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Without rhyme or reason, | 0:00:06 | 0:00:08 | |
we had to fly | 0:00:08 | 0:00:10 | |
to a fair at Ardingly. | 0:00:10 | 0:00:13 | |
Who writes this stuff? Let's go bargain hunting! Yeah! | 0:00:13 | 0:00:17 | |
We've come back to West Sussex, | 0:00:40 | 0:00:43 | |
to Ardingly, | 0:00:43 | 0:00:44 | |
the largest international antiques fair in the south of England. | 0:00:44 | 0:00:48 | |
There are some 2,000 stalls here for our teams to leg it round, | 0:00:48 | 0:00:53 | |
so they'd better get a wiggle on! | 0:00:53 | 0:00:54 | |
After all, it's the early bird that catches the worm! | 0:00:54 | 0:00:59 | |
'We're off! The Reds hope to race to the finish with their winnings.' | 0:01:00 | 0:01:04 | |
-I could see that fetching 30, 40 quid at auction. -You do. | 0:01:04 | 0:01:07 | |
I know you'll want me to eat my words when it doesn't! | 0:01:07 | 0:01:10 | |
'He would say that, wouldn't he? The Blues pitched the antiques that could fit the bill.' | 0:01:10 | 0:01:15 | |
They're really striking, bold. | 0:01:15 | 0:01:17 | |
They stand out, they shout at you. | 0:01:17 | 0:01:20 | |
'All of that to come. But first, let's meet the teams.' | 0:01:20 | 0:01:24 | |
Today on the teams, | 0:01:25 | 0:01:27 | |
we have for the Reds partners Ben and Lucy, | 0:01:27 | 0:01:31 | |
and good friends for the Blues, Bob and Mary. | 0:01:31 | 0:01:35 | |
-Hello, everyone. -ALL: Hello! -Lovely to see you. | 0:01:35 | 0:01:37 | |
Lucy, I understand we have to thank Ben | 0:01:37 | 0:01:41 | |
for your remaining in the UK. | 0:01:41 | 0:01:44 | |
How did that all come about? | 0:01:44 | 0:01:46 | |
After university, I got an internship in New York, | 0:01:46 | 0:01:49 | |
and then I came back for six months because my visa ran out, | 0:01:49 | 0:01:52 | |
and in the six months, I met Ben. | 0:01:52 | 0:01:54 | |
-I was meant to go back for three years... -And you never went. -I never went. | 0:01:54 | 0:01:57 | |
Aww! Isn't that sweet? | 0:01:57 | 0:02:00 | |
-No regrets? -No. -No! | 0:02:00 | 0:02:03 | |
-Not yet. -Not yet. -How sweet! | 0:02:03 | 0:02:05 | |
-So, you're a very creative girl? -Yes. | 0:02:05 | 0:02:07 | |
I am a print designer. I design handbags and giftware. | 0:02:07 | 0:02:12 | |
What particular pleasures are there in your job? | 0:02:12 | 0:02:15 | |
-It's definitely got to be when you see it in the shops. -I bet it is. | 0:02:15 | 0:02:18 | |
Ben, I understand I should consult you about my bad back, | 0:02:18 | 0:02:22 | |
except I haven't got one at the moment. | 0:02:22 | 0:02:24 | |
If you did have a bad back, you could come and see me. I'm a physiotherapist. | 0:02:24 | 0:02:28 | |
I specialise now in musculoskeletal problems, | 0:02:28 | 0:02:31 | |
so any muscle joint, nerve... | 0:02:31 | 0:02:33 | |
You'd come to me with back ache, arthritic pain... | 0:02:33 | 0:02:36 | |
-Sports injuries. -Sports injuries. | 0:02:36 | 0:02:38 | |
-If you're an athlete like me, it is a problem. -Absolutely. | 0:02:38 | 0:02:41 | |
-So you name it, in theory, I can fix it. -That's good fun. | 0:02:41 | 0:02:45 | |
-You're into sports yourself. -I am. I'm into quite a lot of sports. | 0:02:45 | 0:02:49 | |
I try and keep fit, do a bit of running. | 0:02:49 | 0:02:51 | |
I've done a few half-marathons. I like playing tennis. | 0:02:51 | 0:02:54 | |
I probably don't practise as much as I preach! | 0:02:54 | 0:02:57 | |
So it seems to me, as a team, you've got the agility, | 0:02:57 | 0:03:01 | |
-you've got the style and design. -That's it. | 0:03:01 | 0:03:04 | |
That's what we like to see. We wish you very good luck with your quest. | 0:03:04 | 0:03:09 | |
Now, moving on to the Blues. | 0:03:09 | 0:03:11 | |
Bob, it was your company that you have to thank for finding Mary. | 0:03:11 | 0:03:15 | |
Yes, it was. We worked for rival companies, | 0:03:15 | 0:03:18 | |
but we both ended up at the same conference. | 0:03:18 | 0:03:21 | |
Over lunch, etcetera, got chatting | 0:03:21 | 0:03:24 | |
and we thought, "Gosh, Mary's a good thing. Perhaps she ought to join us." | 0:03:24 | 0:03:27 | |
-Ah, right! -So we half-inched her, basically! | 0:03:27 | 0:03:30 | |
-You're a head-hunter. -Indeed. -Gosh! -I know. | 0:03:30 | 0:03:33 | |
And out of work, you do a bit of singing. | 0:03:33 | 0:03:36 | |
I'm a true Welshman, so two things in life - rugby and singing. | 0:03:36 | 0:03:40 | |
-Yes. -Rugby when I was much younger and the knocks didn't hurt quite so much. | 0:03:40 | 0:03:45 | |
As soon as they did start hurting, I began singing again. | 0:03:45 | 0:03:48 | |
Mary, you work as a career coach. | 0:03:48 | 0:03:51 | |
I do. I left head-hunting because I had to commute | 0:03:51 | 0:03:54 | |
and I'm absolutely rubbish at getting up in the mornings. | 0:03:54 | 0:03:57 | |
So I now work from home, often in my pyjamas. | 0:03:57 | 0:04:01 | |
-Lovely! -I work with people who want to develop their careers, | 0:04:01 | 0:04:04 | |
either by getting a new job or getting promoted, | 0:04:04 | 0:04:07 | |
-or just getting through a tricky patch. -Very useful. | 0:04:07 | 0:04:10 | |
Now, you have this cutting-edge form of employment, | 0:04:10 | 0:04:13 | |
but you live in a very traditional home. | 0:04:13 | 0:04:15 | |
I grew up in a very traditional home. | 0:04:15 | 0:04:17 | |
I grew up in a farmhouse | 0:04:17 | 0:04:18 | |
that my family had continuously inhabited for about 150 years. | 0:04:18 | 0:04:22 | |
-How lovely. -So it was full of old things - | 0:04:22 | 0:04:25 | |
rugs, furniture, china, glass - | 0:04:25 | 0:04:28 | |
and I used to say to my mum, "Where'd that come from?" | 0:04:28 | 0:04:31 | |
-and she'd just go, "I don't know. It was here when I arrived." -Ahh! | 0:04:31 | 0:04:36 | |
So some of those antiques I've kept with me. | 0:04:36 | 0:04:38 | |
-But one of the things she taught me was always to look at the underneath of a saucer. -Quite right. | 0:04:38 | 0:04:44 | |
Anyway, now the £300 money moment... | 0:04:44 | 0:04:47 | |
Here we go, here's the cash, look! There's your cash. | 0:04:47 | 0:04:50 | |
-Happy with that? -Yes. | 0:04:50 | 0:04:51 | |
You know the rules. Your experts await. Off you go! | 0:04:51 | 0:04:54 | |
Very, very, very good luck. | 0:04:54 | 0:04:57 | |
Making sure the Reds don't get stumped, | 0:04:58 | 0:05:01 | |
we have the sporty Kate Bliss. Howzat! | 0:05:01 | 0:05:04 | |
Unfazed by all this action but ready to charm our Blues, | 0:05:04 | 0:05:08 | |
it's Charles Hanson in burgundy. | 0:05:08 | 0:05:11 | |
Our experts will need to be on top form | 0:05:11 | 0:05:14 | |
because we're going to put them through their paces. | 0:05:14 | 0:05:16 | |
-Kate, are you feeling fit today? -Well, ish, yes. It depends what you call fit. | 0:05:16 | 0:05:20 | |
-OK. Have you got any injuries that I should be aware of? -No. I don't think so. | 0:05:20 | 0:05:25 | |
-Everything seems to be moving OK? -Yes. | 0:05:25 | 0:05:27 | |
-Excellent. So, we're ready to find some bargains and make some profit? -I certainly am. | 0:05:27 | 0:05:31 | |
-I wonder if you'll keep up with me. -I'll try. | 0:05:31 | 0:05:33 | |
-MUSIC: "The Apprentice" Theme -Mr Hanson, thank you for coming in. | 0:05:33 | 0:05:36 | |
Could I ask you what you think really qualifies you | 0:05:36 | 0:05:40 | |
as an antiques expert? | 0:05:40 | 0:05:42 | |
What makes you think it's OK to turn up at an interview dressed like that? | 0:05:42 | 0:05:45 | |
I'm a flamboyant person. | 0:05:45 | 0:05:47 | |
With that quirky feel and my quirky nature, it's a match made in heaven to find those quirky objects. | 0:05:47 | 0:05:53 | |
You're hired. | 0:05:53 | 0:05:54 | |
'Thank goodness we got the A-Team on it today.' | 0:05:54 | 0:05:57 | |
What kind of things are you both looking for? | 0:05:57 | 0:05:59 | |
This is an hour which could change your lives, in terms of making money. | 0:05:59 | 0:06:03 | |
I think something quite retro but something functionable. | 0:06:03 | 0:06:07 | |
-Let's go down to the end and then back quickly, and then we'll go inside. -OK. | 0:06:07 | 0:06:11 | |
'There you go, Bob's your uncle!' | 0:06:11 | 0:06:14 | |
-Shall I pick that up? -You've got a Welsh love spoon there. | 0:06:14 | 0:06:17 | |
Anything Welsh, he has to have it! | 0:06:17 | 0:06:19 | |
-They don't look as if they've been worn, do they? -Hardly. | 0:06:19 | 0:06:22 | |
Girls do get distracted, don't they? | 0:06:22 | 0:06:24 | |
'Cor, don't we know it! Gawd love 'em!' | 0:06:24 | 0:06:26 | |
I love that little box there. Mother-of-pearl and silver. | 0:06:26 | 0:06:30 | |
-Is that a Georgian box? -Yes. Probably 18th century. | 0:06:30 | 0:06:34 | |
-Yes. And is it a little compact or a little snuff box? -Snuff. | 0:06:34 | 0:06:39 | |
-I think it has snuff in it. -Really? THEY LAUGH | 0:06:39 | 0:06:43 | |
Of course, snuff - back in the 18th and 19th century - it was all the rage in London. | 0:06:43 | 0:06:47 | |
I would suggest that box, that lovely mother-of-pearl, | 0:06:47 | 0:06:53 | |
I reckon it's about 1790, 1785, so it's 220 years old. | 0:06:53 | 0:06:58 | |
-What's the price on that? -£100. | 0:06:58 | 0:07:01 | |
-What would be the very best you could do on that? -Er, 90 quid. | 0:07:01 | 0:07:05 | |
Pretty box. | 0:07:05 | 0:07:07 | |
'Yes, but a very high price tag.' | 0:07:07 | 0:07:10 | |
-What's that? -Tapestry. | 0:07:10 | 0:07:11 | |
It's silkwork laid underneath glass, to make it into the bottom of this tray. | 0:07:11 | 0:07:17 | |
-What do you think? -It's in very good quality. | 0:07:17 | 0:07:19 | |
The downside is... | 0:07:19 | 0:07:21 | |
-It's a little bit stained. -..there's some watermarks. | 0:07:21 | 0:07:24 | |
But the thing I like is that the colours | 0:07:24 | 0:07:27 | |
-in the silk are still quite vibrant. -The threads, the gold. | 0:07:27 | 0:07:30 | |
-There's loads of lovely gold, pinks and blues, which are nice. -They're still holding their colour. | 0:07:30 | 0:07:35 | |
-Let's just see. Excuse me, sir. -Morning. | 0:07:35 | 0:07:38 | |
Hi there. We rather like this, but obviously it's seen better days. | 0:07:38 | 0:07:44 | |
-18. -Mm... | 0:07:44 | 0:07:46 | |
We want a little bit less, we think. | 0:07:46 | 0:07:48 | |
-15. -Is that your best price? | 0:07:49 | 0:07:52 | |
That is the rock bottom. | 0:07:52 | 0:07:54 | |
-Well, it's early days, guys. Do you want to have a little think? -Best come back. | 0:07:54 | 0:07:58 | |
-We're going to dither, all right? -They're not going anywhere. -Brilliant. | 0:07:58 | 0:08:02 | |
'Well, you won't weave any profit by walking off. | 0:08:02 | 0:08:05 | |
'Ten minutes have gone and our Blues can't seem to think outside the box.' | 0:08:05 | 0:08:09 | |
Isn't that sweet, as well? Oh, I say! | 0:08:09 | 0:08:12 | |
-How much is that box? -It's not even dear. It's 60 quid. | 0:08:12 | 0:08:15 | |
Oh, I love this! Look at this box. You've got your box there, Bob. Look at this box here. | 0:08:15 | 0:08:20 | |
This is rosewood, first of all. | 0:08:20 | 0:08:23 | |
Look at that gorgeous porcelain centre. | 0:08:23 | 0:08:25 | |
OK, bit of a split, bit of a problem. | 0:08:25 | 0:08:28 | |
If you were a high-class lady in the 1860s, | 0:08:28 | 0:08:31 | |
you would open your box at your dressing table, | 0:08:31 | 0:08:33 | |
-and look inside. -Oh! -Oh, yes. | 0:08:33 | 0:08:35 | |
You would've perhaps had your fob watch on there, | 0:08:35 | 0:08:39 | |
you've got your two delicious little porcelain scent bottles. | 0:08:39 | 0:08:44 | |
You would've had your rings in there, | 0:08:44 | 0:08:46 | |
your pins or whatever else on that cushion, | 0:08:46 | 0:08:49 | |
-and look at that gorgeous porcelain plaque. -It's very pretty. | 0:08:49 | 0:08:52 | |
£60. | 0:08:52 | 0:08:53 | |
-I love that. That's a gorgeous pot. -What's the best price you can give us for the two? | 0:08:53 | 0:08:58 | |
-Erm... -135. | 0:08:58 | 0:09:00 | |
-140. -I said 135. | 0:09:00 | 0:09:03 | |
-135. -The best would be 140. | 0:09:03 | 0:09:05 | |
-If I was going to buy one... -Mm. | 0:09:05 | 0:09:09 | |
-You'd go for the box. -..I'd go for that, | 0:09:09 | 0:09:12 | |
as... my guarantee to you. | 0:09:12 | 0:09:16 | |
Hopefully! Hopefully a guarantee! | 0:09:16 | 0:09:18 | |
You're a powerful lady, hopefully I've found a powerful object! | 0:09:18 | 0:09:21 | |
-Go on, then. -We'll take it, sir. We'll take it. -OK. | 0:09:21 | 0:09:25 | |
'Decision made! Well done! That Mary doesn't mess about. | 0:09:25 | 0:09:29 | |
'We're 20 minutes in and time is of the essence.' | 0:09:29 | 0:09:33 | |
That's what's called a hunter. | 0:09:33 | 0:09:35 | |
It's closed, it's got a plain case, which is very much liked. | 0:09:35 | 0:09:40 | |
The enamel dial is in pretty good condition. | 0:09:40 | 0:09:44 | |
A subsidiary dial, obviously for your seconds dial, | 0:09:44 | 0:09:47 | |
but you have got a little bit of a crack there on the enamel. | 0:09:47 | 0:09:50 | |
-The case is quite nice and clean. -It is. | 0:09:50 | 0:09:54 | |
Obviously gilt metal, as opposed to gold. | 0:09:54 | 0:09:56 | |
There's no hallmark there which tells me it's gilt metal, | 0:09:56 | 0:09:59 | |
so it's going to be more affordable | 0:09:59 | 0:10:01 | |
-but probably less collectable. -Lose its value at auction. -Yes. | 0:10:01 | 0:10:05 | |
People do like hunters. They feel really nice in your hand. | 0:10:05 | 0:10:08 | |
For somebody wanting to start off a collection, it's an affordable little piece. | 0:10:08 | 0:10:13 | |
-Shall we just find out how much it is anyway? -Yes. | 0:10:13 | 0:10:16 | |
-What do you think? -Let's see what they want for it. | 0:10:16 | 0:10:18 | |
-Excuse me, how much is that, please? -It's 40. | 0:10:18 | 0:10:21 | |
-40. -Yes. | 0:10:21 | 0:10:23 | |
25, I think, we would probably go with it. | 0:10:23 | 0:10:25 | |
I don't know. What do you think? | 0:10:25 | 0:10:29 | |
-I like the way it pops out, like you said, hidden. -It's quite nice-looking. | 0:10:29 | 0:10:33 | |
Would you take 25? | 0:10:33 | 0:10:36 | |
Erm... Go on, then. | 0:10:36 | 0:10:38 | |
Well, guys, time is ticking. Literally. | 0:10:38 | 0:10:41 | |
On my head be it. Deal. | 0:10:41 | 0:10:44 | |
'Good. Well done, Reds, you're off the mark. | 0:10:44 | 0:10:46 | |
'Both teams now have one item in the old bag. | 0:10:46 | 0:10:50 | |
'It's all gone a bit potty for the Blues, and it seems Mary's the expert now.' | 0:10:50 | 0:10:55 | |
Sell it to me, antiques expert. | 0:10:55 | 0:10:57 | |
-Why the vase? -Why the vase? Well, I don't think it's particularly pretty, | 0:10:57 | 0:11:02 | |
but do think that it could be a make that will be collectable. | 0:11:02 | 0:11:05 | |
-Are you thinking West German? -The second half of the 20th century, | 0:11:05 | 0:11:09 | |
-pottery is becoming much more collectable. -You're right. | 0:11:09 | 0:11:13 | |
-It looks in good condition. I can't see... -What about the base? Are there chips? -No. | 0:11:13 | 0:11:17 | |
There's no mark on the base. | 0:11:17 | 0:11:20 | |
-You know how you guys would hire powerful people for big jobs? -Yes. | 0:11:20 | 0:11:24 | |
Is that, to you, a powerful object for an auction? | 0:11:24 | 0:11:26 | |
I don't like it, but I just thought it might sell! | 0:11:26 | 0:11:30 | |
'Now, come on, Charles, get back in the saddle here.' | 0:11:30 | 0:11:33 | |
-This is something a little bit different. -Chad Valley's quite a... | 0:11:33 | 0:11:37 | |
-You've heard of Chad Valley, then? -I have. | 0:11:37 | 0:11:39 | |
Really good British manufacturer of toys and games. | 0:11:39 | 0:11:44 | |
I would say this is probably '50s. Got its box all intact. | 0:11:44 | 0:11:48 | |
Little bit tatty round the edges but pretty good. | 0:11:48 | 0:11:51 | |
Let's just have a little look inside. | 0:11:51 | 0:11:54 | |
This is lovely. You've got all the horses here, which is the important bit. | 0:11:55 | 0:11:59 | |
-They're all enamels. -Cast iron. | 0:11:59 | 0:12:01 | |
-Feel how heavy those are. -They are, aren't they? | 0:12:01 | 0:12:04 | |
-Made of? -Er... -Lead. | 0:12:04 | 0:12:07 | |
-What did you say, Lucy? -Lead? -Exactly. Really heavy. | 0:12:07 | 0:12:10 | |
Made of lead and then painted, or enamels. | 0:12:10 | 0:12:13 | |
They're all marked on the bottom so you know they're part of this set. | 0:12:13 | 0:12:17 | |
You've got to watch that these haven't been over-painted, | 0:12:17 | 0:12:20 | |
so they haven't been repainted and touched in. All these look original. | 0:12:20 | 0:12:24 | |
It's quite nice seeing tiny little knocks like that because you know it's original. | 0:12:24 | 0:12:28 | |
Very carefully, that rolls out and that's your race track. | 0:12:28 | 0:12:31 | |
And then you turn the handle, which is what moves the horses along. | 0:12:31 | 0:12:36 | |
-OK. -OK, so you have your game and you can place your bets if you want to. | 0:12:36 | 0:12:42 | |
Excuse me. We're just looking at your Escalado game. | 0:12:42 | 0:12:44 | |
-What's your best? -What have I got on it? | 0:12:44 | 0:12:47 | |
You've got 25, but it looks like it's crossed out to me! | 0:12:47 | 0:12:51 | |
-Is that a sale price? -20 quid, then. 20 quid. | 0:12:51 | 0:12:54 | |
All the horses are there, they're in good nick. | 0:12:54 | 0:12:57 | |
The paintwork's good on them, which is important. | 0:12:57 | 0:13:00 | |
-20's your best? -What you've got to ask yourself is, | 0:13:00 | 0:13:04 | |
-you wanted something that's functional... -Yes. | 0:13:04 | 0:13:06 | |
I don't think you're going to get people playing this, you're going to get collectors. | 0:13:06 | 0:13:11 | |
You've got to ask yourself, "How much is a collector going to pay for this?" | 0:13:11 | 0:13:15 | |
-You need the right person at auction. -Definitely. | 0:13:15 | 0:13:17 | |
-Can I make you a silly offer? -You can, but I'll probably say no! | 0:13:17 | 0:13:21 | |
-Would you do it for a tenner? -Sorry, no. | 0:13:21 | 0:13:23 | |
-OK. Worth a try. -Worth a go! | 0:13:23 | 0:13:26 | |
I don't mind you asking! | 0:13:26 | 0:13:28 | |
-What's your rock bottom? -Er, 18 quid, then. | 0:13:28 | 0:13:30 | |
-18. -Yes. | 0:13:30 | 0:13:32 | |
-Do you like it? -I do quite like it, yes. | 0:13:32 | 0:13:36 | |
-It's a little bit different. -I think it's a bit different. | 0:13:36 | 0:13:39 | |
-15 and we'll take it. -Final offer? -I'm going to stick at 18. | 0:13:39 | 0:13:42 | |
-Are you? -Yes. -Meet you in the middle? -In the middle at 16? | 0:13:42 | 0:13:45 | |
-Go on, then! -Deal. -He's browbeaten! -Quite! | 0:13:45 | 0:13:50 | |
-16? -Yes. -Is that all right? Thank you very much. -Excellent. | 0:13:50 | 0:13:53 | |
-Happy, guys? -Yes. -I'm happy. -Brilliant. | 0:13:53 | 0:13:55 | |
-I could see that easily fetching 30-40 quid at auction. -You do? | 0:13:55 | 0:13:59 | |
I know you'll want me to eat my words when it doesn't! | 0:13:59 | 0:14:02 | |
'We wouldn't be so mean! | 0:14:02 | 0:14:05 | |
'And you could be right, you know, but we'll have to wait and see. | 0:14:05 | 0:14:09 | |
'That takes the Reds into the lead, so you Blues had better get a move on.' | 0:14:09 | 0:14:13 | |
-This guy over here... -Yes. -He's an old friend. | 0:14:13 | 0:14:15 | |
-Well, I say old friend, he's a dealer I know. -We might get a bargain. -Exactly. | 0:14:15 | 0:14:20 | |
-Hi, Joey. -Hi, Charles! | 0:14:20 | 0:14:21 | |
-Long time no see. How's life? -Very well. | 0:14:21 | 0:14:24 | |
-Can we have a look at your haul of items? -Yes. -Thank you very much. | 0:14:24 | 0:14:27 | |
-Look at this... -Would those vases sell? | 0:14:27 | 0:14:31 | |
-What are they? Are they vases? -Or planters. -Planters. Jardinieres. | 0:14:31 | 0:14:35 | |
-They're fantastic. -I think they are. | 0:14:35 | 0:14:37 | |
And why are they fantastic? | 0:14:37 | 0:14:39 | |
Because they're really striking, really bold. | 0:14:39 | 0:14:42 | |
They stand out, they shout at you. I think they shout at you "Art Nouveau". | 0:14:42 | 0:14:47 | |
Or what we call Majolica. | 0:14:47 | 0:14:49 | |
-Aren't they a great pair? -I think they're lovely. | 0:14:49 | 0:14:52 | |
You can see this nice footwear on the bases. | 0:14:52 | 0:14:55 | |
You've got a lovely old impress number there. | 0:14:55 | 0:14:58 | |
I would've thought something like 1890. | 0:14:58 | 0:15:01 | |
That one's in good nick, as well. | 0:15:01 | 0:15:02 | |
-The big question is, how much are they? -150. -Right. | 0:15:02 | 0:15:05 | |
They are the two blues, | 0:15:05 | 0:15:07 | |
-they're a pair to match you guys. -Yes. | 0:15:07 | 0:15:09 | |
-And they've - -Short and fat! -THEY LAUGH | 0:15:09 | 0:15:12 | |
-That one's in better nick than this one. -I'll give you 145. | 0:15:12 | 0:15:16 | |
-145 - shall we do it? -145. -We'll do it. Thank you, Joe. | 0:15:16 | 0:15:19 | |
-We'll take them. -OK. -Thank you very much. | 0:15:19 | 0:15:22 | |
'A fine pair! | 0:15:22 | 0:15:24 | |
'But come on, stir your stumps, everyone! | 0:15:24 | 0:15:26 | |
'Both teams still have one item to find and only ten minutes in which to find it.' | 0:15:26 | 0:15:31 | |
So you snip it and then snuff it out on the top. | 0:15:31 | 0:15:35 | |
-That's lovely. -What, the compote? | 0:15:38 | 0:15:42 | |
-What do you think of that, Bob? -It's nice. | 0:15:42 | 0:15:45 | |
-Can I show it to you? -Is it an old one? -Yes. | 0:15:45 | 0:15:48 | |
So we're probably talking, what, 1890 in date? | 0:15:48 | 0:15:51 | |
-I would think about then. -Late Victorian, late 19th century. | 0:15:51 | 0:15:54 | |
-I always err on the safe side. -Edwardian. -I'd say circa 1920, | 0:15:54 | 0:15:58 | |
-but it could be... -A bit earlier. | 0:15:58 | 0:16:00 | |
And that actually could be 60. | 0:16:00 | 0:16:03 | |
-Mm. -Do you think we can make any money on it? | 0:16:03 | 0:16:05 | |
I think, with five minutes to go, we might, | 0:16:05 | 0:16:08 | |
but I still think let's have a quick wander round. OK, Bob? | 0:16:08 | 0:16:13 | |
-Let's... Can we hold it for five minutes, please? -Yes. | 0:16:13 | 0:16:16 | |
-And the best is 60? -I'm afraid so. -£60. OK. | 0:16:16 | 0:16:20 | |
All right. Thank you. | 0:16:20 | 0:16:21 | |
'Good old Bob! These head-hunters - always thinking ahead!' | 0:16:21 | 0:16:26 | |
-Hi, guys. -What have you found? -A pot. -OK. | 0:16:26 | 0:16:29 | |
-What do you reckon to that? -It's nice. -Yes? | 0:16:29 | 0:16:32 | |
-Do you know who this is by? -No. | 0:16:32 | 0:16:34 | |
-This is by... -Moorcroft. -Moorcroft. | 0:16:34 | 0:16:38 | |
This is William Moorcroft, | 0:16:38 | 0:16:40 | |
so it's relatively early in the Moorcroft factory's production. | 0:16:40 | 0:16:45 | |
I'd say that's probably typically sort of 1910, 1920s. | 0:16:45 | 0:16:50 | |
This is known as tube-lining, | 0:16:50 | 0:16:52 | |
where the liquid pottery is placed over the vase | 0:16:52 | 0:16:56 | |
to give it that texture and relief. | 0:16:56 | 0:17:00 | |
It's a fairly standard floral pattern. | 0:17:00 | 0:17:02 | |
I was a bit suspicious, which is why I didn't call you over earlier. | 0:17:02 | 0:17:06 | |
-Do you see how the glaze changes? -Oh, the different resins. -Which, to me, rings alarm bells. | 0:17:06 | 0:17:11 | |
I'm just feeling round the top. | 0:17:11 | 0:17:13 | |
If this was restored, you'd feel it was softer. | 0:17:13 | 0:17:17 | |
The great way to do it, it's not very hygienic, | 0:17:17 | 0:17:19 | |
-but if you feel it on your teeth... -OK. | 0:17:19 | 0:17:22 | |
..you can feel whether that is restored | 0:17:22 | 0:17:26 | |
or whether it's the original pottery. | 0:17:26 | 0:17:28 | |
-Do you think that has been restored? -I don't think it has. | 0:17:28 | 0:17:30 | |
I think it's just a fault in the glaze. | 0:17:30 | 0:17:33 | |
-How much is that? -Well, the stallholder said £90. | 0:17:33 | 0:17:38 | |
-Is that right? -90 quid. -That's his best, is it? | 0:17:38 | 0:17:40 | |
-Yes. -It is nice looking. | 0:17:40 | 0:17:42 | |
What's your rock bottom? | 0:17:42 | 0:17:45 | |
-Absolute rock bottom? -Rock-rock bottom will be 85 for you. | 0:17:45 | 0:17:48 | |
-85. -85. | 0:17:48 | 0:17:51 | |
The tray's 15. It's a toss up between those two. | 0:17:51 | 0:17:54 | |
-We saw something else over there. -What did you see? | 0:17:54 | 0:17:57 | |
-It's like a pair of scissors but you use it to put a candle out. -A candle, er... | 0:17:57 | 0:18:01 | |
-A snuffer? -Snuffer, yes. | 0:18:01 | 0:18:03 | |
-Shall we have a look? -On a tray. He's says it's real silver. -All right. We might come back. | 0:18:03 | 0:18:07 | |
-This over here... -Well spotted! | 0:18:08 | 0:18:10 | |
..is what I saw when we were buying the planters, | 0:18:10 | 0:18:15 | |
and it's still here. | 0:18:15 | 0:18:17 | |
-Look at that. -That's lovely. -A really fashionable poster. -Mm. | 0:18:17 | 0:18:21 | |
I love that! | 0:18:21 | 0:18:23 | |
Look at the costume, look at the drama, look at the action on that promenade. | 0:18:23 | 0:18:27 | |
It harks back to the '20s. The big question is, is it old? | 0:18:27 | 0:18:32 | |
If you look at the creasing in the poster, | 0:18:32 | 0:18:34 | |
clearly it's got some age. | 0:18:34 | 0:18:36 | |
This, to me, could be a good lot to buy, | 0:18:36 | 0:18:40 | |
-if the price is right. -If the price is right... | 0:18:40 | 0:18:42 | |
'I think you've got the wrong game show. | 0:18:42 | 0:18:45 | |
'Have you been burning the candle at both ends again?' | 0:18:45 | 0:18:48 | |
This piece here... | 0:18:48 | 0:18:49 | |
-Oh, yes! -A pair of, er, candle snuffers. | 0:18:49 | 0:18:53 | |
You use them like scissors, | 0:18:53 | 0:18:55 | |
but put the little wick in there, it snuffs it out. | 0:18:55 | 0:18:59 | |
-How commercial are they? Not very. -BOTH: Not very. -I have to say. | 0:18:59 | 0:19:02 | |
-Price tag - 38. -20 he said he'd do it for. -20. | 0:19:02 | 0:19:06 | |
-I would say at auction, you'd struggle to get a profit. -OK. | 0:19:06 | 0:19:09 | |
-I can see them making 20... -15. -Oh, he's coming down! 15. | 0:19:09 | 0:19:13 | |
You can have them at 15. | 0:19:13 | 0:19:15 | |
-What's the very best? -£80. | 0:19:15 | 0:19:18 | |
-So we could afford it. -Just. -We could just about do it. | 0:19:18 | 0:19:22 | |
75, if it helps. | 0:19:22 | 0:19:24 | |
Knowing the firm we're going to, and sometimes you buy for a saleroom, | 0:19:24 | 0:19:27 | |
it's the sort of thing that they do specialise in. | 0:19:27 | 0:19:30 | |
These private buyers, who don't ordinarily go to auctions... | 0:19:30 | 0:19:33 | |
-It'll catch the eye. -It's either this | 0:19:33 | 0:19:36 | |
or the ruby glass compote. | 0:19:36 | 0:19:39 | |
I like this. It's different to anything we've got. | 0:19:39 | 0:19:42 | |
Go on, then, Bob. You've chosen one, I've chosen one, and let Bob choose that one. | 0:19:42 | 0:19:47 | |
-Are you sure? -Yep. -I think that's the right decision. | 0:19:47 | 0:19:50 | |
-Superb. -Good. -That's it, three items. | 0:19:50 | 0:19:53 | |
'Done, and a nice eclectic mix. | 0:19:53 | 0:19:55 | |
'Right then, Reds, it's make-your-mind-up time.' | 0:19:55 | 0:19:59 | |
-This for 15, the tray for 15, or the vase... -For 85. | 0:19:59 | 0:20:03 | |
I think there's potentially more in the vase. | 0:20:03 | 0:20:06 | |
-I think there's more in the vase. -Let's go for the vase. | 0:20:06 | 0:20:09 | |
-We've got one minute, guys! One minute. The vase? -Yes. -OK. | 0:20:09 | 0:20:13 | |
'You Reds are getting on my wick now.' | 0:20:13 | 0:20:17 | |
-Can you do 75? -75. | 0:20:17 | 0:20:19 | |
-Do you think it's restored? -I don't believe so. | 0:20:19 | 0:20:23 | |
-Go on, 75. -75. -Is 75 OK? -Deal. | 0:20:23 | 0:20:25 | |
-Thank you. -Thank you very much. -Thank you. -Brilliant. | 0:20:25 | 0:20:28 | |
Thank you very much. THEY LAUGH | 0:20:28 | 0:20:31 | |
Don't drop it! | 0:20:31 | 0:20:33 | |
Ooh, look at the time! | 0:20:35 | 0:20:37 | |
Let's stop the shop | 0:20:37 | 0:20:40 | |
and have a quick reminder at what the Red Team bought. | 0:20:40 | 0:20:43 | |
Ben and Lucy thought this gold-plated hunter pocket watch | 0:20:46 | 0:20:49 | |
ticked all their boxes, | 0:20:49 | 0:20:51 | |
and paid £25 for it. | 0:20:51 | 0:20:53 | |
Then they trotted off with this Escalado horse-racing game, | 0:20:53 | 0:20:57 | |
an odds-on favourite perhaps at £16. | 0:20:57 | 0:21:00 | |
And finally, they felt this Moorcroft vase had appeal | 0:21:00 | 0:21:04 | |
and spent £75 for the privilege. | 0:21:04 | 0:21:06 | |
You certainly had fun, that's true enough. | 0:21:07 | 0:21:10 | |
-You did, didn't you? -We did. -Absolutely. -I bet you did, Luce. | 0:21:10 | 0:21:13 | |
Which is your favourite piece? | 0:21:13 | 0:21:15 | |
I think the game that we got, the horses. | 0:21:15 | 0:21:17 | |
-Escalado. -That's the one. -That's the one. -That's the one! -And she bought it! | 0:21:17 | 0:21:22 | |
-Do you agree with that? -I agree with that. -You do. | 0:21:22 | 0:21:24 | |
-I think it's going to get a profit. -Will that make the most profit? -BOTH: I think it will. | 0:21:24 | 0:21:29 | |
-So, it's your favourite and it's the thing that will bring the biggest profit? -Yes. | 0:21:29 | 0:21:33 | |
-How much did you spend? -£116. | 0:21:33 | 0:21:36 | |
-That's a pathetic amount of money when we give you 300, isn't it? -It is. | 0:21:36 | 0:21:40 | |
-Do I want 184? -That sounds right. -OK, 184. -I've got it. -OK, Ben. | 0:21:40 | 0:21:43 | |
-Thank you very much. That is an awful lot. -There's four. | 0:21:43 | 0:21:47 | |
-There should be 180 there. -OK. That's brilliant. £184. | 0:21:47 | 0:21:52 | |
-Kate Bliss! -Functional is what they like, so functional might be what they get. | 0:21:52 | 0:21:57 | |
OK. You're such a tease. | 0:21:57 | 0:22:00 | |
Anyway, why don't we check out what the Blue Team bought? | 0:22:00 | 0:22:04 | |
This item, a Victorian dressing-table box, | 0:22:04 | 0:22:07 | |
met all their criteria. | 0:22:07 | 0:22:09 | |
The price - £60. | 0:22:09 | 0:22:12 | |
Mary then fell for this pair of Majolica jardinieres. | 0:22:12 | 0:22:16 | |
But was £145 too pricey? | 0:22:16 | 0:22:20 | |
Finally, Bob thought this 1920s Brighton railway poster | 0:22:20 | 0:22:23 | |
could make them a good profit. | 0:22:23 | 0:22:25 | |
£75 paid. | 0:22:25 | 0:22:27 | |
-Happy? -So, was that a shop, or was it a shop? | 0:22:27 | 0:22:30 | |
-It was a shop! -Excellent! | 0:22:30 | 0:22:32 | |
-I could've done with 3,000 rather than 300. -And a lot more time, as well. | 0:22:32 | 0:22:36 | |
-Rather greedy, aren't you? -Ambitious! | 0:22:36 | 0:22:39 | |
-How much did you spend all round? -£280. | 0:22:39 | 0:22:42 | |
-Gosh, that's a good amount. Have you got £20 of leftover lolly about your person? -I have. | 0:22:42 | 0:22:47 | |
-For you, sir. -Tucked into the corporation. Thank you. | 0:22:47 | 0:22:50 | |
-Which is your favourite item? -My favourite is the blue planters. | 0:22:50 | 0:22:55 | |
Two blue planters, with lilies on them. | 0:22:55 | 0:22:58 | |
French, turn of the century. Beautiful. | 0:22:58 | 0:23:00 | |
-Do you agree with that, Bob-Bob? -I like the Brighton poster. | 0:23:00 | 0:23:04 | |
-Which will bring the biggest profit? -I think the small box that we bought might well bring the biggest profit. | 0:23:04 | 0:23:10 | |
Charles is promising us that it is a sure-fire winner | 0:23:10 | 0:23:14 | |
-and we'll make a lot of money. -We look to him. | 0:23:14 | 0:23:16 | |
-20, then, Charles. -Thank you, Tim. | 0:23:16 | 0:23:18 | |
-That's all you've got to wander off with. -Many thanks. | 0:23:18 | 0:23:21 | |
That's OK. Mary and Bob, Tim, they're powerful people. | 0:23:21 | 0:23:24 | |
They know what they want in terms of a candidate, and they trust me, | 0:23:24 | 0:23:27 | |
-so I won't fail, I promise. -Jolly good. | 0:23:27 | 0:23:30 | |
That's lovely. | 0:23:30 | 0:23:31 | |
With that reassuring chant, Charles, good luck in your search. | 0:23:31 | 0:23:36 | |
Meanwhile, I'm going to show you something that I found earlier, | 0:23:36 | 0:23:40 | |
which I find very interesting. | 0:23:40 | 0:23:43 | |
They are amazing places, you know, these antique fairs. | 0:23:48 | 0:23:52 | |
Stuffed with antiques! But then, how old is an antique? | 0:23:52 | 0:23:56 | |
It's supposed to be something that's made more than 100 years ago. | 0:23:56 | 0:24:01 | |
Why don't you try this baby on for size, | 0:24:01 | 0:24:04 | |
which was made, or should I say died, | 0:24:04 | 0:24:07 | |
perhaps 20 to 25,000 years ago. | 0:24:07 | 0:24:12 | |
The earth was a very different place then. | 0:24:14 | 0:24:16 | |
Vast herds of woolly mammoths roamed the Ice Age landscape, | 0:24:16 | 0:24:20 | |
perfectly adapted to the extremes of the Arctic conditions. | 0:24:20 | 0:24:25 | |
ROARS | 0:24:25 | 0:24:27 | |
Imagine the scale of this animal, | 0:24:28 | 0:24:32 | |
wandering across Northern and Central Europe, | 0:24:32 | 0:24:37 | |
minding its own business, | 0:24:37 | 0:24:39 | |
with tusks that continued for over 6.5 feet | 0:24:39 | 0:24:44 | |
in front of its face, | 0:24:44 | 0:24:46 | |
to carve up the ground to produce their food. | 0:24:46 | 0:24:50 | |
Surely the oldest antique in this building, | 0:24:50 | 0:24:55 | |
it is, of course, a woolly mammoth's tusk. | 0:24:55 | 0:24:59 | |
One small population of woolly mammoths | 0:25:01 | 0:25:03 | |
survived on a remote Russian island until as late as 4,000 years ago, | 0:25:03 | 0:25:09 | |
but on mainland Siberia | 0:25:09 | 0:25:11 | |
they seem to have died out towards the end of the last Ice Age. | 0:25:11 | 0:25:17 | |
We know this because their remains were frozen in time, | 0:25:17 | 0:25:19 | |
locked in the permafrost. | 0:25:19 | 0:25:22 | |
The big question is, why did they suddenly become extinct? | 0:25:23 | 0:25:28 | |
It's a mystery. But what is not a mystery is that today, here in Ardingly, | 0:25:28 | 0:25:34 | |
we have this vestige | 0:25:34 | 0:25:35 | |
of one of those enormous 22,000-year-old tusks. | 0:25:35 | 0:25:41 | |
It was dredged up by a fishing vessel, | 0:25:41 | 0:25:44 | |
dredging their nets across the North Sea | 0:25:44 | 0:25:47 | |
that disturb underneath the sediment things like this, | 0:25:47 | 0:25:51 | |
that very often get damaged in the process of removal | 0:25:51 | 0:25:55 | |
and that's why we've got these shattered ends on either side. | 0:25:55 | 0:25:59 | |
A really good, sound, complete mammoth tusk | 0:25:59 | 0:26:04 | |
can be worth several thousand pounds | 0:26:04 | 0:26:07 | |
to collectors of natural history specimens. | 0:26:07 | 0:26:10 | |
That's a whole collecting field that is increasingly popular. | 0:26:10 | 0:26:14 | |
It also fits curiously | 0:26:14 | 0:26:17 | |
into a contemporary decorative scheme. | 0:26:17 | 0:26:20 | |
What's such a thing worth, a shattered section like this? | 0:26:20 | 0:26:24 | |
£200 and this tusk could be yours. | 0:26:24 | 0:26:28 | |
Now, that is not a mammoth amount. | 0:26:28 | 0:26:31 | |
Right now, though, let's find out over at the auction | 0:26:31 | 0:26:35 | |
whether there's anything for our teams to trumpet about. | 0:26:35 | 0:26:39 | |
All gone quiet? £30, then. | 0:26:43 | 0:26:46 | |
Yours, sir, at 30. All done. | 0:26:46 | 0:26:48 | |
Well, we've come 20 miles also west from Ardingly, | 0:26:48 | 0:26:51 | |
still in the glorious county of West Sussex, | 0:26:51 | 0:26:54 | |
to Wisborough Green, to Bellmans saleroom to be precise, | 0:26:54 | 0:26:58 | |
to be with the ever youthful Jonathan Pratt. | 0:26:58 | 0:27:01 | |
I don't feel that youthful! | 0:27:01 | 0:27:02 | |
-How are you? -I'm very well, thanks. -Excellent to be here. | 0:27:02 | 0:27:05 | |
Now, first up is this very ordinary plated hunting-case watch. | 0:27:05 | 0:27:11 | |
There is a resurgence of popularity, I suppose, in these | 0:27:11 | 0:27:14 | |
with the gentleman's dress now, which is quite fashionable. It's quite useful. | 0:27:14 | 0:27:17 | |
-But they made millions of them. -They did churn them out. The dial's in good condition. | 0:27:17 | 0:27:22 | |
-What's it worth? -£40 to £60. -Is it really? Good. £25 paid. | 0:27:22 | 0:27:25 | |
-There may be a small profit. -I hope so. | 0:27:25 | 0:27:27 | |
Next, taking a punt, you can go for Escalado. | 0:27:27 | 0:27:31 | |
The love of vintage and nostalgia - these things do rather well. | 0:27:31 | 0:27:36 | |
This is a later version of Escalado. The later ones have lighter horses. | 0:27:36 | 0:27:41 | |
So when you're turning your handle... | 0:27:41 | 0:27:44 | |
-Vibrating it. -..the earlier ones would stand still easier | 0:27:44 | 0:27:46 | |
but the later ones would fall over a little bit more. | 0:27:46 | 0:27:49 | |
So the early ones are slightly more collectable. | 0:27:49 | 0:27:52 | |
That being said, it's complete, it's in a nice box, it's fun. | 0:27:52 | 0:27:56 | |
-I think £20 to £30. -Really? £16 paid. They've done well so far. | 0:27:56 | 0:28:01 | |
What about the ever popular Moorcroft? | 0:28:01 | 0:28:04 | |
Moorcroft seems to go up and up, but condition is everything. | 0:28:04 | 0:28:08 | |
-Mm-hm. -The downside with this, and I'm not sure whether Kate noticed or not, | 0:28:08 | 0:28:12 | |
but you can see the matteness of the glaze on the top and especially round the foot. | 0:28:12 | 0:28:15 | |
It's most certainly been broken and put back together. | 0:28:15 | 0:28:19 | |
In the game, you never buy damaged, do you? | 0:28:19 | 0:28:21 | |
OK. So, what's it worth in this repaired state? | 0:28:21 | 0:28:24 | |
It's still a decorative vase, it's still Moorcroft, | 0:28:24 | 0:28:27 | |
-I'm sure 20 to 30 will get it sold. -OK. £75 paid. | 0:28:27 | 0:28:30 | |
So there is a bit of a hole there. That might drag them down. | 0:28:30 | 0:28:34 | |
Let's go and have a look at the bonus buy, eh? | 0:28:34 | 0:28:37 | |
Now, Ben, Luce, | 0:28:37 | 0:28:38 | |
-you gave a mammoth £184 to Kate Bliss. -Yes. -We did. | 0:28:38 | 0:28:42 | |
Crikey, Moses! | 0:28:42 | 0:28:43 | |
Kate, what did you spend it on? | 0:28:43 | 0:28:46 | |
I promised you functional, and functional is what you've got. | 0:28:46 | 0:28:51 | |
It's a travelling barometer. | 0:28:51 | 0:28:53 | |
It's brass-cased. Dates probably from the late 19th century. | 0:28:53 | 0:28:57 | |
But the most important thing, apart from the lovely condition, | 0:28:57 | 0:29:01 | |
is the name, which you can read quite clearly is Negretti and Zambra. | 0:29:01 | 0:29:05 | |
They were the people to make instruments of this type. | 0:29:05 | 0:29:09 | |
They made all the instruments for the scientific expeditions. | 0:29:09 | 0:29:13 | |
Darwin took their instruments with him. | 0:29:13 | 0:29:15 | |
So this may look like a pretty pocket barometer, | 0:29:15 | 0:29:19 | |
but there's a lot that goes with it because it's got that name, | 0:29:19 | 0:29:22 | |
-and people will pay for that name. -OK. | 0:29:22 | 0:29:25 | |
So over to you. Have a little look. | 0:29:25 | 0:29:28 | |
How much did you pay for this, Kate? | 0:29:28 | 0:29:30 | |
He's straight in there! | 0:29:30 | 0:29:31 | |
I paid £60. | 0:29:31 | 0:29:33 | |
-OK. -That's pretty good. | 0:29:33 | 0:29:35 | |
Do you think there's much profit there, then? | 0:29:35 | 0:29:37 | |
I think, for a collector, | 0:29:37 | 0:29:40 | |
because it's got that name, I think there is half a chance. | 0:29:40 | 0:29:43 | |
-Terribly clean, isn't it? -It is in lovely condition. | 0:29:43 | 0:29:46 | |
-Lovely condition. -Do you like it, Luce? -It's very nice. | 0:29:46 | 0:29:49 | |
That seems to be the right reaction. But for the audience at home, | 0:29:49 | 0:29:52 | |
let's find out what the auctioneer thinks about Kate's little barometer. | 0:29:52 | 0:29:57 | |
Right, JP, this is one of your favourites. | 0:29:57 | 0:29:59 | |
-Yes. -Where do you think that thing's come from? | 0:29:59 | 0:30:02 | |
-It says "London" on the front, look! -Ha-ha-ha(!) | 0:30:02 | 0:30:06 | |
Erm, from the bezel, which you can unscrew, | 0:30:06 | 0:30:08 | |
I'd say it's come out of something, erm... | 0:30:08 | 0:30:10 | |
-You could have it in your luggage, couldn't you? -I suppose you could. | 0:30:10 | 0:30:14 | |
-Do you rate it? -Negretti and Zambra are prolific, but very good makers. | 0:30:14 | 0:30:18 | |
-But it is pretty dull. -Yes. | 0:30:18 | 0:30:20 | |
-How much, then? -£20 to £30. | 0:30:20 | 0:30:23 | |
Oh, Lordy! £60 paid by KB as a bonus buy. | 0:30:23 | 0:30:27 | |
That could be a problem if they decide to go with it. | 0:30:27 | 0:30:30 | |
On the other hand, they might not. That's the joy of Bargain Hunt! | 0:30:30 | 0:30:35 | |
Now, that's it for the Reds. Now for the Blues. | 0:30:35 | 0:30:38 | |
A mid-Victorian porcelain inset little dressing box, isn't it? | 0:30:38 | 0:30:42 | |
I really like this. I'm quite fond of rosewood. | 0:30:42 | 0:30:45 | |
It's very specifically the early part of the Victorian period. | 0:30:45 | 0:30:48 | |
You see it very much around that George IV... | 0:30:48 | 0:30:50 | |
-It's exotic, isn't it? -Very exotic. | 0:30:50 | 0:30:53 | |
It's nicely inlaid with a little bit of brass. | 0:30:53 | 0:30:56 | |
-Ooh, yes! -Two little scent bottles, I suppose, inside. So quite a nice little thing. | 0:30:56 | 0:31:01 | |
This is a Charles Hanson moment in the shopping. | 0:31:01 | 0:31:05 | |
-What's it going to bring? -I think £70 to £90 would be sensible. | 0:31:05 | 0:31:09 | |
He'll be pleased. £60 paid. | 0:31:09 | 0:31:11 | |
It could even make a tad more. Good, good. | 0:31:11 | 0:31:14 | |
The next item are the Minton lookalike-Majolica jardinieres. | 0:31:14 | 0:31:19 | |
-Do you rate those? -You'd really want them to be English, late 19th century. | 0:31:19 | 0:31:23 | |
They're that sort of date but made on the Continent. | 0:31:23 | 0:31:25 | |
-Good colour. -Exactly. They're great fun. | 0:31:25 | 0:31:27 | |
All these little bits that stick out seem to be reasonably well intact. | 0:31:27 | 0:31:32 | |
-Arum lilies they're called. -I was getting to that! | 0:31:32 | 0:31:35 | |
-I took the words out of your mouth. -Exactly. -What are they worth? | 0:31:35 | 0:31:38 | |
-I'd say £80 to £120. -Is that all? | 0:31:38 | 0:31:42 | |
-Oh... -£145 they paid. | 0:31:42 | 0:31:43 | |
That could be their comeuppance. | 0:31:43 | 0:31:45 | |
What about the nice Brighton bit of poster art? | 0:31:45 | 0:31:49 | |
Is the artist known to you? | 0:31:49 | 0:31:51 | |
Yes. He was quite a prolific producer of promotional art for the railways. | 0:31:51 | 0:31:56 | |
-Railway posters... -And the posters themselves | 0:31:56 | 0:31:59 | |
that you would've seen on the boardings | 0:31:59 | 0:32:02 | |
can sell for hundreds, if not thousands. | 0:32:02 | 0:32:04 | |
-And they're the full-size jobs. -Yes. -How much, then? | 0:32:04 | 0:32:08 | |
-£40 to £60. -£75 paid. -OK. | 0:32:08 | 0:32:10 | |
That's a bit light, but it might just take off. Yes? | 0:32:10 | 0:32:13 | |
-Yes. -And if it doesn't, they'll have to go with the bonus buy. | 0:32:13 | 0:32:16 | |
Let's go and have a look at that. | 0:32:16 | 0:32:19 | |
Well, chaps, this is exciting, isn't it? | 0:32:19 | 0:32:21 | |
You managed to spend £280. You are magnificent! | 0:32:21 | 0:32:24 | |
£20 went across to Charles Hanson. | 0:32:24 | 0:32:28 | |
-Carlos, what did you do? -Well, Tim, my team are very powerful people. | 0:32:28 | 0:32:32 | |
They're stiff, they're upright | 0:32:32 | 0:32:34 | |
and I wanted something to impress them. | 0:32:34 | 0:32:37 | |
-Wow! -Oh! | 0:32:39 | 0:32:41 | |
-What do you think? -That's impressive. -I've no idea! | 0:32:41 | 0:32:43 | |
-OK, well, let me tell you. -A door handle. -Not quite. | 0:32:43 | 0:32:47 | |
It's probably a curtain track. It's a curtain type of mount. | 0:32:47 | 0:32:50 | |
What I like about this so much... Have a handle first of all. Do you like them? | 0:32:50 | 0:32:55 | |
Er... Interesting! | 0:32:55 | 0:32:58 | |
I think you do have to have a bit of imagination, don't you? | 0:32:58 | 0:33:02 | |
-This is going to be plonked against a wall. -Correct. | 0:33:02 | 0:33:05 | |
You have got either a curtain rail going from each one of these across a couple of windows, | 0:33:05 | 0:33:09 | |
because you've got lots of fittings, haven't you? | 0:33:09 | 0:33:11 | |
You draw your curtains back and forth | 0:33:11 | 0:33:13 | |
-and those sunflowers are to hold the curtains back, aren't they? -Exactly. | 0:33:13 | 0:33:18 | |
I just think, in these show homes across Sussex, | 0:33:18 | 0:33:22 | |
these would be a wonderful embellishment | 0:33:22 | 0:33:25 | |
in a drawing room or elsewhere. | 0:33:25 | 0:33:27 | |
I just think on a Saturday sale, they will do very well. | 0:33:27 | 0:33:32 | |
-You're telling me that you went off with £20 and you bought this lot? -I did. | 0:33:32 | 0:33:37 | |
-How much did you pay for them? -£15. | 0:33:37 | 0:33:39 | |
-Really? -Very good. -Happy with that? -BOTH: Yes. | 0:33:39 | 0:33:43 | |
I think you've done well there. Let's find out, for the viewers at home, | 0:33:43 | 0:33:46 | |
what the auctioneer thinks about Charles's curtain track. | 0:33:46 | 0:33:50 | |
# Any old iron, any old iron # There we go. | 0:33:50 | 0:33:54 | |
-ITEMS CLATTER -Luvvly! | 0:33:54 | 0:33:56 | |
-That's what you call a bulk buy! -You get quite a lot for scrap metal nowadays. | 0:33:56 | 0:34:00 | |
-It's gilt bronze, is it? -Well, no. | 0:34:00 | 0:34:02 | |
I think it is, you know. | 0:34:02 | 0:34:05 | |
We've got how many? Six and four, is ten bits. | 0:34:05 | 0:34:08 | |
-Are they worth £1 a bit? -At least. -Or are they worth £5 a bit? -Maybe. | 0:34:08 | 0:34:11 | |
-I think £40 to £60 for the group. -Do you? -Yes. | 0:34:11 | 0:34:15 | |
Well, that monkey Charles paid £15 for the whole lot. | 0:34:15 | 0:34:19 | |
Thank you very much, JP. We'll see you on the rostrum. | 0:34:19 | 0:34:22 | |
25. 30. | 0:34:22 | 0:34:25 | |
30 bid. No-one else in the room? £40 and selling. All done. | 0:34:25 | 0:34:30 | |
-OK, B and L? -Yes, all good. -Feeling confident? -Yes. | 0:34:30 | 0:34:33 | |
Ben, which piece do you think is going to bring your biggest profit? | 0:34:33 | 0:34:37 | |
I think the vase. | 0:34:37 | 0:34:38 | |
The problem with that is, according to JP, it's had a degree of restoration. | 0:34:38 | 0:34:43 | |
We did talk about that, didn't we? We said, "Restored or not restored?" | 0:34:43 | 0:34:47 | |
Anyway, it's all in the eye of the beholder. | 0:34:47 | 0:34:50 | |
What'll happen with the first lot? Here it comes! | 0:34:50 | 0:34:53 | |
Moving on to Lot 2108. I have a bid, to start me, of £25. | 0:34:53 | 0:34:57 | |
-How good is that? -With me at £25. I'll take 30. | 0:34:57 | 0:35:01 | |
£25. 30 on the internet. Clears the commission. Where's five? | 0:35:01 | 0:35:06 | |
Internet bid at 30. Surely worth five. On the net at 30. | 0:35:06 | 0:35:09 | |
-35 on the net. We've got 40 at it. 40 on the net. -40! | 0:35:09 | 0:35:12 | |
Welcome, internet. £40. Are you going to go one more, internet? | 0:35:12 | 0:35:15 | |
£40 on the net. I have to sell it. Fair warning at £40. | 0:35:15 | 0:35:20 | |
No-one else in the room. It's £40 and selling. All done? | 0:35:20 | 0:35:24 | |
Well done. £40 is plus 15. | 0:35:24 | 0:35:26 | |
What a great start. Plus 15. | 0:35:26 | 0:35:30 | |
Now, Escalado... | 0:35:30 | 0:35:32 | |
-..a Chad Valley Escalado horse-racing game. -Clippity-cop! | 0:35:32 | 0:35:37 | |
Nicely-boxed, all there. | 0:35:37 | 0:35:39 | |
Start me at £40 for this. The Escalado game... | 0:35:39 | 0:35:42 | |
£40. £40. 20, then. | 0:35:42 | 0:35:45 | |
£20. Fun at Christmas. I've got 20 bid now. At 20. | 0:35:45 | 0:35:49 | |
Looking for two now. £20 bid. 22. | 0:35:49 | 0:35:52 | |
25. 28. 30. | 0:35:52 | 0:35:55 | |
-Yes! -Don't say that! Kate Bliss, what are you up to? | 0:35:55 | 0:35:58 | |
Far left-hand corner at 30. Anyone else joining in? | 0:35:58 | 0:36:00 | |
£30 is bid. Surely worth another fiver. £30. I'll sell at 30. | 0:36:00 | 0:36:05 | |
-This is unbelievable! -Fair warning. 30. | 0:36:05 | 0:36:08 | |
It's plus 14, | 0:36:08 | 0:36:10 | |
which means you're plus 29 without winking! | 0:36:10 | 0:36:13 | |
-Here comes the vase. -Look out. -Oh, no! -Now, Moorcroft... | 0:36:13 | 0:36:17 | |
..sadly, restored. Someone start me at £30. | 0:36:17 | 0:36:21 | |
You get a lot of style for your money. | 0:36:21 | 0:36:23 | |
-£30 surely. 30 on the net. -Come on! | 0:36:23 | 0:36:26 | |
They know what they're talking about. | 0:36:26 | 0:36:28 | |
On the net at 30. Looking for five. 35 in the room against you, internet. 40 in the room. | 0:36:28 | 0:36:32 | |
45 internet. | 0:36:32 | 0:36:34 | |
-On the net at 45. -GIRLS: Come on! | 0:36:34 | 0:36:36 | |
The pressure in the room is unbearable. | 0:36:36 | 0:36:39 | |
£45 and selling on the net. It's going at 45. | 0:36:39 | 0:36:44 | |
I can't bear it! That's minus £30. | 0:36:44 | 0:36:48 | |
-You had plus £29. You're minus £1! -Minus one! | 0:36:48 | 0:36:52 | |
-This is so painful for you! -That is painful. | 0:36:52 | 0:36:55 | |
What are we going to do about the bonus buy? | 0:36:55 | 0:36:58 | |
-What do you think? -Minus one could be a winning score. -It could be. | 0:36:58 | 0:37:02 | |
-I think we should maybe go for it. -I think we should go for it. | 0:37:02 | 0:37:05 | |
-Really? -Think hard. -Do you really think this? | 0:37:05 | 0:37:08 | |
-£60 I paid. -Go for it. | 0:37:08 | 0:37:10 | |
-You are or you aren't? -Yes. -No? | 0:37:10 | 0:37:12 | |
-Make your mind up! -I think we shouldn't. -OK. -OK. -We should leave it. | 0:37:12 | 0:37:15 | |
-How long have you been together? -Six years! -Really! | 0:37:15 | 0:37:19 | |
We're not going with the bonus buy, the decision is cast, | 0:37:19 | 0:37:22 | |
but here it comes. | 0:37:22 | 0:37:24 | |
A brass-cased pocket barometer by Negretti and Zambra. | 0:37:24 | 0:37:28 | |
-Watch it make 200 now. -Interest with me on the book. | 0:37:28 | 0:37:31 | |
I can start at £20. | 0:37:31 | 0:37:33 | |
With me at £20. I'll take five now. Who's going to go five? | 0:37:33 | 0:37:36 | |
Commission bid at 20. 25. | 0:37:36 | 0:37:38 | |
Clears commission now at £25, standing left. 30 on the net. | 0:37:38 | 0:37:42 | |
£35 in the room. 40 on the net. | 0:37:42 | 0:37:46 | |
Are you sure, sir? £40? It's Negretti and Zambra. | 0:37:46 | 0:37:48 | |
-45! Are you going to go one more, internet? £45 in the room. -He's nudging it up. Good old JP. | 0:37:48 | 0:37:54 | |
Far left at £45. | 0:37:54 | 0:37:55 | |
Fair warning, I shall sell, | 0:37:55 | 0:37:57 | |
against you in the room at £45 and selling... | 0:37:57 | 0:38:01 | |
50 internet. He shakes his head. | 0:38:01 | 0:38:03 | |
At £50, then, on the net. Any more at £50? I shall sell. | 0:38:03 | 0:38:06 | |
-Well done. Benjamino, that was the correct decision, wasn't it? -It was. | 0:38:06 | 0:38:11 | |
-Good man. -He's a lovely man. He got it right. | 0:38:11 | 0:38:13 | |
Because if you got it wrong, you were in deep schtuck there! | 0:38:13 | 0:38:17 | |
-Are you feeling confident, Mary? -Yes, fairly confident. | 0:38:25 | 0:38:28 | |
-What do you mean, fairly confident? -Well, you know, maybe cautious. | 0:38:28 | 0:38:32 | |
-You went with the Majolica jardinieres. -I love them! | 0:38:32 | 0:38:35 | |
-They were your find, so to speak. -Mm. | 0:38:35 | 0:38:38 | |
You paid £145. It's your big-ticket number. | 0:38:38 | 0:38:41 | |
His estimate is 80 to 120, | 0:38:41 | 0:38:44 | |
but what does he know? | 0:38:44 | 0:38:46 | |
Otherwise, you've got that heap of ironmongery, | 0:38:46 | 0:38:49 | |
or should I say bronzemongery, to fall back on! | 0:38:49 | 0:38:52 | |
First up is Charles's pretty little dressing box. Here it comes. | 0:38:52 | 0:38:57 | |
Lot 2129, a mid-Victorian rosewood-and-porcelain inset dressing-table box, | 0:38:57 | 0:39:02 | |
circa 1860. | 0:39:02 | 0:39:04 | |
Lovely lot, this. Someone start me at £60. | 0:39:04 | 0:39:06 | |
Surely worth £50 to start me. | 0:39:06 | 0:39:08 | |
30, then? Hands shoot up. There's 30. Now, let's go upwards. 35. | 0:39:08 | 0:39:13 | |
40 on my right, at 40. 45. 50 on my right. | 0:39:13 | 0:39:17 | |
-55. 60 on my right. -Yes! -You've broken even. | 0:39:17 | 0:39:21 | |
-65. -Yes! Profit! -You're in profit, Charles, well done. | 0:39:21 | 0:39:24 | |
It's a wonderful lot. It's £70. It doesn't seem like very much. | 0:39:24 | 0:39:27 | |
-70 - I'm selling. -One more! -Fair warning, everyone. | 0:39:27 | 0:39:30 | |
It's £70, on my right at £70. | 0:39:30 | 0:39:32 | |
That's a profit, Charles. Well done. | 0:39:32 | 0:39:35 | |
That's plus £10, thank you very much. | 0:39:35 | 0:39:37 | |
Now the jardinieres. | 0:39:37 | 0:39:38 | |
..Late 19th century. Bids on the book with me at £40. | 0:39:38 | 0:39:42 | |
£40?! | 0:39:42 | 0:39:44 | |
Where's five? 45. 50. | 0:39:44 | 0:39:46 | |
£50 against you. 55 and 60. Against you at 60. | 0:39:46 | 0:39:49 | |
-This is desperate. -One more might do it. Against you at 60. | 0:39:49 | 0:39:51 | |
65. And I'm out now at £65. Where's 70? | 0:39:51 | 0:39:54 | |
On the right at 65. 70, back in. Internet's out. 70 at the back. | 0:39:54 | 0:39:59 | |
-Fair warning, then, I shall sell. -That's half price! | 0:39:59 | 0:40:03 | |
-70 it is. -£70 it sold for. | 0:40:03 | 0:40:06 | |
-That means you're minus £75. Overall, you're minus £65. -Oh, no! | 0:40:06 | 0:40:11 | |
Now George Gawthorn... Come on, George! | 0:40:11 | 0:40:14 | |
..Railway advertising lithographic poster in a nice oak frame. | 0:40:14 | 0:40:18 | |
As I thought, nice interest in this lot. | 0:40:18 | 0:40:20 | |
-Start me straight in at 45. £50 I have. -Good! Come on. | 0:40:20 | 0:40:23 | |
£50. Where's the five now? We're near Brighton. Where's the five? | 0:40:23 | 0:40:27 | |
55. And 60. 65. And 70. | 0:40:27 | 0:40:30 | |
-Come on! -Come on, JP! | 0:40:30 | 0:40:32 | |
You never know your luck... £70. On the book at £70. | 0:40:32 | 0:40:36 | |
One more. At £70, I shall sell. Fair warning 70... | 0:40:36 | 0:40:41 | |
Worth a punt, though, wasn't it? His estimate was 40 to 60. | 0:40:41 | 0:40:45 | |
He got to 70. Just £5 light. | 0:40:45 | 0:40:47 | |
-Which means overall, you're minus £70. -Oh, dear! | 0:40:47 | 0:40:50 | |
You've got to be brave in this game! You've got to be brave. | 0:40:50 | 0:40:53 | |
-What are you going to do about the ironmongery? -BOTH: We're going to be brave. | 0:40:53 | 0:40:57 | |
Here it comes. Stand by, Charles. | 0:40:57 | 0:40:59 | |
A pair of Neo-Classical-style | 0:40:59 | 0:41:01 | |
burnished gilt-metal curtain mounts. | 0:41:01 | 0:41:04 | |
-Quite an interesting lot. Very nice quality. -Thank you! | 0:41:04 | 0:41:07 | |
Start me at £30 for these. | 0:41:07 | 0:41:09 | |
At £30. A bid, thank you, at 30. | 0:41:09 | 0:41:11 | |
-Straight up, straight away! -He really wants them. | 0:41:11 | 0:41:15 | |
-We need competition, though. -We need competition. | 0:41:15 | 0:41:18 | |
Maiden bid at 30. Any more at £30? | 0:41:18 | 0:41:22 | |
-At 30, it is. At 30, I'm selling. -One more! | 0:41:22 | 0:41:25 | |
It's £30, then. Yours, sir, at 30. All done? | 0:41:25 | 0:41:30 | |
Can't do any more, Charles. You doubled your money. | 0:41:30 | 0:41:32 | |
-Plus £15. -You doubled your money. | 0:41:32 | 0:41:34 | |
Takes you down to minus 55. | 0:41:34 | 0:41:36 | |
-Who knows, it could be a winning score! -You never know. | 0:41:36 | 0:41:40 | |
-All will be revealed in a minute. You're a sporting couple, you two. -Oh, dear! | 0:41:40 | 0:41:44 | |
Well, well, well, well, well! What a ghastly day today has been! | 0:41:52 | 0:41:56 | |
Universally, across the board, things have not gone well for our teams. | 0:41:56 | 0:42:00 | |
But one team has suffered particularly badly, | 0:42:00 | 0:42:03 | |
-and that happens to be the Blues. -ALL: Oh, no! -Yes. | 0:42:03 | 0:42:07 | |
-£10 was the only miserable profit you managed to score out of your three items, yes? -Yes. | 0:42:07 | 0:42:12 | |
-Gosh, that went downhill, didn't it? -Very far! Very far! | 0:42:12 | 0:42:15 | |
£15 profit you got back, though, so that's OK, Charles. | 0:42:15 | 0:42:20 | |
Nice on the bonus buy. Thank you. | 0:42:20 | 0:42:22 | |
But your losses, I'm afraid, were ring-fenced at £55. | 0:42:22 | 0:42:26 | |
Just not your day, I'm afraid, plainly. | 0:42:26 | 0:42:29 | |
But you've been great sports. Thank you. | 0:42:29 | 0:42:31 | |
Now, the victors today aren't going home with money, | 0:42:31 | 0:42:34 | |
but they got quite close to it by only being minus £1. | 0:42:34 | 0:42:38 | |
-BLUES: Oh! -Isn't that bad luck? | 0:42:38 | 0:42:40 | |
That is as close as the proverbial sheet of Bronco to actually taking home the cash, | 0:42:40 | 0:42:45 | |
-but you just missed it. -Just. | 0:42:45 | 0:42:47 | |
£15 profit on the pocket watch. | 0:42:47 | 0:42:48 | |
Wow, wasn't that a price? | 0:42:48 | 0:42:51 | |
Escalado - that cantered home. | 0:42:51 | 0:42:53 | |
But Moorcroft, bless it... | 0:42:53 | 0:42:56 | |
Anyway, there we are. | 0:42:56 | 0:42:58 | |
-Had a good time, Luce? -Lovely. | 0:42:58 | 0:43:00 | |
-Had a good time, Ben? -Thoroughly enjoyed it. -So have we. | 0:43:00 | 0:43:02 | |
We've had such a fantastic time. | 0:43:02 | 0:43:04 | |
-Join us soon for some more bargain hunting! Yes? -ALL: Yes! | 0:43:04 | 0:43:08 | |
You're sitting there thinking, "I could've done better than that." | 0:43:08 | 0:43:13 | |
Well, what's stopping you? | 0:43:13 | 0:43:16 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:16 | 0:43:20 | |
It'll be splendid to see you! | 0:43:20 | 0:43:23 | |
Subtitles by Red Bee Media Ltd | 0:43:24 | 0:43:27 |