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Today we're at the Newark International Antiques | 0:00:03 | 0:00:05 | |
And Collectors' Fair. The largest of its type in Europe. | 0:00:05 | 0:00:09 | |
So what are we waiting for, Fido? Eh? | 0:00:09 | 0:00:13 | |
Let's go bargain hunting! Yeah! Woof. | 0:00:13 | 0:00:17 | |
Cor, it ain't half busy here. | 0:00:43 | 0:00:45 | |
And there's 2,500 stalls for our teams to pick over their objects. | 0:00:45 | 0:00:52 | |
And it's here that the Reds and Blues are going to go head-to-head, | 0:00:52 | 0:00:56 | |
and hopefully find something to make a profit over at auction. | 0:00:56 | 0:01:00 | |
Let's have a quick sneak preview as to what's coming up. | 0:01:00 | 0:01:04 | |
It's all dogs today! | 0:01:04 | 0:01:06 | |
The Reds feel the pressure of the elements. | 0:01:09 | 0:01:12 | |
I'm absolutely freezing! Quick, buy something! | 0:01:12 | 0:01:15 | |
Whilst the Blues have a moment of realisation. | 0:01:15 | 0:01:18 | |
Oh, my Lord, I'm panicking! I want to buy something quick. | 0:01:18 | 0:01:22 | |
Panic's not setting in yet. | 0:01:22 | 0:01:24 | |
But who will be top dog at auction? | 0:01:24 | 0:01:26 | |
Yes, that's a profit. | 0:01:26 | 0:01:28 | |
SHE STIFLES A CHEER | 0:01:28 | 0:01:30 | |
On the programme today, we've got two couples. | 0:01:33 | 0:01:36 | |
For the Reds we've got Jo and Stephan. | 0:01:36 | 0:01:39 | |
And for the Blues we've got Janet and Peter. Hello, everyone. | 0:01:39 | 0:01:42 | |
ALL: Hello. | 0:01:42 | 0:01:43 | |
Lovely to see you. Now, Jo, how did you two lovebirds meet? | 0:01:43 | 0:01:46 | |
Well, we met about eight years ago at a work's night out. | 0:01:46 | 0:01:50 | |
Was it caramba and you thought, crikey, did you? | 0:01:50 | 0:01:53 | |
I think I accosted you, didn't I? | 0:01:53 | 0:01:55 | |
There you are, that's why I asked. It was caramba. | 0:01:55 | 0:01:58 | |
What about your interest in antiques? | 0:01:58 | 0:02:00 | |
We really enjoy going to antiques fairs or flea-markets | 0:02:00 | 0:02:04 | |
whenever we can. | 0:02:04 | 0:02:05 | |
Stephan, it says here you make a living out of making peoples' | 0:02:05 | 0:02:08 | |
feet look better? | 0:02:08 | 0:02:09 | |
Well, I own a shoe brand, and I do freelance design for various | 0:02:09 | 0:02:13 | |
different retailers, high-street stores. | 0:02:13 | 0:02:16 | |
How do you think you two are going to get on today? | 0:02:16 | 0:02:19 | |
-Brilliantly. -Do you? -Yes. -Anyway, good luck. -BOTH: Thank you. | 0:02:19 | 0:02:23 | |
-Now, Janet. -Hi. -You've been married for 37 years. -Indeed. | 0:02:23 | 0:02:27 | |
-That's quite a long haul, isn't it? -It's pretty good going. | 0:02:27 | 0:02:30 | |
-Yeah, you married as a child? -Absolutely, yeah. Child bride, yeah. | 0:02:30 | 0:02:33 | |
THEY LAUGH | 0:02:33 | 0:02:35 | |
-You have a teaching background. -I do. Yes. | 0:02:35 | 0:02:37 | |
This summer I'll have been teaching for 40 years. | 0:02:37 | 0:02:39 | |
-Will you really? -Yeah. -Tell us about the narrow boat business. | 0:02:39 | 0:02:43 | |
Yeah. That's maybe ten years ago now. We decided to take a career break. | 0:02:43 | 0:02:47 | |
-Mm-hmm. -Mid-life crisis, possibly. -Uh-huh. | 0:02:47 | 0:02:51 | |
And we both left our careers, had a narrow boat built, | 0:02:51 | 0:02:55 | |
and went to live on a boat for a couple of years, | 0:02:55 | 0:02:58 | |
and just chugged around the canals of England and Wales. | 0:02:58 | 0:03:01 | |
You stuck that for a couple of years. Enjoyed it... | 0:03:01 | 0:03:03 | |
Enjoyed it for a couple of years. THEY LAUGH | 0:03:03 | 0:03:06 | |
-You enjoyed it for a couple of years. -Certainly did. | 0:03:06 | 0:03:08 | |
-It just slipped out. Anyway, yeah, so you loved it for two years? -Yeah. | 0:03:08 | 0:03:11 | |
-Why did you come back to old base camp? -Well, we... | 0:03:11 | 0:03:15 | |
-Money. -THEY LAUGH | 0:03:15 | 0:03:17 | |
-We'd spent it by then. -How lovely. It says here, Peter, | 0:03:17 | 0:03:20 | |
-that you've been working for charities in recent years. -Yep. | 0:03:20 | 0:03:23 | |
After we came back off the boat, | 0:03:23 | 0:03:24 | |
I was looking for a job where I could give a little bit more back. | 0:03:24 | 0:03:28 | |
I got involved with a furniture re-use scheme. | 0:03:28 | 0:03:31 | |
-So it's like big charity recycling? Rather good idea, actually. -Yeah. | 0:03:31 | 0:03:35 | |
How do you think you're going to get on today? Brilliantly? | 0:03:35 | 0:03:38 | |
-I'm quietly confident... -Are you? -Yeah. | 0:03:38 | 0:03:40 | |
..we may or may not do very well. | 0:03:40 | 0:03:42 | |
THEY LAUGH | 0:03:42 | 0:03:44 | |
That is a good response, I have to say. | 0:03:44 | 0:03:47 | |
Anyway, here we go. £300 apiece. You know the rules. Your experts await. | 0:03:47 | 0:03:50 | |
And off you go! Very, very, very good luck. Narrow boating, eh? Oof. | 0:03:50 | 0:03:55 | |
Now, let's meet our experts. | 0:03:56 | 0:03:59 | |
Natasha Raskin is aiming for the jackpot for the Reds. | 0:03:59 | 0:04:03 | |
And hoping to fill the Blues' till with profits, it's Paul Laidlaw. | 0:04:03 | 0:04:06 | |
Anything on the shopping list? | 0:04:09 | 0:04:11 | |
-Glassware I like. -Yeah, glassware. -I like dragons. | 0:04:11 | 0:04:14 | |
-Anything oriental. -I get it. And yourself, Janet? | 0:04:14 | 0:04:18 | |
I'm more into wooden boxes and nice little neat things. We'll see. | 0:04:18 | 0:04:23 | |
-Plenty to go at. Let's do it! Come on! -OK. | 0:04:23 | 0:04:26 | |
Joanna and Stephan, what are you going to spend the money on? | 0:04:26 | 0:04:29 | |
I really want something fancy for the home. | 0:04:29 | 0:04:31 | |
Something really interesting that will catch our eye. | 0:04:31 | 0:04:33 | |
Something for the home. Stephan? Big bucks? | 0:04:33 | 0:04:35 | |
Yeah, we're going to blow the budget. | 0:04:35 | 0:04:37 | |
Well, we've got no time to waste. So let's go, go, go! | 0:04:37 | 0:04:40 | |
Absolutely right, Natasha. Your 60 minutes starts now. Off you go! | 0:04:42 | 0:04:47 | |
-We are on the clock. -We are on a mission. | 0:04:47 | 0:04:52 | |
Like it, point it, love it, pick it up. | 0:04:52 | 0:04:54 | |
I strongly suspect that an hour from now we'll go - how did that happen? | 0:04:54 | 0:04:59 | |
How did we end up with those? | 0:04:59 | 0:05:01 | |
-What's that? -Oh, gosh, I don't have a clue. | 0:05:06 | 0:05:08 | |
Some sort of heat lamp, isn't it? | 0:05:08 | 0:05:10 | |
If we're going to go mid-century and retro, do we want a heat lamp? | 0:05:10 | 0:05:13 | |
Probably not. THEY LAUGH | 0:05:13 | 0:05:15 | |
-That's a dragon pipe. -OK. | 0:05:15 | 0:05:17 | |
It's hideous! | 0:05:17 | 0:05:19 | |
When you said a dragon, I didn't think we'd actually find one. | 0:05:19 | 0:05:22 | |
-Is this new? -No, it's 2005. -Well then, it's ancient, isn't it?! | 0:05:22 | 0:05:26 | |
THEY LAUGH | 0:05:26 | 0:05:28 | |
-MAN: -Come on, the Reds! -ALL: Come on, you Reds! -Yes, sir! | 0:05:28 | 0:05:31 | |
-Come on, Pete. Let's go. -Right, OK. | 0:05:35 | 0:05:37 | |
What about these lamps? | 0:05:37 | 0:05:39 | |
-These lamps here? -Yeah. | 0:05:40 | 0:05:42 | |
It's actually all to do with what they are made of. | 0:05:42 | 0:05:44 | |
-What do you think they are made of? -Bronze? | 0:05:44 | 0:05:47 | |
That's what they want you to think. | 0:05:47 | 0:05:49 | |
I don't think these are going to be bronze. I could be wrong. | 0:05:49 | 0:05:52 | |
-Should we have a feel? -Go on. -If it's really heavy... | 0:05:52 | 0:05:54 | |
-Oh, my goodness! There is weight to that. -Is it marble? | 0:05:54 | 0:05:58 | |
It is weighted on the bottom. They are spelter, aren't they? | 0:05:58 | 0:06:01 | |
Marble base. | 0:06:01 | 0:06:02 | |
Gosh! The marble base is a tricky thing, | 0:06:02 | 0:06:04 | |
because they are really weighty. | 0:06:04 | 0:06:07 | |
Oh, my goodness. But what it has is a patination over it. | 0:06:07 | 0:06:10 | |
And that's called bronzed spelter. So patinated bronze spelter. | 0:06:10 | 0:06:14 | |
But they are early 20th century reproduction pieces. | 0:06:14 | 0:06:17 | |
But I tell you what, they are doing the trick when it comes to | 0:06:17 | 0:06:20 | |
style and panache. She's nicely modelled. | 0:06:20 | 0:06:22 | |
The position that she is taking is called contrapposto. | 0:06:22 | 0:06:25 | |
So she's standing like a Venus or something. I like her. | 0:06:25 | 0:06:28 | |
-What do you think? -I do as well. It drew me to it cos it's a pair. | 0:06:28 | 0:06:31 | |
-And they are light fittings. -This has been cut off, right, | 0:06:31 | 0:06:34 | |
so we are not good to go as light fittings. | 0:06:34 | 0:06:36 | |
-There is work to be done on them. -Yeah. | 0:06:36 | 0:06:38 | |
But it's all about damage with these things. Condition is key. | 0:06:38 | 0:06:41 | |
What I'm looking for is fingers, I think | 0:06:41 | 0:06:44 | |
she's got five fingers on each hand. Her toes are good. | 0:06:44 | 0:06:47 | |
-Have we got the same over here? -Yeah. -What are they on for? | 0:06:47 | 0:06:49 | |
-Oh, I don't know. We can ask the gentleman. -£150. -OK. | 0:06:49 | 0:06:52 | |
I would hope we would have an auction | 0:06:52 | 0:06:54 | |
estimate of something like £70-£100. That wouldn't be far off. | 0:06:54 | 0:06:58 | |
-How would you feel about bringing it down a touch? -The very best is 125. | 0:06:58 | 0:07:03 | |
But we are here to make a profit. I think at 125... | 0:07:03 | 0:07:06 | |
It's a little bit stretched. | 0:07:06 | 0:07:07 | |
-It's a little bit of a gamble. -I really like them. | 0:07:07 | 0:07:10 | |
-Let's have a think about it. -Let's have a think. Thank you so much. | 0:07:10 | 0:07:13 | |
We might see you again. | 0:07:13 | 0:07:14 | |
OK, have a think. But bear in mind, time moves on quickly. | 0:07:14 | 0:07:18 | |
Meanwhile, how are those Blues getting on? | 0:07:18 | 0:07:21 | |
Oh, my Lord, I'm panicking. I want to buy something quick. | 0:07:21 | 0:07:24 | |
If you're panicking now, | 0:07:24 | 0:07:26 | |
what are you going to be like at the end of the shop? | 0:07:26 | 0:07:28 | |
-Don't panic, don't panic. It's early days, this. -OK. | 0:07:28 | 0:07:32 | |
-Do you fancy a bit of...? -Let's go in and have a look. | 0:07:32 | 0:07:35 | |
There is a dragon. There's a dragon on that Burleigh Ware jug. | 0:07:39 | 0:07:43 | |
-Oh, yeah. -Yeah. -Is that dragon crying out to you? | 0:07:43 | 0:07:46 | |
-It could be. -Burleigh Ware - you associate them | 0:07:46 | 0:07:49 | |
with these mid-20th-century kitsch jug-cum-vases and so on. | 0:07:49 | 0:07:54 | |
They can be flamboyant, they can be ludicrous, | 0:07:54 | 0:07:57 | |
they can have budgerigars and cockatiels, | 0:07:57 | 0:08:00 | |
in this instance dragons, all sorts of things on them. | 0:08:00 | 0:08:02 | |
-Are we thinking like 1950? -Yeah, absolutely. | 0:08:02 | 0:08:05 | |
Between the '30s and '50s, they used to do really well. | 0:08:05 | 0:08:08 | |
I remember about ten years ago selling these things | 0:08:08 | 0:08:11 | |
for £70, £80, £90 a pop. At the moment, that's history. | 0:08:11 | 0:08:15 | |
-OK. -What's it worth? What's it worth? | 0:08:15 | 0:08:19 | |
-If I said £20-£40, I'd be right. It's priced at? -35. -35. | 0:08:19 | 0:08:23 | |
It's not dear and that reflects what I've said. It has come down. | 0:08:23 | 0:08:27 | |
-We could give it a go. -What would you want? -Do you like him? | 0:08:27 | 0:08:30 | |
-Do you like? -I think he is OK. | 0:08:30 | 0:08:32 | |
'I'm with you on that one, Janet.' | 0:08:32 | 0:08:34 | |
You're being polite. | 0:08:34 | 0:08:36 | |
-Indeed. -I like it. -Well, it depends how kind she is to us. | 0:08:36 | 0:08:43 | |
You know what's coming next, don't you? | 0:08:43 | 0:08:45 | |
THEY LAUGH | 0:08:45 | 0:08:46 | |
-I've been here before. -THEY LAUGH | 0:08:46 | 0:08:49 | |
If I could get that for 20, I would be a happy man. | 0:08:49 | 0:08:53 | |
Yes. | 0:08:53 | 0:08:54 | |
-Thank you. -You are very welcome. -Thank you. -I wish I'd gone for 15. | 0:08:54 | 0:08:58 | |
THEY LAUGH | 0:08:58 | 0:09:00 | |
So, the Blues make their first purchase. Well done. | 0:09:00 | 0:09:03 | |
Meanwhile, the Reds are still at the same stall where | 0:09:05 | 0:09:08 | |
they found the light fittings. | 0:09:08 | 0:09:09 | |
Could they be looking at item number two? | 0:09:09 | 0:09:11 | |
They are really nice. For a toilet. | 0:09:11 | 0:09:14 | |
THEY LAUGH What is that?! | 0:09:14 | 0:09:16 | |
Those ladies are too feminine but a floral toilet is not too feminine? | 0:09:16 | 0:09:20 | |
-Washdown closet? -I have to say, | 0:09:20 | 0:09:22 | |
never in my puff have I sold a toilet or a washdown closet. | 0:09:22 | 0:09:25 | |
Plenty of commodes. | 0:09:25 | 0:09:26 | |
You do see this Victorian blue and white transfer. What do you think? | 0:09:26 | 0:09:31 | |
-I quite like it. -It's a first for a fair. | 0:09:31 | 0:09:32 | |
THEY LAUGH | 0:09:32 | 0:09:34 | |
-I've never seen anything like that at the fair. -What are you thinking? | 0:09:34 | 0:09:37 | |
What would you pay for a toilet? | 0:09:37 | 0:09:39 | |
-I would pay at least £100 for that. -Why would you want it? | 0:09:39 | 0:09:42 | |
-Maybe you could plant flowers in it. -'It's convenient.' | 0:09:42 | 0:09:45 | |
Think about damage. Has it got any damage? | 0:09:45 | 0:09:47 | |
Has it got a big crack in it or anything? | 0:09:47 | 0:09:49 | |
-It needs a good wash. -Yeah. | 0:09:49 | 0:09:50 | |
-I don't know. I quite like it. -Not you now as well. | 0:09:50 | 0:09:54 | |
-Is it the wrong thing to sell at an auction? -Yeah! | 0:09:54 | 0:09:57 | |
-Is it more...? -Well, what's right to sell at an auction? | 0:09:57 | 0:09:59 | |
How many toilets are going to be in that auction room? | 0:09:59 | 0:10:02 | |
-Yeah. -None. -Tim can get all the toilet humour jokes in there. | 0:10:02 | 0:10:05 | |
-Absolutely. Potty mouth. -'I beg your pardon!' | 0:10:05 | 0:10:08 | |
OK, what do you think? The time is ticking. Shall we ask the gentleman? | 0:10:08 | 0:10:12 | |
-He obviously likes it. Hi. -Hello. -We are really interested in your toilet. | 0:10:12 | 0:10:19 | |
HE GROANS | 0:10:19 | 0:10:20 | |
-What's your best price? -70 quid is my going home price. | 0:10:20 | 0:10:24 | |
-I'd keep it for 70. -And if we took the two? | 0:10:24 | 0:10:26 | |
HE GROANS | 0:10:26 | 0:10:28 | |
HE LAUGHS | 0:10:28 | 0:10:29 | |
-Oh, look at this. -125 really is the best, really, on those. -Yeah. | 0:10:29 | 0:10:32 | |
If you add those to 125... | 0:10:32 | 0:10:34 | |
That could be 50. | 0:10:34 | 0:10:35 | |
125 is pushing it, but you know what, they are nice. | 0:10:35 | 0:10:38 | |
-And there's no damage. -Yeah. | 0:10:38 | 0:10:39 | |
A toilet for 50 quid. What's the auction estimate going to be? | 0:10:39 | 0:10:42 | |
It's going to be £40-£60. It's going to be £30-£50. Maybe £70-£90. | 0:10:42 | 0:10:45 | |
Should we do it? Oh, my goodness, I can't handle it! | 0:10:45 | 0:10:48 | |
-We've still got a bit of time. -How much time have we had? | 0:10:48 | 0:10:50 | |
20 minutes have passed. We are a third of the way through. | 0:10:50 | 0:10:52 | |
We've still got plenty of time. Shall we come back at the...? | 0:10:52 | 0:10:55 | |
-No! Let's buy it now! -Let's go with it then. -Yes, let's do it! | 0:10:55 | 0:10:59 | |
-Oh, my goodness, are we doing it?! -Let's do it! -Uh...yeah. | 0:10:59 | 0:11:02 | |
-THEY CHEER -OK. | 0:11:02 | 0:11:03 | |
Excellent. Shall we shake on it? | 0:11:03 | 0:11:06 | |
Great. That's two items bought together. | 0:11:06 | 0:11:08 | |
So two thirds of the shop completed | 0:11:08 | 0:11:10 | |
in just one third of the shopping time. | 0:11:10 | 0:11:12 | |
TOILET FLUSHING | 0:11:12 | 0:11:15 | |
And as luck would have it, I'm paying a visit to just | 0:11:18 | 0:11:21 | |
the place to lift the lid on the washdown closet. | 0:11:21 | 0:11:25 | |
Look at this! We are actually inside a kiln. | 0:11:25 | 0:11:30 | |
At Sharpe's Museum, Swadlincote, Derbyshire. | 0:11:30 | 0:11:34 | |
And this kiln was first fired up in 1821. | 0:11:34 | 0:11:38 | |
Although there is evidence in this locality of | 0:11:38 | 0:11:42 | |
pottery manufacture dating back to the 16th century. | 0:11:42 | 0:11:45 | |
These days, the site is a museum celebrating the handful | 0:11:52 | 0:11:56 | |
of potteries that were originally based within | 0:11:56 | 0:11:59 | |
four square miles of Swadlincote. | 0:11:59 | 0:12:02 | |
Today, I'm going to meet Tony Harrell, who's going to tell us | 0:12:02 | 0:12:05 | |
-all about these potteries. Now, Tony, good morning. -Hello. | 0:12:05 | 0:12:09 | |
Tell me about your role first here, at the museum. | 0:12:09 | 0:12:12 | |
I chair the Trust and my job is really to keep | 0:12:12 | 0:12:15 | |
the heritage of the area alive for this generation and the next. | 0:12:15 | 0:12:18 | |
And these objects in front of us | 0:12:18 | 0:12:20 | |
are representative of the domestic pottery produced by the firms? | 0:12:20 | 0:12:24 | |
They are, yes. There were upwards of 30-plus firms through the 1800s. | 0:12:24 | 0:12:28 | |
But the clay here didn't lend itself | 0:12:28 | 0:12:30 | |
-to extremely fine production, did it? -No. | 0:12:30 | 0:12:33 | |
What we've learned is that the make-up of our clay has two | 0:12:33 | 0:12:36 | |
important ingredients - plasticity and hardening. | 0:12:36 | 0:12:39 | |
Plasticity gives it flexibility | 0:12:39 | 0:12:41 | |
and hardening means you can bake it at really high temperatures. | 0:12:41 | 0:12:44 | |
So the potteries around Swadlincote moved into the development | 0:12:44 | 0:12:48 | |
of sanitary ware and top grade sewer pipes. | 0:12:48 | 0:12:52 | |
But you, in a way, specialise in the display of sanitary wares here, | 0:12:52 | 0:12:56 | |
don't you? | 0:12:56 | 0:12:57 | |
We try to tell our story, which is a sanitary ware story, | 0:12:57 | 0:13:00 | |
and then we link it into the pipes and the public health story. | 0:13:00 | 0:13:03 | |
This is a jolly display. Tony, what do these three illustrate then? | 0:13:07 | 0:13:12 | |
It takes us on a journey - the evolution of the flushing toilet. | 0:13:12 | 0:13:16 | |
The engineers made it a very complicated valve-operated process. | 0:13:16 | 0:13:22 | |
The potters then get into the story. | 0:13:22 | 0:13:25 | |
What Edmund Sharp did was to build in an innovation that he then | 0:13:25 | 0:13:28 | |
patented in 1855. | 0:13:28 | 0:13:31 | |
And it was a genuine advancement because it created the first | 0:13:31 | 0:13:34 | |
power flush in the rim, and it created two words - wash down. | 0:13:34 | 0:13:39 | |
Until that time, toilets had been wash out, | 0:13:39 | 0:13:42 | |
and solids would remain in the base. | 0:13:42 | 0:13:44 | |
What the washdown created was an all through, leaving the pan clean. | 0:13:44 | 0:13:50 | |
And for the first time they established that water was | 0:13:50 | 0:13:53 | |
the problem with the disease. | 0:13:53 | 0:13:55 | |
So for us to link the toilet to the sewer pipe and keep waste water | 0:13:55 | 0:13:59 | |
out of public water is a real advancement in public health. | 0:13:59 | 0:14:04 | |
It's a fabulous side of potting that leaves a legacy. | 0:14:04 | 0:14:07 | |
This is a fascinating place to visit. So thank you very much, Tony. | 0:14:07 | 0:14:11 | |
Who knows, at the end of the day our teams might just be flush with cash. | 0:14:11 | 0:14:16 | |
So the loo the Reds have bought might just be a hidden gem. | 0:14:17 | 0:14:22 | |
Meanwhile, back at the shopping, it's 2-to-1 to the Reds | 0:14:22 | 0:14:25 | |
and the Blues are struggling. | 0:14:25 | 0:14:27 | |
-No to Toby jugs. -Definitely no to Toby jugs. | 0:14:27 | 0:14:30 | |
That's absolutely for nothing. | 0:14:30 | 0:14:32 | |
-Owls are collectable. -No, I don't really... -No? -No, I don't. | 0:14:32 | 0:14:36 | |
'Janet is proving hard to please.' | 0:14:36 | 0:14:38 | |
-It's not my taste. -Move on. -It caught my eye. -What caught your eye? | 0:14:39 | 0:14:44 | |
Don't let something catch his eye again! | 0:14:44 | 0:14:47 | |
20 minutes in, one thing down. Bang on schedule. We are cruising. | 0:14:47 | 0:14:50 | |
-We are doing good. -Panic is not setting in yet. | 0:14:50 | 0:14:53 | |
-We can't even see panic, it's so far over the horizon. -OK, off we go. | 0:14:53 | 0:14:56 | |
-Are these for the candles? -Yeah. -Exactly, yes. | 0:14:57 | 0:15:00 | |
I thought it was for paper. | 0:15:00 | 0:15:02 | |
Look at the amazing feet on that. | 0:15:04 | 0:15:06 | |
I'm no furniture expert, but it is a lovely thing. | 0:15:06 | 0:15:08 | |
-Shall we delve into that? -Is it a little desk? Can it open? | 0:15:08 | 0:15:11 | |
-It comes this far. -Wow! -Here we are. -It's a games table. | 0:15:11 | 0:15:14 | |
-It's a games table and it turns as well. -You can open it as well. | 0:15:14 | 0:15:17 | |
Exactly. You've got all your pieces in there. | 0:15:17 | 0:15:20 | |
-Could you please give us your price for this table? -£1,500. -£1,500. | 0:15:20 | 0:15:24 | |
-So you were attracted, like magpies, to quality. -Yes. | 0:15:24 | 0:15:26 | |
'Nothing wrong with a bit of quality. | 0:15:26 | 0:15:28 | |
'And there is plenty of furniture here to catch the eye.' | 0:15:28 | 0:15:31 | |
Guys, guys, guys! Do you want to buy a piece of furniture? | 0:15:32 | 0:15:35 | |
Unless there is a problem with it, | 0:15:35 | 0:15:37 | |
the X-frame chair in front of you priced at £35... | 0:15:37 | 0:15:40 | |
There has got to be a problem with it. Look at the price of it! | 0:15:40 | 0:15:44 | |
OK, so confirm what we are looking at. We are looking at mahogany. | 0:15:44 | 0:15:49 | |
We are looking at string inlay. | 0:15:49 | 0:15:51 | |
Bit of marquetry, a classical... | 0:15:51 | 0:15:54 | |
-Batwing Medallion there. Date wise - late 19th century. -OK. | 0:15:54 | 0:15:58 | |
Here are the problems. | 0:15:58 | 0:15:59 | |
-Joints. Joints have opened here. -Yeah, yeah. | 0:15:59 | 0:16:02 | |
-And you've got a nasty seat pad. -That's not the original. | 0:16:02 | 0:16:05 | |
-No, that's awful. But I tell you what, it's easy to replace that. -OK. | 0:16:05 | 0:16:09 | |
Let's pick it up. Never mind the quality, feel the weight. | 0:16:09 | 0:16:13 | |
-Oh, look, it's got the... -Repair. | 0:16:13 | 0:16:15 | |
-But that's an old repair. -The plates are old. -And it's all hidden. | 0:16:15 | 0:16:21 | |
From here, I just want to replace that seat pad and live with it. | 0:16:21 | 0:16:26 | |
-What do you think? Do you like it? -I like it. -I like it. | 0:16:26 | 0:16:30 | |
If I had no-one to impress and I got out of bed on the wrong side, | 0:16:30 | 0:16:33 | |
-I'd say it's worth £40-£80. -Is it? | 0:16:33 | 0:16:37 | |
-That's a banker, folks! -Yeah. -Yeah. | 0:16:37 | 0:16:39 | |
-I'll wander off and see if I can get a price on that. -Yes. | 0:16:39 | 0:16:41 | |
I'll be two ticks. | 0:16:41 | 0:16:43 | |
It's quite nice, isn't it? I love it, I love it, I love it! | 0:16:44 | 0:16:47 | |
-So you want this chair, basically. -I want that chair. -OK. | 0:16:47 | 0:16:50 | |
I think the chair might be yours. | 0:16:50 | 0:16:51 | |
THEY LAUGH | 0:16:51 | 0:16:53 | |
-Guys... -Right? | 0:16:53 | 0:16:54 | |
-I haggled like my life depended on it... -OK, and? | 0:16:54 | 0:16:57 | |
The guy came down to 30 quid. I think that's a gift. | 0:16:57 | 0:17:02 | |
-Deal! -What do you reckon? It's a deal, isn't it? -Bargain! | 0:17:02 | 0:17:04 | |
-Are we buying it? -Definitely! -Yeah. -I'll seal the deal. Well done. | 0:17:04 | 0:17:07 | |
-Thank you. -OK, thank you. | 0:17:07 | 0:17:08 | |
-Item number two. -Lovely. | 0:17:08 | 0:17:10 | |
THEY LAUGH | 0:17:10 | 0:17:11 | |
It's item number two indeed, Janet. | 0:17:11 | 0:17:13 | |
Thank goodness she's happy at last. Well done. | 0:17:13 | 0:17:16 | |
-I think it's going good so far. -We are two down. -Two down. | 0:17:16 | 0:17:19 | |
-We've got about 20 minutes left, I think, so... -Hopefully. -..it should be in the bag. | 0:17:19 | 0:17:23 | |
What's the third thing? I've no idea, but we'll know soon enough. | 0:17:23 | 0:17:26 | |
Also, with just one more item to find, how are the Reds feeling? | 0:17:26 | 0:17:30 | |
We've got £125, so we can either do what we want to do, | 0:17:30 | 0:17:34 | |
which was buy something with a higher price, | 0:17:34 | 0:17:37 | |
or we find something that's slightly smaller | 0:17:37 | 0:17:40 | |
-and try and see if we can get a good profit. -Let's blow as much as we can. | 0:17:40 | 0:17:42 | |
We've got to spend some money. | 0:17:42 | 0:17:44 | |
I'm up for that. Let's do it. What have we spent? | 0:17:44 | 0:17:48 | |
20 on the jug and then 30 on the chair. | 0:17:48 | 0:17:50 | |
We could do this for a living at this rate. | 0:17:50 | 0:17:52 | |
-There is a fortune to be made in this game. -You never mind. | 0:17:52 | 0:17:54 | |
Sh! Don't let on. | 0:17:54 | 0:17:56 | |
-Do you like that? -It's got a signature. -Has it? -Yeah. | 0:18:00 | 0:18:04 | |
At the bottom. | 0:18:05 | 0:18:07 | |
-I like a big lump of... -Is it just a big lump of nonsense? | 0:18:07 | 0:18:12 | |
It's Kosta. | 0:18:12 | 0:18:14 | |
Now, that's up there | 0:18:14 | 0:18:15 | |
with the best in your 60s important designer glasshouses. | 0:18:15 | 0:18:20 | |
Against it is the fact that it's colourless | 0:18:20 | 0:18:25 | |
and it's pretty darn plain. It's an oval bowl. | 0:18:25 | 0:18:27 | |
If it didn't have the name, I'd be saying, seriously, | 0:18:27 | 0:18:30 | |
it's the last one of its kind I'd buy. But with the name... | 0:18:30 | 0:18:34 | |
The question is, is it cheap? It would have to be cheap. | 0:18:34 | 0:18:37 | |
Because what's it worth? £20-£40. | 0:18:37 | 0:18:41 | |
Purely because of the name. | 0:18:41 | 0:18:43 | |
-I absolutely love it. -You love it? Are you adopting it? | 0:18:43 | 0:18:48 | |
-This was exactly what I had in mind. -How do you feel about it, Janet? | 0:18:48 | 0:18:52 | |
I really like it. I really like it. | 0:18:52 | 0:18:55 | |
Go and ask how much it is. | 0:18:55 | 0:18:57 | |
It's a little bit scratched. | 0:18:57 | 0:19:00 | |
-I won't charge you for that. -OK. Really? | 0:19:00 | 0:19:03 | |
THEY LAUGH | 0:19:03 | 0:19:04 | |
Oh, that's Kosta. Um... | 0:19:08 | 0:19:09 | |
We need to move it. | 0:19:10 | 0:19:12 | |
-Bottom line is 40. -I'd think about it. -Not to worry then. -I like it. | 0:19:12 | 0:19:18 | |
-Thank you. -Thanks very much. It's just a shade too dear. | 0:19:18 | 0:19:22 | |
Let's walk for a while. We've got 12 minutes so we haven't got long to... | 0:19:22 | 0:19:26 | |
-A quick scout? -A quick scout and we can come back. -OK. | 0:19:26 | 0:19:30 | |
-Thanks again! -Thank you. -Thank you. | 0:19:30 | 0:19:32 | |
Suddenly, both teams are feeling the pressure. | 0:19:33 | 0:19:36 | |
-How are your feet? -Cold. -Oh, me too! It's freezing! | 0:19:36 | 0:19:39 | |
I'm absolutely freezing. Quick, buy something! | 0:19:39 | 0:19:41 | |
-Let's keep scratching about here. -Right. | 0:19:41 | 0:19:44 | |
I don't know if there is much in there for us. | 0:19:44 | 0:19:47 | |
We don't have much time. | 0:19:47 | 0:19:48 | |
We are struggling a bit now, aren't we? | 0:19:48 | 0:19:50 | |
Nothing here. This all looks run-of-the-mill. | 0:19:50 | 0:19:52 | |
-OK. -Should we go and look over here? | 0:19:53 | 0:19:56 | |
-What's it worth? £50-£80. How much is your mallet? -175. | 0:19:56 | 0:20:00 | |
BOTH: No! | 0:20:00 | 0:20:01 | |
-Hi! -Everything half price for Bargain Hunt, right? | 0:20:01 | 0:20:04 | |
Yeah, but you don't know the original price. | 0:20:04 | 0:20:06 | |
THEY LAUGH | 0:20:06 | 0:20:07 | |
What's in here? | 0:20:07 | 0:20:09 | |
-We've only got a few minutes left. -I like that. -It's 45 for that. | 0:20:09 | 0:20:12 | |
£45, OK. So what do we have here? | 0:20:12 | 0:20:15 | |
-You were thinking about a brooch when we spoke before. -Yes. | 0:20:15 | 0:20:17 | |
And what you have here is Edwardian, very early-20th-century, | 0:20:17 | 0:20:21 | |
nine-carat gold aquamarine bar brooch. | 0:20:21 | 0:20:24 | |
It's really beautiful, isn't it? Stylish. It's really sleek. | 0:20:24 | 0:20:27 | |
You've got an oval emerald-cut aquamarine in there. | 0:20:27 | 0:20:31 | |
And it's a really nice colour. | 0:20:31 | 0:20:32 | |
With aquamarine, when you drop it into water, | 0:20:32 | 0:20:34 | |
you shouldn't be able to see it. | 0:20:34 | 0:20:36 | |
It's got its little safety pin here, which is great, for extra security. | 0:20:36 | 0:20:39 | |
It is a chic thing. | 0:20:39 | 0:20:40 | |
Certainly against your fleece it would be beautiful. | 0:20:40 | 0:20:43 | |
-I think you can see it on there. -Yeah. -It is stylish. | 0:20:43 | 0:20:46 | |
It's quite plain and simple, rather than fussy and ornate. | 0:20:46 | 0:20:49 | |
I think it's quality. It's stamped nine carat gold. | 0:20:49 | 0:20:52 | |
And in the original box. | 0:20:52 | 0:20:54 | |
If we can get that for less than £40, we are absolutely cooking. | 0:20:54 | 0:20:57 | |
-If you made it 30... We've just got a couple of minutes. -35. 35 is OK. | 0:20:57 | 0:21:01 | |
-35. You can't go lower? -No. -Come on, jump in, help me out. | 0:21:01 | 0:21:04 | |
-We've got two minutes left! -The box is worth 20. -Yeah, right! | 0:21:04 | 0:21:07 | |
It's a lovely thing. It is nicely presented. Can you make it 32? | 0:21:07 | 0:21:11 | |
-Go on, then. -THEY CHEER | 0:21:11 | 0:21:13 | |
-Oh, my goodness! -Thank you. -What do you think? -Yeah, let's go for it. | 0:21:13 | 0:21:16 | |
Thank you. | 0:21:16 | 0:21:18 | |
'Congratulations! | 0:21:18 | 0:21:20 | |
'The Reds have raised the bar and found their very last item. | 0:21:20 | 0:21:23 | |
'The Blues, however, have decided to reconsider the glass bowl.' | 0:21:23 | 0:21:26 | |
Could you come down a bit more for me? | 0:21:28 | 0:21:30 | |
-I do appreciate you coming back, but I can't. -What would you do for...? | 0:21:30 | 0:21:35 | |
It's 40, that's the bottom line. | 0:21:35 | 0:21:37 | |
-You are beat, aren't you? -We are. We are beat. | 0:21:37 | 0:21:40 | |
-You may make a wee bit. -OK. | 0:21:40 | 0:21:43 | |
-Going for it? -We are going for it. -Okey-dokey. -Well done, guys. | 0:21:43 | 0:21:47 | |
Thank you. | 0:21:47 | 0:21:48 | |
I can't believe you managed to get | 0:21:48 | 0:21:50 | |
the piece of glass you were looking for, | 0:21:50 | 0:21:52 | |
the wood you were looking for and, bizarrely, | 0:21:52 | 0:21:54 | |
-the dragon. -The dragon. | 0:21:54 | 0:21:56 | |
THEY LAUGH | 0:21:56 | 0:21:57 | |
That's all three purchases in the bag, Blues. Well done. | 0:21:57 | 0:22:01 | |
Time's up. | 0:22:01 | 0:22:03 | |
Let's check out whether the Red Team have found a big earner. | 0:22:03 | 0:22:06 | |
They were turned on by this pair of early 20th-century spelter | 0:22:07 | 0:22:11 | |
table lamps for £125. | 0:22:11 | 0:22:13 | |
They spent more than a penny on a late Victorian water closet. | 0:22:15 | 0:22:19 | |
£50 to be precise. | 0:22:19 | 0:22:21 | |
And finally, they are pinning their chances on this Edwardian | 0:22:23 | 0:22:26 | |
gold bar brooch set with an aquamarine, | 0:22:26 | 0:22:29 | |
which cost them £32. | 0:22:29 | 0:22:31 | |
How much did you spend? | 0:22:31 | 0:22:33 | |
-We spent £207 in total. -£207, that's a cool number. | 0:22:33 | 0:22:38 | |
Please may I have £93 of the leftover lolly. | 0:22:38 | 0:22:40 | |
Thank you, Stephan. | 0:22:40 | 0:22:41 | |
I'm going to ask you which is your favourite piece? | 0:22:41 | 0:22:44 | |
The toilet. | 0:22:44 | 0:22:46 | |
THEY LAUGH | 0:22:46 | 0:22:48 | |
-Figures, doesn't it? -SINGSONG: -He's a man. | 0:22:48 | 0:22:50 | |
Which is your favourite piece? | 0:22:50 | 0:22:52 | |
I'm going to actually go with the brooch, the last piece. | 0:22:52 | 0:22:54 | |
-That's your favourite? -Yeah, I think so. | 0:22:54 | 0:22:56 | |
-Is that going to bring the biggest profit? -Well... | 0:22:56 | 0:22:59 | |
It might do, yeah. Might do. | 0:22:59 | 0:23:01 | |
On that happy note, I'm going to hand all this cash over to Natasha. | 0:23:01 | 0:23:05 | |
-Thank you. -There you go. | 0:23:05 | 0:23:06 | |
Natasha, have you any idea what you are going to spend it on? | 0:23:06 | 0:23:09 | |
Absolutely no idea what I will spend it on, | 0:23:09 | 0:23:11 | |
but I know it will be something fun. I hope so anyway. | 0:23:11 | 0:23:14 | |
Why don't we check out what the Blue Team bought, eh? | 0:23:14 | 0:23:17 | |
They poured £20 into this Burleigh Ware Art Deco jug. | 0:23:17 | 0:23:20 | |
An Edwardian mahogany X-framed armchair cost them £30. | 0:23:23 | 0:23:27 | |
And they were bowled over by the Swedish glass, which cost them £40. | 0:23:29 | 0:23:34 | |
-How are you, Peter and Janet? -Very well, thank you. -Pretty good. | 0:23:34 | 0:23:37 | |
A little birdie told me that you didn't spend much. | 0:23:37 | 0:23:40 | |
No, it was a little bit embarrassing. | 0:23:40 | 0:23:42 | |
-How much did you spend? -£90. | 0:23:42 | 0:23:43 | |
-£210 of leftover lolly. Who has got that? -I have. -Thank you very much. | 0:23:44 | 0:23:49 | |
Which is your favourite item of the £90 worth? | 0:23:49 | 0:23:52 | |
-I like the lump of glass. -Lump of glass for you. Do you agree, Janet? | 0:23:52 | 0:23:55 | |
-Not at all. I like the chair. -You like the chair? -I do. -Jolly good. | 0:23:55 | 0:23:58 | |
-Is that going to bring the biggest profit? -Without a doubt. | 0:23:58 | 0:24:00 | |
-Do you agree with that? -Probably. | 0:24:00 | 0:24:02 | |
Best to agree with her about something, | 0:24:02 | 0:24:04 | |
otherwise you will be back on the canal again. | 0:24:04 | 0:24:06 | |
Anyway, talk about a serious watch. | 0:24:06 | 0:24:08 | |
-You could buy most of the fair with that, mate. -Oh-ho-ho! If only! | 0:24:08 | 0:24:10 | |
THEY LAUGH | 0:24:10 | 0:24:12 | |
Is your idea to spend as much as you possibly can, Paul, | 0:24:12 | 0:24:15 | |
or just go for value? | 0:24:15 | 0:24:16 | |
-I am driven by profit, Tim, as you well know. -I know. | 0:24:16 | 0:24:19 | |
-But I like buying interesting things. -Then take a chance! | 0:24:19 | 0:24:22 | |
That's the thing, isn't it? | 0:24:22 | 0:24:23 | |
Now, time for me to head off to the auction. | 0:24:26 | 0:24:28 | |
Well, what a treat this is. | 0:24:31 | 0:24:32 | |
We've got a whole session with Charles Hanson. | 0:24:32 | 0:24:34 | |
-Charles, it's great to be here. -Tim, welcome. | 0:24:34 | 0:24:36 | |
-Now, in this cosy corner we've got a selection which is amazing. -Yes. | 0:24:36 | 0:24:41 | |
Kick on with these spelter lamps. How do you rate those? | 0:24:41 | 0:24:44 | |
Tim, I think they have a great look about them. I quite like them, Tim. | 0:24:44 | 0:24:48 | |
-I can see them probably hitting three figures. Maybe £100. -Could you? | 0:24:48 | 0:24:52 | |
-120 on a good day. -They need to make £125. -Right, OK. | 0:24:52 | 0:24:56 | |
Moving on, we've got the water closet next. | 0:24:56 | 0:24:58 | |
Now, this is a washdown water closet. | 0:24:58 | 0:25:01 | |
The invention of taking water to the top rim means that any | 0:25:01 | 0:25:05 | |
residual foreign bodies are immediately cleansed. | 0:25:05 | 0:25:09 | |
It is a bit dirty, isn't it? | 0:25:09 | 0:25:11 | |
-Dirty? -Yes. -Nobody has bothered to clean it up. That's a fact. -No. | 0:25:11 | 0:25:16 | |
But if you want to go into a period bathroom, | 0:25:16 | 0:25:18 | |
well, there it is, ready to go, isn't it? | 0:25:18 | 0:25:20 | |
You need the right buyer. On a really good day, it could make £100-£120. | 0:25:20 | 0:25:25 | |
-On a really bad day, Tim, it could make £40. -They only paid £50. -Good. | 0:25:25 | 0:25:30 | |
Moving on, we've got this brooch. The Edwardian bar brooch. | 0:25:30 | 0:25:34 | |
It's just what it is - a very nice nine-carat gold bar brooch. | 0:25:34 | 0:25:37 | |
-Probably George V. -Yes, exactly. | 0:25:37 | 0:25:39 | |
Bunged in a box, ready to go. How much? | 0:25:39 | 0:25:41 | |
-Our guide price is between £50 and £70. -Oh, that is good. £32 paid. | 0:25:41 | 0:25:45 | |
Well, it's lovely to know you are so enthusiastic. | 0:25:45 | 0:25:48 | |
In which case, they won't need the bonus buy. | 0:25:48 | 0:25:50 | |
But let's go and have a look at it anyway. | 0:25:50 | 0:25:52 | |
£93 you gave Natasha. | 0:25:54 | 0:25:57 | |
And what did you spend it on? | 0:25:57 | 0:25:59 | |
I spent 45 on... | 0:25:59 | 0:26:02 | |
a dinner gong. | 0:26:02 | 0:26:04 | |
A dinner bell... Gong even. On quite an interesting stand. | 0:26:04 | 0:26:08 | |
And do you know what? I enjoyed your company so much | 0:26:08 | 0:26:11 | |
and I just thought you were so sociable. | 0:26:11 | 0:26:13 | |
I could imagine you at dinner parties, | 0:26:13 | 0:26:15 | |
having all your friends round and just saying, | 0:26:15 | 0:26:17 | |
"Come on, everybody. Dinner's ready!" | 0:26:17 | 0:26:19 | |
I love it. It's silver plated, it's not silver. | 0:26:19 | 0:26:22 | |
And unfortunately, it's missing its little leather beater. | 0:26:22 | 0:26:25 | |
Which is why we've got these indentations here on the bell. | 0:26:25 | 0:26:29 | |
-But I just think it's really chic. I love it. It's quirky and fun. -Yep. | 0:26:29 | 0:26:33 | |
Dinner parties, tea parties, all that thing. It's all the rage. | 0:26:33 | 0:26:36 | |
-What do you think? -I think it's really good fun. | 0:26:36 | 0:26:38 | |
Paid 45 for it, what do you think we could get for it? | 0:26:38 | 0:26:41 | |
We should be making £50-£60 for it. I hope so anyway. On a good day. | 0:26:41 | 0:26:44 | |
-It's actually heavier than I thought. -Exactly! | 0:26:44 | 0:26:46 | |
You don't decide now, you decide later, | 0:26:46 | 0:26:48 | |
after the sale of your first three items. | 0:26:48 | 0:26:50 | |
But for the audience at home, | 0:26:50 | 0:26:51 | |
let's find out what the auctioneer thinks about Natasha's little bell. | 0:26:51 | 0:26:55 | |
BELL RINGS | 0:26:56 | 0:26:57 | |
There you go, Charles. | 0:26:57 | 0:26:58 | |
-Thank you, Tim. -That will bring them flocking into the saleroom. | 0:26:58 | 0:27:01 | |
-Yeah. -Do you like that thing? -Yeah, I do, Tim. | 0:27:01 | 0:27:04 | |
Table gongs, dinner gongs always seem to perform quite well at auctions. | 0:27:04 | 0:27:08 | |
I love this naturalistic cast stand it's on. | 0:27:08 | 0:27:11 | |
Which I suppose has all the aesthetics of being | 0:27:11 | 0:27:13 | |
from the 1880s-1890s. | 0:27:13 | 0:27:15 | |
The bell is quite plain in comparison, but it has got | 0:27:15 | 0:27:18 | |
the right level of wear to suggest it has always been together. | 0:27:18 | 0:27:21 | |
Probably Birmingham or Sheffield inspired. | 0:27:21 | 0:27:23 | |
Our guide price is between £40 and £60. | 0:27:23 | 0:27:27 | |
You've struck the right note there, Charles. £45 was paid by Natasha. | 0:27:27 | 0:27:31 | |
As a cunning bonus buy opportunity. I think it is good. | 0:27:31 | 0:27:35 | |
-Moving over to the Blues. We've got the Burleigh Ware jug. -Yeah, Tim. | 0:27:35 | 0:27:40 | |
I think it's lovely. Good factory. | 0:27:40 | 0:27:42 | |
Good name, which captures the Art Deco. | 0:27:42 | 0:27:45 | |
I have to say, for me, it doesn't really do it. | 0:27:45 | 0:27:47 | |
-Doesn't it cheer you up? -Not terribly. | 0:27:47 | 0:27:48 | |
-It goes with your suit as well. -Makes me feel rather ill. -Does it? | 0:27:48 | 0:27:51 | |
Yeah. How much do you think it's going to bring? | 0:27:51 | 0:27:54 | |
-We hope it's going to make between £50 and £80. -Do you really? | 0:27:54 | 0:27:56 | |
-Tim, we feel good. -Well, that's marvellous. -We are hungry for it. | 0:27:56 | 0:27:59 | |
You feel a good deal better than I do. | 0:27:59 | 0:28:01 | |
£20 was paid, and I think that was about the right price. | 0:28:01 | 0:28:04 | |
But we'll see. Now you've got | 0:28:04 | 0:28:05 | |
this X-framed Edwardian drawing room chair. | 0:28:05 | 0:28:08 | |
-Do you like that one? -Yeah. | 0:28:08 | 0:28:10 | |
Tim, I do like it, because, again, it just has that warm feel. | 0:28:10 | 0:28:14 | |
-That lovely urn inlay on the back. -Yes. | 0:28:14 | 0:28:17 | |
It has lovely-shaped splayed back legs, but needs some reupholstering. | 0:28:17 | 0:28:21 | |
What we want to know is, is it going to be an 'urn-er'? | 0:28:21 | 0:28:24 | |
-Yes, it will, Tim. -'Urn' a lot of profit. -I've got you. E-A-R-N. | 0:28:24 | 0:28:28 | |
It will "urn" a lot of profit, Tim. | 0:28:28 | 0:28:30 | |
I'm hoping it will do very well. Between £50 and £80. I've got you. | 0:28:30 | 0:28:34 | |
-They only paid £30. -Tim, what a bargain. | 0:28:34 | 0:28:36 | |
I can't believe it was that cheap. | 0:28:36 | 0:28:38 | |
Now, the next thing is this very, very plain bowl. Kosta Boda. | 0:28:38 | 0:28:41 | |
This is one of those which ten years ago, I had never seen before. | 0:28:41 | 0:28:44 | |
But now it's making money at auction. | 0:28:44 | 0:28:47 | |
And it's by a contemporary Swedish designer - a man called | 0:28:47 | 0:28:50 | |
Goran Warff, who obviously is the designer at the factory. | 0:28:50 | 0:28:53 | |
Anyway... So how much? | 0:28:53 | 0:28:55 | |
We've been quite mean because...you know I'm quite an old-fashioned man. | 0:28:55 | 0:28:58 | |
This is very modern and it's an emerging market. | 0:28:58 | 0:29:01 | |
-So we've gone in with a guide price of between £20 and £30. -Is that all? | 0:29:01 | 0:29:05 | |
-Yes. -£40 paid. | 0:29:05 | 0:29:06 | |
One way or the other, they're either going to need their bonus buy | 0:29:06 | 0:29:09 | |
very, very badly, or they're not going to need it at all. | 0:29:09 | 0:29:11 | |
Let's go and have a look. | 0:29:11 | 0:29:13 | |
-Janet, Peter, this is exciting. -It certainly is. -You gave our man £210. | 0:29:14 | 0:29:18 | |
He loves to blow the lot. Paul, what did you find? | 0:29:18 | 0:29:21 | |
Well, look, we bought from the 1960s - glass, | 0:29:21 | 0:29:24 | |
back to maybe the 1860s - the chair. | 0:29:24 | 0:29:27 | |
I've gone into the Georgian era with that little... | 0:29:27 | 0:29:31 | |
I think that's a joy, actually. Have a look at that. | 0:29:31 | 0:29:33 | |
What do you think it is? | 0:29:33 | 0:29:35 | |
-It's a ladle of some kind. -Perhaps a ladle. -A ladle for toddy. | 0:29:35 | 0:29:39 | |
Or we could use it for punch. But you get the picture. | 0:29:39 | 0:29:43 | |
I'd need a bigger ladle. | 0:29:43 | 0:29:44 | |
THEY LAUGH | 0:29:44 | 0:29:45 | |
Greedy! | 0:29:45 | 0:29:47 | |
What's it made of? | 0:29:47 | 0:29:48 | |
This is Georgian... This is baleen with, I'd love to say, silver. | 0:29:48 | 0:29:52 | |
Not silver. Old Sheffield plate, bowl and mount. | 0:29:52 | 0:29:57 | |
What would you pay for that? | 0:29:57 | 0:29:59 | |
Well, Georgian... | 0:29:59 | 0:30:02 | |
£80? | 0:30:02 | 0:30:03 | |
-I'll take £80. -40 maybe. -Your offer is 40. I'll take 40. | 0:30:03 | 0:30:07 | |
Because I paid 15. | 0:30:07 | 0:30:09 | |
-Wow! -Hey! -A proper antique. | 0:30:09 | 0:30:11 | |
-For £15?! -15. That's the value that's to be had. -OK. | 0:30:11 | 0:30:15 | |
-It's a no-brainer, this. -It's a no-brainer. | 0:30:15 | 0:30:18 | |
OK, but for the audience at home, | 0:30:18 | 0:30:20 | |
let's find out if the auctioneer finds it a no-brainer. | 0:30:20 | 0:30:23 | |
Now, Charles, at last, an old-fashioned antique. | 0:30:24 | 0:30:27 | |
Tim, I love it, because it is, I suppose, 1780-1790. | 0:30:27 | 0:30:31 | |
Could be as late as 1810. But you're going back to George III, Nelson. | 0:30:31 | 0:30:35 | |
Just tell us about the handle. Cos that's whalebone, isn't it? | 0:30:35 | 0:30:38 | |
Yes, it is, Tim, whalebone. And obviously... | 0:30:38 | 0:30:41 | |
I think the early ones had more of a turned fruit wood handle. | 0:30:41 | 0:30:44 | |
I have to tell you, Laidlaw found all that for £15. | 0:30:44 | 0:30:48 | |
-To buy that for £15 is remarkable. -At auction, what's it likely to bring? | 0:30:48 | 0:30:52 | |
Back on a wholesale market, Tim, | 0:30:52 | 0:30:54 | |
we're quite confident we'll steer it to perhaps between £30 and £50. | 0:30:54 | 0:30:58 | |
That's why Laidlaw's clever. | 0:30:58 | 0:30:59 | |
But on the other hand, the team may not go with it. | 0:30:59 | 0:31:01 | |
And that's the great excitement. We'll find out in a minute. | 0:31:01 | 0:31:04 | |
Thank you very much, Charles. | 0:31:04 | 0:31:06 | |
£40. Fair warning. 40. Yes, we are. | 0:31:06 | 0:31:10 | |
All out... | 0:31:10 | 0:31:12 | |
-How are you feeling? -Excited. -Very good. -Are you? Are you confident? | 0:31:12 | 0:31:15 | |
-Yes. -Yes. -Is there anything you wish you hadn't bought? | 0:31:15 | 0:31:20 | |
THEY LAUGH | 0:31:20 | 0:31:21 | |
Um... | 0:31:21 | 0:31:23 | |
Well, I'm going to be open-minded about the toilet. | 0:31:23 | 0:31:27 | |
-Are you? -Yes. | 0:31:27 | 0:31:29 | |
OK, well, curiously enough, on your programme today, | 0:31:29 | 0:31:33 | |
we went to a museum down the road in South Derbyshire | 0:31:33 | 0:31:38 | |
and we looked at a whole collection of washdown lavatories. | 0:31:38 | 0:31:42 | |
-Really?! -Made by a factory called Sharpe's. | 0:31:42 | 0:31:45 | |
So our audience today are well aware of the technological | 0:31:45 | 0:31:50 | |
advances in lavatory design displayed in your lavatory. | 0:31:50 | 0:31:53 | |
Because it's a classic 1880s transfer-printed washdown lavatory. | 0:31:53 | 0:31:58 | |
-OK. -With the siphonic action that gives it a swirl. | 0:31:58 | 0:32:01 | |
-So all the residual deposits are properly removed. -Oh, my goodness! | 0:32:01 | 0:32:05 | |
My thoughts precisely when I saw the toilet. | 0:32:05 | 0:32:08 | |
THEY LAUGH | 0:32:08 | 0:32:09 | |
When you look at your lavatory though, I have to | 0:32:09 | 0:32:11 | |
say that there are a few residual deposits that have not been removed. | 0:32:11 | 0:32:14 | |
-That's authenticity. -Exactly. | 0:32:14 | 0:32:16 | |
-It's called patination. -Yes. | 0:32:16 | 0:32:18 | |
Anyway, the first item today is going to be the spelter lamps. | 0:32:18 | 0:32:21 | |
He absolutely loves those. He thinks they're going to make £100-£120. | 0:32:21 | 0:32:25 | |
You paid 125. So you're on the cusp of making some money out of that. | 0:32:25 | 0:32:29 | |
And then, the bar brooch with the aquamarine. 50-70 on that. | 0:32:29 | 0:32:34 | |
And you paid 32. | 0:32:34 | 0:32:36 | |
-OK. -Anyway, first up though are your pair of lamps. | 0:32:36 | 0:32:39 | |
And here they come. | 0:32:39 | 0:32:41 | |
A really attractive pair of early-20th-century spelter bronzed | 0:32:41 | 0:32:44 | |
figural table lamps in the classical manner. | 0:32:44 | 0:32:47 | |
There they are and I'm only bid for these, straight in | 0:32:47 | 0:32:49 | |
I've got interest at 30, 40, 50, 60, 70. They are a wonderful pair. 70. | 0:32:49 | 0:32:56 | |
I'll take five. Five. 80. 85. I've got 95. | 0:32:56 | 0:33:01 | |
SHE GASPS | 0:33:01 | 0:33:02 | |
I'm out. 95 on my left. Bid me 100 now. | 0:33:02 | 0:33:05 | |
A bit more, a bit more. | 0:33:05 | 0:33:07 | |
95 I'm bid. Bid me 100 now. Fair warning. All done. | 0:33:07 | 0:33:11 | |
You're out online at £95. | 0:33:11 | 0:33:14 | |
Sold. | 0:33:14 | 0:33:15 | |
95 he said, didn't he? | 0:33:15 | 0:33:17 | |
So it's minus £30. OK. | 0:33:17 | 0:33:20 | |
-Now, here comes the WC. -We've got to claw it back. | 0:33:20 | 0:33:23 | |
Come on, toilet! | 0:33:23 | 0:33:25 | |
Late Victorian water closet. A lovely object. Circa 1880. | 0:33:25 | 0:33:29 | |
Where do we start this? It's a wonderful object. | 0:33:29 | 0:33:32 | |
I'm only bid here, straight in I'm bid, well... | 0:33:32 | 0:33:35 | |
nothing. | 0:33:35 | 0:33:36 | |
THEY GROAN | 0:33:36 | 0:33:38 | |
Start me off. It's got to go. Do I see £20? | 0:33:38 | 0:33:40 | |
Start me off. 20, I'm out. Straight in. Five. 30. Five. 40. | 0:33:40 | 0:33:46 | |
-Five. One more, madam. Look at me. -Go on. | 0:33:46 | 0:33:48 | |
-45. 50. Five. -Yes! | 0:33:48 | 0:33:51 | |
50 I'm bid. Five. Lots of hands going up. Five. 60. Five. 70. | 0:33:51 | 0:33:56 | |
-Come on! -80. | 0:33:56 | 0:33:57 | |
We made 80. We're back. | 0:33:57 | 0:33:59 | |
-85. 90? Are you sure? -THEY LAUGH | 0:33:59 | 0:34:02 | |
I'm sure. | 0:34:02 | 0:34:03 | |
You're sure. Thank you very much. £85. I'm asking 90. | 0:34:03 | 0:34:07 | |
90. Five. 100. | 0:34:07 | 0:34:09 | |
100! | 0:34:09 | 0:34:11 | |
110. 120. Online, you're out. | 0:34:11 | 0:34:14 | |
I'm asking 130. | 0:34:14 | 0:34:16 | |
Miss Hornblower, 130. | 0:34:16 | 0:34:18 | |
She's come back! | 0:34:18 | 0:34:19 | |
-130. -She knows her way around the lavatories | 0:34:19 | 0:34:21 | |
of Britain, Miss Hornblower does. | 0:34:21 | 0:34:23 | |
150? | 0:34:23 | 0:34:24 | |
Yes! 160. 170? | 0:34:24 | 0:34:26 | |
Thank you very much. I'm asking 170 or I sell to John's client. | 0:34:26 | 0:34:33 | |
Fair warning for the first time at £160 today. | 0:34:33 | 0:34:37 | |
Fair warning. | 0:34:37 | 0:34:38 | |
-Yes! -THEY CHEER | 0:34:38 | 0:34:40 | |
Well, how remarkable is that?! Is that not remarkable? | 0:34:40 | 0:34:43 | |
160. You are plus £110. | 0:34:43 | 0:34:46 | |
You were minus 30, which means you are plus 80. | 0:34:46 | 0:34:50 | |
-I can't believe it! -£80 in profit. -We've got the brooch. | 0:34:50 | 0:34:53 | |
An Edwardian nine-carat gold oval bar brooch. | 0:34:53 | 0:34:56 | |
With a lovely central, oval-cut aquamarine stone. | 0:34:56 | 0:35:00 | |
I've got £22. 25. | 0:35:00 | 0:35:02 | |
I'm asking now 28. £25. | 0:35:02 | 0:35:05 | |
-Bid me eight. £25. -Come on! | 0:35:05 | 0:35:07 | |
It's nine carat gold. Eight. 32. I'm out. | 0:35:07 | 0:35:10 | |
£32. Five. Eight. 40. | 0:35:10 | 0:35:14 | |
Let's go. 42. Five. | 0:35:14 | 0:35:17 | |
-One more. -He's like a conductor. | 0:35:17 | 0:35:19 | |
45. 48. 50. | 0:35:19 | 0:35:21 | |
One more. No. 48 I'm bid. Do I see 50 now? | 0:35:21 | 0:35:26 | |
At £48. Fair warning. Sold. | 0:35:26 | 0:35:29 | |
That is plus £16. Which means you are plus £96 over all. | 0:35:29 | 0:35:33 | |
-What about that? -Oh, wow! -Something else, isn't it? | 0:35:33 | 0:35:35 | |
-We're on a roll. -You're on a roll. -We've got to go for the bonus buy. | 0:35:35 | 0:35:38 | |
-You're going with the gong then? -Absolutely. -Yeah! -Are you? | 0:35:38 | 0:35:41 | |
Absolutely. I trust Natasha, yeah. | 0:35:41 | 0:35:43 | |
-I mean, you trusted her throughout. -Are you sure? | 0:35:43 | 0:35:45 | |
Anyway, you're going with the bonus buy. And here it comes. | 0:35:45 | 0:35:49 | |
It's a wonderful object. It is a dinner gong. | 0:35:49 | 0:35:52 | |
The body in the form of tree branches supporting a very | 0:35:52 | 0:35:55 | |
large bell. And I'm only bid here £25. | 0:35:55 | 0:35:58 | |
That's my commission bid. I'm asking 30 for it now. 35. 40. 45. 50. | 0:35:58 | 0:36:04 | |
I'm out. £50 I'm bid. I'm asking five now. What a wonderful object. | 0:36:04 | 0:36:07 | |
£50 I'm bid. | 0:36:07 | 0:36:08 | |
I'm asking five now. 50. I'll take five. Who would like it? | 0:36:08 | 0:36:12 | |
Bid me a fiver or I sell to the man with the dog at £50. | 0:36:12 | 0:36:16 | |
Fair warning. All out. We are. | 0:36:16 | 0:36:18 | |
£50. Very good. Plus £5. | 0:36:18 | 0:36:21 | |
Which takes you neatly to £101 of profit. | 0:36:21 | 0:36:24 | |
-Very good. -It's amazing! -Cheers, Natasha. -I'm so pleased! | 0:36:24 | 0:36:28 | |
-I'm thrilled for you. -I'm still in shock. | 0:36:28 | 0:36:30 | |
The thing is, don't say a word to the Blues. Look a bit gloomy. | 0:36:30 | 0:36:33 | |
Plus £101 is a serious amount of profit. So congratulations on that. | 0:36:33 | 0:36:37 | |
-Thank you. -All will be revealed in a moment. | 0:36:37 | 0:36:39 | |
-You've been talking to the Reds? -Not at all. -No. | 0:36:46 | 0:36:49 | |
Well, we don't want you to. Let's just run through your items. | 0:36:49 | 0:36:53 | |
Now, Peter, the Burleigh Ware Art Deco jug. | 0:36:53 | 0:36:56 | |
-I've been very rude about that. -But you're dressed to match it. -I know. | 0:36:56 | 0:37:00 | |
THEY LAUGH | 0:37:00 | 0:37:01 | |
-It's true. -I thought you would've enjoyed it. | 0:37:01 | 0:37:03 | |
Anyway, I've been pretty sniffy about it. | 0:37:03 | 0:37:05 | |
Cos I don't really like those things personally. | 0:37:05 | 0:37:07 | |
But Charles does. He's put £50-£80 on. | 0:37:07 | 0:37:10 | |
I mean, I think that's an unbelievable amount of money | 0:37:10 | 0:37:12 | |
for a bit of Burleigh Ware that's sparsely decorated. | 0:37:12 | 0:37:15 | |
Anyway, first up is going to be the Burleigh Ware jug. | 0:37:15 | 0:37:19 | |
Bright yellow, like me. Off we go. | 0:37:19 | 0:37:21 | |
Goodness me, what a wonderful object. | 0:37:21 | 0:37:23 | |
This is a Burgess and Lee Burleigh Ware Art Deco jug. | 0:37:23 | 0:37:26 | |
And I am bid here, straight in at 18, 20 and two and five. Not a lot. | 0:37:26 | 0:37:33 | |
Bid me 28 now. 28. 32. | 0:37:33 | 0:37:37 | |
I'm out. £32. Miss Hornblower. Lots of hands. Five. Eight. 40. | 0:37:37 | 0:37:44 | |
Five. 50. | 0:37:44 | 0:37:45 | |
Dear, oh, dear, oh, dear! | 0:37:45 | 0:37:47 | |
50 I'm bid. Five. 60. Miss Hornblower? | 0:37:47 | 0:37:52 | |
Fair warning. You're out online as well. Bid me 60. | 0:37:52 | 0:37:55 | |
Make no mistake. At 50. £55. | 0:37:57 | 0:38:01 | |
Well done, Pete. £55 is plus 35. | 0:38:01 | 0:38:04 | |
Thank you. | 0:38:04 | 0:38:06 | |
Look at that. Now, here comes the chair. | 0:38:06 | 0:38:08 | |
Just have a sniff at this wonderful X-framed armchair. | 0:38:08 | 0:38:11 | |
It's Edwardian. It's lovely. And I'm only bid, can you believe it, £25. | 0:38:11 | 0:38:16 | |
That's my bid. £25. 30. I'm out. | 0:38:16 | 0:38:20 | |
It's a gorgeous chair. 30 I'm bid | 0:38:20 | 0:38:22 | |
for the Edwardian... Five. 40. Five. | 0:38:22 | 0:38:25 | |
50. Five. 60. Five. | 0:38:25 | 0:38:28 | |
Miss Hornblower again. | 0:38:28 | 0:38:30 | |
-80. Five. -She's an amazing buyer, Miss Hornblower. | 0:38:30 | 0:38:33 | |
Miss Hornblower? £85 I'm bid. | 0:38:33 | 0:38:35 | |
I'm looking for 90. What more do I see? | 0:38:35 | 0:38:38 | |
Fair warning. All done at £85. | 0:38:38 | 0:38:41 | |
OK, plus £55 on that. Which means you guys are plus £90. | 0:38:41 | 0:38:46 | |
And we've got a lot to go. | 0:38:46 | 0:38:48 | |
That oval glass bowl. You paid 40. He's only put 20-30 on it. | 0:38:48 | 0:38:52 | |
-Oh. -I think he's wrong. I think it's worth more like £60-£90 or £70-£100. | 0:38:52 | 0:38:57 | |
Wow. Oh, wow. | 0:38:57 | 0:38:58 | |
This is a lovely Swedish Kosta Boda oval glass bowl, | 0:38:58 | 0:39:02 | |
by a very good designer called Goran Warff. | 0:39:02 | 0:39:05 | |
There it is. And I'm bid only £28. | 0:39:05 | 0:39:07 | |
What?! | 0:39:07 | 0:39:09 | |
£28 I'm bid. I'm looking for 30. 32. Five. Eight. 40. Two... | 0:39:09 | 0:39:14 | |
-Here we go. -Five. 48. | 0:39:14 | 0:39:17 | |
Out. 45, your bid, John. Holding bid. Do I see 48 now? | 0:39:17 | 0:39:21 | |
45 I'm bid with your bid, John. I'm asking eight now. | 0:39:21 | 0:39:24 | |
45 I'm bid. I'm asking eight. Fair warning. All done. | 0:39:24 | 0:39:28 | |
I sell to your absentee buy, John. | 0:39:28 | 0:39:30 | |
Yes! That's a profit. Plus £5. | 0:39:30 | 0:39:33 | |
-Well done. A result there. -Yeah. | 0:39:33 | 0:39:37 | |
Kisses all round, eh? Profit on each item. Plus £95 is your total. | 0:39:37 | 0:39:42 | |
We're disappointed about that Kosta Boda. | 0:39:42 | 0:39:45 | |
-That should have cost-a a lot more. -THEY CHUCKLE | 0:39:45 | 0:39:48 | |
But nevertheless, it's a profit. And that's all that matters. | 0:39:48 | 0:39:51 | |
What are we going to do about the toddy ladle? | 0:39:51 | 0:39:53 | |
-That's a no-brainer. -We're going for it. -Definitely. | 0:39:53 | 0:39:55 | |
A wonderful whalebone twist-handled toddy ladle, | 0:39:55 | 0:40:00 | |
from probably circa 1780. | 0:40:00 | 0:40:02 | |
I've got a couple of bids here. I've got 12, 15, 18. | 0:40:02 | 0:40:08 | |
20 is my commission bid. | 0:40:08 | 0:40:11 | |
Bid me two. Two. Five. Eight. | 0:40:11 | 0:40:13 | |
I've got 32. I'm out. | 0:40:13 | 0:40:16 | |
Bid me five now. £30 I'm bid. I'm asking five now. | 0:40:16 | 0:40:20 | |
-Five. 38. -It's going! It keeps going. | 0:40:20 | 0:40:23 | |
40. Two. | 0:40:23 | 0:40:25 | |
45. You can't leave it, Mel. But thank you ever so much. | 0:40:26 | 0:40:30 | |
All out. Sold to a lady in the centre at £42. All done and gone. | 0:40:30 | 0:40:36 | |
-Good one. -45. That's plus £27, kids. | 0:40:36 | 0:40:41 | |
That's £122 of profit. | 0:40:41 | 0:40:44 | |
The 1-2-2 squadron. | 0:40:44 | 0:40:46 | |
How about that?! 1-2-2 squadron ought to be a winning score. OK? | 0:40:46 | 0:40:51 | |
Don't say a word to the Reds, and all will be revealed in a moment. | 0:40:51 | 0:40:55 | |
Why is it that both teams can be looking | 0:41:02 | 0:41:05 | |
so incredibly pleased with themselves? | 0:41:05 | 0:41:07 | |
-Oh, no! -Do you suppose it's because both teams think that they've won? | 0:41:07 | 0:41:11 | |
THEY GROAN | 0:41:11 | 0:41:12 | |
Unfortunately on this programme we can only have one | 0:41:12 | 0:41:15 | |
team of winners and one team not of losers, but of runners up. | 0:41:15 | 0:41:19 | |
And it is great today to be able to say that each of our teams | 0:41:19 | 0:41:23 | |
have made a profit of more than £100. | 0:41:23 | 0:41:26 | |
Oh, no! | 0:41:26 | 0:41:27 | |
THEY LAUGH | 0:41:27 | 0:41:29 | |
Each of the teams have made a profit of more than £100. | 0:41:29 | 0:41:34 | |
This doesn't happen very often. | 0:41:34 | 0:41:36 | |
The bad luck team who are marginally behind today... | 0:41:36 | 0:41:40 | |
..are... | 0:41:41 | 0:41:43 | |
-the Reds. -Oh, my goodness! I can't believe it! | 0:41:43 | 0:41:46 | |
LAUGHTER | 0:41:46 | 0:41:48 | |
But the Reds go home with £101. | 0:41:48 | 0:41:51 | |
-THEY CHEER -Yes! | 0:41:51 | 0:41:53 | |
My goodness! | 0:41:53 | 0:41:54 | |
-Here's your £100, Jo. -Thank you very much. | 0:41:54 | 0:41:56 | |
-And here comes the £1, Jo. -Yes, thank you very much. | 0:41:56 | 0:41:59 | |
It was the lavatory, Steph, that made £110 of profit. | 0:41:59 | 0:42:05 | |
-It did! -Which transformed your chances. | 0:42:05 | 0:42:07 | |
-Did it not? -It did indeed. -And you made only one loss. | 0:42:07 | 0:42:11 | |
That was on those spelter lamps. | 0:42:11 | 0:42:13 | |
So you slightly scotched your chances with those. | 0:42:13 | 0:42:16 | |
But it was a magnificent effort. | 0:42:16 | 0:42:18 | |
And you were a great team. But not quite good enough today, | 0:42:18 | 0:42:21 | |
because the Blues are going home with £122. | 0:42:21 | 0:42:24 | |
-THEY CHEER -There we go. 120. | 0:42:24 | 0:42:27 | |
And here is your £2. You made £35 on that hideous yellow pot. | 0:42:27 | 0:42:32 | |
THEY LAUGH | 0:42:32 | 0:42:33 | |
You made £55, as predicted, on that beautiful chair. | 0:42:33 | 0:42:36 | |
And then the glass bowl made a disappointing amount, | 0:42:36 | 0:42:39 | |
but it's still a profit. | 0:42:39 | 0:42:41 | |
Which means that you are eligible, as you have made a profit on each | 0:42:41 | 0:42:44 | |
item, to enter the ancient and noble order of the golden gavel. | 0:42:44 | 0:42:49 | |
Oh, yes! APPLAUSE | 0:42:49 | 0:42:51 | |
Now replaced by a pin made in Taiwan. | 0:42:51 | 0:42:54 | |
THEY LAUGH | 0:42:54 | 0:42:56 | |
Anyway, there we go. Join us soon for some more bargain hunting, yes? | 0:42:56 | 0:43:00 | |
ALL: Yes! | 0:43:00 | 0:43:01 |