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We are in Devonshire, in the West Country. | 0:00:03 | 0:00:06 | |
A county famous for its scrummy cream teas and beautiful coastline, | 0:00:06 | 0:00:10 | |
but there's no time for sightseeing round here. | 0:00:10 | 0:00:14 | |
Our teams today are going to be scouring for the best in the west | 0:00:14 | 0:00:18 | |
amongst the 400-odd stalls here | 0:00:18 | 0:00:21 | |
at the Westpoint Arena just outside Exeter. | 0:00:21 | 0:00:25 | |
Ha! No time to waste. | 0:00:25 | 0:00:27 | |
Let's go bargain hunting! | 0:00:27 | 0:00:29 | |
Yeah. | 0:00:29 | 0:00:30 | |
Our teams as usual have 60 minutes to find three items to take on | 0:00:55 | 0:01:00 | |
and sell at auction. | 0:01:00 | 0:01:01 | |
The big question is, though, will they be able to handle the pressure? | 0:01:01 | 0:01:05 | |
Here's a quick peek as to what's coming up. | 0:01:05 | 0:01:07 | |
The Reds push the panic button. | 0:01:10 | 0:01:12 | |
-OK. -We won't have a panic moment. | 0:01:12 | 0:01:14 | |
-No. What, us? -Will we? -Of course not. | 0:01:14 | 0:01:16 | |
While the Blues make an ass of themselves. | 0:01:18 | 0:01:22 | |
Go on. | 0:01:22 | 0:01:23 | |
-MIMICS ANIMAL -Ba-ha-ha. | 0:01:23 | 0:01:24 | |
ALL: Ha-ha-ha-ha. | 0:01:24 | 0:01:25 | |
But before I give too much away, let's meet the teams. | 0:01:26 | 0:01:30 | |
We have two teams today who are hoping to | 0:01:31 | 0:01:35 | |
hone their negotiating skills in finding the best bargains. | 0:01:35 | 0:01:40 | |
For the Reds, we've got Angie and Paul, and for the Blues, | 0:01:40 | 0:01:43 | |
we've got Kathy and Dan. Hello, everyone! | 0:01:43 | 0:01:45 | |
-ALL: Hello! -Hello to you, Tim. -Hiya. | 0:01:45 | 0:01:47 | |
Now, Paul, how did you meet, you two? | 0:01:47 | 0:01:49 | |
Well, we used to live in the same street, then I moved away, | 0:01:49 | 0:01:54 | |
and a few months later I was driving to work, and I saw this car parked | 0:01:54 | 0:01:58 | |
in the lay-by with the bonnet up, and I thought - | 0:01:58 | 0:02:00 | |
I recognise that car, she looks like she's in trouble. | 0:02:00 | 0:02:02 | |
So I pulled into the lay-by to see if I could help. | 0:02:02 | 0:02:05 | |
Done a bit of mechanics in my time, fixed the car and away we went. | 0:02:05 | 0:02:10 | |
-Ha-ha-ha. -So everything sparked into life?! -It did, it did. | 0:02:10 | 0:02:13 | |
-Well, isn't that lovely. -It is. | 0:02:13 | 0:02:15 | |
So, you're a bit of a petrol head then, are you, Paul? | 0:02:15 | 0:02:18 | |
-Yeah. -And you like speed? -Yes, absolutely, yes. | 0:02:18 | 0:02:20 | |
Done a few track days | 0:02:20 | 0:02:22 | |
and also got a motorbike which I enjoy zooming round the country on. | 0:02:22 | 0:02:26 | |
And, Angie, you also have a taste for speed? | 0:02:26 | 0:02:29 | |
Yeah, well, Paul got me into it. | 0:02:29 | 0:02:30 | |
So we've been going to events up and down the country so... | 0:02:30 | 0:02:33 | |
Yeah, yeah. You've been driven at 150mph by a professional | 0:02:33 | 0:02:35 | |
Porsche driver? | 0:02:35 | 0:02:36 | |
Yeah, it was a corporate race day and you go through all the cars | 0:02:36 | 0:02:39 | |
that are available to you on the day. And I absolutely loved it. | 0:02:39 | 0:02:42 | |
And you sit in with a professional racing driver | 0:02:42 | 0:02:45 | |
and you get to go round the track like a racing driver would | 0:02:45 | 0:02:47 | |
and it's absolutely amazing feeling. | 0:02:47 | 0:02:49 | |
You've also got the gift of the gab. | 0:02:49 | 0:02:51 | |
Oh, Tim, I'm in sales. So what more can I say? | 0:02:51 | 0:02:54 | |
-All my life. -And what do you sell? | 0:02:54 | 0:02:56 | |
Well, I'm in the bathroom and kitchen industry so, | 0:02:56 | 0:02:58 | |
I sell to the trade customer not to the punters. | 0:02:58 | 0:03:01 | |
-You won't pull the plug on that then, ha-ha. -No. Oh, very good! | 0:03:01 | 0:03:03 | |
Now, listen, you two. What are your tactics going to be today, Paul? | 0:03:03 | 0:03:06 | |
Well, we're thinking of going for something a bit different | 0:03:06 | 0:03:09 | |
-so maybe some sort of automotive memorabilia maybe. -Hmm. | 0:03:09 | 0:03:12 | |
And if all else fails, erm, | 0:03:12 | 0:03:14 | |
-Angie the magpie will be going for something shiny. -Yeah. | 0:03:14 | 0:03:17 | |
-Negotiating hard? -Hopefully yes. -It's all down to Angie | 0:03:17 | 0:03:19 | |
with the negotiating. | 0:03:19 | 0:03:20 | |
Well, I'd think - watch out stallholders! | 0:03:20 | 0:03:22 | |
-Ha-ha-ha. -Ha-ha. | 0:03:22 | 0:03:23 | |
-Anyway, good luck. -RED TEAM: Thank you. | 0:03:23 | 0:03:25 | |
-So...Kathy. -Yes. -Tell me, darling. | 0:03:25 | 0:03:27 | |
How did you two love birds meet? | 0:03:27 | 0:03:29 | |
We met eight months ago on a night out in Bristol and we got on | 0:03:29 | 0:03:33 | |
so well that we decided to spend the next 24 hours together. | 0:03:33 | 0:03:36 | |
We went to go and get sushi, we went to the cinema, | 0:03:36 | 0:03:38 | |
went to have dinner and then ended up back in the same bar that we met in. | 0:03:38 | 0:03:42 | |
-Really? -Yeah. | 0:03:42 | 0:03:44 | |
So you've got a couple of passions in your life apart from Dan? | 0:03:44 | 0:03:47 | |
Yes, erm, I'm a massive travel fan, I've been to maybe six continents - | 0:03:47 | 0:03:52 | |
pretty much 30 countries, something like that. | 0:03:52 | 0:03:56 | |
30 countries? | 0:03:56 | 0:03:57 | |
-Yeah, it's been... -How have you gone to all these countries then? | 0:03:57 | 0:04:00 | |
A couple have been charity trips and I went on a big gap year trip | 0:04:00 | 0:04:03 | |
so I did a three-month stint of nine countries in three months | 0:04:03 | 0:04:06 | |
which was really fast-paced but I really enjoyed it, | 0:04:06 | 0:04:09 | |
and I like to paint portraits of the people that | 0:04:09 | 0:04:12 | |
I meet or inspired by the people that I meet as well, so... | 0:04:12 | 0:04:15 | |
-You paint portraits? -I do, yes. | 0:04:15 | 0:04:17 | |
-Gosh, that sounds like a busy old life to me. -Ha-ha. | 0:04:17 | 0:04:19 | |
Dan, what do you do? | 0:04:19 | 0:04:20 | |
I'm a paralegal. | 0:04:20 | 0:04:22 | |
At a law firm in Bristol. | 0:04:22 | 0:04:24 | |
Does this paralegal lark involve you in a lot of negotiating? | 0:04:24 | 0:04:28 | |
Yes, I spend a fair bit of time on the phone talking to | 0:04:28 | 0:04:31 | |
contractors so, hopefully I can translate those legal | 0:04:31 | 0:04:35 | |
negotiation skills to get some bargains today. | 0:04:35 | 0:04:38 | |
Yeah, you alongside Ange. | 0:04:38 | 0:04:41 | |
-Good, we're getting the message here. -Ha-ha-ha. | 0:04:41 | 0:04:43 | |
So tell me, what are going to be your tactics today? | 0:04:43 | 0:04:46 | |
Erm, maybe something camera related - I collect a few cameras | 0:04:46 | 0:04:50 | |
so maybe something like that or cinematography stuff, maybe for you. | 0:04:50 | 0:04:53 | |
-Something you can turn a profit on? -Absolutely. | 0:04:53 | 0:04:56 | |
OK, fine. Well, that's the spirit. | 0:04:56 | 0:04:57 | |
-Anyway, now here we go with the £300. There's your £300. -Thank you. | 0:04:57 | 0:05:01 | |
You know the rules, your experts await, and off you go! | 0:05:01 | 0:05:05 | |
And very, very, very good luck. | 0:05:05 | 0:05:07 | |
Gosh. | 0:05:07 | 0:05:08 | |
But before we get started, we need some experts. | 0:05:10 | 0:05:12 | |
Oh, look out. Kate Bliss is on the hunt for the Red team. | 0:05:13 | 0:05:17 | |
While on the antique beat for the Blues, it's David Harper. | 0:05:19 | 0:05:22 | |
So, we have an awful lot to look at in here, Paul and Angie. | 0:05:24 | 0:05:27 | |
What are you going to be hoping for? | 0:05:27 | 0:05:29 | |
Well, Kate, I think a bit of nice glassware or sort of some | 0:05:29 | 0:05:32 | |
sparkly things, got to like a bit of bling, you know. | 0:05:32 | 0:05:35 | |
-Bit of silver, maybe. -Yeah, bit of bling. | 0:05:35 | 0:05:37 | |
-Bit of bling, oh, I love bling. -Dan, what do you like? | 0:05:37 | 0:05:39 | |
-Me too, I'm also a bit of a magpie. -Ha-ha-ha. -Are you really? | 0:05:39 | 0:05:43 | |
Ha-ha-ha. | 0:05:43 | 0:05:44 | |
What do you think, Paul? | 0:05:44 | 0:05:45 | |
I think for me, it's got to be motoring memorabilia, | 0:05:45 | 0:05:48 | |
maybe some bonnet badges, maybe some toy cars in boxes. | 0:05:48 | 0:05:50 | |
-Oh! -Something a bit rare maybe. -OK. | 0:05:50 | 0:05:52 | |
Right, are you ready then to go magpie-ing? | 0:05:52 | 0:05:54 | |
-Yes, we are. -Let's do it. -60 minutes. | 0:05:54 | 0:05:56 | |
-So, who's the boss? -That'll be Angie. | 0:05:56 | 0:05:59 | |
-Ah, OK, we've got that clear then. -Yeah. -Let's go. -OK. -Let's go. | 0:05:59 | 0:06:02 | |
Well, stallholders, I hope you're ready for this motley crew. | 0:06:04 | 0:06:08 | |
The clock is on. | 0:06:08 | 0:06:11 | |
Has Kathy struck lucky already? | 0:06:14 | 0:06:16 | |
She's spotted a stylish matchstick holder. | 0:06:16 | 0:06:19 | |
-Right, so, Kathy... -Yes. -Talk to me. Why were you drawn to that? | 0:06:20 | 0:06:25 | |
-Unusual shape. -Yet, it is actually. | 0:06:25 | 0:06:27 | |
Has it got a hallmark on it somewhere? | 0:06:27 | 0:06:29 | |
Yes, let's have a look. Look, here we go. Let's test here. | 0:06:29 | 0:06:31 | |
Can you see? | 0:06:31 | 0:06:33 | |
Erm, I can't. | 0:06:33 | 0:06:35 | |
When in doubt, cheat. | 0:06:35 | 0:06:37 | |
Ha-ha-ha. | 0:06:37 | 0:06:38 | |
Read the label. | 0:06:38 | 0:06:39 | |
-ALL: -Ha-ha-ha. | 0:06:39 | 0:06:40 | |
London, and the date there, cos I can't make it out. | 0:06:40 | 0:06:43 | |
-This lovely lady here is much cleverer than me. -1925. | 0:06:43 | 0:06:47 | |
-1925. -Oh. | 0:06:47 | 0:06:49 | |
-OK. -Can I...? -Go on. | 0:06:49 | 0:06:52 | |
-I quite like it. -Yeah. | 0:06:52 | 0:06:54 | |
So, with it being made in 1925, what kind of period does that fall into? | 0:06:54 | 0:06:59 | |
-Deco? -Deco! Bang on! | 0:06:59 | 0:07:01 | |
-And it's the beginning of Deco - 1925. -Hmm. | 0:07:01 | 0:07:04 | |
And it has that flair, that squared, angular design in the glass there. | 0:07:04 | 0:07:08 | |
It's pretty deco. | 0:07:08 | 0:07:09 | |
So, you pull your match and you literally strike it. | 0:07:09 | 0:07:11 | |
It's really posh. I mean, you'd have it... | 0:07:11 | 0:07:13 | |
It could be next to a little wine table or something or | 0:07:13 | 0:07:16 | |
on a fireplace. | 0:07:16 | 0:07:18 | |
It's a good design. | 0:07:18 | 0:07:19 | |
Just turn that over. | 0:07:19 | 0:07:20 | |
Well, that's a lovely base, look at that. Good piece of mahogany. | 0:07:20 | 0:07:24 | |
How much do you think this sort of thing would be worth? | 0:07:24 | 0:07:26 | |
What do you think is the best price now? | 0:07:26 | 0:07:28 | |
I've forgotten what I've got on it. | 0:07:28 | 0:07:30 | |
-What do you think you've got on it? -Ha-ha-ha. | 0:07:30 | 0:07:32 | |
I like your style. | 0:07:32 | 0:07:34 | |
Oh, I'm sure we can do something nice on that one. | 0:07:34 | 0:07:37 | |
-Go on. -£55 but no less. | 0:07:37 | 0:07:39 | |
-55, right. -£10 reduction. -Yeah. | 0:07:39 | 0:07:42 | |
Yeah, 55. | 0:07:42 | 0:07:43 | |
If you think it's going to make... | 0:07:43 | 0:07:44 | |
You know, 30 to 50 would be sort of a 'come and get me' | 0:07:44 | 0:07:47 | |
-auction estimate. -OK, OK. | 0:07:47 | 0:07:49 | |
-It's a very good object. -Hmm. | 0:07:49 | 0:07:52 | |
-I like it, I think people will go for it. -Yeah, I like it. | 0:07:52 | 0:07:54 | |
Do you think we might get a little bit more off, could we make it 40? | 0:07:54 | 0:07:57 | |
Just maybe a little bit? | 0:07:57 | 0:07:58 | |
Oh, yeah, make it 50. How about that? | 0:07:58 | 0:08:00 | |
-That's a one-off. -Oh, yeah. | 0:08:00 | 0:08:02 | |
-Can we go for it? -Do you like it? -I think it's...yeah. | 0:08:02 | 0:08:04 | |
-Shall we do it? -I like it. -I think it's a cracking buy. | 0:08:04 | 0:08:06 | |
-Go for it. -Let's do it. -Shake the lady's hand. | 0:08:06 | 0:08:08 | |
I'll give you the matches for nothing. | 0:08:08 | 0:08:10 | |
-Ooh. -Thank you so much. -Very sweet. | 0:08:10 | 0:08:13 | |
-Cheers, thanks very much. -Lovely. | 0:08:13 | 0:08:14 | |
The Blues are on fire. Three minutes in and first item bought it. | 0:08:14 | 0:08:18 | |
Well done. | 0:08:18 | 0:08:19 | |
Are the Reds keeping up? | 0:08:21 | 0:08:22 | |
-Well, that's pretty. -You see the little 30-hour carriage clock there? | 0:08:23 | 0:08:26 | |
That's nice. | 0:08:26 | 0:08:27 | |
It's interesting being the cylinder, isn't it? | 0:08:27 | 0:08:30 | |
We're looking at the little... | 0:08:30 | 0:08:32 | |
It's lovely. It's a fantastic little clock. | 0:08:32 | 0:08:34 | |
Let's have a little look here. | 0:08:34 | 0:08:36 | |
So, we've got, "made in the United States of America." | 0:08:36 | 0:08:40 | |
But, what's really nice is that we've got this patent number | 0:08:41 | 0:08:44 | |
and the date here. | 0:08:44 | 0:08:46 | |
What do you think are our chances with that? | 0:08:46 | 0:08:48 | |
I think it's a lovely thing, but I have noticed your price. | 0:08:48 | 0:08:51 | |
Price, yeah. | 0:08:51 | 0:08:52 | |
What are you looking at now? Without killing me. | 0:08:52 | 0:08:54 | |
-It's certainly a collector's piece. -It is a collector's piece. | 0:08:54 | 0:08:57 | |
-I can see a Private person really going for this too. -Yeah. | 0:08:57 | 0:08:59 | |
But at auction... | 0:08:59 | 0:09:00 | |
..could be anything from sort of £50-£100. It's a tricky one. | 0:09:01 | 0:09:06 | |
I'll go halfway, I'll go 80. I won't go less because it's a nice clock. | 0:09:06 | 0:09:09 | |
I don't want to give that one away, it's too nice. | 0:09:09 | 0:09:11 | |
-I do think it's unique, though. -It is a little bit more unusual. | 0:09:11 | 0:09:13 | |
-It stands out, doesn't it? -It does. | 0:09:13 | 0:09:15 | |
Generally, the condition is very good. | 0:09:15 | 0:09:18 | |
I like the fact it's got the patent number. | 0:09:18 | 0:09:19 | |
-I like the fact it's got the date. -It's an early date. | 0:09:19 | 0:09:22 | |
It's a gamble. | 0:09:23 | 0:09:24 | |
It's going to go online at the auction, | 0:09:24 | 0:09:26 | |
-which will certainly help it. -Yeah. | 0:09:26 | 0:09:28 | |
I would realistically put an auction estimate of probably | 0:09:29 | 0:09:32 | |
sort of £50-£100 but I think it's got a chance at that. | 0:09:32 | 0:09:34 | |
-Yeah. -You couldn't knock another fiver, just for us? | 0:09:34 | 0:09:37 | |
Can we squeeze a fiver off? | 0:09:37 | 0:09:39 | |
You won't go less than 75, and that's it. That's the squeezing. | 0:09:39 | 0:09:41 | |
No more, because it is a very unusual clock. | 0:09:41 | 0:09:44 | |
Are we going to go for it? | 0:09:44 | 0:09:46 | |
-We should! -I think we'd like to go for that, Mr Welshman. | 0:09:46 | 0:09:48 | |
-We've got a deal. Thank you very much. -Thank you very much. | 0:09:48 | 0:09:51 | |
-You've got a nice little clock there. Thanks very much. -Lovely. | 0:09:51 | 0:09:54 | |
-Well, that was pretty smoky. -That's nice. -You just don't hang around, | 0:09:54 | 0:09:57 | |
do you? | 0:09:57 | 0:09:59 | |
-ALL: -Ha-ha-ha. | 0:09:59 | 0:10:00 | |
-We know what we like and we likes what we know. -Ha-ha-ha. | 0:10:00 | 0:10:02 | |
Indeed you do, Angie. Good work, Reds. | 0:10:03 | 0:10:06 | |
And there's no stopping the Blues. | 0:10:06 | 0:10:07 | |
They've spotted a 19th-century porcelain dog. | 0:10:07 | 0:10:10 | |
Woof! | 0:10:11 | 0:10:12 | |
OK. He looks a bit sad. He didn't look quite so sad from faraway. | 0:10:12 | 0:10:17 | |
-Really? -Yeah. Would do you think? | 0:10:17 | 0:10:19 | |
-It looks very miserable. -Ha-ha-ha. -Yeah. -Ha-ha-ha. | 0:10:19 | 0:10:22 | |
Well, maybe you need to make him happy, give him a good home. | 0:10:22 | 0:10:25 | |
-He does look a bit sad, doesn't he? -Yeah. -Yeah. | 0:10:25 | 0:10:27 | |
-I'm not sure that's going to appeal to customers. -No. | 0:10:27 | 0:10:30 | |
-No? -No. | 0:10:30 | 0:10:31 | |
-Have you gone off him? -Yeah. | 0:10:31 | 0:10:33 | |
Oh. | 0:10:33 | 0:10:34 | |
-Shall we put him back? -It'll make him even sadder. -Really? | 0:10:34 | 0:10:36 | |
Next time we go by, his face is going to be even longer, isn't it? | 0:10:36 | 0:10:39 | |
Take me home. | 0:10:39 | 0:10:41 | |
Oh, poor doggie. You're a hard man, Dan. | 0:10:41 | 0:10:43 | |
Now, the Reds haven't moved stalls yet. Are you OK, Angie? | 0:10:44 | 0:10:49 | |
-Ah! Oh, my goodness. -Ooh, scary price. -Yes. | 0:10:49 | 0:10:53 | |
Let's just have a closer look at it. | 0:10:53 | 0:10:56 | |
-So... -The price of it! | 0:10:56 | 0:10:58 | |
-The price tag is 280. -Oh, it's pretty though. | 0:10:58 | 0:11:01 | |
It's lovely. It's got the lovely William Moorcroft signature | 0:11:01 | 0:11:04 | |
on the bottom - that WM, which is great. | 0:11:04 | 0:11:07 | |
But the key thing is condition. | 0:11:07 | 0:11:09 | |
Condition, yeah. There's no cracks or...? | 0:11:09 | 0:11:11 | |
No, let's just... It does look very good actually. | 0:11:11 | 0:11:13 | |
What sort of age would that be? | 0:11:13 | 0:11:15 | |
-I think it's post-1940 but let's to get our friend in. -Magic Mike. | 0:11:15 | 0:11:20 | |
-Ha-ha-ha. -Mike, we need you. | 0:11:20 | 0:11:23 | |
Am I right in thinking this is '30s, '40s in date? | 0:11:23 | 0:11:26 | |
-Yeah, '30s, '40s. -'30s, '40s in date. | 0:11:26 | 0:11:29 | |
And this type of pottery is still fairly buoyant. It's called | 0:11:29 | 0:11:32 | |
tube lined pottery, and if you feel the design with your fingers | 0:11:32 | 0:11:36 | |
you can feel the outline of the design is slightly raised. | 0:11:36 | 0:11:40 | |
-Right. -Hmm, yeah. | 0:11:40 | 0:11:42 | |
And that's what makes it so Moorcroft. | 0:11:42 | 0:11:46 | |
So, Mike... | 0:11:46 | 0:11:48 | |
I will do you a deal but I can't go much lower than... | 0:11:48 | 0:11:51 | |
140. | 0:11:52 | 0:11:54 | |
That really is cutting it half-price. | 0:11:54 | 0:11:56 | |
I like it, I'm thinking that maybe this is the first stall after all, | 0:11:58 | 0:12:01 | |
and although Mike's been really good to us, | 0:12:01 | 0:12:03 | |
maybe something we could think about, Mike, and... | 0:12:03 | 0:12:07 | |
-Yeah, Paul's right. -You need to look around. -I need to look around. | 0:12:07 | 0:12:10 | |
Yeah, I think so. | 0:12:10 | 0:12:12 | |
We might be back. Let's put it safely back on the shelf. | 0:12:12 | 0:12:16 | |
-OK? -Lovely, thank you for your help. -Thanks, Mike. Lovely. | 0:12:16 | 0:12:18 | |
Thanks ever so much, Mike. | 0:12:18 | 0:12:20 | |
That was some discount there, Reds. | 0:12:20 | 0:12:22 | |
But always good to keep your options open. | 0:12:22 | 0:12:25 | |
Meanwhile, the Blues are playing a merry tune. Well - trying to. | 0:12:25 | 0:12:29 | |
What is that? | 0:12:30 | 0:12:31 | |
-Blow through that. See what happens. -Really? -Go on. | 0:12:33 | 0:12:36 | |
DEEP WHISTLE | 0:12:36 | 0:12:37 | |
-Oh. -Hello! -Is it a caller? | 0:12:37 | 0:12:39 | |
-Oh, hang on a minute. -There's... Is that like a bird call? | 0:12:39 | 0:12:42 | |
-Oh. -Ha-ha-ha. -Don't break it. | 0:12:44 | 0:12:47 | |
-Does it come out? -Does this come out? | 0:12:47 | 0:12:48 | |
What does it do then? | 0:12:48 | 0:12:50 | |
It's a pipe from an entire organ. | 0:12:50 | 0:12:52 | |
Well, I never. | 0:12:52 | 0:12:53 | |
Next time I see that object or something like it | 0:12:53 | 0:12:55 | |
-I'll know it's part of an organ. -That's the organ pipe, yeah. | 0:12:55 | 0:12:58 | |
DEEP WHISTLE | 0:12:58 | 0:13:00 | |
See? The experts learn on this show too. | 0:13:00 | 0:13:03 | |
What is that? | 0:13:03 | 0:13:05 | |
-Can you touch it? -Go on. | 0:13:05 | 0:13:07 | |
-MIMICS ANIMAL: -Ba-ha-ha. | 0:13:07 | 0:13:08 | |
-ALL: -Ha-ha-ha-ha-ha. | 0:13:08 | 0:13:10 | |
For a fiver? | 0:13:10 | 0:13:12 | |
Yeah. | 0:13:12 | 0:13:13 | |
Does it double as a rolling pin? | 0:13:13 | 0:13:16 | |
Ha-ha-ha. | 0:13:16 | 0:13:17 | |
-I think we could live without it. -Yeah, OK. | 0:13:17 | 0:13:19 | |
Is it a torch? | 0:13:19 | 0:13:20 | |
Have a grip of that. Grip it and squeeze it. | 0:13:20 | 0:13:23 | |
OK. | 0:13:23 | 0:13:24 | |
REVS UP | 0:13:24 | 0:13:25 | |
-Oh, it IS a torch! -Isn't it brilliant? | 0:13:25 | 0:13:27 | |
That's awesome. | 0:13:27 | 0:13:28 | |
It's called a tantalus. | 0:13:29 | 0:13:31 | |
After the Greek myth. | 0:13:31 | 0:13:32 | |
-Because literally when it's locked, it is tantalising. -Oh. | 0:13:34 | 0:13:38 | |
Ha-ha, it sure is, Kate. | 0:13:38 | 0:13:39 | |
I don't reckon your average person on the street is going to go, | 0:13:40 | 0:13:43 | |
"You know what, I'll have a torch that I've got to do like that for £40." | 0:13:43 | 0:13:47 | |
Ha-ha-ha. | 0:13:47 | 0:13:49 | |
-He's sort of sensible, isn't he? -Yes, he's very sensible. | 0:13:49 | 0:13:52 | |
If we end up in that panic moment, Kate, | 0:13:52 | 0:13:54 | |
then maybe that's something we can grab. | 0:13:54 | 0:13:56 | |
-All right, remember. -We won't have a panic moment. | 0:13:56 | 0:13:59 | |
What, us?! | 0:13:59 | 0:14:01 | |
-Will we? -Course not! | 0:14:01 | 0:14:02 | |
So, to ease the panic setting in, the Reds have headed | 0:14:03 | 0:14:06 | |
back to see Mike about that piece of Moorcroft. | 0:14:06 | 0:14:09 | |
Right, Mike. Here it is. Let's talk business, team. | 0:14:11 | 0:14:14 | |
-Yes. -Hmm. -Over to you, Angie. | 0:14:14 | 0:14:16 | |
Well... | 0:14:16 | 0:14:18 | |
-We got you down to 140. -You did. | 0:14:18 | 0:14:21 | |
Is that the best you can do, Mike? | 0:14:21 | 0:14:23 | |
Cos we've got to get a good deal at auction. | 0:14:23 | 0:14:25 | |
135. | 0:14:25 | 0:14:26 | |
-You're a decent Welshman, you know that? -That sounds good to me. | 0:14:26 | 0:14:29 | |
-Sounds good to me, happy with that. -Mike, put it there. Put it there. | 0:14:29 | 0:14:32 | |
-Thank you, Mike. -Thank you. -Brilliant, thank you. | 0:14:32 | 0:14:35 | |
-Lovely, we're doing well adding you, aren't we? -Yeah, thanks. | 0:14:35 | 0:14:38 | |
You are indeed, Kate. | 0:14:38 | 0:14:39 | |
Two down, Reds. And well done. | 0:14:39 | 0:14:42 | |
However, the Blues have only got one item. | 0:14:42 | 0:14:45 | |
Have they sniffed anything else out yet? | 0:14:45 | 0:14:47 | |
-That looks quite nice, bit of jewellery. -The quill pen? | 0:14:50 | 0:14:54 | |
-Does that appeal to you in any way, shape or form? -What on earth is it? | 0:14:54 | 0:14:57 | |
Ha-ha-ha. | 0:14:57 | 0:14:58 | |
OK. Right. | 0:14:58 | 0:15:00 | |
-Well, let's think what it's made of. It's made from bronze. -Bronze. | 0:15:00 | 0:15:03 | |
-I think it's probably an incense burner. -Right. | 0:15:03 | 0:15:06 | |
So, it's quite an important process to go through, burning incense. | 0:15:06 | 0:15:11 | |
-And very often, the objects made to do that are of good quality. -OK. | 0:15:11 | 0:15:15 | |
And it is of good quality. The petals are made in almost | 0:15:15 | 0:15:19 | |
two layers of sections. | 0:15:19 | 0:15:20 | |
Almost like two layers of teeth. | 0:15:20 | 0:15:21 | |
-Hmm. -And they both independently turn. -Oh, wow! | 0:15:21 | 0:15:25 | |
-It's definitely Far Eastern, it's probably Buddhistic, -It's... | 0:15:25 | 0:15:28 | |
How much do you think that would make? | 0:15:28 | 0:15:31 | |
It's impossible to value, that's what I love about it. | 0:15:31 | 0:15:33 | |
OK. Price, please. | 0:15:33 | 0:15:36 | |
I've got 75 on it. | 0:15:36 | 0:15:38 | |
What do you think? | 0:15:38 | 0:15:40 | |
-I think probably 40 being the max, really. -Yeah, yeah, absolute max. | 0:15:40 | 0:15:43 | |
I don't really want to spend more than that. | 0:15:43 | 0:15:45 | |
If you offered him 40, would you be happy? | 0:15:45 | 0:15:47 | |
-Yeah. -Yeah. | 0:15:47 | 0:15:48 | |
-Dan? -Yeah, I would, yeah. | 0:15:48 | 0:15:50 | |
OK, who's going to make him the offer? | 0:15:50 | 0:15:51 | |
I'll shake your hand at 40. | 0:15:51 | 0:15:53 | |
Pretty please. | 0:15:54 | 0:15:55 | |
I'll do 43. | 0:15:55 | 0:15:56 | |
-BLUE TEAM: -Ooh! | 0:15:56 | 0:15:58 | |
42...and we have a deal. | 0:15:59 | 0:16:01 | |
-42, we have a deal. -Go on, do a deal. -Shall we shake on that? | 0:16:01 | 0:16:03 | |
-Thank you very much. -You're welcome. | 0:16:03 | 0:16:05 | |
Good work, Kathy. | 0:16:05 | 0:16:07 | |
And I thought Dan was the negotiator. | 0:16:07 | 0:16:10 | |
That's two down and one very happy team. | 0:16:10 | 0:16:12 | |
And the Reds...? | 0:16:13 | 0:16:14 | |
Now, I think you two have done really well so far. | 0:16:16 | 0:16:18 | |
-Yeah, I'm happy with what we've got. -Yes, sounds good. | 0:16:18 | 0:16:20 | |
So, we have spent 210 and we've got two really nice quality items. | 0:16:20 | 0:16:25 | |
So let's not spoil it by panicking about the third. | 0:16:25 | 0:16:28 | |
-Yeah. -Yeah, OK. -Let's do it. | 0:16:28 | 0:16:30 | |
Now, panic has receded for the Reds, but how about the Blues? | 0:16:30 | 0:16:34 | |
I am panicking. | 0:16:34 | 0:16:36 | |
Seriously? How you feeling, Dan? | 0:16:36 | 0:16:37 | |
Erm, not great. We're not, you know... | 0:16:37 | 0:16:39 | |
-ALL: -Ha-ha-ha. | 0:16:39 | 0:16:40 | |
That, there, is your treat. | 0:16:40 | 0:16:43 | |
All you need to do is buy something in under 15 minutes and | 0:16:43 | 0:16:46 | |
whatever time we've got left, we're going to be scoffing cakes, right? | 0:16:46 | 0:16:49 | |
-Right, OK. -Great. -Come on. | 0:16:49 | 0:16:51 | |
Huh! Now, that's got their juices flowing, David. | 0:16:52 | 0:16:55 | |
The cake challenge is on. | 0:16:55 | 0:16:57 | |
And is anything tempting the Reds? | 0:16:57 | 0:16:59 | |
Ooh. | 0:17:02 | 0:17:03 | |
-I expect that's going to be way out of our budget. -225. | 0:17:05 | 0:17:09 | |
You've only got £90 left. | 0:17:09 | 0:17:10 | |
-Shame...continental silver. -Nice, I did like that. | 0:17:10 | 0:17:14 | |
-Really decorative, aren't they? -Isn't it pretty! -Hmm, very pretty. | 0:17:14 | 0:17:17 | |
-No, let's move on cos it's not right. -What a shame. | 0:17:17 | 0:17:21 | |
Yes, no time to waste, Reds. | 0:17:21 | 0:17:23 | |
Trot on! | 0:17:23 | 0:17:24 | |
We know, looking at those things, that they are not mass produced, | 0:17:26 | 0:17:29 | |
-are they? -Yeah. -No, yeah. | 0:17:29 | 0:17:30 | |
They're made in a blacksmiths somewhere, | 0:17:30 | 0:17:32 | |
a small little cottage industry and you've got a pair of them. | 0:17:32 | 0:17:35 | |
-So, they're made for outdoors... -Right. | 0:17:35 | 0:17:37 | |
..to hold a pair of urns... | 0:17:37 | 0:17:39 | |
-Yeah. -..with flowers, you know, bulging over the top. -Yeah. | 0:17:39 | 0:17:42 | |
-But they are a bit odd. -They're interesting. | 0:17:42 | 0:17:45 | |
Yeah, Dan, did you find them interesting? | 0:17:45 | 0:17:47 | |
Yeah, can't say I've ever seen anything that looks like it before. | 0:17:47 | 0:17:50 | |
Ha-ha-ha. | 0:17:50 | 0:17:51 | |
What sort of price are they? | 0:17:51 | 0:17:53 | |
£100 the pair. | 0:17:53 | 0:17:54 | |
£100 the pair. Have a feel of that. | 0:17:54 | 0:17:57 | |
-Oh. -Weighty. | 0:17:58 | 0:17:59 | |
OK, we've got 10 minutes left and you are cashing in on the oddity | 0:17:59 | 0:18:02 | |
of them, they're a bit different. | 0:18:02 | 0:18:03 | |
And in my experience anything to do with horses | 0:18:03 | 0:18:06 | |
and people that enjoy horses involves a little bit of money | 0:18:06 | 0:18:10 | |
so they've got disposable income. | 0:18:10 | 0:18:12 | |
They would be drawn to them. | 0:18:12 | 0:18:14 | |
They'd be great for 50 or 60 quid. I think they'd be fantastic for that. | 0:18:14 | 0:18:17 | |
-Yeah. -Yeah. -Yeah, great bit of fun. | 0:18:17 | 0:18:19 | |
We'll have to get her down then. | 0:18:19 | 0:18:21 | |
We'll have to see if we can work out something. | 0:18:21 | 0:18:24 | |
Well, look, you know what? | 0:18:24 | 0:18:25 | |
This is a very lovely lady. | 0:18:25 | 0:18:26 | |
This is a very lovely young man. | 0:18:26 | 0:18:28 | |
-Ha-ha. -And he's going to try and charm you so badly. | 0:18:28 | 0:18:30 | |
-All right. -OK. | 0:18:30 | 0:18:32 | |
So, could you do £60, maybe? | 0:18:32 | 0:18:35 | |
-Yes, yes, all right. For Bargain Hunt. -Ha-ha-ha. | 0:18:37 | 0:18:41 | |
-Well, what a charmer. -I know. -Well done, Dan, well done. | 0:18:41 | 0:18:44 | |
And, madam, thank you so much indeed. That's so generous of you. | 0:18:44 | 0:18:47 | |
-Thank you so much. -Shake the lovely lady's hand. Thank you. -Thank you. | 0:18:47 | 0:18:50 | |
Marvellous, thank you. | 0:18:50 | 0:18:51 | |
Put that thing down. | 0:18:51 | 0:18:53 | |
Give me a high-five. | 0:18:53 | 0:18:55 | |
-And there's some cake coming your way. -Let's do it! | 0:18:55 | 0:18:58 | |
-Mmm. -Now, what do you fancy, chocolate cake? | 0:18:58 | 0:19:00 | |
-Oh, no, I like carrot cake. -Carrot cake? -Lemon drizzle. | 0:19:00 | 0:19:03 | |
So, as they head off for something scrummy, | 0:19:05 | 0:19:07 | |
the Reds are still on the hunt for their final item. | 0:19:07 | 0:19:10 | |
Anything taking their fancy? | 0:19:10 | 0:19:12 | |
-Hmm. -So, it's got the atomiser. -Pretty. | 0:19:15 | 0:19:17 | |
I like the colour. | 0:19:17 | 0:19:18 | |
So, £90 is the ticket price. | 0:19:20 | 0:19:22 | |
Let's talk price first before we talk about the thing. | 0:19:22 | 0:19:25 | |
In auction, scent bottles with the atomiser - | 0:19:25 | 0:19:30 | |
£30, £50. | 0:19:30 | 0:19:31 | |
-£50 perhaps because of the enamelling. -Right. | 0:19:31 | 0:19:34 | |
But we're still quite a long way from the 90. | 0:19:34 | 0:19:36 | |
What would be your best on that? | 0:19:36 | 0:19:38 | |
-You could do it for 60? -60. | 0:19:38 | 0:19:40 | |
Really, the person who is going to be looking at buying this is | 0:19:40 | 0:19:42 | |
-probably a collector. -Yeah. | 0:19:42 | 0:19:44 | |
So I'm guessing for somebody like that - | 0:19:44 | 0:19:46 | |
condition is key for a collector. | 0:19:46 | 0:19:49 | |
Exactly. Let's just have a look at the mark on here. | 0:19:49 | 0:19:52 | |
Yes, we've got... Oh. | 0:19:53 | 0:19:56 | |
So, that's quite nice. We've got sterling on there. | 0:19:56 | 0:19:59 | |
-The thing that I like about this is that it's all original. -Yeah. | 0:19:59 | 0:20:02 | |
-You know, it's as it should be. -But it's all sterling silver, is it? | 0:20:02 | 0:20:05 | |
This is sterling silver. | 0:20:05 | 0:20:07 | |
This is brass. | 0:20:07 | 0:20:08 | |
So the actual mechanism is brass. | 0:20:08 | 0:20:11 | |
-I think that's a nice example. -Yeah. | 0:20:11 | 0:20:13 | |
I think it's got a little bit of glass, it...in date, | 0:20:13 | 0:20:16 | |
-it's probably Edwardian, I would say. -Oh, right. | 0:20:16 | 0:20:19 | |
And the enamel, as far as I can see, is perfect, which is crucial. | 0:20:19 | 0:20:23 | |
Yeah, yeah. | 0:20:23 | 0:20:24 | |
I think it's... It sounds to me like it's the top end of what you.. | 0:20:24 | 0:20:27 | |
I'm not going to pretend, I would say it is the top end | 0:20:27 | 0:20:30 | |
but I would also say it's the best option we've looked at, probably. | 0:20:30 | 0:20:33 | |
-Yeah, yeah. -Yeah. | 0:20:33 | 0:20:34 | |
-We should go for it. -Let's do it. | 0:20:34 | 0:20:36 | |
Bit of a risky disky. | 0:20:36 | 0:20:37 | |
-Yeah, got to have one risky item. -Yeah. -Risk it for a biscuit? | 0:20:37 | 0:20:39 | |
-Yeah, OK. Let's do it. -Let's do it. -Great! | 0:20:39 | 0:20:42 | |
All three done. Put it there! | 0:20:42 | 0:20:44 | |
-Yay! -Yay! | 0:20:44 | 0:20:45 | |
Crikey, a buy in the first minute | 0:20:46 | 0:20:48 | |
and a buy in the last. | 0:20:48 | 0:20:50 | |
Time's up, and just as well by the looks of it. | 0:20:50 | 0:20:53 | |
-Well, enjoy, you two. Cheers. -Cheers. -Cheers. -Well done. | 0:20:53 | 0:20:57 | |
Now, shall we remind ourselves what the Reds bought? | 0:20:57 | 0:20:59 | |
The late 19th, early 20th century travel clock cost them £75. | 0:21:00 | 0:21:06 | |
They splashed out £135 on the Moorcroft jug. | 0:21:07 | 0:21:11 | |
And they paid £60 for the cut glass silver and enamel mounted atomiser. | 0:21:13 | 0:21:18 | |
OK, you lovebirds. | 0:21:19 | 0:21:21 | |
Which is your favourite piece? | 0:21:21 | 0:21:23 | |
I think it's going to be the clock. | 0:21:23 | 0:21:25 | |
-Is it? OK. -The little clock. -Did you get it? | 0:21:25 | 0:21:27 | |
-Absolutely, the clock stood out, yeah. -Yeah. | 0:21:27 | 0:21:29 | |
Is it going to bring the biggest profit? | 0:21:29 | 0:21:31 | |
-I think it will, actually. -Do you? -Amongst all the rest of it. | 0:21:31 | 0:21:33 | |
-Yeah, I agree, yes. -Yes. | 0:21:33 | 0:21:35 | |
-You're very agreeable, aren't you? -Yeah, we are. | 0:21:35 | 0:21:37 | |
-It's unusual. -We get to this stage. -BOTH: -Ha-ha-ha. | 0:21:37 | 0:21:40 | |
What do you mean, this stage? You're not on the way out, you know? | 0:21:40 | 0:21:42 | |
-RED TEAM: -Ha-ha-ha. -You're still young! | 0:21:42 | 0:21:44 | |
-How much did you spend in total? -£270, Tim. | 0:21:45 | 0:21:48 | |
-270... I'd like £30 of leftover lolly, please. -Kerching! | 0:21:48 | 0:21:51 | |
Kerching, just like that. Very, very quickly. | 0:21:51 | 0:21:53 | |
So, Kate Bliss, this is a challenge cos £30 is not much, is it? | 0:21:53 | 0:21:56 | |
-It's not that much, no. -Sorry, Kate. -Sorry. | 0:21:56 | 0:21:58 | |
They've been a challenge all the way through, actually. | 0:21:58 | 0:22:01 | |
-Ha-ha-ha. -Ha-ha-ha. -They've been fantastic. -Good. | 0:22:01 | 0:22:04 | |
Well, enjoy searching for your bonus buy | 0:22:04 | 0:22:06 | |
and go and have a nice cup of tea | 0:22:06 | 0:22:07 | |
cos we're going to check out what the Blue team bought, aren't we? | 0:22:07 | 0:22:10 | |
And they paid £50 for the early 20th century | 0:22:10 | 0:22:13 | |
glass and silver vesta holder - with the matches. | 0:22:13 | 0:22:16 | |
They smelt out the Middle Eastern brass incense burner for £42. | 0:22:17 | 0:22:23 | |
And finally, the pair of rustic horseshoe jardiniere stands | 0:22:24 | 0:22:28 | |
set them back £60. | 0:22:28 | 0:22:31 | |
-OK, you lovebirds, how you getting on? -Good. -Brilliant. | 0:22:31 | 0:22:34 | |
-Did you have a nice time? -Lovely time, yes. | 0:22:34 | 0:22:36 | |
Kathy, tell me which is your favourite piece. | 0:22:36 | 0:22:38 | |
Ah, the matchstick holder, I think. | 0:22:38 | 0:22:39 | |
-Oh, is it? -Yes. -Favourite? -Yeah, very interesting. | 0:22:39 | 0:22:42 | |
-Do you agree with that, Dan? -Absolutely. -You do. | 0:22:42 | 0:22:44 | |
Very sensible. | 0:22:44 | 0:22:45 | |
And, will that bring the biggest profit? | 0:22:45 | 0:22:47 | |
-No, the lotus flower... -Jobby... | 0:22:47 | 0:22:50 | |
-..heat thing... -Incense burner. | 0:22:50 | 0:22:51 | |
-Incense burner. -Lovely. Do you agree with that, Dan? | 0:22:51 | 0:22:54 | |
-I do. -Very sensible. -BOTH: -Ha-ha-ha. | 0:22:54 | 0:22:56 | |
Your relationship is going places, I can tell you. | 0:22:56 | 0:22:59 | |
And how much did you spend in to-to? | 0:22:59 | 0:23:01 | |
We spent £152. | 0:23:01 | 0:23:03 | |
Did you? | 0:23:03 | 0:23:04 | |
-Yes, we did. -Please may I have £148? -Yes, you may. | 0:23:04 | 0:23:06 | |
I need it badly. Thank you. | 0:23:06 | 0:23:08 | |
So badly, I'm going to give it straight to the Harper. | 0:23:08 | 0:23:11 | |
Ha-ha. Thank you very much. | 0:23:11 | 0:23:12 | |
Now, you've been around a bit, David - | 0:23:12 | 0:23:14 | |
got any idea what you're going to go for, for these? | 0:23:14 | 0:23:16 | |
I have seen something that, if I get it for the money, | 0:23:16 | 0:23:20 | |
we will have never seen anything like it ever, and it relates very | 0:23:20 | 0:23:25 | |
much to something that one of you two are incredibly interested in. | 0:23:25 | 0:23:29 | |
-He's very enigmatic, isn't he? -Thank you. | 0:23:29 | 0:23:31 | |
Well, that's most of the programme used up. | 0:23:31 | 0:23:33 | |
-Thank you very much, David. -ALL: -Ha-ha-ha. | 0:23:33 | 0:23:35 | |
On a happy note, I suggest you shove off and see if you can find it. | 0:23:35 | 0:23:37 | |
And very good luck. | 0:23:37 | 0:23:38 | |
Meanwhile, I'm going to take you on a silvery journey around the world. | 0:23:38 | 0:23:44 | |
Well, this is an amusing array of silver, isn't it? | 0:23:50 | 0:23:53 | |
When, I woke up this morning I didn't think that | 0:23:53 | 0:23:56 | |
I was going to find two beautiful modernist Swedish candlesticks. | 0:23:56 | 0:24:01 | |
But that's what I did find. | 0:24:02 | 0:24:04 | |
Here in Exeter! Isn't that extraordinary? | 0:24:04 | 0:24:06 | |
The design of these things is just so simple. | 0:24:06 | 0:24:10 | |
And because it's got this broad circular base, | 0:24:10 | 0:24:12 | |
I promise you - no matter what happens around the dining table, | 0:24:12 | 0:24:16 | |
the candle in this candle holder is never going to tip over. | 0:24:16 | 0:24:19 | |
That's the cunning design bit. | 0:24:19 | 0:24:21 | |
And then if you happen to have any wax dribbling around, | 0:24:22 | 0:24:27 | |
it'll gather in this dish here. | 0:24:27 | 0:24:30 | |
All in all then, this is cunning Swedish design. | 0:24:30 | 0:24:34 | |
I love it because this is actually fully hallmarked silver. | 0:24:34 | 0:24:39 | |
And what might they be worth? | 0:24:39 | 0:24:41 | |
Well, if you did a bit of negotiation, | 0:24:41 | 0:24:44 | |
you might buy the pair for £180. | 0:24:44 | 0:24:47 | |
What might they be worth in a specialist mid-20th century | 0:24:47 | 0:24:50 | |
design sale? | 0:24:50 | 0:24:52 | |
I think the top end of £400-£600. | 0:24:52 | 0:24:55 | |
So there's a profit in those. | 0:24:55 | 0:24:57 | |
Next up, is the most traditional of traditional Edwardian pieces | 0:24:57 | 0:25:02 | |
of silver, a little inkwell. | 0:25:02 | 0:25:05 | |
Ordinarily, you would expect a little Chester Silver inkwell | 0:25:05 | 0:25:09 | |
like this to be priced between £60 and £80. | 0:25:09 | 0:25:12 | |
Except it has a very unusual feature. | 0:25:12 | 0:25:16 | |
Cos if I lift up the lid like that | 0:25:16 | 0:25:18 | |
and apply my finger to the side button, what happens? | 0:25:18 | 0:25:22 | |
Ooh, look at that! | 0:25:22 | 0:25:24 | |
A whole section lifts up | 0:25:24 | 0:25:26 | |
and it reveals a container for putting your postage stamp in. | 0:25:26 | 0:25:31 | |
How neat is that? | 0:25:31 | 0:25:33 | |
And that will add significantly to this piece's value. | 0:25:33 | 0:25:37 | |
If you look at the label, look, the dealer is after £88 for it. | 0:25:37 | 0:25:43 | |
But if you value in the novelty of the secret stamp container, | 0:25:43 | 0:25:48 | |
that transforms this thing into something that | 0:25:48 | 0:25:51 | |
should bring between £200 and £300. | 0:25:51 | 0:25:55 | |
So there's a profit in that. | 0:25:55 | 0:25:57 | |
And as if to cap this tour of the fair here in Exeter, | 0:25:57 | 0:26:02 | |
I've found this little spoon. | 0:26:02 | 0:26:04 | |
It's too small for a teaspoon, it's an oddball shape for a coffee spoon, | 0:26:04 | 0:26:08 | |
but it would go into an egg beautifully. | 0:26:08 | 0:26:12 | |
The thing to note about this is the very oddball stem. | 0:26:12 | 0:26:15 | |
If I revolve it like that you can see that that stem | 0:26:15 | 0:26:19 | |
is made up of a twisted flat piece of silver. | 0:26:19 | 0:26:22 | |
So very much an arts and craftsy feel to this spoon. | 0:26:22 | 0:26:27 | |
Even more intriguingly, when you look at the mark, | 0:26:27 | 0:26:29 | |
it says 925, so that's the standard of silver but next door to that is | 0:26:29 | 0:26:34 | |
a tiny little mark that just happens to have a kangaroo on it, | 0:26:34 | 0:26:38 | |
which would indicate that this egg spoon, once upon a time, | 0:26:38 | 0:26:42 | |
managed to hop over from Australia. | 0:26:42 | 0:26:44 | |
Ha! | 0:26:44 | 0:26:45 | |
And what does that do to the value? | 0:26:45 | 0:26:47 | |
Well, that egg spoon, you can | 0:26:47 | 0:26:49 | |
buy on a stall around the corner for £8 today. | 0:26:49 | 0:26:53 | |
Properly catalogued and perhaps available on the internet | 0:26:53 | 0:26:57 | |
for our Australian cousins to bid on, | 0:26:57 | 0:26:59 | |
would transform its value, I reckon, to between £80 and £120. | 0:26:59 | 0:27:04 | |
So, as they say over there, "That's a beaut, mate!" | 0:27:05 | 0:27:08 | |
Five, 55, | 0:27:12 | 0:27:14 | |
60, 65. | 0:27:14 | 0:27:16 | |
Brian Goodison-Blanks is our man of the moment at | 0:27:18 | 0:27:21 | |
Bearnes Hampton and Littlewood's saleroom. | 0:27:21 | 0:27:24 | |
-Lovely to see you, Brian. -Nice to see you again. | 0:27:24 | 0:27:27 | |
And we've got a pretty samey group, I'd say, for the Reds. | 0:27:27 | 0:27:31 | |
The exception being the little timepiece. | 0:27:31 | 0:27:34 | |
Tell us about that. | 0:27:34 | 0:27:35 | |
It's by the Ansonia Clock Company, so it's an American clock. | 0:27:35 | 0:27:38 | |
And it's known as the 'Bee', a particular sort of model that | 0:27:38 | 0:27:41 | |
they produced around about 1880. | 0:27:41 | 0:27:42 | |
It's just a little travelling clock. | 0:27:42 | 0:27:44 | |
The original ones came in a small box | 0:27:44 | 0:27:45 | |
with the two bees on the travelling clock. | 0:27:45 | 0:27:48 | |
-Fun little thing. -It's in good nick. -It is, it's in good condition. | 0:27:48 | 0:27:51 | |
But it's probably only about £30-£40. | 0:27:51 | 0:27:53 | |
OK, they paid £75. So that's a problem. | 0:27:53 | 0:27:56 | |
Next is the Moorcroft jug. | 0:27:56 | 0:27:57 | |
Looks just like an old one, | 0:27:57 | 0:27:59 | |
feels just like an old one, | 0:27:59 | 0:28:00 | |
smells like an old one, but it's, in fact, a new one. | 0:28:00 | 0:28:03 | |
It is, it is very difficult sometimes for Moorcroft pieces | 0:28:03 | 0:28:06 | |
because they reproduced a lot of the old patterns | 0:28:06 | 0:28:08 | |
and this is the pomegranate and blue finch pattern. | 0:28:08 | 0:28:10 | |
But unfortunately this has the | 0:28:10 | 0:28:11 | |
iron mark on the bottom which dates it to 1995. | 0:28:11 | 0:28:13 | |
-Does it really? -Yes. -Dear, oh, dear. | 0:28:13 | 0:28:16 | |
What's your estimate? | 0:28:16 | 0:28:17 | |
Well, there're still collectors out there for these sort of pieces | 0:28:17 | 0:28:20 | |
and with the current market it's probably about £50-£70. | 0:28:20 | 0:28:23 | |
Ah, £135 they paid. | 0:28:23 | 0:28:25 | |
That's going to be their killer, I'm afraid. | 0:28:25 | 0:28:27 | |
And, lastly, the atomiser. | 0:28:27 | 0:28:29 | |
Yes, fun little thing, isn't it? | 0:28:29 | 0:28:31 | |
For ladies perfumes or toilet waters. | 0:28:31 | 0:28:33 | |
And with your green enamelling which is in good condition | 0:28:33 | 0:28:35 | |
but it's probably only about £20-£40. | 0:28:35 | 0:28:37 | |
-Well, that, I fear, is the right estimate because they paid 60. -OK. | 0:28:37 | 0:28:41 | |
They paid the top retail price. There we go. | 0:28:41 | 0:28:44 | |
Well, all in all, I'm afraid this is not looking so pretty for the Reds. | 0:28:44 | 0:28:47 | |
They're going to need their bonus buy. Let's go and have a look. | 0:28:47 | 0:28:50 | |
Angie and Paul, happy? | 0:28:50 | 0:28:51 | |
-Very happy. -Yes, very happy. -Yes, very, very happy. | 0:28:51 | 0:28:54 | |
-Now, listen, you spent the 270. I'm so proud of you. -Oh! | 0:28:54 | 0:28:56 | |
OK, £30 left over. | 0:28:56 | 0:28:57 | |
I'm going to take the rag off so that Kate can show off her wares. | 0:28:57 | 0:29:01 | |
-Ta-da! -Ooh! -Oh. | 0:29:01 | 0:29:04 | |
Look at those little beauties. | 0:29:04 | 0:29:05 | |
They are big beauties, aren't they? | 0:29:05 | 0:29:07 | |
-They're quite unusual, Kate. -They are. | 0:29:08 | 0:29:11 | |
Oh, there's a little bit of a blue tinge going on here. | 0:29:11 | 0:29:13 | |
-Tell us about it, Kate. -OK. -Where did you find these? | 0:29:13 | 0:29:15 | |
So... | 0:29:15 | 0:29:17 | |
They are French. | 0:29:17 | 0:29:18 | |
1930s in date. | 0:29:19 | 0:29:20 | |
Very Art Deco, actually. | 0:29:20 | 0:29:23 | |
They are by a factory called Ezan, | 0:29:23 | 0:29:26 | |
who were designers of glass in France in the 1930s | 0:29:26 | 0:29:30 | |
and were very well known for making lampshades in glass, | 0:29:30 | 0:29:34 | |
lovely opalescent glass which is this lovely bluey opaque | 0:29:34 | 0:29:37 | |
sheen it's got to it. | 0:29:37 | 0:29:39 | |
Which obviously when it's lit up... | 0:29:39 | 0:29:41 | |
-Yeah. -..with a bulb underneath will really come to life. | 0:29:41 | 0:29:44 | |
But they were only £30. | 0:29:44 | 0:29:47 | |
-You spent the full 30? -I blew the lot. -£15 a piece. | 0:29:47 | 0:29:50 | |
And I have to say, it took a lot of talking to get it down to 30. | 0:29:50 | 0:29:53 | |
Really? | 0:29:53 | 0:29:54 | |
That, I would say is a pretty good old sniplet. | 0:29:54 | 0:29:56 | |
I'm not allowed to say anything but I can't keep... | 0:29:56 | 0:29:58 | |
-And you think there's... -..keep in check any longer. | 0:29:58 | 0:30:01 | |
..a bit of profit in there? | 0:30:01 | 0:30:02 | |
-If there's any justice in the world, Paul... -Ha-ha-ha, yeah. | 0:30:02 | 0:30:05 | |
..there should be. | 0:30:05 | 0:30:06 | |
We've heard that before, haven't we? Ha-ha. | 0:30:06 | 0:30:08 | |
-Very good. Well done, Kate. -OK, yes, good for you. | 0:30:08 | 0:30:11 | |
OK, we've got a good prediction of profit from Kate. | 0:30:11 | 0:30:13 | |
You don't pick right now, you pick after the sale | 0:30:13 | 0:30:15 | |
of your first three items. | 0:30:15 | 0:30:17 | |
So let's find out if the auctioneer likes Kate's lampshades. | 0:30:17 | 0:30:20 | |
OK, Brian. Don't get put in the shade by these. | 0:30:22 | 0:30:25 | |
They're a rather sort of interesting colour, aren't they? | 0:30:26 | 0:30:29 | |
They're quite nice sort of decoration and very topical. | 0:30:29 | 0:30:32 | |
Very, very much in the style of Lalique and Sabinos, | 0:30:32 | 0:30:34 | |
-the ones we all know. -Hmm. | 0:30:34 | 0:30:36 | |
Age of these - not a great deal. | 0:30:36 | 0:30:38 | |
Probably reproduced late 20th-century. | 0:30:38 | 0:30:41 | |
Right. | 0:30:41 | 0:30:42 | |
But still decorative | 0:30:42 | 0:30:43 | |
and people out there are interested in modern lighting and lamps. | 0:30:43 | 0:30:46 | |
-Yeah. -So still perhaps £100-£120 for them. | 0:30:46 | 0:30:49 | |
You think as much as that?! | 0:30:49 | 0:30:50 | |
Possibly cos they're that sort of style and modern lighting as well. | 0:30:50 | 0:30:53 | |
Well, Kate Bliss paid £30. | 0:30:53 | 0:30:55 | |
I tell you, if you could get £100-£150 | 0:30:55 | 0:30:59 | |
that transforms the situation. | 0:30:59 | 0:31:01 | |
Oh, I'm already feeling | 0:31:01 | 0:31:03 | |
nice and warm about that. | 0:31:03 | 0:31:05 | |
Good. Anyway, that's it from the Reds. | 0:31:05 | 0:31:07 | |
Now for the Blues. | 0:31:07 | 0:31:08 | |
A vesta holder. | 0:31:08 | 0:31:09 | |
Well, it's sort of typical of the period, isn't it? | 0:31:09 | 0:31:12 | |
When smoking was a lot more popular and fashionable in the 1920s, | 0:31:12 | 0:31:15 | |
1930s, and interesting with the little glass pieces on there | 0:31:15 | 0:31:19 | |
for striking the non-safety matches. | 0:31:19 | 0:31:21 | |
-Yeah. -Probably more useful as a toothpick holder these days. | 0:31:21 | 0:31:24 | |
That's a good idea. | 0:31:24 | 0:31:25 | |
Erm, how much? | 0:31:25 | 0:31:27 | |
Probably about £10-£20. | 0:31:27 | 0:31:28 | |
That is quite picky. | 0:31:28 | 0:31:29 | |
-They paid 50. -Right. | 0:31:29 | 0:31:31 | |
OK, now, let's move forward to the incense burner. | 0:31:31 | 0:31:35 | |
-Yes, it's a fun little thing, isn't it? -Looks like a Lotus. | 0:31:35 | 0:31:37 | |
It does, and if you unscrew it | 0:31:37 | 0:31:38 | |
then the leaves come out opened for your incense. | 0:31:38 | 0:31:41 | |
It's machine cut thread to the bottom which would indicate that it's probably very modern. | 0:31:41 | 0:31:44 | |
Nicely made. Got the right metal. It's made of bronze. | 0:31:44 | 0:31:47 | |
-How much? -About £10-£15. | 0:31:47 | 0:31:49 | |
Oh, dear, £42. | 0:31:49 | 0:31:50 | |
So that's two killers. | 0:31:50 | 0:31:52 | |
And then the last item which has to be fun | 0:31:52 | 0:31:56 | |
is the pair of horseshoe form planters. | 0:31:56 | 0:31:59 | |
Yes, they're rather good fun, aren't they? | 0:31:59 | 0:32:01 | |
Just right for the West Country really. | 0:32:01 | 0:32:03 | |
The thing is, I think they are old horseshoes, aren't they? | 0:32:03 | 0:32:05 | |
That have been used up. | 0:32:05 | 0:32:07 | |
Yes, they're obviously discarded horseshoes from | 0:32:07 | 0:32:09 | |
the blacksmiths who have just decided to knock them up together. | 0:32:09 | 0:32:12 | |
Yeah, it's a good idea. The ultimate in recycling. | 0:32:12 | 0:32:14 | |
How much? | 0:32:14 | 0:32:15 | |
They are rather decorative so I think they are probably £60-£100. | 0:32:15 | 0:32:18 | |
Hey, clippety-clop. £60 paid. | 0:32:18 | 0:32:21 | |
There is a potential profit there. | 0:32:21 | 0:32:23 | |
Maybe they won't need their bonus buy after all, | 0:32:23 | 0:32:25 | |
but let's go and have a look at it. | 0:32:25 | 0:32:27 | |
KD, Kathy and Dan. | 0:32:27 | 0:32:30 | |
£152 you spent. | 0:32:30 | 0:32:31 | |
£148 went across to the chief. | 0:32:31 | 0:32:34 | |
-Now, I'm going to help you out here, Dave. -Thank you, Tim. | 0:32:34 | 0:32:37 | |
-Cos I'm just going to take this off, gently like. -OK. | 0:32:37 | 0:32:39 | |
And reveal! | 0:32:39 | 0:32:40 | |
-Right. -Oh. | 0:32:40 | 0:32:42 | |
We're thinking... Yes, OK. | 0:32:42 | 0:32:44 | |
That was my response as well after I'd bought it. | 0:32:44 | 0:32:46 | |
-BOTH: -Ha-ha-ha. | 0:32:46 | 0:32:47 | |
-But, Kathy, I couldn't resist it. -It's to do with me! | 0:32:47 | 0:32:50 | |
It IS to do with you. | 0:32:50 | 0:32:51 | |
-Photography. -Oh, lovely. | 0:32:51 | 0:32:52 | |
It is an incredibly well-made plaque with a bronze insert there. | 0:32:52 | 0:32:58 | |
An award given to a stunning photographer in that year. | 0:32:58 | 0:33:02 | |
-So if I take that... -Yep. | 0:33:02 | 0:33:03 | |
-Because this is a very difficult thing to show, isn't it? -Yes. | 0:33:03 | 0:33:06 | |
We go from '43 to 1971. | 0:33:06 | 0:33:09 | |
It's a really cool thing. | 0:33:09 | 0:33:10 | |
What it's worth - you know seriously I just have no idea at all. | 0:33:10 | 0:33:16 | |
-It could bomb or fly. -OK. | 0:33:16 | 0:33:17 | |
I think that's the message he's giving you. | 0:33:17 | 0:33:19 | |
-This is a high risk. High energy strategy. -Yeah. -Yeah. | 0:33:19 | 0:33:23 | |
-What did you pay? -Well, I paid the money - £90. | 0:33:23 | 0:33:26 | |
-£90. -I think I paid strong money for it. -Yeah. | 0:33:26 | 0:33:29 | |
Well, it's the top end. What's the most optimistic? | 0:33:29 | 0:33:32 | |
I wouldn't be surprised if it made £20 | 0:33:32 | 0:33:36 | |
or £250. | 0:33:36 | 0:33:37 | |
-Wow. -Absolutely... -That's quite a wide spectrum. Ha-ha-ha. | 0:33:37 | 0:33:40 | |
Thank you very much. | 0:33:40 | 0:33:41 | |
I mean, if you're really broke, right, and you've got this | 0:33:41 | 0:33:45 | |
thing that could make you everything back or make it doubly worse... | 0:33:45 | 0:33:50 | |
-Ha-ha-ha... -..then, you know, you've got to think it through, | 0:33:50 | 0:33:53 | |
haven't you? | 0:33:53 | 0:33:54 | |
-Yeah. -Hmm. | 0:33:54 | 0:33:55 | |
-I love it, I think it's great. -You love it? Yeah, yeah. | 0:33:55 | 0:33:57 | |
OK. Well, you're eternally optimistic which is lovely. | 0:33:57 | 0:34:00 | |
Great couple. Anyway, there it is. | 0:34:00 | 0:34:02 | |
Why don't we now find out for the audience at home what the | 0:34:02 | 0:34:05 | |
auctioneer thinks about Dave's plaque. | 0:34:05 | 0:34:07 | |
There we are, somebody else's presentation plaque, | 0:34:09 | 0:34:11 | |
it looks like to me. | 0:34:11 | 0:34:13 | |
Yes, and it's great. | 0:34:13 | 0:34:14 | |
It's the British Photographers' Association, | 0:34:14 | 0:34:17 | |
in the south-west. | 0:34:17 | 0:34:18 | |
It's very difficult with pieces like this | 0:34:18 | 0:34:20 | |
cos it's just a small, sort of, professional photographers group | 0:34:20 | 0:34:24 | |
and so the history is very difficult to obtain. | 0:34:24 | 0:34:26 | |
But, it was presented from the '50s through to the '70s. | 0:34:26 | 0:34:30 | |
It's quite nicely cast bronze. | 0:34:30 | 0:34:32 | |
But it's a very, very specific item | 0:34:32 | 0:34:35 | |
so it's limited in its appeal, I'm afraid. | 0:34:35 | 0:34:37 | |
Hmm, and that makes it difficult to sell. | 0:34:37 | 0:34:39 | |
And that means you could struggle up on that rostrum with that, | 0:34:39 | 0:34:42 | |
in a minute. | 0:34:42 | 0:34:43 | |
I think I may do a little bit, but I'll do my best. | 0:34:43 | 0:34:45 | |
I'm sure you'll do your best. But, it could be - how much? | 0:34:45 | 0:34:47 | |
£20-£30. | 0:34:47 | 0:34:49 | |
It's probably £30-£50 to a collector, perhaps. | 0:34:49 | 0:34:51 | |
OK, well David Harper's taken a punt and I think | 0:34:51 | 0:34:53 | |
if they go with that, and they make a profit, | 0:34:53 | 0:34:56 | |
I'll probably eat my hat. Again. | 0:34:56 | 0:34:59 | |
Ha-ha-ha. | 0:34:59 | 0:35:00 | |
-Anyway, we'll find out in a minute. -Yes. | 0:35:00 | 0:35:02 | |
Thank you very, very much, Brian, that's great. | 0:35:02 | 0:35:04 | |
Thank you. | 0:35:04 | 0:35:05 | |
At 20 I have in the room. | 0:35:06 | 0:35:07 | |
22 internet. | 0:35:07 | 0:35:08 | |
22, 25. | 0:35:08 | 0:35:10 | |
And I'm selling then. | 0:35:10 | 0:35:12 | |
How are you feeling, Ange? | 0:35:12 | 0:35:13 | |
-Bit nervous to be honest, Tim. -What about you, Paul? | 0:35:13 | 0:35:16 | |
No, no, looking forward to it. | 0:35:16 | 0:35:17 | |
-Are you just solid? -Yeah, absolutely. | 0:35:17 | 0:35:19 | |
Reliable? Yeah. | 0:35:19 | 0:35:20 | |
-Is this typical of him? -Yes, solid, reliable, yes, yes. | 0:35:20 | 0:35:22 | |
-You're the effervescent one, are you? -Mad, yeah. | 0:35:22 | 0:35:25 | |
I didn't say that. You're in sales. | 0:35:25 | 0:35:27 | |
-Excitable. -Ah, excitable, yes. | 0:35:27 | 0:35:30 | |
There's no point in going out to sell something | 0:35:30 | 0:35:32 | |
-if you don't believe in it. -Absolutely. | 0:35:32 | 0:35:34 | |
-You've got to give it a good old punt. -Yes, absolutely. | 0:35:34 | 0:35:36 | |
Exactly, that's why you're so good at it. | 0:35:36 | 0:35:38 | |
Now, first up then - the Bee circular travelling timepiece | 0:35:38 | 0:35:41 | |
and here it comes. | 0:35:41 | 0:35:42 | |
A little clock there for you. And what am I saying for that? | 0:35:42 | 0:35:45 | |
£40? | 0:35:45 | 0:35:46 | |
£40 for the clock? | 0:35:46 | 0:35:47 | |
Start at 20 then. £20. | 0:35:48 | 0:35:50 | |
20 I have straightaway for the clock at 20. | 0:35:50 | 0:35:52 | |
And two now elsewhere. | 0:35:52 | 0:35:53 | |
22, 25, 28. | 0:35:53 | 0:35:56 | |
28? Can't see you, 28. | 0:35:56 | 0:35:57 | |
30, 32, 35, 38. | 0:35:57 | 0:36:01 | |
35 here. | 0:36:01 | 0:36:02 | |
38 elsewhere now. | 0:36:02 | 0:36:04 | |
Quite sure then. Clock for £35, I need now. | 0:36:04 | 0:36:06 | |
-No way. -No. | 0:36:06 | 0:36:07 | |
Selling then, at 35... | 0:36:07 | 0:36:09 | |
BANGS GAVEL | 0:36:09 | 0:36:10 | |
-I don't like the look of this. -That's a shocker. | 0:36:10 | 0:36:12 | |
35 is, I'm afraid, -£40. | 0:36:12 | 0:36:16 | |
-That's not good. -It's confirmed our worst fears. | 0:36:16 | 0:36:18 | |
Next one is the Moorcroft pottery jug | 0:36:18 | 0:36:20 | |
of pomegranate and blue finch pattern. | 0:36:20 | 0:36:23 | |
And what am I saying for that? | 0:36:23 | 0:36:24 | |
50. | 0:36:24 | 0:36:25 | |
At five now elsewhere. | 0:36:25 | 0:36:26 | |
At £50 for the jug. | 0:36:26 | 0:36:27 | |
55, 60, 65, no? | 0:36:27 | 0:36:30 | |
At £60 standing then, looking for five now elsewhere. | 0:36:30 | 0:36:33 | |
Five internet, are you in? | 0:36:33 | 0:36:35 | |
No, it's in the room now at £60. | 0:36:35 | 0:36:37 | |
I'm selling then at 60. | 0:36:37 | 0:36:39 | |
BANG | 0:36:39 | 0:36:40 | |
Dear Lord. | 0:36:40 | 0:36:41 | |
£60 is 40 short of 100. | 0:36:41 | 0:36:43 | |
That is -£75. | 0:36:43 | 0:36:45 | |
So the atomiser there for you. | 0:36:46 | 0:36:48 | |
And, again, what am I saying for that? | 0:36:48 | 0:36:50 | |
£40. | 0:36:50 | 0:36:51 | |
Start at 20. | 0:36:51 | 0:36:53 | |
Come on. | 0:36:53 | 0:36:54 | |
20, thank you. At £20 I have. | 0:36:54 | 0:36:56 | |
And two now, elsewhere. | 0:36:56 | 0:36:58 | |
The atomiser for the gentleman at 20. | 0:36:58 | 0:37:00 | |
And two at all elsewhere? | 0:37:00 | 0:37:01 | |
22, I can see you now. | 0:37:01 | 0:37:03 | |
25, 28, 30. | 0:37:03 | 0:37:05 | |
Come on, come on. | 0:37:05 | 0:37:07 | |
Sure? At 30 standing then. | 0:37:07 | 0:37:09 | |
Looking for two now elsewhere. | 0:37:09 | 0:37:11 | |
No, at 30 by the cabinets then. | 0:37:11 | 0:37:12 | |
-32 - fresh place. -Ooh. | 0:37:12 | 0:37:14 | |
-35, sir. -Ah, there's hope, there's hope. -There's hope. | 0:37:14 | 0:37:16 | |
Two seated then. Thank you, sir. At £32. And selling now. | 0:37:16 | 0:37:19 | |
You're quite sure and all done? | 0:37:19 | 0:37:21 | |
BANG | 0:37:21 | 0:37:23 | |
£32 is -£28. | 0:37:23 | 0:37:24 | |
-It's -£143. -I don't believe... | 0:37:24 | 0:37:30 | |
-£143? Dear, oh, dear, oh, dear. | 0:37:30 | 0:37:33 | |
So, are we going to go with the bonus buy? | 0:37:33 | 0:37:35 | |
If we going to lose, let's lose big. | 0:37:35 | 0:37:37 | |
Exactly. So, we're going with it then, yes? | 0:37:37 | 0:37:38 | |
-Yes, I think we should, Tim. -Yes, I think so. -Fine. -Decision made. | 0:37:38 | 0:37:41 | |
No mucking about. Here we go. | 0:37:41 | 0:37:43 | |
So the pair of lamp shades there. | 0:37:43 | 0:37:45 | |
And interest here with me at 35, 40, 45, 50. | 0:37:45 | 0:37:49 | |
(Profit! First time.) | 0:37:49 | 0:37:50 | |
£50 here. 55, do I see elsewhere? You quite sure then? | 0:37:50 | 0:37:53 | |
With me at £50, commission bid has it here. | 0:37:53 | 0:37:55 | |
Looking for five now in the room. | 0:37:55 | 0:37:57 | |
55. At 55, I'm out now. | 0:37:57 | 0:37:59 | |
At 55 it's yours, madam, at 55. | 0:37:59 | 0:38:01 | |
And 60 now at all? In the room in the room dead and centre then | 0:38:01 | 0:38:03 | |
at 55... | 0:38:03 | 0:38:04 | |
You've doubled your money, Kate. | 0:38:04 | 0:38:06 | |
BANG | 0:38:06 | 0:38:07 | |
Well done but not quite enough. At 55...is +£25, | 0:38:07 | 0:38:11 | |
-118. | 0:38:11 | 0:38:13 | |
-£118. | 0:38:13 | 0:38:16 | |
Could be a winning score. | 0:38:16 | 0:38:17 | |
-Ha-ha. -Ha-ha. -Ha-ha. -Really?! | 0:38:17 | 0:38:19 | |
-Do you know how the Reds got on? -No, no idea. | 0:38:24 | 0:38:27 | |
Dan, you haven't been chatting to them? Good. | 0:38:27 | 0:38:29 | |
-Kathy, you found the vesta holder. -Yes. | 0:38:29 | 0:38:31 | |
Which is a sweet little thing, isn't it? | 0:38:31 | 0:38:33 | |
Yes, it's my favourite, I think. | 0:38:33 | 0:38:34 | |
With the cut bit you can strike a match on and all that. | 0:38:34 | 0:38:37 | |
£50 paid. | 0:38:37 | 0:38:38 | |
His estimate, I'm afraid, is rather depressing. | 0:38:38 | 0:38:40 | |
It's £10-£20. | 0:38:40 | 0:38:41 | |
-Oh, dear. -Oh. -Oh, gosh. | 0:38:41 | 0:38:43 | |
-For solid silver and cut glass that's all he thinks it's worth. -OK. | 0:38:43 | 0:38:47 | |
Anyway, first up is the vesta holder. And here it comes. | 0:38:47 | 0:38:50 | |
Lot 237. The early 20th century glass and silver vesta holder. | 0:38:50 | 0:38:53 | |
And, what am I saying for that? | 0:38:53 | 0:38:55 | |
£20? | 0:38:55 | 0:38:56 | |
-Start me at 10. -Oh, come on. | 0:38:56 | 0:38:58 | |
10, thank you, sir. Won't go any lower than that. | 0:38:58 | 0:39:00 | |
At £10. | 0:39:00 | 0:39:02 | |
And 12 now, at all? | 0:39:02 | 0:39:03 | |
12, thank you. 15, 18, 20, 22, 25, 28. | 0:39:03 | 0:39:08 | |
25 gentleman seated then. | 0:39:08 | 0:39:10 | |
Eight at all elsewhere? | 0:39:10 | 0:39:11 | |
At 25, original bidder at 25. | 0:39:11 | 0:39:13 | |
And eight I'm looking for. | 0:39:13 | 0:39:14 | |
At 25 now, and all done. | 0:39:14 | 0:39:16 | |
BANG | 0:39:16 | 0:39:18 | |
£25 is better than £10-£20. | 0:39:18 | 0:39:21 | |
But still unfortunately it's -25 in the score line. | 0:39:21 | 0:39:24 | |
Now... | 0:39:24 | 0:39:25 | |
So the incense burner, what am I saying for that? | 0:39:25 | 0:39:28 | |
-£10. -Cool. -£10 straightaway, thank you. | 0:39:28 | 0:39:31 | |
At £10. And 12 now. | 0:39:31 | 0:39:33 | |
At £10 only. Do I see 12 at all? | 0:39:33 | 0:39:36 | |
At £10 then. At £10. And 12 at all? | 0:39:36 | 0:39:38 | |
Ooh! | 0:39:38 | 0:39:39 | |
Quite sure then, at the maiden bid of 10. | 0:39:39 | 0:39:42 | |
BANGS | 0:39:42 | 0:39:43 | |
-Gosh. -That's -£32, OK. | 0:39:43 | 0:39:45 | |
-Now, girls. -Calm down now. | 0:39:47 | 0:39:49 | |
Lot 239 is the pair of rustic horseshoe garden jardiniere stands. | 0:39:49 | 0:39:54 | |
And, what am I saying for those? | 0:39:54 | 0:39:56 | |
£100. | 0:39:56 | 0:39:57 | |
-Better. -£100? | 0:39:58 | 0:40:00 | |
Start at 40, if you will. | 0:40:00 | 0:40:01 | |
HE MOUTHS | 0:40:01 | 0:40:02 | |
40, thank you. At £40. | 0:40:02 | 0:40:04 | |
At 45, 50, 55? | 0:40:04 | 0:40:06 | |
55 here then. | 0:40:06 | 0:40:07 | |
At 55, and 60? I'm out then. | 0:40:07 | 0:40:10 | |
It's £55 here. | 0:40:10 | 0:40:11 | |
-Somebody knows what they're worth. -Come on. | 0:40:11 | 0:40:13 | |
At £55. And 60 at all? | 0:40:13 | 0:40:15 | |
Quite sure then, I'll sell here at 55... | 0:40:15 | 0:40:18 | |
BANG | 0:40:18 | 0:40:19 | |
No, it's not happened. | 0:40:19 | 0:40:20 | |
It's £55. | 0:40:20 | 0:40:22 | |
And that, sadly, is -£5. | 0:40:22 | 0:40:25 | |
Which means you -£62 overall. | 0:40:25 | 0:40:28 | |
Now, the photographer's plaque. | 0:40:28 | 0:40:29 | |
How do we feel about that? | 0:40:29 | 0:40:30 | |
£90 paid. Are you going to go with it and risk £90 for a bit more? | 0:40:30 | 0:40:35 | |
-Ho-ho-ho. -You know what I think? | 0:40:35 | 0:40:37 | |
-I do quite like it. -You do like it? -And you know what, never give up. | 0:40:37 | 0:40:40 | |
-Let's go for it. -Ha! | 0:40:40 | 0:40:42 | |
-Good motto. -Let's go for it. -Yeah. -Let's do it. | 0:40:42 | 0:40:44 | |
-Is that the answer? -Why not? | 0:40:44 | 0:40:45 | |
OK, here it comes. | 0:40:45 | 0:40:47 | |
20th century oak and bronze presentation plaque. | 0:40:47 | 0:40:50 | |
An interesting piece. | 0:40:50 | 0:40:52 | |
And local interest here with me at 35, 45, 50. | 0:40:52 | 0:40:56 | |
-£50 here. -(Oh!) | 0:40:56 | 0:40:57 | |
At 50 with me. And five now, elsewhere. | 0:40:57 | 0:41:00 | |
55, 60, 65, 70, 75, 80, 85, | 0:41:00 | 0:41:05 | |
90, 95, 100, 110. 110. | 0:41:05 | 0:41:08 | |
Commission is out then. With the gentleman in the room at £110. | 0:41:08 | 0:41:11 | |
Come on! | 0:41:11 | 0:41:12 | |
The man's done it again! | 0:41:12 | 0:41:13 | |
All done now. At £110 then. | 0:41:13 | 0:41:15 | |
BANG | 0:41:15 | 0:41:17 | |
-Amazing. -Yes! | 0:41:17 | 0:41:20 | |
£110! | 0:41:20 | 0:41:21 | |
-I'm shocked. -Well, what were you nervous about? | 0:41:21 | 0:41:24 | |
What have you got to be nervous about? | 0:41:24 | 0:41:26 | |
That is fantastic, isn't it? | 0:41:26 | 0:41:27 | |
That is +£20. | 0:41:27 | 0:41:29 | |
Whoever would have thought that? | 0:41:29 | 0:41:31 | |
Not me! And these kids - they went with it, | 0:41:31 | 0:41:34 | |
-they saw the potential. -Yes, we did. | 0:41:34 | 0:41:36 | |
-Good on you. -Well done. -That's a proper result. | 0:41:36 | 0:41:38 | |
I'm so pleased. | 0:41:38 | 0:41:39 | |
Anyway, it makes the overall score a bit more palatable. | 0:41:39 | 0:41:42 | |
Which is -£42. | 0:41:42 | 0:41:44 | |
Good. | 0:41:44 | 0:41:45 | |
And -£42 could be a winning score | 0:41:45 | 0:41:46 | |
-so don't say a word to the Reds. -Nothing. | 0:41:46 | 0:41:48 | |
MUSIC: "The Only Way Is Up" by Yazz | 0:41:48 | 0:41:51 | |
Well, well, well. | 0:41:53 | 0:41:54 | |
What excitement we've had today, haven't we? | 0:41:54 | 0:41:56 | |
-Oh, we have. -Yes! | 0:41:56 | 0:41:58 | |
It's enough to make you want to throw each other around, I tell you. | 0:41:58 | 0:42:01 | |
-ALL: -Ha-ha-ha! | 0:42:01 | 0:42:02 | |
Anyway, the team that's quite considerably behind in the score | 0:42:02 | 0:42:05 | |
just happens to be the Reds. | 0:42:05 | 0:42:07 | |
-Oh. -Knew it. | 0:42:07 | 0:42:09 | |
--£118. -Ha-ha-ha. | 0:42:09 | 0:42:12 | |
-Made up of some solid losses. -RED TEAM: -Ha-ha-ha. | 0:42:12 | 0:42:15 | |
-All the way through. -There certainly were. | 0:42:15 | 0:42:17 | |
What I love about you, Angie, is that you can take it on the chin, | 0:42:17 | 0:42:20 | |
-right? -Oh, yes. | 0:42:20 | 0:42:21 | |
You won't be a moaning minnie about this, will you? | 0:42:21 | 0:42:23 | |
-You know, on another day it could have been very different. -Yes. | 0:42:23 | 0:42:26 | |
As it was though, the £25 profit from the opaline glass shades | 0:42:26 | 0:42:30 | |
was brilliant, Kate. So, thank you very much for that. | 0:42:30 | 0:42:32 | |
And you've been just fantastic, you and Paul. | 0:42:32 | 0:42:34 | |
Now, the victors today are victors | 0:42:34 | 0:42:36 | |
cos they've only managed to lose £42. | 0:42:36 | 0:42:39 | |
-Yes! -Yes! | 0:42:39 | 0:42:40 | |
And it would have been worse without David Harper's £20 credit, | 0:42:40 | 0:42:43 | |
so well done for that. | 0:42:43 | 0:42:45 | |
-Thank you. -Nobody ever thought that bronze lump could possibly | 0:42:45 | 0:42:48 | |
-be translated into raw cash. -Me especially! | 0:42:48 | 0:42:50 | |
But anyway, there we are. The kids knew though, didn't you? | 0:42:50 | 0:42:52 | |
-You knew. -Yes, we did. -Anyway, have you had a nice time? | 0:42:52 | 0:42:55 | |
-Lovely. -Great. -Very nice to see you, Dan. | 0:42:55 | 0:42:57 | |
Anyway, join us soon for some more bargain hunting. Yes? | 0:42:57 | 0:43:00 | |
-ALL: -Yes! | 0:43:00 | 0:43:01 |