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Do you know, I've been racking my brains | 0:00:11 | 0:00:13 | |
for the collective word for a group of antiques. | 0:00:13 | 0:00:17 | |
Well, we take our antiques off and sell them at auction, | 0:00:17 | 0:00:20 | |
so perhaps that ought to be a lot of antiques. | 0:00:20 | 0:00:24 | |
Do you think? | 0:00:24 | 0:00:26 | |
Well, anyway, people of Edinburgh, what a lot of antiques you've got here. | 0:00:26 | 0:00:32 | |
Ha! Let's go bargain hunting! | 0:00:32 | 0:00:34 | |
Yeah! | 0:00:34 | 0:00:36 | |
Cor, we've got a right mongrel mix of nationalities today. | 0:01:02 | 0:01:07 | |
We've got a Scot, we've got three English | 0:01:07 | 0:01:09 | |
and a brace of Americans. | 0:01:09 | 0:01:11 | |
So, why don't we have a transatlantic peek at what's coming up? | 0:01:11 | 0:01:15 | |
On today's show, the Reds are rampant. | 0:01:17 | 0:01:18 | |
-I've got to give him a kiss. -You're on the wrong side of the table. | 0:01:18 | 0:01:21 | |
While the Blues have gone to the dogs. | 0:01:21 | 0:01:24 | |
It's frightening! It's frightening me. | 0:01:24 | 0:01:27 | |
-And it all gets animated at the auction. -90 on the floor. | 0:01:27 | 0:01:30 | |
Fresh bidder. On the floor at 90. | 0:01:30 | 0:01:32 | |
Before all that, let's meet the teams, eh? | 0:01:32 | 0:01:36 | |
On the Red team today, we have a husband and wife combo, | 0:01:36 | 0:01:41 | |
Margaret and Jonathan, | 0:01:41 | 0:01:42 | |
and for the Blues, Cynthia and the lovely Joanna, our mother and daughter combo. | 0:01:42 | 0:01:47 | |
-Hello, everybody. -Hello! -Very nice to see you. | 0:01:47 | 0:01:50 | |
-Now, Margaret, catering is your trade, Margaret. -Yes. | 0:01:50 | 0:01:53 | |
And with royal connections. Tell us about that. | 0:01:53 | 0:01:56 | |
Well, Prince Philip comes to or used to come to Fife | 0:01:56 | 0:02:01 | |
for the horse and carriage show at St Fort. | 0:02:01 | 0:02:04 | |
-He loves driving, doesn't he? -Oh, yes. | 0:02:04 | 0:02:06 | |
He likes to be one of the chaps | 0:02:06 | 0:02:08 | |
but he also always holds a drinks party, | 0:02:08 | 0:02:10 | |
which we cater for. | 0:02:10 | 0:02:12 | |
And he came into the kitchen when I was in the oven | 0:02:12 | 0:02:16 | |
and of course my glasses were all steamed up | 0:02:16 | 0:02:18 | |
and I just saw this little old man standing there, demanding a gin and tonic, | 0:02:18 | 0:02:23 | |
and I said, "You can't be in here." | 0:02:23 | 0:02:25 | |
And he said, "Well, I want a gin and tonic." | 0:02:25 | 0:02:27 | |
And I said, "Well, you'll have to wait," because the tray I was holding was very heavy. | 0:02:27 | 0:02:31 | |
I said, "If you want a gin and tonic, | 0:02:31 | 0:02:33 | |
"you can either go out that door there, go right to the end of the tent and there's a bar there, | 0:02:33 | 0:02:38 | |
"or you can wait and ask Prince Philip if you can join him for a drink." | 0:02:38 | 0:02:42 | |
And then one of the staff nudged me and said, "It IS Prince Philip." | 0:02:42 | 0:02:48 | |
-Now, Jonathan, your family history teaches us something about drawing a line, doesn't it? -Yes. | 0:02:49 | 0:02:54 | |
My great-grandfather, a chap called Samuel Plimsoll... | 0:02:54 | 0:03:00 | |
And a lot of ships were horribly overladen, | 0:03:00 | 0:03:03 | |
a lot of lives were lost, | 0:03:03 | 0:03:05 | |
and some people persuaded him to take that cause on | 0:03:05 | 0:03:10 | |
and the job entailed, for him, really, | 0:03:10 | 0:03:12 | |
raising the level of the ship so that water didn't go over the deck | 0:03:12 | 0:03:17 | |
-and wash the sailors into the water. -A margin of safety, really. | 0:03:17 | 0:03:20 | |
All to do with safety. So you'll see on a ship there's a line at the front | 0:03:20 | 0:03:25 | |
and it goes across in different striations | 0:03:25 | 0:03:28 | |
and that's really to make sure that it's not overladen and it's safe. | 0:03:28 | 0:03:33 | |
And it was known thereafter, forever, as the Plimsoll line. | 0:03:33 | 0:03:36 | |
-Indeed, yes. -Well, how interesting. | 0:03:36 | 0:03:39 | |
And what a nice piece of family history, too. | 0:03:39 | 0:03:42 | |
You collect a subject that involves drawing lines, don't you? | 0:03:42 | 0:03:45 | |
Fountain pens, yes, yes. | 0:03:45 | 0:03:47 | |
I've got quite a lot, quite a collection. | 0:03:47 | 0:03:49 | |
I started when I was a youngster at school. | 0:03:49 | 0:03:51 | |
Will you buy a fountain pen on Bargain Hunt today if you see one? | 0:03:51 | 0:03:54 | |
Well, I might do. | 0:03:54 | 0:03:57 | |
The last one I got was in Spain in a street market for four euros. | 0:03:57 | 0:04:01 | |
-Really? -Yeah, I did rather well. | 0:04:01 | 0:04:03 | |
We look forward to seeing what you do actually buy today. | 0:04:03 | 0:04:06 | |
-Now, girls, are you excited about this? -Very excited. | 0:04:06 | 0:04:09 | |
-Didn't sleep last night. -Did you not? -No. | 0:04:09 | 0:04:12 | |
-Now, you're an Americano. -Si. -You've travelled the world and finished up in Scotland. | 0:04:12 | 0:04:16 | |
-How did that come about? -Well, like you said, I was born in America | 0:04:16 | 0:04:20 | |
but to Scottish and Northern Irish immigrants. | 0:04:20 | 0:04:23 | |
And had a great sense of adventure because of that. | 0:04:23 | 0:04:27 | |
And I had an opportunity to move to Northern Ireland when my girls were in their early teens | 0:04:27 | 0:04:32 | |
and I thought, this was perfect, broaden their horizons, | 0:04:32 | 0:04:35 | |
let them know a little bit about their history. | 0:04:35 | 0:04:37 | |
-And it took a little persuading but we all moved over to Northern Ireland. -Did you? Lovely. | 0:04:37 | 0:04:42 | |
And then I went to Spain and then Suffolk | 0:04:42 | 0:04:45 | |
and now finally in Scotland because I love it here | 0:04:45 | 0:04:48 | |
and I'm going to be watching my grand-daughter in a couple of months. | 0:04:48 | 0:04:52 | |
Now, Joanna, what exactly do you do? | 0:04:52 | 0:04:54 | |
I'm a forensic scientist, | 0:04:54 | 0:04:56 | |
in particular in ballistics or firearms. | 0:04:56 | 0:04:59 | |
So I'm involved in identifying items, weapons, | 0:04:59 | 0:05:04 | |
and classifying them in terms of firearms, UK firearms legislation. | 0:05:04 | 0:05:09 | |
So you'll be at it all guns blazing today, will you, on our show? | 0:05:09 | 0:05:13 | |
I like what you've done there. | 0:05:13 | 0:05:15 | |
And what sort of things will you be going for, between you? | 0:05:15 | 0:05:18 | |
I think I'm going to be looking for collectables, | 0:05:18 | 0:05:21 | |
so little, maybe, snuff boxes | 0:05:21 | 0:05:25 | |
or vesta matchboxes. | 0:05:25 | 0:05:27 | |
-And what are you going to collect, Cynthia? -I'm very much into Art Deco things. | 0:05:27 | 0:05:31 | |
I would have loved to have been a flapper in the '20s. | 0:05:31 | 0:05:34 | |
-Really? -Yes. -You could be a flapper now, you know. -Thank you very much. -Not at all. | 0:05:34 | 0:05:37 | |
Now it's the money moment. You get your £300 apiece. | 0:05:37 | 0:05:40 | |
Goody, goody. There's your £300. | 0:05:40 | 0:05:42 | |
You know the rules, your experts await | 0:05:42 | 0:05:44 | |
and off you go and very, very, very good luck. | 0:05:44 | 0:05:47 | |
Drumming up a profit today for the Reds - Paul Laidlaw. | 0:05:52 | 0:05:55 | |
And helping the Blues to keep their heads is Charles Hanson. | 0:05:56 | 0:05:59 | |
This could be one of my most momentous ever hours. | 0:06:08 | 0:06:11 | |
-All right! -Come on. Get in here. -I'm being serious. | 0:06:11 | 0:06:14 | |
Have we a shopping list, an agenda, a plan? | 0:06:14 | 0:06:16 | |
It's very simple. I just do as I'm told. | 0:06:16 | 0:06:18 | |
I was about to say, "No, we don't." | 0:06:18 | 0:06:21 | |
What's the plan, Cynthia? | 0:06:21 | 0:06:22 | |
Well, the plan is you and I are going to look at everything that's down low | 0:06:22 | 0:06:26 | |
because she can't squat down because she's pregnant. | 0:06:26 | 0:06:29 | |
She's going to look at everything up high. | 0:06:29 | 0:06:31 | |
She'll find things. She's got baby brain and can't remember anything. | 0:06:31 | 0:06:35 | |
I'm of a certain age and can't remember anything. | 0:06:35 | 0:06:37 | |
You have to remember where we saw everything. | 0:06:37 | 0:06:39 | |
-Shall we go shopping? -Absolutely. -Ready. | 0:06:39 | 0:06:41 | |
-On your marks... -OK. | 0:06:41 | 0:06:43 | |
-We are off. Go! -Let's go! | 0:06:43 | 0:06:46 | |
Now, this is great, isn't it? | 0:06:53 | 0:06:54 | |
-Clearly what you've got here, it's Deco. -Definitely. | 0:06:54 | 0:06:58 | |
That fan shape is wonderful, | 0:06:58 | 0:07:00 | |
the bevelled mirror plate on the hand mirror is great. | 0:07:00 | 0:07:03 | |
We've even got a comb as well. | 0:07:03 | 0:07:06 | |
Just look at that. It is Bakelite. | 0:07:07 | 0:07:09 | |
I was going to say, is that Bakelite? | 0:07:09 | 0:07:11 | |
Phenol formaldehyde or Bakelite was created in America | 0:07:11 | 0:07:14 | |
by a Belgian millionaire called Leo Hendrik Baekeland in 1907, | 0:07:14 | 0:07:18 | |
making it the first synthetic plastic material that could be mass produced. | 0:07:18 | 0:07:23 | |
Joanna, is this your taste? | 0:07:23 | 0:07:25 | |
Erm, I do like the shape of it | 0:07:25 | 0:07:29 | |
but I think it looks a bit like a pencil case. | 0:07:29 | 0:07:32 | |
-So I'd like it... -She is a Philistine. | 0:07:32 | 0:07:34 | |
A little bit more regal and rich looking would be my taste. | 0:07:34 | 0:07:40 | |
No, I was immediately taken with the shape of it. | 0:07:40 | 0:07:43 | |
I could see myself making up with my long cigarette holder | 0:07:43 | 0:07:47 | |
and my flapper outfit and getting ready for a night out. | 0:07:47 | 0:07:49 | |
-Are we going to fall out, do you think? -Oh, I hope not. | 0:07:49 | 0:07:53 | |
-No, not with my dear mother. No way. -No way. | 0:07:53 | 0:07:56 | |
We fall out but we make up quickly. | 0:07:56 | 0:07:58 | |
-The day is young. The hour is young. Let's move on. -OK. | 0:07:58 | 0:08:00 | |
Continue combing the fair, Blues, but be mindful of time. | 0:08:00 | 0:08:05 | |
Now, what subject are the Reds broaching? | 0:08:07 | 0:08:10 | |
I think it has a hallmark. | 0:08:10 | 0:08:12 | |
-Silver. It just says silver. -It just says silver. | 0:08:12 | 0:08:15 | |
That's a really interesting wee brooch. | 0:08:15 | 0:08:17 | |
-TRADER: -I think it's something to do with French... -The French tricolour. | 0:08:17 | 0:08:20 | |
-TRADER: -You know, the liberty of France during the war. | 0:08:20 | 0:08:23 | |
-That's got a lot of money on it. -£20 to you. | 0:08:23 | 0:08:26 | |
And it's got no damage. | 0:08:26 | 0:08:29 | |
I really want to sell this to you in a moment but I want to buy it first. | 0:08:29 | 0:08:32 | |
-Yes? -Trust me. | 0:08:32 | 0:08:34 | |
Can we just make that a round 15? It's a nice number. | 0:08:34 | 0:08:37 | |
-No! -Oh! | 0:08:39 | 0:08:41 | |
Mm. I think Paul is holding something back here. | 0:08:41 | 0:08:43 | |
-Trust me. I think it's worth that. -All right. | 0:08:43 | 0:08:46 | |
-May we have this, please, for 18? -You can have it for £18. | 0:08:46 | 0:08:51 | |
-Thank you very much. Thanks very much. -Thank you very much. | 0:08:51 | 0:08:55 | |
OK, clever clogs. You've just paid £18 for that | 0:08:56 | 0:08:59 | |
but you didn't tell me what it was. | 0:08:59 | 0:09:01 | |
I didn't want to appear too enthusiastic. | 0:09:01 | 0:09:04 | |
That isn't in the strictest sense the French tricolour. | 0:09:04 | 0:09:08 | |
-It's not as simple as the French flag... -Mm-hm. | 0:09:08 | 0:09:11 | |
..although they are the French colours. | 0:09:11 | 0:09:13 | |
See this undercutting of the silver, there, underneath the enamel, | 0:09:13 | 0:09:18 | |
and, indeed, the bleeding of the colours, | 0:09:18 | 0:09:21 | |
-the gradation of the colours? -That's why I like it. | 0:09:21 | 0:09:23 | |
That is mimicking, in enamelled silver, | 0:09:23 | 0:09:26 | |
-the woven silk of a medal ribbon. -Oh, right! | 0:09:26 | 0:09:30 | |
Specifically, the 1914 or '14-'15 Star, | 0:09:30 | 0:09:34 | |
-the first campaign award given to British troops serving in the First World War. -Really? -Ah! | 0:09:34 | 0:09:40 | |
Now, no soldier in my opinion wore an enamelled brooch. | 0:09:40 | 0:09:44 | |
-That's a lady's brooch. -Exactly. | 0:09:44 | 0:09:46 | |
-So who wore that? -A widow? | 0:09:46 | 0:09:48 | |
So he had a wife... Poignantly, it could have been a widow. | 0:09:48 | 0:09:52 | |
-A widow, yes. -I told you. He knows his stuff, all right. | 0:09:52 | 0:09:55 | |
-I think that's £18 well spent. -OK. -Well done. | 0:09:55 | 0:09:59 | |
-And I think it's a delicious little brooch. -Yes. | 0:09:59 | 0:10:01 | |
-Are we happy? -Very. -Right, onwards? -Absolutely. -One down. -Come on, then. | 0:10:01 | 0:10:06 | |
March on, Reds. | 0:10:06 | 0:10:07 | |
So have those Blues sniffed out any bargains yet? | 0:10:07 | 0:10:11 | |
What I like over there is that big scent bottle. | 0:10:11 | 0:10:15 | |
If you want to be a grand Victorian lady, | 0:10:15 | 0:10:17 | |
which you are, Cynthia - but not that old - | 0:10:17 | 0:10:20 | |
-you would have been... -You saved yourself! | 0:10:20 | 0:10:23 | |
-You would have been a serious Victorian society girl. -Indeed. | 0:10:23 | 0:10:27 | |
Handle that. | 0:10:27 | 0:10:28 | |
-It's very heavy. -It's a big one. | 0:10:28 | 0:10:31 | |
-And you like it because it's big? -It's big, it's substantial. | 0:10:31 | 0:10:35 | |
It's Edwardian, it's grand. | 0:10:35 | 0:10:37 | |
Look at that lovely cut crystal globular bottle. | 0:10:37 | 0:10:40 | |
You've got the hallmarks just on there, as well. | 0:10:40 | 0:10:43 | |
Birmingham, 1904. | 0:10:43 | 0:10:45 | |
A lovely mushroom stopper. | 0:10:45 | 0:10:47 | |
-It's quite a nice bottle. What's the best price on it, madam? -£75. | 0:10:47 | 0:10:51 | |
I have to say I have no knowledge about these kinds of things at all. | 0:10:51 | 0:10:56 | |
-I would be totally dependent on you. -No pressure, Hanson. No pressure. | 0:10:56 | 0:11:00 | |
Bring the profits home. Bring the profits home. | 0:11:00 | 0:11:02 | |
What's it worth? 50, 60, 70? | 0:11:02 | 0:11:06 | |
80? Around £80, so only a really small profit. | 0:11:06 | 0:11:09 | |
Oh, no, no. We want a big profit. | 0:11:09 | 0:11:11 | |
Bigger is better, Charlie boy, especially with profit. | 0:11:11 | 0:11:15 | |
That's why I'm panicking. The hour is running. | 0:11:15 | 0:11:18 | |
-We'll think about it. -OK. -Thank you very much. | 0:11:18 | 0:11:21 | |
-OK. -OK. -Hurry up, Blues. It's all a question of time. | 0:11:21 | 0:11:25 | |
Whilst over with the Reds, it's the time for questions. | 0:11:25 | 0:11:28 | |
-Whatever is that? -I was going to ask you that. | 0:11:28 | 0:11:30 | |
Marbled Bakelite. That's a patent - 1930. | 0:11:30 | 0:11:34 | |
We can ask! There is someone here who owns that, might know what it is. | 0:11:34 | 0:11:39 | |
-Could I ask you about this? -Yes. -What is that for? | 0:11:39 | 0:11:43 | |
-I think it's for carrying a hot dish - you know, like a Pyrex, in there. -Mm. | 0:11:43 | 0:11:48 | |
Yeah. | 0:11:48 | 0:11:50 | |
It's quite nice Bakelite. | 0:11:50 | 0:11:53 | |
And look - there's an ashtray. | 0:11:53 | 0:11:56 | |
-There's a wool winder. -Ah, really? | 0:11:56 | 0:11:59 | |
-A wool winder? -May I have a look? | 0:11:59 | 0:12:01 | |
Oh, I like that. | 0:12:01 | 0:12:03 | |
It's got the instructions on it, how to use it. | 0:12:03 | 0:12:05 | |
-You know, when the wool was in the hank? -That's working. | 0:12:05 | 0:12:09 | |
You notice this is a Mont Blanc? | 0:12:09 | 0:12:11 | |
-Mont Blanc? -Is that Bakelite, too? -It's Bakelite, yeah. It's an ink bottle. | 0:12:11 | 0:12:17 | |
Oh, look, Jonathan - for your pen. | 0:12:17 | 0:12:21 | |
There's a lot of objects there. | 0:12:21 | 0:12:23 | |
We've got two darning mushrooms, napkin rings... | 0:12:23 | 0:12:26 | |
A wool winder. | 0:12:28 | 0:12:30 | |
All of a sudden, we've got a themed lot | 0:12:30 | 0:12:32 | |
and I'll tell you this much. | 0:12:32 | 0:12:34 | |
-The Bakelite market's all right. -Is it really? | 0:12:34 | 0:12:37 | |
-Is there a bulk discount on this? -Hmm. | 0:12:37 | 0:12:40 | |
£30. | 0:12:40 | 0:12:43 | |
-25? -28. | 0:12:43 | 0:12:44 | |
-What do you think? -I... -Well... | 0:12:44 | 0:12:47 | |
-Sorry. -Jonny, Jonny, help us. | 0:12:47 | 0:12:49 | |
-I think there are quite a few items there for that. -27, then? | 0:12:49 | 0:12:52 | |
I think 28's reasonable. I think 30 is reasonable. | 0:12:52 | 0:12:55 | |
-I think 28 is generous. -She's right. -She's right. | 0:12:55 | 0:12:57 | |
-We're pushing unfairly. -28. -Thank you, very, very much. | 0:12:57 | 0:13:01 | |
I'm quite excited! | 0:13:01 | 0:13:03 | |
Well done indeed, Blues. Two down in 20 minutes and no signs of slowing, either. | 0:13:03 | 0:13:08 | |
What a great experience this is turning out to be. | 0:13:08 | 0:13:12 | |
It's a magic shop. Purchases are flying at us. | 0:13:12 | 0:13:15 | |
Yeah, this is great. | 0:13:15 | 0:13:18 | |
The Blues had great expectations, so what the Dickens is Charles doing about it? | 0:13:20 | 0:13:25 | |
Doesn't that just shimmer? Rubies, seed pearls, | 0:13:25 | 0:13:28 | |
-probably on, what? Nine carat or 15 carat? -Nine carat. -Nine carat. | 0:13:28 | 0:13:33 | |
It will date to around 1880 | 0:13:33 | 0:13:35 | |
but does it speak to you? | 0:13:35 | 0:13:38 | |
It's not something I would buy but I do think it's beautiful. | 0:13:38 | 0:13:42 | |
What's the best price on this brooch? | 0:13:42 | 0:13:43 | |
-My best price would be 180. -I think that's a bit steep. | 0:13:43 | 0:13:46 | |
-HE WHISTLES Do you? -Yeah. -Mm-hm. | 0:13:46 | 0:13:49 | |
-I'm saying... -But what do you think, Charles? | 0:13:49 | 0:13:52 | |
That's it, Cynthia - put him on the spot. | 0:13:52 | 0:13:53 | |
-I like it. -If you think it will make a ginormous profit, | 0:13:53 | 0:14:00 | |
then that's your pick, then it's our turn. | 0:14:00 | 0:14:03 | |
No pressure, then, Charles. | 0:14:03 | 0:14:04 | |
-What do you think of it? -I... I like it. | 0:14:04 | 0:14:07 | |
Cynthia, you're not that convinced, are you, yet? | 0:14:07 | 0:14:10 | |
I'm not 100% sure yet. | 0:14:10 | 0:14:11 | |
-So for the time being we'll say thank you but no thanks. -OK. | 0:14:11 | 0:14:14 | |
Well, team, for the time being, that's 30 minutes gone with nothing bought. | 0:14:15 | 0:14:19 | |
This flapper girl is unflappable. | 0:14:19 | 0:14:22 | |
Now I'm getting anxious because I think he's dithering. | 0:14:22 | 0:14:25 | |
-Why, have you seen anything? -He keeps telling me to look. | 0:14:26 | 0:14:29 | |
Well, you keep telling me to hurry up and... | 0:14:29 | 0:14:31 | |
-Well, OK, well, take your time, then. -Yes, I am. | 0:14:31 | 0:14:34 | |
-That's exactly what I'm doing. -All right. | 0:14:34 | 0:14:37 | |
-Anyway... -You want me to zip the lip? | 0:14:37 | 0:14:38 | |
I think they'll agree to disagree. | 0:14:38 | 0:14:41 | |
-I'll have a look for something now, yes. -OK. | 0:14:41 | 0:14:44 | |
-This is a sure sign, this is a sure sign. -That just sparkles! | 0:14:47 | 0:14:50 | |
-Oh, yes! -Can you see, there's blue ribbons on everything. | 0:14:50 | 0:14:52 | |
-That could be an omen. -It's guiding us home, isn't it? -It is. | 0:14:52 | 0:14:55 | |
-Madam, what's that in your hands? -It's a poodle. | 0:14:55 | 0:14:59 | |
It walks, talks and barks and its eyes flash | 0:14:59 | 0:15:02 | |
-and it sits up and begs. -Really? May we see it in action? | 0:15:02 | 0:15:05 | |
MUSIC: "Carmina Burana" by Orff | 0:15:07 | 0:15:10 | |
YAPPING | 0:15:13 | 0:15:14 | |
May I have a look at it? | 0:15:15 | 0:15:17 | |
-That's probably why it's as good as new. -I know! -It is horrible. | 0:15:20 | 0:15:24 | |
Oh, yeah. It's frightening! It's frightening me. | 0:15:24 | 0:15:28 | |
These sorts of toys, Japanese, early examples like this | 0:15:28 | 0:15:32 | |
-are really quite popular. -Right. | 0:15:32 | 0:15:34 | |
You want to buy them at the right price. | 0:15:34 | 0:15:36 | |
-How much is it? -Exactly. | 0:15:36 | 0:15:38 | |
The best we could do is 55. | 0:15:38 | 0:15:40 | |
In the ideal world, I'd want him for how much? | 0:15:40 | 0:15:43 | |
-Yeah. He said £40. -It's talking Scottish, Charles. | 0:15:43 | 0:15:47 | |
You just didn't hear it properly. It's saying 55. | 0:15:47 | 0:15:50 | |
-That's a shame. -Yeah, that's a bit much. | 0:15:51 | 0:15:54 | |
-Are we near? -Can split the difference? | 0:15:54 | 0:15:56 | |
Oh, I suppose 50. | 0:15:56 | 0:15:58 | |
-You wouldn't go a tiny bit more, would you? -49? | 0:15:58 | 0:16:01 | |
-That is a tiny bit more. -That is a tiny bit more. | 0:16:01 | 0:16:03 | |
-A really tiny bit more. -You did ask for that. | 0:16:03 | 0:16:07 | |
I say we go for Frenchy. Frenchy's on the Blue team. | 0:16:08 | 0:16:11 | |
Is he on our side? | 0:16:11 | 0:16:14 | |
Yeah, we'll take him. He says, "Yes, yes, yes, yes, yes." | 0:16:14 | 0:16:17 | |
-Yes, yes! -We'll take him for £49. -Super! | 0:16:17 | 0:16:19 | |
Blues finally bring their first purchase to heel after 40 minutes | 0:16:19 | 0:16:24 | |
but what is this mysterious figure the Reds have found? | 0:16:24 | 0:16:27 | |
What I think's intriguing about him is that at school, | 0:16:27 | 0:16:30 | |
we had a rather romanticised image of the Pied Piper of Hamelin. | 0:16:30 | 0:16:35 | |
But this is a German figure | 0:16:35 | 0:16:37 | |
-and they have him as a more gruesome, grotesque guy. -I see! | 0:16:37 | 0:16:40 | |
-Erm... -But you couldn't imagine him on your dressing table? | 0:16:40 | 0:16:46 | |
Absolutely not. | 0:16:46 | 0:16:47 | |
LAUGHTER | 0:16:47 | 0:16:49 | |
I've already got something frightening at home. | 0:16:49 | 0:16:52 | |
Jonathan! Really! | 0:16:52 | 0:16:54 | |
Now, it seems that the Blues need a bit of a pep talk. | 0:16:54 | 0:16:57 | |
We can either go for a really quick, fast, furious wander over there... | 0:16:57 | 0:17:01 | |
I like that. I like quick, fast, furious. | 0:17:01 | 0:17:04 | |
Or we can either go back that way and look at the brooch | 0:17:04 | 0:17:08 | |
and take a chance it's going to be there, still. | 0:17:08 | 0:17:11 | |
-Yeah. -That's... My little girl wants that, so... -Ah! | 0:17:13 | 0:17:17 | |
We'll let her have her way on this. | 0:17:17 | 0:17:20 | |
I think, Joanna, you've got great taste. | 0:17:20 | 0:17:21 | |
-Let's go back there. -I think we should. -And pray... -OK. -..it's still there. -OK. | 0:17:21 | 0:17:25 | |
Walking away from an item can be a great bargaining tool. | 0:17:25 | 0:17:29 | |
-I like it. -I like it as well. | 0:17:33 | 0:17:35 | |
I just think that it's a really, really big spend. | 0:17:35 | 0:17:38 | |
You told us 180 but I'm hoping, if you look at these two keen bargain hunters... | 0:17:38 | 0:17:45 | |
When you put it like that, how can I resist? | 0:17:45 | 0:17:47 | |
-160. -So we're not pleading but we are just praying. | 0:17:47 | 0:17:51 | |
You could squeeze me down to 150. | 0:17:51 | 0:17:53 | |
-I think at a squeeze... -I'm going to squeeze you a bit more. | 0:17:54 | 0:17:57 | |
-130. -145. | 0:17:57 | 0:18:00 | |
-140, we'll shake his hand right now. -140? | 0:18:00 | 0:18:03 | |
-140? -Right now. -Thank you so much. Give him a handshake. -Thank you! | 0:18:03 | 0:18:07 | |
-Thank you. Oh, that's lovely. -We're in business. Thank you. | 0:18:07 | 0:18:10 | |
-Thank you very much. -You may have saved our hour. -Yes! | 0:18:10 | 0:18:13 | |
-Whoo-hoo! -And bacon. | 0:18:13 | 0:18:15 | |
The Blues have a fair way to go but how are the Reds doing? | 0:18:15 | 0:18:19 | |
-MAN: -Yeah, certainly. -Thanks very much. | 0:18:19 | 0:18:21 | |
-Jonathan, do you want to come? -Yeah. OK. | 0:18:24 | 0:18:26 | |
-What have you found? -It's a variation on the luckenbooth theme. -Right. | 0:18:26 | 0:18:32 | |
Luckenbooths are a traditional Scottish brooch. | 0:18:32 | 0:18:35 | |
Its key features are a crown surmounting a heart-like device. | 0:18:35 | 0:18:41 | |
-It's in what will be nine-carat gold. -Yeah. | 0:18:41 | 0:18:44 | |
That's a precious medium. Nine times out of ten, they're silver. | 0:18:44 | 0:18:47 | |
Its unusual form appeals, more than that, the quality of the engraving. | 0:18:47 | 0:18:53 | |
Date wise, no-one can be any more precise than 19th century, can they? | 0:18:53 | 0:18:57 | |
I would agree with that. | 0:18:57 | 0:18:59 | |
-I like that. My only question is... -Will people buy it at auction? | 0:18:59 | 0:19:05 | |
He said that without moving his lips. | 0:19:05 | 0:19:07 | |
-Look, the clock's against us. Cut to the chase. -Right. | 0:19:07 | 0:19:09 | |
-At the moment it's 100? -I'll do 90. 90 is the best. -£90. | 0:19:09 | 0:19:14 | |
-Now, listen, honey-bun. -Yes, sweetheart? | 0:19:14 | 0:19:17 | |
-We don't even have eight minutes. -Yes? | 0:19:17 | 0:19:19 | |
-And I have a very bad leg. -Yeah? | 0:19:19 | 0:19:22 | |
I've got a seat round here if you want it. | 0:19:22 | 0:19:24 | |
Yeah but I can't walk round for the seat. | 0:19:24 | 0:19:26 | |
I'll give you a big kiss if you give it to me for 75. | 0:19:26 | 0:19:28 | |
I'll give you a kiss for 80. | 0:19:28 | 0:19:30 | |
Let's not lose it for fiver. Go on - 75. | 0:19:30 | 0:19:32 | |
-I thought you were going to say 85. -They all say that. | 0:19:32 | 0:19:37 | |
-75. -Oh, you're a darling! | 0:19:37 | 0:19:39 | |
I'm going to give you a kiss! Mwah! | 0:19:39 | 0:19:41 | |
-I'm going to give him a kiss. -You're on the wrong side of the table. | 0:19:41 | 0:19:45 | |
-JONATHAN: -Her leg's suddenly recovered. | 0:19:45 | 0:19:47 | |
-Thank you, darling. -That's lovely. Thank you. | 0:19:47 | 0:19:50 | |
There we are. Oh, and it's yours... | 0:19:51 | 0:19:54 | |
It's amazing how your leg recovered when you shot round there to give a kiss. | 0:19:54 | 0:19:58 | |
That's the healing power of a bargain, Jonny. | 0:19:58 | 0:20:00 | |
The Reds pick up their third and final item unaware of the drama in the Blue camp. | 0:20:00 | 0:20:05 | |
Pregnant Joanna had a bit of a turn | 0:20:05 | 0:20:07 | |
but on-site medics gave her the all-clear | 0:20:07 | 0:20:10 | |
and her team-mate, Mum, was there to hold her hand. | 0:20:10 | 0:20:14 | |
Straight away, we decided that Charles should finish the shop | 0:20:14 | 0:20:17 | |
whilst Joanna rested up. | 0:20:17 | 0:20:18 | |
0:20:18 | 0:20:20 | ||
Right, let's not bleat about the bush. Time is up. | 0:20:20 | 0:20:23 | |
Why don't we check out what the Red team bought, eh? | 0:20:23 | 0:20:26 | |
Baa! | 0:20:26 | 0:20:28 | |
They got the silver sweetheart brooch for the darling price of £18. | 0:20:28 | 0:20:33 | |
Next up was the Bakelite bulk-buy bonanza for £28. | 0:20:34 | 0:20:38 | |
And at £75, they're hoping that the luckenbooth brooch | 0:20:39 | 0:20:43 | |
really is their lucky charm. | 0:20:43 | 0:20:45 | |
-In the first 20 minutes... -You are phenomenal, you two. | 0:20:46 | 0:20:49 | |
-Was it good fun, your shopping? -Yes, it was. Very good fun. | 0:20:49 | 0:20:52 | |
I really enjoyed it. | 0:20:52 | 0:20:54 | |
-So how much did you spend all round? -121. | 0:20:54 | 0:20:57 | |
-So I want 179 of leftover lolly. -You do indeed. -Who's got that? | 0:20:57 | 0:21:01 | |
-And I want the four little ones. -There we are. | 0:21:01 | 0:21:04 | |
-And I've got the four little ones. -You've got 'em. -It goes over... | 0:21:04 | 0:21:06 | |
There's a fistful of dough, Paul Laidlaw. | 0:21:06 | 0:21:09 | |
-I do hope you spend the lot. -Be careful! | 0:21:09 | 0:21:12 | |
I shall be, now you've said that. | 0:21:12 | 0:21:14 | |
-He's not only careful, he's canny. -Ah! -Ah! | 0:21:14 | 0:21:18 | |
On that happy note, why don't we check out what the Blue team bought? | 0:21:18 | 0:21:22 | |
At £49, the Blues trotted off with Frenchy, | 0:21:22 | 0:21:26 | |
the remote-controlled poodle. | 0:21:26 | 0:21:28 | |
They returned for the nine-carat gold Victorian star brooch, | 0:21:28 | 0:21:31 | |
paying £140. | 0:21:31 | 0:21:33 | |
Charles took over the shop for their last item, | 0:21:35 | 0:21:37 | |
so let's catch up and see what he bought. | 0:21:37 | 0:21:39 | |
Thank you for the fob chain. It's different, it's a bit novel. | 0:21:39 | 0:21:42 | |
I'm quite happy with it. Thank you so much. Really happy with that. | 0:21:42 | 0:21:46 | |
-Hail, Carlos. -Hello, Tim. -You bought the third item alone. | 0:21:46 | 0:21:49 | |
Tell me what it is, then, Charles. | 0:21:49 | 0:21:50 | |
I've just picked up what I quite like because it's different. | 0:21:50 | 0:21:54 | |
This object I suspect is 1910-ish, early 20th century, | 0:21:54 | 0:21:59 | |
and it reads, "Hipp, hipp, hurrah," and it's a fob chain. | 0:21:59 | 0:22:03 | |
-So that would go with the watch inside your pocket and hang like that. -Exactly. | 0:22:03 | 0:22:07 | |
You see lots of fairly mundane, curb link fob chains. | 0:22:07 | 0:22:10 | |
-This has a bit of a maritime feel. -Yes. | 0:22:10 | 0:22:13 | |
-It cost me £60. -Did it? That's super. | 0:22:13 | 0:22:16 | |
-So overall, with this object, you have spent £249? -Uh-huh. | 0:22:16 | 0:22:21 | |
I would like £51 of leftover lolly, please. | 0:22:21 | 0:22:25 | |
This is an unusual way of going about this. Good. | 0:22:25 | 0:22:28 | |
-Thank you. -That's £51 of leftover lolly. | 0:22:28 | 0:22:31 | |
-So what I do now is I give this to the expert. -Yes. | 0:22:31 | 0:22:34 | |
-There's the £51 of leftover lolly. -Thanks. -OK? There's your 51. | 0:22:34 | 0:22:38 | |
Now, have you any idea what you're going to spend your £51 on? | 0:22:38 | 0:22:41 | |
I just think, Tim, I think with Cynthia's wonderful travels... | 0:22:41 | 0:22:45 | |
She's been everywhere across the States, | 0:22:45 | 0:22:47 | |
her daughter likewise - they love travelling. | 0:22:47 | 0:22:50 | |
So something with a certain, I don't know, feel of... | 0:22:50 | 0:22:54 | |
of giving them some sort of grand tour. | 0:22:54 | 0:22:57 | |
-Maybe a bon voyage. Something to welcome them back at the auction, Tim... -Yes. | 0:22:57 | 0:23:00 | |
..and say, "Hanson, that's amazing. That's going to make a fortune." | 0:23:00 | 0:23:04 | |
Well, Charles, you're a past master at this | 0:23:04 | 0:23:07 | |
and I wish you bon voyage. | 0:23:07 | 0:23:09 | |
Meanwhile, I'm going to have a bit of a poke about this fair | 0:23:09 | 0:23:12 | |
and see what I can come up with. | 0:23:12 | 0:23:15 | |
Rather like our contestants today, | 0:23:21 | 0:23:24 | |
it's perfectly possible to go round a fair like this in Edinburgh | 0:23:24 | 0:23:28 | |
and come up with the most amazing cross-section of nationalities | 0:23:28 | 0:23:33 | |
within a single subject. | 0:23:33 | 0:23:35 | |
So if you take the collectable silver, | 0:23:35 | 0:23:39 | |
what is it possible to find and at what price? | 0:23:39 | 0:23:42 | |
Well, this little box on the end contains | 0:23:42 | 0:23:46 | |
three peppers and three salts. | 0:23:46 | 0:23:48 | |
What attracted me to them was the beautiful way | 0:23:48 | 0:23:51 | |
in which they'd been made, with faceted sides | 0:23:51 | 0:23:55 | |
and then all this planishing. | 0:23:55 | 0:23:57 | |
Now, if these were British hallmarked silver, | 0:23:57 | 0:24:00 | |
they'd have hallmarks - the Americans don't. | 0:24:00 | 0:24:03 | |
What they stamp is "sterling" with the maker's name. | 0:24:03 | 0:24:06 | |
The Webb Company of silversmiths in Philadelphia from the 1950s | 0:24:06 | 0:24:11 | |
were producing high-quality wares. | 0:24:11 | 0:24:13 | |
Next, we skip to two English objects in the middle. | 0:24:13 | 0:24:18 | |
Firstly, a typical, quintessential, indeed, piece | 0:24:18 | 0:24:23 | |
of late Victorian and Edwardian silversmithing. | 0:24:23 | 0:24:27 | |
It's a novelty. If you pick up that flap, it's on a slight spring, | 0:24:27 | 0:24:32 | |
the idea being that this leather-covered block | 0:24:32 | 0:24:36 | |
would sit on your smart late Victorian or Edwardian desk | 0:24:36 | 0:24:40 | |
and you'd put notes, clipped in this way, on the desk | 0:24:40 | 0:24:45 | |
to remind you to do something. | 0:24:45 | 0:24:47 | |
Look at the top, there, you make out the pukka British hallmark. | 0:24:47 | 0:24:51 | |
It's for Birmingham and it's about 1898. | 0:24:51 | 0:24:54 | |
Next door is a seriously queer-looking spoon. | 0:24:54 | 0:24:58 | |
It's got no marks on it. | 0:24:58 | 0:25:00 | |
It's actually designed, probably, by Dr Christopher Dresser | 0:25:00 | 0:25:05 | |
and is much sought-after as a result. | 0:25:05 | 0:25:08 | |
And next door to that is the Scottish bit. | 0:25:08 | 0:25:12 | |
These three spoons are all made out of delaminated cow horn | 0:25:12 | 0:25:17 | |
that's then been heated and shaped and trimmed, | 0:25:17 | 0:25:21 | |
so as to form the bowl and the stem. | 0:25:21 | 0:25:24 | |
Each of them has got a little shield. | 0:25:24 | 0:25:27 | |
Each of them has a silver terminal. | 0:25:27 | 0:25:29 | |
So what would you pay | 0:25:29 | 0:25:31 | |
for six American, planished silver cruets like this? | 0:25:31 | 0:25:36 | |
Well, here, in Scotland, in this fair, today, | 0:25:36 | 0:25:40 | |
they would cost you £60. | 0:25:40 | 0:25:43 | |
That's not expensive. | 0:25:43 | 0:25:44 | |
The little clip, when that is refurbished | 0:25:44 | 0:25:48 | |
and finished and done and dusted, | 0:25:48 | 0:25:50 | |
will be in a smart shop, at least £200-£250 worth. | 0:25:50 | 0:25:57 | |
Here in its rough, original condition | 0:25:57 | 0:26:01 | |
but not difficult to restore, it could be yours for £45. | 0:26:01 | 0:26:04 | |
The designer spoon, well, it hasn't been recognised for what it is. | 0:26:06 | 0:26:10 | |
A Dresser plated spoon like this, unmarked, is worth about £80-£120. | 0:26:10 | 0:26:17 | |
Here it could be yours for £35. | 0:26:17 | 0:26:21 | |
And next door, the group of three Scottish spoons | 0:26:21 | 0:26:24 | |
are perhaps the best bargain of all | 0:26:24 | 0:26:27 | |
because the group of three are yours for £15 - £5 each. | 0:26:27 | 0:26:33 | |
Now that really is something to beef about. | 0:26:33 | 0:26:37 | |
Huh! Right, let's hot-foot it over to the saleroom. | 0:26:37 | 0:26:40 | |
60, 70, 80, | 0:26:42 | 0:26:45 | |
90... | 0:26:45 | 0:26:47 | |
Guess what? It's Anita Manning at Great Western Auctions. | 0:26:47 | 0:26:51 | |
-What a treat. Hello, Anita. -Welcome to Glasgow again, Tim. | 0:26:51 | 0:26:55 | |
Thank you very much. And the good news on our show today is | 0:26:55 | 0:26:58 | |
that Joanna from the Blues is able to join us. | 0:26:58 | 0:27:01 | |
-Ah, wonderful! -Which is good news. | 0:27:01 | 0:27:02 | |
Anyway, for the Reds we've got a mixture. | 0:27:02 | 0:27:05 | |
First up, the sweetheart brooch. Does that pull your heart strings? | 0:27:05 | 0:27:09 | |
I think it's a lovely wee thing. | 0:27:09 | 0:27:12 | |
It's showing the 1914 campaign medal ribbon | 0:27:12 | 0:27:16 | |
and that's just that wee bit different | 0:27:16 | 0:27:19 | |
and I think that it's very, very sweet indeed. | 0:27:19 | 0:27:22 | |
-What's it worth? -I've estimated it at £30-£50. | 0:27:22 | 0:27:25 | |
I might have been a wee bit generous | 0:27:25 | 0:27:27 | |
but I think that it's just absolutely gorgeous. | 0:27:27 | 0:27:30 | |
It's a good estimate for us. £18 paid. That's brilliant. | 0:27:30 | 0:27:33 | |
Now, an assorted collection of Bakelite. | 0:27:33 | 0:27:36 | |
The coloured Bakelite is particularly collectable, | 0:27:36 | 0:27:40 | |
so I quite that - a good wee selection there. | 0:27:40 | 0:27:42 | |
-40 to 80. -OK, £28 paid. We're on a roll here, I tell you. | 0:27:42 | 0:27:47 | |
And lastly, what about the luckenbooth brooch pendant? | 0:27:47 | 0:27:51 | |
Well, that's lovely. It's in nine-carat gold | 0:27:51 | 0:27:54 | |
and it is quite substantial. | 0:27:54 | 0:27:56 | |
And a luckenbooth brooch was a love token, | 0:27:56 | 0:28:00 | |
so it has romantic associations | 0:28:00 | 0:28:03 | |
and I think my buyers will like that. | 0:28:03 | 0:28:05 | |
-So what's it worth, Anita? -£50-£80. | 0:28:05 | 0:28:07 | |
OK, they paid £75 but I think we can rely on you to whip up some enthusiasm here, Anita. | 0:28:07 | 0:28:13 | |
Thank you very much. | 0:28:13 | 0:28:15 | |
In the meanwhile, though, let's trot off and have a quick look at the bonus buy. | 0:28:15 | 0:28:18 | |
OK, Mags and J, you gave the man £179, | 0:28:19 | 0:28:22 | |
a small fortune by anybody's standards | 0:28:22 | 0:28:24 | |
and how much of the small fortune did you spend, Paul? | 0:28:24 | 0:28:28 | |
Not a lot, Tim. But look what I got for my money. | 0:28:28 | 0:28:31 | |
-Look at those little oddities! -Oh! | 0:28:31 | 0:28:34 | |
-What do you think they might be? -Oh, heavens above, they're feet. | 0:28:34 | 0:28:38 | |
Well, they would adorn the feet. | 0:28:39 | 0:28:41 | |
-Those are... -Japanese thingummyjiggies. | 0:28:41 | 0:28:45 | |
-Getas. -I knew they were. -Sandals. Stilted sandals. | 0:28:45 | 0:28:49 | |
Obviously not full size. They're not for a child. | 0:28:49 | 0:28:54 | |
These are miniature hand-carved getas. | 0:28:54 | 0:28:58 | |
They're worn to elevate one above the dirt and the soil | 0:28:58 | 0:29:02 | |
and your fine robes don't get dirty - that's what they do. | 0:29:02 | 0:29:04 | |
And they're still worn today. | 0:29:04 | 0:29:06 | |
These miniatures, I think, looking at the patina, | 0:29:06 | 0:29:10 | |
they're definitely 19th-century specimens. | 0:29:10 | 0:29:12 | |
Who made them and why is the question | 0:29:12 | 0:29:14 | |
-and I've a theory. -Go on, then. | 0:29:14 | 0:29:17 | |
It's not out the question that a sailor sat and turned and carved those in his spare time. | 0:29:17 | 0:29:22 | |
But it is a variety of Japanese flip-flop, isn't it? | 0:29:22 | 0:29:25 | |
-Yes, it is. And how much did you pay for them? -I paid £20 for them. | 0:29:25 | 0:29:30 | |
-What will you get for them? -I don't think they'll fall on stony ground. | 0:29:30 | 0:29:33 | |
-Someone will stump up £30 or £40 for those. -So we'll not trip up on them. | 0:29:33 | 0:29:37 | |
Sorry. | 0:29:37 | 0:29:39 | |
Paul Laidlaw is not known for a flip, nor is he known for a flop | 0:29:39 | 0:29:44 | |
and therefore, right now, why don't we found out | 0:29:44 | 0:29:47 | |
whether Anita Manning sees them as a flip or a flop? | 0:29:47 | 0:29:51 | |
There we go, Anita. There's a nice little Japanese flip-flop for you. | 0:29:51 | 0:29:55 | |
-Ah! Miniature things always make me go, "Ah!" -Don't they? | 0:29:56 | 0:30:00 | |
These are very sweet. | 0:30:00 | 0:30:02 | |
I particularly like this little turned toe peg. | 0:30:02 | 0:30:07 | |
-Yeah. -And a little ebony inset in the shape of a heart. | 0:30:07 | 0:30:12 | |
Yeah. I think the heart is a Western motif, isn't it? | 0:30:12 | 0:30:15 | |
-So the Japanese that did this did it for the tourist market. -Yeah. | 0:30:15 | 0:30:18 | |
-They're certainly oddball. What are they worth? -20 to 40 | 0:30:18 | 0:30:21 | |
-but it's very difficult to say. -Yes, of course it is. | 0:30:21 | 0:30:24 | |
Laidlaw paid £20. | 0:30:24 | 0:30:26 | |
Next, the Blues and their first item is the Japanese remote... | 0:30:26 | 0:30:30 | |
-Oh, God. -And the eyes light up! -Yeah, I know. | 0:30:30 | 0:30:33 | |
I think that's what upset Joanna, you know, and gave her a queer turn. | 0:30:33 | 0:30:38 | |
-Yeah. -It's such good fun, it's such good fun. -Good. | 0:30:38 | 0:30:41 | |
-What's it worth? -I put £20-£40 on it but it could do more. | 0:30:41 | 0:30:45 | |
-We do have the original box. -They paid £49. | 0:30:45 | 0:30:49 | |
Next up is the Victorian seed pearl and gem-encrusted gold star. | 0:30:49 | 0:30:54 | |
This is quite a substantial item. | 0:30:54 | 0:30:58 | |
Good weight again and we do have rubies. | 0:30:58 | 0:31:01 | |
This type of starburst brooch was very, very popular, | 0:31:01 | 0:31:04 | |
-so it's quite a good thing. -Good. | 0:31:04 | 0:31:07 | |
Money wise, it's a fairly standard piece of Victorian jewellery, | 0:31:07 | 0:31:11 | |
so you can't expect spectacular results | 0:31:11 | 0:31:13 | |
-but what do you think it'll bring? -£100-£150. -OK. | 0:31:13 | 0:31:16 | |
£140 they paid. That could be a bit of a problem. | 0:31:16 | 0:31:19 | |
Anyway, Joanna, sadly, then had to leave the shopping | 0:31:19 | 0:31:22 | |
and Charles brassed off on his own and bought the watch chain. | 0:31:22 | 0:31:26 | |
-What do you think about that? -I love this. | 0:31:26 | 0:31:29 | |
I think that it's a wonderful little item. | 0:31:29 | 0:31:32 | |
I thought is it something that a cox should wear in a boat? | 0:31:32 | 0:31:37 | |
-Because he would be counting strokes per minute. -Could be. | 0:31:37 | 0:31:41 | |
-That's a very good idea. -It's just a guess, really. | 0:31:41 | 0:31:44 | |
I think it's a very sensible guess. So what is your estimate, Anita? | 0:31:44 | 0:31:48 | |
-Estimate, £60-£80. -OK, fine. | 0:31:48 | 0:31:50 | |
Well, we need to find out from Joanna and her mother | 0:31:50 | 0:31:53 | |
whether they think that that was £60 spent by Charles wisely | 0:31:53 | 0:31:58 | |
and also, what they think about the bonus buy. Thank you, Anita. | 0:31:58 | 0:32:02 | |
Well, Cynthia, Joanna - how are you, darling? | 0:32:03 | 0:32:06 | |
-Feeling great, thank you very much. -Welcome back. | 0:32:06 | 0:32:09 | |
Because you disappeared and Charles went off to buy the third item | 0:32:09 | 0:32:13 | |
and the third item that Charles bought you, | 0:32:13 | 0:32:15 | |
which you haven't seen until today, is this little chap. | 0:32:15 | 0:32:19 | |
-Ah! -Which is, Charles? -It's just a very unusual fob chain. | 0:32:19 | 0:32:24 | |
-We think it's American. -Really? -Yeah. | 0:32:24 | 0:32:26 | |
-So we've got a wee boy in a boat here. -Absolutely. | 0:32:26 | 0:32:29 | |
And then we've got a motto, haven't we, Charles? | 0:32:29 | 0:32:31 | |
I thought, you're coming back, so I can now say, "Hipp, hipp, hurrah." | 0:32:31 | 0:32:34 | |
-And that's what it says on there. -Ah! -Oh, brilliant. | 0:32:34 | 0:32:37 | |
-I really like that. -You really like it? -I like that a lot. | 0:32:37 | 0:32:40 | |
-Had you been here, you would have supported Charles in that purchase? -Absolutely. -Good. | 0:32:40 | 0:32:45 | |
-Anyway, Charles, on your behalf, spent £60 on it. -I did. -Very good. | 0:32:45 | 0:32:49 | |
How much do you think that'll make? | 0:32:49 | 0:32:50 | |
I like it. I think it's worth between, probably, £70 and £100. | 0:32:50 | 0:32:54 | |
-Oh, well, that's all right, then. -OK. | 0:32:54 | 0:32:56 | |
So I'm going to pocket that one and that is your third item, | 0:32:56 | 0:32:59 | |
-which means that in total, you spent £249. -OK. | 0:32:59 | 0:33:03 | |
And you weren't here, so I gave Charles £51 of leftover lolly | 0:33:03 | 0:33:07 | |
and Charles is going to show you now what he spent the £51 on. | 0:33:07 | 0:33:09 | |
I like to scrape the barrel and I couldn't quite spend all of it, | 0:33:09 | 0:33:13 | |
so I spent £30 and it was a case of bon voyage but you're back. | 0:33:13 | 0:33:17 | |
And I thought, you're a global jet-setter | 0:33:17 | 0:33:20 | |
and you might like that. | 0:33:20 | 0:33:22 | |
I do. I love that. | 0:33:22 | 0:33:24 | |
It's novel, it's neat and being good-looking ladies, | 0:33:24 | 0:33:29 | |
you need to keep yourselves up and coming | 0:33:29 | 0:33:32 | |
and it's a mirrored compact | 0:33:32 | 0:33:34 | |
with, you know, your little make-up pack under there as well. | 0:33:34 | 0:33:37 | |
-Bon voyage. -How old is it? -Probably, looking at the case, | 0:33:37 | 0:33:41 | |
looking at the style, it's novel, maybe 1940s, '50s. | 0:33:41 | 0:33:44 | |
-Ah! -And it's just a sweet little thing but it's a jet-setting object. | 0:33:44 | 0:33:48 | |
-I absolutely love it. -And how much do you think...? | 0:33:48 | 0:33:52 | |
It's gilt metal. It cost me £30. | 0:33:52 | 0:33:54 | |
And I think probably in a sale, it ought to make, for its novelty value, | 0:33:54 | 0:33:58 | |
between £40-£60 happily all day long. | 0:33:58 | 0:34:01 | |
I would pay that for it. I love it. I absolutely love it. | 0:34:01 | 0:34:04 | |
-And well thought through, Charles. -Thanks, Tim. -Good job! -Thank you. | 0:34:04 | 0:34:08 | |
OK, girls, stand by because for the viewers at home, | 0:34:08 | 0:34:10 | |
we're going to show Anita Charles's little compact. | 0:34:10 | 0:34:13 | |
-Little something for the weekend, Anita. -Ah, yes. | 0:34:14 | 0:34:17 | |
-There's your suitcase. -A lovely little compact from the 1950s. | 0:34:17 | 0:34:22 | |
In the 1950s, every girl had a compact | 0:34:22 | 0:34:25 | |
and used powder | 0:34:25 | 0:34:26 | |
and this is a particularly nice, quality one. | 0:34:26 | 0:34:29 | |
I like the fact that it's a little suitcase. A lovely little thing. | 0:34:29 | 0:34:33 | |
If we open it up, we can see that it has been made by Kigu. | 0:34:33 | 0:34:37 | |
Now, these were a Hungarian-based company | 0:34:37 | 0:34:40 | |
and they made a quality product, they made good compacts, | 0:34:40 | 0:34:45 | |
so Charles, despite the fact that he's a bloke... | 0:34:45 | 0:34:48 | |
Clearly he's in touch with his feminine side. | 0:34:48 | 0:34:51 | |
-Is that right? -He's chosen a good-quality compact. | 0:34:51 | 0:34:54 | |
You've got the box, you've got the outer cover, | 0:34:54 | 0:34:56 | |
-it's in great condition and not used much, I guess. -Yeah. | 0:34:56 | 0:34:59 | |
So what would a wee girlie pay for something like that? | 0:34:59 | 0:35:02 | |
Well, hopefully in today's market between £30 and £50. | 0:35:02 | 0:35:05 | |
He's no fool, that Charles, is he? £30 he paid, | 0:35:05 | 0:35:09 | |
so let's hope that the team go with it. | 0:35:09 | 0:35:11 | |
-And you're on the rostrum today? -I am. -We're in safe hands. | 0:35:11 | 0:35:14 | |
-Now, Jonathan and Margaret, this is the exciting moment. -It is. | 0:35:22 | 0:35:26 | |
First up is the sweetheart brooch. She reckons it could make £30-£50. | 0:35:26 | 0:35:29 | |
And here it comes. | 0:35:29 | 0:35:31 | |
That's a lovely wee thing. It's beautiful, absolutely beautiful. | 0:35:31 | 0:35:34 | |
£50. Straight in there at £50. | 0:35:34 | 0:35:38 | |
Any advance on 50? 60, 70, 80, 90. | 0:35:38 | 0:35:43 | |
-£90! -£90. Any advance on £90? All done at £90. £90. | 0:35:43 | 0:35:49 | |
-Yes! That is so good. £90. -Clever girl. | 0:35:49 | 0:35:52 | |
That's £72. | 0:35:52 | 0:35:55 | |
Plus £72 straight up. Look out. Now Bakelite. | 0:35:55 | 0:35:59 | |
I can start the bidding at £20 for all the Bakelite. | 0:35:59 | 0:36:04 | |
Any advance on 20? 30, 40 with me. | 0:36:04 | 0:36:07 | |
50. I'm out. It's on the floor at 50. | 0:36:07 | 0:36:10 | |
60. | 0:36:10 | 0:36:12 | |
60 at the back. With the gentleman at £60. | 0:36:12 | 0:36:15 | |
-Any advance on 60? -£60! | 0:36:15 | 0:36:17 | |
All done at £60? £60. | 0:36:17 | 0:36:20 | |
60. That's two off 30, so that is plus 32. | 0:36:20 | 0:36:24 | |
You are plus 104. | 0:36:24 | 0:36:26 | |
-Wow! -Just like that. | 0:36:26 | 0:36:28 | |
-Wait, wait. -Now, we've got the brooch. | 0:36:28 | 0:36:30 | |
Traditionally given to lovers, ladies and gentlemen. | 0:36:31 | 0:36:35 | |
Start me at £50. | 0:36:36 | 0:36:37 | |
£50 for the nine-carat luckenbooth. £50. | 0:36:37 | 0:36:41 | |
My left hand will start at 50. | 0:36:42 | 0:36:45 | |
Three bids on the books. | 0:36:45 | 0:36:46 | |
-60, 70, 80. -Ooh! | 0:36:46 | 0:36:51 | |
-80 with me. -You're in profit with that. | 0:36:51 | 0:36:53 | |
90 on the floor. | 0:36:53 | 0:36:55 | |
I have £100 on the books. | 0:36:55 | 0:36:57 | |
Any advance on 100? All done at 100. 100... | 0:36:57 | 0:37:02 | |
-You are plus 25. -Yes! | 0:37:02 | 0:37:04 | |
You are plus 129. | 0:37:04 | 0:37:07 | |
I think the drinks are on you. | 0:37:07 | 0:37:09 | |
-We spent £121... -You spent 121 and you just made £129 profit. | 0:37:09 | 0:37:14 | |
-Yes! -But, but, but, but, but, there's something else, isn't there? | 0:37:14 | 0:37:19 | |
-Yeah but are you going to go with it? -What do you think? -You don't have to. | 0:37:19 | 0:37:22 | |
-I know but... -You've got all that cash in the bank. | 0:37:22 | 0:37:24 | |
-I know but... -Do you want to risk it? | 0:37:24 | 0:37:26 | |
-Go on, then! -Is that what you're going to do? | 0:37:26 | 0:37:28 | |
-Yes! -Are you going to refer to the husband or not? -No, not at all. | 0:37:28 | 0:37:31 | |
She never has yet. Why would she start now? | 0:37:31 | 0:37:34 | |
-Anyway, here it comes. -Two bids on the books. | 0:37:34 | 0:37:36 | |
I can come straight in here at 20. On the books at 20. | 0:37:36 | 0:37:40 | |
Any advance on £20? | 0:37:40 | 0:37:42 | |
-25 with Anna. With Anna at 25. -Well done. You clever chap. | 0:37:42 | 0:37:46 | |
Any advance on 25? 25... | 0:37:46 | 0:37:49 | |
Plus £5 means that is 134. Plus 134. | 0:37:49 | 0:37:55 | |
-Oh! -Plus 134. Isn't that amazing? -Thank you, thank you, thank you. | 0:37:55 | 0:37:58 | |
If there are any horses running, Margaret should put it on. | 0:37:58 | 0:38:01 | |
-She's on a winning streak here, isn't she? -Yes. | 0:38:01 | 0:38:03 | |
-It's like going to the races, isn't it? -Yes, it is. | 0:38:03 | 0:38:07 | |
-Don't say a word to the Blues, all right? -Of course not. | 0:38:07 | 0:38:09 | |
-Look gloomy. -We'll try. | 0:38:09 | 0:38:11 | |
-So do you know how the Reds got on? -No. -You don't? -Not at all. | 0:38:18 | 0:38:21 | |
-Did they look gloomy? -Yes, they did. -They looked gloomy? | 0:38:21 | 0:38:25 | |
They did look quite depressed. | 0:38:25 | 0:38:26 | |
-Now, listen, your remote-controlled toy, Frenchy. -Yes! | 0:38:26 | 0:38:30 | |
£49 you paid for that. Anita didn't like it much. | 0:38:30 | 0:38:34 | |
-She's put £20-£40 on it. Here it comes. -Good luck, team. | 0:38:34 | 0:38:37 | |
Start me at £50 for Frenchy. | 0:38:37 | 0:38:39 | |
Start me at £50. | 0:38:39 | 0:38:41 | |
£50? £30, then. | 0:38:41 | 0:38:44 | |
£30. 30 bid. 40. I'll take five again. | 0:38:44 | 0:38:48 | |
-45? -One more. | 0:38:48 | 0:38:50 | |
-Any advance on 45? -Come on. | 0:38:50 | 0:38:53 | |
Any advance on 45? | 0:38:53 | 0:38:55 | |
-50. -We got it! -60. -You're in profit. | 0:38:55 | 0:38:59 | |
Any advance on £60? All done at £60? £60... | 0:38:59 | 0:39:04 | |
-Yes! -Yeah! | 0:39:04 | 0:39:06 | |
That is plus £11. Nothing the matter with that. | 0:39:06 | 0:39:09 | |
Well done. | 0:39:09 | 0:39:10 | |
Mother's very happy. Now the star brooch. | 0:39:10 | 0:39:14 | |
Start me at £100. Start me at 100. 100 bid. | 0:39:14 | 0:39:18 | |
-110 on the phone. -Come on, come on. There's a phone bid. | 0:39:19 | 0:39:22 | |
-130, 140. -Come on. | 0:39:22 | 0:39:24 | |
-Yes! -150. -You're in profit. | 0:39:24 | 0:39:26 | |
-150. -Come on. One more. | 0:39:26 | 0:39:29 | |
-160. -One more. -You're in profit. 160. That's good. | 0:39:29 | 0:39:32 | |
-170. -Come on. -170 on the phone. | 0:39:32 | 0:39:36 | |
Any advance on 170? All done at 170? 170... | 0:39:36 | 0:39:41 | |
-GAVEL BANGS Yes! -Yes! -That's £30 up. | 0:39:41 | 0:39:42 | |
-Well done. Well done. -You are plus 30 up. | 0:39:42 | 0:39:45 | |
Good. | 0:39:45 | 0:39:46 | |
-Now, Charles, your investment for the girls. -Yes! | 0:39:46 | 0:39:49 | |
One of my favourite lots here. It's of rowing interest. | 0:39:49 | 0:39:52 | |
Could be American. Will you start me at £50? | 0:39:52 | 0:39:55 | |
50 bid. 60, 70. | 0:39:55 | 0:39:58 | |
-80? £80. -Come on. -A most unusual item. | 0:39:58 | 0:40:02 | |
At £80. Any advance on £80? £80... | 0:40:02 | 0:40:06 | |
-Yes! Well done. -Hipp, hipp, hurrah! Plus 20. -Well done. -Yes! | 0:40:07 | 0:40:10 | |
-Hipp, hipp! Hurrah! -Yes, hipp, hipp, hurrah. | 0:40:10 | 0:40:15 | |
You are now 50, 61... Plus 61, yes? | 0:40:15 | 0:40:18 | |
Now, what are you going to do about this compact? | 0:40:18 | 0:40:20 | |
-Are you going to go with it? -We're going for it. -You're going to do it? | 0:40:20 | 0:40:23 | |
-I think so. -Absolutely. He hasn't let us down so far, so... | 0:40:23 | 0:40:26 | |
-No. Well, there you go. That's it, then, is it? -Absolutely. | 0:40:26 | 0:40:30 | |
Team decision, you're going with the bonus buy, so here it comes. | 0:40:30 | 0:40:33 | |
So this is a Kigu one, highly collectable. | 0:40:33 | 0:40:36 | |
-Start me at £20. 20 bid. -Come on. -Any advance on 20? | 0:40:36 | 0:40:40 | |
30. The lady at 30. | 0:40:40 | 0:40:42 | |
Any advance on £30? | 0:40:42 | 0:40:45 | |
All done at £30. £30... | 0:40:45 | 0:40:47 | |
So, girls, you're plus £61. That is a splendid result. | 0:40:48 | 0:40:51 | |
You made a profit on the first three items. | 0:40:51 | 0:40:53 | |
Don't say a word to the Reds because this could be a winning score. | 0:40:53 | 0:40:56 | |
-Everybody happy? -Yes. -As you jolly well ought to be | 0:41:03 | 0:41:07 | |
because we have winners on this programme but we don't have losers any more. | 0:41:07 | 0:41:11 | |
We've only ever had winners and runners-up | 0:41:11 | 0:41:14 | |
and the runners-up today, who've done extraordinarily well, nevertheless, are | 0:41:14 | 0:41:19 | |
-the Blues. -Oh! -Oh! -Shame! | 0:41:19 | 0:41:23 | |
The Blues have managed to become runners-up by only making £61 profit. | 0:41:23 | 0:41:29 | |
-That is great. -I'm going to give you the £61. | 0:41:29 | 0:41:32 | |
-And also, you get to get the Golden Gavel... -Yay! -Well done. | 0:41:32 | 0:41:36 | |
..because you made a profit on all three items. | 0:41:36 | 0:41:39 | |
-And here... -Wow. -..are your Golden Gavels. | 0:41:41 | 0:41:43 | |
-So take it... -Thank you. -..revel in it, enjoy it, | 0:41:43 | 0:41:48 | |
-put it with your collection, Charles. -I will, Tim. | 0:41:48 | 0:41:51 | |
-It's my ninth one. Thank you very much. -Oh, well! | 0:41:51 | 0:41:53 | |
-So you've done well. Did you enjoy it? -Yes. -It's been brilliant. | 0:41:53 | 0:41:57 | |
-We had a great time. -Thank you. -And good luck with the baby. -Oh, yes. | 0:41:57 | 0:42:00 | |
Are you going to call it Bargain or Hunt? | 0:42:00 | 0:42:02 | |
-Hunter. -Hunter, that's what you're going to call it. | 0:42:03 | 0:42:05 | |
Anyway, Bargain Hunter or whatever, congratulations. | 0:42:05 | 0:42:08 | |
You've been a great team. | 0:42:08 | 0:42:09 | |
But the victors today are also going to get a Golden Gavel. | 0:42:09 | 0:42:13 | |
This is a double whammy of Golden Gavels, so take that. | 0:42:13 | 0:42:15 | |
-APPLAUSE -Thank you. -Take that. | 0:42:15 | 0:42:17 | |
You're going home with almost double the cash that the others made. | 0:42:17 | 0:42:21 | |
-You're going home with £134. -Whoa! | 0:42:21 | 0:42:24 | |
-That is a number, isn't it? -Very nice. Thank you. | 0:42:24 | 0:42:27 | |
£72 of profit on that star ribbon brooch. | 0:42:27 | 0:42:32 | |
Won't we all be looking out for one of those for £18? | 0:42:32 | 0:42:35 | |
We've really learned something today, Paul. | 0:42:35 | 0:42:38 | |
You get £32 from the Bakelite, which is handsome. | 0:42:38 | 0:42:41 | |
£25 from the luckenbooth | 0:42:41 | 0:42:43 | |
and you top it up with a fiver off the flip-flops. | 0:42:43 | 0:42:46 | |
-I mean, variety, fun... -Absolutely. | 0:42:46 | 0:42:50 | |
-..excellent teams, huge profits... -Yay! | 0:42:50 | 0:42:54 | |
..Golden Gavels, what more could we ask for? | 0:42:54 | 0:42:56 | |
In fact, so lovely, join us soon for some more bargain hunting, yes? | 0:42:56 | 0:43:00 | |
Yes! | 0:43:00 | 0:43:01 | |
I know, you're sitting there thinking, "I could've done better than that." | 0:43:01 | 0:43:05 | |
Well, what's stopping you? | 0:43:05 | 0:43:08 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:08 | 0:43:12 | |
It would be splendid to see you! | 0:43:12 | 0:43:14 | |
Subtitles by Red Bee Media Ltd | 0:43:18 | 0:43:20 |