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Today, we're in the Royal County of Berkshire. | 0:00:03 | 0:00:06 | |
Here in Hungerford, we're positively surrounded by regal reminders! | 0:00:06 | 0:00:11 | |
Ha! Let's go bargain hunting! Yeah. | 0:00:14 | 0:00:16 | |
Hungerford has hosted many a monarch. | 0:00:40 | 0:00:43 | |
Elizabeth I, Charles I, James I have all stayed here. | 0:00:43 | 0:00:48 | |
And William of Orange was once offered | 0:00:48 | 0:00:51 | |
the thrones of England, Scotland and Ireland in one of Hungerford's pubs! | 0:00:51 | 0:00:58 | |
Ha! But what about today? | 0:00:58 | 0:01:00 | |
Will the reds reign supreme? | 0:01:00 | 0:01:03 | |
Will the blues become King and Queen? | 0:01:03 | 0:01:07 | |
Here's a quick squint at some right royal antics! | 0:01:07 | 0:01:10 | |
'It's a military operation on today's show. | 0:01:11 | 0:01:14 | |
'The reds fall for a sailor - as you do!' | 0:01:14 | 0:01:16 | |
-I'd rather go with the sailor! -Would you really? | 0:01:16 | 0:01:19 | |
'The blues go mad about medals.' | 0:01:19 | 0:01:21 | |
I bet he was well pleased to go from one theatre to the next(!) | 0:01:21 | 0:01:26 | |
'Let's meet the teams.' | 0:01:26 | 0:01:28 | |
So, on today's programme for the reds, we have good friends Marion and Kate. | 0:01:28 | 0:01:34 | |
For the blues, we have daughter and father combo, Grace and Glen. | 0:01:34 | 0:01:38 | |
-Hello, everyone. -(ALL) Hello. | 0:01:38 | 0:01:40 | |
Now, Marion, how did you two become friends? | 0:01:40 | 0:01:43 | |
Well, I met Kate when we were on an art trail. | 0:01:43 | 0:01:46 | |
I was going on an art trail with my friend and there was Kate with all her beautiful paintings. | 0:01:46 | 0:01:52 | |
-You spotted one of her paintings. -Yes, I did. | 0:01:52 | 0:01:55 | |
-What was that of? -A naked man. -Was it? -Yes. | 0:01:55 | 0:01:58 | |
-You liked it, did you? -I did. I bought it for myself, my 60th birthday. | 0:01:58 | 0:02:03 | |
I thought, if I can't buy a naked man at 60, when can I? | 0:02:03 | 0:02:06 | |
That's a bad job, isn't it? And you do a bit of knitting? | 0:02:06 | 0:02:09 | |
-I do, Tim. -Tell us about that. -We do yarn-bombing, Tim. | 0:02:09 | 0:02:13 | |
-You do WHAT? -Yarn bombing. -Whatever's yarn bombing? | 0:02:13 | 0:02:16 | |
It's wrapping the world in woolly wonderness, Tim. We... | 0:02:16 | 0:02:20 | |
LAUGHS We find areas of urban, | 0:02:20 | 0:02:24 | |
that aren't very nice, and we knit things to cover them up. | 0:02:24 | 0:02:28 | |
-I thought what I would do... -Yes? -..I'd yarn-bomb you. | 0:02:28 | 0:02:32 | |
-I've never yarn-bombed a person before. -Have you not? | 0:02:32 | 0:02:35 | |
I've yarn-bombed you and made that for you. | 0:02:35 | 0:02:38 | |
-You never have? -I did. | 0:02:38 | 0:02:40 | |
-Well, I'll stick it in there now. -There you go. | 0:02:40 | 0:02:44 | |
Let's just bung it in. Thank you very much. I'll wear it with pride. | 0:02:44 | 0:02:48 | |
-Now, Kate, you work part time in a jewellery shop. -Yes. | 0:02:48 | 0:02:52 | |
-You're also an artist. -Yes. -We heard about that! | 0:02:52 | 0:02:54 | |
-There are some abstract scenes? -Yes. Abstract landscapes, mainly. | 0:02:54 | 0:02:59 | |
Mainly, it's to do with travelling through the landscape. | 0:02:59 | 0:03:02 | |
-You don't look at the landscape hoping you can wrap it in wool? -No. | 0:03:02 | 0:03:05 | |
Wool is just another medium. It's just changing the way I look at things again. | 0:03:05 | 0:03:10 | |
How do you think you are going to work together? | 0:03:10 | 0:03:13 | |
-Brilliantly. -We're probably going to fight. | 0:03:13 | 0:03:16 | |
-You're going to fight? -Oh, yeah. Knitting makes you aggressive. | 0:03:16 | 0:03:19 | |
Well, you keep your needles to yourselves today, girls. | 0:03:19 | 0:03:23 | |
We can't stand the cost of any industrial injuries. | 0:03:23 | 0:03:26 | |
Now, Grace, Glen, are you quaking in your boots? | 0:03:26 | 0:03:30 | |
-A little bit now! -Have you ever done any knitting, Glen? -Er... No. | 0:03:30 | 0:03:34 | |
-I don't think so. -Could be your day today. | 0:03:34 | 0:03:37 | |
Now, Gracie, you are studying for a degree in dental therapy. | 0:03:37 | 0:03:42 | |
I am, yeah, over in Cardiff University. | 0:03:42 | 0:03:45 | |
-Don't ask how I got into it, it's a bit weird. -How did you get into it? | 0:03:45 | 0:03:49 | |
When I was younger, I really liked going to the dentist. | 0:03:49 | 0:03:52 | |
-I quite liked the smell of it and I liked the stickers. -Oh... | 0:03:52 | 0:03:55 | |
And also, I like all the gory things! | 0:03:55 | 0:03:58 | |
So, extractions and all the blood, it's great. | 0:03:58 | 0:04:02 | |
-Is it? -Yeah. Brilliant. | 0:04:02 | 0:04:04 | |
Any other interests? | 0:04:04 | 0:04:06 | |
-Me and my mum used to be part of several amateur dramatic societies in the local area. -Yeah. | 0:04:06 | 0:04:12 | |
We decided they weren't putting on the shows we wanted to do | 0:04:12 | 0:04:16 | |
-and they weren't giving us the main parts, which is a bit of an issue. -Yeah. | 0:04:16 | 0:04:20 | |
-So you went independent? -We did, indeed. Set up our own group. | 0:04:20 | 0:04:22 | |
-Grabbed all the good parts for yourselves. -Exactly, and gave the rest to people we liked. | 0:04:22 | 0:04:28 | |
-So it's worked out well. -It sounds like fun. Good luck with that. | 0:04:28 | 0:04:32 | |
Now, Glen, it says here you're not a great fan of musicals but you're very fond of the bottle. | 0:04:32 | 0:04:37 | |
I DO like my wine. Yeah. | 0:04:37 | 0:04:39 | |
I sort of started drinking and... Heavily! | 0:04:39 | 0:04:43 | |
..and going to classes in the '80s, when it wasn't fashionable for young people to drink wine. | 0:04:43 | 0:04:48 | |
When you get a bit of an education and you learn how to taste them, you begin to develop a palate. | 0:04:48 | 0:04:53 | |
-You used to work as a gardener for Margaret Thatcher in 10 Downing Street? -Well, yeah. | 0:04:53 | 0:04:58 | |
It was a bit frustrating. Whenever you did any work, like mowing, | 0:04:58 | 0:05:02 | |
then the window would come up and someone would shout out, | 0:05:02 | 0:05:05 | |
there was a meeting going on and you had to keep the noise down. | 0:05:05 | 0:05:09 | |
So you'd sort of walk with the mower and make a mower noise, quietly. | 0:05:09 | 0:05:12 | |
-LAUGHS -Now, what's your tactic today? | 0:05:12 | 0:05:16 | |
We're hoping to spend as much money as we possibly can | 0:05:16 | 0:05:19 | |
-so we don't upset you and face your rant. -How nice! | 0:05:19 | 0:05:22 | |
No, it doesn't upset me. Honestly. I just think, "You've got the 300. Spend it!" | 0:05:22 | 0:05:27 | |
-We're really going to try our best. -Lovely. That is the correct ambition. | 0:05:27 | 0:05:32 | |
So, speaking of money, here comes the £300. There's your 300. | 0:05:32 | 0:05:36 | |
You know the rules, your experts await, and off you go! | 0:05:36 | 0:05:39 | |
And very, very, very good luck. | 0:05:39 | 0:05:41 | |
'They're in for a treat today! | 0:05:44 | 0:05:46 | |
'Giving the reds their marching orders, we salute you: | 0:05:46 | 0:05:50 | |
'And lighting the way for the blues, it's the sparky:' | 0:05:50 | 0:05:52 | |
Marion, Kate, how excited are you? | 0:05:58 | 0:06:01 | |
-So excited. -Very. -Really? -Yeah. | 0:06:01 | 0:06:03 | |
So is there a plan and a strategy? | 0:06:03 | 0:06:06 | |
-Just want to buy things! -Nice things. | 0:06:06 | 0:06:09 | |
Right, a father and daughter team. What are you looking for? | 0:06:09 | 0:06:12 | |
-Something a bit different, that we haven't seen on Bargain Hunt before. -Oh, ho, ho, ho! | 0:06:12 | 0:06:17 | |
-You want to spend all the money? -Everything! -Every single bit? | 0:06:17 | 0:06:21 | |
But we need to make sure we get the right prices. | 0:06:21 | 0:06:23 | |
Come in here. | 0:06:23 | 0:06:25 | |
-You lead the way. Let's get these bargains bought. -OK. | 0:06:25 | 0:06:28 | |
'I like the sound of that, Colin, because you've only got 60 minutes. | 0:06:28 | 0:06:32 | |
'And the blues are off to a flying start.' | 0:06:32 | 0:06:35 | |
Just had a look at that vintage aircraft. Well, vintage! | 0:06:35 | 0:06:38 | |
Big fellow, isn't it? | 0:06:38 | 0:06:40 | |
In the spirit of that trench art Spitfire pilots used to make, | 0:06:40 | 0:06:44 | |
little brooches out of brass. | 0:06:44 | 0:06:46 | |
1930s-design plane, by the looks of it, that sort of era. | 0:06:46 | 0:06:51 | |
-Do you think it would appeal to collectors? -I think it would. | 0:06:51 | 0:06:54 | |
-It's very much a novelty item. -Or Spitfire pilots. | 0:06:54 | 0:06:57 | |
'Let's get the arcade assistant, Alex, to open the cabinet.' | 0:06:57 | 0:07:00 | |
-The aeroplane, what age do you think that is? -Second World War. | 0:07:00 | 0:07:05 | |
Aviation was the big thing, Battle of Britain and all that. | 0:07:05 | 0:07:08 | |
There were lots of people with time between missions | 0:07:08 | 0:07:12 | |
that made these things. | 0:07:12 | 0:07:15 | |
It's a way of whiling away your time, wasn't it? | 0:07:15 | 0:07:18 | |
There was lots of brass and metal around and people did these things. | 0:07:18 | 0:07:22 | |
It's quite crude, the sort of thing you'd love to pick up for 15 quid. | 0:07:22 | 0:07:27 | |
But at 50 quid, it seems a LOT of money. | 0:07:27 | 0:07:30 | |
-Do you know if they'd take £20? -I'll give her a call. > | 0:07:30 | 0:07:33 | |
-See what I can do for you. -Thanks a lot. | 0:07:33 | 0:07:36 | |
'Let's hope Alex can bring the price down to Earth, blues. | 0:07:36 | 0:07:40 | |
'Meanwhile, have the reds gone tribal on us?' | 0:07:40 | 0:07:43 | |
-That's nice. That's a bit unusual. -That carving? -Yeah. I love her. | 0:07:43 | 0:07:47 | |
-She's beautiful. -You do? -I do. -Hm. -A bit like me every morning. | 0:07:47 | 0:07:52 | |
Would you like to know how much money is on that? | 0:07:52 | 0:07:55 | |
-Yeah. -It's going to be a lot. | 0:07:55 | 0:07:57 | |
You're now the valuers. What would you bid for something like that? | 0:07:57 | 0:08:01 | |
I would go about 50 quid, but I don't know. | 0:08:01 | 0:08:04 | |
I'd go for 150. I think she's gorgeous! | 0:08:04 | 0:08:08 | |
-Really? -Yeah. -So if I told you that I've seen a sign in the cabinet | 0:08:08 | 0:08:13 | |
-that says everything in there... -LAUGHTER | 0:08:13 | 0:08:15 | |
£5.50. | 0:08:15 | 0:08:17 | |
-Ah! -Bargain! | 0:08:17 | 0:08:19 | |
-Bargain! And we didn't even see it. -No. | 0:08:19 | 0:08:22 | |
If you can get it for a fiver, I would say it ticks all the boxes. | 0:08:22 | 0:08:26 | |
You both smiled when you saw it. You both fell in love with it. | 0:08:26 | 0:08:29 | |
You both think it's of high value. | 0:08:29 | 0:08:31 | |
'Let's see what arcade assistant Rita has to say.' | 0:08:31 | 0:08:34 | |
Hello, hello. | 0:08:34 | 0:08:36 | |
Now, there's something in here that's obviously priced at £5.50. | 0:08:36 | 0:08:40 | |
I've got my two valuers with me and they're also our chief negotiators. | 0:08:40 | 0:08:46 | |
So it's up to you, girls. | 0:08:46 | 0:08:48 | |
I wondered whether £5.50 was your best offer on the little primal lady, | 0:08:48 | 0:08:52 | |
or whether you could do it for four? | 0:08:52 | 0:08:54 | |
-I could do it for five. -Five? -Yes. -Shall we do it for five? | 0:08:54 | 0:08:58 | |
-Well, I'm happy with that. -That'd be lovely. Thank you. | 0:08:58 | 0:09:02 | |
'Well done, reds. One bargain under your belt in less than nine minutes, | 0:09:02 | 0:09:06 | |
'and Colin's got a happy team.' | 0:09:06 | 0:09:08 | |
-Thanks for that. -That's no problem. The pleasure was all yours! | 0:09:08 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:13 | |
'The blues will have to wait for news on their World War II plane. | 0:09:13 | 0:09:17 | |
'Meanwhile, they've dug up two sets of medals.' | 0:09:17 | 0:09:19 | |
We've got a set of World War medals, including Africa Star. | 0:09:19 | 0:09:23 | |
-Good nick. -They're not bad at all. | 0:09:23 | 0:09:25 | |
'The Africa Star was awarded | 0:09:25 | 0:09:27 | |
'to those who fought in campaigns in north and east Africa, but hang on, | 0:09:27 | 0:09:31 | |
'one of these bars includes an Italy star as well.' | 0:09:31 | 0:09:34 | |
He was a busy boy, wasn't he? | 0:09:34 | 0:09:36 | |
I bet he was well pleased to go from one theatre to the next(!) | 0:09:36 | 0:09:40 | |
JAMES LAUGHS I bet he thought he was going home after Africa. | 0:09:40 | 0:09:44 | |
'Glen's in his element here.' | 0:09:44 | 0:09:46 | |
Are you quite keen on military history? | 0:09:46 | 0:09:49 | |
I just sort of know... It's being brought up at that sort of time. | 0:09:49 | 0:09:53 | |
It was only 15 years after the end of the Second World War. | 0:09:53 | 0:09:57 | |
-Children, there must have been lots of relics of the war as well. -Yeah. | 0:09:57 | 0:10:01 | |
Where I lived in the East End of London, | 0:10:01 | 0:10:05 | |
where my grandparents lived, near the docks, there were bomb sites, | 0:10:05 | 0:10:09 | |
houses that had just been obliterated, even in the 1970s. | 0:10:09 | 0:10:13 | |
'Gosh, Glen's gone all nostalgic.' | 0:10:13 | 0:10:15 | |
-Out of the two, that would be the better one. -Yes. | 0:10:15 | 0:10:18 | |
'Good choice, James. He's gone for both the Africa and Italy Stars.' | 0:10:18 | 0:10:22 | |
-I'd be looking to sort of... I mean, no more than 60, really. -Yeah. | 0:10:22 | 0:10:27 | |
For those. | 0:10:27 | 0:10:29 | |
-Shall we make a bid for those? -Yeah. | 0:10:29 | 0:10:32 | |
'A-herm! Haven't you forgotten somebody, boys?' | 0:10:32 | 0:10:34 | |
Grace, how are you doing? | 0:10:34 | 0:10:36 | |
I'm trying to find something prettier than your boys' war stuff. | 0:10:36 | 0:10:40 | |
It's not going well at the moment. | 0:10:40 | 0:10:42 | |
We looked at a brass aircraft and campaign medals. | 0:10:42 | 0:10:45 | |
-I'm being left out here. -We need a feminine touch. -I need something bright pink and covered in jewels! | 0:10:45 | 0:10:52 | |
'You might want something pink, but you also need to buy three items. | 0:10:52 | 0:10:57 | |
'The reds are already ahead and something shiny's caught their eye.' | 0:10:57 | 0:11:00 | |
-Do you like that? -I do like that. I think it's a really good thing. | 0:11:00 | 0:11:05 | |
What's going on inside is the real question. | 0:11:05 | 0:11:08 | |
-There's two locks on the cabinet. -Good sign. | 0:11:08 | 0:11:10 | |
Thank you. So, how do we get in? | 0:11:11 | 0:11:14 | |
A button on the front. Let's hope that springs a surprise. | 0:11:14 | 0:11:17 | |
-Ah. -There's nothing in it! -Oh. | 0:11:17 | 0:11:20 | |
-I thought there might be a nice... -Does that pull out? -Right. | 0:11:20 | 0:11:25 | |
Any idea what's going on here? | 0:11:25 | 0:11:27 | |
'You're such a tease, Colin!' | 0:11:27 | 0:11:29 | |
Very small bookshelf! | 0:11:29 | 0:11:31 | |
A very small bookshelf, indeed! | 0:11:31 | 0:11:33 | |
You would have in this side coals. You've got heat coming out of here. | 0:11:33 | 0:11:37 | |
You would lay across the top - curling tongs. | 0:11:37 | 0:11:41 | |
-So your handle on the not-heated side. -Oh! | 0:11:41 | 0:11:43 | |
Then you would do your curling and whatever else you need to do. | 0:11:43 | 0:11:48 | |
It is sort of incomplete, | 0:11:48 | 0:11:50 | |
-because you need a bit more kit on this side. -Yeah. | 0:11:50 | 0:11:54 | |
Is that unusual or something you come across quite often? | 0:11:54 | 0:11:57 | |
You don't see them very often, so it is an unusual item. | 0:11:57 | 0:12:01 | |
-Now, at £150, it's a long, long way from where we need to be. -Yeah. | 0:12:01 | 0:12:06 | |
Um... If there is any flex on it, | 0:12:06 | 0:12:09 | |
we would need to be down the £80, £90 mark. | 0:12:09 | 0:12:13 | |
Rita, would you be able to assist us on this? | 0:12:13 | 0:12:16 | |
Now, it's got a bit of a hefty price tag on it. | 0:12:16 | 0:12:20 | |
It's marked at 150. Is there anything that can be done? | 0:12:20 | 0:12:23 | |
He would do that for 85. | 0:12:23 | 0:12:25 | |
Right. | 0:12:25 | 0:12:26 | |
-Could we think about it? -You can definitely think about it. | 0:12:26 | 0:12:29 | |
Would you be able to pop that to one side for us? | 0:12:29 | 0:12:32 | |
-Of course. -We've got a bit of time left. | 0:12:32 | 0:12:35 | |
-We'd like to revisit it if we could. -Of course. I'll put it by. | 0:12:35 | 0:12:40 | |
Thank you very much for your help. That's got the cogs turning! | 0:12:40 | 0:12:44 | |
-Yes. -It has, yes. | 0:12:44 | 0:12:48 | |
-Find another item. -Did you say the cogs curling? -I might have done! | 0:12:48 | 0:12:54 | |
'Well, we nearly got a second bargain, | 0:12:54 | 0:12:56 | |
'but the blues have yet to buy their first one - and guess what? | 0:12:56 | 0:12:59 | |
'The boys have spotted a third set of World War II medals.' | 0:12:59 | 0:13:03 | |
These are in good condition. We've got another set of medals. | 0:13:03 | 0:13:07 | |
Exactly the same set, but slightly tattier, the ribbons, at £48. | 0:13:07 | 0:13:11 | |
'Yet another set with an Africa and an Italy Star. | 0:13:11 | 0:13:14 | |
'Glen has spotted a crucial difference.' | 0:13:14 | 0:13:17 | |
-Is that a rose? -It does look like a Tudor rose. | 0:13:17 | 0:13:20 | |
Doesn't it? | 0:13:20 | 0:13:22 | |
The oak leaf was "mentioned in dispatches" for the First World War. | 0:13:22 | 0:13:26 | |
What they denoted for the Second World War was the rose. | 0:13:26 | 0:13:31 | |
It may have been for one of the big battles - El Alamein, Tobruk. | 0:13:31 | 0:13:36 | |
'So the rose means the owner of these medals was mentioned in dispatches, | 0:13:36 | 0:13:42 | |
'a special honour for an act of bravery.' | 0:13:42 | 0:13:44 | |
-If we knew who owned these - medals are all about the person. -Yeah. | 0:13:44 | 0:13:49 | |
-They can be traced back. -It'd be worth three times the amount. | 0:13:49 | 0:13:53 | |
-Can we make up a name? -JAMES LAUGHS | 0:13:53 | 0:13:55 | |
Little Charlie Brooks? | 0:13:55 | 0:13:58 | |
It'll be somebody who was mentioned in dispatches during the African campaigns, | 0:13:58 | 0:14:02 | |
but there were quite a few! | 0:14:02 | 0:14:04 | |
'You can't make up a name but you can try to get a good price. Alex is your man.' | 0:14:04 | 0:14:09 | |
What we'd like to do is 35 on the group there. | 0:14:09 | 0:14:12 | |
-If we say 30, then the person on the other end can say 35. -Great. | 0:14:12 | 0:14:17 | |
Yeah, I think 50's our max on this. | 0:14:17 | 0:14:20 | |
So, 30 and 50. | 0:14:20 | 0:14:23 | |
-Yeah. OK. -Thanking you. | 0:14:23 | 0:14:26 | |
'Let's hope that deal comes off, blues. | 0:14:26 | 0:14:29 | |
'£50 for the set of medals with the dispatches rose | 0:14:29 | 0:14:32 | |
'and £30 for the set without. | 0:14:32 | 0:14:34 | |
'While they wait for that and a price for the brass plane, what's happened to the reds? | 0:14:34 | 0:14:39 | |
'They're still chasing that elusive second item.' | 0:14:39 | 0:14:42 | |
This looks like it could be in our league. | 0:14:43 | 0:14:47 | |
-It's got a chip there. -It's got a chip, a bit of a chip there. | 0:14:47 | 0:14:51 | |
And it's got a bit of a break there. | 0:14:51 | 0:14:54 | |
But if you take all of that into consideration, | 0:14:54 | 0:14:57 | |
if you could buy something like that for maybe £30, £40, | 0:14:57 | 0:15:00 | |
you've still got profit in that. | 0:15:00 | 0:15:03 | |
-What sort of money are they looking for? -Er... 55. | 0:15:03 | 0:15:07 | |
Yeah, just a bit keen. | 0:15:07 | 0:15:09 | |
'They're not looking bowled-over, Colin.' | 0:15:09 | 0:15:12 | |
-I don't like that. -It's too chipped for me. | 0:15:12 | 0:15:15 | |
-Too chipped for you. OK. Fine. -I'm sorry. -No. | 0:15:15 | 0:15:18 | |
I can only guide you towards these things. | 0:15:18 | 0:15:21 | |
I'd rather have the silver. | 0:15:21 | 0:15:23 | |
-Fine. -The silver...? | 0:15:23 | 0:15:25 | |
-Silver thing. -Oh, yeah. I want that, anyway. | 0:15:25 | 0:15:28 | |
-I want that, anyway. The one down there? -You do want that? -Yeah. | 0:15:28 | 0:15:32 | |
That's on my list in my head. | 0:15:32 | 0:15:34 | |
'So, that's a no to the bowl, but a yes to the silver curling tongs box. | 0:15:34 | 0:15:38 | |
'A decision at last, but will the price be right?' | 0:15:38 | 0:15:41 | |
-We want to go for the silver. -What was your best price? | 0:15:41 | 0:15:45 | |
-85. -85? -85. | 0:15:45 | 0:15:47 | |
-OK. -Can you batter her down five? | 0:15:47 | 0:15:50 | |
-Could we make it 80? -Go on, then. | 0:15:50 | 0:15:52 | |
-Oooh! -Thank you for that! | 0:15:52 | 0:15:55 | |
'£80 it is. Well done, reds. | 0:15:55 | 0:15:58 | |
'The blues get news on their World War II medals and the brass plane.' | 0:15:58 | 0:16:03 | |
The plane, I can't do any less than 40 on the plane. | 0:16:03 | 0:16:06 | |
-OK. What do you think? -Not really. | 0:16:06 | 0:16:09 | |
-No. -No. -OK, forget the plane. | 0:16:09 | 0:16:11 | |
-The set of medals with the rose, I haven't heard back about. -OK. | 0:16:11 | 0:16:15 | |
The second set that you wanted for 30, we can do for 30. | 0:16:15 | 0:16:19 | |
-Well, I reckon... -Shall we secure those? | 0:16:19 | 0:16:22 | |
I think we should. > | 0:16:22 | 0:16:23 | |
Let's go over the road and see if we can find another two items. | 0:16:23 | 0:16:27 | |
If you can keep trying for us on that "mentioned in dispatches". | 0:16:27 | 0:16:31 | |
Good. Thanks a lot. | 0:16:31 | 0:16:32 | |
'Decision made. First item bought, and about time, too.' | 0:16:34 | 0:16:38 | |
That'd be the ideal plate for me! | 0:16:40 | 0:16:42 | |
Wine-tasting ceremony, master of wine. | 0:16:46 | 0:16:49 | |
'There's just 20 minutes left on the clock, teams.' | 0:16:49 | 0:16:54 | |
That is uber-trendy! | 0:16:54 | 0:16:56 | |
That is real Miami 1950s. | 0:16:56 | 0:16:59 | |
Or Las Vegas '50s. | 0:16:59 | 0:17:01 | |
-More Miami Vice! -Look at the shape of it! | 0:17:01 | 0:17:05 | |
Then you've got these Venetian... this fabulous Venetian column. | 0:17:05 | 0:17:10 | |
-That's a beautiful object. -What do you think they're asking for it? | 0:17:10 | 0:17:14 | |
-I would say 150. What have they got? -£69. | 0:17:14 | 0:17:18 | |
£69. I think that's a lovely item. | 0:17:18 | 0:17:20 | |
-Do you like that? -I think it's quite cool. | 0:17:20 | 0:17:23 | |
What do we have to get that down to to make a profit? | 0:17:23 | 0:17:26 | |
I think it's got a real chic-ness about it. | 0:17:26 | 0:17:28 | |
If we could get that for 40, that would be fabulous. | 0:17:28 | 0:17:31 | |
It's an unusual item, but I don't want to lead you, Grace. | 0:17:31 | 0:17:34 | |
No, I like it. It's a little bit more girlie than the war stuff. | 0:17:34 | 0:17:39 | |
'Good. I see new light in Grace's eyes. | 0:17:39 | 0:17:43 | |
'15 minutes left and the reds are making a dash back to the arcade. | 0:17:45 | 0:17:49 | |
'The blues are decoyed by a duck.' | 0:17:49 | 0:17:52 | |
-What's it? -Decoys are a big thing in America. | 0:17:52 | 0:17:55 | |
Has that bit been fixed or just a mark in the wood? | 0:17:55 | 0:17:59 | |
-It's been bashed, I think, hasn't it? -Mm. | 0:17:59 | 0:18:01 | |
-Oh, and again! -LAUGHS | 0:18:01 | 0:18:04 | |
-You can see how it happens. -Careful, they might BILL us. -Hey! | 0:18:04 | 0:18:08 | |
'I make the jokes round here.' | 0:18:08 | 0:18:10 | |
It's not a bad price, 23 quid for something that's hand-crafted. | 0:18:10 | 0:18:14 | |
Yeah, right. Let's keep looking round. Time is not on our side. | 0:18:14 | 0:18:19 | |
'You said it, James, and you still have two items to buy. | 0:18:19 | 0:18:23 | |
'The reds have one eye on the clock and the other on a handsome sailor.' | 0:18:23 | 0:18:29 | |
# All the nice girls love a sailor... # | 0:18:29 | 0:18:33 | |
Ooh, he's lovely! | 0:18:33 | 0:18:35 | |
'Does she mean the sailor or the Art Deco clock with photo frame?' | 0:18:35 | 0:18:39 | |
-How much? -It's £58. -I quite like it. You like it? | 0:18:39 | 0:18:42 | |
-My dad was in the navy. -We're running out of time. | 0:18:42 | 0:18:45 | |
-I wouldn't say I LOVE it. -But in cases of desperation... -Yes. | 0:18:45 | 0:18:48 | |
-And we've only got three minutes. -Not a lot of money spent, is it? | 0:18:48 | 0:18:52 | |
-Well, it's not, but... -I'd rather go with the sailor. | 0:18:52 | 0:18:55 | |
-LAUGHING: -What do you think to the Art Deco clock? | 0:18:55 | 0:18:58 | |
It's OK. I'd rather go with a sailor, any day. | 0:18:58 | 0:19:01 | |
ALL LAUGH | 0:19:01 | 0:19:04 | |
'You can't have one without the other, Marion.' | 0:19:04 | 0:19:06 | |
-Let's get one of the people in to give us some guidance. -Yes. | 0:19:06 | 0:19:10 | |
'While the reds wait for Rita, | 0:19:11 | 0:19:13 | |
'the blues need to haggle over the decoy duck and glass standard lamp.' | 0:19:13 | 0:19:17 | |
She'll come down a little bit on the duck. | 0:19:17 | 0:19:20 | |
She'll come down a bit more than I thought on the lamp. | 0:19:20 | 0:19:23 | |
-What's on the lamp? -55 from 69. | 0:19:23 | 0:19:27 | |
-55. -From 69. -To 55. Yup. | 0:19:27 | 0:19:31 | |
And the decoy duck they'll do for 20. | 0:19:31 | 0:19:34 | |
20. OK. | 0:19:34 | 0:19:36 | |
I'll go and see "mentioned in dispatches" and we'll make a decision! | 0:19:36 | 0:19:41 | |
-Right. -A winning one, please. | 0:19:41 | 0:19:43 | |
-LAUGHING: -Always. | 0:19:43 | 0:19:44 | |
'While James gets a price on the medals with the dispatches rose, | 0:19:44 | 0:19:49 | |
'the reds are closing a deal on the Art Deco clock and picture frame.' | 0:19:49 | 0:19:53 | |
Hello. The very, very best is £50. | 0:19:53 | 0:19:56 | |
Ooh, that's painful, isn't it? | 0:19:56 | 0:19:58 | |
-She won't go £1 lower. -Are we going to have it at £50? | 0:19:58 | 0:20:02 | |
-We're going to have to. -MARION: Can I keep the photograph? | 0:20:02 | 0:20:05 | |
-MARION LAUGHS -Oh, no. | 0:20:05 | 0:20:08 | |
'That was close! Just 30 seconds to go, but they've done it! | 0:20:08 | 0:20:12 | |
'Congratulations, reds. | 0:20:12 | 0:20:14 | |
'And back from the front line, it's James with a price on the second set of medals.' | 0:20:15 | 0:20:20 | |
Good news, bad news. | 0:20:20 | 0:20:22 | |
-So..."mentioned in dispatches", a similar campaign group that we've already bought... -Yeah. | 0:20:22 | 0:20:29 | |
The best they can do, it was priced at 85, best they can do is 70. | 0:20:29 | 0:20:34 | |
It makes a big difference having that "mentioned in dispatches". | 0:20:34 | 0:20:37 | |
Makes it more special. Regrettably, we can't pin it to a person. | 0:20:37 | 0:20:41 | |
So, that's it. We've got three options. | 0:20:41 | 0:20:44 | |
We've got to buy two more items. We've got three options. | 0:20:44 | 0:20:48 | |
-We've got campaign medals, duck... -And the lamp stand. | 0:20:48 | 0:20:53 | |
-What one would you drop? -Probably the duck. | 0:20:53 | 0:20:55 | |
I'm dropping the duck - like you did, earlier! | 0:20:55 | 0:20:58 | |
Exactly! Funnily enough, I'm dropping the duck. | 0:20:58 | 0:21:02 | |
-So we've decided? -Yes. -Good. I think that's a great decision. | 0:21:02 | 0:21:06 | |
Three items bought, three nice items. | 0:21:06 | 0:21:09 | |
We've got a glamorous item for Grace. | 0:21:09 | 0:21:11 | |
Campaign medals for you. Campaign medals for me. | 0:21:11 | 0:21:14 | |
Well done. Come on, let's go. | 0:21:14 | 0:21:17 | |
CLOCK STRIKES | 0:21:20 | 0:21:22 | |
Time's up. Let's check out what the red team bought, eh? | 0:21:22 | 0:21:25 | |
'The reds paid just £5 for this carved wooden figure. | 0:21:26 | 0:21:30 | |
'Then they splashed out £80 on this silver curling tongs box. | 0:21:32 | 0:21:36 | |
'And finally, for £50, they chose this Art Deco clock and frame, | 0:21:38 | 0:21:42 | |
'as the last few seconds ticked away.' | 0:21:42 | 0:21:45 | |
-That was quite exciting. -That was very exciting. | 0:21:45 | 0:21:49 | |
-Incredibly exciting! Well done, girls. -Thank you. | 0:21:49 | 0:21:51 | |
Which is your favourite piece, Kate? | 0:21:51 | 0:21:53 | |
I like the little silver item that we've got. | 0:21:53 | 0:21:56 | |
-What about you, Marion? -I like the sailor. -Do you? You would! | 0:21:56 | 0:22:00 | |
ALL LAUGH | 0:22:00 | 0:22:03 | |
-Is sailor going to bring the biggest profit? -No. -No. What is? | 0:22:03 | 0:22:08 | |
-The statuette thing. -Do you agree, Kate? -I hope so. She was a bargain. | 0:22:08 | 0:22:12 | |
-What did you spend all-round? -We spent 135. | 0:22:12 | 0:22:15 | |
Good. 135. 165 leftover lolly, please. | 0:22:15 | 0:22:19 | |
Thank you. 165. Quick as you like, straight over to Colin Young, | 0:22:19 | 0:22:22 | |
-the past master of the art of finding a good bonus buy. -Well...! | 0:22:22 | 0:22:26 | |
Well! I just hope history repeats itself - | 0:22:26 | 0:22:30 | |
the ones that make profits, rather than the ones that make losses! | 0:22:30 | 0:22:34 | |
Good luck with that. Meanwhile, we're going to check out what the blue team bought. | 0:22:34 | 0:22:38 | |
'The blues started with this group of World War II medals. | 0:22:40 | 0:22:45 | |
'This 1950s standard lamp with a spiral glass stem set them back: | 0:22:46 | 0:22:52 | |
'Putting all their eggs in one basket, | 0:22:54 | 0:22:57 | |
'they grabbed a second group of World War II medals, | 0:22:57 | 0:23:00 | |
'but with a dispatches rose.' | 0:23:00 | 0:23:03 | |
-Well, team, was that good? -Yeah. Brilliant. -Very good. | 0:23:03 | 0:23:06 | |
Which is your favourite piece? | 0:23:06 | 0:23:08 | |
I am going to go against what people would think | 0:23:08 | 0:23:12 | |
and say I really like the medals - the posher, more expensive ones. | 0:23:12 | 0:23:16 | |
-That's your favourite piece? That IS unusual. -I really like them. | 0:23:16 | 0:23:20 | |
-What about you, Dad? -I think the same one, "mentioned in dispatches". | 0:23:20 | 0:23:24 | |
-And which is going to bring the biggest profit? -I think that again. | 0:23:24 | 0:23:28 | |
Or maybe the other set of medals. | 0:23:28 | 0:23:31 | |
How much did you spend all-round? | 0:23:31 | 0:23:33 | |
-155. -That's a good amount. -Not bad. -£145 of leftover lolly, please. | 0:23:33 | 0:23:37 | |
That's very "graceful" of you. Thank you, 145. | 0:23:38 | 0:23:42 | |
James Braxton, your challenge. | 0:23:42 | 0:23:44 | |
What are you going to do with that, James? | 0:23:44 | 0:23:47 | |
Find something that's going to get us an even bigger profit. | 0:23:47 | 0:23:50 | |
Well, that is a fine ambition to have harboured in your bosom. | 0:23:50 | 0:23:54 | |
Meanwhile, we're heading off to look at something that I spotted earlier | 0:23:54 | 0:23:59 | |
that you could term a proper box of delights. | 0:23:59 | 0:24:02 | |
As they say, you should never tell a book by its cover. | 0:24:08 | 0:24:12 | |
The same thing can apply sometimes with little bits of furniture. | 0:24:12 | 0:24:16 | |
On the face of it, this is a pretty standard form. | 0:24:16 | 0:24:20 | |
It's made of rosewood | 0:24:20 | 0:24:22 | |
and it's got some modest little brass inlaid lines | 0:24:22 | 0:24:26 | |
and a rather beautiful flush-fitted handle in the top. | 0:24:26 | 0:24:30 | |
That's the first indication that this box is a bit special | 0:24:30 | 0:24:34 | |
and a bit unusual. | 0:24:34 | 0:24:36 | |
We open it up, though, | 0:24:36 | 0:24:38 | |
you can see that it doesn't contain the standard tea caddy | 0:24:38 | 0:24:43 | |
with two divisions and a mixing bowl. | 0:24:43 | 0:24:46 | |
Nor is it a standard dressing case. | 0:24:46 | 0:24:49 | |
It's got this feature which I've never seen in a fitted box before, | 0:24:49 | 0:24:53 | |
which is a rising tray, | 0:24:53 | 0:24:56 | |
sadly missing a few compartments, | 0:24:56 | 0:24:59 | |
but still with this lid that originally was fitted about here. | 0:24:59 | 0:25:04 | |
And underneath that is the writing compartment, | 0:25:04 | 0:25:08 | |
a couple of inkwells and a pen tray. | 0:25:08 | 0:25:10 | |
And behind that, we've got some velvet plush covered blocks, | 0:25:10 | 0:25:15 | |
and then some more compartments for other fittings. | 0:25:15 | 0:25:19 | |
The back panel has got a travelling mirror in it. | 0:25:19 | 0:25:22 | |
If I undo the two flaps like that, | 0:25:22 | 0:25:26 | |
it reveals its greatest secret. | 0:25:26 | 0:25:29 | |
Which is... | 0:25:29 | 0:25:31 | |
..ha! A trade label. | 0:25:32 | 0:25:35 | |
Look at that. It says... | 0:25:35 | 0:25:38 | |
..And I guess, without researching Mr Starkey's dates, | 0:25:50 | 0:25:54 | |
it probably dates from between 1820 and 1840. | 0:25:54 | 0:25:59 | |
Now, to find an extremely rare American travelling box like this | 0:25:59 | 0:26:05 | |
in an arcade in Hungerford is a thrill. | 0:26:05 | 0:26:09 | |
I spend hours poking around these places | 0:26:09 | 0:26:13 | |
hoping, just occasionally, to have a eureka moment like this. | 0:26:13 | 0:26:18 | |
Now, rosewood travelling boxes in Britain are not rare things to find. | 0:26:18 | 0:26:23 | |
In fact, if you found one of this quality and it was fully fitted | 0:26:23 | 0:26:28 | |
and nicely presented, | 0:26:28 | 0:26:30 | |
I suppose it might be worth as much as £400. | 0:26:30 | 0:26:35 | |
But if it's American, | 0:26:35 | 0:26:37 | |
and if it was sold in America, | 0:26:37 | 0:26:41 | |
nicely presented with these few minor repairs and so forth, | 0:26:41 | 0:26:45 | |
it would be likely to bring the top end of 2,500! | 0:26:45 | 0:26:51 | |
And that, to you or me, is as close as a whisker to £1,800. | 0:26:51 | 0:26:56 | |
Why is this a eureka moment? | 0:26:56 | 0:26:59 | |
Because, up the road in the arcade, | 0:26:59 | 0:27:03 | |
you could have bought this thing for... Wait for it. | 0:27:03 | 0:27:08 | |
..£40. | 0:27:08 | 0:27:10 | |
£40? £1,800? | 0:27:10 | 0:27:13 | |
That is what you call a bargain. | 0:27:13 | 0:27:16 | |
But sitting here in this shop, | 0:27:16 | 0:27:19 | |
one has to glance at the wall to see the power of American collectables. | 0:27:19 | 0:27:25 | |
Because this is a Union Flag from the Civil War period. | 0:27:25 | 0:27:30 | |
Now, the Civil War took place between about 1861 and 1865. | 0:27:30 | 0:27:37 | |
This thing can be dated to around 1863 because of the number of stars. | 0:27:37 | 0:27:43 | |
There are 34 stars, and that dates it to before 1863. | 0:27:43 | 0:27:50 | |
So, it's a special historic American object. | 0:27:50 | 0:27:54 | |
And its price? | 0:27:54 | 0:27:56 | |
Well, it could be yours for 8,000. | 0:27:56 | 0:27:59 | |
God bless America. | 0:28:00 | 0:28:02 | |
'But the big question is, will our teams earn their stars and stripes | 0:28:05 | 0:28:09 | |
'at the auction?' | 0:28:09 | 0:28:12 | |
What a treat this is! We've trotted to Lawrences in Crewkerne | 0:28:14 | 0:28:18 | |
to be with Richard Kay, my old mate, how are ya? | 0:28:18 | 0:28:21 | |
-Hello, Tim. Welcome back. -Lovely to see you. | 0:28:21 | 0:28:23 | |
Now, I want you to think fertility. | 0:28:23 | 0:28:25 | |
I want you to think fine African ethnographic object | 0:28:25 | 0:28:30 | |
and then look at this. | 0:28:30 | 0:28:32 | |
It's not tribal and would never have been used for any rite or ritual, | 0:28:32 | 0:28:37 | |
which is the implication of tribal art. | 0:28:37 | 0:28:39 | |
It's been made for the airport market, not even very well made. | 0:28:39 | 0:28:43 | |
-Well, that's got that out. -Sorry to say. | 0:28:43 | 0:28:45 | |
It cost a £5 note and frankly should have stayed where it was. | 0:28:45 | 0:28:48 | |
-If we get a fiver for it, I'll be pleasantly surprised. -Yes. | 0:28:48 | 0:28:52 | |
-I don't think it has any intrinsic value. -OK. That's it. | 0:28:52 | 0:28:55 | |
-Now, the silver-cased iron box. -Yes. -For whizzing up your hair-do. | 0:28:55 | 0:29:00 | |
Well, incomplete, sadly. | 0:29:00 | 0:29:02 | |
It would have had tongs in it | 0:29:02 | 0:29:04 | |
and a little methylated spirits burner to warm the tongs up. | 0:29:04 | 0:29:08 | |
I think that it is amazing that ladies in 1902 or whatever | 0:29:08 | 0:29:12 | |
travelled with all these inflammables about their person, | 0:29:12 | 0:29:17 | |
so that at night they could rig up a silver-cased box | 0:29:17 | 0:29:20 | |
to heat up rods to curl their hair. | 0:29:20 | 0:29:23 | |
There's an awful lot of craftsmanship gone into that. | 0:29:23 | 0:29:27 | |
-Sadly, it's incomplete. -So that makes it not terribly commercial. | 0:29:27 | 0:29:31 | |
I think it's £10 or £20. | 0:29:31 | 0:29:34 | |
That's positively scorching - £80 they paid. | 0:29:34 | 0:29:37 | |
-Ooh! That, er... -Feeling singed? -I am. | 0:29:37 | 0:29:40 | |
-That straightens my hair. -Or makes mine curl. | 0:29:40 | 0:29:44 | |
What about this Art Deco Algerian onyx and marble | 0:29:44 | 0:29:47 | |
-combo timepiece-postcard holder? -It's very much of its period. | 0:29:47 | 0:29:53 | |
-And with that photograph of this unknown sailor... -Jack Tar! | 0:29:53 | 0:29:57 | |
..you know, it shrieks 1930s, 1940s. | 0:29:57 | 0:30:02 | |
This is the war-time period, definitely. | 0:30:02 | 0:30:05 | |
-30 to 40, I'd have thought. -£50 paid. | 0:30:05 | 0:30:07 | |
They're going to need their bonus buy, so let's have a look at it. | 0:30:07 | 0:30:11 | |
-Now, Maid Marion... -Hello. -Kate. | 0:30:11 | 0:30:14 | |
You spent £135. You gave Colin 165. I'll help you here, Colin. | 0:30:14 | 0:30:18 | |
Whip that rag off. Yes! | 0:30:18 | 0:30:21 | |
-Ooh! -Do we like, ladies? | 0:30:21 | 0:30:23 | |
-Yes. -Interested. -Interested. -Yeah. -But not necessarily like. | 0:30:23 | 0:30:27 | |
-A lot of polishing involved. -Tell us more. -Yes. | 0:30:27 | 0:30:30 | |
A really good-looking piece. It sits very well. | 0:30:30 | 0:30:33 | |
Once it's on the floor beside a fireplace, | 0:30:33 | 0:30:36 | |
you can imagine it in its right environment. | 0:30:36 | 0:30:39 | |
-Mm-hm. -Very nice. Would it have logs and things? | 0:30:39 | 0:30:42 | |
Logs and things. You can have coal in there, a whole variety of things. | 0:30:42 | 0:30:46 | |
It's a fleur de lys pattern that's embossed on there. | 0:30:46 | 0:30:50 | |
Very Art Nouveau style with this concave side. | 0:30:50 | 0:30:53 | |
Date-wise, you're probably looking about 1910, | 0:30:53 | 0:30:57 | |
I would hazard a guess, just post-1900. | 0:30:57 | 0:30:59 | |
-So, bottom line... -How much? -Bottom line is how much? | 0:30:59 | 0:31:03 | |
-Well, OK, £70 paid. -Oh! -Yeah. | 0:31:03 | 0:31:06 | |
It was a good purchase, in my opinion, and I will put my reputation on the line. | 0:31:06 | 0:31:11 | |
-Oooh! -But that's only because I haven't got one! | 0:31:11 | 0:31:15 | |
ALL LAUGH | 0:31:15 | 0:31:17 | |
That's the information. You've got your prediction. | 0:31:17 | 0:31:20 | |
-Might make a small profit. -Yeah. | 0:31:20 | 0:31:22 | |
Meanwhile, for the audience at home, let's find out | 0:31:22 | 0:31:25 | |
what the auctioneer thinks about Colin's purdonium - coal bucket to you and me. | 0:31:25 | 0:31:30 | |
Very good, Richard. That's an object to warm the cockles of your heart. | 0:31:31 | 0:31:36 | |
And I think it would do exactly what it's meant to do, | 0:31:36 | 0:31:39 | |
which is hold a good quantity of coal in a stylish way. | 0:31:39 | 0:31:43 | |
-How much do you think it's going to bring? -I think it's good enough to be worth £50 to £70. | 0:31:43 | 0:31:48 | |
-OK, £70 was paid, so that's perfectly reasonable. -That's good. | 0:31:48 | 0:31:52 | |
That's it for the poor old reds. | 0:31:52 | 0:31:54 | |
Now we move on to the first lot of medals. | 0:31:54 | 0:31:57 | |
They've put a lot of eggs into one basket here. | 0:31:57 | 0:32:00 | |
It's a shame that there isn't more information about them. | 0:32:00 | 0:32:03 | |
People buy medals not for the metalware, | 0:32:03 | 0:32:06 | |
but for the history, the recipient and the valour that went with it. | 0:32:06 | 0:32:11 | |
-OK. What's your estimate? -Well, £25 to £40. -OK. | 0:32:11 | 0:32:15 | |
-Well, they paid £30. -That's fair enough. -We may get a surprise. | 0:32:15 | 0:32:19 | |
Their second item is going to be the standard lamp, | 0:32:19 | 0:32:21 | |
which looks like a bit of 1950s to me. | 0:32:21 | 0:32:24 | |
Yeah, '50s. The base is clearly '50s, yeah. | 0:32:24 | 0:32:28 | |
With a rather inappropriate shade on it as well. | 0:32:28 | 0:32:32 | |
-So it might be £20 or £30. -OK, fine. £55 paid. | 0:32:32 | 0:32:36 | |
Their third item, the second group of medals, | 0:32:36 | 0:32:39 | |
the only difference that I can spot | 0:32:39 | 0:32:42 | |
is that it's got this dispatch rose business on one of the silks. | 0:32:42 | 0:32:46 | |
It's got that additional feature. How much for that? | 0:32:46 | 0:32:49 | |
Much the same sort of figure, to be honest. | 0:32:49 | 0:32:51 | |
It might just be slightly more appealing to buy, so £30 or £40. | 0:32:51 | 0:32:55 | |
Well, it was more appealing to buy cos our lot paid £70. | 0:32:55 | 0:32:58 | |
I'm not sure the difference is justified | 0:32:58 | 0:33:01 | |
by simply the presence of that little tiny rose on the ribbon. | 0:33:01 | 0:33:04 | |
They're going to need their bonus buy big time. Let's go and have a look at it. | 0:33:04 | 0:33:09 | |
Well, team, this is exciting, isn't it? | 0:33:09 | 0:33:12 | |
You gave James Braxton £145. | 0:33:12 | 0:33:15 | |
What has the maestro spent the £145 on? | 0:33:15 | 0:33:18 | |
-James, reveal all. -I'll reveal. | 0:33:18 | 0:33:20 | |
Quite a goodly amount - £100. | 0:33:20 | 0:33:23 | |
It's a sort of rudie-nudie lady here. | 0:33:23 | 0:33:26 | |
It's a car mascot. | 0:33:26 | 0:33:28 | |
-So, 1920s, '30s. -Cool! | 0:33:28 | 0:33:31 | |
-Glamorous lady. -What do you think it's made of? | 0:33:31 | 0:33:34 | |
-I think it's... -Bronze and chrome. -I think it's bronze and chrome. | 0:33:34 | 0:33:38 | |
I think I'm right in saying you get mascots for certain marks of car, | 0:33:38 | 0:33:43 | |
which immediately make them recognisable, | 0:33:43 | 0:33:45 | |
but between the wars, that sort of mascot was made | 0:33:45 | 0:33:50 | |
not for a particular type of car, just as an accessory. | 0:33:50 | 0:33:53 | |
So you'd go to an accessory shop in 1930, | 0:33:53 | 0:33:56 | |
simply buy a pretty girl and shove it on the front of any old car. | 0:33:56 | 0:34:01 | |
So it becomes a sort of accessory mascot rather than a brand mascot. | 0:34:01 | 0:34:05 | |
-I like it. -You do? -Yes. It's something a bit different. | 0:34:05 | 0:34:09 | |
-We did see another car mascot, but it wasn't like that. Yeah. -Yeah. | 0:34:09 | 0:34:13 | |
-Do you like it, Glen? -Yeah, I quite like that. | 0:34:13 | 0:34:16 | |
Let's see whether the auctioneer is similarly taken by James's mascot. | 0:34:16 | 0:34:21 | |
There we go, Richard. | 0:34:22 | 0:34:25 | |
Well, a car mascot, clearly. | 0:34:25 | 0:34:27 | |
Quite a stylish figure. | 0:34:27 | 0:34:29 | |
Sort of reinterpreting the idea of the Spirit of Ecstasy | 0:34:29 | 0:34:33 | |
from the bonnets of numerous Rolls-Royces. | 0:34:33 | 0:34:37 | |
Not, apparently, signed or named | 0:34:37 | 0:34:40 | |
as being the work of anyone in particular, | 0:34:40 | 0:34:44 | |
but quite a nice little piece. | 0:34:44 | 0:34:46 | |
I think they're rather nice things, car mascots, don't you? | 0:34:46 | 0:34:49 | |
-I do. -As a collectable. -Whether or not anyone who buys that | 0:34:49 | 0:34:53 | |
would risk putting it on the bonnet of their car, I don't know. | 0:34:53 | 0:34:57 | |
So how much do you think it's worth? | 0:34:57 | 0:34:59 | |
I would have thought we would be expecting £40 to £60 for it. | 0:34:59 | 0:35:02 | |
I think the person who buys it will be very pleased to have it. | 0:35:02 | 0:35:05 | |
£100 was paid by James Braxton as his bonus buy. | 0:35:05 | 0:35:09 | |
-I think your estimate's a bit of a tease. -Do you? | 0:35:09 | 0:35:12 | |
I think we'll be surprised, that it'll bump along a bit. | 0:35:12 | 0:35:15 | |
Let's hope, like this lady, it jumps to an impressive price. | 0:35:15 | 0:35:18 | |
Thank you very much. | 0:35:18 | 0:35:19 | |
Now, tell me, how are you feeling, Maid Marion? | 0:35:28 | 0:35:31 | |
-I'm a bit worried about the sailor. -Why are you worried about him? | 0:35:31 | 0:35:35 | |
I reckon the only way we'll make a profit | 0:35:35 | 0:35:38 | |
is if we got somebody from Portsmouth and they recognised their dad! | 0:35:38 | 0:35:42 | |
-Really? -Yeah. -They say that every sailor has a... -Yes. | 0:35:42 | 0:35:45 | |
..friend in every port! There could be several children knocking around. | 0:35:45 | 0:35:49 | |
There you go! One from Southampton! | 0:35:49 | 0:35:53 | |
The silver tong heating box, I've been very rude about that. | 0:35:53 | 0:35:56 | |
The tribal figure, I've been very, very rude about. | 0:35:56 | 0:35:59 | |
-If all else fails, you've got the coal bin to fall back on, which you like. -Yes. | 0:35:59 | 0:36:04 | |
-I do like that, yes. -You're just going to have to cross everything. | 0:36:04 | 0:36:08 | |
The first item that comes up is your fertility figure. Here it comes. | 0:36:08 | 0:36:12 | |
Lot 305 is a tribal art carved wooden fertility figure. | 0:36:12 | 0:36:17 | |
£5 for it? | 0:36:17 | 0:36:19 | |
£5 anywhere? £2 anywhere? | 0:36:19 | 0:36:23 | |
£2 is bid. At two. Four now. Six. Eight. | 0:36:23 | 0:36:26 | |
Ten. 12. | 0:36:26 | 0:36:28 | |
I'm selling at 12. 15 now. | 0:36:28 | 0:36:31 | |
£15 on my right. I'm selling at 15. At £15... | 0:36:31 | 0:36:36 | |
-LAUGHS -Tripled the money! -That's good. | 0:36:36 | 0:36:39 | |
-So you get your apology. -I'll pay, Tim. -Marvellous thing. | 0:36:39 | 0:36:43 | |
Marvellous! Here it comes. | 0:36:43 | 0:36:45 | |
Bids here start me at £40. £40. 45. 50. | 0:36:45 | 0:36:50 | |
Five. At £55 now. At £55. | 0:36:50 | 0:36:53 | |
I'm selling. It's in the room. Clears my book at 55. | 0:36:53 | 0:36:57 | |
Last time at £55. | 0:36:57 | 0:36:58 | |
That's five short of 60. That's minus 25. | 0:36:58 | 0:37:02 | |
That means you are minus £15 currently, girls! | 0:37:02 | 0:37:05 | |
Now, this is your big hope, the timepiece. | 0:37:05 | 0:37:08 | |
..I start this at £25. | 0:37:08 | 0:37:12 | |
£25 is bid. At £25. | 0:37:12 | 0:37:15 | |
At 25, absentee bid. 30 now, and I'm out. I'll sell in the room. | 0:37:15 | 0:37:20 | |
At 30 now. At 30, if you're all done. | 0:37:20 | 0:37:22 | |
At £30, last time. | 0:37:22 | 0:37:25 | |
£30 is minus £20. | 0:37:25 | 0:37:27 | |
Minus 20, which is overall, minus 35. | 0:37:27 | 0:37:31 | |
-So, now, the coal box. -Yes. -How do you fancy that? -In for a penny. | 0:37:31 | 0:37:36 | |
-Are you going to do it? -Yes. Gamble. -Fine, we're going with the coal box. | 0:37:36 | 0:37:40 | |
Lot 311 is an Arts & Crafts embossed coal box. | 0:37:40 | 0:37:46 | |
Bids start me here at 30. 35. £40 is bid. | 0:37:46 | 0:37:49 | |
45. 50. 55 and I'm out. | 0:37:49 | 0:37:53 | |
60. 65. 70. Five. | 0:37:53 | 0:37:56 | |
-Well done, Colin. -80. Five. 90. > | 0:37:56 | 0:38:00 | |
£90 to my left. I'm selling in the room at £90. | 0:38:00 | 0:38:03 | |
Against you elsewhere. At 90, then, for the last time. | 0:38:03 | 0:38:07 | |
CHEERING/LAUGHTER | 0:38:07 | 0:38:10 | |
-Ooh, sorry. -Brilliant! | 0:38:10 | 0:38:12 | |
So sorry. | 0:38:12 | 0:38:13 | |
-Sorry. -It's all right. It's £20. | 0:38:13 | 0:38:17 | |
-The man's very clever, isn't he? -Oh, come here! | 0:38:17 | 0:38:20 | |
Pleasure. Pleasure. | 0:38:20 | 0:38:22 | |
Plus £20. Which reduces the losses to only minus 15, which is bad luck. | 0:38:22 | 0:38:28 | |
Ooh! That's all right. | 0:38:28 | 0:38:30 | |
-And minus 15... -Could be a winning score. -What's that you said? | 0:38:30 | 0:38:33 | |
Could be a winning score! ALL LAUGH | 0:38:33 | 0:38:36 | |
-OK, G-G, how are you feeling? -Relatively confident. -Nervous. | 0:38:44 | 0:38:48 | |
-Do you know how the reds got on? -No. -No. | 0:38:48 | 0:38:51 | |
Good. Now, you've done this double whammy with these medals. | 0:38:51 | 0:38:55 | |
As we know, James, in these sales, anything connected with World War II and medals seems to do very well. | 0:38:55 | 0:39:01 | |
So, fair enough. | 0:39:01 | 0:39:03 | |
-And if all doesn't go terribly well, you've got the mascot. -Yeah. | 0:39:03 | 0:39:07 | |
-Our lovely lady. -We've already chartered a plane home for that. | 0:39:07 | 0:39:12 | |
Brilliant. First up is the first group of medals, including the Italian and African Star. | 0:39:12 | 0:39:19 | |
Lot 326 is a group of five medals, World War II medal group. | 0:39:19 | 0:39:23 | |
Lot 326. £20 for those? | 0:39:23 | 0:39:27 | |
£20 is bid. At £20. I'll sell at 20. | 0:39:27 | 0:39:30 | |
-It's an opening bid of £20. 25 now. -No! | 0:39:30 | 0:39:34 | |
No? £25. It's in front of me to my left at 25. | 0:39:34 | 0:39:37 | |
I'm selling at £25. Last time, then, at 25. | 0:39:37 | 0:39:40 | |
That's minus £5. | 0:39:40 | 0:39:42 | |
That does not bode well for the second group, but let's see. | 0:39:42 | 0:39:45 | |
Next up is the lamp standard. | 0:39:45 | 0:39:47 | |
With Venetian glass stem. £10 starts me here. | 0:39:47 | 0:39:51 | |
£10 is bid. At £10. At £10. I'll sell at ten. | 0:39:51 | 0:39:55 | |
-No! -It's an opening bid of ten... > | 0:39:55 | 0:39:58 | |
I can't bear it. He only had a bid of ten. £15. | 0:39:58 | 0:40:01 | |
..20. £20. Lady's bid at £20. | 0:40:01 | 0:40:05 | |
I'm selling at £20. Last time, then, at 20. All done? | 0:40:05 | 0:40:08 | |
-We were robbed on that. -Yeah. -Minus 40, overall. | 0:40:10 | 0:40:14 | |
Now, here come the other medals. | 0:40:14 | 0:40:16 | |
Lot 328, another group of five World War II medals. | 0:40:16 | 0:40:21 | |
Shall we say 20 again? £20 is bid. Tempt you again, sir? 25 now. | 0:40:22 | 0:40:26 | |
30. No. £30. It's to my right this time, at £30. > | 0:40:26 | 0:40:30 | |
Selling at £30... | 0:40:30 | 0:40:31 | |
£30 is minus £40. | 0:40:31 | 0:40:34 | |
Which is minus £80. | 0:40:34 | 0:40:36 | |
Oh, dear, oh, dear, oh, dear. | 0:40:36 | 0:40:38 | |
Let's see how much more we can lose on the bonus buy! | 0:40:38 | 0:40:41 | |
-Minus £80 could be a winning score. -No, we'll go for it. -Yeah? -Yeah. | 0:40:41 | 0:40:46 | |
We're going with the bonus buy and here it comes. | 0:40:46 | 0:40:49 | |
Start me here at 30 on this one, if you will. £30 for this? | 0:40:49 | 0:40:52 | |
At £30. 20, then..? | 0:40:52 | 0:40:54 | |
-Oh, come on! -You're joking! | 0:40:54 | 0:40:57 | |
25, now. | 0:40:57 | 0:40:59 | |
It's on my left. Lady's bid at 25. | 0:40:59 | 0:41:01 | |
I'm selling at 25. 30 in the doorway... | 0:41:01 | 0:41:04 | |
-£30. -That's a bargain. | 0:41:04 | 0:41:06 | |
Somebody's got a good bargain. | 0:41:06 | 0:41:08 | |
..£40. It's still in the doorway. I'm selling at £40. At 40, then... | 0:41:08 | 0:41:12 | |
£40 equals minus £60. | 0:41:12 | 0:41:15 | |
-I'm so sorry. -That's all right. -We're just too trusting. | 0:41:15 | 0:41:19 | |
That's our problem. | 0:41:19 | 0:41:21 | |
Minus 140 is the total score. That might be a winning score. | 0:41:21 | 0:41:25 | |
-Might be. -Don't say a word to the reds. | 0:41:25 | 0:41:28 | |
Perfect. Thank you. | 0:41:28 | 0:41:29 | |
Well, this is exciting, isn't it? | 0:41:37 | 0:41:40 | |
Spectacular losses all round, but tremendous fun! | 0:41:40 | 0:41:43 | |
-Been chatting about the scale of the losses? -No! | 0:41:43 | 0:41:47 | |
I have to say that one team has made a whopper. | 0:41:47 | 0:41:50 | |
-That happens to be the blues. -GROANS/LAUGHTER | 0:41:50 | 0:41:53 | |
£140 worth of losses, which is going some, isn't it? | 0:41:53 | 0:41:57 | |
-Yes. -We did well there, I think! | 0:41:57 | 0:41:59 | |
-Minus £140 is not the record for Bargain Hunt losses. -Ah! | 0:41:59 | 0:42:02 | |
Thanks for cheering us up! | 0:42:02 | 0:42:05 | |
You've done rather well, in the scale of the programme. | 0:42:05 | 0:42:08 | |
-Hope you had a nice time. -Lovely. -We've loved having you on the show. | 0:42:08 | 0:42:11 | |
But the winners today, who've managed to win by only losing £15, are the reds. | 0:42:11 | 0:42:16 | |
BOTH: Yes! | 0:42:16 | 0:42:18 | |
-Helped by Colin Young's bonus buy. -Yes, thank you. -Which is lovely. | 0:42:18 | 0:42:23 | |
-I was very rude about your tribal art. -You were! -She came through. | 0:42:23 | 0:42:27 | |
Which I still maintain is as I described it, | 0:42:27 | 0:42:31 | |
but nevertheless, it made a £10 profit. | 0:42:31 | 0:42:34 | |
-So, graciously... -Bad taste will always come through! | 0:42:34 | 0:42:37 | |
-LAUGHTER -Well, I don't know, but anyway, it did its business. | 0:42:37 | 0:42:42 | |
So, minus £15 is all you're down. | 0:42:42 | 0:42:44 | |
-Congratulations for winning Bargain Hunt today! -Yay! | 0:42:44 | 0:42:48 | |
Join us soon for some more bargain hunting, yes? | 0:42:48 | 0:42:51 | |
ALL: Yes! | 0:42:51 | 0:42:52 | |
I know, you're thinking, "I could have done better than that!" | 0:42:52 | 0:42:57 | |
Well, what's stopping you? | 0:42:57 | 0:42:59 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:42:59 | 0:43:03 | |
It'll be splendid to see you! | 0:43:03 | 0:43:06 | |
Subtitles by Red Bee Media Ltd | 0:43:06 | 0:43:08 | |
E-mail [email protected] | 0:43:08 | 0:43:10 |