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Today we're in Detling, Kent, one of the Home Counties. | 0:00:05 | 0:00:09 | |
Let's hope that it's home to some bumper bargains for our teams today. | 0:00:09 | 0:00:15 | |
So let's go bargain hunting, yeah! | 0:00:15 | 0:00:18 | |
We're at the antiques and collectors fair at the Kent County Showground, | 0:00:41 | 0:00:45 | |
and our teams have only got one hour to bag their three bargains. | 0:00:45 | 0:00:49 | |
So let's have a quick squint as to what's coming up. | 0:00:49 | 0:00:52 | |
It's a romantic kind of show today, as it's all kisses and flowers. | 0:00:55 | 0:00:59 | |
The Red team are dealing out the kisses. | 0:00:59 | 0:01:01 | |
I'll give you a kiss, how about that? | 0:01:01 | 0:01:04 | |
-That's worth another tenner, isn't it? -Thank you! | 0:01:04 | 0:01:07 | |
Whilst the Blues are conjuring up the flowers. | 0:01:07 | 0:01:10 | |
-Oh, look at that! -We've got a deal and a balloon. -There we go. | 0:01:10 | 0:01:13 | |
-But will it be heartbreak at the auction? Uh-oh. -Uh-oh! | 0:01:13 | 0:01:17 | |
Let's meet our teams, eh? | 0:01:17 | 0:01:20 | |
Well, on the show today, we've got two teams of friends. | 0:01:20 | 0:01:23 | |
For the Reds, we've got Jackie and Dorothy. | 0:01:23 | 0:01:26 | |
And for the Blues, we've got Rick and Rodney. | 0:01:26 | 0:01:28 | |
-Hello, everyone! -ALL: Hello! | 0:01:28 | 0:01:30 | |
Lovely to see you. Jackie, how did you two become friends? | 0:01:30 | 0:01:33 | |
Well, I've known Dorothy for about 40 years. | 0:01:33 | 0:01:36 | |
When she moved to Margate, she joined the Margate Operatic Society | 0:01:36 | 0:01:40 | |
which I am a director and choreographer of. | 0:01:40 | 0:01:43 | |
But basically, it was her husband. | 0:01:43 | 0:01:46 | |
-Because he had all the talent. -Oh! | 0:01:46 | 0:01:50 | |
If you know what I mean. She understands. | 0:01:50 | 0:01:52 | |
It's amazing you've remained such close friends, | 0:01:52 | 0:01:55 | |
after a statement like that. Good. | 0:01:55 | 0:01:57 | |
It says that you're very much in the world of entertainment. You love it. | 0:01:57 | 0:02:01 | |
-Yes, yes. -Tell us some more. | 0:02:01 | 0:02:03 | |
Well, I started off a professional dancer at 14, | 0:02:03 | 0:02:08 | |
I've been with Jimmy Wheeler, Bill Maynard, Tommy Steele, Adam Faith. | 0:02:08 | 0:02:13 | |
And then my biggest thing was when I directed | 0:02:13 | 0:02:16 | |
and put together the first half of the Norman Wisdom show. | 0:02:16 | 0:02:20 | |
What was our Norm like, then? | 0:02:20 | 0:02:21 | |
-Was he nice? -Oh, magic, lovely. Lovely chap. | 0:02:21 | 0:02:24 | |
Now, Dorothy, tell me, what did you get up to in your working years? | 0:02:24 | 0:02:27 | |
Well, my last job was I was PA to the local mayor. | 0:02:27 | 0:02:30 | |
I always said it was brilliant, | 0:02:30 | 0:02:32 | |
because if you didn't like the boss, you got a new one every year. | 0:02:32 | 0:02:36 | |
Yes, that is a very good point, isn't it? | 0:02:36 | 0:02:38 | |
-And how do you spend your time now? -Um, quite busy, actually. | 0:02:38 | 0:02:42 | |
I... My main hobby, | 0:02:42 | 0:02:44 | |
if you can call it that, is governor of the local academy. | 0:02:44 | 0:02:47 | |
-And I'm also secretary and treasurer of a local charity. -Quite something. | 0:02:47 | 0:02:52 | |
-Anyway, I wish you luck with your shopping today. -Thank you. -Good fun. | 0:02:52 | 0:02:56 | |
Now, boys. Rick, tell me, how did you become friends with Rodders? | 0:02:56 | 0:03:00 | |
We went to the same school together | 0:03:00 | 0:03:03 | |
and we've been best friends 16 years now. | 0:03:03 | 0:03:06 | |
-What do you do for a living, Rick? -I'm a paper maker. | 0:03:06 | 0:03:08 | |
I make toilet tissue, yeah. | 0:03:08 | 0:03:10 | |
So what do you do when you make this toilet paper? | 0:03:10 | 0:03:13 | |
-What's your ROLL in it? -I'm actually a team leader. | 0:03:13 | 0:03:17 | |
-In charge of white shift. -You only do the white, then? | 0:03:17 | 0:03:19 | |
-That's the most popular colour. -It is the most popular colour, yeah. | 0:03:19 | 0:03:24 | |
What about hobbies, Rick? What do you get up to? | 0:03:24 | 0:03:27 | |
I play a lot of darts. | 0:03:27 | 0:03:28 | |
-I also play a lot of online poker. -Do you? | 0:03:28 | 0:03:30 | |
And a lot of live poker, | 0:03:30 | 0:03:32 | |
so I'm hoping the old gambler in me comes out today. | 0:03:32 | 0:03:34 | |
-Really? -I do like a gamble. -We'd better stand by for that. | 0:03:34 | 0:03:38 | |
Rodders, that's not your real name, Rodney, is it? | 0:03:38 | 0:03:40 | |
No, my real name is Paul. | 0:03:40 | 0:03:43 | |
The reason why it's Rodney, it's just a nickname from school, | 0:03:43 | 0:03:46 | |
and unfortunately it's stuck and it's with me for ever. | 0:03:46 | 0:03:49 | |
-And everyone knows me as Rodney. -So what do you do for a living? | 0:03:49 | 0:03:51 | |
-Are you down the old roll factory? -No, not me. No. | 0:03:51 | 0:03:55 | |
I used to work in the entertainment business. | 0:03:55 | 0:03:58 | |
Just nowadays, I do part-time children's entertainment. | 0:03:58 | 0:04:02 | |
-I'm also in a band currently called The Stress Monkeys. -Sounds cool. | 0:04:02 | 0:04:05 | |
Yeah, we tour pubs and clubs around Kent and Maidstone. | 0:04:05 | 0:04:08 | |
Now, tactics today, what's your plans? | 0:04:08 | 0:04:11 | |
Well, we've gone quite sort of civil about this, and diplomatic. | 0:04:11 | 0:04:14 | |
-I'm going to choose one. -I'll choose one. | 0:04:14 | 0:04:16 | |
-Then we're going to have a joint one. -You going to blow the lot too? | 0:04:16 | 0:04:20 | |
-We're going to have a good go. -Hopefully, yeah. | 0:04:20 | 0:04:22 | |
Talking about the lot, here it comes, £300 apiece. | 0:04:22 | 0:04:25 | |
There you go, Jack, £300. | 0:04:25 | 0:04:26 | |
£300, you know the rules, your experts await. And off you go. | 0:04:26 | 0:04:31 | |
And very, very, very good luck. | 0:04:31 | 0:04:33 | |
Lampooning for the Reds, it's Jonathan Pratt. | 0:04:38 | 0:04:41 | |
And in tune with the Blues, it's Kate Bliss. | 0:04:43 | 0:04:46 | |
So, ladies, here we are. | 0:04:49 | 0:04:51 | |
Anything you're after particularly today? | 0:04:51 | 0:04:54 | |
-I've got an idea what I don't want to buy. -A bit of silver. | 0:04:54 | 0:04:57 | |
Vesta cases, pin cushions, and tea. You know, those boxes. | 0:04:57 | 0:05:02 | |
Right, OK, that's fairly specific. Not to buy! | 0:05:02 | 0:05:05 | |
Toys, anything interesting. Shiny and it catches my eye. | 0:05:05 | 0:05:09 | |
Beautiful or interesting. | 0:05:09 | 0:05:11 | |
-Definitely not boring. -Like you two ladies, then! | 0:05:11 | 0:05:15 | |
Well, this should be all very straightforward, then. | 0:05:16 | 0:05:19 | |
But it's a busy old fair with lots of ground to cover | 0:05:19 | 0:05:22 | |
and hundreds of punters looking for bargains of their own. | 0:05:22 | 0:05:24 | |
Mind you, with only seconds of the 60 minutes gone, | 0:05:24 | 0:05:28 | |
Jonathan's already found a little something. | 0:05:28 | 0:05:31 | |
Do you like your Royal Worcester? | 0:05:31 | 0:05:33 | |
I said to him, my words were, | 0:05:33 | 0:05:35 | |
we're not going to be able to afford to buy anything on your stall. | 0:05:35 | 0:05:38 | |
What does he do immediately? "Well, of course you can." | 0:05:38 | 0:05:41 | |
It's dated 1904. This could be something, | 0:05:41 | 0:05:44 | |
he's asking £75 but you could do a deal on that. | 0:05:44 | 0:05:46 | |
-It's quite a cute little thing. -Will he do it for 40? | 0:05:46 | 0:05:49 | |
Would you take £40 for that? See, he would take it for £40. | 0:05:49 | 0:05:53 | |
-That's quite a sweet little thing, Royal Worcester. -It is nice. | 0:05:53 | 0:05:56 | |
We can't just go straight in at 30 seconds and buy something. | 0:05:56 | 0:05:58 | |
So we'll put that right there in the corner so no-one can see it. | 0:05:58 | 0:06:02 | |
-Worth thinking about. -Come on then, ladies. | 0:06:02 | 0:06:05 | |
Positive start, girls. I can see you mean business. | 0:06:05 | 0:06:08 | |
Well, if it's a quick start for the Reds, | 0:06:08 | 0:06:10 | |
then it's an early bath for the Blues. | 0:06:10 | 0:06:12 | |
Look at this. | 0:06:12 | 0:06:14 | |
-What is it, Kate? -It says here it's a Boer War officers' bath. | 0:06:14 | 0:06:18 | |
-Look at that. Tin bath with its lid. -What would they do? | 0:06:18 | 0:06:23 | |
So, this would have been carried around for the officer | 0:06:23 | 0:06:25 | |
to have his bath in. It's quite a weight, isn't it? | 0:06:25 | 0:06:28 | |
Yeah. How much is that? | 0:06:28 | 0:06:30 | |
I knew you were going to ask that. 175 is on there. | 0:06:30 | 0:06:33 | |
-But it's a nice thing. -Lovely, interesting. | 0:06:33 | 0:06:36 | |
Let's have a look over here. | 0:06:36 | 0:06:37 | |
At that price, I don't think it'll wash with the boys. | 0:06:37 | 0:06:40 | |
Well, I found something lovely, but it was £695! I had to put it back. | 0:06:43 | 0:06:49 | |
This little bit on the end here doesn't fit in with the rest of this | 0:06:54 | 0:06:57 | |
and they're quite keen to get this lot away. | 0:06:57 | 0:06:59 | |
-Right. -A pretty... -That's rather nice. | 0:06:59 | 0:07:02 | |
Pedestal bowl or centrepiece, I suppose you'd call it. | 0:07:02 | 0:07:04 | |
It's made to look handmade, it has this planished, beaten finish. | 0:07:04 | 0:07:08 | |
It's plated. It's rather pretty, that. It's modern. | 0:07:08 | 0:07:12 | |
It has the sort of style of the, sort of, | 0:07:12 | 0:07:14 | |
-end of the 19th century about it. -Yeah. | 0:07:14 | 0:07:17 | |
The man is mouthing over there, "And it's cheap." | 0:07:17 | 0:07:20 | |
What's this show called? | 0:07:20 | 0:07:22 | |
-Bargain Hunt. -Bargain Hunt, right. -160, drop the hundred. | 0:07:22 | 0:07:27 | |
-I can do it for 40. -Whoo! -Whoo. | 0:07:27 | 0:07:30 | |
He wants to get rid of it, so let's not stop there, eh? | 0:07:30 | 0:07:33 | |
Would it go for 25, then? | 0:07:33 | 0:07:35 | |
-Would it go for 25? -No! | 0:07:35 | 0:07:38 | |
That would be too much. | 0:07:38 | 0:07:40 | |
30, what about 30? | 0:07:40 | 0:07:42 | |
-30 is a deal. -£30. | 0:07:42 | 0:07:45 | |
I think we should go for that, then. | 0:07:45 | 0:07:48 | |
I think that's a good buy for £30. | 0:07:48 | 0:07:49 | |
-I think so, lovely. Thank you very much. -That was very easy! | 0:07:49 | 0:07:53 | |
Yeah. Lovely. | 0:07:53 | 0:07:55 | |
-Gosh, there we are. Let's carry on. -Yeah, lovely. | 0:07:55 | 0:07:57 | |
Carry on indeed. First purchase goes to the Reds | 0:07:57 | 0:08:00 | |
with barely seven minutes gone. | 0:08:00 | 0:08:02 | |
-Now, you boys said you liked silver. -Yeah. -Yeah. | 0:08:03 | 0:08:06 | |
This is actually silver plate rather than silver. | 0:08:06 | 0:08:09 | |
-But that is quite pretty, actually. This is a cruet stand. -Right. | 0:08:09 | 0:08:13 | |
You literally put your vinegar, | 0:08:13 | 0:08:15 | |
you've got a little mustard pot there. | 0:08:15 | 0:08:17 | |
Date-wise, these bottles are cut glass rather than moulded, | 0:08:17 | 0:08:21 | |
so that's a sign of quality. | 0:08:21 | 0:08:23 | |
I would say the bottles are certainly late Victorian, | 0:08:23 | 0:08:26 | |
-early Edwardian in date. -And are they the original stops for them? | 0:08:26 | 0:08:30 | |
I think they probably are, yeah. The stoppers are matching. | 0:08:30 | 0:08:33 | |
And I like the way they're faceted in the same way, do you see? | 0:08:33 | 0:08:37 | |
-Rodders, can you see that on your table at home? -I don't think so. | 0:08:37 | 0:08:40 | |
But I'd give it a go, I think we could put | 0:08:40 | 0:08:42 | |
some olive oil in there, some balsamic vinegar. | 0:08:42 | 0:08:44 | |
-Obviously mustard. -No good for me, I'm a salad dodger. | 0:08:44 | 0:08:48 | |
You're a salad dodger! Hamburgers and chips for Rick! | 0:08:48 | 0:08:51 | |
Put a bit of ketchup in there, bit of brown sauce. | 0:08:51 | 0:08:54 | |
THEY LAUGH | 0:08:54 | 0:08:55 | |
-Whatever takes your fancy, I say. -Whatever takes your fancy. | 0:08:55 | 0:08:59 | |
-And the price is? -We've got 55 on there. | 0:08:59 | 0:09:02 | |
Do you think we can get them down to 30? | 0:09:02 | 0:09:04 | |
Do you reckon we'd make profit if we get them down to 30? | 0:09:04 | 0:09:07 | |
-Let's have a chat with them. Hi, there. -Hello. | 0:09:07 | 0:09:09 | |
What could you do for us on the cruet? | 0:09:09 | 0:09:11 | |
You've got 55 on the ticket there. | 0:09:11 | 0:09:13 | |
55. Um... | 0:09:13 | 0:09:15 | |
-45 would be my very best. -35. | 0:09:15 | 0:09:18 | |
-Just for us. -Just for us. -It would have to be 45. | 0:09:20 | 0:09:23 | |
Profit, do you think, maybe a couple of quid? | 0:09:23 | 0:09:26 | |
-Yeah, on a good day, I would say. -I'd go for that, wouldn't you? | 0:09:26 | 0:09:28 | |
-Let's go for it, come on. -Have I persuaded you? | 0:09:28 | 0:09:30 | |
-I hope I've done the right thing. -We've got a tenner off it. | 0:09:30 | 0:09:33 | |
Brilliant, first purchase. | 0:09:33 | 0:09:35 | |
Well done. Let's go. | 0:09:35 | 0:09:36 | |
Hey, that's my line. | 0:09:36 | 0:09:38 | |
Fear not, Kate, these boys are safe in your hands. | 0:09:38 | 0:09:42 | |
Right, so is that yours, or is that mine? | 0:09:42 | 0:09:44 | |
We're going to do one yours, one mine. And then together. | 0:09:44 | 0:09:47 | |
So is that going to be together, or yours or mine? | 0:09:47 | 0:09:49 | |
I'll take that one on. I like that. | 0:09:49 | 0:09:51 | |
Do you know, I think these teams are like-minded. | 0:09:51 | 0:09:54 | |
Because look what the Reds have seen. | 0:09:54 | 0:09:57 | |
So, what is this? | 0:09:57 | 0:09:58 | |
It's Carlton Ware. Cruet set. | 0:09:58 | 0:10:01 | |
It says it's silver, so presumably there's a silver mark on there. | 0:10:01 | 0:10:04 | |
-Yeah. Should be. -And it's Chester... | 0:10:04 | 0:10:07 | |
-Oh, God, I can't read that. -1923? | 0:10:07 | 0:10:10 | |
But, it's £185. So... | 0:10:10 | 0:10:13 | |
Yeah, but look. | 0:10:13 | 0:10:15 | |
Carlton Ware is a good pottery, porcelain factory. | 0:10:15 | 0:10:19 | |
They're very decorative, they're quite fashionable in their colour, | 0:10:19 | 0:10:22 | |
that lovely blue ground and these little beaded flowers. | 0:10:22 | 0:10:26 | |
And you've got silver mounts on them, and it's presented in a case. | 0:10:26 | 0:10:29 | |
So for your money, you've got quite a good... | 0:10:29 | 0:10:31 | |
And it's got a little spoon. | 0:10:31 | 0:10:33 | |
-A little spoon. Well, I'd buy it myself. -You'd buy it yourself? Right. | 0:10:33 | 0:10:37 | |
-We'd need to get it a lot cheaper. -You'd have to, I'm afraid, yeah. | 0:10:37 | 0:10:41 | |
-I just think it's lovely. It's different. -Yeah. | 0:10:41 | 0:10:45 | |
But it depends what price he's going to do it for. | 0:10:45 | 0:10:48 | |
He's got a big smile on his face! | 0:10:48 | 0:10:50 | |
You should flatter him more, see what you can do. | 0:10:50 | 0:10:52 | |
We really like that, but we've got to make a profit at auction. | 0:10:52 | 0:10:55 | |
-Yeah, I know, it's tough, isn't it? -You've got 185 on it. | 0:10:55 | 0:10:59 | |
-What would you do? -I'd need 150. -Can't do 125? | 0:10:59 | 0:11:03 | |
Er... | 0:11:05 | 0:11:06 | |
I'll come down another 10, you can have it for 140. | 0:11:06 | 0:11:09 | |
You can think about it. | 0:11:09 | 0:11:10 | |
Can I say, can you not go down to 125? I'll give you a kiss as well. | 0:11:10 | 0:11:15 | |
Oh, that's worth another tenner, isn't it? | 0:11:15 | 0:11:18 | |
-Well, that's what I thought. -I can't go quite as low as that. | 0:11:18 | 0:11:22 | |
-130. -130. | 0:11:22 | 0:11:24 | |
130, you've got to have a kiss. Thank you. | 0:11:24 | 0:11:27 | |
Looks like the deal's done, then?! Perfect. | 0:11:27 | 0:11:30 | |
-Looks like we bought that, then, Jack! -Well, oh, sorry! | 0:11:30 | 0:11:32 | |
-It was sealed with a kiss. -Sorry, I should have asked you. | 0:11:32 | 0:11:35 | |
-Are you happy with that? -Too late now. -I poked my nose in. | 0:11:35 | 0:11:39 | |
No, that's the way it's done. Well done. | 0:11:39 | 0:11:42 | |
-Right, we'll... -There we go. | 0:11:42 | 0:11:44 | |
-Now it's my turn. -Yes, right, I'll shut up, now. -Thank you very much. | 0:11:44 | 0:11:48 | |
Great bargaining, Jackie. Done like a seasoned old pro. | 0:11:48 | 0:11:52 | |
That leaves you one item left and still 40 minutes to find it. | 0:11:52 | 0:11:55 | |
This is going to be a breeze. | 0:11:55 | 0:11:56 | |
I'm going to hold this one back, restrain her. | 0:11:56 | 0:11:59 | |
-I said we'd have to tie her down. -No, don't be like that! | 0:11:59 | 0:12:03 | |
Now, I'm going to take you, if we head down there. | 0:12:06 | 0:12:09 | |
And then go right a bit. | 0:12:09 | 0:12:10 | |
Now, that's me all over. Slot machine. | 0:12:14 | 0:12:17 | |
-You a bit of a gambler, are you, Rick? -Yes, I am. | 0:12:17 | 0:12:19 | |
I've got a man room. My wife built me a shed | 0:12:19 | 0:12:22 | |
down the bottom of the garden with my poker table, dartboard. | 0:12:22 | 0:12:25 | |
So, what do you gamble with? Horses, cards? | 0:12:25 | 0:12:28 | |
-Cards, yeah, poker. Texas hold 'em. -Dangerous. -Can be! | 0:12:28 | 0:12:32 | |
Where's Jackie? | 0:12:35 | 0:12:38 | |
The one thing she doesn't want is a tea box and I've found one. | 0:12:38 | 0:12:41 | |
-I'm looking at a tea caddy. -Oh! | 0:12:41 | 0:12:43 | |
THEY LAUGH | 0:12:43 | 0:12:45 | |
It appears a disagreement is brewing with the Reds. | 0:12:45 | 0:12:48 | |
-No, I don't like that. -You don't like it? I just thought... | 0:12:48 | 0:12:51 | |
-Doesn't ring my bell. -A bit different. | 0:12:51 | 0:12:53 | |
-What you get from the gift shop. -From a fair, yeah. | 0:12:53 | 0:12:55 | |
I bet you don't like that, either, Dorothy. Folies Bergere. | 0:12:59 | 0:13:03 | |
-Well, I don't mind it, but... -Limited edition, Folies Bergere? | 0:13:04 | 0:13:09 | |
Oh, dear. | 0:13:09 | 0:13:10 | |
It seems the Reds are no longer dancing to the same tune. | 0:13:10 | 0:13:14 | |
Meanwhile, those Blues are happy to roll along with Kate. | 0:13:14 | 0:13:16 | |
Come over here, chaps. Now, these are '30s in date. | 0:13:18 | 0:13:23 | |
I think quite nicely made. It's a nice coopered jug. | 0:13:23 | 0:13:27 | |
The key thing is, though, that we've got a stamp here. | 0:13:27 | 0:13:30 | |
And that is the maker, basically. | 0:13:30 | 0:13:32 | |
Who's a French chap called Geraud Lafitte. | 0:13:32 | 0:13:36 | |
-The best cooperer, if you like, in France in the 1930s. -Oh, right. | 0:13:36 | 0:13:41 | |
And you've got a little barrel here, which is the same, same name on it. | 0:13:41 | 0:13:45 | |
-85? -Yes. But we might be able to do some talking. | 0:13:45 | 0:13:49 | |
-I actually quite like that. -I quite like that. | 0:13:49 | 0:13:51 | |
It all depends on the price. And it might be good | 0:13:51 | 0:13:56 | |
-to get the two together and put them in one lot, maybe. -OK. | 0:13:56 | 0:13:59 | |
Because they're by the same chap. | 0:13:59 | 0:14:01 | |
-Shall we find out what price...? -Definitely. -What sort of thing | 0:14:01 | 0:14:04 | |
could you do for us on these? If we... | 0:14:04 | 0:14:07 | |
-we've got... -OK. -Two for 70. | 0:14:07 | 0:14:11 | |
-Two for 70? -Two for £70? -Yeah. | 0:14:11 | 0:14:14 | |
I mean, I would probably put 40 to 60 on the two | 0:14:14 | 0:14:18 | |
-as an auction estimate. -The two together. Yeah. -I'd say, | 0:14:18 | 0:14:22 | |
would you take the both for 55? | 0:14:22 | 0:14:25 | |
-Do them both for 60. -60. -Both for 60. | 0:14:25 | 0:14:28 | |
What do you reckon, Rick? | 0:14:28 | 0:14:31 | |
I'm a gambler, I say, yes. I quite like them, I like the look of them, | 0:14:31 | 0:14:35 | |
-I like the fact we can get both of them for 60 quid. -So you've got one. | 0:14:35 | 0:14:38 | |
Is this going to be on your shoulders? | 0:14:38 | 0:14:40 | |
Or is this going to be the one between us? | 0:14:40 | 0:14:42 | |
I don't know, I want to get a toy. | 0:14:42 | 0:14:44 | |
-All right, we'll take this one between us. -Yeah, do you want to? | 0:14:44 | 0:14:47 | |
-Deal? Bargain? -What are we doing, are we doing 60? -I think. | 0:14:47 | 0:14:51 | |
-What about 58? -58, go on. | 0:14:51 | 0:14:53 | |
-Yay! -We got a bargain there. | 0:14:53 | 0:14:56 | |
Brilliant, we'll take them. | 0:14:56 | 0:14:58 | |
-Thank you. -Shake your hand right now. Lovely, thank you. | 0:14:58 | 0:15:01 | |
Well done, fellas. Proving you can also drive a hard bargain. | 0:15:01 | 0:15:05 | |
That's two apiece. | 0:15:05 | 0:15:07 | |
-How you doing? -Well, just having a look at paperweights. | 0:15:07 | 0:15:10 | |
They're only £25 each which seems cheap. | 0:15:10 | 0:15:12 | |
Would this be something that you collect? | 0:15:12 | 0:15:14 | |
I have got a few paperweights, actually. | 0:15:14 | 0:15:16 | |
There are collectors of these things, | 0:15:16 | 0:15:18 | |
and the collectors' price will be here or it could be at auction, | 0:15:18 | 0:15:21 | |
but it's going to be the same price. | 0:15:21 | 0:15:22 | |
-We can do you deal a deal on the lot, though. -On the lot? | 0:15:22 | 0:15:26 | |
You'd sell us all five? Oh, he'd sell us all five, now it's talking. | 0:15:26 | 0:15:30 | |
Do you like the paperweights? | 0:15:30 | 0:15:32 | |
Yeah, I've got four more at home if you want to add them! | 0:15:32 | 0:15:34 | |
-Are they from Scotland? -Yes. -They are? | 0:15:34 | 0:15:37 | |
Before you make up your mind, | 0:15:37 | 0:15:39 | |
can you come and just look at one other thing? | 0:15:39 | 0:15:41 | |
Let's just find out what he would do them for. | 0:15:41 | 0:15:44 | |
Seems Jackie can't wait to steer the shop in a different direction. | 0:15:44 | 0:15:48 | |
I can do you exactly 100 for the five. | 0:15:48 | 0:15:51 | |
-We'll think about that. -You'd be happy at 70, wouldn't you, for five? | 0:15:52 | 0:15:56 | |
Yeah, I'd want to come down a lot more. | 0:15:56 | 0:15:58 | |
We've got lots of time, so we can come back. Thank you. | 0:15:58 | 0:16:01 | |
-What is it, go on, lead the way. -What have you seen? | 0:16:01 | 0:16:04 | |
-This is the one I like. -You said cats. | 0:16:09 | 0:16:12 | |
-You've got three cats, haven't you? -It's a tiger. -It's still a cat. | 0:16:12 | 0:16:16 | |
I think it's lovely. It's just a bit... Who am I to say? | 0:16:16 | 0:16:21 | |
It's not my turn, unfortunately. So I can't buy it. | 0:16:21 | 0:16:26 | |
Well, at least we all agree on something. | 0:16:26 | 0:16:29 | |
They are on fire when it comes to shopping. | 0:16:29 | 0:16:31 | |
They are buying and buying quickly. | 0:16:31 | 0:16:33 | |
But when I say they, what I mean is...Jackie is on fire. | 0:16:33 | 0:16:37 | |
Great, it's going great. Fine. We've only got one more object to find. | 0:16:37 | 0:16:42 | |
So... But everything I like is too expensive. | 0:16:42 | 0:16:46 | |
I've seen some really nice things that we can't afford. | 0:16:46 | 0:16:49 | |
I'm going to keep looking, hopefully find one that is affordable, | 0:16:49 | 0:16:52 | |
but probably glass. | 0:16:52 | 0:16:54 | |
Well, Rodney. I think I've found you a toy. | 0:17:00 | 0:17:02 | |
What do you reckon about that? Pelham Puppets. | 0:17:02 | 0:17:04 | |
-If it's got all the strings, that may be... -What you were looking for. | 0:17:04 | 0:17:10 | |
Yeah. There's the instructions. | 0:17:10 | 0:17:13 | |
Don't get it out, just in case you break it. | 0:17:13 | 0:17:15 | |
You know how clumsy you... That's why they call you Rodney! | 0:17:15 | 0:17:18 | |
Here's Kate. | 0:17:18 | 0:17:19 | |
-Hi, guys, what have you found here? -Pelham Puppet. | 0:17:19 | 0:17:22 | |
Looking over here, Pelham Puppets, Rick actually saw it | 0:17:22 | 0:17:25 | |
and I came along because I wanted a toy. | 0:17:25 | 0:17:27 | |
You do really want a toy, don't you? | 0:17:27 | 0:17:29 | |
This certainly fits the bill on that front. | 0:17:29 | 0:17:31 | |
When it comes to puppets, and British manufactured puppets, | 0:17:31 | 0:17:34 | |
-Pelham is the name to go for. -OK. | 0:17:34 | 0:17:36 | |
Let's just have a little condition report on the actual piece. | 0:17:36 | 0:17:41 | |
-Isn't he great? -Yeah, see? -If anyone can work that, you could. | 0:17:41 | 0:17:45 | |
I could pull a few strings! | 0:17:45 | 0:17:47 | |
Do you use puppets when you're doing your kids' entertainment? | 0:17:47 | 0:17:50 | |
A couple, yeah. Nothing like this, only mainly hand puppets. | 0:17:50 | 0:17:54 | |
There we go. Now he's sitting a bit better. | 0:17:54 | 0:17:56 | |
It does look really nicely crafted and that. | 0:17:56 | 0:17:59 | |
I would say, in date, he's probably '50s. Let's ask our stall holder. | 0:17:59 | 0:18:04 | |
-Because we haven't got a price on here. -That's true. | 0:18:04 | 0:18:06 | |
-There is, there's one on the inside. -Oh, is there? -75. | 0:18:06 | 0:18:09 | |
-Hi there, madam. -I notice it's 75 on the box. | 0:18:09 | 0:18:13 | |
What's the very best offer you can do? | 0:18:13 | 0:18:15 | |
Well, since I'm being very kind and generous today, 65. | 0:18:15 | 0:18:20 | |
-65. -65. | 0:18:20 | 0:18:21 | |
We'll do 60, | 0:18:21 | 0:18:23 | |
and he'll make you a nice balloon flower as a special thank you. | 0:18:23 | 0:18:26 | |
Can't really go wrong, can I? But... | 0:18:26 | 0:18:29 | |
How about saying, "Please, Mary," very nicely. | 0:18:30 | 0:18:33 | |
Please, Mary? Very nicely? | 0:18:33 | 0:18:35 | |
-At £60, I think you've got a chance. And you love it. -I really like it. | 0:18:35 | 0:18:40 | |
-This will be my buy, you've had your buy, got together. -Done together. | 0:18:40 | 0:18:43 | |
-So I think we should do it. -I think we should do it, yeah. | 0:18:43 | 0:18:46 | |
-You'd better stump up this flower, then. -OK. | 0:18:46 | 0:18:48 | |
DRUMROLL | 0:18:48 | 0:18:52 | |
It's not going to pop! And finally, this goes in there. | 0:18:59 | 0:19:04 | |
-And you have a beautiful flower. -Oh, look at that! -Thank you so much. | 0:19:04 | 0:19:09 | |
-It's made your day now, Mary. -Made my day. | 0:19:09 | 0:19:12 | |
-Can I have one? -Of course you can. | 0:19:12 | 0:19:14 | |
Good stuff, Rodders! | 0:19:14 | 0:19:15 | |
Let's hope that any fools and Pelham horses work out at auction. | 0:19:15 | 0:19:19 | |
So, with less than 10 minutes left, | 0:19:20 | 0:19:22 | |
have the Reds picked up the scent of their final buy? | 0:19:22 | 0:19:25 | |
Well, let's dig it out. | 0:19:25 | 0:19:27 | |
Can we, can we get at it? | 0:19:27 | 0:19:31 | |
Not keen, eh, Jack? | 0:19:31 | 0:19:33 | |
Piece of decorative glass. | 0:19:33 | 0:19:34 | |
I mean, the way it's made I think is fairly straightforward. | 0:19:34 | 0:19:38 | |
-So it's, essentially, a nice piece of... -Is it modern? | 0:19:38 | 0:19:42 | |
Well, course it is. Yeah. | 0:19:42 | 0:19:44 | |
You know, but do you think you're going to make money on that? | 0:19:44 | 0:19:47 | |
If we could get it a little bit cheaper, I do. | 0:19:47 | 0:19:50 | |
If we get it for 15 quid, you might. | 0:19:50 | 0:19:52 | |
What would be the best price you could do on this? | 0:19:54 | 0:19:58 | |
30. | 0:19:58 | 0:19:59 | |
There could be a profit in it. There could be. | 0:19:59 | 0:20:02 | |
-But you really don't like it? -Do you not like those two? | 0:20:04 | 0:20:07 | |
-They're a bit unusual shape, aren't they? -What do you think? | 0:20:07 | 0:20:11 | |
I'm not 100% convinced, | 0:20:11 | 0:20:12 | |
I don't really want to get something that Jackie hates. | 0:20:12 | 0:20:15 | |
No, don't worry about that. Have it if you want it. | 0:20:15 | 0:20:18 | |
You're going to go for it? Bit of a punt. | 0:20:18 | 0:20:20 | |
I think that's a very wise decision, because it's your decision. | 0:20:20 | 0:20:23 | |
You've done a very good job, you've worked very well together | 0:20:23 | 0:20:25 | |
in the sense of... | 0:20:25 | 0:20:27 | |
I've given in to her, and she's given in to me. | 0:20:27 | 0:20:30 | |
There we are. OK, well done, ladies. | 0:20:30 | 0:20:31 | |
That was, that was, that was... that was great fun. | 0:20:31 | 0:20:34 | |
That's the secret of a great friendship, compromise. | 0:20:36 | 0:20:38 | |
Time's up! | 0:20:38 | 0:20:40 | |
Let's check out what the Red team bought, eh? Is your number up? | 0:20:40 | 0:20:43 | |
I hope not! | 0:20:43 | 0:20:45 | |
They beat out a great price for the silver-plated tazza for £30. | 0:20:46 | 0:20:50 | |
Next, they, or rather Jackie, | 0:20:51 | 0:20:54 | |
shook hands at £130 and one smacker for the Carlton Ware cruet set. | 0:20:54 | 0:20:58 | |
And to finish, | 0:20:59 | 0:21:00 | |
they agreed to disagree on the blue glass bowl bought for £30. | 0:21:00 | 0:21:04 | |
I say, all that running around indoors, and we caught up with you. | 0:21:07 | 0:21:10 | |
-Always disappearing! -Oh, sorry. -No, doesn't matter a scrap. | 0:21:10 | 0:21:16 | |
-Which is your favourite piece? -Um, the condiment set. | 0:21:16 | 0:21:20 | |
The condiment's your favourite. What about you, Dottie? | 0:21:20 | 0:21:23 | |
-I like the condiment set as well. -You do? Good. -It's beautiful. | 0:21:23 | 0:21:26 | |
We are of one mind here, which is great. | 0:21:26 | 0:21:29 | |
And which piece is going to bring the biggest profit, Dorothy? | 0:21:29 | 0:21:31 | |
-I think the silver-plated dish. -The silver-plated dish. | 0:21:31 | 0:21:36 | |
-Do you agree with that, Jacks? -No, no. -Oh. | 0:21:36 | 0:21:38 | |
-I think it will be the condiment set. -Nice and spicy. | 0:21:38 | 0:21:41 | |
-OK, how much did you spend altogether? -190. | 0:21:41 | 0:21:44 | |
You spent £190, that's good. | 0:21:44 | 0:21:46 | |
-I'd like £110 of leftover lolly, please. Thank you. -There you go. | 0:21:46 | 0:21:49 | |
Lovely. Right, then, a nice little wodge for you, JP. | 0:21:49 | 0:21:52 | |
-What are you going to spend it on? -Tim, I'm just going to... | 0:21:52 | 0:21:56 | |
-Just going to go with the flow? -He's going to wing it. -Who knows? | 0:21:56 | 0:21:59 | |
Whatever you do, don't toss a coin. | 0:21:59 | 0:22:00 | |
Anyway, girls, go and have a nice cup of tea. | 0:22:00 | 0:22:02 | |
Jonathan's going to do whatever Jonathan's going to do | 0:22:02 | 0:22:05 | |
while we go and check out what the Blue team bought. | 0:22:05 | 0:22:07 | |
They got all saucy over the four-bottle cruet set for £45. | 0:22:07 | 0:22:11 | |
Hot on its heels, | 0:22:14 | 0:22:15 | |
they enjoyed a double in the form of the two coopered barrels for £58. | 0:22:15 | 0:22:20 | |
Finally, they bought the 1960s Pelham Puppet pony for £60. | 0:22:20 | 0:22:24 | |
Trot on! | 0:22:24 | 0:22:26 | |
OK, you likely lads. How was it, then, your shopping? | 0:22:28 | 0:22:31 | |
It was all right, we enjoyed that. Yeah, it's good. | 0:22:31 | 0:22:33 | |
What was your favourite? | 0:22:33 | 0:22:35 | |
The puppet that we saw was... and it had the instructions, | 0:22:35 | 0:22:38 | |
-the box, perfect. -Personal favourite? | 0:22:38 | 0:22:41 | |
The barrels. I like the barrels. | 0:22:41 | 0:22:42 | |
Are they going to bring the biggest profit? | 0:22:42 | 0:22:44 | |
-I think so. -You think they will, you're agreed on that. | 0:22:44 | 0:22:47 | |
-And how much did you spend altogether? -We spent £163. | 0:22:47 | 0:22:51 | |
-Did you? So I would like £137 of leftover lolly. -There we are. | 0:22:51 | 0:22:56 | |
Which is a good old wodge. | 0:22:56 | 0:22:58 | |
Now Kate, tell me, did they behave themselves, these two Rs? | 0:22:58 | 0:23:01 | |
Do you know, they were charming. | 0:23:01 | 0:23:02 | |
And they were real treat to go round with. We had fun, didn't we, fellas? | 0:23:02 | 0:23:06 | |
-We did, yeah. -Well, you can do a bit of polish up for that. -We could do! | 0:23:06 | 0:23:10 | |
Anyway, tea now... chase off, Kate Bliss. | 0:23:10 | 0:23:14 | |
Meanwhile, I'm heading off to Canterbury. | 0:23:14 | 0:23:16 | |
Now, what did you ever know about Thomas Sidney Cooper? Nothing? | 0:23:16 | 0:23:21 | |
Well, you're about to find out a whole lot more. | 0:23:21 | 0:23:23 | |
The Beaney House of Art and Knowledge | 0:23:28 | 0:23:30 | |
has stood in the heart of Canterbury since 1899. | 0:23:30 | 0:23:34 | |
The neo-Tudor-style building was funded by local benefactor | 0:23:34 | 0:23:38 | |
Dr James George Beaney, and today, it houses a number of collections | 0:23:38 | 0:23:43 | |
including a series of paintings by local artist, Thomas Sidney Cooper. | 0:23:43 | 0:23:47 | |
Cooper is celebrated | 0:23:52 | 0:23:54 | |
as the foremost English cattle painter of the 19th century. | 0:23:54 | 0:23:59 | |
He was born here in Canterbury in 1803 | 0:23:59 | 0:24:03 | |
and, unusually for his time, | 0:24:03 | 0:24:06 | |
he had an extraordinarily long and fruitful life, | 0:24:06 | 0:24:11 | |
dying in 1902 at the age of 99. | 0:24:11 | 0:24:15 | |
There's the full range of his works here on display, | 0:24:15 | 0:24:19 | |
and it is a collection of national importance. | 0:24:19 | 0:24:22 | |
Famed also for painting landscapes, | 0:24:24 | 0:24:26 | |
Cooper began exhibiting in London in 1833. | 0:24:26 | 0:24:29 | |
He became a regular contributor to the Royal Academy, | 0:24:29 | 0:24:32 | |
with a record of 69 years | 0:24:32 | 0:24:35 | |
of continuous annual exhibitions. | 0:24:35 | 0:24:38 | |
Now, that's impressive. | 0:24:38 | 0:24:41 | |
And to tell us more about Cooper is curator here at the Beaney, | 0:24:45 | 0:24:49 | |
Krystyna Matyjaszkiewicz. | 0:24:49 | 0:24:52 | |
Now, this large work beside us | 0:24:52 | 0:24:55 | |
is particularly apt for the burghers of Canterbury, isn't it? | 0:24:55 | 0:24:59 | |
This painting of Canterbury | 0:24:59 | 0:25:02 | |
was commissioned by the Canterbury Corporation | 0:25:02 | 0:25:04 | |
for Canterbury Museum, for the predecessor of the Beaney. | 0:25:04 | 0:25:08 | |
And this is the arch-typical Cooper picture, isn't it? | 0:25:08 | 0:25:14 | |
Of cattle, in a landscape, and this is the outskirts of Canterbury | 0:25:14 | 0:25:18 | |
with Canterbury Cathedral in the distance. | 0:25:18 | 0:25:21 | |
-And can you date it particularly? -We know that he painted it in 1835. | 0:25:21 | 0:25:26 | |
But at that time, he was painting it from memory. | 0:25:26 | 0:25:29 | |
He was living in London, painting it from sketches. | 0:25:29 | 0:25:31 | |
So in fact, the view of Canterbury isn't exact as it was then. | 0:25:31 | 0:25:36 | |
There was work being done on the cathedral | 0:25:36 | 0:25:38 | |
that he hasn't actually recorded in his painting. | 0:25:38 | 0:25:41 | |
But it's the view of the meadows, the water meadows, | 0:25:41 | 0:25:44 | |
just outside Canterbury. | 0:25:44 | 0:25:45 | |
We've got cattle here crossing with a mixture of cows, bulls, | 0:25:45 | 0:25:51 | |
there are calves, goats, sheep. | 0:25:51 | 0:25:54 | |
-And a donkey. -And a donkey, yes! | 0:25:54 | 0:25:57 | |
It's marvellous, isn't it? So, this is very much Cooper's style. | 0:25:57 | 0:26:02 | |
And it's a style that turned out to be commercially | 0:26:02 | 0:26:04 | |
-very successful for him throughout the 19th century, didn't it? -Yes. | 0:26:04 | 0:26:08 | |
He was enormously successful, | 0:26:08 | 0:26:10 | |
because once he started painting these views of cattle | 0:26:10 | 0:26:14 | |
in pastoral landscapes, they were just the sort of thing | 0:26:14 | 0:26:17 | |
that was lovely to hang in your dining room. | 0:26:17 | 0:26:20 | |
A very liveable-with picture. | 0:26:20 | 0:26:22 | |
And a landscape that was changing very much at the time, | 0:26:22 | 0:26:26 | |
because the 19th century is a time of great change, industrialisation. | 0:26:26 | 0:26:31 | |
So he became particularly popular with wealthy industrialists | 0:26:31 | 0:26:35 | |
who were building collections of art. | 0:26:35 | 0:26:37 | |
Although he did say he would have liked to paint other things, | 0:26:40 | 0:26:43 | |
and there are a few other types of things that he does paint. | 0:26:43 | 0:26:46 | |
Really, that became the thing that every collector wanted to have, | 0:26:46 | 0:26:49 | |
-one of those in their collection. -And he made his living out of it. | 0:26:49 | 0:26:52 | |
He made a very good living. | 0:26:52 | 0:26:53 | |
And what I think is so marvellous about Victorian artists is, | 0:26:53 | 0:26:56 | |
particularly when they come from a humble background, | 0:26:56 | 0:26:59 | |
they have to earn their crust and support their family | 0:26:59 | 0:27:02 | |
and do all the things that anybody else does in a job. | 0:27:02 | 0:27:06 | |
And when you get into something that you can paint really well, | 0:27:06 | 0:27:09 | |
I don't blame them going on and on and on | 0:27:09 | 0:27:12 | |
producing the same wonderful images. | 0:27:12 | 0:27:15 | |
-Yes. -I think it's perfectly fair and reasonable. | 0:27:15 | 0:27:18 | |
Krystyna, thank you very much for telling us all about the great man. | 0:27:18 | 0:27:21 | |
Meanwhile, why don't we find out over at the auction | 0:27:21 | 0:27:25 | |
just how bullish the teams are going to be? | 0:27:25 | 0:27:27 | |
Gosh, this is a mixture. | 0:27:36 | 0:27:37 | |
But nothing that the Canterbury Auction Galleries, | 0:27:37 | 0:27:40 | |
almost slap bang in the middle of Canterbury can't handle, | 0:27:40 | 0:27:43 | |
with our old friend, Michael Roberts. Michael, good morning. | 0:27:43 | 0:27:46 | |
-Good morning, Tim. -First up, then, for the Reds, | 0:27:46 | 0:27:48 | |
we've got the tazza that is trying incredibly hard | 0:27:48 | 0:27:53 | |
-to look like something that it isn't. -Absolutely, yes. | 0:27:53 | 0:27:56 | |
It's got a Georg Jensen feel about it, hasn't it, | 0:27:56 | 0:27:59 | |
it's got that planished body. | 0:27:59 | 0:28:01 | |
But it's actually by a firm called Gero from the Netherlands. | 0:28:01 | 0:28:05 | |
Silver-plated, it's a decorative thing, | 0:28:05 | 0:28:07 | |
but not of any great consequence. | 0:28:07 | 0:28:09 | |
But that by Jensen, dating from the '30s, | 0:28:09 | 0:28:12 | |
-is worth a couple of thousand pounds. -Absolutely. | 0:28:12 | 0:28:15 | |
-So you've got the look for how much? -I would say between £40-£60. | 0:28:15 | 0:28:19 | |
-Thereabouts. -Good. If you're going to buy the look, then it's a bargain. | 0:28:19 | 0:28:23 | |
Isn't it? Particularly if you can get it for £30, | 0:28:23 | 0:28:25 | |
which is what our lot did, that's very good. | 0:28:25 | 0:28:28 | |
Bravo. Next is the Carlton Ware. | 0:28:28 | 0:28:31 | |
-Very unusual mixture of ceramic and silver. -Yes. | 0:28:31 | 0:28:35 | |
What's to criticise about it? | 0:28:35 | 0:28:37 | |
Not very much, it's a very nice thing as a little set. | 0:28:37 | 0:28:41 | |
Definitely got the look. | 0:28:41 | 0:28:42 | |
I don't think I've ever seen a Carlton Ware cruet | 0:28:42 | 0:28:46 | |
-quite like this, have you? -No, I haven't. It's a very nice thing. | 0:28:46 | 0:28:50 | |
I see it being, sort of, 70-100, perhaps a little bit more than that. | 0:28:50 | 0:28:54 | |
-It needs to be a little bit more. 130 is what they paid. -Fine, OK. | 0:28:54 | 0:28:58 | |
-Anyway, a nice and interesting lot. -It is. | 0:28:58 | 0:29:01 | |
Which is more, I think, than can be said for the final lot, | 0:29:01 | 0:29:04 | |
-this piece of glass. -Yes. | 0:29:04 | 0:29:06 | |
-I mean, it's quite a nice thing, it's not damaged. -Absolutely. | 0:29:06 | 0:29:09 | |
It's a little statement in a house. | 0:29:09 | 0:29:11 | |
There's nothing particularly special about it. | 0:29:11 | 0:29:13 | |
I see it being £10 or £15, thereabouts. | 0:29:13 | 0:29:16 | |
-OK, £30 is what they paid. -OK. | 0:29:16 | 0:29:19 | |
I think overall, this team have bought | 0:29:19 | 0:29:21 | |
-really quite wisely. -It's not too bad. | 0:29:21 | 0:29:23 | |
They're attractive things, they should do well. | 0:29:23 | 0:29:25 | |
In case they don't, let's go and have a look at the bonus buy. | 0:29:25 | 0:29:28 | |
OK, now, Dotty, Jackie. This is the moment. | 0:29:28 | 0:29:31 | |
You've spent the £190 which is magnificent, I'm so proud of you. | 0:29:31 | 0:29:35 | |
You gave the boy £110. | 0:29:35 | 0:29:38 | |
JP, what did you spend it on? | 0:29:38 | 0:29:40 | |
-Well, I thought, working with such a couple of dishy ladies... -Hey! | 0:29:40 | 0:29:44 | |
You'd buy a dish! | 0:29:44 | 0:29:47 | |
So here we have a lovely porcelain dish, made in Germany, in Dresden. | 0:29:47 | 0:29:51 | |
Hand-painted, little vignettes of flowers | 0:29:51 | 0:29:54 | |
in a nice little gilt border. | 0:29:54 | 0:29:56 | |
I suppose in some respects | 0:29:56 | 0:29:57 | |
the only thing you might say brings the value down a little, | 0:29:57 | 0:30:00 | |
there's a bit of wear on the gilding whatnot, | 0:30:00 | 0:30:03 | |
but who cares, cos I didn't pay very much money for it. | 0:30:03 | 0:30:05 | |
-How much did you pay for it? -I paid a tenner. | 0:30:05 | 0:30:07 | |
-Wow! -£10. That's brilliant. | 0:30:07 | 0:30:10 | |
Magic. | 0:30:10 | 0:30:12 | |
It's a guaranteed profit, I would say. | 0:30:12 | 0:30:14 | |
-I would see it making... -It's a pretty thing, isn't it? | 0:30:14 | 0:30:16 | |
It'll make £30, perhaps. £35-30, I would say. | 0:30:16 | 0:30:20 | |
For a tenner, you can't go wrong. | 0:30:20 | 0:30:22 | |
You can't go wrong. | 0:30:22 | 0:30:23 | |
I think you've got two well satisfied customers here. | 0:30:23 | 0:30:27 | |
Absolutely. | 0:30:27 | 0:30:28 | |
-I think they think you're marvellous. -I do. | 0:30:28 | 0:30:30 | |
-Well, we do. -We all do! | 0:30:30 | 0:30:32 | |
-It's cos he's so young. -Is that what it is?! | 0:30:32 | 0:30:35 | |
-It's all with youth? -When you're ancient... | 0:30:35 | 0:30:38 | |
We all hail the youth! Anyway, | 0:30:38 | 0:30:41 | |
for the audience at home, let's find out | 0:30:41 | 0:30:43 | |
whether the auctioneer "hails the youth". | 0:30:43 | 0:30:45 | |
Well, there we are, that's a pretty standard little bit of Dresden. | 0:30:46 | 0:30:50 | |
All the typical features you'd come to expect with this sort of ware. | 0:30:50 | 0:30:54 | |
Augustus Rex, AR-marked, | 0:30:54 | 0:30:56 | |
Dresden standard sort of mark on the back, there, | 0:30:56 | 0:30:59 | |
and I suppose it is quite decorative, but, obviously, | 0:30:59 | 0:31:02 | |
it's a saucer so it's missing the cup | 0:31:02 | 0:31:04 | |
of whatever shape it may have been. | 0:31:04 | 0:31:06 | |
Just the saucer. How much? | 0:31:06 | 0:31:07 | |
Consequently, I would think £20-30. | 0:31:07 | 0:31:10 | |
Bravo, JP. | 0:31:10 | 0:31:12 | |
Paid £10, so that should turn a profit if they decide to go with it. | 0:31:12 | 0:31:15 | |
Excellent. Anyway, that's it for the Reds. | 0:31:15 | 0:31:18 | |
Now for the Blues. Similarly interesting and different. | 0:31:18 | 0:31:22 | |
Absolutely. | 0:31:22 | 0:31:23 | |
-The standard four-bottle cruet in a plated frame. -Yes. | 0:31:23 | 0:31:27 | |
Good thing about it is the fitments appear to be original, | 0:31:27 | 0:31:30 | |
which often they're associated. | 0:31:30 | 0:31:32 | |
The stoppers appear to be original and everything appears to match | 0:31:32 | 0:31:36 | |
and is generally in a reasonably good condition. | 0:31:36 | 0:31:38 | |
OK, how much? | 0:31:38 | 0:31:39 | |
I would have thought somewhere between £50-70. | 0:31:39 | 0:31:43 | |
Well, they'll be delighted. They paid £45. | 0:31:43 | 0:31:46 | |
Next is the coopered oak little pitcher and barrel set. | 0:31:46 | 0:31:51 | |
-Yes. -Which has got this stamped mark, hasn't it? | 0:31:51 | 0:31:54 | |
It presumably means something. | 0:31:54 | 0:31:56 | |
Gerard Lafitte is the name of the maker | 0:31:56 | 0:31:58 | |
and well known, actually, as a maker of these coopered barrels | 0:31:58 | 0:32:01 | |
and if you look elsewhere, | 0:32:01 | 0:32:02 | |
-you can find quite a lot on the market at present. -Really? | 0:32:02 | 0:32:05 | |
How much? | 0:32:05 | 0:32:07 | |
-80-120. -Gosh, that's great. | 0:32:07 | 0:32:09 | |
-£58 paid. -That's not bad, fine. | 0:32:09 | 0:32:11 | |
Oh, I'm getting encouraged by this now. | 0:32:11 | 0:32:14 | |
Are we going to make this a hat-trick of good estimates? | 0:32:14 | 0:32:17 | |
What about the Pelham Puppet? | 0:32:17 | 0:32:19 | |
Well, there's a good collecting base for Pelham Puppets, | 0:32:19 | 0:32:21 | |
and I think there's nothing wrong with it. | 0:32:21 | 0:32:23 | |
-It's in good overall condition. -It's got the box. -It's got the box. | 0:32:23 | 0:32:27 | |
A few instructions. | 0:32:27 | 0:32:28 | |
Anyway, good, so estimate. | 0:32:28 | 0:32:30 | |
-I think that's £30-50. -Oh, dear, there had to be a downside. | 0:32:30 | 0:32:34 | |
£60 paid, so that might be the object that drags them back. | 0:32:34 | 0:32:38 | |
I think it may well, yes. | 0:32:38 | 0:32:39 | |
And if it drags them back too much, they'll need a bonus buy, | 0:32:39 | 0:32:42 | |
so let's go and have a look at it. | 0:32:42 | 0:32:43 | |
Now, Rick and Rodney, this is exciting. | 0:32:43 | 0:32:46 | |
You gave Kate £137. | 0:32:46 | 0:32:48 | |
She's very canny when it comes to this stuff. | 0:32:48 | 0:32:50 | |
-Good, good. -Kate, what have you spent the 137 on? | 0:32:50 | 0:32:52 | |
Well, I got thinking about the Pelham Puppet, cos, Rodders, | 0:32:52 | 0:32:56 | |
-you were really struck on getting the toy, weren't you? -Yeah. | 0:32:56 | 0:32:59 | |
I thought, when Bob Pelham started the Wonky Toys, | 0:32:59 | 0:33:02 | |
which was the start of Pelham Puppets, | 0:33:02 | 0:33:04 | |
he made an awful lot of donkeys and horses. | 0:33:04 | 0:33:07 | |
-Really? -OK. | 0:33:07 | 0:33:08 | |
So I thought, "Perhaps we need something to help your horse along." | 0:33:08 | 0:33:11 | |
-So... -Ah, another one. -..I came up with another one. | 0:33:13 | 0:33:18 | |
-Brilliant! -In its box. Yellow box means '60s, | 0:33:18 | 0:33:21 | |
date of manufacture. The lid goes over to you, but this one | 0:33:21 | 0:33:26 | |
is a little bit more unusual, | 0:33:26 | 0:33:30 | |
-because this one is the schoolmaster. -Oh, excellent. | 0:33:30 | 0:33:34 | |
-I like it. -It's giving a little wave. | 0:33:34 | 0:33:37 | |
How much was that for, then, Kate? | 0:33:37 | 0:33:38 | |
-Well, I paid £20. -Oh, right! OK. | 0:33:38 | 0:33:42 | |
Well, what we're going to have today, | 0:33:42 | 0:33:44 | |
I tell you, is a Pelham Puppet fest. | 0:33:44 | 0:33:46 | |
Yeah, excellent. | 0:33:46 | 0:33:47 | |
Let's find out what the auctioneer thinks about the number two puppet. | 0:33:47 | 0:33:52 | |
Well, you're not going to believe this, | 0:33:52 | 0:33:54 | |
but the Bliss has gone out and had a second chew at it. | 0:33:54 | 0:33:57 | |
Now, this is going to test you, Michael, | 0:33:58 | 0:34:01 | |
but it seems pretty well to be there. | 0:34:01 | 0:34:03 | |
Do you think this one is any better than the other one? | 0:34:03 | 0:34:06 | |
I would say slightly worse, really. | 0:34:06 | 0:34:08 | |
I would have thought that the horse would be more collectible. | 0:34:08 | 0:34:11 | |
OK, so what's your estimate? | 0:34:11 | 0:34:13 | |
I think probably the same as the last one, really, £30-50. | 0:34:13 | 0:34:16 | |
-OK, well, Kate, this time round, paid £20. -Oh, great. | 0:34:16 | 0:34:19 | |
So they're definitely getting cheaper, and we have a graveyard now | 0:34:19 | 0:34:23 | |
of Pelham Puppets to offer in just a moment. | 0:34:23 | 0:34:26 | |
-Good luck. -Thank you. | 0:34:26 | 0:34:27 | |
Now, girls, how happy are you on a scale of one to 10? | 0:34:34 | 0:34:38 | |
-Nine. -Nine? -Oh, I'm about a 15! | 0:34:38 | 0:34:41 | |
Are you really? Why are you only a nine, then? | 0:34:41 | 0:34:44 | |
-Are you unhappy about something? -No, I've just got to liven up! | 0:34:44 | 0:34:48 | |
-It's been a long wait. -OK, gin and tonic helps. | 0:34:49 | 0:34:53 | |
-Absolutely! -Now you're talking some language. | 0:34:53 | 0:34:56 | |
Now, the circular tazza, our Jensen lookalike, | 0:34:56 | 0:34:59 | |
is coming up next and here it comes. | 0:34:59 | 0:35:01 | |
The Dutch silver-plated tazza, starting at £25. £30? | 0:35:01 | 0:35:05 | |
£30 where? £30, I'm looking for. | 0:35:05 | 0:35:07 | |
At the back, 30. I'll come back to you. | 0:35:07 | 0:35:09 | |
30, 35. | 0:35:09 | 0:35:11 | |
I'll come to you know. Standing, thank you. | 0:35:11 | 0:35:12 | |
40, 45. | 0:35:12 | 0:35:15 | |
-No? -Look at this, girls - £45. | 0:35:15 | 0:35:18 | |
Surely worth 45. Any further interest at 45? | 0:35:18 | 0:35:21 | |
-45 standing. -Come on, someone. | 0:35:21 | 0:35:24 | |
50 bid. | 0:35:24 | 0:35:25 | |
-55 behind. -Good man. | 0:35:25 | 0:35:27 | |
-He's a good auctioneer. -No, thank you, though. | 0:35:27 | 0:35:29 | |
50 with the lady. Online and out. | 0:35:29 | 0:35:30 | |
Nothing on the phone, so I'm going to have to sell to £50. | 0:35:30 | 0:35:34 | |
Plus 20. Well done, Jonathan. Well found. | 0:35:34 | 0:35:37 | |
-Brilliant. -Now, Jackie, this is your Carlton Ware cruet. | 0:35:37 | 0:35:41 | |
Lots of interest in this. Great thing starting at 60. | 0:35:41 | 0:35:44 | |
60 on commission. | 0:35:44 | 0:35:46 | |
Who's 65? | 0:35:46 | 0:35:47 | |
70, 5, | 0:35:47 | 0:35:49 | |
80, 5, | 0:35:49 | 0:35:51 | |
90 and 5, | 0:35:51 | 0:35:52 | |
100 and 10, | 0:35:52 | 0:35:54 | |
120, | 0:35:54 | 0:35:55 | |
110 with you, 120 where? | 0:35:55 | 0:35:57 | |
Who's 120? Fresh bid. | 0:35:57 | 0:35:59 | |
130, sir. | 0:35:59 | 0:36:00 | |
With you, 120. | 0:36:00 | 0:36:01 | |
-130. -Good man. Yes! | 0:36:01 | 0:36:03 | |
-Fantastic. -150. | 0:36:03 | 0:36:04 | |
He's not related to you, is he? | 0:36:04 | 0:36:06 | |
No. | 0:36:06 | 0:36:08 | |
Looking for 150. Back in, 150. | 0:36:08 | 0:36:11 | |
160, 170. | 0:36:11 | 0:36:13 | |
Thank you, though. 170 on the internet, back in. | 0:36:13 | 0:36:15 | |
With you at 160, then. Any further bids? | 0:36:15 | 0:36:18 | |
Looking for more, as always, | 0:36:18 | 0:36:20 | |
as is my role here. 160, though, with you. | 0:36:20 | 0:36:23 | |
I will sell it at 160. | 0:36:23 | 0:36:24 | |
160, well done, girls. Wasn't that good? | 0:36:24 | 0:36:28 | |
Clever thing, you. And you thought you were going to lose a fortune? | 0:36:28 | 0:36:31 | |
You've just made £30, love. | 0:36:31 | 0:36:33 | |
-Wonderful. -Fantastic. | 0:36:33 | 0:36:34 | |
Good, good, good. Now, here's the blue circular bowl. | 0:36:34 | 0:36:38 | |
Useful bowl for your kitchen for your fruit. | 0:36:38 | 0:36:40 | |
228 and commission interest. | 0:36:40 | 0:36:42 | |
£30 on commission, straight in. Who's 35? | 0:36:42 | 0:36:45 | |
-£30. -I thought it would only make 10. | 0:36:45 | 0:36:48 | |
Surely worth £35. Anyone at 35? | 0:36:48 | 0:36:51 | |
-Go on. -35. 40? | 0:36:51 | 0:36:54 | |
-45. -You've got a profit on each lot. | 0:36:54 | 0:36:57 | |
THEY EXCLAIM | 0:36:57 | 0:37:00 | |
£45, anyone at all? | 0:37:00 | 0:37:02 | |
I think he feels sorry for us, poor old berks. | 0:37:02 | 0:37:05 | |
Still selling at £40. | 0:37:05 | 0:37:07 | |
Who would have thought that? Great, plus 10. | 0:37:07 | 0:37:10 | |
Yeah, plus 10, which makes you plus £60, you clever two. | 0:37:10 | 0:37:16 | |
-I cannot believe that. -60! | 0:37:16 | 0:37:18 | |
Anyway, you've got the 60 smackers. | 0:37:18 | 0:37:20 | |
What are we going to do about the bonus buy, | 0:37:20 | 0:37:22 | |
-that old saucer? -We're definitely going to do it. | 0:37:22 | 0:37:25 | |
OK, Dot, OK, Jacks, the decision's made, | 0:37:25 | 0:37:28 | |
we're going with the bonus buy and here comes the old saucer. | 0:37:28 | 0:37:31 | |
So, Dresden design, with the floral sprays and the courting couples. | 0:37:31 | 0:37:37 | |
So who's going to start me off at £10? | 0:37:37 | 0:37:40 | |
20, even better. | 0:37:40 | 0:37:41 | |
£20 on the live auctioneers' platform. | 0:37:41 | 0:37:44 | |
20! | 0:37:44 | 0:37:45 | |
£20 bid. | 0:37:45 | 0:37:46 | |
Who's 25? Thank you. 30. | 0:37:46 | 0:37:50 | |
Who's 30? Anyone at all? | 0:37:50 | 0:37:52 | |
£30. | 0:37:52 | 0:37:54 | |
Any more bids? | 0:37:54 | 0:37:55 | |
If not, I will have to sell at 25. | 0:37:55 | 0:37:57 | |
-£25 is plus £15. -That's magic. | 0:37:57 | 0:38:01 | |
-It's not all the rage, but that's brilliant. -Yeah. | 0:38:01 | 0:38:03 | |
-So that means, girls, you are plus 75. -I can't believe that. | 0:38:03 | 0:38:07 | |
The big thing is you don't want to depress the Blues... | 0:38:07 | 0:38:10 | |
-No. -..so don't say a word. | 0:38:10 | 0:38:11 | |
Absolutely. We'll look miserable. | 0:38:11 | 0:38:13 | |
Yeah, schtum. | 0:38:13 | 0:38:14 | |
Schtum. | 0:38:14 | 0:38:15 | |
Lovely, thank you very much. | 0:38:15 | 0:38:17 | |
Rick, Rodney, been talking to the Reds? | 0:38:24 | 0:38:26 | |
-No. -No. -They're very chatty, those girls. | 0:38:26 | 0:38:29 | |
Not to us on the way out, they weren't. | 0:38:29 | 0:38:31 | |
They're perhaps covering something up. | 0:38:31 | 0:38:33 | |
-You never know. -But they're lovely, chatty girls, aren't they? | 0:38:33 | 0:38:35 | |
Yeah, they're all right. | 0:38:35 | 0:38:36 | |
You've got that cruet, which is your first item. You paid £45 for that. | 0:38:36 | 0:38:40 | |
-50-70 is his estimate. He likes it, it's in good condition. -Oh, good. | 0:38:40 | 0:38:45 | |
Here comes the cruet. | 0:38:45 | 0:38:47 | |
The silver-plated, four-division cruet, | 0:38:47 | 0:38:50 | |
so start off, £50 on commission. | 0:38:50 | 0:38:53 | |
- Looking for £55. - Great! | 0:38:53 | 0:38:55 | |
Good thing. | 0:38:56 | 0:38:57 | |
55 now, good cruet. | 0:38:57 | 0:38:59 | |
55, 60? | 0:38:59 | 0:39:01 | |
-Go on! -65. | 0:39:01 | 0:39:02 | |
70 and 5. Any further bid? | 0:39:02 | 0:39:05 | |
That is brilliant. | 0:39:05 | 0:39:07 | |
Can't see anyone waving at me now, so it'll have to be £70. | 0:39:07 | 0:39:09 | |
70 selling on commission. £70. | 0:39:09 | 0:39:12 | |
-Way! -All right! | 0:39:12 | 0:39:13 | |
Plus 25. | 0:39:13 | 0:39:14 | |
-That'll do. -Now, what's going to happen with this? | 0:39:14 | 0:39:18 | |
Stand with a pitcher, both by Gerard Lafitte. | 0:39:18 | 0:39:21 | |
Good quality, who's going to start me at £60? | 0:39:21 | 0:39:23 | |
60. | 0:39:23 | 0:39:25 | |
Who's £60 now? Thank you, £60. | 0:39:25 | 0:39:27 | |
65. | 0:39:27 | 0:39:28 | |
The wine barrel and pitcher here, £65. | 0:39:28 | 0:39:32 | |
65, 70? | 0:39:32 | 0:39:33 | |
70, 75. | 0:39:33 | 0:39:35 | |
80, 85. | 0:39:35 | 0:39:37 | |
85, who's £85? | 0:39:37 | 0:39:40 | |
Well done, Kate. | 0:39:40 | 0:39:41 | |
Come on, £85. | 0:39:41 | 0:39:43 | |
No? It's going to have to be £80. Sticking with the lady at £80. | 0:39:43 | 0:39:46 | |
Selling at 80. Two to 60, that's plus 22. | 0:39:46 | 0:39:51 | |
250 is the 1960s Pelham Puppet, | 0:39:51 | 0:39:53 | |
the one you've all been waiting for here. | 0:39:53 | 0:39:55 | |
250, the puppet of the horse, £20. The Pelham Puppet. | 0:39:55 | 0:39:59 | |
-Come on! -Come on! | 0:39:59 | 0:40:01 | |
£20 now, going to bid £20? | 0:40:01 | 0:40:03 | |
Up, up, up! | 0:40:03 | 0:40:05 | |
-Who's £20 on this? -Uh-oh. | 0:40:05 | 0:40:08 | |
£20 bid, thank you. | 0:40:08 | 0:40:09 | |
20's in. | 0:40:09 | 0:40:11 | |
25, 30. | 0:40:11 | 0:40:12 | |
35? Who's the 5? | 0:40:12 | 0:40:14 | |
Pelham Puppet, internet. | 0:40:14 | 0:40:16 | |
At £30, we're going to have to sell it. | 0:40:16 | 0:40:18 | |
If there's no more bids at 30, selling. | 0:40:18 | 0:40:20 | |
£30. | 0:40:20 | 0:40:22 | |
Oh, dear, that's minus 30. That means you're plus 17. | 0:40:22 | 0:40:27 | |
-What are we going to do about the other puppet. -Go for it. | 0:40:27 | 0:40:30 | |
Got to go for it. | 0:40:30 | 0:40:32 | |
-Are you? -Yeah, go for it. | 0:40:32 | 0:40:33 | |
You are determined, aren't you? | 0:40:33 | 0:40:35 | |
OK, we're going to go with the Pelham Puppet and here it comes. | 0:40:35 | 0:40:38 | |
We have another Pelham Puppet. Add to your collection. | 0:40:38 | 0:40:41 | |
The school master here, good start here, £20, the Pelham Puppet. | 0:40:41 | 0:40:45 | |
-20? -Come on. | 0:40:45 | 0:40:46 | |
£20 now. Going to bid £20? | 0:40:46 | 0:40:48 | |
£20 where? 20? | 0:40:48 | 0:40:49 | |
£20 bid, thank you. 25? | 0:40:49 | 0:40:51 | |
30, 35? | 0:40:51 | 0:40:53 | |
No, at £30. | 0:40:53 | 0:40:54 | |
-Who's the -5? Come on, one more. | 0:40:54 | 0:40:56 | |
Anyone in the audience here want a Pelham Puppet? | 0:40:56 | 0:40:59 | |
-Yeah, they all do. -£35. | 0:40:59 | 0:41:01 | |
-Can I not tempt you at all? -He's trying his best. | 0:41:01 | 0:41:04 | |
If there's no more bids at 30, I'm selling. | 0:41:06 | 0:41:08 | |
Plus £10, which is marvellous. | 0:41:08 | 0:41:10 | |
Overall, that is plus £27 | 0:41:10 | 0:41:13 | |
and a very, very good result. | 0:41:13 | 0:41:15 | |
-Fantastic. -Yeah, excellent. -Well done, boys. | 0:41:15 | 0:41:18 | |
That was what they call a team effort and congratulations. | 0:41:18 | 0:41:22 | |
Now, don't say a word to the Reds, OK? | 0:41:22 | 0:41:24 | |
I do love a programme where we get double profits. | 0:41:32 | 0:41:35 | |
Such a rarity on Bargain Hunt! | 0:41:35 | 0:41:38 | |
Anyway, it's just a question of the scale of the winnings today, | 0:41:38 | 0:41:41 | |
which is nice, | 0:41:41 | 0:41:42 | |
and the team who are marginally behind on the winning stakes | 0:41:42 | 0:41:47 | |
are the Blues. | 0:41:47 | 0:41:48 | |
You have £25, £22, | 0:41:49 | 0:41:52 | |
then you lose £30 on a puppet | 0:41:52 | 0:41:54 | |
and then you make a bonus of £10 on a puppet. | 0:41:54 | 0:41:58 | |
-Yep. -Yep. -But it adds up to £27. | 0:41:58 | 0:42:01 | |
There you go, Rick, there's your 20 and here comes the shrapnel. | 0:42:01 | 0:42:05 | |
How are you, Rodney? | 0:42:05 | 0:42:07 | |
-You enjoyed your day? -Yep, brilliant. | 0:42:07 | 0:42:09 | |
Super, smashing, great. | 0:42:09 | 0:42:10 | |
OK, well, we've loved having you on the programme. | 0:42:10 | 0:42:12 | |
Couple of sportsmen. It's been marvellous. | 0:42:12 | 0:42:15 | |
And thank you very much, Kate. | 0:42:15 | 0:42:17 | |
Now, for the Reds, they're going home with marginally more, like £75. | 0:42:17 | 0:42:20 | |
ALL: Ooh! | 0:42:20 | 0:42:22 | |
Jacks! | 0:42:22 | 0:42:24 | |
I knew you were going to enjoy this moment. There's that, darling. | 0:42:24 | 0:42:27 | |
And I've got some shrapnel for you too. | 0:42:27 | 0:42:28 | |
There's a bit of it, look. | 0:42:28 | 0:42:30 | |
And, of course, because you've made a profit on every item, | 0:42:30 | 0:42:34 | |
you are admitted to the ancient and noble order of the Golden Gavel, | 0:42:34 | 0:42:38 | |
now represented by these pins, so there you go, darling, | 0:42:38 | 0:42:41 | |
you've got your pin. | 0:42:41 | 0:42:43 | |
-Thank you very much. -There you go, Dotty. | 0:42:43 | 0:42:45 | |
There you go, JP. Dotty, have you had a good day? | 0:42:45 | 0:42:48 | |
-I'm ecstatic. -Are you? | 0:42:48 | 0:42:49 | |
Well, you've got your pin, you've got your dough, you've got Jonathan. | 0:42:49 | 0:42:52 | |
-What more could you ask for? -Absolutely nothing. | 0:42:52 | 0:42:55 | |
Anyway, all the very best. It's been fantastic. | 0:42:55 | 0:42:57 | |
Join us soon for some more bargain hunting, yes? | 0:42:57 | 0:42:59 | |
ALL: Yes! | 0:42:59 | 0:43:01 | |
I know you're sitting there thinking, | 0:43:01 | 0:43:03 | |
"I could have done better than that!" | 0:43:03 | 0:43:05 | |
Well, what's stopping you? | 0:43:05 | 0:43:08 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:08 | 0:43:12 | |
It'll be splendid to see you! | 0:43:12 | 0:43:14 |