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We're in the Royal County of Berkshire today, | 0:00:07 | 0:00:10 | |
in the town of Hungerford, | 0:00:10 | 0:00:12 | |
so let's hope there's some right royal antiques about | 0:00:12 | 0:00:15 | |
and let's go bargain hunting, yeah. | 0:00:15 | 0:00:18 | |
As you might expect, | 0:00:44 | 0:00:45 | |
the town of Hungerford is absolutely awash with antique shops. | 0:00:45 | 0:00:50 | |
So, with so little time and so much choice, | 0:00:50 | 0:00:53 | |
how will our teams possibly cope? | 0:00:53 | 0:00:55 | |
On today's programme, the Red team are making all the right noises. | 0:00:57 | 0:01:01 | |
-Oh, no! -I want it. | 0:01:01 | 0:01:02 | |
Oh, really? | 0:01:02 | 0:01:04 | |
70? Hurrah! | 0:01:04 | 0:01:06 | |
And with the Blues, it's a case of mum knows best. | 0:01:07 | 0:01:11 | |
-What do you think, Mum? -Well, I like it and I would buy it. | 0:01:11 | 0:01:14 | |
-OK, we'll go for that. -She's good, your mum, isn't she? -She is. | 0:01:14 | 0:01:16 | |
-She always like this? -Yep. -Like a little terrier. | 0:01:16 | 0:01:19 | |
She's a tour de force. | 0:01:19 | 0:01:20 | |
But what will the auctioneer think about their tastes? | 0:01:20 | 0:01:23 | |
It's soft. You almost feel like you can bite into it. | 0:01:23 | 0:01:26 | |
It's a bit a bit like chocolate. | 0:01:26 | 0:01:28 | |
Let's meet the teams, eh? | 0:01:28 | 0:01:29 | |
On the show today, we have two teams of mothers and daughters. | 0:01:30 | 0:01:36 | |
For the Reds, we have Val and Louise | 0:01:36 | 0:01:39 | |
and for the Blues, we have Kate and Laura. Hello, everyone. | 0:01:39 | 0:01:42 | |
ALL: Hello, Tim. | 0:01:42 | 0:01:44 | |
-Good, now, Val. You're retired now, but you are of a musical bent. -I am. | 0:01:44 | 0:01:48 | |
Well, I went to Birmingham Conservatoire | 0:01:48 | 0:01:51 | |
and studied the violin and then played in an orchestra | 0:01:51 | 0:01:54 | |
and then gave it all up when I had my children and was married. | 0:01:54 | 0:01:58 | |
And did you never return to the music? | 0:01:58 | 0:02:01 | |
No, I sing a lot now, cos that's much easier, | 0:02:01 | 0:02:03 | |
I don't have to do loads of practice. | 0:02:03 | 0:02:05 | |
So, where do you sing and what do you sing? | 0:02:05 | 0:02:07 | |
I sing in a local choral society in Wimborne | 0:02:07 | 0:02:11 | |
-and also Bryanston School Chorus Society... -Do you? | 0:02:11 | 0:02:15 | |
-And Clayesmore Choral Society. -Gosh. -And the church choir. | 0:02:15 | 0:02:18 | |
-So you don't stop singing, then, really? -No. -Now, Lu-Lu, Louise. | 0:02:18 | 0:02:21 | |
-Yes, Tim. -You're a bit of an animal collector. | 0:02:21 | 0:02:24 | |
I am, of sorts, yes. | 0:02:24 | 0:02:25 | |
Cats is a bit of a problem for me, they seem to be drawn to me. | 0:02:25 | 0:02:28 | |
-So I'm a mad cat lady, really. -And how many cats have you got? | 0:02:28 | 0:02:31 | |
-Currently, I've got four of my own, plus a stray. -Yes. | 0:02:31 | 0:02:36 | |
So, we call it four and a half. | 0:02:36 | 0:02:37 | |
-So four and a half cats and you give them delightful names? -I do, yes. | 0:02:37 | 0:02:40 | |
-At the moment, I've got Reg, Oscar, Maude and Albert. -Really? | 0:02:40 | 0:02:45 | |
And Brian is the stray. | 0:02:45 | 0:02:47 | |
What tactics are you going to be employing, | 0:02:47 | 0:02:49 | |
this mother and daughter combo, today? | 0:02:49 | 0:02:50 | |
Well, we thought we'd buy things as cheaply as possible, | 0:02:50 | 0:02:54 | |
with a view to making the most money. | 0:02:54 | 0:02:56 | |
OK, fine, we're going to stand by | 0:02:56 | 0:02:57 | |
and wish you very, very, very good luck today. | 0:02:57 | 0:02:59 | |
-Thank you very much. -Thank you. -What a delightful couple. | 0:02:59 | 0:03:02 | |
And turning from one to another, I fancy. | 0:03:02 | 0:03:05 | |
Kate, it says here that you are incredibly close with your daughter. | 0:03:05 | 0:03:09 | |
Yes, Laura's the middle child of my three, | 0:03:09 | 0:03:11 | |
but of the three of them, Laura and I have most in common. | 0:03:11 | 0:03:14 | |
We share a passion for the countryside and animals. | 0:03:14 | 0:03:17 | |
Isn't that nice? | 0:03:17 | 0:03:18 | |
And we do love our rummaging in antiques and collectors' fairs... | 0:03:18 | 0:03:21 | |
And do you find finds when you go out for a mutual rummage? | 0:03:21 | 0:03:24 | |
-We've found the odd thing, haven't we? -Have you? | 0:03:24 | 0:03:27 | |
Anything that you've turned into money? | 0:03:27 | 0:03:29 | |
Oh, no, I end up keeping everything. | 0:03:29 | 0:03:31 | |
-That's the problem. -I know. | 0:03:31 | 0:03:33 | |
You buy it because you like it. | 0:03:33 | 0:03:34 | |
Well, it's going to be a struggle for you | 0:03:34 | 0:03:36 | |
on Bargain Hunt today, isn't it? | 0:03:36 | 0:03:38 | |
-And you spend a fair amount of time treading the boards yourself? -Yes. | 0:03:38 | 0:03:42 | |
About 20 years ago, I was persuaded by a friend to go | 0:03:42 | 0:03:46 | |
and audition for the local pantomime, never done it before, | 0:03:46 | 0:03:49 | |
but I ended up walking away with the principal boy's part. | 0:03:49 | 0:03:52 | |
Well, there you go, you see. | 0:03:52 | 0:03:53 | |
And strangely enough, | 0:03:53 | 0:03:54 | |
-we're just rehearsing now, the same one, 23 years later. -No. | 0:03:54 | 0:03:58 | |
But I'm playing a baddie now. I'm playing a goblin called Bog-Face. | 0:03:58 | 0:04:03 | |
-Bog-Face. -So, my career went...like that. | 0:04:03 | 0:04:07 | |
Principle boy to Bog-Face. I love it. | 0:04:07 | 0:04:09 | |
Do you enjoy watching your mother all the time, Laura? | 0:04:09 | 0:04:12 | |
-I would prefer to watch movies. I'm a bit of a movie buff. -Are you? | 0:04:12 | 0:04:16 | |
-Yeah. -What sort of movies do you like? | 0:04:16 | 0:04:18 | |
I really love the old movies. All the musicals - Gene Kelly | 0:04:18 | 0:04:21 | |
and old Hollywood. | 0:04:21 | 0:04:22 | |
-And this retro glance of yours has influenced your career? -In a way. | 0:04:22 | 0:04:27 | |
I work as an artist and a designer and I spend a lot of time watching | 0:04:27 | 0:04:31 | |
the movies and they influence what ends up coming out in paintings. | 0:04:31 | 0:04:35 | |
-I've got some rings on with some of my paintings. -Oh, how lovely. | 0:04:35 | 0:04:40 | |
So you create art that's then reproduced in other media? | 0:04:40 | 0:04:44 | |
-Yes, yeah. -Well, this is going to be interesting. | 0:04:44 | 0:04:46 | |
Now, the money moment, girls. Here we go, look. | 0:04:46 | 0:04:48 | |
£300, here we go, £300. | 0:04:48 | 0:04:50 | |
You know the rules, your experts await, | 0:04:50 | 0:04:52 | |
and off you go and very, very, very good luck. | 0:04:52 | 0:04:55 | |
So that's our teams. Now, who are their experts? | 0:04:55 | 0:04:58 | |
Hoping to get ahead for the Reds, it's Kate Bateman. | 0:05:00 | 0:05:02 | |
And bringing home the bacon for the Blues, it's Nick Hall. | 0:05:04 | 0:05:07 | |
So, Kate, Laura, here we are, all fired up, full of energy? | 0:05:08 | 0:05:11 | |
-Really excited. -Great stuff. | 0:05:11 | 0:05:13 | |
-Right, ladies. Are we ready? -We're ready. -Can't wait. | 0:05:13 | 0:05:15 | |
-What are we going to be looking for? -Oh, Oriental ware, I like. | 0:05:15 | 0:05:18 | |
Silver. Real silver, not silver plated. | 0:05:18 | 0:05:21 | |
Deco, probably something silver. | 0:05:21 | 0:05:22 | |
And I'd like something from somewhere around | 0:05:22 | 0:05:25 | |
the Second World War era. | 0:05:25 | 0:05:26 | |
-Here's the shop. Let's get stuck in, come on. -Right. -Let's go. | 0:05:26 | 0:05:29 | |
So, that's what the teams are looking for. | 0:05:31 | 0:05:33 | |
But the first thing they'll need to find | 0:05:33 | 0:05:36 | |
is someone to open the cabinets. | 0:05:36 | 0:05:38 | |
The Blues have already done it | 0:05:38 | 0:05:39 | |
and they're about to get their hands on this timepiece. | 0:05:39 | 0:05:42 | |
-SHOPKEEPER: Is that the one you want to look at? -Yeah, thank you. | 0:05:42 | 0:05:45 | |
So, there's the watch. Now, it's got this lovely Art Deco shape to it. | 0:05:45 | 0:05:50 | |
It's quite a smart thing, really. | 0:05:50 | 0:05:52 | |
What are they suggesting on here? | 0:05:52 | 0:05:55 | |
£125. Doesn't say if it's silver or gold. | 0:05:55 | 0:05:59 | |
-What we really need to do is to open the back. -Yeah. | 0:05:59 | 0:06:04 | |
Is there any way we can have a look in the back of the watch? | 0:06:04 | 0:06:07 | |
-Yeah, I'll have a look. -OK, thank you. | 0:06:07 | 0:06:09 | |
And that's going to be really key to whether it's buyable for us or not. | 0:06:11 | 0:06:14 | |
If it is fully marked on the back and if it is a precious metal, | 0:06:14 | 0:06:18 | |
then it becomes viable. | 0:06:18 | 0:06:20 | |
Now, what are the Reds up to? | 0:06:25 | 0:06:27 | |
How about this little character, Kate? I really love that. | 0:06:27 | 0:06:29 | |
-You like that? That is really sweet, look at that. -Absolutely super. | 0:06:29 | 0:06:32 | |
OK, let's call Rita. Hello, Rita? | 0:06:32 | 0:06:34 | |
Can we look at that, at the front with the feet? | 0:06:34 | 0:06:38 | |
Go on, grab it. Have a look. | 0:06:38 | 0:06:40 | |
What's the price? Come on. | 0:06:42 | 0:06:44 | |
-Oh, no. -Oh, my word! -It's not... -How much? | 0:06:44 | 0:06:47 | |
-£750. -750? Well, you've got good taste. -That is so sad. | 0:06:47 | 0:06:51 | |
Well, Reds, you certainly can spot quality, | 0:06:51 | 0:06:54 | |
but maybe lower your sights a little, eh? | 0:06:54 | 0:06:57 | |
Now, have the Blue team got the back off that watch yet? | 0:06:57 | 0:07:00 | |
Ah, there he is. Hi, Neil. | 0:07:01 | 0:07:02 | |
Um, I'm afraid I couldn't get the back off | 0:07:02 | 0:07:04 | |
and I've spoken to the dealer | 0:07:04 | 0:07:05 | |
and she said, unfortunately, it is white metal, not silver or gold. | 0:07:05 | 0:07:09 | |
-So, it's a base metal? -It's a base metal. -OK. | 0:07:09 | 0:07:11 | |
It's not going to be for us, then, but thank you for that. | 0:07:11 | 0:07:14 | |
Onward and upward for us, thank you. | 0:07:14 | 0:07:16 | |
That's the spirit, team. Onwards and upwards. | 0:07:17 | 0:07:20 | |
The Reds, however, haven't moved onwards, | 0:07:20 | 0:07:23 | |
just upwards. To the next shelf, in fact. | 0:07:23 | 0:07:25 | |
What about this one? | 0:07:25 | 0:07:27 | |
Look, there's one for 55, the silver collar and I don't think that's bad. | 0:07:27 | 0:07:30 | |
-It's probably more modern. -Can we have a look at that? | 0:07:30 | 0:07:33 | |
Cos it's important with the stopper, isn't it, | 0:07:33 | 0:07:35 | |
-to check that it's the right...? -Has it got any chunks and chips? | 0:07:35 | 0:07:40 | |
I mean, are these sort of things would sell quite well, do you think? | 0:07:40 | 0:07:43 | |
Well, yeah, because that's quite multi-purpose. | 0:07:43 | 0:07:45 | |
-I mean, £55 isn't bad. It's a nice cut glass. -Is it real silver? | 0:07:45 | 0:07:48 | |
Yes, it is. You've got a hallmark here. | 0:07:48 | 0:07:51 | |
Well, if you could get that for 40-45, that's not a bad buy. | 0:07:51 | 0:07:54 | |
-Let's try them at 35 and see what they say. -Right, OK. | 0:07:54 | 0:07:57 | |
-Do you want to hold on to it and I'll then give them a call? -Yes. | 0:07:57 | 0:08:00 | |
-Thank you. -Thank you very much. -OK, well, we'll carry on looking. | 0:08:00 | 0:08:03 | |
We'll put that back and carry on looking | 0:08:03 | 0:08:05 | |
but there's a chance with that. | 0:08:05 | 0:08:06 | |
So the Reds appear to be on the right scent. | 0:08:06 | 0:08:08 | |
Looks like the Blues are having another cabinet meeting. | 0:08:10 | 0:08:13 | |
Let's have a look and see. | 0:08:17 | 0:08:20 | |
Now, look at the marks on the back. | 0:08:20 | 0:08:23 | |
You've got a set of Continental .925 marks | 0:08:23 | 0:08:27 | |
-rather than English hallmarks. -OK. | 0:08:27 | 0:08:29 | |
It's in a, sort of, a classic Edwardian 1920s-style, | 0:08:29 | 0:08:32 | |
but I think it was made post-war. | 0:08:32 | 0:08:36 | |
It's decorative, rather than antique. | 0:08:36 | 0:08:39 | |
It's priced up at 90 quid. I think, for one of that era, | 0:08:39 | 0:08:42 | |
we need to be spending maybe about 50 quid on it, something like that. | 0:08:42 | 0:08:46 | |
-Yeah. -If we can get it down to about £50 or £60, | 0:08:46 | 0:08:48 | |
maybe a little bit more, at a push, I think we might be interested. | 0:08:48 | 0:08:51 | |
-Do you think so? -Yeah? -Hmm, at 50, possibly, yeah. -Great stuff. | 0:08:51 | 0:08:55 | |
OK, well, if you could go and find out for that and then we'll push on. | 0:08:55 | 0:08:59 | |
All right, thanks now. | 0:08:59 | 0:09:00 | |
Well, all we can do now is wait and see what happens, | 0:09:00 | 0:09:02 | |
so let's not waste any time. | 0:09:02 | 0:09:03 | |
Let's see what else we can find, until we hear back from Neil. | 0:09:03 | 0:09:06 | |
-OK. -Let's go. -Lead the way. | 0:09:06 | 0:09:08 | |
That's a great use of time, Nick. | 0:09:08 | 0:09:10 | |
But still, only ten minutes gone. | 0:09:10 | 0:09:12 | |
I think someone wants to win today, don't you? | 0:09:12 | 0:09:14 | |
-Now, what's the word back in the Red camp? -Oh, hi! -Now, what's the news? | 0:09:15 | 0:09:20 | |
-Did you call them? -I did. -And? | 0:09:20 | 0:09:22 | |
-And his very, very best is £40. -£40. | 0:09:22 | 0:09:26 | |
-Oh, what do you think? -I don't think that's that bad. | 0:09:26 | 0:09:29 | |
-Well, can we think about it? -Of course. | 0:09:29 | 0:09:30 | |
We'll think about it. That's one to keep on the back burner | 0:09:30 | 0:09:33 | |
because I think that's not a bad buy. | 0:09:33 | 0:09:34 | |
It is modern, so maybe if you could get an earlier one, | 0:09:34 | 0:09:37 | |
it might be better. | 0:09:37 | 0:09:38 | |
-But thank you very much. -Thanks, that's brilliant. -Thanks. | 0:09:38 | 0:09:41 | |
OK, well, that's one to think about. Let's keep looking. | 0:09:41 | 0:09:44 | |
Nick, what do you think about this? | 0:09:50 | 0:09:52 | |
Just caught my eye, I don't know why. | 0:09:52 | 0:09:54 | |
This is a German stoneware pottery. | 0:09:54 | 0:09:57 | |
It's probably made in around 1900, 1910, | 0:09:57 | 0:10:01 | |
but of a style from hundreds of years before that. | 0:10:01 | 0:10:04 | |
The nice thing is, this is all hand cut into the pottery, | 0:10:04 | 0:10:08 | |
the clay, while it was still wet. Is it expensive? | 0:10:08 | 0:10:11 | |
I think it was 45 on it. | 0:10:11 | 0:10:13 | |
OK, that's not a huge amount of money. | 0:10:13 | 0:10:16 | |
-Do you like it, as well, Laura? -Yeah, I don't mind it. | 0:10:16 | 0:10:18 | |
Something like that, if you were paying about £20 or £30 for it, | 0:10:18 | 0:10:21 | |
I think there's a bit of profit in it. | 0:10:21 | 0:10:24 | |
Well, maybe go and catch Neil, while he's on the phone to his dealer | 0:10:24 | 0:10:27 | |
and see if he can find out the best price on that, as well, | 0:10:27 | 0:10:30 | |
and it's an option. | 0:10:30 | 0:10:31 | |
You don't have to commit yourself now, | 0:10:31 | 0:10:33 | |
you can come back to it as a Plan B, can't we? | 0:10:33 | 0:10:35 | |
-That would be a good idea. -That's a good idea. | 0:10:35 | 0:10:38 | |
Cor, Neil is earning his crust today. | 0:10:38 | 0:10:40 | |
Nick, I've left the vase with Neil | 0:10:48 | 0:10:50 | |
but he's told me that he's spoken to the other dealer | 0:10:50 | 0:10:53 | |
and he's got £55 on this. | 0:10:53 | 0:10:56 | |
-He's come down... -£55. -I think it's quite a good offer. | 0:10:56 | 0:10:59 | |
£55, it's solid silver and it's got a bit of weight to it. | 0:10:59 | 0:11:03 | |
-It's the age is the only thing. -Yeah. Right. | 0:11:03 | 0:11:05 | |
I'm not big into jewellery, | 0:11:05 | 0:11:07 | |
but I know people who are and I think they would wear it. | 0:11:07 | 0:11:10 | |
Well, it's £55. | 0:11:10 | 0:11:13 | |
-Shall we go with it? -Decision's yours. | 0:11:14 | 0:11:16 | |
What do you want to do? | 0:11:16 | 0:11:17 | |
-Number one? -Yep. -Get one bought? -Number one in the bag, yeah. | 0:11:17 | 0:11:21 | |
-Great stuff, well done. -Well done indeed, Blues. | 0:11:21 | 0:11:24 | |
15 minutes gone and one item bought, with one in reserve. | 0:11:24 | 0:11:27 | |
These Blues sure mean business. | 0:11:27 | 0:11:29 | |
But so do our Reds, because they've seen a few things | 0:11:32 | 0:11:35 | |
and have already got a hold of Rita with the key. | 0:11:35 | 0:11:38 | |
Come and show us, look. | 0:11:38 | 0:11:40 | |
There's a couple of things in here we want. | 0:11:40 | 0:11:43 | |
-There's the little scent... -Cunningly hidden behind a clock. | 0:11:43 | 0:11:46 | |
-There it is. -Oh, look. -Shall I give that to you? | 0:11:46 | 0:11:49 | |
-Yes, look, let's see. -That's really cute. | 0:11:49 | 0:11:51 | |
Oh, I like that. | 0:11:51 | 0:11:53 | |
Sugar sifter... | 0:11:53 | 0:11:54 | |
-No, just look what the price is on that before we get any further. -98. | 0:11:54 | 0:11:58 | |
Oh, that's not so bad. We can maybe do a haggle. | 0:11:58 | 0:12:00 | |
-And that tiny little box, yeah. That's... -Oh, look. | 0:12:00 | 0:12:03 | |
Is that a little pillbox? | 0:12:03 | 0:12:05 | |
-That's sweet. -It's heavier than I expected it to be. -It's brass. | 0:12:05 | 0:12:08 | |
Yeah, it's as-found. | 0:12:08 | 0:12:09 | |
Look, that's a real shame, cos that enamel's been off | 0:12:09 | 0:12:11 | |
and somebody's, basically, Tipp-Exed it in. | 0:12:11 | 0:12:13 | |
Yes, it looks like that, doesn't it? | 0:12:13 | 0:12:15 | |
This is called guilloche enamel, this underneath, | 0:12:15 | 0:12:18 | |
where they machine a design underneath on the metal | 0:12:18 | 0:12:20 | |
and then they fill it in with glass and then it's painted on the top. | 0:12:20 | 0:12:23 | |
But because of the damage, there's not going to be a lot of profit. | 0:12:23 | 0:12:26 | |
-No. -It has been reduced, though. | 0:12:26 | 0:12:27 | |
It started at £16.50 and it's gone down... | 0:12:27 | 0:12:29 | |
Oh, no, it's still £16.50. | 0:12:29 | 0:12:31 | |
She crossed it out and put 13 and then changed her mind. | 0:12:31 | 0:12:33 | |
There's clearly room to haggle here. | 0:12:33 | 0:12:36 | |
What do you think about this one, | 0:12:36 | 0:12:38 | |
compared with the one we saw earlier on? | 0:12:38 | 0:12:40 | |
It's better, cos it's got some age. | 0:12:40 | 0:12:42 | |
It's quite sweet. I mean, it's only £10 now. | 0:12:42 | 0:12:44 | |
I think we should go for that one. | 0:12:44 | 0:12:46 | |
I love that. I really like that. | 0:12:46 | 0:12:48 | |
-So, that's a definite, then. -Maybe if we buy more from the vendor... | 0:12:48 | 0:12:51 | |
It's very tactile, as well, somehow. | 0:12:51 | 0:12:52 | |
Yes. We could make a little group of stuff. | 0:12:52 | 0:12:54 | |
-And what about this sugar shifter? -98... What is the date? | 0:12:54 | 0:12:58 | |
It's not terribly old. We'll leave the shifter. | 0:12:58 | 0:13:00 | |
-How about these two, then? -I like these two, I think they look sweet. | 0:13:00 | 0:13:03 | |
-If you must have these... -We must. | 0:13:03 | 0:13:06 | |
How about we ask her for 15 for the two? | 0:13:06 | 0:13:09 | |
-Cos that was 10 and that was 16.50. -Yeah, that sounds good to me. | 0:13:09 | 0:13:11 | |
And point out that that's terribly damaged | 0:13:11 | 0:13:13 | |
and nobody else will want it. | 0:13:13 | 0:13:15 | |
-We are aware of it. -I will do that for you. | 0:13:15 | 0:13:17 | |
Well, they've sniffed out a few things there | 0:13:17 | 0:13:20 | |
and their bargain bulk buy looks like it's on the cards. | 0:13:20 | 0:13:23 | |
These teams are so savvy. | 0:13:23 | 0:13:25 | |
Views on this one? | 0:13:26 | 0:13:27 | |
Well, his offer price is 30, but I think it's still negotiable. | 0:13:27 | 0:13:30 | |
I think there may be a few pounds profit in that, if we get it for 25. | 0:13:30 | 0:13:35 | |
Maybe if we can leave it with him that we might buy it at 25, | 0:13:35 | 0:13:38 | |
-but we'll come back to it. -OK. -And just hold that as a Plan B. | 0:13:38 | 0:13:41 | |
-Well done, you're doing a great job down there. -Thank you. | 0:13:41 | 0:13:44 | |
-She's good, your mum, isn't she? -She is. -She always like this? -Yep. | 0:13:44 | 0:13:47 | |
Like a little terrier, there, with her negotiating skills. | 0:13:47 | 0:13:49 | |
She's a tour de force. | 0:13:49 | 0:13:51 | |
The Blues are lining them up, then. Any word from Rita and the Reds? | 0:13:51 | 0:13:55 | |
Right, she will, believe it or not, accept £10 for the two. | 0:13:56 | 0:14:01 | |
-Fantastic. -Wow. -Fantastic! -That's brilliant. | 0:14:01 | 0:14:03 | |
-Oh, that's excellent, we'll definitely have those. -Done deal. | 0:14:03 | 0:14:06 | |
-So that's part of a lot. Thank you very much. -You're very welcome. | 0:14:06 | 0:14:11 | |
-We'll need to find a few things to go with it. -Definitely. | 0:14:11 | 0:14:14 | |
Come on, keep looking. | 0:14:14 | 0:14:15 | |
An unconventional approach, team, but within the rules. | 0:14:15 | 0:14:19 | |
That's nice. Look at that. | 0:14:20 | 0:14:23 | |
I saw that, actually. I like that. | 0:14:24 | 0:14:26 | |
It's silver plate, but it's quality, | 0:14:26 | 0:14:27 | |
because it's silver plate over copper, | 0:14:27 | 0:14:29 | |
which is called Sheffield plate, | 0:14:29 | 0:14:31 | |
as opposed to silver plate over some hideous metal. | 0:14:31 | 0:14:33 | |
-And it doesn't matter that it's worn? -It can be replated. | 0:14:33 | 0:14:35 | |
-I like it worn, myself. -I like that. -I like that. | 0:14:35 | 0:14:38 | |
-Oh, are we agreeing on something...? -We're agreeing! -Oh. | 0:14:38 | 0:14:42 | |
It is a bit worn, but I do like it. | 0:14:42 | 0:14:44 | |
What are you going to put that with, though? | 0:14:44 | 0:14:46 | |
Well, we've got chipped items. We might as well have one more... | 0:14:46 | 0:14:48 | |
-In one lot. -In one lot. -Yeah. -Yes, go on. -I think that's crafty. | 0:14:48 | 0:14:52 | |
So, that's a slightly damaged trio as your first buy, then. | 0:14:52 | 0:14:55 | |
Best rustle up a decent price for the three pieces. | 0:14:55 | 0:14:58 | |
Have the Blues found something to get carried away about? | 0:14:58 | 0:15:01 | |
Right, well, what we've got... | 0:15:01 | 0:15:04 | |
-is an Edwardian tea tray of around 1890-1900, which is that. -OK. | 0:15:04 | 0:15:10 | |
What we've also got is a very modern metal stand | 0:15:10 | 0:15:14 | |
-that someone's made to fit that. -Oh. | 0:15:14 | 0:15:17 | |
Never started out life together, but I tell you what, | 0:15:17 | 0:15:21 | |
-it fits on there an absolute treat, doesn't it? -Yeah. | 0:15:21 | 0:15:25 | |
Oh, it's nicely made, as well. | 0:15:25 | 0:15:26 | |
The main thrust of it is this lovely solid mahogany | 0:15:27 | 0:15:31 | |
and it's a good colour, good patination. | 0:15:31 | 0:15:34 | |
And then the border, which is in fantastic condition, | 0:15:34 | 0:15:37 | |
is a mixture here. | 0:15:37 | 0:15:39 | |
You've got satinwood and more mahogany again | 0:15:39 | 0:15:41 | |
and these lovely fruitwoods inlaid | 0:15:41 | 0:15:43 | |
for this conch shell in the centre there. | 0:15:43 | 0:15:45 | |
I've seen hundreds of these trays over the years, | 0:15:45 | 0:15:48 | |
I've never seen one in a fitted stand like that. | 0:15:48 | 0:15:51 | |
It takes an antique you might not use | 0:15:51 | 0:15:54 | |
and it turns it into a practical modern day usable object. | 0:15:54 | 0:15:57 | |
Yeah. | 0:15:57 | 0:15:58 | |
So, what do we think? Do we like it enough to put it an offer? | 0:15:58 | 0:16:01 | |
-I would, cos I would buy something like that. -Yeah. | 0:16:01 | 0:16:03 | |
-Well, that's encouraging. Laura? -Yeah. Yeah, let's go for it. | 0:16:03 | 0:16:06 | |
Let's find out what we can get. | 0:16:06 | 0:16:07 | |
They're not asking fortunes at 75, | 0:16:07 | 0:16:09 | |
but if we pitched in at roundabout 55, 60, see what they say... | 0:16:09 | 0:16:12 | |
-We can always come up a little bit, can't we? -Yeah. | 0:16:12 | 0:16:14 | |
Laura, would you like to do the negotiation on this one? | 0:16:14 | 0:16:17 | |
Oh, I can try. | 0:16:17 | 0:16:18 | |
-£15. -Wow! -£15? That's fantastic. -You happy? | 0:16:26 | 0:16:30 | |
-I think we're very happy, are we, with that? -Yeah, very, very happy. | 0:16:30 | 0:16:33 | |
Yeah, let's do it. | 0:16:33 | 0:16:34 | |
Right, we have now bought three items, | 0:16:34 | 0:16:36 | |
but we've actually only got one lot cos we're going to put it together. | 0:16:36 | 0:16:39 | |
So we've got the little dressing scent bottle, we've got the horse | 0:16:39 | 0:16:42 | |
-and we've got the pillbox. -Brilliant. | 0:16:42 | 0:16:44 | |
One lot but we've now got 25 minutes left to buy two more lots. | 0:16:44 | 0:16:48 | |
-Right, let's get to it. -We've been cheap so far. -We've been very cheap. | 0:16:48 | 0:16:52 | |
-Go spend some money. Go on. -Brilliant. | 0:16:52 | 0:16:55 | |
Well, true to their word, | 0:16:55 | 0:16:57 | |
they put a few items together to form the uniquely themed triple buy. | 0:16:57 | 0:17:02 | |
-Hello, that was quick. -Yes. | 0:17:06 | 0:17:07 | |
-They've said 60. -£60? That's not a bad price. | 0:17:07 | 0:17:11 | |
-That's good. -What you think, mum? | 0:17:11 | 0:17:13 | |
Well, I like it and I would buy it for that amount. | 0:17:13 | 0:17:15 | |
-In fact, I'd buy it for £75. -So, are we agreed? -Yeah. | 0:17:15 | 0:17:19 | |
-OK, number two. -Well done. -Deal done, yeah. -Good stuff. | 0:17:19 | 0:17:22 | |
-Girl number two. -Fantastic. -Well done, team. Good stuff. | 0:17:22 | 0:17:25 | |
The Reds have got their eye in now. | 0:17:26 | 0:17:28 | |
But will they take delivery of this letter box? | 0:17:30 | 0:17:33 | |
-What about something like this? -Oh, I really like that. | 0:17:33 | 0:17:35 | |
That's a bit different. | 0:17:35 | 0:17:36 | |
Look, that's like a little Edwardian letter box, | 0:17:36 | 0:17:39 | |
so it would sit on your desk and you would post letters into it. | 0:17:39 | 0:17:41 | |
And look, this is normally painted and it's not, this is inlaid. | 0:17:41 | 0:17:44 | |
-So that's like a really nice sign of quality. -What sort of wood is it on? | 0:17:44 | 0:17:48 | |
Mahogany and then you've got different coloured fruit woods | 0:17:48 | 0:17:50 | |
and this is a dyed wood. This is really sweet. | 0:17:50 | 0:17:54 | |
Oh, the price. 145. | 0:17:54 | 0:17:57 | |
-Right. -So what...? -I think try a cheeky 80. | 0:17:57 | 0:18:01 | |
If you can get it for under 100, | 0:18:01 | 0:18:03 | |
-there would be a good chance at auction. -Yes. | 0:18:03 | 0:18:06 | |
-And that's a pretty lot. -Do you want to do it? | 0:18:06 | 0:18:08 | |
-You like it? -Yeah, I like it. | 0:18:08 | 0:18:09 | |
-You try for 80. -OK. | 0:18:09 | 0:18:11 | |
-Go on, weave your magic. -Right, go. Haggle away. | 0:18:11 | 0:18:14 | |
Oh, hello, Rita. Give us good news. | 0:18:24 | 0:18:27 | |
-It is good news. -Ah, really? | 0:18:27 | 0:18:29 | |
She will accept £80. | 0:18:29 | 0:18:30 | |
-Oh! -Fantastic. -We will have it, that's really good. | 0:18:30 | 0:18:33 | |
That's our second item, then. | 0:18:33 | 0:18:35 | |
Right, so you've got two items down, you've got one to go | 0:18:35 | 0:18:37 | |
-but you've only got ten minutes. -Yes. -But you do have some money. | 0:18:37 | 0:18:40 | |
-Yeah. -OK, Blues, the clock's ticking and what are you going to do next? | 0:18:40 | 0:18:45 | |
Shall we have a look at the silver again, | 0:18:45 | 0:18:46 | |
because you quite like the silverware, don't you? | 0:18:46 | 0:18:49 | |
-We could have another look. -Go back to look at some more silver? | 0:18:49 | 0:18:51 | |
-Well, there was plenty more where we found that brooch, earlier. -Yeah. | 0:18:51 | 0:18:55 | |
Well, we can do that, maybe look for five or six minutes | 0:18:55 | 0:18:58 | |
and then it really is decision time. | 0:18:58 | 0:18:59 | |
-OK. -Come on, quick, quick. | 0:18:59 | 0:19:01 | |
Seems those cheeky Red monkeys have found, well, a cheeky little monkey. | 0:19:02 | 0:19:08 | |
-On the little shelf up there, I quite like him. -A Schuco monkey. | 0:19:08 | 0:19:12 | |
-Well, it's a great make. What have they got pricewise? -110. | 0:19:12 | 0:19:15 | |
It's quite pricey for such a small thing. | 0:19:15 | 0:19:18 | |
Yes, but he is a very good name. | 0:19:18 | 0:19:19 | |
He's a bit like Steiff. | 0:19:19 | 0:19:21 | |
They are a company that did make these kind of mechanical things. | 0:19:21 | 0:19:23 | |
-Sometimes you get the monkeys that clap. -People collect them? | 0:19:23 | 0:19:26 | |
They do, it's in that kind of era of tinplate toy collectors, | 0:19:26 | 0:19:29 | |
like the '20s, the '30s. | 0:19:29 | 0:19:30 | |
Do you think we might get that for, say, 80? | 0:19:30 | 0:19:33 | |
Estimate at auction, you know, 60 to 100. | 0:19:33 | 0:19:35 | |
Actually, that's a chance. | 0:19:35 | 0:19:36 | |
-He's a nice thing. -Shall we try for 70? -Yeah, try. | 0:19:36 | 0:19:39 | |
If you don't ask, you don't get and we're running out of time. | 0:19:39 | 0:19:41 | |
-Just go for it, go on. You going to haggle? -Yeah, I'll go and haggle. | 0:19:41 | 0:19:44 | |
Go ask about the monkey. | 0:19:44 | 0:19:45 | |
Are the Blues going to mirror their earlier decisions | 0:19:45 | 0:19:48 | |
with this next item? | 0:19:48 | 0:19:49 | |
So, there it is. | 0:19:55 | 0:19:56 | |
Now, what we've got is a classic Victorian style | 0:19:57 | 0:20:01 | |
-but made maybe 20 years ago. -Right. | 0:20:01 | 0:20:04 | |
-Solid silver, fully hallmarked. -Yeah. | 0:20:04 | 0:20:08 | |
Quite practical. You can use it as a mirror or as a photograph frame. | 0:20:08 | 0:20:12 | |
-Right. But it's not Victorian? -It's not Victorian, no. | 0:20:12 | 0:20:15 | |
It is a 1990s reproduction, which is why it's the price it is. | 0:20:15 | 0:20:21 | |
How much would you be willing to spend on this? | 0:20:21 | 0:20:23 | |
-We've got to go give them an offer. -75-ish. | 0:20:23 | 0:20:26 | |
75, with a slight margin to move? | 0:20:26 | 0:20:27 | |
Can we ask you if you wouldn't mind giving him a call? | 0:20:27 | 0:20:30 | |
-I'll give James a call again. -Could you? | 0:20:30 | 0:20:31 | |
Thank you and then we can make our decision based on that. | 0:20:31 | 0:20:34 | |
-We've got news. -Oh. -Tell us. -What is it? | 0:20:34 | 0:20:38 | |
-Very good news. -Look at her face! | 0:20:38 | 0:20:40 | |
-£70. -70? Hurrah! | 0:20:40 | 0:20:42 | |
We should have gone in lower! | 0:20:42 | 0:20:45 | |
Oh, well done. | 0:20:45 | 0:20:46 | |
-Yes, we'll have him. -Shall we have him? -Yes, a cuddly toy. | 0:20:46 | 0:20:50 | |
Well, that's fantastic, | 0:20:50 | 0:20:51 | |
we've now got all three items done, with two minutes to spare. | 0:20:51 | 0:20:54 | |
-Oh, gosh. -Is that what you thought you'd get? -No. -No. | 0:20:54 | 0:20:57 | |
Well done, Reds. | 0:20:57 | 0:20:59 | |
Two minutes left and the Blues are in reflective mood. | 0:20:59 | 0:21:02 | |
Ah, here's the man. Hello. | 0:21:05 | 0:21:06 | |
OK, I phoned the dealer and he said £75 is fine. | 0:21:06 | 0:21:09 | |
-£75. -75, wow. | 0:21:09 | 0:21:11 | |
-Now. -Now, decision time. | 0:21:11 | 0:21:13 | |
That's a cat amongst the pigeons. | 0:21:13 | 0:21:15 | |
So, 75 on the frame | 0:21:15 | 0:21:17 | |
or 25 on the German jug. | 0:21:17 | 0:21:21 | |
-There's no pressure but tick-tock, tick-tock, tick-tock... -I know. | 0:21:21 | 0:21:25 | |
Shall we go with what we prefer ourselves? | 0:21:25 | 0:21:28 | |
-OK, what would you buy yourself, though? -I'd buy that. | 0:21:28 | 0:21:32 | |
-See, I'd go for that out of the two. -Would you? -Yeah. | 0:21:32 | 0:21:35 | |
It's crunch time, girls. What's it going to be? | 0:21:35 | 0:21:38 | |
OK, we'll go for that. SHE SNAPS HER FINGERS | 0:21:38 | 0:21:40 | |
-Snap decision. -Yeah. | 0:21:40 | 0:21:42 | |
-You sure? -Yeah. -Are we there? £75? | 0:21:42 | 0:21:43 | |
-Yep. -I think you've got a deal, Neil. | 0:21:43 | 0:21:45 | |
-Do apologise to the dealer about the German jug. -OK. -Thank you. | 0:21:45 | 0:21:49 | |
Thank you for your help. | 0:21:49 | 0:21:51 | |
Cor, look at that, how lovely. Time's up! | 0:21:57 | 0:21:59 | |
Let's check out what the Red team bought, eh? | 0:21:59 | 0:22:02 | |
Their group purchase of the scent bottle, | 0:22:02 | 0:22:04 | |
pillbox and horse trophy cost just £25. | 0:22:04 | 0:22:07 | |
They despatched Val with the Edwardian mahogany letter box, | 0:22:09 | 0:22:13 | |
who returned to sender, having paid £80. | 0:22:13 | 0:22:16 | |
And without any monkey business, | 0:22:17 | 0:22:19 | |
they paid £70 for the Schuco miniature monkey. | 0:22:19 | 0:22:22 | |
-Girls, was that good or was it good? -It was marvellous. | 0:22:24 | 0:22:27 | |
-Brilliant. -Which is your favourite piece, Valerie? | 0:22:27 | 0:22:29 | |
-I think the monkey. -The monkey's your favourite? -Yeah. | 0:22:29 | 0:22:31 | |
And what about you, Lu-Lu? | 0:22:31 | 0:22:32 | |
I'm going with the lovely monkey, as well, we agree on that. | 0:22:32 | 0:22:35 | |
I think it's cute. | 0:22:35 | 0:22:36 | |
-And is he going to bring the biggest profit? -Definitely. | 0:22:36 | 0:22:39 | |
I'm not too sure about that. | 0:22:39 | 0:22:40 | |
What do you think is going to bring the biggest profit? | 0:22:40 | 0:22:42 | |
I think, because we bought cheaply our first item, we might make | 0:22:42 | 0:22:45 | |
a bit on the first item, even though it's not terribly good. | 0:22:45 | 0:22:48 | |
Well, that's strategic buying for you, isn't it? | 0:22:50 | 0:22:52 | |
And you spent in total, how much? | 0:22:52 | 0:22:54 | |
-£175. -That's a good number. | 0:22:54 | 0:22:56 | |
-Can I have £125, please? -You can indeed, Tim, there you go. -Good. | 0:22:56 | 0:23:00 | |
There we go. 125 left over. Very good. £125, Kate. | 0:23:00 | 0:23:03 | |
Do you know what you're going to do with that? | 0:23:03 | 0:23:05 | |
Well, it's a decent amount, I should get something feisty for you. | 0:23:05 | 0:23:08 | |
Feisty, eh? | 0:23:08 | 0:23:10 | |
Why don't we check out right now what the Blue team bought, eh? | 0:23:10 | 0:23:13 | |
First up, they pinned their hopes and £55 on the Art Deco brooch. | 0:23:13 | 0:23:17 | |
Next, came the marquetry twin-handled tray and stand for £60. | 0:23:19 | 0:23:23 | |
Pressed for time, they plumped for the embossed table mirror, | 0:23:25 | 0:23:28 | |
paying £75. | 0:23:28 | 0:23:30 | |
-Kate, Laura. Did you enjoy your day? -We did. -Really did. -Very much so. | 0:23:32 | 0:23:36 | |
-It was good fun, yes. -Good. And which is the favourite bit? | 0:23:36 | 0:23:40 | |
My favourite item was the inlaid Edwardian mahogany tray | 0:23:40 | 0:23:44 | |
-on the little stand. -OK, that's your favourite bit. -Yes. | 0:23:44 | 0:23:46 | |
Do you agree with that? | 0:23:46 | 0:23:48 | |
I would say the silver mirror. | 0:23:48 | 0:23:50 | |
-Is your favourite? -Yeah. -All right, fair enough. | 0:23:50 | 0:23:53 | |
-Is that going to bring the biggest profit? -Oh, I don't know. | 0:23:53 | 0:23:56 | |
I think maybe the tray... | 0:23:56 | 0:23:57 | |
-I think my tray's going to bring the most profit. -Do you? | 0:23:57 | 0:24:00 | |
-That's quite a bold statement. -Yeah. | 0:24:00 | 0:24:02 | |
-And you spent in total? -190. -OK. | 0:24:02 | 0:24:05 | |
I'd like £110, please. | 0:24:05 | 0:24:06 | |
-£110. Don't like that, do you? -No. | 0:24:07 | 0:24:09 | |
You can't bring yourself to part with it. | 0:24:09 | 0:24:11 | |
-Well, it goes to a good cause. It goes to Nicholas... -Thank you. | 0:24:11 | 0:24:14 | |
..who's going to go out and find something dazzling, aren't you? | 0:24:14 | 0:24:16 | |
And so exciting... | 0:24:16 | 0:24:18 | |
Something artistically, wonderfully, profitably...who knows what? | 0:24:18 | 0:24:22 | |
Oh, that is quite a tease. | 0:24:22 | 0:24:24 | |
Anyway, good luck with that and have a nice cup of tea. | 0:24:24 | 0:24:27 | |
Meanwhile, why don't we go and have a look | 0:24:27 | 0:24:29 | |
at something that I snapped up earlier? | 0:24:29 | 0:24:30 | |
Not everything you buy here in Hungerford has to come | 0:24:41 | 0:24:44 | |
from one of the arcade shops, | 0:24:44 | 0:24:47 | |
because there are one or two stalls outside where, sometimes, | 0:24:47 | 0:24:51 | |
the most intriguing things can be found. | 0:24:51 | 0:24:53 | |
Let's go and unpack. | 0:24:53 | 0:24:55 | |
Well, at least it's nice and quiet up here. | 0:24:58 | 0:25:01 | |
Anyway, removal from the rather tatty plastic bag, | 0:25:01 | 0:25:06 | |
surprise, surprise, we've got two pictures hidden inside. | 0:25:06 | 0:25:12 | |
They need to come out of these tatty frames | 0:25:12 | 0:25:15 | |
and if I lift them out like that... | 0:25:15 | 0:25:19 | |
And get rid of the frame, | 0:25:19 | 0:25:20 | |
it's quite nice to pick up something that is in that sort of condition | 0:25:20 | 0:25:24 | |
because it reveals, in this instance, | 0:25:24 | 0:25:27 | |
a photograph that is as crisp and clear as the day it was taken. | 0:25:27 | 0:25:33 | |
So, we've got one old motorcar in that shot | 0:25:33 | 0:25:37 | |
and we have got another old motorcar in this. | 0:25:37 | 0:25:41 | |
And they are, of course, the same motorcars, | 0:25:41 | 0:25:47 | |
but just taken on different days. | 0:25:47 | 0:25:50 | |
Now, why the owner of the motorcar should decide to commission | 0:25:50 | 0:25:56 | |
a local photographer to come and take these shots, | 0:25:56 | 0:26:02 | |
perhaps a month or two apart, I do not know. | 0:26:02 | 0:26:07 | |
But one of the fun things about period photographs | 0:26:07 | 0:26:10 | |
is that you can do a little forensic job on them. | 0:26:10 | 0:26:14 | |
By looking carefully at the detail, there's loads here to research. | 0:26:14 | 0:26:20 | |
For example, we can just make out the number plate | 0:26:20 | 0:26:24 | |
at the front of this car, which is LC-1873. | 0:26:24 | 0:26:29 | |
And cars with that registration plate were registered in London | 0:26:29 | 0:26:34 | |
between May 1905 and November 1906. | 0:26:34 | 0:26:39 | |
What I love about the image is that it actually represents motoring life | 0:26:39 | 0:26:45 | |
in 1905 and 1906 and it recognises the established social order. | 0:26:45 | 0:26:53 | |
This is incredibly Downton Abbey-like in its setup. | 0:26:53 | 0:26:59 | |
Look at the stern expression on the chauffer's face. | 0:26:59 | 0:27:03 | |
Look at her Ladyship. | 0:27:03 | 0:27:05 | |
She's got that kind of winsome upper class smile about her, | 0:27:05 | 0:27:10 | |
that says, "Approach me at your peril." | 0:27:10 | 0:27:14 | |
The other intriguing question is, does this motorcar exist today? | 0:27:14 | 0:27:20 | |
Has it survived since 1905-6? | 0:27:20 | 0:27:24 | |
Because if it has, | 0:27:24 | 0:27:26 | |
it would make these photographs extremely valuable. | 0:27:26 | 0:27:30 | |
Why? | 0:27:30 | 0:27:31 | |
Because there could be a proud owner of this very car that takes it | 0:27:31 | 0:27:36 | |
on veteran motor club rallies. | 0:27:36 | 0:27:39 | |
What would he pay for two original period photographs | 0:27:39 | 0:27:43 | |
of his beloved motorcar that's just cost him 250,000 quid? | 0:27:43 | 0:27:47 | |
He'd pay a lot of money. | 0:27:47 | 0:27:49 | |
Which means when you find two tatty | 0:27:49 | 0:27:53 | |
but extremely interesting photographs on a stall | 0:27:53 | 0:27:57 | |
in Hungerford outside in the rain and the dealer asks you £40 each | 0:27:57 | 0:28:03 | |
for those photographs, they look tatty, they look insignificant... | 0:28:03 | 0:28:06 | |
Don't stroll off saying, "That's far too much, £40 each..." | 0:28:06 | 0:28:11 | |
Think to yourself, "Well, if I owned that motorcar | 0:28:11 | 0:28:15 | |
"and I paid 250,000 quid for it, | 0:28:15 | 0:28:17 | |
"what would I pay for these photographs? | 0:28:17 | 0:28:19 | |
"Would I pay £200 each for them? | 0:28:19 | 0:28:22 | |
"I think I probably would." | 0:28:22 | 0:28:25 | |
So, I think it's home, James, don't you? | 0:28:25 | 0:28:30 | |
Well, we stuck to the county of Berkshire, | 0:28:41 | 0:28:43 | |
we come from Hungerford to just outside Newbury | 0:28:43 | 0:28:46 | |
to be at Special Auction Services saleroom, with proprietor, | 0:28:46 | 0:28:51 | |
head honcho and all round great guy Thomas Plant. How are you, Thomas? | 0:28:51 | 0:28:56 | |
-Very good. -Now, moving on to the Reds. | 0:28:56 | 0:28:59 | |
First up, we've got a little collection of crackerander up here. | 0:28:59 | 0:29:02 | |
Yes. | 0:29:02 | 0:29:03 | |
We've got a plated horse on a plated mount, | 0:29:03 | 0:29:06 | |
-a plated little pillbox with a chip in it that's been restored. -Yep. | 0:29:06 | 0:29:09 | |
And then this scent bottle which has got the wrong top on it | 0:29:09 | 0:29:13 | |
-and a very, very thin silver band. -Yes. | 0:29:13 | 0:29:15 | |
So I went with an Edward VII cut glass and silver scent bottle | 0:29:15 | 0:29:19 | |
and then the silver plated horse trophy and the pillbox, £30 to £50. | 0:29:19 | 0:29:22 | |
-OK, fine. £25 paid. Well, that's fair enough, Tom. -Yeah. | 0:29:22 | 0:29:25 | |
If you can turn it into a profit, you are a miracle worker. | 0:29:25 | 0:29:27 | |
-I will try. -OK, fine. Now, is this not yesterday's antiques? | 0:29:27 | 0:29:31 | |
The Edwardian mahogany country house letter box, yeah. | 0:29:31 | 0:29:34 | |
But when I started in the business, | 0:29:34 | 0:29:36 | |
-those were the most popular thing in the world. -What's your estimate? | 0:29:36 | 0:29:39 | |
-70 to 100. -Perfect. £80 paid. | 0:29:39 | 0:29:42 | |
Now, if there's one thing here at Special Auction Services | 0:29:42 | 0:29:45 | |
that you do extraordinarily well, it's toy sales. | 0:29:45 | 0:29:49 | |
We do a lot of toy sales. | 0:29:49 | 0:29:51 | |
You know all about your toys, so how do you rate this little fellow? | 0:29:51 | 0:29:53 | |
Ah, it's 40 to 60. | 0:29:53 | 0:29:55 | |
He's had a bit of a problem with one of his feet, actually. | 0:29:55 | 0:29:57 | |
Look at it, one's quite fresh and one's a bit mouldy, | 0:29:57 | 0:30:00 | |
-the moths have been at it. -Yeah, you bet. | 0:30:00 | 0:30:01 | |
He's got a fungal attack in one foot. Dear, oh, dear. | 0:30:01 | 0:30:04 | |
And he doesn't do anything, | 0:30:04 | 0:30:05 | |
cos normally you can lift off the heads, they've got scent bottles | 0:30:05 | 0:30:08 | |
or pencils, or you can turn the heads... | 0:30:08 | 0:30:10 | |
So, yeah, they are £40 to £60. | 0:30:10 | 0:30:12 | |
-£70 paid, so that could be bit of a problem. -Yeah, I think so. | 0:30:12 | 0:30:16 | |
Which means they may need their bonus buy, | 0:30:16 | 0:30:18 | |
so let's go and have a look at it. | 0:30:18 | 0:30:19 | |
So, Val, Lu-Lu, this is the moment. | 0:30:21 | 0:30:23 | |
£125 of leftover lolly went to Kate Bateman, | 0:30:23 | 0:30:26 | |
which is quite a sum of money. | 0:30:26 | 0:30:27 | |
-Kate, what did you spend it on? -I spent it on this. | 0:30:27 | 0:30:30 | |
-Ooh. -Oh. -Oh, look, they like it. | 0:30:30 | 0:30:33 | |
It's a Moorcroft ashtray. | 0:30:33 | 0:30:35 | |
It's quite an early one, it's got a nice sort of sludgy pattern, | 0:30:35 | 0:30:37 | |
this Pomegranate pattern. | 0:30:37 | 0:30:39 | |
And I know smoking stuff is not all that fashionable at the moment, | 0:30:39 | 0:30:42 | |
-but it's still a beautiful thing. -It's quite aesthetically pleasing. | 0:30:42 | 0:30:45 | |
You could use it for something else, | 0:30:45 | 0:30:47 | |
like earrings or anything else, sweeties, I don't know. | 0:30:47 | 0:30:50 | |
-And I spent £110 of your money. -110. | 0:30:50 | 0:30:52 | |
And the all-important question, how much is it going to make us? | 0:30:52 | 0:30:55 | |
How much is it... | 0:30:55 | 0:30:56 | |
Maybe £10 or £20, | 0:30:56 | 0:30:57 | |
it's not going to be a great deal cos that was quite expensive. | 0:30:57 | 0:31:00 | |
-I think it's a lovely thing, I hope somebody will go for it. -I like it. | 0:31:00 | 0:31:03 | |
-Yeah, I like it. -It's a girlie thing. -It is a girlie thing. | 0:31:03 | 0:31:06 | |
Well, there's plenty of collectors for early Moorcroft | 0:31:06 | 0:31:08 | |
-so it should go, I think. -Yeah. | 0:31:08 | 0:31:10 | |
Good, you've got the information. | 0:31:10 | 0:31:12 | |
£10 to £20 projected profit, | 0:31:12 | 0:31:13 | |
maybe, on a good day, with the wind up its tail. | 0:31:13 | 0:31:16 | |
But right now, why don't we find out what the auctioneer | 0:31:16 | 0:31:18 | |
thinks about Kate's little ashtray? | 0:31:18 | 0:31:20 | |
There we go, Tom, look. | 0:31:22 | 0:31:23 | |
One lovely Pomegranate ashtray with nickel-plated mount. | 0:31:23 | 0:31:27 | |
-Yes, if you like Moorcroft. -Yeah, of course. | 0:31:27 | 0:31:30 | |
But, I mean, it's mainly very desirable, isn't it? | 0:31:30 | 0:31:33 | |
It is desirable. The main issue, I have to say, is it's restored. | 0:31:33 | 0:31:37 | |
-Is it? -Yeah, the whole foot's been restored here. | 0:31:37 | 0:31:40 | |
You can see the discolouration in the paint and you can see, | 0:31:40 | 0:31:42 | |
-certainly on the underside there... -Oh, yes. -Can you see that? | 0:31:42 | 0:31:45 | |
And you could eat it for a bet. | 0:31:45 | 0:31:47 | |
So, when you do that, Tom, what are your teeth telling you? | 0:31:49 | 0:31:52 | |
Well, interesting, cos on a good bit... | 0:31:52 | 0:31:55 | |
it's nice and crisp, sharp, | 0:31:55 | 0:31:57 | |
it's like biting into icing sugar on a Christmas cake or a wedding cake. | 0:31:57 | 0:32:01 | |
But on a piece of restored pottery, it's soft. | 0:32:01 | 0:32:05 | |
You almost feel like you can bite into it. It's a bit like chocolate. | 0:32:05 | 0:32:09 | |
-Sounds delicious. -But it's not. | 0:32:09 | 0:32:11 | |
But it's not very good from the value point of view, is it? | 0:32:11 | 0:32:14 | |
No, unfortunately, because it's restored, £40 to £60. | 0:32:14 | 0:32:17 | |
Oh, dear, oh, dear. Let's hope they don't go with this. She paid £110. | 0:32:17 | 0:32:21 | |
Oh, dear. Anyway, that's it for the Reds. Now for the Blues. | 0:32:21 | 0:32:26 | |
Continental Art Deco brooch. | 0:32:26 | 0:32:29 | |
Art Deco or what? | 0:32:29 | 0:32:31 | |
Well, we've said Continental Art Deco brooch style, | 0:32:31 | 0:32:35 | |
-but it is in an Art Deco case. -Yes. -So it's in a correct case. | 0:32:35 | 0:32:39 | |
-It's very attractive. -OK, what's it worth? | 0:32:39 | 0:32:42 | |
-£30 to £50. -£55 paid. | 0:32:42 | 0:32:45 | |
Now, what about this kidney-shaped tray? | 0:32:45 | 0:32:48 | |
-I like this. -Do you? | 0:32:48 | 0:32:50 | |
I do, because it's a useless thing as a tray. | 0:32:50 | 0:32:54 | |
I mean, are you actually going to ever use it as a tray? | 0:32:54 | 0:32:57 | |
But some clever person has made a little sort of iron frame | 0:32:57 | 0:33:01 | |
and it's a great little side sofa table. | 0:33:01 | 0:33:04 | |
And you could have a few things on there | 0:33:04 | 0:33:06 | |
-and it would look kind of cool. -OK, so how cool's the price? | 0:33:06 | 0:33:08 | |
-I put £70 to £90 on it. -That's quite a cool price, isn't it? | 0:33:08 | 0:33:11 | |
-OK, £60 paid. -Oh, well. | 0:33:11 | 0:33:13 | |
Oh, well. Now, what about this table mirror? | 0:33:13 | 0:33:16 | |
-It is modern but it is solid silver. -Looks old. | 0:33:16 | 0:33:19 | |
It does look old but it's not, it's an embossed copy. | 0:33:19 | 0:33:22 | |
That would cost you quite a lot, retail, wouldn't it? | 0:33:22 | 0:33:24 | |
-Oh, at least three figures. Probably £200. -OK, I'm with you. | 0:33:24 | 0:33:29 | |
-So is it worth 200? -No, at auction it's worth 50 to 80. | 0:33:29 | 0:33:32 | |
£75 Nick paid. | 0:33:32 | 0:33:33 | |
He rates it and it could get there, couldn't it? Come on, Tom. | 0:33:33 | 0:33:36 | |
It could, easily. | 0:33:36 | 0:33:37 | |
£50 to £100 could easily make 100, couldn't it? | 0:33:37 | 0:33:39 | |
I start at 50 and suddenly there could be a sea of hands | 0:33:39 | 0:33:42 | |
and the internet could be going and who knows? | 0:33:42 | 0:33:44 | |
Anyway, in case it all goes wrong, they may need their bonus buy | 0:33:44 | 0:33:47 | |
so let's go and have a look at it. | 0:33:47 | 0:33:48 | |
Kate, Laura. Happy? | 0:33:50 | 0:33:51 | |
-Yeah. -Very. -You ought to be. | 0:33:51 | 0:33:53 | |
You spent £190 already, which is lovely, and £110 went to Nick Hall. | 0:33:53 | 0:33:57 | |
Nick, what did you buy? | 0:33:57 | 0:33:59 | |
Well, for my decedent team, | 0:33:59 | 0:34:01 | |
and I know, Laura, you wanted something Art Deco, | 0:34:01 | 0:34:03 | |
I found you this. | 0:34:03 | 0:34:05 | |
How about that? | 0:34:06 | 0:34:08 | |
Wonderful piece of Art Deco pottery. | 0:34:08 | 0:34:10 | |
1930s Crown Devon Rouge Royal, | 0:34:10 | 0:34:12 | |
this chinoiserie decoration in rich enamels | 0:34:12 | 0:34:15 | |
on this lovely deep ruby red grout... | 0:34:15 | 0:34:17 | |
Am I selling it to you? | 0:34:17 | 0:34:19 | |
-No. -Sorry. -I'm not, am I? | 0:34:20 | 0:34:22 | |
-How much did you pay for it? -43. | 0:34:22 | 0:34:24 | |
And how much do you reckon it's going to make? | 0:34:24 | 0:34:26 | |
I would like to say it'd make between 50 and 70 on a good day, | 0:34:26 | 0:34:29 | |
-hopefully. -Oh, right, OK. -Well, as long as there's a profit in it, | 0:34:29 | 0:34:32 | |
then that's all that really matters, isn't it? | 0:34:32 | 0:34:34 | |
Exactly. | 0:34:34 | 0:34:35 | |
I'm sure there'll be somebody out there who will love it. | 0:34:35 | 0:34:38 | |
-We just need two people to love it. -That's all we need, yeah. | 0:34:38 | 0:34:41 | |
There we go, well done, Nick. That's a...marvellous job. | 0:34:41 | 0:34:44 | |
-Oh, I understand. -Sorry. -No, only joking. | 0:34:44 | 0:34:46 | |
Doesn't matter, as long as it makes its profit, that's the main thing. | 0:34:46 | 0:34:49 | |
And for the audience at home, | 0:34:49 | 0:34:51 | |
let's find out what the auctioneer thinks about | 0:34:51 | 0:34:53 | |
Nick's Rouge Royale vase. | 0:34:53 | 0:34:55 | |
There you go, little bit of Rouge Royale. | 0:34:57 | 0:34:59 | |
Yeah, well, Rouge Royale style cos it's Crown Devon | 0:34:59 | 0:35:03 | |
rather than being Carlton Ware. | 0:35:03 | 0:35:05 | |
Yeah, which is what it needs to be to be really Rouge Royale. | 0:35:05 | 0:35:08 | |
I'm afraid it's not the most desirable thing, | 0:35:08 | 0:35:10 | |
but the shape is still good. £30 to £50. | 0:35:10 | 0:35:13 | |
-£43 paid... -Well. -..as a bonus buy. | 0:35:13 | 0:35:16 | |
-It's a fair shot, isn't it? -It is, actually. -Yes. | 0:35:16 | 0:35:18 | |
-You know what they say, don't you? Over to you. -Thank you. | 0:35:18 | 0:35:21 | |
-Cos it's your baby from now on in. Good luck, Tom. -Thank you. -Thanks. | 0:35:21 | 0:35:25 | |
28. 30, 5. | 0:35:26 | 0:35:28 | |
At 35, I have for the hopper. | 0:35:28 | 0:35:31 | |
At 35, all done? | 0:35:31 | 0:35:33 | |
OK, Lu-Lu, Val. | 0:35:33 | 0:35:34 | |
-Val, happy? -Yes, excited. -Yeah. | 0:35:34 | 0:35:36 | |
Which piece is going to do the best? | 0:35:36 | 0:35:38 | |
I think the first lot, the mixed lot is going to do best. | 0:35:38 | 0:35:41 | |
-Do you think so? -Yes, because we spent the least on it. | 0:35:41 | 0:35:44 | |
-You spent £25 on the group. -Yes. -His estimate is 30 to 50. | 0:35:44 | 0:35:47 | |
-Oh, that's all right. -Yeah, that's good, isn't it? | 0:35:47 | 0:35:49 | |
So, you've got your mixed lot | 0:35:49 | 0:35:50 | |
with stallion and the patch box | 0:35:50 | 0:35:52 | |
and the scent bottle. | 0:35:52 | 0:35:54 | |
And here it comes. | 0:35:54 | 0:35:56 | |
I'll take 10 in the room. At 10, 18 now. | 0:35:56 | 0:35:58 | |
-Yes. -It jumps to 20 now. | 0:35:58 | 0:35:59 | |
-Online. -20 it is. | 0:35:59 | 0:36:01 | |
20, it's in the room. £20 beats the internet. | 0:36:01 | 0:36:04 | |
-Are we done? 22. -Yay. | 0:36:04 | 0:36:07 | |
25. 28. | 0:36:07 | 0:36:09 | |
-28? -We're in profit. | 0:36:09 | 0:36:11 | |
£28 and I sell. | 0:36:11 | 0:36:13 | |
-28 all done... -HAMMER FALLS | 0:36:13 | 0:36:15 | |
£28. £28 is plus three, that's a brilliant start. | 0:36:15 | 0:36:19 | |
-Isn't that good? -Fantastic. | 0:36:19 | 0:36:21 | |
Here comes the letter box. | 0:36:21 | 0:36:23 | |
Next lot is the Edwardian country house letter box. | 0:36:23 | 0:36:27 | |
What a fine thing. | 0:36:27 | 0:36:29 | |
And I can start the bidding with me here at £40. | 0:36:29 | 0:36:32 | |
-Oh. -£40, at 40. | 0:36:32 | 0:36:34 | |
Any advance at 40? 5, 50, 5. | 0:36:34 | 0:36:37 | |
-60, 5. 70, 5. 80. -Yes. | 0:36:37 | 0:36:40 | |
-80, we have £80. -More, more... | 0:36:40 | 0:36:42 | |
-£80 you paid. -At £80 it is. | 0:36:42 | 0:36:44 | |
Is there any advance at £80? | 0:36:44 | 0:36:46 | |
-Oh, go on. -£80, 85 and 90. -Yes! | 0:36:46 | 0:36:49 | |
-Oh, so cool. -90 now online. | 0:36:49 | 0:36:51 | |
Any advance at £90? | 0:36:51 | 0:36:53 | |
We're selling at £90, once. | 0:36:53 | 0:36:55 | |
-£90, twice. All done, then? -HAMMER FALLS | 0:36:55 | 0:36:58 | |
Lovely. That is plus £10. | 0:36:58 | 0:37:00 | |
Well done, team. That's you plus 13. | 0:37:00 | 0:37:02 | |
Now, here comes the monkey. | 0:37:03 | 0:37:05 | |
With articulated body, start me here at 20. | 0:37:05 | 0:37:08 | |
Start me here at 20 for the little monkey. | 0:37:08 | 0:37:10 | |
-Oh, no. -At 20... | 0:37:10 | 0:37:12 | |
Any advance at £20? | 0:37:12 | 0:37:14 | |
20, 22 we have. | 0:37:14 | 0:37:16 | |
22, 22 it is online. | 0:37:16 | 0:37:18 | |
Looking for five in the room. | 0:37:18 | 0:37:20 | |
Poor little monkey. | 0:37:20 | 0:37:21 | |
Surely it's worth more. At £22, once. | 0:37:21 | 0:37:24 | |
-22, twice. -Oh, dear. -Are we done? | 0:37:24 | 0:37:27 | |
Look out. | 0:37:27 | 0:37:28 | |
25, 25 new place. At 25. | 0:37:28 | 0:37:31 | |
25, looks like you're holding it, sir. | 0:37:31 | 0:37:33 | |
-25, internet's gone quiet. -HAMMER FALLS | 0:37:33 | 0:37:35 | |
-£25. -25 is 5 off 30, which is 45. | 0:37:35 | 0:37:39 | |
-Minus 45. -Oh, no. -45, 35, 32... | 0:37:39 | 0:37:43 | |
-You're minus £32. -Oh. | 0:37:43 | 0:37:46 | |
Minus 32, which is not too bad, is it? | 0:37:46 | 0:37:49 | |
-That's not actually that bad. -It could be our winning score. | 0:37:49 | 0:37:51 | |
-What did you say? -It could be our winning score! | 0:37:51 | 0:37:54 | |
You've watched this programme before. That is marvellous, Val. | 0:37:54 | 0:37:57 | |
It could be a winning score. | 0:37:57 | 0:37:58 | |
Now, what are you going to do about the bonus buy, | 0:37:58 | 0:38:00 | |
-the Pomegranate ashtray? -What do you want to do? -I think go for it. | 0:38:00 | 0:38:03 | |
-In for a penny, in for a pound. -OK, fine. | 0:38:03 | 0:38:05 | |
We're going with the bonus buy. | 0:38:05 | 0:38:07 | |
Start the bidding with me at £30. | 0:38:07 | 0:38:08 | |
Start the bidding with me at 30. | 0:38:08 | 0:38:10 | |
£30. I've got 50 already. | 0:38:10 | 0:38:13 | |
-Oh. -£50 I have. | 0:38:13 | 0:38:15 | |
At 50, I have, | 0:38:15 | 0:38:16 | |
is there any advance at 50? | 0:38:16 | 0:38:18 | |
At 50 it is online. Are we done? | 0:38:18 | 0:38:20 | |
-Oh, no. -No. -Any advance at £50? | 0:38:20 | 0:38:22 | |
Come on. | 0:38:22 | 0:38:23 | |
-All done then? At 50... -HAMMER FALLS | 0:38:23 | 0:38:26 | |
£50. £50 is minus £60 | 0:38:26 | 0:38:29 | |
which means you are now minus £92. | 0:38:29 | 0:38:32 | |
Minus 92. | 0:38:32 | 0:38:35 | |
-The thing is, it could be a winning score. -You never know. -Could be. | 0:38:35 | 0:38:37 | |
-So say not a thing to the Blues. -Not a word. -Thank you very much. | 0:38:37 | 0:38:41 | |
-Thank you. -Thanks. | 0:38:41 | 0:38:42 | |
-Now, Kate, Laura, do you know how the Reds got on? -No. -You don't? | 0:38:48 | 0:38:52 | |
-Nope, not spoken to them. -OK, we don't want you to. | 0:38:52 | 0:38:54 | |
First up is the Art Deco style brooch and here it comes. | 0:38:54 | 0:38:58 | |
Next on is 115, a Continental silver Art Deco brooch. | 0:38:58 | 0:39:02 | |
I can start the bidding here, | 0:39:02 | 0:39:03 | |
£15 for the silver brooch. | 0:39:03 | 0:39:05 | |
15, 18, 20, 2, 5, 8. | 0:39:05 | 0:39:09 | |
30, 5. 40... 40, I have standing. | 0:39:09 | 0:39:13 | |
Don't stop now. | 0:39:13 | 0:39:14 | |
-Come on, come on. -Don't stop it, Thomas. | 0:39:14 | 0:39:16 | |
Sir, 50? 5... 60, 5. | 0:39:16 | 0:39:20 | |
We're in profit. | 0:39:20 | 0:39:22 | |
70, 5. 80. 80, I have at £80. | 0:39:22 | 0:39:27 | |
-Wow. -I love this auction. | 0:39:27 | 0:39:29 | |
All done, then, at £80. All done at 80? | 0:39:29 | 0:39:31 | |
-Selling at 80. -HAMMER FALLS | 0:39:31 | 0:39:33 | |
-£80, girls. -Yes! | 0:39:33 | 0:39:35 | |
Five off 60, that is plus £25. | 0:39:35 | 0:39:38 | |
Is that cool or cool? | 0:39:38 | 0:39:39 | |
Can't believe that. | 0:39:39 | 0:39:41 | |
All right, here comes your tray. | 0:39:41 | 0:39:43 | |
Lovely looking thing, I like it. | 0:39:43 | 0:39:45 | |
£30, come on. At £30. | 0:39:45 | 0:39:47 | |
Great for your living room at 30. | 0:39:47 | 0:39:49 | |
At £30, any advance at 30? | 0:39:49 | 0:39:51 | |
£30, surely it's worth 30. | 0:39:51 | 0:39:54 | |
-30, I've got. -INAUDIBLE | 0:39:54 | 0:39:58 | |
- Any advance at 5? - Go on. | 0:39:58 | 0:39:59 | |
-At £30, internet's quiet. -Please. -Come on. | 0:39:59 | 0:40:02 | |
£30, is that all we're going to do? | 0:40:02 | 0:40:03 | |
-At £30. -HAMMER FALLS | 0:40:03 | 0:40:05 | |
That's so cheap. £30 is minus £30. | 0:40:05 | 0:40:08 | |
You had 25, now you've got minus five. | 0:40:08 | 0:40:11 | |
Sorry. | 0:40:11 | 0:40:13 | |
Lovely, this one here. Photograph frame, good condition. | 0:40:13 | 0:40:16 | |
-Start me here £40. -It's a table mirror. | 0:40:16 | 0:40:18 | |
Sorry, it's a table mirror, you're quite right. | 0:40:18 | 0:40:21 | |
It's a photo slash table mirror, we've called it. 55. | 0:40:21 | 0:40:25 | |
Against you, 60 if you want it. | 0:40:26 | 0:40:28 | |
-Come on. -£60 I have. | 0:40:28 | 0:40:30 | |
60, it's in the room. | 0:40:30 | 0:40:31 | |
Keep going, keep going. | 0:40:31 | 0:40:32 | |
Any advance at 60? | 0:40:32 | 0:40:34 | |
£60, once. £60, twice. | 0:40:34 | 0:40:36 | |
-All done, then? -HAMMER FALLS | 0:40:36 | 0:40:37 | |
Oh, no. £60 is minus £15 | 0:40:37 | 0:40:40 | |
which means overall, you're minus £20. | 0:40:40 | 0:40:43 | |
-OK. -Right. | 0:40:43 | 0:40:44 | |
Well, that's it, there you are. You're minus £20. | 0:40:44 | 0:40:46 | |
What are you going to do? | 0:40:46 | 0:40:48 | |
Are you going to go with your loathed Crown Devon? | 0:40:48 | 0:40:50 | |
-Or are you going to stick? -Shall we go...? -What, sticking? | 0:40:50 | 0:40:53 | |
I think we'll stick. | 0:40:53 | 0:40:54 | |
But we're going to sell the bonus buy for the fun of it | 0:40:54 | 0:40:57 | |
-and here it comes. -OK. | 0:40:57 | 0:40:58 | |
1930s Crown Devon Rouge Royale Art Deco vase. | 0:40:58 | 0:41:03 | |
Start the bidding with me here at £10. At £10, at 10. | 0:41:03 | 0:41:07 | |
-25 already. -25 already. | 0:41:07 | 0:41:09 | |
28, I've got. 28, 30. | 0:41:09 | 0:41:12 | |
Go on. One more. | 0:41:13 | 0:41:15 | |
35. 35, you're holding it. | 0:41:15 | 0:41:17 | |
You've beaten the internet commission. At 35, are we done? | 0:41:17 | 0:41:20 | |
- I think you two were right. - Do we have 40 in the room? | 0:41:20 | 0:41:22 | |
-35 once, 35 twice. -HAMMER FALLS | 0:41:22 | 0:41:24 | |
-And it's £35. -Well done. Good choice. | 0:41:24 | 0:41:27 | |
£35 is minus 8, but you know, | 0:41:27 | 0:41:28 | |
that's a good deal better than everybody else was predicting | 0:41:28 | 0:41:31 | |
so well done, Nick. | 0:41:31 | 0:41:32 | |
-Anyway, overall then, you're minus 20. -Yeah. | 0:41:32 | 0:41:34 | |
-That could be a winning score, don't say a word to those Reds. -No. | 0:41:34 | 0:41:37 | |
And all will be revealed in a mo-mo. | 0:41:37 | 0:41:39 | |
Well, well, well. | 0:41:45 | 0:41:46 | |
There is a fair old wodge of losses between you two teams today. | 0:41:46 | 0:41:52 | |
Nobody's going home with money. | 0:41:52 | 0:41:54 | |
-Have you been chatting? -No. -Definitely not. | 0:41:54 | 0:41:56 | |
You've not been talking about it, OK. | 0:41:56 | 0:41:58 | |
Well, I have to reveal that the team with the largest wodge of losses | 0:41:58 | 0:42:02 | |
today are the Reds. | 0:42:02 | 0:42:03 | |
-Yay! -Minus £92, actually. | 0:42:03 | 0:42:06 | |
You weren't doing too badly to start off with, were you? | 0:42:06 | 0:42:09 | |
You got a couple of profits on the mixed lot, | 0:42:09 | 0:42:12 | |
contrary to my prediction. | 0:42:12 | 0:42:14 | |
You got a profit on the letter box, which is fantastic. | 0:42:14 | 0:42:17 | |
And then it went very swiftly down the swanny. | 0:42:17 | 0:42:19 | |
-It was just the gutter running against you. -Absolutely. | 0:42:19 | 0:42:22 | |
-Let's not dwell on that. Did you have a nice time? -Brilliant time. | 0:42:22 | 0:42:25 | |
-You've had a good time. -Yeah, really enjoyed it. | 0:42:25 | 0:42:27 | |
We loved having you on the show. And thanks for all the effort. | 0:42:27 | 0:42:30 | |
But the successful team today are the Blues, | 0:42:30 | 0:42:33 | |
the mother and daughter combo from heaven. | 0:42:33 | 0:42:35 | |
-You are only minus 20... -Ah, well. | 0:42:35 | 0:42:38 | |
..which is nothing, really, | 0:42:38 | 0:42:39 | |
and you got £25, which is a good profit, on that brooch, | 0:42:39 | 0:42:42 | |
which is brilliant. | 0:42:42 | 0:42:44 | |
-Happy? -Oh, delighted. | 0:42:44 | 0:42:45 | |
Delighted, that's what I love to hear. Delighted. | 0:42:45 | 0:42:48 | |
In fact, so delighted, join us soon for some more bargain hunting, yes? | 0:42:48 | 0:42:52 | |
ALL: Yes! | 0:42:52 | 0:42:54 |