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Question - why have we come to Lincoln today? | 0:00:02 | 0:00:07 | |
Answer - I'll tell you why because this place is home to one of the country's largest antique fairs. | 0:00:09 | 0:00:15 | |
We've got two teams standing by primed with their cash, so let's go bargain hunting, yeah! | 0:00:15 | 0:00:22 | |
Some of the dealers here | 0:00:46 | 0:00:48 | |
at the Lincolnshire Antiques and Home Show | 0:00:48 | 0:00:52 | |
have travelled from far afield, | 0:00:52 | 0:00:54 | |
including France and Belgium and Holland. | 0:00:54 | 0:00:57 | |
And to those visitors I say "bonjour" | 0:00:57 | 0:01:01 | |
and to our teams I say "bonne chance"! | 0:01:01 | 0:01:05 | |
On today's show, the Reds have a difference of opinion. | 0:01:06 | 0:01:10 | |
-Do you like Art Deco? -I can't say that I do, but that means it's probably worth something. | 0:01:10 | 0:01:15 | |
-Especially the dog as well. -Sorry. | 0:01:15 | 0:01:18 | |
-I thought that was a lion. -Is it a lion? I thought it was a bulldog. | 0:01:18 | 0:01:22 | |
LAUGHTER | 0:01:22 | 0:01:24 | |
And with the RAF overhead, our Blues are dressed for battle. | 0:01:25 | 0:01:29 | |
Epaulettes. Every cage fighter should have a pair, don't you think, Dad? | 0:01:29 | 0:01:35 | |
First up, let's meet our teams. | 0:01:36 | 0:01:38 | |
So, for the Reds, we have a father and daughter team, John and Sarah. | 0:01:41 | 0:01:46 | |
-And for the Blues, we have Pete and Danny. Hello, everyone. -Hello. -Very nice to see you. | 0:01:46 | 0:01:51 | |
-So you've brought your father along. -Mm-hm. Yeah. | 0:01:51 | 0:01:54 | |
-Have you always got along very well? -I'm an only child and I grew up in the middle of nowhere, | 0:01:54 | 0:02:00 | |
so I had no choice, really, but to get along with him. | 0:02:00 | 0:02:03 | |
-But it's nice when you're friendly with your dad, don't you find? -It is nice, yeah. -Good. | 0:02:03 | 0:02:09 | |
Your father pretends that you work in a sweet shop. Why's that? | 0:02:09 | 0:02:13 | |
-Because I've got a serious job and he doesn't like to think about what I do. -What do you do? | 0:02:13 | 0:02:18 | |
I'm a forensic psychologist in training, so I work with people | 0:02:18 | 0:02:22 | |
who have committed crimes and have gone to prison, | 0:02:22 | 0:02:25 | |
but can't be in prison because they're too mentally unwell, | 0:02:25 | 0:02:29 | |
so they come to a hospital where we give them treatment. | 0:02:29 | 0:02:33 | |
-It's quite a serious job. -Yeah. -I'm not surprised that your father likes to think you're in a sweet shop. | 0:02:33 | 0:02:39 | |
-English and Media Studies is your subject. Where do you teach that? -A comprehensive school in Derbyshire. | 0:02:39 | 0:02:45 | |
-Very nice and rural. -Have you got any tactics today? | 0:02:45 | 0:02:48 | |
-We're in the hands of our expert. -We know absolutely nothing. | 0:02:48 | 0:02:51 | |
You'll do very well on Bargain Hunt then. I would say ideally qualified! | 0:02:51 | 0:02:56 | |
Watch them make more money than anybody else, having admitted that. | 0:02:56 | 0:03:00 | |
-We hope so. -And have fun. That's the most important thing. | 0:03:00 | 0:03:03 | |
-Thank you for joining us. Now, Danny... -Hello. | 0:03:03 | 0:03:07 | |
-I should be rather frightened of you. -I don't know about that. -Well, I don't know. | 0:03:07 | 0:03:12 | |
Tell us about what you get up to. | 0:03:12 | 0:03:14 | |
-I'm a professional Mixed Martial Arts fighter which most punters call a cage fighter. -Cage fighter? -Yeah. | 0:03:14 | 0:03:20 | |
-That sounds menacing. Hand-to-hand combat, is it? -That's right. You can punch, kick, knee, elbow. | 0:03:20 | 0:03:26 | |
-You're very modest because you've been British champion? -Yeah. | 0:03:26 | 0:03:30 | |
-Two times British, one time European champion. -Congratulations. -Cheers. | 0:03:30 | 0:03:34 | |
-Pete, have you got a few nicknames? -Yeah. -Give us a selection. | 0:03:34 | 0:03:38 | |
-I used to go to an auction and they nicknamed me Lovejoy. -Did they? | 0:03:38 | 0:03:43 | |
For buying and selling stuff from one auction to another. | 0:03:43 | 0:03:47 | |
-Is that your job? Are you a dealer? -I've always bought and sold stuff. -Have you? -Yeah, yeah. | 0:03:47 | 0:03:52 | |
-So you'll be good at this bargain hunting lark? -I hope so. -We'd better watch out today, chaps. | 0:03:52 | 0:03:58 | |
Brilliant. What sort of things would you be looking out for today? | 0:03:58 | 0:04:02 | |
I like maybe silver stuff, like little silver collectables. | 0:04:02 | 0:04:06 | |
I fancy a nice bracket clock if we can find one. | 0:04:06 | 0:04:09 | |
You've got a mission then which is lovely. To start you on your mission, here's £300 apiece. | 0:04:09 | 0:04:14 | |
-£300. -Thank you. -OK, teams. You know the rules. | 0:04:14 | 0:04:18 | |
Your experts await and off you go and very, very, very good luck! | 0:04:18 | 0:04:23 | |
How interesting is that? One team that claims to know nothing | 0:04:23 | 0:04:26 | |
versus a team that clearly knows everything about everything. What will happen next? | 0:04:26 | 0:04:32 | |
Assisting the Reds today is the diminutive dynamo, Anita Manning. | 0:04:35 | 0:04:40 | |
And helping the Blues to clean up, it's Charlie Ross. | 0:04:41 | 0:04:45 | |
Well, guys, here we are, 300 smackeroonies. | 0:04:50 | 0:04:54 | |
-I don't feel intimidated in the slightest between you two. -No? | 0:04:54 | 0:04:58 | |
Not the fact you're bigger, stronger, fitter... | 0:04:58 | 0:05:02 | |
Do you want to spend a lot of money, do you want to spend a small amount of money or does it matter? | 0:05:02 | 0:05:08 | |
-Usually, you don't like spending any money. -No. It's not my own money, so we could spend the lot. | 0:05:08 | 0:05:13 | |
-Have you ever done cage-fighting? -I've done a bit of judo when I was younger. | 0:05:13 | 0:05:18 | |
We won't have any trouble from the stallholders. | 0:05:18 | 0:05:21 | |
I feel quite safe all of a sudden. Let's go and buy some things. | 0:05:21 | 0:05:25 | |
Let's see what fate throws into our hands. | 0:05:25 | 0:05:29 | |
Let's go. | 0:05:29 | 0:05:31 | |
First to the punch are the Blues. | 0:05:38 | 0:05:40 | |
Look at those epaulettes. Aren't they wonderful? | 0:05:41 | 0:05:45 | |
Epaulettes, there we go. Naval epaulettes for your shoulder. Come on. | 0:05:45 | 0:05:50 | |
-Look at the gold braid on that! -Yes. -There we go. | 0:05:50 | 0:05:53 | |
Fantastic. | 0:05:56 | 0:05:58 | |
Every cage fighter should have a pair, don't you think, Dad? | 0:05:58 | 0:06:02 | |
Epaulettes, meaning "little shoulders" in French, have been used to indicate rank | 0:06:02 | 0:06:07 | |
by armed forces since the 18th century. | 0:06:07 | 0:06:10 | |
Today, they're mostly seen on ceremonial uniforms. | 0:06:10 | 0:06:13 | |
-What would they have cost to make? -They look expensive. | 0:06:13 | 0:06:17 | |
-Even the buttons look wonderful. How much are your epaulettes, sir? -£280. | 0:06:17 | 0:06:22 | |
-£280. There we go. -Yeah. | 0:06:22 | 0:06:24 | |
-You wouldn't want to make them for that. -No. | 0:06:24 | 0:06:27 | |
The Blues were given their marching orders. | 0:06:27 | 0:06:31 | |
Now, will the Reds spend some cash on the coin-operated jukebox? | 0:06:36 | 0:06:40 | |
-You're a guy that likes music. -Yes. | 0:06:41 | 0:06:44 | |
Even so, some of the singles on there are probably my dad's era, | 0:06:44 | 0:06:48 | |
-rather than the ones I would have played. -What are they? -Duke Ellington. | 0:06:48 | 0:06:52 | |
Ray Charles? | 0:06:52 | 0:06:54 | |
-These are evergreen people. -Hmm. | 0:06:54 | 0:06:57 | |
-Is this something you would be interested in? -It's unusual, quirky. -What do you think, darling? | 0:06:57 | 0:07:02 | |
Is it made of plastic? No. | 0:07:02 | 0:07:05 | |
I like your style. | 0:07:06 | 0:07:08 | |
So, a sort of music-themed item. | 0:07:08 | 0:07:11 | |
It's probably, I don't know, it could be '50s or '60s. | 0:07:11 | 0:07:14 | |
-I wonder if it works? So, keep that in mind. -Keep that in mind. -Yeah. | 0:07:14 | 0:07:19 | |
The Red Arrows aren't performing just for us. | 0:07:22 | 0:07:25 | |
Their home, RAF Scampton, is just across the road from the fair. | 0:07:25 | 0:07:30 | |
Not everyone appreciates their arrival though. | 0:07:30 | 0:07:33 | |
-ENGINES ROAR -Coming over, Mr Sound Man! | 0:07:33 | 0:07:36 | |
Mr Sound Man, can you hear me? | 0:07:36 | 0:07:39 | |
You poor chap! | 0:07:39 | 0:07:41 | |
ENGINES ROAR | 0:07:44 | 0:07:46 | |
Can you imagine anything worse for a sound man | 0:07:46 | 0:07:50 | |
than filming hour after hour underneath the Red Arrows? | 0:07:50 | 0:07:54 | |
Every time they go past, it gives him an apoplectic fit. | 0:07:54 | 0:07:58 | |
Look at them. "How much is this table?" | 0:07:58 | 0:08:01 | |
MIMICS ENGINES ROARING | 0:08:01 | 0:08:03 | |
Poor old chap. Good experience though. | 0:08:03 | 0:08:06 | |
# Highway to the danger zone... # | 0:08:08 | 0:08:11 | |
Back on terra firma, will the Reds hit the right notes with this musical oddity? | 0:08:11 | 0:08:17 | |
-It looks like a musical instrument, but I've never seen one like that before. -Is that a zither? | 0:08:17 | 0:08:23 | |
-A zither? -Uh-huh. -Carol Reed directed The Third Man and it starts with a zither. -That's right. | 0:08:23 | 0:08:30 | |
-Yes. -That's right. | 0:08:30 | 0:08:32 | |
-That's a beautiful piece. -I really like that. | 0:08:32 | 0:08:36 | |
It's all hand-painted in the borders | 0:08:36 | 0:08:39 | |
and you've got this nice, little illustration of an exotic bird. | 0:08:39 | 0:08:44 | |
-It might be a lot of money. -It'll probably be very expensive. | 0:08:44 | 0:08:48 | |
-I think you pluck it. -Yeah. -It's a plucking instrument. | 0:08:48 | 0:08:53 | |
It's probably late 19th, early 20th century. | 0:08:53 | 0:08:56 | |
Can you play it? | 0:08:56 | 0:08:58 | |
In my dreams. LAUGHTER | 0:08:58 | 0:09:02 | |
Is it very, very, very expensive? | 0:09:02 | 0:09:05 | |
The best I can do is 180. It's not that expensive, huh? | 0:09:05 | 0:09:09 | |
-180. -It's an old one. | 0:09:09 | 0:09:11 | |
I know. It's rare that you see them in such good condition. | 0:09:11 | 0:09:15 | |
But I don't think that we should just forget about it altogether. | 0:09:15 | 0:09:20 | |
-No, it's one to think about. -I think we should think about it. | 0:09:20 | 0:09:24 | |
The thing is, if you like it, someone else will like it. | 0:09:24 | 0:09:27 | |
THEME MUSIC: "The Third Man" | 0:09:29 | 0:09:31 | |
Over with the Blues, Pete seems to be enjoying the pressure. | 0:09:36 | 0:09:40 | |
What kind of price have you got on this, love...? 55. | 0:09:41 | 0:09:45 | |
It's an oak frame. How old is it? | 0:09:45 | 0:09:47 | |
You stay there. | 0:09:48 | 0:09:50 | |
-1930s? -Yeah, very good. I think it's probably a little bit earlier. | 0:09:50 | 0:09:55 | |
What nationality is it? | 0:09:55 | 0:09:57 | |
-I would say it's French. -It's French. Spot-on. There we are. | 0:09:57 | 0:10:01 | |
Do you know what I really like about that? The dolphin decoration. | 0:10:01 | 0:10:06 | |
Now, an aneroid barometer... | 0:10:06 | 0:10:08 | |
The earlier barometers had mercury in them. They're quite dangerous and quite temperamental as well. | 0:10:08 | 0:10:14 | |
This is an aneroid. It's a bi-metallic strip. | 0:10:14 | 0:10:18 | |
The fact that it is French, I think, is quite appealing. | 0:10:18 | 0:10:22 | |
-Do you think it would put people off at auction? -No. -You don't? -No, I think it's a nice piece. | 0:10:22 | 0:10:27 | |
You know "fair" is on the right - "beau temps", which is the French for "good weather". | 0:10:27 | 0:10:33 | |
-"Pluie", that's rain. How much was it? -55, she said, but I can maybe negotiate. | 0:10:33 | 0:10:38 | |
Do you know, I like that as well. | 0:10:38 | 0:10:41 | |
-It's a little bit yesterday's antiques, but... -I think that's a good buy. -Have a word with her. | 0:10:41 | 0:10:46 | |
-Right. -We'll wait here. | 0:10:46 | 0:10:49 | |
-ENGINES ROAR -They're going over again. | 0:10:49 | 0:10:53 | |
-There's a lot of Red Arrows around here. -Yeah. -They're keeping an eye on Dad. | 0:10:53 | 0:10:58 | |
-She wanted 50, I said 45 and we've bought it. -He's bought it. | 0:10:58 | 0:11:02 | |
-Yeah. -I like your style. -I think there's a bit of profit in it. -I do. I think so. | 0:11:02 | 0:11:07 | |
-If that had been a standard English one from the same period... -No damage. -No. 45 quid. | 0:11:07 | 0:11:13 | |
-Good man. He's good, isn't he? -Yeah, the pressure's on me now. | 0:11:13 | 0:11:17 | |
-It certainly is. Come on, chaps. -Let's go. | 0:11:17 | 0:11:21 | |
-Hang on. There they go again. -The Red Arrows are back. | 0:11:21 | 0:11:25 | |
With the Blues having taken the first round, are the Reds about to sew up their first buy? | 0:11:32 | 0:11:37 | |
-That's quite a nice thing. Is it oriental? -Yes, but there's no stamps on it. -No stamps. | 0:11:37 | 0:11:44 | |
-Yeah. -But it could be 65. | 0:11:44 | 0:11:47 | |
It could be 65. I mean, that's quite nice. | 0:11:47 | 0:11:51 | |
There's a give in that which indicates that it is silver. It's for keeping needles in. | 0:11:51 | 0:11:56 | |
A needle case, that sort of thing. | 0:11:56 | 0:11:58 | |
Could that be bought for, um... | 0:11:58 | 0:12:01 | |
40? | 0:12:01 | 0:12:03 | |
LAUGHTER > | 0:12:03 | 0:12:05 | |
-The very best on it, 55. That would be the best. -55. | 0:12:05 | 0:12:08 | |
Or 50. Round it up to 50. | 0:12:08 | 0:12:11 | |
-Round it to 50? -It'll stand a chance. | 0:12:11 | 0:12:14 | |
-Oh, you've brought a smile to this girl's face. -That's because we're spending money. | 0:12:14 | 0:12:19 | |
-Right. -Yeah. -Thank you. -Lovely. Thank you very much. | 0:12:19 | 0:12:23 | |
-Thank you very much. -Thank you. -Cheers. | 0:12:23 | 0:12:25 | |
-Well done. You've bought your first item. -Yeah! | 0:12:25 | 0:12:28 | |
Yeah, indeed. 20 minutes gone. That's one item apiece. | 0:12:28 | 0:12:32 | |
Back with the Blues and Charlie Ross attempts to strong-arm his team into submission. | 0:12:39 | 0:12:44 | |
I'm just looking at this rather exceptional clock. | 0:12:44 | 0:12:47 | |
It's a rare hinged variety. | 0:12:47 | 0:12:49 | |
-It's a ship's clock. It moves about. -It's a ship's clock, yeah. It's on a gimbal. | 0:12:49 | 0:12:54 | |
-Guys, I am going to exert my prerogative here. -Right, yeah. | 0:12:54 | 0:13:00 | |
At 35 quid, this should be bought. | 0:13:00 | 0:13:04 | |
It's a four-glass, late 19th, early 20th century library clock. | 0:13:04 | 0:13:10 | |
-It has an enamel dial. It's got a bit of a crack, but it is a really good case. -Yeah. | 0:13:10 | 0:13:16 | |
You've got to get, ideally, a mercury pendulum for this, | 0:13:16 | 0:13:19 | |
which will be expensive. | 0:13:19 | 0:13:21 | |
You've got to put new glass in it which won't be cheap, | 0:13:21 | 0:13:25 | |
but it is a good quality case | 0:13:25 | 0:13:27 | |
and at £35, if that doesn't make a profit at auction, | 0:13:27 | 0:13:33 | |
then frankly, I'm even worse than I thought I was in the first place. | 0:13:33 | 0:13:37 | |
-Give yourself some credit, old fruit. -Have you got enough confidence in me? -Yeah. | 0:13:37 | 0:13:42 | |
-You're the expert. -I think that's a great buy. | 0:13:42 | 0:13:45 | |
-I know it's knackered, but your dad can see the potential in that. -Yeah. | 0:13:45 | 0:13:50 | |
OK. We'll trust you with that one. | 0:13:50 | 0:13:52 | |
I'm very happy with that, sir. Thank you. That's really kind. You hit the spot with the price. | 0:13:52 | 0:13:58 | |
£35 for a damaged clock. Your reputation is really on the line with this one, Charlie. | 0:13:58 | 0:14:03 | |
But with time ticking, | 0:14:08 | 0:14:10 | |
where are those Reds? | 0:14:10 | 0:14:12 | |
-So... -What would that be, a smoker's tray? | 0:14:12 | 0:14:16 | |
-It's definitely 1920s, 1930s. -'20s. | 0:14:16 | 0:14:19 | |
-How much is that? -85. | 0:14:19 | 0:14:21 | |
It's got bags of style, hasn't it? Do you like Art Deco? | 0:14:21 | 0:14:25 | |
I can't say that I do, but that means it's probably worth something. | 0:14:25 | 0:14:29 | |
-Aw! -Especially the dog as well. -Sorry. | 0:14:29 | 0:14:32 | |
-I thought that was a lion. -Oh, is it a lion? I thought it was a bulldog. LAUGHTER | 0:14:32 | 0:14:37 | |
Come on, come on! | 0:14:37 | 0:14:40 | |
I'm rubbish at this. | 0:14:40 | 0:14:43 | |
No, you're fine, you're fine. | 0:14:43 | 0:14:45 | |
Don't worry, Sarah. This isn't Animal Hunt, you know. | 0:14:45 | 0:14:50 | |
It's in a nice mahogany case. It's got some age. | 0:14:53 | 0:14:56 | |
It would, I think, date from about 1910, 1920. | 0:14:56 | 0:15:01 | |
It could be a little bit later, but it's pre-war. | 0:15:01 | 0:15:04 | |
We used to use these at school. | 0:15:04 | 0:15:06 | |
You put slides under there with tissue specimens. | 0:15:06 | 0:15:09 | |
And you've got the concave mirror at the bottom | 0:15:09 | 0:15:13 | |
which reflects the light up, so that you get a good image. | 0:15:13 | 0:15:18 | |
I think you've got extra lenses in here. | 0:15:18 | 0:15:21 | |
They seem to unscrew... Oh, that's amazing. | 0:15:21 | 0:15:25 | |
-They're actually screwed into the case. -So you can't lose them. -How quality is that? | 0:15:25 | 0:15:30 | |
-Yeah, that's nice. -Try the little drawers. -Yeah. -There might be some gold sovereigns in there. | 0:15:30 | 0:15:36 | |
He said there might be some sovereigns in the drawer. He's never been to a fair before! | 0:15:36 | 0:15:42 | |
-Oh, the slides are ready! -It's complete. | 0:15:43 | 0:15:46 | |
-Crikey! -Is that all complete then? | 0:15:47 | 0:15:50 | |
It looks as complete as I can possibly find it. | 0:15:50 | 0:15:53 | |
-How much is this, sir? -The very best price is £150. -£150. | 0:15:53 | 0:15:58 | |
-Do you want to just think about it? -Any better price? Any better price? -No, the best on that is £150. -£150. | 0:15:58 | 0:16:04 | |
-You know exactly where you stand. -We can come back to it. -We'll have a think about that. -Yeah. | 0:16:04 | 0:16:10 | |
-Let's go. -Thank you very much, sir. | 0:16:10 | 0:16:12 | |
Time is moving on apace, but where are the Reds? | 0:16:12 | 0:16:16 | |
-Let me just show this little thing... -That's quite nice. -It looks attractive. | 0:16:16 | 0:16:21 | |
It's probably, I would say, 1940s, 1950s. | 0:16:21 | 0:16:25 | |
It's got this faux tortoiseshell. It's not tortoiseshell. | 0:16:25 | 0:16:29 | |
And it's, um... It's slightly faded here. | 0:16:29 | 0:16:33 | |
-Mm-hm. -You've got a silver-plated body. | 0:16:33 | 0:16:37 | |
-Mm-hm. -And when we look inside, we have various manicure items. | 0:16:37 | 0:16:43 | |
These are silver-plated, rather than silver. | 0:16:43 | 0:16:46 | |
It's a little manicure set. | 0:16:46 | 0:16:48 | |
But it's quite a pretty thing. It's quite an intriguing wee thing. | 0:16:48 | 0:16:52 | |
-No? -Not for you? -Not for now. -Not keen, yeah. -Not for you, darling. | 0:16:52 | 0:16:56 | |
OK... | 0:16:56 | 0:16:58 | |
With just over 20 minutes remaining, Reds, you may need to do more buying and less browsing. | 0:16:58 | 0:17:04 | |
It seems the Blues are out to prove they're no Dumbos. | 0:17:07 | 0:17:11 | |
-Seen anything you like? What about this? -It's damaged. | 0:17:11 | 0:17:15 | |
-It's great. -Is that an inkwell? -Is it Indian silver? -It's plated. | 0:17:15 | 0:17:19 | |
-Plated, is it? -Yeah, I checked underneath. -Did you? -Yeah. | 0:17:19 | 0:17:23 | |
EPBM. Yeah, Britannia metal. | 0:17:23 | 0:17:25 | |
That's fantastic quality. Look at that! | 0:17:25 | 0:17:29 | |
The trouble is... I don't think that's terminal. Somebody could straighten that out. | 0:17:29 | 0:17:34 | |
-It's been bashed. -It's been dropped. -Dropped, I should think. | 0:17:34 | 0:17:38 | |
How much is it, sir? | 0:17:38 | 0:17:40 | |
I was asking £150 for it, but I can do a deal on it. I can do it for 125. | 0:17:40 | 0:17:46 | |
I think it's a really good thing. It is expensive. | 0:17:46 | 0:17:49 | |
But where will you find another one? It's a superb thing. | 0:17:49 | 0:17:53 | |
Famous last words, eh, Charlie? | 0:17:53 | 0:17:56 | |
Now, have the Reds come to any conclusions over their second item? | 0:17:56 | 0:18:00 | |
Back again. She's persuaded us. | 0:18:00 | 0:18:03 | |
-This isn't as hideous as we thought it was! -I think it's good. I think it's got a lot of style. | 0:18:03 | 0:18:09 | |
-Price would persuade us. -Price would persuade them. | 0:18:09 | 0:18:13 | |
If we could get that for about 50... | 0:18:13 | 0:18:15 | |
< For you to make the profit, I'm going to go against my own rules. You can have it for 50. | 0:18:15 | 0:18:20 | |
< And if you don't make a profit, bring it back. | 0:18:20 | 0:18:23 | |
-Deal! -Can't do better than that. | 0:18:23 | 0:18:25 | |
-You've been wonderful. -Thank you very much. | 0:18:25 | 0:18:28 | |
- You're welcome. - Thank you. | 0:18:28 | 0:18:30 | |
The Blues are having a deja vu moment. | 0:18:37 | 0:18:40 | |
-Take a look at this. We've seen that before somewhere. -Have you just moved it? -I don't think so. | 0:18:40 | 0:18:45 | |
-He's playing the violin. -I have never seen one in my life and now I've seen two. How much is it? | 0:18:45 | 0:18:50 | |
It's 180 on it. 130. | 0:18:50 | 0:18:52 | |
Oh, oh! | 0:18:52 | 0:18:54 | |
-I've not seen Charlie this excited in a long time. -Did you hear that? | 0:18:54 | 0:18:58 | |
That's a nice thing. So is the other one. | 0:18:58 | 0:19:02 | |
-Five minutes. -Five minutes? | 0:19:02 | 0:19:04 | |
Oh, hang on. That's... | 0:19:04 | 0:19:07 | |
-Yeah, I like that. -It's a bit pricey, but he's very flexible, this man. | 0:19:08 | 0:19:13 | |
Hallmarked, silver-topped scent bottle, cranberry glass | 0:19:13 | 0:19:18 | |
with its original stopper which fits perfectly. | 0:19:18 | 0:19:22 | |
That's the key with these things. Sometimes the replacement stopper wobbles about. That's beautiful. | 0:19:22 | 0:19:28 | |
-The decoration is fabulous. -Three minutes. -Three minutes. | 0:19:28 | 0:19:32 | |
He's giggling. He's got a sense of humour if nothing else! | 0:19:32 | 0:19:35 | |
-Can that be £50? -No, sir. -It can't be £50. | 0:19:35 | 0:19:39 | |
70? Just that fiver? | 0:19:39 | 0:19:42 | |
I can give you the fiver. | 0:19:42 | 0:19:45 | |
£70, sir. That's wonderful. Thank you. We really appreciate that. | 0:19:45 | 0:19:49 | |
That's the Blues all done and dusted then. | 0:19:49 | 0:19:52 | |
The Reds have returned to the zither for a repeat performance, but don't dither. Only a minute left. | 0:19:55 | 0:20:00 | |
-I think you should make a deal on that. -I think so too. | 0:20:00 | 0:20:04 | |
Honestly, 150 is the price I paid for that. | 0:20:04 | 0:20:07 | |
-OK. -Lovely. Thank you very much. | 0:20:07 | 0:20:09 | |
Thank you. You've been so kind and patient. | 0:20:09 | 0:20:13 | |
Thank you. | 0:20:13 | 0:20:14 | |
That's lovely. Are you happy now? | 0:20:14 | 0:20:17 | |
Yeah, I like this. It's pretty. It's interesting, it's unusual. | 0:20:17 | 0:20:21 | |
-It's what you wanted from the beginning. -The first thing you saw. | 0:20:21 | 0:20:25 | |
- Don't forget the box. - Yeah. Thank you. | 0:20:25 | 0:20:29 | |
And the plinth. | 0:20:29 | 0:20:31 | |
That's our three items bought with minutes, seconds to spare. | 0:20:31 | 0:20:36 | |
-It's all about timing. -It's all about timing. Well done, guys. | 0:20:36 | 0:20:40 | |
-Let's go and have a nice cup of tea. -Excellent. | 0:20:40 | 0:20:43 | |
Well, shopping's over. Boom or bust time! | 0:20:50 | 0:20:53 | |
So, just to recap, | 0:20:56 | 0:20:58 | |
the Reds bought the white metal needle case for £50, | 0:20:58 | 0:21:01 | |
then they picked up the Art Deco cocktail tray also for £50. | 0:21:01 | 0:21:06 | |
Finally, they plucked up courage for the zither | 0:21:06 | 0:21:09 | |
to the tune of £150. | 0:21:09 | 0:21:12 | |
-Now, you spent how much? -£250. -250. | 0:21:12 | 0:21:15 | |
-I'd like £50 of leftover lolly. -There you go. -Anita, here's your £50, a reasonable sum. | 0:21:15 | 0:21:21 | |
Not bad at all. I should have no problem buying a nice, pretty, girly thing. I hope you don't mind. | 0:21:21 | 0:21:28 | |
-It's a good fair. -Wonderful. -Good luck, Anita. Meanwhile, let's check out what the Blue Team bought. | 0:21:28 | 0:21:34 | |
First up, they bought the aneroid barometer for £45. | 0:21:34 | 0:21:38 | |
Next they got the mantel clock for £35 - what's left of it. | 0:21:40 | 0:21:45 | |
And finally, they picked up the scent bottle for £70. | 0:21:45 | 0:21:49 | |
-Good, fun shopping, was it, Danny? -Yeah. -Lovely. Nice to have your dad with you to keep you under control. | 0:21:50 | 0:21:56 | |
-You spent 150, yes? -That's right. -I'd like £150 of leftover lolly, please. Very good. -There you go. | 0:21:56 | 0:22:02 | |
150 goes straight across to Carlos. | 0:22:02 | 0:22:04 | |
-Marvellous. -I bet you didn't pick an argument with these two. | 0:22:04 | 0:22:08 | |
-I agreed with everything they bought. -I bet you were very obedient for a change. -I was. | 0:22:08 | 0:22:14 | |
-What are you going to spend the 150 on? Do you know? -I don't and I'll do well to beat what they bought. | 0:22:14 | 0:22:20 | |
They've both got really good eyes. | 0:22:20 | 0:22:22 | |
OK, fine. I'll leave you to carry on then, Charlie. | 0:22:22 | 0:22:26 | |
Meanwhile, we're going to have a little look at something I prepared and found earlier. | 0:22:26 | 0:22:32 | |
If you were knocking about in the 19th century and doing a lot of travelling, | 0:22:35 | 0:22:40 | |
it would be essential to have one of these fellas. | 0:22:40 | 0:22:44 | |
Why? Because they're especially made for travelling. | 0:22:44 | 0:22:47 | |
That's why they're called carriage clocks. | 0:22:47 | 0:22:51 | |
The most basic job is this one. | 0:22:51 | 0:22:53 | |
It's in an Obis case. | 0:22:53 | 0:22:55 | |
The movement is very simple because it only tells the time. | 0:22:55 | 0:22:59 | |
It's priced up on the stall here at £100, | 0:22:59 | 0:23:02 | |
a basic price for a basic carriage timepiece. | 0:23:02 | 0:23:05 | |
This one is a wee bit more complicated. | 0:23:05 | 0:23:08 | |
It chimes the hours and it has the additional feature | 0:23:08 | 0:23:12 | |
of this little dial at the bottom. | 0:23:12 | 0:23:14 | |
That is called an alarum dial. | 0:23:14 | 0:23:18 | |
You'd set this carriage clock to wake you up in the morning which is rather fun | 0:23:18 | 0:23:23 | |
and that's an additional feature, | 0:23:23 | 0:23:25 | |
all of which add up to why the asking price for this one | 0:23:25 | 0:23:29 | |
is £500. | 0:23:29 | 0:23:31 | |
But by far the best of the carriage clocks on this table is this fellow | 0:23:31 | 0:23:36 | |
because it's encrusted in porcelain panels, | 0:23:36 | 0:23:40 | |
porcelain panels that were made in France, probably by Sevres, | 0:23:40 | 0:23:46 | |
in the 1880s. | 0:23:46 | 0:23:48 | |
If you're looking for a porcelain-encrusted carriage clock, do beware | 0:23:48 | 0:23:53 | |
because these porcelain panels are very liable to crack or chip. | 0:23:53 | 0:23:58 | |
The slightest pressure on the sides, a bit of a bash, a bit of a ding | 0:23:58 | 0:24:02 | |
and hey presto, you've got damage. | 0:24:02 | 0:24:04 | |
The extraordinary thing about this one, which I found in the fair, | 0:24:04 | 0:24:08 | |
is that although the case is in shocking, shabby, dirty condition, | 0:24:08 | 0:24:13 | |
and even though the movement is filthy and requires restoration, | 0:24:13 | 0:24:17 | |
none of the porcelain panels have suffered any damage at all. | 0:24:17 | 0:24:21 | |
If you look at that side one, | 0:24:21 | 0:24:24 | |
the containing colour is called "bleu celeste" | 0:24:24 | 0:24:27 | |
which is a typical Sevres, 18th century colour. | 0:24:27 | 0:24:31 | |
No damage - as fresh and as good as the day it was made. | 0:24:31 | 0:24:35 | |
Brilliant. | 0:24:35 | 0:24:37 | |
What's it worth? | 0:24:37 | 0:24:39 | |
Well, I found this fellow for £425 on a stall round the corner. | 0:24:39 | 0:24:44 | |
It needs some restoration. The case needs cleaning and re-gilding and the movement needs putting in order, | 0:24:44 | 0:24:50 | |
so there's maybe £250 to spend on this carriage clock, | 0:24:50 | 0:24:54 | |
but at the end of the day, in good nick, | 0:24:54 | 0:24:57 | |
it could be worth as much as 1,500. | 0:24:57 | 0:25:00 | |
So, you see, there are bargains about. | 0:25:00 | 0:25:03 | |
Ding-dong! | 0:25:03 | 0:25:05 | |
25. 30 bid. 35 now... Any more now? | 0:25:06 | 0:25:09 | |
At £30 bid. 2 now? £30 in the middle of the room. I'm selling at 30... | 0:25:09 | 0:25:15 | |
-I can't tell you how splendid it is to come across the county border. Have we? -You haven't, Tim. | 0:25:15 | 0:25:21 | |
We're still in Lincolnshire, but we're in Grantham at Golding Young & Mawer's Saleroom | 0:25:21 | 0:25:27 | |
-to be with our old mucker Colin Young. -Good to have you back. -Nice to be here. | 0:25:27 | 0:25:32 | |
The Reds have got a mixture that defies belief. | 0:25:32 | 0:25:35 | |
First off is the needle case which I think is rather sweet, don't you? | 0:25:35 | 0:25:39 | |
I think it's OK. It's nicely chased, but brand-new. | 0:25:39 | 0:25:43 | |
-Is it? -Hmm. -OK, well, that's a bit of a body blow. | 0:25:43 | 0:25:47 | |
-Right. -So how much, do you think? -£10 to £30 estimate on it. -Oh, lordy! | 0:25:47 | 0:25:51 | |
-£50 they paid. -OK. | 0:25:51 | 0:25:54 | |
Moving on very swiftly to the rather attractive Deco cocktail set... | 0:25:54 | 0:25:59 | |
-Well, it's a tray and two ashtrays, actually. -It's got something about it. It's a nice Deco look. | 0:25:59 | 0:26:04 | |
The only thing that seems a little bit OTT is... | 0:26:04 | 0:26:08 | |
-That fella. -Yeah. -It's such a butch lion, isn't it? | 0:26:08 | 0:26:11 | |
-The most clumping paws you ever did see. -Yeah. | 0:26:11 | 0:26:15 | |
-Incredibly crudely made. -Yeah. | 0:26:15 | 0:26:18 | |
The valuation will be a bit of guesswork, as it usually is. | 0:26:18 | 0:26:21 | |
-30 to 50 estimate. -The team paid £50, so they're a bit light on that. | 0:26:21 | 0:26:26 | |
The last item, though, which is their number one investment... | 0:26:26 | 0:26:30 | |
-Sarah went bonkers for this. -Right. -..is the zithery thing. | 0:26:30 | 0:26:34 | |
-Hmm. -Do you like these zithery things? | 0:26:34 | 0:26:36 | |
-Not a lot, but how bonkers did they go? -They went really bonkers. -Mm-hm. | 0:26:36 | 0:26:41 | |
I'd better not tell you. I don't want to ruin your day. What is your estimate? | 0:26:41 | 0:26:45 | |
Well, the average model of this does £25 to £40. | 0:26:45 | 0:26:49 | |
-OK. -I would say this is a little bit better than average, | 0:26:49 | 0:26:53 | |
so I would hope it would clear a 25 to 40 estimate. | 0:26:53 | 0:26:56 | |
Stand by then, Colin, because they spent £150. | 0:26:56 | 0:26:59 | |
Right. | 0:27:00 | 0:27:01 | |
We've heard it from the master's mouth here. We are in trouble with the zithery thing, | 0:27:01 | 0:27:06 | |
so we'd better go and have a look at the bonus buy. Here it comes. | 0:27:06 | 0:27:10 | |
John and Sarah, you spent 250. You gave Anita £50, which I expect she has spent wisely. | 0:27:10 | 0:27:16 | |
-Let's have a look, Anita. -I hope so. | 0:27:16 | 0:27:18 | |
-That's nice. -It's just a wee, tiny thing, but it's very, very pretty | 0:27:20 | 0:27:25 | |
and it's made by a prestigious Norwegian silversmith, Marius Hammer. | 0:27:25 | 0:27:30 | |
He was working at the end of the 19th, beginning of the 20th century. | 0:27:30 | 0:27:34 | |
He was a contemporary of Faberge. | 0:27:34 | 0:27:37 | |
And we have in this little brooch some beautiful blue enamelling, | 0:27:37 | 0:27:42 | |
the little seed pearl in the middle and it's all set in silver. | 0:27:42 | 0:27:48 | |
-Have a little play. That's the answer. -It's very pretty. | 0:27:48 | 0:27:51 | |
-That's lovely. Really nice. -Obvious question - how much did you pay? | 0:27:51 | 0:27:55 | |
-I paid £25 for it. -OK. | 0:27:55 | 0:27:59 | |
I would hope that it would perhaps reach £30, maybe a little more than that. | 0:27:59 | 0:28:04 | |
-Not fussy. That's the point. -No, it's nice and simple. -Yes. | 0:28:04 | 0:28:08 | |
Good. Right, we've got the prediction. | 0:28:08 | 0:28:11 | |
You hang on to that tantalising thought while we, for the audience at home, | 0:28:11 | 0:28:16 | |
find out what the auctioneer thinks about Anita's little brooch. | 0:28:16 | 0:28:20 | |
Cor, look at that, Colin! | 0:28:20 | 0:28:22 | |
That warrants close inspection, doesn't it? | 0:28:22 | 0:28:25 | |
It does. Nice piece of enamel. | 0:28:25 | 0:28:28 | |
Silver base. | 0:28:28 | 0:28:29 | |
Maker - Marius Hammer, so that would have been produced in Bergen in Norway. | 0:28:29 | 0:28:34 | |
It's probably 1920s. It certainly wouldn't be pre-1900. | 0:28:34 | 0:28:38 | |
But I would guess that's just part of something else. | 0:28:38 | 0:28:41 | |
-OK, sweet little thing then. -Yeah. -How much? | 0:28:41 | 0:28:44 | |
£25 to £40. I still rate it. | 0:28:44 | 0:28:47 | |
Clever old Anita because she only paid £25. | 0:28:47 | 0:28:50 | |
Anyway, that's it for the Reds. | 0:28:50 | 0:28:53 | |
Now for the Blues... We've got the aneroid barometer and thermometer | 0:28:53 | 0:28:57 | |
which I have to say fills my heart with dread. | 0:28:57 | 0:29:01 | |
I just think they're yesterday's thingumajigs. Very fussy, isn't it? | 0:29:01 | 0:29:05 | |
Yeah, very much so. Again it's this classical 1980s thing | 0:29:05 | 0:29:08 | |
where everybody was wanting big, late Victorian-looking Germanic things, | 0:29:08 | 0:29:13 | |
whether it was wall clocks or barometers. | 0:29:13 | 0:29:16 | |
What you might have got £150 for 15 years ago. What do you get today? | 0:29:16 | 0:29:19 | |
-I think it will be a struggle with a 40 to 60 estimate. -£45 they paid. | 0:29:19 | 0:29:24 | |
They paid more or less the right price, in fairness. | 0:29:24 | 0:29:27 | |
-You know how I say to people, "Always buy things in good condition"? -Yeah. | 0:29:27 | 0:29:32 | |
Never fail to get anything in good condition. How do you rate the next item? | 0:29:32 | 0:29:36 | |
-It's a wreck. -Nobody listens to you then, Tim. | 0:29:36 | 0:29:40 | |
I mean, it got run over on the M4, I reckon. | 0:29:40 | 0:29:43 | |
A bit of ingenious cataloguing is required on that because they used to be called four-glass clocks. | 0:29:43 | 0:29:49 | |
-I suppose this is more sort of a one-and-a-half-glass clock. -It's mainly smashed. | 0:29:49 | 0:29:55 | |
But in fairness, it's a decent movement that somebody will be able to put on to something else. | 0:29:55 | 0:30:01 | |
Well, in fairness, that in dazzling condition, is that £400-worth? | 0:30:01 | 0:30:06 | |
-Yeah, it is that sort of money. -Done up, 300 to 400, but a lot of doing up to get it back into that state. | 0:30:06 | 0:30:12 | |
So I think, estimate-wise, 30 to 40, 30 to 50 sort of range. | 0:30:12 | 0:30:17 | |
-They paid £35, so that's OK. -That's OK. | 0:30:17 | 0:30:20 | |
-The last item, which I think is really pretty, is the cranberry glass and silver scent bottle. -Yeah. | 0:30:20 | 0:30:27 | |
-How do those go with you? -They go very well in that there's always lots of competition for them. | 0:30:27 | 0:30:33 | |
You've got a nice combination on that of the cranberry. The marks are nice and crisp. | 0:30:33 | 0:30:38 | |
You've still got its stopper. There's a lot of things going for it. | 0:30:38 | 0:30:42 | |
On this one, I've put an out-and-out tempting estimate on it of 10 to 30, | 0:30:42 | 0:30:46 | |
but I think there's probably £40 or £50-worth there. | 0:30:46 | 0:30:50 | |
-They paid 70. -Right, OK. | 0:30:50 | 0:30:52 | |
They might wipe their face with the first two, but they could have a problem with the scent bottle, | 0:30:52 | 0:30:57 | |
there could be a smell about, in which case they'll need their bonus buy. Let's have a look at it. | 0:30:57 | 0:31:03 | |
-Right then, chaps, this is the moment of truth. -It is. | 0:31:03 | 0:31:07 | |
You gave Rossco £150 of your leftover lolly. What did you spend it on? | 0:31:07 | 0:31:12 | |
I spent it on this. | 0:31:12 | 0:31:14 | |
-Ah... -Oh, my God! | 0:31:16 | 0:31:18 | |
-LAUGHTER -I can see what it is now. | 0:31:18 | 0:31:20 | |
-It's a cigar... -It's a cigar-cutter. | 0:31:20 | 0:31:23 | |
WMF from the Wurttemberg factory. | 0:31:23 | 0:31:26 | |
It's about 1900, 1910. | 0:31:26 | 0:31:29 | |
Wonderful quality with the hound's head on the end there. | 0:31:29 | 0:31:33 | |
To a collector, I think quite a special thing. I would prefer it to be silver, but it isn't. | 0:31:33 | 0:31:38 | |
How many people smoke cigars nowadays, anybody's guess, | 0:31:38 | 0:31:42 | |
but I think that would be bought by a collector just to have in a collection. | 0:31:42 | 0:31:48 | |
-A lot of work in that. -I just love the face. People like dogs. | 0:31:48 | 0:31:52 | |
-Is it going to bring some money in though? -Well, it cost £100. | 0:31:52 | 0:31:56 | |
-Hmm... -That's an awful lot of breath going through the teeth there. -He's got an intake of breath. | 0:31:56 | 0:32:03 | |
It depends who's here today, I think, buying, really. | 0:32:03 | 0:32:06 | |
-Would it be the sort of thing that you'd buy? -No. -No. -Well, maybe, yeah, if it was cheaper. | 0:32:06 | 0:32:12 | |
What do you call cheaper then? £20 or £30? | 0:32:12 | 0:32:16 | |
-Well, no more than 60. -No more than 60. That's where you sit with it. | 0:32:16 | 0:32:20 | |
Now, for the audience at home, let's find out what the auctioneer thinks about Carlos's cutter. | 0:32:20 | 0:32:26 | |
-Over to you then, Colin. -Thank you. | 0:32:26 | 0:32:28 | |
-That's an unusual thing. -It is. | 0:32:28 | 0:32:31 | |
A decent cutter. Looks to be in good working order. Nice item. | 0:32:31 | 0:32:34 | |
-What's your estimate? -We've put a derisory 10 to 30 on it, | 0:32:34 | 0:32:38 | |
but I would have thought it would be a snip at 40 or 50. | 0:32:38 | 0:32:42 | |
Have you been thinking about that - "a snip at 40 to 50"? | 0:32:42 | 0:32:46 | |
I think you have, Colin Young. | 0:32:46 | 0:32:48 | |
Anyway, it's not a snip at 40 or 50. | 0:32:48 | 0:32:51 | |
£100 was paid by C Ross Esquire | 0:32:51 | 0:32:55 | |
and he sees a profit in it at that. | 0:32:55 | 0:32:58 | |
-Well, I hope he's right and I hope I'm severely wrong. -So do I. Good luck, Colin. -Thank you. | 0:32:58 | 0:33:03 | |
30 bid. 35 now? £30 bid. Any more now? | 0:33:03 | 0:33:06 | |
At £30 bid. 2 now? £30 in the middle of the room. I'm selling at 30... | 0:33:06 | 0:33:11 | |
-This is exciting, isn't it? -Marvellous. | 0:33:11 | 0:33:14 | |
Nice lot of people here, connected up with the internet. | 0:33:14 | 0:33:18 | |
Colin Young is going like a steam train. He's a very fast auctioneer. | 0:33:18 | 0:33:22 | |
First up is the needle case and here it comes. | 0:33:22 | 0:33:25 | |
Lot number 138 is an oriental, white metal needle case. | 0:33:25 | 0:33:28 | |
Really nice. Good chasing on it. | 0:33:28 | 0:33:31 | |
Who's going to start me at £30 for it? 30? £30, anybody? 20 to go? | 0:33:31 | 0:33:34 | |
-£20? 10, do you have? -It's not going up, is it? | 0:33:34 | 0:33:38 | |
At £10 bid. 12. 15? 15. 18 do I see? At 15. 18 now, surely? | 0:33:38 | 0:33:42 | |
-At £15 bid. -Go on! -18. 20? 20 bid. 22? | 0:33:42 | 0:33:45 | |
2 bid. And 5? 5 bid. 28? 28 bid. | 0:33:45 | 0:33:47 | |
30? 30 bid. 32. 35. 38 now do I see? | 0:33:47 | 0:33:50 | |
Another one? 38? 38 bid. 40 now? 40 bid. | 0:33:50 | 0:33:53 | |
42? £40 bid. And 2 now, surely? At 40. Front row has it at 40. | 0:33:53 | 0:33:57 | |
Are we all done and finished? We are selling in the front row at £40... | 0:33:57 | 0:34:01 | |
It's a good deal better than his estimate. Minus £10 only. | 0:34:01 | 0:34:05 | |
Anita Manning, here comes the Indian tray. | 0:34:05 | 0:34:08 | |
Lot number 139 | 0:34:08 | 0:34:10 | |
is the Art Deco, chrome and green plastic, small tray there. | 0:34:10 | 0:34:14 | |
-Who's going to start me at £80? 80? 50 to go? -That would be nice. -£50? | 0:34:14 | 0:34:19 | |
50? 50? 30 if you like? | 0:34:19 | 0:34:22 | |
-£30, anybody? 30? -They've got taste. -20? | 0:34:22 | 0:34:24 | |
20? £20 bid. 2 do I see now? At £20 bid. 2 now, surely? | 0:34:24 | 0:34:28 | |
-Has anyone bid anything? -20. -OK. | 0:34:28 | 0:34:32 | |
At £22 bid. 5? 5 bid. 28 now? 28 bid. 28. And 30? | 0:34:32 | 0:34:35 | |
At £28 bid. Look at what we're selling, ladies and gentlemen. | 0:34:35 | 0:34:39 | |
At 28 bid. On the market then at 28. 30. | 0:34:39 | 0:34:42 | |
2. 35? 5 bid? No. 32 bid. | 0:34:42 | 0:34:45 | |
5 again, surely? At 32. Back with my original bidder. | 0:34:45 | 0:34:48 | |
32 bid. 5 is a last call? Sold at £32. | 0:34:48 | 0:34:50 | |
Uh-oh, minus £18. | 0:34:50 | 0:34:53 | |
That equals minus 28. | 0:34:53 | 0:34:56 | |
-Now, come on, zither. -This is where we may go home in shame. | 0:34:56 | 0:35:00 | |
Lot number 140, | 0:35:00 | 0:35:02 | |
early 20th century, chromatic concert zither by Adler. | 0:35:02 | 0:35:06 | |
Who's going to start me at £50? 50? | 0:35:06 | 0:35:08 | |
£50, anyone? 50? 30 to go then? 30? | 0:35:08 | 0:35:11 | |
£30, anybody? 30? I'll take 20 to go. £20, anybody? | 0:35:11 | 0:35:15 | |
- No-one's going to want it. - 20 bid. 2 now? At 20 bid. | 0:35:15 | 0:35:19 | |
2 now do I see? 22. 25 now. At 25 bid. | 0:35:19 | 0:35:23 | |
28 now do I see? Is there 28 for the zither? | 0:35:23 | 0:35:26 | |
Don't dither. You'll lose it. | 0:35:26 | 0:35:28 | |
At 25, done and finished then, selling at £25... | 0:35:28 | 0:35:31 | |
Yeah, that's not good, Sarah. | 0:35:31 | 0:35:33 | |
-What a shame! -Minus 125 | 0:35:33 | 0:35:35 | |
equals minus 153. | 0:35:35 | 0:35:40 | |
Oh! Well, what can I say? | 0:35:40 | 0:35:43 | |
-I think the only thing to do is to go with the bonus buy. -Shall we? | 0:35:43 | 0:35:48 | |
-Possibly. I think we might try it. -Tactics, girls and boys. -In Anita we trust. | 0:35:48 | 0:35:53 | |
It needs to make £178 to get you of trouble, to wipe your face. | 0:35:53 | 0:35:57 | |
I can't promise that. I can't promise that. | 0:35:57 | 0:36:01 | |
So lot number 144, Scandinavian, enamelled, white metal brooch. | 0:36:02 | 0:36:07 | |
There we go. Marius Hammer. What shall we say for this? | 0:36:07 | 0:36:10 | |
Start me at 100? At that price, you can't touch this. £80 to go there? | 0:36:10 | 0:36:14 | |
50? 40 to go then? 40? 30 then? | 0:36:14 | 0:36:17 | |
30 I'm bid already. At 30 bid. 2. 5? 5 bid. 38 now? 38 bid. 40? | 0:36:17 | 0:36:21 | |
£40 bid do I see? 40 bid. 42 now? 42 surely? At 40 bid. | 0:36:21 | 0:36:25 | |
42 now? 42. 42 with you. | 0:36:25 | 0:36:27 | |
45 on the book. 48 now? 45... | 0:36:27 | 0:36:29 | |
-Good. -It's exciting making money. | 0:36:29 | 0:36:32 | |
At 45 bid. Last call. | 0:36:32 | 0:36:34 | |
Done and finished and selling then at £45... | 0:36:34 | 0:36:37 | |
-£45. -Yes! -She's a cool cat. | 0:36:37 | 0:36:39 | |
Plus £20 on that which reduces your debt | 0:36:39 | 0:36:43 | |
to minus 133 | 0:36:43 | 0:36:46 | |
which is much more respectable. | 0:36:46 | 0:36:47 | |
-Who knows? It could be a winning score. -Who indeed? Who knows? | 0:36:47 | 0:36:52 | |
Well, here we go. Charlie, are you feeling small? | 0:36:59 | 0:37:02 | |
-I'm feeling enormous. -Are you? I'm not. | 0:37:02 | 0:37:05 | |
These chaps are big, aren't they? You wouldn't want to tangle with this lot. | 0:37:05 | 0:37:10 | |
I hope your expertise has been sound today because this could be a problem. | 0:37:10 | 0:37:15 | |
-See that? -If people in this room don't bid, woe betide. -Quite. Woe betide us, rather. | 0:37:15 | 0:37:21 | |
Anyway, now, first up then is the aneroid barometer. | 0:37:21 | 0:37:25 | |
Is the pressure rising or not? | 0:37:25 | 0:37:27 | |
Lot number 160 is an early 20th century, French aneroid barometer. | 0:37:27 | 0:37:32 | |
Nice, carved frame to it as well. | 0:37:32 | 0:37:35 | |
What do we want? £40? £60? Who's going to start me at £40? | 0:37:35 | 0:37:39 | |
Start me low. 40? 30 to go then? 20 to go then, surely? | 0:37:39 | 0:37:42 | |
-£20, everyone? 20 bid. 2 bid. 5? 5 bid... -Yeah, lots of bidders. | 0:37:42 | 0:37:46 | |
At 28. 30? 30 bid. 32 now? 32. 35? | 0:37:46 | 0:37:49 | |
5 bid. 38? 38 bid. 40? £40 bid. 42 now? | 0:37:49 | 0:37:52 | |
At 40 bid. Can you feel the pressure increasing? Yes, 42, fresh bidder. | 0:37:52 | 0:37:57 | |
45 on the book. 48 in the room? | 0:37:57 | 0:37:59 | |
At 45, commission bidder. At £45. We're on the market at 45. | 0:37:59 | 0:38:04 | |
Done and finished, selling at 45... | 0:38:04 | 0:38:06 | |
Uh-oh! £45. No profit, no loss, no pain, no shame. | 0:38:06 | 0:38:10 | |
Number 161 | 0:38:10 | 0:38:12 | |
is the French, gilt metal, four-glass mantel clock. | 0:38:12 | 0:38:15 | |
Who's going to start me at £80 for this? 80? | 0:38:15 | 0:38:19 | |
£80, anybody? 80? 50 to go then, surely? £50, anyone? 50? | 0:38:19 | 0:38:23 | |
40 to go? 40? | 0:38:23 | 0:38:25 | |
You've only got to put some glass in it and give it a bit of a polish up. | 0:38:25 | 0:38:29 | |
40 on the net already. At 40 bid. 5 now. Decent movement. | 0:38:29 | 0:38:33 | |
At 40 bid. 2 now do I see? 42. | 0:38:33 | 0:38:36 | |
We've also got bids on the net. At 42 bid. | 0:38:36 | 0:38:38 | |
And 5 now? 45. Bit of competition. 48 now? 48. | 0:38:38 | 0:38:42 | |
50 I'm bid. 5 now? 55 bid. | 0:38:42 | 0:38:44 | |
-60 now, surely? £60? -He's a good auctioneer. | 0:38:44 | 0:38:48 | |
There's two of you. Surely one of you? Yes, 60. 65 now? At £60 bid. | 0:38:48 | 0:38:53 | |
At £60 bid. 2 now do I see? Looks like that's time out then. | 0:38:53 | 0:38:58 | |
It's going out the door at £60. | 0:38:58 | 0:39:00 | |
£60 is plus £25. | 0:39:00 | 0:39:02 | |
-Happy, boys? -Yeah. -£25 in your back pockets. Marvellous. | 0:39:02 | 0:39:06 | |
Let's hope all goes equally well for the scent bottle. | 0:39:06 | 0:39:09 | |
Lot number 162 | 0:39:09 | 0:39:12 | |
is a very pretty, little, Victorian, cranberry glass scent bottle there. | 0:39:12 | 0:39:16 | |
Really nice rococo top on it. Ought to be £50, £60 at least. | 0:39:16 | 0:39:19 | |
Who's going to start me at £30 for it? £30? 30? 30 I'm bid. | 0:39:19 | 0:39:23 | |
At 30 bid. 2 now? 2. 5 now? 5. | 0:39:23 | 0:39:25 | |
38? 38 bid. 40? 40 bid. 2 now? 42. 45? 45. | 0:39:25 | 0:39:29 | |
48? 48. Bid 50? £50 bid. 5. | 0:39:29 | 0:39:32 | |
Bid 60? 55 bid. 60? At 60 bid. And 5? 65 now? | 0:39:32 | 0:39:36 | |
65 do I see now? 65. Bid 70 now? | 0:39:36 | 0:39:39 | |
68 bid. 70 now? No, 68. Back in the front row at £68 bid. Do I see 70? | 0:39:39 | 0:39:45 | |
68, front row has it. You're out on the net. | 0:39:45 | 0:39:48 | |
We sell then at £68... | 0:39:48 | 0:39:50 | |
68 is minus £2, but it matters not a jot. | 0:39:50 | 0:39:53 | |
You are still plus £23. You've got folding money to go home with. | 0:39:53 | 0:39:57 | |
-Good. -Now, are we going to go with the cigar-cutter? -No, I think we're happy with that. | 0:39:57 | 0:40:03 | |
Yeah. I think we could lose a lot of money on that cigar-cutter. | 0:40:03 | 0:40:08 | |
-I don't want to lose any money now. -I'm not surprised. | 0:40:08 | 0:40:12 | |
-I don't want to have to hurt Charlie. He's already done all right. -Put him in the cage, like? | 0:40:12 | 0:40:17 | |
I don't think it would be a fair match. | 0:40:17 | 0:40:20 | |
-Seriously, you're not going to do it? -No. -You're going to park that old dog. | 0:40:20 | 0:40:25 | |
The decision's made. You've made £23. You're parking your money. | 0:40:25 | 0:40:29 | |
-But we'll sell the bonus buy just for the fun of it. -OK. -Stand by, Charlie. | 0:40:29 | 0:40:34 | |
Who's going to start me at £50 for it? | 0:40:34 | 0:40:36 | |
50? 30 to go then, surely? £30? | 0:40:36 | 0:40:38 | |
- 30? £30, surely? 30? - Someone? | 0:40:38 | 0:40:42 | |
20 to go, surely? | 0:40:42 | 0:40:44 | |
£20 bid. At 20. 2. Bid 5. 25. | 0:40:44 | 0:40:47 | |
28. Bid 30? 30 bid. 32. | 0:40:47 | 0:40:50 | |
35 then? 35. 38. Bid 40. | 0:40:50 | 0:40:54 | |
-It's going on, Charlie. -There's a long way to go. -At 42 bid. 45. | 0:40:54 | 0:40:58 | |
48 now? I've got 45 in the middle of the room. At 45... 48. | 0:40:58 | 0:41:02 | |
Bid 50? 50. And 5? 55. | 0:41:02 | 0:41:05 | |
Bid 60? 60. And 5? 65. Bid 70 now? | 0:41:05 | 0:41:08 | |
-Come on. -70, surely? At 65 bid. Any more now? | 0:41:08 | 0:41:12 | |
In the far corner at 65. | 0:41:12 | 0:41:15 | |
Last call. We're done, finished and going then at £65... | 0:41:15 | 0:41:19 | |
Bad luck, Charlie. It had the momentum there. | 0:41:19 | 0:41:22 | |
That is minus £35, but it matters not a jot. | 0:41:22 | 0:41:26 | |
You preserved your cash, you cunning fellows. | 0:41:26 | 0:41:29 | |
-£23 of profit you have in your pocket. Just don't say a word to the Reds. -OK. -Lovely. Thanks. | 0:41:29 | 0:41:36 | |
Well, teams, everybody happy? You jolly well ought to be. | 0:41:44 | 0:41:48 | |
-Very. -It's been a great day. -Super. | 0:41:48 | 0:41:50 | |
We don't know yet! LAUGHTER | 0:41:50 | 0:41:53 | |
There is a chasm between you and I'll put the runners-up out of their misery. The runners-up are the Reds. | 0:41:53 | 0:41:59 | |
-Aw! -£133-worth of losses, | 0:41:59 | 0:42:03 | |
including £125 down the proverbial on that zither, | 0:42:03 | 0:42:08 | |
which was a difficult thing, really, | 0:42:08 | 0:42:11 | |
so your end score is minus 133 and I'm sorry about that. | 0:42:11 | 0:42:15 | |
-That's fine. -It is difficult, though, when one thing, particularly, takes you down the old Swanee. | 0:42:15 | 0:42:21 | |
Are you looking at me? | 0:42:21 | 0:42:23 | |
-We will blame the person that chose it. -No, you can't blame anybody. | 0:42:23 | 0:42:27 | |
-You've been sports about it. Thanks for coming on the show. -Thank you. | 0:42:27 | 0:42:32 | |
The lucky old Blues are going home with money - £23. They very sensibly didn't go with the bonus buy. | 0:42:32 | 0:42:38 | |
-They preserved their £23. Well done, Danny. Well done, Pete. I hope you enjoyed the experience. -Thank you. | 0:42:38 | 0:42:45 | |
Are you giving your dad £3? | 0:42:45 | 0:42:47 | |
I paid the petrol as well. | 0:42:47 | 0:42:49 | |
-Anyway, congratulations. -That's it, Charlie's the man. | 0:42:51 | 0:42:55 | |
That's very sweet of you. Anyway, good... | 0:42:55 | 0:42:58 | |
-Join us soon for some more bargain hunting, yes? -Yes! | 0:42:58 | 0:43:02 | |
I know, you're sitting there thinking, | 0:43:03 | 0:43:05 | |
"I could have done better than that." | 0:43:05 | 0:43:08 | |
Well, what's stopping you? | 0:43:08 | 0:43:10 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:10 | 0:43:14 | |
It'll be splendid to see you. | 0:43:14 | 0:43:16 |