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It's big. | 0:00:03 | 0:00:05 | |
It's bold. | 0:00:05 | 0:00:06 | |
It's Ardingly. | 0:00:06 | 0:00:08 | |
It's an international antiques fair in West Sussex | 0:00:08 | 0:00:12 | |
jam-packed with goodies. | 0:00:12 | 0:00:14 | |
So let's get up and at it - let's go bargain hunting! Yeah! | 0:00:14 | 0:00:18 | |
MUSIC: "We Found Love" by Rihanna ft Calvin Harris | 0:00:39 | 0:00:42 | |
Boasting the top end of 2,000 stalls, | 0:00:42 | 0:00:45 | |
Ardingly has considerable buzz, but if our teams today are going | 0:00:45 | 0:00:50 | |
to stand any chance of spotting that hidden gem, | 0:00:50 | 0:00:53 | |
they're going to have to pull their fingers out - big-time! | 0:00:53 | 0:00:57 | |
Here's a quick look at how today's teams got on. | 0:00:57 | 0:01:00 | |
Today the Reds are in it to win it. | 0:01:05 | 0:01:08 | |
-The whole idea of it is to... -Is to sell what we've got. | 0:01:08 | 0:01:10 | |
..beat the Blues, if we can. | 0:01:10 | 0:01:13 | |
Hmm! While the Blues get slightly overwhelmed by the task in hand. | 0:01:13 | 0:01:17 | |
I've no idea what I'm looking for! | 0:01:17 | 0:01:20 | |
I'm like, "Ooh!" | 0:01:20 | 0:01:22 | |
That's all coming up, but first let's meet the teams. | 0:01:22 | 0:01:26 | |
Well, this is extraordinary, isn't it? | 0:01:27 | 0:01:30 | |
Two teams, each with lovely ladies with bright red hair | 0:01:30 | 0:01:33 | |
and bright orange handbags. | 0:01:33 | 0:01:35 | |
We have Barbara and Stirling for the Reds and we have | 0:01:35 | 0:01:38 | |
Emma and William for the Blues. Welcome, everybody. | 0:01:38 | 0:01:40 | |
-ALL: Thank you. -Really lovely to see you. | 0:01:40 | 0:01:42 | |
Now, Barbara, you are resplendent today in red. | 0:01:42 | 0:01:45 | |
Was it this sense of style that first attracted Stirling, | 0:01:45 | 0:01:49 | |
-do you think? -I don't know. | 0:01:49 | 0:01:50 | |
He had a cousin. When she got married I went to the wedding, | 0:01:50 | 0:01:54 | |
but he ignored me. | 0:01:54 | 0:01:55 | |
Two weeks later we met in London at a club and he came over | 0:01:55 | 0:02:00 | |
-and that's history. -Really? -Yes, yes. | 0:02:00 | 0:02:02 | |
-Now, you're one of a twin. -I am. -An identical twin? -Identical. | 0:02:02 | 0:02:06 | |
And did you ever have any confusion between you and your sister? | 0:02:06 | 0:02:10 | |
Well, we did cos Stirling actually, at first, | 0:02:10 | 0:02:12 | |
couldn't tell the difference. | 0:02:12 | 0:02:14 | |
In fact, I wasn't sure if he was interested in me or my sister. | 0:02:14 | 0:02:18 | |
So, no identifying features to differentiate | 0:02:18 | 0:02:20 | |
you between one from t'other? | 0:02:20 | 0:02:22 | |
-I'm slightly taller than my sister. -Yes! | 0:02:22 | 0:02:25 | |
Don't go there, Stirling. I tell you! | 0:02:26 | 0:02:28 | |
You just don't say anything about that question, Stirling, | 0:02:28 | 0:02:31 | |
or you're in trouble, I can tell you! | 0:02:31 | 0:02:33 | |
Now, apart from having an obsession, naturally, with Barbara, | 0:02:33 | 0:02:36 | |
you're also keen on something that's a bit more prickly, aren't you? | 0:02:36 | 0:02:39 | |
Yeah, I grow cactus and succulent plants. | 0:02:39 | 0:02:41 | |
So, how many of these prickly jobs have you got? | 0:02:41 | 0:02:44 | |
-At least 3,000, probably a few more now. -3,000 cacti! -Yeah. | 0:02:44 | 0:02:47 | |
-How long does it take you to water them? -Um...a week. | 0:02:47 | 0:02:51 | |
Do you say to Barbara, "I'm just going out to water the plants," | 0:02:52 | 0:02:55 | |
and you come back a week later? | 0:02:55 | 0:02:56 | |
Well, not really, I mean, I come back... | 0:02:56 | 0:02:58 | |
-This is not good for a relationship! -I come back for food now and again! | 0:02:58 | 0:03:03 | |
You surface for beans and then you go back | 0:03:03 | 0:03:05 | |
and do a bit more watering for another week! | 0:03:05 | 0:03:07 | |
It's good for the marriage, though! | 0:03:07 | 0:03:09 | |
That is amazing! Now for the Blues. | 0:03:09 | 0:03:12 | |
Em, it took you quite a long time to get hitched with Wills, didn't it? | 0:03:12 | 0:03:16 | |
It did. Um, we went to school together | 0:03:16 | 0:03:19 | |
so from, like, the age of 11 we knew each other. | 0:03:19 | 0:03:21 | |
-However, we didn't actually get together until I was 17. -Right. | 0:03:21 | 0:03:26 | |
And then we were together ten years... | 0:03:26 | 0:03:29 | |
-before he asked me to marry him. -Never! Ten whole years! | 0:03:29 | 0:03:33 | |
-Wills, what took you the time, mate? -I just like to make sure. | 0:03:33 | 0:03:36 | |
-I don't want to rush into these things. -So, what do you get up to? | 0:03:36 | 0:03:40 | |
Are you keen on working? Do you work or are you a student? | 0:03:40 | 0:03:43 | |
Yeah, I work as a pensions administrator. | 0:03:43 | 0:03:46 | |
Um, it's, you know, a normal office job, however, | 0:03:46 | 0:03:49 | |
we have quite a good hobby - we're in a band together. | 0:03:49 | 0:03:53 | |
I sing and Will plays keys and guitar, | 0:03:53 | 0:03:56 | |
-so we do that with a group of friends. -Do you? | 0:03:56 | 0:03:59 | |
Now, William, I gather you spend your life making people sick? | 0:03:59 | 0:04:02 | |
That's right, Tim, yeah. I work for a large security and defence company | 0:04:02 | 0:04:06 | |
and part of my job is trying to ensure that our military personnel | 0:04:06 | 0:04:09 | |
can really perform at their best. | 0:04:09 | 0:04:11 | |
And part of that is our air crew who fly every day in fast jets. | 0:04:11 | 0:04:14 | |
They actually get travel-sick like you or I would in a car. | 0:04:14 | 0:04:17 | |
-Do they, really? -Obviously it's a bit more of a problem | 0:04:17 | 0:04:19 | |
-if you're zooming along in, you know... -In your Typhoon. | 0:04:19 | 0:04:23 | |
Yeah, so every day, twice a day, we make them sick | 0:04:23 | 0:04:26 | |
in a variety of ways, so we either spin them | 0:04:26 | 0:04:28 | |
round on essentially a glorified office chair or we swing them | 0:04:28 | 0:04:31 | |
from side to side, shake them up and down in a box | 0:04:31 | 0:04:34 | |
-and you do build up a tolerance. -Well, what an interesting job. | 0:04:34 | 0:04:38 | |
Now, the next part is taking the £300 apiece, that's easy. | 0:04:38 | 0:04:41 | |
-There you go, there's £300. -Thank you. -You know the rules. -I do. | 0:04:41 | 0:04:44 | |
Your experts await and off you go, and very, very, very good luck. | 0:04:44 | 0:04:47 | |
I think I'm feeling a bit sick myself. | 0:04:49 | 0:04:51 | |
Making sure she can cash in some profits for the Reds is | 0:04:58 | 0:05:01 | |
the delectable Kate Bliss. | 0:05:01 | 0:05:03 | |
And believing he can already detect the sweet smell of success, | 0:05:04 | 0:05:07 | |
it's Charles Hanson for the Blues. | 0:05:07 | 0:05:11 | |
-So, Stirling, Barbara... -Yes. -Are you ready for this? -Absolutely. | 0:05:11 | 0:05:14 | |
Wills, Emma, this is it, OK? | 0:05:14 | 0:05:16 | |
This is the hour of stardom. It could change your life. | 0:05:16 | 0:05:19 | |
So, what do you want to buy, you two? Any ideas? | 0:05:19 | 0:05:21 | |
Anything that's going to make us a load of money. | 0:05:21 | 0:05:24 | |
-Sounds good to me. -Beat the Blues. | 0:05:24 | 0:05:25 | |
-Well, me, personally, I like furniture. -Uh-huh. | 0:05:25 | 0:05:28 | |
I love, like, the vintage vibe. | 0:05:28 | 0:05:30 | |
-Do I detect a bit of competition creeping in there? -Yes. | 0:05:30 | 0:05:33 | |
I really like musical instruments, anything musical, but I also | 0:05:33 | 0:05:36 | |
-really like design, so anything that just looks cool. -OK. | 0:05:36 | 0:05:38 | |
-I don't really know anything about... -If we head this way... | 0:05:38 | 0:05:41 | |
-Yeah. -I know where to take you. -Great. | 0:05:41 | 0:05:43 | |
Shall we make a start? What about over there? | 0:05:43 | 0:05:45 | |
-It looks good. -Come on, then. | 0:05:45 | 0:05:46 | |
What do you think of those? Very decorative, aren't they? | 0:05:48 | 0:05:51 | |
What do you think, Stirling? | 0:05:51 | 0:05:52 | |
-Yes. -They're wall lights, you see. | 0:05:52 | 0:05:54 | |
So that would be fixed flush to the wall, | 0:05:54 | 0:05:57 | |
they're wired for electricity, | 0:05:57 | 0:05:59 | |
and then you've got your opaque coloured glass shade there. | 0:05:59 | 0:06:02 | |
-I mean, they're certainly Edwardian in style. -Right. | 0:06:02 | 0:06:05 | |
I'm just wondering, | 0:06:05 | 0:06:07 | |
cos you can get a lot of reproductions of this sort of thing. | 0:06:07 | 0:06:09 | |
Are they the type of thing that people would go for? | 0:06:09 | 0:06:12 | |
This is the sort of thing that an interior designer would be | 0:06:12 | 0:06:15 | |
looking for, a couple doing up a house that wants to put | 0:06:15 | 0:06:18 | |
original features back in, and fittings. | 0:06:18 | 0:06:21 | |
It's certainly that style of shade, | 0:06:21 | 0:06:22 | |
-I would say it's late Victorian. -How much would they be? -I don't know. | 0:06:22 | 0:06:25 | |
-Shall we find out? -Yeah, let's ask. | 0:06:25 | 0:06:27 | |
Excuse me, what are you asking for these - this set? | 0:06:27 | 0:06:30 | |
-Um, £80 for the lot, for the four. -£80 for the four? Are they...? | 0:06:30 | 0:06:35 | |
Are they modern or...? | 0:06:35 | 0:06:36 | |
I think they're sort of '50s, probably. | 0:06:36 | 0:06:38 | |
What do you think? I mean, how do you feel about them? | 0:06:38 | 0:06:40 | |
I'm very happy, providing we can sell them and make a profit. | 0:06:40 | 0:06:43 | |
-Yeah, I think they would... -Or at least have a chance. | 0:06:43 | 0:06:46 | |
They would probably be of interest to someone, I think. | 0:06:46 | 0:06:48 | |
Yeah, yeah. They're quite nice. | 0:06:48 | 0:06:50 | |
Can you help us on the price of that at all, please? | 0:06:50 | 0:06:53 | |
Um, £70 for the four. | 0:06:53 | 0:06:55 | |
-Is that best you can do? -That's the best. That's really cheap for that. | 0:06:55 | 0:06:58 | |
You couldn't do £60? | 0:06:58 | 0:07:00 | |
Um, I'll meet you halfway - £65. | 0:07:00 | 0:07:03 | |
There's got to be a profit in there. | 0:07:03 | 0:07:04 | |
-I have to say, I'd be happy with that. -Yes, I think so. | 0:07:04 | 0:07:07 | |
OK, then. All right, then. | 0:07:07 | 0:07:09 | |
Well, that's the first item found in record time | 0:07:09 | 0:07:11 | |
and one up on the Blue team, who are still getting into the swing of it. | 0:07:11 | 0:07:15 | |
Is that too pretty for you? | 0:07:15 | 0:07:16 | |
-Is that just too girly and just too...? -It's pretty. -Yeah, it is. | 0:07:18 | 0:07:23 | |
But I don't know if I love it, but... | 0:07:23 | 0:07:24 | |
Maybe we need to think about it and see. | 0:07:24 | 0:07:26 | |
I want to get you in the zone, I want to get you in it, OK? | 0:07:26 | 0:07:30 | |
You know, the hour is young. You have all the time in the world. | 0:07:30 | 0:07:34 | |
Shall we...? | 0:07:34 | 0:07:35 | |
-Let's press on. -Press on, OK. | 0:07:35 | 0:07:36 | |
-We're going to be experts any moment. -Well done. | 0:07:36 | 0:07:39 | |
Yeah, in an hour, you'll probably know as much as Charles does(!) | 0:07:39 | 0:07:42 | |
Ew, it's muddy here! | 0:07:42 | 0:07:44 | |
Yeah, I'm stuck in as well, yeah. | 0:07:44 | 0:07:46 | |
Tick-tock! | 0:07:46 | 0:07:47 | |
-You like that, Barbs? -Yes, I do like that. You like that? | 0:07:47 | 0:07:50 | |
It looks very new, doesn't it? | 0:07:50 | 0:07:51 | |
Well, I would say, age-wise, it's probably '50s. | 0:07:51 | 0:07:56 | |
-Right. -It's just little signs like the wear on the glaze here. -Yes. | 0:07:56 | 0:08:00 | |
-And on the back here. -Yeah. -And the way this metal is scratched as well. | 0:08:00 | 0:08:04 | |
-That's not a brand-new reproduction, I can tell you that. -OK. | 0:08:04 | 0:08:07 | |
What I like about this one is these hands because they are really nice | 0:08:07 | 0:08:11 | |
period hands, they're sort of almost Art Deco, actually, in style. | 0:08:11 | 0:08:16 | |
For somebody who's got a retro kitchen... | 0:08:16 | 0:08:19 | |
..that's quite a nice little feature. | 0:08:21 | 0:08:23 | |
Are they a popular thing at auction, would you say? | 0:08:23 | 0:08:25 | |
-Well, clocks are always... -Acceptable, yeah. | 0:08:25 | 0:08:28 | |
..going to be fairly good sellers, depending on the condition, | 0:08:28 | 0:08:31 | |
obviously, and the age, but actual clock items are still good cos, | 0:08:31 | 0:08:34 | |
-obviously, they have a purpose. -Sure. -They have a function. | 0:08:34 | 0:08:37 | |
-What do you think? -Well, I like it, but, I mean, | 0:08:37 | 0:08:39 | |
it's up to Stirling as well, because... | 0:08:39 | 0:08:42 | |
I'm very happy with it, you know, | 0:08:42 | 0:08:44 | |
we'd just like to make a profit on what we buy. | 0:08:44 | 0:08:47 | |
-I know. -Whatever it is, it is, you know? -Yeah. | 0:08:47 | 0:08:50 | |
Can we go and see...? Oh, here's our man. | 0:08:50 | 0:08:53 | |
You have a look round here and I'll go and see... | 0:08:53 | 0:08:55 | |
I do like these as well. | 0:08:55 | 0:08:56 | |
At this rate, your bargain hunting will be done and dusted | 0:08:56 | 0:08:59 | |
in just ten minutes. | 0:08:59 | 0:09:00 | |
Barbara, try and keep him under control, love, will you? | 0:09:00 | 0:09:03 | |
I don't think... No, it's horrible! | 0:09:03 | 0:09:06 | |
Emma, you're looking bewildered again. | 0:09:06 | 0:09:08 | |
I've no idea what I'm looking for, to be honest! | 0:09:08 | 0:09:11 | |
It's like, "Ooh!" | 0:09:11 | 0:09:13 | |
Where's my team? Your husband, isn't he a tennis player or a golf...? | 0:09:13 | 0:09:17 | |
-Golf. -Golf, golf. -But I play tennis as well. -Yeah, isn't that sweet? | 0:09:17 | 0:09:20 | |
-That's nice. -A little tennis bar brooch. | 0:09:20 | 0:09:23 | |
And, apparently, it's 1930s. | 0:09:23 | 0:09:25 | |
Do you like it, Emma? It's £65. | 0:09:25 | 0:09:27 | |
Oh, I don't know! I'm not sure! | 0:09:29 | 0:09:31 | |
-You're not sold by it? -I don't know what I like, to be honest! | 0:09:31 | 0:09:34 | |
-Keep walking for a while? -Yeah. -And come back? -Let's keep looking. | 0:09:34 | 0:09:37 | |
Would you wear this bar brooch? | 0:09:37 | 0:09:39 | |
No, I'm like more kind of wacky jewellery. I like big and bright. | 0:09:39 | 0:09:42 | |
Hang on. Any wacky jewellery, mate? Any wacky jewellery? | 0:09:42 | 0:09:47 | |
Maybe a bit like you, then, Emma! | 0:09:47 | 0:09:48 | |
-Well, I managed £30. What do you think? -Oh. | 0:09:50 | 0:09:53 | |
I personally like it, but, um... | 0:09:53 | 0:09:55 | |
This game is not what you like, it's what you're going to sell. | 0:09:55 | 0:09:59 | |
You think at £30, in an auction, | 0:09:59 | 0:10:00 | |
we've got a chance on making a profit on that? | 0:10:00 | 0:10:03 | |
I think you've got a chance, I really do. | 0:10:03 | 0:10:04 | |
I would put that - if that came into an auction - | 0:10:04 | 0:10:07 | |
I would put an estimate of £30 to £50 on it. | 0:10:07 | 0:10:09 | |
I would buy it if that was me, yeah. | 0:10:09 | 0:10:11 | |
As long as it made the £50, I'd be very happy, yeah! | 0:10:11 | 0:10:13 | |
I think... Do you know what I think? | 0:10:13 | 0:10:15 | |
-I think we're faffing, I think we should get it. -Yes, go on, then. | 0:10:15 | 0:10:18 | |
-Great. Number two. -That's number two. Well done, thanks. | 0:10:18 | 0:10:21 | |
-Are you feeling pretty confident, you two? -Well, as I say, | 0:10:21 | 0:10:23 | |
if we buy the three we could go back in the warm now, couldn't we? | 0:10:23 | 0:10:26 | |
This could be the fastest shop ever seen on Bargain Hunt. | 0:10:26 | 0:10:30 | |
Well done, Reds, that's your second item bought. | 0:10:30 | 0:10:32 | |
So, how are the Blues doing on that | 0:10:32 | 0:10:34 | |
"something bold and beautiful" front? | 0:10:34 | 0:10:37 | |
Guys, if you want a striking pair for a newlywed couple | 0:10:37 | 0:10:41 | |
and you really want to buy the best, you'd go for something like this. | 0:10:41 | 0:10:44 | |
-OK. -That's what you're in for, isn't it? -I'm looking for some quality, | 0:10:44 | 0:10:47 | |
I'm just a bit concerned cos it's slightly battered, | 0:10:47 | 0:10:50 | |
but is that inevitable when you've got something that's 100 years old? | 0:10:50 | 0:10:53 | |
I think it's probably inevitable | 0:10:53 | 0:10:54 | |
because they are dressing table jars. | 0:10:54 | 0:10:57 | |
What is really important with scent bottles is, number one, | 0:10:57 | 0:11:00 | |
to make sure the globular glass is in good condition, | 0:11:00 | 0:11:03 | |
-ie, there's no cracks or chips. -OK. | 0:11:03 | 0:11:05 | |
You know, they're each certainly worth £100, in my opinion. | 0:11:05 | 0:11:10 | |
-Do you both like them, then? Are you both taken by them? -I like it. | 0:11:10 | 0:11:13 | |
-I like that we're buying something quality. -I mean, look at this, | 0:11:13 | 0:11:17 | |
this is what you call bellflower casting on the rim as well. | 0:11:17 | 0:11:21 | |
They are top-notch and if you owned a first-class cabin on board | 0:11:21 | 0:11:24 | |
Titanic, these would not have been out of place. They're that good. | 0:11:24 | 0:11:27 | |
Cos I'm a girly girl, I love...I love... | 0:11:27 | 0:11:30 | |
But are these chunky enough for you? | 0:11:30 | 0:11:32 | |
Yeah. I think they're a statement. | 0:11:32 | 0:11:34 | |
-Yeah. -There's one man you want to impress, don't you, as well? | 0:11:34 | 0:11:37 | |
When he looks at your array of objects at the end of our hour, | 0:11:37 | 0:11:40 | |
and that's Mr Wonnacott. And he would give you a big tick for these. | 0:11:40 | 0:11:44 | |
-You know me so well, Carlos. -See if you can make him an offer. -I'll try. | 0:11:44 | 0:11:48 | |
Um, excuse me. | 0:11:48 | 0:11:50 | |
Would there be a deal to be made on the pair? | 0:11:50 | 0:11:54 | |
-Um... -Would you take £160? | 0:11:54 | 0:11:57 | |
No! | 0:11:57 | 0:11:58 | |
I've got £110 on each, so that's £220. | 0:11:58 | 0:12:02 | |
If you take the pair, the best I can do you is £180. | 0:12:02 | 0:12:05 | |
It's entirely up to you. It's a big spend. | 0:12:06 | 0:12:08 | |
It's nearly two-thirds of the budget. | 0:12:08 | 0:12:10 | |
Sir, can we come back to you? | 0:12:10 | 0:12:12 | |
-You can always come back. -Can you hold them for ten minutes? -Yes. | 0:12:12 | 0:12:15 | |
-It's a big spend, you see, you can do that. -Good hunting. | 0:12:15 | 0:12:17 | |
Thank you very much, sir, thank you. | 0:12:17 | 0:12:19 | |
Well done, though I'm not too keen on that price. | 0:12:19 | 0:12:23 | |
We're now 20 minutes in and our Reds are doing a STIRLING job. | 0:12:23 | 0:12:25 | |
Eh? STIRLING? | 0:12:25 | 0:12:27 | |
MUSIC: "Tainted Love" by Soft Cell | 0:12:27 | 0:12:28 | |
-Enamelled? -First impressions? Exactly, enamelled. | 0:12:28 | 0:12:32 | |
They're nice, but do they sell well? | 0:12:32 | 0:12:34 | |
I think the nice thing about these is the enamel is | 0:12:34 | 0:12:37 | |
-just in amazing condition. -Could they be Norwegian? | 0:12:37 | 0:12:40 | |
They are, exactly - you've been reading the lid, haven't you? | 0:12:40 | 0:12:43 | |
These are in their original box, which is also quite nice. | 0:12:43 | 0:12:46 | |
They are marked but it's teeny, teeny tiny, | 0:12:46 | 0:12:49 | |
and you've got a 925, which says to me | 0:12:49 | 0:12:52 | |
that they are sterling silver standard. | 0:12:52 | 0:12:55 | |
-I'm just not sure on the resale. -You're not struck, are you? -No. | 0:12:55 | 0:12:58 | |
-Can we just have a look and then come back? -Make a mental note. | 0:12:58 | 0:13:01 | |
-Do you know how much they are? -Yeah, I do know how much they are. | 0:13:01 | 0:13:04 | |
-You're not going to like it. -Go on, then. -He says they're £120. | 0:13:04 | 0:13:08 | |
-Did he? -Yeah. | 0:13:08 | 0:13:10 | |
-Let's have a think. -I think it's a bit of a no-no at the moment. | 0:13:10 | 0:13:12 | |
All right. Barbs says no. | 0:13:12 | 0:13:15 | |
There's no shillyshallying with you two, it's all about making a profit. | 0:13:15 | 0:13:19 | |
Unlike our dilly-dallying Blues with their expensive tastes. | 0:13:19 | 0:13:23 | |
-I'd really love something like that. -But that's priceless, isn't it? | 0:13:23 | 0:13:27 | |
-£450. -£450. | 0:13:27 | 0:13:28 | |
That one is £175. | 0:13:28 | 0:13:31 | |
It's going to be about £340. | 0:13:31 | 0:13:33 | |
How much is very cheap? | 0:13:33 | 0:13:34 | |
-About £350. -Oh, golly! -That's the pair. | 0:13:34 | 0:13:36 | |
No, they can't afford it. | 0:13:36 | 0:13:38 | |
OK, thank you very much. We'll move on. | 0:13:38 | 0:13:40 | |
We've passed the halfway mark, so this is a good time for a rethink. | 0:13:40 | 0:13:43 | |
-We've seen the vase that we like. -Yeah. -And the perfume bottles. | 0:13:43 | 0:13:48 | |
Do you mean we could go back and just get them, | 0:13:48 | 0:13:50 | |
so then we've got 20 minutes or 15 minutes to find our last one? | 0:13:50 | 0:13:55 | |
I wouldn't got both, I don't think, | 0:13:56 | 0:13:58 | |
cos that's, like, nearly all the money. | 0:13:58 | 0:14:00 | |
OK, so shall we get the... | 0:14:00 | 0:14:02 | |
-perfume? -Yeah, let's get the perfume bottles. -OK. | 0:14:02 | 0:14:04 | |
Or we can just pretend we've bought them | 0:14:04 | 0:14:06 | |
and then we know how much we've got left to spend. | 0:14:06 | 0:14:08 | |
-No, let's do it. -All right, let's go buy them. | 0:14:08 | 0:14:11 | |
-OK, team, what's the plan? -Perfume bottles. -Are you sure? | 0:14:11 | 0:14:14 | |
-We're going to buy them and then we know... -Big spend. Half the budget. | 0:14:14 | 0:14:17 | |
But I think then we can focus with our remaining budget. | 0:14:17 | 0:14:20 | |
Shall I go and get them now for £180? | 0:14:20 | 0:14:23 | |
-Yeah. -Because he won't come down, will he? That was it. | 0:14:23 | 0:14:25 | |
And you go that way and perhaps get looking | 0:14:25 | 0:14:28 | |
-and buy something. -OK. -OK, see you soon. -OK. | 0:14:28 | 0:14:30 | |
With two bargains already in the bag, at least you Reds | 0:14:30 | 0:14:33 | |
can have a leisurely think about your next move. | 0:14:33 | 0:14:35 | |
So, one - work out how much you have left... | 0:14:35 | 0:14:38 | |
-So, it's not even £100 yet. -No, I think we could go a little bit up. | 0:14:38 | 0:14:41 | |
-I think so, because we don't want to leave her too much money. -No... | 0:14:41 | 0:14:44 | |
That would be too easy for her, won't it? | 0:14:44 | 0:14:46 | |
Two, agree your strategy... | 0:14:46 | 0:14:48 | |
-The whole idea of it is to... -Sell what we've got. | 0:14:48 | 0:14:51 | |
..beat the Blues, if we can. | 0:14:51 | 0:14:53 | |
Three, what's the perfect final item? | 0:14:53 | 0:14:56 | |
I'd like to put something where, you know, | 0:14:56 | 0:14:58 | |
I'd like to buy something where people that buy it can | 0:14:58 | 0:15:01 | |
actually display it and not hide it away in a corner or... | 0:15:01 | 0:15:04 | |
-Glass or silver or...? -Yeah. | 0:15:04 | 0:15:06 | |
Four, get on with it! | 0:15:06 | 0:15:07 | |
I think this is where we need to go. | 0:15:07 | 0:15:09 | |
Perhaps you ought to consider hunting down your expert too. | 0:15:09 | 0:15:12 | |
Ah! There she is! | 0:15:12 | 0:15:14 | |
-Hi, guys. -Hi. -Hi. -How you doing? | 0:15:14 | 0:15:16 | |
Now it's the Blues who are flying solo. | 0:15:18 | 0:15:21 | |
Let's try and find something we like. | 0:15:21 | 0:15:23 | |
-I want something to, like, catch my eye. -OK. | 0:15:25 | 0:15:29 | |
Charles! Where are you? | 0:15:29 | 0:15:31 | |
Your team is looking dazed and confused, | 0:15:31 | 0:15:33 | |
whereas the Reds may have found something rather showy. | 0:15:33 | 0:15:37 | |
-This is the sort of thing you like, isn't it, Barbara? -Yes. | 0:15:37 | 0:15:40 | |
Those lovely sort of... | 0:15:40 | 0:15:41 | |
But these are the, um, old ones, the genuine ones. | 0:15:41 | 0:15:45 | |
Mine are really what I say are copies. | 0:15:45 | 0:15:47 | |
What about this one? She's rather risque, isn't she? | 0:15:47 | 0:15:49 | |
-Yes, she is a little bit. -Let's look at her. | 0:15:49 | 0:15:51 | |
-Who is it? Anything on the back? -Let's have a look. | 0:15:52 | 0:15:55 | |
Oh, you've got a German mark on the bottom there. | 0:15:55 | 0:15:58 | |
It's quite difficult to read, but she's definitely continental. | 0:15:58 | 0:16:01 | |
Do you see in the base there you've got | 0:16:01 | 0:16:03 | |
-what I would call a little firing crack... -Yes. | 0:16:03 | 0:16:05 | |
..in the base? Well, that was in the manufacture in the porcelain, | 0:16:05 | 0:16:08 | |
so that helps to date it and I would say she's definitely of the period. | 0:16:08 | 0:16:11 | |
She's strikingly Art Deco, even in actually her costume. | 0:16:11 | 0:16:15 | |
And the colours that you've got here in the glaze, | 0:16:15 | 0:16:18 | |
this bright orange is typical of the '30s, the late '20s. | 0:16:18 | 0:16:22 | |
How much is that one? | 0:16:22 | 0:16:24 | |
I've got £225 on her. | 0:16:24 | 0:16:25 | |
And is that the best you could do? | 0:16:27 | 0:16:29 | |
The absolute rock bottom on it would be £170. | 0:16:29 | 0:16:33 | |
-Can we think about it? -Of course you can. -Let's put her safely back. | 0:16:36 | 0:16:40 | |
-Thanks. -But, I mean, I have to say to you, | 0:16:40 | 0:16:43 | |
that the fact that she is scantily clad, | 0:16:43 | 0:16:45 | |
the fact that she is half undressed makes it even more commercial. | 0:16:45 | 0:16:49 | |
You're not going in the next ten minutes, are you? Not now, I'm not! | 0:16:49 | 0:16:52 | |
Well, now you've got something to think about, you two. | 0:16:52 | 0:16:54 | |
That definitely won't go unnoticed on the mantelpiece. | 0:16:54 | 0:16:58 | |
-We've only got ten minutes to go. -Oh, God. -To find two items. | 0:16:58 | 0:17:01 | |
Is there anything we've seen so far, Emma, that you think | 0:17:01 | 0:17:04 | |
we should buy or that you like enough so that we've got...? | 0:17:04 | 0:17:07 | |
I thought we had longer than ten minutes! | 0:17:07 | 0:17:10 | |
So you'd better get on with it and make hay while the sun shines, | 0:17:10 | 0:17:13 | |
or we may have to push the panic button. | 0:17:13 | 0:17:16 | |
Look at the little dog studs there. Just here, Will. | 0:17:16 | 0:17:19 | |
OK, so what would they be used for, Charles? | 0:17:19 | 0:17:22 | |
They would, um, back in the Edwardian times when, you know, | 0:17:22 | 0:17:25 | |
elegance and sophistication was the art of costume and dress, | 0:17:25 | 0:17:28 | |
you would have had these sewn onto your shirt or waistcoat or | 0:17:28 | 0:17:32 | |
whatever else, and I suspect if they are... | 0:17:32 | 0:17:34 | |
Hello, madam. I'm just admiring your little studs in here, or buttons. | 0:17:34 | 0:17:39 | |
Are they, what, just post-Edwardian? | 0:17:39 | 0:17:41 | |
Yeah, they could even be late Victorian. | 0:17:41 | 0:17:43 | |
This is a really nice satin-finish case | 0:17:43 | 0:17:46 | |
and you've got this nice Morocco box. A bit of wear. | 0:17:46 | 0:17:49 | |
Are they spaniels? | 0:17:49 | 0:17:51 | |
Um, I don't know, they look like collies or something to me, | 0:17:51 | 0:17:54 | |
-like sheepdogs or...? -How much are they, please? | 0:17:54 | 0:17:57 | |
£28 would be the best offer. | 0:17:57 | 0:17:59 | |
£28. I mean, that isn't bad because there's a huge group of dog lovers | 0:17:59 | 0:18:02 | |
in Sussex, there's a huge pool of vintage costume collectors... | 0:18:02 | 0:18:07 | |
I love vintage. | 0:18:07 | 0:18:08 | |
And, of course, our canine friends, I think, | 0:18:08 | 0:18:10 | |
would go wild for these. And if I was a gambling man, | 0:18:10 | 0:18:13 | |
out of the vase and those studs, | 0:18:13 | 0:18:16 | |
I would go for those dress studs. | 0:18:16 | 0:18:18 | |
But, again, it's your day, Emma. | 0:18:18 | 0:18:21 | |
Yeah, but we have only got, like, five minutes. | 0:18:21 | 0:18:23 | |
Yes, and you still have two items to find. | 0:18:23 | 0:18:26 | |
Now, you Reds, is there a bit of a theme going on here? | 0:18:26 | 0:18:28 | |
The thing about this is she's a lovely bronze, but... | 0:18:30 | 0:18:33 | |
How old is she? | 0:18:35 | 0:18:36 | |
She's not very old and that's why she's affordable, OK? | 0:18:36 | 0:18:41 | |
You're better off with your porcelain - | 0:18:41 | 0:18:43 | |
-the lovely risque dancer. -I reckon, Barb, | 0:18:43 | 0:18:47 | |
if you go back to that man and offer him £150 and see what he says. | 0:18:47 | 0:18:51 | |
-You saying your wife's a charmer? -Well, she can be, yes. | 0:18:51 | 0:18:55 | |
I reckon, if you offer him £150... | 0:18:55 | 0:18:58 | |
it gives us three... We've spent a fair bit of money. | 0:18:58 | 0:19:02 | |
-It gives Kate a little bit as well. -Yeah, what have we spent? | 0:19:02 | 0:19:05 | |
First item, we spend £65, we then got the clock, which was £30. £95. | 0:19:05 | 0:19:11 | |
-Yeah. If you get that for £150, that's £245. -IF we get it for £150. | 0:19:11 | 0:19:15 | |
-What happens if he says no? -Well, if he says no, say... | 0:19:15 | 0:19:18 | |
We are wasting time here. Let's go and see what he says. | 0:19:20 | 0:19:22 | |
Go on, see what you can do. Right, off she goes. | 0:19:22 | 0:19:25 | |
You go for it, Barbara, whilst I keep my beady eye on those Blues. | 0:19:25 | 0:19:29 | |
Isn't that a gorgeous box? This is a beadwork | 0:19:29 | 0:19:32 | |
with opaque beads, and the date on those - 1814. | 0:19:32 | 0:19:35 | |
A year before the Battle of Waterloo. How much is this? | 0:19:35 | 0:19:38 | |
Um, the best on that would be £55. | 0:19:38 | 0:19:41 | |
CHARLES WHISTLES | 0:19:41 | 0:19:43 | |
It's peculiar inside, it's almost this tin-lined centre, | 0:19:43 | 0:19:46 | |
which would keep something very, very dry. | 0:19:46 | 0:19:48 | |
Maybe, I don't know, cigars or tobacco. | 0:19:48 | 0:19:50 | |
It's embroidered almost on this green... | 0:19:50 | 0:19:53 | |
Is that green silk or green satin? | 0:19:53 | 0:19:55 | |
It's...I don't know. | 0:19:55 | 0:19:57 | |
Green satin and then you've got this delightful opaque white beading. | 0:19:57 | 0:20:01 | |
Why I like it is because it's Georgian. | 0:20:01 | 0:20:03 | |
-It's 199 years old and that's history. -But how much would it be? | 0:20:03 | 0:20:07 | |
These were £28. | 0:20:07 | 0:20:09 | |
-£25 and £45. -SELLER: -Yes, if you add the two. | 0:20:09 | 0:20:12 | |
-If we have them together. -So that's £70. | 0:20:12 | 0:20:15 | |
That would leave... | 0:20:15 | 0:20:16 | |
-We've got two minutes to go. -£50 for Charles to spend on something else. | 0:20:16 | 0:20:19 | |
If you're happy, I'm happy. | 0:20:19 | 0:20:21 | |
So £25 and... | 0:20:21 | 0:20:23 | |
£45. | 0:20:23 | 0:20:25 | |
-SELLER: -£40. -£40. | 0:20:25 | 0:20:26 | |
Come on, Barbara. | 0:20:26 | 0:20:28 | |
MUSIC: "Oh, Pretty Woman" by Roy Orbison | 0:20:28 | 0:20:29 | |
-It's me again! -Did you bring your purse with you this time? | 0:20:29 | 0:20:32 | |
My lady - could you do £140? | 0:20:34 | 0:20:37 | |
-I really...I really can't go there, I'm sorry. -£150? | 0:20:37 | 0:20:40 | |
-Please? -Gun to the head! | 0:20:44 | 0:20:46 | |
-OK. -Oh, you're an angel. Thank you very much. -A pleasure. -Thank you. | 0:20:46 | 0:20:51 | |
-£150. -£150! Not bad! | 0:20:51 | 0:20:54 | |
-Yeah, have you done the deal? -Yes. -Fantastic! | 0:20:54 | 0:20:56 | |
-The gentleman was very kind and... -Thank you, sir. | 0:20:56 | 0:20:59 | |
-You're a very nice man. -Thank you very much. | 0:20:59 | 0:21:01 | |
-Come on, let's do it! -Yeah. OK. -£65. -I love that. | 0:21:01 | 0:21:04 | |
I've got reservations about whether you'd get £40 for that, but... | 0:21:04 | 0:21:08 | |
I will stand by that and I'll be shot down | 0:21:08 | 0:21:11 | |
on the fields of Waterloo, and I think those buttons are | 0:21:11 | 0:21:15 | |
a dead cert, all in £65. | 0:21:15 | 0:21:18 | |
-Go! -30 seconds to go. | 0:21:18 | 0:21:20 | |
-I'll shake your hand, then, thank you very much - sold. -Thank you. | 0:21:20 | 0:21:23 | |
We'll take them. Thank you ever so much for that. | 0:21:23 | 0:21:26 | |
Well, you've had your 60 minutes, teams, | 0:21:26 | 0:21:28 | |
now let's check out what the Red team bought. | 0:21:28 | 0:21:31 | |
Off to a quick start, Stirling and Barbara saw these brass | 0:21:34 | 0:21:38 | |
electric wall lights and were charged £65 for the set. | 0:21:38 | 0:21:43 | |
Then they were drawn to this wall clock | 0:21:43 | 0:21:44 | |
and didn't waste any time in securing it for £30. | 0:21:44 | 0:21:49 | |
Finally, they took a fancy to this Art Deco female dancer, | 0:21:49 | 0:21:52 | |
but did they pay too much at £150? | 0:21:52 | 0:21:55 | |
-We tried. -There's no hanging around with you two. -No, we tried our best. | 0:21:57 | 0:22:00 | |
-Straight in there. -They're what we call Speedy Gonzales. -That's right. | 0:22:00 | 0:22:04 | |
-She's speedy... -And you're Gonzales. -That's it. -Thank you, Stirling. | 0:22:04 | 0:22:07 | |
-Now, Barbara, which is your favourite piece? -I think the clock. | 0:22:07 | 0:22:10 | |
-The clock? And what about you, Stirling? -The risque lady. | 0:22:10 | 0:22:14 | |
And is the risque lady going to bring the biggest profit? | 0:22:14 | 0:22:16 | |
-No. -What is? -The clock, I think. -The clock. -I think the lights might. | 0:22:16 | 0:22:20 | |
Oh, do you? And you spent, in total, how much? | 0:22:20 | 0:22:23 | |
-£245. -That is such a good amount. £55 of leftover lolly, then. -Yes. | 0:22:23 | 0:22:27 | |
-Please. -Stirling's got it. -Stirling's got it. Thank you. | 0:22:27 | 0:22:30 | |
With the greatest of reluctance, I notice. | 0:22:30 | 0:22:33 | |
-Straight over to KB. -Lovely, thank you very much. | 0:22:33 | 0:22:35 | |
What are you going to buy, darling? | 0:22:35 | 0:22:36 | |
Well, do you know, Stirling and Barbara were really decisive, | 0:22:36 | 0:22:40 | |
-they knew exactly what they liked and didn't like. -And quick. | 0:22:40 | 0:22:42 | |
-I felt under quite a lot of pressure. -No. | 0:22:42 | 0:22:44 | |
Something that's going to make a profit, that's all we care about, | 0:22:44 | 0:22:47 | |
-isn't it? -Absolutely. -Yeah. -Go for it, girl, you'll be fine. -Super. | 0:22:47 | 0:22:51 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:22:51 | 0:22:55 | |
Emma and William almost blew the lot on these scent bottles, | 0:22:55 | 0:22:58 | |
paying a whopping £180 for the pair. | 0:22:58 | 0:23:02 | |
Then they took a fancy to these painted dress studs. | 0:23:02 | 0:23:05 | |
£25 paid for these. | 0:23:05 | 0:23:07 | |
And finally, in a moment of madness, they were sold on this | 0:23:09 | 0:23:13 | |
George III tin box, paying £40 for the privilege. | 0:23:13 | 0:23:16 | |
Just in the nick of time. | 0:23:16 | 0:23:18 | |
Yeah, just in the nick of time. Good fun? | 0:23:18 | 0:23:20 | |
Yes, really good fun, thank you. | 0:23:20 | 0:23:21 | |
Super. Which is your favourite piece? | 0:23:21 | 0:23:23 | |
Um, I really liked the last one that we bought, the green beaded box. | 0:23:23 | 0:23:28 | |
-It's Georgian? -Absolutely. -Yeah. -It's kind of got a romantic... | 0:23:28 | 0:23:33 | |
I get those feelings too. And what's your favourite piece? | 0:23:33 | 0:23:36 | |
I think I like the scent bottles - I thought a bit of quality, | 0:23:36 | 0:23:39 | |
which is what we were trying to look for. | 0:23:39 | 0:23:40 | |
And are they going to bring the biggest profit, the scent bottles? | 0:23:40 | 0:23:43 | |
-No, I don't think so. -I think they will. | 0:23:43 | 0:23:45 | |
-Do you? -I don't know, I think they might struggle, | 0:23:45 | 0:23:48 | |
but the buttons that we bought will hopefully make some money | 0:23:48 | 0:23:51 | |
because they were fairly cheap and there might be collectors of those. | 0:23:51 | 0:23:54 | |
-OK, so what did you spend all round? -£245. -£245. | 0:23:54 | 0:23:56 | |
Can I have £55 of leftover lolly, please? Thank you. £55. | 0:23:56 | 0:24:02 | |
-Right, then, Charles. -Thank you. -What are you going to do with that? | 0:24:02 | 0:24:05 | |
Well, we had a lot of love today with my newlyweds. | 0:24:05 | 0:24:08 | |
I almost felt three's a crowd so I'm going to go off | 0:24:08 | 0:24:11 | |
and find a love token or something that's got... | 0:24:11 | 0:24:15 | |
-that chemistry. -What are you like, Charles?! Honestly! | 0:24:15 | 0:24:17 | |
Anyway, very good luck with that, Charles. Well done, well done. | 0:24:17 | 0:24:21 | |
Meanwhile, while Charles searches for that love token, I'm going to | 0:24:21 | 0:24:24 | |
show you something that you've never seen before | 0:24:24 | 0:24:27 | |
and it takes drinking to a completely different level. | 0:24:27 | 0:24:31 | |
HE HICCUPS | 0:24:31 | 0:24:32 | |
Do you fancy a drink? Well, I feel quite drinky myself, | 0:24:38 | 0:24:43 | |
and if we were sitting in a Polynesian isle... | 0:24:43 | 0:24:47 | |
they would offer you a drink out of one of these jobs - | 0:24:47 | 0:24:51 | |
a shallow wooden bowl known as a kava bowl. | 0:24:51 | 0:24:56 | |
There'd be a bigger wooden container where some noxious | 0:24:56 | 0:25:00 | |
brew of brownish fluid would have been fermenting, | 0:25:00 | 0:25:05 | |
but the actual vessel that they would have used | 0:25:05 | 0:25:08 | |
and would have passed from person to person to have a wee sip | 0:25:08 | 0:25:13 | |
in a big village circular gathering | 0:25:13 | 0:25:16 | |
would have been a little dish like this. | 0:25:16 | 0:25:20 | |
Now, if I turn it over on the back, were you to rub your thumb over | 0:25:20 | 0:25:25 | |
that back surface, it's made up of literally hundreds of little dings. | 0:25:25 | 0:25:31 | |
That's because in that Polynesian village, | 0:25:31 | 0:25:34 | |
they hadn't got a machine tool when they made this | 0:25:34 | 0:25:38 | |
100 or 150 years ago, | 0:25:38 | 0:25:40 | |
they simply got a shallow sharp blade | 0:25:40 | 0:25:44 | |
and had exquisitely crafted... | 0:25:44 | 0:25:48 | |
using little cuts, and they've made it | 0:25:48 | 0:25:51 | |
so that if you rub your finger on the top and the thumb underneath, | 0:25:51 | 0:25:54 | |
you can feel it's no more than a quarter of an inch thick. | 0:25:54 | 0:25:58 | |
The inner surface has no dings to it at all. | 0:25:58 | 0:26:01 | |
That's because they took a piece of skin off the back of a shark, | 0:26:01 | 0:26:04 | |
which is rough, and they've rubbed over the inner surface to make it | 0:26:04 | 0:26:08 | |
completely smooth, | 0:26:08 | 0:26:09 | |
and that tapers it down to this narrow lip on the outer edge. | 0:26:09 | 0:26:14 | |
That's been carved with a sharp knife | 0:26:14 | 0:26:17 | |
with something that we now call entrelac, | 0:26:17 | 0:26:20 | |
which is like a continuous piece of ribbon | 0:26:20 | 0:26:23 | |
that runs all the way around that edge. | 0:26:23 | 0:26:26 | |
But it's a complicated carving and not easy to do. | 0:26:26 | 0:26:30 | |
Somebody's taken literally hundreds of hours to craft that | 0:26:30 | 0:26:34 | |
and then, so that you hold it sensibly from person to person | 0:26:34 | 0:26:38 | |
it's got these little lug handles on the outside, | 0:26:38 | 0:26:41 | |
and if you look at each of those, that's like a native totem pole. | 0:26:41 | 0:26:46 | |
It's sadly got a little damage now on the outer outer-edge, but | 0:26:46 | 0:26:51 | |
it's only a minor split, but you can see the exquisite carving inside. | 0:26:51 | 0:26:56 | |
There was considerable craft expended in making these bowls | 0:26:56 | 0:27:00 | |
because they were so important in terms of village culture. | 0:27:00 | 0:27:05 | |
This is the moment when you're entertaining the rellies. | 0:27:05 | 0:27:09 | |
What's it worth? | 0:27:09 | 0:27:11 | |
Well, you could buy it off this dealer round the corner for £20. | 0:27:11 | 0:27:15 | |
The trick is to identify the Polynesian island. | 0:27:15 | 0:27:19 | |
Is it Fiji? | 0:27:19 | 0:27:21 | |
Might it be Hawaii? | 0:27:21 | 0:27:23 | |
If it's Tahitian, it could be worth | 0:27:23 | 0:27:26 | |
£500. | 0:27:26 | 0:27:28 | |
Lovely, isn't it? | 0:27:28 | 0:27:29 | |
Cheers! | 0:27:29 | 0:27:31 | |
MUSIC: "Moves Like Jagger" by Maroon 5 ft Christina Aguilera | 0:27:31 | 0:27:34 | |
Well, it's cracking to be in Wisborough Green at | 0:27:41 | 0:27:44 | |
Bellmans saleroom with Jonathan Pratt, JP. | 0:27:44 | 0:27:48 | |
Now, Barbara and Stirling have gone with these wall lights, | 0:27:48 | 0:27:52 | |
which I think have been ripped out of a pub, haven't they? | 0:27:52 | 0:27:54 | |
I really don't like them. | 0:27:54 | 0:27:56 | |
I don't like this sort of... This Victorian-type shade has | 0:27:56 | 0:27:59 | |
had its day, hasn't it? | 0:27:59 | 0:28:00 | |
Well, it's a reproduction and it's a bad reproduction, | 0:28:00 | 0:28:03 | |
and they paid £65 for this. There are four of them. | 0:28:03 | 0:28:05 | |
We are only seeing one of the four here, so how much? | 0:28:05 | 0:28:09 | |
Optimistically, £20 to £30. | 0:28:09 | 0:28:10 | |
Well, there you go, and that just about says it all, | 0:28:10 | 0:28:13 | |
so bad luck on them, so they're going to have to work hard | 0:28:13 | 0:28:15 | |
with their wee pottery wall clock. | 0:28:15 | 0:28:17 | |
I like it, I think it's quite a fun thing | 0:28:17 | 0:28:19 | |
and I think this sort of kitchenalia, if you would like | 0:28:19 | 0:28:22 | |
to call it that, but you could hang it anywhere you like | 0:28:22 | 0:28:24 | |
in the house, if you wanted to. | 0:28:24 | 0:28:26 | |
-Hmm. -But it's quite fashionable now. Small, a bit of style. | 0:28:26 | 0:28:29 | |
-And perfectly formed. -I think that'll do rather well. | 0:28:29 | 0:28:33 | |
£25 to £35 would be... | 0:28:33 | 0:28:35 | |
OK, Kate paid £30 for that, and I can see it making £50 or £60. | 0:28:35 | 0:28:39 | |
It could possibly. | 0:28:39 | 0:28:40 | |
And now, what about this very stylish, rather slinky | 0:28:40 | 0:28:44 | |
and attractive dancer? | 0:28:44 | 0:28:46 | |
Yeah, um, this sort of Deco feel about her. | 0:28:46 | 0:28:49 | |
Um, it is German porcelain, it's, uh, the factory is Katzehutte. | 0:28:49 | 0:28:54 | |
-What's that mean? -Well, their mark is a little cat in a house. | 0:28:54 | 0:28:58 | |
-In a hut? -Yes, so it's a "cat hutte". -Oh, lovely. | 0:28:58 | 0:29:00 | |
I think £70 to £100 would be... | 0:29:00 | 0:29:02 | |
-Oh, dear, oh, dear, oh, dear. They paid £150. -Oh! | 0:29:02 | 0:29:05 | |
They were really taken with her. | 0:29:05 | 0:29:07 | |
That could be exactly double what she's worth, | 0:29:07 | 0:29:10 | |
which could be another big problem following on from the wall lights. | 0:29:10 | 0:29:13 | |
On that basis, they're going to need their bonus buy, | 0:29:13 | 0:29:15 | |
so let's go and have a look at it. | 0:29:15 | 0:29:18 | |
Barbara, Stirling, you gave Kate £55. Kate, what did you do with it? | 0:29:18 | 0:29:22 | |
Well, I did feel under quite a lot of pressure for you two | 0:29:22 | 0:29:25 | |
-and I've done something that I rarely do. -Ah. | 0:29:25 | 0:29:27 | |
I've bought something from an antique sale which isn't antique. | 0:29:27 | 0:29:32 | |
-Ooh! -Wow. -I was very much thinking of the lady, | 0:29:32 | 0:29:35 | |
-Stirling, I'm afraid, as you can see. -Wow. | 0:29:35 | 0:29:39 | |
And we have two evening bags. | 0:29:39 | 0:29:41 | |
Um, this one, Barbara, which I thought was just your colour... | 0:29:41 | 0:29:45 | |
-has a top high-street brand name on the top. -Right. | 0:29:45 | 0:29:48 | |
It's in beautiful condition, plush pink satin, beautiful inside, | 0:29:48 | 0:29:54 | |
and, of course, we have this one as well, which is very much | 0:29:54 | 0:29:57 | |
in the '50s style. Lovely beaded bag, lovely interior. | 0:29:57 | 0:30:01 | |
-How much did you pay for them, Kate? -I paid... How much do you think? | 0:30:01 | 0:30:05 | |
BARBARA INHALES | 0:30:05 | 0:30:06 | |
-How much would YOU pay, Barbara? -How much would I pay? | 0:30:06 | 0:30:09 | |
-£60? £65? -This is looking good! | 0:30:09 | 0:30:12 | |
-I paid £10 for the two. -Wow! Can I look, Kate? -£10? | 0:30:12 | 0:30:16 | |
-£10. -How much are they going to make? | 0:30:16 | 0:30:18 | |
Well, I would hope somebody might pay perhaps certainly between £20 | 0:30:18 | 0:30:22 | |
and £30, maybe a little bit more if they really like the style of them. | 0:30:22 | 0:30:26 | |
I like anything like this, I must be honest. | 0:30:26 | 0:30:28 | |
-I thought you might. -Yes, I do. -Get away! | 0:30:28 | 0:30:30 | |
So you didn't think about me at all? | 0:30:30 | 0:30:32 | |
I'm really sorry, but you had a good innings, didn't you? | 0:30:32 | 0:30:35 | |
-You chose quite a few things you liked. -Yes, I did. | 0:30:35 | 0:30:37 | |
Anyway, for the viewers at home, | 0:30:37 | 0:30:39 | |
let's find out what the auctioneer thinks about Kate's old bags. | 0:30:39 | 0:30:42 | |
-OK, JP, there's something for you - look. -Oh, thank you. | 0:30:43 | 0:30:46 | |
Um, do you rate this sort of quite modern, collectable | 0:30:46 | 0:30:50 | |
ladies' accessory job? | 0:30:50 | 0:30:52 | |
Fashion can sell, but you've got to have the right names to go with it. | 0:30:52 | 0:30:55 | |
-And these don't have them. -They don't have them, no. | 0:30:55 | 0:30:58 | |
-£20 to £30, I'd say. -£20 to £30 for the two, very good. | 0:30:58 | 0:31:01 | |
Well, that's a cheap night out, isn't it? £10 paid by Kate Bliss. | 0:31:01 | 0:31:04 | |
Now, that's it for the Reds. Moving on to the Blues. | 0:31:04 | 0:31:08 | |
What a mixture here! Look, the silver and cut-glass bottles. | 0:31:08 | 0:31:11 | |
There's a lot of workmanship involved in them, | 0:31:11 | 0:31:14 | |
they're typically late 1930s, 20th century. | 0:31:14 | 0:31:16 | |
-They would have been a part of a big set, yes? -I suppose... | 0:31:16 | 0:31:19 | |
-With mirrors and brushes. -You could probably match it, still, yourself. | 0:31:19 | 0:31:22 | |
-If you've got a few pieces at home you could... -Build up a group. | 0:31:22 | 0:31:25 | |
-Build up a group, yeah. -It should be worth a lot of money, then. | 0:31:25 | 0:31:28 | |
-I rate them at about £40 each, so that's £80 to £120. -Is that all? | 0:31:28 | 0:31:33 | |
No, they paid £180, so they paid... | 0:31:33 | 0:31:35 | |
-That's a lot of money, though, I think that is a lot of money. -OK. | 0:31:35 | 0:31:37 | |
What about the six so-called | 0:31:37 | 0:31:40 | |
-Essex crystal-type buttons? -Uh... | 0:31:40 | 0:31:43 | |
Yeah, I mean, they're copying that reversed crystalline intaglio where | 0:31:43 | 0:31:46 | |
they eat away at the back and painted with normally dogs' heads | 0:31:46 | 0:31:48 | |
-and that sort of thing. -They're not gold? They're just gold-plated. | 0:31:48 | 0:31:52 | |
It's base metal, it's glass and they are painted on the inside, | 0:31:52 | 0:31:55 | |
-but quality is quite apparent. -Cos people like dogs, don't they? | 0:31:55 | 0:31:58 | |
-Well, they like animals. -Of course. -So, lovely, how much? | 0:31:58 | 0:32:01 | |
-£20 or £30 for these. -OK, £25 paid. Super. | 0:32:01 | 0:32:04 | |
Now, we've got this very rare | 0:32:04 | 0:32:06 | |
-and, I think, rather charming tin embroider-cased box. -Yeah. | 0:32:06 | 0:32:11 | |
I'm not quite sure what it would have held. Pencils? | 0:32:11 | 0:32:13 | |
Whatever you want to, that's about three inches high. | 0:32:13 | 0:32:16 | |
A load of work has gone into making that - I mean, | 0:32:16 | 0:32:18 | |
they're very fine beads, it's hours upon hours, | 0:32:18 | 0:32:20 | |
but everyone did this stuff in the 19th century and the 18th century | 0:32:20 | 0:32:23 | |
because they didn't have the benefit of TV and radio to sort of... | 0:32:23 | 0:32:28 | |
Well, they had leisure, didn't they? Exactly right. | 0:32:28 | 0:32:30 | |
They didn't have Bargain Hunt to watch. And it's dated, isn't it? | 0:32:30 | 0:32:33 | |
-So, you can tell the period spot on, that's perfect. -Yeah, absolutely. | 0:32:33 | 0:32:37 | |
-How much would you put on it? -£40 to £60. -Great, they only paid £40. | 0:32:37 | 0:32:40 | |
That is the sole ray of sunshine that might shine upon this team | 0:32:40 | 0:32:45 | |
if they're lucky. They're going to need their bonus buy, | 0:32:45 | 0:32:47 | |
so let's go and have a look at it. | 0:32:47 | 0:32:49 | |
Right, sweet William and Emma. | 0:32:49 | 0:32:52 | |
HE LAUGHS | 0:32:52 | 0:32:54 | |
£245 you spent. £55 went to Charles Hanson. | 0:32:54 | 0:32:57 | |
Charles, what did you spend it on? | 0:32:57 | 0:32:59 | |
Tim, as if William was going to buy Emma a love token to really | 0:32:59 | 0:33:02 | |
impress her, I'll give him the box and say, | 0:33:02 | 0:33:05 | |
-"William, open it for your new bride." -Oh. | 0:33:05 | 0:33:07 | |
-And show your lady and watch her face be full of delight. -Light up. | 0:33:07 | 0:33:11 | |
-What is that? -Do you like it? -I don't know what it is! | 0:33:13 | 0:33:17 | |
Let me explain, it's a solid silver bar brooch, | 0:33:17 | 0:33:20 | |
modelled and cast in the form of a Celtic cloak pin. | 0:33:20 | 0:33:25 | |
It's hallmarked for Chester, 1935, and it's got great style. | 0:33:25 | 0:33:29 | |
Hasn't it, William? | 0:33:29 | 0:33:31 | |
-I actually think it looks all right. Yeah. -You're a good man. | 0:33:31 | 0:33:33 | |
I thought it looked like a sword. | 0:33:33 | 0:33:35 | |
You thought it looked like a little kind of daggery type job? | 0:33:35 | 0:33:38 | |
-Yes. -The all-important question, Charles, | 0:33:38 | 0:33:40 | |
how much did you spend on it? | 0:33:40 | 0:33:41 | |
-£25. -Oh, well. -That's pretty good. | 0:33:41 | 0:33:45 | |
I would really hope that this lot at auction will appeal to a lady | 0:33:45 | 0:33:48 | |
who will happily pay between £40 and £60, at least. | 0:33:48 | 0:33:52 | |
-Well, that's a prediction, isn't it? -Yeah. | 0:33:52 | 0:33:54 | |
I can tell you are clearly impressed, Emma. | 0:33:54 | 0:33:56 | |
-You really like this thing, don't you? -I really love it. | 0:33:56 | 0:33:58 | |
-You're bonding up with it. -Yeah, bonding. -It's colourful, like you. | 0:33:58 | 0:34:02 | |
And you don't pick now, you pick later if you need to, but right now | 0:34:03 | 0:34:07 | |
for the audience at home, let's find out what our auctioneer | 0:34:07 | 0:34:10 | |
thinks about Charles' little pin. | 0:34:10 | 0:34:12 | |
-There you go. That's rather sweet, isn't it? -Yeah, I quite like this. | 0:34:13 | 0:34:17 | |
It's got some craftsmanship to it. | 0:34:17 | 0:34:19 | |
I suppose it would have been a kilt pin or something, perhaps. | 0:34:19 | 0:34:22 | |
-Could you use it as a tie pin, do you think? -Maybe you could. | 0:34:22 | 0:34:25 | |
I mean, for me it's not so much brooch, it screams something... | 0:34:25 | 0:34:27 | |
But if you were wearing sort of tweed, a scarf or something, | 0:34:27 | 0:34:30 | |
it might be more... | 0:34:30 | 0:34:31 | |
I don't know, well, it could be for men or women anyway, | 0:34:31 | 0:34:34 | |
-that's the point. -It's hallmarked 1935 Chester. | 0:34:34 | 0:34:36 | |
It's by Shipton & Co, and Shipton & Co did produce arts and crafts | 0:34:36 | 0:34:40 | |
small items of this nature at that date, | 0:34:40 | 0:34:42 | |
so it's absolutely right for what it should be. | 0:34:42 | 0:34:44 | |
-And the Celtic designs are enduring, aren't they? -Yeah. | 0:34:44 | 0:34:48 | |
And people love them still. OK, so how much for that little item? | 0:34:48 | 0:34:51 | |
-£20 to £40. -OK, £25 paid by Charles. | 0:34:51 | 0:34:54 | |
I bet he'll do well on that so let's hope they go with the bonus buy. | 0:34:54 | 0:34:58 | |
Well, we'll find out in a minute, won't we? | 0:34:58 | 0:35:00 | |
-In a minute? -In a minute. | 0:35:00 | 0:35:01 | |
£25 by the pillar. £30... | 0:35:03 | 0:35:06 | |
Barbara and Stirling, this is your exciting moment. We're on the edge! | 0:35:08 | 0:35:12 | |
Look at this room stuffed up with folk. It's good, isn't it? | 0:35:13 | 0:35:16 | |
-Yeah, absolutely fantastic. -The wall lights - | 0:35:16 | 0:35:18 | |
I personally think these have been stripped | 0:35:18 | 0:35:20 | |
out of a public house not very long ago because they're modern, | 0:35:20 | 0:35:23 | |
and those acid-etched shades - no, not a great deal of age. | 0:35:23 | 0:35:28 | |
Anyway, you paid £65, the auctioneer doesn't like them. | 0:35:28 | 0:35:30 | |
He's put £20 to £30 on them. | 0:35:30 | 0:35:32 | |
-Fantastic! -Harsh! -That's a good start. -Who knows with any of this? | 0:35:32 | 0:35:37 | |
First up, then, are your lacquered brass wall fittings | 0:35:37 | 0:35:40 | |
and shades, and here they come. | 0:35:40 | 0:35:42 | |
I've got 2194, a set of four lacquered brass wall lights | 0:35:42 | 0:35:46 | |
with pink tinted shades. Start me at £40 for these. | 0:35:46 | 0:35:48 | |
£40 is bid, thank you, at £40. Where's the £5 now? | 0:35:48 | 0:35:51 | |
£40 I have, looking for £45. Straight in at £40. £45 I'll take. | 0:35:51 | 0:35:56 | |
-Come on. -Oh, no. | 0:35:56 | 0:35:58 | |
At £40, that's it at £40. Are you all done at £40? | 0:35:58 | 0:36:01 | |
This is the maiden bid of £40. Fair warning, all done at £40. | 0:36:01 | 0:36:06 | |
Sorry about that. | 0:36:06 | 0:36:08 | |
You're minus £25, but it's a classic. He put his hand up quick, | 0:36:08 | 0:36:10 | |
it cost him £40 and that was it. Now, here we go. | 0:36:10 | 0:36:13 | |
-It's a jolly nice thing, this. -I love it, yeah. | 0:36:13 | 0:36:16 | |
Rather handsome. I like this, actually. | 0:36:16 | 0:36:18 | |
I can start straight in at £20. Who's going to go five? | 0:36:18 | 0:36:21 | |
-£25 and I'm out, now at £25. Where's 30? -Go on! | 0:36:21 | 0:36:24 | |
-£25 here doesn't seem like a lot. -That's nothing. | 0:36:24 | 0:36:28 | |
It's a nice object, this. | 0:36:28 | 0:36:29 | |
£25 by the pillar I shall sell. £30 seated. | 0:36:29 | 0:36:32 | |
-£35 standing. -Thank you, you're in profit. | 0:36:32 | 0:36:34 | |
Listen to your daughter. | 0:36:34 | 0:36:35 | |
Come on! | 0:36:35 | 0:36:37 | |
40, she really wants it, 40. Any more at £40? It's theirs at 40. | 0:36:37 | 0:36:41 | |
All done, fair warning. £40 and selling. | 0:36:41 | 0:36:44 | |
That's reduced your losses to minus 15. Now, here we go. | 0:36:44 | 0:36:47 | |
-Here comes the Katzehutte. -We've got an Art Deco female dancer... | 0:36:47 | 0:36:50 | |
-Fingers crossed. -German, in her orange skirt and hat. | 0:36:50 | 0:36:53 | |
-And I've bids to start me at £65, straight in at £65. -There you go. | 0:36:53 | 0:36:58 | |
Looking for 70 now, who's going to go 70? | 0:36:58 | 0:37:00 | |
70 internet, 75 with me, are you going to go one more? | 0:37:00 | 0:37:04 | |
-Oh, come on! -£75 with me on the book. | 0:37:04 | 0:37:06 | |
Anyone else in the room want to join in? £75 with me on the book at £75. | 0:37:06 | 0:37:10 | |
Fair warning, internet. £75. | 0:37:10 | 0:37:13 | |
TIM PRETENDS TO CRY | 0:37:13 | 0:37:15 | |
-Never mind. -£75 is minus £75. 75, 85, that's minus 90 overall. | 0:37:15 | 0:37:19 | |
It doesn't sound too bad if you say it quickly. | 0:37:19 | 0:37:22 | |
-If you say it quickly, yeah! -Ouch! -I'll say it quickly! | 0:37:22 | 0:37:25 | |
Here, listen, minus £90 - what are you going to do about the bags? | 0:37:25 | 0:37:27 | |
-Yes. -Go on. -We're going to go with them. | 0:37:27 | 0:37:29 | |
Quick decision, moving on, we're going to go with the bonus buy. | 0:37:29 | 0:37:32 | |
Lot 2200, we have the plush pink satin evening bag and another, | 0:37:32 | 0:37:37 | |
the nice one with the silver-bead ornament. So two in the lot. | 0:37:37 | 0:37:41 | |
Start me £20 for the two. Start me £20 for the two. Surely worth £20. | 0:37:41 | 0:37:44 | |
-Any interest at £20? -Come on. -Come on! -£10, then? | 0:37:44 | 0:37:47 | |
£10 is bid, thank you at £10. £10 in the centre. Where's £12? | 0:37:47 | 0:37:51 | |
£10 it is in the centre of the room. | 0:37:51 | 0:37:52 | |
At £10, I'll sell, maiden bid of £10. £12. £15. £18. | 0:37:52 | 0:37:57 | |
He shakes his head at £18. I've got now on the left at £18. | 0:37:57 | 0:38:00 | |
Any more than £18? At £18, fair warning, I shall sell at £18. | 0:38:00 | 0:38:05 | |
Plus £8, well done, Kate, that is a fantastic result, darling. | 0:38:05 | 0:38:09 | |
That means you're minus £82 overall. | 0:38:09 | 0:38:12 | |
-Minus £82 could be a winning score today. -It might be. | 0:38:12 | 0:38:15 | |
If there's another bloodbath somewhere else! | 0:38:15 | 0:38:17 | |
-Wouldn't that be wonderful! -In which case, you could be ahead. -OK. | 0:38:17 | 0:38:20 | |
-In the meanwhile, say nothing to the Blues. -No, not a word. | 0:38:20 | 0:38:23 | |
MUSIC: "Bonkers" by Dizzee Rascal | 0:38:23 | 0:38:25 | |
-OK, Ems, Wills. -Hi. -Have you been talking to the Reds? | 0:38:30 | 0:38:34 | |
-No. -No? You don't know what their score is? | 0:38:34 | 0:38:35 | |
The first item up are the pair of silver scent bottles. | 0:38:35 | 0:38:39 | |
Now, if you wanted to go out and buy scent bottles, | 0:38:39 | 0:38:42 | |
-they don't come a lot better than those two. -No. -Really? | 0:38:42 | 0:38:45 | |
So, as far as the quality is concerned, | 0:38:45 | 0:38:48 | |
they have got quality in spades, | 0:38:48 | 0:38:50 | |
and if the worst comes to the worst, you've got that | 0:38:50 | 0:38:53 | |
Celtic clip or brooch to fall back on. | 0:38:53 | 0:38:55 | |
Lovely. OK, here we go, then. | 0:38:55 | 0:38:57 | |
Nice-looking lot, this. | 0:38:57 | 0:38:59 | |
Glass spherical scent bottles by Mappin & Webb. | 0:38:59 | 0:39:02 | |
I'm going to start at £60. | 0:39:02 | 0:39:03 | |
THEY GROAN | 0:39:03 | 0:39:04 | |
-£65, £70. £75, £80. -Come on, come on. | 0:39:04 | 0:39:07 | |
£85, £90. | 0:39:07 | 0:39:09 | |
£95, £100. £110 and I'm out now at £110. I'm looking for £120. | 0:39:09 | 0:39:13 | |
Any further interest at £110? Anyone else in the room joining in? | 0:39:13 | 0:39:16 | |
I don't like the look of this, girls. | 0:39:16 | 0:39:19 | |
Fair warning, then, at £110. Our sale at £110. | 0:39:19 | 0:39:21 | |
It's £110, it's minus 70. | 0:39:22 | 0:39:26 | |
Well, it could have been worse. | 0:39:26 | 0:39:27 | |
It could have been worse, but... | 0:39:27 | 0:39:29 | |
-OK. -Now, here come the studs. -These with the nice dogs' profiles. | 0:39:29 | 0:39:33 | |
-I've got £20 to start. With me at 20? Where's five? -Come on! | 0:39:33 | 0:39:36 | |
-We can make this. -£25 clears commission at £25. | 0:39:36 | 0:39:38 | |
-Looking for 30 now. -Come on! -Who's going to come in at 30? 30. | 0:39:38 | 0:39:42 | |
At £30 now. Where's the five? £30. £35. | 0:39:42 | 0:39:46 | |
-£40. -Yikes. One more. | 0:39:46 | 0:39:48 | |
Listen to the man over there. £45. £45 for the lady now at £45. | 0:39:48 | 0:39:51 | |
Going to go one more, sir? £45 against you. | 0:39:51 | 0:39:54 | |
You'll look very dapper in them, I'm sure you will. £45, go £50. | 0:39:54 | 0:39:58 | |
Go on, you'll regret it! | 0:39:58 | 0:39:59 | |
-£50. -Yes! That's £50! | 0:39:59 | 0:40:01 | |
At 50, at £50, I could do this all day, but I'd better carry on! | 0:40:01 | 0:40:05 | |
£50 it is, at 50. I'm selling for £50. | 0:40:05 | 0:40:07 | |
Seated on the left at £50, all done? | 0:40:07 | 0:40:09 | |
£50! Yes! | 0:40:09 | 0:40:11 | |
-Plus £25. Hang on! -Well done! -Now, the beadwork and green job. | 0:40:11 | 0:40:16 | |
A green satin box and cover - start me off at £30. | 0:40:16 | 0:40:20 | |
It's got to be worth £30. £20, then. | 0:40:20 | 0:40:22 | |
£20's bid. Thank you at £20. On my right at £20. £25. £30. | 0:40:22 | 0:40:27 | |
£35. £40. | 0:40:28 | 0:40:30 | |
£40 has it by the pillar at £40. | 0:40:30 | 0:40:32 | |
-Come on! One more! -Go on, then, one more! -Come on, JP! -One more. | 0:40:32 | 0:40:36 | |
It's your last chance at 40... | 0:40:36 | 0:40:38 | |
It wiped its face, £40. How disappointing. | 0:40:39 | 0:40:42 | |
Overall, you're minus £45, | 0:40:42 | 0:40:44 | |
which is nothing, really, compared to how it might have been. | 0:40:44 | 0:40:47 | |
Now, what are we going to do about the brooch for £25 - | 0:40:47 | 0:40:50 | |
going to go with it? | 0:40:50 | 0:40:51 | |
-We've got to go for it. -It's a fine thing, isn't it? | 0:40:51 | 0:40:54 | |
2222, a late Arts and Crafts silver brooch and surely start me, | 0:40:54 | 0:40:59 | |
someone, at £30? Nicely presented, this, surely start me at £30? | 0:40:59 | 0:41:02 | |
-£20, then. Oh, £30 on the left. -Yes! -Where's the five in the room? | 0:41:02 | 0:41:06 | |
£35 at the back of the room. | 0:41:06 | 0:41:08 | |
Against the internet now at £35. I'm going to go £40 now, internet. | 0:41:08 | 0:41:11 | |
-Come on, internet. -£35 at the back on the room. Fair warning, everyone. | 0:41:11 | 0:41:15 | |
£35 in the room. | 0:41:15 | 0:41:16 | |
-Plus £10. Well done, Charles Hanson. -It's a bit. | 0:41:17 | 0:41:20 | |
-You've preserved your record. -Yes. -It's overall, though, | 0:41:20 | 0:41:24 | |
minus £35, | 0:41:24 | 0:41:26 | |
-which is not that bad. -It's not bad. -It's not bad. | 0:41:26 | 0:41:29 | |
It's obviously not great. | 0:41:29 | 0:41:32 | |
It's could be a winning score, though, Ems. | 0:41:32 | 0:41:34 | |
MUSIC: "Sexy And I Know It" by LMFAO | 0:41:34 | 0:41:36 | |
Cor, have you ever seen such happy-looking teams? | 0:41:41 | 0:41:44 | |
And so colourful too. | 0:41:44 | 0:41:47 | |
Anyway, sadly, the colour today of your money | 0:41:47 | 0:41:51 | |
is universally red because nobody has made any profits. | 0:41:51 | 0:41:55 | |
THEY ALL GROAN | 0:41:55 | 0:41:56 | |
And the team that has made the largest loss just happens to be | 0:41:56 | 0:42:00 | |
the Reds. | 0:42:00 | 0:42:02 | |
-So bad luck, Reds. Minus £82 is not a good number for you. -No. | 0:42:02 | 0:42:06 | |
No, not at all. | 0:42:06 | 0:42:07 | |
You got that lovely £10 profit on your kitchen clock, | 0:42:07 | 0:42:10 | |
-but that, apart from the old bags at the end from Kate... -Yes. | 0:42:10 | 0:42:14 | |
..were it! | 0:42:14 | 0:42:16 | |
It wasn't your day today in the marketplace. | 0:42:16 | 0:42:18 | |
-But you've had a nice time? -Wonderful. -Fabulous. | 0:42:18 | 0:42:20 | |
And thank you for being so entertaining and lovely for us. | 0:42:20 | 0:42:24 | |
-Thank you. -We try our best. | 0:42:24 | 0:42:25 | |
Well, there we go, but the victors today - the Blues. | 0:42:25 | 0:42:28 | |
Minus £35 is the amount you've lost to win today. | 0:42:28 | 0:42:33 | |
-Thank you very much. -Which is pretty average. | 0:42:33 | 0:42:36 | |
Anyway, £25 profit on those | 0:42:36 | 0:42:38 | |
little old dress stud things was a very nice number. | 0:42:38 | 0:42:41 | |
A washed face, a nice profit for the bonus buy from Charles - | 0:42:41 | 0:42:45 | |
thank you, Charles, for that. £10 for that. | 0:42:45 | 0:42:47 | |
But, anyway, it was that hit on the spherical scent bottles that | 0:42:47 | 0:42:51 | |
did it, wasn't it? Minus £35, but victors to the Blues. | 0:42:51 | 0:42:54 | |
Well done, chaps. In fact, so well done, why don't you join us soon | 0:42:54 | 0:42:58 | |
for some more Bargain Hunting. Yes! | 0:42:58 | 0:43:00 | |
YES! | 0:43:00 | 0:43:01 | |
I know you're sitting there thinking, | 0:43:03 | 0:43:05 | |
"I could have done better than that!" Well, what's stopping you? | 0:43:05 | 0:43:10 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:10 | 0:43:14 | |
It'll be splendid to see you. | 0:43:14 | 0:43:16 | |
Subtitles by Red Bee Media Ltd | 0:43:16 | 0:43:18 |