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Isn't that gorgeous? | 0:00:05 | 0:00:07 | |
We're in Builth Wells today, in mid Wales, | 0:00:07 | 0:00:11 | |
a town which has a rich history, dating back to the Norman period. | 0:00:11 | 0:00:16 | |
The big question today is, though, | 0:00:16 | 0:00:18 | |
will our teams have what it takes to dig out those hidden gems? | 0:00:18 | 0:00:21 | |
Let's find out. | 0:00:21 | 0:00:22 | |
Let's go bargain hunting! Yeah. | 0:00:22 | 0:00:25 | |
There are more than 1,000 stores here at the Royal Welsh Showground, | 0:00:52 | 0:00:57 | |
and our teams are going to have to do battle | 0:00:57 | 0:01:00 | |
with these crowds | 0:01:00 | 0:01:02 | |
if they're going to get around and select their items. | 0:01:02 | 0:01:05 | |
Let's have a quick squint as to what's coming up. | 0:01:05 | 0:01:08 | |
The Reds have expensive taste. | 0:01:09 | 0:01:12 | |
How much is your quilt? | 0:01:12 | 0:01:14 | |
It's priced at 185. | 0:01:14 | 0:01:16 | |
185. | 0:01:16 | 0:01:17 | |
-220. -220, that is a very humble sum. | 0:01:17 | 0:01:21 | |
You haven't got enough money to buy it. | 0:01:21 | 0:01:22 | |
-How much is it? -350. | 0:01:22 | 0:01:24 | |
-We haven't got enough money to buy it. Come on. -Thank you. | 0:01:24 | 0:01:26 | |
And Colin keeps the Blues in check. | 0:01:26 | 0:01:29 | |
-Not a big money item. -Right. | 0:01:29 | 0:01:31 | |
OK. Never mind. | 0:01:31 | 0:01:32 | |
-I'll stop you there. -Oh, right, 75. | 0:01:33 | 0:01:36 | |
-We're not going to make any money out of that. -Aren't we? -No. | 0:01:36 | 0:01:39 | |
Let's meet the teams. | 0:01:39 | 0:01:40 | |
On Bargain Hunt today | 0:01:42 | 0:01:43 | |
we have two teams who are currently partners | 0:01:43 | 0:01:47 | |
but who are engaged to be married, is that true? | 0:01:47 | 0:01:50 | |
-ALL: -It is. -It is true. | 0:01:50 | 0:01:51 | |
-SILLY VOICE: -The air is full of romance. | 0:01:51 | 0:01:54 | |
For the Reds, we have David and Michelle, | 0:01:54 | 0:01:56 | |
and for the Blues, we have Lindsay and Steve. | 0:01:56 | 0:01:58 | |
-Hello, everyone. -ALL: -Hi, Tim. -Hi, lovely to see you. -Hi, Tim. | 0:01:58 | 0:02:01 | |
-Now, David, you're a maritime historian. -Yes. | 0:02:01 | 0:02:05 | |
I'm a partner in a Titanic exhibition company. | 0:02:05 | 0:02:09 | |
Ooh, are you? | 0:02:09 | 0:02:10 | |
And does this go around the countryside on display then? | 0:02:10 | 0:02:13 | |
-Is that the plan? -We've just come back from Russia. | 0:02:13 | 0:02:15 | |
It's the first time that there's been a Titanic exhibition in Russia, | 0:02:15 | 0:02:18 | |
and that'll touring around Eastern Europe for the next five years. | 0:02:18 | 0:02:21 | |
Do they know what you're talking about when it comes to Titanic? | 0:02:21 | 0:02:23 | |
-In Russia? -Yeah. -They had a good interpreter. | 0:02:23 | 0:02:25 | |
-HE LAUGHS -No, no, I don't mean you personally | 0:02:25 | 0:02:27 | |
-but they know the Titanic story in Russia? -Yes, they do. | 0:02:27 | 0:02:30 | |
Even though there was only, I think, | 0:02:30 | 0:02:31 | |
three passengers on board from Russia. | 0:02:31 | 0:02:33 | |
Yes. The story is as captivating there as it is anywhere else. | 0:02:33 | 0:02:36 | |
So, in terms of the 1,500-piece collection, | 0:02:36 | 0:02:38 | |
what's the best bit that you've got? | 0:02:38 | 0:02:41 | |
We do have some original artefacts from Titanic. | 0:02:41 | 0:02:44 | |
We've got silverware, china, crystal, | 0:02:44 | 0:02:47 | |
-officers' uniforms... -Really? | 0:02:47 | 0:02:49 | |
..letters written by passengers. | 0:02:49 | 0:02:50 | |
Gosh, how fascinating. | 0:02:50 | 0:02:52 | |
Michelle, what do you do for a job or work, darling? | 0:02:52 | 0:02:54 | |
Hi, Tim. I work for the Cheltenham General Hospital | 0:02:54 | 0:02:57 | |
as a medical secretary in the oncology department, | 0:02:57 | 0:03:01 | |
which is very busy. | 0:03:01 | 0:03:03 | |
And so what do you do to relax? | 0:03:03 | 0:03:05 | |
-Um... -It says here you do a bit of belly dancing. | 0:03:05 | 0:03:07 | |
I do a little bit of belly dancing. | 0:03:07 | 0:03:09 | |
-THEY LAUGH -That must be very relaxing | 0:03:09 | 0:03:11 | |
-after the hospital. -It is. Yes. | 0:03:11 | 0:03:13 | |
-You can really let yourself go. -Shake it all away. | 0:03:13 | 0:03:16 | |
THEY LAUGH | 0:03:16 | 0:03:18 | |
Well, that's marvellous. | 0:03:18 | 0:03:19 | |
Now, travel - you like to flit about a bit. | 0:03:19 | 0:03:21 | |
Where's your favourite destination? | 0:03:21 | 0:03:23 | |
Ah, Normandy, France, the Champagne region. | 0:03:23 | 0:03:27 | |
Would that be for a particular reason? | 0:03:27 | 0:03:29 | |
DAVID CHUCKLES | 0:03:29 | 0:03:30 | |
Um, I quite like drinking champagne. | 0:03:30 | 0:03:32 | |
-I'm sure you'll have a fab time. -Thank you. | 0:03:32 | 0:03:34 | |
Really lovely to talk to you. | 0:03:34 | 0:03:36 | |
Now, Lindsay, what is this about your mysterious life of crime? | 0:03:36 | 0:03:40 | |
Are you what they call a jailbird? | 0:03:40 | 0:03:42 | |
Well, no. I'm not a criminal but I am a crime writer. | 0:03:42 | 0:03:45 | |
I'm a novelist and I've had six crime novels published. | 0:03:45 | 0:03:47 | |
Have you really? | 0:03:47 | 0:03:49 | |
What sort of typical subject? Do you like a nice murder? | 0:03:49 | 0:03:51 | |
Yeah. | 0:03:51 | 0:03:52 | |
They're all sort of murder mysteries. | 0:03:52 | 0:03:54 | |
I've written contemporary novels | 0:03:54 | 0:03:56 | |
but I've also written historical | 0:03:56 | 0:03:58 | |
about the mysterious death of Jane Austen. | 0:03:58 | 0:04:00 | |
Well, that's really interesting, isn't it, | 0:04:00 | 0:04:03 | |
because there is a connection between Austen | 0:04:03 | 0:04:06 | |
-and where you work, Steve, right? -Yes, Tim. | 0:04:06 | 0:04:08 | |
I'm afraid we've got to continue the Austen theme | 0:04:08 | 0:04:10 | |
because I run a charity which is based in the Elizabethan manor | 0:04:10 | 0:04:13 | |
which her third brother, Edward, owned. | 0:04:13 | 0:04:15 | |
And because of inheriting that estate, | 0:04:15 | 0:04:19 | |
he was able to install Jane, | 0:04:19 | 0:04:21 | |
his mother, Cassandra, her sister Cassandra and their friend Mary | 0:04:21 | 0:04:24 | |
into the village of Chawton. | 0:04:24 | 0:04:25 | |
-And from there, all six of Austen's novels were published. -Really? | 0:04:25 | 0:04:29 | |
So there's a very strong connection. | 0:04:29 | 0:04:31 | |
And tell us about the charity then. | 0:04:31 | 0:04:33 | |
You're set up to maintain and continue this edifice, are you not? | 0:04:33 | 0:04:37 | |
It's an unusual charity because it's part international study centre, | 0:04:37 | 0:04:40 | |
it has a world-leading collection of women's literature, 1600-1830, | 0:04:40 | 0:04:45 | |
organic farm. | 0:04:45 | 0:04:46 | |
So, really, it's one of those things | 0:04:46 | 0:04:49 | |
where I don't know what's coming up from day to day. | 0:04:49 | 0:04:51 | |
-Well, that's a good old mixture, isn't it? -It is a mixture. | 0:04:51 | 0:04:53 | |
So what plans have you got for the future, you two? | 0:04:53 | 0:04:56 | |
When are you going to get spliced? | 0:04:56 | 0:04:57 | |
Well, the only problem is, we have six children between us, | 0:04:57 | 0:05:01 | |
and trying to get them all together in the same place... | 0:05:01 | 0:05:03 | |
-Gosh, you have been busy. -I'm only 35 as well. | 0:05:03 | 0:05:05 | |
THEY LAUGH | 0:05:05 | 0:05:06 | |
-Yes. -So, yeah, we're not quite sure yet, are we? -No. | 0:05:06 | 0:05:09 | |
-Well, some time next year? -Yes. -Yes, the foreseeable future. | 0:05:09 | 0:05:12 | |
-"The foreseeable future," says he... -Yes. | 0:05:12 | 0:05:14 | |
..with a sigh of relief. | 0:05:14 | 0:05:15 | |
And when are you two planning your splice? | 0:05:15 | 0:05:17 | |
We've taken our time. | 0:05:17 | 0:05:18 | |
We've been engaged eight and a half years, | 0:05:18 | 0:05:20 | |
so, hopefully, some time in the next 12 months. | 0:05:20 | 0:05:22 | |
How many children have you got between you? | 0:05:22 | 0:05:24 | |
-Three. -Oh, nothing. | 0:05:24 | 0:05:26 | |
Not even in the beginning of the pecking order | 0:05:26 | 0:05:28 | |
of children production. | 0:05:28 | 0:05:30 | |
Anyway, on that happy note, go forth with our £300. | 0:05:30 | 0:05:34 | |
-£300 apiece. -Thanks, Tim. | 0:05:34 | 0:05:35 | |
You know the rules, your experts await. And off you go! | 0:05:35 | 0:05:38 | |
And very, very, very good luck. | 0:05:38 | 0:05:40 | |
Nine children between them, eh? Ooh! | 0:05:40 | 0:05:42 | |
Today's first-class teams are matched in stature by their experts. | 0:05:44 | 0:05:49 | |
MAKES SOUNDS | 0:05:49 | 0:05:50 | |
Set to squeeze prices right down | 0:05:50 | 0:05:52 | |
for the Reds is Caroline Hawley. | 0:05:52 | 0:05:54 | |
And a man who can use any means | 0:05:54 | 0:05:57 | |
to spot a bargain, it's Colin Young. | 0:05:57 | 0:05:59 | |
What are you looking for? | 0:06:02 | 0:06:04 | |
Some jewellery I'm quite interested in, | 0:06:04 | 0:06:07 | |
or designer handbags. | 0:06:07 | 0:06:08 | |
Ooh, aren't we all? And what about you, David? | 0:06:08 | 0:06:11 | |
I might play a bit more safe. | 0:06:11 | 0:06:12 | |
I think we'll look for some silverware | 0:06:12 | 0:06:14 | |
-or maybe some china. -OK. | 0:06:14 | 0:06:17 | |
-So, Steve, Lindsay, first time round a big fair, I hear. -Yes. | 0:06:17 | 0:06:22 | |
What are you looking for? | 0:06:22 | 0:06:23 | |
I'd love to find some Regency Silver but, if I did, | 0:06:23 | 0:06:25 | |
I don't suppose I could afford it. but, you know, that would be ideal. | 0:06:25 | 0:06:28 | |
That'd be great. OK, have you got a plan, Steve? | 0:06:28 | 0:06:30 | |
Well, we thought we were going to be decisive | 0:06:30 | 0:06:32 | |
but, no, we're not quite so sure. | 0:06:32 | 0:06:34 | |
-Right, are you ready to go? -Yep. -Absolutely. | 0:06:34 | 0:06:36 | |
Come on, then. Let's go shopping. | 0:06:36 | 0:06:37 | |
-WHISTLE BLOWS -Yes, teams, | 0:06:37 | 0:06:39 | |
your hour to scour starts now. | 0:06:39 | 0:06:41 | |
And the Blues are straight in there. | 0:06:41 | 0:06:44 | |
-Is it any good or...? -It's OK. It's Japanese, early 20th century. | 0:06:44 | 0:06:48 | |
-Not a great quality, so not a big money item. -Right. | 0:06:48 | 0:06:51 | |
OK. Never mind. | 0:06:51 | 0:06:53 | |
And they're straight out again. Keep at it, Blues. | 0:06:53 | 0:06:55 | |
The Reds, on the other hand, | 0:06:57 | 0:06:58 | |
are feeling rather more chilled. | 0:06:58 | 0:07:00 | |
Plenty of time but it goes very, very quickly, believe me. | 0:07:00 | 0:07:03 | |
Yes, look out, Reds. | 0:07:03 | 0:07:04 | |
Relax too much and you won't be chilled out, | 0:07:04 | 0:07:06 | |
you'll be out in the cold with no items. | 0:07:06 | 0:07:08 | |
-Is that Sheffield plate? -Yeah, I think so. | 0:07:11 | 0:07:13 | |
I'll stop you there. Look at the... | 0:07:13 | 0:07:15 | |
The price is the first thing you need to look at. | 0:07:15 | 0:07:17 | |
-Uh-huh. -Generally, in sales, | 0:07:17 | 0:07:19 | |
-they can make anywhere between £20 and £40. -Ah. -Right. -OK. | 0:07:19 | 0:07:23 | |
-There's no price on it. -No. -Oh, there is. | 0:07:23 | 0:07:25 | |
-Oh, right, 75. -It's inside. -Yes. | 0:07:25 | 0:07:28 | |
Oh, right. | 0:07:28 | 0:07:29 | |
Yes, Colin's right. Those figures don't add up. | 0:07:29 | 0:07:32 | |
Move along now, please. | 0:07:32 | 0:07:33 | |
-Oh, look at the teddy bear. Isn't he cute? -Aw. | 0:07:35 | 0:07:38 | |
He's not a Steiff though. | 0:07:38 | 0:07:40 | |
-No, he's not but he's in good condition. -He is, isn't he? | 0:07:40 | 0:07:42 | |
-He is. -He is, isn't he? -Absolutely, yes. | 0:07:42 | 0:07:46 | |
Is he a growler? Tip him up and see. | 0:07:46 | 0:07:48 | |
HE GROWLS | 0:07:48 | 0:07:50 | |
THEY LAUGH | 0:07:50 | 0:07:51 | |
Yeah. Very nice. | 0:07:51 | 0:07:53 | |
And he's got some age to him. Look at his long paws. | 0:07:55 | 0:07:58 | |
Little bit of a humpback. | 0:07:58 | 0:08:00 | |
-He's not too bad, is he? -No. | 0:08:00 | 0:08:01 | |
-Shall we see how much he is? -Yes. | 0:08:01 | 0:08:03 | |
How much is your ted? | 0:08:03 | 0:08:04 | |
-60. -60. | 0:08:04 | 0:08:05 | |
-You're a bit steep... -I think it's a little bit steep. -Yes. -..little man. | 0:08:05 | 0:08:09 | |
-Sorry, Ted, we're going to have to wave you goodbye. -Aw. | 0:08:09 | 0:08:11 | |
Bye. | 0:08:11 | 0:08:12 | |
Still no purchase from the Reds. | 0:08:12 | 0:08:15 | |
Pick up the pace, chaps, or things could get grizzly. | 0:08:15 | 0:08:18 | |
£38. | 0:08:18 | 0:08:20 | |
Yeah. I mean, it's going to be 25 or £40. | 0:08:20 | 0:08:23 | |
You're not going to gain anything. | 0:08:23 | 0:08:24 | |
In Shrewsbury maybe, | 0:08:24 | 0:08:26 | |
and that's where the sale is going to be. | 0:08:26 | 0:08:27 | |
How old do you think it is, Colin? | 0:08:27 | 0:08:29 | |
I think it's actually not very old. | 0:08:29 | 0:08:30 | |
There'll be plenty of these made up in Eastern Europe | 0:08:30 | 0:08:33 | |
and bound up and sent over here. | 0:08:33 | 0:08:35 | |
But it's still a good decorator's item. | 0:08:35 | 0:08:37 | |
It's bound to be on someone's bucket list. | 0:08:37 | 0:08:39 | |
-Shall I ask what the best price is? -Yeah. What the best price is. | 0:08:39 | 0:08:42 | |
-OK, yeah. -OK. | 0:08:42 | 0:08:44 | |
Is this the... Is this the person? | 0:08:44 | 0:08:46 | |
Is this one yours? | 0:08:46 | 0:08:48 | |
Oh, sorry. | 0:08:48 | 0:08:50 | |
-Sir. -Hi, there. | 0:08:51 | 0:08:52 | |
I think it's got 38 on here but if we want to make any | 0:08:52 | 0:08:56 | |
sort of profit, what's the very, very best you can do me on that? | 0:08:56 | 0:08:59 | |
The very best - one offer - 30 quid. | 0:08:59 | 0:09:02 | |
30 quid? Yeah. | 0:09:02 | 0:09:04 | |
-29? -Oh, go on, then. | 0:09:04 | 0:09:06 | |
THEY LAUGH OK. | 0:09:06 | 0:09:08 | |
COLIN: Ooh, that was so sneaky but it was so good. | 0:09:08 | 0:09:10 | |
-Thank you very much indeed. -Cheers. Thanks. | 0:09:10 | 0:09:12 | |
-I'll have that one. -Brilliant. | 0:09:12 | 0:09:14 | |
That poor stallholder. | 0:09:14 | 0:09:16 | |
I'm sure he went a bit "pail" then. | 0:09:16 | 0:09:17 | |
Our Caroline's a magpie for a smart design look. | 0:09:20 | 0:09:22 | |
How much is your chair? | 0:09:22 | 0:09:24 | |
-Do you like this? -MAN SHOUTS: 45. | 0:09:25 | 0:09:27 | |
-Do you like that? -Oh, that is nice. | 0:09:27 | 0:09:29 | |
-Yeah. -I think that's quite cool. | 0:09:29 | 0:09:32 | |
-That's very nice. -A modern... -Yeah. -It's a little bit rubbed here | 0:09:32 | 0:09:36 | |
but the seat's in good order. | 0:09:36 | 0:09:39 | |
-What do you think? -Yeah, because...a retro finish. -Yeah. | 0:09:39 | 0:09:42 | |
-It still does quite well, doesn't it? -Yeah. | 0:09:42 | 0:09:44 | |
-I can see some of the young ones rather liking this. -I can as well. | 0:09:44 | 0:09:48 | |
-It's quite nice. -It is. -Whoo. Whoo! | 0:09:48 | 0:09:51 | |
-THEY LAUGH -I like that. | 0:09:52 | 0:09:54 | |
-What do you think? -How much is this? -How much is the chair? | 0:09:54 | 0:09:57 | |
-MAN: 45. -45. | 0:09:57 | 0:09:59 | |
And what's your very best price? | 0:09:59 | 0:10:01 | |
40 would be my very best. | 0:10:01 | 0:10:03 | |
-30 sounds better. -35. | 0:10:03 | 0:10:05 | |
I know it would but... | 0:10:05 | 0:10:07 | |
I give 35 for it, so I'll have to make a fiver on it. | 0:10:07 | 0:10:09 | |
-35? -Can we give you 35 back, please? | 0:10:09 | 0:10:12 | |
-Go on. -Thank you! -35. | 0:10:12 | 0:10:15 | |
-THEY LAUGH -Thank you. | 0:10:15 | 0:10:17 | |
-Thank you very much. -No problem. | 0:10:17 | 0:10:19 | |
-I like that. -It is, it's lovely. -One down, two to go. | 0:10:19 | 0:10:21 | |
-One down, two to go. Thank you. -MAN: Thank you very much. | 0:10:21 | 0:10:24 | |
Three chairs... I mean...cheers, for the Reds. | 0:10:24 | 0:10:27 | |
Well, just the one chair actually, and purchase number one too. | 0:10:27 | 0:10:30 | |
Oh, look at this little love seat for you two engaged there. | 0:10:30 | 0:10:34 | |
Sit yourselves down, Michelle, | 0:10:34 | 0:10:37 | |
David. Little snuggle? | 0:10:37 | 0:10:39 | |
With those, it would be three chairs for the Reds. | 0:10:39 | 0:10:42 | |
Ah, that's nice. | 0:10:42 | 0:10:43 | |
-TIM TUTS -Oh, Lord. | 0:10:43 | 0:10:44 | |
Oh, come on, we've got to shop now. Never mind that. | 0:10:44 | 0:10:46 | |
Yes, come along, Reds. | 0:10:46 | 0:10:47 | |
Less snuggling and more haggling, please. | 0:10:47 | 0:10:50 | |
15 minutes gone. | 0:10:50 | 0:10:51 | |
-That's quite unusual, isn't it? -OK. Let's have a look. -Yeah. | 0:10:53 | 0:10:56 | |
Give me that. Let's have a look. | 0:10:56 | 0:10:58 | |
Night watchman. Yeah. | 0:10:58 | 0:11:00 | |
Looks to be good. Even named. "Watchman. What of the night?" | 0:11:00 | 0:11:04 | |
Ah, Royal Doulton. | 0:11:04 | 0:11:06 | |
-Good mark. -Yes. -And Kingsware. | 0:11:06 | 0:11:09 | |
Nice type of series that was done, so very popular. | 0:11:09 | 0:11:12 | |
Condition - handle seems to be good. | 0:11:12 | 0:11:14 | |
That seems like a reasonable thing. | 0:11:14 | 0:11:16 | |
-Right. -What drew you to it? | 0:11:16 | 0:11:18 | |
I think it's because I've got some more plates at home | 0:11:18 | 0:11:20 | |
-which are Izaak Walton, the fishermen. -Oh, right. Yes. | 0:11:20 | 0:11:22 | |
-And the style of it just reminded me of that. -Yes. | 0:11:22 | 0:11:25 | |
Is it the same era? | 0:11:25 | 0:11:26 | |
Yes, it is. That's the same era. Yes, yes. | 0:11:26 | 0:11:28 | |
-OK. -It is. -So, what do you think? | 0:11:28 | 0:11:30 | |
I think that's something that's going to make | 0:11:30 | 0:11:32 | |
maybe up to £100 at tops | 0:11:32 | 0:11:34 | |
and something we should consider and come back to later. | 0:11:34 | 0:11:37 | |
-OK. -OK. -Pop it back on the... | 0:11:37 | 0:11:38 | |
Pop it on the table and then we'll come back to it. | 0:11:38 | 0:11:41 | |
Hey, if it's priced at £80 and it's going to make £100, | 0:11:41 | 0:11:44 | |
then why not get the thing bought, hey, Blues? | 0:11:44 | 0:11:46 | |
Now the Reds are having a butchers at something. | 0:11:47 | 0:11:49 | |
What do you think of the butcher's block, David? | 0:11:49 | 0:11:51 | |
Oh, I like that. | 0:11:51 | 0:11:52 | |
-Do you? I do. -I like that. -Do you? -It is gorgeous. Now, I think it's... | 0:11:52 | 0:11:56 | |
It needs to be on something but that is absolutely beautiful. | 0:11:57 | 0:12:01 | |
-Hello, sir. -MAN: Hello. How are you? | 0:12:01 | 0:12:03 | |
We're well so far, depending on the price of this. | 0:12:03 | 0:12:05 | |
-You've not enough money to buy it. -How much is it? | 0:12:05 | 0:12:07 | |
-350. -Is it really? -350. | 0:12:07 | 0:12:09 | |
-You're right, we haven't enough money. Right, come on. -Thank you. | 0:12:09 | 0:12:12 | |
£350 for a butcher's block? | 0:12:12 | 0:12:15 | |
The "stakes" in this game aren't quite that high, sadly. | 0:12:15 | 0:12:18 | |
Chop chop, we're pushing the halfway point | 0:12:18 | 0:12:20 | |
and there's only one purchase between you, teams, | 0:12:20 | 0:12:23 | |
so let's pick up the pace and we could be home in time. | 0:12:23 | 0:12:25 | |
Colin, do you think that's new or old? | 0:12:25 | 0:12:27 | |
No, definitely old item. Early 20th century. | 0:12:27 | 0:12:30 | |
Nice little dinner gong. Chinese. Tibetan maybe. | 0:12:30 | 0:12:33 | |
-It's going to come down to the inevitable price. -Yes. -Yeah. | 0:12:33 | 0:12:36 | |
-I can't see one. -Shall we ask? -Yeah. | 0:12:36 | 0:12:38 | |
What's your very best offer on that one? | 0:12:38 | 0:12:40 | |
Well, it cost me 25. | 0:12:40 | 0:12:42 | |
I'll let you have it for what it cost me - 25. | 0:12:42 | 0:12:43 | |
Really? That sounds great. | 0:12:43 | 0:12:45 | |
That's fantastic. Thank you very much indeed. We'll have that. | 0:12:45 | 0:12:47 | |
-Yeah? -Yes, I think so. -OK. | 0:12:47 | 0:12:49 | |
It's a good buy. | 0:12:49 | 0:12:51 | |
You're in the rhythm now, aren't you, of this buying thing? | 0:12:51 | 0:12:54 | |
Yes, we are. And it's nothing like what we said we'd go for but... | 0:12:54 | 0:12:57 | |
-It's not like what we were going to go for but that's very unusual. -OK. | 0:12:57 | 0:13:01 | |
Early 20th century. | 0:13:01 | 0:13:03 | |
Really nice hardwood frame on it, which is embellished with that | 0:13:03 | 0:13:06 | |
silver work that's hammered into it as well. | 0:13:06 | 0:13:09 | |
Whether the two went together originally, who knows? | 0:13:09 | 0:13:11 | |
-But it works really well together. -Very attractive. -Yes. | 0:13:11 | 0:13:14 | |
Does it matter that there's a bit of damage on it? | 0:13:14 | 0:13:16 | |
No, I wouldn't worry about that. | 0:13:16 | 0:13:18 | |
I think, at £25, any problems with it, | 0:13:18 | 0:13:21 | |
-they're the worry of the purchaser. -Fantastic. | 0:13:21 | 0:13:23 | |
Considering you've already bought it, Blues, | 0:13:23 | 0:13:25 | |
it's a bit late to be wondering about condition. | 0:13:25 | 0:13:27 | |
Now, the Reds haven't moved far. | 0:13:27 | 0:13:29 | |
What's brewing, team? | 0:13:29 | 0:13:30 | |
Now, Michelle, do you know what this is? | 0:13:30 | 0:13:33 | |
-A tea caddy. -A tea caddy. It is. | 0:13:34 | 0:13:37 | |
It's an early Victorian, | 0:13:37 | 0:13:40 | |
-Rosewood... -Yes. -..tea caddy. | 0:13:40 | 0:13:42 | |
And, if we look inside, it's got the two compartments, | 0:13:43 | 0:13:46 | |
some of the inside, the interior, has come off there. | 0:13:46 | 0:13:48 | |
-That's still the original foil, isn't it? -Yeah, absolutely, original foil. | 0:13:48 | 0:13:51 | |
There's no damage to it at all. | 0:13:54 | 0:13:56 | |
Quite often some of this moulding has come off. | 0:13:56 | 0:13:58 | |
All its feet are intact. | 0:13:58 | 0:14:00 | |
-But I think that's a pretty little thing. -I quite like it. | 0:14:00 | 0:14:03 | |
And you could use it for something else, couldn't you really? | 0:14:03 | 0:14:06 | |
-Yeah, or it's just a stand-alone, pretty object. -Yeah. | 0:14:06 | 0:14:10 | |
I mean, it depends on the price. | 0:14:10 | 0:14:11 | |
-I think that's probably a bit high. -I think it is. | 0:14:11 | 0:14:15 | |
-But we can find the owner and ask. Shall we? -Yes. -If you're interested. | 0:14:15 | 0:14:19 | |
-Do you like? -I do. -Tea caddies always seem to do well, don't they? | 0:14:19 | 0:14:22 | |
-They do. -Yeah. And it's a nice one, it's in good order. | 0:14:22 | 0:14:26 | |
-OK. -Yeah, definitely. -All right, we'll have a look. | 0:14:26 | 0:14:28 | |
-Hello. -Hey. -Hi. | 0:14:28 | 0:14:31 | |
-You can't afford to buy that. -THEY LAUGH | 0:14:31 | 0:14:34 | |
Your tea caddy, what is the very best on it, please? | 0:14:34 | 0:14:36 | |
I thought it was cheap at 60 quid. | 0:14:36 | 0:14:38 | |
-Did you? -Hmm. -It'd be reasonable at 30. | 0:14:38 | 0:14:41 | |
-TIM: -David, you're a born trier. -MAN: I think you're watching too much... | 0:14:41 | 0:14:44 | |
-That'll be the death of you! -THEY BANTER, TALKING OVER EACH OTHER | 0:14:44 | 0:14:47 | |
-STALLHOLDER: -No, 50 quid would be the death. And that is cheap. | 0:14:47 | 0:14:50 | |
Yeah. They used to be a lot more money than that. Ten years ago... | 0:14:50 | 0:14:52 | |
-BOTH: Hmm. -..when I had my shop, | 0:14:52 | 0:14:54 | |
I would have sold this all day long - 120, £140, | 0:14:54 | 0:14:58 | |
-as I'm sure you would. -Yes. | 0:14:58 | 0:15:00 | |
But it's just, times are difficult at the moment. | 0:15:00 | 0:15:03 | |
-Absolutely. -40's no good? | 0:15:03 | 0:15:05 | |
45, but that is absolutely it. | 0:15:05 | 0:15:08 | |
-OK. -Do you want to go for it or shall we think about it? -Yeah. | 0:15:08 | 0:15:11 | |
I quite like it. | 0:15:11 | 0:15:12 | |
-I quite like it. -I think that we should have it. -OK. -Yes. | 0:15:12 | 0:15:15 | |
Thank you, sir, we'll have it. | 0:15:15 | 0:15:17 | |
-Thanks very much. -Thank you. -Thank you. | 0:15:17 | 0:15:19 | |
-TIM: -Well done. A canny caddie deal means the Reds are up to two items. | 0:15:19 | 0:15:24 | |
The Blues have just one and are on the move. | 0:15:24 | 0:15:27 | |
-Right, team, next building. -Right. | 0:15:27 | 0:15:28 | |
Hello, Bedrock 2374? | 0:15:35 | 0:15:37 | |
-It looks like a toy. -Wilma! | 0:15:37 | 0:15:39 | |
-THEY GIGGLE -The Reds are having a gay old time | 0:15:40 | 0:15:43 | |
but what about the yabba-dabba-Blues? | 0:15:43 | 0:15:46 | |
It's amazing what you can bump into when you're scouring these fairs. | 0:15:46 | 0:15:49 | |
-Hello, Tim. -All good? -Not bad. -Pretty good. -Yeah? -Yeah, yeah. | 0:15:49 | 0:15:51 | |
-Colin servicing you adequately? -Doing very well. | 0:15:51 | 0:15:54 | |
-Oh, good. -Doing very well indeed. -I've done nothing. | 0:15:54 | 0:15:57 | |
Both purchases by them, negotiation by them. | 0:15:57 | 0:15:59 | |
-You've bought two, have you? -We've bought two, yes. -Brilliant. | 0:15:59 | 0:16:02 | |
I think we've got about 25 minutes left, | 0:16:02 | 0:16:03 | |
-so we're going to take our time over this third one. -Ample time. | 0:16:03 | 0:16:07 | |
Very, very cool. Are you feeling cool? | 0:16:07 | 0:16:09 | |
At the moment, yes. | 0:16:09 | 0:16:11 | |
-It's very cold actually. -Well, I know. | 0:16:11 | 0:16:13 | |
Not enough, that's why we wrap up. | 0:16:13 | 0:16:15 | |
-Yes. -But Colin's hardy, you see. | 0:16:15 | 0:16:17 | |
-He is. -He's made of sterner stuff. | 0:16:17 | 0:16:20 | |
-Anyway, good luck. -Thank you. | 0:16:20 | 0:16:22 | |
-See you later. -Right. -Thank you very much. -Thank you, Colin. -OK. | 0:16:22 | 0:16:24 | |
What would that be used for? Do you like the dog? | 0:16:29 | 0:16:31 | |
Beautiful, isn't he? | 0:16:31 | 0:16:32 | |
I think he's really sexy. | 0:16:32 | 0:16:35 | |
Hey, sexy. | 0:16:35 | 0:16:37 | |
-THEY LAUGH -..do you know what I mean? | 0:16:37 | 0:16:39 | |
-I think he's lovely. -He is. | 0:16:39 | 0:16:41 | |
Oh, look, there's one in the car. Do you think he's in charge? | 0:16:41 | 0:16:44 | |
Shall we ask him? Excuse me, sir, could you tell me | 0:16:44 | 0:16:46 | |
how much this dog is from your stall? | 0:16:46 | 0:16:48 | |
Could you tell me how much your little doggy is? | 0:16:49 | 0:16:52 | |
GRUFF VOICE: I'm a doggy in a window. | 0:16:52 | 0:16:54 | |
Sometimes there's just so much stuff at these fairs | 0:16:54 | 0:16:57 | |
that you can't see the wood for the trees. | 0:16:57 | 0:16:59 | |
But when the wood is in the form of these two items, | 0:16:59 | 0:17:02 | |
they certainly stand out to me. | 0:17:02 | 0:17:03 | |
Do you fancy yourself as a bit of a woodcarver? | 0:17:03 | 0:17:06 | |
Well, if you do, | 0:17:07 | 0:17:09 | |
sit back in wonder at the profusion of carving | 0:17:09 | 0:17:14 | |
on these two objects. | 0:17:14 | 0:17:16 | |
Just look at that. | 0:17:16 | 0:17:18 | |
Not a square millimetre is left uncarved. | 0:17:18 | 0:17:23 | |
There is a density of flowers and foliage here | 0:17:23 | 0:17:27 | |
which fair takes your breath away. | 0:17:27 | 0:17:29 | |
This object, if I open it up, reveals compartments for envelopes | 0:17:29 | 0:17:34 | |
and stationery. | 0:17:34 | 0:17:35 | |
It's a stationery box. | 0:17:35 | 0:17:37 | |
Probably made around about 1850-1880. | 0:17:37 | 0:17:41 | |
This thing, sat on a desk next door to the stationery box... | 0:17:42 | 0:17:47 | |
And if I open it up, | 0:17:47 | 0:17:48 | |
once upon a time it had a spine here | 0:17:48 | 0:17:51 | |
that held two sheets of blotting paper. | 0:17:51 | 0:17:54 | |
And you'd have written your letter on it, | 0:17:54 | 0:17:56 | |
turned the letter over and blotted out any loose ink. | 0:17:56 | 0:18:00 | |
Within the profusion of flowers and foliage though, | 0:18:00 | 0:18:03 | |
there's a whole lot of action going on | 0:18:03 | 0:18:05 | |
but you've got to look very carefully. | 0:18:05 | 0:18:08 | |
Here we've got a long-eared creature with a long tail | 0:18:08 | 0:18:11 | |
that I think is supposed to be some sort of hare. | 0:18:11 | 0:18:14 | |
In the middle - a lion, about to eat its lunch. | 0:18:14 | 0:18:18 | |
And overall, a number of other animals all drifting about. | 0:18:18 | 0:18:23 | |
On this side, if I turn it round, | 0:18:23 | 0:18:25 | |
it's a little clearer to see on the back. | 0:18:25 | 0:18:28 | |
Here we've got a tiger above a large butterfly. | 0:18:28 | 0:18:32 | |
And on either side, some more rodents. | 0:18:32 | 0:18:35 | |
Can you contemplate the amount of work that was involved, | 0:18:35 | 0:18:39 | |
the number of hours to create this amount of detail? | 0:18:39 | 0:18:42 | |
Well, it's amazing. | 0:18:42 | 0:18:44 | |
But they date from a period, | 0:18:44 | 0:18:46 | |
the time of the British Raj in India | 0:18:46 | 0:18:48 | |
between about 1850 and 1870 | 0:18:48 | 0:18:51 | |
when, frankly, the skills were available | 0:18:51 | 0:18:54 | |
and the workmen were probably paid extremely badly. | 0:18:54 | 0:18:58 | |
As a result of these things being made for the Europeans, | 0:18:58 | 0:19:01 | |
a whole lot returned to Britain. | 0:19:01 | 0:19:04 | |
And occasionally, you can find this dense carved work for sale. | 0:19:04 | 0:19:08 | |
If you're really sharp eyed and lucky, for under £100. | 0:19:08 | 0:19:13 | |
And that's because there's a certain amount of damage that needs repair. | 0:19:13 | 0:19:17 | |
But once that's repaired and, | 0:19:17 | 0:19:19 | |
possibly, if you were to lacquer it - | 0:19:19 | 0:19:22 | |
red, or green, or cream, | 0:19:22 | 0:19:24 | |
then you'd have a desk set | 0:19:24 | 0:19:27 | |
that would be likely to be worth the north end of £500. | 0:19:27 | 0:19:31 | |
Now, there's a chip off the old block. | 0:19:32 | 0:19:34 | |
Back to the shopping, | 0:19:35 | 0:19:36 | |
and with 50 minutes to go, the teams hunt for that elusive | 0:19:36 | 0:19:39 | |
but vital item number three. | 0:19:39 | 0:19:41 | |
Oh, a capstan inkwell. | 0:19:43 | 0:19:45 | |
-Yes. £240. -That's lovely. | 0:19:45 | 0:19:47 | |
-It is, but we're not going to make any money out of that. -Aren't we? | 0:19:47 | 0:19:50 | |
-No. -Even if we managed to knock them down? | 0:19:50 | 0:19:52 | |
She isn't the only one with an eye for pricey items. | 0:19:52 | 0:19:56 | |
-That's nice, isn't it? -Hmm, it is nice. | 0:19:56 | 0:19:58 | |
Excuse me, please, how much is your quilt? | 0:19:58 | 0:20:00 | |
-WOMAN: -It's priced at 185. | 0:20:00 | 0:20:03 | |
185. It's gorgeous but... | 0:20:03 | 0:20:05 | |
-TIM: -You can't afford to put that one to bed, Reds. Move it on. | 0:20:05 | 0:20:08 | |
This is the one thing that I saw from a distance | 0:20:08 | 0:20:10 | |
that I think is fabulous. | 0:20:10 | 0:20:11 | |
It's marked at 380. | 0:20:11 | 0:20:13 | |
-SHE GASPS -Yes. -It is beautiful, though. | 0:20:13 | 0:20:15 | |
It is absolutely stunning, it is. | 0:20:15 | 0:20:17 | |
And I can't see any damage on it. | 0:20:17 | 0:20:19 | |
-I'd rather buy the jug. -Yeah. | 0:20:19 | 0:20:20 | |
-You'd rather by the jug? -Yes. | 0:20:20 | 0:20:22 | |
-It's still a lovely piece, though. -OK. Fair enough. | 0:20:22 | 0:20:24 | |
Well, let's go and have a look at the jug. | 0:20:24 | 0:20:26 | |
Well, time's racing on, so I think decision time has come. | 0:20:26 | 0:20:29 | |
-Let's go back and have a look at the jug. -Is it the jug? | 0:20:29 | 0:20:31 | |
I think so. | 0:20:31 | 0:20:32 | |
It's with a straight face, viewers, | 0:20:32 | 0:20:33 | |
that I tell you, we're now going from jugs to knockers. | 0:20:33 | 0:20:38 | |
How much is your door knocker, please? | 0:20:38 | 0:20:40 | |
-STALLHOLDER MUTTERS -How much? -220. | 0:20:40 | 0:20:42 | |
220. That is a very handy sum. | 0:20:42 | 0:20:44 | |
-220?! -That is just what we have. -Wow. | 0:20:44 | 0:20:46 | |
-How old is that door knocker? -It's Georgian. | 0:20:46 | 0:20:48 | |
-Is it?! -Yeah, it's a good one. | 0:20:48 | 0:20:50 | |
-Why do we keep looking at heavy things? -It's a nice thing | 0:20:50 | 0:20:52 | |
but I don't think there's going to be any profit on that. | 0:20:52 | 0:20:55 | |
-So shall we race on up here? -I think we'd better. -Yeah. | 0:20:55 | 0:20:57 | |
-Fingers crossed that the jug still exists. -BOTH: Yeah. | 0:21:01 | 0:21:03 | |
You've just said you nearly saw something else. | 0:21:03 | 0:21:05 | |
-I've seen that blue and white plate thing. -Ah. | 0:21:05 | 0:21:08 | |
-We mustn't... -No, ignore it. -OK. -Yes. -Ignore. Not good. | 0:21:08 | 0:21:10 | |
Let's go for it now. | 0:21:10 | 0:21:12 | |
-It's so easy to be distracted, isn't it? -Yeah. | 0:21:12 | 0:21:14 | |
The Blues are being enticed by all around them | 0:21:14 | 0:21:17 | |
and the Reds have decided to large it up at the last minute. | 0:21:17 | 0:21:20 | |
-Ah! -Yeah, I was looking at that. -Do you play chess? -Yes. | 0:21:20 | 0:21:24 | |
-Do you?! -Yeah. -That is beautiful, isn't it? | 0:21:24 | 0:21:26 | |
It doesn't have a lot of age but it's an unusual thing, isn't it? | 0:21:27 | 0:21:30 | |
-Yeah. -It's quite big, isn't it? | 0:21:30 | 0:21:32 | |
It is quite big. | 0:21:32 | 0:21:33 | |
You've seen its quite obvious flaw. | 0:21:33 | 0:21:35 | |
-It's quite big. -Coffee table, sitting either side | 0:21:35 | 0:21:37 | |
in the front of the fire, glass of wine. | 0:21:37 | 0:21:39 | |
-Oh, you're selling it to me. -Yes. -Selling it to me, David, yes. | 0:21:39 | 0:21:41 | |
-We haven't got much time left, have we? -No, we haven't. | 0:21:41 | 0:21:43 | |
I think we've got three minutes, and going down...fairly quickly. | 0:21:43 | 0:21:47 | |
Shall we try and haggle? | 0:21:47 | 0:21:48 | |
-Do you imagine yourselves playing with it? -It's unusual | 0:21:48 | 0:21:50 | |
and I think we might do quite well with that. | 0:21:50 | 0:21:52 | |
-What do you think? -OK. -Yeah? -It's not my cup of tea. | 0:21:52 | 0:21:57 | |
But we've got 90 seconds left. | 0:21:57 | 0:21:59 | |
So do you want me to go and find the best price? | 0:21:59 | 0:22:01 | |
Try 50% off and work your way up. | 0:22:01 | 0:22:02 | |
-Ooh, David, that's a very low bid! -Go on, be harsh. | 0:22:02 | 0:22:05 | |
I'll try. | 0:22:05 | 0:22:07 | |
Well, it's only £30, | 0:22:07 | 0:22:09 | |
so a 50% discount might be pushing it, Reds? | 0:22:09 | 0:22:12 | |
Right. Two bits of news. | 0:22:12 | 0:22:14 | |
One - it was made by his grandfather. | 0:22:14 | 0:22:16 | |
-Can you believe it? -Oh, my gosh! | 0:22:16 | 0:22:19 | |
So it's a really nice thing. 25. | 0:22:19 | 0:22:22 | |
-Hmm. -What do you think? | 0:22:22 | 0:22:23 | |
-It's entirely up to you. -We're down to the last minute. -You love it. | 0:22:24 | 0:22:27 | |
What do you think? | 0:22:27 | 0:22:28 | |
It's a handmade piece. I think it's got to be cheap. It's quirky. | 0:22:28 | 0:22:31 | |
-It's unique. -It's unique, you're not going to find another. | 0:22:31 | 0:22:34 | |
You could argue, would you want to find another, but it's unique. | 0:22:34 | 0:22:38 | |
-It's great. It's 25 quid. -I think we should go for it. -Go on, then... | 0:22:38 | 0:22:41 | |
-if it makes you happy. -Right, we'll have it. | 0:22:41 | 0:22:43 | |
-In the bag, third one. -THEY LAUGH | 0:22:43 | 0:22:47 | |
Well done, Caroline. | 0:22:47 | 0:22:48 | |
Go and see if the stallholder will take a cheque-mate. | 0:22:48 | 0:22:51 | |
And with time rapidly running out, | 0:22:51 | 0:22:53 | |
the ice cool Blues have returned to that jug. | 0:22:53 | 0:22:55 | |
Is it still there? | 0:22:55 | 0:22:57 | |
-Time's running out. -Yeah. -Imminent. | 0:22:57 | 0:22:59 | |
You like it. You'll certainly have the money for it. | 0:23:00 | 0:23:02 | |
So find out the price, | 0:23:02 | 0:23:03 | |
see what is the best you can do on it. | 0:23:03 | 0:23:05 | |
-Yeah. OK. -And who's in charge of negotiation? -Steve. | 0:23:05 | 0:23:08 | |
-I think I'm going to give that a try. -Steve's the negotiator? -Yeah. | 0:23:08 | 0:23:10 | |
Right, OK. | 0:23:10 | 0:23:12 | |
Can I just ask the price on the night watchman jug? | 0:23:12 | 0:23:14 | |
-80, but I'll do it for 70 as my best. -Right. | 0:23:14 | 0:23:16 | |
-We're going to have to go for it, aren't we? -Shall we go for it at 70? | 0:23:16 | 0:23:19 | |
Yeah. I like it anyway. | 0:23:19 | 0:23:20 | |
It's a lovely thing and it could make a bit more. | 0:23:20 | 0:23:22 | |
The key thing is, you like it, it's OK on the money | 0:23:22 | 0:23:25 | |
and...well, you're out of time. | 0:23:25 | 0:23:28 | |
-That's it. Three items done. -Yeah. | 0:23:28 | 0:23:30 | |
-Thank you very much, sir. -Thank you very much. -Thank you. | 0:23:30 | 0:23:33 | |
BABY CRIES | 0:23:35 | 0:23:36 | |
Time's up. | 0:23:36 | 0:23:37 | |
Let's check out what the Red team bought. | 0:23:37 | 0:23:40 | |
-You all right, baby? -BABY STIRS | 0:23:41 | 0:23:43 | |
The Reds stepped up and sat down | 0:23:43 | 0:23:45 | |
with this modern, stylish | 0:23:45 | 0:23:46 | |
office chair for £35. | 0:23:46 | 0:23:48 | |
They snapped up a wooden tea caddy | 0:23:50 | 0:23:52 | |
for £45. | 0:23:52 | 0:23:53 | |
And, finally, | 0:23:54 | 0:23:55 | |
they went for a chunky chess set | 0:23:55 | 0:23:57 | |
for £25. | 0:23:57 | 0:23:58 | |
So, you 'orrible lot, | 0:24:01 | 0:24:02 | |
how did you get on? David. | 0:24:02 | 0:24:04 | |
-I think we got on very well, Tim. -Really? -Spent wisely. | 0:24:04 | 0:24:07 | |
How much did you spend? | 0:24:07 | 0:24:08 | |
We spent a princely £105. | 0:24:08 | 0:24:10 | |
Is that all? Which is your favourite piece? | 0:24:10 | 0:24:12 | |
-I'd say the chair. -The chair is your favourite. | 0:24:12 | 0:24:15 | |
-Do you agree with that, David? -No. I think the chess set. | 0:24:15 | 0:24:17 | |
-Which will bring the biggest profit? -The tea caddy probably. | 0:24:17 | 0:24:20 | |
THEY LAUGH | 0:24:20 | 0:24:21 | |
-Seems to me you're all over the shop. -We are. | 0:24:21 | 0:24:23 | |
Anyway, I'd like some leftover lolly, please. | 0:24:23 | 0:24:25 | |
Quite a lot of it. 195 coming my way. | 0:24:25 | 0:24:28 | |
-Thanks very much. Caroline... -Thank you. -..what are you going to do with that? | 0:24:28 | 0:24:31 | |
I'm going to spend it probably most unwisely | 0:24:31 | 0:24:33 | |
but I'm going to do my best to spend a lot of it. | 0:24:33 | 0:24:36 | |
Oh. There's a bit of a hint. | 0:24:36 | 0:24:38 | |
Anyway, good luck. | 0:24:38 | 0:24:39 | |
Have a cup of tea. | 0:24:39 | 0:24:41 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:24:41 | 0:24:44 | |
A bucket was the Blues' first bargain, | 0:24:44 | 0:24:46 | |
which they bagged for £29. | 0:24:46 | 0:24:48 | |
They then found a gong | 0:24:50 | 0:24:51 | |
that was going for a song - | 0:24:51 | 0:24:52 | |
they hope - at £25. | 0:24:52 | 0:24:55 | |
Finally, they moved the jug | 0:24:55 | 0:24:56 | |
off the back burner | 0:24:56 | 0:24:57 | |
and into the running at £70. | 0:24:57 | 0:25:00 | |
Well, Lindsay, you seemed to take us | 0:25:02 | 0:25:04 | |
very neatly through most of that shopping. | 0:25:04 | 0:25:06 | |
Well, I don't want to say that I'm a bossy boots but, yeah, | 0:25:06 | 0:25:09 | |
-I did kind of take control of it, didn't I? -Very effective. | 0:25:09 | 0:25:12 | |
I think it's a question of finding the stuff, | 0:25:12 | 0:25:14 | |
and you've done incredibly well. | 0:25:14 | 0:25:16 | |
Now, after all that, which is your favourite piece? | 0:25:16 | 0:25:18 | |
Well, the thing I'd have in my own home is the bucket. | 0:25:18 | 0:25:21 | |
-So that would be your favourite? -Yeah. -OK, fine. | 0:25:21 | 0:25:23 | |
And do you agree with that? | 0:25:23 | 0:25:25 | |
I think the ceramic jug that we bought, I really like that. | 0:25:25 | 0:25:28 | |
-That's your favourite. -I like the bucket too but the favourite was the ceramic jug. | 0:25:28 | 0:25:31 | |
Which of the trio are going to bring the biggest profit? | 0:25:31 | 0:25:34 | |
-BOTH: We think the jug. -Yes. | 0:25:34 | 0:25:36 | |
-The night watchman. -All right. | 0:25:36 | 0:25:37 | |
-And how much did you spend? -124. | 0:25:37 | 0:25:40 | |
-So, can I have £176, please? -You may indeed. | 0:25:40 | 0:25:44 | |
There, you've got it. All of which goes over to Colin. | 0:25:44 | 0:25:46 | |
-Colin. -Thank you very much. -Did you have a good shop? Enjoy it? | 0:25:46 | 0:25:49 | |
Very good shop. We had a very good team leader, you see. | 0:25:49 | 0:25:52 | |
-Ah, yeah. -It makes all the difference. | 0:25:52 | 0:25:54 | |
-You know where to take orders from, don't you? -Oh, yes. | 0:25:54 | 0:25:56 | |
What will you do with all that cash, Colin? | 0:25:56 | 0:25:58 | |
-It might be a surprise. -Good luck with that, Colin. | 0:25:58 | 0:26:00 | |
Meanwhile, why don't we head off for the jolly old auction? | 0:26:00 | 0:26:04 | |
Well, how lovely is this? | 0:26:14 | 0:26:16 | |
To be in Halls, Shrewsbury, with Jeremy Lamond. | 0:26:16 | 0:26:20 | |
-Jeremy. -Welcome, Tim. | 0:26:20 | 0:26:21 | |
Now, the Reds, David and Michelle, | 0:26:21 | 0:26:23 | |
their first item is this swivel chair | 0:26:23 | 0:26:26 | |
made of plastic coat. | 0:26:26 | 0:26:27 | |
Well, everyone needs an office chair, especially in an office, | 0:26:27 | 0:26:30 | |
so it should find a buyer. | 0:26:30 | 0:26:32 | |
It's described as being stylish, which it is, isn't it? | 0:26:32 | 0:26:35 | |
It is. It's a stylish way to sit down. | 0:26:35 | 0:26:38 | |
When would you date it to, J? | 0:26:38 | 0:26:40 | |
Well, it has a touch of the Laverne Industries' late 1950s | 0:26:40 | 0:26:43 | |
but I think this is a modern copy. | 0:26:43 | 0:26:46 | |
OK, fine. How much? | 0:26:46 | 0:26:47 | |
-We think 20 or £30. -Do you? £35 paid. | 0:26:47 | 0:26:50 | |
So they may be just a tad too much | 0:26:50 | 0:26:52 | |
but it is surprising in sales these days | 0:26:52 | 0:26:56 | |
the number of almost brand-new things that have a following. | 0:26:56 | 0:26:59 | |
-Oh, yeah. Well, the internet will help, so... -Yeah, good. | 0:26:59 | 0:27:02 | |
Now, a bit of - what they used to call - yesterday's antiques, | 0:27:02 | 0:27:04 | |
-a Tudor Rosewood tea caddy. -Yeah. | 0:27:04 | 0:27:07 | |
Well, it's a typical coffin shape, or maybe I shouldn't say that | 0:27:07 | 0:27:11 | |
-if I'm trying to sell it. I mean it is a... -How about sarcophagus form? | 0:27:11 | 0:27:14 | |
Yeah, it is a sarcophagus shape, isn't it? | 0:27:14 | 0:27:16 | |
And these were big 20 years ago. | 0:27:16 | 0:27:19 | |
And they will sell but for a price. | 0:27:19 | 0:27:22 | |
And what will you get? Will you get 20 or £30? | 0:27:22 | 0:27:23 | |
-Something around that. -OK, fine. £45 paid. -Yeah. | 0:27:23 | 0:27:26 | |
So they had paid a tad too much. | 0:27:26 | 0:27:28 | |
Now, I don't know what your next move is, J, | 0:27:28 | 0:27:30 | |
but it could be a chess set. | 0:27:30 | 0:27:31 | |
Well, it's not a travelling chess set, is it really? | 0:27:31 | 0:27:34 | |
-It certainly isn't. -I would say | 0:27:34 | 0:27:35 | |
you're looking at £20 or £30 | 0:27:35 | 0:27:37 | |
but, again, chess - internet, | 0:27:37 | 0:27:40 | |
we may get it taken up to 40 or 50 if we're lucky. | 0:27:40 | 0:27:43 | |
You never know, do you? | 0:27:43 | 0:27:44 | |
And do you think this might have been made in the 1970s and 1980s? | 0:27:44 | 0:27:47 | |
-Well, there was nothing else to do, was there, really? -No. | 0:27:47 | 0:27:50 | |
So, very probably. | 0:27:50 | 0:27:51 | |
-You got your pen knife out and you had a bit of a whittle. -Yeah. | 0:27:51 | 0:27:54 | |
I think that's what somebody's done, | 0:27:54 | 0:27:56 | |
and they've made something that is memorable. | 0:27:56 | 0:27:58 | |
Good. Well, on that happy note then, | 0:27:58 | 0:28:01 | |
how memorable is the estimate? | 0:28:01 | 0:28:03 | |
-We think it will make £20 or £30. -OK. | 0:28:03 | 0:28:07 | |
£25 they paid. | 0:28:07 | 0:28:08 | |
So they paid the right price. | 0:28:08 | 0:28:10 | |
If they're going to get their comeuppance from anything here, | 0:28:10 | 0:28:13 | |
it's likely to be the tea caddy. | 0:28:13 | 0:28:14 | |
In which case, they'll need their bonus buy, | 0:28:14 | 0:28:16 | |
so let's go and have a look at it. | 0:28:16 | 0:28:18 | |
Now. David, Michelle, how are you feeling? | 0:28:20 | 0:28:22 | |
-Good. -Are you? | 0:28:22 | 0:28:23 | |
-Wonderful. -Well, | 0:28:23 | 0:28:24 | |
you gave the lovely Caroline £135 of leftover lolly. | 0:28:24 | 0:28:28 | |
Caroline, show us what you bought. | 0:28:28 | 0:28:30 | |
Well. | 0:28:30 | 0:28:31 | |
I said I would spend it unwisely, | 0:28:31 | 0:28:33 | |
and I hope you think I haven't. | 0:28:33 | 0:28:35 | |
-Here it is. -Wow! | 0:28:35 | 0:28:37 | |
-Right. -Gosh. | 0:28:37 | 0:28:39 | |
Have you had breakfast? | 0:28:39 | 0:28:41 | |
Hubble, bubble... | 0:28:41 | 0:28:42 | |
Do you want me to take that for you? | 0:28:42 | 0:28:44 | |
..toil and trouble. | 0:28:44 | 0:28:45 | |
-I think it's gorgeous. -I do. -It's obviously copper... | 0:28:45 | 0:28:48 | |
cauldron. Metal top to it. | 0:28:48 | 0:28:51 | |
-The Art Nouveau design on it. -I think it's beautiful. | 0:28:51 | 0:28:53 | |
And you can hang it in a fireplace. You could put it with plants in. | 0:28:53 | 0:28:57 | |
-I love it. -Do you? | 0:28:57 | 0:28:58 | |
-Oh, I'm so pleased. -I do. | 0:28:58 | 0:29:00 | |
-I think it's... -And what about you, David? | 0:29:00 | 0:29:02 | |
-Yes. -It's not the dog. | 0:29:02 | 0:29:03 | |
-It's not the dog. -It's not the dog. -Thank goodness for that. | 0:29:03 | 0:29:06 | |
-It's different. -Yes. | 0:29:06 | 0:29:07 | |
It's not what we expected, is it? | 0:29:07 | 0:29:09 | |
No. But I do like it. I do. | 0:29:09 | 0:29:11 | |
But I suppose the 64 million question is, how much was it? | 0:29:11 | 0:29:14 | |
It was £120. | 0:29:14 | 0:29:17 | |
How much profit are you going to make, Caroline? | 0:29:17 | 0:29:19 | |
I'm hoping it's going to wash its face and a little bit. | 0:29:19 | 0:29:22 | |
-What you're saying is, it's a bit of a high risk strategy really. -Yes. | 0:29:22 | 0:29:25 | |
The big question is, is this a specialist sale? | 0:29:25 | 0:29:27 | |
No, it's a general sale. | 0:29:27 | 0:29:28 | |
Will it be picked up on the internet? Who knows? | 0:29:28 | 0:29:32 | |
Has it got a specific designer attached to it? Not at the moment. | 0:29:32 | 0:29:35 | |
But it won't be long before somebody does come up with a Liberty-type | 0:29:35 | 0:29:38 | |
design because it's an extremely smart piece of kit, right, Caroline? | 0:29:38 | 0:29:41 | |
Yeah. So, on that happy note, | 0:29:41 | 0:29:43 | |
you have to think on because, right now for the audience at home, | 0:29:43 | 0:29:46 | |
let's find out what the auctioneer thinks about Caroline's pot. | 0:29:46 | 0:29:49 | |
-OK, Jeremy. Here comes lunch. -CAULDRON CLATTERS | 0:29:50 | 0:29:53 | |
How fantastic is that? | 0:29:53 | 0:29:55 | |
Hubble, bubble, toil and trouble. | 0:29:55 | 0:29:58 | |
Well, it is marvellous, isn't it? | 0:29:58 | 0:29:59 | |
I mean, these lovely Art Nouveau swirls on it. | 0:29:59 | 0:30:02 | |
Copper is not flavour of the month | 0:30:02 | 0:30:04 | |
but this has got its own integrity as an object, hasn't it? | 0:30:04 | 0:30:07 | |
-It's great. -What a thumping great handle. | 0:30:07 | 0:30:09 | |
-I like it. -Look at that handle. -It's a good object. | 0:30:09 | 0:30:12 | |
-We've put 30-50 on it. -Is that all? | 0:30:12 | 0:30:13 | |
-It is stylish... -I know. | 0:30:13 | 0:30:15 | |
-..and it could make more than that. -Has a bit of the Liberty look | 0:30:15 | 0:30:18 | |
-about it. -Yeah, it does. | 0:30:18 | 0:30:19 | |
I mean, these Welsh little spigot feet and all of that. | 0:30:19 | 0:30:22 | |
Yeah, it could well be a Liberty one. | 0:30:22 | 0:30:24 | |
-Yeah. But not marked, that's the point. -Not marked. | 0:30:24 | 0:30:27 | |
I mean, if it was, it would be a different matter. | 0:30:27 | 0:30:29 | |
-OK, fine. So your top end is £50? -Yes. -OK. | 0:30:29 | 0:30:32 | |
£120 paid by Caroline Hawley. | 0:30:32 | 0:30:34 | |
She's really pushed the boat out there. | 0:30:34 | 0:30:36 | |
It is a bit of a punt, I have to say. | 0:30:36 | 0:30:38 | |
But we're on the internet. | 0:30:38 | 0:30:39 | |
The thing is illustrated. Let us hope for the best... | 0:30:39 | 0:30:42 | |
if the team decide to go with that. Anyway, now, that's it for the Reds. | 0:30:42 | 0:30:45 | |
Now for the Blues. | 0:30:45 | 0:30:46 | |
We've got a pine bucket which is, | 0:30:46 | 0:30:48 | |
I suppose, from the Orient. | 0:30:48 | 0:30:51 | |
Well, I think it's relatively modern, this thing. | 0:30:51 | 0:30:53 | |
It's a timeless style, isn't it? | 0:30:53 | 0:30:55 | |
But how many of these | 0:30:55 | 0:30:56 | |
came across on a boat? | 0:30:56 | 0:30:57 | |
My theory is that, when plastic hit the villages, | 0:30:57 | 0:31:01 | |
they went so big into nice, shiny, orange, plastic buckets, | 0:31:01 | 0:31:05 | |
they got rid of these old ones for a pastime | 0:31:05 | 0:31:07 | |
and somebody was clever enough to be filling up containers | 0:31:07 | 0:31:10 | |
with the old ones as the plastic ones went out the other end. | 0:31:10 | 0:31:13 | |
Or just making older ones for a willing, rustic audience | 0:31:13 | 0:31:17 | |
-in the West. -Exactly. | 0:31:17 | 0:31:19 | |
And if you had your cottage | 0:31:19 | 0:31:20 | |
and you wanted to put some sticks, or newspapers, | 0:31:20 | 0:31:22 | |
or something or other by the fire, | 0:31:22 | 0:31:23 | |
it does a perfectly good job, doesn't it? | 0:31:23 | 0:31:25 | |
OK. Lovely. Now, how much, J? | 0:31:25 | 0:31:28 | |
Well, ten to 20. | 0:31:28 | 0:31:30 | |
That's about it, is it? OK, £29 paid. | 0:31:30 | 0:31:32 | |
That's fair enough. Next is the Chinese hardwood carved gong set. | 0:31:32 | 0:31:37 | |
Well, I think a really good temple gong can be a couple of million. | 0:31:37 | 0:31:41 | |
-Oh, yes. -But this one... -This is the tourist market variety. | 0:31:41 | 0:31:44 | |
I think this is the tourist market. | 0:31:44 | 0:31:45 | |
But the Chinese market is up, we may be lucky. | 0:31:45 | 0:31:48 | |
-OK, how lucky do you think you might get? -20 to 40. | 0:31:48 | 0:31:51 | |
OK, £25 paid. So they're OK with that. | 0:31:51 | 0:31:53 | |
I reckon the bucket's all right, I reckon the gong's all right. | 0:31:53 | 0:31:56 | |
Now, the Series Ware, which is another ceramic collectible | 0:31:56 | 0:32:01 | |
which has been up and down in the last ten or 15 years, hasn't it? | 0:32:01 | 0:32:04 | |
Doulton Series Ware has suffered massively from proliferation | 0:32:04 | 0:32:09 | |
on the internet. | 0:32:09 | 0:32:10 | |
You can get it all hours of the day and night, sadly. | 0:32:10 | 0:32:13 | |
-Mm. -And this one is no different. | 0:32:13 | 0:32:15 | |
And the Achilles heel of this particular jug is it is restored. | 0:32:15 | 0:32:19 | |
-Oh, dear. -Very well. Very difficult to spot. -But it is restored. | 0:32:19 | 0:32:23 | |
-But it is restored. -Oh, dear. | 0:32:23 | 0:32:24 | |
I don't think the team realised that, cos they paid £70. | 0:32:24 | 0:32:27 | |
That'll be far too much, then. | 0:32:27 | 0:32:28 | |
-Yeah, it kind of knocks the bottom out of it, really. -Mm. | 0:32:28 | 0:32:31 | |
-I mean, it's down to ten or £20. -As a restored piece? -Mm. | 0:32:31 | 0:32:34 | |
Well, they are definitely going to need their bonus buy, | 0:32:34 | 0:32:37 | |
so let's go and have a look at it. | 0:32:37 | 0:32:38 | |
Well, Lindsay, Steve, you're looking very healthy. | 0:32:40 | 0:32:42 | |
-Have you been away on holiday? -Yes, we have. -Where did you go? | 0:32:42 | 0:32:45 | |
-Paxos. -Paxos! | 0:32:45 | 0:32:47 | |
-I'm not saying anything. -Absolutely, lots of retsina, right? -Absolutely. | 0:32:47 | 0:32:52 | |
Very nice, too. Good. Now, you spent £124. | 0:32:52 | 0:32:55 | |
You gave £176 to Colin Young, our hero. | 0:32:55 | 0:32:58 | |
Now, Colin, what did you spend the £176 on? | 0:32:58 | 0:33:02 | |
I'm afraid it wasn't quite that heroic. I only spent £50. | 0:33:02 | 0:33:06 | |
But the good news is, it was well spent. | 0:33:06 | 0:33:09 | |
What do you think of that little sweet item? | 0:33:09 | 0:33:10 | |
That is quite pretty, isn't it? | 0:33:10 | 0:33:12 | |
It is 19th century, continental porcelain, | 0:33:12 | 0:33:15 | |
crossed swords mark on the bottom of it. | 0:33:15 | 0:33:16 | |
It is not really a major factory, but it is just a really nice thing. | 0:33:16 | 0:33:20 | |
And who makes it, with the cross swords? Or is that a generic? | 0:33:20 | 0:33:25 | |
It is one of the most copied marks that you will find | 0:33:25 | 0:33:27 | |
in European porcelain. | 0:33:27 | 0:33:28 | |
So, the country of origin... Most likely going to be German, | 0:33:28 | 0:33:31 | |
but it could just as easily be French. | 0:33:31 | 0:33:33 | |
It is so difficult to identify. | 0:33:33 | 0:33:35 | |
But it has a lovely puce decoration on it and it is in good order | 0:33:35 | 0:33:37 | |
as well. But it is the sort of thing that has been | 0:33:37 | 0:33:40 | |
copied from the 18th century and it is a later reincarnation. | 0:33:40 | 0:33:44 | |
-Lovely. How much did he spend? -£50. -How much is it worth? | 0:33:44 | 0:33:48 | |
We hope more. We hope more than that. More than that? | 0:33:48 | 0:33:50 | |
I think it is worth more than that. | 0:33:50 | 0:33:52 | |
I wouldn't have gone out there and spent | 0:33:52 | 0:33:54 | |
so little to return you less than so much. | 0:33:54 | 0:33:57 | |
-How much is so little, so much? -You won't make 20 quid out of it. | 0:33:57 | 0:34:01 | |
THEY LAUGH | 0:34:01 | 0:34:03 | |
-He's done this job before. OK, you got the message? -I think we have. | 0:34:03 | 0:34:06 | |
-Cogitate on that. -We will. -Cos right now we are going | 0:34:06 | 0:34:09 | |
to find out for the audience at home | 0:34:09 | 0:34:10 | |
what the auctioneer thinks about Colin's little box. | 0:34:10 | 0:34:13 | |
There you go, overall look - hand-painted, I think. | 0:34:14 | 0:34:17 | |
Yeah, en camaieu. | 0:34:17 | 0:34:19 | |
-What is it called? -En camaieu. -Camaieu? | 0:34:19 | 0:34:21 | |
Camaieu. That's my best French. | 0:34:21 | 0:34:23 | |
And that is a style of painting? | 0:34:23 | 0:34:25 | |
Yes, it is, it is a little genre view. | 0:34:25 | 0:34:27 | |
And on the bottom, you've got a pseudo-Meissen crossed sword, | 0:34:27 | 0:34:30 | |
so it is probably made in France, hard paste, maybe 1900. | 0:34:30 | 0:34:35 | |
-Not bad. -How much? -Not jumping. | 0:34:35 | 0:34:37 | |
I mean, you're looking at maybe ten, £15, 20 at a push. | 0:34:37 | 0:34:42 | |
-£50 Colin paid. -Oh, la, la! -Oh, la, la! | 0:34:42 | 0:34:44 | |
Anyway, he thinks 20, | 0:34:44 | 0:34:46 | |
Colin paid 50, maybe the team won't go with it. | 0:34:46 | 0:34:49 | |
-You're taking the sale today? -I am. -We are in safe hands. | 0:34:49 | 0:34:52 | |
Five. 80 here again. | 0:34:54 | 0:34:56 | |
So, how are you feeling, Reds? A bit nervy? | 0:34:57 | 0:35:00 | |
-I'm excited. -Really nervous. | 0:35:00 | 0:35:02 | |
Well, you never know what is going to happen. | 0:35:02 | 0:35:04 | |
Anyway, you've got the swivel desk chair, £35 paid. | 0:35:04 | 0:35:07 | |
He's estimated 20 to 30. | 0:35:07 | 0:35:09 | |
Here we go. Look at that, what about that? | 0:35:09 | 0:35:11 | |
Give me £15 for it. | 0:35:11 | 0:35:12 | |
£15. Who's got 15? | 0:35:12 | 0:35:14 | |
Start me at ten, then. | 0:35:14 | 0:35:15 | |
Ten pounds. | 0:35:15 | 0:35:16 | |
15 I've got on the internet. | 0:35:16 | 0:35:18 | |
15 already on the net. | 0:35:18 | 0:35:20 | |
At £15, it is here. | 0:35:20 | 0:35:21 | |
-Come on, it's lovely! -It's an internet bid at 15. Anybody else? | 0:35:21 | 0:35:25 | |
18 at the very back. | 0:35:25 | 0:35:26 | |
At £18. 20 now, Internet bid. | 0:35:26 | 0:35:29 | |
At £20. At 20. | 0:35:29 | 0:35:31 | |
It's here, on the internet. | 0:35:31 | 0:35:32 | |
-You are out at the back. -Come on! -I'm selling it at £20. | 0:35:32 | 0:35:35 | |
All done at 20. | 0:35:35 | 0:35:36 | |
I don't like this. £20 is minus £15. | 0:35:37 | 0:35:41 | |
That's not so swift. | 0:35:41 | 0:35:42 | |
That is the golden gavel gone, then. | 0:35:42 | 0:35:45 | |
Here comes the tea caddy. | 0:35:45 | 0:35:46 | |
Sarcophagus-shaped tea caddy. | 0:35:46 | 0:35:48 | |
There it is. £15, start me. 15. | 0:35:48 | 0:35:51 | |
-Where's 15 for it? -Come on. -£15. | 0:35:51 | 0:35:53 | |
15. 15 I'll take for it. | 0:35:53 | 0:35:55 | |
15 here. 18 here. | 0:35:55 | 0:35:58 | |
20 now. 22. | 0:35:58 | 0:35:59 | |
25. £25 on the left. | 0:35:59 | 0:36:02 | |
At 25. At £25, I'm selling. | 0:36:02 | 0:36:04 | |
Paid £45. | 0:36:04 | 0:36:05 | |
At £25, all done? 28 now. | 0:36:05 | 0:36:08 | |
At 28 against you. 30. | 0:36:08 | 0:36:10 | |
-Good God. -Another two. | 0:36:10 | 0:36:11 | |
At £30, it's over here. | 0:36:11 | 0:36:13 | |
At £30. Anybody else? | 0:36:13 | 0:36:14 | |
Selling on the left at 30. All done? | 0:36:14 | 0:36:17 | |
I can't bear it! That's minus £15. | 0:36:17 | 0:36:21 | |
Equals minus 30. | 0:36:21 | 0:36:23 | |
The 20th century carved and stained pine chess set. What about that? | 0:36:23 | 0:36:26 | |
Ten pounds for it? | 0:36:26 | 0:36:27 | |
A tenner? Ten pounds? Where is ten? | 0:36:27 | 0:36:29 | |
Ten pounds. Ten? | 0:36:29 | 0:36:31 | |
Ten here on the net. | 0:36:31 | 0:36:32 | |
It's against you at the back, sir. 12 now. | 0:36:32 | 0:36:34 | |
At £12. Back of the room at 12. | 0:36:34 | 0:36:36 | |
At £12. 15. | 0:36:36 | 0:36:38 | |
18. 20. 22. | 0:36:38 | 0:36:40 | |
-Come on. -£22, back with you, sir. -Come on! | 0:36:40 | 0:36:42 | |
-It would be lovely to have a profit. -At the back of the room now. | 0:36:42 | 0:36:45 | |
-Make your move! -Selling it at £22. -Come on! | 0:36:45 | 0:36:47 | |
All done at 22? | 0:36:47 | 0:36:49 | |
£22 is minus three pounds, which | 0:36:49 | 0:36:51 | |
means overall you are minus £33. | 0:36:51 | 0:36:53 | |
Now, listen, all is not lost | 0:36:53 | 0:36:55 | |
cos you've got the cauldron to fall back on, right? | 0:36:55 | 0:36:58 | |
-Mm. -Fall into. -So, what are you going to do? | 0:36:58 | 0:37:00 | |
Minus £33 could be a winning score. | 0:37:00 | 0:37:03 | |
Do you feel something bubbling up here? | 0:37:03 | 0:37:05 | |
No, I don't think so. | 0:37:05 | 0:37:07 | |
I think we'll park that minus 33, shall we? | 0:37:07 | 0:37:10 | |
-Yes. -Do you reckon? -Yeah. -Decision made. | 0:37:10 | 0:37:13 | |
Well, now I can reveal to you what the auctioneer's estimate is. | 0:37:13 | 0:37:16 | |
He really liked it, OK? He's estimated £30 to £50. | 0:37:16 | 0:37:19 | |
Anyway, you're not going with the bonus buy. | 0:37:19 | 0:37:21 | |
We're going to sell it anyway, and here it comes. | 0:37:21 | 0:37:23 | |
The Art Nouveau copper cauldron. | 0:37:23 | 0:37:25 | |
And interest here, it's a stylish piece. | 0:37:25 | 0:37:27 | |
£32, I've got. | 0:37:27 | 0:37:29 | |
At £32, on the book. At 32. | 0:37:29 | 0:37:31 | |
At £32 it is. At 32. | 0:37:31 | 0:37:34 | |
-No! -At £32. 35. | 0:37:34 | 0:37:36 | |
40 here with me. It is against you. | 0:37:36 | 0:37:38 | |
45 now, in the room. | 0:37:38 | 0:37:40 | |
Commission is out. At £45, left. | 0:37:40 | 0:37:42 | |
-£45. -At £45, I've got, on my left. | 0:37:42 | 0:37:44 | |
Anybody else at £45? | 0:37:44 | 0:37:46 | |
50 if you like. | 0:37:46 | 0:37:47 | |
At £45 and selling it... | 0:37:47 | 0:37:50 | |
£45 is five shy from 50. | 0:37:50 | 0:37:53 | |
That's 70. That is minus £75. | 0:37:53 | 0:37:56 | |
Team, you did extremely well in not going with the bonus buy. | 0:37:56 | 0:38:00 | |
But it just goes to show, doesn't it, | 0:38:00 | 0:38:02 | |
how cheap sometimes some of these objects can be? | 0:38:02 | 0:38:05 | |
You made the right decision, but there's a lot of money | 0:38:05 | 0:38:07 | |
in that cauldron bubbling away. Anyway, that's it. | 0:38:07 | 0:38:10 | |
Teams, don't fret a scrap, that could be a winning score. | 0:38:10 | 0:38:13 | |
Don't say a word to the Blues, all right? | 0:38:13 | 0:38:16 | |
36. 38 here. | 0:38:16 | 0:38:18 | |
OK, so, let's just run through your items, shall we? | 0:38:24 | 0:38:27 | |
The auctioneer was pretty rude about your bucket. | 0:38:27 | 0:38:29 | |
He put ten to £20 on it, all right? | 0:38:29 | 0:38:31 | |
Actually, it is quite a lot of bucket for the money, | 0:38:31 | 0:38:34 | |
you only paid £29. | 0:38:34 | 0:38:35 | |
I'd be very disappointed if you didn't get £30, frankly. | 0:38:35 | 0:38:38 | |
The Series Ware jug, he tells me, has been very expertly restored. | 0:38:38 | 0:38:42 | |
And as a result, he is only put ten to £20 on it. | 0:38:42 | 0:38:45 | |
And the trouble with this restoration is that, in the field, | 0:38:45 | 0:38:48 | |
you can very easily be fooled, which is where you were. | 0:38:48 | 0:38:52 | |
If you've got the luxury of a UV lamp, which is what he had, | 0:38:52 | 0:38:55 | |
to check the condition, you can see any sort of restoration on ceramic. | 0:38:55 | 0:38:59 | |
So it is a tough one. | 0:38:59 | 0:39:00 | |
And I'm afraid to be the harbinger of bad news, | 0:39:00 | 0:39:03 | |
cos that is bad news. But you've got the trinket box | 0:39:03 | 0:39:05 | |
to fall back on, which we rate, don't we? | 0:39:05 | 0:39:08 | |
The pretty little box. | 0:39:08 | 0:39:09 | |
Anyway, first up is the old bucket. | 0:39:09 | 0:39:11 | |
Here it comes. | 0:39:11 | 0:39:12 | |
Modern pine bucket with iron swing handle, there it is. | 0:39:12 | 0:39:15 | |
I bid immediately. | 0:39:15 | 0:39:17 | |
£15, I've got. At 15. | 0:39:17 | 0:39:19 | |
Anybody else at 15? At £15. | 0:39:19 | 0:39:22 | |
It's a bargain...hunt here. | 0:39:22 | 0:39:24 | |
At 15. 20 on the internet. | 0:39:24 | 0:39:26 | |
-At £20, I've got. -We paid £29. | 0:39:26 | 0:39:28 | |
Here we go, kids. | 0:39:28 | 0:39:30 | |
Internet bid at £20. | 0:39:30 | 0:39:32 | |
Anybody go two? At £20. | 0:39:32 | 0:39:34 | |
-Come on! -Selling it. At £20 now. | 0:39:34 | 0:39:36 | |
All done at 20? | 0:39:36 | 0:39:37 | |
-There's a hole in my bucket. -There is. | 0:39:38 | 0:39:40 | |
Oh, dear. £20 is minus nine pounds. | 0:39:40 | 0:39:43 | |
OK, now, the bell stand. | 0:39:43 | 0:39:46 | |
Chinese carved and inlaid bell stand. There we go. | 0:39:46 | 0:39:49 | |
What about that one? At £15, start me. 15 for it. | 0:39:49 | 0:39:52 | |
Who has got £15 for it? | 0:39:52 | 0:39:54 | |
-Come on, it's a lovely thing. -15. | 0:39:54 | 0:39:56 | |
Ten pounds, then. Ten for the bell. | 0:39:56 | 0:39:58 | |
Ten. We're going backwards. | 0:39:58 | 0:40:00 | |
Ten pounds, we've got. | 0:40:00 | 0:40:01 | |
At ten pounds, I am selling. | 0:40:01 | 0:40:03 | |
12. Yes? 15. | 0:40:03 | 0:40:05 | |
15 here. 18 now. | 0:40:05 | 0:40:07 | |
-Round it up, somebody. At £18 on my left. -I can't believe this. | 0:40:07 | 0:40:11 | |
Selling then at £18. | 0:40:11 | 0:40:12 | |
You're all out, apart from you, sir? | 0:40:12 | 0:40:14 | |
At 18... | 0:40:14 | 0:40:15 | |
Minus seven pounds. | 0:40:15 | 0:40:17 | |
There was a death toll that went with that bell. | 0:40:17 | 0:40:19 | |
For Whom The Bell Tolls. | 0:40:20 | 0:40:21 | |
OK. Now, the Series Ware jug. | 0:40:21 | 0:40:24 | |
Here we are. There it is. Who has got a tenner for it? Ten pounds. | 0:40:24 | 0:40:26 | |
Where is ten? Ten pounds only. | 0:40:26 | 0:40:28 | |
At ten. | 0:40:28 | 0:40:29 | |
Ten, down here at ten pounds. | 0:40:29 | 0:40:31 | |
That's a bargain and a half! | 0:40:31 | 0:40:33 | |
At ten pounds, we've got. | 0:40:33 | 0:40:34 | |
At 12 here. | 0:40:34 | 0:40:36 | |
15 at the back. Yes? 18. | 0:40:36 | 0:40:39 | |
18 now. At 18. | 0:40:39 | 0:40:40 | |
One more? No. £18 in front. At 18. | 0:40:40 | 0:40:43 | |
Selling then, £18... | 0:40:43 | 0:40:45 | |
That is two short of 20, | 0:40:45 | 0:40:47 | |
which is £52. Minus 52. | 0:40:47 | 0:40:50 | |
62. 68. | 0:40:50 | 0:40:52 | |
Minus £68! | 0:40:52 | 0:40:54 | |
I really didn't see it as bad as that. | 0:40:54 | 0:40:56 | |
What are we going to do about the porcelain box? | 0:40:56 | 0:40:59 | |
-Minus 68 could be a winning score. -It could be. Oh, yeah. | 0:40:59 | 0:41:01 | |
-Shall we stick there? -We'll stick there. -We'll stick. | 0:41:01 | 0:41:04 | |
On the other hand, it is a pretty box. | 0:41:04 | 0:41:06 | |
-Right, we won't go for it. -We won't. -You won't? | 0:41:07 | 0:41:10 | |
No, we'll stick with our enormous losses as they are. | 0:41:10 | 0:41:14 | |
Yes, we'll say no. | 0:41:14 | 0:41:15 | |
All right, you've decided not to go with the bonus buy. | 0:41:15 | 0:41:18 | |
Now you've decided, I can tell you that his estimate is ten to £15. | 0:41:18 | 0:41:21 | |
So, on the face of it, by not going with it, | 0:41:21 | 0:41:24 | |
you've made the right decision. | 0:41:24 | 0:41:25 | |
Anyway, here we go. | 0:41:25 | 0:41:26 | |
Where's ten? A tenner. Ten? | 0:41:26 | 0:41:30 | |
Ten here, sir, with you. | 0:41:30 | 0:41:32 | |
-At ten pounds. At ten pounds. Anybody going to go 12? -Look out. | 0:41:32 | 0:41:34 | |
At ten pounds, I've got. | 0:41:34 | 0:41:36 | |
I'm going to sell it for ten pounds. | 0:41:36 | 0:41:38 | |
Nobody else at ten? | 0:41:38 | 0:41:40 | |
-You've got it. -Ten pounds! | 0:41:41 | 0:41:43 | |
That's minus £40. | 0:41:43 | 0:41:44 | |
I think you did well in not going with the bonus buy. | 0:41:44 | 0:41:47 | |
Now, listen, minus £68 could be a winning score, | 0:41:47 | 0:41:50 | |
so don't say a word to the Reds, all right? | 0:41:50 | 0:41:52 | |
Very good. | 0:41:52 | 0:41:54 | |
Back of the room. | 0:41:55 | 0:41:56 | |
Well, what fun is this! | 0:42:02 | 0:42:04 | |
We've come outside for a breath of air to reveal the results. | 0:42:04 | 0:42:08 | |
-Now, you've been chatting, you teams? -No. -Not at all, very good. | 0:42:08 | 0:42:11 | |
Well, I'm very happy to reveal that there is only £35 | 0:42:11 | 0:42:15 | |
between our teams today. | 0:42:15 | 0:42:17 | |
And there are similarities - | 0:42:17 | 0:42:18 | |
neither team went with the bonus buy, | 0:42:18 | 0:42:21 | |
which was an extremely wise event, as it turned out. | 0:42:21 | 0:42:24 | |
And we don't go home with any folding money, there is | 0:42:24 | 0:42:27 | |
no cash prize for either team today. | 0:42:27 | 0:42:29 | |
So it is just a question of the scale of the losses. | 0:42:29 | 0:42:32 | |
And the largest losses today sit, I'm afraid, with the Blues. | 0:42:32 | 0:42:37 | |
BLUES: Oooh! | 0:42:37 | 0:42:39 | |
Minus £68 is the number, which means, really, | 0:42:39 | 0:42:42 | |
-you were robbed, weren't you? -We were. -Jolly bad luck, anyway. | 0:42:42 | 0:42:45 | |
-That's the way it works. Have you had a nice time? -Fantastic. | 0:42:45 | 0:42:47 | |
Very good. We've loved having you on the show | 0:42:47 | 0:42:49 | |
and thank you for joining us. | 0:42:49 | 0:42:51 | |
But the victors today, who win by only losing £33, are the Reds. | 0:42:51 | 0:42:55 | |
Again, you were robbed. | 0:42:55 | 0:42:56 | |
You lost on every single item, but you still come home winners. | 0:42:56 | 0:43:00 | |
-Isn't that lovely? -Absolutely. | 0:43:00 | 0:43:03 | |
Well done. We've loved having you on the show. | 0:43:04 | 0:43:07 | |
So much so, that why don't you join us | 0:43:07 | 0:43:09 | |
soon for some more bargain hunting, yes? | 0:43:09 | 0:43:10 | |
ALL: Yes! | 0:43:10 | 0:43:11 |