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We're at the Lincolnshire Antiques and Home Fair - | 0:00:09 | 0:00:12 | |
one of the largest in Europe, don't you know? | 0:00:12 | 0:00:15 | |
So, no time to waste. | 0:00:15 | 0:00:17 | |
Let's go bargain hunting, yeah! | 0:00:17 | 0:00:20 | |
It's a lovely day here in Lincoln. | 0:00:43 | 0:00:46 | |
The crowds have turned up in force, | 0:00:46 | 0:00:48 | |
so the race is on to find those bargains. | 0:00:48 | 0:00:51 | |
Let's have a quick squint at what's coming up. | 0:00:51 | 0:00:54 | |
'The reds feel the ups and downs of negotiation.' | 0:00:55 | 0:00:59 | |
-Would £20 buy it? -What about 25? | 0:00:59 | 0:01:01 | |
-Meet in the middle? -27. -LAUGHTER | 0:01:01 | 0:01:05 | |
-BLOWS TUNELESSLY -'The blues are full of hot air.' | 0:01:05 | 0:01:08 | |
-LAUGHTER -Thank you very much. | 0:01:08 | 0:01:12 | |
'So, let's meet today's teams.' | 0:01:13 | 0:01:17 | |
On the show today, we have father and daughter Gerry and Beth. | 0:01:18 | 0:01:24 | |
And for the blues, we have father Ricardo and son Tom. | 0:01:24 | 0:01:27 | |
-Hello, everyone. Lovely to see you. -ALL: Hello. | 0:01:27 | 0:01:31 | |
-Gerry, you're retired, but what did you use to do? -I was a teacher for 43 years. | 0:01:31 | 0:01:36 | |
17 of which I was a head teacher. | 0:01:36 | 0:01:38 | |
Then I took early retirement and I missed it, so I went back to supply teaching. | 0:01:38 | 0:01:44 | |
-You were a devil for punishment. -Absolutely! | 0:01:44 | 0:01:47 | |
-Tell me, you have a love for fast cars. -I do, indeed. | 0:01:47 | 0:01:50 | |
In the 1970s, I was a semi-professional rally driver | 0:01:50 | 0:01:54 | |
and drove to international standard. | 0:01:54 | 0:01:56 | |
Now I just organise events. | 0:01:56 | 0:01:58 | |
-What sort of motorcars did you go rallying in? -My favourite was the Escort RS2000. | 0:01:58 | 0:02:03 | |
-It's the one I had most success with. -That's quite a hairy thing. -Absolutely. | 0:02:03 | 0:02:07 | |
-Beth, you also have a love of motorsports. -Yes, I've been brought up into it with my dad. | 0:02:07 | 0:02:12 | |
I compete regularly now, but I also help him organise events as well. | 0:02:12 | 0:02:16 | |
-Do you drive your own car? -On occasion, but usually my partner drives our little Peugeot 106. | 0:02:16 | 0:02:22 | |
-What else do you get up to? -I also like to do pottery as well. | 0:02:22 | 0:02:26 | |
I quite like going to the gym, so I like a variety of hobbies. | 0:02:26 | 0:02:31 | |
Very good luck. | 0:02:31 | 0:02:33 | |
Now, chaps. Tom, you're a student. What are you studying? | 0:02:33 | 0:02:36 | |
I study landscape architecture and town planning at the University of Sheffield - | 0:02:36 | 0:02:40 | |
the design and implementation of anything which isn't a building. | 0:02:40 | 0:02:44 | |
It's not just digging up allotments and rearranging old ladies' front gardens? | 0:02:44 | 0:02:49 | |
No. That's more gardening. | 0:02:49 | 0:02:51 | |
It can work on a larger scale, large town areas. | 0:02:51 | 0:02:54 | |
-Laying out cities and things like that. Very varied. -Exciting stuff. -Very exciting. | 0:02:54 | 0:02:59 | |
-Richard, tell us about your love of biking. -I started when I was young. | 0:02:59 | 0:03:04 | |
I rode to a fairly good standard | 0:03:04 | 0:03:06 | |
-and then discovered women and drink, basically. -Oh, yeah. | 0:03:06 | 0:03:10 | |
-You grew up? -I grew up, yeah. | 0:03:10 | 0:03:12 | |
When we were on holiday, when I was a lot older, | 0:03:12 | 0:03:16 | |
my son took a photo of me on a beach in profile in a pair of shorts. | 0:03:16 | 0:03:20 | |
I'd ballooned to 14 stone and he put it on a media website. | 0:03:20 | 0:03:24 | |
I saw this fat bloke and thought, "I've got to do something." So I got my bike out again. | 0:03:24 | 0:03:29 | |
-Good for you! -Three years ago, I started biking again. | 0:03:29 | 0:03:32 | |
Tom-Tom, did you do that deliberately to shame your father? | 0:03:32 | 0:03:36 | |
-He didn't tell me about it. -It was, yeah, cruel but... -Cruel. | 0:03:36 | 0:03:40 | |
I feel the £300-moment coming on. There's your £300, Bethan. | 0:03:40 | 0:03:43 | |
-There you go, Tom. -Wonderful. | 0:03:43 | 0:03:46 | |
You know the rules. Your experts await and off you go. | 0:03:46 | 0:03:49 | |
And very, very, very good luck. Just like two peas in a pod. | 0:03:49 | 0:03:53 | |
'Hoping to hit the jackpot today for the reds is: | 0:03:54 | 0:03:58 | |
'Trying to make the numbers work for the blues is: | 0:03:59 | 0:04:02 | |
'Gosh! You're wearing well for your years.' | 0:04:02 | 0:04:05 | |
-I want to get something silver. -Really? -Something classy and silver. | 0:04:08 | 0:04:12 | |
-Quality silver item. -Not plated. Silver. | 0:04:12 | 0:04:15 | |
Can you tell the difference between a bit of silver and silver plate? | 0:04:15 | 0:04:19 | |
-Um... -No. -No. | 0:04:19 | 0:04:21 | |
-But I'm sure YOU can. -Yes, I think I probably can. | 0:04:21 | 0:04:25 | |
-What do you want to buy? -I don't know. Ceramics, maybe? | 0:04:27 | 0:04:30 | |
-Ceramics, yeah. Plenty of bling. -Plenty of bling? | 0:04:30 | 0:04:33 | |
-Your dad likes bling? -He does. He likes his bling. | 0:04:33 | 0:04:36 | |
-Silver, jewellery, yeah. -Anything like that. | 0:04:36 | 0:04:38 | |
Well, let's go for it, guys, cos there's plenty of it in there. | 0:04:38 | 0:04:43 | |
Right. | 0:04:43 | 0:04:45 | |
'So, both teams have strong ideas on what they want. | 0:04:46 | 0:04:49 | |
'Now they just have to track them down!' | 0:04:49 | 0:04:52 | |
-Is that silver or silver plate? -That's silver. I'm assuming. | 0:04:54 | 0:04:57 | |
I don't know much about hallmarks. | 0:04:57 | 0:04:59 | |
Let's have a quick, simple hallmark lesson. | 0:04:59 | 0:05:03 | |
'Stand by for some excellent expert advice on silverware. | 0:05:03 | 0:05:07 | |
'Off you go, Charlie.' | 0:05:07 | 0:05:09 | |
This is silver. What you must have is the lion. Can you see the lion? | 0:05:09 | 0:05:13 | |
The lion passant. Then the other marks. Here, you've got a crown. | 0:05:13 | 0:05:18 | |
Now, each assay office has a different mark. | 0:05:18 | 0:05:21 | |
If something is made in London, it has a leopard's head. | 0:05:21 | 0:05:24 | |
Made in Birmingham, it has an anchor. | 0:05:24 | 0:05:27 | |
A crown - this is made in Sheffield. Then it has a letter date. | 0:05:27 | 0:05:31 | |
Stylistically, looking at that, we're probably thinking 1920, 1930. | 0:05:31 | 0:05:38 | |
-So, perhaps not quite an antique. -Right. | 0:05:38 | 0:05:42 | |
Silver, yes. Let's find something that isn't silver. | 0:05:42 | 0:05:45 | |
Generally speaking, if something's not silver, it will have EPNS on it. | 0:05:45 | 0:05:50 | |
Or other words. There, AA - Electro Plate. | 0:05:50 | 0:05:54 | |
It hasn't got the old lion on it. Put it back in the pot. | 0:05:54 | 0:05:58 | |
-Right. -OK? -Rid of! | 0:05:58 | 0:06:01 | |
'You tell 'em, Charlie. | 0:06:03 | 0:06:05 | |
'Armed with new silver-spotting knowledge, do the blues have an advantage over those reds?' | 0:06:05 | 0:06:11 | |
That's nice, Beth, that silver claret jug. | 0:06:11 | 0:06:14 | |
A claret jug? All right. Let's have a look at it. | 0:06:14 | 0:06:18 | |
I like the detail on it. | 0:06:18 | 0:06:20 | |
It's priced at £24, so that's telling me that it is plate. | 0:06:20 | 0:06:25 | |
I see why you were drawn to it because It's a lovely shape. | 0:06:25 | 0:06:28 | |
It's maybe turn-of-the-century, so late 19th, early 20th. | 0:06:28 | 0:06:33 | |
-You do really like it. -I do. -Definitely. | 0:06:33 | 0:06:36 | |
-Both of you like it? -Yes. -Yes. | 0:06:36 | 0:06:38 | |
-Dad and daughter in agreement! -Absolutely. | 0:06:38 | 0:06:41 | |
If you like it that much, I think we should have a wee go for it. | 0:06:41 | 0:06:45 | |
We're interested in this piece. It's labelled at 24. | 0:06:45 | 0:06:48 | |
-Could we do any better on it? -< I could do £20 for it. | 0:06:48 | 0:06:52 | |
-Could you make it 18? -I couldn't, unfortunately. -OK. | 0:06:52 | 0:06:57 | |
-£20? -I'd go for £20. I think that's a fair price. | 0:06:57 | 0:07:01 | |
-Well done. You've made your first bargain. -Thank you very much. | 0:07:01 | 0:07:04 | |
-Thank you. -< Hope you do well with it. | 0:07:04 | 0:07:08 | |
-What's that? Five minutes and our first item? -Well done. -First one in the bag. | 0:07:08 | 0:07:13 | |
'Five minutes in, eh? Not bad, reds. | 0:07:15 | 0:07:18 | |
'As you say, the first one in the old bag. | 0:07:18 | 0:07:21 | |
'Aye-aye! Silver seems popular today.' | 0:07:22 | 0:07:25 | |
What have you got there? A pair of sterling silver coasters. | 0:07:25 | 0:07:29 | |
Coasters are good things because everybody likes a coaster. | 0:07:29 | 0:07:32 | |
-Mm-hm. -I quite like them. -And they're stylish. | 0:07:32 | 0:07:35 | |
-And jolly nearly Victorian. Do you want to look at them? -Yeah. | 0:07:35 | 0:07:38 | |
-May we look at your coasters, sir? -Do you like them, Tom? -Well, yeah. | 0:07:38 | 0:07:43 | |
There you go. Sterling, pretty good condition. | 0:07:46 | 0:07:49 | |
It's obviously quite a thin gauge because you can see various marks, | 0:07:49 | 0:07:54 | |
-but I think they're pretty things. -I like them. | 0:07:54 | 0:07:58 | |
How much could they be, sir? Can they be £30? | 0:07:58 | 0:08:01 | |
Or is that just being too rude? I don't want to be rude. I like them. | 0:08:01 | 0:08:05 | |
I need to make a phone call on those. | 0:08:05 | 0:08:07 | |
Could you make a phone call for us? That's very kind. | 0:08:07 | 0:08:11 | |
'Whilst the blues wait on a telephone call, | 0:08:11 | 0:08:14 | |
'the reds prepare for a recap with Anita.' | 0:08:14 | 0:08:17 | |
-So, we've got the shiny bit. We've got the bling. -Yes. | 0:08:17 | 0:08:21 | |
-So, are we thinking pottery, maybe? -Ceramics, bit of pottery. -Yes. | 0:08:21 | 0:08:26 | |
-What kind of ceramics do you like? -I like Poole Pottery. | 0:08:26 | 0:08:30 | |
-Oh, I LOVE Poole Pottery. -Do you? -I love Poole Pottery. | 0:08:30 | 0:08:34 | |
A nice big slab of that beautiful... | 0:08:34 | 0:08:36 | |
-A lovely bowl in those bright colours. -Yeah. | 0:08:36 | 0:08:39 | |
'It seems they've settled on a plan. | 0:08:39 | 0:08:42 | |
'Now, they just need to find a needle amongst that haystack.' | 0:08:42 | 0:08:45 | |
-I'm afraid the best they can be is 40. -Yeah. | 0:08:46 | 0:08:49 | |
Right, guys, we need to buy something at some stage. | 0:08:49 | 0:08:52 | |
-What do you reckon? -I think they're right on the money. | 0:08:52 | 0:08:56 | |
So you're not going to lose a lot. You're not going to make a lot. | 0:08:56 | 0:09:00 | |
Two coasters for 40 quid, silver, I think that's all right. | 0:09:00 | 0:09:04 | |
-We're going for that, then? -Yeah. -We're going to make our first buy! | 0:09:04 | 0:09:08 | |
-Are you excited? -I am excited. | 0:09:08 | 0:09:10 | |
-Sir, we're going to have those. Happy, guys? -Yes. -Wa-hay! | 0:09:10 | 0:09:14 | |
-Super-dooper! -Thank you very much indeed. | 0:09:14 | 0:09:17 | |
'Great. At ten minutes in, that's the first purchase for the blues. | 0:09:19 | 0:09:23 | |
'It's one-all. Meanwhile, it looks like Anita's spotted something | 0:09:23 | 0:09:28 | |
'which she wants to share with her team.' | 0:09:28 | 0:09:30 | |
Got a bit of Poole up there. | 0:09:30 | 0:09:32 | |
Gerry! Poole Pottery! | 0:09:32 | 0:09:35 | |
-He likes the Poole. -There it is! | 0:09:35 | 0:09:37 | |
-Is that what you like? -That's what I'm looking for. | 0:09:37 | 0:09:41 | |
-This is smashing. -Be better if the inside was colour as well. | 0:09:42 | 0:09:46 | |
So it means you have to put it up reasonably high. | 0:09:46 | 0:09:50 | |
-But that's from the '70s. -Yes. | 0:09:50 | 0:09:53 | |
It's from the Delphis and Aegean range. | 0:09:53 | 0:09:56 | |
-If you think of that time it was the psychedelic period. -Yeah. | 0:09:56 | 0:10:01 | |
Flower power, all that sort of stuff. | 0:10:01 | 0:10:04 | |
What I love about Poole | 0:10:04 | 0:10:06 | |
is that Poole always reflected the times that they lived in. | 0:10:06 | 0:10:11 | |
So, a nice piece of '60s, '70s Poole. | 0:10:11 | 0:10:14 | |
-Looks in good condition, as well. -Looks in good condition. | 0:10:14 | 0:10:18 | |
-Now, do you like that? -I do. | 0:10:18 | 0:10:21 | |
-I quite like that. -Do you? | 0:10:21 | 0:10:23 | |
-Like you say, I think it'd be nicer if it had colour inside. -Yeah. | 0:10:23 | 0:10:26 | |
Let's have a wee look. £38 on that. | 0:10:26 | 0:10:30 | |
I would try to come in around about 20, | 0:10:30 | 0:10:34 | |
so you're thinking of the lowest possible price, | 0:10:34 | 0:10:37 | |
and see if there's any negotiation on that. | 0:10:37 | 0:10:41 | |
It's better, sometimes, than saying, "What's the best you can do?" | 0:10:41 | 0:10:44 | |
"Is it possible...?" "Can it be bought for...?" | 0:10:44 | 0:10:48 | |
"We'd like it if there was more colour inside." | 0:10:48 | 0:10:51 | |
"Do you have some other Poole which maybe gives us more colour?" | 0:10:51 | 0:10:57 | |
So, if you go from that angle, you might get a deal. | 0:10:57 | 0:11:01 | |
-You can handle this one, Dad. -It's your one, Dad! | 0:11:01 | 0:11:05 | |
-Ask him if he's got any other Poole. -I will. | 0:11:06 | 0:11:09 | |
'Go on! Get to it, Gerry!' | 0:11:09 | 0:11:11 | |
Excuse me, have you got any other Poole or is that the only piece? | 0:11:11 | 0:11:15 | |
-I think that's all we've got left. -I like it. We all like it. | 0:11:15 | 0:11:19 | |
We'd have preferred if the inside was coloured. | 0:11:19 | 0:11:22 | |
-It's a nice size. -It is. | 0:11:22 | 0:11:25 | |
We're thinking would £20 buy it? | 0:11:25 | 0:11:28 | |
I know it's a nice day, but come on! £20? What about 25? | 0:11:29 | 0:11:33 | |
-Meet you in the middle? -27? | 0:11:33 | 0:11:35 | |
-BETH LAUGHING: -By my calculations... | 0:11:35 | 0:11:39 | |
-22. You've got a deal. -Thank you very much. | 0:11:39 | 0:11:42 | |
You're both quite good at bargaining. | 0:11:42 | 0:11:44 | |
-Anita's taught you well. -LAUGHTER | 0:11:44 | 0:11:48 | |
Delighted. Thank you very much indeed. | 0:11:48 | 0:11:51 | |
'You know, you should always trust Anita. Great. | 0:11:51 | 0:11:54 | |
'That's the second purchase made for the reds.' | 0:11:54 | 0:11:57 | |
-You like a bit of music, don't you? -Yes! | 0:11:57 | 0:12:01 | |
Look at this! | 0:12:01 | 0:12:03 | |
"Besson & Company." | 0:12:03 | 0:12:05 | |
What do we know about that? | 0:12:05 | 0:12:07 | |
"From London, England." | 0:12:07 | 0:12:09 | |
It's not a tuba, it's too small. What is it? A horn of some sort? | 0:12:11 | 0:12:16 | |
-< Tuba. -It IS a tuba? | 0:12:16 | 0:12:18 | |
I thought tubas were bigger than that. | 0:12:18 | 0:12:20 | |
BLOWS TUNELESSLY | 0:12:20 | 0:12:22 | |
'Cor, what a racket! Don't give up the day job, Charlie, eh? | 0:12:22 | 0:12:27 | |
'You'll burst a blood vessel.' | 0:12:27 | 0:12:29 | |
-LAUGHTER -Thank you very much! | 0:12:29 | 0:12:32 | |
-Have we got a hat? -I didn't know you were musical. | 0:12:32 | 0:12:35 | |
LAUGHTER | 0:12:35 | 0:12:37 | |
There's a man laughing at my playing! | 0:12:37 | 0:12:40 | |
-I like it, though. -Besson & Company, I have heard of. | 0:12:40 | 0:12:43 | |
"Prototype", 198 Euston Road, London. | 0:12:43 | 0:12:46 | |
-Has that got any age to it? -Good condition. It has got some age. | 0:12:46 | 0:12:50 | |
'20s, '30s, I would have thought. | 0:12:50 | 0:12:52 | |
Yeah. 1920. It just struck me as being...a lovely thing. | 0:12:52 | 0:12:57 | |
It seems to me, as an old expert, | 0:12:57 | 0:13:00 | |
-that it still works particularly well. -He's going again. -Stand back. | 0:13:00 | 0:13:04 | |
BLOWS TUNELESSLY | 0:13:04 | 0:13:06 | |
That's Mozart's third horn concerto. | 0:13:07 | 0:13:10 | |
You probably don't recognise it, but it is - my version of it. | 0:13:10 | 0:13:13 | |
How much is it? | 0:13:13 | 0:13:15 | |
-I think that's all right. -How do they do at auction? | 0:13:15 | 0:13:18 | |
You've got two lots of buyers. Someone that wants to play it. | 0:13:18 | 0:13:22 | |
From a purist's point of view, it wouldn't be as good as a new one. | 0:13:22 | 0:13:26 | |
But what about that as a thing to hang on a wall in a pub? | 0:13:26 | 0:13:29 | |
It's a really stylish looking thing. | 0:13:29 | 0:13:32 | |
What do I think that would make at auction? 50 quid. | 0:13:32 | 0:13:35 | |
-50 quid? -That's what I think it would make. | 0:13:35 | 0:13:37 | |
It's a question of how much flexibility there is in there. | 0:13:37 | 0:13:41 | |
I'll do it for 40. It'll give you a chance. | 0:13:41 | 0:13:43 | |
I like it and I reckon it's in good nick and quite eye-catching. | 0:13:43 | 0:13:47 | |
-Do you want that, guys? -Yeah, we'll take it. Cool. | 0:13:47 | 0:13:50 | |
-Thank you. -Thanks a lot, mate. | 0:13:50 | 0:13:52 | |
Cheers, lads. Brilliant. | 0:13:52 | 0:13:55 | |
'Well done, blues. Pleasant music to me ears. A second purchase made.' | 0:13:57 | 0:14:02 | |
I'd really like a one-off small piece of furniture. | 0:14:03 | 0:14:06 | |
A nice chair that's got something quirky about it would be lovely. | 0:14:06 | 0:14:10 | |
-You would like a nice wee chair? -Yes. | 0:14:10 | 0:14:12 | |
-There's a nice little corner chair over there. -Let's have a look. | 0:14:12 | 0:14:16 | |
-Ah, yeah. That's very sweet. -Yeah. | 0:14:16 | 0:14:19 | |
I like the curves on the back. | 0:14:19 | 0:14:22 | |
-That's nice. What's it made from? -It's made from oak. | 0:14:22 | 0:14:25 | |
And you have this straw, cane. | 0:14:25 | 0:14:30 | |
What I like about this are the nice lyre supports here. | 0:14:30 | 0:14:36 | |
-Do you want to have a look at the price? -Go on! | 0:14:36 | 0:14:39 | |
-LAUGHING: -There you go. | 0:14:39 | 0:14:42 | |
-£145. -Hm. -It says circa 1900 as well. | 0:14:43 | 0:14:47 | |
-So it's quite old. -It is a pretty chair. It's a functional chair. | 0:14:47 | 0:14:51 | |
As well as that, it's decorative. | 0:14:51 | 0:14:54 | |
Do you want to have a look elsewhere? | 0:14:54 | 0:14:56 | |
We've got a bit of time left. Do you think we should see if there's something else? | 0:14:56 | 0:15:00 | |
-Then we can come back. -Yeah, but just... | 0:15:00 | 0:15:04 | |
clock where we are, all right? | 0:15:04 | 0:15:07 | |
-We've got a wee bit of time. -Yeah. | 0:15:07 | 0:15:10 | |
-That's a good choice. She's got a good eye. -She has. | 0:15:10 | 0:15:13 | |
She's me daughter. ANITA LAUGHS | 0:15:13 | 0:15:16 | |
'Ah. All right, something to think about, reds. | 0:15:16 | 0:15:19 | |
'Don't leave it too long - only 15 minutes left.' | 0:15:19 | 0:15:23 | |
I think we'll get to the T-junction, turn left | 0:15:23 | 0:15:27 | |
and you've got to keep your eyes peeled, guys. | 0:15:27 | 0:15:31 | |
Cos what we want to avoid is that desperate last-minute purchase, | 0:15:31 | 0:15:36 | |
where it can all go HORRIBLY wrong! | 0:15:36 | 0:15:39 | |
'Yup, we've seen THAT more than a few times, Charlie. | 0:15:39 | 0:15:43 | |
'Meanwhile, the reds are still looking for a chair.' | 0:15:43 | 0:15:47 | |
-How about that one? -You like that? -Yeah. The one behind the antlers. | 0:15:47 | 0:15:51 | |
Let's have a wee look. | 0:15:51 | 0:15:53 | |
Let's take Rudolph out the way. | 0:15:53 | 0:15:56 | |
-It's quite a nice one, that one. It looks in good condition. -It does. | 0:15:58 | 0:16:02 | |
-How old do you think it might be? -Again, turn of the century. | 0:16:02 | 0:16:07 | |
Late 19th, probably. It's a Victorian chair. | 0:16:07 | 0:16:11 | |
It's in oak again, but this is a mid oak. | 0:16:11 | 0:16:14 | |
It's been stained a darker colour. | 0:16:14 | 0:16:17 | |
-The one that you liked formerly was a light oak. -Yeah. | 0:16:17 | 0:16:22 | |
In today's market, light oak is more desirable. | 0:16:22 | 0:16:26 | |
The lighter the oak is, the better. | 0:16:26 | 0:16:28 | |
-I wonder what price it is. -It's priced up at £100. | 0:16:28 | 0:16:31 | |
-Is it? -Priced up at 100. | 0:16:31 | 0:16:33 | |
-Which one do you prefer? -The first one, the corner chair. -OK. | 0:16:33 | 0:16:37 | |
I prefer the light oak to the dark. | 0:16:37 | 0:16:39 | |
I would say that your other little chair | 0:16:39 | 0:16:43 | |
-is more in keeping with today's tastes... -OK. | 0:16:43 | 0:16:47 | |
-..than this Victorian one. -OK? Move on? | 0:16:47 | 0:16:50 | |
Move on. | 0:16:50 | 0:16:52 | |
'We're 50 minutes into the shop and both teams still need to make one more purchase.' | 0:16:56 | 0:17:02 | |
-We need something big. -Big, yeah. Imposing. | 0:17:02 | 0:17:05 | |
-What's it going to be made of? -I don't know. | 0:17:05 | 0:17:07 | |
-Do you like 20th-century stuff? -Not particularly. -No. | 0:17:07 | 0:17:12 | |
50 quid. It's going to make £35 at auction | 0:17:12 | 0:17:15 | |
and you're going to blame me! | 0:17:15 | 0:17:17 | |
There's a bishop's chair there. | 0:17:17 | 0:17:19 | |
-Not quite as quirky as I was looking for. -Uh-huh. | 0:17:19 | 0:17:22 | |
-We've got five minutes left. Feeling anxious. -Getting a bit anxious. We're struggling to find something. | 0:17:22 | 0:17:29 | |
-Do you think we should go and get that chair? -Yes. | 0:17:29 | 0:17:32 | |
-I think it might be a good idea to go and... -Let's head back. | 0:17:32 | 0:17:36 | |
I think you're absolutely right. We could wander down there for ever. | 0:17:36 | 0:17:40 | |
We've got four minutes to buy something! | 0:17:41 | 0:17:44 | |
'What did you say about last-minute purchases, Charlie?' | 0:17:44 | 0:17:47 | |
-I'm worried now. -What...? | 0:17:47 | 0:17:50 | |
Burmantofts art pottery. > | 0:17:50 | 0:17:52 | |
Burmantofts art pottery, that is a good make. | 0:17:52 | 0:17:54 | |
Late Victorian, good collectable pottery. How much is it? | 0:17:54 | 0:17:59 | |
< 125. | 0:18:01 | 0:18:02 | |
It's unmarked. We're pretty sure it's Burmantofts. | 0:18:02 | 0:18:06 | |
-What do you mean you're pretty sure it's Burmantofts? -Sorry? | 0:18:06 | 0:18:10 | |
-What do you mean you're pretty sure? -I would be happier if it was impressed "Burmantofts". | 0:18:10 | 0:18:14 | |
'I'm sure you would, Charlie. Blowing £125 on unmarked vases | 0:18:14 | 0:18:19 | |
'isn't usually considered terribly wise.' | 0:18:19 | 0:18:22 | |
Now, do you guys know where we're going? | 0:18:22 | 0:18:25 | |
-I think it's in this tent here. -Oh, right. | 0:18:25 | 0:18:28 | |
Yes, there it is. | 0:18:28 | 0:18:30 | |
Oh, yes. There it is. | 0:18:30 | 0:18:33 | |
Somebody's put a bag on that. I hope that isn't saying that it's sold. | 0:18:33 | 0:18:37 | |
-Has it been sold? -Oh! | 0:18:38 | 0:18:40 | |
Oh, dear. Well, you take your chances. | 0:18:41 | 0:18:44 | |
-Someone saw in it what we saw in it. -Obviously must have done. | 0:18:44 | 0:18:47 | |
-Never mind. -We'd better get a move on and find something else. | 0:18:47 | 0:18:51 | |
'Time's fast running out.' | 0:18:51 | 0:18:53 | |
What are we going to do now? | 0:18:53 | 0:18:55 | |
-I quite like that red one. Shall we go for that one? -Which one? | 0:18:55 | 0:18:59 | |
-The red leather one. -We'll go and have another look. | 0:18:59 | 0:19:02 | |
If we march straight up the top and see if there's anything there, we can come back for it. | 0:19:02 | 0:19:06 | |
Something would have caught your eye. If we're going back that way, you've got to go for that chair. | 0:19:06 | 0:19:11 | |
If you go up this way, you might find something, but you might not! | 0:19:11 | 0:19:16 | |
And we're in the same situation. We've got to be decisive here! | 0:19:16 | 0:19:20 | |
-OK. -OK, go for that chair, then. -Go for the chair? I quite like it. | 0:19:20 | 0:19:24 | |
OK. Let's go for it, then. | 0:19:24 | 0:19:27 | |
'Bad luck, reds. It happens, I'm afraid. | 0:19:28 | 0:19:31 | |
'Now you've really got your work cut out. Two minutes left. | 0:19:31 | 0:19:35 | |
'The blues are still deliberating. Come on, guys! Make a decision!' | 0:19:35 | 0:19:40 | |
How much do you reckon it'll make at auction? | 0:19:40 | 0:19:43 | |
-CHARLIE LAUGHS -100 quid. | 0:19:43 | 0:19:46 | |
< Burmantofts sells for over 200. | 0:19:47 | 0:19:49 | |
It could make more, yeah, yeah. | 0:19:49 | 0:19:51 | |
-I'm just telling you what I think it will make. -115? | 0:19:51 | 0:19:55 | |
< 120. | 0:19:55 | 0:19:57 | |
I'll meet you in the middle, 117.50. | 0:19:57 | 0:20:00 | |
-Go on! -Go on, go on, go on. | 0:20:02 | 0:20:03 | |
< 117, forget the 50p. | 0:20:03 | 0:20:05 | |
-Oh! Shall we shake at 117? -Did you hear that? £117. | 0:20:05 | 0:20:10 | |
For a Burmantofts pot. Guys, you've taken a gamble. | 0:20:10 | 0:20:13 | |
-We have. -That's what it's all about. | 0:20:13 | 0:20:16 | |
I'm sure that's... It's great, stylistically. | 0:20:16 | 0:20:19 | |
-I love the decorations. -CONTESTANTS LAUGHING | 0:20:19 | 0:20:21 | |
We're going to win or lose! You can't do anything else. | 0:20:21 | 0:20:25 | |
But you've bought something I really like. | 0:20:25 | 0:20:28 | |
-I would really like to have seen Burmantofts... -Let's not focus on that. -Let's not dwell. | 0:20:28 | 0:20:33 | |
The fact is that is a good thing and you've spent a load of money on it. | 0:20:33 | 0:20:37 | |
-Well done. -Yes, indeed. | 0:20:37 | 0:20:39 | |
£117 is the most ridiculous price I've ever spent on anything in my life. | 0:20:39 | 0:20:44 | |
'Yeah, well, win or lose, that's the blues' last item bought. | 0:20:44 | 0:20:48 | |
'Meanwhile, those reds are feeling the pressure.' | 0:20:48 | 0:20:51 | |
-There it is. -That's the one. -That's the one. | 0:20:51 | 0:20:54 | |
-I think we need to go for it. -'You certainly do.' | 0:20:54 | 0:20:57 | |
-Go and talk to the gentleman. -See what you can do. -OK. | 0:20:57 | 0:21:01 | |
Hi. We're looking at the chair. | 0:21:02 | 0:21:04 | |
-We were wondering if you could maybe do £50 for it, please? -Ooh! | 0:21:04 | 0:21:08 | |
Well, it's up for 100. 70 and you've got a deal. | 0:21:08 | 0:21:12 | |
-70? Yeah, we'll take you up on the 70. -You pleased with that? -Yeah. -You've had a bargain again. | 0:21:12 | 0:21:17 | |
-Three items done. -Well done, sweetheart. > | 0:21:17 | 0:21:20 | |
-Brilliant. Super job. -Are you happy? -Yes. Definitely. | 0:21:20 | 0:21:23 | |
'In the nick of time, the reds made their last purchase. | 0:21:23 | 0:21:27 | |
'That's it. Shopping time is officially over. | 0:21:27 | 0:21:31 | |
'They poured £20 of their budget into the silver-plated claret jug. | 0:21:32 | 0:21:37 | |
'£22 was spent on a Poole Pottery bowl. | 0:21:37 | 0:21:41 | |
'And finally, they forked out £70 on a Victorian elbow chair.' | 0:21:41 | 0:21:46 | |
That was so disappointing, the chair had been bought. | 0:21:47 | 0:21:50 | |
-Yeah. -The big thing is, don't burst into tears about it. | 0:21:50 | 0:21:53 | |
What did you spend in toto, Betho? | 0:21:53 | 0:21:56 | |
-We spent £112 altogether. -£112? Is that all? Gosh. | 0:21:56 | 0:22:00 | |
-OK. I'd like £188, please. -Yeah. -Of leftover lolly. | 0:22:00 | 0:22:07 | |
-You got the other £3? -There you go. -Thank you very much. | 0:22:07 | 0:22:10 | |
We do watch out for these things. Straight over to Anita. | 0:22:10 | 0:22:14 | |
Meanwhile, why don't we check out what the blue team bought? | 0:22:14 | 0:22:17 | |
'A pair of silver and cut glass wine coasters cost them £40. | 0:22:18 | 0:22:23 | |
'The brass euphonium also set them back 40 notes - mainly flat. | 0:22:24 | 0:22:29 | |
'And finally, a Burmantofts pottery baluster vase cost them £117. Wow!' | 0:22:29 | 0:22:35 | |
-I'd never heard of it. I think it's rare and valuable. -And you're a musician! | 0:22:36 | 0:22:41 | |
They never stop talking, this lot! | 0:22:41 | 0:22:43 | |
-Anyway, how much did you pay in total for all your lots? -£197. | 0:22:43 | 0:22:48 | |
£197. I'd like...£103 back of leftover lolly. Thank you very much. | 0:22:48 | 0:22:53 | |
-You've clearly had a stressful time, Charlie. -I've had a wonderful time! -Good luck with that. | 0:22:53 | 0:22:58 | |
I'm going to show you now a Victorian deception. | 0:22:58 | 0:23:01 | |
Not so much smoke and mirrors. More, perhaps, a pipe dream. | 0:23:01 | 0:23:06 | |
When is an antique an antique and a fake a fake? | 0:23:12 | 0:23:16 | |
Well, I have found us a conundrum. | 0:23:16 | 0:23:20 | |
I'll take the glass cover off | 0:23:20 | 0:23:22 | |
so that we can see what's enclosed within. | 0:23:22 | 0:23:26 | |
And if I turn it up, | 0:23:26 | 0:23:28 | |
we've got an oak case that is trying to look 17th century. | 0:23:28 | 0:23:34 | |
Crudely carved, look, | 0:23:34 | 0:23:36 | |
with the cresting, two dragons flanking a central pineapple, | 0:23:36 | 0:23:41 | |
the emblem of hospitality. | 0:23:41 | 0:23:44 | |
Then the oak case inside carved with leaves | 0:23:44 | 0:23:48 | |
in the 17th-century style. | 0:23:48 | 0:23:50 | |
Actually, it was made by a Victorian craftsman | 0:23:50 | 0:23:54 | |
in about 1860 or 1880. | 0:23:54 | 0:23:57 | |
It was to go into a gentleman's room, | 0:23:57 | 0:24:00 | |
a library or collector's space, to show off something precious. | 0:24:00 | 0:24:05 | |
So it's an oak display case | 0:24:05 | 0:24:08 | |
made in the style, at that period, of 200 years earlier. | 0:24:08 | 0:24:12 | |
So it's not a fake. It's not been made to deliberately deceive. | 0:24:12 | 0:24:17 | |
It's simply in a popular Victorian style. | 0:24:17 | 0:24:20 | |
But what of the precious object that it's enclosing? | 0:24:20 | 0:24:25 | |
Well, what we've got here is an unusually long stemmed pipe. | 0:24:25 | 0:24:30 | |
The idea being that the tobacco burns hot in the bowl | 0:24:30 | 0:24:34 | |
and the longer the stem is before it gets to your mouth, | 0:24:34 | 0:24:38 | |
the cooler the smoke is going to be. | 0:24:38 | 0:24:41 | |
And if I just tweak these brass wires that retain it, | 0:24:41 | 0:24:46 | |
and take it out of the case, we can have a close look at it. | 0:24:46 | 0:24:50 | |
It is exquisitely made. | 0:24:50 | 0:24:54 | |
Now, the person that made the case wanted you to believe | 0:24:54 | 0:24:58 | |
that this thing dated from about 1650. | 0:24:58 | 0:25:02 | |
I don't believe that that's so. | 0:25:02 | 0:25:05 | |
I think this bit of glass was produced in Nailsea, | 0:25:05 | 0:25:10 | |
somewhere like that, in about 1850, | 0:25:10 | 0:25:13 | |
to deceive you into thinking it was 200 years older. | 0:25:13 | 0:25:17 | |
It's a fake. | 0:25:17 | 0:25:19 | |
There's no extant glass pipe that survives from the 17th century | 0:25:19 | 0:25:24 | |
and I don't think they ever made glass pipes in the 17th century. | 0:25:24 | 0:25:29 | |
So, what we've got, then, is a case here that is NOT a fake - | 0:25:29 | 0:25:34 | |
it was made simply in a style at the period - | 0:25:34 | 0:25:38 | |
enclosing a glass object which definitely IS a fake, | 0:25:38 | 0:25:43 | |
and was made in about 1850 to deceive. Brilliant, isn't it? | 0:25:43 | 0:25:48 | |
What does this concoction, | 0:25:48 | 0:25:50 | |
this interesting - fascinating even - concoction cost you out there in the fair? | 0:25:50 | 0:25:57 | |
Well, it could be yours for £40. | 0:25:57 | 0:25:59 | |
Fake or fortune? | 0:26:01 | 0:26:03 | |
Colin, I can't tell you how lovely it is to be back in Grantham. | 0:26:18 | 0:26:22 | |
It's like a second home, I suppose. | 0:26:22 | 0:26:24 | |
How many years have I been coming to your saleroom? At least a decade! | 0:26:24 | 0:26:28 | |
-It is. -The red team today have gone with the plated claret jug. | 0:26:28 | 0:26:33 | |
Which, I have to say, is the most worn-out, bashed example | 0:26:33 | 0:26:36 | |
-I think I've ever seen. -Yeah. I think you've summarised that. | 0:26:36 | 0:26:40 | |
-It's an old one, but it's seen an awful lot of service! -Certainly has. | 0:26:40 | 0:26:44 | |
For the most clapped-out claret jug in the western hemisphere, | 0:26:44 | 0:26:47 | |
how do you estimate that? | 0:26:47 | 0:26:49 | |
Let's hope a 25 to 40 estimate makes people look at it, rather than think, "That's a bit tired." | 0:26:49 | 0:26:54 | |
-£20 they paid. -OK. -Next is the Poole bowl. | 0:26:54 | 0:26:59 | |
Which is terribly white inside. | 0:26:59 | 0:27:01 | |
Yeah. A bit of fruit in there just to make it a useful object. | 0:27:01 | 0:27:06 | |
Has Poole gone off in value in the last ten years? | 0:27:06 | 0:27:09 | |
Certainly, in the last ten years there's been a change. | 0:27:09 | 0:27:12 | |
The very best 10%, prices have risen | 0:27:12 | 0:27:15 | |
and it's still a really strong and vibrant market. | 0:27:15 | 0:27:18 | |
But for anything other than that 10% | 0:27:18 | 0:27:20 | |
everything else really has slipped a little bit. | 0:27:20 | 0:27:23 | |
I take it this bowl is in the 90% bracket. | 0:27:23 | 0:27:26 | |
I'm afraid it's definitely in the 90% bracket. 25 to 40 estimate. | 0:27:26 | 0:27:30 | |
-I think it's going to be a bit of a scrape to get to that. -£22 paid. | 0:27:30 | 0:27:34 | |
That'll be all right. They may make a small profit on each of these. | 0:27:34 | 0:27:38 | |
-Their last item is the elbow chair. -It's had its legs chopped down. | 0:27:38 | 0:27:43 | |
Why have an inch and a half come off those legs? | 0:27:43 | 0:27:46 | |
A whole variety of reasons could have been there. | 0:27:46 | 0:27:49 | |
-To do with somebody's height? -It could be that. | 0:27:49 | 0:27:51 | |
-You never know, could have had problems with its casters. -Yes. | 0:27:51 | 0:27:55 | |
Could have had splitting and damage to it so they just reduced it | 0:27:55 | 0:27:59 | |
to a height that makes it look presentable. | 0:27:59 | 0:28:01 | |
It's at a presentable height, if you happen to be vertically challenged. | 0:28:01 | 0:28:06 | |
-You could nip into that and be very, very happy. -Yeah. | 0:28:06 | 0:28:09 | |
Nip in with 40 to 60 and I'll be very happy. | 0:28:09 | 0:28:13 | |
-£70 they paid. -OK. -There you have it from the master's mouth. | 0:28:13 | 0:28:16 | |
We are going to struggle for the reds. | 0:28:16 | 0:28:19 | |
They're going to need their bonus buy so let's have a look at it. | 0:28:19 | 0:28:22 | |
Now, Beth, Gerry, you spent £112. | 0:28:22 | 0:28:26 | |
You gave Anita £88. What did you spend it on, Anita? | 0:28:26 | 0:28:30 | |
-Ooh. -Oh, right! -Interesting! ANITA GIGGLES | 0:28:31 | 0:28:34 | |
I thought I would buy a piece of quirky glass | 0:28:34 | 0:28:37 | |
and I was drawn to this. | 0:28:37 | 0:28:40 | |
It's a little inkwell made up of all these little joined-up balls. | 0:28:40 | 0:28:45 | |
We can see the little lid here. | 0:28:45 | 0:28:47 | |
It reminds me of, I don't know, Mickey Mouse or something! | 0:28:47 | 0:28:51 | |
I think it's very, very charming, but tell me what you think. | 0:28:51 | 0:28:56 | |
How much did you pay for it? | 0:28:56 | 0:28:58 | |
-ANITA LAUGHS -That's a question, girl! | 0:28:58 | 0:29:00 | |
-Straight in there. -I paid £40 for it. | 0:29:00 | 0:29:03 | |
Following on, how much do you think it will make at auction? | 0:29:03 | 0:29:07 | |
I haven't seen one before. | 0:29:07 | 0:29:09 | |
I think its novelty value will help it along. | 0:29:09 | 0:29:13 | |
But really, I'm not very sure what it will get. | 0:29:13 | 0:29:16 | |
-Is it old? -It is old, yes. It's probably turn of the century. | 0:29:16 | 0:29:20 | |
-So it's a real antique, then? -Yeah. | 0:29:20 | 0:29:23 | |
-Do you like it, Beth? -I do quite like it. Yes. | 0:29:23 | 0:29:26 | |
It's quirky, which I like. I think that's a nice piece, actually. | 0:29:26 | 0:29:30 | |
And I like glass, so anything glass is good for me. | 0:29:30 | 0:29:33 | |
Pens, old-fashioned pens and inkwells is a collectable area. | 0:29:33 | 0:29:36 | |
-So who knows? -Fingers crossed. | 0:29:36 | 0:29:39 | |
For the audience at home, let's find out what the auctioneer thinks about Anita's little inkwell. | 0:29:39 | 0:29:44 | |
There you go, Colin, one spherical inkwell. | 0:29:45 | 0:29:48 | |
That's an interesting lot. I've not come across one of those before. | 0:29:48 | 0:29:52 | |
CHUCKLING: I don't know what to make of it. | 0:29:52 | 0:29:54 | |
It's got some age. Look at the fittings. It's probably Edwardian. | 0:29:54 | 0:29:58 | |
I feel there should be another one. | 0:29:58 | 0:30:00 | |
-You've got blue ink in one, red ink in another. -Yeah. | 0:30:00 | 0:30:04 | |
-It feels like a desk set to me. -Yeah. | 0:30:04 | 0:30:06 | |
You might have a glass roller. We've got one bit that's left over. | 0:30:06 | 0:30:10 | |
-I think that's highly likely. -What's your very, very best estimate? | 0:30:10 | 0:30:14 | |
I've put a very bold 25 to 40, not based on comparables - | 0:30:14 | 0:30:18 | |
-because I couldn't find any. -Fair enough. Anita paid 40. -OK. | 0:30:18 | 0:30:23 | |
She rates it. Who knows? She might be right. | 0:30:23 | 0:30:25 | |
That's it for the reds. Now for the blues. They've got a mixture! | 0:30:25 | 0:30:29 | |
-First up are these sterling silver mounted moulded glass dishes. -Yeah. | 0:30:29 | 0:30:35 | |
Not the greatest combination. | 0:30:35 | 0:30:37 | |
The quality of the moulding is fairly poor. | 0:30:37 | 0:30:40 | |
Again, the silver work on the top looks a little bit beaten | 0:30:40 | 0:30:43 | |
and a lot of rubbing on the beading. | 0:30:43 | 0:30:46 | |
-They don't do a lot for me, it has to be said. -How much? | 0:30:46 | 0:30:49 | |
-£30 to £50. -OK, £40 paid. | 0:30:49 | 0:30:51 | |
-Now, next up is the euphonium. -Mm-hm. | 0:30:51 | 0:30:55 | |
-Is it a collectable? Yes. -Yeah. | 0:30:55 | 0:30:57 | |
I think it's more likely to be bought for decoration than being played. | 0:30:57 | 0:31:02 | |
Somebody who is in a band is going to want a good quality instrument. | 0:31:02 | 0:31:07 | |
I think this is not the sort of thing they'll be buying. | 0:31:07 | 0:31:10 | |
-50 to 80 is going to be the mark for it. -Fantastic! | 0:31:10 | 0:31:14 | |
-They only paid £40. -Fine. | 0:31:14 | 0:31:16 | |
-Now, your challenge is going to be the last item. -Right. | 0:31:16 | 0:31:19 | |
The Burmantofts studio pottery pot. | 0:31:19 | 0:31:22 | |
-Do you like it? -I do like it. What's going to be the challenge? | 0:31:22 | 0:31:25 | |
Making the right amount of money cos they pushed the boat out. | 0:31:25 | 0:31:30 | |
It is the type of pottery that I like. | 0:31:30 | 0:31:32 | |
Good texture on it. I do like the colouring on it. | 0:31:32 | 0:31:35 | |
-I can't be that negative about it. -Good. -I like the thing. | 0:31:35 | 0:31:39 | |
-£50 to £80 is going to be the mark for it. -You don't like it enough. -Do I not? Oh, dear. | 0:31:39 | 0:31:45 | |
-You have to like it £117 much! -Right. | 0:31:45 | 0:31:49 | |
I'm not going to say never. There's the possibility for that. | 0:31:49 | 0:31:52 | |
-Burmantofts collectors are on the rise, I've noticed. -Yeah. | 0:31:52 | 0:31:57 | |
-Definitely the case. -It will depend on your performance | 0:31:57 | 0:32:00 | |
strictly on this Burmantofts pot. | 0:32:00 | 0:32:04 | |
If you crack it, they're not going to need their bonus buy. | 0:32:04 | 0:32:08 | |
If you fail, they certainly will. | 0:32:08 | 0:32:10 | |
And I've a funny feeling they're going to need their bonus buy. | 0:32:10 | 0:32:14 | |
Tom and Richard, this is exciting. You gave Charlie Ross £103. | 0:32:14 | 0:32:19 | |
Not a lot of people would do that, but you did. | 0:32:19 | 0:32:23 | |
-Charlie, what did you spend it on? -I didn't spend all of it, chaps. | 0:32:23 | 0:32:27 | |
I spent £65. It's a superb, I think, | 0:32:27 | 0:32:32 | |
example of a shooting stick from the Edwardian era. | 0:32:32 | 0:32:36 | |
Bamboo, wonderful brass mounts. It's in full working order. | 0:32:36 | 0:32:40 | |
It's strong enough to support you and it cost £65. | 0:32:40 | 0:32:44 | |
-Really? -I'd like to have bought it for £50. | 0:32:44 | 0:32:47 | |
It cost 65 and I think there's a slim profit in it. | 0:32:47 | 0:32:51 | |
-What a marvellous thing! Do you like it? -It's fantastic. | 0:32:51 | 0:32:55 | |
-It is. -In good condition. -It's super condition. | 0:32:55 | 0:32:58 | |
-When you think of those boring aluminium ones with leather seats. -And they cost as much money. | 0:32:58 | 0:33:04 | |
-That's bamboo. -Well, I'm jiggered. | 0:33:04 | 0:33:06 | |
It's very, very nice. I'm impressed. | 0:33:06 | 0:33:09 | |
-You reckon it'll make money, Charlie? -I'd like to see a profit, but I reckon it'll be a slim one. | 0:33:09 | 0:33:14 | |
-It's not going to make £200. -He's not committing himself. -No. | 0:33:14 | 0:33:18 | |
I think it could make £75, £80. It might make £100. | 0:33:18 | 0:33:22 | |
-We're very impressed. We like it. -I like the finish. | 0:33:22 | 0:33:25 | |
-Happy with that? -Very, very happy. -Thanks, Charlie. | 0:33:25 | 0:33:28 | |
Why don't we, for the audience at home, | 0:33:28 | 0:33:31 | |
find out what the auctioneer thinks about Charlie's shooting stick? | 0:33:31 | 0:33:34 | |
-Tally-ho! -OK. -Look at that in bamboo! | 0:33:35 | 0:33:39 | |
-Isn't that a good example? -That IS a good example. | 0:33:39 | 0:33:42 | |
-And in such good nick! -Action's nice and clean as well. | 0:33:42 | 0:33:47 | |
It's a good thing. Very rare to find one in such good condition. | 0:33:47 | 0:33:51 | |
When they're in poor condition, an average, sort of £25 to £40. | 0:33:51 | 0:33:55 | |
I think we'll stick with that as an estimate, 25 to 40. | 0:33:55 | 0:33:59 | |
Then people know and go just that little bit further | 0:33:59 | 0:34:03 | |
because it is a very good example. | 0:34:03 | 0:34:05 | |
-Will they go as far as £65? -They might do, with a push. | 0:34:05 | 0:34:08 | |
-Might they? -Yeah. -Charlie Ross rates it and who knows, it might get that. | 0:34:08 | 0:34:12 | |
-Anyway, good luck today. -Thank you. -Thank YOU. | 0:34:12 | 0:34:15 | |
Beth and Gerry, this is exciting. | 0:34:25 | 0:34:27 | |
We've got a crowded saleroom, an excellent auctioneer and some stylish gear from you. | 0:34:27 | 0:34:32 | |
-How excited are you, Beth? -Very. It's my first auction. | 0:34:32 | 0:34:36 | |
-You've never been to an auction? -No. -How marvellous! | 0:34:36 | 0:34:39 | |
-Me, too. -You, too? -I've never been to one. | 0:34:39 | 0:34:41 | |
-What have you done all your long life? -What a wasted life! | 0:34:41 | 0:34:45 | |
Let's hope it's a memorable experience. | 0:34:45 | 0:34:48 | |
First up is the claret jug. | 0:34:48 | 0:34:50 | |
-Here it comes. -Lot number 182. | 0:34:50 | 0:34:53 | |
A silver-plated claret jug. Who's going to start me at £50? | 0:34:53 | 0:34:56 | |
50? £50 anybody? 30 to go, then? | 0:34:56 | 0:34:58 | |
£30 anybody? | 0:34:58 | 0:35:00 | |
20, if you like. Surely £20? Ten? Ten bid... | 0:35:00 | 0:35:04 | |
-We're off. -Off and running. | 0:35:04 | 0:35:07 | |
..12 anywhere, do I see? 12 bid. The excitement continues. 15 bid. | 0:35:07 | 0:35:11 | |
18 now? Going this time, then. Second row has it at £15... | 0:35:11 | 0:35:15 | |
-Minus £5. -That's not too bad. -OK, now the Delphis. | 0:35:15 | 0:35:19 | |
A really big fruit bowl this one. £30 anybody? £30? | 0:35:19 | 0:35:24 | |
Thank you. 30. It's a size and a half this one. 30 bid. | 0:35:24 | 0:35:27 | |
32 now, do I see? At 30 bid. Two now, surely. At £30 bid. | 0:35:27 | 0:35:32 | |
-Selling to a maiden bid, then, at £30... -Well done. | 0:35:32 | 0:35:35 | |
That's plus £8. Which means, overall, you're plus £3. Ooh! | 0:35:35 | 0:35:39 | |
-We're in profit! -Yeah. Now the elbow chair. Look out! | 0:35:39 | 0:35:43 | |
A Victorian elbow chair. Really nice studded leather panel work. 100? | 0:35:43 | 0:35:49 | |
50 to go then, surely? 50? 40, if you like. | 0:35:49 | 0:35:51 | |
- £40? 40. - That's not looking good, is it? | 0:35:51 | 0:35:55 | |
I'll take 20 to go, then... | 0:35:55 | 0:35:58 | |
-20? -That's SO cheap! -..Look at what we're selling here! | 0:35:58 | 0:36:01 | |
Is there two? You know you need it, sir. Two. Five bid. 28 now... | 0:36:01 | 0:36:06 | |
More, more, more! | 0:36:06 | 0:36:08 | |
..The last call, then. Done and finished at £28. | 0:36:08 | 0:36:11 | |
Two off 30. | 0:36:11 | 0:36:14 | |
That's minus 42. And you had three, so that is now minus £39. | 0:36:14 | 0:36:20 | |
-Oh, dear. -You've got to double the profit on the inkwell. -Be careful. | 0:36:20 | 0:36:24 | |
Minus 39. Going to go with the bonus buy, the inkwell? | 0:36:24 | 0:36:28 | |
-I think yes. Yeah, we'll go with it. -Yes? -Yeah, definitely. | 0:36:28 | 0:36:31 | |
Lot number 188 | 0:36:31 | 0:36:33 | |
is an early 20th-century novelty crystal inkwell | 0:36:33 | 0:36:36 | |
in the form of stacked cannonballs. | 0:36:36 | 0:36:39 | |
Who's going to start me at £50? | 0:36:39 | 0:36:41 | |
30 to go, then, surely? £30 anybody? 20, if you like. £20 anybody? | 0:36:41 | 0:36:46 | |
Ten, if you like. A very unusual lot, if you're into militaria. | 0:36:46 | 0:36:50 | |
£10 I'm bid. Ten bid. 12 anywhere? 12. 12 bid. 15? | 0:36:50 | 0:36:54 | |
15. 18. Gentleman's bid. £20, surely? 20 bid. 22 now? 22. 25? | 0:36:54 | 0:36:59 | |
No? At 22. The bid's at the back for the cannonballs. | 0:36:59 | 0:37:02 | |
-Oh, dear. -Those about to bid, we salute you. | 0:37:02 | 0:37:05 | |
All done, are we, then? Selling in the room at £22. | 0:37:05 | 0:37:09 | |
-That is minus £57. -Oh, dear. -Oh, well. | 0:37:09 | 0:37:12 | |
-Say it quick, doesn't sound a lot. -Quite. It could be a winning score. | 0:37:12 | 0:37:17 | |
You could still be victors, if you play your cards right. | 0:37:17 | 0:37:21 | |
LAUGHTER | 0:37:21 | 0:37:22 | |
-So, Tom, how is it with you? -Good. Very excited. | 0:37:35 | 0:37:38 | |
Intrigued to see how it goes down. | 0:37:38 | 0:37:40 | |
I have to say that the father's a bit nervous. | 0:37:40 | 0:37:44 | |
-I'm nervous about one item. -Which one's that? -The vase. | 0:37:44 | 0:37:47 | |
-The Burmantofts vase? -Yeah. | 0:37:47 | 0:37:49 | |
If all else fails, you've got the shooting stick to fall back on. | 0:37:49 | 0:37:53 | |
-Actually, to sit on. -LAUGHTER | 0:37:53 | 0:37:55 | |
First up are the coasters or ashtrays with the American mounts. | 0:37:55 | 0:37:59 | |
Lot number 204 | 0:37:59 | 0:38:01 | |
is the pair of American sterling silver and cut glass wine coasters. | 0:38:01 | 0:38:05 | |
Start me at £50 for them. 30 to go, then? | 0:38:05 | 0:38:07 | |
20 to go, then, surely? At 20. Ten, if you like. | 0:38:07 | 0:38:10 | |
Ten do I see? 12 anywhere else? At £10 bid... | 0:38:10 | 0:38:13 | |
Oh, matron! | 0:38:13 | 0:38:15 | |
..Second row has it at 12. 15? 15 bid. 18 bid. 20 bid... | 0:38:15 | 0:38:19 | |
-We're going up a bit. -Sssh! | 0:38:19 | 0:38:22 | |
..22 bid. Five, may I say? 22, are we all done and finished? | 0:38:22 | 0:38:25 | |
Going, then, at £22... | 0:38:25 | 0:38:27 | |
Minus £18. That's a wicked stab in the back. | 0:38:27 | 0:38:32 | |
205 is the euphonium this time. Who's going to start me at £80? | 0:38:33 | 0:38:38 | |
50 to go, then, surely? 50? 40, if you like. | 0:38:38 | 0:38:41 | |
£40, anyone? £40, anyone? 40? | 0:38:41 | 0:38:44 | |
Surely £40? There's a lot of brass there. | 0:38:44 | 0:38:47 | |
30 to go, then? 30? £30, anybody? | 0:38:47 | 0:38:49 | |
30? | 0:38:49 | 0:38:51 | |
£20, anyone? Lady's bid at 20. 22. 25. Five bid now. | 0:38:51 | 0:38:55 | |
Five. Let's get on. 25. 28? No...? | 0:38:55 | 0:38:58 | |
-Oh, these are our bankers, Tom. -Eh? -This were our bankers! -I know! | 0:38:58 | 0:39:02 | |
I can't believe this! | 0:39:02 | 0:39:04 | |
..It's your bid at 25. Do I see 28? At 25. | 0:39:04 | 0:39:07 | |
28, do I see? Going at £25... | 0:39:07 | 0:39:10 | |
-Minus £15. -I thought that was a cert. 40 quid! -Dead cert that was! | 0:39:12 | 0:39:16 | |
-Stand by for Burmantofts. -Really looking forward to this(!) | 0:39:16 | 0:39:20 | |
A Burmantofts pottery baluster vase. Who's going to start me at £50? | 0:39:20 | 0:39:25 | |
- Oh, God! - 50? Low enough start. 40 to go? | 0:39:25 | 0:39:28 | |
£40, anybody? 40? £40? 30, if you like. | 0:39:28 | 0:39:32 | |
£30 bid. At 30 bid. Two do I see? And two? | 0:39:32 | 0:39:35 | |
At 30 bid. Two do I see? Two bid. Five bid. 38. 40? | 0:39:35 | 0:39:38 | |
At £40 I'm bid. Two now, may I say? 42. | 0:39:38 | 0:39:41 | |
At 42. 45? 45 bid. 48 now? Go on. Have another one... | 0:39:41 | 0:39:45 | |
LAUGHING: We paid 117 for it! | 0:39:45 | 0:39:47 | |
..At £45. | 0:39:47 | 0:39:50 | |
You are overall down a stonking tube with a stonking bad result. | 0:39:50 | 0:39:55 | |
-What are we doing about the bonus buy? -We're going for it. Trust him with our life. | 0:39:55 | 0:39:59 | |
-LAUGHING: -Trust him with your life! | 0:39:59 | 0:40:02 | |
-Yes. Did you trust him with a Burmantofts? -Yes! | 0:40:02 | 0:40:06 | |
-It was his recommendation. -Well, he's much better on shooting sticks! | 0:40:06 | 0:40:10 | |
No, seriously, it hasn't been your day today, | 0:40:10 | 0:40:13 | |
so let us hope that this stick sticks it to them. | 0:40:13 | 0:40:17 | |
Early 20th-century shooting stick. | 0:40:17 | 0:40:19 | |
Bamboo shaft, very good order. Who's going to start me at £50? | 0:40:19 | 0:40:23 | |
50? 40 to go, then? £40, anybody? 40? | 0:40:23 | 0:40:26 | |
- 30 to go, then? £30 I'm bid... - It's the wrong audience! | 0:40:26 | 0:40:30 | |
..32. 35. 38 bid. 40? 40 bid. | 0:40:30 | 0:40:33 | |
42? Two bid. 45? 45. 48, may I say? 48 if you wish? 48 bid. | 0:40:33 | 0:40:38 | |
-50? £50 I'm bid. 50. Five...? -Nearly. | 0:40:38 | 0:40:41 | |
..Do I see five? | 0:40:41 | 0:40:43 | |
At 50 bid. Two or not now? Selling in the front row at £50. | 0:40:43 | 0:40:48 | |
-£120 worth... -How much did we spend? -..of losses. Not much! | 0:40:48 | 0:40:53 | |
-Only spent £197! -You spent 197 plus 65. | 0:40:53 | 0:40:57 | |
-So it's perfectly respectable. -Is it? -It's a disaster! | 0:40:57 | 0:41:01 | |
-Could be a winning score! -Listen. This is not, believe me, this is not a disaster. -Isn't it? -No. | 0:41:01 | 0:41:07 | |
-LAUGHTER -This is an average performance. | 0:41:07 | 0:41:09 | |
Don't say a word to the reds because, seriously, £120 could be a winning score today. | 0:41:09 | 0:41:15 | |
With blood baths of this scale, anything could happen. | 0:41:15 | 0:41:18 | |
-It's war out there! -It's war out there! | 0:41:18 | 0:41:20 | |
Well, some days is good days and some days is bad days and today happens to be a very, very bad day. | 0:41:33 | 0:41:39 | |
It isn't so often that each team and each bonus buy | 0:41:39 | 0:41:43 | |
turns out with a minus score next door to it. | 0:41:43 | 0:41:47 | |
That is what has happened today, ladies and gentlemen, | 0:41:47 | 0:41:51 | |
with the exception of one team, which did make an £8 profit. | 0:41:51 | 0:41:55 | |
But that was wiped out by the tidal wave of losses elsewhere. | 0:41:55 | 0:41:59 | |
So, universally, nobody has done particularly well. | 0:41:59 | 0:42:02 | |
It's just a question of scale, | 0:42:02 | 0:42:04 | |
and the team with the largest losses today are the blues. | 0:42:04 | 0:42:08 | |
GROANS/CHEERS | 0:42:08 | 0:42:10 | |
Actually, £120 worth of losses, but let's not dwell on it. | 0:42:12 | 0:42:16 | |
-Eh? -Let's not. -No. Move on. -Just move on to the positives. | 0:42:16 | 0:42:20 | |
-Did you have a nice time? -It was the best day of my life. LAUGHTER | 0:42:20 | 0:42:25 | |
-He's had a very short life. -Absolutely! You're terribly young. | 0:42:25 | 0:42:29 | |
I'm glad you had a nice time. Thank you for joining us. | 0:42:29 | 0:42:32 | |
-The winners, though, have won by only losing £57. -Yay! | 0:42:32 | 0:42:36 | |
-Which is quite an achievement. -Absolutely. -Well done. | 0:42:36 | 0:42:39 | |
-Are you happy with that, Beth? -Yeah. -Hope you had a good day. -Lovely. | 0:42:39 | 0:42:43 | |
Join us soon for some more bargain hunting, yes? | 0:42:43 | 0:42:47 | |
ALL: Yes! | 0:42:47 | 0:42:49 | |
Subtitles by Red Bee Media Ltd | 0:42:54 | 0:42:57 | |
E-mail [email protected] | 0:42:57 | 0:43:00 |