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Norfolk is famed for many things, | 0:00:02 | 0:00:03 | |
including its vibrant lavender fields. | 0:00:03 | 0:00:06 | |
But did you know that the county has links | 0:00:06 | 0:00:09 | |
to Native American legend, Pocahontas? | 0:00:09 | 0:00:12 | |
Well, she married Englishman, tobacco exporter, John Rolfe, | 0:00:14 | 0:00:20 | |
whose home, Heacham Hall, was just around the corner here. | 0:00:20 | 0:00:23 | |
How about that for a cracking story? | 0:00:23 | 0:00:26 | |
Anyway, enough of this dribbling on. | 0:00:26 | 0:00:28 | |
Let's go bargain hunting, yeah! | 0:00:28 | 0:00:30 | |
Today, we're at the Norfolk Showground, | 0:00:59 | 0:01:00 | |
where our teams, as usual, get an hour and £300 | 0:01:00 | 0:01:04 | |
to buy their three items. | 0:01:04 | 0:01:06 | |
But is this going to have a fairytale ending | 0:01:06 | 0:01:09 | |
or be the stuff of nightmares? | 0:01:09 | 0:01:12 | |
Let's tune in and see how they get on. | 0:01:12 | 0:01:15 | |
The Reds really know how to pick 'em, eh, Paul? | 0:01:17 | 0:01:20 | |
I think it's ghastly, but it has some age. | 0:01:20 | 0:01:25 | |
Like everything we've picked out! | 0:01:25 | 0:01:27 | |
And it's less ghastly than the other things you've picked out. | 0:01:27 | 0:01:29 | |
And the Blues are in a Continental mood. | 0:01:31 | 0:01:34 | |
You can see them in Montmartre, can't you? | 0:01:34 | 0:01:36 | |
You can see them in Montmartre. We're getting into the spirit of it all. | 0:01:36 | 0:01:39 | |
-Oh, yes! -Oh-oh-oh... -With a glass of wine. | 0:01:39 | 0:01:42 | |
That's all for later. | 0:01:42 | 0:01:43 | |
Let's meet the teams. | 0:01:43 | 0:01:45 | |
Well, on today's show, we've got two teams of friends | 0:01:47 | 0:01:49 | |
who are just bursting with talent. | 0:01:49 | 0:01:51 | |
For the Reds, we've got Zo and Jen. | 0:01:51 | 0:01:55 | |
And, for the Blues, we've got Val and Ann. Hello, everyone. | 0:01:55 | 0:01:58 | |
-Hello. -Hello. | 0:01:58 | 0:01:59 | |
Smashing to see you. | 0:01:59 | 0:02:00 | |
Now, Zo-Zo, you met Jen on one of your gigs. | 0:02:00 | 0:02:03 | |
Yes. I'm a musician. | 0:02:03 | 0:02:05 | |
And she came along. | 0:02:05 | 0:02:06 | |
And then, after the show, we just got talking and got on really well. | 0:02:06 | 0:02:10 | |
-Well, isn't that nice? -Yeah. | 0:02:10 | 0:02:11 | |
Tell us about the band and what you get up to. | 0:02:11 | 0:02:13 | |
We're called F.O.X. It's an electro-pop band. | 0:02:13 | 0:02:16 | |
We've toured, like, all over the world. | 0:02:16 | 0:02:18 | |
Last year, we went on tour with Depeche Mode | 0:02:18 | 0:02:21 | |
-and we did a big stadium tour. -Was that fun? | 0:02:21 | 0:02:23 | |
Oh, it was the best experience. | 0:02:23 | 0:02:25 | |
-I didn't think it would ever happen, but... -It did. -It did! | 0:02:25 | 0:02:27 | |
-It was amazing, yeah. -What is your role in the band? | 0:02:27 | 0:02:30 | |
-What do you get up to? -I'm the singer. -You're the singer? | 0:02:30 | 0:02:33 | |
So do you have a little trill that you might like to give us now? | 0:02:33 | 0:02:36 | |
-Oh, no! -I mean, just a little trill | 0:02:36 | 0:02:38 | |
from the album coming up, that we could just get a flavour? | 0:02:38 | 0:02:41 | |
# Can you hear my heart? | 0:02:41 | 0:02:45 | |
# Does it beat in harmony? # | 0:02:45 | 0:02:49 | |
-That's the only one I can think of right now. -Oh, that's so sweet. | 0:02:49 | 0:02:52 | |
I think a round of applause for that. And so brave, | 0:02:52 | 0:02:55 | |
cos I didn't tell you I wanted you to do that. | 0:02:55 | 0:02:57 | |
Thank you for doing that. | 0:02:57 | 0:02:58 | |
It's no wonder, Jen, when you went there to this gig, | 0:02:58 | 0:03:01 | |
you thought, "This is just marvellous." | 0:03:01 | 0:03:03 | |
Now, you're a fan, not only of '80s music, | 0:03:03 | 0:03:06 | |
-but you like poking around the street scene a bit, don't you? -Yes. | 0:03:06 | 0:03:09 | |
Where I live in East London, there's quite a lot | 0:03:09 | 0:03:11 | |
of street artists and graffiti, | 0:03:11 | 0:03:12 | |
but it's mainly, like, mural pictures on the walls everywhere. | 0:03:12 | 0:03:16 | |
So I just go round on the weekend and take pictures of all the good stuff. | 0:03:16 | 0:03:19 | |
-You're trying to spot the next Banksy, then, are you? -Yeah. | 0:03:19 | 0:03:22 | |
But this is what you studied at university, graphic design? | 0:03:22 | 0:03:24 | |
I did, yeah, graphics with fine art. | 0:03:24 | 0:03:26 | |
So I've just got a keen interest in art and everything related to it. | 0:03:26 | 0:03:29 | |
What sort of things are you going to be shopping for today, Jens? | 0:03:29 | 0:03:32 | |
Unusual objects. We're quite emotional purchasers, I think. | 0:03:32 | 0:03:35 | |
-Oh, are you? -Yeah. | 0:03:35 | 0:03:37 | |
I'm going to be giving you £300 in a moment, | 0:03:37 | 0:03:39 | |
-so you can get really emotional, which will be lovely. -Perfect. | 0:03:39 | 0:03:42 | |
Anyway, thank you for joining us, girls. This is going to be fun. | 0:03:42 | 0:03:45 | |
-Now, Val, you and I have something in common. -We do, indeed, Tim. | 0:03:45 | 0:03:49 | |
-And what would that be? -Well, I can't think. | 0:03:49 | 0:03:52 | |
I have 17. How many have you got? | 0:03:52 | 0:03:54 | |
-One or two more than 17. -Really? | 0:03:54 | 0:03:56 | |
No, no, no, not that one's bragging, I have to say. | 0:03:56 | 0:03:58 | |
-But those are very jazzy. -You like them? | 0:03:58 | 0:04:01 | |
-They're not Paisley, but they're pretty cool. -They've got that look about them. | 0:04:01 | 0:04:05 | |
Well, I brought four pairs with me. | 0:04:05 | 0:04:07 | |
These are the ones that we decided were probably the best to wear. | 0:04:07 | 0:04:10 | |
-Well, you're in the Blue team. -Of course. | 0:04:10 | 0:04:11 | |
It's all shades of blue. I'm loving it, really. No, good fun. | 0:04:11 | 0:04:14 | |
Now, you have many talents, | 0:04:14 | 0:04:17 | |
but aeroplanes have a place in your life. | 0:04:17 | 0:04:20 | |
Yeah, well, it was very exciting. | 0:04:20 | 0:04:22 | |
I lived in a boarding school | 0:04:22 | 0:04:24 | |
and I volunteered to help with the air cadets. | 0:04:24 | 0:04:28 | |
I got the opportunity to go up in a Tutor, which was great. | 0:04:28 | 0:04:31 | |
-I didn't expect that in my sixties. -And did you enjoy it? -I loved it. | 0:04:31 | 0:04:35 | |
I loved it very much. | 0:04:35 | 0:04:36 | |
-And some of the 16-year-olds, they were looping the loop. -Yes? | 0:04:36 | 0:04:39 | |
-You know, amazing. -Really scary. | 0:04:39 | 0:04:41 | |
I tried it once. I wouldn't do it again. | 0:04:41 | 0:04:44 | |
Now, Ann, it says here you're a committed twitcher. | 0:04:44 | 0:04:46 | |
-Yeah, I like to twitch. -Do you? | 0:04:46 | 0:04:49 | |
How serious a twitcher are you? | 0:04:49 | 0:04:50 | |
-Oh, not that serious. But we like to do the overseas trips. -Oh, do you? | 0:04:50 | 0:04:54 | |
So you'll go a long way to see an egret? | 0:04:54 | 0:04:57 | |
Oh, well, not really, because there's one down the road, but... | 0:04:57 | 0:05:01 | |
We've done Nepal and India and Mexico. | 0:05:01 | 0:05:04 | |
All these places, just to look at the birds. | 0:05:04 | 0:05:07 | |
Well, also for a very good holiday, as well. | 0:05:07 | 0:05:09 | |
Yeah, and very nice, too. | 0:05:09 | 0:05:10 | |
-Now, you're a campanologist? -Yeah. | 0:05:10 | 0:05:13 | |
You can have, correct me if I'm wrong, | 0:05:13 | 0:05:15 | |
because I used to go bell-ringing at school, when I was very young, | 0:05:15 | 0:05:18 | |
-but maybe you have six or eight bells, say... -We've got eight. | 0:05:18 | 0:05:21 | |
You've got eight bells. | 0:05:21 | 0:05:22 | |
-We ring together. -Oh, how lovely! | 0:05:22 | 0:05:24 | |
So, it's another kind of aspect of your friendship, which is great. | 0:05:24 | 0:05:27 | |
So, what sort of tactics will you be using today | 0:05:27 | 0:05:30 | |
to ring in a decent profit? | 0:05:30 | 0:05:32 | |
-Erm... -We haven't really got any. | 0:05:32 | 0:05:34 | |
We're just hoping that we spot something, a bargain. Make money. | 0:05:34 | 0:05:38 | |
Yes. Are you going to be relying on your expert | 0:05:38 | 0:05:40 | |
or are you going to take a lead yourselves? | 0:05:40 | 0:05:43 | |
-I think I might rely on her, actually. -OK, fine. | 0:05:43 | 0:05:46 | |
Well, anyway, the money moment. Here it comes, look, £300 apiece. | 0:05:46 | 0:05:49 | |
There's your 300. You know the rules. Your experts await. | 0:05:49 | 0:05:52 | |
And off you go, girls! And very, very, very good luck. | 0:05:52 | 0:05:56 | |
I'm off to buy a CD. | 0:05:56 | 0:05:58 | |
Looks like we're in for a good old ding-dong today, | 0:05:58 | 0:06:01 | |
so let's meet their experts. | 0:06:01 | 0:06:03 | |
Hello, hello, hello... | 0:06:03 | 0:06:05 | |
It's the Reds' own bobby dazzler, Paul Laidlaw. | 0:06:05 | 0:06:07 | |
Taking the lead for the Blues is Catherine Southon. | 0:06:09 | 0:06:12 | |
What's the plan, teams? | 0:06:13 | 0:06:15 | |
Probably avoiding vases, glass, pottery. | 0:06:15 | 0:06:17 | |
Narrowing it down a little bit. | 0:06:19 | 0:06:21 | |
-If we could find one bargain today, what would it be? -Oh... | 0:06:21 | 0:06:24 | |
Oh, goodness, that's such a difficult one. | 0:06:24 | 0:06:26 | |
-Silver. -A nice box. | 0:06:26 | 0:06:28 | |
Silver or a box? | 0:06:28 | 0:06:29 | |
Well, it's all out there and we'd better go and find it now, | 0:06:29 | 0:06:32 | |
because we've just got an hour! Come on! | 0:06:32 | 0:06:34 | |
-Science things. You're good at that. -Yeah, we know that. | 0:06:34 | 0:06:37 | |
Well, that's a lot of food for thought there. Shall we get on? | 0:06:37 | 0:06:40 | |
See if we can find it. Come on, then. | 0:06:40 | 0:06:41 | |
Let the shopping commence. | 0:06:41 | 0:06:42 | |
WHISTLE | 0:06:42 | 0:06:44 | |
Both teams are having a good, old rummage | 0:06:44 | 0:06:46 | |
and finding their feet with the experts. | 0:06:46 | 0:06:48 | |
Catherine, something I spotted down here. What about these? | 0:06:48 | 0:06:51 | |
Cut glass with the silver? | 0:06:51 | 0:06:53 | |
I don't think they're probably silver, to be honest. | 0:06:53 | 0:06:55 | |
-They are probably silver-plated. -32 for the two. No? | 0:06:55 | 0:06:58 | |
Do you want them? | 0:06:58 | 0:07:00 | |
-I don't know. Let's carry on a bit longer, then. -OK. | 0:07:00 | 0:07:02 | |
Let's look a bit further. | 0:07:02 | 0:07:04 | |
Baby steps, teams. | 0:07:04 | 0:07:05 | |
Baby steps. | 0:07:05 | 0:07:07 | |
Plenty of time, though. | 0:07:07 | 0:07:09 | |
-I like this boar's head. -Oh, you like... | 0:07:09 | 0:07:12 | |
..this modern, precast cement boar's head? | 0:07:12 | 0:07:16 | |
-I like it! -Yeah, the awful one. That's right. | 0:07:16 | 0:07:19 | |
Obviously, I could never say awful. Jen said awful. | 0:07:19 | 0:07:23 | |
-So I'm just quoting Jen. -All right, then, let's move on. | 0:07:23 | 0:07:26 | |
No? No. | 0:07:26 | 0:07:27 | |
Honestly, I do think... | 0:07:27 | 0:07:29 | |
-We need to get moving, don't we? -Yes. | 0:07:29 | 0:07:32 | |
Deep breath, Val. | 0:07:32 | 0:07:33 | |
There's loads of time. | 0:07:33 | 0:07:35 | |
-The tiger. -Oh, yeah! -The brass tiger? | 0:07:35 | 0:07:37 | |
-Shall we start with the issues? -Yeah, OK. | 0:07:37 | 0:07:41 | |
It's ghastly. | 0:07:41 | 0:07:42 | |
It's erm...not old. | 0:07:44 | 0:07:47 | |
Oh, dear. | 0:07:47 | 0:07:48 | |
Oh, dear... | 0:07:48 | 0:07:50 | |
Am I going to have problems with you guys? | 0:07:50 | 0:07:52 | |
No, come on, let's go. | 0:07:52 | 0:07:53 | |
Now, what's Catherine canvassing opinion on? | 0:07:56 | 0:07:58 | |
-I think this might actually be a little gem here. -OK. | 0:07:58 | 0:08:01 | |
So you put your canvas on here. | 0:08:01 | 0:08:04 | |
This pushes through. | 0:08:04 | 0:08:06 | |
Then you can put all your paints and bits and pieces there. | 0:08:06 | 0:08:09 | |
FRENCH ACCENT: And you can be 'ere with your beret and little brush, | 0:08:09 | 0:08:13 | |
of course, doing your little bit. | 0:08:13 | 0:08:16 | |
And then, when you've had enough, you pack it all up and you move on. | 0:08:16 | 0:08:19 | |
-It's beautiful. How much is it? -It's 120. | 0:08:19 | 0:08:22 | |
-So, if we can get that for about 80... -Oh, yes. | 0:08:22 | 0:08:25 | |
We'll be home and dry. And there's a nice stamp here, as well. | 0:08:25 | 0:08:28 | |
There's the maker's name here, which I can't quite work out. | 0:08:28 | 0:08:31 | |
Brew something. | 0:08:31 | 0:08:32 | |
B-R-E or Brev something. | 0:08:32 | 0:08:34 | |
-But it's made in France, anyway. So, it's got to be good. -Absolutely. | 0:08:34 | 0:08:38 | |
-It's where all the good artists come from. What do you think? -Brilliant. I think it's gold. | 0:08:38 | 0:08:42 | |
You can see them in Montmartre, can't you? | 0:08:42 | 0:08:44 | |
You can see them in Montmartre. We're getting into the spirit of it all. | 0:08:44 | 0:08:49 | |
-Oh, yes. -With a glass of wine. -With a glass of wine, of course. | 0:08:49 | 0:08:52 | |
-And your bit of cheese on the other hand. -Yes, absolutely. | 0:08:52 | 0:08:54 | |
-Do you think? -Yeah, excellent. | 0:08:54 | 0:08:56 | |
-Are you buying this? -I love it. | 0:08:56 | 0:08:57 | |
What's your best price on it? | 0:08:57 | 0:08:59 | |
The very best would be 95. | 0:08:59 | 0:09:01 | |
Can we say 85 and we'll go for that? | 0:09:03 | 0:09:05 | |
-Oh, please. -Oh... | 0:09:05 | 0:09:07 | |
I can see it on your lips. | 0:09:07 | 0:09:09 | |
You're just about to say, "Yes, of course!" | 0:09:09 | 0:09:12 | |
85? | 0:09:12 | 0:09:13 | |
Go on, 85. | 0:09:13 | 0:09:15 | |
-Thank you so very much. -OK. | 0:09:15 | 0:09:17 | |
Oh, that's a first. | 0:09:17 | 0:09:18 | |
Thank you very much, indeed. | 0:09:18 | 0:09:20 | |
Bravo, mes petits choux-fleurs. | 0:09:20 | 0:09:23 | |
Maintenant, ou sont les Rouges? | 0:09:23 | 0:09:25 | |
And, for those who don't speak French, that means... | 0:09:25 | 0:09:27 | |
Well done, my little cauliflowers. Now, where are those Reds? | 0:09:27 | 0:09:30 | |
This is harder than I thought it was going to be. | 0:09:30 | 0:09:33 | |
Wait a minute, we've been doing this for five minutes | 0:09:33 | 0:09:35 | |
and it's harder than you thought it was going to be? | 0:09:35 | 0:09:38 | |
Do you think it's just a tourist thing? | 0:09:38 | 0:09:40 | |
I think, to be honest with you, | 0:09:40 | 0:09:42 | |
as lovely as it is, | 0:09:42 | 0:09:43 | |
I think it probably is just a tourist piece. | 0:09:43 | 0:09:45 | |
It's a pleasing object and, now brace yourself, this may shock you, | 0:09:47 | 0:09:51 | |
it's actually an antique. | 0:09:51 | 0:09:52 | |
CHOIR: # Hallelujah... # | 0:09:52 | 0:09:55 | |
-Whoa...! -Yes! | 0:09:55 | 0:09:57 | |
We did it! We found one! | 0:09:57 | 0:09:59 | |
-Right. I would call this "the zone". -OK. -OK. | 0:09:59 | 0:10:03 | |
May we stay in the zone. | 0:10:03 | 0:10:05 | |
-OK, good. -Fine. | 0:10:05 | 0:10:07 | |
-This is it. Now we're here. -We're warmed up. | 0:10:07 | 0:10:09 | |
Right, this is it, this is it. | 0:10:09 | 0:10:11 | |
And, after all that, he didn't buy it. | 0:10:11 | 0:10:13 | |
Not glass. | 0:10:13 | 0:10:15 | |
-You'd like a box? -I do quite like boxes, yes. | 0:10:15 | 0:10:19 | |
Again, this looks more like a mahjong set to me. | 0:10:19 | 0:10:22 | |
Come on, guys, 20 minutes to go. | 0:10:22 | 0:10:25 | |
Do you like that chair? | 0:10:25 | 0:10:26 | |
Hold on, I feel a bit giddy. | 0:10:26 | 0:10:29 | |
Because that looks like an antique. | 0:10:29 | 0:10:30 | |
It can't be two antiques on the trot! | 0:10:30 | 0:10:32 | |
Oh, it's pretty. We're in the zone. | 0:10:32 | 0:10:34 | |
Victorian, yeah? Striking form. Nice workmanship. | 0:10:34 | 0:10:38 | |
Look at the carving and the turning, it's all lovely. | 0:10:38 | 0:10:41 | |
It's £160 and, at the moment, that's worth 50 to 80. Would be enough. | 0:10:41 | 0:10:46 | |
-It's just too much money for this. -OK. | 0:10:46 | 0:10:48 | |
The Reds have definitely got their eye in now. | 0:10:48 | 0:10:51 | |
Just find something cheaper, eh? | 0:10:51 | 0:10:53 | |
Blues, what are you weighing up, then? | 0:10:53 | 0:10:56 | |
It's a jockey scale. | 0:10:56 | 0:10:57 | |
-Yeah, a jockey scale. -I think that may be way... | 0:10:57 | 0:11:01 | |
They're fantastic. | 0:11:01 | 0:11:02 | |
But I don't think we can afford it. | 0:11:02 | 0:11:04 | |
-How much is it, out of interest? -650. | 0:11:04 | 0:11:06 | |
-Oh, wow! -Good spot, though. Because that's a fabulous thing. | 0:11:06 | 0:11:10 | |
I think it's ghastly. | 0:11:14 | 0:11:16 | |
But it has some age. | 0:11:16 | 0:11:19 | |
It's like everything we've picked out. | 0:11:19 | 0:11:21 | |
And it's less ghastly than the other things you've been picking out. | 0:11:21 | 0:11:23 | |
So, we're improving. | 0:11:23 | 0:11:25 | |
We've got a table centrepiece. Earthenware. | 0:11:25 | 0:11:28 | |
Then, cast brass deer, dragging a... | 0:11:28 | 0:11:31 | |
-Has it got damage? -Mmm, a little bit. | 0:11:31 | 0:11:33 | |
It has, to the glaze. It's £100. | 0:11:33 | 0:11:36 | |
How much do you like it now? | 0:11:36 | 0:11:37 | |
Erm...not £100. | 0:11:37 | 0:11:39 | |
Nowhere near, to be honest with you. | 0:11:39 | 0:11:42 | |
I just don't know who would want that. | 0:11:42 | 0:11:44 | |
I know, that's what I'm worried about. | 0:11:44 | 0:11:46 | |
I would like it and no-one else in the world would, | 0:11:46 | 0:11:49 | |
-which is normally what happens. -Yes! | 0:11:49 | 0:11:51 | |
-Well, it has been the story of today's shop. -It really has. | 0:11:51 | 0:11:54 | |
-It has to be said. -Yeah. -Could there be a giveaway? | 0:11:54 | 0:11:56 | |
And, seriously, I'm... | 0:11:56 | 0:11:58 | |
I'm talking a tiny fraction of that. | 0:11:58 | 0:12:01 | |
-Or we're wasting our time. -Make me an offer. | 0:12:01 | 0:12:03 | |
Well, this is a game, we're playing a game. And I'm going to pitch in at... | 0:12:03 | 0:12:07 | |
What am I going to pitch in at? | 0:12:07 | 0:12:09 | |
-30? -She said 30. | 0:12:09 | 0:12:11 | |
40. | 0:12:13 | 0:12:14 | |
No...! | 0:12:14 | 0:12:15 | |
OK, he says, "No." I have to follow the bossman. | 0:12:15 | 0:12:18 | |
35. | 0:12:18 | 0:12:19 | |
And then, we're done. | 0:12:19 | 0:12:21 | |
OK. I think that's the price. | 0:12:21 | 0:12:23 | |
-Do we like it or do we not for £35 -What do you think? | 0:12:23 | 0:12:26 | |
-I think we should get it. -Do you? -Yeah. | 0:12:26 | 0:12:28 | |
I think we need to get something. And we quite like it. | 0:12:28 | 0:12:30 | |
And he doesn't think it's as ghastly as everything else we've chosen. | 0:12:30 | 0:12:34 | |
And we've still got two more items. Yeah, OK. | 0:12:34 | 0:12:36 | |
Oh, God... | 0:12:36 | 0:12:37 | |
Oh, God! Can you read my mind? | 0:12:37 | 0:12:41 | |
Let's do it. Let's just be decisive and do it. | 0:12:41 | 0:12:43 | |
-All right, then, let's buy it. -OK. | 0:12:43 | 0:12:45 | |
-We've bought it? -Yes. -Fantastic. | 0:12:45 | 0:12:47 | |
-A good price. Thanks very much. -Thank you. | 0:12:47 | 0:12:50 | |
Phew! At last, Reds. | 0:12:50 | 0:12:52 | |
But only 25 minutes to buy your two remaining items. | 0:12:52 | 0:12:56 | |
Before that, I found something rather cuddly. | 0:12:56 | 0:12:59 | |
Now, I am not a person who ordinarily goes | 0:13:06 | 0:13:09 | |
for teddy bears and dolls. | 0:13:09 | 0:13:11 | |
But, I have to say, having found this bear here at the fair in Norwich, | 0:13:11 | 0:13:15 | |
I have taken a bit of a shine to him. | 0:13:15 | 0:13:18 | |
It is a dangerous business buying something about which you know not a lot | 0:13:18 | 0:13:24 | |
because, as they say, | 0:13:24 | 0:13:25 | |
a fool and his money are easily parted. | 0:13:25 | 0:13:28 | |
But this thing has some characteristics | 0:13:29 | 0:13:32 | |
which encourage me into thinking that it could be quite a good bear. | 0:13:32 | 0:13:37 | |
First of all, is the colour. | 0:13:37 | 0:13:39 | |
It is a divine dark chocolate, mid-brown. | 0:13:39 | 0:13:44 | |
The next thing I do know is you want to go for these jointed bears | 0:13:44 | 0:13:49 | |
that have got lovely long limbs. | 0:13:49 | 0:13:51 | |
And, also, these super flat feet. | 0:13:51 | 0:13:55 | |
Flat feet in bears is good news. | 0:13:55 | 0:13:58 | |
The material that's been used to cover the paws and the flat feet | 0:13:58 | 0:14:01 | |
is the finest of fine linen. | 0:14:01 | 0:14:03 | |
That's not been replaced. That's the original. | 0:14:03 | 0:14:07 | |
The other thing that I know | 0:14:07 | 0:14:09 | |
is that you want to go with them with a decent snout. | 0:14:09 | 0:14:12 | |
And if that snout has got a needleworked nose, | 0:14:12 | 0:14:17 | |
that's a good sign. | 0:14:17 | 0:14:19 | |
And he hasn't got plastic eyes, either. | 0:14:19 | 0:14:21 | |
Glass eyes. And rather lovely ones, too. | 0:14:21 | 0:14:25 | |
Traditionally, everybody who picks up a bear | 0:14:25 | 0:14:28 | |
fiddles around in the earhole looking for a button. | 0:14:28 | 0:14:31 | |
This one doesn't have a button in his earhole. | 0:14:32 | 0:14:35 | |
But what he has got is a suspicious loose bit of thread | 0:14:35 | 0:14:40 | |
in the right earhole. | 0:14:40 | 0:14:42 | |
It's all very well having a button in your earhole and everyone saying, | 0:14:42 | 0:14:45 | |
"Oh, it's a German Steiff bear. It's worth a lot of money." | 0:14:45 | 0:14:49 | |
But what happens when the button falls off? | 0:14:49 | 0:14:52 | |
Which could be the case with our friend here. | 0:14:52 | 0:14:54 | |
What it has got is a fantastic collar. | 0:14:54 | 0:14:58 | |
Any toymaker who's going to make a collar to go around a teddy bear, | 0:14:58 | 0:15:03 | |
that's going to take THAT amount of trouble | 0:15:03 | 0:15:06 | |
stitching and lining and fitting, | 0:15:06 | 0:15:09 | |
is going to be a quality teddy-bear maker. | 0:15:09 | 0:15:13 | |
It's in brilliant condition, apart from a bit of moth up his back. | 0:15:13 | 0:15:17 | |
I think it could date from the 1910 to the 1915 period, | 0:15:17 | 0:15:22 | |
which would be marvellous. | 0:15:22 | 0:15:24 | |
You just have this toss-up moment to decide whether to invest or not. | 0:15:25 | 0:15:30 | |
The dealer's best prices is £30. | 0:15:31 | 0:15:34 | |
What might it bring? | 0:15:34 | 0:15:36 | |
Well, if it is what I think it might be | 0:15:36 | 0:15:39 | |
and it does date from that period, | 0:15:39 | 0:15:41 | |
it could be at the top end of £1,000-£1,500. | 0:15:41 | 0:15:44 | |
It's a no-brainer, isn't it? | 0:15:44 | 0:15:46 | |
What do you think? | 0:15:46 | 0:15:47 | |
Yes! | 0:15:47 | 0:15:49 | |
Right, back to the shopping. | 0:15:55 | 0:15:57 | |
And, with both teams having bought just one item apiece, | 0:15:57 | 0:16:00 | |
they really do need to get a move on. | 0:16:00 | 0:16:03 | |
I think that's quite nice. It looks quite good quality. | 0:16:03 | 0:16:05 | |
-What's that? -This. | 0:16:05 | 0:16:07 | |
-It's, sort of, like a stationery box. -It IS nice quality, isn't it? | 0:16:09 | 0:16:12 | |
It's beautifully stitched, isn't it? | 0:16:12 | 0:16:15 | |
And you put all your envelopes and things in it there, | 0:16:15 | 0:16:18 | |
so it looks like it's just like a travelling case. | 0:16:18 | 0:16:21 | |
Yes. | 0:16:21 | 0:16:22 | |
This is all, like, simulated. | 0:16:22 | 0:16:24 | |
So it's a bit like crocodile skin, but it's not. | 0:16:24 | 0:16:28 | |
How much is on that? | 0:16:28 | 0:16:29 | |
-48. -I think 48 is probably a little bit punchy. | 0:16:31 | 0:16:33 | |
But I don't know. | 0:16:33 | 0:16:35 | |
I like it, though. I think it's nice quality. You like it? | 0:16:35 | 0:16:38 | |
-I think it's nice quality. -What would be your...? | 0:16:38 | 0:16:41 | |
Bottom line, £40. | 0:16:41 | 0:16:42 | |
-That's the bottom line on it, 40? -The bottom line, 40? | 0:16:44 | 0:16:46 | |
A couple more, but that would be it. | 0:16:46 | 0:16:49 | |
-35? -No, 38, Catherine. | 0:16:49 | 0:16:52 | |
Shall we leave it for a bit? | 0:16:52 | 0:16:54 | |
We haven't got long. Just to pre-warn you. | 0:16:54 | 0:16:57 | |
That's sound advice, Blues. | 0:16:57 | 0:16:59 | |
And, after 40 minutes, the bottom line is you need a second buy. | 0:16:59 | 0:17:03 | |
As do the Reds. | 0:17:03 | 0:17:06 | |
-Why do you like that cigarette case? -It looks different. | 0:17:06 | 0:17:10 | |
-I like the picture on the front. -OK. | 0:17:10 | 0:17:12 | |
Where might it come from? | 0:17:12 | 0:17:15 | |
India? | 0:17:15 | 0:17:16 | |
Turkey? I don't know! | 0:17:16 | 0:17:17 | |
I'm not very good with that. | 0:17:20 | 0:17:21 | |
I think you'll find it's North African in origin. | 0:17:21 | 0:17:25 | |
OK. | 0:17:25 | 0:17:26 | |
And when we see these... What's it made out of? It's very light. | 0:17:26 | 0:17:29 | |
Aluminium? | 0:17:29 | 0:17:30 | |
What else might we make from aluminium in 1940? | 0:17:31 | 0:17:36 | |
-Planes? -Absolutely. | 0:17:37 | 0:17:40 | |
Oooh... | 0:17:40 | 0:17:41 | |
-This... -Oh, I like that. | 0:17:41 | 0:17:43 | |
..they say, may have started off as a Luftwaffe bomber, perhaps. | 0:17:43 | 0:17:48 | |
Oh, right. | 0:17:48 | 0:17:49 | |
And said bomber is shot down over North Africa | 0:17:49 | 0:17:53 | |
and later on, some Italian or German prisoners of war salvage aluminium, | 0:17:53 | 0:17:58 | |
work them into cigarette cases, in this instance, | 0:17:58 | 0:18:02 | |
and sell them to British and American troops for cigarettes, for example. | 0:18:02 | 0:18:08 | |
Wow, OK. | 0:18:08 | 0:18:09 | |
Yeah? And that is a mosque. | 0:18:09 | 0:18:12 | |
And on the back, we've got this stylised gazelle or whatever. | 0:18:12 | 0:18:16 | |
And I'll tell you, good workmanship. | 0:18:16 | 0:18:19 | |
Oh, wow! | 0:18:19 | 0:18:20 | |
Oh, wow, did you say? | 0:18:20 | 0:18:22 | |
Of course, poor Tommy Atkins, | 0:18:22 | 0:18:25 | |
who hasn't been home in months, if not years, | 0:18:25 | 0:18:29 | |
and is pining for his sweetheart, | 0:18:29 | 0:18:32 | |
is seduced by this belle in her lingerie | 0:18:32 | 0:18:35 | |
on the inside of the cigarette case. | 0:18:37 | 0:18:39 | |
I really like it. | 0:18:39 | 0:18:40 | |
-You like? -Yeah, I really like it. | 0:18:40 | 0:18:42 | |
Good! | 0:18:42 | 0:18:43 | |
Now we are talking, are we not? | 0:18:43 | 0:18:45 | |
Price tag is... | 0:18:45 | 0:18:47 | |
£38. | 0:18:47 | 0:18:48 | |
But I love it. I love it! | 0:18:48 | 0:18:50 | |
Oh, good. So, do we. Yay! | 0:18:50 | 0:18:52 | |
At last! | 0:18:52 | 0:18:53 | |
-There's another one. -There was or there is? | 0:18:53 | 0:18:55 | |
-There. -Oh, so there is. | 0:18:55 | 0:18:57 | |
Well, we're muddying the water now. You hold that. Sentiment again. | 0:18:57 | 0:19:02 | |
-Oh, I love it. -Another mosque. | 0:19:02 | 0:19:05 | |
-What sort of price, though? -Erm...I think... | 0:19:05 | 0:19:08 | |
-38, on each of them. -I'll move to £25 each. | 0:19:08 | 0:19:12 | |
-I'm going to throw something in. -OK, right. | 0:19:12 | 0:19:14 | |
This one, we've got North Africa. | 0:19:14 | 0:19:16 | |
I think we may have divisional or unit insignia here. | 0:19:16 | 0:19:19 | |
-And more than anything, we've got sauciness. -Yeah, I love that. | 0:19:19 | 0:19:21 | |
-What's on the inside of that one? -Should we just buy the one, then? | 0:19:21 | 0:19:24 | |
-I think we buy the one. -So we'll leave this one. | 0:19:24 | 0:19:27 | |
-That's my advice. -OK. | 0:19:27 | 0:19:29 | |
Is there any slack? So, that's 25. Is that the bottom line. | 0:19:29 | 0:19:32 | |
Yeah. | 0:19:32 | 0:19:33 | |
I think it's a fair price. I don't think there's any point in being greedy. | 0:19:33 | 0:19:36 | |
-I think it's a fair price. We love it. It's fair. -Yeah. | 0:19:36 | 0:19:39 | |
-It's a done deal, isn't it? -Yes. Thank you very much. | 0:19:39 | 0:19:43 | |
And with that, you may have salvaged your shop, Reds. | 0:19:43 | 0:19:46 | |
But ten minutes left means the Blues have some rescuing of their own to do. | 0:19:46 | 0:19:50 | |
I absolutely love the shape of that. I think that is stunning. | 0:19:50 | 0:19:53 | |
-How much is that? -Has it got a stunning price on it? | 0:19:53 | 0:19:56 | |
I'll do it for 90. | 0:19:56 | 0:19:57 | |
I think the shape of that is beautiful. | 0:20:01 | 0:20:04 | |
It's a lot of money for it, isn't it? So... | 0:20:04 | 0:20:06 | |
What about the box? | 0:20:06 | 0:20:08 | |
-Have you decided against the box now? -The box is quite expensive. | 0:20:08 | 0:20:12 | |
Whereas, you know, this is more expensive. | 0:20:12 | 0:20:15 | |
But it's a sort of bigger chunk for what you get. But what do I know? | 0:20:15 | 0:20:18 | |
Let's count our beans. Are we going to go for this? £38? | 0:20:18 | 0:20:22 | |
-Yeah. -I think so. -Fine. | 0:20:22 | 0:20:24 | |
-Absolutely fine. -Yeah, I think so. | 0:20:24 | 0:20:25 | |
I think we're going to go for the case, please. | 0:20:25 | 0:20:28 | |
-You've been very kind. -You're very welcome. | 0:20:28 | 0:20:30 | |
You've been extremely kind and extremely patient. | 0:20:30 | 0:20:32 | |
Yeah. That's two items apiece. Get a move on. | 0:20:32 | 0:20:36 | |
Just five minutes left to find your final items. | 0:20:36 | 0:20:38 | |
Here it is. | 0:20:38 | 0:20:39 | |
Let's buy something really nice. | 0:20:39 | 0:20:41 | |
-One left. -One left. | 0:20:41 | 0:20:43 | |
But we've still got to focus. | 0:20:43 | 0:20:44 | |
OK. We're focused. | 0:20:44 | 0:20:45 | |
Onwards. Onwards, ladies. | 0:20:45 | 0:20:47 | |
I think that will sell at auction well. | 0:20:47 | 0:20:49 | |
Erm... | 0:20:49 | 0:20:51 | |
I'll tell you what. | 0:20:51 | 0:20:52 | |
I've not seen one quite like it. | 0:20:52 | 0:20:55 | |
And glass, I've got to say, can do well. | 0:20:55 | 0:20:59 | |
Yeah, Murano it says. | 0:20:59 | 0:21:00 | |
Yeah, so they've speculated Murano, which is Venice. | 0:21:00 | 0:21:03 | |
Price, do we know? | 0:21:03 | 0:21:05 | |
38. | 0:21:05 | 0:21:06 | |
At that, I think you're firmly in gamble territory. | 0:21:06 | 0:21:10 | |
OK. | 0:21:10 | 0:21:11 | |
You too, Jen, you like it as much? | 0:21:11 | 0:21:14 | |
I like it. | 0:21:14 | 0:21:16 | |
Do you want to have a think and, then, | 0:21:16 | 0:21:17 | |
-if we can't find anything else, come back for it? -Yeah. | 0:21:17 | 0:21:20 | |
OK. | 0:21:20 | 0:21:21 | |
Don't think for too long, girls. | 0:21:21 | 0:21:23 | |
-Catherine! -I'm coming. -We're running out of time here. | 0:21:24 | 0:21:27 | |
At last, the Blues are sensing some urgency. | 0:21:27 | 0:21:29 | |
Couple of things here. | 0:21:29 | 0:21:31 | |
You love a box, don't you? | 0:21:31 | 0:21:32 | |
-Well, we love that. -That's nice, actually. | 0:21:32 | 0:21:35 | |
-Money box. -Useful. | 0:21:35 | 0:21:37 | |
I think it's pretty. | 0:21:37 | 0:21:39 | |
Mm-hm. How much is on it? | 0:21:39 | 0:21:40 | |
-It's not doing it for me. -45. | 0:21:40 | 0:21:43 | |
I think it's more 20 than 45. | 0:21:43 | 0:21:47 | |
Oh, gosh. | 0:21:47 | 0:21:48 | |
It's old. | 0:21:48 | 0:21:49 | |
Yeah, but old is good. You were looking for an antique. | 0:21:49 | 0:21:52 | |
-You wanted a box. -I want a proper antique, yes. | 0:21:52 | 0:21:55 | |
But this doesn't do it for me, I'm sorry. | 0:21:55 | 0:21:58 | |
It's...you know, just doesn't do it. | 0:21:58 | 0:22:01 | |
Oh, my... Disagreement in the Blue camp. | 0:22:01 | 0:22:04 | |
Are the Reds doing any better, though? | 0:22:04 | 0:22:06 | |
-Let me tell you what we're looking at here. You want a big lump? -Yep. | 0:22:06 | 0:22:09 | |
-This thing here is a stereo zograscope. -Blimey! | 0:22:09 | 0:22:13 | |
It's a stereo viewer and a big magnifying glass on a stand combined. | 0:22:13 | 0:22:17 | |
Stereo zograscope. | 0:22:17 | 0:22:19 | |
If we played with that, | 0:22:19 | 0:22:20 | |
you would see through your stereo zograscope in full 3-D. | 0:22:20 | 0:22:24 | |
-Are they quite valuable? -Question is, I'm blathering on. | 0:22:24 | 0:22:27 | |
It's very cheap at £89. | 0:22:27 | 0:22:30 | |
Is it all there? | 0:22:30 | 0:22:32 | |
Let me just get round. | 0:22:33 | 0:22:36 | |
-So, there's a frame missing. -Right. | 0:22:36 | 0:22:38 | |
Urgh...! | 0:22:38 | 0:22:39 | |
I know! | 0:22:39 | 0:22:40 | |
-Close. But no. -OK. | 0:22:40 | 0:22:42 | |
Two minutes. | 0:22:43 | 0:22:44 | |
We're buying the little case. So, perhaps the lady will give us a little bit more off. | 0:22:45 | 0:22:49 | |
Like your way of thinking. | 0:22:49 | 0:22:50 | |
I'm just going to sit here and relax, while you do the deal. | 0:22:50 | 0:22:53 | |
OK. We'll go and negotiate. | 0:22:53 | 0:22:56 | |
Catherine's leaving her Blues to it, | 0:22:56 | 0:22:58 | |
while Paul, with the Reds, is getting stuck right in. | 0:22:58 | 0:23:01 | |
I don't know what to do! I don't know what to do! | 0:23:01 | 0:23:03 | |
-I think it's the horse, to be honest with you. -Do you? Let's go. | 0:23:03 | 0:23:06 | |
Right, come on, then, let's go and get it. Thank you very much. | 0:23:06 | 0:23:09 | |
We would like the inkwell, but we're still... | 0:23:09 | 0:23:12 | |
I really can't get beneath that £80, I'm afraid. | 0:23:12 | 0:23:16 | |
-78? -No. | 0:23:16 | 0:23:18 | |
The lady is nodding. | 0:23:18 | 0:23:20 | |
I saw her nodding. | 0:23:20 | 0:23:22 | |
She who must be obeyed, then. | 0:23:22 | 0:23:24 | |
-78? -78, you've got a deal. | 0:23:24 | 0:23:26 | |
-Thank you very much. -You're very welcome. -That's brilliant. OK. | 0:23:26 | 0:23:29 | |
Excellent! We'll go and tell Catherine. | 0:23:29 | 0:23:32 | |
Come on, Catherine, wake up. You're back on. | 0:23:32 | 0:23:34 | |
-Hello. -We got it. | 0:23:36 | 0:23:38 | |
-For 78. -Oh, fantastic. Oh, well done, ladies. | 0:23:38 | 0:23:41 | |
-And we got some money off. -Well done. | 0:23:41 | 0:23:44 | |
-78 with that lovely illusion glass, I think that's a nice piece. -Excellent. | 0:23:44 | 0:23:48 | |
-It's got every chance. You happy? -Yes. Very happy. | 0:23:48 | 0:23:51 | |
-Exhausted? -Yes, very exhausted | 0:23:51 | 0:23:53 | |
-Shall we go and get a lolly? A lolly would be good. -Excellent idea. | 0:23:53 | 0:23:57 | |
We're back. | 0:23:57 | 0:23:58 | |
We've got one minute. | 0:23:58 | 0:24:01 | |
How much can we do the horse for? | 0:24:01 | 0:24:02 | |
Can we do it for £10? Please, please, please, please, please! | 0:24:02 | 0:24:05 | |
See, we don't know it's Murano. | 0:24:05 | 0:24:07 | |
15. | 0:24:07 | 0:24:08 | |
12? | 0:24:08 | 0:24:09 | |
-Please. Oh, please. -Go on, then. | 0:24:09 | 0:24:11 | |
Yay! | 0:24:11 | 0:24:12 | |
You better shake hands. That was wonderful. | 0:24:14 | 0:24:16 | |
And in the nick of time. | 0:24:16 | 0:24:18 | |
Thank you very much. | 0:24:18 | 0:24:20 | |
What weren't we going to buy? | 0:24:20 | 0:24:22 | |
-We weren't going to buy any ceramics or glass. -Yes. | 0:24:22 | 0:24:25 | |
What did we buy? | 0:24:25 | 0:24:26 | |
Ceramics and glass. | 0:24:26 | 0:24:28 | |
Time has stopped for the shop. | 0:24:31 | 0:24:34 | |
So, let's check out what the Red team bought, eh? | 0:24:34 | 0:24:36 | |
The 20th-Century centrepiece took centre stage, for £35. | 0:24:37 | 0:24:42 | |
The prisoner-of-war-made cigarette case was liberated, | 0:24:42 | 0:24:45 | |
for £25. | 0:24:45 | 0:24:46 | |
Finally, they trotted off with the Murano-style horse, for £12. | 0:24:48 | 0:24:53 | |
Well, that was pretty boring, wasn't it(?) | 0:24:54 | 0:24:56 | |
-OK, now, which is your favourite bit, Jennifer? -The cigarette case. | 0:24:56 | 0:25:00 | |
The cigarette case is your favourite piece? | 0:25:00 | 0:25:02 | |
-Do you agree with that, Zo-Zo? -Yeah, that's also my favourite. -OK. | 0:25:02 | 0:25:05 | |
And which piece is going to bring the biggest profit? | 0:25:05 | 0:25:08 | |
-I think the cigarette case. -Me as well. -The cigarette case? | 0:25:08 | 0:25:10 | |
-You're obsessed with this cigarette case. -We do love it. | 0:25:10 | 0:25:13 | |
OK, rumour has it that you spent an enormous fortune. | 0:25:13 | 0:25:15 | |
-So, how much did you spend? -£72. | 0:25:15 | 0:25:17 | |
£72?! | 0:25:17 | 0:25:19 | |
I know... | 0:25:19 | 0:25:20 | |
-We tried to spend it, but... -Did you? Oh, well. | 0:25:20 | 0:25:23 | |
But you had your guide and mentor beside you, didn't you? | 0:25:23 | 0:25:26 | |
-Yeah, certainly did. -He just said "no" to everything! | 0:25:26 | 0:25:29 | |
Well, we'll see whether he was right or wrong. | 0:25:30 | 0:25:32 | |
Anyway, so you spent £72. | 0:25:32 | 0:25:33 | |
I would like to have £228 of leftover lolly, please. | 0:25:33 | 0:25:37 | |
Thank you. | 0:25:37 | 0:25:38 | |
-There you go. -Lovely. Thanks. | 0:25:38 | 0:25:39 | |
So, over to Paul. | 0:25:39 | 0:25:41 | |
I hope you're going to spend the whole lot, my old friend. | 0:25:41 | 0:25:43 | |
I'll do my damnedest. I can tell you what I'm not buying, though. | 0:25:43 | 0:25:46 | |
Concrete and brass! | 0:25:46 | 0:25:48 | |
Poor girls. Never mind. Good luck with your search, Paul. | 0:25:50 | 0:25:53 | |
Meanwhile, we're going to check out what the Blue team bought. | 0:25:53 | 0:25:56 | |
First up, they bought the portable artist's easel and paints for £85. | 0:25:56 | 0:26:01 | |
The small leather mock-odile skin writing case was purchased for £38. | 0:26:03 | 0:26:09 | |
And, lastly, the late-Victorian glass inkwell was picked up for £78. | 0:26:09 | 0:26:14 | |
-Well, that was fun for you girls, wasn't it? -It was brilliant, yes. | 0:26:14 | 0:26:17 | |
So, Ann, which is your favourite bit? | 0:26:17 | 0:26:19 | |
I really like the easel, | 0:26:19 | 0:26:20 | |
because the way it's put together is really neat. | 0:26:20 | 0:26:23 | |
OK. And Val? | 0:26:23 | 0:26:24 | |
Yeah, I'd go along with that, as well. | 0:26:24 | 0:26:26 | |
That was my favourite bit, definitely. | 0:26:26 | 0:26:27 | |
-Will it bring the biggest profit? -I think, possibly, it will. | 0:26:27 | 0:26:30 | |
-OK. -Yeah. | 0:26:30 | 0:26:31 | |
-And you think it will, Ann? -Definitely. | 0:26:31 | 0:26:33 | |
OK, well, we've got a lot of agreement here, which is lovely. | 0:26:33 | 0:26:36 | |
And you spent quite a good wodge. How much was it in total again? | 0:26:36 | 0:26:39 | |
£201. | 0:26:39 | 0:26:40 | |
I'd like £99 of leftover lolly, please. Thank you. | 0:26:40 | 0:26:42 | |
That's quite magnificent. Thank you. We've got the four there. | 0:26:42 | 0:26:45 | |
We've got five there. | 0:26:45 | 0:26:47 | |
-That'll make up the 99, for certain, for Catherine. -Thank you, Tim. | 0:26:47 | 0:26:49 | |
-You love a nice wodge to go off with, don't you? -I do. I do. | 0:26:49 | 0:26:53 | |
And I know exactly what I'm going to buy for these ladies. | 0:26:53 | 0:26:55 | |
Do you? | 0:26:55 | 0:26:56 | |
The problem is, I don't think they're going to like it. | 0:26:56 | 0:26:59 | |
Don't worry about that. | 0:26:59 | 0:27:00 | |
If you think it's going to make a profit, that's all that matters. | 0:27:00 | 0:27:04 | |
Anyway, Speedy Gonzales. | 0:27:04 | 0:27:06 | |
Because we're about to head for the auction. Oooh-ah! | 0:27:06 | 0:27:09 | |
Well, we've popped about an hour from Norwich to Cambridge | 0:27:17 | 0:27:21 | |
to Cheffins saleroom to be with Charles Ashton. | 0:27:21 | 0:27:24 | |
-Charles, good morning. -Good morning, Tim. | 0:27:24 | 0:27:26 | |
It's a pleasure to be back at Cheffins. | 0:27:26 | 0:27:28 | |
Now, for the Reds, they've got a mixture. | 0:27:28 | 0:27:31 | |
And their first, I think, came from behind the Iron Curtain, wouldn't you? | 0:27:31 | 0:27:35 | |
It certainly has that distinct middle-eastern European look to it. | 0:27:35 | 0:27:39 | |
-I'm not sure that the combination of the parts works desperately well. -No. | 0:27:39 | 0:27:43 | |
Because, what we seem to have here is a leaping reindeer. | 0:27:43 | 0:27:46 | |
The trolley is running across a rutted track, | 0:27:46 | 0:27:50 | |
-that happens to be in guilt bronze. -Indeed. | 0:27:50 | 0:27:52 | |
That's then slapped on to a piece of alabaster. | 0:27:52 | 0:27:55 | |
Then, we have this rather weedy stem, | 0:27:55 | 0:27:57 | |
that comes up to the piece de resistance, | 0:27:57 | 0:27:59 | |
which is the earthenware bowl. | 0:27:59 | 0:28:00 | |
A slightly unusual colour palette, you might say. | 0:28:00 | 0:28:03 | |
Yes. | 0:28:03 | 0:28:04 | |
Hopefully, somebody, somewhere, who likes animals and guilt bronze | 0:28:04 | 0:28:08 | |
and those combinations will think it's a winner... | 0:28:08 | 0:28:12 | |
-Exactly. -..and will go for it. | 0:28:12 | 0:28:14 | |
So, there we have it. There's an awful lot there for you money. | 0:28:14 | 0:28:17 | |
-There certainly is. -How much money? | 0:28:17 | 0:28:19 | |
Well, we think £25-£35. | 0:28:19 | 0:28:21 | |
That's fine. 35 was paid. | 0:28:21 | 0:28:24 | |
Now, moving on. | 0:28:24 | 0:28:25 | |
We've got the alloy cigarette case, which I think is rather fun. | 0:28:25 | 0:28:29 | |
It is. Every side of it has got some piece of engraving or artwork to it. | 0:28:29 | 0:28:34 | |
Probably is World War II. | 0:28:34 | 0:28:36 | |
-We've got a rather natty pin-up girl on the inside. -Yes. | 0:28:36 | 0:28:39 | |
-Looks a bit like Mae West, doesn't she? -It does a bit. | 0:28:39 | 0:28:42 | |
-I'm sure there's a bit of inspiration there. -And it's in good condition. | 0:28:42 | 0:28:45 | |
-It's got a story to tell. -It has. -Whatever that story might be. -Yes. | 0:28:45 | 0:28:48 | |
-And the story we want now, though, Charles, is how much? -£20-£30, Tim. | 0:28:48 | 0:28:52 | |
Perfect. £25 paid. | 0:28:52 | 0:28:53 | |
So we're spot-on so far. Now, what about this gee-gee? | 0:28:53 | 0:28:57 | |
Probably is Murano. | 0:28:57 | 0:28:58 | |
Again, it's entirely done free-blown or free-crafted by hand. | 0:28:58 | 0:29:02 | |
A bit of a one-off. If you like that sort of thing, it's very nice. | 0:29:02 | 0:29:06 | |
-It's in proportion. It's just had a bust tail. -Oh, has he? Pity. | 0:29:06 | 0:29:09 | |
Just lost a little curlicue. That's quite sharp on the end. | 0:29:09 | 0:29:11 | |
-But, otherwise, not in bad condition. -No. | 0:29:11 | 0:29:14 | |
So, how much for a lump like that? | 0:29:14 | 0:29:16 | |
-£10 or £20 only. -Oh, that's good. | 0:29:16 | 0:29:18 | |
Don't worry about it. £12 paid. | 0:29:18 | 0:29:20 | |
I tell you, this team have been very sharp | 0:29:20 | 0:29:21 | |
-in the amount that they have spent. -Have they? | 0:29:21 | 0:29:23 | |
-Only £72, you see? -Oh, that's very good. | 0:29:23 | 0:29:25 | |
So, it's all very reasonable. | 0:29:25 | 0:29:27 | |
The big thing is, of course, | 0:29:27 | 0:29:28 | |
your test as to how much you actually get at the end of the day. | 0:29:28 | 0:29:31 | |
And that will be the determining factor as to whether they need the bonus buy or not. | 0:29:31 | 0:29:35 | |
But let's have a look at it. | 0:29:35 | 0:29:37 | |
You gave our man £228. | 0:29:38 | 0:29:40 | |
Paul, what did you spend it on? | 0:29:40 | 0:29:41 | |
Well, see what you think of this, in contrast to our other purchases. | 0:29:41 | 0:29:45 | |
Ooooh... | 0:29:45 | 0:29:46 | |
Oh... I like that. What does it tell you? | 0:29:46 | 0:29:48 | |
Aesthetic-wise, any names, any movements come to mind? | 0:29:48 | 0:29:52 | |
-Is it Art Nouveau? -Art Nouveau. It certainly is. | 0:29:52 | 0:29:55 | |
It's an utterly delightful full-period little easel clock. | 0:29:55 | 0:29:59 | |
-Is it brass? -It is. It's lacquered brass. | 0:29:59 | 0:30:02 | |
How much was it? | 0:30:02 | 0:30:03 | |
It was.... How much do you think it should have been? | 0:30:03 | 0:30:05 | |
40. | 0:30:05 | 0:30:07 | |
-Ouch! -Oh... | 0:30:07 | 0:30:08 | |
I've paid £50. Just a shade over your expectations. | 0:30:10 | 0:30:13 | |
Ask me what it could make. | 0:30:13 | 0:30:14 | |
I think it wants to be worth £50-£80, all day long. | 0:30:14 | 0:30:18 | |
Really? OK. I like it. | 0:30:18 | 0:30:20 | |
Yeah. I like it, too. Well done. | 0:30:20 | 0:30:22 | |
Isn't that exciting? | 0:30:22 | 0:30:23 | |
Well, let us, for the audience at home right now, though, | 0:30:23 | 0:30:27 | |
find out just how exciting it is for our auctioneer today. | 0:30:27 | 0:30:30 | |
So, there we go. That's rather spectacular, isn't it, Charles? | 0:30:31 | 0:30:34 | |
Do you know, it is. It's good quality. A decent weight. | 0:30:34 | 0:30:38 | |
We've got some nice casting detail. | 0:30:38 | 0:30:41 | |
No, it's a handsome thing. | 0:30:41 | 0:30:42 | |
And it works. | 0:30:42 | 0:30:43 | |
I think, if you're a collector of Art Nouveau, | 0:30:43 | 0:30:45 | |
a lover of Art Nouveau, you'd happily have that in your collection. | 0:30:45 | 0:30:49 | |
You certainly would, wouldn't you? Anyway, we can't beef on about it. | 0:30:49 | 0:30:52 | |
Except that it is crisp. How much? | 0:30:52 | 0:30:54 | |
The dial, unfortunately, has a little bit of damage. | 0:30:54 | 0:30:57 | |
And, for that reason, we've only said £30-£50. | 0:30:57 | 0:31:00 | |
OK. | 0:31:00 | 0:31:01 | |
Well, Paul Laidlaw paid £50 and he clearly rates it. | 0:31:01 | 0:31:04 | |
That's it for the Reds. | 0:31:04 | 0:31:06 | |
And moving on to the Blues, we've got a lovely mixture, look. | 0:31:06 | 0:31:08 | |
We've got the portable beach artist's easel. | 0:31:08 | 0:31:12 | |
Yes. | 0:31:12 | 0:31:14 | |
It's certainly all-singing and all-dancing. | 0:31:14 | 0:31:16 | |
You can take it away with you on holiday. It folds up flat. | 0:31:16 | 0:31:20 | |
Comes ready with some paints. | 0:31:20 | 0:31:22 | |
It's, Constable, eat your heart out. | 0:31:22 | 0:31:24 | |
-Absolutely. -How much? | 0:31:24 | 0:31:26 | |
We've said £40-£60. | 0:31:26 | 0:31:27 | |
OK. £85 paid. | 0:31:27 | 0:31:29 | |
It just depends on how many artistes there are about in the saleroom. | 0:31:29 | 0:31:34 | |
Next is the simulated crocodile skin, little attache or correspondence case. | 0:31:34 | 0:31:40 | |
-And that's a sweet little thing, isn't it? -It is. | 0:31:40 | 0:31:42 | |
It's ready to go. It's a pretty little thing. Good colour. | 0:31:42 | 0:31:45 | |
And it's the sort of thing that would date from... | 0:31:45 | 0:31:48 | |
Is it just before the Second World War? Is it sort of '30s, do think? | 0:31:48 | 0:31:51 | |
I think so. I think it's late '20s or '30s. | 0:31:51 | 0:31:53 | |
-OK, so how much, then? -£20-£40. | 0:31:53 | 0:31:55 | |
I'm with you with that. I think that's absolutely right. Ann paid £38. | 0:31:55 | 0:31:59 | |
So, she may have paid just a tad too much for it, based on the condition, really. | 0:31:59 | 0:32:03 | |
But it's still a useful little thing. | 0:32:03 | 0:32:04 | |
Carrying on with the theme, | 0:32:04 | 0:32:06 | |
we've got the most magnificent of glass inkwells. | 0:32:06 | 0:32:10 | |
-That's a chunky lump, isn't it? -It certainly is. | 0:32:10 | 0:32:12 | |
It wouldn't blow over in a gale. And it has got some quality to it. | 0:32:12 | 0:32:15 | |
It's been well used and well loved. | 0:32:15 | 0:32:17 | |
The plated mounts have lost their silver coating, | 0:32:17 | 0:32:20 | |
as I think they would once have had. | 0:32:20 | 0:32:22 | |
But it's in pretty good nick and still a very useful object. | 0:32:22 | 0:32:25 | |
-How much of a useful object? -We haven't stuck our necks out. | 0:32:25 | 0:32:28 | |
We've only said £15-£25, I'm afraid. | 0:32:28 | 0:32:31 | |
With a silver band on it, it's £100-£150. | 0:32:31 | 0:32:33 | |
But the plated band lets it down a bit. | 0:32:33 | 0:32:36 | |
I think my estimate would be more like 40 to 60. | 0:32:36 | 0:32:38 | |
But they're going to be lucky, I think, to get to 78. | 0:32:38 | 0:32:41 | |
In which case, they'll need their bonus buy. So let's go and have a look at it. | 0:32:41 | 0:32:44 | |
Now, Val, Ann, this is exciting. £99 you gave to Catherine. | 0:32:45 | 0:32:49 | |
Catherine, what did you spend it on, darling? | 0:32:49 | 0:32:51 | |
Well, I know exactly what you two are going to say as soon as you see this. | 0:32:51 | 0:32:55 | |
And it's going to be, "Why?" OK? | 0:32:55 | 0:32:58 | |
But here we go... | 0:32:58 | 0:33:00 | |
Is that... Is that what I think is? | 0:33:00 | 0:33:02 | |
-What do you think it is? -Bell-ringing. | 0:33:02 | 0:33:04 | |
-Is it for opening up ropes? -Yes! Well done! | 0:33:04 | 0:33:07 | |
Here we are. Have a hold. | 0:33:07 | 0:33:09 | |
Yes, we have them in the tower. But a much smaller version. | 0:33:09 | 0:33:12 | |
-Do you? -Yes. | 0:33:12 | 0:33:14 | |
-When we're... What are they called? -Fids. -Fids? | 0:33:14 | 0:33:17 | |
-F-I-D. Fids. -Fids. | 0:33:17 | 0:33:18 | |
-Oh, I'm really pleased. -Yeah, I like them. | 0:33:18 | 0:33:21 | |
Because I thought you'd look at that and think it's terrible. | 0:33:21 | 0:33:23 | |
And when it's really, really stiff, | 0:33:23 | 0:33:25 | |
you put that bit in there and then you can splice the rope through. | 0:33:25 | 0:33:28 | |
-And do they actually look like this? -We have much smaller ones. | 0:33:28 | 0:33:31 | |
-They are generally steel. -I mean, that is a whopper, isn't it? | 0:33:31 | 0:33:34 | |
Once upon a time, in the 18th and 19th century, | 0:33:34 | 0:33:38 | |
this would have been on every ship. | 0:33:38 | 0:33:40 | |
It's a good sailor's tool. | 0:33:40 | 0:33:41 | |
Oh, it's for sailing. | 0:33:41 | 0:33:43 | |
So, this is what would have been used to untie all the ropes. | 0:33:43 | 0:33:46 | |
-I think you're so clever to find that. -Do you? | 0:33:46 | 0:33:48 | |
-Yeah, I really do. -Oh, thank you. You're my new best friend. | 0:33:48 | 0:33:52 | |
-Mostly made from wood. Sometimes made from bone. -It's quite tactile. -It is. | 0:33:52 | 0:33:55 | |
I think it's lovely. | 0:33:55 | 0:33:57 | |
But how much? | 0:33:57 | 0:33:58 | |
You can ask. | 0:33:58 | 0:34:00 | |
I don't know if I want to tell you. £65, I paid. | 0:34:00 | 0:34:02 | |
-Right... -It might be a bit chunky. -That's the truth, though, isn't it? | 0:34:04 | 0:34:07 | |
And marine collectables are everything, aren't they? | 0:34:07 | 0:34:10 | |
As fids go, that's a lovely example. | 0:34:10 | 0:34:12 | |
-A fid. -A fid. Fid. | 0:34:12 | 0:34:14 | |
It's brilliant. | 0:34:14 | 0:34:16 | |
Well, we've all learned something. Thank you very much, Val. | 0:34:16 | 0:34:19 | |
But let's learn a little more, at least, for the audience at home, | 0:34:19 | 0:34:22 | |
by finding out what the auctioneer thinks about Catherine's fid. | 0:34:22 | 0:34:25 | |
Well, you could bear that with menace, couldn't you, on board. | 0:34:26 | 0:34:30 | |
You certainly could. It's a lovely bit of timber, isn't it? | 0:34:30 | 0:34:33 | |
A bit of lignum vitae. Wonderful figuring. | 0:34:33 | 0:34:36 | |
There's this traditional bit of decoration up here at the top of it. | 0:34:36 | 0:34:40 | |
And we either think it's a fid or possibly a belaying pin. | 0:34:40 | 0:34:44 | |
In a marine sale, I've no doubt it would do handsomely. | 0:34:44 | 0:34:47 | |
In a general sale, what do you think? | 0:34:47 | 0:34:49 | |
Well, we've suggested £40-£60 for it. | 0:34:49 | 0:34:52 | |
OK. Well, Catherine paid £65. And she sure knows her marine things. | 0:34:52 | 0:34:56 | |
And, if the right buyers are around, it'll do some damage. | 0:34:56 | 0:35:00 | |
So, how do you rate our objects overall, then, Charles? | 0:35:00 | 0:35:02 | |
It's quite interesting, isn't it? | 0:35:02 | 0:35:04 | |
-Well, the items, they each tell their own story, really. -They certainly do. | 0:35:04 | 0:35:07 | |
The next story going to be told is how well you do on the rostrum. | 0:35:07 | 0:35:10 | |
-So, good luck with that. -Indeed. Thank you so much. | 0:35:10 | 0:35:13 | |
40. | 0:35:16 | 0:35:18 | |
All done, then, at £40. I shall sell, then. | 0:35:18 | 0:35:21 | |
You have good estimates supporting these items that you bought. | 0:35:21 | 0:35:25 | |
So, I think it's a good £72 worth. | 0:35:25 | 0:35:27 | |
And then, if you need to, you can fall back on that | 0:35:27 | 0:35:30 | |
beautiful crisply-cast brass and lacquered Art Nouveau timepiece, all right? | 0:35:30 | 0:35:35 | |
We're all good with that, aren't we? | 0:35:35 | 0:35:37 | |
The Bulgarian centrepiece is coming out now. And here it comes... | 0:35:37 | 0:35:41 | |
Will you start me at somewhere around about £30? 30? | 0:35:41 | 0:35:43 | |
£25, left is bid. 25 bid now. | 0:35:43 | 0:35:45 | |
-25 it is. At £25. -Go on! | 0:35:45 | 0:35:49 | |
-Come on, it's beautiful! -Anybody else can I tempt or not? | 0:35:49 | 0:35:52 | |
At £25. And all done, then. Left-handed. 30 or not? | 0:35:52 | 0:35:55 | |
Last chance, then. I shall sell, then, at £25. | 0:35:55 | 0:35:58 | |
Oh, no. That is disappointing. | 0:36:00 | 0:36:02 | |
£25 is minus £10. | 0:36:02 | 0:36:05 | |
OK, now the cigarette case... | 0:36:05 | 0:36:07 | |
Wartime aluminium cigarette case. £20 for it. 20 I'm bid now. 20 I'm bid. | 0:36:07 | 0:36:11 | |
At 25. At 25. At 25 bid. Thank you, sir, for your help. | 0:36:11 | 0:36:15 | |
Come on, keep coming. Keep coming. | 0:36:15 | 0:36:17 | |
At £25, then. Seen enough? I'm going to sell, then. | 0:36:17 | 0:36:19 | |
And 30. And thank you over here. And 30 bid now. | 0:36:19 | 0:36:21 | |
30. Fresh blood, then. £30. | 0:36:21 | 0:36:23 | |
£30, then. All done, then. Selling and away at £30. | 0:36:23 | 0:36:26 | |
OK, £30. | 0:36:26 | 0:36:27 | |
-35. -Yes! | 0:36:27 | 0:36:28 | |
Yes, that's so good... | 0:36:28 | 0:36:30 | |
Oh, fantastic. | 0:36:32 | 0:36:33 | |
Are you sure now? At £35. Thank you for your help. | 0:36:33 | 0:36:35 | |
All done here at 35, then. I shall sell. | 0:36:35 | 0:36:38 | |
£35. You were minus £10. You're now plus £10. | 0:36:38 | 0:36:41 | |
You have absolutely nothing. So, we're all going for it, right? | 0:36:41 | 0:36:44 | |
Now, here comes the Murano gee-gee. | 0:36:44 | 0:36:46 | |
Lot 85 is the Venetian Murano glass model of the horse. | 0:36:46 | 0:36:50 | |
What do you say for him? I don't know, put me in again. | 0:36:50 | 0:36:52 | |
£25, I would've thought, for the Murano glass horse. | 0:36:52 | 0:36:55 | |
£25, you collectors. 20, then. | 0:36:55 | 0:36:57 | |
You tell me. £20. 20. Where's the hand? | 0:36:57 | 0:37:00 | |
20 I'm bid now. 20, I have now bid. Anybody else? | 0:37:00 | 0:37:03 | |
Any more? For any more? Last chance for the Murano glass horse. | 0:37:03 | 0:37:05 | |
At £20. A maiden bidder. And I shall sell, then. | 0:37:05 | 0:37:08 | |
All done and away at £20. | 0:37:08 | 0:37:11 | |
£20 is plus £8. You're in front, girls. | 0:37:11 | 0:37:13 | |
We've got £18. | 0:37:13 | 0:37:15 | |
-No, you've got £8, actually. -Oh, what? -Because you... | 0:37:15 | 0:37:18 | |
You lost £10, then made £10. You had nothing. | 0:37:18 | 0:37:20 | |
And you got the eight, all right? Don't worry about that. Just keep singing. | 0:37:20 | 0:37:24 | |
Are you going to trust Paul and go with this brass timepiece? | 0:37:24 | 0:37:27 | |
-Yes, shall we? -OK. I'm trusting you here. | 0:37:27 | 0:37:30 | |
Yes? you're going with it? The girls are going with the bonus buy. | 0:37:30 | 0:37:34 | |
And we know it's a great object, so let's root for them. | 0:37:34 | 0:37:37 | |
Here it comes... | 0:37:37 | 0:37:38 | |
Lot 89 is next. | 0:37:38 | 0:37:39 | |
This is this rather pretty cast brass Art Nouveau mantle timepiece. | 0:37:39 | 0:37:44 | |
What do you say to that? Put me in. | 0:37:44 | 0:37:45 | |
25, surely? You clock buyers. 30, then. | 0:37:45 | 0:37:47 | |
Nobody's looked at it. | 0:37:47 | 0:37:50 | |
25 bid now. I'm going backwards. 30 is now bidding in the room. £30. | 0:37:50 | 0:37:53 | |
-I won't take you twice. 30 I'm bid now. -Go on! | 0:37:53 | 0:37:55 | |
35. At 35. | 0:37:55 | 0:37:57 | |
40 will it be? | 0:37:57 | 0:37:58 | |
The bid's here. 40 in the room now. Thank you. At 40 I'm bid now. 40. | 0:37:58 | 0:38:01 | |
At £40, then. We're at 40. Any more at 40? | 0:38:01 | 0:38:05 | |
-No, go on... -Please... | 0:38:05 | 0:38:07 | |
At £40. And all done. The bid's in the room. | 0:38:07 | 0:38:08 | |
-Oh, no... -I'm going to sell. Finished, then. | 0:38:08 | 0:38:10 | |
Tears are being wept on this side, you know? At £40. Never mind. At £40. | 0:38:10 | 0:38:15 | |
Nature of the beast, selling at £40. | 0:38:15 | 0:38:18 | |
He sold it for £40! | 0:38:19 | 0:38:20 | |
Children, this is no good! That's minus £2. | 0:38:20 | 0:38:23 | |
-Oh... -That's OK. | 0:38:23 | 0:38:25 | |
Minus two could be a winning score. Think about that. | 0:38:25 | 0:38:28 | |
-OK? -Yeah. | 0:38:28 | 0:38:29 | |
-Don't say anything to those Blues. -No. | 0:38:29 | 0:38:31 | |
-Are you feeling all right, Val? -Yes. -Good. -Excited. | 0:38:38 | 0:38:41 | |
-Ann, are you feeling OK? -Yes, fine. -Very good. | 0:38:41 | 0:38:44 | |
On this happy note, let's crack on with your first item, which is the artist's easel. | 0:38:44 | 0:38:48 | |
30, I'm bid. A starter already. At 30 I have bid now. 30 bid now. 30 bid. | 0:38:48 | 0:38:52 | |
-Oh, come on, please... -This is a quality lot. | 0:38:52 | 0:38:55 | |
-At 35, then. 35. And 40 on the book. -Come on. | 0:38:55 | 0:38:59 | |
-Shakes his head now. At 40 I'm bid. -He's got a bid of 40. | 0:38:59 | 0:39:03 | |
Any aspiring artists here? At 40 bid now. At 40. 45 elsewhere. And 50. | 0:39:03 | 0:39:07 | |
50 bid now. 50. Anybody else now? 50 for the folding beach easel? | 0:39:07 | 0:39:12 | |
Yes, and I shall sell it, then, at £50. All done. | 0:39:12 | 0:39:14 | |
At 50. | 0:39:14 | 0:39:15 | |
He sold it for £50... | 0:39:15 | 0:39:17 | |
That's not bad, is it? | 0:39:17 | 0:39:19 | |
-No, it's terrible. It's minus £35. -Oh, no...! | 0:39:19 | 0:39:21 | |
Chicken! | 0:39:21 | 0:39:23 | |
Next one is the simulated croc skin small writing case. There we are. | 0:39:23 | 0:39:26 | |
25, then, to get on with it. 25 to start me. 25 is bid already. | 0:39:26 | 0:39:29 | |
25, I have bid now. 25, bid now. 25, it is. | 0:39:29 | 0:39:32 | |
Now, 25. And 30. 35? | 0:39:32 | 0:39:34 | |
Still with me. The room's out at 35. | 0:39:34 | 0:39:36 | |
At £35. All done, then, at 35. | 0:39:38 | 0:39:40 | |
Selling, then, and away at £35, then. | 0:39:40 | 0:39:43 | |
-Yeah, but it's minus £3. -Oh, that's not so bad. | 0:39:44 | 0:39:47 | |
Not so bad? Not so good! | 0:39:47 | 0:39:48 | |
-Minus 38... -That's not so bad. | 0:39:48 | 0:39:51 | |
-Now, this is the big number. -Now, this is the big one. | 0:39:51 | 0:39:54 | |
Again, interest here. I'm already bid £25. | 0:39:54 | 0:39:56 | |
Any more or not from anyone else in the room? | 0:39:56 | 0:39:59 | |
The bid's in the book this time. | 0:39:59 | 0:40:00 | |
At £25. All finished, then? Nobody else want it? All done, then. | 0:40:00 | 0:40:04 | |
Yes or no over there? No? Yes? No? | 0:40:04 | 0:40:06 | |
No. At £25. I shall sell, then, at £25, then. | 0:40:06 | 0:40:09 | |
£25 is minus 53. | 0:40:11 | 0:40:13 | |
Your 38, 53, 88... | 0:40:13 | 0:40:16 | |
That's minus £91. | 0:40:16 | 0:40:18 | |
Well, that is phenomenal, isn't it? | 0:40:18 | 0:40:20 | |
So what you going to do about this fid lark, then? | 0:40:20 | 0:40:22 | |
-We're going to go with it, aren't we? -You're going to go with a fid? | 0:40:22 | 0:40:25 | |
I think so, yes. | 0:40:25 | 0:40:26 | |
The decision is made. We're going with the bonus buy. | 0:40:26 | 0:40:29 | |
Now I can tell you the auctioneer's estimate is £40-£60. | 0:40:29 | 0:40:31 | |
That's all right, then. | 0:40:31 | 0:40:32 | |
He thinks it's rather lovely and, you know, interesting | 0:40:32 | 0:40:35 | |
and all the rest of it. | 0:40:35 | 0:40:36 | |
You sailors out there, you'll need one of these. | 0:40:36 | 0:40:38 | |
Lot 106 is the lignum vitae fid. How do you value that? | 0:40:38 | 0:40:42 | |
What do you say for it? £40, I would have thought. | 0:40:42 | 0:40:44 | |
£30 for the fid. 20, then, surely. 20 for the fid. | 0:40:44 | 0:40:48 | |
£20. Thank you, sir. At 20 on my right. 20 is bid now. 20 bid now. | 0:40:48 | 0:40:51 | |
20, bid now. 20. | 0:40:51 | 0:40:53 | |
It's at 20. And five. 25, bid now. 25. | 0:40:53 | 0:40:56 | |
And 30, sir. Yes, sir. At 30 bid now. 30. | 0:40:56 | 0:40:58 | |
You won't find another one here today. It's a unique item. | 0:40:58 | 0:41:00 | |
At 30 I'm bid now. £30. 30. All done, then. I can't tempt anybody else? | 0:41:00 | 0:41:04 | |
At £30. And I shall sell, then, at £30. | 0:41:04 | 0:41:07 | |
That is minus £35. | 0:41:07 | 0:41:09 | |
Which is minus £126. | 0:41:09 | 0:41:11 | |
Not much to splice about there, is there? Anyway, there we go. | 0:41:15 | 0:41:19 | |
We have to be brave. We have to be British. | 0:41:19 | 0:41:22 | |
We have to look forward to the new horizon. | 0:41:22 | 0:41:25 | |
And don't say a word to the Reds and all will be revealed in a moment. | 0:41:25 | 0:41:28 | |
-We won't say a word. -Thanks, team. | 0:41:28 | 0:41:29 | |
Well, well, well. I love this programme, don't you? | 0:41:36 | 0:41:38 | |
You just never know what's going to happen. | 0:41:38 | 0:41:41 | |
So, teams, are be excited to know the results? | 0:41:41 | 0:41:44 | |
Well, it's no secret that I'm not handing out sacks of cash today | 0:41:44 | 0:41:47 | |
in the way of winnings. | 0:41:47 | 0:41:49 | |
It's just a question of the scale of the losses. | 0:41:49 | 0:41:53 | |
And the scale of the losses twixt one team | 0:41:53 | 0:41:56 | |
and the other are tremendous. | 0:41:56 | 0:41:58 | |
And the team with the greatest losses, I'm afraid, are, by a long chalk, the Blues. | 0:41:58 | 0:42:02 | |
Oh... | 0:42:02 | 0:42:03 | |
I mean, minus £126. | 0:42:05 | 0:42:08 | |
Minus £126. | 0:42:08 | 0:42:09 | |
Oh, wow! Is a bit of a wow, isn't it? | 0:42:09 | 0:42:13 | |
If only I could pluck out a high spot from your results. | 0:42:13 | 0:42:17 | |
But there is no high spot. | 0:42:17 | 0:42:19 | |
-No. -No. | 0:42:19 | 0:42:20 | |
Apart from, of course, having you two on the show. | 0:42:20 | 0:42:22 | |
Which has been a great pleasure. And we've loved having you. | 0:42:22 | 0:42:25 | |
-Has it been fun? -We've loved it. -It's an amusing outing, isn't it? | 0:42:25 | 0:42:28 | |
Anyway, thank you very much for your efforts, | 0:42:28 | 0:42:31 | |
even though they didn't pay off today. | 0:42:31 | 0:42:33 | |
But the victors, who've managed to win by only losing £2... £2. | 0:42:33 | 0:42:37 | |
I mean, that is pretty good, isn't it? | 0:42:39 | 0:42:41 | |
You were plus-£8 and then, that wretched bonus buy fellow, | 0:42:41 | 0:42:45 | |
which I rated, he rated, everybody rated, | 0:42:45 | 0:42:48 | |
then did incredibly badly, which is very irritating. | 0:42:48 | 0:42:51 | |
-Have you had a nice time, Jenny? -It's been amazing. | 0:42:51 | 0:42:53 | |
-Good for you, Zo-Zo? -Oh, amazing, yeah. | 0:42:53 | 0:42:55 | |
Well, we've loved having you on the show. | 0:42:55 | 0:42:57 | |
In fact, it's been so much fun, why don't you join us soon | 0:42:57 | 0:43:00 | |
for some more bargain hunting, yes? | 0:43:00 | 0:43:02 | |
Yes! | 0:43:02 | 0:43:03 |