Browse content similar to Horncastle 18. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Horncastle, antiques capital of Lincolnshire. | 0:00:05 | 0:00:10 | |
Let's go bargain hunting, yeah? | 0:00:10 | 0:00:12 | |
Horncastle has two rivers and a canal running through it, | 0:00:37 | 0:00:41 | |
hence it's subject to frequent floods, | 0:00:41 | 0:00:45 | |
but will our teams be going with the flow | 0:00:45 | 0:00:48 | |
or will they get out of their depth? | 0:00:48 | 0:00:50 | |
Here's a quick glimpse as to what they got up to. | 0:00:50 | 0:00:53 | |
'The Reds let their heart rule their heads.' | 0:00:55 | 0:00:57 | |
-Would you take them home? -I would. | 0:00:57 | 0:01:00 | |
I see passion in your eyes. I'm loving that! | 0:01:00 | 0:01:03 | |
'Whilst the Blues act on impulse.' | 0:01:03 | 0:01:06 | |
-I don't even like it. -Oh, no! Why did you buy it? | 0:01:06 | 0:01:09 | |
-Because you told me to. -Oh, no! | 0:01:09 | 0:01:12 | |
'Let's meet the teams.' | 0:01:12 | 0:01:14 | |
Well, we have two married couples on our programme today. | 0:01:14 | 0:01:19 | |
Jane and Gary for the Reds | 0:01:19 | 0:01:21 | |
and Diane and Philip for the Blues. Hello, everyone. | 0:01:21 | 0:01:25 | |
Nice to see you. Now, Jane, how did you meet Gary? | 0:01:25 | 0:01:29 | |
I met Gary on a blind date. | 0:01:29 | 0:01:31 | |
Gary's boss used to say "I've got just the man for you"... | 0:01:31 | 0:01:35 | |
-He fixed you up? -Yes, he set us up on a blind date. | 0:01:35 | 0:01:38 | |
Isn't that amazing? Now, listen, you're very keen on keeping fit. | 0:01:38 | 0:01:43 | |
-I am, yes. -What do you like to do? | 0:01:43 | 0:01:45 | |
-I like to do boxing... -Boxing! | 0:01:45 | 0:01:48 | |
Well, sparring, yes. Gary holds the pads and I do the... | 0:01:48 | 0:01:51 | |
You never have any aggression against him, then, if you do this? | 0:01:51 | 0:01:55 | |
-Of course not! -But you've never done it for real? | 0:01:55 | 0:01:58 | |
-No, I've not, no. -No, excellent. | 0:01:58 | 0:02:01 | |
Now, Gary, what do you do? | 0:02:01 | 0:02:03 | |
I work for a haulage company as a forklift-truck driver. | 0:02:03 | 0:02:08 | |
Oh, right. Now, tell us about this stock-car racing. | 0:02:08 | 0:02:11 | |
-It's the BriSCA, Formula 1. -Right. | 0:02:11 | 0:02:13 | |
They race round a quarter-of-a-mile oval track | 0:02:13 | 0:02:17 | |
and it's quite spectacular. | 0:02:17 | 0:02:19 | |
-Do you bump into each other? -Yeah. -Oh, you do? | 0:02:19 | 0:02:23 | |
-It's good sport. -But who's got the knowledge about antiques? | 0:02:23 | 0:02:26 | |
Is it you, Jane, or Gary? | 0:02:26 | 0:02:29 | |
I've got slightly more than Gary. | 0:02:29 | 0:02:31 | |
-Quite a lot more. -Yeah. | 0:02:31 | 0:02:33 | |
Is there anything you're going to stop Gary buying? | 0:02:33 | 0:02:36 | |
-Drop-leaf tables. -Drop-leaf tables? -Oh, please, not a drop-leaf table. | 0:02:36 | 0:02:41 | |
-Has he got a problem with drop-leaf tables? -Definite problem. | 0:02:41 | 0:02:44 | |
-He keeps buying them? -No, everywhere we go - | 0:02:44 | 0:02:47 | |
"Ooh, drop-leaf tables - going to buy one of them on Bargain Hunt"! | 0:02:47 | 0:02:51 | |
-That IS strange. -There may be an argument, our first argument. | 0:02:51 | 0:02:55 | |
-Really? -We could be divorced! | 0:02:55 | 0:02:58 | |
Not a serious fall-out?! You've got a lovely story about the blind date, | 0:02:58 | 0:03:03 | |
you can't fall out on our programme. | 0:03:03 | 0:03:05 | |
Save that for another person's programme! | 0:03:05 | 0:03:08 | |
No, you'll be fine. I promise you. | 0:03:08 | 0:03:10 | |
Now, Diane and Philip, welcome. | 0:03:10 | 0:03:13 | |
There's a rather nice story about how you met Philip. | 0:03:13 | 0:03:17 | |
-Can you tell me about it, Diane? -Well, I'd known Philip for 30 years | 0:03:17 | 0:03:21 | |
and I had been widowed | 0:03:21 | 0:03:23 | |
and he was desperate - was the word that comes to mind - | 0:03:23 | 0:03:27 | |
for someone to take to the Rotary ladies' night | 0:03:27 | 0:03:30 | |
and I thought "That's safe because he's a confirmed bachelor..." | 0:03:30 | 0:03:33 | |
Oh, yeah? They're the ones never to trust! | 0:03:33 | 0:03:36 | |
Look at the trouble it got me into! | 0:03:36 | 0:03:38 | |
Now, Philip, you've retired from the family retail business | 0:03:39 | 0:03:44 | |
and now you're a trustee of the Museum of Leathercraft. | 0:03:44 | 0:03:47 | |
-Indeed, yes. -But you've got Queen Victoria's side-saddle? | 0:03:47 | 0:03:50 | |
We have. Prince Albert's saddle and Queen Alexandra's saddle too. | 0:03:50 | 0:03:53 | |
There are lots of interesting things there. | 0:03:53 | 0:03:56 | |
So have you got a plan for today's bargain hunting, you two? | 0:03:56 | 0:04:00 | |
Well, buy quality hopefully, | 0:04:00 | 0:04:03 | |
and something that people can't possibly do without. | 0:04:03 | 0:04:07 | |
I see. See what you can do about fulfilling that ambition. | 0:04:07 | 0:04:10 | |
To start you off, why don't I give you £300 apiece? | 0:04:10 | 0:04:14 | |
There's your £300, Janey. There's yours, Diane. | 0:04:14 | 0:04:17 | |
You know the rules, your experts await and off you go! | 0:04:17 | 0:04:20 | |
Very good luck. | 0:04:20 | 0:04:22 | |
'And who might our experts be?' | 0:04:24 | 0:04:26 | |
'Hedging his bets for the Reds, it's Paul Laidlaw.' | 0:04:26 | 0:04:29 | |
'And taking the Blues for a spin, it's Christina Trevanion.' | 0:04:31 | 0:04:34 | |
Have you got a shopping list today or is this random? | 0:04:36 | 0:04:39 | |
-It's very random, isn't it? -Yeah. | 0:04:39 | 0:04:41 | |
Let's have a good look around and see what we can find. Let's go! | 0:04:41 | 0:04:45 | |
Let's go. | 0:04:45 | 0:04:47 | |
'And straightaway Gary's hunting down tables.' | 0:04:47 | 0:04:50 | |
Come away! Come away, come away! | 0:04:50 | 0:04:52 | |
Is this true, that you're intent on buying a table | 0:04:52 | 0:04:55 | |
after you told me earlier on "No, no shopping list!" | 0:04:55 | 0:04:59 | |
-Apart from the table. -They're just... They just look nice. | 0:04:59 | 0:05:03 | |
We'll just leave him. He's talking to himself. | 0:05:03 | 0:05:07 | |
'Meanwhile, the Blues target the silver cabinets.' | 0:05:07 | 0:05:11 | |
'But will they strike gold?' | 0:05:11 | 0:05:13 | |
-What is that? -Shall we look at it? | 0:05:13 | 0:05:15 | |
-I'd like to look at that. -OK, let's have a look. | 0:05:15 | 0:05:18 | |
-May I? -Yeah, absolutely. | 0:05:18 | 0:05:21 | |
'It's not there just to look pretty.' | 0:05:21 | 0:05:24 | |
-175. -So a silver pen | 0:05:24 | 0:05:27 | |
-and... -Ruler wipe. | 0:05:27 | 0:05:31 | |
-Ruler wipe? -In the shape of a boot scraper. | 0:05:31 | 0:05:34 | |
-I think that's quite unusual. -That's lovely. I really like that. | 0:05:34 | 0:05:38 | |
And a nice clear hallmark there. Slightly rubbed, | 0:05:38 | 0:05:41 | |
but still distinguishable | 0:05:41 | 0:05:44 | |
and it's Edwardian, 1901. | 0:05:44 | 0:05:46 | |
You can imagine a gentleman, sitting at his desk, | 0:05:46 | 0:05:49 | |
fountain pen at the ready | 0:05:49 | 0:05:51 | |
and it gets clogged up. What do you do? You use your desk wipe. | 0:05:51 | 0:05:55 | |
So you wipe your pen nib onto these brushes here | 0:05:55 | 0:05:59 | |
to clear away all those deposits, | 0:05:59 | 0:06:01 | |
and this one is particularly nice because it takes the ruler as well, | 0:06:01 | 0:06:06 | |
so when your ruler gets a bit inky, | 0:06:06 | 0:06:09 | |
you clean it on there. | 0:06:09 | 0:06:11 | |
'But will it scrape a profit at auction?' | 0:06:11 | 0:06:14 | |
I think I like that. | 0:06:14 | 0:06:16 | |
-I'd like to go for that. -It'll be an adventure to see what happens. | 0:06:16 | 0:06:20 | |
Well, that's a serious amount of our budget. | 0:06:20 | 0:06:23 | |
I could see that marked up at auction at maybe £100-150. | 0:06:23 | 0:06:29 | |
So it is a lot of money. Having said that, it's a novelty item, | 0:06:29 | 0:06:34 | |
it's the kind of thing that people will fall in love with | 0:06:34 | 0:06:37 | |
-and if two people like it, it could go up. -Shall I smile sweetly at him? | 0:06:37 | 0:06:41 | |
You can give it a go! | 0:06:41 | 0:06:43 | |
135 would be the absolute best. | 0:06:43 | 0:06:46 | |
That's quite a lot of our budget. | 0:06:47 | 0:06:49 | |
You won't make a huge amount on it, | 0:06:49 | 0:06:52 | |
but, at the same time, it's a good quality piece. | 0:06:52 | 0:06:55 | |
-Let's go for it. You like it? -Yes, it's very unusual. | 0:06:55 | 0:06:58 | |
-Yeah, I think we should go for it. -OK. | 0:06:58 | 0:07:01 | |
-135. -That's fine, thank you. | 0:07:01 | 0:07:03 | |
130 would be better! THEY LAUGH | 0:07:03 | 0:07:06 | |
'Too late now, Diane. It's yours.' | 0:07:08 | 0:07:12 | |
'So, the Blues wasted no time on their first purchase | 0:07:12 | 0:07:15 | |
'at just eight minutes in.' | 0:07:15 | 0:07:18 | |
'And in a bargain basement on the other side of the tracks, | 0:07:18 | 0:07:21 | |
'the Reds are rummaging for rubies and Paul's found something.' | 0:07:21 | 0:07:25 | |
Does glass do anything for you? | 0:07:25 | 0:07:27 | |
-Yes. -I like it, but I don't know anything about glass at all. | 0:07:27 | 0:07:32 | |
What I like - this technique is called controlled bubble | 0:07:32 | 0:07:36 | |
and you can see why. | 0:07:36 | 0:07:38 | |
The geometry is perfect. | 0:07:38 | 0:07:41 | |
The precision with which the bubbles have been introduced to the glass | 0:07:41 | 0:07:45 | |
and then, as the body's been formed, | 0:07:45 | 0:07:48 | |
these little bubbles have stretched | 0:07:48 | 0:07:50 | |
to become little tears, | 0:07:50 | 0:07:53 | |
but the geometry is maintained. That's quality. | 0:07:53 | 0:07:57 | |
Any glass-blower can introduce a bubble of air, | 0:07:57 | 0:08:00 | |
but to introduce them with that precision... | 0:08:00 | 0:08:04 | |
A period? | 0:08:04 | 0:08:06 | |
1960s, this controlled bubble really comes to the fore. | 0:08:06 | 0:08:10 | |
The name that springs to mind is Whitefriars. What else do we see? | 0:08:10 | 0:08:14 | |
Turn it upside down, we see a polished pontil scar. | 0:08:14 | 0:08:18 | |
This proves that this is a man with a tube, a furnace | 0:08:18 | 0:08:21 | |
and a blob of molten amber glass. | 0:08:21 | 0:08:24 | |
The form is loosely a baluster. | 0:08:24 | 0:08:26 | |
I tell you what - timeless. | 0:08:26 | 0:08:28 | |
-Could you see that with flowers in it? -Yeah, definitely. | 0:08:28 | 0:08:33 | |
'If they're not blown away by the style, they might be by the price.' | 0:08:33 | 0:08:36 | |
-£14. -£14. | 0:08:37 | 0:08:40 | |
Look at what you get for your money. I would pitch that at 20 to 40. | 0:08:40 | 0:08:46 | |
-Really? -All day long. It's a good piece of glass for 14 quid. | 0:08:46 | 0:08:49 | |
But there you have it - an education in post-war British glass. | 0:08:49 | 0:08:54 | |
And in what you can get for your money. Astonishing, isn't it? | 0:08:54 | 0:08:58 | |
-Yep. -Let's keep our options open. | 0:08:58 | 0:09:00 | |
-Say "We don't know if we want that, can we leave it here?" -BOTH: Yeah. | 0:09:00 | 0:09:03 | |
Right, that-a-way. On the clock. | 0:09:03 | 0:09:06 | |
'I want what Paul had for breakfast. He's on fire.' | 0:09:06 | 0:09:10 | |
'Have the Blues moved on from the silver? A few inches perhaps.' | 0:09:10 | 0:09:13 | |
This moustache comb. Can you see that, Philip? | 0:09:14 | 0:09:18 | |
-Oh, that's sweet. -Mistletoe on it. | 0:09:18 | 0:09:20 | |
"French silver moustache comb and brush in case." | 0:09:20 | 0:09:24 | |
So let's see if there are any marks. | 0:09:24 | 0:09:26 | |
It looks like a lower grade of silver... | 0:09:26 | 0:09:29 | |
OK, so a little French assay mark there, which is very sweet. | 0:09:29 | 0:09:33 | |
It is a novelty, and it's sweet, and I love the mistletoe on it, | 0:09:33 | 0:09:38 | |
which would suggest it was a Christmas gift. | 0:09:38 | 0:09:41 | |
-Who's going to buy it? -What's it marked up as? -68. | 0:09:41 | 0:09:44 | |
OK, that's not too bad. And, again, very easily displayable. | 0:09:44 | 0:09:49 | |
So I like that. £68. | 0:09:49 | 0:09:51 | |
It is all the money. You want to come down maybe £30 or £40 | 0:09:51 | 0:09:56 | |
as a little novelty. | 0:09:56 | 0:09:57 | |
-Mr Wonnacott might like these. -Oh, yes, he would like those. | 0:09:57 | 0:10:01 | |
'Ahh, you're too kind.' | 0:10:01 | 0:10:04 | |
Philip could use it for a hairbrush! | 0:10:04 | 0:10:06 | |
Or we could brush your eyebrows with it! You'd be totally preened then! | 0:10:06 | 0:10:10 | |
THEY LAUGH | 0:10:10 | 0:10:14 | |
Let's ask him what he can do. | 0:10:14 | 0:10:16 | |
'Let's hope shop manager James can do a good deal.' | 0:10:16 | 0:10:19 | |
-Your very best price. -Your VERY best price. | 0:10:19 | 0:10:22 | |
£50? Coming down from 68 to 50? | 0:10:22 | 0:10:25 | |
If your gut feeling says "Go for it"... | 0:10:26 | 0:10:29 | |
I think £50 is perhaps a bit much. | 0:10:29 | 0:10:33 | |
Couldn't come down to 40? | 0:10:33 | 0:10:35 | |
Um... No. | 0:10:35 | 0:10:37 | |
45. That's really generous. | 0:10:37 | 0:10:39 | |
-I think... -Come on, we'll go for that. | 0:10:39 | 0:10:41 | |
45? That's really generous. | 0:10:41 | 0:10:43 | |
£45. Keep everything crossed! | 0:10:43 | 0:10:46 | |
Thank you. Let's hope there's a lot of people there with a moustache! | 0:10:46 | 0:10:51 | |
'Of course, Diane. They're the height of fashion, don't you know?' | 0:10:51 | 0:10:55 | |
'So the Blues have snaffled two novelty silver items | 0:10:55 | 0:10:58 | |
'in less than half an hour.' | 0:10:58 | 0:11:00 | |
'But the Reds' scatter-gun approach has so far proved fruitless.' | 0:11:00 | 0:11:04 | |
-Time's going on, Gary. -I know. I know. | 0:11:04 | 0:11:07 | |
-What are we doing? -We're going for that vase. | 0:11:07 | 0:11:11 | |
-You've got a feeling about that? -Yes. -OK, let's go. | 0:11:11 | 0:11:14 | |
'Good decision, Reds. Go back for the bubble vase.' | 0:11:14 | 0:11:17 | |
'Shop manager John's got it under the counter.' | 0:11:17 | 0:11:20 | |
-Going to bite the bullet? -Definitely. -OK. Your vase. | 0:11:20 | 0:11:25 | |
One vase. It's marked at 14. | 0:11:25 | 0:11:28 | |
-10, isn't it? -Ohh... | 0:11:28 | 0:11:30 | |
It's cheeky, it's cheeky. | 0:11:30 | 0:11:33 | |
I'll meet you in the middle at 12. | 0:11:33 | 0:11:35 | |
-£12. What do you think? -Yeah! | 0:11:35 | 0:11:37 | |
-Yes, will do. -Thanks. -Thank you. | 0:11:37 | 0:11:41 | |
'Well done. Cheek will get you everywhere...this time.' | 0:11:41 | 0:11:44 | |
'And the Blues have finally moved away from the silver.' | 0:11:44 | 0:11:48 | |
Ooh, my goodness. | 0:11:48 | 0:11:50 | |
Right, so we've got two items... | 0:11:50 | 0:11:53 | |
I'm thinking let's go for something a little bit bigger, maybe. | 0:11:53 | 0:11:56 | |
-Yes. -Rather than...littly things. | 0:11:56 | 0:11:59 | |
-See what takes your eye. -Right. | 0:11:59 | 0:12:01 | |
-OK? Spread out, team. -Spread out. -Off we go. | 0:12:01 | 0:12:05 | |
What do you think about this? I like it. It's very Arts and Crafts. | 0:12:06 | 0:12:10 | |
Think of it sitting at Liberty's at the turn of the century. | 0:12:10 | 0:12:15 | |
How stylish it would look. It's not a big piece of brown furniture. | 0:12:15 | 0:12:20 | |
Small pieces that are easily placeable in the home still sell, | 0:12:20 | 0:12:23 | |
and can be used today. | 0:12:23 | 0:12:25 | |
'Diane's not looking keen.' | 0:12:25 | 0:12:27 | |
So you've got a pen rest in here, there would've been an inkwell here | 0:12:27 | 0:12:31 | |
and you have these openings here for your various correspondence. | 0:12:31 | 0:12:36 | |
And then this lift-down desk to write upon. What's your thoughts? | 0:12:36 | 0:12:40 | |
-It's quite a nice writing desk. -What do you want to go for? | 0:12:40 | 0:12:44 | |
I wish the wood was better quality. | 0:12:44 | 0:12:47 | |
Is it going to sell? You think it will because of its style. | 0:12:47 | 0:12:51 | |
Yes, I do. | 0:12:51 | 0:12:53 | |
-What does it say... -165. | 0:12:53 | 0:12:55 | |
We've only got £120 left | 0:12:55 | 0:12:58 | |
And we've got to give Christina some money. | 0:12:58 | 0:13:02 | |
-I don't need much. -£5? -Bit more'd be nice! | 0:13:02 | 0:13:06 | |
-Well, let's keep looking. Let's bear it in mind, but keep going. -OK. | 0:13:06 | 0:13:11 | |
'You're a tough taskmaster, Christina.' | 0:13:11 | 0:13:14 | |
'They look reluctant to leave that bureau now you've sold it to them.' | 0:13:14 | 0:13:18 | |
'Meanwhile, have the Reds managed to focus on anything?' | 0:13:18 | 0:13:22 | |
'Now, those do look interesting.' | 0:13:24 | 0:13:26 | |
It just draws the eye. | 0:13:26 | 0:13:28 | |
-What are they? -I don't know, what are they? | 0:13:28 | 0:13:31 | |
Those are Prattware pot lids. | 0:13:31 | 0:13:34 | |
Does what it says on the... jar! | 0:13:34 | 0:13:36 | |
-Yeah. -It's a little domed cover | 0:13:36 | 0:13:40 | |
for a shallow jar | 0:13:40 | 0:13:42 | |
and that jar could contain toiletry, meat paste, toothpaste, | 0:13:42 | 0:13:47 | |
preserves, whatever. | 0:13:47 | 0:13:49 | |
Dating to mid-19th century. | 0:13:49 | 0:13:52 | |
Have you seen these at auction? | 0:13:52 | 0:13:54 | |
Yep, a great many of them. | 0:13:54 | 0:13:56 | |
In this instance, we have our cuirassier, a cavalryman. | 0:13:56 | 0:14:01 | |
-I've got a trooper. -He's downed. And what have you got? | 0:14:01 | 0:14:05 | |
-A trooper. -The trooper. | 0:14:05 | 0:14:07 | |
They're priced at... | 0:14:07 | 0:14:10 | |
-85. -Right, 85. I think that's at the higher end of my estimate. | 0:14:10 | 0:14:14 | |
-But you like them. -Yes, I do. | 0:14:14 | 0:14:17 | |
Proper antiques. They're good to go. Don't see any damage. | 0:14:17 | 0:14:20 | |
Ready to hang, but my estimate at auction's £40-80. | 0:14:20 | 0:14:24 | |
-40-80. -Yeah. You're buying at high estimate. | 0:14:24 | 0:14:28 | |
Unless... Do you want me to ask? | 0:14:28 | 0:14:30 | |
-Yeah. -I'll go and have the conversation. | 0:14:30 | 0:14:33 | |
'While Paul tries to get a better price, | 0:14:33 | 0:14:36 | |
'how are the Blues getting on in their search for a third item?' | 0:14:36 | 0:14:40 | |
£56 the pair. | 0:14:40 | 0:14:42 | |
It looks to me like tourist tat. | 0:14:42 | 0:14:44 | |
You're absolutely right. | 0:14:44 | 0:14:47 | |
"Made in Japan" - speaks volumes, doesn't it? | 0:14:47 | 0:14:50 | |
-I thought it was... -Put them back! | 0:14:50 | 0:14:52 | |
'Keep looking, Blues.' | 0:14:52 | 0:14:54 | |
'You've always got the Arts and Crafts bureau to come back to.' | 0:14:54 | 0:14:58 | |
'Has Paul got a good deal on the pot lids?' | 0:14:58 | 0:15:01 | |
There's no slack in the price. They're £85. | 0:15:01 | 0:15:04 | |
I think it's a gamble. | 0:15:04 | 0:15:06 | |
-It's worth a gamble though. -I don't know, is it? -Yeah. -Yeah. | 0:15:06 | 0:15:11 | |
'Go on, take a risk, Reds. It's always pot luck at the auction.' | 0:15:11 | 0:15:15 | |
I see passion in your eyes! I'm loving that! | 0:15:15 | 0:15:18 | |
-Have we bought something? -Yes! | 0:15:18 | 0:15:21 | |
'Well done, Reds. That's two out of your three items.' | 0:15:21 | 0:15:25 | |
'But over on the Blue team, it seems Diane has disappeared.' | 0:15:25 | 0:15:30 | |
Where's your dear lady gone, Philip? Diane? | 0:15:30 | 0:15:34 | |
-Oh, dear. -Maybe she's left us. | 0:15:34 | 0:15:36 | |
It's a bit ominous! | 0:15:36 | 0:15:38 | |
-What have you done? -Well, he was very kind. | 0:15:38 | 0:15:43 | |
THEY BOTH LAUGH I hope you don't mind, | 0:15:43 | 0:15:46 | |
but I've negotiated 115. | 0:15:46 | 0:15:50 | |
-On what? -So you've got £5... -On this? | 0:15:50 | 0:15:53 | |
-115? -Instead of 165. | 0:15:53 | 0:15:56 | |
-Have you bought it? -Yes. | 0:15:56 | 0:15:59 | |
You have?! | 0:15:59 | 0:16:01 | |
-You said you liked it! -I leave you for five minutes and what happens? | 0:16:02 | 0:16:06 | |
Philip would've told you you can't leave me alone. | 0:16:06 | 0:16:10 | |
I've got two questions. | 0:16:10 | 0:16:12 | |
Well, one statement - you've done a good negotiation. | 0:16:12 | 0:16:15 | |
A: Will it sell at that price? | 0:16:15 | 0:16:17 | |
-And B: We left at £5... -Will it sell at that price?! | 0:16:17 | 0:16:22 | |
Well, that's very diplomatic of you. | 0:16:22 | 0:16:24 | |
It's... It's... top end, | 0:16:24 | 0:16:28 | |
-but we've done it now... -You said you liked it! | 0:16:28 | 0:16:32 | |
Well, you've just bought a desk. There we go. | 0:16:33 | 0:16:36 | |
-Let's keep our fingers crossed. -I don't even like it. -Oh, no! | 0:16:36 | 0:16:41 | |
Why did you buy it?! | 0:16:41 | 0:16:43 | |
Because you told me to. | 0:16:43 | 0:16:46 | |
'They started off with so much structure, and it ended in chaos.' | 0:16:46 | 0:16:51 | |
'Never mind, Blues. You've got your three buys. Well done.' | 0:16:51 | 0:16:54 | |
How far is Leicestershire from here? Is that the neighbouring county? | 0:16:56 | 0:17:02 | |
-It is, isn't it? -Yeah. | 0:17:02 | 0:17:04 | |
-We're selling in Lincolnshire, aren't we? -Yeah. | 0:17:04 | 0:17:07 | |
Uhh... That's a mid-18th century map. | 0:17:07 | 0:17:11 | |
-Oh. -Now, it's the wrong county, but a neighbouring county. -Yeah. | 0:17:11 | 0:17:14 | |
That's 270 year old... | 0:17:14 | 0:17:17 | |
Is it really? | 0:17:17 | 0:17:18 | |
Yeah. An engraved and then hand-tinted map. | 0:17:18 | 0:17:22 | |
Tells you what it is here. | 0:17:22 | 0:17:23 | |
"Map of Leicestershire." | 0:17:23 | 0:17:27 | |
It also tells us it's published 1741. | 0:17:27 | 0:17:31 | |
And that's of that period, not a later impression. | 0:17:31 | 0:17:34 | |
That's £18. | 0:17:34 | 0:17:36 | |
-And that's original. -That's of that period - 1741. | 0:17:36 | 0:17:40 | |
-That's good. -Yeah. -What's it going to make? | 0:17:40 | 0:17:43 | |
It should do £20-40, | 0:17:44 | 0:17:47 | |
nine times out of ten. | 0:17:47 | 0:17:49 | |
-OK. Shall we go for that? -If that was my county, | 0:17:49 | 0:17:52 | |
I'd be happy to hang that, all day long. | 0:17:52 | 0:17:55 | |
-It's a pleasing thing. -Yeah, I like that. -I do. | 0:17:55 | 0:18:00 | |
If we've got... We have five minutes to go, | 0:18:00 | 0:18:03 | |
carry that with you, see if you can find anything better. | 0:18:03 | 0:18:06 | |
'Hang about, Paul's found another antique map | 0:18:06 | 0:18:09 | |
'that's too good to ignore.' | 0:18:09 | 0:18:11 | |
Guys, this is a strip map. | 0:18:11 | 0:18:14 | |
It's a road from here to there, | 0:18:14 | 0:18:17 | |
broken down into strips. | 0:18:17 | 0:18:20 | |
Yeah? Hand-tinted, utterly pleasing | 0:18:20 | 0:18:24 | |
and informative. | 0:18:24 | 0:18:25 | |
Does it matter...about that? | 0:18:25 | 0:18:27 | |
It does, to be honest. I'd rather it had NO glass than that. | 0:18:27 | 0:18:32 | |
Er, Owen and Bowen. 1720! | 0:18:32 | 0:18:35 | |
-Wow... -Nearly 300 year old. | 0:18:35 | 0:18:40 | |
Um, £17. | 0:18:40 | 0:18:42 | |
Can we put that with that to make it one lot? | 0:18:42 | 0:18:44 | |
Yes! | 0:18:44 | 0:18:46 | |
'Yes. The ticket price is £35 for the two - | 0:18:46 | 0:18:49 | |
'but has Paul done a better deal?' | 0:18:49 | 0:18:52 | |
-If I said 30 quid the two, would you buy them? -30? -Yeah. | 0:18:52 | 0:18:56 | |
-Yes. -How's about 25? | 0:18:56 | 0:18:58 | |
-25? -Yes! You're a star! | 0:18:58 | 0:19:01 | |
You've got to do it. You've GOT to do it because you're out of time! | 0:19:01 | 0:19:05 | |
-Well, yeah... -Deal? | 0:19:05 | 0:19:07 | |
-Yes. Deal. -Group hug?! | 0:19:07 | 0:19:10 | |
Time's up. Let's check out what the Red team bought. | 0:19:10 | 0:19:14 | |
'The Reds splashed out £12 | 0:19:14 | 0:19:16 | |
'on this glass Whitefriars-style bubble vase.' | 0:19:16 | 0:19:20 | |
'Then they couldn't resist the Victorian Prattware pot lids | 0:19:20 | 0:19:24 | |
'and paid £85 for them.' | 0:19:24 | 0:19:27 | |
'Finally, they spent £25 on two 18th-century hand-coloured maps.' | 0:19:27 | 0:19:31 | |
'And when the saleroom took delivery, | 0:19:31 | 0:19:34 | |
'the staff assumed THEY had cracked the glass, | 0:19:34 | 0:19:37 | |
'so they replaced it. Lucky.' | 0:19:37 | 0:19:38 | |
-That was excellent. Did you enjoy it? -Brilliant, yes. | 0:19:38 | 0:19:41 | |
-I thought so. Good on you. -It was a bit close, but yes. | 0:19:41 | 0:19:45 | |
Which is your favourite piece? | 0:19:45 | 0:19:46 | |
It's the pot tops. | 0:19:46 | 0:19:48 | |
The pot tops. | 0:19:48 | 0:19:50 | |
And what did you spend in total? | 0:19:50 | 0:19:52 | |
-£122. -Not enough. | 0:19:52 | 0:19:55 | |
-THEY LAUGH -Well, it's better than some, I can tell you. | 0:19:55 | 0:19:59 | |
122. I'd like 178, please. | 0:19:59 | 0:20:02 | |
-Gary's in charge of the money. -Thank you. | 0:20:02 | 0:20:04 | |
And over it comes to Paul Laidlaw. | 0:20:04 | 0:20:07 | |
A past master of getting a lot for not very much! | 0:20:07 | 0:20:12 | |
So how are you going to go at this, then, Paul? | 0:20:12 | 0:20:15 | |
Um... Seeds have been planted... | 0:20:15 | 0:20:18 | |
-Oh, have they? -..throughout our little shop, | 0:20:18 | 0:20:20 | |
and I am hoping I'll find something that really works for you. | 0:20:20 | 0:20:24 | |
As ever, enigmatic. Thank you very much for that. | 0:20:24 | 0:20:28 | |
Meanwhile, let's check out what the Blue team bought. | 0:20:28 | 0:20:31 | |
'The Blues loved the silver pen wipe, | 0:20:31 | 0:20:34 | |
'and paid a whacking £135.' | 0:20:34 | 0:20:37 | |
'A French moustache comb and brush | 0:20:37 | 0:20:40 | |
'tickled their fancy for a tidy 45.' | 0:20:40 | 0:20:43 | |
'And daring Diane took a unilateral decision on the Edwardian bureau, | 0:20:43 | 0:20:48 | |
'paying £115 for the privilege.' | 0:20:48 | 0:20:51 | |
-I think you've just had a cocktail party, you lot! -We have, yes! | 0:20:51 | 0:20:55 | |
-Frightfully jolly times. -We've been like that since we got together. | 0:20:55 | 0:20:59 | |
Oh. Well, that's nice. | 0:20:59 | 0:21:02 | |
Which piece is going to make the biggest profit, Philip? | 0:21:02 | 0:21:05 | |
Pass. | 0:21:05 | 0:21:07 | |
The pen wipe, I should think. | 0:21:07 | 0:21:09 | |
-We shall see. -Do you think the pen wipe will do it? | 0:21:09 | 0:21:12 | |
-Well, it could be the brown furniture that I didn't want to buy, but I don't know. -Oh, I see. | 0:21:12 | 0:21:16 | |
It's like that, is it? Hoity-hoi! | 0:21:16 | 0:21:19 | |
And how much did you spend all round? | 0:21:19 | 0:21:21 | |
Erm, £295. | 0:21:21 | 0:21:24 | |
Look at her face! | 0:21:24 | 0:21:25 | |
-And we've only got that left. -She's so... | 0:21:25 | 0:21:28 | |
She's so pleased about that! | 0:21:28 | 0:21:30 | |
-I told you I could spend money! -You've had a riot, you lot. | 0:21:30 | 0:21:33 | |
OK, Christina, your challenge today | 0:21:33 | 0:21:37 | |
is to have... Well, I don't know. | 0:21:37 | 0:21:39 | |
Well, anyway, that is a serious challenge, and goodness only knows what you'll find. | 0:21:39 | 0:21:43 | |
I think "I will do my best" is the only answer... | 0:21:43 | 0:21:46 | |
Well, you've done your best all day. | 0:21:46 | 0:21:48 | |
-Just be very careful with it and don't... -Don't spend it all at once! | 0:21:48 | 0:21:52 | |
Exactly! | 0:21:52 | 0:21:53 | |
Well, we've come from Horncastle to Lincoln | 0:22:04 | 0:22:07 | |
to Golding, Young & Mawer's saleroom to be with our man of the moment, John Leatt. | 0:22:07 | 0:22:11 | |
-John, hello. -Welcome. -Lovely to be here. | 0:22:11 | 0:22:14 | |
Now, for the Reds, we've got the Whitefriars smoky, amber vase. | 0:22:14 | 0:22:20 | |
-Handsome. -Absolutely. | 0:22:20 | 0:22:22 | |
It's got a good look to it. A known Whitefriars design, | 0:22:22 | 0:22:26 | |
so I've got some good, positive thoughts on that one. | 0:22:26 | 0:22:29 | |
What is your most positive thought, value-wise? | 0:22:29 | 0:22:32 | |
-£25-40 on that one. -OK, £12 paid. | 0:22:32 | 0:22:35 | |
So they have found themselves a bargain. Isn't that marvellous? | 0:22:35 | 0:22:40 | |
-Absolutely. -So they'll double their money? -We'll do our best. | 0:22:40 | 0:22:44 | |
Now we've got some Prattware pot lids. | 0:22:44 | 0:22:47 | |
Now, these things were incredibly popular 25 to 40 years ago. | 0:22:47 | 0:22:52 | |
-Absolutely. -Does the market still hold up? | 0:22:52 | 0:22:55 | |
Sadly not these days. There's not quite the demand. | 0:22:55 | 0:22:59 | |
-What are they worth? -25 to 40. | 0:22:59 | 0:23:01 | |
Oh, dear. £85 paid for the pair. | 0:23:01 | 0:23:04 | |
Next up are the maps. Rather handsome. | 0:23:04 | 0:23:07 | |
Hand-coloured engravings of maps. How do you rate those, John? | 0:23:07 | 0:23:12 | |
-Interesting maps, decorative items. -So they should be popular locally? | 0:23:12 | 0:23:17 | |
-I hope so. -How much? | 0:23:17 | 0:23:19 | |
-Between £25 and £40. -OK, £25 paid, so that's OK. We have some hope. | 0:23:19 | 0:23:24 | |
It all depends on how the pot lids do, | 0:23:24 | 0:23:28 | |
in which case, they may need their bonus buy. Let's have a look. | 0:23:28 | 0:23:31 | |
Jane and Gary, this is your leftover-lolly moment. | 0:23:32 | 0:23:36 | |
You gave Paul Laidlaw 178. What did you spend it on, Paul? | 0:23:36 | 0:23:39 | |
Well... | 0:23:39 | 0:23:41 | |
-That'll be a chair. -Ooh! -Yeah? -Yeah. | 0:23:41 | 0:23:44 | |
-Shall I tell you about it? -Yeah. | 0:23:44 | 0:23:46 | |
I sell... or see chairs of this form | 0:23:46 | 0:23:50 | |
every week of my working life. | 0:23:50 | 0:23:53 | |
They are ubiquitous | 0:23:53 | 0:23:56 | |
and the heyday for making such was the 1910s and 1920s. | 0:23:56 | 0:24:01 | |
My word, they loved these chairs | 0:24:01 | 0:24:04 | |
and today such examples | 0:24:04 | 0:24:06 | |
are near worthless. | 0:24:06 | 0:24:09 | |
So why did I buy that? | 0:24:09 | 0:24:11 | |
It dates to the reign of George I. | 0:24:11 | 0:24:15 | |
This chair ain't 100 year old, | 0:24:15 | 0:24:17 | |
-it's closer to 300 year old. -Wow. | 0:24:17 | 0:24:21 | |
-What do you reckon to that? -Yeah. -English walnut side or dining chair. | 0:24:21 | 0:24:27 | |
Typical form. We've got this double-arched back, | 0:24:27 | 0:24:30 | |
this delicious eared inverted baluster or urn-shaped splat. | 0:24:30 | 0:24:37 | |
And look at the lines - the lines are subtly delicious. | 0:24:37 | 0:24:41 | |
Drop-in seat | 0:24:41 | 0:24:43 | |
and then these gorgeous Acanthus-hipped cabriole legs. | 0:24:43 | 0:24:47 | |
I could love that chair, I kid you not. | 0:24:47 | 0:24:52 | |
I... Oh, don't get me going! | 0:24:52 | 0:24:55 | |
I think we've got you going! | 0:24:55 | 0:24:57 | |
-I think we've got you going, boy! -How much was it? | 0:24:57 | 0:25:01 | |
I've stuck my neck out on this. | 0:25:01 | 0:25:03 | |
I've stumped up £100. Do you want to know the harsh reality? | 0:25:03 | 0:25:07 | |
-If I'm unlucky, somebody'll buy it for £20. -Really? | 0:25:07 | 0:25:10 | |
You will see a grown man cry. | 0:25:10 | 0:25:13 | |
However, if I was asked to sell it, I'd say 100-200. | 0:25:13 | 0:25:17 | |
On that basis, should be a safe bet. | 0:25:17 | 0:25:21 | |
But this is riskier than I usually play it. | 0:25:21 | 0:25:25 | |
-Do you like it, Janey? -I do. I like it a lot. | 0:25:25 | 0:25:28 | |
I tell you, I'm sold. Anyway, I can't bear to see a grown man cry, | 0:25:28 | 0:25:33 | |
so let's hope it goes well. | 0:25:33 | 0:25:35 | |
For the audience at home, let's find out whether the auctioneer agrees. | 0:25:35 | 0:25:40 | |
So there we go, John, a handsome example | 0:25:42 | 0:25:45 | |
of a splendid old English chair. Isn't that good? | 0:25:45 | 0:25:49 | |
Nice, untouched George I walnut side chair or dining chair. | 0:25:49 | 0:25:53 | |
Could do with a bit of tickling up, but basically, it's all there. | 0:25:53 | 0:25:57 | |
-Basically all there, exactly. -So a set of 12 like that, | 0:25:57 | 0:26:01 | |
worth £500 a chair... | 0:26:01 | 0:26:03 | |
-Plus, I would imagine. -Plus. | 0:26:03 | 0:26:06 | |
What's one on its jacksie worth? | 0:26:06 | 0:26:08 | |
-Probably £40-60. -That's it, is it? | 0:26:08 | 0:26:13 | |
Singly, yes. They don't seem to make the money these days. | 0:26:13 | 0:26:16 | |
Well, poor old Paul. He rates it and he paid £100 | 0:26:16 | 0:26:20 | |
and has raved to his team about it. | 0:26:20 | 0:26:23 | |
Anyway, no helping that. Maybe they won't go with it. | 0:26:23 | 0:26:26 | |
Well, now for the Blues, | 0:26:26 | 0:26:28 | |
who've gone for this miniature pen wipe in the form of a boot scraper. | 0:26:28 | 0:26:33 | |
-Does that appeal, John? -Novelty items always appeal, Tim. | 0:26:33 | 0:26:37 | |
The condition's pretty good and, yes, it's fun. | 0:26:37 | 0:26:40 | |
-How much? -Between £30 and £40. | 0:26:40 | 0:26:43 | |
They paid £135. They're about to make a cool loss of £100. | 0:26:43 | 0:26:47 | |
Next is the moustache comb and brush, | 0:26:47 | 0:26:52 | |
which is, I believe, French and has got this mistletoe. | 0:26:52 | 0:26:56 | |
It's in good condition. It's a nice little thing. | 0:26:56 | 0:26:59 | |
So between £15 and £20. | 0:26:59 | 0:27:02 | |
£15 and £20. £45 paid. | 0:27:02 | 0:27:05 | |
OK, well, that could be a problem too. | 0:27:05 | 0:27:09 | |
So why don't we move to something bigger, | 0:27:09 | 0:27:12 | |
like that handsome mahogany full-front bureau. | 0:27:12 | 0:27:16 | |
-Now, that's not in bad nick. -No, it's in good condition. | 0:27:16 | 0:27:20 | |
It's in the Art Nouveau style, as you see from the straps here. | 0:27:20 | 0:27:24 | |
Original inkwell in there. I think it's a handsome piece. | 0:27:24 | 0:27:27 | |
-How much do you think it'll bring? -Between £50 and £80. | 0:27:27 | 0:27:31 | |
OK, £115 paid. | 0:27:31 | 0:27:33 | |
So every single item is estimated well below the purchase price, | 0:27:33 | 0:27:37 | |
so there could be trouble ahead. | 0:27:37 | 0:27:40 | |
Let's go and look at the bonus buy. | 0:27:40 | 0:27:42 | |
You spent £295, you cheeky monkeys, | 0:27:43 | 0:27:46 | |
and gave Christina only £5 to spend. | 0:27:46 | 0:27:49 | |
-What did you find? -Well, I got you | 0:27:49 | 0:27:52 | |
-a little bit of treen. -Fantastic. | 0:27:52 | 0:27:54 | |
I call it a card-game marker, but Tim tells me it's a bezique marker. | 0:27:54 | 0:27:59 | |
-Exactly. -Being a bit of a cardsharp that he is. | 0:27:59 | 0:28:02 | |
But treen... Treen is a generic term | 0:28:02 | 0:28:05 | |
given to small pieces of woodwork, as is this little counter here. | 0:28:05 | 0:28:10 | |
You can obviously keep track of your score as you go. | 0:28:10 | 0:28:14 | |
-What do you think? -Lovely. | 0:28:14 | 0:28:16 | |
I think that's quite... I quite like that. Do you? | 0:28:16 | 0:28:20 | |
Fantastic. How much did you pay for it? | 0:28:20 | 0:28:23 | |
-All the £5? -All of the £5 that you left! | 0:28:23 | 0:28:26 | |
-You spent it all! -Good gracious! | 0:28:26 | 0:28:29 | |
-Weren't we generous? -Well, you were. | 0:28:29 | 0:28:31 | |
And when you think about it, to get a nice piece of rosewood | 0:28:31 | 0:28:35 | |
and to have these other blond... | 0:28:35 | 0:28:38 | |
Could be sycamore or beech. | 0:28:38 | 0:28:40 | |
So if you've got four, you push up four of those, | 0:28:40 | 0:28:44 | |
then it moves five, then do your multiples to get to ten, | 0:28:44 | 0:28:47 | |
which gets you to 50, then it gets you to the hundreds, to 500 | 0:28:47 | 0:28:50 | |
and then to the thousand and so on. | 0:28:50 | 0:28:52 | |
-I was thinking you could use it for crib, but you can't. -No. | 0:28:52 | 0:28:56 | |
It's specifically bezique and that's the top and bottom of it. | 0:28:56 | 0:28:59 | |
An incredibly popular Edwardian game. | 0:28:59 | 0:29:02 | |
-I like that. -Mm, brilliant. | 0:29:02 | 0:29:04 | |
It should make a fortune. | 0:29:04 | 0:29:07 | |
That's optimistic! | 0:29:07 | 0:29:09 | |
That's Philip, he's our optimist. | 0:29:09 | 0:29:11 | |
Let's find out, for the audience at home, | 0:29:11 | 0:29:14 | |
whether the auctioneer is quite as optimistic. | 0:29:14 | 0:29:17 | |
Well, look at this, John. | 0:29:18 | 0:29:21 | |
Poor Christina only had £5 left and that's what she spent it on. | 0:29:21 | 0:29:24 | |
-It's good for a fiver. -Good fun. Bezique marker. | 0:29:24 | 0:29:27 | |
Don't see many of them. | 0:29:27 | 0:29:30 | |
It's made in rosewood and with a bit of sycamore. | 0:29:30 | 0:29:33 | |
Yeah, I couldn't think of many I would buy for any less than £5. | 0:29:33 | 0:29:39 | |
I know. Beautifully made, a real little period piece. | 0:29:39 | 0:29:42 | |
Hard to predict what it'll bring, but surely more than £5. | 0:29:42 | 0:29:46 | |
5's bottom end. We think £5-£10. | 0:29:46 | 0:29:49 | |
Brilliant. Thanks, John. | 0:29:49 | 0:29:51 | |
420, 450, 480, 500, | 0:29:52 | 0:29:55 | |
520, 550, 580, 600 | 0:29:55 | 0:29:58 | |
and 20. Selling for £620... | 0:29:58 | 0:30:01 | |
Janey, Gary, you're looking very confident. | 0:30:02 | 0:30:05 | |
-Excited. -Yeah, excited. | 0:30:05 | 0:30:08 | |
Yeah, nervous. | 0:30:08 | 0:30:10 | |
The Whitefriars vase, there was a bit of conjecture about. | 0:30:10 | 0:30:14 | |
The auctioneers confirm they think it is Whitefriars, | 0:30:14 | 0:30:17 | |
they've estimated it 25-40. | 0:30:17 | 0:30:19 | |
You only paid £12 so, if they're right you'll double your money, | 0:30:19 | 0:30:22 | |
triple your money, which is always a nice position. | 0:30:22 | 0:30:26 | |
And here it comes. | 0:30:26 | 0:30:28 | |
Whitefriars amber-tinted glass vase. | 0:30:28 | 0:30:31 | |
Who's going to start me at £30? | 0:30:31 | 0:30:33 | |
£30, start me. £30, will you? | 0:30:33 | 0:30:35 | |
£30 will start me. 20, then. | 0:30:35 | 0:30:38 | |
£20. At £20? | 0:30:38 | 0:30:40 | |
Come on, £10, then. At £10. | 0:30:40 | 0:30:43 | |
Thank you, sir. £10 here. | 0:30:43 | 0:30:45 | |
Anybody else at 10? At £10. Anybody else at 10? | 0:30:45 | 0:30:48 | |
£10 in front of me. | 0:30:48 | 0:30:50 | |
12. No. £12 on you, sir. | 0:30:50 | 0:30:53 | |
Anybody else at 12? At £12. Anybody else at 12? | 0:30:53 | 0:30:56 | |
You only paid £12. | 0:30:56 | 0:30:58 | |
The internet at 12. At 12... 15. | 0:30:58 | 0:31:01 | |
Thank goodness, you're in profit. | 0:31:01 | 0:31:04 | |
At £15 in front of me. 18 now. | 0:31:04 | 0:31:06 | |
At £18 on the internet. £18. | 0:31:06 | 0:31:08 | |
Nice and slow. £18. Anybody else? | 0:31:08 | 0:31:11 | |
All done? Selling at £18... | 0:31:11 | 0:31:13 | |
-GAVEL -A profit. -£18. It's a profit. | 0:31:13 | 0:31:16 | |
Plus £6. You're right, Gary. | 0:31:16 | 0:31:19 | |
That's the way to look at it. Next up are the pot lids. | 0:31:19 | 0:31:23 | |
£20 for the pot lids. £20 will start me. | 0:31:23 | 0:31:26 | |
At £20, will you? £20. | 0:31:26 | 0:31:28 | |
-25. -Thank you, sir. Got you at 25. That's very kind. | 0:31:28 | 0:31:31 | |
On my left, straight in at 25. 30... | 0:31:31 | 0:31:34 | |
30. 32. 35. | 0:31:35 | 0:31:38 | |
At £35. Yours, sir, at £35. | 0:31:38 | 0:31:40 | |
£35 in the room. Anybody else at 35? | 0:31:40 | 0:31:44 | |
At £35? Looking for 35... | 0:31:44 | 0:31:46 | |
I have a bad feeling about this. | 0:31:46 | 0:31:49 | |
All done at 35... | 0:31:49 | 0:31:51 | |
-GAVEL -£35 equals minus 50. | 0:31:51 | 0:31:55 | |
You had your £6, that makes you minus 44, kids. | 0:31:55 | 0:31:58 | |
Now, onto the maps. Let's see if we can find our way with these. | 0:31:58 | 0:32:02 | |
Two maps of Leicestershire, hand-coloured. | 0:32:02 | 0:32:05 | |
£15 to start them, please. £15 will start me. | 0:32:05 | 0:32:08 | |
£15, will you? Sir, thank you, £15, straight in at £15. | 0:32:08 | 0:32:12 | |
Anybody else at 15? | 0:32:12 | 0:32:14 | |
18. 18 it is. | 0:32:14 | 0:32:16 | |
At 20 here with you. £20 in the room. | 0:32:16 | 0:32:20 | |
I don't feel this hotting up. | 0:32:20 | 0:32:22 | |
£20, all done and selling? £20. | 0:32:22 | 0:32:25 | |
-GAVEL -Minus £5, | 0:32:25 | 0:32:27 | |
which means that takes you to a bad place, which is minus 49. | 0:32:27 | 0:32:32 | |
OK? Now, | 0:32:32 | 0:32:34 | |
you're minus £49, Janey, | 0:32:34 | 0:32:36 | |
you're not happy about this, you're putting a brave face on it! | 0:32:36 | 0:32:40 | |
-I chose those lids! -What about this old chair, then? | 0:32:40 | 0:32:43 | |
Going to park it or go with it? | 0:32:43 | 0:32:46 | |
-Go with it. -I think we should go. It's 300 years old - | 0:32:46 | 0:32:49 | |
it's got to be worth that, surely. | 0:32:49 | 0:32:52 | |
What did he say to you? He said "It could go either way." | 0:32:52 | 0:32:56 | |
Yeah, £20. Could be 200. | 0:32:56 | 0:32:58 | |
Are you going to go with it or not? | 0:32:58 | 0:33:01 | |
-Yes, definitely. -Are you? | 0:33:01 | 0:33:03 | |
-Oh, stop... -It's getting worse... | 0:33:03 | 0:33:06 | |
Seriously? You'll get mullered. | 0:33:06 | 0:33:08 | |
Well, the decision is made | 0:33:08 | 0:33:10 | |
and here it comes. | 0:33:10 | 0:33:12 | |
Lot 198. The side chair. | 0:33:12 | 0:33:15 | |
Who's going to start me at £40? | 0:33:15 | 0:33:18 | |
At £40, will you? At £40. | 0:33:18 | 0:33:20 | |
At 40. At £40. | 0:33:20 | 0:33:22 | |
20, then... | 0:33:22 | 0:33:24 | |
-£20? -What? | 0:33:24 | 0:33:26 | |
£20? | 0:33:26 | 0:33:29 | |
£20? 10, then? | 0:33:29 | 0:33:31 | |
£10 will start me. Yours at 10. | 0:33:31 | 0:33:34 | |
Paul! | 0:33:34 | 0:33:36 | |
-The chair at £10... -Wrong, isn't it? | 0:33:36 | 0:33:39 | |
All done at 10? At £10, then... | 0:33:39 | 0:33:42 | |
-GAVEL -£10 is minus 90. | 0:33:42 | 0:33:45 | |
I'll get my jacket. | 0:33:45 | 0:33:47 | |
That is minus 139. | 0:33:49 | 0:33:52 | |
Don't say a word to the Blues. | 0:33:52 | 0:33:54 | |
No point in making their day. | 0:33:54 | 0:33:57 | |
Now, Diane and Philip, do you know how the Reds got on? | 0:34:02 | 0:34:06 | |
-No. -No. -Good, we kept that from you. | 0:34:06 | 0:34:09 | |
Now, your first item is the old boot-scraper-style pen wipe. | 0:34:09 | 0:34:15 | |
Here it comes. | 0:34:15 | 0:34:17 | |
Lot 214. Lots of interest and I'll start it straight in at £30. | 0:34:17 | 0:34:22 | |
At £30. 32, 35, | 0:34:22 | 0:34:25 | |
38 and 40. 42, 45, | 0:34:25 | 0:34:27 | |
48 and 50. | 0:34:27 | 0:34:29 | |
-On commission at 50... -Going in the right direction. | 0:34:29 | 0:34:32 | |
-But a bit low. -Fresh face at 55. Anybody else? | 0:34:32 | 0:34:35 | |
£55 at the back. Anybody else? | 0:34:35 | 0:34:38 | |
Come on, come on, come on... | 0:34:38 | 0:34:40 | |
60 now, last minute, £60 here. | 0:34:40 | 0:34:42 | |
Are you bidding, sir? 65, thank you. | 0:34:42 | 0:34:45 | |
At £65 at the back. All done and selling at £65, then. | 0:34:45 | 0:34:50 | |
-GAVEL -65 is one off 70, | 0:34:50 | 0:34:54 | |
which is... 65... | 0:34:54 | 0:34:56 | |
-That is minus £70. -Oh, no, team! | 0:34:56 | 0:35:00 | |
Yep. Now, the moustache comb and bits and bobs. | 0:35:00 | 0:35:03 | |
£10 is bid, straight in at 10. | 0:35:03 | 0:35:05 | |
With me at £10, against you all. | 0:35:05 | 0:35:07 | |
With me at 10, 12, 15, | 0:35:07 | 0:35:09 | |
18, 20, 22... Yours at 22. | 0:35:09 | 0:35:12 | |
-At 22. -Come on, come on. | 0:35:12 | 0:35:15 | |
22 with you, sir, at the back. | 0:35:15 | 0:35:17 | |
Anybody else at 22? | 0:35:17 | 0:35:19 | |
All done at £22, then? | 0:35:19 | 0:35:22 | |
-GAVEL -It's sold. | 0:35:22 | 0:35:25 | |
£22. I cannot bear it. That's minus £23. | 0:35:25 | 0:35:29 | |
We're not doing well, are we? | 0:35:29 | 0:35:31 | |
Could do better, darling. | 0:35:31 | 0:35:34 | |
-Could we go now, please? -Minus 93. | 0:35:35 | 0:35:38 | |
Now, stand by. | 0:35:38 | 0:35:40 | |
Who's going to start me at £50? | 0:35:40 | 0:35:42 | |
At £50. 50, will you? | 0:35:42 | 0:35:44 | |
Thank you, in at 50. Anybody else at 50? | 0:35:44 | 0:35:48 | |
55, 60, | 0:35:48 | 0:35:50 | |
65, 70, | 0:35:50 | 0:35:52 | |
75, 80, | 0:35:52 | 0:35:55 | |
85, 90, | 0:35:55 | 0:35:57 | |
95, 100... | 0:35:57 | 0:35:59 | |
-Come on. -This is getting better. | 0:35:59 | 0:36:01 | |
120, 130, 140, | 0:36:01 | 0:36:04 | |
150, 160. | 0:36:04 | 0:36:06 | |
£160. At 160. | 0:36:06 | 0:36:09 | |
-This is really good. -At £160. | 0:36:09 | 0:36:11 | |
£160. It's all done and finished at £160, then? | 0:36:11 | 0:36:15 | |
-GAVEL -Well done, girl! | 0:36:15 | 0:36:19 | |
£160. | 0:36:19 | 0:36:21 | |
45 is 5 short of 50, | 0:36:21 | 0:36:23 | |
which is 43, so that is minus £48. You're still in a bad place, | 0:36:23 | 0:36:29 | |
but it's nothing like as bad a place as you were! | 0:36:29 | 0:36:33 | |
So what are we going to do with the bezique counter? | 0:36:33 | 0:36:36 | |
-We're going with it. -We like that. | 0:36:36 | 0:36:39 | |
We're going with the £5 bezique scorer and here it comes. | 0:36:39 | 0:36:43 | |
The bezique marker. This one here. | 0:36:43 | 0:36:45 | |
Who's going to start me at £10? | 0:36:45 | 0:36:48 | |
The bezique marker at £10. | 0:36:48 | 0:36:50 | |
At 10... 5, then. | 0:36:50 | 0:36:52 | |
Straight in at 5. | 0:36:52 | 0:36:54 | |
Come on, we need one more person. | 0:36:54 | 0:36:57 | |
£5. Anybody else at 5? | 0:36:57 | 0:36:59 | |
£5. Opening bid at £5. Anybody else? | 0:36:59 | 0:37:02 | |
6 I'll take if you want to. I'll take 6 if you have to. | 0:37:02 | 0:37:06 | |
-Oh, come on. -Come on... | 0:37:06 | 0:37:08 | |
At 5 and selling at £5. Opening bid of 5. All done? | 0:37:08 | 0:37:12 | |
-GAVEL -Oh, £5. | 0:37:12 | 0:37:15 | |
-No taste. -That's OK, it wiped its face. | 0:37:15 | 0:37:18 | |
-Didn't lose anything, did we? -Overall, guys, you are minus 48, | 0:37:18 | 0:37:22 | |
which could be a winning score, so not a word to the Reds. | 0:37:22 | 0:37:27 | |
Well, well, well, we've got some monster losses, | 0:37:31 | 0:37:35 | |
but, my gosh, it's been fun getting there. | 0:37:35 | 0:37:38 | |
Anyway, the team that have done particularly badly today | 0:37:39 | 0:37:43 | |
are, of course, the Reds. | 0:37:43 | 0:37:46 | |
Minus £139 | 0:37:46 | 0:37:48 | |
is a big old wodge, isn't it? | 0:37:48 | 0:37:51 | |
Thank you. You have been great sports, you two, | 0:37:51 | 0:37:54 | |
and I hope you've enjoyed it and aren't too badly scarred. | 0:37:54 | 0:37:57 | |
The winners today, who managed to win with only losing £48... | 0:37:57 | 0:38:03 | |
are Diane and Philip. Well, well done for that, | 0:38:03 | 0:38:05 | |
because you made that extraordinary £45 profit, didn't you, | 0:38:05 | 0:38:09 | |
on your lovely bureau. | 0:38:09 | 0:38:12 | |
But it wasn't your day for taking profits for either of our teams, | 0:38:12 | 0:38:15 | |
but we've had a swell time. | 0:38:15 | 0:38:17 | |
In fact - join us soon for some more bargain hunting, yes? Yes! | 0:38:17 | 0:38:21 | |
'I know you're thinking "I could've done better than that" - | 0:38:22 | 0:38:26 | |
'well, what's stopping you?' | 0:38:26 | 0:38:29 | |
'If you think you can spot a bargain, | 0:38:29 | 0:38:31 | |
'go to our website and apply.' | 0:38:31 | 0:38:33 | |
'It'll be splendid to see you.' | 0:38:33 | 0:38:36 |