Browse content similar to Sawbridgeworth 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today we're in Hertfordshire, | 0:00:06 | 0:00:08 | |
just 45 minutes by train to Central London. | 0:00:08 | 0:00:12 | |
So full steam ahead, eh?! | 0:00:12 | 0:00:14 | |
And let's go bargain hunting. Yeah. | 0:00:14 | 0:00:17 | |
We're at Sawbridgeworth in Hertfordshire, a commuter town, | 0:00:43 | 0:00:48 | |
today with our two teams, each with £300 and an hour, just 60 minutes, | 0:00:48 | 0:00:53 | |
to shop for three items apiece to sell away later at auction. | 0:00:53 | 0:00:58 | |
Let's just hope they don't come off the rails. | 0:00:58 | 0:01:01 | |
The Reds look like they're preparing for the worst... | 0:01:04 | 0:01:06 | |
How about at a jaunty angle? | 0:01:06 | 0:01:08 | |
What's a hat without a jaunty angle? | 0:01:08 | 0:01:11 | |
..while the Blues try to outflank their opponents. | 0:01:12 | 0:01:15 | |
You go that way. Tom, go that way. | 0:01:15 | 0:01:17 | |
-Find something. -Right. | 0:01:17 | 0:01:19 | |
So, fighting it out for the Bargain Hunt crown today | 0:01:22 | 0:01:26 | |
we have a father-and-son team for the Reds, Phil and Jamie, | 0:01:26 | 0:01:30 | |
and for the Blues we have Jill and Tom. | 0:01:30 | 0:01:33 | |
-Hello, everyone. -Hello. | 0:01:33 | 0:01:34 | |
Lovely to see you. | 0:01:34 | 0:01:35 | |
-Now, Phil, you're used to all this TV drama lark, aren't you? -A little. | 0:01:35 | 0:01:38 | |
You're a bit of a star yourself. | 0:01:38 | 0:01:40 | |
Not a star, but I've been used to it. | 0:01:40 | 0:01:41 | |
I'm normally the other side of the camera. | 0:01:41 | 0:01:43 | |
-Are you? -Very much. And I quite like it there. | 0:01:43 | 0:01:45 | |
Do you? Do you not like it out here? | 0:01:45 | 0:01:47 | |
I feel very vulnerable out here. | 0:01:47 | 0:01:49 | |
Do you? It's something to do with this pond behind us, I expect. | 0:01:49 | 0:01:52 | |
-It could be. -All that water. | 0:01:52 | 0:01:53 | |
So, what do you get up to, then? | 0:01:53 | 0:01:56 | |
Well, I was in animation. | 0:01:56 | 0:01:57 | |
Had my own studio for 30 years, | 0:01:57 | 0:01:59 | |
so I've done a lot of TV animation for a lot of different broadcasters. | 0:01:59 | 0:02:03 | |
And now I'm illustrating. | 0:02:03 | 0:02:05 | |
-You're very, very good at what you do. -I am OK at it, yes. | 0:02:05 | 0:02:09 | |
Ah, well, there we go. That's the modesty of the man. | 0:02:09 | 0:02:11 | |
-But not as good as the little boy. -Really? -Yeah. | 0:02:11 | 0:02:13 | |
-Is that a fact? -It's true. | 0:02:13 | 0:02:15 | |
So, tell us about your illustrating. | 0:02:15 | 0:02:18 | |
Basically, I illustrate and write children's books and comics, | 0:02:18 | 0:02:21 | |
and I love every second of it, really. | 0:02:21 | 0:02:23 | |
Unless it's creating massive drawing calluses on my hands, | 0:02:23 | 0:02:27 | |
which it has a tendency to do. | 0:02:27 | 0:02:29 | |
But I'm not complaining, I get to draw every day, you know. | 0:02:29 | 0:02:32 | |
-And are you self-employed at this? -Yeah, I'm freelance. | 0:02:32 | 0:02:34 | |
I work for various publishers, so, you know, pretty big publishers and | 0:02:34 | 0:02:38 | |
things, which, you know, I feel really lucky to be able to be doing. | 0:02:38 | 0:02:41 | |
You saw your dad having fun, you thought, "I'm going to have some too." | 0:02:41 | 0:02:44 | |
I was, like, you know, "Why should he get all the fun?" | 0:02:44 | 0:02:46 | |
Quite right. Are you going to agree on anything, do you think, | 0:02:46 | 0:02:49 | |
-when it comes to the shopping? -Uh...no. | 0:02:49 | 0:02:51 | |
-Yes, I think we will. -No. We don't... | 0:02:51 | 0:02:54 | |
Well, we do agree sometimes. Yes, we're looking for silver and stuff. | 0:02:54 | 0:02:57 | |
So, yes, I think that's our...that's our niche. | 0:02:57 | 0:03:00 | |
We'll expect great things from you, boy. Anyway, very good luck. | 0:03:00 | 0:03:03 | |
-Thank you. -Lovely to talk to you. | 0:03:03 | 0:03:05 | |
Now, you two. Tom, how did you first meet? | 0:03:05 | 0:03:08 | |
It was at a Halloween party that was run by Jill for her daughter, | 0:03:08 | 0:03:11 | |
and I had basically forgotten | 0:03:11 | 0:03:14 | |
that we were meant to come in fancy dress. | 0:03:14 | 0:03:16 | |
And ten minutes before I was about to turn up, | 0:03:16 | 0:03:18 | |
remembered it was fancy dress, | 0:03:18 | 0:03:20 | |
and so my mum had the best idea in the world, just go as a girl. | 0:03:20 | 0:03:23 | |
I turned up in a short black dress, pink wig, stuffed bra. | 0:03:23 | 0:03:29 | |
Now, you're a student, Tom. What are you studying? | 0:03:29 | 0:03:31 | |
I'm studying aerospace engineering at University of Coventry. | 0:03:31 | 0:03:35 | |
I've been doing that for two years now. I've got two years left. | 0:03:35 | 0:03:38 | |
-Is that taking off for you? -Oh, yes, very good. | 0:03:38 | 0:03:41 | |
I enjoy it very much. | 0:03:41 | 0:03:43 | |
Now, Jill, it says here that you're a dab hand at floristry. | 0:03:43 | 0:03:46 | |
Yes, I am. | 0:03:46 | 0:03:47 | |
I actually run my own school now, but I started flower arranging | 0:03:47 | 0:03:50 | |
when I was 11, so I've been doing it for 43 years. | 0:03:50 | 0:03:54 | |
No need to own up to everything, I can tell you. | 0:03:54 | 0:03:57 | |
-Some things have to remain precious. -Well, I don't mind. | 0:03:57 | 0:04:00 | |
So, it's not just flowers you design, is it? | 0:04:00 | 0:04:02 | |
No, I actually do balloon artistry as well. | 0:04:02 | 0:04:04 | |
-Do you? -Yes. Would you like to see a sample? | 0:04:04 | 0:04:06 | |
Um...ooh, I don't know about that. | 0:04:06 | 0:04:08 | |
-Well, I'm going to show you one anyway. -Are you? Ooh, she's off. | 0:04:08 | 0:04:11 | |
Look out. Here she comes. | 0:04:11 | 0:04:13 | |
-There we go. -Look! This is...this is... | 0:04:13 | 0:04:15 | |
There we go. This is your friend. | 0:04:15 | 0:04:17 | |
-Mockery. -Uncanny. -Look at that. | 0:04:17 | 0:04:19 | |
What do you mean 'uncanny'? | 0:04:19 | 0:04:22 | |
Just exactly who dreamt this up? | 0:04:22 | 0:04:25 | |
I have a friend who's a twister, and I asked him | 0:04:25 | 0:04:28 | |
a big favour cos I thought you might like to have a little... | 0:04:28 | 0:04:32 | |
-Fun. -A little fun with him. -Exactly. | 0:04:32 | 0:04:33 | |
Well, he certainly is a twister, this friend of yours. | 0:04:33 | 0:04:36 | |
-Yes, he is. -But I like the bow tie, though. Don't you? | 0:04:36 | 0:04:38 | |
-Yes. -He's worked very hard on that. -Yes, yes. | 0:04:38 | 0:04:40 | |
But as for those lips, it looks like a Botox job to me. | 0:04:40 | 0:04:45 | |
But, actually, rather a sweet thing to do. | 0:04:45 | 0:04:48 | |
Just how successful are you going to be with Tom | 0:04:48 | 0:04:50 | |
at this bargain hunting lark? | 0:04:50 | 0:04:52 | |
Oh, I think we're going to be very successful. | 0:04:52 | 0:04:54 | |
-We've got a definite game plan. -We've got a game plan. -Have you? | 0:04:54 | 0:04:57 | |
-What would that be? -Buy cheap. -Buy cheap. -Everything has a price. | 0:04:57 | 0:05:01 | |
I see. Here comes your £300. | 0:05:01 | 0:05:03 | |
£300. £300. | 0:05:03 | 0:05:05 | |
There you go. You know the rules. Your experts await, and off you go! | 0:05:05 | 0:05:09 | |
And very, very, very good luck. | 0:05:09 | 0:05:11 | |
Do you know something? | 0:05:11 | 0:05:13 | |
I feel like going pop. | 0:05:13 | 0:05:14 | |
So, whose expertise are we counting on today? | 0:05:15 | 0:05:18 | |
Keeping a close eye on the Reds, it's Natasha Raskin. | 0:05:19 | 0:05:23 | |
And for the Blues, it's sweet-talking Charlie Ross. | 0:05:25 | 0:05:29 | |
We're here in Sawbridgeworth with a mix of generations. | 0:05:29 | 0:05:33 | |
Who's going to be calling the shots here? | 0:05:33 | 0:05:35 | |
I've got a feeling it's Tom. | 0:05:35 | 0:05:37 | |
We'll see. I'm sure we'll work together quite well. | 0:05:37 | 0:05:39 | |
Phil, Jamie, father and son, a family affair for Bargain Hunt. | 0:05:39 | 0:05:42 | |
-What are we looking for today? -New stuff. | 0:05:42 | 0:05:45 | |
-No, old stuff. -Old, new. Right, OK. | 0:05:45 | 0:05:47 | |
Well, that doesn't bode well, Reds. | 0:05:47 | 0:05:50 | |
I was thinking fairly cheap, | 0:05:50 | 0:05:52 | |
try and, at the very worst, minimise loss. | 0:05:52 | 0:05:54 | |
-But useful things, definitely. -So you want to win. | 0:05:54 | 0:05:56 | |
-I want to win. -And what do you want to do? | 0:05:56 | 0:05:58 | |
Well, I know he wants to win, but I like pretty things. | 0:05:58 | 0:06:01 | |
I want something aesthetically pretty. | 0:06:01 | 0:06:02 | |
I'm going to draw from your enthusiasm. | 0:06:02 | 0:06:05 | |
Let's go look for some bargains. | 0:06:05 | 0:06:07 | |
Full steam ahead! | 0:06:08 | 0:06:10 | |
Right, let's get this show on the railroad, teams. | 0:06:12 | 0:06:15 | |
Let's waste no time at all. Let's get looking. | 0:06:15 | 0:06:18 | |
So, are Jill and family friend Tom confident? | 0:06:18 | 0:06:22 | |
I'm nervous already. But I need to get a move on. | 0:06:22 | 0:06:25 | |
HE BLOWS TROMBONE | 0:06:28 | 0:06:30 | |
Lovely tone, isn't it? | 0:06:30 | 0:06:32 | |
No. And while Charlie's busy blowing his horn, | 0:06:32 | 0:06:35 | |
it looks like Natasha's found something already. | 0:06:35 | 0:06:38 | |
-Is it a powder keg? -Well, it seems to me that it is. | 0:06:38 | 0:06:41 | |
Perhaps its age isn't quite as old as it seems | 0:06:41 | 0:06:45 | |
because it's very, very recently, you know, polished inside. | 0:06:45 | 0:06:48 | |
Of course, it's not been polished, so perhaps it's hardly been used. | 0:06:48 | 0:06:51 | |
-It looks like a dog whistle. -Yeah, it doesn't look like gunpowder's... | 0:06:51 | 0:06:54 | |
I don't think that is used, | 0:06:54 | 0:06:56 | |
but certainly it could be a little bit deceptive. | 0:06:56 | 0:06:58 | |
And when it comes to militaria, the real | 0:06:58 | 0:07:00 | |
collectors are looking for authentic items that were used in the war. | 0:07:00 | 0:07:05 | |
You're right there, Tasha. | 0:07:05 | 0:07:06 | |
That has never seen a battlefield. | 0:07:06 | 0:07:08 | |
Eek. | 0:07:10 | 0:07:12 | |
I think the Reds are on a roll. | 0:07:12 | 0:07:13 | |
There's a lovely pair of Art Nouveau pewter hand-beaten vases here. | 0:07:13 | 0:07:18 | |
Decorative pewter is a lovely alternative to silver | 0:07:18 | 0:07:22 | |
and could well be a nice item for a private buyer. | 0:07:22 | 0:07:25 | |
How do they grab you? | 0:07:25 | 0:07:26 | |
Yeah, I actually really like Art Nouveau. | 0:07:26 | 0:07:28 | |
Like, it's quite a big inspiration for my work and stuff, | 0:07:28 | 0:07:32 | |
so I like the whole beaten look it has to it. | 0:07:32 | 0:07:34 | |
Exactly. Yeah, they're very much in the style of Archibald Knox, | 0:07:34 | 0:07:37 | |
a designer from the beginning of the 20th century, | 0:07:37 | 0:07:39 | |
with whom you'll be familiar from your illustrating inspiration. | 0:07:39 | 0:07:42 | |
But if they don't grab you... And, Phil, I do not think they do. | 0:07:42 | 0:07:45 | |
It's the silver colour you're after, the silver colour. | 0:07:45 | 0:07:48 | |
-No, let's go. -No, let's go! -Yes. | 0:07:48 | 0:07:50 | |
Don't hold back, now, Phil, tell it like it is. | 0:07:50 | 0:07:54 | |
-Tom. -Yeah. -Have a look in here. | 0:07:54 | 0:07:57 | |
There's lots of cheap things here. | 0:07:57 | 0:07:58 | |
Oh, look at this. | 0:07:58 | 0:08:00 | |
This is such a cheap little cabinet. | 0:08:00 | 0:08:02 | |
Music to Tom's ears, that, Charlie. | 0:08:02 | 0:08:04 | |
-Is this going to be up your street? -What's that? -Oh, wow. | 0:08:06 | 0:08:08 | |
You've actually got a hat that is quite similar to that. | 0:08:08 | 0:08:11 | |
Let's have a wee look. | 0:08:11 | 0:08:12 | |
I think you'll be right at home with this. | 0:08:12 | 0:08:14 | |
-Surely it's worth modelling anyway. -This is Japanese, isn't it? | 0:08:14 | 0:08:17 | |
Oh, well, there you go - certainly you're the expert now because... | 0:08:17 | 0:08:20 | |
-Oh, wow. -Do you think it suits me? -I think it's perfect. | 0:08:20 | 0:08:22 | |
How about at a jaunty angle? | 0:08:22 | 0:08:24 | |
What's a hat without a jaunty angle? | 0:08:24 | 0:08:27 | |
OK. Well, that looks good. What do you think? | 0:08:27 | 0:08:29 | |
-Well, I think it's Japanese. -It's left a mark. | 0:08:29 | 0:08:32 | |
THEY LAUGH | 0:08:32 | 0:08:34 | |
-Did you get the mark? -Very Gorbachev. OK. | 0:08:34 | 0:08:37 | |
Gorbachev - now, there was a red. | 0:08:37 | 0:08:39 | |
I think, different to our gunpowder holder, | 0:08:39 | 0:08:41 | |
don't you think this looks a bit more authentic? | 0:08:41 | 0:08:44 | |
-This one, definitely. -I've got a better vibe about this. | 0:08:44 | 0:08:46 | |
-Exactly, yeah. -It's only 35 quid. | 0:08:46 | 0:08:49 | |
It's kind of falling to pieces but could that work in its favour? | 0:08:49 | 0:08:52 | |
It's authentic and it's got a bit of a wartime feel to it | 0:08:52 | 0:08:55 | |
but not in a reproduction way, in an actual "I was there" way. | 0:08:55 | 0:08:58 | |
Yeah, right, cos you don't want a war item which looks like it's just | 0:08:58 | 0:09:01 | |
come off the shelf, you want something with a bit of a scratch. | 0:09:01 | 0:09:04 | |
-Exactly. -Not that this has it. | 0:09:04 | 0:09:05 | |
Let's make an offer on it. I like it. | 0:09:05 | 0:09:07 | |
I think, yeah, we'll get an offer, you know, get a quote, | 0:09:07 | 0:09:10 | |
see what's going on, I think we should. | 0:09:10 | 0:09:12 | |
Time to ask owner Nick if he can help strike a deal. | 0:09:12 | 0:09:15 | |
There he is - Nick. How could you just be there? That's just in time. | 0:09:15 | 0:09:19 | |
We are needing your services | 0:09:19 | 0:09:20 | |
because we've found something on which both father and son agree. | 0:09:20 | 0:09:25 | |
It's £35 and we don't really want to pay £35 cos it's old. | 0:09:25 | 0:09:29 | |
There's quite a lot of damage as well. | 0:09:29 | 0:09:31 | |
Make Nick's life easier. Let's give the dealer a price. | 0:09:31 | 0:09:35 | |
-£5. -OK, let's give the dealer a realistic price. | 0:09:35 | 0:09:38 | |
-OK. -£20. -£25. | 0:09:38 | 0:09:39 | |
I'll try and see what I can do. | 0:09:39 | 0:09:41 | |
-That would be great, if you could. -Not a problem. OK. | 0:09:41 | 0:09:43 | |
-TIM: -Well, it looks like the Reds are close to their first buy, | 0:09:43 | 0:09:46 | |
but what about the Blues? | 0:09:46 | 0:09:47 | |
Anything caught your eye, Jill? | 0:09:47 | 0:09:49 | |
-Clarice Cliff. -Yes. Are you a Clarice Cliff lover? | 0:09:49 | 0:09:52 | |
Hmm. So-so. | 0:09:52 | 0:09:55 | |
No, I can't see anything there. | 0:09:55 | 0:09:57 | |
No. I must admit, nothing's jumping out. | 0:09:57 | 0:10:00 | |
No, no, no. | 0:10:00 | 0:10:02 | |
No. Nah. | 0:10:02 | 0:10:05 | |
No, it's not my type of glass. | 0:10:05 | 0:10:07 | |
-You want something a bit flashier, don't you? -Yes, I do. | 0:10:07 | 0:10:09 | |
Bit of Vaseline or bits of cranberry, something like that. | 0:10:09 | 0:10:12 | |
-That would suit me nicely. -There's cranberry here. | 0:10:12 | 0:10:14 | |
-Do you like cranberry? -Yeah, but not those. | 0:10:14 | 0:10:16 | |
THEY LAUGH | 0:10:16 | 0:10:18 | |
"I want a bit of cranberry." "Here's a bit of cranberry." | 0:10:18 | 0:10:21 | |
Oh, dear. You've got your work cut out with that one, Charlie. | 0:10:21 | 0:10:24 | |
-Nick. -Good news for us? -Good news. | 0:10:24 | 0:10:26 | |
-Yes, indeed. 25, the dealer said. -25! | 0:10:26 | 0:10:31 | |
I would go for that. Would you go for that? | 0:10:31 | 0:10:33 | |
25's what we said upstairs. | 0:10:33 | 0:10:35 | |
OK, deal done. We'll take it. | 0:10:35 | 0:10:38 | |
-Yeah. -OK? -No, I'm happy with that. -Good. | 0:10:38 | 0:10:39 | |
Well done, Reds. Your first item, a rusty old helmet for 25 smackers. | 0:10:39 | 0:10:45 | |
Now, are the Blues about to splash the cash, too? | 0:10:45 | 0:10:47 | |
What about these over here? The little silver... | 0:10:47 | 0:10:50 | |
Is it silver-handled tweezers? | 0:10:50 | 0:10:52 | |
I know why you looked at those. | 0:10:52 | 0:10:54 | |
They're under £10. Yes, of course. | 0:10:54 | 0:10:56 | |
-Nine quid. -£9. | 0:10:56 | 0:10:59 | |
Tell you what, though, they are silver. | 0:10:59 | 0:11:02 | |
To buy anything hallmarked silver for less than a tenner... | 0:11:02 | 0:11:05 | |
-Can't really go wrong, can you? -The boy's...on fire. | 0:11:05 | 0:11:09 | |
-You don't sound too enthusiastic. -No, no, no, no, no. No, no. Come on. | 0:11:09 | 0:11:12 | |
-Come on, Jill, spice it up. -We need to definitely have a look. | 0:11:12 | 0:11:15 | |
-Yes. -Tweezers, eh? | 0:11:15 | 0:11:17 | |
I don't know about plucking hairs, this is like pulling teeth. | 0:11:17 | 0:11:20 | |
Come along, now, Jill. | 0:11:20 | 0:11:22 | |
-There they are. -There we go. Now, let's have a look. | 0:11:22 | 0:11:26 | |
They're certainly silver and they're Birmingham. They're 1931. | 0:11:26 | 0:11:31 | |
It's a very nice handle. What do you think, Tom? Handle the object. | 0:11:31 | 0:11:36 | |
-It feels nice. Is that something that you wanted to... -I like it. | 0:11:36 | 0:11:39 | |
Yeah. You think that's going to be towards the pin? | 0:11:39 | 0:11:42 | |
Yep, I think so. Definitely. | 0:11:42 | 0:11:44 | |
£9 is a lot of money to you, isn't it? | 0:11:44 | 0:11:47 | |
Yeah. Oh, yeah, student. Student living. | 0:11:47 | 0:11:49 | |
This is a man who can work wonders. | 0:11:49 | 0:11:51 | |
I mean, 8.99 would be good, wouldn't it? | 0:11:51 | 0:11:54 | |
THEY LAUGH | 0:11:54 | 0:11:56 | |
Well, every penny counts, Charlie. | 0:11:56 | 0:11:57 | |
Let's hope Nick can get a better price. | 0:11:57 | 0:12:00 | |
Now, what have the Reds been drawn to? | 0:12:00 | 0:12:02 | |
-What is this? -Oh, wow. | 0:12:02 | 0:12:04 | |
An illustrated Victorian child's book. Jamie. | 0:12:04 | 0:12:07 | |
-That is quite cool, Dad. -That looks nice. | 0:12:07 | 0:12:09 | |
What do you think of this? That's great. | 0:12:09 | 0:12:11 | |
-Should we ask if we can have a look? -Yeah. That is... I do act... | 0:12:11 | 0:12:14 | |
Go, Jamie, you have a go first. | 0:12:14 | 0:12:15 | |
-Straight to you, OK. -Let's have a look inside. | 0:12:15 | 0:12:17 | |
Look at these. These drawings are lovely. | 0:12:17 | 0:12:19 | |
Yes, this is cool. I like it. | 0:12:19 | 0:12:20 | |
So, are these offset lithographs? Is that probably... | 0:12:20 | 0:12:23 | |
-I think they are. -It looks it, yeah. | 0:12:23 | 0:12:25 | |
But you know what? | 0:12:25 | 0:12:26 | |
I think I'd like this more than the general public would like this. | 0:12:26 | 0:12:31 | |
Yeah, cos we have the interest in the subject. | 0:12:31 | 0:12:34 | |
There is a scribble towards the back. | 0:12:34 | 0:12:36 | |
At the back? It's over one of the actual... | 0:12:36 | 0:12:38 | |
Oh, there we go. Looks like a child has actually got a hold of it. | 0:12:38 | 0:12:41 | |
-Exactly. -That is a real shame cos that is cool. | 0:12:41 | 0:12:44 | |
But, certainly, right up your street. | 0:12:44 | 0:12:46 | |
No. Yeah, it's good. Glad we saw it, though. It's nice. | 0:12:46 | 0:12:48 | |
It's a real shame it's got that condition. | 0:12:48 | 0:12:50 | |
But bearing in mind that we're coming up towards a half-hour mark, | 0:12:50 | 0:12:53 | |
I think we need to get cracking. | 0:12:53 | 0:12:56 | |
Great spot, there, Natasha. That's got them animated. | 0:12:56 | 0:12:59 | |
MUSIC: "Take On Me" by A-ha | 0:12:59 | 0:13:03 | |
Aha, I think this is some tweezer news for the Blues. | 0:13:16 | 0:13:20 | |
-So, how much? -There wasn't a lot in it, but we can do it for 8.50. | 0:13:20 | 0:13:24 | |
-Well, I... -8.50. Can you cope with... | 0:13:24 | 0:13:26 | |
-I'm happy with that. -Are you? -8.50. It's better than nine. | 0:13:26 | 0:13:29 | |
Splendid. Thank you. | 0:13:29 | 0:13:31 | |
-Thank you very much. -Thank you very much. Thank you. | 0:13:31 | 0:13:33 | |
You said you'd get something for less than a tenner. | 0:13:33 | 0:13:36 | |
-Oh, yes, I'm very happy with that. -And you have. -There you go. | 0:13:36 | 0:13:38 | |
Last of the big spenders, that Tom. | 0:13:38 | 0:13:40 | |
But he's true to his word, I'll give him that. | 0:13:40 | 0:13:43 | |
-What's that lamp? -I do like the mining lamp, it's quite cool. | 0:13:43 | 0:13:45 | |
You like the mining lamp? It's quite nice. | 0:13:45 | 0:13:47 | |
They're both £30, but they'd make quite a nice pair. | 0:13:47 | 0:13:50 | |
Seeing as we have this opportunity to maybe do a deal for the two, | 0:13:50 | 0:13:53 | |
putting them together, it doesn't dilute the lot, | 0:13:53 | 0:13:56 | |
I think it only bolsters it. A nice pair, mismatching, but a nice group. | 0:13:56 | 0:14:00 | |
-What do you think? -Well, you've sold me. -Yeah. | 0:14:00 | 0:14:03 | |
I think he's seen the light, Natasha. | 0:14:03 | 0:14:05 | |
But what can the dealer tell us? | 0:14:05 | 0:14:07 | |
Well, the first one here, the silver-coloured one, | 0:14:07 | 0:14:10 | |
that's got a name underneath - Admiral. | 0:14:10 | 0:14:12 | |
-I've had it polished, actually. -It looks great. It looks great. | 0:14:12 | 0:14:15 | |
-And we've got the other, the kerosene lamp. -Which I left as is. | 0:14:15 | 0:14:18 | |
As is. I think a little bit more rustic appeal. | 0:14:18 | 0:14:20 | |
I like it. I like stuff with a story to it. | 0:14:20 | 0:14:22 | |
Feels, you know, you can imagine a miner going into the mine. | 0:14:22 | 0:14:25 | |
-Social history. -Yeah, exactly. | 0:14:25 | 0:14:26 | |
Well, you're not alone there, Jamie, there's a rich seam of collectors, | 0:14:26 | 0:14:29 | |
some paying over £1,000 for rarer examples. | 0:14:29 | 0:14:33 | |
What chance is there of us getting the two of them for 30 quid? | 0:14:33 | 0:14:37 | |
-No, definitely not. -What are you trying to say? | 0:14:37 | 0:14:40 | |
You'll be getting a shiner in a minute, Phil. | 0:14:40 | 0:14:42 | |
-He's got a family to feed. -That's right, yes. | 0:14:42 | 0:14:45 | |
-Let's try and meet halfway. -Hold on, hold on, hold on. Is that a no? | 0:14:45 | 0:14:49 | |
15 grandchildren, 25 great-grandchildren and three wives. | 0:14:49 | 0:14:54 | |
Three wives only?! Poor soss. | 0:14:54 | 0:14:56 | |
-Phil, putting you to shame. -40? | 0:14:56 | 0:14:58 | |
No. I've got 30 on each. 45 is my best offer. | 0:14:58 | 0:15:03 | |
I think you've been a real gentleman. I would go along with it. | 0:15:03 | 0:15:05 | |
-Would you go along with it? -That's really good. | 0:15:05 | 0:15:07 | |
-Can I have the silver one and you have the dirty one? -I'm more than happy with that. | 0:15:07 | 0:15:11 | |
-Absolutely. If it gets things moving. -Thank you very much. | 0:15:11 | 0:15:13 | |
That's great. Cheers. | 0:15:13 | 0:15:14 | |
With two items in the old bag, | 0:15:14 | 0:15:16 | |
the Reds can see the light at the end of the tunnel. | 0:15:16 | 0:15:20 | |
But what have the Blues dug up? | 0:15:20 | 0:15:21 | |
What about that for a...floral delight? | 0:15:21 | 0:15:26 | |
You could whack a few of your flowers in there. | 0:15:26 | 0:15:29 | |
-Oh, my gosh. -Isn't that impressive? | 0:15:29 | 0:15:31 | |
-It is impressive. -It's not cut glass, I grant you. | 0:15:31 | 0:15:34 | |
-No, no. -But, you know, the asking price is £36. It's huge. | 0:15:34 | 0:15:37 | |
So how old would that be? | 0:15:37 | 0:15:38 | |
Gosh, that is difficult to date. 1950s. | 0:15:38 | 0:15:41 | |
You know, although it's pressed glass and not cut, | 0:15:41 | 0:15:43 | |
I think it's pretty impressive. | 0:15:43 | 0:15:46 | |
-It looks nice. -Like a Corinthian column here. | 0:15:46 | 0:15:49 | |
And I like that...top. | 0:15:49 | 0:15:52 | |
-Oh, my gosh, it's heavy, isn't it? -What do you think, Tom? | 0:15:52 | 0:15:55 | |
You probably hate it, Tom, because it's more than £8.50. | 0:15:55 | 0:15:58 | |
-Don't drop it. -It is nice. | 0:15:58 | 0:16:00 | |
It's very decorative, I like the style of it. | 0:16:00 | 0:16:03 | |
It isn't something that I would normally go for, I must admit. | 0:16:03 | 0:16:06 | |
But to somebody else it could be valuable. | 0:16:06 | 0:16:09 | |
I was just trying to sort of, you know, badger you into something. | 0:16:09 | 0:16:12 | |
-Yes. -It's not worth phoning the owner, is it? | 0:16:12 | 0:16:14 | |
-WOMAN: -I could... -Could you? -Yeah. | 0:16:14 | 0:16:16 | |
Give it a try, my dear. | 0:16:16 | 0:16:18 | |
Well, with that kind of enthusiasm from Jill, | 0:16:19 | 0:16:22 | |
I think you've done well, Charlie. | 0:16:22 | 0:16:24 | |
Not long left now and the Reds are feeling the pressure. | 0:16:24 | 0:16:27 | |
Oh, come on, we're going to run out of time. | 0:16:27 | 0:16:29 | |
We're going to run out of time. | 0:16:29 | 0:16:31 | |
What are you going to tell them? | 0:16:32 | 0:16:33 | |
Well, I managed to get hold of the dealer | 0:16:33 | 0:16:35 | |
and she's in a very good mood, and she said 25. | 0:16:35 | 0:16:38 | |
-Ooh. -Oh. Is that all right for you? | 0:16:38 | 0:16:42 | |
-That is perfect. -I mean, frankly... -I think...I think... | 0:16:42 | 0:16:44 | |
-Are we all go? -Yes. Are we going for it? -Yeah, we have to. | 0:16:44 | 0:16:46 | |
-Yes. -Can't be any downside. -No. Well done. | 0:16:46 | 0:16:48 | |
-Put it there, darling. Put it there. -Thank you so much. | 0:16:48 | 0:16:50 | |
-Thank you very much. -Thank you very much. -Lovely. Thank you. | 0:16:50 | 0:16:53 | |
Two down and we've still spent less than 35 quid. | 0:16:53 | 0:16:57 | |
Looks like you'll have a lorra lolly left over there, then, Charlie. | 0:16:57 | 0:17:01 | |
Right, how long have we got left, then, Natasha? | 0:17:01 | 0:17:04 | |
-Seven minutes. Not long. Seven minutes. -Seven minutes! | 0:17:04 | 0:17:07 | |
I know, I know. OK. So, what are we thinking? | 0:17:07 | 0:17:09 | |
This looks like quality stuff here. | 0:17:09 | 0:17:11 | |
There's loads of silver here. | 0:17:11 | 0:17:13 | |
Look, all over. And some writing stuff. | 0:17:13 | 0:17:14 | |
Oh, yeah. OK, so, you're interested in pen and ink | 0:17:14 | 0:17:17 | |
-because we know you use it every day of your lives. -That's right. | 0:17:17 | 0:17:19 | |
OK. So, what do you think about this papier-mache ink stand? | 0:17:19 | 0:17:23 | |
Yeah, it's cool. So, it's made out of papier-mache? | 0:17:23 | 0:17:25 | |
Yeah, it's very finely done. | 0:17:25 | 0:17:27 | |
Now, it looks to be in quite good condition | 0:17:27 | 0:17:28 | |
and the tag does say that it's been restored on the paintwork. | 0:17:28 | 0:17:33 | |
So 158. | 0:17:33 | 0:17:34 | |
It's mid-19th century, it's very much for a lady, isn't it? | 0:17:34 | 0:17:38 | |
It's a lady's thing. I don't know. | 0:17:38 | 0:17:40 | |
What do you feel about the feminine touch? | 0:17:40 | 0:17:42 | |
Oh, it doesn't worry me, no. | 0:17:42 | 0:17:44 | |
Should we ask for a quote list? | 0:17:44 | 0:17:46 | |
Go on. Let's see if we can get him to come along and... | 0:17:46 | 0:17:49 | |
-Yeah, yeah, yeah. -OK. Let's do it. Nick. | 0:17:49 | 0:17:51 | |
Now, it looks like the penny's finally dropped for Jill. | 0:17:51 | 0:17:56 | |
Charlie! We've only got seven minutes left to find something! Quick! | 0:17:56 | 0:18:01 | |
What do you mean, find something?! | 0:18:01 | 0:18:03 | |
I find lots of things, you don't like them. | 0:18:03 | 0:18:05 | |
-OK. Well, we've got... -You go that way. Tom, go that way. | 0:18:05 | 0:18:09 | |
-This way. -Find something. | 0:18:09 | 0:18:10 | |
There's nothing like a bit of blind panic | 0:18:10 | 0:18:13 | |
to focus the mind, eh, Charlie? | 0:18:13 | 0:18:15 | |
That's fine. OK, why don't one of you take it? | 0:18:15 | 0:18:18 | |
-Go on, Jamie. -Let me take that off here. | 0:18:18 | 0:18:21 | |
-That looks beautiful. -That's really cool. | 0:18:21 | 0:18:23 | |
Now you can get a real feel for it and get a look at it. | 0:18:23 | 0:18:26 | |
And, let's see, is this a wee blotter? | 0:18:26 | 0:18:28 | |
-Or is this a little space... -Yeah, take out the middle one. | 0:18:28 | 0:18:31 | |
-Whoa! -Lovely. There's a wee space, yeah. -Paperclips and... | 0:18:31 | 0:18:34 | |
So, for all of your accessories for writing, | 0:18:34 | 0:18:37 | |
obviously space for the pen. | 0:18:37 | 0:18:39 | |
-May I have a look? -Absolutely. | 0:18:39 | 0:18:41 | |
What could you do this for? | 0:18:41 | 0:18:43 | |
She can go down to 132. | 0:18:43 | 0:18:45 | |
Oh! OK. | 0:18:45 | 0:18:47 | |
That's the ballpark we were talking. | 0:18:47 | 0:18:50 | |
We've probably got about 32 seconds left on the clock, | 0:18:50 | 0:18:52 | |
so what do you think? | 0:18:52 | 0:18:53 | |
-No, let's go and find something else. -Yeah, yeah. -Oh, no! | 0:18:53 | 0:18:56 | |
No, that sounds like a good deal. | 0:18:56 | 0:18:57 | |
-Oh, finally. Hallelujah. -Yeah, I'm happy with that. Yeah. | 0:18:57 | 0:19:00 | |
So, without a moment to spare, | 0:19:00 | 0:19:02 | |
the Reds have got their third and final item. | 0:19:02 | 0:19:04 | |
It's just down to the Blues now. | 0:19:04 | 0:19:06 | |
Come back. I've found something a bit more expensive. | 0:19:14 | 0:19:16 | |
-What?! -I've found something a bit more expensive. | 0:19:16 | 0:19:18 | |
-Much more than £8.50? -Yeah. How about the bridge pencils there? | 0:19:18 | 0:19:21 | |
-Are they silver? They ARE silver. -Yeah. | 0:19:21 | 0:19:24 | |
-In their box. -Set of four sterling silver bridge pencils. | 0:19:24 | 0:19:28 | |
-They look very nice. Can we get a key? Two minutes. -Two minutes. | 0:19:28 | 0:19:31 | |
No panic, Christine, no panic. Slide that door open, Christine. | 0:19:31 | 0:19:34 | |
Chuck these pens out. Let's have a look. I'll look at them, chaps. | 0:19:34 | 0:19:37 | |
-Yeah. -So, what's wrong with them? | 0:19:37 | 0:19:39 | |
-Right, they're silver. Ah. -Oh. | 0:19:39 | 0:19:42 | |
Now, a really good set of these will have | 0:19:42 | 0:19:46 | |
enamel inlaid club, heart, spade... | 0:19:46 | 0:19:49 | |
-They're just painted on, aren't they? -..diamond. | 0:19:49 | 0:19:52 | |
And these are on in little transfers. | 0:19:52 | 0:19:55 | |
-This is a bit controversial, chaps. -Right. | 0:19:55 | 0:19:58 | |
They've got £40 down there. | 0:19:58 | 0:20:00 | |
I would still, as we've run out of time, | 0:20:00 | 0:20:03 | |
buy these and actually take these marks off completely | 0:20:03 | 0:20:08 | |
and sell them as four sterling silver propelling pencils. | 0:20:08 | 0:20:12 | |
They could still be bridge pencils, if you wanted. | 0:20:12 | 0:20:15 | |
They can still use them, | 0:20:15 | 0:20:16 | |
but they're really nice, they're in a case and, frankly, | 0:20:16 | 0:20:20 | |
we haven't got any time. | 0:20:20 | 0:20:21 | |
-OK. -Christine, my darling. We want to pay 30 quid for these. | 0:20:21 | 0:20:25 | |
-Please, please. -How about 32? -Yes! | 0:20:25 | 0:20:28 | |
-Yeah, 32. Yes, yes. -I've made a decision. 32. | 0:20:28 | 0:20:31 | |
I think the team are meant to say that, Charlie. | 0:20:31 | 0:20:33 | |
-There we go. -Excellent. -I'm going to have to pay the difference myself. | 0:20:33 | 0:20:36 | |
Time's up. No, no, no. | 0:20:36 | 0:20:37 | |
I'll send you an enormous cheque for the difference. | 0:20:37 | 0:20:40 | |
Well, that's it, folks, the 60 minutes are up. | 0:20:40 | 0:20:43 | |
Let's find out what the Red team bought, eh? | 0:20:43 | 0:20:45 | |
So, our Red team spent their first £25 on this tommy helmet. | 0:20:47 | 0:20:52 | |
They took a shine to the two miner's lamps for £45. | 0:20:54 | 0:20:59 | |
And, finally, the two illustrators spent 132 notes | 0:21:00 | 0:21:05 | |
on this papier-mache desk stand. | 0:21:05 | 0:21:07 | |
You've not left me very much, but something there to work with. | 0:21:07 | 0:21:10 | |
-Just exactly how much is there left? -There's £98 left. | 0:21:10 | 0:21:14 | |
-Really? You spent 202? -202. I think we had a good day. | 0:21:14 | 0:21:17 | |
That is such a mature amount of money. | 0:21:17 | 0:21:19 | |
-Oh, thank you. We're a mature team. -Yes. | 0:21:19 | 0:21:22 | |
So, which is your favourite piece, James? | 0:21:22 | 0:21:24 | |
I think... | 0:21:24 | 0:21:25 | |
It sounds stupid, but the helmet, | 0:21:25 | 0:21:27 | |
just cos it left a nice mark around my dad's head. | 0:21:27 | 0:21:30 | |
-It was quite a nice touch, yeah. -Yeah, that's nice, isn't it? | 0:21:30 | 0:21:33 | |
-But that's that little bit of, you know... -Comedy value. | 0:21:33 | 0:21:36 | |
..that you need, isn't it? | 0:21:36 | 0:21:38 | |
That's your favourite favourite. Which is going to bring the biggest profit, Philip? | 0:21:38 | 0:21:41 | |
-We're pretty sure the lanterns. -The lanterns, yeah. | 0:21:41 | 0:21:44 | |
Even though Jamie picked them. | 0:21:44 | 0:21:47 | |
We've got the £98, please, somewhere. | 0:21:47 | 0:21:49 | |
-Yes, I put them away. -Thanks very much. Bit more coming. | 0:21:49 | 0:21:52 | |
I've got a bit more. There you go. I think you've got it all now. | 0:21:52 | 0:21:56 | |
Dear, oh, dear. We'll have a numbers check on this in a minute. | 0:21:56 | 0:21:59 | |
Look at all this handful of shrapnel. | 0:21:59 | 0:22:01 | |
-Thank you. -You'll weigh the poor girl down. | 0:22:01 | 0:22:03 | |
-She won't know whether she's coming or going. -Thank you. | 0:22:03 | 0:22:05 | |
So, with your £98, Natasha, what are you going to do? | 0:22:05 | 0:22:09 | |
Well, I'm going to try my hardest, that's what I'm going to do. | 0:22:09 | 0:22:12 | |
Bearing in mind that we saw a few things that we liked | 0:22:12 | 0:22:14 | |
but then we didn't get a chance to go back to, bearing in mind we never | 0:22:14 | 0:22:17 | |
saw this whole place, I think that there's a lot to work with. | 0:22:17 | 0:22:20 | |
It is vast, isn't it? | 0:22:20 | 0:22:21 | |
Which is what's so fun, because you'll go round a wee corner | 0:22:21 | 0:22:24 | |
and then you'll come across something that you've not seen | 0:22:24 | 0:22:27 | |
and you'll get a really nice, warm feeling. | 0:22:27 | 0:22:29 | |
-Very much so, yeah. -We've had plenty of those today. | 0:22:29 | 0:22:31 | |
-Yes. -What, warm feelings? -Pleasant, warm feelings. | 0:22:31 | 0:22:34 | |
THEY LAUGH | 0:22:34 | 0:22:36 | |
Why don't we now check out what the Blue team bought, eh? | 0:22:36 | 0:22:39 | |
The Blues plucked £8.50 out of their wallet | 0:22:39 | 0:22:43 | |
for this pair of silver tweezers. | 0:22:43 | 0:22:46 | |
They spent £25 on the moulded glass pedestal bowl. | 0:22:46 | 0:22:50 | |
And just had time to pick up | 0:22:52 | 0:22:54 | |
a set of sterling silver bridge pencils for £32. | 0:22:54 | 0:22:58 | |
What a pair of spendthrifts you are. | 0:22:59 | 0:23:01 | |
Do I interpret that you didn't spend so much? | 0:23:02 | 0:23:06 | |
We may have edged on the cheaper side of things. | 0:23:06 | 0:23:10 | |
Just how cheap are you? | 0:23:10 | 0:23:12 | |
Well, £65.50 in total. | 0:23:12 | 0:23:16 | |
£65.50? | 0:23:16 | 0:23:19 | |
-He's a student, he's not used to spending money. -No. | 0:23:19 | 0:23:22 | |
I don't know what Charlie Ross is going to make of this, I'm sure. | 0:23:22 | 0:23:24 | |
-I'm going to have a field day. -You certainly are. | 0:23:24 | 0:23:27 | |
You could buy most of the antique centre for the leftover lolly, | 0:23:27 | 0:23:30 | |
which would be 23... | 0:23:30 | 0:23:33 | |
4.50. | 0:23:33 | 0:23:34 | |
234.50. OK, fine. | 0:23:34 | 0:23:36 | |
Which is your favourite piece out of that measly selection? | 0:23:36 | 0:23:38 | |
-I'm going to have to say the vase. -The vase. Do you agree with that, Tom? | 0:23:38 | 0:23:41 | |
I will go... I like the tweezers. | 0:23:41 | 0:23:43 | |
-They were cheap. -Very good. -Very good. -Well, they need to be. | 0:23:43 | 0:23:46 | |
We'll run with this. Thank you very much. | 0:23:46 | 0:23:48 | |
I'll have a fistful of cash. Thank you very much. | 0:23:48 | 0:23:50 | |
-And the change. -And the change. Thank you very much. | 0:23:50 | 0:23:52 | |
And that goes with it. 50p. Across to Charlie Ross. | 0:23:52 | 0:23:56 | |
And I can't think of a better person to go and spend the lot. | 0:23:56 | 0:24:00 | |
-Yes? -Absolutely. -Maybe. -No tweezers. | 0:24:00 | 0:24:03 | |
No, no. | 0:24:03 | 0:24:05 | |
Everything's been plucked to perfection. | 0:24:05 | 0:24:08 | |
OK, on that happy note, | 0:24:08 | 0:24:10 | |
I'm going to shove off and show you something really rather tinny. | 0:24:10 | 0:24:13 | |
Do you sometimes wish that these objects could tell their story? | 0:24:19 | 0:24:24 | |
Well, I'm slightly feeling that about this rather dull-looking rusty | 0:24:24 | 0:24:30 | |
tin box, except this one is not | 0:24:30 | 0:24:34 | |
a standard Victorian solicitor's deed box. | 0:24:34 | 0:24:37 | |
If you look at the outside, for a kick-off, | 0:24:37 | 0:24:40 | |
that lock is really rather special. | 0:24:40 | 0:24:43 | |
It's a substantial lock, | 0:24:43 | 0:24:45 | |
far more than you would need simply to lock up some old paperwork. | 0:24:45 | 0:24:49 | |
And when you open it up, | 0:24:49 | 0:24:51 | |
apart from having this dazzling turquoise japanned interior, | 0:24:51 | 0:24:58 | |
it's got a very strange arrangement | 0:24:58 | 0:25:00 | |
with these green velvet-covered blobs. | 0:25:00 | 0:25:05 | |
If you fiddle around inside, there's a couple of levers. | 0:25:05 | 0:25:08 | |
Open up the levers and, hey presto, | 0:25:08 | 0:25:11 | |
the whole front of the thing flops down like that. | 0:25:11 | 0:25:14 | |
So you can get in from the front, you can get in from the top. | 0:25:14 | 0:25:18 | |
All with these protective velvet-covered blobs. | 0:25:18 | 0:25:22 | |
And, painted out here at the back, | 0:25:22 | 0:25:25 | |
is a plaque which tells us all about the maker. | 0:25:25 | 0:25:29 | |
It says Ladies Airtight Patent Hat Box. | 0:25:29 | 0:25:33 | |
So we have a maker who comes from India, from the town of Mooltan, | 0:25:34 | 0:25:41 | |
which is in the Punjab, not far from Lahore, that was making this | 0:25:41 | 0:25:47 | |
sort of specialised tin box, and that would be around, I guess, | 0:25:47 | 0:25:52 | |
1880 to 1910. | 0:25:52 | 0:25:54 | |
Now, is that a rare survival? It sure is a rare survival. | 0:25:54 | 0:25:59 | |
I've found that the price of this very rare piece of Raj baggage is | 0:25:59 | 0:26:05 | |
only, to you and me, £60. | 0:26:05 | 0:26:09 | |
And that's not many rupees. | 0:26:09 | 0:26:10 | |
Well, how lovely is this? | 0:26:22 | 0:26:23 | |
High Road Auctions, on Chiswick High Street, | 0:26:23 | 0:26:27 | |
and Ross Mercer, the ideal package. | 0:26:27 | 0:26:29 | |
-How are you, Ross? -Very well, Tim. Very well. | 0:26:29 | 0:26:31 | |
Lovely to be here. | 0:26:31 | 0:26:33 | |
Now, the Reds have gone with a strange mixture. The tommy helmet. | 0:26:33 | 0:26:37 | |
Yes, post-war, we think. It's a bit of fun. | 0:26:39 | 0:26:42 | |
Someone who likes a bit of dressing up at the weekend, Tim. | 0:26:42 | 0:26:45 | |
Mmm. Well, it wouldn't suit me, I have to say. | 0:26:45 | 0:26:48 | |
But there we are. What's it worth? | 0:26:48 | 0:26:51 | |
We've said £20 to £40. Decorative item. | 0:26:51 | 0:26:53 | |
I've seen them made into table lamps, shades, all kinds of things. | 0:26:53 | 0:26:59 | |
So someone with a bit of an arty streak will do something with it. | 0:26:59 | 0:27:03 | |
Yes. And our lot paid £25 for it. | 0:27:03 | 0:27:06 | |
Next, bit of industrial look. | 0:27:06 | 0:27:08 | |
That's right. Yeah, a bit of fun. | 0:27:08 | 0:27:10 | |
There are a lot of collectors for early mining equipment | 0:27:10 | 0:27:14 | |
and paraphernalia, so the electric one is quite a rare one mil. | 0:27:14 | 0:27:18 | |
And how much? | 0:27:18 | 0:27:19 | |
Well, we've said £20 to £40, which is a real 'come and get me' estimate. | 0:27:19 | 0:27:23 | |
£45 was the price paid by Phil and Jamie. | 0:27:23 | 0:27:27 | |
And they're illustrators and they've got a very sharp eye | 0:27:27 | 0:27:30 | |
when it comes to this stuff. | 0:27:30 | 0:27:32 | |
-Yes, yes. -Which, presumably, drew them into the papier-mache encrier. | 0:27:32 | 0:27:35 | |
Which, I have to say, is not my favourite object. | 0:27:35 | 0:27:37 | |
Mine, neither, I'm afraid. | 0:27:37 | 0:27:39 | |
Decorative to someone who likes that mid-19th-century look to their study. | 0:27:39 | 0:27:44 | |
Yes. | 0:27:44 | 0:27:46 | |
But more style than substance, we think. | 0:27:46 | 0:27:48 | |
Seems to me that when you see the real gilding on this papier-mache, | 0:27:48 | 0:27:53 | |
if it's by Clay's or Jennens and Bettridge, you know, | 0:27:53 | 0:27:55 | |
one of the good makers, it's incredibly fine. | 0:27:55 | 0:27:58 | |
This looks really crude. | 0:27:58 | 0:27:59 | |
Has it been later painted, do you think, or is the whole thing later? | 0:27:59 | 0:28:02 | |
The whole thing is later, | 0:28:02 | 0:28:04 | |
and I suspect the last quarter of the 20th century. | 0:28:04 | 0:28:07 | |
-Oh, lordy. -It's about as Victorian as I am, Tim. | 0:28:07 | 0:28:09 | |
How much? | 0:28:09 | 0:28:11 | |
Well, we've stuck out our neck a little bit, £40 to £60. | 0:28:11 | 0:28:15 | |
Cos our lot paid £132. | 0:28:15 | 0:28:16 | |
I'm a hard man to please, I'm afraid. | 0:28:16 | 0:28:19 | |
This is shocking news. | 0:28:19 | 0:28:21 | |
This has torpedoed their chances if you're right, Ross, | 0:28:21 | 0:28:23 | |
and they're definitely going to need their bonus buy, | 0:28:23 | 0:28:25 | |
so let's go and have a look at it. | 0:28:25 | 0:28:27 | |
Jamie, Phil, this is the big moment. | 0:28:27 | 0:28:30 | |
What happened to your £98? | 0:28:30 | 0:28:32 | |
-What, indeed? -OK, Natasha, let's have a look. | 0:28:32 | 0:28:35 | |
I want silver, I want silver, | 0:28:35 | 0:28:37 | |
but I got you some pewter twin-handled vases. | 0:28:37 | 0:28:42 | |
-Do you remember these? -I do, actually. -Yes, yes. | 0:28:42 | 0:28:44 | |
-They've come back. -Come back to haunt us. | 0:28:44 | 0:28:45 | |
-Do you have fond memories of them? -No, I do, actually, yeah. | 0:28:45 | 0:28:48 | |
These are the ones I hated, aren't they? | 0:28:48 | 0:28:50 | |
Yeah, I think maybe. Yeah. No, I really liked them. | 0:28:50 | 0:28:53 | |
No, I think they're really cool. | 0:28:53 | 0:28:54 | |
I think they're beautiful. I think they're really decorative. | 0:28:54 | 0:28:57 | |
One each, you know, kind of like one for father, one for son. | 0:28:57 | 0:29:00 | |
So, how old are these? | 0:29:00 | 0:29:02 | |
I think that they're Art Nouveau, slightly later probably. | 0:29:02 | 0:29:04 | |
I don't think they're exactly turn of the century, but I'd say they're | 0:29:04 | 0:29:07 | |
something like maybe 1930s, '40s, something like that, slightly later. | 0:29:07 | 0:29:11 | |
So harking back to Art Nouveau. | 0:29:11 | 0:29:12 | |
So, how much have you spent on it? | 0:29:12 | 0:29:14 | |
I spent £70 on them. | 0:29:14 | 0:29:16 | |
Will it actually increase the value, having the two of them? | 0:29:16 | 0:29:18 | |
Definitely. A nice pair. You know, everyone likes a nice pair, so... | 0:29:18 | 0:29:21 | |
-They do. -Drink in twos, you know. -Yeah. | 0:29:21 | 0:29:23 | |
Anyway, there we go. | 0:29:23 | 0:29:25 | |
Family differences aside, right now let's find out what the auctioneer | 0:29:25 | 0:29:29 | |
thinks about the pair of vases. | 0:29:29 | 0:29:31 | |
There we go. You could take off in these, Ross. | 0:29:33 | 0:29:36 | |
You could, yes. | 0:29:36 | 0:29:37 | |
They have a feel of early space travel, almost, don't they? | 0:29:37 | 0:29:41 | |
Yeah. OK. Well, I don't know about you, | 0:29:41 | 0:29:44 | |
but this sort of hammered pewter is never easy to sell. | 0:29:44 | 0:29:48 | |
It's not. Only a few designers have fared well. | 0:29:48 | 0:29:52 | |
People like Archibald Knox, of course. | 0:29:52 | 0:29:54 | |
These are almost certainly northern European, of the period, | 0:29:54 | 0:29:58 | |
but quite late for Art Nouveau. | 0:29:58 | 0:30:00 | |
OK. How much? | 0:30:00 | 0:30:02 | |
Well, for those, we have said £20 to £40. | 0:30:02 | 0:30:06 | |
OK. £70 paid by Raskin, who rates them, as the bonus buy. | 0:30:06 | 0:30:11 | |
Who knows who's right or wrong? | 0:30:11 | 0:30:13 | |
Anyway, that's it for the Reds. Now, moving on to the Blues. | 0:30:13 | 0:30:16 | |
Their first item are the tweezers, which are handy | 0:30:16 | 0:30:20 | |
if you've got a hair problem. | 0:30:20 | 0:30:22 | |
HE LAUGHS That's right, Tim. | 0:30:22 | 0:30:24 | |
-Yeah. -Hallmarked from Birmingham, 1931. | 0:30:24 | 0:30:27 | |
-Presumably out of a big dressing table set. -That's right. | 0:30:27 | 0:30:30 | |
You'd have had a mirror and some brushes and a whole lot of care. | 0:30:30 | 0:30:33 | |
-Out of a toilet case, probably. -£8.50 our team paid. | 0:30:33 | 0:30:37 | |
What might they get for it, do you think? | 0:30:37 | 0:30:38 | |
I think they've done quite well. We think we may get £20 to £40. | 0:30:38 | 0:30:43 | |
-Do you really? -£30 to £50. | 0:30:43 | 0:30:45 | |
Well, that's brilliant. | 0:30:45 | 0:30:46 | |
Now, the pedestal bowl is an impressive lump of glass, | 0:30:46 | 0:30:50 | |
but it's only moulded, right? | 0:30:50 | 0:30:52 | |
That's right. | 0:30:52 | 0:30:53 | |
Yes, if it was cut glass I think you'd be on to a real winner there, | 0:30:53 | 0:30:56 | |
but it would have cost a small fortune. | 0:30:56 | 0:30:58 | |
We've said £40 to £60 because it is largely intact | 0:30:58 | 0:31:03 | |
with no major chips or... | 0:31:03 | 0:31:05 | |
Look nice if you put your satsumas in it, wouldn't it? | 0:31:05 | 0:31:08 | |
-Oh, that's right. -Nuts. -Nuts, loose change. -Exactly. -Absolutely. | 0:31:08 | 0:31:12 | |
How much, then, for the moulded glass bowl from heaven? | 0:31:12 | 0:31:16 | |
Well, we've said £40 to £60. | 0:31:16 | 0:31:17 | |
Have you? £25 paid, so that was a good buy, wasn't it? | 0:31:17 | 0:31:20 | |
-We hope so. -Now, all these games like bridge | 0:31:20 | 0:31:23 | |
are becoming incredibly popular. | 0:31:23 | 0:31:24 | |
That's a nice accoutrement, this set, isn't it, for a bridge player? | 0:31:24 | 0:31:27 | |
It is. You could certainly show off to your friends with this next lot. | 0:31:27 | 0:31:30 | |
Yeah. I think those could come up trumps. | 0:31:30 | 0:31:32 | |
They could do. | 0:31:32 | 0:31:33 | |
They're lovely quality, engine-turned, solid sterling silver | 0:31:33 | 0:31:38 | |
and ready to go. | 0:31:38 | 0:31:40 | |
Well, how sharp are you on the price with this? | 0:31:40 | 0:31:42 | |
Well, we've said £40 to £60. | 0:31:42 | 0:31:44 | |
That's good enough. £32 paid. | 0:31:44 | 0:31:46 | |
On a good day, these may creep up to £70 or £80. | 0:31:46 | 0:31:49 | |
Well, that's marvellous, isn't it? This team only spent £65.50. | 0:31:49 | 0:31:52 | |
They gave a bundle of cash to their expert | 0:31:52 | 0:31:55 | |
to go off and buy a bonus buy. | 0:31:55 | 0:31:56 | |
Let's go and have a look at it. | 0:31:56 | 0:31:59 | |
Jill and Tom, this is your moment. | 0:31:59 | 0:32:01 | |
You gave the man £234, and he promised me he'd blow the lot, | 0:32:01 | 0:32:04 | |
so, Charlie, over to you. | 0:32:04 | 0:32:06 | |
-Oh. -It's not particularly exciting, it's not particularly old, | 0:32:07 | 0:32:11 | |
but it's a cut glass sugar sifter with a hallmarked silver top | 0:32:11 | 0:32:14 | |
by the Goldsmiths and Silversmiths Company, and what's it worth? | 0:32:14 | 0:32:18 | |
-About £45? -45? -No, I'd say about 40, 45. | 0:32:18 | 0:32:23 | |
-It cost 16. -Oh, wow. -Excellent. | 0:32:23 | 0:32:25 | |
-£16. -Good Lord. | 0:32:25 | 0:32:28 | |
I couldn't resist that. | 0:32:28 | 0:32:30 | |
I mean, £16 for a silver-topped cut glass jobbie | 0:32:30 | 0:32:33 | |
is ridiculous, isn't it? | 0:32:33 | 0:32:34 | |
-Yes. -I think it is. -That's why the man's a genius. | 0:32:34 | 0:32:36 | |
It's absurd. I mean, it's 1970s, but so what? | 0:32:36 | 0:32:40 | |
There we have it. Thank you very much, Charlie. | 0:32:40 | 0:32:42 | |
You don't have to decide now, you'll decide later, but let's find out | 0:32:42 | 0:32:45 | |
from the auctioneer what he thinks about Charlie's little sifter. | 0:32:45 | 0:32:48 | |
Now, how about that? Solid silver top. | 0:32:48 | 0:32:52 | |
-Nice quality, Tim. -Yeah. Cut bottom. | 0:32:52 | 0:32:54 | |
A good shape. Hobnail cut, as you've pointed out, and star to the base. | 0:32:54 | 0:32:58 | |
But, Tim, it's been dropped. | 0:32:58 | 0:33:00 | |
-Has it? -It's been dropped on its top. | 0:33:00 | 0:33:02 | |
-Oh, from a great height. -That's right. | 0:33:02 | 0:33:03 | |
However, being metal, | 0:33:03 | 0:33:05 | |
that can all be sorted out for you quite inexpensively. | 0:33:05 | 0:33:09 | |
Hallmarked, as we've suggested, Birmingham 1974, | 0:33:09 | 0:33:13 | |
but in a much earlier style. | 0:33:13 | 0:33:16 | |
So, um...something for your cornflakes in the morning. | 0:33:16 | 0:33:18 | |
How much is it worth, then? | 0:33:18 | 0:33:20 | |
-Well, we've said £30 to £50. -Ooh. That's marvellous. | 0:33:20 | 0:33:24 | |
Absolutely marvellous. That cunning Charlie Ross only paid £16. | 0:33:24 | 0:33:27 | |
-Clever boy. -So if the team are smart enough to trust him, | 0:33:27 | 0:33:30 | |
they should turn in a further profit with that. Gosh! | 0:33:30 | 0:33:33 | |
It is going to be an exciting show today. Thank you, Ross. | 0:33:33 | 0:33:36 | |
Yeah, 420. 440. 460, sir. | 0:33:36 | 0:33:39 | |
Jamie, Phil, how are you feeling? | 0:33:43 | 0:33:45 | |
-Very optimistic. -Are you? | 0:33:45 | 0:33:46 | |
Yeah, I'm going to retire off this. | 0:33:46 | 0:33:49 | |
You ARE retired. | 0:33:49 | 0:33:50 | |
Now, starting with your first item, which is the tin helmet. | 0:33:50 | 0:33:55 | |
-And here it comes. -Lot 108 is the tommy-style helmet. | 0:33:55 | 0:34:00 | |
I've seen enough people try this on, so it's got to go today. | 0:34:00 | 0:34:03 | |
£10 surely for it. At ten bid. | 0:34:03 | 0:34:06 | |
15, 20. £20. Bid five. | 0:34:06 | 0:34:09 | |
-30. -Yes! | 0:34:09 | 0:34:10 | |
30 now, stood at the back at 30. | 0:34:10 | 0:34:12 | |
At £30. We can't guarantee it's bulletproof, mind. | 0:34:12 | 0:34:15 | |
-But at 30 it's no money. -I need to retire. | 0:34:15 | 0:34:17 | |
And five. At £35 in the seating. At 35. | 0:34:17 | 0:34:20 | |
All done, and selling at 35. | 0:34:20 | 0:34:23 | |
That's a £10 profit. Well done. | 0:34:23 | 0:34:27 | |
Well done, Red family. | 0:34:27 | 0:34:29 | |
Oh, yes. | 0:34:29 | 0:34:30 | |
Here come the lamps. | 0:34:30 | 0:34:32 | |
The next lot, 109, the two miner's lamps. | 0:34:32 | 0:34:35 | |
There it is. Dark outside, you never know. | 0:34:35 | 0:34:37 | |
£20 surely. Ten then. | 0:34:37 | 0:34:39 | |
£10 bid. 15 I'll take. 20 now. | 0:34:39 | 0:34:42 | |
Two if it helps. 22. | 0:34:42 | 0:34:44 | |
-22. May I say 24? -Go on. -Come on, come on. | 0:34:44 | 0:34:47 | |
At 24. £24 you'll still pay there. | 0:34:47 | 0:34:50 | |
25 now. 30. One more. £30. In front at £30. | 0:34:50 | 0:34:54 | |
35, come on. | 0:34:54 | 0:34:55 | |
At £30, 35 now. From the internet, at 35. 40, Sammy, surely. | 0:34:55 | 0:35:00 | |
£40. | 0:35:00 | 0:35:01 | |
Bid 45. Come along. | 0:35:01 | 0:35:03 | |
-Come on, come on. -45 on the internet. | 0:35:03 | 0:35:05 | |
We're miles from Wales. | 0:35:05 | 0:35:08 | |
-We're still doing well. -At £50. I have 55, 60. | 0:35:08 | 0:35:12 | |
-£60. -This is golden gavel stuff. Come on. | 0:35:14 | 0:35:17 | |
65. 70, ma'am. | 0:35:17 | 0:35:19 | |
No? At £65. On the internet at 65. | 0:35:19 | 0:35:22 | |
Do you want to give us the golden gavel now? | 0:35:22 | 0:35:23 | |
-No. -Fair warning now at 65. | 0:35:23 | 0:35:27 | |
That is nothing short of brilliant, lads. | 0:35:27 | 0:35:29 | |
65 is +20, which means overall you are +30. | 0:35:29 | 0:35:33 | |
-Oh, come on. -Now here comes the papier-mache. | 0:35:33 | 0:35:36 | |
The next lot, then, is lot 110. | 0:35:36 | 0:35:39 | |
It's the mid-Victorian-style black-lacquered | 0:35:39 | 0:35:42 | |
papier-mache desk stand. | 0:35:42 | 0:35:44 | |
Bid starts against you all at £20. | 0:35:44 | 0:35:46 | |
-20? -Be brave. -I told him not to buy this. | 0:35:46 | 0:35:49 | |
Surely we'll get there. At 25. 30. Five anywhere? | 0:35:49 | 0:35:52 | |
-At 35 with the gentleman... -Come on, online. | 0:35:52 | 0:35:54 | |
Wait. Look, he's going up, he's going up. | 0:35:54 | 0:35:56 | |
-It's 54. -56. 58. | 0:35:56 | 0:35:59 | |
65. | 0:35:59 | 0:36:01 | |
65. Let's get moving. | 0:36:01 | 0:36:03 | |
65 now. On the internet at 65. | 0:36:03 | 0:36:05 | |
An undeniable, brilliant... | 0:36:05 | 0:36:07 | |
Don't blow our profit. | 0:36:07 | 0:36:09 | |
At £65. Last chance at 65. | 0:36:09 | 0:36:13 | |
THEY GROAN | 0:36:14 | 0:36:16 | |
£65. How miserable is that? | 0:36:16 | 0:36:19 | |
That's five short of 70, which is 30 short of 100. | 0:36:19 | 0:36:23 | |
That's 62. That's -67. | 0:36:23 | 0:36:27 | |
Which means overall, by the time you've knocked off your winnings, | 0:36:27 | 0:36:31 | |
is -37. | 0:36:31 | 0:36:32 | |
-So it gets better. -This is going to be a terrible retirement. | 0:36:32 | 0:36:35 | |
Are you going to go with it or not? | 0:36:35 | 0:36:37 | |
-Do it, do it. -Yeah, let's do it. -Are you doing it? Oh, my goodness. | 0:36:37 | 0:36:41 | |
You're going with the bonus buy? OK, fine. | 0:36:41 | 0:36:42 | |
A decision is made, I can now reveal the auctioneer's estimate, | 0:36:42 | 0:36:45 | |
which is 20 to 40. | 0:36:45 | 0:36:47 | |
-Oh, my God. -We're not going with it. | 0:36:47 | 0:36:49 | |
Too late. Here they come. | 0:36:49 | 0:36:50 | |
Lot 114. | 0:36:50 | 0:36:52 | |
Here it is, pair of Art Nouveau planished pewter twin-handled vases. | 0:36:52 | 0:36:57 | |
There they are, quite dramatic. | 0:36:57 | 0:36:59 | |
How do you value them? Ought to be £20 surely. | 0:36:59 | 0:37:01 | |
Come along, we'll get there. | 0:37:01 | 0:37:03 | |
-Come on. -£10, then. £10 bid. -£10 bid. | 0:37:03 | 0:37:06 | |
25. | 0:37:06 | 0:37:08 | |
30. Five. New bidder at 35. 40. | 0:37:08 | 0:37:11 | |
-Start bidding, Jamie. -Yeah, OK. I've got my wallet. | 0:37:11 | 0:37:14 | |
50 anywhere? At £45, I have. At 45. | 0:37:14 | 0:37:17 | |
-Come on. -Come on, online, make it 50. | 0:37:17 | 0:37:19 | |
£45, all done? | 0:37:19 | 0:37:22 | |
That is minus £25. This is adding to the disaster. | 0:37:22 | 0:37:26 | |
That's 12, that would be 62. | 0:37:26 | 0:37:29 | |
Do you know why I've got my hands like this? | 0:37:29 | 0:37:31 | |
Why would that be? | 0:37:31 | 0:37:34 | |
I'm disappointed. | 0:37:34 | 0:37:36 | |
That's -62, by the way, in case | 0:37:36 | 0:37:37 | |
you were worried that you were going the other way. | 0:37:37 | 0:37:40 | |
-Listen... -Oh, don't say you're disappointed. | 0:37:40 | 0:37:43 | |
Don't be disappointed. Don't be disappointed. | 0:37:43 | 0:37:45 | |
Now, your first item is the tweezers, right? | 0:37:50 | 0:37:52 | |
-That's right. -For the removal of hairs. | 0:37:52 | 0:37:55 | |
And, apparently, there are a lot of hairy people here in Chiswick, | 0:37:55 | 0:37:58 | |
cos the auctioneer says they're going to be very popular | 0:37:58 | 0:38:00 | |
and he's estimating £20 to £40, or even £30 to £50. | 0:38:00 | 0:38:04 | |
And you only paid £8.50. So how good is that? | 0:38:04 | 0:38:07 | |
-Superb. -Superb, yeah. Fantastic. | 0:38:07 | 0:38:08 | |
Next lot 130, pair of these sterling silver-mounted tweezers. | 0:38:08 | 0:38:14 | |
There we are. Got to be £20. Come along. | 0:38:14 | 0:38:16 | |
£20 bid. May I say five? | 0:38:16 | 0:38:19 | |
At 25. 30 now. | 0:38:19 | 0:38:21 | |
-You paid £8.50? -40. | 0:38:21 | 0:38:23 | |
£40, fresh buyer. | 0:38:23 | 0:38:25 | |
And five. 50 now. | 0:38:25 | 0:38:27 | |
Go on. One more. £50. | 0:38:27 | 0:38:29 | |
£50. | 0:38:29 | 0:38:31 | |
At £50 only. Seems a lot of money. There we are. | 0:38:31 | 0:38:35 | |
Yes, it's a lot of money. | 0:38:35 | 0:38:36 | |
£50. And the auctioneer says, "That's a lot of money, isn't it?" | 0:38:36 | 0:38:40 | |
That is £41.50. | 0:38:40 | 0:38:43 | |
131 is the rather fun | 0:38:43 | 0:38:47 | |
early 19th-century-style moulded glass pedestal bowl. | 0:38:47 | 0:38:51 | |
-30. £30 bid. -Yes. | 0:38:51 | 0:38:55 | |
50 now. | 0:38:55 | 0:38:56 | |
55. 60. | 0:38:56 | 0:38:58 | |
£60. Stood at the back at £60. | 0:38:58 | 0:39:01 | |
Jill found this. | 0:39:01 | 0:39:03 | |
Make no mistake at 60. Last chance at 60. | 0:39:03 | 0:39:05 | |
65. 70, sir? | 0:39:05 | 0:39:08 | |
-It's a steal. -At 65 on my left. | 0:39:08 | 0:39:10 | |
At £65. | 0:39:10 | 0:39:12 | |
65. You've made another £40. | 0:39:14 | 0:39:18 | |
£40! | 0:39:18 | 0:39:19 | |
-Oh, this is tense. This is the tight one. -This is the one. | 0:39:19 | 0:39:21 | |
Next lot, 132, is the set of four of these | 0:39:21 | 0:39:25 | |
20th-century sterling silver bridge pencils. | 0:39:25 | 0:39:28 | |
There we are. £10 I'm bid. At ten. | 0:39:28 | 0:39:31 | |
15 now. 15. 25. 30. | 0:39:31 | 0:39:34 | |
Five. 40. | 0:39:34 | 0:39:36 | |
You're in profit. Listen, listen... | 0:39:36 | 0:39:38 | |
# Oh, this is a piece of cake... # | 0:39:38 | 0:39:40 | |
£50 and five. 55. 60, sir. | 0:39:40 | 0:39:43 | |
-At £55... -£55. | 0:39:43 | 0:39:46 | |
-Hey. -65 with the internet now. | 0:39:46 | 0:39:50 | |
At 65. May I say 70 to you, madam? | 0:39:50 | 0:39:52 | |
-Why not? -No, I've scared her off. | 0:39:52 | 0:39:54 | |
£65, then. On the internet at 65. | 0:39:54 | 0:39:57 | |
That is plus £33. | 0:39:58 | 0:40:01 | |
You had £81.50, so that makes it £114.50 profit. | 0:40:01 | 0:40:08 | |
Plus 114.50. | 0:40:10 | 0:40:13 | |
Right? And I'm so rude about you spending £65.50 | 0:40:13 | 0:40:19 | |
and you've made £114.50 profit. | 0:40:19 | 0:40:22 | |
How lovely is that? | 0:40:22 | 0:40:23 | |
Now, what are you going to do about the next no-brainer? | 0:40:23 | 0:40:26 | |
We've got to go for it. | 0:40:26 | 0:40:27 | |
You've got to go with the old shaker, haven't you? | 0:40:27 | 0:40:29 | |
We going to have a shake, rattle and roll with it? | 0:40:29 | 0:40:31 | |
Oh, 100%. | 0:40:31 | 0:40:32 | |
Here it comes, then. Here comes the dredger. | 0:40:32 | 0:40:35 | |
Our next lot is lot 136, the silver-mounted | 0:40:35 | 0:40:39 | |
and hobnail cut glass sugar sifter, Birmingham 1974. | 0:40:39 | 0:40:43 | |
£10 surely for it. Come along. Five, then. | 0:40:43 | 0:40:46 | |
-What? -£5 I'm bid in the centre. Five. | 0:40:46 | 0:40:49 | |
And I'll take ten. £6 bid. Eight. | 0:40:49 | 0:40:52 | |
-£8. Now ten. -Oh, crikey. | 0:40:52 | 0:40:54 | |
£8 I have in the room. At £10 now on my right. | 0:40:54 | 0:40:57 | |
-£12 now. -Come on. -At £12 only. | 0:40:57 | 0:41:00 | |
Don't be ridiculous. | 0:41:00 | 0:41:02 | |
With fair warning at £12. | 0:41:02 | 0:41:04 | |
What's going on here, then? | 0:41:04 | 0:41:06 | |
What can I say, team? | 0:41:06 | 0:41:08 | |
Oh, don't worry. Don't worry. | 0:41:08 | 0:41:11 | |
It's minus £4. Well, what CAN you say? I think that's a tragedy. | 0:41:11 | 0:41:15 | |
Anyway, don't worry about it. You are now £110.50. | 0:41:15 | 0:41:19 | |
We rounded it off. It's fine. | 0:41:19 | 0:41:21 | |
-OK? -Rounded. What a positive chap. -Good old Tom-Tom. | 0:41:21 | 0:41:26 | |
Well, has this been fun or has it been fun? It has been so fun. | 0:41:31 | 0:41:36 | |
-Yep. -I'm afraid that the Reds have not done so well. | 0:41:36 | 0:41:39 | |
-Oh, no! -But it is no surprise to the Reds. | 0:41:39 | 0:41:43 | |
All the while, there was a pulsating little flame | 0:41:43 | 0:41:45 | |
that maybe they'd done worse than you and you might still... | 0:41:45 | 0:41:49 | |
-It's been extinguished. -..you might still be ahead. | 0:41:49 | 0:41:52 | |
But I'm sorry to have extinguished that little flame. | 0:41:52 | 0:41:55 | |
--62 is the number. -Yep. | 0:41:55 | 0:41:57 | |
But you have been fantastic, you two, I have to tell you. | 0:41:57 | 0:41:59 | |
-Thank you very much. -I mean, as a combo of father and son, | 0:41:59 | 0:42:02 | |
we could not have asked for more fun, I tell you. | 0:42:02 | 0:42:04 | |
-Thank you. Thank you. -And thank you very much, Natasha. | 0:42:04 | 0:42:07 | |
For taking all that life has delivered you today | 0:42:07 | 0:42:10 | |
on the chin so womanfully. | 0:42:10 | 0:42:12 | |
Anyway, thank you. | 0:42:12 | 0:42:14 | |
But it's a great pleasure to hand out £110.50 to the Blues. | 0:42:14 | 0:42:20 | |
And this doesn't happen very often, I tell you. There's your 50p. | 0:42:20 | 0:42:23 | |
Well done, Jill girl. Stop handing that over to poor old Tom-Tom. | 0:42:23 | 0:42:27 | |
Anyway, you made a profit of £41.50 on the tweezers. | 0:42:27 | 0:42:30 | |
Whoever heard of such a ridiculous thing. | 0:42:30 | 0:42:32 | |
Then you made £40 on the moulded glass. | 0:42:32 | 0:42:35 | |
Whoever heard of such a ridiculous thing. | 0:42:35 | 0:42:37 | |
And then you made £33 on the bridge pencils. | 0:42:37 | 0:42:40 | |
Because you made a profit on all three of the items that you went out | 0:42:40 | 0:42:44 | |
to buy, you get the golden gavel in its new stellar style. | 0:42:44 | 0:42:51 | |
Look at that. Gling, gling. | 0:42:51 | 0:42:52 | |
This needs to have that toothpaste ad for ding on it. | 0:42:52 | 0:42:56 | |
And something for your collection, Charlie. | 0:42:56 | 0:42:58 | |
-Ding. -Ding. Was that good or not? | 0:42:58 | 0:43:01 | |
It was fantastic. | 0:43:01 | 0:43:03 | |
And this doesn't happen that often, so congratulations | 0:43:03 | 0:43:06 | |
and well done, Blues. | 0:43:06 | 0:43:08 | |
-Thank you. -Now, been such fun. | 0:43:08 | 0:43:09 | |
Join us soon for some more bargain-hunting. | 0:43:09 | 0:43:11 | |
-Yes? -ALL: -Yes! | 0:43:11 | 0:43:13 | |
I know you're sitting there thinking, | 0:43:13 | 0:43:15 | |
"I could have done better than that." | 0:43:15 | 0:43:17 | |
Well, what's stopping you? | 0:43:17 | 0:43:20 | |
If you think you can spot a bargain, go to our BBC website and apply. | 0:43:20 | 0:43:24 | |
It would be splendid to see you. | 0:43:24 | 0:43:26 |