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Two Reds, two Blues, two experts and ?300 apiece. | 0:00:05 | 0:00:11 | |
There's only one BH, so let's go bargain hunting! Yeah! | 0:00:11 | 0:00:16 | |
Today we're in the East Midlands, near Newark, | 0:00:42 | 0:00:46 | |
just off that lovely Roman road called the Fosse Way. | 0:00:46 | 0:00:50 | |
The big question today is, | 0:00:50 | 0:00:52 | |
though, will the experts be able to keep our teams on the straight | 0:00:52 | 0:00:55 | |
and narrow as they browse these vast spaces for treasures? | 0:00:55 | 0:01:01 | |
Let's have a peek at what's coming up. | 0:01:01 | 0:01:03 | |
And the Reds are trying to sweeten their deals. Come on, then. | 0:01:04 | 0:01:08 | |
?110, and I'll give you a kiss and a cuddle anyway. Oi! | 0:01:08 | 0:01:11 | |
And the Blues are getting a lesson in haggling. It's a yes for me at 25. | 0:01:11 | 0:01:15 | |
A yes from me at 25. And it's a no from me! | 0:01:15 | 0:01:18 | |
Well, it's ladies in red today, | 0:01:20 | 0:01:23 | |
and boys in blue and we're all happy families, | 0:01:23 | 0:01:26 | |
because for the Reds, we've got a divine mother | 0:01:26 | 0:01:29 | |
and daughter combo of Penny and Alex, and for the Blues, | 0:01:29 | 0:01:33 | |
it's father and son, with Jeremy and Joe. Hello, everyone. ALL: Hello! | 0:01:33 | 0:01:38 | |
How lovely to see you. Now, Penny. Yes. | 0:01:38 | 0:01:40 | |
Music has been incredibly important to you in your life. | 0:01:40 | 0:01:43 | |
Tell us about that. | 0:01:43 | 0:01:44 | |
Well, all through my schooldays I was playing things | 0:01:44 | 0:01:47 | |
and singing things and there was one memorable school concert when I looked on the programme | 0:01:47 | 0:01:52 | |
and there were only two things I wasn't doing and one of them was | 0:01:52 | 0:01:55 | |
because I couldn't accompany myself on the piano whilst playing the oboe. | 0:01:55 | 0:01:58 | |
Um, and it just carried on. | 0:01:58 | 0:02:00 | |
As a physiotherapist, I use music and I've carried on singing ever since. | 0:02:00 | 0:02:05 | |
You also had a music business, didn't you? I did, yes. | 0:02:05 | 0:02:07 | |
I ran a small music shop in my local town. Did you? And it was wonderful. | 0:02:07 | 0:02:12 | |
So, Alex, you are completely bonkers about anything that's marine. | 0:02:12 | 0:02:16 | |
I absolutely am, yes. Yes, yes. | 0:02:16 | 0:02:18 | |
I studied marine science at university and I'm just | 0:02:18 | 0:02:21 | |
finishing off my master's and been studying in Norway for two years now. | 0:02:21 | 0:02:27 | |
So how is it that you're so young | 0:02:27 | 0:02:29 | |
and yet you've managed to achieve so many of your ambitions? | 0:02:29 | 0:02:32 | |
Cos you wanted to live abroad, you wanted to speak another language and what was the third ambition? | 0:02:32 | 0:02:36 | |
I wanted to see the Northern Lights. And you've lived amongst them? | 0:02:36 | 0:02:40 | |
Yes and I've been very lucky. You also want to be a TV presenter. | 0:02:40 | 0:02:44 | |
Oh, I'd love it! | 0:02:44 | 0:02:45 | |
You got antiques programmes in mind, or something else? | 0:02:45 | 0:02:48 | |
Not necessarily antiques. Mum has all the antiques knowledge. | 0:02:48 | 0:02:51 | |
Oh, does she? That's good. I'd do something scientific. Would you? | 0:02:51 | 0:02:54 | |
Like Brian Cox but for fish. Now, tell us about your antiques knowledge, then. | 0:02:54 | 0:02:57 | |
So we're going to be turning to you for everything material in that way, are we? Oh, yes, yes. | 0:02:57 | 0:03:01 | |
All of it taught to me by various television programmes. Oh, right. | 0:03:01 | 0:03:04 | |
Especially this one, of course. Especially Bargain... Yes. | 0:03:04 | 0:03:07 | |
So everything you know has come from this programme? Of course. | 0:03:07 | 0:03:10 | |
Well, you're going to do terribly well, I can tell you! Yes. | 0:03:10 | 0:03:12 | |
And I wouldn't be surprised if the boys are quaking in their boots! We are now. | 0:03:12 | 0:03:16 | |
Oh, we are now! So the girls are keen on their music, | 0:03:16 | 0:03:19 | |
you must be keen on your football. Well, we are, yes, Tim. | 0:03:19 | 0:03:22 | |
We're both Wolves season ticket holders, home and away but actually, | 0:03:22 | 0:03:26 | |
I should point out, I'm the sane one in this partnership here. | 0:03:26 | 0:03:29 | |
Joe is the nutcase. Tell him, Joe. | 0:03:29 | 0:03:31 | |
I'm trying to get to all 92 of the Football League grounds. | 0:03:31 | 0:03:34 | |
I'm on about 60, so hopefully I'll get that done in the next few seasons. | 0:03:34 | 0:03:38 | |
I've also started at university | 0:03:38 | 0:03:39 | |
what I think is the first-ever non-league football appreciation | 0:03:39 | 0:03:42 | |
society, and to sort of get as many of my friends involved as possible. | 0:03:42 | 0:03:46 | |
Brilliant. But my crowning moment was while I was at school, | 0:03:46 | 0:03:50 | |
they offered a travel fund to fund some educationally enriching trip | 0:03:50 | 0:03:54 | |
and me and two friends managed to get ?600 from the | 0:03:54 | 0:03:57 | |
school to watch non-league football matches in London for a week. | 0:03:57 | 0:04:00 | |
So yeah, that is a fantastic week. Tell us about the old teaching job, then. Is it fun? | 0:04:00 | 0:04:04 | |
What do you get up to? It is, yeah, I'm a boarding house master, so we look after 31 boys. | 0:04:04 | 0:04:09 | |
I used to have a few discipline problems in my lessons. | 0:04:09 | 0:04:13 | |
I'm a science teacher and a few years ago somebody suggested to me | 0:04:13 | 0:04:15 | |
that I keep some fish, actually, which you'd be | 0:04:15 | 0:04:18 | |
interested in, so I now keep two tanks of piranhas in my classroom. | 0:04:18 | 0:04:25 | |
Fantastic! And they are at the side of the classroom. | 0:04:25 | 0:04:28 | |
Any boy who doesn't hand his homework in now, I just turn and point. | 0:04:28 | 0:04:31 | |
Surprisingly, a few less discipline problems nowadays! | 0:04:31 | 0:04:34 | |
Well, that's a very good principle. | 0:04:34 | 0:04:36 | |
Now, what is it that you know about antiques then, Joe? | 0:04:36 | 0:04:39 | |
Well, most of our antiques knowledge has come from watching Bargain Hunt! | 0:04:39 | 0:04:43 | |
In fact, all of it! | 0:04:45 | 0:04:46 | |
As a history student, I'm very keen on history | 0:04:46 | 0:04:48 | |
and I'm very keen especially on the story behind certain objects. Exactly. | 0:04:48 | 0:04:51 | |
So I'm not just buying the object for what it is | 0:04:51 | 0:04:53 | |
but for the back story, because I think if I appreciate that, then somebody who wants to buy it might. | 0:04:53 | 0:04:57 | |
Exactly, and so many of these historical stories attached | 0:04:57 | 0:05:01 | |
to objects come incredibly cheaply. | 0:05:01 | 0:05:02 | |
Yeah, exactly. You don't have to spend a fortune. It'll be good fun. | 0:05:02 | 0:05:05 | |
Anyway, so much fun, I'm going to give you ?300 apiece. Look at that. | 0:05:05 | 0:05:08 | |
?300. Penny's perked up. So has Joe. Lovely. You know the rules. | 0:05:08 | 0:05:12 | |
Your experts await and off you go and very, very, very good luck. | 0:05:12 | 0:05:15 | |
Gosh! What gorgeous teams we've got today. | 0:05:15 | 0:05:18 | |
Hoping to be a lucky charm for the Red team today, it's Chris Gower. | 0:05:24 | 0:05:29 | |
And borrowing some long legs to stride around the fair for the Blues, | 0:05:30 | 0:05:33 | |
it's Anita Manning. | 0:05:33 | 0:05:36 | |
What do you think we're going to find today, or do today? | 0:05:36 | 0:05:38 | |
Well, if it had been the other week, I had this wonderful dream... Oh. | 0:05:38 | 0:05:42 | |
..that we'd found a very insignificant blue and white bowl. Yes! | 0:05:43 | 0:05:48 | |
What is the plan? | 0:05:48 | 0:05:49 | |
We're probably going to go for small collectables, | 0:05:49 | 0:05:52 | |
maybe even something Oriental, Chinese, that kind of way? | 0:05:52 | 0:05:54 | |
And we took it to auction and it was a Ming bowl | 0:05:54 | 0:05:58 | |
and we sold it for millions. The biggest amount in Bargain Hunt! Fantastic! | 0:05:58 | 0:06:01 | |
What's the thing with the Oriental? | 0:06:01 | 0:06:03 | |
Well, I'm a schoolteacher and a lot of my pupils are from Hong Kong. | 0:06:03 | 0:06:07 | |
Do you think that's going to happen? Oh, I just hope it's a premonition! Let's make it happen! Come on. | 0:06:07 | 0:06:12 | |
Do you speak Chinese? No. Oh, well. Never mind. Let's just go, anyway! | 0:06:12 | 0:06:17 | |
Right. The thing to do, Blues, is take your time. | 0:06:17 | 0:06:20 | |
It's a big fair, so... How are you, guys? | 0:06:20 | 0:06:22 | |
Can I interest you in a Northumbrian chestnut pan and flipper. | 0:06:22 | 0:06:26 | |
When you put them on the fire, you're flipping them over like that, you see. Oh, right. OK. | 0:06:26 | 0:06:30 | |
I'm going to let you have this, guys, for 15 quid. | 0:06:30 | 0:06:32 | |
How about that? | 0:06:32 | 0:06:34 | |
You'll turn that into 30. That's craftsman-made, that. | 0:06:34 | 0:06:37 | |
And I like the idea that it's got a flipper. Yes. Yeah. | 0:06:37 | 0:06:41 | |
I've never seen a chestnut flipper before. Are you kidding me on? | 0:06:41 | 0:06:46 | |
This is for real! I'll give you the pack-up price of ten quid. | 0:06:46 | 0:06:49 | |
Pack-up price? We've only just started! | 0:06:49 | 0:06:51 | |
Cos I want to pack up, go home and get some sleep. | 0:06:51 | 0:06:55 | |
What...what do you think, Anita? Where are you on this? Flabbergasted! | 0:06:55 | 0:07:00 | |
In a good way! In a good way. Could you sell that for a fiver? | 0:07:02 | 0:07:06 | |
Oh, no, no. That's going a little bit too far. | 0:07:06 | 0:07:08 | |
If you said eight, then? Go on. Eight quid. Eight. Eight? To kick off. To kick off. | 0:07:08 | 0:07:15 | |
Yeah. It's useful. Eight. Eight. There you go. There you go. | 0:07:15 | 0:07:20 | |
Thank you very much. You want to give them a kiss? | 0:07:20 | 0:07:23 | |
I'm going to pass on that! Boys, we've only been 30 seconds in. | 0:07:23 | 0:07:28 | |
I know. And we've bought a chestnut pan and a chestnut flipper. | 0:07:28 | 0:07:34 | |
Chestnut flipper. | 0:07:34 | 0:07:36 | |
So a flipping early score there for the boys, eh? | 0:07:36 | 0:07:40 | |
But what about the girls? Anything caught your eyes? | 0:07:40 | 0:07:43 | |
OK, let's... Moving on, let's have a look. Ah! Ooh. | 0:07:44 | 0:07:48 | |
That's a bit of bling, isn't it? They are fantastic, aren't they? | 0:07:48 | 0:07:52 | |
Aren't they just? Certainly a statement. | 0:07:52 | 0:07:55 | |
Really substantial. You know, they were made to promote perfume. | 0:07:55 | 0:07:58 | |
So they'd have been in a shop window or on the countertop? Absolutely. | 0:07:58 | 0:08:02 | |
Er, and they weren't meant to be sold. | 0:08:02 | 0:08:04 | |
I mean, they were just for the shopkeeper to just display. So... | 0:08:04 | 0:08:08 | |
They're rather beautiful. 400 the pair. Oh, goodness! | 0:08:08 | 0:08:12 | |
Things like that don't come cheap. Beat him down with... | 0:08:12 | 0:08:14 | |
jumping up and down. They really don't. No. Just beautiful colours. Yes. | 0:08:14 | 0:08:19 | |
A bit too rich for the Reds, that. It's still early days, though. | 0:08:19 | 0:08:23 | |
Isn't that a splendid big stick? That is a nice stick, isn't it? 75. | 0:08:23 | 0:08:30 | |
175. 175? Oh, yeah. But that is quite exceptional, | 0:08:30 | 0:08:37 | |
that big one. Is it? Uh-huh. I mean, look at the size of it. Yeah. | 0:08:37 | 0:08:41 | |
That's a big person. | 0:08:41 | 0:08:42 | |
It's a bit expensive though, isn't it? | 0:08:44 | 0:08:46 | |
Well, maybe to sell in...er, auction | 0:08:46 | 0:08:49 | |
but when are you going to see one like that again? | 0:08:49 | 0:08:51 | |
See, that's just your size. Let me see you er... | 0:08:51 | 0:08:55 | |
That's perfect for you. It's me, isn't it? I could stride out with that. Let's have a little look. | 0:08:55 | 0:09:00 | |
And the price label's fallen off, so he might not remember it's ?175. | 0:09:00 | 0:09:03 | |
Hey, nice idea, Jeremy. 30 quid it says, mate! | 0:09:03 | 0:09:08 | |
It's a good big thing, though. | 0:09:08 | 0:09:10 | |
I think we'll come back to that, shall we? We need to think about it. | 0:09:10 | 0:09:13 | |
I'm not convinced by the condition, if I'm honest. OK. | 0:09:13 | 0:09:15 | |
The 175 is hot, isn't it? That's a lot of money. Best come back. | 0:09:15 | 0:09:21 | |
Well, you're not in a big spending mood today after spending eight quid. | 0:09:21 | 0:09:26 | |
Oh, it's very nice, isn't it? Is it a book cover, or is it a...? | 0:09:30 | 0:09:33 | |
It could be a blotter. I was going to say. It is a blotter. | 0:09:33 | 0:09:37 | |
Nice bit of leather, nice bit of brass. | 0:09:37 | 0:09:39 | |
As you say, with the irises, I would say Art Nouveau, about 1900-1910. | 0:09:39 | 0:09:44 | |
No mark, no name on it? No, there wouldn't be. No, there wouldn't be? | 0:09:44 | 0:09:47 | |
No, no. Don't expect that. It's just a useful piece. | 0:09:47 | 0:09:51 | |
I would think there's not a great value in this for auction. | 0:09:51 | 0:09:54 | |
It caught me briefly. It is. It's rather lovely. It is. | 0:09:54 | 0:09:57 | |
So the Reds haven't blotted their copybook, then. | 0:09:57 | 0:10:01 | |
Now, time for a quiz question from Anita. | 0:10:01 | 0:10:04 | |
Now, there's a couple of Royal Crown Derby paperweights here. | 0:10:04 | 0:10:09 | |
Can you spot them? I'm thinking the frog, is it? | 0:10:09 | 0:10:13 | |
Well done, well done, well done! | 0:10:13 | 0:10:15 | |
How do you feel about that type of thing? Absolutely, oh, definitely. | 0:10:15 | 0:10:20 | |
We said Royal Crown Derby. | 0:10:20 | 0:10:21 | |
It's one of the things we talked about when we came over. | 0:10:21 | 0:10:23 | |
Because, um, you've got to be careful not to drop it. Yeah. | 0:10:23 | 0:10:27 | |
It's in very good condition, isn't it? Uh-huh. | 0:10:27 | 0:10:30 | |
And these things, Royal Crown Derby, | 0:10:30 | 0:10:32 | |
make a huge variety of these little sort of animal paperweights | 0:10:32 | 0:10:37 | |
and people collect them and they make them in this lovely er, | 0:10:37 | 0:10:42 | |
what we call the Amari palette, where we have the | 0:10:42 | 0:10:46 | |
beautiful gold here, this lovely blue and the rust red, so these are | 0:10:46 | 0:10:52 | |
traditional patterns and traditional colours that Royal Crown Derby made. | 0:10:52 | 0:10:58 | |
What's this in the bottom, then? Um, this is a sort of collector's button. | 0:10:58 | 0:11:02 | |
They're stamped with silver buttons, gold buttons and so on. | 0:11:02 | 0:11:06 | |
Hello. These two big huge darlings! | 0:11:06 | 0:11:10 | |
I had it pointed out to me earlier on that Royal Crown Derby was | 0:11:12 | 0:11:16 | |
maybe something that they would want to buy. Can you help us out with that at all? | 0:11:16 | 0:11:20 | |
I was wondering if you could come to maybe about 25 on that? | 0:11:20 | 0:11:25 | |
I was going to say 28. Would that be OK? 28? | 0:11:25 | 0:11:29 | |
28. I do like it a lot. Yeah. 25 and we'll buy it now, definitely. | 0:11:30 | 0:11:34 | |
I think. What do you think? It's a yes for me at 25. | 0:11:34 | 0:11:36 | |
It's a yes from me at 25. And it's a no from me! I like it. | 0:11:36 | 0:11:40 | |
I like her for moving. That's put you boys in your place. | 0:11:40 | 0:11:45 | |
I'm afraid that's put me in my place. 26. 26. 26. 26. | 0:11:45 | 0:11:50 | |
I really like it. I think at 26, you've got to not just grab her hand, | 0:11:50 | 0:11:54 | |
but give her a wee kiss. | 0:11:54 | 0:11:56 | |
The question is, will the frog turn into a profit at auction? | 0:11:57 | 0:12:01 | |
Maybe it needs a kiss too! | 0:12:01 | 0:12:03 | |
There's a lot of kissing going on in this scene, isn't there? | 0:12:03 | 0:12:06 | |
# And you're the funny little frog in my throat... # | 0:12:06 | 0:12:12 | |
Right. It looks like the Reds have found a four-piece desk set. | 0:12:12 | 0:12:17 | |
This caught my eye because my grandfather used to have | 0:12:17 | 0:12:20 | |
one of the big table lighters and it fascinated me because it had got fishes in it | 0:12:20 | 0:12:25 | |
and it just caught my eye as a blast of nostalgia from my past. | 0:12:25 | 0:12:29 | |
Actually, that's interesting, Penny, | 0:12:29 | 0:12:31 | |
because there is quite a market for this. Is there? | 0:12:31 | 0:12:34 | |
Yes. I mean, it's quite difficult to deal. Yes. Quite collectable. | 0:12:34 | 0:12:39 | |
I know there are collectors for it. It's very appealing. | 0:12:39 | 0:12:41 | |
Well, do you want to try the price? Yes, please. | 0:12:41 | 0:12:44 | |
Do you want me to find out? Go on, then. Yes, please. | 0:12:44 | 0:12:46 | |
You see, this is clever, Alex. Look. I thought you needed to twist it but if you slide it, | 0:12:50 | 0:12:55 | |
so that the one is on the Wednesday, the Wednesday is the first day of the month, you've got your calendar. | 0:12:55 | 0:13:00 | |
This is getting more interesting. It's very clever. | 0:13:00 | 0:13:03 | |
I thought you'd twist it, but you don't. No, you move it from the top. Wonderful. Isn't that clever? | 0:13:03 | 0:13:08 | |
The dealer is not going to budge from ?80. That's ?20 apiece. | 0:13:08 | 0:13:12 | |
It's 1950s. OK. OK. | 0:13:12 | 0:13:15 | |
Very collectable and because of your association with this, | 0:13:15 | 0:13:19 | |
Penny, I think we should go for it, don't you? I think we should. | 0:13:19 | 0:13:22 | |
It's the sort of thing that's always appealed to me. | 0:13:22 | 0:13:25 | |
You're not going to see this too often, are you? No. | 0:13:25 | 0:13:27 | |
Well, not all of the four pieces, I would think. Exactly. Sale done? | 0:13:27 | 0:13:30 | |
Sale done. Sale done. Brilliant. Job done. Brilliant. Great work, Reds. | 0:13:30 | 0:13:34 | |
You've found your first item. Now, where are those Blues? | 0:13:34 | 0:13:38 | |
Where are my guys? I've lost them. And they should be easy to spot. | 0:13:38 | 0:13:42 | |
Bowls. | 0:13:45 | 0:13:46 | |
These boys have wandered off again. | 0:13:54 | 0:13:56 | |
Any more of this and I'll have to give them detention! | 0:13:57 | 0:14:00 | |
We like this hand. It's an artist's model. | 0:14:06 | 0:14:08 | |
Yes, I have one at home although I bought it from a well-known | 0:14:08 | 0:14:11 | |
Swedish furniture store, so it's rather newer than that! | 0:14:11 | 0:14:15 | |
What is this? 1900s? 1920s. 1920s. I would have thought '20s. | 0:14:15 | 0:14:21 | |
I know there's a bit of damage on one of the hands. | 0:14:21 | 0:14:23 | |
It's a collectable item. And how much is it? 150. | 0:14:23 | 0:14:27 | |
Well, that doesn't... We can probably help a bit on that. | 0:14:27 | 0:14:30 | |
We love to hear that! What can we do? 110. 110. | 0:14:30 | 0:14:35 | |
Actually, speaking with a dealer's hat, that's a good price. | 0:14:35 | 0:14:39 | |
Is that a good price? 110. It's not cheap. It's not overpriced. | 0:14:39 | 0:14:44 | |
But I think we should just lodge it in our memories | 0:14:44 | 0:14:46 | |
and possibly come back to it. What do you think? Yes. | 0:14:46 | 0:14:49 | |
I think so. Time is pressing. Time is pressing. | 0:14:49 | 0:14:51 | |
Always handy to have something in reserve, Reds. | 0:14:51 | 0:14:54 | |
Hah! Now, what have Jeremy and Joe spotted? | 0:14:56 | 0:14:59 | |
We think we've found the Oriental stuff that we were looking at. | 0:14:59 | 0:15:03 | |
We are looking...possibly that vase there. The Japanese vase. | 0:15:03 | 0:15:07 | |
Right. These candlesticks. These candlesticks. Yeah, they're nice there. | 0:15:07 | 0:15:10 | |
The candleholders I DO like. | 0:15:10 | 0:15:14 | |
The bases are brass. | 0:15:14 | 0:15:16 | |
The top comes off. | 0:15:16 | 0:15:18 | |
Er, you have the porcelain stem. Yeah. | 0:15:18 | 0:15:23 | |
And the brass top. ?78.50. | 0:15:23 | 0:15:26 | |
They're quite nice. | 0:15:28 | 0:15:29 | |
They are not early but they are attractive and desirable. | 0:15:29 | 0:15:34 | |
So what would be a good price on those, would you think? About ?30. | 0:15:34 | 0:15:39 | |
Right, OK. So we are kind of way out on that. | 0:15:39 | 0:15:42 | |
So, that's 45 minutes gone and it's 2-1 to the Blues. | 0:15:42 | 0:15:47 | |
We need to now focus. We've got 15 minutes left. It's no time. | 0:15:47 | 0:15:51 | |
Absolutely feeling the pressure. I don't even want to know the price, frankly. | 0:15:51 | 0:15:55 | |
My stomach's going, head's buzzing, a bit stressed! | 0:15:55 | 0:15:58 | |
We have bought one item so far. | 0:15:58 | 0:15:59 | |
We're dithering about this, we're dithering about that. | 0:15:59 | 0:16:03 | |
We've made a plan. Worked out what we're going to do. | 0:16:03 | 0:16:06 | |
We need to find Chris. Where's Chris? Where's Chris? | 0:16:06 | 0:16:08 | |
I heard my name. Time is pressing on. We want to get the hand. Oh. | 0:16:08 | 0:16:12 | |
And one more go at just dropping it slightly, if we can. | 0:16:12 | 0:16:16 | |
What do you think? I think er, I think, yes. Yes. | 0:16:16 | 0:16:20 | |
Especially if we can get another tenner off it. If we can make it a clean 100. Yes. | 0:16:20 | 0:16:24 | |
I think that would be a good... OK. First flutter. I'll put my flirting hat on. Flirting hat. | 0:16:24 | 0:16:29 | |
Flirting hat, fluttering eyelashes. All right. Shall we just go for it? Quick, yes. | 0:16:29 | 0:16:32 | |
Let's go for it and that takes the pressure off. Absolutely. | 0:16:32 | 0:16:35 | |
Give them a big hand! The Reds have got a plan. | 0:16:35 | 0:16:38 | |
But what about the Blues? Now, guys. | 0:16:38 | 0:16:41 | |
We really only have about ten minutes left. | 0:16:41 | 0:16:43 | |
So we're wandering and we're wavering but I was thinking about that stick. | 0:16:43 | 0:16:50 | |
Having second thoughts about it. What do you want to do? Quick look around here. | 0:16:50 | 0:16:53 | |
A few more minutes here, then we'll make a decision. If anything leaps out at us, | 0:16:53 | 0:16:57 | |
two more minutes, back outside. Yeah. Well, I've got a plan. | 0:16:57 | 0:17:00 | |
We have a plan and we're going to stick to it. OK. Come on. | 0:17:00 | 0:17:03 | |
Sir, we're back at your hand. We're back in your hands. | 0:17:03 | 0:17:08 | |
Do you think we could possibly drop it to an even hundred? Please. Sorry. | 0:17:08 | 0:17:13 | |
With a kiss and a cuddle. Can't. 105. It's up to you. | 0:17:13 | 0:17:19 | |
I think we go for it. I really like it. We all still like it. We do. | 0:17:19 | 0:17:23 | |
It's beautiful. | 0:17:23 | 0:17:25 | |
And we want to get another one in the pot so that we take | 0:17:25 | 0:17:27 | |
the pressure off ourselves a little, cos time is pressing. | 0:17:27 | 0:17:30 | |
Good strategy there, Penny. Yes. Come on, then. | 0:17:30 | 0:17:32 | |
110 and I'll give you a kiss and cuddle anyway, cos you're lovely. Oh! | 0:17:32 | 0:17:36 | |
We're made! Happy days! Well done. Thank you. | 0:17:36 | 0:17:40 | |
# A kiss is not a contract but it's very nice, it's very nice... # | 0:17:40 | 0:17:46 | |
Enough of this lovey stuff! | 0:17:46 | 0:17:49 | |
There's less than ten minutes to go and we've only got two items apiece. | 0:17:49 | 0:17:52 | |
New hall, new place. Let's go down this way. | 0:17:52 | 0:17:55 | |
There's nothing really leaping out at us here. No. | 0:17:55 | 0:17:58 | |
If this is in good condition - | 0:17:58 | 0:18:00 | |
I hope it is - this is a very nice collector's item. | 0:18:00 | 0:18:03 | |
Um, it's got all the cathedrals in the North East. | 0:18:03 | 0:18:06 | |
And if you bought a certain amount of tea, | 0:18:06 | 0:18:08 | |
you got this free canister. | 0:18:08 | 0:18:11 | |
Yes, I rather like it. I know modern tea companies do the same thing. | 0:18:11 | 0:18:15 | |
Yes. But none of their tea caddies are nearly as nice as that. | 0:18:15 | 0:18:17 | |
No, they're not, are they? | 0:18:17 | 0:18:19 | |
?42. Ooh! OK, do you think we should get it down a bit more? | 0:18:19 | 0:18:23 | |
If it's 35 or less, I think we should just buy it. Yes. Yes. | 0:18:23 | 0:18:27 | |
I'll find out from him. OK? OK. | 0:18:27 | 0:18:29 | |
I do rather like it. I do rather like it. | 0:18:31 | 0:18:33 | |
But there's lots of things that I rather like. | 0:18:33 | 0:18:36 | |
And while Chris tries for the best price on the tea canister, | 0:18:36 | 0:18:40 | |
the Blues are still thinking about that stick. | 0:18:40 | 0:18:43 | |
Are you happy with the condition of it, then? Yeah, it's not bad. | 0:18:43 | 0:18:47 | |
It's not, um, not mint, but this would have been used. | 0:18:47 | 0:18:51 | |
I think it's a regimental stick. Right. | 0:18:51 | 0:18:54 | |
It would've been used by a band major or something. Oh, OK. Yeah. | 0:18:54 | 0:18:58 | |
That military connection will give it a wee bit of extra interest. OK. | 0:18:58 | 0:19:02 | |
But let's go. We haven't got much time left. No, let's go, then. | 0:19:02 | 0:19:05 | |
Girls... Yes? | 0:19:05 | 0:19:06 | |
The good news is, this could be yours for ?30. Oh, marvellous. | 0:19:06 | 0:19:10 | |
Do we like that? Excellent! Done deal! Done deal? | 0:19:10 | 0:19:13 | |
Done deal. Fantastic! | 0:19:13 | 0:19:15 | |
So, it's tea time for the Reds, but there's no brew for the Blues. | 0:19:15 | 0:19:18 | |
They've got some ground to cover! | 0:19:18 | 0:19:19 | |
Take my hand and let's run. Yeah, come on, let's go, let's go. | 0:19:19 | 0:19:23 | |
Is it still there? I don't know, is it still there? | 0:19:23 | 0:19:26 | |
Let's see. | 0:19:26 | 0:19:27 | |
Hello, sir. Hello! | 0:19:27 | 0:19:29 | |
MAN INAUDIBLE | 0:19:29 | 0:19:31 | |
Pardon? Not quite, can we get you for five minutes on this stick here? | 0:19:31 | 0:19:35 | |
What's your absolute best on that price? 172. Well... | 0:19:35 | 0:19:40 | |
120. 120? | 0:19:40 | 0:19:41 | |
We were thinking more in the region of about 80? | 0:19:41 | 0:19:44 | |
100. | 0:19:45 | 0:19:46 | |
It's quite a rare thing. | 0:19:48 | 0:19:49 | |
90? 90 and we'll shake hands. Can you go under three figures? | 0:19:49 | 0:19:53 | |
It would need to be 100. 95, we'll shake your hand. | 0:19:53 | 0:19:57 | |
It's great, sir. It's a great thing. | 0:19:57 | 0:19:59 | |
One-of-a-kind. 95. 95, shake your hand? OK. | 0:19:59 | 0:20:02 | |
YOU'RE one-of-a-kind, mate. Top man! Thank you. Good negotiating, chaps! | 0:20:02 | 0:20:06 | |
What's six times ten? | 0:20:09 | 0:20:11 | |
60...minutes are up. | 0:20:11 | 0:20:13 | |
Let's check out what the Red team bought. | 0:20:13 | 0:20:16 | |
The Reds spent ?80 on their four-piece desk set. | 0:20:16 | 0:20:19 | |
They shook on the deal at ?110 for the artist's hand. | 0:20:21 | 0:20:26 | |
And bagged the tea canister for ?30. | 0:20:26 | 0:20:29 | |
Well, are you as windswept as you feel? | 0:20:29 | 0:20:31 | |
Yes. Blown away! It's lovely, isn't it, being on Bargain Hunt? | 0:20:31 | 0:20:34 | |
Fresh! It has that kind of completely cleansing effect. | 0:20:34 | 0:20:37 | |
LAUGHTER | 0:20:37 | 0:20:38 | |
Now, tell me, which is your favourite piece? | 0:20:38 | 0:20:41 | |
We bought a desk set. I think the desk set. | 0:20:41 | 0:20:43 | |
The desk set is your favourite? Yes. Daughter? Um, the tea caddy. | 0:20:43 | 0:20:48 | |
The tea caddy? The tea caddy. OK. Will that bring the biggest profit? | 0:20:48 | 0:20:51 | |
Actually, I think Mum's favourite is going to bring the biggest profit. | 0:20:51 | 0:20:55 | |
You reckon the desk set? Mm-hm. OK. | 0:20:55 | 0:20:57 | |
You spent in total how much? ?220. That is such a good sum of money. | 0:20:57 | 0:21:01 | |
?80 of leftover lolly. Yes. Who's got that? I've got that. | 0:21:01 | 0:21:04 | |
Thank you, Alex. You give it to me and I give it to him. | 0:21:04 | 0:21:07 | |
Thank you. Have you had a lovely experience, Chris? | 0:21:07 | 0:21:09 | |
A great morning. Brilliant. Fantastic! They've got | 0:21:09 | 0:21:12 | |
great taste, Tim, so I'm going to see that this is spent very wisely. | 0:21:12 | 0:21:15 | |
Anyway, you had fun. That's the main thing. | 0:21:15 | 0:21:17 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:21:17 | 0:21:20 | |
The Blues kicked off by spending ?8 on the chestnut pan and flipper. | 0:21:20 | 0:21:26 | |
They jumped at the chance of a ?26 frog. Ha! | 0:21:26 | 0:21:30 | |
And finally, made a dash for the walking cane at ?95. | 0:21:30 | 0:21:35 | |
I say, Anita, are we getting shorter or are the teams getting taller? | 0:21:35 | 0:21:39 | |
LAUGHTER I mean, you're enormous, you two! | 0:21:39 | 0:21:42 | |
Perfectly formed! Perfectly! LAUGHTER | 0:21:42 | 0:21:44 | |
So, Joe, which is your favourite piece? | 0:21:44 | 0:21:46 | |
My favourite's got to be the chestnut roaster and flipper. Is it? | 0:21:46 | 0:21:50 | |
It's quirky. OK, lovely, that's your favourite. What about Dad? | 0:21:50 | 0:21:53 | |
I think the little frog, the wee frog. The wee frog's your favourite. | 0:21:53 | 0:21:56 | |
And will that bring the biggest profit? | 0:21:56 | 0:21:58 | |
Oh, no, the biggest profit is the chestnut turner. Is it? | 0:21:58 | 0:22:01 | |
I'll go with the frog. Will you? LAUGHTER | 0:22:01 | 0:22:04 | |
I love families, don't you? Particularly close ones like this. | 0:22:04 | 0:22:07 | |
So you spent how much, Joe? ?129. ?129. | 0:22:07 | 0:22:10 | |
I'd like ?171 of leftover lolly, please, somewhere. I can do that. | 0:22:10 | 0:22:13 | |
170. And one. OK. That's very good. Anita, there you go, darling. | 0:22:13 | 0:22:18 | |
A large wodge of money and a big challenge. Yes, and I would like | 0:22:18 | 0:22:22 | |
to buy them their heart's desire. Ooh! Their heart's desire? | 0:22:22 | 0:22:25 | |
That's getting personal, isn't it? Intriguing. | 0:22:25 | 0:22:27 | |
Well, it's mighty windy out here, so we better slip on with this. | 0:22:27 | 0:22:30 | |
Anyway, good luck, chaps and Anita. Thank you. | 0:22:30 | 0:22:32 | |
Meanwhile, I'm going to show you something small and sparkly | 0:22:32 | 0:22:35 | |
that I found earlier on one of my travels. | 0:22:35 | 0:22:37 | |
What do you think about this? | 0:22:44 | 0:22:46 | |
Well, it's a wee thing and it's dangly. | 0:22:46 | 0:22:50 | |
That's because it was designed as an exotic pendant. | 0:22:50 | 0:22:54 | |
A length of chain through that suspension loop, | 0:22:54 | 0:22:58 | |
which is covered by a delightful little Roman mask, look. | 0:22:58 | 0:23:03 | |
And then, it goes down to an exotic and extremely decorated | 0:23:03 | 0:23:08 | |
and enriched section, with a girl playing a harp. She's a muse. | 0:23:08 | 0:23:14 | |
And this muse sits in a baroque pearl-encrusted plinth. | 0:23:14 | 0:23:20 | |
And then, the pearl itself at the bottom, | 0:23:20 | 0:23:23 | |
which trembles with every movement. | 0:23:23 | 0:23:26 | |
And above that, a fixed opal. | 0:23:26 | 0:23:29 | |
And flanking that on either side are cabochon rubies. | 0:23:29 | 0:23:33 | |
And on the face of it, with the complexity of the construction, | 0:23:33 | 0:23:37 | |
and the beauty of the object itself, | 0:23:37 | 0:23:40 | |
you would expect it to be worth ?1,000 or two, at least. | 0:23:40 | 0:23:46 | |
But actually, such is the vagaries of fashion, | 0:23:46 | 0:23:50 | |
these are not popular jewels. | 0:23:50 | 0:23:53 | |
And as a result, you could scratch around a fair like this | 0:23:53 | 0:23:56 | |
and find a piece of comparable quality for less than ?250. | 0:23:56 | 0:24:02 | |
And my tip for you, | 0:24:02 | 0:24:04 | |
if you want to go out and invest in unusual jewellery, is to go | 0:24:04 | 0:24:08 | |
and find some of these revival pieces at about that price range. | 0:24:08 | 0:24:13 | |
And I guarantee you, over the years, you will not lose money on it. | 0:24:13 | 0:24:17 | |
So that's a tip. Got it? | 0:24:17 | 0:24:19 | |
Great. | 0:24:19 | 0:24:21 | |
Well, well, well! Isabel Murtough is the lady of the moment today | 0:24:28 | 0:24:34 | |
at Hansons auction house at Etwall on the outskirts of Derby. | 0:24:34 | 0:24:39 | |
And hot from the Newark showground comes a curious mix... Ha! | 0:24:39 | 0:24:45 | |
..led by all these pieces of clear Perspex. Where'd they come from, Is? | 0:24:45 | 0:24:50 | |
They have a trademark on the bottom, Clearfloat, | 0:24:50 | 0:24:53 | |
which we've traced back to Rhode Island. Really? Across the pond. | 0:24:53 | 0:24:56 | |
They're American? What fun that is, isn't it? | 0:24:56 | 0:24:59 | |
Do you think they're going to sell? I do, I think they could do well. | 0:24:59 | 0:25:02 | |
How well's well? We've only put 20-30 on, | 0:25:02 | 0:25:05 | |
but I think they might do a bit more. Do you? | 0:25:05 | 0:25:07 | |
So, being a bit more optimistic, then, how much is more? | 0:25:07 | 0:25:10 | |
40-60, perhaps. Do you? Still not good enough. No! ?80 paid. | 0:25:10 | 0:25:14 | |
Anyway, there we are. Amusing and different. Mm-hm. | 0:25:14 | 0:25:17 | |
But unlikely to make a handy profit. | 0:25:17 | 0:25:20 | |
Which leads us, seamlessly, to the next item, | 0:25:20 | 0:25:23 | |
which just happens to be a hand. | 0:25:23 | 0:25:25 | |
Yeah, it's a nice piece, um, could be an artist's model, | 0:25:25 | 0:25:29 | |
um, or it could be from a mannequin. | 0:25:29 | 0:25:31 | |
I rather fancy the second explanation. Yes. | 0:25:31 | 0:25:35 | |
Cos that could go on a shop display or something. Mm-hm. | 0:25:35 | 0:25:37 | |
Um, how well do you think it's going to do, Isabel? | 0:25:37 | 0:25:40 | |
I think it could appeal to quite a few people. It's nicely articulated. | 0:25:40 | 0:25:44 | |
Um, there is the slight damage to the little finger. Mmm. | 0:25:44 | 0:25:47 | |
But, you know, I think it might do sort of ?30-?40. | 0:25:47 | 0:25:50 | |
?110 paid. Right. | 0:25:50 | 0:25:52 | |
Last up is the piece of Maling transfer printed. | 0:25:52 | 0:25:56 | |
Said to be for tea. Mmm. That's something we see here quite often. | 0:25:56 | 0:26:01 | |
Yes. On a regular basis. It's mass-produced, isn't it? Yes. | 0:26:01 | 0:26:04 | |
And, er, therefore not worth much? No. No. I think, at auction, | 0:26:04 | 0:26:08 | |
we'd probably look to get, on a very good day, ?10-?15. Mmm. | 0:26:08 | 0:26:11 | |
?30 paid. Right. So there's a few holes in all of this. | 0:26:11 | 0:26:15 | |
Mm-hm. I think they'll need the bonus buy, so let's go have a look at it! | 0:26:15 | 0:26:19 | |
Are you feeling excited? Yes. A bit nervous. | 0:26:19 | 0:26:22 | |
You are so courageous, you two! You spent 220 and you gave CG ?80. | 0:26:22 | 0:26:26 | |
Chris, show us your wares. | 0:26:26 | 0:26:28 | |
Well, I know you love Ming. Oh, yes! | 0:26:28 | 0:26:31 | |
Very much. These aren't exactly Ming... Ooh! | 0:26:31 | 0:26:34 | |
..but Chinese blue-and-white. Ooh! | 0:26:34 | 0:26:36 | |
I've bought you two pairs of Chinese dishes. | 0:26:36 | 0:26:42 | |
Nice early, about 1800, perhaps even slightly earlier than that. | 0:26:42 | 0:26:46 | |
In nice condition and pairs. What more would one want? | 0:26:46 | 0:26:50 | |
They're really lovely. They are, aren't they? | 0:26:50 | 0:26:52 | |
How much did you spend? Well, every penny of what you left me. | 0:26:52 | 0:26:56 | |
?80? ?80, yes. And they'll make... thousands? Oh, of course they will! | 0:26:56 | 0:27:02 | |
Well, they won't, but I think they will easily make 100, 120, perhaps. | 0:27:02 | 0:27:07 | |
OK. Even with the crack on it? | 0:27:07 | 0:27:09 | |
That, to a collector, may not matter too much. | 0:27:09 | 0:27:13 | |
Would it not? | 0:27:13 | 0:27:14 | |
Have you got any cracks? No. We've still got two pairs here, girls. | 0:27:14 | 0:27:17 | |
Still got two pairs! They're still the age that they are. Yes. | 0:27:17 | 0:27:20 | |
And they're beautiful! And a good price. They are very pretty. | 0:27:20 | 0:27:23 | |
They may not be Ming, but they are very pretty. | 0:27:23 | 0:27:25 | |
OK, girls, you happy with that? Yes. Got your prediction? Yes. | 0:27:25 | 0:27:28 | |
You don't have to pick until after the sale of the first three items, | 0:27:28 | 0:27:31 | |
but right now, for the audience at home, let's find out | 0:27:31 | 0:27:34 | |
what the auctioneer-ess thinks about Chris' plates. | 0:27:34 | 0:27:37 | |
Right, then, Isabel, little blue-and-white, look. | 0:27:39 | 0:27:43 | |
Yes, these are pretty. | 0:27:43 | 0:27:46 | |
So we've got four 19th-century Chinese blue-and-white plates. | 0:27:46 | 0:27:50 | |
Twos and twos, aren't they, really? Yes. | 0:27:50 | 0:27:52 | |
These are the sort of things that came over at the end of | 0:27:52 | 0:27:55 | |
the 18th century in massive numbers. Yes. In the cargoes. Huge numbers. | 0:27:55 | 0:27:59 | |
Like 200,000 pieces of blue-and-white china. | 0:27:59 | 0:28:02 | |
So they're not exactly rare. What's your Chinese market like here? | 0:28:02 | 0:28:05 | |
Pretty hot? It's good. It's really good, yes. Mmm. | 0:28:05 | 0:28:07 | |
Especially with the help of the internet these days, you know, | 0:28:07 | 0:28:10 | |
we've got overseas international buyers. | 0:28:10 | 0:28:12 | |
The Chinese aren't really buying this low-grade blue-and-white back, | 0:28:12 | 0:28:16 | |
are they? No. What are they worth? ?20 each? | 0:28:16 | 0:28:19 | |
Yeah, 10-15, perhaps. | 0:28:19 | 0:28:20 | |
So more like 40-50, rather than 80? Mmm. Might they get ?80? | 0:28:20 | 0:28:26 | |
I think, with the wind in the right direction, | 0:28:26 | 0:28:28 | |
even then we'll be struggling. OK, fine, well, that's code for no. | 0:28:28 | 0:28:32 | |
SHE LAUGHS You're very sweet, Isabel. | 0:28:32 | 0:28:34 | |
Anyway, there we go, moving on from the Reds to the Blues. | 0:28:34 | 0:28:38 | |
We've got some oddball things here. | 0:28:38 | 0:28:40 | |
That's said to be a chestnut pan and flipper. Yes. | 0:28:40 | 0:28:44 | |
Do you go along with that? | 0:28:44 | 0:28:45 | |
Um, I've got no reason to disbelieve it. | 0:28:45 | 0:28:48 | |
Right. A warming pan of some sort. | 0:28:48 | 0:28:50 | |
You've got to put your chestnuts in something to toast 'em, haven't you? | 0:28:50 | 0:28:53 | |
And then, the flipper for turning them over? Yeah. | 0:28:53 | 0:28:55 | |
I'm not going to test you with a big estimate on this. What do you think? | 0:28:55 | 0:28:59 | |
We've put ?10-?15. | 0:28:59 | 0:29:00 | |
Perfect! ?8 paid. Oh, great! | 0:29:00 | 0:29:03 | |
So that should be auto-profit, we hope. | 0:29:03 | 0:29:06 | |
Now, you're right by Royal Crown Derby, yes, here? Mm-hm. | 0:29:06 | 0:29:10 | |
So, this old toad is food and drink to you? Yes. | 0:29:10 | 0:29:14 | |
See a lot of them? We do. | 0:29:14 | 0:29:15 | |
But the thing is that they're terribly expensive | 0:29:15 | 0:29:18 | |
new in the shop, aren't they? Mmm. And they produce lots of them. Yes. | 0:29:18 | 0:29:22 | |
So does that mean that, second-hand, the value's not so high? | 0:29:22 | 0:29:25 | |
The paperweight market was flourishing five years ago, | 0:29:25 | 0:29:28 | |
but it's plummeted since, | 0:29:28 | 0:29:30 | |
and this is also a factory second. Oh, great(!) | 0:29:30 | 0:29:32 | |
So... LAUGHTER | 0:29:32 | 0:29:35 | |
How much, then? Er, 10-15. | 0:29:35 | 0:29:37 | |
OK, ?26 paid, so not too far off. | 0:29:37 | 0:29:40 | |
And knowing your luck on the rostrum, you'll get away with it. | 0:29:40 | 0:29:43 | |
I hope so. You'll charm them, I expect. | 0:29:43 | 0:29:45 | |
The last item is the mammoth stick, | 0:29:45 | 0:29:49 | |
with the very substantial silver knob on it. | 0:29:49 | 0:29:52 | |
Mmm. That's a monster, isn't it? It is. | 0:29:52 | 0:29:54 | |
For a very tall gentleman. Are these collectable? | 0:29:54 | 0:29:57 | |
Yes, the Walking Stick Society, um, you know, has many followers | 0:29:57 | 0:30:01 | |
and, although it's not a walking stick per se, | 0:30:01 | 0:30:03 | |
I think the stick collectors will be interested. | 0:30:03 | 0:30:06 | |
With the silver mount as well... Yes. ..it's a nice Victorian example. | 0:30:06 | 0:30:09 | |
It's the sort of thing that some official in a council, | 0:30:09 | 0:30:12 | |
an alderman or a town crier, might have had, isn't it? | 0:30:12 | 0:30:15 | |
Yes, could well be. That sort of idea. | 0:30:15 | 0:30:17 | |
How much do you think it's worth? 80-120. OK, ?95 paid. | 0:30:17 | 0:30:21 | |
So they're pretty well on the money, aren't they? Yes. And I fancy, | 0:30:21 | 0:30:24 | |
the way things are looking, this team may not need their bonus buy, | 0:30:24 | 0:30:27 | |
but let's go and have a look at it anyway. | 0:30:27 | 0:30:30 | |
OK, you two giants, now... Yes! LAUGHTER | 0:30:30 | 0:30:33 | |
Anita Manning was given ?171 of your leftover lolly... Yes. | 0:30:33 | 0:30:38 | |
So, Anita, show us what you bought. | 0:30:38 | 0:30:40 | |
LAUGHTER What is that? | 0:30:41 | 0:30:45 | |
Isn't that great? Well, the boys were desperate | 0:30:45 | 0:30:48 | |
to buy a piece of Oriental. Oh! Here we go. Brilliant! | 0:30:48 | 0:30:52 | |
Despite the fact that they can't even RECOGNISE a piece of Oriental. | 0:30:52 | 0:30:56 | |
SHE LAUGHS It's why we relied on you. Yes. | 0:30:56 | 0:30:58 | |
So I searched and searched and searched | 0:30:58 | 0:31:00 | |
so that I could gladden your hearts with a piece of Oriental. | 0:31:00 | 0:31:04 | |
This is a large... And I wanted to buy large, because you are big guys. | 0:31:04 | 0:31:09 | |
..Japanese bronze vase... Right. ..from the Meiji period. | 0:31:09 | 0:31:14 | |
Sort of late 19th, early 20th century. | 0:31:14 | 0:31:17 | |
A beautiful object... It is. ..with these marvellous birds and flowers. | 0:31:17 | 0:31:23 | |
And look at these fabulous handles. | 0:31:23 | 0:31:26 | |
Yes. Depicting either dragons or hens. | 0:31:26 | 0:31:30 | |
How much of our money did you spend on this, Anita? ?150. | 0:31:30 | 0:31:35 | |
Did you? OK. Mmm. OK. Looking to see the facial expressions. | 0:31:35 | 0:31:39 | |
LAUGHTER Now, how much will it make? | 0:31:39 | 0:31:41 | |
I would estimate this around ?150, | 0:31:41 | 0:31:46 | |
maybe 140-180. | 0:31:46 | 0:31:50 | |
Right. Um, so there is a good chance here. Yeah. | 0:31:50 | 0:31:53 | |
Well, these things can fly, though, can't they? | 0:31:53 | 0:31:55 | |
If you get, you know, online people bidding for it. | 0:31:55 | 0:31:57 | |
You've been watching too many programmes! I have, I have! | 0:31:57 | 0:32:01 | |
No, seriously, it is a very valid point. Yes. A lot of online bidding | 0:32:01 | 0:32:04 | |
for this sort of stuff. Yeah. You could make a profit on this. | 0:32:04 | 0:32:07 | |
Absolutely. Thank you very much. OK, thank you very much. | 0:32:07 | 0:32:10 | |
Thank you very much. Why don't we find out right now | 0:32:10 | 0:32:13 | |
what the auctioneer thinks about Anita's pot? | 0:32:13 | 0:32:15 | |
Do you fancy that one? I think it's really pretty. | 0:32:16 | 0:32:19 | |
Do you really think it's pretty? | 0:32:19 | 0:32:21 | |
Yeah, with the stylised birds and flowers, um, | 0:32:21 | 0:32:24 | |
and the handles are sweet too. | 0:32:24 | 0:32:26 | |
Everybody to their own taste, I suppose. | 0:32:26 | 0:32:29 | |
Um, it's quite late, yes? | 0:32:29 | 0:32:31 | |
Yeah, we think Meiji period, so late 19... Mmm. 1900s. | 0:32:31 | 0:32:35 | |
OK. It's a good size. What do you think it's worth? Um, ?150-?200. | 0:32:35 | 0:32:41 | |
OK, fine, ?150 paid by Anita, who's pretty canny, I have to say, | 0:32:41 | 0:32:47 | |
and ?150-?200, that's encouraging, isn't it? Yes. | 0:32:47 | 0:32:51 | |
Yeah. It would be marvellous if we could get up the top there. | 0:32:51 | 0:32:54 | |
But that'll be your challenge from the rostrum, Isabel. | 0:32:54 | 0:32:56 | |
I'll do my best, Tim. I'm sure you will. Thank you so much. | 0:32:56 | 0:32:59 | |
The lady's bid of 20. And two. 25... | 0:33:01 | 0:33:04 | |
28... Sold. | 0:33:04 | 0:33:06 | |
Now, Penny and Alex, this is exciting, isn't it? Very exciting. | 0:33:06 | 0:33:09 | |
First up is the Lucite desk set. | 0:33:09 | 0:33:12 | |
Lots of bits of it, look, and here it comes. | 0:33:12 | 0:33:15 | |
Mid-20th-century Lucite desk set. Beautiful. | 0:33:15 | 0:33:17 | |
What shall we say? ?20 for them. | 0:33:17 | 0:33:19 | |
?20? They're an American company. | 0:33:19 | 0:33:21 | |
Do I see ?20 for them? Yes, go on, 20. At 20. | 0:33:21 | 0:33:24 | |
It's not expensive for a four-piece desk set. | 0:33:24 | 0:33:27 | |
15 it can be. | 0:33:27 | 0:33:28 | |
Any interest at ?15? She's going backwards! | 0:33:28 | 0:33:31 | |
That's the wrong way! I thought she just went up! | 0:33:31 | 0:33:34 | |
On the net. At ?15 internet bid. | 0:33:34 | 0:33:36 | |
18? Penny! Aw! | 0:33:36 | 0:33:38 | |
20 I have on the net. And five. | 0:33:38 | 0:33:41 | |
Five in the room. And 30, net. | 0:33:41 | 0:33:42 | |
30 is it now? Come back on the internet. | 0:33:42 | 0:33:45 | |
25. ?25 room bid. | 0:33:45 | 0:33:47 | |
30 now. Make no mistake, we're selling at 25. | 0:33:47 | 0:33:51 | |
?25! Oh, blast! That's five short of 30, | 0:33:51 | 0:33:54 | |
which is 50 short of 80, so that's minus 55. | 0:33:54 | 0:33:58 | |
Here's the hand of God. | 0:33:58 | 0:33:59 | |
Hand model, there we go. On commission, I have two bids. | 0:33:59 | 0:34:03 | |
And I can start straight in at ?35, on commission. Ooh! | 0:34:03 | 0:34:07 | |
At ?35. Let the internet settle. | 0:34:07 | 0:34:09 | |
We're up to ?60 on the internet. 60! Ooh! That's more. 65 I'm bid. | 0:34:09 | 0:34:13 | |
75...80... | 0:34:13 | 0:34:16 | |
And five, would you like? 85...90... And five. | 0:34:16 | 0:34:20 | |
It's all happening online today! | 0:34:20 | 0:34:23 | |
It's at ?95, on the internet. More, a bit more! | 0:34:23 | 0:34:25 | |
?100 I'm bid. At 110. Do I see 120 in the room? | 0:34:25 | 0:34:29 | |
Wiped its face. It's all happening on the internet. 120 I'm bid. Yes! | 0:34:29 | 0:34:34 | |
120's bid. And 130. 130 I'm bid. Do I see 140? Look! | 0:34:34 | 0:34:38 | |
Two people battling it out on the net today. Wow! | 0:34:38 | 0:34:41 | |
?130. Do I see 140? | 0:34:41 | 0:34:44 | |
Gavel's raised, internet. Fair warning. 140? They're back! | 0:34:44 | 0:34:47 | |
Yes. At 140. They like it. 150, I'm bid. They like it. | 0:34:47 | 0:34:51 | |
At ?150. 160, is it? I can see you hovering. Hang on. | 0:34:51 | 0:34:55 | |
On the internet, at ?150... | 0:34:55 | 0:34:59 | |
That is so good. OK! | 0:34:59 | 0:35:00 | |
150 is plus 40, which slashes the deficit, | 0:35:00 | 0:35:05 | |
in Osborne terms, | 0:35:05 | 0:35:07 | |
to only minus 15... Oh, that's nothing! ..which is nothing! | 0:35:07 | 0:35:11 | |
Maling ware blue-and-white tea caddy. There we go. | 0:35:11 | 0:35:14 | |
Transfer printed. Lots of interest on commission. | 0:35:14 | 0:35:17 | |
And I can start it straight in at ?25. Get away! | 0:35:17 | 0:35:21 | |
On commission at 25. Do I see eight now? | 0:35:21 | 0:35:24 | |
At ?25 on commission. Eight is it? | 0:35:24 | 0:35:27 | |
Or we'll sell. On commission. I don't believe it. At ?25. | 0:35:27 | 0:35:30 | |
Do I see it? 28! In the room, at 28, sir, thank you. | 0:35:30 | 0:35:35 | |
I have a bid of 30. | 0:35:35 | 0:35:36 | |
Yes! Five, if you like. | 0:35:36 | 0:35:37 | |
"One more," he says. One more! | 0:35:37 | 0:35:39 | |
At ?35, seated in the room. | 0:35:39 | 0:35:42 | |
35. 40... 40! New place! 40, I've got you, sir, at ?40. Five now? | 0:35:42 | 0:35:46 | |
Shakes his head. At ?40, in the cap. | 0:35:46 | 0:35:49 | |
?40. Do I see five? | 0:35:49 | 0:35:50 | |
We need another one. At ?40. Internet's quiet on this lot. | 0:35:50 | 0:35:54 | |
It's in the room, at 40. | 0:35:54 | 0:35:56 | |
All done? We'll sell to you, sir. | 0:35:56 | 0:35:59 | |
Well done, that girl. Great! Anyway, ?40 | 0:35:59 | 0:36:01 | |
is plus 10, which slashes the deficit... Even further! | 0:36:01 | 0:36:06 | |
..to minus ?5, OK? We're getting there. | 0:36:06 | 0:36:09 | |
Is this palpitation time? | 0:36:09 | 0:36:11 | |
What are we doing with the bonus buy, Pen? | 0:36:11 | 0:36:13 | |
I think we go for it. Yes. Go with it. | 0:36:13 | 0:36:15 | |
You going to do that? Are you, really? | 0:36:15 | 0:36:17 | |
OK, we're going with the bonus buy and here it comes. | 0:36:17 | 0:36:20 | |
19th-century Chinese dishes, ?20, for four. | 0:36:20 | 0:36:23 | |
20, I've got you. At ?20 room bid. More than that. Straight in at ?20. | 0:36:23 | 0:36:28 | |
Five would you like? At ?20. Lady's bid in the room. | 0:36:28 | 0:36:31 | |
At ?20, seated. Five is it? | 0:36:31 | 0:36:34 | |
Any interest online today? Uh-oh! It's in the room at ?20. | 0:36:34 | 0:36:37 | |
Five do I see? All done, we'll sell. At 20... | 0:36:37 | 0:36:41 | |
That's it. No Chinese, no English. Never mind! Sold for ?20. | 0:36:41 | 0:36:45 | |
Which is minus 60. We've had the full experience. | 0:36:45 | 0:36:47 | |
Equals minus 65... And how's your trust in me now, darling? | 0:36:47 | 0:36:50 | |
I still trust you! Aw! But not with Chinese? | 0:36:50 | 0:36:53 | |
Not with the Chinese! | 0:36:53 | 0:36:55 | |
Well, there we are. C'est la vie. What can one say? | 0:36:55 | 0:36:58 | |
C'est la vie. And who knows? | 0:36:58 | 0:37:00 | |
After this experience, it may be a winning score. | 0:37:00 | 0:37:02 | |
You could still walk away as victors. Yes. | 0:37:02 | 0:37:05 | |
Now, listen, you two heroes... Yes. Do you know how the Reds got on? | 0:37:10 | 0:37:14 | |
Not a clue. Not a clue. Poker-faced they were. | 0:37:14 | 0:37:17 | |
They can do that, those women, can't they? Cards close to their chest. | 0:37:17 | 0:37:20 | |
Now, first up, then, is the chestnut pan and flipper. | 0:37:20 | 0:37:23 | |
What shall we say for this lot here? ?10? Who'll start me at 10? | 0:37:23 | 0:37:28 | |
At ?10 for the cast-iron chestnut pan and flipper. | 0:37:28 | 0:37:30 | |
Come on, put your hand up, then. Do I see ?10? | 0:37:30 | 0:37:34 | |
?10 I'm bid on the internet. | 0:37:34 | 0:37:36 | |
Yes! Yes! Come on! What we like! 12, is that, in the room? | 0:37:36 | 0:37:39 | |
?12, I'm bid, in the room. | 0:37:39 | 0:37:40 | |
With you, sir, at 12. 15, would you like, on the internet? They would! | 0:37:40 | 0:37:44 | |
?15 I'm bid. ?18? Look at this lad! | 0:37:44 | 0:37:48 | |
At ?18. 20 now? | 0:37:48 | 0:37:50 | |
Come on, net! ?18 in the room. | 0:37:50 | 0:37:53 | |
20, would you like? Let's round it up. | 0:37:53 | 0:37:55 | |
Lady's bid of 20. And two? 25? | 0:37:55 | 0:37:59 | |
28? Look at that! And 30? | 0:37:59 | 0:38:01 | |
You said it was a load of rubbish. One more? | 0:38:01 | 0:38:04 | |
THEY CHATTER Yes, she says. ?30! | 0:38:04 | 0:38:07 | |
Get in there! Are you sure? | 0:38:07 | 0:38:10 | |
At ?30, lady's bid. Net, you're out, at ?30... | 0:38:10 | 0:38:14 | |
Yes! How about that? | 0:38:14 | 0:38:16 | |
That's plus ?22. There we go. Now... Now, then... | 0:38:16 | 0:38:20 | |
Here comes old hopalong! | 0:38:20 | 0:38:22 | |
Right, come on, here we go. We have the Royal Crown Derby paperweight. | 0:38:22 | 0:38:25 | |
Modelled as the frog in the Imari palette, | 0:38:25 | 0:38:28 | |
and very sweet he is too. | 0:38:28 | 0:38:30 | |
And I can go straight in at ?30. | 0:38:30 | 0:38:32 | |
Yes! On commission at ?30, I'm bid. | 0:38:32 | 0:38:34 | |
On commission, I've got two bids on the book. | 0:38:34 | 0:38:37 | |
This is good, isn't it? Straight in at 30. | 0:38:37 | 0:38:39 | |
Five would you like? | 0:38:39 | 0:38:40 | |
Five I have in the room. At ?35. | 0:38:40 | 0:38:43 | |
I've got 40 on commission. | 0:38:43 | 0:38:45 | |
This is... This is dreamland! Five would you like? One more? | 0:38:45 | 0:38:49 | |
One more? He says yes. At ?45. | 0:38:49 | 0:38:51 | |
I don't believe this! Is this actually happening? | 0:38:51 | 0:38:54 | |
At ?45? Do I see 50 elsewhere? | 0:38:54 | 0:38:57 | |
50? Seated, in the blue, for the Blue team, | 0:38:57 | 0:39:01 | |
at ?45. 50 is it? | 0:39:01 | 0:39:02 | |
At 45... | 0:39:02 | 0:39:04 | |
Yes! Done it. Well, that is pretty good, isn't it? | 0:39:06 | 0:39:08 | |
I think that must be plus ?19. | 0:39:08 | 0:39:10 | |
This is the big one, isn't it? Look out! Now, here comes the cane. | 0:39:10 | 0:39:14 | |
19th-century silver-mounted ebony cane. | 0:39:14 | 0:39:17 | |
Well, interesting lot, and some good bids on the book as well. | 0:39:17 | 0:39:21 | |
And I can start it straight in at ?100... Yes! ..on commission. | 0:39:21 | 0:39:25 | |
And you're in profit again. ?100 I am bid, on commission. | 0:39:25 | 0:39:28 | |
110 do I see in the room? | 0:39:28 | 0:39:31 | |
Such an interesting lot, at ?100. 110 do I see? | 0:39:31 | 0:39:35 | |
Any interest online? | 0:39:35 | 0:39:37 | |
It's ?100. It's got to be worth more than that. | 0:39:37 | 0:39:40 | |
At ?100. It's brilliant! It doesn't seem expensive | 0:39:40 | 0:39:42 | |
for a silver-topped cane at ?100. | 0:39:42 | 0:39:45 | |
Do I see 110? No, she doesn't. Someone's going to buy it. | 0:39:45 | 0:39:48 | |
You all out? We'll sell on the book. | 0:39:48 | 0:39:50 | |
At 100... | 0:39:50 | 0:39:53 | |
Yes! ?100 is plus ?5. So that means, overall, lads, | 0:39:53 | 0:39:58 | |
you are plus ?46. Thank you, Anita. ?46 up. | 0:39:58 | 0:40:01 | |
Put it there, matey. Thank you. Brilliant. | 0:40:01 | 0:40:03 | |
That's very fair, that, isn't it? That's amazing. Well done. Thanks. | 0:40:03 | 0:40:06 | |
Thank you so much. Now, your big decision now is, cos it's not over, | 0:40:06 | 0:40:10 | |
what are you going to do about the bonus buy? I'll tell you, Anita. | 0:40:10 | 0:40:13 | |
Oh, look out. We came here for a golden gavel. | 0:40:13 | 0:40:16 | |
We've got a golden gavel. We don't want... | 0:40:16 | 0:40:18 | |
We think we might... It's a brilliant item. | 0:40:18 | 0:40:21 | |
But we think we might call it a day. Happy with that, then? | 0:40:21 | 0:40:24 | |
Very happy. Not going with the bonus buy, | 0:40:24 | 0:40:26 | |
but, Anita, we're going to sell it anyway. | 0:40:26 | 0:40:28 | |
220, we have the wonderful Japanese bronze twin-handled vase. | 0:40:28 | 0:40:32 | |
Meiji period. Highly decorative. | 0:40:32 | 0:40:34 | |
And what shall we say? ?100? | 0:40:34 | 0:40:36 | |
For a Meiji period Japanese bronze vase, ?100 do I see? | 0:40:36 | 0:40:41 | |
At ?100? | 0:40:41 | 0:40:43 | |
It's got to be worth ?100! | 0:40:43 | 0:40:45 | |
I think we've made the right decision. 80, then? ?80? | 0:40:45 | 0:40:47 | |
?80! I've got you, sir, thank you, at ?80 in the room. Five is it now? | 0:40:47 | 0:40:51 | |
At ?80, gentleman's bid in the centre. Uh-oh! Five is it where? | 0:40:51 | 0:40:55 | |
Maiden bid, in the centre. Five where? Don't like the look of this. | 0:40:55 | 0:40:58 | |
At ?80? | 0:40:58 | 0:40:59 | |
Gavel's raised and we're selling. All done at 80? | 0:40:59 | 0:41:03 | |
?80 is minus ?70. Aw! Just as well you didn't go with it, lads. | 0:41:03 | 0:41:08 | |
Anyway, plus ?46. | 0:41:08 | 0:41:10 | |
Aw! Thanks, Anita. Anyway, good try! | 0:41:10 | 0:41:13 | |
Don't say a word to the Reds! Not a word. Not a word! | 0:41:13 | 0:41:16 | |
Well, well, well, well! Could you believe it?! | 0:41:22 | 0:41:25 | |
These are the same characters who bought in the same place, | 0:41:25 | 0:41:29 | |
but yet, have come up with such a world of difference. | 0:41:29 | 0:41:32 | |
Been chatting, you lot? ALL: No. At all? No? | 0:41:32 | 0:41:34 | |
Not at all. Well, one team's done very, very well, | 0:41:34 | 0:41:36 | |
and one team's not done so well, and the team that's not done so well, | 0:41:36 | 0:41:39 | |
I'm afraid to say, are the Reds. | 0:41:39 | 0:41:41 | |
Aw! | 0:41:41 | 0:41:42 | |
Minus ?65 is not a fair reflection, though, on their performance. | 0:41:42 | 0:41:48 | |
A ?40 profit on the articulated hand. Yes. That was very good! | 0:41:48 | 0:41:52 | |
And then, that Maling ware thing, that made a nice profit. It did! | 0:41:52 | 0:41:56 | |
But otherwise, it's just bad luck. Anyway, had a nice time? | 0:41:56 | 0:41:58 | |
It's been brilliant. We've loved having you on the show. | 0:41:58 | 0:42:01 | |
Thank you for coming and joining us, but the victors today | 0:42:01 | 0:42:03 | |
are victors because they go home with cash! Yes! Folding money! | 0:42:03 | 0:42:07 | |
?46 worth! Joe, there you go. Thank you very much. | 0:42:07 | 0:42:10 | |
That'll eke out the student grant. Anyway, there we go. There's that. | 0:42:10 | 0:42:14 | |
OK, that's the extra one. Give that to the dad. | 0:42:14 | 0:42:17 | |
And, of course, because you made a profit on every single item, | 0:42:17 | 0:42:20 | |
you are eligible to be members of the ancient | 0:42:20 | 0:42:23 | |
and noble order of the Golden Gavel. Notice new design! New design! | 0:42:23 | 0:42:27 | |
They've dreamt of this moment. Absolutely. Yeah, well, there we go! | 0:42:27 | 0:42:31 | |
This is the stuff that dreams are made of! It is! | 0:42:31 | 0:42:34 | |
History in the making. Look at that. OK, you happy with that? Yes. | 0:42:34 | 0:42:38 | |
Managed to do it without puncturing anything? Which is brilliant. | 0:42:38 | 0:42:41 | |
Has it been good, Joe? It has been fantastic! | 0:42:41 | 0:42:44 | |
Joe Junior? Absolutely brilliant! | 0:42:44 | 0:42:46 | |
Has it been good for you, Anita? Aw, wonderful! Two big guys. Yeah! | 0:42:46 | 0:42:50 | |
I've noticed you looking up! Anyway... | 0:42:50 | 0:42:53 | |
Thank you very much. Join us soon for some more Bargain Hunting, yes? | 0:42:53 | 0:42:56 | |
ALL: Yes! | 0:42:56 | 0:42:58 | |
It's Biscuit Week. | 0:43:24 | 0:43:25 | |
Must try not to drop them. | 0:43:25 | 0:43:28 | |
It's going to be messy. | 0:43:28 | 0:43:29 | |
First batch in... | 0:43:30 | 0:43:32 | |
# It's so important | 0:43:32 | 0:43:33 | |
# To make someone happy... # | 0:43:33 | 0:43:35 | |
Now, THAT'S crispy. Very enchanting. | 0:43:37 | 0:43:39 |