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We're at the International Antiques And Collectors Fair at Ardingly | 0:00:04 | 0:00:08 | |
and just look at this place. So much ground to cover. | 0:00:08 | 0:00:12 | |
So, let's not hang about. Let's go bargain hunting, yeah! | 0:00:12 | 0:00:15 | |
Here in Sussex, the National Trust bought their first house in 1896, | 0:00:45 | 0:00:51 | |
Alfriston Clergy House. | 0:00:51 | 0:00:54 | |
A 14th century hall house for the princely sum of £10. | 0:00:54 | 0:01:00 | |
Doesn't sound expensive, does it? | 0:01:00 | 0:01:02 | |
Anyway, it's not real estate today. Just real bargains. | 0:01:02 | 0:01:06 | |
Let's have a quick squint as to what's coming up. | 0:01:06 | 0:01:09 | |
On today's show, the Reds' plan may need some revision. | 0:01:11 | 0:01:14 | |
-You've blown a big bit of your budget. -Yeah. | 0:01:15 | 0:01:18 | |
We don't have the funds to pay what you're asking. | 0:01:19 | 0:01:24 | |
Whilst the Blues take some convincing. | 0:01:24 | 0:01:27 | |
-What do you think? -Yes, go for it, if you like it. | 0:01:27 | 0:01:29 | |
You know me, I'm always undecided. | 0:01:29 | 0:01:31 | |
But it is still a brown box, if we're going to be a bit pedantic. | 0:01:31 | 0:01:34 | |
No. No, I don't like that at all. | 0:01:34 | 0:01:35 | |
Let's all get acquainted, shall we? | 0:01:35 | 0:01:38 | |
Today's show is made up of married couples. | 0:01:40 | 0:01:43 | |
For the Reds, we've got Kevin and Sue and for the Blues, Rob and Iris. | 0:01:43 | 0:01:47 | |
-Hello, everyone. -ALL: Hello. -Great to see you. | 0:01:47 | 0:01:49 | |
-Now, Sue, you've known each other for 33 years. -That's right, yes. | 0:01:49 | 0:01:53 | |
We first met when I was 12 and Kevin was 18 | 0:01:53 | 0:01:57 | |
and we were in a local production of Carousel at Henfield Village Hall. | 0:01:57 | 0:02:00 | |
-Were you? -Yes. -Oh, good. | 0:02:00 | 0:02:02 | |
And then how long did it take you actually to get together? | 0:02:02 | 0:02:04 | |
Erm, well, we'd stayed friends | 0:02:04 | 0:02:06 | |
until we both returned to Henfield Theatre Company | 0:02:06 | 0:02:10 | |
to audition for the Wizard Of Oz | 0:02:10 | 0:02:12 | |
and there he was single and there I was single and... | 0:02:12 | 0:02:15 | |
-It was the right moment. -It was, yes. -Yes. Oh, good. | 0:02:15 | 0:02:18 | |
And so what do you get up to in your spare time? | 0:02:18 | 0:02:20 | |
I've been in a folk band for 16 years called The Yardales. | 0:02:20 | 0:02:24 | |
Well, what fun, though. | 0:02:24 | 0:02:25 | |
So, music has been a big part in your life, and drama? | 0:02:25 | 0:02:27 | |
It has. That's right, yes. | 0:02:27 | 0:02:29 | |
And it brought you together, which is really rather sweet, isn't it? | 0:02:29 | 0:02:32 | |
So, Kevin, you're the entrepreneur. Tell us about that. | 0:02:32 | 0:02:35 | |
Yes, well, we've...we've had a few businesses running, haven't we? | 0:02:35 | 0:02:39 | |
I think there were seven running at one time all together. | 0:02:39 | 0:02:41 | |
What sort of businesses? | 0:02:41 | 0:02:43 | |
Well, mainly insurance, which is our primary business, | 0:02:43 | 0:02:46 | |
which pays the bills. | 0:02:46 | 0:02:47 | |
But you're pretty keen on boating, Kevin. | 0:02:47 | 0:02:49 | |
Yes, we've done a bit of sailing, haven't we? | 0:02:49 | 0:02:51 | |
Is it actually sailing sailing you like doing or motor boating? | 0:02:51 | 0:02:54 | |
-Sailing. -Oh, proper stuff. -With the sticks, yes. -With the sticks. | 0:02:54 | 0:02:57 | |
Let's hope it's going to be plain sailing for you guys today. | 0:02:57 | 0:02:59 | |
Are you going to spend all of your money? | 0:02:59 | 0:03:01 | |
We'll do our very best to, yes. | 0:03:01 | 0:03:03 | |
Well, good. Well, I'm glad to hear that. | 0:03:03 | 0:03:04 | |
Anyway, very, very, very good luck. Now, Rob, you're retired? Yes. | 0:03:04 | 0:03:09 | |
But you used to work at a world-famous museum. | 0:03:09 | 0:03:12 | |
Yes, the Victoria And Albert Museum in Kensington. | 0:03:12 | 0:03:15 | |
-What did you do there? -I was an engineer. One of the V&A engineers, | 0:03:15 | 0:03:18 | |
who looked after the air-conditioning and the lighting. | 0:03:18 | 0:03:21 | |
If it was too hot, too cold or too light, too dark, | 0:03:21 | 0:03:23 | |
it landed on my desk and was my fault. | 0:03:23 | 0:03:25 | |
-And did you get into the galleries much? -Oh, all the time. | 0:03:25 | 0:03:28 | |
-As often as I wanted. -Yeah. Well, make any old excuse. | 0:03:28 | 0:03:31 | |
Well, you need to check the lighting, don't you, | 0:03:31 | 0:03:34 | |
from time to time. | 0:03:34 | 0:03:34 | |
Following your retirement, you decided to straddle the globe. | 0:03:34 | 0:03:37 | |
Tell us where you've been. | 0:03:37 | 0:03:40 | |
China, Borneo, Sri Lanka, Mexico, Cuba, America. | 0:03:40 | 0:03:46 | |
-Well, how fantastic is that! -Yes. | 0:03:46 | 0:03:48 | |
-Now, Iris, you're a retired school teacher. -Yes. | 0:03:48 | 0:03:50 | |
So, what do you do now to keep yourself busy? | 0:03:50 | 0:03:53 | |
-I've just joined the ICV panel. We go and... -What's the ICV? | 0:03:53 | 0:03:57 | |
ICV is Independent Custody Visitor and we go to the custody suite | 0:03:57 | 0:04:01 | |
in the police station and speak to the detainees. | 0:04:01 | 0:04:05 | |
Don't ask me if they're happy cos who's going to be happy | 0:04:05 | 0:04:08 | |
-in a police cell, but... -To make sure they're OK. -Make sure they're OK. | 0:04:08 | 0:04:11 | |
-And they haven't got any complaints. -That's quite a job, isn't it? | 0:04:11 | 0:04:14 | |
It is. It's very interesting, though. | 0:04:14 | 0:04:16 | |
-Yeah, I bet it is. You do a bit of bell-ringing. -Yes, handbells. | 0:04:16 | 0:04:19 | |
-Oh, handbells. -Handbell-ringing, yes. | 0:04:19 | 0:04:21 | |
-Yes. Are you what they call a campanologist? -No, I don't think | 0:04:21 | 0:04:24 | |
-with little handbells. That's the big tower bells. -Oh, is it? | 0:04:24 | 0:04:26 | |
But the little handbells is something different, | 0:04:26 | 0:04:28 | |
-but I don't know what it is. -Not quite. | 0:04:28 | 0:04:30 | |
-But it's good fun that, though, isn't it? -It is! | 0:04:30 | 0:04:32 | |
Yes, if you get it right, it's lovely. | 0:04:32 | 0:04:34 | |
What are your tactics going to be today, you two? | 0:04:34 | 0:04:36 | |
-Erm... -I don't really think we've got any. -We haven't got any. | 0:04:36 | 0:04:39 | |
Just go and have a look. | 0:04:39 | 0:04:41 | |
Spend the lot? | 0:04:41 | 0:04:42 | |
Whatever needs spending, yes. | 0:04:42 | 0:04:46 | |
What an enigmatic answer, that. | 0:04:46 | 0:04:48 | |
So not going to commit to anything. Anyway, it's the money moment. | 0:04:48 | 0:04:51 | |
-300 smackers each. Here you go. £300. -Thank you. | 0:04:51 | 0:04:53 | |
Just like that. Look. | 0:04:53 | 0:04:55 | |
You know the rules, your experts await and off you go. | 0:04:55 | 0:04:58 | |
And very, very, very, good luck. | 0:04:58 | 0:05:01 | |
Campanology, eh? | 0:05:01 | 0:05:02 | |
And, of course, our two experts will be tackling the terrain today. | 0:05:06 | 0:05:10 | |
Putting on a brave face for the Reds, it's Anita Manning. | 0:05:10 | 0:05:14 | |
Hello, sailor. It's Christina Travanion with the Blues. | 0:05:15 | 0:05:19 | |
Well, guys, we have a leading lady here and a leading man. | 0:05:23 | 0:05:27 | |
Let's hope it will lead us to bargains. | 0:05:27 | 0:05:29 | |
We need to think about our tactics. What's the plan? What do you think? | 0:05:29 | 0:05:34 | |
Not too much of a plan. More...see what's there, I think. | 0:05:34 | 0:05:37 | |
But what type of things do you want to buy? | 0:05:37 | 0:05:40 | |
I like collectibles. | 0:05:40 | 0:05:41 | |
I've got a collection of chain sticks at home, so... And pin cushions. | 0:05:41 | 0:05:46 | |
Things like that. | 0:05:46 | 0:05:47 | |
We're very open-minded. | 0:05:47 | 0:05:49 | |
Anything we see and we like it, then we might buy it. | 0:05:49 | 0:05:52 | |
I quite like musical instruments and musical paraphernalia. | 0:05:52 | 0:05:55 | |
-Oh! Big tubas. -Yeah, big brass instruments. | 0:05:55 | 0:05:59 | |
Let's go. OK. | 0:05:59 | 0:06:01 | |
Crikey! | 0:06:01 | 0:06:02 | |
Got all of that? | 0:06:02 | 0:06:03 | |
Good. | 0:06:03 | 0:06:05 | |
Your hour of shopping starts now | 0:06:05 | 0:06:07 | |
and it looks like the Reds have the bit between their teeth already. | 0:06:07 | 0:06:10 | |
-What's it made of? It's plastic, isn't it? -Oh! That's quite sweet. | 0:06:13 | 0:06:16 | |
-I love horses. -Yeah, well, so do I, actually. | 0:06:16 | 0:06:20 | |
This would be my dream toy. | 0:06:20 | 0:06:23 | |
You quite like the idea of a carousel horse, don't you, | 0:06:23 | 0:06:26 | |
because that's where we first met? | 0:06:26 | 0:06:28 | |
We did, yes. That's right, in a production of Carousel. | 0:06:28 | 0:06:31 | |
So, this is taking you back to the heady days of childhood? | 0:06:31 | 0:06:34 | |
-It is, definitely. -How sweet! | 0:06:34 | 0:06:37 | |
But we do have this sort of split here. | 0:06:37 | 0:06:40 | |
I'm sure it can be repaired, | 0:06:40 | 0:06:42 | |
but I think it is certainly worth asking the price on. | 0:06:42 | 0:06:45 | |
Worth asking, yep. Definitely. | 0:06:45 | 0:06:48 | |
-What sort of price are you looking... 140? -140, yeah. | 0:06:48 | 0:06:53 | |
I think that's a lot, | 0:06:53 | 0:06:55 | |
actually, for something that might just be for a child's nursery. | 0:06:55 | 0:06:59 | |
I'd quite like to go and look at some others that we saw... | 0:06:59 | 0:07:03 | |
-You spotted other ones? -Yes. -OK, let's go. | 0:07:03 | 0:07:05 | |
Show me where this other one is. | 0:07:05 | 0:07:08 | |
As the Reds trot off to see an earlier spot, | 0:07:08 | 0:07:10 | |
the Blues have a date with their first potential purchase. | 0:07:10 | 0:07:14 | |
This is quite interesting. | 0:07:14 | 0:07:16 | |
This is a silver framed little perpetual desk calendar. | 0:07:16 | 0:07:19 | |
We've got a nice silver hallmark on here, | 0:07:19 | 0:07:21 | |
which is a Birmingham hallmark and looks like it's about 1930, 1935. | 0:07:21 | 0:07:27 | |
The most important thing... If we have a look to see | 0:07:27 | 0:07:29 | |
if all the cards are present. Have a handle. See what you think. | 0:07:29 | 0:07:32 | |
How many have we got there. One, two, three, four. | 0:07:32 | 0:07:35 | |
-So we've got six and I think they should be... -Double-sided. | 0:07:35 | 0:07:38 | |
Double-sided, yeah. OK, we have got all of them there. | 0:07:38 | 0:07:41 | |
What are your thoughts? | 0:07:41 | 0:07:42 | |
You say there's a good market for it? | 0:07:42 | 0:07:44 | |
There's a good market for desk pieces and it's something... | 0:07:44 | 0:07:47 | |
I think with silver | 0:07:47 | 0:07:48 | |
-it's quite important that it's got a current use as well. -Yes. Yes. | 0:07:48 | 0:07:51 | |
Today, to be able to use | 0:07:51 | 0:07:53 | |
rather than your average sort of silver tea service, | 0:07:53 | 0:07:55 | |
which, frankly, is going to be scrapped. | 0:07:55 | 0:07:57 | |
-So, shall I go and ask a price on it? -Yeah. -Do you want to do it? | 0:07:57 | 0:08:00 | |
-Erm... -No, you can do it. -Oh, thank you, sir. I'll go and see. | 0:08:00 | 0:08:03 | |
Oh, you're not looking impressed there, Iris. | 0:08:04 | 0:08:07 | |
Right. So, he says, best price he can do on it is £30. OK. | 0:08:07 | 0:08:10 | |
-And that's a good price? -I think it stands a really good chance | 0:08:10 | 0:08:13 | |
of making some money at that at auction. | 0:08:13 | 0:08:14 | |
I think that would look really quite lovely on your desk, wouldn't it? | 0:08:14 | 0:08:17 | |
-Oh, I would have had that on my desk at work. -Would you? -Yes. | 0:08:17 | 0:08:20 | |
-What do you say, Iris? -Well, I... It's not my favourite thing | 0:08:20 | 0:08:23 | |
I've ever seen, but you both like it. It's not the sort of thing | 0:08:23 | 0:08:25 | |
a teacher would have on her desk, but I'll go with the majority. | 0:08:25 | 0:08:28 | |
-We'll have this one... -Two out of three. | 0:08:28 | 0:08:30 | |
-BOTH: You can have the next one. Thank you. -That sounds like a plan. | 0:08:30 | 0:08:32 | |
-Let's buy it. -Brilliant. Well done, guys. | 0:08:32 | 0:08:34 | |
-There's one under our belt. Fantastic. -Thank you. -Super. | 0:08:34 | 0:08:37 | |
And that's very diplomatic of you, Iris. | 0:08:37 | 0:08:40 | |
Meanwhile, the Reds are still horsing about. | 0:08:42 | 0:08:44 | |
-So, these are the ones that you spotted earlier. -Yes. -Yeah. -I did. | 0:08:47 | 0:08:50 | |
They are wonderful. | 0:08:50 | 0:08:51 | |
I can sort of see those on display on somebody's wall | 0:08:51 | 0:08:55 | |
in a smart London house or something. | 0:08:55 | 0:08:57 | |
Hm... I'm not so sure, Sue. | 0:08:57 | 0:09:00 | |
Do you like these ones better than the other ones? | 0:09:00 | 0:09:02 | |
-I think they've got more character. -I do, personally. | 0:09:02 | 0:09:05 | |
I would put those in my house, definitely. | 0:09:05 | 0:09:08 | |
This one is in better condition here. | 0:09:08 | 0:09:11 | |
You got some damage here. | 0:09:11 | 0:09:13 | |
-You know, a bit of the ear. -Yeah. | 0:09:13 | 0:09:15 | |
I think it's part of the character, really. | 0:09:15 | 0:09:18 | |
-If they looked perfect, they wouldn't look old, would they? -Yeah. | 0:09:18 | 0:09:22 | |
What sort of price are they? | 0:09:22 | 0:09:23 | |
Well, I did have them priced at 250 for the pair. | 0:09:23 | 0:09:26 | |
-The best would be 180 for the two. -180. | 0:09:26 | 0:09:29 | |
-Really. -That's a big reduction on the price. | 0:09:29 | 0:09:31 | |
I think that's a fair price for them. | 0:09:31 | 0:09:32 | |
-They could get 150... -They could get a lot more. | 0:09:32 | 0:09:35 | |
..but they could go further, so very difficult even for me to advise. | 0:09:35 | 0:09:39 | |
-Of course. -Yes. -Especially when we have got some damage there. | 0:09:39 | 0:09:43 | |
I could see them doing really well. | 0:09:43 | 0:09:46 | |
-For the sake of luck, take a pound off. -OK. | 0:09:46 | 0:09:49 | |
-179. -OK. -THEY LAUGH | 0:09:49 | 0:09:51 | |
-You can tell he's a broker, can't you? -Yeah. -Thank you very much. | 0:09:51 | 0:09:57 | |
Kevin, my 'mane' man. | 0:09:57 | 0:10:00 | |
Time to rein in the horse puns and move on to pastures new. | 0:10:00 | 0:10:04 | |
We've bought one thing really quickly, so we're OK for time. | 0:10:07 | 0:10:10 | |
-Right. -Right. -Right? -Yes. | 0:10:10 | 0:10:11 | |
-So let's stay outside, have a good rummage. Look at all the... -Oh! | 0:10:11 | 0:10:14 | |
-Nice stock. -It's amazing. | 0:10:14 | 0:10:15 | |
Oh, get your teeth in there, guys. Go on. Get in there. | 0:10:15 | 0:10:18 | |
Have a good look. | 0:10:18 | 0:10:19 | |
Well, guys, you've made a great start. | 0:10:24 | 0:10:26 | |
-You've blown a big bit of your budget. -Yes. | 0:10:26 | 0:10:30 | |
£120 you've got left. | 0:10:30 | 0:10:33 | |
121, Anita! | 0:10:33 | 0:10:35 | |
-Very important pound. -Oh, that pound might be... -Very important. | 0:10:35 | 0:10:38 | |
Well, it might be all that you're left with. | 0:10:38 | 0:10:40 | |
THEY LAUGH | 0:10:40 | 0:10:41 | |
Well, if it's all I'm left with, I'm happy with that. | 0:10:41 | 0:10:44 | |
If you want to spend money, go for it. | 0:10:44 | 0:10:46 | |
I think we should. I think we should spend it all. | 0:10:46 | 0:10:49 | |
You might regret that, Anita. | 0:10:49 | 0:10:51 | |
Oh, this is sounding promising. | 0:10:55 | 0:10:57 | |
Are they silly? I like these little pigs. | 0:10:57 | 0:11:00 | |
-They're not silly at all. -No. | 0:11:00 | 0:11:01 | |
They're quite sweet, aren't they? | 0:11:01 | 0:11:03 | |
Looks like we've got a pin cushion and possibly a vesta case in there. | 0:11:03 | 0:11:06 | |
-Do you want to have a look? -Yes, if that's OK. | 0:11:06 | 0:11:09 | |
Thank you. So, what have we got here? | 0:11:09 | 0:11:12 | |
We've got a little pig pincushion for your sewing box. | 0:11:12 | 0:11:14 | |
-So you put your pins in that to keep them all together. -It's very sweet. | 0:11:14 | 0:11:17 | |
And then this one is a... | 0:11:17 | 0:11:19 | |
Not a vesta case as I initially thought. | 0:11:19 | 0:11:21 | |
It's actually a tape measure. | 0:11:21 | 0:11:22 | |
So you pull the tape out here | 0:11:22 | 0:11:24 | |
and then you wind him back in with his tail. | 0:11:24 | 0:11:26 | |
-That's nice. -Sweet, isn't it? -Very novel. | 0:11:26 | 0:11:28 | |
Cos this would be a standard thing that a lady would keep in her | 0:11:28 | 0:11:31 | |
sewing box in days of yore. | 0:11:31 | 0:11:33 | |
-Do you have a sewing box? -I do a lot of sewing... -Oh, do you? | 0:11:33 | 0:11:35 | |
..and I have a big sewing box. | 0:11:35 | 0:11:37 | |
I think this has got some more age to it than this one. | 0:11:37 | 0:11:39 | |
-This one looks a bit more modern. -Right. | 0:11:39 | 0:11:41 | |
-I think that's quite a nice novelty, fun thing, isn't it? -Yes. | 0:11:41 | 0:11:43 | |
And it's a good market for that type of thing. I mean... | 0:11:43 | 0:11:46 | |
-There are certainly novelty tape measure collectors. -Yes. | 0:11:46 | 0:11:49 | |
We've got £50 on it, so that's quite a lot. | 0:11:49 | 0:11:51 | |
-Obviously that's a retail price rather than an auction price. -Yes. | 0:11:51 | 0:11:54 | |
Um, I mean, I would be hoping to pay a lot less for that | 0:11:54 | 0:11:57 | |
-to make a profit at auction. -Yes. | 0:11:57 | 0:11:58 | |
-What's your best price on that? -MAN: 45. | 0:11:58 | 0:12:01 | |
-45. -BOTH: Would you consider 40? | 0:12:01 | 0:12:03 | |
Yeah, OK. | 0:12:05 | 0:12:07 | |
-It's still top end. -Yes. | 0:12:07 | 0:12:08 | |
You're not going to make huge amounts on it | 0:12:08 | 0:12:10 | |
if you make anything at all. | 0:12:10 | 0:12:12 | |
-But it's a sweet thing. I love the fact that you are a seamstress. -Yes. | 0:12:12 | 0:12:17 | |
-And we said that we'd let her choose the next thing, didn't we? -Yes. | 0:12:17 | 0:12:21 | |
It's down to Iris now. | 0:12:21 | 0:12:22 | |
-What do you think? -Yes, go for him if you like him. | 0:12:23 | 0:12:25 | |
You know me, I'm always undecided. I'm not a great decision maker. | 0:12:25 | 0:12:28 | |
-Right. -I do like him. | 0:12:28 | 0:12:30 | |
-It might be a her. -We've got plenty of time, remember. | 0:12:30 | 0:12:33 | |
-Yeah, can we come back? -Well, let's put him on the back burner. -Yes. | 0:12:33 | 0:12:35 | |
-But I think he's definitely one to keep in mind. -He's a good contender. -Yes, yes. | 0:12:35 | 0:12:39 | |
-OK. Super. -He's in with a chance. | 0:12:39 | 0:12:41 | |
Whilst the Blues decide if the pig will bring home the bacon, | 0:12:41 | 0:12:45 | |
let me show you something which is worth writing home about. | 0:12:45 | 0:12:48 | |
# I'm going to sit right down and write myself a letter | 0:12:57 | 0:13:00 | |
# And make believe it came from you. | 0:13:00 | 0:13:05 | |
# Do-be do-do. # Ha-ha. | 0:13:05 | 0:13:07 | |
And of course, if you did sit down to write yourself a letter | 0:13:07 | 0:13:12 | |
in 1896, | 0:13:12 | 0:13:15 | |
you would probably be using one of these. | 0:13:15 | 0:13:18 | |
A dip pen. | 0:13:18 | 0:13:20 | |
And if you were into your novelty silver in 1896, | 0:13:20 | 0:13:25 | |
you might go out and find a little inkwell like this. | 0:13:25 | 0:13:28 | |
And intriguingly, the solid silver | 0:13:29 | 0:13:33 | |
sleeve of this inkwell | 0:13:33 | 0:13:35 | |
contains its glass well | 0:13:35 | 0:13:39 | |
with a cork bung. | 0:13:39 | 0:13:41 | |
And that, glass well has been blown | 0:13:41 | 0:13:43 | |
so that it's got a central dipping area | 0:13:43 | 0:13:47 | |
that prevents any ink in it from sloshing about | 0:13:47 | 0:13:51 | |
but when you introduce | 0:13:51 | 0:13:53 | |
the dip pen nib, | 0:13:53 | 0:13:55 | |
look, you can just wipe off | 0:13:55 | 0:13:57 | |
the end of the nib on the glass container | 0:13:57 | 0:14:00 | |
and hey presto, you're writing yourself that letter. | 0:14:00 | 0:14:04 | |
The intriguing novelty bit | 0:14:04 | 0:14:06 | |
is that the silversmith | 0:14:06 | 0:14:08 | |
has crafted the sleeve in the form of a nib. | 0:14:08 | 0:14:12 | |
If I turn it upside down, you can see the London hallmark for 1896. | 0:14:12 | 0:14:16 | |
There's also a registration mark | 0:14:16 | 0:14:19 | |
which means that the maker | 0:14:19 | 0:14:21 | |
wanted to protect this design. | 0:14:21 | 0:14:23 | |
He didn't want anybody else copying it. | 0:14:23 | 0:14:25 | |
On the outside it's been inscribed. | 0:14:25 | 0:14:28 | |
1875 and 1900 with the initial are in between. | 0:14:28 | 0:14:33 | |
Who knows? Perhaps it was presented by a woman to her husband, Ronald, | 0:14:33 | 0:14:38 | |
on their 25th wedding anniversary. | 0:14:38 | 0:14:41 | |
The other intriguing part of the design is | 0:14:41 | 0:14:43 | |
that the shape of the dip pen nib | 0:14:43 | 0:14:46 | |
with this curved section is absolutely ideal | 0:14:46 | 0:14:51 | |
for cradling the dip pen itself. | 0:14:51 | 0:14:54 | |
So the two come together rather beautifully. Isn't that clever? | 0:14:54 | 0:14:58 | |
Typical late Victorian, Edwardian novelty item | 0:14:58 | 0:15:03 | |
and just the sort of thing that silver collectors adore to find. | 0:15:03 | 0:15:07 | |
How much? Well, if you look online, you'll find a variety of similar | 0:15:07 | 0:15:11 | |
novelty silver inkwells available | 0:15:11 | 0:15:15 | |
for between £300 and £600. | 0:15:15 | 0:15:17 | |
Make a note, Miss Jones, will you? | 0:15:18 | 0:15:20 | |
Now, are our teams waxing lyrical about anything? | 0:15:26 | 0:15:29 | |
There's wee candleholders there. | 0:15:30 | 0:15:32 | |
-You like those. -They're very pretty. Yeah. -Is it the type of thing? | 0:15:33 | 0:15:36 | |
There's a simplicity about the design | 0:15:36 | 0:15:38 | |
which is appealing to the modern eye. | 0:15:38 | 0:15:40 | |
What we've got are a piece of Scandinavian 20th century design | 0:15:40 | 0:15:45 | |
which will appeal to the young market, the sophisticated market. | 0:15:45 | 0:15:51 | |
Let's ask him how much they are. | 0:15:53 | 0:15:55 | |
-Cos that's... These are nice. -They are nice, yes. | 0:15:55 | 0:15:59 | |
If we can get them for a decent price... | 0:15:59 | 0:16:00 | |
How much are your wee candleholders, please? | 0:16:00 | 0:16:02 | |
Um, I would say they're going to be 30, the three. | 0:16:02 | 0:16:06 | |
-What do you think? -£10 each. That sounds a lot of money to me. | 0:16:06 | 0:16:10 | |
Would you consider an improved price? | 0:16:10 | 0:16:13 | |
-HE LAUGHS -MAN: We've heard that before! | 0:16:13 | 0:16:16 | |
Yeah, that's fine. At 25. I'd go to 25. | 0:16:16 | 0:16:19 | |
Could we leave them there and have a quick look around | 0:16:19 | 0:16:21 | |
and it's something that we can come back for? | 0:16:21 | 0:16:23 | |
Yep, heard that before! | 0:16:23 | 0:16:25 | |
'Yeah, so have we! | 0:16:25 | 0:16:27 | |
'So, that's one on the back burner for the Reds. | 0:16:27 | 0:16:30 | |
'Come on, teams, the clock's ticking | 0:16:30 | 0:16:31 | |
'and some decisions have got to be made.' | 0:16:31 | 0:16:33 | |
That's rather lovely, isn't it? What do you think of that? | 0:16:40 | 0:16:42 | |
How old is it? | 0:16:43 | 0:16:45 | |
-Well... -I think it's roundabout the '30s. | 0:16:45 | 0:16:47 | |
-1930s? -I would think so. | 0:16:47 | 0:16:48 | |
And you've got this lovely watered silk interior which looks to be original. | 0:16:48 | 0:16:52 | |
What really caught my eye was this decoration around the outside | 0:16:52 | 0:16:54 | |
which is really typically arts and crafts this lovely carving. | 0:16:54 | 0:16:59 | |
-What you think? Have a good look. Have a good feel. -Hmm. | 0:16:59 | 0:17:02 | |
-You can see it's a nice quality piece. -It's well cut, isn't it? | 0:17:02 | 0:17:05 | |
It's well cut. And if you look at the decoration... | 0:17:05 | 0:17:07 | |
Iris, pay attention, love. | 0:17:07 | 0:17:09 | |
-So it's got some nice highlights to it. -All very positive. | 0:17:09 | 0:17:12 | |
Quality. Well cut. Nice highlights. | 0:17:12 | 0:17:14 | |
But what does Iris think? | 0:17:14 | 0:17:16 | |
It's just a wooden box. THEY LAUGH | 0:17:16 | 0:17:18 | |
Oh, dear. | 0:17:18 | 0:17:19 | |
-It's not just a wooden box! -Yes. | 0:17:19 | 0:17:22 | |
-It's useful. Yes. -It is useful. | 0:17:22 | 0:17:23 | |
We've got £22 and we're thinking, spend big. | 0:17:23 | 0:17:26 | |
Yes, I think we could afford to splash out a bit, don't you? | 0:17:26 | 0:17:29 | |
-Go for at least one item that's a bit... -That's a bit more. | 0:17:29 | 0:17:31 | |
-Yes. -OK. -It's a brown wooden box. | 0:17:31 | 0:17:34 | |
-Um... -She's fussy. | 0:17:34 | 0:17:36 | |
Maybe just a tad indecisive. | 0:17:36 | 0:17:38 | |
-Do you have to put up with this? -All the time. | 0:17:38 | 0:17:40 | |
THEY LAUGH | 0:17:40 | 0:17:42 | |
I think it's called being contrary. | 0:17:42 | 0:17:44 | |
Stay strong, Rob. Together you can pull through. | 0:17:44 | 0:17:47 | |
Time now for a regroup, Reds. | 0:17:49 | 0:17:51 | |
Now, we're half an hour in and we've bought one item. | 0:17:52 | 0:17:56 | |
Yeah. | 0:17:56 | 0:17:57 | |
So we've got to watch that we don't get complacent | 0:17:57 | 0:18:01 | |
and just wander about. | 0:18:01 | 0:18:02 | |
Keep focused, you've got two more items to buy. | 0:18:02 | 0:18:06 | |
That clothes brush, is that awful? | 0:18:13 | 0:18:16 | |
Um, it will have been probably a crumb brush. | 0:18:16 | 0:18:18 | |
Essentially a dustpan and brush, if you like, but for the table. | 0:18:18 | 0:18:21 | |
And this one is French | 0:18:21 | 0:18:24 | |
and looks like it's got some nice silver marks on there. But... | 0:18:24 | 0:18:27 | |
-you've only got half of it. -Oh, you need the tray... | 0:18:27 | 0:18:30 | |
-You need to tray, yeah. -OK then. -And... | 0:18:30 | 0:18:34 | |
-does it have a particularly good use today? I don't know. -BOTH: No. | 0:18:34 | 0:18:37 | |
Maybe a really smart dustpan and brush. | 0:18:37 | 0:18:39 | |
Yes. You wouldn't take it up to sweep your leaves up with, would you? | 0:18:39 | 0:18:43 | |
-You go and find the silver tray. -To go with it? Yeah! | 0:18:43 | 0:18:46 | |
THEY LAUGH | 0:18:46 | 0:18:48 | |
-I think we'll leave that one there. -Leave that where it is. Thank you. | 0:18:48 | 0:18:51 | |
What do you think about this horse, Anita? | 0:18:58 | 0:19:01 | |
Oh, I think we've definitely got a horsey theme today. | 0:19:01 | 0:19:05 | |
We have, haven't we?! | 0:19:05 | 0:19:06 | |
It's modern but it's well sculpted. | 0:19:06 | 0:19:09 | |
It's different, isn't it? | 0:19:09 | 0:19:11 | |
-It doesn't give me goose bumps. -It doesn't give you goose bumps. | 0:19:11 | 0:19:14 | |
What about you, Sue? | 0:19:14 | 0:19:16 | |
You liked it, didn't you? | 0:19:16 | 0:19:17 | |
I like it but then I like anything horsey, so... | 0:19:17 | 0:19:21 | |
-Well, again, we know where it is. -Yeah. | 0:19:21 | 0:19:23 | |
Yes, I did say Kevin could choose the next piece, didn't I? | 0:19:23 | 0:19:28 | |
So we might come back. | 0:19:28 | 0:19:29 | |
Don't hang about. | 0:19:30 | 0:19:31 | |
It might not be there 'furlong'. | 0:19:31 | 0:19:34 | |
Oh, sorry, that really is the last one. | 0:19:34 | 0:19:37 | |
Meanwhile, the Blues have taken a small rest. | 0:19:38 | 0:19:40 | |
And you know what they were used for? | 0:19:42 | 0:19:44 | |
-They're knife stands, aren't they? -Exactly, yeah, knife rest. | 0:19:44 | 0:19:46 | |
So you'd rest your knife rather than dirtying the tablecloth. | 0:19:46 | 0:19:49 | |
Yep, so it's the facet in the middle so the knife doesn't slip. | 0:19:52 | 0:19:54 | |
And so often you find that they've been split throughout time | 0:19:54 | 0:19:57 | |
or they've been lost. | 0:19:57 | 0:19:58 | |
And the fact that you've got this complete set... | 0:19:58 | 0:20:01 | |
Is there any age on them? | 0:20:01 | 0:20:02 | |
I don't think they've got a huge amount of age to them. | 0:20:02 | 0:20:04 | |
Probably sort of 1940s. | 0:20:04 | 0:20:06 | |
-Still, the fact that you've got so many... -Yes. | 0:20:06 | 0:20:08 | |
I'm glad you say '40s isn't aged. | 0:20:08 | 0:20:10 | |
THEY LAUGH | 0:20:10 | 0:20:11 | |
Vintage. Purely vintage. | 0:20:11 | 0:20:14 | |
Also, they're in nice condition. | 0:20:14 | 0:20:16 | |
Those have got £85 on them. | 0:20:16 | 0:20:20 | |
-Yes, I really like these. -You do, don't you? -They caught my eye as I walked past. | 0:20:20 | 0:20:23 | |
But we think that 85, they're a bit... | 0:20:23 | 0:20:25 | |
-85, they are bit rich at 85. -Bit rich. | 0:20:25 | 0:20:28 | |
I mean, I would be looking at sort of £40-£60 really. | 0:20:28 | 0:20:31 | |
Fiver a piece-ish. | 0:20:31 | 0:20:33 | |
But it's the first thing I've sort of seen you pick up | 0:20:33 | 0:20:35 | |
and your little face lit up... | 0:20:35 | 0:20:37 | |
THEY LAUGH | 0:20:37 | 0:20:38 | |
-Bless. -..which is what I like to see. | 0:20:38 | 0:20:41 | |
-I'll go and find out. -OK. Do you like them? | 0:20:41 | 0:20:43 | |
-They're all right. -Yeah? | 0:20:43 | 0:20:45 | |
If Rob's happy, I'm happy. | 0:20:45 | 0:20:47 | |
-Do you trust his judgment? -No, not really but he's happy. -OK. | 0:20:47 | 0:20:51 | |
Cor, Iris is a tough cookie. | 0:20:51 | 0:20:53 | |
-What news? What news? -Well, the best I could get was 70. -OK. All right. | 0:20:55 | 0:20:58 | |
-70. -And I think I'll take it for 70. I shook the ladies hand. -Oh! | 0:20:58 | 0:21:02 | |
-Oh, right. -So 70 we're going for. -The deal has been done. | 0:21:02 | 0:21:05 | |
That's the way, Ray! Now, time to pay. | 0:21:06 | 0:21:09 | |
But what's turned up with the Reds? | 0:21:14 | 0:21:17 | |
Is this a butter churn? You thought it was a knife grinder though. | 0:21:17 | 0:21:20 | |
Yes, it's not, is it? It is a butter churn. | 0:21:20 | 0:21:22 | |
Tell me why you like it. | 0:21:22 | 0:21:24 | |
-It's... -I'd have that in my kitchen. | 0:21:24 | 0:21:26 | |
It's a nice, solid piece of furniture, I suppose. | 0:21:26 | 0:21:29 | |
It's a nice display item. | 0:21:29 | 0:21:31 | |
Yes, it would look good in the kitchen, wouldn't it? | 0:21:31 | 0:21:33 | |
-What I like about it is the marvellous pattern... -Yes. | 0:21:33 | 0:21:37 | |
..of the barrel here. | 0:21:37 | 0:21:40 | |
The mechanism is still in working order, | 0:21:40 | 0:21:44 | |
it's still something that can be used. | 0:21:44 | 0:21:46 | |
-£140. -What do you think? | 0:21:46 | 0:21:49 | |
Well, I think it's a lovely object and, as I say, | 0:21:49 | 0:21:52 | |
it's been beautifully coopered. | 0:21:52 | 0:21:54 | |
-Yes. -That's what I'm looking at...at this marvellous barrel. | 0:21:54 | 0:21:58 | |
So, in your auction house, what do you think you would be...? | 0:21:58 | 0:22:01 | |
Well, I think if you've got a chance of making a profit, | 0:22:01 | 0:22:06 | |
-you're going to have to come down on £140. -Hmm. | 0:22:06 | 0:22:10 | |
And I think it was your turn. | 0:22:10 | 0:22:12 | |
I think it is my turn, so, shall we see what we can do? | 0:22:12 | 0:22:15 | |
See what you can do. | 0:22:15 | 0:22:16 | |
'Come on, Kevin, time to butter up the dealer, eh?' | 0:22:16 | 0:22:19 | |
-It's labelled at 140. -WOMAN: 140. | 0:22:19 | 0:22:24 | |
Well, what about 100 on the nose? | 0:22:24 | 0:22:25 | |
And that really is all we could do. | 0:22:25 | 0:22:27 | |
Yes. | 0:22:27 | 0:22:30 | |
Oh, thank you so much. Thank you. | 0:22:30 | 0:22:34 | |
'The Blues have one item left to buy | 0:22:34 | 0:22:36 | |
'and Iris still has to find something she likes.' | 0:22:36 | 0:22:39 | |
You would have had this is as a mixing bowl to mix your teas. | 0:22:40 | 0:22:43 | |
Right. It is still a brown box if we're going to be a bit pedantic. | 0:22:43 | 0:22:46 | |
HE CRINGES It's in my nature. | 0:22:46 | 0:22:48 | |
Rob is making decisions, he's going in for it. It's fab. | 0:22:48 | 0:22:52 | |
Iris is a bit more of a tricky customer. | 0:22:52 | 0:22:54 | |
Isn't that horrid? | 0:22:54 | 0:22:56 | |
-A desk blotter. -Desk blotter? But it's a... No, no. | 0:22:56 | 0:22:59 | |
I don't like that at all. | 0:22:59 | 0:23:01 | |
-It's a pincushion. -It's really tatty, isn't it? | 0:23:01 | 0:23:03 | |
Iris, let it be concisive. | 0:23:03 | 0:23:05 | |
-I'm not a very decisive person. -I know. | 0:23:05 | 0:23:08 | |
-They're attractive. -Yeah. And they're usable. | 0:23:08 | 0:23:11 | |
-Yes. They're usable. -Yes. | 0:23:11 | 0:23:13 | |
-But it's not a pig. -But it's not a piggy tape measure, is it? | 0:23:13 | 0:23:16 | |
THEY LAUGH | 0:23:16 | 0:23:17 | |
Come on, we've got to give Iris one. | 0:23:17 | 0:23:20 | |
We'll leave Iris and Robert | 0:23:20 | 0:23:21 | |
and hope that pigs might fly and a decision might be made. | 0:23:21 | 0:23:25 | |
The Reds have bought two items though | 0:23:25 | 0:23:27 | |
and one to go, but the clock is ticking. | 0:23:27 | 0:23:29 | |
-I'm starting to panic now. -Are you? | 0:23:29 | 0:23:31 | |
Cos we've got no money left and we're running out of time. | 0:23:31 | 0:23:33 | |
Oh, wow! | 0:23:39 | 0:23:41 | |
The Reds have returned to the candle holders | 0:23:41 | 0:23:43 | |
but with only £21 left they may have their work cut out. | 0:23:43 | 0:23:47 | |
-We do like them. -MAN: Do you? -But... -Yes? | 0:23:48 | 0:23:51 | |
..we don't have the funds to pay what you're asking. | 0:23:51 | 0:23:55 | |
-What do you think? -What would be your absolute death? | 0:23:55 | 0:23:58 | |
The absolute death has got to be 21 and that's it. | 0:23:59 | 0:24:02 | |
SHE GASPS We can't do that cos then we don't have a bonus buy. | 0:24:02 | 0:24:06 | |
If you did 20 and they left me one? | 0:24:06 | 0:24:08 | |
-Yep, 20 is fine. -What you think? | 0:24:08 | 0:24:11 | |
Well, I'll let Anita decide on this one, being our expert, so... | 0:24:11 | 0:24:14 | |
I am absolutely ecstatic about being left with £1. | 0:24:14 | 0:24:20 | |
-We'll shake your hand. -Thank you. -Thank you very much. | 0:24:21 | 0:24:24 | |
'Well done, Reds. That's you've done and dusted. | 0:24:25 | 0:24:27 | |
'And, well, I never, | 0:24:29 | 0:24:30 | |
'it looks like the Blues are about to embark on a decision, hah! | 0:24:30 | 0:24:33 | |
'And with only two minutes left they'd better be quick.' | 0:24:33 | 0:24:36 | |
-What do you think? -I like it. -Are we going to make a decision? -Yes. | 0:24:37 | 0:24:40 | |
Is that a yes, Iris? | 0:24:40 | 0:24:41 | |
-Gentleman is asking £40 for it. -Yes. -Which is £10 off. -Right. | 0:24:41 | 0:24:45 | |
-So, what do you think? -So, I think I like. -She likes. | 0:24:45 | 0:24:48 | |
-You like? -I like. -Are you happy? -Yes, I'm happy. -You're ecstatic? | 0:24:48 | 0:24:51 | |
She's happy. | 0:24:51 | 0:24:52 | |
-Are you sure? -She's sure. -I'll shake the gentleman's hand. | 0:24:52 | 0:24:55 | |
Let's just do it. | 0:24:55 | 0:24:56 | |
A decision! | 0:24:56 | 0:24:57 | |
# Hallelujah Hallelujah. # | 0:24:57 | 0:25:00 | |
-Yay! We've done it. -Splendid. | 0:25:00 | 0:25:03 | |
Well, I never. Hoo-hoo! | 0:25:03 | 0:25:04 | |
That's three a piece. | 0:25:04 | 0:25:06 | |
Those 60 minutes are up, so let's take a quick squint | 0:25:06 | 0:25:09 | |
at what the Reds bought. | 0:25:09 | 0:25:10 | |
Hmm, they galloped away | 0:25:12 | 0:25:13 | |
with the two carousel horses' heads | 0:25:13 | 0:25:16 | |
for £179. | 0:25:16 | 0:25:17 | |
They managed to get | 0:25:18 | 0:25:20 | |
the oak butter churn down to £100. | 0:25:20 | 0:25:22 | |
The last lot were | 0:25:24 | 0:25:25 | |
the plated candlesticks. | 0:25:25 | 0:25:27 | |
They paid £20. | 0:25:27 | 0:25:28 | |
Now, Kevin, Sue, are you OK? | 0:25:30 | 0:25:32 | |
-Yes. -Very well. -You have been so good. How much did you spend again? | 0:25:32 | 0:25:35 | |
£299. | 0:25:35 | 0:25:37 | |
Wicked stuff. | 0:25:37 | 0:25:39 | |
That's your challenge, Manning. | 0:25:39 | 0:25:42 | |
Can I have the £1 of leftover lolly? | 0:25:42 | 0:25:43 | |
I do love it when it works out like this. | 0:25:43 | 0:25:46 | |
Now, Susan, which is your favourite piece? | 0:25:46 | 0:25:49 | |
Definitely the horses' heads. | 0:25:49 | 0:25:51 | |
-Horses' heads is favourite. -Horses' heads. Carousel. | 0:25:51 | 0:25:53 | |
Do you agree with that? | 0:25:53 | 0:25:54 | |
No, I like the butter churn. | 0:25:54 | 0:25:56 | |
Butter churn is your favourite. Is that going to churn out the most profit? | 0:25:56 | 0:25:59 | |
-No, I think the horses' heads are going to be profitable. -The horses' heads will do it. | 0:25:59 | 0:26:03 | |
And you agree that the horses' heads will make the most profit? | 0:26:03 | 0:26:06 | |
I hope so. Either the most profit or the most loss. | 0:26:06 | 0:26:09 | |
Well, that's what a high-risk strategy is all about, right? | 0:26:09 | 0:26:12 | |
I love their courage. | 0:26:12 | 0:26:13 | |
And Anita knows all about high risk because there is your pound. | 0:26:13 | 0:26:17 | |
You can't get a coffee in one of these mobile coffee shops for that. | 0:26:17 | 0:26:20 | |
£1, nae bother at all. | 0:26:20 | 0:26:23 | |
THEY LAUGH | 0:26:23 | 0:26:25 | |
Well, no doubt you'll come up with a wee little something which is marvellous. | 0:26:25 | 0:26:28 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:26:28 | 0:26:32 | |
Oh, my dear days, they picked up a | 0:26:32 | 0:26:34 | |
silver mounted calendar for £30. | 0:26:34 | 0:26:37 | |
It was a cased set of knife rests. | 0:26:38 | 0:26:40 | |
Next, they forked out £70. | 0:26:40 | 0:26:43 | |
And finally, this little piggy | 0:26:45 | 0:26:46 | |
is off to market. | 0:26:46 | 0:26:47 | |
The tape measure was £40. | 0:26:47 | 0:26:49 | |
Did you enjoy it? | 0:26:51 | 0:26:52 | |
-BOTH: Loved it. -Did you? -Good fun. | 0:26:52 | 0:26:54 | |
Really. Good fun, wasn't it? | 0:26:54 | 0:26:55 | |
-And which is your favourite piece? -The knife stands. | 0:26:55 | 0:26:58 | |
-The glass knife supports. -The knife rests... | 0:26:58 | 0:27:01 | |
-That's your favourite? -That's my favourite. | 0:27:01 | 0:27:03 | |
-And does the wife agree? -No. I like the little pig measure tape. -Right. | 0:27:03 | 0:27:06 | |
-That's your favourite. -Yes. | 0:27:06 | 0:27:07 | |
Is the little piggy going to make the most profit when he goes to market? | 0:27:07 | 0:27:10 | |
-Probably not but I like it. -Yes. | 0:27:10 | 0:27:13 | |
What will bring the most profit when it goes to market? | 0:27:13 | 0:27:15 | |
-I don't know. -Well, have a think. | 0:27:15 | 0:27:17 | |
-Do I have to know? -What's your prediction? | 0:27:17 | 0:27:19 | |
My little pig then. I'll say my little pig will make the most money. | 0:27:19 | 0:27:21 | |
OK, your little piggy then. Good. | 0:27:21 | 0:27:23 | |
-I'll go with the knife stands I think. -The knife stands. | 0:27:23 | 0:27:25 | |
And you spent how much? | 0:27:25 | 0:27:27 | |
-£140. -Please may I have £160 to give to Christina quick? | 0:27:27 | 0:27:31 | |
-There we go. Going straight over... -Why, thank you. -..to 'er indoors. | 0:27:31 | 0:27:34 | |
-Thank you. -What is 'er indoors going to do next? | 0:27:34 | 0:27:36 | |
-Well, we didn't buy anything sparkly, did we? -BOTH: No. | 0:27:36 | 0:27:40 | |
-No bling. -Maybe something sparkly. I'll go and have a look. | 0:27:40 | 0:27:43 | |
You are such a tease. | 0:27:43 | 0:27:44 | |
Anyway, well done. Go and warm up. | 0:27:44 | 0:27:46 | |
And now it's time for us to see | 0:27:48 | 0:27:49 | |
if their buys really were bargains as we're heading off to auction. | 0:27:49 | 0:27:53 | |
Well, what a selection of objects we've got here | 0:27:55 | 0:27:57 | |
which have trotted in with us from West Sussex to West London. | 0:27:57 | 0:28:02 | |
Here we are at High Road Auctions with Ross Mercer. | 0:28:02 | 0:28:04 | |
-Good morning, Ross. -Good morning, Tim. | 0:28:04 | 0:28:06 | |
Very nice to see you. | 0:28:06 | 0:28:07 | |
Now, for a kick off we've got the carousel heads. | 0:28:07 | 0:28:10 | |
They're just over there. How do you rate them? | 0:28:10 | 0:28:13 | |
Well, they could be... | 0:28:13 | 0:28:15 | |
a decorator's lot | 0:28:15 | 0:28:17 | |
but condition is not great I'm afraid. | 0:28:17 | 0:28:20 | |
In better condition they would have done very, very well indeed. | 0:28:20 | 0:28:23 | |
But to have them restored would be a costly process today. | 0:28:23 | 0:28:27 | |
OK. How much? | 0:28:27 | 0:28:29 | |
£100-£150. | 0:28:29 | 0:28:30 | |
-£179 paid. -Wow. -Will you get that? | 0:28:30 | 0:28:33 | |
With a following win perhaps. | 0:28:35 | 0:28:36 | |
Now, here we are in West London. | 0:28:36 | 0:28:38 | |
How many people in West London make their own butter? That's what I want to know. | 0:28:38 | 0:28:41 | |
It's a craze, don't you know? | 0:28:41 | 0:28:43 | |
Oh! I didn't know that actually. | 0:28:43 | 0:28:45 | |
I suspect that's going to go to one of our private clients | 0:28:45 | 0:28:48 | |
decorating their country cottage kitchen. | 0:28:48 | 0:28:50 | |
Exactly. How much? | 0:28:50 | 0:28:52 | |
-£80-£120. -OK, £100 paid. So that's pretty well on the button. | 0:28:52 | 0:28:56 | |
Next, 20th century design is always popular, particularly in London, | 0:28:56 | 0:29:00 | |
-so these three little jokers are going to be all right. -That's right. | 0:29:00 | 0:29:03 | |
-Carl Cohr, the Danish designer of the 1960s. -How much? | 0:29:03 | 0:29:08 | |
Well, for those we've said £25-£45. | 0:29:08 | 0:29:11 | |
-Great. -Cos they're only plate, aren't they? | 0:29:11 | 0:29:13 | |
-That's right. -Be a different matter in silver. | 0:29:13 | 0:29:15 | |
£20 paid, so that should be a good profit. | 0:29:15 | 0:29:18 | |
So, bearing in mind that the gee-gees | 0:29:18 | 0:29:20 | |
from the fairground are not going to be so hot, | 0:29:20 | 0:29:22 | |
they're going to need their bonus buy, so let's go and have a look at it. | 0:29:22 | 0:29:25 | |
-Well, team, this is exciting, isn't it? -Yes. | 0:29:27 | 0:29:28 | |
£1 you gave... | 0:29:28 | 0:29:31 | |
THEY LAUGH | 0:29:31 | 0:29:32 | |
..Anita Manning. | 0:29:32 | 0:29:33 | |
Anita, how did you manage? | 0:29:33 | 0:29:34 | |
Ah, well, I wanted to spend every penny of it. | 0:29:34 | 0:29:37 | |
And what I bought was a little pair of brass escutcheons. | 0:29:38 | 0:29:44 | |
An escutcheon is a little keyhole cover, | 0:29:44 | 0:29:48 | |
and these are in the Georgian style. | 0:29:48 | 0:29:51 | |
Now, don't be carried away because there're probably only about | 0:29:51 | 0:29:54 | |
five minutes old | 0:29:54 | 0:29:56 | |
but they are quite pretty looking and they are functional. | 0:29:56 | 0:30:00 | |
-Aren't they fun? -Yeah. And well worth 50p. -Absolutely. | 0:30:00 | 0:30:04 | |
-Well done. -Thank you. | 0:30:04 | 0:30:06 | |
Now, the girl's done good. | 0:30:06 | 0:30:07 | |
-How much do you think they might make? -Will it make a profit? | 0:30:07 | 0:30:10 | |
Let's put it this way, we can't lose much. | 0:30:10 | 0:30:12 | |
That is the right answer. | 0:30:13 | 0:30:16 | |
And for the audience at home let's find out | 0:30:16 | 0:30:18 | |
whether the auctioneer thinks it's a pound well spent. | 0:30:18 | 0:30:20 | |
Well, here we go. Cover up your keyhole. | 0:30:22 | 0:30:24 | |
Good Georgian style, Tim. | 0:30:24 | 0:30:26 | |
If you're lacking a pair of these then 20-£30, they're not expensive. | 0:30:26 | 0:30:33 | |
They're very expensive things to buy brand-new. | 0:30:33 | 0:30:35 | |
Is that your estimate? | 0:30:35 | 0:30:37 | |
-We've said 20-40. -Have you really? -Yes. | 0:30:37 | 0:30:39 | |
-Well, the team only left Anita Manning with £1. -£1?! | 0:30:39 | 0:30:42 | |
And her plan is that they'll make a profit. | 0:30:42 | 0:30:44 | |
I think she's right, don't you? | 0:30:44 | 0:30:45 | |
-I think she is right. -Magic. | 0:30:45 | 0:30:47 | |
Anyway, that's it for the Reds. Now, for the Blues. | 0:30:47 | 0:30:50 | |
Kicking off for them is that perpetual calendar. | 0:30:50 | 0:30:54 | |
I always rather like these things, I have to say. | 0:30:54 | 0:30:56 | |
-Particularly when they're solid silver framed. -That's right. | 0:30:56 | 0:30:59 | |
Nice quality, Tim. | 0:30:59 | 0:31:00 | |
And perhaps for a gentleman's desk locally, I hope. | 0:31:00 | 0:31:04 | |
-And it's all working, good to go. -How much? | 0:31:04 | 0:31:07 | |
-We've said £40-£60. -£30 they paid, | 0:31:07 | 0:31:11 | |
so that's good. | 0:31:11 | 0:31:12 | |
Next, Robert went strongly with the knife rests. 12 of them. In a case. | 0:31:12 | 0:31:16 | |
Very nice, aren't they? | 0:31:16 | 0:31:18 | |
They're nice quality, Tim. Really nicely cut. | 0:31:18 | 0:31:21 | |
But I fear that they might be deemed a little bit out of fashion. | 0:31:21 | 0:31:26 | |
Well, I don't think the Brits ever really got into | 0:31:26 | 0:31:29 | |
this knife rest business. But the Continental still do. | 0:31:29 | 0:31:32 | |
I have a feeling they'll definitely go to a Continental buyer. | 0:31:32 | 0:31:34 | |
I could see them ending up in Germany or France, as you suggest. | 0:31:34 | 0:31:38 | |
There you are. How much do you think? | 0:31:38 | 0:31:39 | |
Well, for those we've said £30-£50. | 0:31:39 | 0:31:42 | |
OK, you have been modest in your estimate. | 0:31:42 | 0:31:44 | |
£70 was paid. Now, the embossed brass tape measure. | 0:31:44 | 0:31:50 | |
Certainly, if it were in silver, Tim, | 0:31:50 | 0:31:52 | |
I think we'd have a very exciting evening. | 0:31:52 | 0:31:55 | |
-Um, but, great fun. -Bit bashed. | 0:31:55 | 0:31:57 | |
-A little bit bashed but he still works. -OK, fine. | 0:31:57 | 0:32:00 | |
How much? | 0:32:00 | 0:32:01 | |
Well, for that, we've said £20-£40. | 0:32:01 | 0:32:03 | |
OK, they paid the top end - £40. | 0:32:03 | 0:32:05 | |
It all really hinges on how the knife rests do. | 0:32:05 | 0:32:08 | |
If it goes badly and they don't do well, then the team are definitely | 0:32:08 | 0:32:12 | |
going to need their bonus buy, so let's go and have a look at it. | 0:32:12 | 0:32:15 | |
Robert, Iris, this is your moment. | 0:32:15 | 0:32:17 | |
You gave the girl £160. | 0:32:17 | 0:32:19 | |
She is known to be the last of the big spenders. | 0:32:19 | 0:32:21 | |
Christina, it's over to you. | 0:32:21 | 0:32:23 | |
-Iris, you are not going to like me for this. -Am I not? | 0:32:23 | 0:32:26 | |
Ready? | 0:32:26 | 0:32:28 | |
-Oh, it's...! -The box. -It's the lovely wooden box. | 0:32:28 | 0:32:31 | |
I was very sniffy about it, wasn't I? | 0:32:31 | 0:32:33 | |
-THEY LAUGH -But I just had to go back for it. | 0:32:33 | 0:32:35 | |
I know you didn't like it but I can see a profit in this. | 0:32:35 | 0:32:38 | |
I think it's a really lovely thing. | 0:32:38 | 0:32:40 | |
Stained beech and it's got lovely little gilt highlights around it | 0:32:40 | 0:32:43 | |
as well. So, somebody has taken some time and they've thought about this. | 0:32:43 | 0:32:46 | |
Can you remember what we were looking at for it? Can you remember? | 0:32:46 | 0:32:50 | |
-Mid-20s, wasn't it? -Mid-20s. -Yeah, yeah. | 0:32:50 | 0:32:52 | |
-Well, I managed to get it for £13. -Oh, wow! | 0:32:52 | 0:32:56 | |
And I think it's just a really nice thing, so I couldn't leave it there. | 0:32:56 | 0:32:59 | |
As wooden boxes go, it's a lovely wooden box. | 0:32:59 | 0:33:02 | |
THEY LAUGH | 0:33:02 | 0:33:04 | |
I hope you liked. | 0:33:04 | 0:33:06 | |
What do you expect it to fetch? | 0:33:06 | 0:33:07 | |
I wouldn't hesitate putting sort of £25-£30 on it. | 0:33:07 | 0:33:10 | |
I just think it's really sweet. | 0:33:10 | 0:33:11 | |
-How old is it? -It dates from the early 20th century, I'd say. | 0:33:11 | 0:33:14 | |
-Hmm. -Yes. -So, arts and crafts style. | 0:33:14 | 0:33:17 | |
Maybe sort of a home-spun thing but I think it's a nice thing. | 0:33:17 | 0:33:19 | |
-It's really nicely carved. -They were better at woodwork than me. | 0:33:19 | 0:33:22 | |
THEY LAUGH | 0:33:22 | 0:33:24 | |
If you're happy with it... You're happy with it, I'm happy with it. | 0:33:24 | 0:33:26 | |
-Iris, you're so accommodating. -I know! | 0:33:26 | 0:33:29 | |
Good. Everyone's happy with that. You think you can double your money, | 0:33:29 | 0:33:32 | |
let's find out right now what the auctioneer thinks | 0:33:32 | 0:33:34 | |
about Christina's little box. | 0:33:34 | 0:33:37 | |
Here we go then. There we go. That's...um, | 0:33:37 | 0:33:40 | |
better than first sight I feel. How do you rate that? | 0:33:40 | 0:33:43 | |
It grown on me since it's been here, Tim. | 0:33:43 | 0:33:46 | |
Probably German. Stained beech wood. | 0:33:46 | 0:33:48 | |
Black Forest wood of choice. | 0:33:48 | 0:33:50 | |
Arts and craft in style. | 0:33:50 | 0:33:52 | |
But a little bit better than the apprentice piece | 0:33:52 | 0:33:55 | |
-that I first thought it was. -Hmm. | 0:33:55 | 0:33:57 | |
Nice brass feet. | 0:33:57 | 0:33:58 | |
Good-quality, high-relief carving. | 0:33:58 | 0:34:02 | |
-And then of course, you've got a wonderful silk interior. -Yes. | 0:34:02 | 0:34:05 | |
Now, it's good, isn't it? How do you rate it money-wise? | 0:34:05 | 0:34:08 | |
-On a good day, £40-£60. -Wow. | 0:34:09 | 0:34:12 | |
Well, well done, Christina. Cos she paid 13 notes for that. | 0:34:12 | 0:34:16 | |
-Well bought. -£13. Cos that is a really good little thing for £13. | 0:34:16 | 0:34:21 | |
Good. Well, we're going to have an exciting evening. | 0:34:21 | 0:34:23 | |
Thank you very much, Ross. | 0:34:23 | 0:34:24 | |
25. 30. 35. | 0:34:26 | 0:34:28 | |
35. 40. | 0:34:28 | 0:34:29 | |
45. | 0:34:29 | 0:34:32 | |
Selling now at 45. | 0:34:32 | 0:34:33 | |
-So, how are we? All right? -Yes. -Fine, thank you. | 0:34:34 | 0:34:37 | |
Yes. Very excited. | 0:34:37 | 0:34:39 | |
Getting slightly excited. | 0:34:39 | 0:34:41 | |
Where are you on the excited scale, Susan? | 0:34:41 | 0:34:43 | |
-Oh, I'm probably 11 out of 10, I should say. -Are you really? -Yes. | 0:34:43 | 0:34:47 | |
-What about you, Kev? -Yeah, I'm about the eight or nine mark. | 0:34:47 | 0:34:50 | |
It's really cool, isn't it? Cos you've got some interesting lots. | 0:34:50 | 0:34:53 | |
First up though are the carousel heads and here they come. | 0:34:53 | 0:34:57 | |
Early 20th century carved pine | 0:34:57 | 0:34:59 | |
and polychrome decorated carousel horse heads. | 0:34:59 | 0:35:02 | |
Bids start against you all at £100. | 0:35:02 | 0:35:04 | |
£100 I have. | 0:35:04 | 0:35:05 | |
110, may I say? | 0:35:05 | 0:35:07 | |
110. 120. 130. | 0:35:07 | 0:35:09 | |
£130 bid. 140. | 0:35:09 | 0:35:12 | |
£140 bid. 150, new place. 150. | 0:35:12 | 0:35:15 | |
And 160, sir. 160. 170. | 0:35:15 | 0:35:18 | |
-BOTH: (Yes!) -170. 180. | 0:35:18 | 0:35:21 | |
-ALL GASP -At £170. | 0:35:21 | 0:35:22 | |
Stood at the back of the room at 170. | 0:35:22 | 0:35:24 | |
Anyone else coming in now? | 0:35:24 | 0:35:26 | |
We need 180. | 0:35:26 | 0:35:27 | |
Selling now at 170. | 0:35:27 | 0:35:29 | |
-GAVEL BANGS ALL: Oh. -That was bad luck. | 0:35:29 | 0:35:31 | |
No golden gavel. | 0:35:31 | 0:35:33 | |
Well. Minus £9 is nothing. | 0:35:34 | 0:35:37 | |
The late 19th/early 20th century | 0:35:37 | 0:35:39 | |
staved and coopered oak | 0:35:39 | 0:35:41 | |
domestic butter churn. | 0:35:41 | 0:35:43 | |
There we are. It can churn almost anything in there. And £60. | 0:35:43 | 0:35:47 | |
Gosh, he's got 60. | 0:35:47 | 0:35:48 | |
Looking for 65 now. Come along. | 0:35:48 | 0:35:51 | |
Stand me in at 65, surely. | 0:35:51 | 0:35:53 | |
65. 70. 75 now. | 0:35:53 | 0:35:55 | |
£75 puts me out. At 75. | 0:35:55 | 0:35:58 | |
New place at 80. | 0:35:58 | 0:36:00 | |
85 now, ma'am. | 0:36:00 | 0:36:01 | |
No? At £80. | 0:36:01 | 0:36:03 | |
It stands at 80. All done? | 0:36:03 | 0:36:05 | |
-£80 is minus 20. -(Yes!) | 0:36:07 | 0:36:10 | |
20 down. | 0:36:10 | 0:36:11 | |
A very good price though, I think. | 0:36:11 | 0:36:13 | |
But there we go, not quite enough. | 0:36:13 | 0:36:14 | |
Minus 29 we are at the moment. | 0:36:14 | 0:36:16 | |
136. Carl Cohr, the Danish designer, of course. | 0:36:16 | 0:36:20 | |
1960s plated taper sticks we say. | 0:36:20 | 0:36:23 | |
And £20 bid on the books. | 0:36:23 | 0:36:25 | |
At 20. 25 now. 25. | 0:36:25 | 0:36:27 | |
Bid 30 anywhere? | 0:36:27 | 0:36:28 | |
£30. On the internet at 30. | 0:36:28 | 0:36:31 | |
-£30. -Paid 20, Anita. -30. | 0:36:31 | 0:36:33 | |
I'll take 32 if it helps. | 0:36:33 | 0:36:34 | |
I'll take 50p if it helps. | 0:36:34 | 0:36:36 | |
-He's a good chap. -At £30 on the internet. On the internet at 30. | 0:36:37 | 0:36:40 | |
All done? Selling now at 30. | 0:36:40 | 0:36:42 | |
It's plus £10, | 0:36:43 | 0:36:45 | |
which reduces your losses to only £-19, which is nothing. | 0:36:45 | 0:36:50 | |
So what are we going to do about the lockers, Kev? | 0:36:50 | 0:36:53 | |
Well, we can't risk a pound, can we? So... | 0:36:53 | 0:36:56 | |
-Well, it's... -We were very impressed Anita bought two locks for two Locks. | 0:36:56 | 0:37:01 | |
Is your surname Lock? | 0:37:01 | 0:37:02 | |
-It is. -Oh, how brilliant. | 0:37:02 | 0:37:04 | |
-So we've got to run with that. -Exactly. | 0:37:04 | 0:37:06 | |
OK. So, you're going with the bonus buy, and here it comes. | 0:37:06 | 0:37:09 | |
Pair of these. George III-style gilt metal locker escutcheons. | 0:37:09 | 0:37:13 | |
Where do we start the bidding? £1, surely. | 0:37:13 | 0:37:15 | |
Come along. £1 bid. | 0:37:15 | 0:37:17 | |
£1 bid. 3. 5. 8 now. | 0:37:17 | 0:37:19 | |
At £8. Bid 10, my dear. | 0:37:19 | 0:37:21 | |
£10. Bid 12. | 0:37:21 | 0:37:23 | |
£12. 14. 14. Bid 16. | 0:37:23 | 0:37:25 | |
One more. £16. At 16. | 0:37:25 | 0:37:29 | |
-(Go on!) -18 anywhere? Come along. | 0:37:29 | 0:37:31 | |
Take 17 if it helps. | 0:37:31 | 0:37:32 | |
£16, left-hand side now. | 0:37:32 | 0:37:34 | |
At 16. Last chance. | 0:37:34 | 0:37:36 | |
Done and selling now at £16. | 0:37:36 | 0:37:39 | |
Anita, you are a genius. | 0:37:39 | 0:37:41 | |
Which is plus £15, but sadly, | 0:37:42 | 0:37:45 | |
you had minus 19 so you are £-4. | 0:37:45 | 0:37:48 | |
But that's as close as a gnat bite. | 0:37:49 | 0:37:53 | |
It's really close. That might be a winning score. | 0:37:53 | 0:37:57 | |
Hey, just taken that out of my lips. | 0:37:57 | 0:38:00 | |
The next line is, "Don't say a word to the Blues." | 0:38:00 | 0:38:04 | |
OK. | 0:38:04 | 0:38:05 | |
So, Iris, you've got a steady hand when it comes to these antiques, | 0:38:10 | 0:38:14 | |
-haven't you? -Yes. | 0:38:14 | 0:38:16 | |
Anything you wish you hadn't thought? | 0:38:16 | 0:38:19 | |
Um, no. | 0:38:19 | 0:38:20 | |
I'm very negative about the whole thing, | 0:38:20 | 0:38:22 | |
so anything that we make or don't make is fine with me. | 0:38:22 | 0:38:25 | |
Do you mean negative, or are you just not terribly confident? | 0:38:25 | 0:38:27 | |
No, I'm not confident. | 0:38:27 | 0:38:29 | |
-Are you a confident person normally? -Yes. | 0:38:29 | 0:38:33 | |
Well, isn't this funny that it's all turned in your life | 0:38:33 | 0:38:36 | |
around the antiques? | 0:38:36 | 0:38:38 | |
Would you say that you're a confident person, Roberto? | 0:38:38 | 0:38:41 | |
-Yes. We're going to make a fortune. -Yeah. -You are. | 0:38:41 | 0:38:43 | |
Now, first up is the desk calendar. | 0:38:43 | 0:38:45 | |
-And here it comes. -Good luck. | 0:38:45 | 0:38:47 | |
Lot 153. 1930s silver | 0:38:47 | 0:38:49 | |
mounted desk calendar. | 0:38:49 | 0:38:51 | |
And £35. I'm bid at £35. | 0:38:51 | 0:38:53 | |
Make it 40. £40 bid in front. | 0:38:53 | 0:38:56 | |
-At £40. -Fantastic! | 0:38:56 | 0:38:57 | |
45. | 0:38:57 | 0:38:59 | |
45 now on the internet. At 45. | 0:38:59 | 0:39:01 | |
-Do I hear 50, surely? -Look at that, Robert. | 0:39:01 | 0:39:04 | |
£50 now. On the internet at 50. | 0:39:04 | 0:39:06 | |
At £50. On my right 55 now. | 0:39:06 | 0:39:10 | |
-Wow. -At £55. -£55 maybe. | 0:39:10 | 0:39:14 | |
Done and selling now at £55. | 0:39:14 | 0:39:17 | |
Sold. | 0:39:19 | 0:39:20 | |
£55. You are plus £25. | 0:39:20 | 0:39:24 | |
You nearly doubled your money, Iris. | 0:39:24 | 0:39:26 | |
Set of 12 paste hobnail and star cut | 0:39:26 | 0:39:29 | |
knife rests. There they are. | 0:39:29 | 0:39:31 | |
£30 surely for them. 20 then. | 0:39:31 | 0:39:34 | |
20 bid. At £20 bid. | 0:39:34 | 0:39:37 | |
25 bid. 30. | 0:39:37 | 0:39:38 | |
35. £35 now. | 0:39:38 | 0:39:40 | |
-40. -No money. | 0:39:40 | 0:39:42 | |
At £35. £40 now. | 0:39:42 | 0:39:44 | |
-(Come on!) -Looking for 45. | 0:39:44 | 0:39:46 | |
Come on, keep going. | 0:39:46 | 0:39:47 | |
At £40 now. On my right at 40. | 0:39:47 | 0:39:50 | |
-Last chance at £40. -I can't bear it. | 0:39:50 | 0:39:51 | |
I can't bear this. | 0:39:51 | 0:39:53 | |
-Sold. At £40. -ALL: Oh! | 0:39:53 | 0:39:55 | |
£40 is £-30. | 0:39:55 | 0:39:58 | |
You were doing so well. You're now £-5. | 0:39:58 | 0:40:00 | |
-Oh, no! -Oh. Well, £5. | 0:40:00 | 0:40:02 | |
It's down to your piggy, darling. | 0:40:02 | 0:40:04 | |
It's all down to the piggy. | 0:40:04 | 0:40:05 | |
Pig with his winding tail. | 0:40:05 | 0:40:07 | |
And some interest here. | 0:40:07 | 0:40:09 | |
Bids start at £10 against you. | 0:40:09 | 0:40:11 | |
-£10 bid. £15. -£10? | 0:40:11 | 0:40:13 | |
£15 bid. 20. | 0:40:13 | 0:40:15 | |
£20 bid. 25. | 0:40:15 | 0:40:17 | |
£20. And it stands at 20. | 0:40:17 | 0:40:19 | |
£27 I have. At 27. £30 now. | 0:40:19 | 0:40:24 | |
At 35 now. One more. | 0:40:24 | 0:40:25 | |
Come along, internet. | 0:40:25 | 0:40:26 | |
-Come on, internet. -At 35. | 0:40:26 | 0:40:28 | |
You've got everyone behind you here. | 0:40:28 | 0:40:29 | |
Going at 40. | 0:40:29 | 0:40:30 | |
-£40 on the internet. At 40. -ALL: Yes! | 0:40:30 | 0:40:33 | |
They're all cheering. At 40. | 0:40:33 | 0:40:35 | |
It seems to falter at 40. All done? | 0:40:35 | 0:40:37 | |
-GAVEL BANGS -Sold. £45. | 0:40:38 | 0:40:41 | |
-Sold for £45. -45? That's... | 0:40:41 | 0:40:44 | |
Which means you've made a profit of £5, | 0:40:44 | 0:40:46 | |
which means that you don't have anything. | 0:40:46 | 0:40:49 | |
Oh! | 0:40:49 | 0:40:51 | |
So, what are we going to do about the lovely box? | 0:40:51 | 0:40:53 | |
-Well, we're going for it. -We're playing! Yeah. | 0:40:53 | 0:40:56 | |
-No hesitation. -We couldn't go without the beautiful box. | 0:40:56 | 0:40:58 | |
We have unanimity here. | 0:40:58 | 0:41:00 | |
We're going with the box. | 0:41:00 | 0:41:01 | |
And here it comes, your little box. | 0:41:01 | 0:41:04 | |
Next lot, 159, | 0:41:04 | 0:41:06 | |
is the stained beech wood and parcel gilt jewellery box. | 0:41:06 | 0:41:09 | |
Looking at £10. £10 I'm bid. At 10. | 0:41:09 | 0:41:12 | |
15 now. | 0:41:12 | 0:41:14 | |
£15. Bid £20. It's no money. £20. | 0:41:14 | 0:41:16 | |
25, surely. | 0:41:16 | 0:41:18 | |
25 bid. 30. 35, may I say? | 0:41:18 | 0:41:21 | |
-£35 bid. -Yes, we're in profit! | 0:41:21 | 0:41:23 | |
40 now. | 0:41:23 | 0:41:25 | |
Any further interest now? At £40. | 0:41:25 | 0:41:28 | |
Good-looking box at £40 only. | 0:41:28 | 0:41:30 | |
Last chance. | 0:41:30 | 0:41:31 | |
Done and selling at 40. | 0:41:31 | 0:41:33 | |
It's plus £27. | 0:41:34 | 0:41:36 | |
Always listen to your expert. | 0:41:36 | 0:41:38 | |
Always... Well, listen to this expert. | 0:41:38 | 0:41:41 | |
It's a secret. | 0:41:41 | 0:41:42 | |
There you go. Plus £27. | 0:41:42 | 0:41:44 | |
Don't say a word to the Reds, Iris. | 0:41:44 | 0:41:45 | |
-No, not a word. -OK. Button it. | 0:41:45 | 0:41:48 | |
Well, teams, have we had fun? | 0:41:54 | 0:41:55 | |
-ALL: Yes. -We have had fun, haven't we? | 0:41:55 | 0:41:57 | |
Now, the important issue, of course, is the score. | 0:41:57 | 0:42:00 | |
-Have you been chatting at all... -No. -..between yourselves? | 0:42:00 | 0:42:02 | |
Well, I'm afraid to say that the runners-up today | 0:42:02 | 0:42:05 | |
by a chalk are the Reds. | 0:42:05 | 0:42:08 | |
ALL: Oh! | 0:42:08 | 0:42:10 | |
You got your 20th century designer right. | 0:42:10 | 0:42:12 | |
You got a profit on that and a jolly nice profit on the bonus buy. | 0:42:12 | 0:42:15 | |
The £1 bonus buy | 0:42:15 | 0:42:17 | |
that produced £15 worth of profit, so well done, Anita, for that. | 0:42:17 | 0:42:20 | |
-Which was a hoot, wasn't it? -Oh, yeah. -Yes. | 0:42:20 | 0:42:23 | |
But overall, I'm afraid it didn't particularly go your way. | 0:42:23 | 0:42:26 | |
-But have you had a nice time? -We have. -Great. | 0:42:26 | 0:42:28 | |
That's the important thing. | 0:42:28 | 0:42:30 | |
We loved having you. But the victors today go home with £27. | 0:42:30 | 0:42:33 | |
ALL: Yay. | 0:42:33 | 0:42:34 | |
-Roberto... -Well done, team. -..and Iris, | 0:42:34 | 0:42:37 | |
who's been so fond of one or two of the objects that were bought. | 0:42:37 | 0:42:41 | |
Overall, £27 of profits which are brilliant. | 0:42:42 | 0:42:45 | |
I'm not going to ask you what you're going to spend it on. | 0:42:45 | 0:42:48 | |
-Gin and tonic. -Oh, is that what it is? | 0:42:48 | 0:42:50 | |
Well, you might get one or two of those, even around here. | 0:42:50 | 0:42:52 | |
Anyway, good fun. | 0:42:52 | 0:42:53 | |
Join us soon for some more bargain hunting, yes? | 0:42:53 | 0:42:56 | |
ALL: Yes! | 0:42:56 | 0:42:57 |