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-TIM WONNACOTT: -We've hot-footed it to Herefordshire | 0:00:04 | 0:00:07 | |
in search of treasures to sell at auction. | 0:00:07 | 0:00:10 | |
So, antique shops, you have been warned. | 0:00:10 | 0:00:15 | |
Let's go bargain hunting, yeah! | 0:00:15 | 0:00:17 | |
We're in the pretty market town of Leominster today. | 0:00:43 | 0:00:46 | |
For centuries, this place has prospered from the wool trade, | 0:00:46 | 0:00:50 | |
and it's also an important centre for the antiques business, | 0:00:50 | 0:00:54 | |
and talking about business, it's an ideal place for our Red | 0:00:54 | 0:00:58 | |
and Blue teams to trade. | 0:00:58 | 0:01:01 | |
So let's have a look at what they got up to. | 0:01:01 | 0:01:03 | |
-It's poetry in motion for the Reds. -This trifle pleads my constant love. | 0:01:04 | 0:01:11 | |
-And the Blues are not entirely focused. -Come on, then. | 0:01:11 | 0:01:14 | |
-Back that way. -Anything else here? There's some pottery. | 0:01:14 | 0:01:17 | |
Let's meet today's teams. | 0:01:17 | 0:01:19 | |
On Bargain Hunt today we have a married couple | 0:01:20 | 0:01:23 | |
and a pair of friends. | 0:01:23 | 0:01:25 | |
We've got Andy and Carol for the Reds, | 0:01:25 | 0:01:27 | |
-and Michael and Penny for the Blues. Hello, everyone. -ALL: Hello. | 0:01:27 | 0:01:30 | |
Ooh, what a lovely hello. Now, Carol, what do you do for a living? | 0:01:30 | 0:01:34 | |
-I'm an employment co-ordinator. -What do you do in your spare time? | 0:01:34 | 0:01:37 | |
Bit of gardening, reading autobiographies. | 0:01:37 | 0:01:41 | |
-Car boot sale it says here. -Yeah, I go to car boot sales. | 0:01:41 | 0:01:44 | |
And what sort of things do you buy in the car boot sales? | 0:01:44 | 0:01:47 | |
-Anything and everything. -If it's cheap. -If it's cheap, yes. | 0:01:47 | 0:01:50 | |
You're going to be rather good at this bargain hunting. | 0:01:50 | 0:01:53 | |
-I hope so. -And Andy, what do you do to earn a crust? -Butcher. | 0:01:53 | 0:01:57 | |
-Are you? -Yes. | 0:01:57 | 0:01:59 | |
-And what's the best bit of the job for you, Andy? -Customers, really. | 0:01:59 | 0:02:03 | |
Listening to their stories. It's great. | 0:02:03 | 0:02:05 | |
Now, tell us about your interest in antiques. | 0:02:05 | 0:02:07 | |
I like collecting anything under a fiver. I don't mind. | 0:02:07 | 0:02:12 | |
We're going to give you £300, you know. You'll be able to splash out. | 0:02:12 | 0:02:15 | |
-You'll be able to break your £5 rule. -Nah. | 0:02:15 | 0:02:18 | |
-Still go for the cheapest. -Oh, will you? | 0:02:18 | 0:02:20 | |
-With a bargain, a profit. -OK. Fine. | 0:02:20 | 0:02:22 | |
-It'll be fun to see what happens, and very good luck. -Thank you. | 0:02:22 | 0:02:25 | |
Nice to meet you. Now, Michael, that's an unusual girl's name. | 0:02:25 | 0:02:29 | |
-Where is it from? -It's an old biblical name. | 0:02:29 | 0:02:32 | |
King Saul's daughter who married David and my mother thought it was | 0:02:32 | 0:02:36 | |
a marvellous name and I wasn't too keen when I was at school. | 0:02:36 | 0:02:39 | |
So how did you and Penny become friends? | 0:02:39 | 0:02:41 | |
She bought a doll's house from me. | 0:02:41 | 0:02:43 | |
She lives quite near and originally she wanted a copy of her own house | 0:02:43 | 0:02:48 | |
and I was pacing outside and I worked out that it was too big to go in her | 0:02:48 | 0:02:52 | |
hall, so she came and bought a kit of something else instead. | 0:02:52 | 0:02:55 | |
So doll's houses are big in your life, are they? | 0:02:55 | 0:02:57 | |
Yeah, I started the first doll's house shop in 1971 | 0:02:57 | 0:03:00 | |
and I found it combined all my interests. | 0:03:00 | 0:03:02 | |
-So you live your life in miniature. -Yes. -Well, how sweet. | 0:03:02 | 0:03:06 | |
-Penny, you're an artist. -Yes. -Tell us about that. | 0:03:06 | 0:03:09 | |
I accept commissions for murals. I might paint an open window. | 0:03:09 | 0:03:13 | |
The window looks like a real window and it's open and in fact it isn't. | 0:03:13 | 0:03:17 | |
-Trick of the eye. -Yes. | 0:03:17 | 0:03:19 | |
You live in Cheltenham but you spent a lot of time in Hong Kong. | 0:03:19 | 0:03:22 | |
-We did, yes. -Tell me more about your interest in China restoration. | 0:03:22 | 0:03:26 | |
I fell into it when my maid, in fact, in Hong Kong, | 0:03:26 | 0:03:29 | |
broke something extremely important and valuable | 0:03:29 | 0:03:32 | |
and I took it along to a friend who was a very good restorer | 0:03:32 | 0:03:35 | |
and the friend restored it very well and said, come on, let me teach you. | 0:03:35 | 0:03:39 | |
So she and I got together and she taught me and it went on from there. | 0:03:39 | 0:03:43 | |
So will you be after a bit of porcelain today, Penny? | 0:03:43 | 0:03:46 | |
-Um, we'll definitely look at it. Yep, quite definitely. -Yeah. | 0:03:46 | 0:03:49 | |
-And what about you, Michael? What's your goal? -I've got an open mind. | 0:03:49 | 0:03:54 | |
I love a bargain as long as something is attractive and we make a profit. | 0:03:54 | 0:03:58 | |
-OK. -So we'll see how we go. -Exactly the right answer. | 0:03:58 | 0:04:01 | |
Which gets you £300 immediately. There you go. £300 apiece. | 0:04:01 | 0:04:06 | |
You know the rules. Your experts await, and off you go. | 0:04:06 | 0:04:09 | |
Very, very good luck. Mine's chipolatas. | 0:04:09 | 0:04:13 | |
Now, let's meet our experts. | 0:04:13 | 0:04:15 | |
Keeping an eye on the Reds as well as the clock today is | 0:04:15 | 0:04:18 | |
Caroline Hawley. | 0:04:18 | 0:04:20 | |
And hampering after success for the Blues is David Harper. | 0:04:20 | 0:04:24 | |
-What are you looking for today? -Retro. Definitely retro today. | 0:04:26 | 0:04:29 | |
-Anything retro? Any particular type? -Anything whatsoever. -Brilliant. | 0:04:29 | 0:04:33 | |
I think you two are antiques experts in disguise. | 0:04:33 | 0:04:36 | |
-Long as you don't think we're a pair of antiques. -Oh, no. | 0:04:36 | 0:04:39 | |
-Carol, what about you? -Some glass or maybe some silver. | 0:04:39 | 0:04:44 | |
-Well, I'm looking for today's biggest bargain. -You are. | 0:04:44 | 0:04:47 | |
You are a dreamboat. I love the sound of that. | 0:04:47 | 0:04:49 | |
-And we have 60 minutes to find it. Are you ready? -Oh, yes. -Oh, yes. | 0:04:49 | 0:04:53 | |
-You bet we are. -Let's go. | 0:04:53 | 0:04:54 | |
-Let's go shopping, then. -Can't wait. | 0:04:54 | 0:04:58 | |
Right. Get on with it, teams. Your hour starts now. | 0:04:58 | 0:05:02 | |
-There's so much to look at. -Tell you what we've got, Penny. | 0:05:02 | 0:05:07 | |
Tens of thousands of objects for you to peruse in one hour. | 0:05:07 | 0:05:11 | |
-How do you feel about that, Michael? -I'm worried. -Mesmerised. -Mesmerised! | 0:05:11 | 0:05:17 | |
Well, bargain hunting can be pretty mesmerising, but trust me - | 0:05:17 | 0:05:20 | |
there's a few needles in these 'ere haystacks. | 0:05:20 | 0:05:23 | |
-You really like that? Not madly. -It's got a crack in it. -OK. | 0:05:23 | 0:05:26 | |
-I was looking at that. -No, that looks a bit new to me. -Course. | 0:05:26 | 0:05:31 | |
Look at the price on it. | 0:05:31 | 0:05:32 | |
Keep hunting, girls. | 0:05:32 | 0:05:33 | |
Meanwhile, it seems the Reds have spotted an inkwell. | 0:05:33 | 0:05:37 | |
-That looks amazing. -The inkwell. -Yeah, that's amazing. Look at it. | 0:05:37 | 0:05:42 | |
-That one's 110, that back one. -Is it really? -Would you like a look at it? | 0:05:42 | 0:05:47 | |
-Yeah. -Right. Let me go and see if I can find someone. | 0:05:47 | 0:05:49 | |
-Whether I'll love it or not, I don't know. -That's all right. | 0:05:49 | 0:05:52 | |
We need to look first. Let me go and find somebody. | 0:05:52 | 0:05:55 | |
-I'd prefer the front one. -That one. The colour. | 0:05:55 | 0:05:59 | |
And whilst the Reds await the cabinet being opened, | 0:05:59 | 0:06:02 | |
the Blues are showing interest in a jug which possibly isn't all it's | 0:06:02 | 0:06:06 | |
-cracked up to be. -It's got a big crack. -Oh, gosh, yes. -Is it cracked? | 0:06:06 | 0:06:11 | |
-Oh, right, yes. -Could you restore that? -In time. | 0:06:11 | 0:06:15 | |
-HE LAUGHS -Not in time for the sale. | 0:06:15 | 0:06:17 | |
-This is Spode. It's very typical Spode. -Date. How would you date it? | 0:06:17 | 0:06:22 | |
-I would say around sort of 1840 or so. Am I right? -Yes. | 0:06:22 | 0:06:26 | |
-It's got a label on it that says that. -Oh, 1815. It's earlier. | 0:06:26 | 0:06:30 | |
My golly. Yes, it's worth having. | 0:06:30 | 0:06:32 | |
What I don't actually like is this opening crack. | 0:06:32 | 0:06:35 | |
If it was less than 45 I might buy it for myself. | 0:06:35 | 0:06:38 | |
-You can't be doing that. You're on the wrong programme. -Oh, am I? | 0:06:38 | 0:06:42 | |
Yes, Penny. Remember, you're not buying for yourself. | 0:06:42 | 0:06:45 | |
Now the cabinet doors are open, the Reds can take a look at the two | 0:06:45 | 0:06:48 | |
inkwells that have attracted their interest. | 0:06:48 | 0:06:51 | |
That's what I want to look at. | 0:06:51 | 0:06:52 | |
-You can look at yours if you want to. -I'll wait for you. | 0:06:52 | 0:06:55 | |
-That is nice. What do you think? -It's a Victorian inkwell. | 0:06:55 | 0:06:58 | |
-Go on, then. Have a look at yours. -Yes, please. Excellent. | 0:06:58 | 0:07:02 | |
-Oh! It's heavy. -110. | 0:07:02 | 0:07:07 | |
See how heavy this is. | 0:07:07 | 0:07:09 | |
-Oh, gosh. -Murano glass from Italy and it's in great condition. | 0:07:09 | 0:07:14 | |
Much ado about nothing. | 0:07:14 | 0:07:15 | |
-There's a huge lump of glass for a tiny bit of ink. -Yeah. | 0:07:15 | 0:07:19 | |
-Very, very heavy. -So in your expert opinion, what do you think? | 0:07:19 | 0:07:23 | |
I think it's a nice lump. Which do you prefer, Andy? | 0:07:23 | 0:07:27 | |
-Which is best. -Do you? No, which do you prefer? | 0:07:27 | 0:07:30 | |
Seriously, this is the one you looked at first. | 0:07:30 | 0:07:32 | |
I did, but the price is 110. | 0:07:32 | 0:07:34 | |
I think we need a price on both, | 0:07:34 | 0:07:36 | |
then we've got more information to go on. | 0:07:36 | 0:07:38 | |
I definitely think they're both a good sale if we can get a good price. | 0:07:38 | 0:07:42 | |
Right, OK. Andy, is there any chance you getting us | 0:07:42 | 0:07:45 | |
the best price on both of these? | 0:07:45 | 0:07:46 | |
-I'll go look in stock and see what we can do for you. -Thank you. | 0:07:46 | 0:07:49 | |
-TIM WONNACOTT: -So while we wait for Andy who works at the antique centre | 0:07:49 | 0:07:53 | |
to come back with a price, let's see how the Blues are cracking on. | 0:07:53 | 0:07:56 | |
-35 would be his best. -Yes. -Can I have a hold while you're looking? | 0:07:57 | 0:08:02 | |
-So Michael, what about you? -I like it. | 0:08:02 | 0:08:04 | |
So we've got the Spode mark there. Very good high quality maker. | 0:08:04 | 0:08:09 | |
We've got a little factory-impressed mark there too. | 0:08:09 | 0:08:12 | |
-Lovely colour on the base. -I think 35 we should have it, don't you? | 0:08:12 | 0:08:16 | |
It's nice. Can we put it back and give it deep thought? | 0:08:16 | 0:08:20 | |
-Yeah, I'll put it on one side. -Would you mind? | 0:08:20 | 0:08:23 | |
-We only have an hour. -Do you want to keep it at the desk? | 0:08:23 | 0:08:25 | |
-Yes, I'll keep it at the desk. -And you won't come down? | 0:08:25 | 0:08:28 | |
-No. -We could have a go, couldn't we? -I'll ask. | 0:08:28 | 0:08:30 | |
-TIM WONNACOTT: -Hopefully Jenny from the antique centre | 0:08:30 | 0:08:32 | |
might just find a better price. | 0:08:32 | 0:08:34 | |
Here comes Andy who also has price news but for the Reds. | 0:08:34 | 0:08:38 | |
Comes to 165. | 0:08:38 | 0:08:40 | |
I think the best I can do is 110 which virtually means you're getting | 0:08:40 | 0:08:44 | |
-that one for free. -110 for the two of them? -For the two? | 0:08:44 | 0:08:48 | |
If we bought the two we could put them | 0:08:48 | 0:08:50 | |
in a lot together at the auction, couldn't we? | 0:08:50 | 0:08:53 | |
-We could ponder on that, couldn't we? -We could. | 0:08:53 | 0:08:55 | |
Would you be able to hold them? | 0:08:55 | 0:08:56 | |
I'll put them by for you for 15 minutes | 0:08:56 | 0:08:58 | |
-so you can make your minds up. -15 minutes. -That's no problem. | 0:08:58 | 0:09:02 | |
-No problem, right. -Polish them up, we might be tempted. | 0:09:02 | 0:09:05 | |
I'll leave that to you. | 0:09:05 | 0:09:07 | |
OK. Think about the inkwells, Reds. | 0:09:07 | 0:09:10 | |
-The Blues are like puppets in David's hands. -It makes you smile. | 0:09:10 | 0:09:15 | |
-We might make a bit. -I'm sure we'd make a tenner on it. | 0:09:15 | 0:09:18 | |
I think he probably would make £20-30. | 0:09:18 | 0:09:20 | |
-Let's see if there's anything we can make more money on. -See, hello! | 0:09:20 | 0:09:24 | |
Now, what have the Reds spotted here? | 0:09:24 | 0:09:26 | |
-That little pillbox. -This little pillbox here. | 0:09:26 | 0:09:31 | |
-Your favourites, pillboxes. Look at that. -Oh, yes. | 0:09:31 | 0:09:35 | |
-Now, this isn't a pillbox. Do you know what that is? No? -Ring box? -No. | 0:09:35 | 0:09:41 | |
It's known as a Bilston patch box. | 0:09:41 | 0:09:43 | |
It's enamel on copper and if we take the lid off very often these have | 0:09:44 | 0:09:52 | |
mirrors on the inside and it would contain patches or beauty spots. | 0:09:52 | 0:09:58 | |
Yes, exactly. | 0:09:58 | 0:09:59 | |
So you would have your beauty spot in here | 0:09:59 | 0:10:02 | |
and very often they would have little terms of endearments | 0:10:02 | 0:10:06 | |
on the top of it, like "this trifle pleads my constant love" and... | 0:10:06 | 0:10:12 | |
-Oh, that's nice. -All right. I don't mind. | 0:10:12 | 0:10:14 | |
Beauty spots have been used as a cosmetic enhancement | 0:10:14 | 0:10:18 | |
since Roman times and have dipped in and out of fashion ever since. | 0:10:18 | 0:10:22 | |
In those days, they consisted of coal marks or patches | 0:10:22 | 0:10:26 | |
-made from black taffeta or red Spanish leather. -It's £95. | 0:10:26 | 0:10:31 | |
It's got a little bit of damage. It's not the best example. | 0:10:31 | 0:10:35 | |
I don't think it's in good enough order for the collectors to want. | 0:10:35 | 0:10:39 | |
Fair enough, Caroline. | 0:10:39 | 0:10:41 | |
Now, back to the Blues, who still seem keen on broken items. | 0:10:41 | 0:10:46 | |
That's rather fun. | 0:10:46 | 0:10:48 | |
Poly-chrome, 18th century, completely broken in half and a bit broken. | 0:10:48 | 0:10:53 | |
-A whacking great chunk off of that. -Unsaleable. -Yes. | 0:10:53 | 0:10:57 | |
How come you two are drawn to everything that's broken? | 0:10:57 | 0:11:01 | |
Because they're early. | 0:11:01 | 0:11:02 | |
-Well, can we find something that's early and not broken? -Exactly. | 0:11:02 | 0:11:05 | |
Surely you must be able to find something that's not cracked, girls. | 0:11:05 | 0:11:09 | |
Now back to the Reds, who appear to be in reflective mood. | 0:11:09 | 0:11:12 | |
That silver mirror there is a very good example of Art Nouveau. | 0:11:14 | 0:11:18 | |
That is nice, that mirror. | 0:11:18 | 0:11:20 | |
There's a black one there with silver across it. | 0:11:20 | 0:11:23 | |
Yeah, that's ebony and silver, with just a silver band. | 0:11:23 | 0:11:26 | |
Can we have a look? This Art Nouveau mirror | 0:11:26 | 0:11:29 | |
and the ebony and silver one, please. | 0:11:29 | 0:11:33 | |
Thank you. | 0:11:33 | 0:11:34 | |
Whilst you Reds check out the mirrors, | 0:11:34 | 0:11:36 | |
finally it looks like the Blues have spotted something that's not broken. | 0:11:36 | 0:11:40 | |
-Got Dutch delft. -Yep. -Oh, nice. -I think we might make on that delft. | 0:11:40 | 0:11:44 | |
Can we sort of stick it behind our ear for later? | 0:11:44 | 0:11:47 | |
-OK, so we've stuck a bit of delft behind our ear. -Yes. | 0:11:47 | 0:11:50 | |
-We might come back for that, then. -And we've got that Spode jug. Yes. | 0:11:50 | 0:11:54 | |
-Good job we've got six ears between us. -I know, yes. | 0:11:54 | 0:11:57 | |
Those ears are going to have to be quite large too, David. | 0:11:57 | 0:12:00 | |
It's silver, which is a very soft metal, | 0:12:01 | 0:12:04 | |
-and it's just taken a few knocks. -Haven't we all, Caroline? | 0:12:04 | 0:12:08 | |
-The silver mark is here, can you see? -Yeah. | 0:12:08 | 0:12:12 | |
And the date letter which dates it to 1904, so right in the heart | 0:12:12 | 0:12:16 | |
of that Art Nouveau period and the glass is absolutely perfect. | 0:12:16 | 0:12:21 | |
-It's a really lovely thing. -This one... -Have a look at this one. | 0:12:21 | 0:12:25 | |
Ebony and silver I think looks fantastic. | 0:12:25 | 0:12:28 | |
The black and the silver together. | 0:12:28 | 0:12:30 | |
It's monochrome, it's coming back in. | 0:12:30 | 0:12:33 | |
Yeah, and if we turn it over, another thing... Ah. | 0:12:33 | 0:12:37 | |
Some lovely condition apart from these two marks in the glass. | 0:12:37 | 0:12:42 | |
And that really isn't brilliant. We need it to be perfect, really. | 0:12:42 | 0:12:47 | |
-What price for this, Andy, if we...? -Have a look. | 0:12:47 | 0:12:50 | |
-Uh... -Very best price, please. | 0:12:54 | 0:12:57 | |
75 going to be the depth, I'm afraid. | 0:12:57 | 0:12:59 | |
60's all the money. It's taken some knocks. | 0:12:59 | 0:13:02 | |
I'm going to get nearly there. 65 going to be the best. | 0:13:02 | 0:13:05 | |
It's a lovely mirror. Shame about the picture, but it's a nice mirror. | 0:13:05 | 0:13:09 | |
-Oh, excuse me! -TIM WONNACOTT: -Cheeky. | 0:13:09 | 0:13:10 | |
-I think he's a very handsome man. -I looked away then. That way. | 0:13:10 | 0:13:14 | |
-60. It needs to be 60. -Yes at 60 or think about it? -Yes. -Yes. | 0:13:14 | 0:13:20 | |
-OK, I'll do 60. OK. -Thank you very much. -Thank you very much. | 0:13:20 | 0:13:24 | |
-Thank you very much. -Congratulations, Reds, on your first purchase. | 0:13:24 | 0:13:29 | |
It looks like the Blues have spotted something neither broken nor old. | 0:13:29 | 0:13:34 | |
-So it's cranberry glass. -Yep. That's nice. -Oh, look at that. | 0:13:34 | 0:13:39 | |
So there's the pontil mark. Have you noticed... Ah, no, no. | 0:13:39 | 0:13:44 | |
Now I'm going to now bring Michael into the competition. | 0:13:44 | 0:13:47 | |
-Hello, hello, hello. -How are we getting on? -We're getting on OK. | 0:13:47 | 0:13:50 | |
-Slowly. -We haven't got enough money. -Have you not? | 0:13:50 | 0:13:52 | |
We're arguing like mad. We're running out of time. | 0:13:52 | 0:13:56 | |
-What else can I say? -Sounds like a standard Bargain Hunt to me. | 0:13:56 | 0:13:59 | |
So are we going to have a crack at this cranberry, do you think? | 0:13:59 | 0:14:02 | |
-Depends on the price. -We're having a competition. | 0:14:02 | 0:14:05 | |
-This is a modern piece, though. -Well, is it? -It probably is. | 0:14:05 | 0:14:09 | |
Do you think? He's desperate to look. That's cheating. | 0:14:09 | 0:14:14 | |
It's not really cos that's what anybody would do. | 0:14:14 | 0:14:16 | |
I'd pay 20 quid for that. | 0:14:16 | 0:14:17 | |
-How much is it? -33. -£33 is not much, is it? | 0:14:17 | 0:14:21 | |
-Sorry just to bounce in on you. -Thanks for ruining the competition. | 0:14:21 | 0:14:24 | |
-Haven't ruined the competition. -Go away, Tim! -Listen, back to this. | 0:14:24 | 0:14:30 | |
I like it. It's a one-off. It's hand-blown. | 0:14:30 | 0:14:33 | |
-What do you think it would pay? -I think it's 20 to 30, 30 to 40. -Yeah. | 0:14:33 | 0:14:36 | |
-Don't pay any more than 20 quid for that. -Shall we take this with us? | 0:14:36 | 0:14:39 | |
Come on, then. Back that way. | 0:14:39 | 0:14:41 | |
Anything else here? There's some early pottery. | 0:14:41 | 0:14:43 | |
Good to know they're listening to your every word, David. | 0:14:43 | 0:14:46 | |
-We're only allowed three things. -I know. | 0:14:46 | 0:14:48 | |
Yeah, three items, Penny, and you do really need to start buying. | 0:14:48 | 0:14:54 | |
David's going to be exhausted after all this. | 0:14:54 | 0:14:57 | |
Meanwhile, the Reds are going for a shot in the dark. | 0:14:57 | 0:14:59 | |
Could we have a look at this shooting stick? | 0:14:59 | 0:15:02 | |
-Have you seen one before? -No, never seen one before. -Right. | 0:15:02 | 0:15:04 | |
Can you see this bamboo silver-plated mount? | 0:15:04 | 0:15:08 | |
It opens up like that. Beautiful condition. | 0:15:10 | 0:15:14 | |
-Look at this cane work here. -Oh, yeah. -Gorgeous. | 0:15:14 | 0:15:17 | |
-Spike at the bottom. Any clues? -I see, yes. Stick it in the ground. | 0:15:17 | 0:15:21 | |
Yeah. Stick it in the ground and then sit | 0:15:21 | 0:15:24 | |
while Andy's playing his golf or whatever. | 0:15:24 | 0:15:27 | |
-While he's doing his shopping. -Something like that. | 0:15:27 | 0:15:30 | |
And then fold it away and it can be just a walking stick. | 0:15:30 | 0:15:35 | |
And it's got a bit of age to it. | 0:15:35 | 0:15:37 | |
I would think that's Edwardian, early part of the 1900s. | 0:15:37 | 0:15:40 | |
What do you think of this, guys? They're asking £68. | 0:15:40 | 0:15:44 | |
Would it make a profit? | 0:15:44 | 0:15:46 | |
-I think it would make a profit but we need to get the price down. -Yeah. | 0:15:46 | 0:15:50 | |
-I do like it and I think we should have it. -Do you? -Yeah, I do. | 0:15:50 | 0:15:54 | |
Would you be able to give us the best price on this, please? | 0:15:54 | 0:15:57 | |
Who's this, then? Someone else from the antique centre? | 0:15:57 | 0:16:00 | |
£50. | 0:16:00 | 0:16:02 | |
I was thinking nearer 40. Could you do 40 and we'll take it? | 0:16:04 | 0:16:08 | |
-If we did 43. -You're trying. I really think 40... -£40. -Thank you so much. | 0:16:08 | 0:16:16 | |
-Thank you very much. -We need a chance. -That's lovely. Thank you. | 0:16:16 | 0:16:19 | |
-Brilliant. Happy with that? -We are, yes. Very happy. -That's fantastic. | 0:16:19 | 0:16:23 | |
Do you want to sit down? | 0:16:23 | 0:16:24 | |
Not my weight. THEY LAUGH | 0:16:24 | 0:16:27 | |
Cor, she's a shrewd negotiator, that Caroline. Well done, Reds. | 0:16:27 | 0:16:31 | |
That's the second item in your bag. | 0:16:31 | 0:16:33 | |
-Now it's the Blues' turn to have a haggle. -Right, you two. | 0:16:33 | 0:16:37 | |
Talk to Jenny about the cranberry ware. | 0:16:37 | 0:16:40 | |
It's very pretty but do you think they'd accept 20? | 0:16:40 | 0:16:43 | |
-25 would be the best on that one. -22. -I'll ask my esteemed colleague. | 0:16:43 | 0:16:48 | |
DAVID LAUGHS | 0:16:48 | 0:16:50 | |
-Yeah, just once. -Just once. -That's very kind. Thank you so much. | 0:16:53 | 0:16:57 | |
-Lovely. Have we bought it? -We bought it. -Hallelujah. | 0:16:57 | 0:16:59 | |
Thank you very much indeed. | 0:16:59 | 0:17:01 | |
-TIM WONNACOTT: -Hallelujah exactly, David. | 0:17:01 | 0:17:04 | |
Finally a first purchase for the Blues. | 0:17:04 | 0:17:06 | |
Well done. Here's Caroline with a Reds recap. | 0:17:06 | 0:17:10 | |
-So we've got two items. -Right. | 0:17:11 | 0:17:13 | |
We're about 35 minutes in to the shop which means we've | 0:17:13 | 0:17:16 | |
-got 25 minutes left. -Right. -What do you think about the bottles? | 0:17:16 | 0:17:20 | |
-Do you want to go back now and have a quick look? -No. -No, you don't. | 0:17:20 | 0:17:24 | |
-You want to continue shopping. -Continue shopping. | 0:17:24 | 0:17:26 | |
Clearly David is having a tough time with those Blues. How's it going? | 0:17:26 | 0:17:31 | |
I am in an absolute tiswas in the nicest possible way. | 0:17:31 | 0:17:37 | |
This is an experience I will remember for a very, very long time. | 0:17:37 | 0:17:42 | |
Oh, dear. Persevere, then, David. Oh, my. Look. They're at it again. | 0:17:42 | 0:17:47 | |
-Shelves. -The shelves are nice. They're earlier, aren't they? | 0:17:47 | 0:17:50 | |
-I like them very much. But not that. -95. | 0:17:50 | 0:17:55 | |
Actually, I was considering those. | 0:17:55 | 0:17:57 | |
Hanging shelves, particularly the tiered shelves that are deeper | 0:17:57 | 0:18:01 | |
and shallower and shallower, are really good news. | 0:18:01 | 0:18:04 | |
Described as Victorian. Like, a reeded front. Good colour. | 0:18:04 | 0:18:09 | |
-Nicely jointed. -Useful and pretty, aren't they? -Shall I bring it down? | 0:18:09 | 0:18:14 | |
That's terribly nice. | 0:18:14 | 0:18:16 | |
-You've got that. -What do you think we'd get for it? 125? -It might. | 0:18:16 | 0:18:19 | |
-I think it would be estimated at 50-70. -Yeah. -Yeah. | 0:18:19 | 0:18:22 | |
Because in auction the trick is to make sure it's tempting. | 0:18:22 | 0:18:25 | |
-That's why I said 50 to buy it. -There you go. -That's not very heavy. | 0:18:25 | 0:18:28 | |
-Isn't it nice. That looks really quite early. -I love that. | 0:18:28 | 0:18:32 | |
-Square ones, not round. -Isn't that quite unusual? | 0:18:32 | 0:18:35 | |
There's not a screw on there. | 0:18:35 | 0:18:37 | |
It's like a Mortice & Tenon, that's what it is. | 0:18:37 | 0:18:40 | |
It's well jointed, it's totally handmade with old tools. | 0:18:40 | 0:18:45 | |
It is missing something. | 0:18:45 | 0:18:47 | |
To me it doesn't bother me at all | 0:18:47 | 0:18:49 | |
but here there's evidence of something, possibly a rail. | 0:18:49 | 0:18:53 | |
-There is. -Two rails, maybe to place plates. -Plates. Exactly. | 0:18:53 | 0:18:58 | |
-I think it's absolutely drop dead gorgeous. -Yep. I do too. -Drop dead. | 0:18:58 | 0:19:03 | |
-But it's all down to price, Jenny. -75. -75. -I was hoping for 50. | 0:19:03 | 0:19:09 | |
-No, they're not going to come that low. -Obviously it's hard. | 0:19:09 | 0:19:12 | |
Could we do 65, do you think? | 0:19:12 | 0:19:15 | |
-I'll meet you halfway. I can do 70. -OK, done. -All right. -Thank you. | 0:19:15 | 0:19:19 | |
Thank you. DAVID SIGHS | 0:19:19 | 0:19:22 | |
We've nailed it. That is gorgeous. | 0:19:22 | 0:19:24 | |
-TIM WONNACOTT: -Quite correct. You have nailed it, David. Well done. | 0:19:24 | 0:19:27 | |
That's the second item bought for the Blues, | 0:19:27 | 0:19:29 | |
but time is starting to march on. | 0:19:29 | 0:19:31 | |
So now we have 15 minutes left and two options. | 0:19:33 | 0:19:38 | |
The Spode damaged jug and you wanted to... | 0:19:38 | 0:19:41 | |
-I want to have a look at the delft, yeah. -Just see. | 0:19:41 | 0:19:43 | |
Meanwhile, Caroline and the Reds have spotted something new. | 0:19:43 | 0:19:47 | |
-Caroline, what about that at the back there? -The mother-of-pearl box. -Yeah. | 0:19:47 | 0:19:52 | |
I think that's gorgeous. I love mother-of-pearl. | 0:19:52 | 0:19:55 | |
-Do you want to have a closer look? I'll go and fetch somebody. -Yes. | 0:19:55 | 0:19:58 | |
As Caroline heads off to get the item out of the cabinet, | 0:19:58 | 0:20:01 | |
the Blues home in on the delft. | 0:20:01 | 0:20:04 | |
Thank you very much indeed. | 0:20:04 | 0:20:06 | |
-Very early. 18th century. -These things are always... Yes. | 0:20:06 | 0:20:11 | |
Well, it's gotta be 18th. 18th or 19th. | 0:20:11 | 0:20:13 | |
But the whole idea behind delft is to copy the Chinese porcelain. | 0:20:13 | 0:20:18 | |
-It's got to be 18th or 19th. -How much? -You're straight into the money. | 0:20:18 | 0:20:21 | |
-Yes, that's what we're here for! -Michael! 98. | 0:20:21 | 0:20:24 | |
-I don't think it's saleable as the jug. -It's not as saleable as the jug. | 0:20:24 | 0:20:28 | |
-It's not. -I think not. | 0:20:28 | 0:20:30 | |
-I don't like the shape, actually. -Don't you? -No. | 0:20:30 | 0:20:33 | |
Well, we're going to put that back, so we're back to the little jug. | 0:20:33 | 0:20:36 | |
-To the corner. -Shall we go... Back to the Spode jug. -Yes, quickly. | 0:20:36 | 0:20:39 | |
-Come on. -Come on, quick. -Quick, quick. Jump over everything. | 0:20:39 | 0:20:42 | |
Watch the furniture, please, Penny. | 0:20:42 | 0:20:44 | |
With the cabinet now open, | 0:20:44 | 0:20:46 | |
the Reds can take a closer look at the mother-of-pearl box. | 0:20:46 | 0:20:49 | |
-That is beautiful. -Pretty. -I like the pink. | 0:20:50 | 0:20:53 | |
And this is Victorian, so we're talking over 100 years old. | 0:20:53 | 0:20:57 | |
It's beautiful. | 0:20:57 | 0:20:58 | |
Very often bits of it are missing, have come off over the years. | 0:20:58 | 0:21:02 | |
-That's what I was concerned about. -And... | 0:21:02 | 0:21:05 | |
-Oh, look. Isn't that pretty? -Lovely. | 0:21:05 | 0:21:08 | |
-Silk-lined and I wonder if it's had a little tray there? -Looks like it. | 0:21:08 | 0:21:13 | |
-I wonder if it's a little jewellery box. -Uh... -Do you like that? | 0:21:13 | 0:21:17 | |
-I do, yeah. -I think again it's all the money. It's £75. | 0:21:17 | 0:21:23 | |
I think we need a price. Andy, could you give us your best price, please? | 0:21:23 | 0:21:29 | |
-60. -Oh, no. It needs to be better than that. | 0:21:29 | 0:21:35 | |
-I'll do 55 but then I'm done. -I think we're going to have to bid. | 0:21:35 | 0:21:38 | |
-What do you think? -I'd like to see 50. 52? | 0:21:38 | 0:21:43 | |
53 and we're there. I've probably done more than I should have done. | 0:21:43 | 0:21:46 | |
-I'm happy with that. -Yeah. -Happy, Carol? -Yeah. -What about you? | 0:21:46 | 0:21:50 | |
-As you're the expert, what do you think? -I like it. | 0:21:50 | 0:21:53 | |
SHE LAUGHS | 0:21:53 | 0:21:54 | |
My lips didn't move then! My lips did not move, Carol. | 0:21:54 | 0:21:58 | |
I... I agree with you. I think it's a nice lot. | 0:21:58 | 0:22:02 | |
I don't know how much profit there's going to be. It's lovely. | 0:22:02 | 0:22:05 | |
-You both really like it. You both agree. -I would do. | 0:22:05 | 0:22:09 | |
-You'll do the deal. -Thank you very much. -Thank you very much. -Thank you. | 0:22:09 | 0:22:14 | |
Congratulations. All three items bought. | 0:22:14 | 0:22:17 | |
It's decision time, you two. | 0:22:19 | 0:22:21 | |
You've been thinking about it for almost an hour. | 0:22:21 | 0:22:26 | |
-It was very early so we weren't quite sure. -Yeah. | 0:22:26 | 0:22:28 | |
-Do you think 33 would do? -I'm sure we'd do 33. -33? Thank you very much. | 0:22:28 | 0:22:35 | |
-Have we done it? -Yes. -There's your final item. | 0:22:35 | 0:22:37 | |
Thank you very much, you two. Well done. Well done. | 0:22:37 | 0:22:41 | |
-Well done, Penny. Well done. -And a big well done from me too. | 0:22:41 | 0:22:45 | |
You've also finished your shopping. | 0:22:46 | 0:22:48 | |
Time's up. Let's see what the Red team bought. | 0:22:50 | 0:22:54 | |
On reflection, they parted with £60 for a silver-backed Art Nouveau | 0:22:54 | 0:22:58 | |
dressing table mirror. | 0:22:58 | 0:23:01 | |
An early 20th century bamboo shooting stick cost £40. | 0:23:01 | 0:23:05 | |
And finally, they spent £53 on a mother-of-pearl mounted box. | 0:23:05 | 0:23:10 | |
-You chaps have cut to the lean meat, haven't you? -Yes. | 0:23:11 | 0:23:14 | |
Yes, you certainly have. Good, good. Which is your favourite piece? | 0:23:14 | 0:23:18 | |
-The mirror. -Yeah, the mirror. That's the favourite. | 0:23:18 | 0:23:20 | |
-Excellent. Which is going to bring the biggest profit? -Shooting stick. | 0:23:20 | 0:23:24 | |
-I reckon that's going to do really well. -Do you? | 0:23:24 | 0:23:26 | |
-And you spent in total how much? -153. -£153. | 0:23:26 | 0:23:31 | |
I would like £147 of leftover lolly, please. | 0:23:31 | 0:23:34 | |
-Give him the lolly, Carol. -That's it. How long have you two been together? | 0:23:34 | 0:23:37 | |
-32 years. -32 years and it don't seem a day too long, right? -No. | 0:23:37 | 0:23:41 | |
-He's my best mate. -Is he? | 0:23:41 | 0:23:43 | |
-That's the way. -That's the way to do it. Yes. | 0:23:43 | 0:23:45 | |
-And I bet he gets you lovely pork chops and stuff. -Oh, yeah. | 0:23:45 | 0:23:49 | |
Talking of meat, let's hand over the dough. Are you feeling confident? | 0:23:49 | 0:23:52 | |
-I am. Very confident, yes. -That is a lot of money, isn't it, Caroline? | 0:23:52 | 0:23:56 | |
It is. I shall take great care of it, I promise you. | 0:23:56 | 0:23:58 | |
Do you think you're going to go for furniture, silver, ceramics, | 0:23:58 | 0:24:02 | |
jewellery, bling, what? | 0:24:02 | 0:24:03 | |
Yes, I've looked at all of those things but I haven't decided. | 0:24:03 | 0:24:07 | |
Have you not? You're very coy, aren't you? And quite right too. | 0:24:07 | 0:24:11 | |
Excellent. Why don't we right now check out what the Blue team bought? | 0:24:11 | 0:24:15 | |
They were bowled over by this cranberry glass bowl | 0:24:16 | 0:24:19 | |
which cost them £22. | 0:24:19 | 0:24:21 | |
A set of mahogany wall shelves set them back £70. | 0:24:21 | 0:24:25 | |
And they poured £33 of their budget | 0:24:25 | 0:24:29 | |
into this 19th century Spode jug with cracks. | 0:24:29 | 0:24:33 | |
-Gosh, this has been fun, hasn't it? -Oh, it's been fantastic. | 0:24:33 | 0:24:35 | |
-Did you have a good shop? -Oh, yes. Great. | 0:24:35 | 0:24:37 | |
-How much did you spend, actually? -125. -Is that all? | 0:24:37 | 0:24:41 | |
They were either too expensive or, you know, | 0:24:41 | 0:24:43 | |
we had very expensive taste between us. | 0:24:43 | 0:24:45 | |
-Are they a bit picky, these girls, David? -Picky. Picky, Tim... | 0:24:45 | 0:24:49 | |
-I will talk to you about it later. -OK, fine. | 0:24:49 | 0:24:52 | |
Which is your favourite piece, Michael? | 0:24:52 | 0:24:54 | |
I think the shelves. The mahogany shelves. They're very attractive. | 0:24:54 | 0:24:58 | |
-The favourite. Do you agree? -Yeah, I do. It's my favourite also. | 0:24:58 | 0:25:01 | |
-Yes, definitely. -Will the shelves bring the biggest profit? -No. -No. | 0:25:01 | 0:25:05 | |
-We doubt it. -What do you think will? | 0:25:05 | 0:25:08 | |
-I think that awful cranberry. -I like the cranberry. | 0:25:08 | 0:25:10 | |
It's quite saleable. | 0:25:10 | 0:25:12 | |
So how much did you spend on the old cranberry? | 0:25:12 | 0:25:14 | |
-22. We were done. -That was a snip, wasn't it? -I think so. | 0:25:14 | 0:25:17 | |
Please may I have £175 of leftover lolly. Thank you very much, Michael. | 0:25:17 | 0:25:22 | |
That's your roll. Quite warm, isn't it? Try that for a hot roll. | 0:25:22 | 0:25:26 | |
-It's a big roll. -What are you going to do with it? | 0:25:26 | 0:25:28 | |
-I'm going to buy something broken. -Are you? | 0:25:28 | 0:25:31 | |
In honour of my dream team | 0:25:31 | 0:25:34 | |
who love anything that's smashed and hammered. | 0:25:34 | 0:25:37 | |
It's been such a happy morning for this lot. | 0:25:37 | 0:25:41 | |
Anyway, I'm going to head off now and show your the prettiest two | 0:25:41 | 0:25:45 | |
-little things you'll ever find in Leominster. -Michael and me? | 0:25:45 | 0:25:48 | |
-THEY LAUGH -Bravo. | 0:25:48 | 0:25:52 | |
There are some surprising contrasts in these antiques centres. | 0:25:59 | 0:26:03 | |
If you take a native-produced, not sophisticated nor manufactured | 0:26:03 | 0:26:11 | |
product like this stool, it is a wondrous object in some respects. | 0:26:11 | 0:26:18 | |
Firstly, this has been made out of a single log of wood. | 0:26:19 | 0:26:24 | |
Chop a tree down and that is the diameter of the tree | 0:26:24 | 0:26:28 | |
and what this West African native has done is to take that log, | 0:26:28 | 0:26:34 | |
cut away all the timber around the legs. | 0:26:34 | 0:26:38 | |
They aren't jointed into the top | 0:26:38 | 0:26:40 | |
and that in itself is a bit of a miracle. | 0:26:40 | 0:26:43 | |
The next bit of the miracle is that the top has been dished and then | 0:26:43 | 0:26:49 | |
he's decorated it with little glass coloured beads, | 0:26:49 | 0:26:53 | |
and then he's filled the centre with some animals. | 0:26:53 | 0:26:55 | |
We've got a heffalump there, look, | 0:26:55 | 0:26:57 | |
and an enormous boa constrictor there, | 0:26:57 | 0:27:00 | |
and then a white bird that looks a bit like a guinea fowl | 0:27:00 | 0:27:04 | |
but might be an ibis, | 0:27:04 | 0:27:06 | |
and over there we're got a rat having a snack off a bit of a leaf. | 0:27:06 | 0:27:11 | |
And then most unusually we've got the date. Look. | 0:27:11 | 0:27:14 | |
The 12th of the 11th, 1931. | 0:27:14 | 0:27:17 | |
Quite how it fetched up here in Herefordshire, I don't know. | 0:27:18 | 0:27:24 | |
And priced at only £30, it's a little dream. | 0:27:24 | 0:27:28 | |
Now, in comparison to that native craftsmanship, | 0:27:28 | 0:27:32 | |
we have the most sophisticated form of Edwardian luxury furniture. | 0:27:32 | 0:27:39 | |
If I sit down, you can see what we've got here is | 0:27:39 | 0:27:43 | |
a piece of mahogany that goes to make a tabletop. | 0:27:43 | 0:27:46 | |
Moulded edge and with these uprights, acorn finials, | 0:27:46 | 0:27:50 | |
which are in fact the supports for the ends of the columns underneath | 0:27:50 | 0:27:56 | |
and the open divided sections. | 0:27:56 | 0:27:59 | |
Each of those divided sections have got brass rails running | 0:27:59 | 0:28:03 | |
along the outside with openings into which you can post your books. | 0:28:03 | 0:28:08 | |
So if you're sitting at an armchair or even on an African stool | 0:28:08 | 0:28:12 | |
and you need to get at lots of books and you don't want to have to get up | 0:28:12 | 0:28:15 | |
and go to a bookcase, this thing, because it revolves, | 0:28:15 | 0:28:20 | |
which is really clever, isn't it? | 0:28:20 | 0:28:22 | |
That gives you access to the books and you don't move an inch. | 0:28:22 | 0:28:26 | |
All you need is £150 in your back pocket. | 0:28:26 | 0:28:30 | |
Supreme native comfort and Edwardian convenience. What could be better? | 0:28:30 | 0:28:36 | |
It's a hive of activity here, I tell you. | 0:28:50 | 0:28:53 | |
And with Philip Serrell, what else would you expect? Phil. | 0:28:53 | 0:28:56 | |
-How are you, Tim? -Lovely to see you. -Good to see you. | 0:28:56 | 0:28:59 | |
We've got an interesting mix of objects from Leominster | 0:28:59 | 0:29:02 | |
just down the road. How do you rate the silver-backed toilet mirror? | 0:29:02 | 0:29:06 | |
I think it's quite a fun thing. I like the decoration on the back. | 0:29:06 | 0:29:11 | |
-I would think that's going to make between £30-45. -£60 they paid. -Oh. | 0:29:11 | 0:29:15 | |
Difficult, isn't it? Cos this swirly stuff, that Art Nouveau look, | 0:29:15 | 0:29:18 | |
-is very good. -It is. -Crisp, isn't it? | 0:29:18 | 0:29:21 | |
You wouldn't want to make it for 30, 40 or 60, would you? | 0:29:21 | 0:29:23 | |
-No, you wouldn't. But maybe not that easy to sell. -No. | 0:29:23 | 0:29:27 | |
Hunting, shooting and fishing is everything in this county. | 0:29:27 | 0:29:30 | |
I quite like that. | 0:29:30 | 0:29:31 | |
I think that's a good bit of fun, and you know, you could actually use it, | 0:29:31 | 0:29:35 | |
-couldn't you? -You could. | 0:29:35 | 0:29:36 | |
I think that's going to make, I dunno, 30-40, £45, | 0:29:36 | 0:29:39 | |
-something like that. -OK. £40 paid. That's fine. | 0:29:39 | 0:29:42 | |
And I particularly like this mother-of-pearl encrusted box. | 0:29:42 | 0:29:46 | |
I think it's a handy little thing. | 0:29:46 | 0:29:48 | |
I like that but that's a box specifically for something, isn't it? | 0:29:48 | 0:29:52 | |
Yes, it is. | 0:29:52 | 0:29:53 | |
And having that bent piece of metal as a spring there, | 0:29:53 | 0:29:57 | |
I feel I want to depress it fully, but that's going to break it. | 0:29:57 | 0:30:02 | |
It's got that ledge there, so what sort of box or bottle it held | 0:30:02 | 0:30:06 | |
and why you want it with a spring in there... | 0:30:06 | 0:30:09 | |
-I don't get it, but what a beautifully made thing. -Yeah. | 0:30:09 | 0:30:12 | |
-I think we'd put £30-50 on it. -Yeah, £53 it cost. | 0:30:12 | 0:30:16 | |
-They're in with a chance. -Anyway, if that doesn't do so well, | 0:30:16 | 0:30:19 | |
I fancy they'll need their bonus buy so let's go have a look at it. | 0:30:19 | 0:30:22 | |
Andy, Carol, this is your moment. | 0:30:22 | 0:30:25 | |
You spent £153, you gave £147 to Caroline | 0:30:25 | 0:30:29 | |
and you seemed to have bought a painting. Yes, look. | 0:30:29 | 0:30:31 | |
THEY LAUGH | 0:30:31 | 0:30:33 | |
Are you taking the mickey here? What is your job, Andy? | 0:30:33 | 0:30:36 | |
-I was thinking about that. -I mean, what are you? | 0:30:36 | 0:30:39 | |
-I'm a butcher by trade. -What have we got? Hereford beef. | 0:30:39 | 0:30:44 | |
-That's brilliant. -Isn't that marvellous. It's a print. | 0:30:44 | 0:30:48 | |
It's a limited edition print. I think it's 158 out of 200. | 0:30:48 | 0:30:53 | |
-Herefordshire beef, hey? -I like that. -Much did you pay for it? | 0:30:53 | 0:30:57 | |
-£20. -No! -£20, yep. -That's bound to make a profit. -That's a bargain. | 0:30:57 | 0:31:02 | |
-Would you love it in your shop? -I would, yeah. -Would you? | 0:31:02 | 0:31:05 | |
-Grand place in the shop, above the counter. -Would you? -Yep, brilliant. | 0:31:05 | 0:31:10 | |
I thought you'd like it. It doesn't have a great age to it, | 0:31:10 | 0:31:13 | |
but I thought it was fun and so pertinent to you. | 0:31:13 | 0:31:16 | |
Yeah. And hopefully for our audience in the sale room today. | 0:31:16 | 0:31:20 | |
-Exactly, yeah. -It's an agricultural area, isn't it? | 0:31:20 | 0:31:23 | |
-There will be people who breed these things. -It's really good, that. | 0:31:23 | 0:31:27 | |
Anyway, £20 paid. The team like it. Well done, Caroline. | 0:31:27 | 0:31:31 | |
Right now for the audience at home, | 0:31:31 | 0:31:32 | |
let's find out whether the auctioneer likes this print. | 0:31:32 | 0:31:36 | |
-OK, Phil. This is local. -I think that's a fun thing, actually. | 0:31:36 | 0:31:40 | |
I quite like it. We have got a few breeders around here. | 0:31:40 | 0:31:43 | |
-I can see that making around the £20 mark. -That's what they paid, £20. | 0:31:43 | 0:31:46 | |
-That's a result. -That's a miracle, isn't it? | 0:31:46 | 0:31:48 | |
-There's a few burgers there. -Look well in somebody's lavatory, yes? | 0:31:48 | 0:31:52 | |
-It's that kind of humorous thing. -I love that. I think that's good fun. | 0:31:52 | 0:31:55 | |
Good fun. Good. | 0:31:55 | 0:31:57 | |
-I wouldn't be surprised if that did quite well for them. -Lovely. | 0:31:57 | 0:32:00 | |
-Moving on to the Blues, we've got a cranberry glass bowl. -Nice enough. | 0:32:00 | 0:32:05 | |
-Bit yesterday's taste. £20-30 worth. -£22 paid. | 0:32:05 | 0:32:09 | |
-OK. -And it's not in bad condition. | 0:32:09 | 0:32:11 | |
Secondly, we've got the wall shelves. | 0:32:11 | 0:32:13 | |
They've catalogued them as 19th century. | 0:32:13 | 0:32:15 | |
-They could be a little older than that. -They could be. | 0:32:15 | 0:32:18 | |
-Just 1800, you know. -They could be just. | 0:32:18 | 0:32:20 | |
I don't think they're 18th century. They might be on the cusp. | 0:32:20 | 0:32:23 | |
I was a bit mean with those. I think I put, what, £30-50 on them? | 0:32:23 | 0:32:26 | |
They paid 70 and I reckon about £100. | 0:32:26 | 0:32:28 | |
-But, you know, the market will tell us what they're worth. -Exactly. | 0:32:28 | 0:32:31 | |
What I like about it is that waterfall look. | 0:32:31 | 0:32:34 | |
-It's a great term as well. -For my money, it's £100 worth. | 0:32:34 | 0:32:36 | |
We'll see what happens, which is fun. | 0:32:36 | 0:32:38 | |
What is not so fun is the state of this Spode jug. It's a shocker. | 0:32:38 | 0:32:43 | |
Yeah, well, I think we need to sell that fairly quickly before it just | 0:32:43 | 0:32:47 | |
falls apart completely. | 0:32:47 | 0:32:48 | |
I love this transfer printed stuff | 0:32:48 | 0:32:50 | |
but I cannot abide it if it's cracked. | 0:32:50 | 0:32:52 | |
Well, it's a lovely example but it's just too far gone in my eyes. | 0:32:52 | 0:32:57 | |
-It's a £5 note, for me. -I'd put a tenner on it. Did you? Yeah. | 0:32:57 | 0:33:01 | |
Penny fell in love with it | 0:33:01 | 0:33:03 | |
and quite frankly hopefully the penny now has dropped. | 0:33:03 | 0:33:06 | |
On that not so optimistic note, they may need their bonus buy, | 0:33:06 | 0:33:10 | |
so let's go and have a look at it. | 0:33:10 | 0:33:12 | |
So, M and P, this is your moment. | 0:33:12 | 0:33:15 | |
£125 you spent, you gave David Harper £175. | 0:33:15 | 0:33:19 | |
-David, show us your wares. -OK. Here we go. Right, you two. | 0:33:19 | 0:33:23 | |
-Do we love things that... -Ugh! -What? -Sorry. -What?! | 0:33:23 | 0:33:27 | |
Come on, Penny. | 0:33:27 | 0:33:29 | |
You two know everything there is to know about antiques. | 0:33:29 | 0:33:32 | |
-Tell me what that is. -It's a famille verte. -Yes. -Chinese. -Yep. | 0:33:32 | 0:33:36 | |
-Probably for export. -Definitely. -Peking. -Yeah, Cantonese. -Yeah. | 0:33:36 | 0:33:41 | |
-And date? -Oh, gosh. I should think probably 1890, 1900 or so. | 0:33:41 | 0:33:48 | |
Cantonese, late 19th century, export piece, bowl and cover. | 0:33:48 | 0:33:52 | |
-But it's busted. -I know but look at the way it's been restored. | 0:33:52 | 0:33:56 | |
-I thought you'd appreciate this. -Appalling. | 0:33:56 | 0:33:58 | |
-It's fantastic. -It's a collectable now. -The rivets. | 0:33:58 | 0:34:02 | |
-We don't take them out because they're an art form. -They are art. | 0:34:02 | 0:34:06 | |
On odd occasions, a piece of early porcelain. | 0:34:06 | 0:34:10 | |
There was a case in point with a marble Roman bust recently that | 0:34:10 | 0:34:13 | |
sold for a fortunate because of its 18th century rivets. | 0:34:13 | 0:34:17 | |
-It made more money because of the restoration. -Yep. | 0:34:17 | 0:34:20 | |
-But do you appreciate the painting, the enamel work? -No, I don't. | 0:34:20 | 0:34:23 | |
-No, you don't. -It's not very good. It's not a good one, I'm afraid. -Oh. | 0:34:23 | 0:34:27 | |
-Shame on you. I've seen better. -OK, never mind. | 0:34:27 | 0:34:31 | |
Come back, David, come back! Don't go. | 0:34:31 | 0:34:34 | |
-Depends what you paid for it. -OK. Well, 40, and it was a bargain. | 0:34:34 | 0:34:39 | |
In immaculate condition it's a few hundred pounds, isn't it? | 0:34:39 | 0:34:42 | |
Easily 300-400. | 0:34:42 | 0:34:44 | |
He paid £40. You're going to ask him, Michael, how much profit he's going to make on that. | 0:34:44 | 0:34:48 | |
-What do you think it will make? -I think it should make £80. -Mm-hm. | 0:34:48 | 0:34:53 | |
-Double the money. -I think double bubble would be the aim. | 0:34:53 | 0:34:56 | |
We got the low-down there. Thank you very much. | 0:34:56 | 0:34:59 | |
Let's find out now for the audience at home | 0:34:59 | 0:35:01 | |
what the auctioneer thinks about the Canton pot. | 0:35:01 | 0:35:05 | |
On the face of it, this is a jolly good-looking thing. | 0:35:05 | 0:35:08 | |
It's a lovely thing, Tim, | 0:35:08 | 0:35:09 | |
and if you look at it just like that you're thinking £150-250. | 0:35:09 | 0:35:13 | |
Definitely. | 0:35:13 | 0:35:14 | |
But when you open it up, you can see it is riveted, like, everywhere. | 0:35:14 | 0:35:20 | |
These are old repairs. They were done a long time ago. | 0:35:20 | 0:35:23 | |
In that condition, I think it's £20 or 30 worth. | 0:35:23 | 0:35:26 | |
Harper paid 40 as a bonus buy. | 0:35:26 | 0:35:28 | |
We know at £40 for something that looks almost like it's not too bad. | 0:35:28 | 0:35:34 | |
At least he didn't pay too much. He's not far out the way. | 0:35:34 | 0:35:38 | |
I think it's rather a handsome thing, bit like you. | 0:35:38 | 0:35:40 | |
-Oh, thanks, Tim. -Anyway, good luck on the rostrum. | 0:35:40 | 0:35:44 | |
At 600. 600. Is there any more? At £600. Done. Thank you. | 0:35:46 | 0:35:53 | |
-This is exciting? -Yes. -Very. | 0:35:53 | 0:35:55 | |
I tell you, we are on the edge of our seat here. | 0:35:55 | 0:35:57 | |
First lot up is your dressing table mirror, and isn't that beautiful? | 0:35:57 | 0:36:00 | |
-20, I've got it. 20. Bid 30, 40, 50. At 50. -50. -£50 only. | 0:36:00 | 0:36:06 | |
The bid's with me. Any more at all? | 0:36:06 | 0:36:09 | |
-At £50 and I sell then at £50 and... -Oh! Blast it. -Thank you. -£50. | 0:36:09 | 0:36:14 | |
He tried. That's minus £10. You'll make the money on this here. | 0:36:14 | 0:36:20 | |
Shooting stick. Bid me for that. Put in the bidding. | 0:36:20 | 0:36:23 | |
-£40 someone. £30. -More, more. -You got 20. 20 I am bid. At 20. | 0:36:23 | 0:36:29 | |
-We're starting. -Starts low. | 0:36:29 | 0:36:33 | |
30? 25? 30. 30 bid. At £30 only. | 0:36:33 | 0:36:37 | |
And 40 I've got on the net now. 40. 40 bid. I'll take five. | 0:36:37 | 0:36:40 | |
-At 40. At £40 only. On the left. -Once a tenner.. | 0:36:40 | 0:36:43 | |
-£40 and I sell, then, at £40 and done. Thank you. -£40. | 0:36:43 | 0:36:49 | |
Wiped its face. Boo hoo. Now, stand by for the mother-of-pearl box. | 0:36:49 | 0:36:54 | |
Bid me for that. Start me off. £50. Lovely little box, this. 50. | 0:36:54 | 0:36:59 | |
Start me at 20 straight off. Forest of hands. 20. I am bid at 20. 20 bid. | 0:36:59 | 0:37:04 | |
-I'll take five. At 20. Five. 30. -Ooh. -Go on. £30 only. | 0:37:04 | 0:37:10 | |
-This is for nothing. At 30. And five. 40 now. And 40 bid. -Yes, come on. | 0:37:10 | 0:37:15 | |
-At £40 only. Any more? At £40 and done, then, at £40. Thank you. -Oh! | 0:37:15 | 0:37:21 | |
£40. That's so close again. Minus 13. | 0:37:21 | 0:37:25 | |
-You're at minus 23 all told, all right? -That's a start. | 0:37:25 | 0:37:29 | |
-So you're going to do the print, are you? -Yes. -Are you going to do it? | 0:37:29 | 0:37:33 | |
-Definitely. -Going to do it. £20 paid, right? So a bit of fun. | 0:37:33 | 0:37:37 | |
-He's estimated it at £20. You're going with it. -Yeah. | 0:37:37 | 0:37:40 | |
-All it needs is make £23 profit and you're ahead. -We're there. | 0:37:40 | 0:37:45 | |
-We're going with the bonus buy and here it comes. -I've got £50 bid. | 0:37:45 | 0:37:49 | |
-50! -Yes! -Get in there! -My woman. -At 50. Is there any more? At £50. | 0:37:49 | 0:37:57 | |
-Bid's on the book. At £50 and I sell. -I love it. -At £50 and done. | 0:37:57 | 0:38:02 | |
-Thank you. -Yes! -Isn't that fantastic. | 0:38:02 | 0:38:06 | |
That's plus £30 which means overall you are now going home with money, | 0:38:06 | 0:38:11 | |
-and this never happens. You've got £7. -Excellent. | 0:38:11 | 0:38:15 | |
-That's my lucky number. -What, seven? -Yeah. -Well, isn't that lovely? | 0:38:15 | 0:38:19 | |
At £ 20... Thank you. | 0:38:19 | 0:38:24 | |
-Michael, Penny, how are you feeling? -Optimistic. | 0:38:29 | 0:38:32 | |
-That's what I like to hear. -Pessimistic. | 0:38:32 | 0:38:34 | |
I don't like to hear that. | 0:38:34 | 0:38:36 | |
-First up is your cranberry bowl and here it comes. -Cranberry glass bowl. | 0:38:36 | 0:38:40 | |
There we are. Will you bid me for that? Start me off, someone. | 0:38:40 | 0:38:43 | |
-£30 to go. -Go on. Go on. It's a nice signed one. | 0:38:43 | 0:38:46 | |
-£10 quickly. -Oh, dear. -Help. -Oh, dear. | 0:38:46 | 0:38:50 | |
-Help? -Who's got a fiver? Quickly. -That's mean. -Thank you. | 0:38:50 | 0:38:53 | |
Thank you for coming. We'll send a cab next time. At five. | 0:38:53 | 0:38:56 | |
I am bid at five. At £5. There's the bid. | 0:38:56 | 0:38:59 | |
-At £5, I'm only bid at five. -And now it's getting worse. | 0:38:59 | 0:39:03 | |
-I can't bear it. -No! -Ten. 15. 15? | 0:39:03 | 0:39:07 | |
-15. 15. -Come on. -At £15 only. At 15. | 0:39:07 | 0:39:11 | |
-There's the bid. At £15. -I don't believe it. A signed piece. | 0:39:11 | 0:39:16 | |
-Thank you. -Minus seven. -That's OK. | 0:39:16 | 0:39:20 | |
-This is where I'm going to crawl away. -Now, the wall shelves. | 0:39:20 | 0:39:23 | |
I've got a bid at £30 starting. | 0:39:23 | 0:39:25 | |
-30. 35. 40. Five. -50? -50. Five. 60. Five. | 0:39:25 | 0:39:32 | |
-Come on. -75. | 0:39:32 | 0:39:34 | |
-That's more like it. -80. Five. 90. Five. -Michael, you're a genius. | 0:39:34 | 0:39:40 | |
-My gosh. -100. 110. 120 with me. At 120. -Brilliant. -130. -Yes. -140. | 0:39:40 | 0:39:47 | |
140. Bid's on the book at £140 only. Is there any more? At £140. | 0:39:47 | 0:39:53 | |
-Look at that, girls! -At £140 and done. -140! -Thought you would do well. | 0:39:53 | 0:39:58 | |
And thank you. | 0:39:58 | 0:39:59 | |
-Yes, that's very good. -He described it beautifully, didn't he? | 0:39:59 | 0:40:02 | |
Didn't he just. Plus 70. You had minus seven. You are plus 63, girls. | 0:40:02 | 0:40:07 | |
I have to say, I think this has seen better days. There we are. | 0:40:07 | 0:40:12 | |
-The Spode jug. -God, I'm embarrassed about that. -No, you're not. | 0:40:12 | 0:40:16 | |
-It's interesting. -It's attractive. Academically interesting. | 0:40:16 | 0:40:20 | |
Start me at £20, someone. | 0:40:20 | 0:40:22 | |
-Who's got a tenner? Who's got a fiver? -It's this side now. -Yeah. | 0:40:22 | 0:40:27 | |
Someone has to have a fiver. Thank you. Five, I'm bid at five. Five bid. | 0:40:27 | 0:40:31 | |
£5. At £5. I'm bid at five. Thank you for coming. At £5. | 0:40:31 | 0:40:35 | |
-Five bid. -Oh, no! -Any more at all? | 0:40:35 | 0:40:39 | |
-At £5 and done at £5 and done. Thank you. -Minus 28. Minus 28. | 0:40:39 | 0:40:45 | |
-Oh, no! -So that gives you plus £35. | 0:40:45 | 0:40:48 | |
-You're going with the bonus buy or not? -It's worth a punt. Come on. | 0:40:48 | 0:40:51 | |
-Yes. -You're going with the bonus buy. | 0:40:51 | 0:40:53 | |
-Now I can tell you what his estimate is, which is £20-30. -Oh! | 0:40:53 | 0:40:56 | |
I don't think there can be much of a down side | 0:40:56 | 0:40:59 | |
if there's a down side at all, frankly. | 0:40:59 | 0:41:01 | |
The Canton pot. Bid me for that. Start me off. £30. 20. | 0:41:01 | 0:41:07 | |
-Surely. -Oh, come on! -Who's got a tenner? -Oh, no. | 0:41:07 | 0:41:10 | |
-It's one of those £10 moments. -Who said that? Thank you. I'll take that. | 0:41:10 | 0:41:13 | |
At ten, I'm bid. Ten. At £10. 15. | 0:41:13 | 0:41:17 | |
15. Yes or no? 15. Down here at 15. | 0:41:17 | 0:41:22 | |
15. Is there any more? | 0:41:22 | 0:41:24 | |
-At £15 only. There's the bid at £15 and I sell. -I can't believe it. | 0:41:24 | 0:41:30 | |
-Thank you. -15 is minus 25 which means overall you're plus £10. | 0:41:30 | 0:41:36 | |
-Oh, that's good. -That's good. -That's better than nothing. | 0:41:36 | 0:41:39 | |
£140, is there any more? | 0:41:39 | 0:41:41 | |
-Well, teams this is fun, isn't it? Been chatting? -ALL: No. | 0:41:49 | 0:41:53 | |
-So you've revealed no secrets. -No. | 0:41:53 | 0:41:55 | |
-Well, I can reveal that both teams are in profit. -ALL: Ooohh! | 0:41:55 | 0:41:58 | |
-How rare is that? -Makes a change. | 0:42:00 | 0:42:01 | |
Certainly does. You took the words out of my mouth. | 0:42:01 | 0:42:04 | |
And there's only £3 between the teams | 0:42:04 | 0:42:07 | |
-in terms of the profit stakes. -No! | 0:42:07 | 0:42:10 | |
And the runners up today, with marginally less winnings, | 0:42:10 | 0:42:14 | |
-are the Reds. -Oh! | 0:42:14 | 0:42:17 | |
Because you have managed to run up, not lose, by winning £7. | 0:42:17 | 0:42:23 | |
-How's that? There's your £5 note. -Thank you. | 0:42:23 | 0:42:27 | |
Here, my darling, is your £2. There's the shrapnel. | 0:42:27 | 0:42:30 | |
-Thank you very much. -Which is a good result, really. -Yes. | 0:42:30 | 0:42:33 | |
You would have got nowhere without Caroline's bonus buy, though. | 0:42:33 | 0:42:37 | |
That gave you £30 of profit out of those old heifers. | 0:42:37 | 0:42:40 | |
-Which is quite something, isn't it? -We enjoyed it. -Very good. | 0:42:40 | 0:42:44 | |
You've done very well, Caroline. Thank you very much. | 0:42:44 | 0:42:47 | |
-Thank you for joining us. But the victors today get £10. -Thank you. | 0:42:47 | 0:42:51 | |
-Isn't that good? -Yes. -Yeah, really good. -A waterfall or profits. | 0:42:51 | 0:42:54 | |
-THEY LAUGH -Absolutely. | 0:42:54 | 0:42:56 | |
-Did you have a nice time? -It was great fun. | 0:42:56 | 0:42:58 | |
-Good for you, Penny? -Wonderful. -How was it for you, David? -Fabulous. | 0:42:58 | 0:43:01 | |
There we go. A lovely result all round, and congratulations. | 0:43:01 | 0:43:05 | |
-Join us soon for some more bargain hunting, yes? -ALL: Yes! | 0:43:05 | 0:43:09 |