Browse content similar to Lincoln 23. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, we're just outside Lindum Colonia - | 0:00:06 | 0:00:10 | |
otherwise known as Lincoln. | 0:00:10 | 0:00:13 | |
So, let's go bargain hunting - yeah! | 0:00:13 | 0:00:16 | |
It never ceases to amaze one | 0:00:41 | 0:00:43 | |
the number of antiques lurking around in all this tentage. | 0:00:43 | 0:00:47 | |
What will our teams choose? | 0:00:47 | 0:00:49 | |
Here's a quick squint as to what's coming up. | 0:00:49 | 0:00:51 | |
Today, the Red team prove quite lively. | 0:00:55 | 0:00:58 | |
-You girls are party girls. -We are. -We've got the afternoon party... | 0:00:58 | 0:01:02 | |
-And we've got the night-time party. -We've got the night-time party. | 0:01:02 | 0:01:05 | |
I think we might be having a wee theme here. | 0:01:05 | 0:01:08 | |
And the Blues are a little bit...risque. | 0:01:10 | 0:01:13 | |
-Are you ready for a shock? -Definitely. | 0:01:13 | 0:01:16 | |
Now look in the bottom. | 0:01:16 | 0:01:17 | |
-Oh! -Very nice. -Wow! -What a treat. | 0:01:17 | 0:01:23 | |
-Good heavens - I like that! -I thought you might! | 0:01:23 | 0:01:27 | |
But will their tactics bring in the dosh at the auction? | 0:01:30 | 0:01:33 | |
125, 130 now. Let's make it 130. | 0:01:34 | 0:01:37 | |
All that's to come. | 0:01:38 | 0:01:39 | |
But first, let's meet the contestants. | 0:01:39 | 0:01:41 | |
We have got a Mamma Mia of a programme for you today. | 0:01:46 | 0:01:49 | |
For the Reds, we've got mother and daughter, Jenny and Jane, | 0:01:49 | 0:01:54 | |
and for the Blues, we've got Lynda and Tina, | 0:01:54 | 0:01:56 | |
mother-in-law and daughter-in-law. | 0:01:56 | 0:01:59 | |
-Hello, everyone. -ALL: Hello! | 0:01:59 | 0:02:00 | |
Lovely to see you. | 0:02:00 | 0:02:01 | |
Now, Jenny, you are often mistaken for sisters, you two. | 0:02:01 | 0:02:05 | |
Yes, yeah. Well, yes, we are. | 0:02:05 | 0:02:07 | |
-Which is lovely, isn't it? -Well, not for Jane, it's not. | 0:02:07 | 0:02:09 | |
THEY LAUGH | 0:02:09 | 0:02:11 | |
Well, I don't know. I think it's rather nice all round. | 0:02:11 | 0:02:13 | |
You're good friends, too. | 0:02:13 | 0:02:14 | |
Very good friends. We're like best mates. | 0:02:14 | 0:02:16 | |
You used to be a stand-in for somebody famous. | 0:02:16 | 0:02:18 | |
-Yeah, Jane Seymour. -Did you, really? -I did, yes. | 0:02:18 | 0:02:21 | |
Now she's a Bond girl, isn't she? | 0:02:21 | 0:02:22 | |
Yes. I stood in for her on the Bond film Live And Let Die. | 0:02:22 | 0:02:25 | |
-Yes - is that with Rodge the Dodge? -It is, yes. | 0:02:25 | 0:02:29 | |
Tell us about Harrison Ford. | 0:02:29 | 0:02:31 | |
Oh, yes. Well, that was a real bonus. | 0:02:31 | 0:02:33 | |
-I was standing in for an actress called Lesley-Anne Down... -Oh, yes. | 0:02:33 | 0:02:38 | |
..on a film called Hanover Street. | 0:02:38 | 0:02:40 | |
And there was a bedroom scene in the afternoon | 0:02:40 | 0:02:42 | |
and Harrison said to his stand-in, "It's OK, I'll do this myself. | 0:02:42 | 0:02:46 | |
"It's just laying in a bed." | 0:02:46 | 0:02:48 | |
So his stand-in went home and I spent the afternoon in bed with Harrison. | 0:02:48 | 0:02:51 | |
-Did you really? -And got paid. | 0:02:51 | 0:02:53 | |
Not many ladies can say that, though, can they? | 0:02:53 | 0:02:56 | |
No, they can't, yeah. | 0:02:56 | 0:02:58 | |
Jane, you also have a bit of a glitzy, showbiz background. | 0:02:58 | 0:03:01 | |
Tell us about that. | 0:03:01 | 0:03:02 | |
Yeah, well, following in Mum's footsteps, | 0:03:02 | 0:03:05 | |
I went to stage school down in London | 0:03:05 | 0:03:07 | |
and through that, I was in Grange Hill - | 0:03:07 | 0:03:10 | |
the children's programme - | 0:03:10 | 0:03:12 | |
mainly as an extra, but it was great fun. | 0:03:12 | 0:03:15 | |
And we also ended up working together on Octopussy. | 0:03:15 | 0:03:18 | |
-Get away! -So that was really good fun. | 0:03:18 | 0:03:21 | |
So what's your plan, your buying plan, between you today? | 0:03:21 | 0:03:24 | |
I think we're going to try and go for, | 0:03:24 | 0:03:25 | |
-if we can, something functional. -Function. | 0:03:25 | 0:03:28 | |
-Cheap. -Profit? -Yes, yeah. | 0:03:28 | 0:03:30 | |
We've got all the right words here. | 0:03:30 | 0:03:32 | |
Buy cheap, sell dear. | 0:03:32 | 0:03:33 | |
You'll be fine, you two. Anyway, welcome to the show. | 0:03:33 | 0:03:36 | |
-Thank you. -Good. | 0:03:36 | 0:03:37 | |
Now, Lyn, how did you meet your daughter-in-law? | 0:03:37 | 0:03:41 | |
Um, she'd been out on a date with my son, I'd never met her. | 0:03:41 | 0:03:45 | |
Came home with him and she walked in my house | 0:03:45 | 0:03:48 | |
-and said, "Hi, I'm Tina. I'm going to marry your son." -Oh, Lord. | 0:03:48 | 0:03:51 | |
I said, "Over my dead body." | 0:03:51 | 0:03:53 | |
And, uh...it took me about two years, I think, to realise I was wrong. | 0:03:53 | 0:03:58 | |
-Right. -She was - is - an amazing wife and mother. | 0:03:58 | 0:04:03 | |
Oh, that's so sweet, isn't it? | 0:04:03 | 0:04:05 | |
-Tina, you have an unusual job, don't you? -I do. | 0:04:05 | 0:04:07 | |
-What do you do? -I work with loads of men. -Do you? | 0:04:07 | 0:04:11 | |
-I work at an oil refinery. -Gosh! | 0:04:11 | 0:04:13 | |
Yes, and out of about 25 men, I'm the only girl. | 0:04:13 | 0:04:17 | |
-Right. -Which is fun. | 0:04:17 | 0:04:18 | |
I bet it is. | 0:04:18 | 0:04:20 | |
Your mother-in-law is looking rather nervous at this, | 0:04:20 | 0:04:22 | |
I can tell you. | 0:04:22 | 0:04:23 | |
Have you worked out a strategy for today's programme? | 0:04:23 | 0:04:26 | |
-Yes. -What it is? | 0:04:26 | 0:04:27 | |
To win. | 0:04:27 | 0:04:28 | |
-Just as simple as that. -Yes. | 0:04:28 | 0:04:30 | |
Well, simplicity is everything. This is pretty simple too. | 0:04:30 | 0:04:34 | |
£300 apiece - there's your £300. | 0:04:34 | 0:04:36 | |
You know the rules, your experts await - | 0:04:36 | 0:04:38 | |
off you go, and very, very, very good luck. | 0:04:38 | 0:04:41 | |
Today, preventing the Reds from getting in a spin, | 0:04:45 | 0:04:48 | |
it's Anita Manning. | 0:04:48 | 0:04:49 | |
Whilst helping the Blues to blow their own trumpets... | 0:04:51 | 0:04:54 | |
TRUMPET TOOTS | 0:04:54 | 0:04:55 | |
..it's Charlie Ross. | 0:04:55 | 0:04:56 | |
OK, girls, we've got 300 quid, we've got a huge fair | 0:05:01 | 0:05:06 | |
and you two girls know the ropes. | 0:05:06 | 0:05:08 | |
Do you have the same tastes, girls? | 0:05:08 | 0:05:10 | |
-Absolutely not. -No. -Mine's good. -Yours is good? -Yeah. | 0:05:10 | 0:05:13 | |
-The daughter-in-law's isn't? -Absolutely not. -Mine's expensive. | 0:05:13 | 0:05:17 | |
We're going to buy something cheap and make a lot of money. | 0:05:17 | 0:05:19 | |
-That's what we're going to do. -Buy cheap. | 0:05:19 | 0:05:21 | |
-You don't want to spend big money? -No, I don't think so. | 0:05:21 | 0:05:25 | |
Well, we'll see what happens. Let's go. | 0:05:25 | 0:05:27 | |
With hardly any time gone, the Reds go straight into battle. | 0:05:39 | 0:05:42 | |
That knocker you just picked up is quite nice, actually. | 0:05:44 | 0:05:47 | |
-Uh-huh - you like that? -Yeah. | 0:05:47 | 0:05:49 | |
-It's functional. -Yes. -It's useful. -Do you think it's old? | 0:05:49 | 0:05:53 | |
It's got a wee bit of age to it, but it's not a Victorian one. | 0:05:53 | 0:05:57 | |
-I suppose the price dictates it. -Yeah. | 0:05:57 | 0:05:59 | |
'Scuse me? How much is your knocker? | 0:05:59 | 0:06:02 | |
THEY LAUGH | 0:06:02 | 0:06:03 | |
He's behind you. | 0:06:03 | 0:06:05 | |
Oh, right, OK. | 0:06:05 | 0:06:06 | |
SELLER: I'd take £7 on it. | 0:06:06 | 0:06:07 | |
-Right, OK. -How much is it? -Ten. | 0:06:07 | 0:06:09 | |
That's a good price. I can see you making a wee profit on that. | 0:06:09 | 0:06:13 | |
-I'd go down to seven on it. -Really? Right, OK. | 0:06:13 | 0:06:16 | |
Thank you very much. | 0:06:16 | 0:06:18 | |
Well, Reds, it's early days, but keep on looking. | 0:06:18 | 0:06:21 | |
Will this condiments set cut the mustard for the Blues? | 0:06:32 | 0:06:36 | |
-That's gorgeous. -What do you like? -I like this. | 0:06:36 | 0:06:39 | |
-Harrods. -Yes. -Yes. | 0:06:39 | 0:06:41 | |
It has the right box. It's how much? | 0:06:41 | 0:06:42 | |
-£150. -Oh, no. -How much? | 0:06:42 | 0:06:44 | |
-No. -No. -I'm dancing. | 0:06:44 | 0:06:47 | |
Put it in the right hole, darling. | 0:06:47 | 0:06:50 | |
I'm thinking more about 80. | 0:06:50 | 0:06:51 | |
-Lovely box. -Harrods - I mean, that is superb. | 0:06:51 | 0:06:55 | |
But I think you're right, price-wise. | 0:06:55 | 0:06:57 | |
I think if they went to auction, it would make between £100 and £120. | 0:06:57 | 0:07:03 | |
But I think if you're buying to make a profit... | 0:07:03 | 0:07:06 | |
-That's us out. -No. -It's going to be tight. | 0:07:06 | 0:07:08 | |
-Bear it in mind. -Thank you. | 0:07:08 | 0:07:10 | |
Sound advice, Blues - | 0:07:10 | 0:07:11 | |
you're not going to yield many pieces of silver | 0:07:11 | 0:07:14 | |
for those pieces of silver. | 0:07:14 | 0:07:15 | |
I quite like these, you know. They're sort of...they're good fun. | 0:07:22 | 0:07:26 | |
I know you two girls are party girls. | 0:07:26 | 0:07:29 | |
Yeah, there's no room for wine bottles in there. | 0:07:29 | 0:07:31 | |
No room for wine - you'd have to take them in your plastic bag. | 0:07:31 | 0:07:34 | |
How much is your picnic set? | 0:07:37 | 0:07:39 | |
-SELLER: £30. -£30. | 0:07:39 | 0:07:41 | |
You've got another one there, is that much the same? | 0:07:41 | 0:07:44 | |
Yeah, just the same. | 0:07:44 | 0:07:45 | |
-Two flasks in that one. -This one looks... -Nicer. | 0:07:45 | 0:07:49 | |
It's got a retro look about it. | 0:07:49 | 0:07:52 | |
-Have we got a maker's name? -Brexton. -Uh-huh, that's a good make. | 0:07:52 | 0:07:57 | |
-We might have a little winner, here. -I like this. | 0:07:57 | 0:08:01 | |
-I think it's got a sort of 1950s'... that retro look. -Yes. | 0:08:01 | 0:08:05 | |
And tea taking is big now that we've got cupcakes | 0:08:05 | 0:08:09 | |
and everybody's opening up little shops | 0:08:09 | 0:08:11 | |
-where you've got the china cups and saucers. -Yeah. | 0:08:11 | 0:08:14 | |
-Cutlery's got "Brexton" on it as well. -Yeah. | 0:08:14 | 0:08:17 | |
Yeah, that's nice. | 0:08:17 | 0:08:19 | |
-What's missing, do you think? -A bottle of wine. | 0:08:19 | 0:08:22 | |
THEY LAUGH | 0:08:22 | 0:08:24 | |
So we've got four of everything here. | 0:08:24 | 0:08:28 | |
Your cups, saucers, tea plates here. | 0:08:28 | 0:08:32 | |
Do you like it? I think you're coming round to it. | 0:08:32 | 0:08:34 | |
Yes, yes. | 0:08:34 | 0:08:36 | |
Can you imagine yourself going for a picnic with it? | 0:08:36 | 0:08:38 | |
You can take your mum and her boyfriend. | 0:08:38 | 0:08:41 | |
Which one? | 0:08:41 | 0:08:42 | |
I think that's quite good, that. How much is it? | 0:08:45 | 0:08:47 | |
-What's your best? -25? | 0:08:47 | 0:08:49 | |
25... | 0:08:51 | 0:08:52 | |
- Little bit less? - 20? | 0:08:52 | 0:08:54 | |
-20...yeah. -That OK? | 0:08:54 | 0:08:56 | |
I think you've got a great deal there. | 0:08:56 | 0:08:58 | |
Shake that woman's hand. | 0:08:58 | 0:09:00 | |
Thank you very much. Thank you very much. | 0:09:00 | 0:09:03 | |
It's party time! It's party time... | 0:09:03 | 0:09:06 | |
That's item number one, all wrapped in just 15 minutes. | 0:09:06 | 0:09:10 | |
-Hatbox - how about that? -That is smashing. | 0:09:18 | 0:09:21 | |
-With a hat! -Wow. | 0:09:22 | 0:09:25 | |
This girl can't resist a hat. She has to try them on. | 0:09:25 | 0:09:28 | |
-Go on, whack it on. -Beautiful. | 0:09:28 | 0:09:30 | |
The back of it... | 0:09:30 | 0:09:32 | |
-I like hats. -She looks rather good in that hat. | 0:09:33 | 0:09:36 | |
It's a lovely box, isn't it? | 0:09:36 | 0:09:39 | |
It is. It's fantastic. | 0:09:39 | 0:09:42 | |
Look at that - "Dunn and Company of The Strand." | 0:09:42 | 0:09:44 | |
Brushed silk hat - ho! | 0:09:46 | 0:09:49 | |
-They had small heads in those days. -I just said that. -Yeah. | 0:09:49 | 0:09:52 | |
I didn't think I had a big head. | 0:09:52 | 0:09:54 | |
LYNDA SNORTS WITH LAUGHTER | 0:09:54 | 0:09:56 | |
You haven't, my lady, you have a perfectly formed head. | 0:09:56 | 0:09:58 | |
You are good. | 0:09:58 | 0:09:59 | |
The thing about that is you simply can't fault it. | 0:10:00 | 0:10:03 | |
SELLER: 120... | 0:10:03 | 0:10:04 | |
-Cor blimey! Did you hear that? -I did! | 0:10:04 | 0:10:06 | |
That came down 50 quid before I even did anything! | 0:10:06 | 0:10:10 | |
It can't be £95, can it, sir? | 0:10:10 | 0:10:12 | |
Make it 100, and it's yours. | 0:10:12 | 0:10:14 | |
While Charlie and his angels - ha! - are left speechless, | 0:10:15 | 0:10:19 | |
let's catch up with the Reds, who are still looking for a drink. | 0:10:19 | 0:10:22 | |
-That is a nice thing. -It is nice. | 0:10:22 | 0:10:25 | |
That's Victorian, possibly Elkington Plate there. | 0:10:25 | 0:10:30 | |
-The cut of the crystal is marvellous. -Yeah. | 0:10:30 | 0:10:34 | |
This will be probably late 19th century. | 0:10:34 | 0:10:38 | |
You see, you've got this lovely star cut in the crystal here - | 0:10:38 | 0:10:41 | |
putting decoration underneath, where no-one will see it, | 0:10:41 | 0:10:44 | |
is an indication of quality. | 0:10:44 | 0:10:46 | |
I like the spout as well, with the face of the... | 0:10:46 | 0:10:49 | |
It's quite dear. | 0:10:49 | 0:10:50 | |
But the thing is, if you're going to spend money, | 0:10:50 | 0:10:52 | |
-you want to buy quality. -Yeah. | 0:10:52 | 0:10:55 | |
And you can put something nice inside as well. | 0:10:55 | 0:10:58 | |
-You girls are party girls. -We are. | 0:10:58 | 0:11:00 | |
We've got the afternoon party... | 0:11:00 | 0:11:02 | |
-And we've got the night-time one. -And we've got the night-time party. | 0:11:02 | 0:11:05 | |
I think we might be having a wee theme here. | 0:11:05 | 0:11:08 | |
A theme running through. | 0:11:08 | 0:11:10 | |
Hello? Hello! It's another wonderful day. | 0:11:10 | 0:11:14 | |
Isn't it beautiful? Yes. | 0:11:14 | 0:11:15 | |
I've got a couple of party girls here. | 0:11:15 | 0:11:18 | |
THEY LAUGH | 0:11:18 | 0:11:19 | |
SELLER: I can do £20 off, I can do it for 105. | 0:11:20 | 0:11:24 | |
JANE: Can we not get it under 100? | 0:11:24 | 0:11:26 | |
Yes, OK, I'll do it for 95. It's a little profit on that, OK? | 0:11:26 | 0:11:31 | |
-That's lovely. Thank you very much. -Good luck. | 0:11:31 | 0:11:35 | |
-Thank you so much. -Thank you. | 0:11:35 | 0:11:36 | |
You're welcome. | 0:11:36 | 0:11:37 | |
Second buy for the Reds - I'll drink to that. | 0:11:37 | 0:11:40 | |
With time ticking away, will the Blues take a shot | 0:11:44 | 0:11:47 | |
at the Japanese rice wine, or sake, cup? | 0:11:47 | 0:11:51 | |
-That's pretty. -That's unusual - it's got a marble in the bottom. | 0:11:51 | 0:11:54 | |
-Yes. -What is that? | 0:11:54 | 0:11:56 | |
-Do you want to know? -Yes. | 0:11:56 | 0:11:58 | |
-Hold that, my dear. -Certainly. | 0:12:00 | 0:12:02 | |
-Are you ready for a shock? -Definitely. | 0:12:07 | 0:12:10 | |
Nothing can shock me. | 0:12:10 | 0:12:11 | |
Now look in the bottom. | 0:12:14 | 0:12:16 | |
LYNDA GASPS | 0:12:16 | 0:12:18 | |
-Very nice. -Wow! -What a treat. -Good heavens, I like that! | 0:12:18 | 0:12:24 | |
Yes, I thought you might! | 0:12:24 | 0:12:26 | |
I think the less we say about that, the better. | 0:12:26 | 0:12:29 | |
-Very good. -Very nice. | 0:12:29 | 0:12:32 | |
-Excellent. -Cheers. | 0:12:32 | 0:12:34 | |
Oh, that's better, you can't see it now. | 0:12:36 | 0:12:38 | |
-So it's called erotica? -It's called erotica, yes. | 0:12:38 | 0:12:41 | |
-How much is it? -How much is it? | 0:12:41 | 0:12:44 | |
I would think it's priceless. | 0:12:44 | 0:12:46 | |
By priceless, you mean it's not worth anything, right? | 0:12:46 | 0:12:49 | |
An erotic sake cup. | 0:12:49 | 0:12:51 | |
-Do you think an auctioneer would sell such a thing? -Why not? | 0:12:51 | 0:12:55 | |
I think he would, because as long as there wasn't any liquid around, | 0:12:55 | 0:12:58 | |
the liquid could be poured onto it in the privacy of your own home. | 0:12:58 | 0:13:02 | |
-Definitely. -I rather like that. | 0:13:02 | 0:13:04 | |
Hang on - I've just got to remind myself of what it was. | 0:13:04 | 0:13:09 | |
It would be nice if it was for a man. | 0:13:09 | 0:13:12 | |
Charlie, it looks like you! | 0:13:12 | 0:13:14 | |
-I beg your pardon?! -It looks like you! -Love it! | 0:13:14 | 0:13:18 | |
-Oh, goodness me. -Super. | 0:13:18 | 0:13:21 | |
She's quoting £55. | 0:13:21 | 0:13:23 | |
But I'm sure I can go and see her - you just stay there for two minutes. | 0:13:23 | 0:13:29 | |
-And I will go and see her with this. -OK. | 0:13:29 | 0:13:32 | |
-Super. I like that. -I won't be long. | 0:13:33 | 0:13:35 | |
Rapid negotiations required, Charlie, | 0:13:35 | 0:13:38 | |
that's 40 minutes gone. | 0:13:38 | 0:13:40 | |
-That's nice. -Quite nice quality, isn't it? | 0:13:47 | 0:13:49 | |
SELLER: That's 75. | 0:13:49 | 0:13:51 | |
-That's, again, you've picked up a nice quality thing. -Hm. | 0:13:51 | 0:13:56 | |
-What is it? Is it ink? -Ink, yeah. | 0:13:56 | 0:13:58 | |
-It's an inkwell. -I like that. | 0:13:58 | 0:14:00 | |
You like that? | 0:14:00 | 0:14:02 | |
Your mummy likes this one. | 0:14:02 | 0:14:03 | |
If you want to go for it, go for it, but I'm just thinking, | 0:14:05 | 0:14:07 | |
how many people...use ink? | 0:14:07 | 0:14:11 | |
-People collect inkwells. -And people use them. | 0:14:11 | 0:14:13 | |
< Just to go on a writing desk. I'm not saying they actually use it. | 0:14:13 | 0:14:17 | |
-I mean, a nice present, I think. -Yeah...how much is it? | 0:14:17 | 0:14:20 | |
SELLER: 75. | 0:14:20 | 0:14:22 | |
-And to us? -Would you...could you go to 50? | 0:14:23 | 0:14:26 | |
I can't, no, no. Em...I'd take 65, that would be the absolute best. | 0:14:27 | 0:14:32 | |
That would be it. | 0:14:32 | 0:14:33 | |
JENNY: If we go a little bit further along... | 0:14:34 | 0:14:37 | |
We know where you are - it's opposite the ladies'. | 0:14:37 | 0:14:40 | |
Yeah. | 0:14:40 | 0:14:42 | |
-LAUGHING: -Lovely! | 0:14:42 | 0:14:44 | |
-OK, thank you, thank you. -Thanks very much. -Bye-bye. | 0:14:44 | 0:14:48 | |
Now, what price has Charlie negotiated for the sake cup? | 0:14:55 | 0:14:58 | |
Right, girls... | 0:14:59 | 0:15:00 | |
How have we done? | 0:15:00 | 0:15:02 | |
This is your call, girls, because this is not antique. | 0:15:02 | 0:15:06 | |
-OK. -It's not appealing to me, for obvious reasons. | 0:15:06 | 0:15:11 | |
-And it's £45. -OK. | 0:15:11 | 0:15:13 | |
I think this, at auction, could make 20 quid | 0:15:13 | 0:15:16 | |
and it could make 60 quid, | 0:15:16 | 0:15:17 | |
so it's a complete and utter gamble. | 0:15:17 | 0:15:20 | |
-I like it. -I like it. | 0:15:20 | 0:15:21 | |
We like a gamble. | 0:15:21 | 0:15:22 | |
I'm backing you up all the way, girls, if you want to buy it, | 0:15:22 | 0:15:25 | |
but you have not got the C Ross guarantee of profit, there. | 0:15:25 | 0:15:28 | |
-But I think we've got the fun. -Yes. -And it's a gamble, and it's fun. | 0:15:29 | 0:15:33 | |
While we're here - cos we're running out of time, fast - | 0:15:33 | 0:15:37 | |
may I just point out one last thing for our last few minutes? | 0:15:37 | 0:15:40 | |
That. | 0:15:40 | 0:15:42 | |
I love it. | 0:15:42 | 0:15:43 | |
It's got an amber handle | 0:15:43 | 0:15:44 | |
and it's a miniature cooking pot...but it isn't. | 0:15:44 | 0:15:47 | |
-Oh! -It's an inkwell. -Ah...! | 0:15:48 | 0:15:51 | |
I think that, for a collector of inkwells - | 0:15:51 | 0:15:54 | |
and you get collectors of inkwells - is the most glorious thing. | 0:15:54 | 0:15:57 | |
-I like that. -Yeah. | 0:15:57 | 0:15:59 | |
-How old is it? -1930. | 0:15:59 | 0:16:03 | |
-How much is it? -It's £55. | 0:16:04 | 0:16:06 | |
-OK. -It's not cheap. -Will she come down on the price? | 0:16:06 | 0:16:11 | |
-From 55? Don't know, but I'll try. -Yeah. | 0:16:11 | 0:16:13 | |
-Hold on there... -I like that. | 0:16:13 | 0:16:15 | |
-You found something, Anita? -I bet it's in the party theme. | 0:16:22 | 0:16:26 | |
Oh, dear! | 0:16:26 | 0:16:28 | |
-Cocktail or nibbles? -That is quite camp, isn't it? | 0:16:28 | 0:16:33 | |
A bit different. | 0:16:33 | 0:16:34 | |
-Is it, like, '50s or '60s? -Em, yeah. | 0:16:34 | 0:16:37 | |
It's a million miles away from your beautiful Victorian carafe. | 0:16:37 | 0:16:41 | |
It's a thousand miles and a thousand years away from it. | 0:16:41 | 0:16:44 | |
But I thought that it was quite funky. | 0:16:44 | 0:16:47 | |
-Yes. -Quite fun. | 0:16:47 | 0:16:49 | |
-I mean, we use these a lot at home. -Do you? -Yeah, yeah. | 0:16:49 | 0:16:52 | |
-How much is it - 45? -45. | 0:16:52 | 0:16:55 | |
I think he might go to 38. | 0:16:55 | 0:16:57 | |
With a push, I might get him to 35, but it's up to you. | 0:16:57 | 0:17:00 | |
We're running out of time now, girls. | 0:17:00 | 0:17:02 | |
-I like that and I like the inkwell. -I would like to keep looking. | 0:17:02 | 0:17:06 | |
We haven't got much time. | 0:17:06 | 0:17:08 | |
I know, but we've got enough time to have a little look, haven't we? | 0:17:08 | 0:17:12 | |
OK, girls, it's... | 0:17:12 | 0:17:14 | |
Looks like it's going down to the wire with the Reds, too. | 0:17:15 | 0:17:18 | |
This is nail-biting stuff. | 0:17:18 | 0:17:20 | |
-£55. -OK. -And that's it - there's no negotiating on that. | 0:17:27 | 0:17:31 | |
And after all, it's nice to buy something you like. | 0:17:31 | 0:17:34 | |
-Definitely. -Marvellous. | 0:17:34 | 0:17:36 | |
-And you're certainly happy with £45 with that. -Yes. | 0:17:36 | 0:17:40 | |
-So, 55, 45... -£100. -We've done it. | 0:17:40 | 0:17:43 | |
Two things bought in no time at all. Come on, girls - one more to go. | 0:17:43 | 0:17:47 | |
Yeah, but time is pressing on, so hurry up. | 0:17:47 | 0:17:50 | |
Oh, girls, I was just having a wee break there. | 0:17:53 | 0:17:56 | |
-Have you made up your mind? -We have. | 0:17:56 | 0:17:58 | |
We'll see if we can get a bit more money off the inkwell, | 0:17:58 | 0:18:01 | |
go for that - and leave the snail picker for someone else. | 0:18:01 | 0:18:04 | |
The snail pickers? | 0:18:04 | 0:18:06 | |
OK, let's go. | 0:18:06 | 0:18:08 | |
-We better hurry up, girls. -I know. | 0:18:08 | 0:18:10 | |
Come on, Reds! Show some urgency, then. | 0:18:10 | 0:18:13 | |
-Let's hope it's still here. -Ah, it's still here. -OK. | 0:18:13 | 0:18:18 | |
The girls still quite fancy the inkwell - | 0:18:18 | 0:18:21 | |
they see it as a classy item. | 0:18:21 | 0:18:23 | |
What's the best you said you could do for us? | 0:18:23 | 0:18:25 | |
I started at 75, came down to 65, didn't I? | 0:18:25 | 0:18:28 | |
Um...another fiver, if it helps. £60 would be the absolute best. | 0:18:28 | 0:18:33 | |
-We'll go for it at 60. -Good, good, good - well done. | 0:18:33 | 0:18:38 | |
-Thanks very much. -Thank you. -Thanks. | 0:18:38 | 0:18:41 | |
The Reds have completed their hat trick of purchases. | 0:18:41 | 0:18:44 | |
And the Blues are drawn back to a certain hat, also. | 0:18:50 | 0:18:53 | |
-It's still here, waiting for you. It hasn't gone away. -Beautiful. | 0:18:53 | 0:18:59 | |
Look at that - original strap. | 0:19:01 | 0:19:03 | |
It's by Dunn and Company, | 0:19:03 | 0:19:04 | |
and even I have heard of Dunn and Company. | 0:19:04 | 0:19:06 | |
It's very small, Charlie. | 0:19:06 | 0:19:08 | |
They had smaller heads. It's as simple as that. | 0:19:08 | 0:19:12 | |
-I love... -Oh, I can't believe this. | 0:19:12 | 0:19:15 | |
-We have to buy it, now. -It's got your initials on, hasn't it? | 0:19:15 | 0:19:18 | |
I cannot believe this. | 0:19:18 | 0:19:19 | |
CG - what are my initials? | 0:19:19 | 0:19:22 | |
-My goodness... -"Charles Graham". | 0:19:22 | 0:19:24 | |
-Ah! -CG. | 0:19:24 | 0:19:26 | |
-This is my hat. -Made for you, obviously. | 0:19:26 | 0:19:29 | |
I think, you know, it was made for me what I was about ten. | 0:19:29 | 0:19:33 | |
Uh...but it's got my initials on it. | 0:19:33 | 0:19:35 | |
If ever there was something that said, "Buy it." | 0:19:35 | 0:19:38 | |
Gentleman very kindly came down to 100 from 170. | 0:19:38 | 0:19:42 | |
I don't think I'd be rude enough to try and bash it any more. | 0:19:42 | 0:19:45 | |
I think £100 is super. | 0:19:45 | 0:19:47 | |
We'll have it, my dear, if we may. | 0:19:47 | 0:19:49 | |
-That's very kind of you. Thank you. -Thank you. -Thank you. | 0:19:49 | 0:19:52 | |
-Super duper. -Super. | 0:19:52 | 0:19:54 | |
Hats off to you, Blues. | 0:19:54 | 0:19:56 | |
That's your third and final buy, with seconds to spare. | 0:19:56 | 0:19:58 | |
OK, teams, we're out of time. | 0:20:06 | 0:20:07 | |
Let's flag up what the Red team bought. | 0:20:07 | 0:20:10 | |
They paid just £20 | 0:20:11 | 0:20:14 | |
for the 1950s' picnic set. | 0:20:14 | 0:20:15 | |
Next, they decanted £95 | 0:20:17 | 0:20:19 | |
for the early 20th century claret jug. | 0:20:19 | 0:20:21 | |
Lastly, they signed over £60 | 0:20:22 | 0:20:25 | |
for the Edwardian glass and silver inkwell. | 0:20:25 | 0:20:27 | |
OK, my bevy of beauties, was that a good experience or not? | 0:20:29 | 0:20:31 | |
-Really good, great. -Was it? How much did you spent in total? | 0:20:31 | 0:20:35 | |
-£175. -Good, that's a proper amount of money. | 0:20:35 | 0:20:38 | |
I'd like £125 of leftover lolly. | 0:20:38 | 0:20:41 | |
Thank you, Janie, that's great. | 0:20:41 | 0:20:43 | |
Here you are, Anita - £125, my darling. | 0:20:43 | 0:20:45 | |
What will you do with that? | 0:20:45 | 0:20:46 | |
Well, this mum and daughter pair | 0:20:46 | 0:20:48 | |
are a pair of wacky girls, wild girls, party girls. | 0:20:48 | 0:20:53 | |
I'm going to go and look for the wackiest thing I can find. | 0:20:53 | 0:20:57 | |
For which you are very well qualified, | 0:20:57 | 0:20:59 | |
if you don't mind my saying. | 0:20:59 | 0:21:01 | |
Anyway, good luck, girls. Good luck, Anita. | 0:21:01 | 0:21:03 | |
Meanwhile, we'll check out what the Blue team bought, won't we? | 0:21:03 | 0:21:07 | |
They splashed out £45 | 0:21:08 | 0:21:10 | |
on the saucy sake cup - ooh... | 0:21:10 | 0:21:13 | |
Closely followed by the Victorian novelty inkwell for £55. | 0:21:13 | 0:21:17 | |
And finally, they paid £100 for the silk top hat and case. | 0:21:19 | 0:21:23 | |
Tell me, team, which is your favourite piece? | 0:21:24 | 0:21:26 | |
-Em, the erotica cup. -Is it? -Definitely. | 0:21:26 | 0:21:29 | |
What is it that you particularly like about that? | 0:21:29 | 0:21:32 | |
-Cos it's definitely for a woman. -Is it? -Yes. -I see. | 0:21:32 | 0:21:36 | |
-And you spent, in total, how much? -£200. -£200. | 0:21:36 | 0:21:39 | |
£200 - that's a good sum, too. £100 of leftover lolly, please. | 0:21:39 | 0:21:42 | |
-Who's got that? -Tina's got that. | 0:21:42 | 0:21:45 | |
Oh! Naughty... | 0:21:45 | 0:21:47 | |
That's positively steaming. Oops! | 0:21:47 | 0:21:49 | |
Dropped it... | 0:21:49 | 0:21:50 | |
So would you, old fruit. | 0:21:50 | 0:21:52 | |
Anyway, good, there we go. Well done. | 0:21:52 | 0:21:54 | |
-That's OK. -Beautifully presented! | 0:21:54 | 0:21:56 | |
Thank you very much, Charles. | 0:21:56 | 0:21:58 | |
What are you going to do with all of that? | 0:21:58 | 0:22:01 | |
Um...I think I'm going to buy a piece of silver. | 0:22:01 | 0:22:05 | |
-Woo! -It's got to be. -It's got to be, hasn't it? | 0:22:05 | 0:22:08 | |
Good luck, girls. Go and have a cup of tea. | 0:22:08 | 0:22:10 | |
Good luck, Charlie. | 0:22:10 | 0:22:11 | |
Meanwhile, we're going to find something that I found | 0:22:11 | 0:22:13 | |
very, very recently. | 0:22:13 | 0:22:15 | |
In fact, you could positively describe it as being "mint". | 0:22:15 | 0:22:18 | |
This is an unusual object for me to pick, | 0:22:23 | 0:22:26 | |
because I'm not known for 20th century ceramics, | 0:22:26 | 0:22:30 | |
character jugs, Royal Doulton and the like, | 0:22:30 | 0:22:34 | |
and this thing is exactly that - a character jug. | 0:22:34 | 0:22:38 | |
It shows a military gentleman with puffed up cheeks, | 0:22:38 | 0:22:42 | |
slightly florid, pinkish complexion. | 0:22:42 | 0:22:45 | |
His face is compressed. He's wearing a bearskin hat | 0:22:45 | 0:22:51 | |
and has got a chinstrap of golden material. | 0:22:51 | 0:22:55 | |
And the handle at the back? | 0:22:55 | 0:22:57 | |
That's in the form of a horse's head. | 0:22:57 | 0:22:59 | |
What's going on here? Is this a standard Doulton job? | 0:22:59 | 0:23:03 | |
Answer - no, it is not. | 0:23:03 | 0:23:05 | |
A - it's made of porcelain, not made of earthenware, | 0:23:05 | 0:23:09 | |
and if you turn it upside down, instead of a Doulton backstamp, | 0:23:09 | 0:23:12 | |
you see the word, loosely scratched in, "Minto". | 0:23:12 | 0:23:16 | |
Who's Minto? Well, he's a very interesting bloke. | 0:23:16 | 0:23:22 | |
If you were in the civil or military, | 0:23:22 | 0:23:25 | |
the plum job to have at the end of the 19th century | 0:23:25 | 0:23:29 | |
would be to become Viceroy of India, | 0:23:29 | 0:23:32 | |
which is exactly what Lord Minto did, | 0:23:32 | 0:23:35 | |
except that before that, | 0:23:35 | 0:23:37 | |
he was Governor General of Canada, | 0:23:37 | 0:23:39 | |
and a successful Governor General he was too. | 0:23:39 | 0:23:42 | |
When he was appointed as a military governor general, | 0:23:43 | 0:23:47 | |
they made him Colonel-in-Chief of the Guards, | 0:23:47 | 0:23:50 | |
the guards that guarded the governor. | 0:23:50 | 0:23:53 | |
And the Canadian guards, like our Grenadier guardsmen, | 0:23:53 | 0:23:57 | |
wear bearskin hats. | 0:23:57 | 0:23:59 | |
So this shows the Governor General, | 0:23:59 | 0:24:02 | |
wearing a Canadian guardsman's bearskin | 0:24:02 | 0:24:06 | |
and I guess only a handful of these things | 0:24:06 | 0:24:09 | |
would have been potted in Canada to commemorate a moment - | 0:24:09 | 0:24:14 | |
perhaps in the guards' mess - | 0:24:14 | 0:24:16 | |
when Minto was about to shove off for India. | 0:24:16 | 0:24:20 | |
A tiny number, | 0:24:20 | 0:24:21 | |
which makes this thing a very rare survivor. | 0:24:21 | 0:24:25 | |
Clearly, something that the dealer who was selling this | 0:24:25 | 0:24:28 | |
had no idea about, | 0:24:28 | 0:24:30 | |
because he sold it for £30. | 0:24:30 | 0:24:33 | |
What's it worth? | 0:24:33 | 0:24:34 | |
Well, with all that slice of Canadian history | 0:24:34 | 0:24:37 | |
and being rare, | 0:24:37 | 0:24:39 | |
it could make a mint - ha! | 0:24:39 | 0:24:41 | |
Like £500. | 0:24:41 | 0:24:43 | |
Eh, Minto? | 0:24:43 | 0:24:44 | |
So, with all the items boxed up and shipped off, | 0:24:48 | 0:24:50 | |
let's join them at the auction. | 0:24:50 | 0:24:52 | |
Well, this is fun, isn't it? We're back in Grantham. | 0:24:55 | 0:24:57 | |
Now I've been to Grantham more times than you've had hot lunches, | 0:24:57 | 0:25:01 | |
mainly to see Colin, which is extremely nice. | 0:25:01 | 0:25:03 | |
-Colin Young. -Well, it's always good to have you here. | 0:25:03 | 0:25:05 | |
Lovely. Anyway, today for the Reds, we've got a bit of a mixture. | 0:25:05 | 0:25:09 | |
First up, we've got the picnic set, | 0:25:09 | 0:25:11 | |
which is a splendid example, isn't it? | 0:25:11 | 0:25:13 | |
Well, it's a standard Brexton, really. | 0:25:13 | 0:25:16 | |
There's not a lot more you can say about it. | 0:25:16 | 0:25:19 | |
There's so many collectors that want the vintage and that retro look, | 0:25:19 | 0:25:22 | |
particularly when you go to things like classic car shows and that. | 0:25:22 | 0:25:26 | |
You'll see everybody sat out the back | 0:25:26 | 0:25:27 | |
and having their sandwiches straight out of one of these. | 0:25:27 | 0:25:30 | |
-What's it worth? -Well, I think that's probably about £25-£40. | 0:25:30 | 0:25:33 | |
Good. £20 paid, so they should make a profit on that. | 0:25:33 | 0:25:37 | |
Next is this claret jug, | 0:25:37 | 0:25:39 | |
which I fancy is a good deal later than they thought. | 0:25:39 | 0:25:43 | |
Early 20th century to me, Colin, is 1910, 1920, | 0:25:43 | 0:25:47 | |
and that sure as heck isn't late Edwardian. | 0:25:47 | 0:25:51 | |
-It's 1950s or '60s, isn't it? -Yeah. | 0:25:51 | 0:25:53 | |
Moulded glass, not very good mounts | 0:25:53 | 0:25:55 | |
and I'm afraid I don't rate it, do you? | 0:25:55 | 0:25:58 | |
-Not highly, em... -I thought not. How much? | 0:25:58 | 0:26:01 | |
Well, I think £25-£40. | 0:26:01 | 0:26:03 | |
I think you're absolutely right. They paid £95. | 0:26:03 | 0:26:06 | |
There we go - 25 to 40 on top of £95 is a big old hole. | 0:26:06 | 0:26:10 | |
Talking about holes, how do you get on with this ink hole? | 0:26:10 | 0:26:13 | |
Well...it's a bit of a plain Jane one, silver-mounted, | 0:26:13 | 0:26:17 | |
but very, very plain. | 0:26:17 | 0:26:18 | |
So your entry level price for this silver-topped inkwell is...? | 0:26:18 | 0:26:22 | |
-Well, £25-£40. -There you go. | 0:26:22 | 0:26:24 | |
Pitch it at the right level and you'll get some interest. | 0:26:24 | 0:26:27 | |
You're being very commercial about this. | 0:26:27 | 0:26:29 | |
-Our guys paid £60. -Yeah. -They might get there. -Hm... | 0:26:29 | 0:26:32 | |
-But it's going to be a struggle. -It really is. | 0:26:32 | 0:26:34 | |
Those two things, I think are a problemo, | 0:26:34 | 0:26:36 | |
which means they'll need the bonus buy, | 0:26:36 | 0:26:38 | |
which means we ought to go and have a look at it. | 0:26:38 | 0:26:40 | |
Now, Jenny, Jane - | 0:26:41 | 0:26:43 | |
£125 of leftover lolly, you gave to Anita. | 0:26:43 | 0:26:45 | |
What did you spend it on? | 0:26:45 | 0:26:47 | |
Well, I bought this rather cracking 1960s' light fitting. | 0:26:47 | 0:26:55 | |
You're a couple of crazy gals | 0:26:55 | 0:26:57 | |
and I wanted to buy something crazy for you. | 0:26:57 | 0:27:00 | |
What do you think of that? | 0:27:00 | 0:27:01 | |
It's bright! | 0:27:01 | 0:27:04 | |
Well, it's from the 1960s, so it's not an antique, | 0:27:04 | 0:27:08 | |
but this type of thing is very popular with the cool kids | 0:27:08 | 0:27:13 | |
and I hope there are a few cool kids out there today to buy this. | 0:27:13 | 0:27:17 | |
-So do I! -It's made of orange plastic and I think it's rather splendid. | 0:27:17 | 0:27:22 | |
THEY LAUGH | 0:27:22 | 0:27:24 | |
Um, Jane, would you like to handle it? | 0:27:24 | 0:27:26 | |
Feel the quality of the plastic. | 0:27:26 | 0:27:28 | |
Oh, that's lovely! | 0:27:28 | 0:27:29 | |
Are you speechless? | 0:27:29 | 0:27:31 | |
I am a little, Anita, yeah. It's lovely. | 0:27:31 | 0:27:35 | |
You don't need to say that it's lovely | 0:27:35 | 0:27:37 | |
-if you think it's horrible. -It depends how much you paid. | 0:27:37 | 0:27:40 | |
I paid £70 for it. | 0:27:40 | 0:27:42 | |
-Right. -Right. -Right. -OK... | 0:27:42 | 0:27:45 | |
THEY LAUGH | 0:27:45 | 0:27:47 | |
-It's colourful. -It'll either fly...or sink. | 0:27:47 | 0:27:52 | |
What's the prediction? | 0:27:53 | 0:27:54 | |
I don't know! | 0:27:54 | 0:27:55 | |
HE LAUGHS | 0:27:55 | 0:27:57 | |
OK. Well, that's honest, isn't it? | 0:27:57 | 0:27:59 | |
You don't have to decide whether you go with the bonus buy | 0:27:59 | 0:28:01 | |
until after the sale of the first three items, | 0:28:01 | 0:28:03 | |
but for the viewers at home, let's find out | 0:28:03 | 0:28:05 | |
what the auctioneer thinks about Anita's lamp. | 0:28:05 | 0:28:07 | |
Well, Colin, I know you love a bit of 20th century design. | 0:28:09 | 0:28:11 | |
-I do. -Yeah? -Yeah, great fun! | 0:28:11 | 0:28:13 | |
-Go in your 1960s' house. -I like this sort of thing. | 0:28:13 | 0:28:16 | |
I wouldn't think a lot of these survived, actually. | 0:28:16 | 0:28:18 | |
I wouldn't have thought so, either. | 0:28:18 | 0:28:20 | |
-So badly made. -I suppose, really, let's go with an estimate... | 0:28:20 | 0:28:24 | |
Let's go for £10-£30 on it. | 0:28:24 | 0:28:26 | |
OK - £70 was paid for this by Anita Manning | 0:28:26 | 0:28:30 | |
who is very, very keen on 20th century design | 0:28:30 | 0:28:33 | |
and who knows - she might be right. | 0:28:33 | 0:28:35 | |
Anyway, that's it for that. | 0:28:35 | 0:28:36 | |
Moving on quickly to the Blues, who've got a curious mixture, | 0:28:36 | 0:28:40 | |
started off by the reproduction saucy sake cup. | 0:28:40 | 0:28:44 | |
Mm. Em, not really a lot you can say about that. | 0:28:44 | 0:28:47 | |
You first look at it and you think, | 0:28:47 | 0:28:49 | |
"Well, that probably is early 20th century, '20s, '30s." | 0:28:49 | 0:28:51 | |
You see plenty of that sort of Satsuma style. | 0:28:51 | 0:28:54 | |
-Late Meiji stuff. -Very, very late. | 0:28:54 | 0:28:58 | |
You look inside and have a look at the scene that's in there | 0:28:58 | 0:29:01 | |
and it ain't of that period. | 0:29:01 | 0:29:03 | |
-It's '60s, '70s, isn't it? -'70s, yeah. | 0:29:03 | 0:29:05 | |
It can be so deceptive. | 0:29:05 | 0:29:07 | |
What's it going to bring? A bit of naughty fun. | 0:29:07 | 0:29:09 | |
It is a bit of naughty fun | 0:29:09 | 0:29:10 | |
and I suppose people are sensibly going to spend £10-£30, | 0:29:10 | 0:29:14 | |
but I think beyond that, you'd be questioning your sanity. | 0:29:14 | 0:29:17 | |
-All right, fine - £45. -Hm... -I know. | 0:29:17 | 0:29:20 | |
Next it's the novelty inkwell. | 0:29:20 | 0:29:21 | |
-Well, it's another saucy lot. -Exactly. | 0:29:21 | 0:29:24 | |
-Look at that. -Nice interior. | 0:29:24 | 0:29:26 | |
What have we got, then? | 0:29:26 | 0:29:27 | |
We've got an enamelled interior to the miniature pan, | 0:29:27 | 0:29:30 | |
-is that the plan with that? -It is, yeah. | 0:29:30 | 0:29:32 | |
So you can put any colour ink in it. | 0:29:32 | 0:29:33 | |
Yeah. Not precious metal, though - copper. | 0:29:33 | 0:29:36 | |
Difficult thing to value, I guess. | 0:29:36 | 0:29:38 | |
Yeah. Again, I've just gone with £10-£30. | 0:29:38 | 0:29:40 | |
It's a trinket, it's a novelty item. | 0:29:40 | 0:29:42 | |
Lyn loved it - £55 she spent. | 0:29:42 | 0:29:44 | |
That's not low tens, that's mid-tens. | 0:29:44 | 0:29:47 | |
That's another loss. What about the top hat? | 0:29:47 | 0:29:49 | |
-Good item. -Dunn and Co. | 0:29:49 | 0:29:51 | |
Yeah - good maker, the condition's good throughout, | 0:29:51 | 0:29:54 | |
the case is nicely waxed up... | 0:29:54 | 0:29:56 | |
-A good decorator's piece. -How much? | 0:29:56 | 0:29:59 | |
-I think £30-£50. -Good Lord. | 0:29:59 | 0:30:01 | |
£100 they paid. | 0:30:01 | 0:30:02 | |
This is a walking disaster front, this Blue team, you know. | 0:30:02 | 0:30:06 | |
They're going to so need their bonus buy. | 0:30:06 | 0:30:08 | |
In fact, let's go and have a look at it. | 0:30:08 | 0:30:09 | |
Now Lyn, Tina, this is the excitement. | 0:30:11 | 0:30:13 | |
£100 you gave to Roscoe. Roscoe, what did you spend it on? | 0:30:13 | 0:30:17 | |
Well, I was so frightened by you girls, | 0:30:17 | 0:30:19 | |
I thought there's only one thing that's relevant here, | 0:30:19 | 0:30:21 | |
-and that's to make a profit. -Absolutely. | 0:30:21 | 0:30:23 | |
I'm not going to try and impress you with the object, | 0:30:23 | 0:30:26 | |
but I will try and impress you with what I paid for the OBJECTS. | 0:30:26 | 0:30:29 | |
-Oh! -I bought some bits of silver, cut glass and silver. | 0:30:31 | 0:30:34 | |
That is the prime object | 0:30:34 | 0:30:37 | |
and that is a Victorian silver-topped scent bottle. | 0:30:37 | 0:30:41 | |
It's 1890-something, cut glass, good condition, | 0:30:41 | 0:30:45 | |
vacant cartouche on the top | 0:30:45 | 0:30:46 | |
and I think that is worth £25-£30. | 0:30:46 | 0:30:50 | |
And I paid £20 for all three. | 0:30:50 | 0:30:53 | |
If we can't get a profit on £20 for those three, girls, | 0:30:53 | 0:30:56 | |
then I will eat my hat. | 0:30:56 | 0:30:58 | |
-They're all hallmarked? -They're all hallmarked. -Right. | 0:30:58 | 0:31:01 | |
-And what do you think these will bring? -£40. -Double. | 0:31:01 | 0:31:04 | |
I think I will double the money, girls. | 0:31:04 | 0:31:07 | |
There's a prediction. You like the sound of that. | 0:31:07 | 0:31:09 | |
-Yes. -Bonkers not to go with the bonus buy. | 0:31:09 | 0:31:12 | |
I think we've got a resounding thumbs-up there, Charlie, well done. | 0:31:12 | 0:31:15 | |
But right now, for the audience at home, | 0:31:15 | 0:31:17 | |
let's find out what the auctioneer thinks about Charlie's little pots. | 0:31:17 | 0:31:21 | |
OK, Colin, here's a bit of a challenge. | 0:31:21 | 0:31:23 | |
-That one's got a dent in it. -Mm-hm. | 0:31:23 | 0:31:24 | |
-That one's got a very badly bashed top. -Yeah. | 0:31:24 | 0:31:28 | |
-And that one's missing its spoon. -Yeah. | 0:31:28 | 0:31:30 | |
-All silver, but none of them match. -No. | 0:31:30 | 0:31:33 | |
I suppose it's one of those little composite lots | 0:31:33 | 0:31:36 | |
that will have been bought, presumably, if it's the bonus buy, | 0:31:36 | 0:31:39 | |
just on budget, hoping there's going to be a profit, so... | 0:31:39 | 0:31:42 | |
He had £100 and he went out and bought these three. | 0:31:42 | 0:31:46 | |
Right - that means these must have been really, really cheap, | 0:31:46 | 0:31:48 | |
-cos that is obviously why you would do it. -Yes. | 0:31:48 | 0:31:50 | |
I suppose, really, as a group, nothing individually there | 0:31:50 | 0:31:54 | |
that excites in any way, shape or form, | 0:31:54 | 0:31:57 | |
but certainly you've got an aggregate value in there of £25-£40. | 0:31:57 | 0:32:01 | |
Perfect. That'll be his thinking, cos he only paid £20. | 0:32:01 | 0:32:04 | |
-Does it fill your heart with joy, the prospect of selling them? -No. | 0:32:04 | 0:32:08 | |
Excellent. | 0:32:08 | 0:32:10 | |
I rather thought that would be the response. | 0:32:10 | 0:32:12 | |
It's not exciting, is it? | 0:32:12 | 0:32:14 | |
It's a commercial thing to do to make £5, £10, £15 profit, | 0:32:14 | 0:32:18 | |
which is what the bonus buy is all about. | 0:32:18 | 0:32:20 | |
-But it's not excitement. -No. | 0:32:20 | 0:32:23 | |
Obviously, there wasn't the excitement | 0:32:23 | 0:32:25 | |
to be found on the day, then. | 0:32:25 | 0:32:26 | |
I guess not. | 0:32:26 | 0:32:27 | |
-God bless you, Colin Young. -Thank you. -Thank you very much. | 0:32:27 | 0:32:30 | |
AUCTION ROOM CHATTER | 0:32:31 | 0:32:34 | |
-So, girls, you bought the picnic set, right? -Yeah, we did. | 0:32:38 | 0:32:41 | |
-You glad you bought the picnic set? -Yes. -You should be. | 0:32:41 | 0:32:44 | |
Because his estimate is £25-£40 on your picnic set | 0:32:44 | 0:32:47 | |
-and you only paid £20. -That's good. -That's good, isn't it? | 0:32:47 | 0:32:50 | |
He's been a bit mean with some of these estimates. | 0:32:50 | 0:32:53 | |
Otherwise, you've got the uranium orange plastic ceiling light | 0:32:53 | 0:32:57 | |
to fall back on, OK? | 0:32:57 | 0:32:58 | |
Now, OK. First up is your picnic set, | 0:32:58 | 0:33:01 | |
here it comes. | 0:33:01 | 0:33:03 | |
Lot number 226 | 0:33:03 | 0:33:05 | |
is the Brexton picnic set - | 0:33:05 | 0:33:07 | |
there we go, a very composite set, this one, in pretty good order. | 0:33:07 | 0:33:10 | |
Who'll start me at £60 for it? 60? | 0:33:10 | 0:33:12 | |
30 to go, then, surely. £30, everybody. | 0:33:12 | 0:33:14 | |
30, £30 to go, 30. | 0:33:14 | 0:33:16 | |
20, if you like, £20, everybody. | 0:33:16 | 0:33:18 | |
-Come on! -£20, anybody? | 0:33:18 | 0:33:19 | |
Anybody at £20 for the Brexton? | 0:33:19 | 0:33:20 | |
20 bid, two again now, £20 and two, now. | 0:33:20 | 0:33:22 | |
Look at what we're selling. | 0:33:22 | 0:33:24 | |
£20 bid, two again now, do I see? | 0:33:24 | 0:33:25 | |
-Broken even... -Two now, do I see? | 0:33:25 | 0:33:27 | |
Are we all done? Two, surely? | 0:33:27 | 0:33:28 | |
22, 22 bid. Five, bid of five. | 0:33:28 | 0:33:30 | |
Five bid, 28 now. | 0:33:30 | 0:33:32 | |
At £25 bid, 28 now, surely? | 0:33:32 | 0:33:33 | |
At £25, we're on the market at 25, any more bids? | 0:33:33 | 0:33:36 | |
At £25 - surely 28 from someone? | 0:33:36 | 0:33:38 | |
At 25, last call then, selling back here at £25... | 0:33:38 | 0:33:41 | |
Lovely - plus £5. | 0:33:41 | 0:33:43 | |
Good girls, well done. That's excellent. | 0:33:43 | 0:33:45 | |
Now, the claret jug. | 0:33:45 | 0:33:48 | |
Lot number 227 | 0:33:48 | 0:33:50 | |
is the claret jug, this time. Nice mounts on it. | 0:33:50 | 0:33:53 | |
Who'll start me at £50? 50. | 0:33:53 | 0:33:55 | |
40 to go, then. £40, anybody? 40? | 0:33:55 | 0:33:57 | |
40? 30, who's first, now? | 0:33:57 | 0:33:58 | |
£30 to go, 30? | 0:33:58 | 0:34:00 | |
20 - £20 for this. £20. | 0:34:00 | 0:34:02 | |
20 bid. Two now. | 0:34:02 | 0:34:04 | |
At 20 bid, 22. | 0:34:04 | 0:34:05 | |
25, five bid. 28, 28. | 0:34:05 | 0:34:06 | |
30, 30 bid. | 0:34:06 | 0:34:07 | |
32, 35, 35 - 38. | 0:34:07 | 0:34:09 | |
-It's creeping... -Slowly. | 0:34:09 | 0:34:11 | |
42. 45. 42, second row at 42. | 0:34:11 | 0:34:14 | |
At 42 - is there five from anywhere else, now? | 0:34:14 | 0:34:16 | |
At 42, last call, done and finished... | 0:34:16 | 0:34:18 | |
45 on the net. 48 - 48 bid. | 0:34:18 | 0:34:21 | |
-And 50 now, 50 bid. -This is good! | 0:34:21 | 0:34:23 | |
Coming back with 50, surely? | 0:34:23 | 0:34:24 | |
48, the bid's straight in front of me here. | 0:34:24 | 0:34:26 | |
At 48 bid, last call, then. Done, finished at £48... | 0:34:26 | 0:34:29 | |
48 is two shy of 50, which is 45 - | 0:34:29 | 0:34:33 | |
that is minus £47. | 0:34:33 | 0:34:35 | |
That's a big old lump, isn't it? | 0:34:35 | 0:34:37 | |
Which means overall, you're minus £42 | 0:34:37 | 0:34:39 | |
and you've got the inkwell now, stand by. | 0:34:39 | 0:34:41 | |
Cross your legs, girls. | 0:34:41 | 0:34:43 | |
There we go, 228 showing next. | 0:34:44 | 0:34:46 | |
This is the Edwardian crystal inkwell | 0:34:46 | 0:34:48 | |
with a nice silver top on it there. | 0:34:48 | 0:34:50 | |
Who'll start me at £50? | 0:34:50 | 0:34:51 | |
50? 40 to go, then. 40? | 0:34:51 | 0:34:53 | |
30, if you like. £30, anybody? 30? | 0:34:53 | 0:34:55 | |
-£30 bid, and 32... -Come on! | 0:34:55 | 0:34:57 | |
Who do I see now? £30 bid, two, now. 32, do I see? | 0:34:57 | 0:34:59 | |
30 bid, 32, 35 on the book. 38. | 0:34:59 | 0:35:01 | |
-38, 40. -Yes! | 0:35:01 | 0:35:03 | |
42, now, 42. 45. 45, now, 45. | 0:35:03 | 0:35:06 | |
48, 48 bid, 48. | 0:35:06 | 0:35:08 | |
50, now, make it. £50. 50, sir? | 0:35:08 | 0:35:10 | |
50 bid, 50 bid. I'll say two. | 0:35:10 | 0:35:12 | |
At 52. Five anywhere else now? | 0:35:12 | 0:35:14 | |
At 52 bid. Five - go on, have another one. | 0:35:14 | 0:35:16 | |
At 52 bid, five anywhere else? | 0:35:16 | 0:35:17 | |
Surely? At 53, third row down here... | 0:35:17 | 0:35:19 | |
Oh, dear. So close. | 0:35:19 | 0:35:20 | |
55, 58. 58. Bid 60? | 0:35:20 | 0:35:23 | |
58, back down here, a definite no this time. | 0:35:23 | 0:35:26 | |
Going, then, at £58... | 0:35:26 | 0:35:27 | |
I can't bear it! £58 is minus 2. | 0:35:27 | 0:35:31 | |
Overall, then you're minus 44. | 0:35:31 | 0:35:33 | |
So, that's the position. | 0:35:33 | 0:35:35 | |
The financial position is in the red, Reds, | 0:35:35 | 0:35:38 | |
to the tune of £44. | 0:35:38 | 0:35:40 | |
So what are we doing? Are we going with the old orange doo-dah? | 0:35:40 | 0:35:43 | |
Are we going to park it and hope that £44 is the winning score today? | 0:35:43 | 0:35:47 | |
-It could be a winning score. -We're going to reject it. | 0:35:47 | 0:35:50 | |
-You're going to reject it - sure about that? -Yeah. | 0:35:50 | 0:35:52 | |
-Absolutely certain? -Yeah. -Don't need to phone anybody? -No. | 0:35:52 | 0:35:55 | |
OK, we're selling it now anyway, so come along. | 0:35:55 | 0:35:57 | |
We're not going with the bonus buy but we're selling it anyway. | 0:35:57 | 0:36:00 | |
Start me at £50. | 0:36:02 | 0:36:04 | |
£50. | 0:36:04 | 0:36:06 | |
£50. | 0:36:06 | 0:36:08 | |
30...was that £50, madam? | 0:36:08 | 0:36:11 | |
No? Why not? | 0:36:11 | 0:36:13 | |
I said 50 pence. | 0:36:13 | 0:36:14 | |
Oh, you said 50 pence, did you? | 0:36:14 | 0:36:16 | |
It's my hearing that's going. | 0:36:16 | 0:36:18 | |
Oh, dear. This isn't very Grantham. | 0:36:18 | 0:36:21 | |
Who's going to start me at 10 and we'll get on? | 0:36:21 | 0:36:23 | |
£10, anyone? 10? | 0:36:23 | 0:36:25 | |
Although it's looking like this 50p's going to be working. | 0:36:25 | 0:36:28 | |
Who's going to start me? A fiver, seriously. Fiver, anybody? | 0:36:28 | 0:36:32 | |
Fiver? Yep, five in the room. Five bid in the room. | 0:36:32 | 0:36:35 | |
Six, now. £5 bid. Six now, surely. | 0:36:35 | 0:36:37 | |
Six bid. Eight, now. Let's get on. | 0:36:37 | 0:36:38 | |
Eight bid. Eight bid. | 0:36:38 | 0:36:40 | |
Ten bid. Ten bid. 12 on the book. | 0:36:40 | 0:36:42 | |
-This is good auctioneering. -Isn't it? | 0:36:42 | 0:36:43 | |
He's a very good auctioneer. | 0:36:43 | 0:36:45 | |
£18 bid. 20, now, do I see? | 0:36:45 | 0:36:48 | |
At 18 bid. 20, now? At £18, are we all done? | 0:36:48 | 0:36:51 | |
It's on the market at 18, surely. | 0:36:51 | 0:36:53 | |
20 bid. At 20 bid, 22. | 0:36:53 | 0:36:55 | |
25 - you're not going to find another one like this today. | 0:36:55 | 0:36:58 | |
At 22 at the back of the room. | 0:36:58 | 0:36:59 | |
At 22, is there five? Final call, then. | 0:36:59 | 0:37:02 | |
It's on the market, it's going to sell at £22. | 0:37:02 | 0:37:05 | |
-It doesn't matter - matters not a jot, actually. -No. | 0:37:05 | 0:37:08 | |
You're minus £44, you didn't go with the bonus buy, | 0:37:08 | 0:37:11 | |
-that could be a winning score. -Could be. | 0:37:11 | 0:37:13 | |
In which case, don't say a word to the Blues. | 0:37:13 | 0:37:15 | |
-No. -In fact, go out looking a bit cocky. | 0:37:15 | 0:37:17 | |
THEY LAUGH | 0:37:17 | 0:37:19 | |
-Yes! -Yes, that's marvellous. | 0:37:19 | 0:37:20 | |
Give them a bit of that, all right? Well done. | 0:37:20 | 0:37:23 | |
Lyn and Tina, do you know how the Reds got on? | 0:37:30 | 0:37:32 | |
-No, we don't. -You don't know. -Nope. | 0:37:32 | 0:37:34 | |
Did they look confident when they came through? | 0:37:34 | 0:37:36 | |
-Well, they were waving and cheering. -Were they? | 0:37:36 | 0:37:38 | |
That sounds like the girls. | 0:37:38 | 0:37:40 | |
Anyway, let's have a little saucy cup of sake, shall we? | 0:37:40 | 0:37:44 | |
Here it comes. | 0:37:44 | 0:37:46 | |
Lot number 248, this is a Japanese erotica sake cup. | 0:37:46 | 0:37:50 | |
Who's going to start me at £10? | 0:37:50 | 0:37:52 | |
£10, anybody? | 0:37:52 | 0:37:53 | |
-Come on...! -10? £10, anyone? | 0:37:53 | 0:37:56 | |
Fiver to go, surely. Anybody, fiver? Couple of pound to go then, surely? | 0:37:56 | 0:37:59 | |
£2, anybody? | 0:37:59 | 0:38:00 | |
£2 bid, four. £4 bid, six. | 0:38:00 | 0:38:02 | |
£6, £8 bid, £8 - ten... | 0:38:02 | 0:38:04 | |
Come on, girls! | 0:38:04 | 0:38:05 | |
Ten anywhere? £8 bid. Ten now, surely? | 0:38:05 | 0:38:07 | |
At £8 bid - ten. 10 bid, 12. | 0:38:07 | 0:38:08 | |
12 bid now - no, at £10 bid. | 0:38:08 | 0:38:10 | |
Ten bid, 12 - any more? 12 bid. | 0:38:10 | 0:38:12 | |
15 now, surely? No? | 0:38:12 | 0:38:14 | |
At £12, it's back in the room, then, on the end of the row there at 12. | 0:38:14 | 0:38:17 | |
At 12 bid, 15. Last call from anybody? | 0:38:17 | 0:38:20 | |
£12. Bad luck. Minus £33. | 0:38:20 | 0:38:23 | |
Uh-oh. Not a good start. | 0:38:23 | 0:38:26 | |
Lot number 249 showing now. | 0:38:26 | 0:38:27 | |
This is the late Victorian novelty inkwell | 0:38:27 | 0:38:30 | |
in the form of a saucepan with cover. | 0:38:30 | 0:38:32 | |
Nice interior as well. Who'll start me at £40 for it? | 0:38:32 | 0:38:34 | |
40? 30? | 0:38:34 | 0:38:36 | |
20, there you go. £20, anyone? Ten if you like? Anybody at ten? | 0:38:36 | 0:38:39 | |
Who's first in? £10 bid. At ten bid, 12 anywhere else now? | 0:38:39 | 0:38:42 | |
At ten bid, 12 again now, surely? At £10 bid. Ten. 12 bid. | 0:38:42 | 0:38:44 | |
15? 15 bid. 18 now? 18, surely? | 0:38:44 | 0:38:47 | |
18 bid, at 18. 20? £20 bid? | 0:38:47 | 0:38:49 | |
-No, 18 bid. And 20 now... -Come on! -I can't bear it. | 0:38:49 | 0:38:51 | |
£55 paid. | 0:38:51 | 0:38:53 | |
Right at the back of the room - surely £20 for this? | 0:38:53 | 0:38:55 | |
At 18 bid, are we all done? Final call, then, | 0:38:55 | 0:38:58 | |
at the back of the room... | 0:38:58 | 0:38:59 | |
Come on - upbeat, girls, come on. | 0:38:59 | 0:39:01 | |
37... | 0:39:01 | 0:39:03 | |
Here comes the Dunn and Co. | 0:39:03 | 0:39:05 | |
Lot number 250 | 0:39:07 | 0:39:08 | |
is the Dunn and Co silk top hat. | 0:39:08 | 0:39:11 | |
You also get the box to go with it as well, | 0:39:11 | 0:39:13 | |
which is in fabulous order. | 0:39:13 | 0:39:14 | |
Who'll start me at £100 for it? | 0:39:14 | 0:39:16 | |
100? 80 to go, then, surely? 80? | 0:39:16 | 0:39:17 | |
50, if you like. £50, anyone? 50? | 0:39:17 | 0:39:19 | |
50? 30 to go, then, surely? | 0:39:19 | 0:39:21 | |
£30 - 30 bid. Five, 35... | 0:39:21 | 0:39:23 | |
What is going on? | 0:39:23 | 0:39:24 | |
45, 50. £50, I'm bid. 50 bid. Five? | 0:39:24 | 0:39:26 | |
£50 - lady's bid at 50. 55. 55? | 0:39:26 | 0:39:29 | |
60. 60 - five? 65. 65. | 0:39:29 | 0:39:32 | |
£70. £70 bid. | 0:39:32 | 0:39:34 | |
We're getting there, girls, we're getting there. | 0:39:34 | 0:39:37 | |
-80, now. 80. -Ooh! | 0:39:37 | 0:39:39 | |
-Five. 90. -Blimey, don't say we're going to make a profit? | 0:39:39 | 0:39:42 | |
95. 95. 100 now, may I say. | 0:39:42 | 0:39:45 | |
100, surely? 100? | 0:39:45 | 0:39:46 | |
110 now. 110. 120. | 0:39:46 | 0:39:48 | |
You're in profit. | 0:39:48 | 0:39:49 | |
Surely? 120? 130. | 0:39:49 | 0:39:50 | |
At 120, we're on the net, then. | 0:39:50 | 0:39:53 | |
125. 130. Let's make it 130. | 0:39:53 | 0:39:55 | |
130. | 0:39:55 | 0:39:56 | |
At 130. | 0:39:56 | 0:39:58 | |
Are we all done, then? At 130? | 0:39:58 | 0:40:01 | |
-Going then at 130 on the internet. -Well done! | 0:40:01 | 0:40:04 | |
That is plus £30. | 0:40:04 | 0:40:06 | |
Tina, I laud you. | 0:40:06 | 0:40:08 | |
Anyway, that means that now you're only minus 40. | 0:40:08 | 0:40:12 | |
-Which is nothing, really. -Fabbo! | 0:40:12 | 0:40:14 | |
OK, minus £40, girls. That's not too bad, is it? | 0:40:14 | 0:40:17 | |
-Mm...no. -No. | 0:40:17 | 0:40:19 | |
Are you going to have a punt at the silver-topped bottles? | 0:40:19 | 0:40:21 | |
-BOTH: Yes. -Going to go with the bonus buy? | 0:40:21 | 0:40:23 | |
-Yes. -You are. -Yes. -All right, fine. | 0:40:23 | 0:40:25 | |
Going with the bonus buy, then. Here come three little bottles. | 0:40:25 | 0:40:28 | |
Let's see what happens. | 0:40:28 | 0:40:29 | |
We've got three silver-topped items. | 0:40:29 | 0:40:31 | |
Got to be worth a tenner apiece, start me at £30. | 0:40:31 | 0:40:33 | |
30? 30? 20 to go, then, surely? | 0:40:33 | 0:40:35 | |
£20, anybody? | 0:40:35 | 0:40:36 | |
Ten if you like, ten, straight in? Ten bid - 12 anywhere else now? | 0:40:36 | 0:40:39 | |
At £10 bid. 12 now, do I see? | 0:40:39 | 0:40:40 | |
At 12 bid, 15 now, do I see? | 0:40:40 | 0:40:42 | |
At £12 bid, 15 now? | 0:40:42 | 0:40:43 | |
At £12 a bid. 15, do I see? | 0:40:43 | 0:40:44 | |
-At £12 bid, 15... -Don't be ridiculous! | 0:40:44 | 0:40:46 | |
Come on! | 0:40:46 | 0:40:47 | |
They're silver-topped, for God's sake. | 0:40:47 | 0:40:49 | |
£5 each. At 12 bid. | 0:40:49 | 0:40:51 | |
15, do I see, now? 15. 15. | 0:40:51 | 0:40:53 | |
18, now, 18, do I see? | 0:40:53 | 0:40:54 | |
Goodness sake! | 0:40:54 | 0:40:55 | |
18 bid. 20 again, now. 20 bid. | 0:40:55 | 0:40:57 | |
22, now? No. | 0:40:57 | 0:40:58 | |
At £20, my bid's down here at 20. | 0:40:58 | 0:41:00 | |
Out at the back. | 0:41:00 | 0:41:01 | |
Charlie's got a white face. | 0:41:01 | 0:41:03 | |
Selling at £20... | 0:41:03 | 0:41:05 | |
It's yours, sir, at 20... | 0:41:05 | 0:41:06 | |
£20 is what they've got - a white face. | 0:41:06 | 0:41:08 | |
-Yeah... -Which is the closest thing to a profit, Charlie. | 0:41:08 | 0:41:11 | |
CHARLIE LAUGHS | 0:41:11 | 0:41:12 | |
You might get a slapped face, the way you're going on. | 0:41:12 | 0:41:15 | |
OK, fine. So no profit, no loss on that. | 0:41:15 | 0:41:19 | |
Overall, you are minus £40, | 0:41:19 | 0:41:21 | |
which could, as I say, be a winning score. | 0:41:21 | 0:41:23 | |
Don't say a word to the Reds | 0:41:23 | 0:41:25 | |
and all will be revealed in a moment. | 0:41:25 | 0:41:27 | |
You're good sports. | 0:41:27 | 0:41:28 | |
Well, well, well. Look at these happy, smiling girls. | 0:41:36 | 0:41:40 | |
Now, who's ahead and who's behind, eh? | 0:41:40 | 0:41:44 | |
-Been chatting? -ALL: No... | 0:41:44 | 0:41:45 | |
Look at the shine in their expectant faces. | 0:41:45 | 0:41:49 | |
Such competitiveness. | 0:41:49 | 0:41:50 | |
I mean, if I tell you that there's only £4 between you... | 0:41:50 | 0:41:55 | |
I mean, how nail-bitingly edge of screen is that? | 0:41:55 | 0:42:00 | |
Course, you haven't made any profit. | 0:42:00 | 0:42:02 | |
THEY LAUGH | 0:42:02 | 0:42:03 | |
That would be unheard of! | 0:42:03 | 0:42:06 | |
So, we're both in a minus score situation, | 0:42:06 | 0:42:09 | |
but the scale of the losses is very, very tight today. | 0:42:09 | 0:42:14 | |
Very, very tight indeed. | 0:42:14 | 0:42:15 | |
And the team that is marginally - | 0:42:17 | 0:42:19 | |
and it is only a margin of four smackers - | 0:42:19 | 0:42:22 | |
further down the losses stake is... | 0:42:22 | 0:42:25 | |
..R...B... | 0:42:26 | 0:42:29 | |
The Reds. | 0:42:29 | 0:42:30 | |
THEY GROAN | 0:42:30 | 0:42:32 | |
Minus £44, girls. | 0:42:32 | 0:42:34 | |
Oh, dear! | 0:42:34 | 0:42:35 | |
You didn't go with the bonus buy. If you did, you'd be minus 92. | 0:42:35 | 0:42:40 | |
THEY LAUGH | 0:42:40 | 0:42:41 | |
As it was, you avoided the bonus buy, | 0:42:41 | 0:42:44 | |
you preserved your scaled-down losses, which were 44 - | 0:42:44 | 0:42:48 | |
-which is not so bad, is it, really? -Not really. | 0:42:48 | 0:42:50 | |
-Never mind. You had a good time. -Fabulous. -Wonderful. | 0:42:50 | 0:42:52 | |
You're a marvellous couple, you mother and daughter. | 0:42:52 | 0:42:55 | |
-Thank you for coming on our show. -Thank you. | 0:42:55 | 0:42:57 | |
Now, moving on, though, to the victors, | 0:42:57 | 0:42:59 | |
who managed to win by only losing £40. | 0:42:59 | 0:43:01 | |
Lyn, have you had a nice time, darling? | 0:43:01 | 0:43:03 | |
-Fabulous time, thank you. -What was the best bit for you, Tina? | 0:43:03 | 0:43:06 | |
-Me erotica cup. -Oh. | 0:43:06 | 0:43:09 | |
-We're back on that again. -I wanted it. -You wanted it. | 0:43:09 | 0:43:12 | |
-Good fun, hey? -Excellent. -Brilliant. | 0:43:12 | 0:43:14 | |
Marvellous - join us soon for some more bargain hunting, yes? | 0:43:14 | 0:43:17 | |
ALL: Yes! | 0:43:17 | 0:43:19 |