Browse content similar to Epsom and Dorking 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We've come to the gorgeous market town of Dorking in Surrey today. | 0:00:03 | 0:00:07 | |
And West Street behind me has put this place | 0:00:07 | 0:00:10 | |
well and truly on the international radar for antiques. | 0:00:10 | 0:00:14 | |
So, there's no point in hanging about, | 0:00:14 | 0:00:17 | |
let's go for bargain hunting, yeah! | 0:00:17 | 0:00:19 | |
Over 150 dealers and 18 specialist antique shops | 0:00:43 | 0:00:48 | |
but only 60 minutes on the clock. | 0:00:48 | 0:00:50 | |
Will our teams be blessed | 0:00:50 | 0:00:53 | |
with the energy to scratch around for all those bargains? | 0:00:53 | 0:00:56 | |
Let's have a quick look. | 0:00:56 | 0:00:58 | |
Coming up, two opposing tactics. | 0:00:58 | 0:01:00 | |
The Reds go for the knockout punch. | 0:01:00 | 0:01:02 | |
I'm going to be brutal. | 0:01:02 | 0:01:04 | |
£25. | 0:01:04 | 0:01:05 | |
-40. -You're amazing. | 0:01:05 | 0:01:07 | |
Whilst it's unanimous decisions in the Blue corner. | 0:01:07 | 0:01:10 | |
Yes. Yes. | 0:01:10 | 0:01:11 | |
-Can I be decisive then? -Yes. | 0:01:11 | 0:01:13 | |
We're not going to buy this. | 0:01:13 | 0:01:15 | |
Who will go the distance when they go pound for pound at auction? | 0:01:15 | 0:01:18 | |
Come on, come on, come on! | 0:01:18 | 0:01:20 | |
-Yes. -Harper. -Oh, yes! | 0:01:20 | 0:01:22 | |
Let's meet the contenders. | 0:01:22 | 0:01:23 | |
Today we have a battle of the sexes | 0:01:25 | 0:01:28 | |
because we have today two teams of bezzies. | 0:01:28 | 0:01:31 | |
For the Reds, we have Emma and Nicky | 0:01:31 | 0:01:34 | |
and, for the Blues, we have Tyrone and Bertie. | 0:01:34 | 0:01:37 | |
-Hello, everyone. -ALL: -Hello. | 0:01:37 | 0:01:39 | |
Now, Emma, you have a very interesting artistic career. | 0:01:39 | 0:01:43 | |
Tell us about it. | 0:01:43 | 0:01:44 | |
Well, I started my life off as a muralist, | 0:01:44 | 0:01:47 | |
so I painted murals, | 0:01:47 | 0:01:49 | |
then I became an art teacher, | 0:01:49 | 0:01:51 | |
and now I'm a botanical painter. | 0:01:51 | 0:01:54 | |
Lovely. So tell us about your big murals. | 0:01:54 | 0:01:56 | |
What sort of things have you done? | 0:01:56 | 0:01:57 | |
I've painted anything from airports to restaurants, | 0:01:57 | 0:02:01 | |
hotels, bedrooms. | 0:02:01 | 0:02:04 | |
So, Sistine Chapel, here I come, is that it? | 0:02:04 | 0:02:07 | |
-Exactly. I wish. -Have you ever done any ceilings? | 0:02:07 | 0:02:09 | |
Yes, yes, a lot. | 0:02:09 | 0:02:11 | |
Do you lie down and do it? | 0:02:11 | 0:02:12 | |
No, stand and lean back. | 0:02:12 | 0:02:14 | |
-Do you? -It's very painful. -How's your neck? | 0:02:14 | 0:02:16 | |
Painful. THEY LAUGH | 0:02:16 | 0:02:18 | |
-Fascinating job, though. -Yes, yeah. -Lovely. | 0:02:18 | 0:02:20 | |
Now, Nicky, you have an artistic background too, don't you? | 0:02:20 | 0:02:22 | |
Yes, I started my career working for an interior's magazine | 0:02:22 | 0:02:25 | |
when I was quite young, and loved it. | 0:02:25 | 0:02:28 | |
Um, and... But didn't love it enough | 0:02:28 | 0:02:31 | |
for me to stay there cos something was just pulling me to drama school. | 0:02:31 | 0:02:35 | |
And ultimately you succumbed and you went to drama school. | 0:02:35 | 0:02:38 | |
I did. I succumbed, yes. | 0:02:38 | 0:02:39 | |
I submerged myself in Chekhov, and Tennessee Williams, | 0:02:39 | 0:02:42 | |
and Shakespeare, and loved it, and continued. | 0:02:42 | 0:02:45 | |
-And, actually, was doing very, very well... -Yes. | 0:02:45 | 0:02:48 | |
..until I, having got married, got pregnant. | 0:02:48 | 0:02:51 | |
So you had a pregnant pause. | 0:02:51 | 0:02:52 | |
-THEY CHUCKLE -Nice. Yes, I did. | 0:02:52 | 0:02:54 | |
And then I launched myself back into treading the boards. | 0:02:54 | 0:02:58 | |
I've done a couple of films, | 0:02:58 | 0:02:59 | |
and I've literally just recently finished King Lear... | 0:02:59 | 0:03:02 | |
-Yes. -..in which I played a very evil person, | 0:03:02 | 0:03:06 | |
which was really fun. | 0:03:06 | 0:03:07 | |
-Good fun. -Yes, incredible. -Perfect. | 0:03:07 | 0:03:10 | |
Now, you two girls, what is your tactic going to be today | 0:03:10 | 0:03:13 | |
when I give you the £300? | 0:03:13 | 0:03:14 | |
-We are looking for modern antiques. -Are we? -That's my goal. -OK. | 0:03:14 | 0:03:19 | |
Are we? | 0:03:19 | 0:03:21 | |
-We are. -Or I. | 0:03:21 | 0:03:22 | |
-I...I am looking to buy cheap... -Yes. | 0:03:22 | 0:03:25 | |
..that I would probably pay more for if I was at auction. | 0:03:25 | 0:03:28 | |
-So you're out doing some bargain hunting, aren't you? -That's the one! | 0:03:28 | 0:03:31 | |
So, good luck, both of you. | 0:03:31 | 0:03:32 | |
-Thank you. -Thank you very much. -Thank you so much for joining us. | 0:03:32 | 0:03:35 | |
Now, for the boys. | 0:03:35 | 0:03:36 | |
Tyrone, you are literally a couple of jokers, you two, aren't you? | 0:03:36 | 0:03:39 | |
-Oh, well, it's been said. -How did you meet? | 0:03:39 | 0:03:42 | |
Well, I run a company who promote comedy live stand-up | 0:03:42 | 0:03:46 | |
through various venues across London, | 0:03:46 | 0:03:49 | |
and Bertie here was a performer as well. | 0:03:49 | 0:03:51 | |
And we became friends around 2009, 2010 | 0:03:51 | 0:03:55 | |
when we were gigging together, and we've been friends ever since. | 0:03:55 | 0:03:58 | |
Isn't that marvellous? | 0:03:58 | 0:03:59 | |
I always think you stand-up comics have to be... | 0:03:59 | 0:04:02 | |
-DRAMATIC VOICE: -..the bravest people in the world. | 0:04:02 | 0:04:05 | |
-Yeah... -Cos to get up there in front of a motley crew | 0:04:05 | 0:04:07 | |
who've probably had one or two ales, | 0:04:07 | 0:04:09 | |
is quite a difficult thing, isn't it? | 0:04:09 | 0:04:11 | |
-Yeah. I would say it's probably not as brave as firemen... -OK. | 0:04:11 | 0:04:15 | |
..or people in the military, but it's... | 0:04:15 | 0:04:17 | |
Yeah, I'd say it requires a certain amount of intestinal fortitude. | 0:04:17 | 0:04:20 | |
Great. Now, Bertie, you've got a big ambition in life, haven't you? | 0:04:20 | 0:04:23 | |
Well, the tennis is probably my big goal at the moment. | 0:04:23 | 0:04:26 | |
So it's picking up an old hobby from when I was younger. | 0:04:26 | 0:04:28 | |
-Have you played a lot, then? -When I was younger, yes. | 0:04:28 | 0:04:31 | |
So, up until the age of 20 it was pretty much my life. | 0:04:31 | 0:04:34 | |
-Was it? -It was a wasted youth doing nothing but playing tennis. | 0:04:34 | 0:04:37 | |
You're very modest about all of this. | 0:04:37 | 0:04:38 | |
I know because being ranked in the top 100 is one of your ambitions, | 0:04:38 | 0:04:43 | |
and you're perfectly capable of achieving that, aren't you? | 0:04:43 | 0:04:46 | |
Um, I don't know about perfectly capable at the moment. | 0:04:46 | 0:04:49 | |
I'm trying my best. | 0:04:49 | 0:04:50 | |
But each year, another group of 14 or 15-year-olds | 0:04:50 | 0:04:52 | |
-get to an age where they can beat me. -Yes. | 0:04:52 | 0:04:54 | |
And, all of a sudden, I'm a little bit lower down the pecking order. | 0:04:54 | 0:04:57 | |
-But, on the other hand, it's very character forming. -Yes, exactly. | 0:04:57 | 0:05:00 | |
Anyway, you're young, you're fit, you'll survive. | 0:05:00 | 0:05:03 | |
Anyway, now, £300 apiece. | 0:05:03 | 0:05:05 | |
Here comes the £300. There we go. You know the rules. | 0:05:05 | 0:05:08 | |
Your experts await, and off you go. | 0:05:08 | 0:05:11 | |
And very, very, very good luck. | 0:05:11 | 0:05:13 | |
Ooh, I say. | 0:05:13 | 0:05:15 | |
I say. | 0:05:15 | 0:05:16 | |
Helping the teams along the way are our two experts. | 0:05:16 | 0:05:20 | |
David Harper will be scoping out a profit for the Reds. | 0:05:20 | 0:05:23 | |
And topping it off for the Blues is Natasha Raskin. | 0:05:25 | 0:05:28 | |
Ooh, lovely. | 0:05:30 | 0:05:31 | |
Here we are. Bertie and Ty in Dorking, ready to hit the shops. | 0:05:32 | 0:05:37 | |
Ooh, a pair of artistes. | 0:05:37 | 0:05:39 | |
Nicky, what will we be looking for? | 0:05:39 | 0:05:40 | |
Uh, cheap but beautiful, clearly, that's going to make a profit. | 0:05:40 | 0:05:44 | |
What are we thinking today, Bertie? | 0:05:44 | 0:05:46 | |
It's about being decisive today, and I think we want to follow our heart. | 0:05:46 | 0:05:49 | |
-Emma? -Sparkles. Something sparkly. | 0:05:49 | 0:05:51 | |
-Gut instinct, I think. -Gut and heart. -That's what it'll be. | 0:05:51 | 0:05:54 | |
Don't walk by, walk in. Go on. I'll not be tricked. | 0:05:54 | 0:05:57 | |
OK, well, let's see what's up here. Follow me. | 0:05:57 | 0:05:59 | |
Here we go then, gang. | 0:05:59 | 0:06:00 | |
60 minutes, start the clock. | 0:06:00 | 0:06:02 | |
BELL RINGS | 0:06:02 | 0:06:03 | |
OK. | 0:06:03 | 0:06:04 | |
Looks fabulous, doesn't it? | 0:06:06 | 0:06:08 | |
Everything has been polished within an inch of its life. | 0:06:08 | 0:06:10 | |
SHE GASPS I love that! | 0:06:12 | 0:06:13 | |
Do you shop in places like this? | 0:06:14 | 0:06:16 | |
I'd like to but I don't think I ever come in | 0:06:16 | 0:06:19 | |
because I think I'd just buy everything. | 0:06:19 | 0:06:21 | |
Keep your spending under control, Nicky. | 0:06:21 | 0:06:23 | |
That £300 has to go a long way. | 0:06:23 | 0:06:25 | |
-No. -No? -Ooh, Toby jugs. | 0:06:25 | 0:06:28 | |
Toby jugs, OK. | 0:06:28 | 0:06:29 | |
Bertie, are you into Toby jugs? | 0:06:29 | 0:06:30 | |
I'm not against Toby jugs. | 0:06:30 | 0:06:32 | |
Well, I have to say that | 0:06:32 | 0:06:33 | |
at auction, they do sell quite poorly. | 0:06:33 | 0:06:36 | |
What we can see here is retail price of £45, | 0:06:36 | 0:06:38 | |
and alarm bells are ringing because auction price, | 0:06:38 | 0:06:41 | |
to be honest with you, is about £10 a pop, if that. | 0:06:41 | 0:06:43 | |
Let's scratch the Toby jugs, then. | 0:06:43 | 0:06:45 | |
If we could get them for a couple of quid, we'd be onto a winner. | 0:06:45 | 0:06:48 | |
Onwards and upwards for our comic capers. | 0:06:48 | 0:06:51 | |
Speaking of which... | 0:06:51 | 0:06:52 | |
-DAVID LAUGHS -That's the idea. -Oh, look at him. | 0:06:52 | 0:06:55 | |
Bit of Murano glass there. Do you like a bit of Murano? | 0:06:55 | 0:06:57 | |
-I love a bit of Murano. -It's a clown... | 0:06:57 | 0:06:59 | |
Yes, he's gorgeous. He's gorgeous. | 0:06:59 | 0:07:01 | |
Well, OK, tell me what you know about Murano. | 0:07:01 | 0:07:04 | |
-That it's beautiful, it's high quality. -Finish and glass. -Yes. | 0:07:04 | 0:07:07 | |
I think it's horrid. Nasty colours. | 0:07:07 | 0:07:09 | |
You said such nice things about Murano | 0:07:09 | 0:07:11 | |
then, suddenly, it's horrid. | 0:07:11 | 0:07:12 | |
Oh, we could have trouble on our hands with these two. | 0:07:12 | 0:07:15 | |
A slight difference of opinion maybe, girls. | 0:07:15 | 0:07:17 | |
Now, what are those Blues up to? | 0:07:17 | 0:07:20 | |
Do chessboards sell? I mean... | 0:07:20 | 0:07:22 | |
-Yeah. -That seemed quite cheap for a chessboard. | 0:07:22 | 0:07:24 | |
What was the price tag? | 0:07:24 | 0:07:26 | |
-£60. -£60. | 0:07:26 | 0:07:27 | |
I mean, certainly, it is a competitive price, isn't it? | 0:07:27 | 0:07:30 | |
It looks to me like it's been a little bit aged. | 0:07:30 | 0:07:33 | |
Shall we have a closer look? | 0:07:33 | 0:07:35 | |
Is that not a good thing if it's a little beaten up? | 0:07:35 | 0:07:37 | |
-Well, I think it might... -Or artificially aged? -Yes. | 0:07:37 | 0:07:39 | |
When we look up closely here, | 0:07:39 | 0:07:41 | |
what we have on top here is a lithographic print on top, | 0:07:41 | 0:07:45 | |
so it's a distressed look. | 0:07:45 | 0:07:46 | |
In fact, it's very modern. | 0:07:46 | 0:07:48 | |
I don't think we'll pull the wool over everyone's eyes | 0:07:48 | 0:07:50 | |
-in the auction room. -No. | 0:07:50 | 0:07:52 | |
Right, OK, excellent. Let's keep looking. | 0:07:52 | 0:07:54 | |
You need to look for something with a bit of a chequered past, lads. | 0:07:54 | 0:07:58 | |
That's almost brand-new. | 0:07:58 | 0:07:59 | |
We're dumping the clown, is that what you mean, Emma? | 0:07:59 | 0:08:02 | |
Huge shame. | 0:08:02 | 0:08:03 | |
We could maybe come back but I saw as we came in the mirror. | 0:08:03 | 0:08:08 | |
We're back, ironically, to Murano. | 0:08:08 | 0:08:10 | |
Emma, I'm wondering if you like that. | 0:08:10 | 0:08:12 | |
Just thinking that saleability, | 0:08:12 | 0:08:14 | |
actually, do people want to buy little mirrors? | 0:08:14 | 0:08:17 | |
-I don't think it's going to be... -OK. Let's think where we're going. | 0:08:17 | 0:08:19 | |
-Yes. -We're going to Chiswick. -Yes. -Yeah? | 0:08:19 | 0:08:22 | |
It's small, and it's colourful, and it's a bit glamorous. | 0:08:22 | 0:08:24 | |
I think it's possibly going to the right place. | 0:08:24 | 0:08:27 | |
But, price-wise, £75. | 0:08:27 | 0:08:30 | |
That's fine. We can work on that. | 0:08:30 | 0:08:32 | |
-I'm going to be brutal. -Are you? -Yes, yes. | 0:08:32 | 0:08:34 | |
Are you a majorly good negotiator, Emma? | 0:08:34 | 0:08:36 | |
-Absolutely. -Oh, my God. -Terrifying. -We're in for a ride here, aren't we? | 0:08:36 | 0:08:39 | |
I had three coffees this morning. | 0:08:39 | 0:08:42 | |
Shall I go and get the key to the cabinet? | 0:08:42 | 0:08:44 | |
-Yes. -You two look at it, discuss it and I'll come back with the key. | 0:08:44 | 0:08:46 | |
Oh, wow, how exciting. | 0:08:46 | 0:08:48 | |
Good work, girls, an artistic eye there. | 0:08:48 | 0:08:50 | |
Now, how are those boys getting on dodging that repro? | 0:08:50 | 0:08:54 | |
So, something's caught your eye over here. | 0:08:54 | 0:08:56 | |
Yeah, well, we saw these two cars both with the number eight on them | 0:08:56 | 0:08:59 | |
where they looked quite old. | 0:08:59 | 0:09:02 | |
-I was guessing something along the lines of tin in material. -Right, OK. | 0:09:02 | 0:09:05 | |
Shall we have a little look and get a closer feel for them? | 0:09:05 | 0:09:08 | |
OK, so I think that, with cars, | 0:09:08 | 0:09:10 | |
we need to be careful not to be deceived as to the age of them. | 0:09:10 | 0:09:14 | |
And then, when you have... You've got things like this on the bottom | 0:09:14 | 0:09:17 | |
that say, "This is not a toy. This is for decorative use," | 0:09:17 | 0:09:20 | |
it really shows the age of it, and it's basically brand-new, unfortunately. | 0:09:20 | 0:09:24 | |
-Can I be decisive, then? -Yes. | 0:09:24 | 0:09:26 | |
We're not going to buy this. | 0:09:26 | 0:09:28 | |
-Thank you, Ty. -Very welcome. | 0:09:28 | 0:09:29 | |
He's done it. He's done it. | 0:09:29 | 0:09:30 | |
Crikey, what a pair, eh? | 0:09:30 | 0:09:32 | |
Antiques, boys. We need antiques! | 0:09:32 | 0:09:34 | |
Ah, David's back with the key, look. | 0:09:34 | 0:09:36 | |
Yes, I'll do it. Don't worry. | 0:09:36 | 0:09:38 | |
-THEY LAUGH Don't break it. -Oh. -We're on. OK. | 0:09:38 | 0:09:41 | |
Come on up, Emma. | 0:09:41 | 0:09:42 | |
Don't you think the back doesn't match the front in terms of age? | 0:09:42 | 0:09:46 | |
-Yes. -I think that's 1950s. | 0:09:46 | 0:09:48 | |
-1950s? Yes, yes, yes. -'50s or even '60s. | 0:09:48 | 0:09:51 | |
But do you think the back was 1950s as well? | 0:09:51 | 0:09:53 | |
Yeah, I do. I think it's all contemporary. | 0:09:53 | 0:09:55 | |
-You think that's all... -Maybe that was added or... | 0:09:55 | 0:09:57 | |
It could've been. It could've been. | 0:09:57 | 0:09:59 | |
-You're very picky, you two, aren't you? -I know, sorry. | 0:09:59 | 0:10:01 | |
-My gosh. -We need to win. -We have to win. | 0:10:01 | 0:10:03 | |
-Oh, are you very competitive? -Very competitive. | 0:10:03 | 0:10:05 | |
-Really? -Yes, yes. -So, OK, we're talking Chiswick. | 0:10:05 | 0:10:08 | |
Is this for the Chiswick market? | 0:10:08 | 0:10:10 | |
-I think so. '50s is very trendy right now. -Bang on. | 0:10:10 | 0:10:13 | |
OK. Let me call Christine. | 0:10:13 | 0:10:15 | |
Christine, hi. | 0:10:15 | 0:10:16 | |
This is Christine. | 0:10:16 | 0:10:17 | |
-Hi, nice to meet you. -Lovely to meet you. | 0:10:17 | 0:10:19 | |
-What can we do that for? -Isn't that beautiful? | 0:10:19 | 0:10:22 | |
-Stunning. Absolutely stunning. -Just came in yesterday. | 0:10:22 | 0:10:24 | |
-NICKY GASPS -Can you help there? | 0:10:24 | 0:10:26 | |
We need all the help we can get, don't we? Let's be honest. | 0:10:26 | 0:10:28 | |
-It's modern. -I was going to say 60... | 0:10:28 | 0:10:30 | |
-40. -..but, | 0:10:31 | 0:10:33 | |
meet you halfway, 50, rock bottom. | 0:10:33 | 0:10:35 | |
No, 45. | 0:10:35 | 0:10:37 | |
You're amazing. | 0:10:37 | 0:10:38 | |
-Go on, then. -Ooh, done deal. | 0:10:39 | 0:10:42 | |
'Oh, Emma, darling. Mwah, mwah.' | 0:10:43 | 0:10:45 | |
-CHRISTINE: -Gives them a fighting chance. -It does. It does. | 0:10:45 | 0:10:48 | |
Well done. First purchase, and pretty quick as well. | 0:10:48 | 0:10:50 | |
-It was. That was. -Within minutes. Well done. | 0:10:50 | 0:10:52 | |
Now we can. | 0:10:52 | 0:10:53 | |
Oh, yes. Include me in that one. | 0:10:53 | 0:10:56 | |
How many... Oh, dear! | 0:10:56 | 0:10:58 | |
'Oh, Lordie, so that's one down for the artists. High fives all round. | 0:10:58 | 0:11:02 | |
'Now, hopefully, the Blue camp is feeling just as positive.' | 0:11:02 | 0:11:05 | |
-Ooh, I'm... -Lost. | 0:11:07 | 0:11:09 | |
I'm lost. | 0:11:09 | 0:11:11 | |
I'm flummoxed. | 0:11:11 | 0:11:13 | |
Oh, dear. Natasha, quick, help. | 0:11:13 | 0:11:15 | |
-Yeah. -I mean, there's a couple of things which we were | 0:11:15 | 0:11:18 | |
vaguely interested in here. | 0:11:18 | 0:11:20 | |
We've got this glasses case. It's a bit... | 0:11:20 | 0:11:23 | |
beat up. | 0:11:23 | 0:11:24 | |
Yeah. I think that's really nice, isn't it? | 0:11:24 | 0:11:26 | |
Well, I never. It's an antique. Well, maybe. | 0:11:26 | 0:11:28 | |
Oh, and Christine's back to lend a hand. | 0:11:28 | 0:11:30 | |
These young men here would like to have a look | 0:11:30 | 0:11:33 | |
at this shagreen glasses case. | 0:11:33 | 0:11:35 | |
It has caught their eye. | 0:11:35 | 0:11:37 | |
Thanks very much. | 0:11:38 | 0:11:39 | |
Thank you very much. | 0:11:39 | 0:11:41 | |
And what's that sticking out the top? | 0:11:41 | 0:11:42 | |
-It doesn't come with a blinking pair of glasses, does it? -It does. | 0:11:42 | 0:11:46 | |
Very Lady Gaga. | 0:11:46 | 0:11:47 | |
They are excellent, aren't they? | 0:11:47 | 0:11:50 | |
So, all of a sudden, our lot becomes a little bit more appealing. | 0:11:50 | 0:11:55 | |
For me, anyway. Bertie, what do you think? | 0:11:55 | 0:11:56 | |
Yeah, no, I like it. | 0:11:56 | 0:11:58 | |
I don't know if they'd fit on my head. | 0:11:58 | 0:12:00 | |
So, would you mind terribly if I pass those back to you, Ty, | 0:12:00 | 0:12:02 | |
if I have a good feel of this case? | 0:12:02 | 0:12:04 | |
Because we just need to make sure | 0:12:04 | 0:12:06 | |
that what we're dealing with is shagreen, | 0:12:06 | 0:12:08 | |
which is the polished skin of a ray or a shark. | 0:12:08 | 0:12:11 | |
Yes. Now, what's a dead giveaway is right here, | 0:12:11 | 0:12:14 | |
absolutely tiny little dot here that looks like it's missing. | 0:12:14 | 0:12:17 | |
And what that is is essentially a scale. | 0:12:17 | 0:12:19 | |
And that means, yes, shagreen. | 0:12:19 | 0:12:21 | |
So if we could get a good, keen price on these, | 0:12:21 | 0:12:24 | |
well, they're a bit of a gamble but they're good fun. | 0:12:24 | 0:12:27 | |
At £95, it's a good third of our money. | 0:12:27 | 0:12:30 | |
So, Bertie, if you would be so kind as to find Chris, | 0:12:30 | 0:12:33 | |
what she will do is phone the dealer who owns these | 0:12:33 | 0:12:36 | |
and see just how much we can get that price down. | 0:12:36 | 0:12:38 | |
-OK. Let's put these back in, pass them on... -Thank you. | 0:12:38 | 0:12:42 | |
-Do your very best for us. -See you in a bit. -Thank you. | 0:12:42 | 0:12:45 | |
Now, don't you go making a spectacle of yourself, Bertie. | 0:12:45 | 0:12:48 | |
Best stick to your day job, eh, TW? | 0:12:48 | 0:12:50 | |
Oh, look at this. Decanter, silver collar, | 0:12:52 | 0:12:55 | |
nicely engraved, 59 quid. | 0:12:55 | 0:12:58 | |
-Oh, oh! -Oh, my gosh. That looks cheap enough, doesn't it? -I know. | 0:12:58 | 0:13:01 | |
OK. And it's a London piece, I think. | 0:13:01 | 0:13:04 | |
-1935. -OK. | 0:13:04 | 0:13:05 | |
-Quite nice and old. -Ah! Emma. -Ooh, chips. | 0:13:05 | 0:13:08 | |
"Chips to top of bottle and stopper." | 0:13:08 | 0:13:11 | |
-Ooh, no. -What would that do? Is that no good? | 0:13:11 | 0:13:13 | |
It's a funny thing this chip idea, isn't it? | 0:13:13 | 0:13:15 | |
Because, you know what, it never puts me off. Ever. | 0:13:15 | 0:13:17 | |
-No? -Really? -Never. Do you know why? | 0:13:17 | 0:13:19 | |
Because you buy fantastic things, beautiful objects | 0:13:19 | 0:13:23 | |
-for a fraction of their immaculate condition. -Yeah. | 0:13:23 | 0:13:25 | |
It's still beautiful. It's still gorgeous. | 0:13:25 | 0:13:27 | |
It would be a risk though. | 0:13:27 | 0:13:29 | |
It'd be a risk but, if you bagged it cheaply... | 0:13:29 | 0:13:31 | |
We could knock her down. | 0:13:31 | 0:13:33 | |
-We could give it a go. -Knock her down. -You can. | 0:13:33 | 0:13:35 | |
THEY LAUGH | 0:13:35 | 0:13:36 | |
'Crikey, you don't want to mess with this girl.' | 0:13:36 | 0:13:38 | |
-Stay there. Keep talking. -Yes, yes. | 0:13:38 | 0:13:40 | |
Hello. I've managed to get in touch with the owner, | 0:13:41 | 0:13:44 | |
and she's given me her very best price, which is good one. | 0:13:44 | 0:13:47 | |
She's gone down to 70. | 0:13:47 | 0:13:49 | |
To me, that sounds like a good price. | 0:13:49 | 0:13:50 | |
Yeah. She did tell me the glasses alone are worth 50. | 0:13:50 | 0:13:53 | |
Sure, yeah. If I can just... | 0:13:53 | 0:13:55 | |
-convene for a second, that'd be great. -Absolutely, yes. -Thank you. | 0:13:55 | 0:13:58 | |
-OK. Talk to me. -So where are the... | 0:13:59 | 0:14:02 | |
-I can't see any... -There's nothing. There's a tiny little bit there. -No. | 0:14:02 | 0:14:05 | |
Honestly, I'm going to be criticised for saying that, I know it, | 0:14:05 | 0:14:08 | |
but if people would just switch on to these things. | 0:14:08 | 0:14:12 | |
It's got a little bit of damage. Just...so what? | 0:14:12 | 0:14:14 | |
-This is beautiful. -It's all about the work. -It's fantastic. | 0:14:14 | 0:14:17 | |
Let's see if the stopper fits neatly. | 0:14:17 | 0:14:19 | |
The idea with a good decanter is that it should fit neatly. | 0:14:19 | 0:14:22 | |
-You should turn it one to one and a half times... -Yeah. | 0:14:22 | 0:14:25 | |
..and it should be tight. | 0:14:25 | 0:14:26 | |
So, once, twice... | 0:14:26 | 0:14:28 | |
-Ahh. Ahh. -Yes. | 0:14:28 | 0:14:30 | |
Fine. So that's a very good stopper. | 0:14:30 | 0:14:32 | |
I can't believe the good price. | 0:14:32 | 0:14:34 | |
The good price is because of the slight damage, | 0:14:34 | 0:14:36 | |
-because everybody says... -We still need to get that lower. | 0:14:36 | 0:14:39 | |
Oh, yeah. Leave it to me. THEY LAUGH | 0:14:39 | 0:14:42 | |
Shall I bring that poor, long-suffering Christine in? | 0:14:42 | 0:14:45 | |
OK. Hold on to that. | 0:14:45 | 0:14:46 | |
Don't drop it. Whoa. | 0:14:46 | 0:14:49 | |
I'll bring Christine. | 0:14:49 | 0:14:50 | |
-Right. -We've lost the plot. Oh, here he comes. | 0:14:51 | 0:14:53 | |
-So, the best we can do at the moment is £70. -£70. -Yes. | 0:14:53 | 0:14:59 | |
-Yes. -Ooh, go for it. | 0:14:59 | 0:15:01 | |
Why not? | 0:15:01 | 0:15:02 | |
Number one. Thank you, Chris. | 0:15:02 | 0:15:04 | |
OK. Let's go. | 0:15:04 | 0:15:05 | |
Let's find two and three. | 0:15:05 | 0:15:07 | |
'A high-five from decisive Ty | 0:15:07 | 0:15:09 | |
'but, with those two other items to find, | 0:15:09 | 0:15:11 | |
'they're really up against it. | 0:15:11 | 0:15:13 | |
'Now, Emma, don't be too hard on poor Christine now.' | 0:15:13 | 0:15:16 | |
Let's have a look. | 0:15:16 | 0:15:18 | |
It's just with the damage inside... | 0:15:18 | 0:15:20 | |
Well, 30 is really the lowest I can go to, I'm afraid. | 0:15:20 | 0:15:22 | |
-30? -Yeah. -You know what? Actually, surprisingly, I'm happy with that. | 0:15:22 | 0:15:26 | |
So am I. | 0:15:26 | 0:15:27 | |
'What?! Well, I never.' | 0:15:27 | 0:15:28 | |
-I think it's really beautiful. Thank you. -OK. Done deal? | 0:15:28 | 0:15:31 | |
-BOTH: -Yes. -Go for it. | 0:15:31 | 0:15:32 | |
-Good negotiator, well done. -Thank you. | 0:15:32 | 0:15:34 | |
-Thank you very much. -Let's see if we can do this properly. | 0:15:34 | 0:15:36 | |
-Go on. -But it's one each. -One hand each. | 0:15:36 | 0:15:39 | |
One hand. | 0:15:39 | 0:15:40 | |
No, you did two! | 0:15:40 | 0:15:41 | |
Aw, she's rubbish. | 0:15:41 | 0:15:43 | |
'So, our artists are certainly in the frame for finishing first. | 0:15:43 | 0:15:47 | |
'That's two items done and dusted. | 0:15:47 | 0:15:49 | |
'Meanwhile, the Blues are on the move.' | 0:15:49 | 0:15:52 | |
We've actually used up half of our time already, | 0:15:52 | 0:15:54 | |
so we really need to chop along to the next shop and get going. | 0:15:54 | 0:15:57 | |
Chop along? Is that a famous Glaswegian saying, Natasha? | 0:15:57 | 0:16:00 | |
Let's see what we can see. | 0:16:00 | 0:16:02 | |
I think we are firing on all four cylinders here. | 0:16:03 | 0:16:05 | |
These two are superfast, | 0:16:05 | 0:16:07 | |
they've got a similar taste actually, | 0:16:07 | 0:16:10 | |
and they make decisions very quickly, so it's a great thing. | 0:16:10 | 0:16:13 | |
25 minutes in, | 0:16:13 | 0:16:14 | |
so now we have the luxury of 35 minutes to find one more object. | 0:16:14 | 0:16:20 | |
So easy! | 0:16:20 | 0:16:21 | |
-Natasha. -Yes. What have you found? | 0:16:22 | 0:16:25 | |
That silver and glass vase. | 0:16:25 | 0:16:27 | |
Yeah. I think the vase is absolutely gorgeous. | 0:16:27 | 0:16:30 | |
I love that kind of bulbous bottom as well. | 0:16:30 | 0:16:32 | |
-I can relate to that. -SHE LAUGHS | 0:16:32 | 0:16:34 | |
And I just think it's lovely. | 0:16:34 | 0:16:35 | |
You're thinking... Don't make a comment about a lady's behind. | 0:16:35 | 0:16:38 | |
Oh, steady, Ty. | 0:16:38 | 0:16:39 | |
So we just need to ask Mike if we can open the cabinet. Mike... | 0:16:39 | 0:16:42 | |
-I'll have a go. -Thank you very much. | 0:16:42 | 0:16:44 | |
Bertie and Ty are interested in the hobnail-cut vase | 0:16:44 | 0:16:46 | |
at the top. What's your opinion on the vase, Mike? | 0:16:46 | 0:16:48 | |
Do you like it? | 0:16:48 | 0:16:49 | |
-This one here? -Yes! | 0:16:49 | 0:16:51 | |
Yes, it is. It's rather good, isn't it? | 0:16:53 | 0:16:55 | |
They're not bonkers for buying that, are they? | 0:16:55 | 0:16:57 | |
Well... | 0:16:58 | 0:16:59 | |
-What sort of profit... -That's a very noncommittal answer. | 0:17:00 | 0:17:02 | |
What profit are you going to get in the auction for that? | 0:17:02 | 0:17:05 | |
I know. That's what we need to see. | 0:17:05 | 0:17:06 | |
So, yes, we've got Birmingham hallmarks here. | 0:17:06 | 0:17:08 | |
Doesn't have a lot of weight to it. It's cut glass, it's not crystal. | 0:17:08 | 0:17:11 | |
Now, Mike, how flexible is the owner of this cabinet? | 0:17:11 | 0:17:14 | |
-Not very much, I'm afraid. -Not very much. -Um... | 0:17:14 | 0:17:17 | |
It's £35, isn't it? | 0:17:17 | 0:17:19 | |
So, was 39, becomes 35? | 0:17:19 | 0:17:21 | |
-Yes. -OK. -Where's the auction you're going to put this stuff into? | 0:17:21 | 0:17:24 | |
-Chiswick. -Chiswick, right. | 0:17:24 | 0:17:26 | |
Do you want me to tell you...show you | 0:17:26 | 0:17:28 | |
-some bits you can make profit on... -I'd love to see that. | 0:17:28 | 0:17:30 | |
..for the London market? | 0:17:30 | 0:17:31 | |
Piddling around with stuff like this, there's nothing... | 0:17:31 | 0:17:34 | |
-You're going to lose money. -OK. -OK. I'll just lock this up. | 0:17:34 | 0:17:37 | |
Go and have a wander and then I'll point you in the right direction. | 0:17:37 | 0:17:39 | |
'Bit has an unfair advantage, don't you think, boys? | 0:17:39 | 0:17:42 | |
Let's leave them to it whilst I pop up the road | 0:17:42 | 0:17:45 | |
and do a bit of window shopping. | 0:17:45 | 0:17:46 | |
This is very nice, isn't it? | 0:17:48 | 0:17:50 | |
A typical Dorking antique centre, you might think. | 0:17:50 | 0:17:55 | |
But, actually, this is an antique centre | 0:17:55 | 0:17:57 | |
that goes on for miles inside. | 0:17:57 | 0:17:59 | |
But what interests me is, what items do you specifically place | 0:18:00 | 0:18:04 | |
in the smart front of an antique centre like this? | 0:18:04 | 0:18:08 | |
Well, apparently, | 0:18:08 | 0:18:09 | |
in this antique centre, they go in for a lot of old iron. | 0:18:09 | 0:18:13 | |
Rusty, flaking paint, | 0:18:13 | 0:18:16 | |
looking very, very sorry for itself. | 0:18:16 | 0:18:19 | |
So why is this in the pole position in this antique centre? | 0:18:19 | 0:18:25 | |
I tell you why, because somebody has got incredible taste | 0:18:25 | 0:18:29 | |
and discernment. | 0:18:29 | 0:18:31 | |
They have twigged that what that market out there want | 0:18:31 | 0:18:36 | |
in their smart London houses | 0:18:36 | 0:18:38 | |
is pieces that relate to the garden that look shabby chic. | 0:18:38 | 0:18:44 | |
The beauty of it is that it enables you | 0:18:44 | 0:18:46 | |
to arrange all your pot plants in a relatively enclosed space. | 0:18:46 | 0:18:52 | |
And the additional feature is that this thing | 0:18:52 | 0:18:54 | |
can be folded up when it comes to the autumn and winter. | 0:18:54 | 0:18:58 | |
Kick up the strap from underneath there and here like that. Look. | 0:18:58 | 0:19:03 | |
And then, with a bit of muscular activity, if we're lucky... | 0:19:03 | 0:19:06 | |
Like that. | 0:19:06 | 0:19:07 | |
The whole thing can be put back against the wall | 0:19:07 | 0:19:10 | |
or stored in a shed | 0:19:10 | 0:19:11 | |
and, hey presto, the area is clear. | 0:19:11 | 0:19:15 | |
So, what does such a thing cost you here in Dorking, | 0:19:15 | 0:19:19 | |
in a pole position, in an antique centre? | 0:19:19 | 0:19:21 | |
The asking price is £450. | 0:19:21 | 0:19:25 | |
What might it make in a specialist garden sale in another place? | 0:19:25 | 0:19:31 | |
I would guess between 1,000 and 1,500. | 0:19:31 | 0:19:35 | |
So, there's money in this scrap. | 0:19:35 | 0:19:37 | |
But can our Reds make any money out of their final buy? | 0:19:39 | 0:19:42 | |
No pressure, girls, 15 minutes left. | 0:19:42 | 0:19:45 | |
-Is that Art Deco? -Deco. -Very much so. -That's amazing. | 0:19:46 | 0:19:49 | |
Very much so. But I can tell you without even taking it out, | 0:19:49 | 0:19:51 | |
-it's brand spanking new. -OK. It's £2. | 0:19:51 | 0:19:54 | |
Is it? Seriously? | 0:19:54 | 0:19:56 | |
-Shall we do that for a profit? -Do you want to make some profit? | 0:19:57 | 0:19:59 | |
-We want a bigger profit, don't we? -That's our third thing. | 0:19:59 | 0:20:02 | |
-That'd be for... -That's £2. -No, no, no. | 0:20:02 | 0:20:03 | |
-We want something more expensive. -Seriously... | 0:20:03 | 0:20:06 | |
-It's 25, oh! -No, it's not. | 0:20:06 | 0:20:10 | |
-Emma. -Even so... | 0:20:12 | 0:20:14 | |
Let's get it down to 10. | 0:20:15 | 0:20:16 | |
-It's 25. -Yeah, let's get it down to 10. | 0:20:16 | 0:20:18 | |
Now, hang on, can I just make a point? This is fascinating. | 0:20:18 | 0:20:21 | |
Now you know it's 25, you want it and you're willing to pay £10. | 0:20:21 | 0:20:24 | |
-Yes, yes. -That is fascinating. -Good point. | 0:20:24 | 0:20:26 | |
-It's amazing. -Good point, yeah. -Totally. | 0:20:26 | 0:20:29 | |
I'm constantly struggling with that but you're absolutely right. | 0:20:29 | 0:20:31 | |
-What does that say about us? -NICKY LAUGHS | 0:20:31 | 0:20:33 | |
-You know, I think it says a lot. -Shallow? | 0:20:33 | 0:20:35 | |
-OK, I really love it now. -THEY LAUGH | 0:20:37 | 0:20:39 | |
That is bonkers. | 0:20:39 | 0:20:41 | |
You know, you two could be like... | 0:20:41 | 0:20:43 | |
-I don't know, laboratory ex... -I bow my head in shame. | 0:20:43 | 0:20:46 | |
David Harper, antiques and behavioural expert. | 0:20:46 | 0:20:51 | |
Meanwhile, our Blue boys are getting the royal tour | 0:20:51 | 0:20:54 | |
from our mate Mike. | 0:20:54 | 0:20:56 | |
Can I just point a couple of things out for you? | 0:20:56 | 0:20:58 | |
That thing there is 1951 kitsch. | 0:20:58 | 0:21:01 | |
-It's chic. -If you're going to Chiswick, | 0:21:01 | 0:21:04 | |
you can have that for a tenner. | 0:21:04 | 0:21:06 | |
-I'm sure you'll make a profit on that. -Absolutely. | 0:21:06 | 0:21:08 | |
Something else out here. | 0:21:08 | 0:21:09 | |
Languishing in the corner here is a Regency campana. | 0:21:11 | 0:21:15 | |
-Right. -It needs a bit of work on the bottom. | 0:21:15 | 0:21:18 | |
And that, you could have for 20 quid, | 0:21:18 | 0:21:20 | |
and I reckon there's a profit in that. | 0:21:20 | 0:21:22 | |
Anyway, carry on. | 0:21:22 | 0:21:24 | |
Hmm, decisions, decisions, boys. | 0:21:24 | 0:21:27 | |
Remember, you still have two items left to buy. | 0:21:27 | 0:21:30 | |
Time to check out that perfume bottle, Reds. | 0:21:30 | 0:21:33 | |
-Is that the box is? -Is it... Is it heavy? | 0:21:34 | 0:21:37 | |
-That's the box. -Ooh! -Result. | 0:21:38 | 0:21:40 | |
-I like, I like. -Let's... -I don't think the stopper... | 0:21:40 | 0:21:43 | |
-Does the stopper thing work with the perfume... -It's fine. | 0:21:43 | 0:21:45 | |
-No, but... -No, cos that's a twister. -Oh, it's one of those! | 0:21:45 | 0:21:48 | |
Oh, it's just a dab-dab thing. | 0:21:48 | 0:21:50 | |
That's so... Ah. | 0:21:50 | 0:21:51 | |
-No, I like it. -That's disappointing. -Do you think? | 0:21:51 | 0:21:54 | |
It's all about the look. | 0:21:54 | 0:21:56 | |
-It's poor quality in a big way. -Yeah. | 0:21:56 | 0:21:59 | |
So, again, forget all that. | 0:21:59 | 0:22:01 | |
Just think of the image, the appearance. | 0:22:01 | 0:22:03 | |
It is nice and heavy. | 0:22:03 | 0:22:05 | |
Listen, if we can bag it, it's worth a £10 vouch. | 0:22:05 | 0:22:08 | |
-OK, if we get it for £10. -But we still want... | 0:22:08 | 0:22:10 | |
-We want to get a bargain on it, though. -Absolutely. | 0:22:10 | 0:22:12 | |
Do you want me to just go and make a really horribly cheeky bid, | 0:22:12 | 0:22:15 | |
-and I'll come back and give you the best price? -Yes, I'm too embarrassed. | 0:22:15 | 0:22:18 | |
-Yes, yes, please. -You should be by now. -Yes, I am too embarrassed. | 0:22:18 | 0:22:21 | |
Oh, you've changed your tune, Emma. | 0:22:21 | 0:22:24 | |
What I heard when I walked past was, "Kitsch, kitsch, kitsch," | 0:22:24 | 0:22:27 | |
and that is a great word. | 0:22:27 | 0:22:29 | |
And here it is. | 0:22:29 | 0:22:30 | |
It couldn't be more retro, could it, with this design? | 0:22:30 | 0:22:33 | |
If we can get that for a tenner... | 0:22:33 | 0:22:35 | |
A bit of genuine, 1950s kitsch - well worth thinking about. | 0:22:35 | 0:22:38 | |
-I like that. -Let's lock it down. | 0:22:38 | 0:22:40 | |
-Let's do it. -Lock it down?! | 0:22:40 | 0:22:42 | |
OK. We're locking and loading. Shall we go for it, £10? | 0:22:42 | 0:22:45 | |
10... We can get this for £10? | 0:22:45 | 0:22:46 | |
-I'd overheard that, that's what he told you. -I was... | 0:22:46 | 0:22:49 | |
SHE LAUGHS | 0:22:49 | 0:22:50 | |
Come on, Ty, pay attention. | 0:22:50 | 0:22:52 | |
That's two for the Blues. | 0:22:52 | 0:22:54 | |
So, we left David in charge of negotiations for the perfume bottle. | 0:22:55 | 0:22:59 | |
How did it go, Mr H? | 0:23:00 | 0:23:02 | |
She's so sick of looking at it, you can have it for cost - 10 quid. | 0:23:02 | 0:23:06 | |
-Are you not happy with that? -No. -You sound not happy with it. | 0:23:07 | 0:23:10 | |
-It's too much. -Too much! | 0:23:10 | 0:23:11 | |
This girl wants the moon on a stick. | 0:23:11 | 0:23:14 | |
We are going to choose it. | 0:23:14 | 0:23:15 | |
-Let's make... It'll make £15, £20, £30. Let's just do it. -OK. | 0:23:15 | 0:23:19 | |
-Hold you to that. -Go on then. | 0:23:19 | 0:23:20 | |
-OK? This is the final one, do it right. -Yes. | 0:23:23 | 0:23:26 | |
Yes! Come on, teatime. | 0:23:26 | 0:23:29 | |
Three items, two high-fives and one tea wrapped up. | 0:23:29 | 0:23:32 | |
Well done, Reds. | 0:23:33 | 0:23:35 | |
So, it is up to you how you wish to proceed. We've got one and two. | 0:23:35 | 0:23:38 | |
I love the look of this duck terrine | 0:23:38 | 0:23:40 | |
because how often are you going to get a duck terrine | 0:23:40 | 0:23:43 | |
with a duck ladle? | 0:23:43 | 0:23:44 | |
That is what I love about it. And it is fun and fab. | 0:23:44 | 0:23:47 | |
If you want to pop along to the next shop, | 0:23:47 | 0:23:49 | |
then we've only got about seven or eight minutes to do that. | 0:23:49 | 0:23:51 | |
It's totally up to you. | 0:23:51 | 0:23:53 | |
I quite like the challenge. | 0:23:53 | 0:23:54 | |
OK, right. | 0:23:54 | 0:23:56 | |
We're going to run in and the first thing that we fancy, | 0:23:56 | 0:23:59 | |
we're going to just grab. | 0:23:59 | 0:24:01 | |
-We've got plenty of money left. -OK, go, go, go! -Excellent, let's do it. | 0:24:01 | 0:24:04 | |
Don't mess around! | 0:24:04 | 0:24:05 | |
This could go drastically wrong, and that wouldn't be funny, eh, boys? | 0:24:05 | 0:24:09 | |
Oh, my goodness. Are we OK to cross? | 0:24:09 | 0:24:11 | |
Are we going? Go, go, go! | 0:24:11 | 0:24:14 | |
Main entrance. | 0:24:14 | 0:24:15 | |
Go, go, go. OK. | 0:24:15 | 0:24:17 | |
This is all you, guys. You have done this to us. | 0:24:19 | 0:24:23 | |
No, that is quite chic for a Cheswick home, isn't it? | 0:24:23 | 0:24:26 | |
-£125, a little bit steep. -Yes. -If we could get that for £80 or £90, wow! | 0:24:26 | 0:24:32 | |
So you think, under £100, the naked red woman is a good... | 0:24:32 | 0:24:37 | |
We've got the shade. She is just...divine. I love her. | 0:24:37 | 0:24:41 | |
-Can we ask them for a price while we look at other stuff? -Yes. | 0:24:41 | 0:24:45 | |
I'll ask for a price on your behalf. Go, go, go! | 0:24:45 | 0:24:48 | |
Hold on, boys, I thought | 0:24:48 | 0:24:50 | |
you were going to buy the first thing you saw? | 0:24:50 | 0:24:53 | |
You've got one minute left! | 0:24:53 | 0:24:54 | |
-Could we stretch to 90? -Could we stretch to 90? | 0:24:56 | 0:24:59 | |
Cos she is stretching, and I think at £90... | 0:24:59 | 0:25:02 | |
Under 100... Yes! | 0:25:02 | 0:25:03 | |
Lock it in. | 0:25:05 | 0:25:06 | |
-Lock down! -Thank you. | 0:25:06 | 0:25:08 | |
Tic-toc, time's up! | 0:25:09 | 0:25:12 | |
With about six seconds to spare. Jackie, thank you so much. | 0:25:12 | 0:25:15 | |
-Oh, fabulous. -I really like it. -Oh, she is gorgeous. -I really like it. | 0:25:15 | 0:25:20 | |
Let's hope she's worth it, Ty. That was a close one. | 0:25:20 | 0:25:23 | |
Now, let's check out what those Reds bought, eh? | 0:25:23 | 0:25:26 | |
It was the Murano mirror which first caught their eye. | 0:25:28 | 0:25:32 | |
An attractive price of £45 was paid. | 0:25:32 | 0:25:35 | |
Next up, they poured over the cut glass decanter and settled for £30. | 0:25:35 | 0:25:40 | |
And finally, it was the Art Deco scent bottle, | 0:25:42 | 0:25:44 | |
a price not to be sniffed at, near ten pounds. | 0:25:44 | 0:25:47 | |
Now, you girls, there's been a few hiccups, is that true? | 0:25:50 | 0:25:52 | |
-Oh, no. -Maybe. -No misread labels? | 0:25:52 | 0:25:55 | |
-No, no. -You can tell they're a couple of actresses, can't you? | 0:25:55 | 0:25:59 | |
Oscar performances here! | 0:25:59 | 0:26:01 | |
OK, now, darling, what's your best, favourite piece? | 0:26:01 | 0:26:03 | |
Oh, favourite completely, as in I want it - mirror. | 0:26:03 | 0:26:07 | |
-Is it? -Beautiful, beautiful mirror. | 0:26:07 | 0:26:09 | |
-Do you agree with that? -Surprisingly, I agree with you. | 0:26:09 | 0:26:11 | |
-For once. -Lovely. | 0:26:11 | 0:26:13 | |
We've got a joint favourite here. | 0:26:13 | 0:26:15 | |
And which piece is going to bring the biggest profit? | 0:26:15 | 0:26:17 | |
-That's a tricky one. -The perfume bottle. -Maybe the decanter. | 0:26:17 | 0:26:20 | |
-I don't know, one of them. -OK. | 0:26:20 | 0:26:23 | |
That's what's called a hedge. | 0:26:23 | 0:26:26 | |
And you spent big, I know. How much did you spend? | 0:26:26 | 0:26:29 | |
I think it was 85. Not big enough, frankly, but, yes, 85. | 0:26:29 | 0:26:32 | |
£85. £215 of leftover lolly, please. | 0:26:32 | 0:26:36 | |
Anyway, £215. | 0:26:36 | 0:26:38 | |
-David Harper, there's a challenge for you there. -It's a big challenge. | 0:26:38 | 0:26:41 | |
It is a lot of money. But the reason why I've got a lot of money is | 0:26:41 | 0:26:44 | |
because these two are very, very good at their negotiating. | 0:26:44 | 0:26:46 | |
-Oh, yes. -There we are. | 0:26:46 | 0:26:48 | |
I mean, I get upset when there is only a small amount of money | 0:26:48 | 0:26:51 | |
spent, but if you spent the right money, it doesn't matter. | 0:26:51 | 0:26:53 | |
-We will find out about that when we get to the auction. -We will. | 0:26:53 | 0:26:56 | |
OK, fine. I leave it with you, Dave, because we're going to | 0:26:56 | 0:26:59 | |
check out what the Blue team bought, aren't we? | 0:26:59 | 0:27:02 | |
First up were the 20th-century sunglasses and case. | 0:27:02 | 0:27:05 | |
The boys paid £70. | 0:27:05 | 0:27:07 | |
Their second purchase was the 1960s ashtray - | 0:27:09 | 0:27:13 | |
a smoking price of £10 was paid. | 0:27:13 | 0:27:15 | |
Their last item was the racy red lamp, which they paid £90 for. | 0:27:17 | 0:27:22 | |
-OK, chaps, was that fun? -Yes. | 0:27:24 | 0:27:26 | |
Just as well you are uber fit for your trotting up | 0:27:26 | 0:27:29 | |
and down West Street in Dorking. | 0:27:29 | 0:27:31 | |
Anyway, now, Bertie, what is your favourite piece? | 0:27:31 | 0:27:34 | |
-I think I like the glasses that we bought first of all. -Your specs. | 0:27:34 | 0:27:38 | |
-Yes. -Do you agree with that, Ty? | 0:27:38 | 0:27:39 | |
No, I disagree. I really liked the naked red lady lamp. | 0:27:39 | 0:27:43 | |
In my experience, most of these things, that is ladies | 0:27:43 | 0:27:46 | |
with no kit on, tend to do really rather well at auction. | 0:27:46 | 0:27:49 | |
-Yes. -It is a funny thing, really. | 0:27:49 | 0:27:51 | |
-Anyway, so, how much did you spend all told? -£170. | 0:27:51 | 0:27:56 | |
£170 - £130 of leftover lolly, please. Straight to the posh. | 0:27:56 | 0:28:00 | |
-And straight off to NR. -Thank you. | 0:28:00 | 0:28:02 | |
So, what are you going to spend it on, Natasha? | 0:28:02 | 0:28:04 | |
-I don't really have a clue. Anything is game. -Anything could happen. | 0:28:04 | 0:28:07 | |
Well, that is what'll keep us tuned in. Thank you very much, | 0:28:07 | 0:28:10 | |
Natasha, because right now we are shoving off, | 0:28:10 | 0:28:13 | |
as they say, to the auction. | 0:28:13 | 0:28:15 | |
Well, we have come 24 miles, roughly, north, from Dorking, | 0:28:25 | 0:28:28 | |
into the centre of London, | 0:28:28 | 0:28:29 | |
to Chiswick High Road to be at High Road Auctions with Ross Mercer. | 0:28:29 | 0:28:34 | |
-Good morning. -Good morning, Tim. | 0:28:34 | 0:28:35 | |
Now, moving for the Reds, | 0:28:35 | 0:28:37 | |
we've got this so-called Murano glass encrusted easel toilet mirror. | 0:28:37 | 0:28:42 | |
That's right. Probably a tourist gift within the last 30 or 40 years. | 0:28:42 | 0:28:46 | |
So, no great age, but in good condition. Is it worth £45? | 0:28:46 | 0:28:50 | |
Well, we have said 30 to 50, Tim. | 0:28:50 | 0:28:52 | |
-Ah, we are just in your estimate. -Yeah. | 0:28:52 | 0:28:55 | |
-So we might just get to £45. -Yes, I think they stand a good chance. | 0:28:55 | 0:28:58 | |
Now, the folks round here in West London, they like a drop, | 0:28:58 | 0:29:01 | |
-don't they? -They do indeed. -OK. | 0:29:01 | 0:29:03 | |
Well, here is an opportunity to park a drop. | 0:29:03 | 0:29:05 | |
-A lovely cut glass decanter with a silver collar. -That's right, Tim. | 0:29:05 | 0:29:09 | |
-Nice quality. Hallmarked there for 1935. -Yeah. How much? | 0:29:09 | 0:29:13 | |
-Well, we have said 80 to 120. -You are a brilliant man. | 0:29:13 | 0:29:16 | |
£30 is all they paid for it in Dorking. | 0:29:16 | 0:29:19 | |
So, we like the sound of this very much. | 0:29:19 | 0:29:21 | |
Now, we have got another glass object - | 0:29:21 | 0:29:23 | |
this so-called Art Deco style scent bottle. | 0:29:23 | 0:29:27 | |
That's right. Loosely Art Deco, really, in style. | 0:29:27 | 0:29:29 | |
And quite nicely made, nicely finished. | 0:29:29 | 0:29:31 | |
-This is a brand-new job, isn't it? -Brand-new, yeah. | 0:29:31 | 0:29:34 | |
-OK, what is it worth? -Well, we've said £30 to £50. | 0:29:34 | 0:29:37 | |
It is a bit of a novelty, | 0:29:37 | 0:29:38 | |
so I am hoping they didn't pay much more than 30. | 0:29:38 | 0:29:41 | |
-No, only £10. -They've done very well. | 0:29:41 | 0:29:43 | |
They've been very canny with their purchases, I have to say. | 0:29:43 | 0:29:46 | |
This team deserve to do well. | 0:29:46 | 0:29:47 | |
I don't think they'll need the bonus buy, | 0:29:47 | 0:29:49 | |
but let's go and have a look at it anyway. | 0:29:49 | 0:29:52 | |
-Well, girls, isn't this gorgeous? -Amazing. | 0:29:52 | 0:29:54 | |
We are at the leftover lolly moment. | 0:29:54 | 0:29:56 | |
You only spent a miserable £85 and you gave our man, | 0:29:56 | 0:29:59 | |
our hero, £215. | 0:29:59 | 0:30:02 | |
David, what did you do with the £215? | 0:30:02 | 0:30:05 | |
I think I bought, my prediction is, the very best item on today's show. | 0:30:05 | 0:30:10 | |
-What are you laughing at? -What is it? -It's a vesta case. | 0:30:10 | 0:30:13 | |
-I like that. -For matches. Solid silver. | 0:30:13 | 0:30:16 | |
And it is hallmarked in Birmingham in 1910. | 0:30:16 | 0:30:20 | |
So, do you like it as a vesta case? | 0:30:20 | 0:30:22 | |
-Could we melt it down? -No! You could not melt it down! | 0:30:22 | 0:30:27 | |
-You are such a Philistine when it comes to... -Honestly! | 0:30:27 | 0:30:30 | |
Oh, it could be a pendant, jewellery. | 0:30:30 | 0:30:32 | |
Exactly, you haven't spotted something that makes it incredibly | 0:30:32 | 0:30:36 | |
different, and I have never ever, in all my years, seen anything like it. | 0:30:36 | 0:30:42 | |
Are you ready? | 0:30:42 | 0:30:43 | |
-SHE GASPS -Isn't that absolutely, | 0:30:43 | 0:30:46 | |
exquisitely beyond belief? | 0:30:46 | 0:30:48 | |
-But she's ugly! -What?! -What?! | 0:30:48 | 0:30:52 | |
-No, she's OK. She's not... -What do you mean she's OK? She is ace! | 0:30:52 | 0:30:58 | |
I think this is amazing. I think this... I'd like it. Can I bid? | 0:30:58 | 0:31:01 | |
How much, how much, how much? | 0:31:01 | 0:31:04 | |
I paid £70 for that. | 0:31:04 | 0:31:06 | |
-HE GASPS -I think there is every possibility | 0:31:06 | 0:31:09 | |
she's going to make £150, £200. | 0:31:09 | 0:31:13 | |
That is a prediction, girls. Don't you think that is a prediction? | 0:31:13 | 0:31:16 | |
-It's a good one. -Now, you don't pick now, you pick later. | 0:31:16 | 0:31:19 | |
I can't wait to find out what the auctioneer | 0:31:19 | 0:31:21 | |
thinks about Dave's vesta case. | 0:31:21 | 0:31:24 | |
Well, on the face of it, that looks | 0:31:24 | 0:31:26 | |
and feels just like a chunky, typical vesta case, doesn't it? | 0:31:26 | 0:31:30 | |
That's right, but it holds a bit of a secret. | 0:31:30 | 0:31:33 | |
There it is, a lovely little miniature portrait of a young lady. | 0:31:33 | 0:31:38 | |
So the old man would always have an image of her close to him. | 0:31:38 | 0:31:41 | |
-That's right. -How much is it worth? | 0:31:41 | 0:31:43 | |
Well, we have set £80 to £120, reflecting how well it is made, Tim. | 0:31:43 | 0:31:48 | |
And I have never seen one before. | 0:31:48 | 0:31:50 | |
Well, that cunning monkey, David Harper, only | 0:31:50 | 0:31:53 | |
spent £70 on this, which has to be, I think, an absolute snip. | 0:31:53 | 0:31:59 | |
Strike a light. | 0:31:59 | 0:32:00 | |
That's it for the Reds. Now for the Blues. | 0:32:00 | 0:32:04 | |
We've got a pair of so-called Oriental sunglasses. | 0:32:04 | 0:32:07 | |
How do you rate those? | 0:32:07 | 0:32:09 | |
I am a little bit dubious, to be honest, Tim. | 0:32:09 | 0:32:12 | |
-I think we will struggle with this. -Yeah. -I really do, yes. | 0:32:12 | 0:32:15 | |
We have said £40 to £60, but I am not convinced. | 0:32:15 | 0:32:19 | |
I wouldn't fret unduly. They paid £70. | 0:32:19 | 0:32:21 | |
It is a sort of dressing-up box job, isn't it? | 0:32:21 | 0:32:24 | |
Right, anyway, moving on. | 0:32:24 | 0:32:26 | |
Next up is the funky '60s ashtray. | 0:32:26 | 0:32:30 | |
Lavatory paper holder. | 0:32:30 | 0:32:32 | |
I think that is a better use for it, to be honest. | 0:32:32 | 0:32:34 | |
Yes, it doesn't do much for me, I'm afraid, Tim. | 0:32:34 | 0:32:37 | |
However, that modernist look of the mid 20th century | 0:32:37 | 0:32:40 | |
is easily sold around here. | 0:32:40 | 0:32:43 | |
Oh, yes, you bet! You bet your life! | 0:32:43 | 0:32:46 | |
What is the estimate? | 0:32:46 | 0:32:48 | |
-£20 to £40. -Ten pounds paid, so that is pretty cool. | 0:32:48 | 0:32:51 | |
-They will see a small profit. -Yeah. And then the Art-Deco-looking girl. | 0:32:51 | 0:32:56 | |
-She is a bit of a lamp stand, isn't she? -She is. | 0:32:56 | 0:32:59 | |
-Nice form, but I'm afraid, cast resin. -£90 is what they paid. | 0:32:59 | 0:33:04 | |
-Wow. -It is not pretending to be anything but a resin cast jobby. | 0:33:04 | 0:33:08 | |
-How much? -We had said £50 to £70. -It is almost in the frame. | 0:33:08 | 0:33:13 | |
But I tell you, if the so-called old sunglasses | 0:33:13 | 0:33:16 | |
and the resin figure and the lavatory paper holder don't go | 0:33:16 | 0:33:19 | |
so well, these guys are in trouble | 0:33:19 | 0:33:20 | |
and they're going to need the bonus buy. | 0:33:20 | 0:33:22 | |
Let's go and have a look at it. | 0:33:22 | 0:33:24 | |
Now, guys, this is the moment of truth. | 0:33:24 | 0:33:26 | |
Natasha had 130 of your pounds. So, Natasha, what did you find? | 0:33:26 | 0:33:31 | |
There is no way that you don't know what this is already. | 0:33:31 | 0:33:34 | |
It is, of course, | 0:33:34 | 0:33:35 | |
the mallard terrine with amazing mallard miniature ladle. | 0:33:35 | 0:33:41 | |
Tell me now I can convince that you have to have it. | 0:33:41 | 0:33:43 | |
Well, we haven't got much choice, have we, really? | 0:33:43 | 0:33:47 | |
Did you see it before? | 0:33:47 | 0:33:49 | |
-We did. -And did you turn it down before? -We did. | 0:33:49 | 0:33:53 | |
I have to tell you, the reason why bought I this for you is because | 0:33:53 | 0:33:56 | |
I almost want to show you how much competition it is going to inspire. | 0:33:56 | 0:34:00 | |
Egg on my face if the sales for it flop and we lose money. | 0:34:00 | 0:34:03 | |
-Do you want to know what a paid for? -Yes. -I only paid £20 for it. | 0:34:03 | 0:34:07 | |
And I genuinely think it can only make money. | 0:34:07 | 0:34:10 | |
But the choice will be yours, guys. | 0:34:10 | 0:34:12 | |
And right now, for the audience at home, let's find out whether | 0:34:12 | 0:34:14 | |
the auctioneer thinks that Natasha Raskin is completely quackers. | 0:34:14 | 0:34:18 | |
How quackers is this? | 0:34:19 | 0:34:22 | |
Well, this is kitsch, isn't it, Tim? | 0:34:22 | 0:34:24 | |
It even comes with its own little ladle in there. | 0:34:24 | 0:34:27 | |
-And it is decorative. -I think it is quite West London, don't you? | 0:34:27 | 0:34:30 | |
I think it is. It is a talking point. | 0:34:30 | 0:34:32 | |
It certainly is! Anyway. So, this is Natasha Raskin's pick. | 0:34:32 | 0:34:38 | |
And I think she has got it in spades here. What is your estimate? | 0:34:38 | 0:34:41 | |
Well, for this we've said £40 to £60. | 0:34:41 | 0:34:43 | |
-Well, the cunning girl has only paid £20. -She has done well, then. | 0:34:43 | 0:34:47 | |
How about that, ducky? | 0:34:47 | 0:34:48 | |
Right then, Ross, rise to your rostrum. | 0:34:50 | 0:34:52 | |
-Now, Emma, Nicky, you OK? -Yeah. -Excited about this? -Very, yeah. | 0:34:55 | 0:34:59 | |
What is your prediction today? How much profit are you going to make? | 0:34:59 | 0:35:02 | |
-A lot. -Are you? -Yes. | 0:35:02 | 0:35:03 | |
-Can we have it, like, defined? -You want in numbers? -85. | 0:35:03 | 0:35:07 | |
No, I'm thinking 100. | 0:35:07 | 0:35:09 | |
-You're going to make £100 profit?! -OK. | 0:35:09 | 0:35:12 | |
-Overall? -BOTH: Yes. | 0:35:12 | 0:35:14 | |
-Wow. -Very optimistic. -These girls are right up for it, aren't they? | 0:35:14 | 0:35:17 | |
-So, first up is it going to be your Murano strut mirror. -OK. | 0:35:17 | 0:35:22 | |
Which is absolutely gorgeous. And here it comes. | 0:35:22 | 0:35:24 | |
20th-century Murano | 0:35:24 | 0:35:26 | |
glass dressing table mirror. | 0:35:26 | 0:35:27 | |
Ten pounds, on bid at ten. 15 now. | 0:35:27 | 0:35:30 | |
-Get a grip, girls. -Come on! | 0:35:30 | 0:35:32 | |
At 20. 25. £25. | 0:35:32 | 0:35:35 | |
My colleague at £25 now. Bid 30. | 0:35:35 | 0:35:38 | |
New place at £30. 35. | 0:35:38 | 0:35:41 | |
At 35. 40 now. | 0:35:41 | 0:35:43 | |
Come on! | 0:35:43 | 0:35:44 | |
What is wrong with these people? | 0:35:44 | 0:35:46 | |
At £40, and I'm going to sell at 40... | 0:35:46 | 0:35:49 | |
-Oh! Did he sell it for 40? -Yes, he did. | 0:35:49 | 0:35:52 | |
Minus five pounds. OK, now, this decanter. | 0:35:52 | 0:35:55 | |
George V silver-mounted, cut-glass, club-shaped decanter and stopper. | 0:35:55 | 0:36:00 | |
-£55 on bid. -Oh! | 0:36:00 | 0:36:03 | |
Who is interested for more? Bid 60, sir. | 0:36:03 | 0:36:06 | |
Five. | 0:36:06 | 0:36:07 | |
These people are half-asleep. | 0:36:07 | 0:36:09 | |
There are only four of them there. | 0:36:09 | 0:36:11 | |
Five. At 75. | 0:36:11 | 0:36:13 | |
At £75, | 0:36:13 | 0:36:14 | |
last chance, I'm going to sell. | 0:36:14 | 0:36:16 | |
-At £75... -I'm liking this. | 0:36:16 | 0:36:19 | |
-Good. It's good. -75 is plus 45. | 0:36:19 | 0:36:22 | |
You were minus five, you're now plus 40. | 0:36:22 | 0:36:25 | |
Clear and black cut-glass scent bottle. There it is. | 0:36:25 | 0:36:29 | |
Cap-stand form, we say. | 0:36:29 | 0:36:30 | |
£15 surely for it. Ten then. | 0:36:30 | 0:36:33 | |
-Ten pounds on bid. 15. 20 now. -Oh, yeah! | 0:36:33 | 0:36:36 | |
We are making a profit. | 0:36:36 | 0:36:38 | |
25 now. Last chance, going to sell | 0:36:38 | 0:36:40 | |
-at 25. -25. -All done? -I'm loving it. | 0:36:40 | 0:36:42 | |
And selling at £25... | 0:36:42 | 0:36:45 | |
-Brilliant. -Girls, you are so clever, | 0:36:45 | 0:36:47 | |
you have plus £55. | 0:36:47 | 0:36:49 | |
-Is that good or is it good? -Brilliant. -That is so good. | 0:36:49 | 0:36:52 | |
-Now, what are you going to do... -I don't know. -..about this vesta case? | 0:36:52 | 0:36:55 | |
-Yes. -Yes? -I do. -Should we do it? I'm so scared. -Yes, yes. -You do? -Yes. | 0:36:55 | 0:37:00 | |
OK, fine, we are going with the bonus buy. Defo? Defo. | 0:37:00 | 0:37:03 | |
Very good. OK, here it comes. | 0:37:03 | 0:37:04 | |
Unusual Edwardian silver portrait vesta. | 0:37:04 | 0:37:08 | |
Some interest here. Bids starting against you all at £120. | 0:37:08 | 0:37:12 | |
With me at 120. And I'll bid 30. | 0:37:12 | 0:37:14 | |
130, sir. 140. 150. | 0:37:14 | 0:37:17 | |
At 150, I'm out. 160. | 0:37:17 | 0:37:20 | |
170. 170 bid. 180. | 0:37:20 | 0:37:24 | |
180. 190. | 0:37:24 | 0:37:26 | |
-It is all worth it. -£190. At 190. | 0:37:26 | 0:37:29 | |
-With my colleague at £190. -Go on! -Go on! -Last chance at 190... | 0:37:29 | 0:37:33 | |
David Harper! | 0:37:33 | 0:37:35 | |
£190. He is plus £120 of profit. | 0:37:35 | 0:37:41 | |
-Is that cool or not? -BOTH: Yes! -Did you trust the man? -Yes. | 0:37:41 | 0:37:44 | |
-Is he a genius? -He's lovely. -To find that for £70, is that not brilliant? | 0:37:44 | 0:37:49 | |
It is pure genius. | 0:37:49 | 0:37:51 | |
Anyway, overall, you are £175 in profit. | 0:37:51 | 0:37:56 | |
We will have to go to the cash machine for certain to raid it | 0:37:56 | 0:38:00 | |
-for that amount of profit. -See? Magic. | 0:38:00 | 0:38:03 | |
You are really, really, really cute, you girls. | 0:38:03 | 0:38:05 | |
Don't say a word to the Blues. | 0:38:05 | 0:38:07 | |
Bert, Ty, you happy about this? | 0:38:13 | 0:38:16 | |
-BOTH WITH RESERVATION: Yeah. -Yeah? I mean, why not? | 0:38:16 | 0:38:20 | |
Those girls, you have any idea how they got on? | 0:38:20 | 0:38:23 | |
I imagine they did well. They looked very confident. | 0:38:23 | 0:38:27 | |
-That's women for you, though, isn't it? -Perhaps. -Anyway. | 0:38:27 | 0:38:29 | |
First up, and it's coming right now, are your specs, Bertie. | 0:38:29 | 0:38:32 | |
Here they come. | 0:38:32 | 0:38:33 | |
Pair of rather unusual sunglasses together with a shagreen case. | 0:38:33 | 0:38:37 | |
Talk them up. | 0:38:37 | 0:38:38 | |
-Start against you all, £20. On bid at 20. -OK. | 0:38:38 | 0:38:41 | |
Depends how many people have small heads in the audience. | 0:38:41 | 0:38:44 | |
30. 35. | 0:38:44 | 0:38:45 | |
Bid 40. 40. Five now, fresh place. | 0:38:45 | 0:38:49 | |
50 now. At £50, left-hand side, gentleman's bid. 55. | 0:38:49 | 0:38:53 | |
-60 to you, sir, at 60. 65 now, internet. -Go on! | 0:38:53 | 0:38:57 | |
All done at £65 now on the internet? | 0:38:59 | 0:39:02 | |
-The room is out. -One more! | 0:39:02 | 0:39:04 | |
And £65... | 0:39:04 | 0:39:06 | |
Nearly. Well, Bertie, there is no shame in that, mate, | 0:39:06 | 0:39:10 | |
it's only minus five pounds. | 0:39:10 | 0:39:12 | |
Minus five pounds. Now, here comes the lavatory paper holder. | 0:39:12 | 0:39:15 | |
1960s enamelled wrought iron ashtray. | 0:39:15 | 0:39:18 | |
Bids start, £20. | 0:39:18 | 0:39:19 | |
-Oh, we're in! 20. -You doubled your money. | 0:39:19 | 0:39:23 | |
Anyone else coming in at 25 now? | 0:39:23 | 0:39:25 | |
Otherwise on the maiden bid of 20. | 0:39:25 | 0:39:27 | |
Last chance at 20. | 0:39:27 | 0:39:30 | |
Anyway, it is plus ten pounds. | 0:39:30 | 0:39:32 | |
I don't care, maties, | 0:39:32 | 0:39:33 | |
you are now five pounds in profit overall. Now... | 0:39:33 | 0:39:37 | |
Rather stylish Art Deco style resin figural table lamp. | 0:39:37 | 0:39:42 | |
Some interest here. | 0:39:42 | 0:39:43 | |
Bids starting against you all | 0:39:43 | 0:39:45 | |
-at £15, I'm afraid. 15. -15? | 0:39:45 | 0:39:48 | |
-15. -Let's see what happens. 15, 20. | 0:39:48 | 0:39:49 | |
That's sad. That is sad. | 0:39:49 | 0:39:52 | |
40. Five. 50. | 0:39:52 | 0:39:54 | |
Five. 60. | 0:39:54 | 0:39:56 | |
No, at £55. At 55, stood at the back, at 55. | 0:39:56 | 0:40:00 | |
With the gentleman at 55. | 0:40:00 | 0:40:02 | |
Last chance, going to sell now at 55. | 0:40:02 | 0:40:04 | |
Ladies of Chiswick! | 0:40:04 | 0:40:07 | |
-£55. -Oh! | 0:40:07 | 0:40:09 | |
That is five off 60. | 0:40:09 | 0:40:11 | |
That is minus 35. | 0:40:11 | 0:40:12 | |
-You know what that means! -We'll have to. -Overall, you are minus 30. | 0:40:12 | 0:40:16 | |
Now, what are you going to do about duck face? | 0:40:16 | 0:40:18 | |
Guess we don't really have a choice. | 0:40:18 | 0:40:20 | |
We are bound to the duck. | 0:40:20 | 0:40:22 | |
The die is cast. £20 you paid for it. His estimate is 40 to 60. | 0:40:22 | 0:40:26 | |
He thinks it is a kitschiest thing and thinks it is really fab. | 0:40:26 | 0:40:28 | |
All right? So duck face could save your bacon. | 0:40:28 | 0:40:32 | |
Mid-20th-century, continental, soft paste porcelain terrine and cover. | 0:40:32 | 0:40:37 | |
Duck a l'orange this evening. | 0:40:37 | 0:40:38 | |
Bids start at £30, surely. | 0:40:38 | 0:40:41 | |
20 then. Ten then. | 0:40:41 | 0:40:43 | |
Ten pounds on bid. Ten. 15. | 0:40:43 | 0:40:46 | |
Now they all want it at £15. | 0:40:46 | 0:40:48 | |
-20 now. -Yes! -25. | 0:40:48 | 0:40:50 | |
30. Christmas is coming. | 0:40:50 | 0:40:53 | |
£30. 35. | 0:40:53 | 0:40:55 | |
At £35, bid 40. | 0:40:55 | 0:40:58 | |
-Sir, one more. -Keep going! | 0:40:58 | 0:40:59 | |
-At £40. -Yes! | 0:40:59 | 0:41:00 | |
-At £40, left-hand side. -The year of the mandarin. | 0:41:00 | 0:41:02 | |
Last chance, I'm going to sell now. | 0:41:02 | 0:41:05 | |
-At £40. -Come on! | 0:41:05 | 0:41:06 | |
Last chance at 40... | 0:41:06 | 0:41:08 | |
-Yay! -Oh, yes, £40, doubled your money. | 0:41:08 | 0:41:11 | |
Natasha, you are a genius. | 0:41:11 | 0:41:13 | |
-Well done. -That is plus 20. | 0:41:13 | 0:41:15 | |
-Was she right or was she right? -She was right. -OK, fine. | 0:41:16 | 0:41:20 | |
£20 profit. Well done there, Nat. | 0:41:20 | 0:41:23 | |
So you were minus 30, now you're only minus ten pounds, | 0:41:23 | 0:41:25 | |
which could be a winning score, yes? | 0:41:25 | 0:41:27 | |
Gosh, what fun, isn't it? The battle of the sexes, eh? | 0:41:34 | 0:41:37 | |
How do you think it went, lads? | 0:41:37 | 0:41:40 | |
I think I see some Cheshire cheese, | 0:41:40 | 0:41:43 | |
some really good smilers over here, | 0:41:43 | 0:41:45 | |
which can only mean one thing - | 0:41:45 | 0:41:47 | |
that the runners-up today, by a big old chunk, are the Blues. | 0:41:47 | 0:41:53 | |
I mean, I can't disguise it, really, | 0:41:53 | 0:41:55 | |
when you are confronted by such overt happiness on this side. | 0:41:55 | 0:41:59 | |
Anyway, you started off terribly well, minus five pounds. | 0:41:59 | 0:42:03 | |
-But it finished up, even after the success of old duck face... -Yes! | 0:42:04 | 0:42:09 | |
..which made a £20 profit, at being minus ten pounds. | 0:42:09 | 0:42:12 | |
-Basically, you were robbed, right? -Yeah, robbed and gutted. | 0:42:12 | 0:42:15 | |
-Gutted. -Oh, behave! -Anyway, I hope you've enjoyed it. | 0:42:15 | 0:42:18 | |
We have loved having you. You've been seriously good sports about it. | 0:42:18 | 0:42:21 | |
Because the girls are going to go home with a grand total of £175. | 0:42:21 | 0:42:26 | |
£175! | 0:42:26 | 0:42:29 | |
-That is folding money, isn't it? -Yes, it is. | 0:42:29 | 0:42:31 | |
-Have you ever seen Nicky take so much money so quickly? -No. | 0:42:31 | 0:42:34 | |
She is not mucking about. OK, £45. You did extremely well. | 0:42:34 | 0:42:39 | |
£45 on that decanter, which you tell me was malfunctioning. | 0:42:39 | 0:42:43 | |
Which is something else. | 0:42:43 | 0:42:45 | |
And then the genius comes up with a vesta case, | 0:42:45 | 0:42:47 | |
which makes £120 profit! | 0:42:47 | 0:42:50 | |
-That is a seriously good find. -Brilliant. | 0:42:50 | 0:42:52 | |
How you found that for £70 before me, I do not know. | 0:42:52 | 0:42:56 | |
-Seriously, well done, David. -Thank you. -A smashing find. | 0:42:56 | 0:42:58 | |
-And it was fun, wasn't it? -It was great fun. -Brilliant. | 0:42:58 | 0:43:02 | |
Anyway, join us soon for some more bargain-hunting, yes? Yes! | 0:43:02 | 0:43:06 |