:55 | 0:07:57 | |
It's the colour, for me. It's nice and rich. | 0:07:57 | 0:08:00 | |
I'm slightly concerned about some of the chips | 0:08:00 | 0:08:02 | |
and the state of the bottom. | 0:08:02 | 0:08:04 | |
I wouldn't worry too much about that, | 0:08:04 | 0:08:06 | |
because generally speaking, | 0:08:06 | 0:08:08 | |
-it is actually in very good condition. -OK. | 0:08:08 | 0:08:11 | |
What could you do on it? | 0:08:11 | 0:08:12 | |
I'll do it for the £120, but that really is... | 0:08:12 | 0:08:15 | |
-Right, £120. -I'm happy to go with it. I really like it. | 0:08:15 | 0:08:18 | |
Catherine, you're obviously a yes. | 0:08:18 | 0:08:20 | |
I like it, but that's not perhaps the right reason. | 0:08:20 | 0:08:22 | |
-Do you think it's worth the price? Please say yes! -Yes. | 0:08:22 | 0:08:25 | |
-Yeah. -Yes. -Thank you very much. | 0:08:25 | 0:08:28 | |
Thank you very much! | 0:08:28 | 0:08:30 | |
Thank you. | 0:08:30 | 0:08:31 | |
Yeah, make hay while the sun shines. | 0:08:31 | 0:08:34 | |
That's your first bargain bought. Keep it up. | 0:08:34 | 0:08:37 | |
Now, Blues, what's the price on that plaque? | 0:08:37 | 0:08:39 | |
-Come closer. -LAUGHTER | 0:08:41 | 0:08:43 | |
-I'm going to be cheeky... -I know. -..and offer... | 0:08:43 | 0:08:47 | |
I watch the programme - I know you're going to be cheeky. | 0:08:47 | 0:08:50 | |
-£20. -No. -What can you do it for? | 0:08:50 | 0:08:52 | |
I won't budge below £30. | 0:08:52 | 0:08:54 | |
You're not going to budge. What do you think, girls? | 0:08:54 | 0:08:56 | |
I think we should look around and then come back. | 0:08:56 | 0:08:58 | |
-You don't think that, do you? -I... | 0:09:00 | 0:09:02 | |
-You're the professional. -I just think it's quite unusual. | 0:09:02 | 0:09:05 | |
I've never seen something like this. It could fly. | 0:09:05 | 0:09:07 | |
-Let's do it. -Yeah? -Yeah. Hooray! | 0:09:07 | 0:09:10 | |
Let's go. | 0:09:10 | 0:09:11 | |
Yes, united you stood, team. | 0:09:12 | 0:09:15 | |
And a very interesting item chosen. | 0:09:15 | 0:09:18 | |
Thomas, you should do some digging to find out more on that story. | 0:09:18 | 0:09:21 | |
Now, we've just passed the 15-minute mark | 0:09:21 | 0:09:24 | |
and after deviating from the plan, the Reds need to regroup. | 0:09:24 | 0:09:27 | |
So we've bought an umbrella stand. | 0:09:27 | 0:09:30 | |
It's not really novelty, | 0:09:30 | 0:09:33 | |
it's not really militaria, | 0:09:33 | 0:09:34 | |
and... | 0:09:34 | 0:09:36 | |
is it ornamental? What category does it fall into? | 0:09:36 | 0:09:39 | |
-None of them, really! It caught our eye. -So our plan | 0:09:39 | 0:09:43 | |
is out the window! | 0:09:43 | 0:09:45 | |
Well, there's no need to turn a drama into a crisis, Catherine. | 0:09:45 | 0:09:48 | |
These boys won't be the last to experience | 0:09:48 | 0:09:51 | |
the heartbreak that is bargain-hunting. | 0:09:51 | 0:09:53 | |
How about...those knives? | 0:09:55 | 0:09:57 | |
The fish eaters? | 0:09:57 | 0:09:59 | |
People don't really use fish eaters any more, | 0:09:59 | 0:10:01 | |
so I would move on. | 0:10:01 | 0:10:02 | |
Bring out the fish knives, Maud, would you? | 0:10:02 | 0:10:05 | |
-Novel? -Sorry? | 0:10:05 | 0:10:06 | |
Novelty? I haven't found anything. I'm just shouting "Novel". | 0:10:06 | 0:10:09 | |
Oh, novel! | 0:10:09 | 0:10:11 | |
Pepperette? | 0:10:11 | 0:10:12 | |
I've never seen anything like that before. | 0:10:12 | 0:10:15 | |
We see quite a lot of unusual things that are made into pepperettes. | 0:10:15 | 0:10:18 | |
At home, I've got a gavel, actually. | 0:10:18 | 0:10:20 | |
And that's a little chocolate pot. It's silver. | 0:10:20 | 0:10:23 | |
And it's a pepperette. | 0:10:23 | 0:10:25 | |
-Interesting. -You wanted novelty. It's very expensive. | 0:10:25 | 0:10:27 | |
It's £135. | 0:10:27 | 0:10:29 | |
It's been around since Adam was a lad. | 0:10:30 | 0:10:32 | |
It's 1896. | 0:10:32 | 0:10:34 | |
Right. So it's late Victorian. | 0:10:34 | 0:10:37 | |
VENDOR: It can be £95. | 0:10:37 | 0:10:39 | |
-It's a thought. -Yeah. | 0:10:39 | 0:10:40 | |
Something to bear in mind. | 0:10:40 | 0:10:42 | |
-Something to come back to. -Yeah. | 0:10:42 | 0:10:45 | |
Perhaps a man-size pot would be more tempting. | 0:10:45 | 0:10:49 | |
Oh, that's a good thing, isn't it? | 0:10:49 | 0:10:51 | |
-Look at that. -What is it? | 0:10:51 | 0:10:53 | |
It's a coffee pot. | 0:10:53 | 0:10:54 | |
-Chocolate pot. -Chocolate, probably because of the size. | 0:10:54 | 0:10:57 | |
What's the very best on that? | 0:10:57 | 0:10:59 | |
-50 quid. -It is different. | 0:10:59 | 0:11:01 | |
It's made by Christofle. It's the equivalent to our Walker & Hall. | 0:11:01 | 0:11:06 | |
It's probably a bit better. It's a bit like an Asprey. | 0:11:06 | 0:11:09 | |
So it's a really good make. | 0:11:09 | 0:11:11 | |
-Shall we think about it? -Yeah. | 0:11:11 | 0:11:13 | |
-There's lots to see. We'll think about it. -There is lots to see. | 0:11:13 | 0:11:16 | |
Yes, these girls aren't impressed by size, I can tell you. | 0:11:16 | 0:11:19 | |
OK, we're at the halfway mark now, | 0:11:19 | 0:11:22 | |
and it looks to me like the Blues | 0:11:22 | 0:11:23 | |
are following the Reds' three-point plan. | 0:11:23 | 0:11:26 | |
This is for the London Rifle Brigade. | 0:11:27 | 0:11:30 | |
So, Sarah, you picked that one up. Have a feel. | 0:11:30 | 0:11:32 | |
OK. | 0:11:32 | 0:11:34 | |
This would have had a chain on it, would it? | 0:11:36 | 0:11:38 | |
So, OK, what do you think it is? | 0:11:38 | 0:11:40 | |
That tells you! | 0:11:40 | 0:11:42 | |
Yeah, that's it. A match-holder. | 0:11:42 | 0:11:44 | |
Close it up. | 0:11:44 | 0:11:45 | |
Turn it over. | 0:11:45 | 0:11:46 | |
Oh, and it's got a striker on it. | 0:11:46 | 0:11:48 | |
It's a strike. | 0:11:48 | 0:11:49 | |
So it's a vesta case | 0:11:49 | 0:11:51 | |
and it's got "London Rifle Brigade" there, so it would be | 0:11:51 | 0:11:54 | |
-First World War. -I quite like this. | 0:11:54 | 0:11:57 | |
They're quite collectable, vesta cases. | 0:11:57 | 0:11:59 | |
-Is that silver? -Yes, it is silver. | 0:11:59 | 0:12:01 | |
-If you open the lid, on the rim... -Yes. | 0:12:01 | 0:12:04 | |
So what sort of date do you think? | 0:12:04 | 0:12:06 | |
It's got, um...the hallmark is... | 0:12:06 | 0:12:09 | |
I think it's early 1900s. | 0:12:09 | 0:12:12 | |
London 1904, something like that. | 0:12:12 | 0:12:15 | |
You've got the maker's mark there. | 0:12:15 | 0:12:17 | |
It's a good maker. | 0:12:19 | 0:12:20 | |
It's by a company called Sampson Mordan. | 0:12:20 | 0:12:23 | |
They are the premier silver manufacturers | 0:12:23 | 0:12:26 | |
of that period. | 0:12:26 | 0:12:28 | |
Yeah, I quite like that. | 0:12:28 | 0:12:29 | |
As long as the price is right, we like it. | 0:12:29 | 0:12:32 | |
Come on! | 0:12:32 | 0:12:33 | |
£130. | 0:12:33 | 0:12:34 | |
Oh...is that really...? | 0:12:34 | 0:12:36 | |
Why so much? | 0:12:36 | 0:12:37 | |
-It's military, innit? -What's your very, very uber-best? | 0:12:37 | 0:12:40 | |
£120, then. | 0:12:40 | 0:12:41 | |
Sarah's stroking you! | 0:12:41 | 0:12:43 | |
-I can give you a cuddle. -That won't work. | 0:12:43 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:47 | |
-You've not had many rejections like that, have you? -No! | 0:12:47 | 0:12:50 | |
Where's the love? | 0:12:50 | 0:12:51 | |
I really do like that, but... | 0:12:51 | 0:12:54 | |
£110, if you want it. | 0:12:54 | 0:12:55 | |
-£100 and we'll take it now. -Go on, then. Take it away. | 0:12:55 | 0:12:59 | |
Well done, Sarah. You didn't let rejection get you down. | 0:12:59 | 0:13:03 | |
You'd make a good dealer, you know. | 0:13:03 | 0:13:05 | |
Now, Barnaby and George - feeling thirsty? | 0:13:05 | 0:13:08 | |
I quite like that. | 0:13:08 | 0:13:09 | |
That is excellent. | 0:13:09 | 0:13:11 | |
That's really nice. | 0:13:11 | 0:13:13 | |
Is it for drinks? Oh, that's nice. | 0:13:13 | 0:13:15 | |
I mean, it's all plate. | 0:13:15 | 0:13:17 | |
It's all tin-lined, made in Germany. | 0:13:17 | 0:13:19 | |
See, if it was silver... | 0:13:19 | 0:13:21 | |
Yeah, that would be fantastic! | 0:13:21 | 0:13:23 | |
It would be brilliant. I like the idea, though. | 0:13:23 | 0:13:26 | |
So that's a no, is it, Catherine? | 0:13:26 | 0:13:29 | |
With two items under your belt, you Blues might be feeling smug. | 0:13:29 | 0:13:32 | |
But what about item number three? | 0:13:32 | 0:13:34 | |
We're looking for a bit of glass, I think. | 0:13:36 | 0:13:39 | |
-I think glass too. -Yes. | 0:13:39 | 0:13:40 | |
Any particular colour? | 0:13:40 | 0:13:42 | |
White. | 0:13:42 | 0:13:44 | |
-White? -No, clear. | 0:13:44 | 0:13:46 | |
Cor! I say, the Blues are set to clean up | 0:13:46 | 0:13:49 | |
if those Reds don't get on with it. | 0:13:49 | 0:13:51 | |
We're now into the final 15 minutes. | 0:13:51 | 0:13:53 | |
I think I'm going to go back | 0:13:53 | 0:13:54 | |
and have another look at that pepperette. | 0:13:54 | 0:13:57 | |
-The chocolate pot? -See what I can get it for. | 0:13:57 | 0:13:59 | |
If you can see the best, best price you can get. | 0:13:59 | 0:14:01 | |
-Shall we carry on looking? -Yes. -Sounds good to me. | 0:14:01 | 0:14:04 | |
Great! That should get you back on track. | 0:14:04 | 0:14:07 | |
You've caught up with the Blues, so now stay focused. | 0:14:09 | 0:14:11 | |
Is it really in good condition? | 0:14:13 | 0:14:14 | |
Your eyes aren't any good, anyway! | 0:14:14 | 0:14:16 | |
-Have you got terrible eyesight? -I have, yeah. | 0:14:18 | 0:14:20 | |
But I don't like to admit it! | 0:14:20 | 0:14:22 | |
Why aren't you wearing glasses? | 0:14:22 | 0:14:25 | |
Er, I, um... | 0:14:25 | 0:14:26 | |
Cos I don't need to! | 0:14:26 | 0:14:28 | |
They are a bit tired, I have to say. | 0:14:30 | 0:14:31 | |
We're all feeling a bit tired now, dear. | 0:14:31 | 0:14:34 | |
This is actually going horribly wrong. | 0:14:35 | 0:14:37 | |
I thought we were going to do really well. | 0:14:37 | 0:14:39 | |
We've bought one item. | 0:14:39 | 0:14:41 | |
He's gone off to look at the chocolate pot. | 0:14:41 | 0:14:43 | |
If we don't nail this soon, | 0:14:43 | 0:14:45 | |
we're in big trouble. | 0:14:45 | 0:14:46 | |
And if anyone can whip those boys into shape, | 0:14:46 | 0:14:48 | |
it's you, Catherine. | 0:14:48 | 0:14:50 | |
Now, how's the glass-hunt going? | 0:14:50 | 0:14:52 | |
There's some bits of glass here. | 0:14:52 | 0:14:54 | |
Do you like that? | 0:14:54 | 0:14:56 | |
-Yeah. -What one do you like - | 0:14:56 | 0:14:57 | |
the tangerine, the pewter or the kingfisher? | 0:14:57 | 0:15:00 | |
BOTH: Kingfisher. | 0:15:00 | 0:15:02 | |
There you go! | 0:15:02 | 0:15:03 | |
What's the price of this? | 0:15:03 | 0:15:05 | |
It's on the back. | 0:15:05 | 0:15:07 | |
What can it really be? | 0:15:07 | 0:15:09 | |
The best would be | 0:15:09 | 0:15:10 | |
£150. | 0:15:10 | 0:15:12 | |
What is so special about that? | 0:15:12 | 0:15:13 | |
Right. OK. | 0:15:13 | 0:15:15 | |
This is by a company called Whitefriars. | 0:15:15 | 0:15:17 | |
There is the Whitefriars sticky label, | 0:15:17 | 0:15:20 | |
with a monk, like a Benedictine monk, on there. | 0:15:20 | 0:15:23 | |
Whitefriars was Powell & Sons beforehand - | 0:15:23 | 0:15:25 | |
a glass manufacturers just outside London. | 0:15:25 | 0:15:27 | |
After the war in the 1950s and '60s, | 0:15:27 | 0:15:29 | |
they employed a man called Geoffrey Baxter, | 0:15:29 | 0:15:32 | |
who designed this vase, designed the totem pole. | 0:15:32 | 0:15:35 | |
If you had this in your house in 1967, | 0:15:35 | 0:15:38 | |
you were the coolest thing in the world. | 0:15:38 | 0:15:39 | |
And it's a good colour, the kingfisher. It's striking. | 0:15:39 | 0:15:42 | |
Could you do any less on that, please? | 0:15:42 | 0:15:45 | |
I'll go down to £140. That would be the very best. | 0:15:45 | 0:15:47 | |
I still think that's a lot of money. | 0:15:47 | 0:15:50 | |
You've got five minutes. | 0:15:50 | 0:15:52 | |
What was the place round the other side you saw? | 0:15:52 | 0:15:54 | |
Let's go round the other side. Thank you. | 0:15:54 | 0:15:56 | |
You've actually got seven minutes, if that helps. | 0:15:56 | 0:16:00 | |
And George has just sealed the deal on the pepperette at £90. | 0:16:00 | 0:16:03 | |
Well done, boy. | 0:16:03 | 0:16:04 | |
-..£80, £90. -£90 is fine. Thank you. | 0:16:04 | 0:16:07 | |
Thank you very much. | 0:16:07 | 0:16:09 | |
Both teams are looking for their final items now. | 0:16:09 | 0:16:11 | |
Quickly, quickly, quickly! | 0:16:11 | 0:16:13 | |
-Come on! No, no. -I was looking at the rings! | 0:16:13 | 0:16:15 | |
Quickly! | 0:16:15 | 0:16:17 | |
Like it! | 0:16:17 | 0:16:18 | |
So... | 0:16:18 | 0:16:20 | |
Whitefriars, but indigo pattern. | 0:16:20 | 0:16:23 | |
So again, this is Whitefriars. | 0:16:23 | 0:16:24 | |
What do you think of that form? | 0:16:24 | 0:16:26 | |
-I like it. I think it's really attractive. -Do you? | 0:16:26 | 0:16:28 | |
-I think other people will like that as well. -It's different. | 0:16:28 | 0:16:31 | |
I do like the colouring of it. | 0:16:31 | 0:16:33 | |
-What price have we got? -£98. | 0:16:33 | 0:16:35 | |
What can it be? | 0:16:35 | 0:16:37 | |
Can I just point out it's got a small inclusion here? | 0:16:37 | 0:16:40 | |
-I saw that. -It's not damage. | 0:16:40 | 0:16:42 | |
It's just been done in the process of the glass being blown. | 0:16:42 | 0:16:45 | |
You see that there? | 0:16:45 | 0:16:46 | |
You can forgive that, can't you, really? | 0:16:46 | 0:16:49 | |
-Is £90 your final? -Yes, I'm afraid it is. | 0:16:49 | 0:16:51 | |
Because it's such a nice piece. | 0:16:51 | 0:16:53 | |
It is good, though. That or the kingfisher? | 0:16:53 | 0:16:55 | |
I love the other one. | 0:16:55 | 0:16:57 | |
You like the drunken bricklayer, but it's a lot more money. | 0:16:57 | 0:17:00 | |
Time is not on our side. | 0:17:00 | 0:17:02 | |
-What do you think? -Because that's under the £100 bracket... | 0:17:02 | 0:17:04 | |
This is more commercial, because it would fit into most interiors | 0:17:04 | 0:17:09 | |
-and colour schemes. -That's it, yeah. | 0:17:09 | 0:17:10 | |
That's what I liked about it. | 0:17:10 | 0:17:14 | |
Yeah. If you think we should go for that, then... | 0:17:14 | 0:17:16 | |
Ooh! | 0:17:16 | 0:17:17 | |
THEY LAUGH | 0:17:17 | 0:17:19 | |
-Yeah? -Yeah. -Brilliant. That's it. | 0:17:19 | 0:17:21 | |
-Excellent! -Three quality items. | 0:17:21 | 0:17:23 | |
-Well done! -Well done. | 0:17:24 | 0:17:26 | |
Even if you do say so yourself. | 0:17:26 | 0:17:29 | |
Right then, Reds, over to you. | 0:17:30 | 0:17:32 | |
What do you think about that? | 0:17:32 | 0:17:34 | |
Is it a bottle stop thing? | 0:17:34 | 0:17:36 | |
He's so clever! | 0:17:36 | 0:17:38 | |
A wine stopper. | 0:17:38 | 0:17:39 | |
-And we think this is the god of wine. -Bacchus. -Bacchus. | 0:17:39 | 0:17:42 | |
-It's continental. -It's weighty. | 0:17:42 | 0:17:45 | |
It's very weighty. Whether it's silver or not. | 0:17:45 | 0:17:47 | |
I'd love to say it was, but it's not marked at all. | 0:17:47 | 0:17:50 | |
-But it's a bit of fun. -Exactly. | 0:17:50 | 0:17:52 | |
At 30 quid. | 0:17:52 | 0:17:54 | |
And it's definitely 19th century. | 0:17:54 | 0:17:56 | |
Yes, I think there's a definite draw there, in the age of it. | 0:17:56 | 0:17:59 | |
-What do you think? -As time ticks on, I think... It's nice. | 0:17:59 | 0:18:02 | |
It's interesting. | 0:18:02 | 0:18:03 | |
And I think it's quite a good item, | 0:18:03 | 0:18:05 | |
with it being Bacchus, the god of wine. | 0:18:05 | 0:18:07 | |
-Do you like your wine? -Yes! -Bit of a story behind it. | 0:18:07 | 0:18:10 | |
Yes! | 0:18:10 | 0:18:11 | |
-"Love my wine!" -Silly question! -You're students. | 0:18:11 | 0:18:14 | |
That's a stupid question! | 0:18:14 | 0:18:15 | |
I think it does have a certain charm about it. | 0:18:15 | 0:18:18 | |
Yeah, I think that's a nice piece. | 0:18:18 | 0:18:20 | |
-What do you want to do? -Go with it? -I'm happy to go with it. | 0:18:20 | 0:18:23 | |
In the light of time constraints. | 0:18:23 | 0:18:25 | |
I'd say go with this as well. | 0:18:25 | 0:18:26 | |
Yeah? £30. | 0:18:26 | 0:18:28 | |
That was hard. | 0:18:28 | 0:18:29 | |
-Very hard! -I'm sorry! | 0:18:29 | 0:18:31 | |
No pain...no gain. | 0:18:31 | 0:18:34 | |
Right then, that's it. Let's remind ourselves what the Red Team bought. | 0:18:34 | 0:18:37 | |
Barnaby and George fell for the curves | 0:18:40 | 0:18:42 | |
of this green enamel umbrella stand | 0:18:42 | 0:18:44 | |
and paid a whopping £120 for it. | 0:18:44 | 0:18:47 | |
Then they outflanked the Blues on the silver front | 0:18:51 | 0:18:53 | |
by finding this novelty pepperette. | 0:18:53 | 0:18:55 | |
£90 paid. | 0:18:55 | 0:18:57 | |
And just before they ran out of time, | 0:19:00 | 0:19:02 | |
they bagged the bust of Bacchus. | 0:19:02 | 0:19:04 | |
Beautiful! | 0:19:04 | 0:19:06 | |
That set them back £30. | 0:19:06 | 0:19:08 | |
Don't tell me, Catherine, you've exhausted these two fit young men! | 0:19:10 | 0:19:14 | |
Have you? | 0:19:14 | 0:19:15 | |
OK, so you spent in total how much? | 0:19:15 | 0:19:17 | |
-£240. -£240. Can I have £60 of left-over lolly? | 0:19:17 | 0:19:20 | |
-Certainly. -Thank you. | 0:19:20 | 0:19:21 | |
That's £60 going straight across to the lovely Catherine. | 0:19:21 | 0:19:24 | |
-What are you going to spend it on, Catherine? -Hmm. | 0:19:24 | 0:19:26 | |
No idea! | 0:19:26 | 0:19:27 | |
OK. | 0:19:27 | 0:19:28 | |
Well, that is at least honest! | 0:19:28 | 0:19:30 | |
Why don't we check out right now what the Blue Team bought, eh? | 0:19:30 | 0:19:33 | |
They held a united front with this plaque | 0:19:33 | 0:19:36 | |
and bought it for £30. | 0:19:36 | 0:19:38 | |
And with its big price tag of £100, | 0:19:41 | 0:19:43 | |
did they strike it lucky with the silver vesta case? | 0:19:43 | 0:19:46 | |
Finally, they chose the Whitefriars glass vase, | 0:19:49 | 0:19:52 | |
paying a hefty £90. | 0:19:52 | 0:19:54 | |
-Have you had a nice shop? -Wonderful shop. | 0:19:56 | 0:19:58 | |
I bet you have. | 0:19:58 | 0:19:59 | |
Now, tell me, darling, which is your favourite piece? | 0:19:59 | 0:20:02 | |
My favourite piece is the silver vesta we bought. | 0:20:02 | 0:20:04 | |
-What about you, Christie? -It's got to be the Whitefriars vase. | 0:20:04 | 0:20:07 | |
Is that going to bring the biggest profit? | 0:20:07 | 0:20:09 | |
I'll probably go with the plaque that we bought. | 0:20:09 | 0:20:12 | |
Is that a pl-AH-que? | 0:20:12 | 0:20:14 | |
-A plaaahque! -Plaahque! | 0:20:14 | 0:20:16 | |
ALL LAUGH | 0:20:16 | 0:20:18 | |
OK, well, it's the plaque pl-AH-que | 0:20:18 | 0:20:21 | |
-that's going to be the biggest profit? -I think so. | 0:20:21 | 0:20:23 | |
Fingers crossed. | 0:20:23 | 0:20:24 | |
Depending on that American connection, right, | 0:20:24 | 0:20:27 | |
all of which has to be researched and sorted out. | 0:20:27 | 0:20:29 | |
That's the secret. And what did you spend overall, you chicks? | 0:20:29 | 0:20:32 | |
£220. | 0:20:32 | 0:20:34 | |
£220. Please may I have the £80 of left-over lolly? | 0:20:34 | 0:20:36 | |
-You can indeed. -Thank you very much. | 0:20:36 | 0:20:38 | |
You don't like handing that over one little bit, do you?! | 0:20:38 | 0:20:40 | |
I can tell that, Christie! | 0:20:40 | 0:20:42 | |
There you go, Tom. Got any ideas where you're going, Tom? | 0:20:42 | 0:20:45 | |
Maybe, but... | 0:20:45 | 0:20:47 | |
Maybe not! | 0:20:47 | 0:20:48 | |
Maybe not. No, I have! | 0:20:48 | 0:20:50 | |
I promise. | 0:20:50 | 0:20:51 | |
You're a really naughty man. | 0:20:51 | 0:20:52 | |
Meanwhile, I'm heading off to show you a collection | 0:20:52 | 0:20:55 | |
that is sure to turn a few heads. | 0:20:55 | 0:20:58 | |
Tredegar House near Newport in South Wales | 0:21:01 | 0:21:05 | |
has a long and illustrious past. | 0:21:05 | 0:21:07 | |
It was visited by our current Prince Charles | 0:21:07 | 0:21:10 | |
in the early 1980s | 0:21:10 | 0:21:12 | |
and by King Charles I | 0:21:12 | 0:21:14 | |
more than 300 years earlier. | 0:21:14 | 0:21:16 | |
But it was his son, Charles II, | 0:21:16 | 0:21:19 | |
with his eye for style, | 0:21:19 | 0:21:21 | |
who could be credited with the inspiration | 0:21:21 | 0:21:23 | |
behind a large portion of the house. | 0:21:23 | 0:21:25 | |
The eagle-eyed viewer | 0:21:25 | 0:21:28 | |
who likes his architecture | 0:21:28 | 0:21:30 | |
will have spotted two styles here - | 0:21:30 | 0:21:32 | |
the mid 16th-century, loosely Tudor stone building | 0:21:32 | 0:21:37 | |
and the mid-17th-century Restoration brick and stone structure. | 0:21:37 | 0:21:43 | |
And it's a room from the latter part | 0:21:43 | 0:21:46 | |
that I'm going to show you today, | 0:21:46 | 0:21:48 | |
and boy, was it built to impress! | 0:21:48 | 0:21:51 | |
During his exile, Charles II and his followers | 0:21:52 | 0:21:55 | |
spent three years in France and the Netherlands. | 0:21:55 | 0:21:58 | |
When Charles was restored to the throne, | 0:21:58 | 0:22:00 | |
they brought back with them a taste for European opulence, | 0:22:00 | 0:22:04 | |
flamboyant styles and rich materials. | 0:22:04 | 0:22:07 | |
The period and its style were known as the Restoration. | 0:22:07 | 0:22:10 | |
The Gilt Room at Tredegar was created around this time | 0:22:12 | 0:22:15 | |
and would have been highly fashionable. | 0:22:15 | 0:22:17 | |
The contents are on loan kindly from Newport Council. | 0:22:17 | 0:22:20 | |
Oh ho ho! | 0:22:22 | 0:22:23 | |
Talk about bling. | 0:22:23 | 0:22:25 | |
It's all a question of taste, really, isn't it? | 0:22:25 | 0:22:28 | |
If it is to your taste, | 0:22:28 | 0:22:30 | |
it is the most magnificent room here at Tredegar. | 0:22:30 | 0:22:34 | |
But you have to admire | 0:22:34 | 0:22:35 | |
the absolute scale of it. | 0:22:35 | 0:22:37 | |
The big thing to remember about the English Restoration is | 0:22:37 | 0:22:41 | |
that following Charles II's return, | 0:22:41 | 0:22:44 | |
everything became incredibly flamboyant. | 0:22:44 | 0:22:47 | |
And that is personified | 0:22:47 | 0:22:49 | |
in this fireplace surround. | 0:22:49 | 0:22:52 | |
What exactly are these putti doing | 0:22:52 | 0:22:54 | |
as they crawl up the sides of the fireplace? | 0:22:54 | 0:22:58 | |
The fruit spewing forth berries | 0:22:58 | 0:23:00 | |
and the tightness of the foliage and the brilliant way | 0:23:00 | 0:23:04 | |
in which it's been cut and carved. | 0:23:04 | 0:23:06 | |
And that continues over the entire central section here. | 0:23:06 | 0:23:11 | |
The large Solomonic columns. | 0:23:11 | 0:23:14 | |
Not actually made of real marble, | 0:23:14 | 0:23:16 | |
but painted in imitation of marble | 0:23:16 | 0:23:19 | |
and made to impress. | 0:23:19 | 0:23:21 | |
But apart from this Restoration fun, | 0:23:21 | 0:23:24 | |
there's actually a mixture of elements in this room. | 0:23:24 | 0:23:27 | |
The swagging underneath the frieze | 0:23:27 | 0:23:29 | |
and the vertical leaf carvings | 0:23:29 | 0:23:31 | |
are all Neoclassical, | 0:23:31 | 0:23:33 | |
so we're mixing elements in this space. | 0:23:33 | 0:23:35 | |
But every so often, some more Restoration carving bursts out, | 0:23:35 | 0:23:39 | |
like the swags underneath with more very, very ripe fruits. | 0:23:39 | 0:23:43 | |
But that's not the only thing to admire in this room. | 0:23:43 | 0:23:46 | |
So was the Gilt Room used as a bedroom? | 0:23:47 | 0:23:50 | |
I don't think so. | 0:23:50 | 0:23:51 | |
It's a part of the ground-floor enfilade of entertaining rooms. | 0:23:51 | 0:23:56 | |
It's the space that the Morgan family | 0:23:56 | 0:23:59 | |
would have brought their guests into to show off, | 0:23:59 | 0:24:02 | |
hence all this splendour. | 0:24:02 | 0:24:03 | |
So what are we doing with a four-poster bed here today? | 0:24:03 | 0:24:07 | |
Actually, the secret is that this is reproduction | 0:24:07 | 0:24:10 | |
and it's been especially made by the National Trust | 0:24:10 | 0:24:12 | |
so that the visitors to the house today | 0:24:12 | 0:24:15 | |
can have a nice little lie-down | 0:24:15 | 0:24:16 | |
and admire what is above. | 0:24:16 | 0:24:19 | |
So what's going on here, then? | 0:24:19 | 0:24:20 | |
It's an image after an original work | 0:24:20 | 0:24:23 | |
by an Italian artist called Cortona. | 0:24:23 | 0:24:26 | |
And it tells a story. | 0:24:26 | 0:24:28 | |
The girl that's bearing her bosoms | 0:24:28 | 0:24:31 | |
is in fact emblematic of lust. | 0:24:31 | 0:24:34 | |
The geezer down at this end, | 0:24:34 | 0:24:36 | |
with a wreath of vine around his head | 0:24:36 | 0:24:39 | |
and a big wine ewer behind him | 0:24:39 | 0:24:42 | |
is emblematic of Bacchus, | 0:24:42 | 0:24:44 | |
or drink. | 0:24:44 | 0:24:46 | |
And the girl in the middle, who's looking very severe | 0:24:46 | 0:24:48 | |
and is holding a book and a lamp of knowledge, | 0:24:48 | 0:24:52 | |
is emblematic of knowledge. | 0:24:52 | 0:24:54 | |
And she's kind of saying, | 0:24:54 | 0:24:55 | |
"Don't you go doing the drinking thing | 0:24:55 | 0:24:57 | |
"and don't you go doing the other thing." | 0:24:57 | 0:25:00 | |
So it's sending out a mixed message. | 0:25:00 | 0:25:02 | |
The message of life, really, | 0:25:02 | 0:25:04 | |
with all its pitfalls and its joys. | 0:25:04 | 0:25:07 | |
The big question today is, of course, | 0:25:07 | 0:25:09 | |
for our teams over at the auction - | 0:25:09 | 0:25:12 | |
is it going to be all bling or is it going to be just bust? | 0:25:12 | 0:25:15 | |
Now, a few weeks later, | 0:25:20 | 0:25:22 | |
we've come to lovely Lincolnshire | 0:25:22 | 0:25:24 | |
to see our items go under the hammer. | 0:25:24 | 0:25:26 | |
Well, well, well, how lovely is this? | 0:25:30 | 0:25:32 | |
Well, as lovely as Batemans in Stamford, actually, | 0:25:32 | 0:25:34 | |
-with the lovely David Palmer. -Thank you very much. | 0:25:34 | 0:25:37 | |
Now, let's run through the Red items. | 0:25:37 | 0:25:39 | |
First up is this enamel umbrella or stick stand, | 0:25:39 | 0:25:42 | |
which is my least favourite, I think. | 0:25:42 | 0:25:44 | |
-Now, I like that. -Oh! | 0:25:44 | 0:25:46 | |
It looks as though it should be bolted to some wall in Paris. | 0:25:46 | 0:25:49 | |
-Yes. -It's nice and swirly, Art Nouveau-y. | 0:25:49 | 0:25:52 | |
That's what I mean. Out of the underground, | 0:25:52 | 0:25:54 | |
-that Metro is full of that swirl. -Yes, it is. | 0:25:54 | 0:25:56 | |
I don't like these chips much. | 0:25:56 | 0:25:57 | |
But there we go - it's got a look. | 0:25:57 | 0:26:00 | |
It's different. It's not Colebrookdale. So how much? | 0:26:00 | 0:26:02 | |
-£60 to £90. -How much? | 0:26:02 | 0:26:04 | |
-£60 to £90. -Pounds? -Yes. | 0:26:04 | 0:26:06 | |
£120 we paid. | 0:26:06 | 0:26:08 | |
That's a long way to go from £60 to £90 to get to £120. | 0:26:08 | 0:26:12 | |
-It is. -OK, lovely. | 0:26:12 | 0:26:14 | |
Next is the novelty pepperette, which, I have to say, | 0:26:14 | 0:26:17 | |
-is charming, isn't it? -It is. | 0:26:17 | 0:26:18 | |
It's really fun. | 0:26:18 | 0:26:20 | |
-It's a miniature chocolate pot, isn't it? -Yes. | 0:26:20 | 0:26:22 | |
For putting pepper in. | 0:26:22 | 0:26:24 | |
-Yes, but you'd never use it on the table. -No. | 0:26:24 | 0:26:26 | |
It would go straight into a cabinet. | 0:26:26 | 0:26:28 | |
-Which is where it's been since it was made. -Yes. | 0:26:28 | 0:26:31 | |
It worries me slightly that the hallmarks are on the underside | 0:26:31 | 0:26:35 | |
and if you feel the rim of the base, | 0:26:35 | 0:26:37 | |
it feels as though it might have been reapplied. | 0:26:37 | 0:26:40 | |
But that's only a thought. | 0:26:40 | 0:26:41 | |
-OK. Not a very nice thought, if you don't mind my saying so. -No. | 0:26:41 | 0:26:44 | |
So what's your price on that? | 0:26:44 | 0:26:46 | |
£50 to £80. | 0:26:46 | 0:26:47 | |
OK, fine. £90 we paid. | 0:26:47 | 0:26:49 | |
It wouldn't surprise me if we exceeded the £90. | 0:26:49 | 0:26:52 | |
-Really? -Well, it's that novelty type item. | 0:26:52 | 0:26:54 | |
Even though you're suspicious about the bottom? | 0:26:54 | 0:26:57 | |
-That's why we've said £50 to £80. -Is it? | 0:26:57 | 0:26:58 | |
So £50 to £80 covers you in case the bottom's not so hot. | 0:26:58 | 0:27:01 | |
If the bottom drops out, yes. | 0:27:01 | 0:27:03 | |
Lastly, this silver grotesque mask... | 0:27:03 | 0:27:06 | |
Paperweight job, I suppose? | 0:27:06 | 0:27:08 | |
It looks to me as though it should have a cork underneath it, | 0:27:08 | 0:27:11 | |
and you shove it on the top of an empty wine bottle. | 0:27:11 | 0:27:13 | |
-That's not a bad idea. That would be Bacchus, wouldn't it? -Yes. | 0:27:13 | 0:27:16 | |
-Which kind of ties in. -With a cork. -Yes. | 0:27:16 | 0:27:18 | |
The only problem with a cork stopper is | 0:27:18 | 0:27:20 | |
the shape of that bottom, isn't it? | 0:27:20 | 0:27:22 | |
Where you get the cork to stay in that shallow rim base. | 0:27:22 | 0:27:26 | |
OK, so, how do you see it, for a silver fellow like that? | 0:27:26 | 0:27:30 | |
Well, we don't think it is silver. We've called it white metal. | 0:27:30 | 0:27:33 | |
-Ah! -And I think one of the telltale signs is | 0:27:33 | 0:27:35 | |
if you put the two together, | 0:27:35 | 0:27:37 | |
you can see the warmth of the colour of the pot | 0:27:37 | 0:27:40 | |
and the harshness of him. | 0:27:40 | 0:27:42 | |
-Yes. He does look grey, I have to say. -He does. | 0:27:42 | 0:27:45 | |
He looks more steely. | 0:27:45 | 0:27:47 | |
-So a cast white metal? -Yes. | 0:27:47 | 0:27:50 | |
-So, what's your estimate for white metal? -£30 to £50. | 0:27:50 | 0:27:53 | |
OK, fine. £30 paid. | 0:27:53 | 0:27:54 | |
But overall, we have a predicted loss on the wee pot | 0:27:54 | 0:27:58 | |
and we've got a predicted loss on the stick stand, | 0:27:58 | 0:28:00 | |
so we're going to need the Bonus Buy for cert, | 0:28:00 | 0:28:03 | |
so let's go and have a look at it. | 0:28:03 | 0:28:05 | |
OK, chaps, this is exciting. You spent £240. You gave Catherine £60. | 0:28:06 | 0:28:10 | |
-What did the girl spend it on? -Well... | 0:28:10 | 0:28:12 | |
I know how you students like a drink or two, | 0:28:12 | 0:28:15 | |
-so I bought you...that. -That's very interesting. | 0:28:15 | 0:28:18 | |
It's very interesting. What on earth is it? | 0:28:18 | 0:28:21 | |
It is actually a bottle opener for your beers. | 0:28:21 | 0:28:23 | |
But the important thing about it is the name in there - Georg Jensen. | 0:28:23 | 0:28:27 | |
1981. It's modern, | 0:28:27 | 0:28:30 | |
but it's a bit of fun, and I think it's a modern collectable. | 0:28:30 | 0:28:33 | |
And how much did you spend on it? | 0:28:33 | 0:28:35 | |
I spent £20. | 0:28:35 | 0:28:36 | |
-OK. -Don't you think it's great fun? -Yes. | 0:28:36 | 0:28:39 | |
-I think it's brilliant. -Yeah. | 0:28:39 | 0:28:40 | |
The ultimate thing - how much do you think it's going to make? | 0:28:40 | 0:28:43 | |
That'll make £40. We're not going to make a huge amount of money. | 0:28:43 | 0:28:46 | |
Well, you've doubled your money. | 0:28:46 | 0:28:48 | |
-I think we'll double our money. -That's a nice prediction. | 0:28:48 | 0:28:51 | |
It's a great name, and somebody's got to keep hold of that | 0:28:51 | 0:28:53 | |
for the future, because that will be worth something. | 0:28:53 | 0:28:56 | |
The plan is, it's a cap to go on a beer bottle, | 0:28:56 | 0:28:59 | |
but that big rim, you wouldn't think of it, looking like that, | 0:28:59 | 0:29:03 | |
that you'd be able to twist off the cap. | 0:29:03 | 0:29:05 | |
But clearly you can, | 0:29:05 | 0:29:06 | |
because that's what the design of that rim is inside. So it's clever. | 0:29:06 | 0:29:09 | |
-A pretty good piece. -It's a bit of fun. -Exactly. | 0:29:09 | 0:29:11 | |
That's what we were looking for on the day! | 0:29:11 | 0:29:13 | |
I do feel it should be silver gilt or something like that, | 0:29:13 | 0:29:16 | |
because they've taken a lot of trouble to make that. | 0:29:16 | 0:29:18 | |
And to make it out of a base metal... | 0:29:18 | 0:29:20 | |
Because it's Jensen, you always think of good silver. | 0:29:20 | 0:29:22 | |
You expect a little bit more. | 0:29:22 | 0:29:24 | |
You don't have to decide right now, | 0:29:24 | 0:29:26 | |
but what we will do, for the audience at home, | 0:29:26 | 0:29:28 | |
is to find out what the auctioneer thinks about Catherine's cap-lifter. | 0:29:28 | 0:29:31 | |
OK, David Palmer. This is close to your heart. | 0:29:33 | 0:29:36 | |
It is. There's a definite theme running through this. I like this. | 0:29:36 | 0:29:39 | |
Georg Jensen, a big bottle cap that you prise the caps off with... | 0:29:39 | 0:29:43 | |
Your beer, or whatever - your Danish beer. | 0:29:43 | 0:29:45 | |
-I think it's fun. -Not made of any precious metal, | 0:29:45 | 0:29:48 | |
which is what you'd normally expect of Jensen, | 0:29:48 | 0:29:50 | |
-so it's kind of a designer-y 1980s object. -A practical piece. | 0:29:50 | 0:29:54 | |
How much? | 0:29:54 | 0:29:56 | |
-£20 to £40. -OK. | 0:29:56 | 0:29:57 | |
Catherine paid £20. | 0:29:57 | 0:29:59 | |
She paid the right price. | 0:29:59 | 0:30:00 | |
Hopefully, that will retrieve some of the predicted losses. | 0:30:00 | 0:30:03 | |
That's it, though, for the Reds. | 0:30:03 | 0:30:05 | |
Now moving on to the Blues. | 0:30:05 | 0:30:07 | |
First up is this plaque. | 0:30:07 | 0:30:09 | |
How interesting is this? | 0:30:09 | 0:30:10 | |
This is academically very interesting. | 0:30:10 | 0:30:13 | |
Produced in this country. | 0:30:13 | 0:30:15 | |
It symbolises, as far as we can tell, | 0:30:15 | 0:30:16 | |
the Royal Standard and the American flag, | 0:30:16 | 0:30:19 | |
so some event took place that this is commemorating. | 0:30:19 | 0:30:22 | |
But inexpensively done on a bit of Sunderland-type pot. | 0:30:22 | 0:30:26 | |
Mass-produced, and probably sold from a stall | 0:30:26 | 0:30:29 | |
outside wherever these people met. | 0:30:29 | 0:30:31 | |
Yeah. And "United we stand"... | 0:30:31 | 0:30:33 | |
So there's been some concord between the two nations. | 0:30:33 | 0:30:36 | |
Probably should be in a museum. | 0:30:36 | 0:30:37 | |
And even might be, after today's programme! | 0:30:37 | 0:30:40 | |
-Indeed! -You never know. | 0:30:40 | 0:30:41 | |
-So what's your estimate? -£30 to £50. | 0:30:41 | 0:30:44 | |
OK, £30 paid. | 0:30:44 | 0:30:45 | |
So it might make a profit, which would be lovely. | 0:30:45 | 0:30:48 | |
Now, next is the vesta case. | 0:30:48 | 0:30:50 | |
-And this is special too, isn't it, David? -It is. | 0:30:50 | 0:30:52 | |
It's very much a man's vesta case. | 0:30:52 | 0:30:54 | |
It's nice and chunky and it carries the crest there | 0:30:54 | 0:30:57 | |
of the London Rifle Brigade, | 0:30:57 | 0:30:58 | |
so it makes it a bit more special. | 0:30:58 | 0:31:00 | |
Bit of militaria for that sort of collector. How much? | 0:31:00 | 0:31:03 | |
-£50 to £80. -Is that all? -Well, I can't see why it should make more. | 0:31:03 | 0:31:07 | |
Well, might be just a militaria connection, I don't know. | 0:31:07 | 0:31:10 | |
So much nicer to have your little military connection | 0:31:10 | 0:31:13 | |
-of a good quality - Sampson Mordan. -A good make. | 0:31:13 | 0:31:16 | |
Best make there is, but if only we had something inscribed, | 0:31:16 | 0:31:19 | |
that some particular officer had it, but you can't have everything. | 0:31:19 | 0:31:23 | |
£50 to £50 is your estimate. £100 paid. | 0:31:23 | 0:31:25 | |
Lastly, we've got the Whitefriars-style vase. | 0:31:25 | 0:31:29 | |
-How do you rate that? -Not very highly, I'm afraid. | 0:31:29 | 0:31:32 | |
It's good quality, it's nice, but the market's been shot to pieces, | 0:31:32 | 0:31:36 | |
because the Chinese are producing this stuff to a very high quality. | 0:31:36 | 0:31:40 | |
That's not so good, is it? | 0:31:40 | 0:31:41 | |
It means you can get a nice piece of glass for not a lot of money. | 0:31:41 | 0:31:44 | |
I suppose that's true. But bad luck on the collectors of the real thing | 0:31:44 | 0:31:48 | |
who've paid big money to find that the values have dropped | 0:31:48 | 0:31:52 | |
because of the reproductions coming along. | 0:31:52 | 0:31:54 | |
So, on that rather depressing note, how much? | 0:31:54 | 0:31:56 | |
Well, we still think £20 to £40. | 0:31:56 | 0:31:58 | |
Well, they paid £90. | 0:31:58 | 0:32:00 | |
That could be the torpedo that sinks their particular vessel, | 0:32:00 | 0:32:03 | |
in which case, they'll need the Bonus Buy and, | 0:32:03 | 0:32:05 | |
in which case, we'd better have a look at it. | 0:32:05 | 0:32:07 | |
-Well, girls, this is exciting, isn't it? -It is. | 0:32:09 | 0:32:12 | |
£220 you spent, which is a magnificent amount. | 0:32:12 | 0:32:14 | |
You gave our Tomato £80. What did you spend it on, Tom? | 0:32:14 | 0:32:17 | |
I didn't spend it all, and I bought you two a beautiful jewel. | 0:32:17 | 0:32:21 | |
Because you're both jewels. | 0:32:21 | 0:32:24 | |
-Aww! -So this is probably like a native-made ring - it's quite rough. | 0:32:24 | 0:32:28 | |
You've got rubies, diamonds, emeralds in there, seed pearls. | 0:32:28 | 0:32:31 | |
-And they are real stones? -They are real stones. Have a look. | 0:32:31 | 0:32:34 | |
-I like it. -It's a very decorative ring. | 0:32:34 | 0:32:36 | |
It's quite fashionable, because it's a cocktail ring. | 0:32:36 | 0:32:39 | |
You could wear it today and people would think it was costume, | 0:32:39 | 0:32:42 | |
but actually it's all real. | 0:32:42 | 0:32:43 | |
-How old is it? -19... | 0:32:43 | 0:32:46 | |
1900s, 1920s. | 0:32:46 | 0:32:48 | |
With the cut of the stones and stuff. | 0:32:48 | 0:32:50 | |
-But you haven't asked what I paid! -How much? | 0:32:50 | 0:32:53 | |
-Did you spend all the £80? -No. -No?! | 0:32:53 | 0:32:55 | |
£50? | 0:32:55 | 0:32:56 | |
-You're such a tease, Tom. -£50. | 0:32:56 | 0:32:59 | |
£50. | 0:32:59 | 0:33:00 | |
I predict £70 to £90. | 0:33:00 | 0:33:03 | |
-I like it. -Good! | 0:33:03 | 0:33:04 | |
-Yes, I do too. -We all like it. | 0:33:04 | 0:33:06 | |
-Well, you know! -He's a clever boy. | 0:33:06 | 0:33:08 | |
We'll find out just how clever Thomas is in a moment. | 0:33:08 | 0:33:11 | |
But right now, for the audience at home, | 0:33:11 | 0:33:13 | |
let's find out what the auctioneer thinks about the ring. | 0:33:13 | 0:33:16 | |
With this ring, I thee wed. | 0:33:17 | 0:33:19 | |
Oh, that's so sweet of you. | 0:33:19 | 0:33:20 | |
-Rather fun, isn't it? -It is. It's lovely. | 0:33:20 | 0:33:22 | |
It's got a lot happening. | 0:33:22 | 0:33:23 | |
It's a nice, busy little ring with lots of colour in it. | 0:33:23 | 0:33:26 | |
Yes. And it's precious metals. | 0:33:26 | 0:33:28 | |
Bit of gold in there, and all those little chips. | 0:33:28 | 0:33:30 | |
It's not one of those Suffragette ones, though? | 0:33:30 | 0:33:32 | |
-Not the right coloured stones. -We've got a green. | 0:33:32 | 0:33:35 | |
-We've got green and pink. -Perhaps it is. | 0:33:35 | 0:33:37 | |
That makes it more valuable. | 0:33:37 | 0:33:38 | |
-How much? -£50 to £80. -Brilliant. £50 paid by Thomas Plant. | 0:33:38 | 0:33:42 | |
I fancy that's going to claw back the losses | 0:33:42 | 0:33:45 | |
created by the Whitefriars vase. | 0:33:45 | 0:33:48 | |
Let's hope I'm wrong on that. | 0:33:48 | 0:33:49 | |
Well, let's hope so, but you can only give your honest opinion, | 0:33:49 | 0:33:52 | |
for which we thank you, David Palmer. | 0:33:52 | 0:33:55 | |
-And good luck today. -Thank you. | 0:33:55 | 0:33:57 | |
Now, GB - George and Barnaby - | 0:34:05 | 0:34:07 | |
here we go. You've got the umbrella stand in green. | 0:34:07 | 0:34:10 | |
It's got one or two nibbles | 0:34:10 | 0:34:11 | |
and that's why he's estimated £60 to £90 | 0:34:11 | 0:34:13 | |
rather than the £120 you paid, | 0:34:13 | 0:34:16 | |
but it's on the internet. Here we go. | 0:34:16 | 0:34:17 | |
French cast iron green enamel umbrella stand. | 0:34:17 | 0:34:19 | |
Late 19th century, Art Nouveau. | 0:34:19 | 0:34:21 | |
I mean, this is seriously attractive. | 0:34:21 | 0:34:24 | |
Should be in a Metro somewhere in Paris. | 0:34:24 | 0:34:26 | |
Let's go straight in at £30. | 0:34:26 | 0:34:28 | |
30 I'm bid. At 30. 2. | 0:34:28 | 0:34:30 | |
35, 38. | 0:34:30 | 0:34:31 | |
40, 45, 50. | 0:34:31 | 0:34:33 | |
-55. On the right at £55. -Long way to go. | 0:34:33 | 0:34:36 | |
At £55, is that it? Finished and done at £55? | 0:34:36 | 0:34:39 | |
Is that all? | 0:34:39 | 0:34:41 | |
-Come on! -Anyone else? At £55... | 0:34:41 | 0:34:43 | |
I can't bear it. | 0:34:43 | 0:34:45 | |
Nobody else? | 0:34:45 | 0:34:46 | |
That was pretty painful! | 0:34:47 | 0:34:49 | |
-That is minus £65. -That was painful. | 0:34:49 | 0:34:51 | |
Minus 65 smackers. | 0:34:51 | 0:34:53 | |
The silver novelty pepperette, | 0:34:53 | 0:34:55 | |
as a little chocolate pot. | 0:34:55 | 0:34:56 | |
This is a lovely little piece. | 0:34:56 | 0:34:58 | |
20 quid for it? 20. 2. | 0:34:58 | 0:35:00 | |
25. 28. 30 off you. | 0:35:00 | 0:35:02 | |
30. 35. 40. New money at 40. 45. 50. | 0:35:02 | 0:35:05 | |
55. 60 with the lady behind you. | 0:35:05 | 0:35:07 | |
65. In front at 65. | 0:35:07 | 0:35:09 | |
Phone, are you in now? | 0:35:09 | 0:35:11 | |
70. | 0:35:11 | 0:35:12 | |
75. | 0:35:12 | 0:35:13 | |
80 on the phone. 85 in the room. | 0:35:13 | 0:35:15 | |
Go on! | 0:35:15 | 0:35:16 | |
At £85. I sell in the room at £85. Anybody else? | 0:35:16 | 0:35:19 | |
Very nice object. | 0:35:19 | 0:35:21 | |
At £85... | 0:35:21 | 0:35:22 | |
Bad luck, chaps. | 0:35:22 | 0:35:24 | |
Minus £5 on that. | 0:35:24 | 0:35:26 | |
Which means overall you're minus £70. | 0:35:26 | 0:35:28 | |
This is not going in your favour. | 0:35:28 | 0:35:29 | |
The continental white metal bottle stopper. | 0:35:29 | 0:35:32 | |
Bacchus's bust showing there. | 0:35:32 | 0:35:33 | |
A multi-functional piece. | 0:35:33 | 0:35:35 | |
Let's say £30 to start. 30 I'm bid. | 0:35:35 | 0:35:37 | |
2. 35. 38. | 0:35:37 | 0:35:38 | |
Now you're in profit. | 0:35:38 | 0:35:40 | |
40, if you will. 40. 45. | 0:35:40 | 0:35:42 | |
50 off you, sir. 50. | 0:35:42 | 0:35:44 | |
Right at the back at £50. I sell standing at 50 now. | 0:35:44 | 0:35:46 | |
-We've still got a bit more to do. -Come on! | 0:35:46 | 0:35:49 | |
The standing bidder at 50, right at the back. | 0:35:49 | 0:35:52 | |
-He's tried! -£50. | 0:35:52 | 0:35:54 | |
£50 is plus £20, which means overall you're minus £50. | 0:35:56 | 0:35:59 | |
-That's a bit bad. -It is a bit bad. | 0:35:59 | 0:36:01 | |
What are you going to do about the bottle opener? Got to go with it. | 0:36:01 | 0:36:04 | |
-Yes, we've no choice. -It's a bit of fun, isn't it? | 0:36:04 | 0:36:07 | |
-Exactly. -Will it make you £50 of profit? | 0:36:07 | 0:36:09 | |
Well, you never know. Stranger things have happened. | 0:36:09 | 0:36:11 | |
Here it comes. | 0:36:11 | 0:36:13 | |
The Georg Jensen brass and steel bottle opener. | 0:36:13 | 0:36:15 | |
Circa 1981. | 0:36:15 | 0:36:16 | |
It's a really fun piece. | 0:36:16 | 0:36:18 | |
Let's go straight in at 10. | 0:36:18 | 0:36:20 | |
10 I'm bid. 10. 12. 15. 18. | 0:36:20 | 0:36:22 | |
You at 18. Take 20 now. | 0:36:22 | 0:36:23 | |
20. 22. 25. | 0:36:23 | 0:36:25 | |
-30, sir? -Yes! -30. | 0:36:25 | 0:36:27 | |
I'll take your 2, if it helps. | 0:36:27 | 0:36:29 | |
At 30. | 0:36:29 | 0:36:30 | |
32 on the net. | 0:36:30 | 0:36:32 | |
Net at 32. Sure you're out in the room? | 0:36:32 | 0:36:34 | |
I'll take your 5. | 0:36:34 | 0:36:35 | |
-Have another bid! -With the net at £32. I sell then at 32. | 0:36:35 | 0:36:39 | |
Well done, Catherine. That was plus £12. | 0:36:39 | 0:36:41 | |
Made us a bit more respectable. | 0:36:41 | 0:36:44 | |
Overall, you are therefore minus £38. | 0:36:44 | 0:36:47 | |
And quite frankly, chaps, today, minus £38 | 0:36:47 | 0:36:50 | |
could genuinely be a winning score. | 0:36:50 | 0:36:53 | |
Let's hope so. | 0:36:53 | 0:36:54 | |
-Well done, boys. -Stranger things have happened. | 0:36:54 | 0:36:57 | |
-Don't say a word to the Blues. -No, we won't. | 0:36:57 | 0:36:59 | |
Anyone else in the room now? | 0:37:01 | 0:37:03 | |
-OK, are you happy, girls? -We are indeed. | 0:37:09 | 0:37:11 | |
-Do you know how the Reds got on? -No idea. -That's good, | 0:37:11 | 0:37:14 | |
because we don't want you to, because if you knew, | 0:37:14 | 0:37:16 | |
you might or might not take your Bonus Buy | 0:37:16 | 0:37:19 | |
if you knew what their score was. | 0:37:19 | 0:37:20 | |
Anyway, the first item that's going to pop up is the plaque, | 0:37:20 | 0:37:23 | |
which remains as interesting and almost as enigmatic as ever, | 0:37:23 | 0:37:28 | |
but, Tom, you have done a bit of research on this. | 0:37:28 | 0:37:30 | |
What's the theory, Tom? | 0:37:30 | 0:37:32 | |
I think it's the agreement with America in the late 19th century, | 0:37:32 | 0:37:36 | |
1898, | 0:37:36 | 0:37:37 | |
when we shook hands with them after a turbulent time in the 19th century | 0:37:37 | 0:37:41 | |
and we supported them in a war against Spain. | 0:37:41 | 0:37:44 | |
So that's why that plaque has us holding hands with the Americans, | 0:37:44 | 0:37:47 | |
with the flags, which I think makes it mighty interesting. | 0:37:47 | 0:37:50 | |
-I've got good hopes for that. -Me too. Here it comes. | 0:37:50 | 0:37:53 | |
The Sunderland lustre plaque, | 0:37:53 | 0:37:55 | |
bearing the Royal Standard and the American flag. | 0:37:55 | 0:37:58 | |
£20 for it. Straight in - 20 quid. | 0:37:58 | 0:38:00 | |
20. | 0:38:00 | 0:38:01 | |
Tenner, then. | 0:38:01 | 0:38:02 | |
£10. 10 I'm bid. | 0:38:02 | 0:38:04 | |
On the net at 10. 12. At 12. 15. | 0:38:04 | 0:38:06 | |
In the room at 15. 18. Net at 18. | 0:38:06 | 0:38:08 | |
20. At 20. Back in the room at £20. | 0:38:08 | 0:38:10 | |
Should be £100, this. | 0:38:10 | 0:38:12 | |
22. | 0:38:12 | 0:38:13 | |
25. Net at 25. | 0:38:13 | 0:38:15 | |
-At 25. -Go! -On the net at 28. | 0:38:15 | 0:38:17 | |
28, net. 30, net. | 0:38:17 | 0:38:19 | |
With the net at 30. | 0:38:19 | 0:38:20 | |
At £30. 32 in the room. | 0:38:20 | 0:38:23 | |
SARAH GASPS | 0:38:23 | 0:38:25 | |
Here in the room at 32. | 0:38:25 | 0:38:27 | |
Sell, then. 35. Back on the net at 35. | 0:38:27 | 0:38:30 | |
38. In the room at 38. | 0:38:30 | 0:38:32 | |
The room has it at 38. | 0:38:32 | 0:38:34 | |
Finished at 38? | 0:38:34 | 0:38:35 | |
40. | 0:38:35 | 0:38:36 | |
-Yes! -Yes! | 0:38:36 | 0:38:38 | |
What a good auctioneer. | 0:38:38 | 0:38:40 | |
45? | 0:38:40 | 0:38:41 | |
-42. -Go, go, go! | 0:38:41 | 0:38:44 | |
At 42. Sell in the room, then, at £42. | 0:38:44 | 0:38:47 | |
No-one else at 42? | 0:38:47 | 0:38:48 | |
Thank you. We'll take the £12 and run. | 0:38:48 | 0:38:52 | |
-OK. -Thank you! | 0:38:52 | 0:38:53 | |
Now, well...this vesta case is going to be interesting. | 0:38:53 | 0:38:56 | |
..With the arms and crest of the London Rifle Brigade | 0:38:56 | 0:38:59 | |
of 1898. | 0:38:59 | 0:39:01 | |
By Mordan. A very nice one. | 0:39:01 | 0:39:02 | |
£30 I'm bid. 30. | 0:39:02 | 0:39:04 | |
5. 40. | 0:39:04 | 0:39:05 | |
45 now. Here at 45. Take your 50. | 0:39:05 | 0:39:08 | |
At 45. 50. 55. | 0:39:08 | 0:39:09 | |
60 I've got. | 0:39:09 | 0:39:11 | |
At £60. | 0:39:11 | 0:39:12 | |
This side at 60. | 0:39:12 | 0:39:13 | |
65. | 0:39:13 | 0:39:15 | |
-At 65. 70. -Come on! | 0:39:15 | 0:39:17 | |
-At 70. -What's it going to make? | 0:39:17 | 0:39:19 | |
At 70. At 70. | 0:39:19 | 0:39:20 | |
Sell, then, at £70. | 0:39:20 | 0:39:22 | |
-Are you all out in the room? -No! | 0:39:22 | 0:39:24 | |
Finished at 70? At 70. | 0:39:24 | 0:39:26 | |
The internet at 70. | 0:39:26 | 0:39:28 | |
That's minus 30. | 0:39:30 | 0:39:31 | |
You are £18 down. | 0:39:31 | 0:39:33 | |
-Oh, no, now it's the vase! -Minus £18. | 0:39:33 | 0:39:35 | |
So, now, the Whitefriars at £90. | 0:39:35 | 0:39:37 | |
He's not confident enough, because of the Chinese reproductions, | 0:39:37 | 0:39:41 | |
to give it the Full Monty, cos he's nervous about it, | 0:39:41 | 0:39:43 | |
because he's not a Whitefriars expert. | 0:39:43 | 0:39:46 | |
-No. -That's the problem. | 0:39:46 | 0:39:47 | |
And here we have a man who IS a Whitefriars expert. | 0:39:47 | 0:39:50 | |
A very attractive glass vase. | 0:39:50 | 0:39:52 | |
Really rather attractive vase there. | 0:39:52 | 0:39:54 | |
£20 for it. 20 quid, the vase. | 0:39:54 | 0:39:56 | |
Anybody at 20? | 0:39:56 | 0:39:57 | |
10, then, for the vase. | 0:39:57 | 0:39:59 | |
Fiver for the vase. | 0:39:59 | 0:40:00 | |
5. | 0:40:01 | 0:40:02 | |
You'll have to go 6 on the net. 6. | 0:40:02 | 0:40:04 | |
You want 7? | 0:40:04 | 0:40:06 | |
At 7. In the room at 7. 8 on the net. | 0:40:06 | 0:40:08 | |
At 8. Go 9, madam. | 0:40:08 | 0:40:09 | |
9. | 0:40:09 | 0:40:11 | |
At 9. | 0:40:11 | 0:40:12 | |
This is ridiculous! It's Whitefriars. | 0:40:12 | 0:40:15 | |
Sell at 10. It's worth 12. | 0:40:15 | 0:40:16 | |
Look at it. Have a good look. | 0:40:16 | 0:40:18 | |
At 10. | 0:40:18 | 0:40:20 | |
-Sell at £10. -I can't believe he's selling a Whitefriars vase for £10. | 0:40:20 | 0:40:24 | |
On the net at 10. You're out in the room. Anybody else? | 0:40:24 | 0:40:26 | |
Sell at £10. | 0:40:26 | 0:40:28 | |
Well, there we go, girls. I'm sorry. | 0:40:28 | 0:40:30 | |
That has rather torpedoed the chances there. | 0:40:30 | 0:40:32 | |
And I'm sorry, Tom. | 0:40:32 | 0:40:34 | |
It's not the end of the world. | 0:40:34 | 0:40:35 | |
It's not the end of the world. Sorry, girls. | 0:40:35 | 0:40:37 | |
It's minus £98. So, moving on... | 0:40:37 | 0:40:39 | |
What are we going to do about that lovely ring? Have a go? | 0:40:39 | 0:40:42 | |
Yes! I think so. | 0:40:42 | 0:40:43 | |
I don't think you can fail, do you? | 0:40:43 | 0:40:45 | |
No! | 0:40:45 | 0:40:47 | |
Gold, nice stones, the thing is perfect... Here it comes. | 0:40:47 | 0:40:49 | |
Rose gold diamond and gem-set ring | 0:40:49 | 0:40:52 | |
in a pierced scroll design. | 0:40:52 | 0:40:54 | |
This is really rather lovely. 50 to start. | 0:40:54 | 0:40:56 | |
Straight in at £50. | 0:40:56 | 0:40:58 | |
-Anybody, 50? -Go on - it's worth 50. | 0:40:58 | 0:41:00 | |
20, then? | 0:41:00 | 0:41:01 | |
10. 20. | 0:41:01 | 0:41:02 | |
Net at 20. Internet at £20 now. | 0:41:02 | 0:41:04 | |
I'll sell on the net at 20. 22. | 0:41:04 | 0:41:06 | |
At 22. | 0:41:06 | 0:41:08 | |
Here at 25. Anybody else? | 0:41:08 | 0:41:09 | |
At 25. 28. 30. | 0:41:09 | 0:41:11 | |
At 30 now. | 0:41:11 | 0:41:12 | |
At £30. | 0:41:12 | 0:41:14 | |
32. | 0:41:14 | 0:41:15 | |
35. 38. You in at 40? 40. | 0:41:15 | 0:41:17 | |
-The gent here at 40. -Kick on! | 0:41:17 | 0:41:19 | |
At 40. | 0:41:19 | 0:41:20 | |
Sell with the gent, then, at £40. | 0:41:20 | 0:41:22 | |
I sell this side at 40. | 0:41:22 | 0:41:23 | |
The gent here at 40. 42. 45? | 0:41:23 | 0:41:25 | |
At 42. | 0:41:25 | 0:41:27 | |
Worth 100! | 0:41:27 | 0:41:28 | |
48 on the net. You're both out. | 0:41:28 | 0:41:30 | |
Here at £48. | 0:41:30 | 0:41:32 | |
Make it 50, somebody. | 0:41:32 | 0:41:33 | |
You in again? | 0:41:33 | 0:41:35 | |
-You look like 50. -Well done, Tom! | 0:41:35 | 0:41:38 | |
Back in there, Thomas. | 0:41:38 | 0:41:40 | |
At 55. The net at 55. | 0:41:40 | 0:41:42 | |
At 55. | 0:41:42 | 0:41:43 | |
I sell, then, on the net at 55. | 0:41:43 | 0:41:45 | |
Nobody else at £55? | 0:41:45 | 0:41:47 | |
Yes! Well done, Tom. That is a £5 profit on that, | 0:41:49 | 0:41:52 | |
which means he's justified... | 0:41:52 | 0:41:54 | |
vindicated, Tom. | 0:41:54 | 0:41:56 | |
That's great. So 98 becomes 93... | 0:41:56 | 0:41:58 | |
Oh(!) | 0:41:58 | 0:42:00 | |
When you go out of this room, look really confident. | 0:42:00 | 0:42:02 | |
-Broad shoulders. -Look as if you've just made £198 of profit, | 0:42:02 | 0:42:07 | |
to confuse the Reds. | 0:42:07 | 0:42:09 | |
And all will be revealed in a moment. | 0:42:09 | 0:42:11 | |
-OK, girls? -Thank you. | 0:42:11 | 0:42:12 | |
Well, today, it's just a question of scale. | 0:42:23 | 0:42:25 | |
The scale of losses. | 0:42:25 | 0:42:27 | |
Because neither team are going home with cash, | 0:42:27 | 0:42:29 | |
but the team that have managed to generate the largest losses today | 0:42:29 | 0:42:33 | |
are, I'm afraid, the Blues. | 0:42:33 | 0:42:36 | |
Oh, no! | 0:42:36 | 0:42:37 | |
Sorry, girls! | 0:42:37 | 0:42:39 | |
They managed to lose £93, | 0:42:39 | 0:42:42 | |
despite making a couple of profits, | 0:42:42 | 0:42:44 | |
-but overall, it wasn't a great score, was it? -No. | 0:42:44 | 0:42:47 | |
But you had a nice time, Christie? | 0:42:47 | 0:42:48 | |
-We did. -Sarah? -It's been absolutely wonderful. Thank you. | 0:42:48 | 0:42:51 | |
We've loved having you, and you've been great fun. | 0:42:51 | 0:42:54 | |
Just like our boys, who are going home victors today | 0:42:54 | 0:42:56 | |
by only losing £38. | 0:42:56 | 0:42:58 | |
-Well done, boys. -They're so polite. -They are! | 0:42:59 | 0:43:02 | |
-Was it good for you, George? -It was brilliant fun. | 0:43:02 | 0:43:04 | |
-Very good. Same with you? -Absolutely. | 0:43:04 | 0:43:07 | |
Well, very good luck with your career in the Army. | 0:43:07 | 0:43:09 | |
Thank you very much for joining us. It's been great. | 0:43:09 | 0:43:12 | |
-In fact, join us soon for some more bargain-hunting, yes? -ALL: Yes! | 0:43:12 | 0:43:15 | |
I know you're sitting there thinking, | 0:43:16 | 0:43:18 | |
"I could have done better than that!" | 0:43:18 | 0:43:20 | |
Well, what's stopping you? | 0:43:20 | 0:43:22 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:22 | 0:43:26 | |
It'll be splendid to see you! | 0:43:26 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:37 |