Browse content similar to Grimsthorpe 25. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Oh! Is that the time, already? | 0:00:09 | 0:00:12 | |
FAST ROCK MUSIC PLAYS | 0:00:12 | 0:00:14 | |
MUSIC STOPS ABRUPTLY | 0:00:18 | 0:00:20 | |
So, what are you waiting for?! | 0:00:23 | 0:00:26 | |
Let's go Bargain Hunting, yeah! | 0:00:26 | 0:00:29 | |
Marvellous place this, Grimsthorpe Castle, you know. | 0:00:55 | 0:00:58 | |
As is the antiques fair set in its impressive grounds. | 0:00:58 | 0:01:02 | |
The big question is, are our teams going to feel equally at home | 0:01:02 | 0:01:06 | |
with £300 burning a hole in their pockets? | 0:01:06 | 0:01:10 | |
Let's take a sneaky peek at what's coming up. | 0:01:10 | 0:01:14 | |
There's some tough talk in the Red camp. | 0:01:16 | 0:01:18 | |
-I actually hate it. -Do you? -Yeah, we're not going to get that! | 0:01:18 | 0:01:20 | |
-That is the kind of thing I'd put in my house. -How much is it? -£55. | 0:01:20 | 0:01:23 | |
Why? Why would you put that in your house? | 0:01:23 | 0:01:26 | |
And the Blues are lost in music. | 0:01:26 | 0:01:30 | |
Well done, boys. Well done, well done. | 0:01:30 | 0:01:32 | |
And there's plenty of lurve at the auction. | 0:01:32 | 0:01:34 | |
Miss Hornblower, look at me, you look gorgeous! | 0:01:34 | 0:01:37 | |
Yes! | 0:01:37 | 0:01:38 | |
Before all that though, let's meet the teams. | 0:01:38 | 0:01:41 | |
Well, on the show today we've got two teams of friends, | 0:01:41 | 0:01:44 | |
well, they're friends at the moment. | 0:01:44 | 0:01:46 | |
For the Reds we have Ellie and Rebecca, | 0:01:46 | 0:01:48 | |
and for the Blues, Kyle and Brad. | 0:01:48 | 0:01:50 | |
-Hello, everyone. -Hello! -Hello! | 0:01:50 | 0:01:52 | |
That's lovely. Now, Ellie, you're at the Cambridge University | 0:01:52 | 0:01:55 | |
studying lingo? | 0:01:55 | 0:01:56 | |
Yeah, that's right, I'm studying French and Italian, | 0:01:56 | 0:01:58 | |
and I've just finished my second year. | 0:01:58 | 0:02:00 | |
-Is it fun? -Yeah, it's great. So, next year I've got a year abroad, | 0:02:00 | 0:02:04 | |
so I'm going travelling in Italy, in Bologna, | 0:02:04 | 0:02:06 | |
and hopefully in Paris as well after that. | 0:02:06 | 0:02:08 | |
Gosh, I feel so terribly sad for you. And they call this work?! | 0:02:08 | 0:02:12 | |
-Yeah, it's awful! -It's marvellous, isn't it? | 0:02:12 | 0:02:14 | |
You're a photographer. | 0:02:14 | 0:02:16 | |
Yes, I am an amateur photographer. | 0:02:16 | 0:02:19 | |
Just like taking photos of friends and family, really, | 0:02:19 | 0:02:22 | |
and when I go on holiday, just take the opportunity to take a camera out. | 0:02:22 | 0:02:25 | |
-And you collect cameras? -Erm, I've got quite a few, | 0:02:25 | 0:02:27 | |
I don't know if you could call it a collection. | 0:02:27 | 0:02:29 | |
-I've maybe got about five or six now. -That IS a collection. -OK. | 0:02:29 | 0:02:32 | |
Now, Rebecca, you're at Cambridge. What are you studying? | 0:02:32 | 0:02:35 | |
-I study medicine... -Are you? -Yep. -That's handy. | 0:02:35 | 0:02:37 | |
I've just finished my second year, but next year I'll be doing zoology, | 0:02:37 | 0:02:40 | |
which is my intercalated year, and I'm hopefully going to do | 0:02:40 | 0:02:43 | |
a dissertation with that, so that's about evolution, | 0:02:43 | 0:02:45 | |
animal behaviour and things like that. Should be fun. | 0:02:45 | 0:02:48 | |
But how many more years have you got to do after that? | 0:02:48 | 0:02:50 | |
After my third year, I've got three more years of clinical and then I start being a doctor. | 0:02:50 | 0:02:54 | |
Girls, what are your tactics today, please? | 0:02:54 | 0:02:56 | |
-Not spend a lot... -Yeah. -..I think we're students so we're used to being quite thrifty. | 0:02:56 | 0:03:00 | |
-OK, frugal. -Yep, some might say. | 0:03:00 | 0:03:03 | |
-Yeah, buying small things, nothing too bulky. -Going to go for cameras, stuff like that? -Yeah, if we can... | 0:03:03 | 0:03:07 | |
-Maybe? Fashion? -Not sure. -See what we find. -Jewellery? -Probably not jewellery... | 0:03:07 | 0:03:11 | |
-I don't think you've got much of a plan, have you? -Not really. | 0:03:11 | 0:03:14 | |
-We don't know what we're doing. -Go with the flow. | 0:03:14 | 0:03:16 | |
In which case you're going to do very well today. | 0:03:16 | 0:03:18 | |
Anyway, lovely to talk to you and good luck! | 0:03:18 | 0:03:21 | |
Well, chaps, that's quite something, isn't it? | 0:03:21 | 0:03:23 | |
Now, Kyle, how did you two guys meet? | 0:03:23 | 0:03:24 | |
-Erm, there was a local jam night that we played at. -Cool. | 0:03:24 | 0:03:27 | |
Yeah, Brad was on the microphone and he was quite impressive | 0:03:27 | 0:03:30 | |
so we sort of spoke to him and... | 0:03:30 | 0:03:32 | |
What sort of thing does Brad sing? | 0:03:32 | 0:03:34 | |
-It's NOT singing. -Oh, isn't it? -No, it's... | 0:03:34 | 0:03:36 | |
Oh, what does he do on the microphone if he doesn't sing? | 0:03:36 | 0:03:39 | |
-Shouting. -Oh, really? -Very loud. -Do you? | 0:03:39 | 0:03:41 | |
Screaming aggressive, like, anger, but... | 0:03:41 | 0:03:44 | |
Can you give us some screaming, aggressive anger now, then? | 0:03:44 | 0:03:46 | |
-If you want some? -Yeah, I want some. Come on, let's see this. | 0:03:46 | 0:03:49 | |
-I love Bargain Hunt? -I love Bargain Hunt? -Yeah. -I -love Bargain Hunt. | 0:03:49 | 0:03:52 | |
-I DO love Bargain Hunt! -I LOVE BARGAIN HUNT!!! | 0:03:52 | 0:03:58 | |
-There you go. -That's something, isn't it? -It's pretty... | 0:03:58 | 0:04:00 | |
-And he does that in a club, with a microphone? -Yeah. | 0:04:00 | 0:04:02 | |
Why does he need a microphone, I ask myself?! | 0:04:02 | 0:04:05 | |
-That is fantastic. -We make a lot of noise. | 0:04:05 | 0:04:07 | |
Now, Brad, it says here that you have got a penchant for | 0:04:07 | 0:04:11 | |
brown furniture, which is unusual for a young person. | 0:04:11 | 0:04:13 | |
Yes, I really like just leather furniture, really nice sort of... | 0:04:13 | 0:04:16 | |
-Heavy brown stuff? -..mahogany, like, I want to be able to SMELL the wood. | 0:04:16 | 0:04:20 | |
-Yes, exactly. -That's the stuff I like. We have a gentlemen's club at my house... -Do you? | 0:04:20 | 0:04:23 | |
..where all the lads retire to and we enjoy a stiff drink | 0:04:23 | 0:04:27 | |
-and a whisky and relax. -Sounds extraordinary. | 0:04:27 | 0:04:29 | |
So, erm, any prizes as to what you're going to be looking | 0:04:29 | 0:04:31 | |
-out for today? -We're pretty unprepared, to be honest with you. | 0:04:31 | 0:04:34 | |
We've got a few ideas on what we'd like. We're both musicians, | 0:04:34 | 0:04:37 | |
-so something musical. -Things that make noise. -Yeah, we're noisy... | 0:04:37 | 0:04:40 | |
-Going to spend all the cash, try and get rid of most of it? -Probably. | 0:04:40 | 0:04:43 | |
Yeah, I think, even if we'd planned something, we're quite, | 0:04:43 | 0:04:46 | |
we just pick stuff up and want to buy it. | 0:04:46 | 0:04:48 | |
-I guess you're not going to buy the silver and jewellery and little knick-knacks? -Nothing too delicate. | 0:04:48 | 0:04:53 | |
No, no knick-knack jobs. OK, fine. Well, there we go. | 0:04:53 | 0:04:55 | |
We're going to have fun today, on this show, I can tell you. Now the £300 moment. | 0:04:55 | 0:04:59 | |
There's your £300, £300, there we go. | 0:04:59 | 0:05:01 | |
You know the rules. Your experts await, and off you go! | 0:05:01 | 0:05:05 | |
And very, very, very good luck! | 0:05:05 | 0:05:06 | |
Gosh, all this youth and enthusiasm. | 0:05:06 | 0:05:09 | |
Cracking teams, today. So let's meet their experts. | 0:05:09 | 0:05:13 | |
As a fiddler, he makes a great expert. It's... | 0:05:15 | 0:05:18 | |
And here to save the Blues' bacon, it's... | 0:05:19 | 0:05:22 | |
-Are you girls excited? -So excited! -Yes. -Why are you so excited? | 0:05:25 | 0:05:29 | |
I don't know, because I don't know what we're going to buy. | 0:05:29 | 0:05:31 | |
-We're going to argue, though... -Yeah. -Brilliant... | 0:05:31 | 0:05:34 | |
-Well, guys, here we are. -We ARE here. -Finally. | 0:05:34 | 0:05:37 | |
300 quid, all this wonderful stuff, | 0:05:37 | 0:05:41 | |
-what do you want to buy? -I'm spoilt for choice, Anita. | 0:05:41 | 0:05:43 | |
We've got money in the bank and we've got a clean slate. | 0:05:43 | 0:05:46 | |
We're just going to wing it, we're going to see what happens. | 0:05:46 | 0:05:48 | |
Rock on, eh, cos your 60 minutes starts now! | 0:05:49 | 0:05:52 | |
Well, let's go away, let's go looking and see if we can get some arguments going! | 0:05:52 | 0:05:56 | |
-Let's rock'n'roll it! -Whoo! -Whoo! -Yeah! | 0:05:56 | 0:05:59 | |
# Di-di-li-di-di-di-di! # Here we are. | 0:05:59 | 0:06:01 | |
-I don't want to jump the gun, but I'm liking everything I'm seeing. -You like EVERYTHING you see? | 0:06:01 | 0:06:06 | |
-EVERYTHING, this is my problem. I get too excited. -You want to buy EVERYTHING? | 0:06:06 | 0:06:09 | |
So, the Blues want everything, whereas the Reds just want their expert. | 0:06:09 | 0:06:13 | |
We've lost Jonathan. | 0:06:13 | 0:06:15 | |
-Where's our... -Oh, he's gone in there. -Oh, my goodness. | 0:06:15 | 0:06:18 | |
I thought you guys were wondering off up there. | 0:06:18 | 0:06:20 | |
I was having a quick sneak in, but, do you know, that caught my eye. | 0:06:20 | 0:06:23 | |
Immediately you can see it's a piece of Doulton, OK. | 0:06:23 | 0:06:26 | |
It's a stoneware, and this is the Lambeth factory. | 0:06:26 | 0:06:30 | |
But it's, the way it's done like this, it's a puzzle jug. | 0:06:30 | 0:06:33 | |
-So you pour water in it and then... -Oh. | 0:06:33 | 0:06:35 | |
..and you've got holes all the way through, and you think, "how can it possibly, the water will come out | 0:06:35 | 0:06:40 | |
-"the holes?" But it's a nice... -That would be quite messy. | 0:06:40 | 0:06:43 | |
Well, exactly. It would be quite messy, wouldn't it? | 0:06:43 | 0:06:45 | |
It says, "Within this jug there is good liquor. | 0:06:45 | 0:06:49 | |
"Tis fit for parson or for vicar, | 0:06:49 | 0:06:52 | |
"But how to drink and not to spill, | 0:06:52 | 0:06:55 | |
"will try the utmost of your skill." | 0:06:55 | 0:06:59 | |
Nice wordplay, JP, but it's going to take more to impress these girls. | 0:06:59 | 0:07:03 | |
-How much is it? That's the big question. -Well... -The money question. | 0:07:03 | 0:07:06 | |
I'd want to ask the man what he could do it for, because, erm, | 0:07:06 | 0:07:09 | |
at auction I'd put it in at | 0:07:09 | 0:07:11 | |
£50-£70, £60-£80... | 0:07:11 | 0:07:14 | |
-Would you lose money? -..so you'd want to get it for £50 or £60, that's what you'd want. | 0:07:14 | 0:07:18 | |
So what's your best price on this for cash-paying clients, like ourselves? | 0:07:18 | 0:07:22 | |
Well, we could probably only go down to about £75. | 0:07:22 | 0:07:26 | |
-Yeah. -Aw. -It's worth hanging on to thinking about that though. | 0:07:26 | 0:07:29 | |
-Yeah...OK, yeah, we'll come back later. -Yeah, thank you very much. -If it's still here. | 0:07:29 | 0:07:34 | |
Guys, music! | 0:07:38 | 0:07:40 | |
-Now, are you a guitarist? -I am, yeah. We're both guitarists. -You're both guitarists? | 0:07:40 | 0:07:44 | |
-We're both guitarists, yes. -Are you any good? | 0:07:44 | 0:07:46 | |
That's debatable! | 0:07:46 | 0:07:49 | |
I believe that this stall, | 0:07:49 | 0:07:52 | |
erm, is run by | 0:07:52 | 0:07:55 | |
a rock'n'roll guy. | 0:07:55 | 0:07:57 | |
Crikey, it's only '60s heart-throb, Dave Berry. | 0:07:57 | 0:08:01 | |
-I would like to introduce... -Where do you want me? | 0:08:05 | 0:08:08 | |
..to our, erm, our young rock'n'rollers, here. | 0:08:08 | 0:08:11 | |
- Right, good to see you. - Very nice to meet you, Dave. | 0:08:11 | 0:08:13 | |
-Lovely to meet you. -Nice to meet you. | 0:08:13 | 0:08:15 | |
- Do you play? - I play guitar, he plays guitar. | 0:08:15 | 0:08:17 | |
-Oh, both guitarists? -Yeah. -That's great, I've got young guys in my band at the moment. | 0:08:17 | 0:08:21 | |
-Wow. -Oh, excellent. -Well, they're all getting on famously, | 0:08:21 | 0:08:24 | |
-which is more than can be said for the Reds. -I don't dislike it. | 0:08:24 | 0:08:27 | |
Ah, that's probably the best we're going to get all day! | 0:08:27 | 0:08:29 | |
-That's the kind of thing I'd put in my house. -How much is it? -£55. | 0:08:29 | 0:08:32 | |
Why? Why would you put that in your house? | 0:08:32 | 0:08:34 | |
I think if you replace the fabric AND painted it, | 0:08:34 | 0:08:38 | |
-then, it could be a nice chair. -If it was a different chair... -Yeah. -..it would be nice? | 0:08:38 | 0:08:41 | |
-If it was a different chair. -I actually HATE it. -Do you? -Yeah, we're not going to get that. | 0:08:41 | 0:08:45 | |
So, the Reds can't agree. | 0:08:45 | 0:08:47 | |
Sorry! | 0:08:47 | 0:08:49 | |
But the Blues couldn't be more together! | 0:08:49 | 0:08:52 | |
Go on, girl! Look at her move. | 0:08:55 | 0:08:57 | |
Well done, boys! Well done, well done, well done. | 0:09:03 | 0:09:06 | |
Now, is there anything here that you fancy? | 0:09:06 | 0:09:08 | |
-We've GOT to, we're on the clock. -We DO need to make a purchase. -Uh-huh. | 0:09:08 | 0:09:11 | |
How much are we looking at for the bongos? £140. | 0:09:11 | 0:09:15 | |
See, I think the bongos are awesome, but I don't know how well | 0:09:15 | 0:09:18 | |
they'd sell at the auction, cos it's quite a...it's a unique item, isn't it? | 0:09:18 | 0:09:22 | |
-Yeah. But they're in very good condition. -Sure. -You are right. | 0:09:22 | 0:09:28 | |
-They're not cheap playthings. -No. -They're real instruments. | 0:09:28 | 0:09:31 | |
-How much would these cost if you were buying them new? -Sure. | 0:09:31 | 0:09:36 | |
-You're right. -Dave, the boys gave us a little concert, there. | 0:09:36 | 0:09:40 | |
-They are kind of interested in the, the drums. -Right. | 0:09:40 | 0:09:44 | |
-We do like these. -Yeah, well, they're good quality, as you know... | 0:09:44 | 0:09:47 | |
KYLE: They are, very nice. - ..if you check the, if you turn them over you can see | 0:09:47 | 0:09:51 | |
the quality of the wood and, erm, yeah. The best I could do with them would be £120 really. | 0:09:51 | 0:09:55 | |
- KYLE: £120? How about £115? - No, it'll have to be £120. | 0:09:55 | 0:09:59 | |
-£120. -£120. -I think we could go with that, really. | 0:09:59 | 0:10:02 | |
What do you think? | 0:10:02 | 0:10:04 | |
-He's banged my drum. -Yeah, yeah. I think we'll take them for that. -OK. | 0:10:04 | 0:10:07 | |
You've strummed the right chord, Dave, it was a pleasure to meet you. | 0:10:07 | 0:10:10 | |
- Nice to see you, good luck with your career. - You've got a deal. | 0:10:10 | 0:10:13 | |
-Thank you very much. -Thank you. -All the best. -Well done, Blues, that's the day's first deal. | 0:10:13 | 0:10:17 | |
So, Reds, have you got excited about ANYTHING yet? | 0:10:18 | 0:10:22 | |
-So what is it? -Erm, it's a little spinning chair, | 0:10:22 | 0:10:25 | |
so it'd be a lady sitting in front of her spinning wheel... | 0:10:25 | 0:10:28 | |
-They were quite fashionable, just to sort of stick in the corner. -It doesn't look very comfortable. | 0:10:28 | 0:10:33 | |
-You just need an ample bottom to sit on it. -What do you think of it? | 0:10:33 | 0:10:36 | |
-I'm not a great fan. -Right, OK. -OK. | 0:10:36 | 0:10:38 | |
-You can buy a period one, 18th century, for a tenner. -Fine, right. | 0:10:38 | 0:10:40 | |
-Let's find something we can sell. -That's fine, please tell us, we don't know what we're doing. | 0:10:40 | 0:10:44 | |
Well, good job you've got JP then, isn't it? | 0:10:44 | 0:10:46 | |
Just get settled, then get buying, | 0:10:46 | 0:10:49 | |
because those Blues are streaking ahead. | 0:10:49 | 0:10:51 | |
Yeah, that's quite detailed, isn't it? | 0:10:51 | 0:10:52 | |
Erm, I know that you're into furniture and... | 0:10:52 | 0:10:57 | |
-That'd look really good in the gentlemen's club. -It would. | 0:10:57 | 0:10:59 | |
Are girls allowed in this room? | 0:10:59 | 0:11:01 | |
-You're allowed, we could definitely make an exception. -All right. | 0:11:01 | 0:11:05 | |
-Only the classiest of class. -All right. | 0:11:05 | 0:11:08 | |
It is quite nice, isn't it? I could see a lot of people liking that. | 0:11:08 | 0:11:11 | |
It's in good condition, it has lovely detail in it, | 0:11:11 | 0:11:16 | |
it's the type of thing that people could buy and then put in their house. | 0:11:16 | 0:11:20 | |
Yeah, it does look quite special. VERY interested. | 0:11:20 | 0:11:25 | |
-Is £85 the best you can do on it? -£80 would be the very best. -Right. | 0:11:25 | 0:11:29 | |
-What about £75? -Yeah, £75 would be all right. | 0:11:29 | 0:11:32 | |
-£75, yeah, I think we'll take that. -Shake the gentleman's hand. | 0:11:32 | 0:11:35 | |
-Brilliant, thank you so much. -Thank you. -That's fantastic, cheers. | 0:11:35 | 0:11:38 | |
-Thank you so much. -Well done, that's lovely. | 0:11:38 | 0:11:40 | |
-What a team! What a team! -Smashing...we're going to get... | 0:11:40 | 0:11:44 | |
-Two down. -..we've got plenty of time to go back for tea and biscuits now. -All right. | 0:11:44 | 0:11:47 | |
-Oh, we've still got one more item to go. -We have, we have. -Can't forget it. | 0:11:47 | 0:11:51 | |
And we can't get complacent, and we can't slow up, | 0:11:51 | 0:11:53 | |
-so let's get going on number three. -Let's storm on. -Let's do it, got it! | 0:11:53 | 0:11:57 | |
Great advice, Ms Manning, and great work, boys! | 0:11:57 | 0:12:00 | |
Two items in 20 minutes. | 0:12:00 | 0:12:01 | |
OK, Reds, your basket is still empty. | 0:12:01 | 0:12:04 | |
You may have to take the lead here, JP. | 0:12:04 | 0:12:06 | |
You get lots of reproductions of clock dials... | 0:12:06 | 0:12:09 | |
-Yeah. -..being sold, and these are periods, you know, | 0:12:09 | 0:12:11 | |
these are late 18th, early 19th century-clock dials, | 0:12:11 | 0:12:14 | |
and all someone's got to do is to put a little quartz movement on the back and some hands, | 0:12:14 | 0:12:18 | |
and you've actually got a really decorative clock, which you can put in the kitchen, with an old face, | 0:12:18 | 0:12:22 | |
and 35 quid for a dial. | 0:12:22 | 0:12:23 | |
Do you mind if I have a look at that one, actually? | 0:12:23 | 0:12:25 | |
There we are. | 0:12:25 | 0:12:27 | |
-It's quite cool, with this sort of lady entertaining the King. -Yeah. -Yeah. | 0:12:27 | 0:12:31 | |
Having been broken up and having the dials, you can | 0:12:31 | 0:12:33 | |
-just use them for the decorative nature in smaller properties... -Yeah. -Yeah, fine, right, | 0:12:33 | 0:12:38 | |
-let's get that. Let's get it for...let's ask for £30. -Yeah, can you do £30? -Please! | 0:12:38 | 0:12:41 | |
-- Erm, go on, then. -£30, you happy with that? -Yeah. -Yes, that would be great. | 0:12:41 | 0:12:45 | |
-So to buy something? Thank you very much. That's brilliant. -Thank you. -Thank you. -It's unusual anyway. | 0:12:45 | 0:12:49 | |
-Next time, it's yours. It's all yours, now. It's all yours. -Yeah. -Thank you very much. | 0:12:49 | 0:12:53 | |
That's right, you'll need to speed up your buying too. | 0:12:53 | 0:12:57 | |
Meanwhile, things are just getting better for the Blue team. | 0:12:57 | 0:13:01 | |
-Oh, here's Dave. How are we doing? -Excuse me, can I interrupt? -Hello. -- Hello, yeah of course. | 0:13:01 | 0:13:05 | |
-- They're going to auction, aren't they? - Yes. -They are, yes. | 0:13:05 | 0:13:07 | |
- Now, just a suggestion, it might help if I just sign one of the bongos for you? | 0:13:07 | 0:13:12 | |
-Yeah, that would be fantastic. -It might help, if that's OK? -Yeah, no, that would be incredible. | 0:13:12 | 0:13:16 | |
-That would be absolutely wonderful, thank you. -Excellent, cheers! | 0:13:16 | 0:13:19 | |
-Cor, what a nice man. -Wow. -Yeah, that's incredible. | 0:13:19 | 0:13:21 | |
-Come to an auction, meet Dave Berry and he's going to sign our things. -Yeah. | 0:13:21 | 0:13:24 | |
-That's pretty good going! -It's been some day for you, boys. | 0:13:24 | 0:13:27 | |
Look. | 0:13:29 | 0:13:31 | |
REBECCA GASPS | 0:13:31 | 0:13:32 | |
I REALLY like that. | 0:13:32 | 0:13:34 | |
-I like it, I think it's really interesting. -What does that say? -See, I think Phrenology. | 0:13:34 | 0:13:38 | |
-I think anyone that was interested in, like, medicine. -I'd put it in my house. | 0:13:38 | 0:13:42 | |
Yeah, then...you could buy it for a doctor friend. | 0:13:42 | 0:13:46 | |
Jonathan, look. | 0:13:46 | 0:13:48 | |
£29.50 for Phrenology. | 0:13:48 | 0:13:50 | |
So, you know, this is sort of parts of the brain that | 0:13:50 | 0:13:52 | |
-they associate with certain functions of the brain, isn't it? -Yeah. -Yeah. | 0:13:52 | 0:13:56 | |
-I know eyesight's at the back and... -Yes. -..whatever that sort of business. -Yep. | 0:13:56 | 0:14:00 | |
So, when they were mapping the head, | 0:14:00 | 0:14:01 | |
they built these pottery figures and put down the, er, you know, | 0:14:01 | 0:14:04 | |
where those parts of the brains were as they were discovering them, so... | 0:14:04 | 0:14:08 | |
But this is an out and out...you can see it's reproduction, it's got it's crackle glaze, | 0:14:08 | 0:14:11 | |
it's a very, very shiny glaze though, but you've got this sort of fake, | 0:14:11 | 0:14:14 | |
sort of crackle glaze look to it. | 0:14:14 | 0:14:16 | |
-You know, you could put it in a hallway and put a hat on it. -Yeah, it's quite funny. | 0:14:16 | 0:14:19 | |
-It has a decorative nature to it, as well. -It's just unusual, | 0:14:19 | 0:14:22 | |
-people might be drawn to that, hopefully! -Yeah. -We'll see who's in the auction room. | 0:14:22 | 0:14:26 | |
The originals would be worth hundreds of pounds and would have been made in England. | 0:14:26 | 0:14:29 | |
-This is probably made in China. -So someone who can't afford an original, maybe, will buy this one. | 0:14:29 | 0:14:34 | |
-Shall we see what we could get it for and we could always come back? -Yeah. -£29.50. -£29.50, at the moment. | 0:14:34 | 0:14:38 | |
We were wondering if we could have it for about £15? | 0:14:38 | 0:14:41 | |
-I was thinking more like about £26. - Oh. -Oh. | 0:14:41 | 0:14:44 | |
-Can we meet you in the middle at £20? -Yeah. | 0:14:44 | 0:14:46 | |
- I can do £22. £22 will leave me a bit in it. - Sold. | 0:14:46 | 0:14:49 | |
The camera-shy dealer certainly wasn't shy of making a deal though, | 0:14:49 | 0:14:53 | |
good man! And well done, girls. | 0:14:53 | 0:14:55 | |
But there's just 15 minutes to buy that final item. | 0:14:55 | 0:14:58 | |
-That goes for you too, Blues. -Let's have a look at it, boys. | 0:14:58 | 0:15:02 | |
Yeah, let's have a look inside. | 0:15:02 | 0:15:05 | |
-All right. -That looks nice. -It's fitted, which is good. -Yeah. | 0:15:05 | 0:15:08 | |
-Looks in pretty good condition. -It's got a maker's name, which is also good. | 0:15:08 | 0:15:13 | |
It's Baxendale&Co of Manchester, | 0:15:13 | 0:15:17 | |
so that's a nice element. | 0:15:17 | 0:15:20 | |
I also like the fact that the textile on the inside is | 0:15:20 | 0:15:25 | |
in good condition. | 0:15:25 | 0:15:26 | |
It hasn't been bashed about or torn, | 0:15:27 | 0:15:30 | |
so it's got a lot going for it... | 0:15:30 | 0:15:33 | |
-Yeah. -..and, erm, useful as well. | 0:15:33 | 0:15:35 | |
Something like this would really add to a room, wouldn't it? | 0:15:35 | 0:15:38 | |
-How much money do we have left? -£105. -It's a little out. | 0:15:38 | 0:15:41 | |
-And it's £110. -And it's retailing for £110, so... | 0:15:41 | 0:15:45 | |
-I think this one's on you. -Who, is it me? | 0:15:45 | 0:15:47 | |
I'm feeling, I'm feeling like I need to just designate that pressure towards you. | 0:15:47 | 0:15:51 | |
All right, yes, so I've got to do the dirty work? | 0:15:51 | 0:15:53 | |
Seasoned professional, yeah. | 0:15:53 | 0:15:56 | |
Hi, my rock'n'roll Blues have fallen in love with this trunk. | 0:15:56 | 0:16:02 | |
Is it possible to buy this for £60-£70? | 0:16:02 | 0:16:08 | |
I couldn't go that low. | 0:16:09 | 0:16:11 | |
I mean, I've really got to be looking round about 90. | 0:16:11 | 0:16:14 | |
-90? -Yeah. -Uh-huh. Yeah. | 0:16:14 | 0:16:17 | |
-Could you come to 80? -I think I'd struggle, really. | 0:16:17 | 0:16:20 | |
- How about we meet in the middle at 85? | 0:16:20 | 0:16:23 | |
-Meet us halfway? -87. -Ohhh. -- 87? | 0:16:23 | 0:16:26 | |
-£86.50? -Ahh, no, no, no, no, no. 87, 87? -Yeah. -Yeah, that's good, that's good. | 0:16:26 | 0:16:30 | |
-Is that all right? Thank you very much, thank you. -Thank you so much, mate. | 0:16:30 | 0:16:35 | |
Great work, Blues, and that's the end of your up-tempo shop. | 0:16:35 | 0:16:38 | |
Wish I could say the same about the Reds, who clearly need a talking-to! | 0:16:38 | 0:16:42 | |
Nine minutes left, erm, that's not very long. | 0:16:42 | 0:16:44 | |
-We need to make a move on. -OK. -Let's, come on, let's, let's cover some ground. | 0:16:44 | 0:16:47 | |
Quickly, quickly, quickly. | 0:16:47 | 0:16:49 | |
-Yeah. -People like coffee. -I don't think you'll get people buying a coffee grinder | 0:16:54 | 0:16:57 | |
-at auction to use at home. -Get a wriggle on, girls. | 0:16:57 | 0:17:00 | |
-Two minutes left! -I like that. -How does it work? -Who by? | 0:17:00 | 0:17:03 | |
-Voigtlander, is that what it says? -I've never heard of the brand. -£25. | 0:17:03 | 0:17:11 | |
- You could have that for £10 if you wanted to? - Really? | 0:17:11 | 0:17:14 | |
-It is a copy of a Leica, essentially... -Yeah. -..but it has that retro feel, doesn't it? | 0:17:14 | 0:17:18 | |
-We've probably only got a minute and a half left. -Well, I, personally... | 0:17:18 | 0:17:22 | |
-I like it. -..would buy it for a tenner, as a film camera. | 0:17:22 | 0:17:25 | |
-It's got lots of different focal lengths. -- Yeah, look, it's very decorative. | 0:17:25 | 0:17:28 | |
-Yeah, and it's got a case which is quite fun. I think for a tenner... -Yeah. | 0:17:28 | 0:17:32 | |
We are on our last minute so can we, can we take it for £10? | 0:17:32 | 0:17:35 | |
- OK, yes, OK, yes. - Thank you very much. | 0:17:35 | 0:17:37 | |
Oi, you! Wake up! | 0:17:37 | 0:17:39 | |
Time's up. | 0:17:39 | 0:17:40 | |
-Phew! -Oh, I was so panicked. -Oh, man. Good, OK, well done. | 0:17:40 | 0:17:45 | |
Just in the nick of time too, Reds. Now, here's a reminder of what they bought. | 0:17:45 | 0:17:51 | |
They paid £30 for the 19th-century-painted longcase clock dial. | 0:17:51 | 0:17:55 | |
Next, they bought the reproduction phrenology head for £22. | 0:17:57 | 0:18:01 | |
And, with seconds left, | 0:18:02 | 0:18:04 | |
they snapped up the Voigtlander camera and case for £10. | 0:18:04 | 0:18:08 | |
-Well, you girls, that was quite something, wasn't it? -Yeah. | 0:18:09 | 0:18:12 | |
I mean, talk about parsimonious, | 0:18:12 | 0:18:14 | |
-how much did you actually spend in the end? -£62. | 0:18:14 | 0:18:17 | |
£62?! It's a disgrace! | 0:18:17 | 0:18:21 | |
So, 62, I want £238. Thank you very much. | 0:18:21 | 0:18:25 | |
-OK, Elles, which is your favourite piece, please? -Erm, I like the camera. | 0:18:25 | 0:18:28 | |
-The camera is your favourite? -Yeah. -Personal favourite. -Yep, and mine too. | 0:18:28 | 0:18:31 | |
-And yours too? -Yep. -Good. And will it bring the biggest profit? | 0:18:31 | 0:18:34 | |
Erm, I think it's tied between that and the, erm, what was it called? | 0:18:34 | 0:18:38 | |
-The head... -The phrenology head, yeah. -Oh, the phrenology head. -Yeah. | 0:18:38 | 0:18:41 | |
-Yes. So you're hedging your bets then, are you? -Yes. | 0:18:41 | 0:18:43 | |
-Yeah, quite hopeful on that one. -You're hopeful on that? Yes, anyway, well, that's it. | 0:18:43 | 0:18:47 | |
-A huge wad of money. You happy, JP? -Very good, I'm slightly nervous about having so much money now. | 0:18:47 | 0:18:51 | |
-You got a plan? -Yes, I think so. -Oh, good. | 0:18:51 | 0:18:53 | |
Well, that's absolutely marvellous, cos, right now, why don't we check out what the Blues bought, eh? | 0:18:53 | 0:18:58 | |
The signed pair of bongo drums were picked up for a banging £120. | 0:18:58 | 0:19:02 | |
They paid £75 for the late 19th-century-carved oak coat rack. | 0:19:02 | 0:19:10 | |
And, finally, the Baxendale&Co domed-top travel trunk was bought for £87. | 0:19:10 | 0:19:17 | |
-So you had a good time, boys? -It's been phenomenal. -Absolutely incredible. | 0:19:17 | 0:19:20 | |
Listen, is this some kind of dancing programme or what? | 0:19:20 | 0:19:22 | |
It's supposed to be about antiques, you know? | 0:19:22 | 0:19:24 | |
-What's all this mucking about? -We couldn't help ourselves. | 0:19:24 | 0:19:27 | |
-We found some instruments and it just comes naturally. -We like to make noise. | 0:19:27 | 0:19:30 | |
And you got this go-go dancer with you, so that was it, right?! | 0:19:30 | 0:19:33 | |
That's one way...it was really impressive, if I'm honest. | 0:19:33 | 0:19:36 | |
-Really? Now, all right, chaps, how much did you spend? -£282. | 0:19:36 | 0:19:40 | |
That is music to my ears, £282. That's a mature amount of money. | 0:19:40 | 0:19:44 | |
-Oh, thank you. -I'd like the £18 of leftover lolly, please. -Absolutely. | 0:19:44 | 0:19:48 | |
Thank you, Kyle, that's very kind. | 0:19:48 | 0:19:50 | |
Erm, let's have the last one then! | 0:19:50 | 0:19:52 | |
-There you go. -I'm not completely schtum. | 0:19:52 | 0:19:55 | |
Now, erm, which is your favourite piece, Brad? | 0:19:55 | 0:19:57 | |
Probably the chest, really liked the chest. | 0:19:57 | 0:19:59 | |
-Your chest is the favourite piece? -Yes, I would say so. | 0:19:59 | 0:20:02 | |
And do you agree that his chest is the favourite piece? | 0:20:02 | 0:20:04 | |
I think, technically, yes, | 0:20:04 | 0:20:06 | |
-but I liked the wild card of the bongos signed by Dave Berry. -OK. -If we can get a couple of... | 0:20:06 | 0:20:10 | |
-So you're partly bongo then partly chest? -Yes, chest. -Yep. | 0:20:10 | 0:20:13 | |
OK, Anita, you've clearly had a heck of a struggle today. | 0:20:13 | 0:20:16 | |
-There's the £18. £18, not much cash, is it? -Not much. -We have huge faith. | 0:20:16 | 0:20:22 | |
-We believe in you. -We believe! Well, anyway, good luck with that, Anita. | 0:20:22 | 0:20:27 | |
Meanwhile, I'm heading off somewhere where, potentially, | 0:20:27 | 0:20:30 | |
I could go off my trolley, but I'm certainly going to be transported. | 0:20:30 | 0:20:33 | |
Half a century after the world's first passenger tram service | 0:20:36 | 0:20:40 | |
launched in South Wales in 1807, | 0:20:40 | 0:20:43 | |
horse-drawn trams began appearing in major cities. | 0:20:43 | 0:20:47 | |
And by 1885, steam trams were about, but they were frightening beasts, | 0:20:47 | 0:20:54 | |
billowing smoke and sparks and terrorising everyone. | 0:20:54 | 0:20:58 | |
In the mid-1880s, Britain got its first electric tramway, | 0:21:00 | 0:21:03 | |
in Blackpool, and by the 1920s, many towns and cities had vast, | 0:21:03 | 0:21:08 | |
cheap tram networks, making trams the transport of the working classes. | 0:21:08 | 0:21:12 | |
Normally, in the world of antiques, restoration ain't such a good idea. | 0:21:18 | 0:21:23 | |
But when it comes to trams, well, | 0:21:23 | 0:21:26 | |
just look at this beauty. | 0:21:26 | 0:21:29 | |
I'm at the Crich Tramway Village, just outside Matlock, | 0:21:29 | 0:21:34 | |
and I'm going to talk to Laura Waters, Curator of this | 0:21:34 | 0:21:38 | |
marvellous place, about just such a restoration project. | 0:21:38 | 0:21:43 | |
-Hi, Laura. How lovely to meet you. -Hello, nice to meet you. | 0:21:46 | 0:21:49 | |
Now, Laura, this is a magnificent tram, I have to say. | 0:21:49 | 0:21:54 | |
I had no idea that they were quite as luxurious as this. | 0:21:54 | 0:21:57 | |
Is it unusual to find a tram so comfy? | 0:21:57 | 0:22:00 | |
It is a little unusual. | 0:22:00 | 0:22:02 | |
The makers of this one were targeting a specific audience | 0:22:02 | 0:22:05 | |
so they kind of went a little overboard, maybe, | 0:22:05 | 0:22:07 | |
in how they equipped the tram and made it look. | 0:22:07 | 0:22:10 | |
And I guess, Laura, it hasn't always looked like this, has it? | 0:22:10 | 0:22:14 | |
No, it definitely hasn't. Erm, originally it was part of a house which was actually | 0:22:14 | 0:22:19 | |
-three lower decks of this type of tram. -Right. | 0:22:19 | 0:22:22 | |
So that was our starting point for the restoration job. | 0:22:22 | 0:22:25 | |
Because the quality of the joinery | 0:22:25 | 0:22:27 | |
and use of timber inside is very nice with the Birdseye maple curved bits | 0:22:27 | 0:22:32 | |
and ash and walnut and mahogany, | 0:22:32 | 0:22:35 | |
all contrasting in colour and fantastic quality brass. I'm amazed! | 0:22:35 | 0:22:40 | |
It is, er, particularly the Walnut ceiling, it's a feature | 0:22:40 | 0:22:43 | |
which attracts a lot of people to the tram car | 0:22:43 | 0:22:46 | |
because it's just so decorative compared to | 0:22:46 | 0:22:48 | |
what we have on other ones. | 0:22:48 | 0:22:50 | |
Well, I cannot believe the quality of the restoration. | 0:22:50 | 0:22:53 | |
-And does it work? -It certainly does work, yes. -Can we go for a ride? | 0:22:53 | 0:22:56 | |
We certainly can. | 0:22:56 | 0:22:57 | |
BELL DINGS | 0:22:59 | 0:23:00 | |
Hold tight! | 0:23:00 | 0:23:02 | |
So, what is it, Laura, that makes these trams | 0:23:07 | 0:23:10 | |
so incredibly popular with your visitors? | 0:23:10 | 0:23:12 | |
I think it's the nostalgia with them really and for a lot | 0:23:12 | 0:23:15 | |
of people they don't know them or some people can just remember them. | 0:23:15 | 0:23:18 | |
So it's very much that kind of something not seen every day. | 0:23:18 | 0:23:22 | |
Now, Laura, you've got a huge collection here. | 0:23:31 | 0:23:34 | |
-How did it all come about? -It started in 1949. | 0:23:34 | 0:23:37 | |
A group of tram enthusiasts were actually on a tour of Southampton | 0:23:37 | 0:23:41 | |
and they happened to notice that there was | 0:23:41 | 0:23:43 | |
a tram being scrapped and they sort of jokingly offered up £10 for it | 0:23:43 | 0:23:49 | |
and it was accepted! | 0:23:49 | 0:23:50 | |
Erm, and that was the first tram to be preserved. | 0:23:50 | 0:23:53 | |
The people who first started our society very much were aware | 0:23:53 | 0:23:57 | |
that trams were beginning to disappear from our streets | 0:23:57 | 0:23:59 | |
and that there was no movement to save any of them, | 0:23:59 | 0:24:02 | |
so they basically went to all the operators and when | 0:24:02 | 0:24:05 | |
they were being scrapped sort of said, "Can we have that one?" | 0:24:05 | 0:24:08 | |
or kind of negotiated on it and that's where we started from. | 0:24:08 | 0:24:10 | |
And how many trams are there here, now? | 0:24:10 | 0:24:13 | |
-We've got roughly 80 in the collection overall. -80? | 0:24:13 | 0:24:16 | |
Yes, and there's about 50 on-site here. | 0:24:16 | 0:24:18 | |
So it's quite a big collection, it's the biggest one in the country. | 0:24:18 | 0:24:21 | |
And they're all unique in a way, aren't they? | 0:24:21 | 0:24:24 | |
They are, yeah, every one has its own individual character. | 0:24:24 | 0:24:27 | |
Our drivers and conductors will tell you that operating them, as well, is quite special. | 0:24:27 | 0:24:31 | |
They all have their own quirks, erm, some are more decorative, | 0:24:31 | 0:24:34 | |
like 159 here, whereas others are more streamlined and standard really. | 0:24:34 | 0:24:39 | |
-So they just vary. -Oh, brilliant. | 0:24:39 | 0:24:41 | |
My only regret is that I'm not able to take a tram over | 0:24:41 | 0:24:44 | |
to the auction which is where we're headed right now. | 0:24:44 | 0:24:47 | |
Well, how lovely is this? | 0:24:55 | 0:24:57 | |
We find ourselves in Etwall in Derbyshire, a mere 60 miles | 0:24:57 | 0:25:02 | |
from Grimsthorpe with my old mate, my old mucker, Charles Hanson. | 0:25:02 | 0:25:05 | |
-Charles, how are you? -Tim, I'm very well, thank you. | 0:25:05 | 0:25:07 | |
OK, now, Ellie and Rebecca have gone with a mixture here. | 0:25:07 | 0:25:09 | |
-For a kick-off we've got this 30-hour longcase clock dial. -Yes. | 0:25:09 | 0:25:15 | |
Does that do it for you? | 0:25:15 | 0:25:16 | |
Tim, it just, to me, has a look of innocence about it. | 0:25:16 | 0:25:20 | |
Cottage-made circa 1810, 1820 and if it could talk, it suffered. | 0:25:20 | 0:25:26 | |
-Here we go! -And it's still here and alive and firing. | 0:25:26 | 0:25:29 | |
OK, well, I'm feeling sorry for it. | 0:25:29 | 0:25:32 | |
That means you only think it's worth £5. | 0:25:32 | 0:25:34 | |
-I think it has sentiment, Tim, and we hope it might make £30. -Do you, really? -Yes. | 0:25:34 | 0:25:37 | |
-Well, that's all right because the girls only paid £30. -Oh, fine. | 0:25:37 | 0:25:40 | |
Now, the next item is the phrenology head. | 0:25:40 | 0:25:43 | |
I think, Tim, it's a charming object. Yes, it's brand-new, | 0:25:43 | 0:25:46 | |
but of course it's marked Fowler who were an important American family | 0:25:46 | 0:25:49 | |
who did all of that back in the mid-1800s. So although it's brand-new, | 0:25:49 | 0:25:55 | |
Tim, I think it's quite quirky and quite fun. | 0:25:55 | 0:25:57 | |
-All right, and decorative. -And decorative. | 0:25:57 | 0:25:59 | |
OK, so, Carlos, what's your estimate? | 0:25:59 | 0:26:01 | |
Tim, we feel the head might run so we've put a really | 0:26:01 | 0:26:03 | |
sort of cautious guide price on of between £10 and £15. | 0:26:03 | 0:26:06 | |
-And it only cost them a very, very intelligent £22. -Good. | 0:26:06 | 0:26:10 | |
-Next is the camera. -Yes. | 0:26:10 | 0:26:12 | |
I always think these cameras look terribly impressive, don't you? | 0:26:12 | 0:26:15 | |
Lots of, kind of, dials and whizz-bang bits and bobs. | 0:26:15 | 0:26:19 | |
Tim, if there's one angle of the antiques market today which is | 0:26:19 | 0:26:22 | |
really moving, it's this market and this one is 1950s. | 0:26:22 | 0:26:26 | |
I'm no expert in cameras, but it is German, er, Saxony made. | 0:26:26 | 0:26:31 | |
I think it has great heritage and I hope it might make £20, £30. | 0:26:31 | 0:26:35 | |
-OK, brilliant. £10 paid. -Good. | 0:26:35 | 0:26:37 | |
Of course, how the team do is entirely up in the air | 0:26:37 | 0:26:41 | |
and it's in your hands but in case it doesn't go entirely | 0:26:41 | 0:26:43 | |
according to plan, why don't we go and have a look at the bonus buy? | 0:26:43 | 0:26:47 | |
OK, girls, this is exciting, isn't it? | 0:26:48 | 0:26:50 | |
You gave JP an enormous amount of money, you gave him £238... | 0:26:50 | 0:26:55 | |
-Yup. -..was your pocket money. What did you buy, JP? | 0:26:55 | 0:26:58 | |
Er, £238 is a lot of money and, you know, I sometimes chicken out | 0:26:58 | 0:27:02 | |
and I did, I chickened out a little bit. | 0:27:02 | 0:27:06 | |
There we are, look, what I bought was... And you'll think, "What on Earth is this?" | 0:27:06 | 0:27:10 | |
Right, OK, I have here this lovely copper bowl with this | 0:27:10 | 0:27:14 | |
very nicely patinated piece of leather on the top. | 0:27:14 | 0:27:17 | |
And what it is, this is a cavalry officer's wash bowl. | 0:27:17 | 0:27:21 | |
-Let me help you out here, I'll take the cover then... -So that's the cover for it. | 0:27:21 | 0:27:24 | |
-I mean, obviously, he's fallen off his horse a few times. -THEY LAUGH | 0:27:24 | 0:27:28 | |
But, you know, it's a very unusual object, I mean, | 0:27:28 | 0:27:31 | |
I've never seen one before. | 0:27:31 | 0:27:33 | |
Whene'er you're cantering around on campaign as a cavalry officer, | 0:27:33 | 0:27:37 | |
you're going from A to B and you've got to have a shave and you've got to have a wash... | 0:27:37 | 0:27:40 | |
-What are these other bits that have come with it? -Oh, the other bits? | 0:27:40 | 0:27:43 | |
OK, what you're going to ask is how much did I spend? | 0:27:43 | 0:27:46 | |
OK, so what I spent was, I actually spent in total £75. | 0:27:46 | 0:27:49 | |
And then this is for HMS Vincent which was | 0:27:49 | 0:27:51 | |
a First World War battleship scrapped in the '20s | 0:27:51 | 0:27:55 | |
and with two other ships was active in The Battle of Jutland, | 0:27:55 | 0:27:58 | |
you know, this is a little bit of a, sort of, a sailor's, erm, sort of... | 0:27:58 | 0:28:01 | |
-Hello sailor! -..sort of, novelty. -Yup. -Numerous bonus buys. | 0:28:01 | 0:28:04 | |
Well, I just bought it as a little World War I group. | 0:28:04 | 0:28:06 | |
-Yeah, how much profit, though? -Yeah, how much profit? | 0:28:06 | 0:28:09 | |
Well, I don't know, it's one of those things, it's very hard to put a price on. | 0:28:09 | 0:28:12 | |
-I'd like to think it would make over £100, I really would. -Mmm. | 0:28:12 | 0:28:14 | |
-It could do quite well. -Yeah, it could. | 0:28:14 | 0:28:16 | |
-OK? -Thank you. | 0:28:16 | 0:28:17 | |
Thanks, JP. But for the audience at home right now, let's find out | 0:28:17 | 0:28:21 | |
what the auctioneer thinks about the quartet. | 0:28:21 | 0:28:24 | |
-Right then, Charles. -Tim, if only it could talk, what could it tell us? | 0:28:25 | 0:28:30 | |
It's a cavalry officer's wash bowl. Is it 1890s? | 0:28:30 | 0:28:33 | |
Is it into the twentieth century? Is it a First World War? | 0:28:33 | 0:28:37 | |
We don't know, there's no identifying marks on here | 0:28:37 | 0:28:39 | |
at all, all we know is that it has a wonderful tactile feel. | 0:28:39 | 0:28:44 | |
It's worn, it's beaten and to me, Tim, it's real history. I love it. | 0:28:44 | 0:28:49 | |
Mmm, and then JP rather cleverly has found us the | 0:28:49 | 0:28:52 | |
second part of his bonus buy, that fellow. | 0:28:52 | 0:28:55 | |
This is a little sweet, you might call it, ashtray. | 0:28:55 | 0:28:58 | |
A commemorative brass dish inscribed HMS St Vincent | 0:28:58 | 0:29:02 | |
and, of course, I suspect this was made from scrap metal | 0:29:02 | 0:29:06 | |
when the actual vessel was decommissioned and scrapped in 1921. | 0:29:06 | 0:29:11 | |
I mean, will it make £70? | 0:29:11 | 0:29:13 | |
Tim, we've been really cautious, | 0:29:13 | 0:29:15 | |
-we've put a guide price on of around 50 as a top estimate. -Right. | 0:29:15 | 0:29:18 | |
That's, to me, quite cautious. | 0:29:18 | 0:29:20 | |
I would really hope, Tim, with the wind blowing, who knows? | 0:29:20 | 0:29:23 | |
-We could make three figures. -Do you? -Yeah. | 0:29:23 | 0:29:26 | |
OK, well, that's it for the Reds, now for the Blues. | 0:29:26 | 0:29:28 | |
Not quite so interesting, I don't think, this lot, | 0:29:28 | 0:29:31 | |
because we got these bongo drums. | 0:29:31 | 0:29:32 | |
Yes, Tim, they are quite interesting. | 0:29:32 | 0:29:35 | |
-I believe they are European. -Oh, lovely. | 0:29:35 | 0:29:38 | |
Not quite sure on country of origin but they're signed by | 0:29:38 | 0:29:41 | |
a famous man called Dave Berry who was a famous musician, er, 1960s. | 0:29:41 | 0:29:45 | |
They're on their metal stands as well, | 0:29:45 | 0:29:47 | |
they're in good condition and to me they really are an internet lot. | 0:29:47 | 0:29:50 | |
The big question is, are they going to strike the right note? | 0:29:50 | 0:29:54 | |
I foresee them probably realising, on a really good day, up to £50. | 0:29:54 | 0:30:00 | |
Oh, dear. That is not the right note. | 0:30:00 | 0:30:02 | |
£120 our team invested in this important bit of pop memorabilia, Charles. | 0:30:02 | 0:30:07 | |
So you've got a bit of an uphill struggle. | 0:30:07 | 0:30:10 | |
Now, next up is this carved-oak panel | 0:30:10 | 0:30:13 | |
-that has the weediest little hooks I ever did see. -Yeah. | 0:30:13 | 0:30:17 | |
But the carving is crisp, it's very much in that almost late... | 0:30:17 | 0:30:22 | |
-Seventeenth-century style? -Yeah, late Victorian, almost amalgam of styles | 0:30:22 | 0:30:25 | |
with your canvas leaves and it's a good plinth. | 0:30:25 | 0:30:28 | |
-It's a good plinth, it's a rotten set of hooks. -Exactly, Tim. | 0:30:28 | 0:30:31 | |
-OK, does it work for you? -Not really. -How much? | 0:30:31 | 0:30:34 | |
Tim, I hope with the wind blowing | 0:30:34 | 0:30:36 | |
and we have lots of great cottages nearby, | 0:30:36 | 0:30:40 | |
I hope it will make £30. | 0:30:40 | 0:30:42 | |
-£75 paid. -Oh, dear-dear. Oh, no. -That's a shocker, I think. -It is. | 0:30:42 | 0:30:47 | |
-I think it's going to be very difficult for you, Charles. -Yes. | 0:30:47 | 0:30:51 | |
Now, Brad went with the domed-top trunk. | 0:30:51 | 0:30:53 | |
It's apparently from Baxendale&Co in Manchester. | 0:30:53 | 0:30:57 | |
Yeah, Tim, and again it has a nice history. | 0:30:57 | 0:30:59 | |
It's vintage, it's classic. And lots of, I suppose, | 0:30:59 | 0:31:04 | |
my generation of collectors, they quite like... | 0:31:04 | 0:31:07 | |
-They go for the black chest. -Yeah, they do, Tim, | 0:31:07 | 0:31:10 | |
they go for the vintage, they go for the yesteryear. So it's a good lot. | 0:31:10 | 0:31:16 | |
Perfect. How much? | 0:31:16 | 0:31:17 | |
Tim, I think on a really, | 0:31:17 | 0:31:19 | |
really good day we would see it make hopefully around £50. | 0:31:19 | 0:31:24 | |
-OK, £87 paid. -Oh, dear. | 0:31:24 | 0:31:26 | |
So uniquely, Charles, we have three, what I would call, substantially lower estimates | 0:31:26 | 0:31:33 | |
on each of these items and if predictions are correct | 0:31:33 | 0:31:36 | |
they're going to need their bonus buy defin-ately. | 0:31:36 | 0:31:39 | |
Here we go, let's have a look at it. | 0:31:39 | 0:31:41 | |
Well, chaps, you did really well, you only gave her £18. | 0:31:41 | 0:31:44 | |
Anita, what did you find for £18? | 0:31:44 | 0:31:47 | |
Oh, I loved my rock'n'roll boys | 0:31:47 | 0:31:50 | |
but if you want to do well in the music business you've got to | 0:31:50 | 0:31:53 | |
write your own stuff so I bought you... | 0:31:53 | 0:31:57 | |
THEY ALL LAUGH | 0:31:57 | 0:31:59 | |
..a little, elegant 1930s-Art Deco propelling pencil. | 0:31:59 | 0:32:07 | |
-Wow. -That's cool. -It's got some decoration, tell us about the decoration. | 0:32:07 | 0:32:11 | |
Yes, the decoration is, again, quite lovely, it's engine turn which was a feature used in the Art Deco period. | 0:32:11 | 0:32:18 | |
They were looking at mechanisation, not just hand-crafted stuff. | 0:32:18 | 0:32:23 | |
It is silver, erm, it's marked 925, erm, I paid £17 for it | 0:32:23 | 0:32:29 | |
so I spent NEARLY all the little amount that you left me. | 0:32:29 | 0:32:34 | |
Would that be what you call, Anita, a canny wee buy? | 0:32:34 | 0:32:38 | |
Well, I'm keeping my fingers crossed. | 0:32:38 | 0:32:41 | |
Yeah, I bet you are. OK, chaps, so what do you think about it, Carl? | 0:32:41 | 0:32:45 | |
Erm, I'm quite into it, I mean, I've honestly no idea about that kind of thing | 0:32:45 | 0:32:49 | |
but, I mean, are people into collecting this sort of thing? | 0:32:49 | 0:32:51 | |
Yes, people like to collect writing materials. | 0:32:51 | 0:32:54 | |
I think it's, er, a very interesting item. | 0:32:54 | 0:32:57 | |
I think we spent so much on the other items | 0:32:57 | 0:32:59 | |
so I think you've done a fantastic job with what you've got. | 0:32:59 | 0:33:02 | |
-You wouldn't expect anything else from your girl. -Exactly. | 0:33:02 | 0:33:05 | |
But why don't we, for the benefit of the audience at home, | 0:33:05 | 0:33:08 | |
find out what the auctioneer thinks about Anita's little pencil. | 0:33:08 | 0:33:12 | |
-OK, Charles. -Thanks, Tim. | 0:33:12 | 0:33:14 | |
Tim, it's just, you know, it's just an object of yesteryear. | 0:33:15 | 0:33:19 | |
It would sit very well in a cabinet. | 0:33:19 | 0:33:21 | |
Engine-turned, of nice form | 0:33:21 | 0:33:23 | |
and importantly there's no indentations or any condition issues | 0:33:23 | 0:33:26 | |
but the problem is it doesn't carry the full series of assay marks. | 0:33:26 | 0:33:30 | |
It's just marked 925 and it is what it is really, Tim, quite decoratively nice. | 0:33:30 | 0:33:34 | |
Of course, Anita only had £18 left so she's done very well, really, hasn't she? | 0:33:34 | 0:33:38 | |
-She has, Tim. -Erm, how much will it make? | 0:33:38 | 0:33:40 | |
Oh, Tim, I think all day long with the internet now, playing almost | 0:33:40 | 0:33:44 | |
-first fiddle to the room, I think it ought to make between £25 and £30. -Do you? Jolly good. -Good. | 0:33:44 | 0:33:49 | |
Well, we're going to finish up with a successful note even if | 0:33:49 | 0:33:52 | |
the rest of it might be a struggle. OK, Charles, thank you very much. | 0:33:52 | 0:33:55 | |
-Are you taking the sale today? -I am, Tim, can't wait. | 0:33:55 | 0:33:57 | |
Thank goodness for that. | 0:33:57 | 0:33:59 | |
Sold to the lady... Comes in at £10, £20 over. | 0:33:59 | 0:34:03 | |
This room is jam-packed with folk. | 0:34:03 | 0:34:05 | |
You couldn't get any more people or goods in this sale room, could you? | 0:34:05 | 0:34:08 | |
-No. -Look at it. And they're all here for your lots. -Let's hope so. | 0:34:08 | 0:34:11 | |
Anyway, first lot coming up is the longcase clock dial and here it comes. | 0:34:11 | 0:34:15 | |
Lot 40 is a very interesting painted longcase clock dial. | 0:34:15 | 0:34:20 | |
£10 is my bid, bid me 12 now. Have £10, 12... Good morning, sir, 12. | 0:34:20 | 0:34:25 | |
I've got 15, 18. | 0:34:25 | 0:34:27 | |
One more, I'll be out. I'm out! £18. 20 there, 22. Are you sure? | 0:34:27 | 0:34:32 | |
-20 I'm bid over here... -Come on, Charles! -..20 I'm bid. | 0:34:32 | 0:34:37 | |
2, 5, 8, Miss Hornblower 8, | 0:34:37 | 0:34:40 | |
-30. -30! -Yes! | 0:34:40 | 0:34:42 | |
5, Miss Hornblower, look at me, you look gorgeous! | 0:34:42 | 0:34:45 | |
-You look gorgeous. "No" she says. 30 I'm bid, I'm asking 5 now. -Go on! | 0:34:45 | 0:34:50 | |
All done, I sell to you, sir, at £30. All done at £30. | 0:34:50 | 0:34:55 | |
-£30 it's wiped its face. -Hooray! -Very good, that's no harm, is it? | 0:34:55 | 0:34:59 | |
-I thought we were going to make a loss. -It could've been worse. | 0:34:59 | 0:35:01 | |
Yeah me too. Anyway, now come phrenology. | 0:35:01 | 0:35:03 | |
Now, this is a really brainy lot. | 0:35:03 | 0:35:05 | |
Number 41, an interesting head. Quirky and quite fascinating. | 0:35:05 | 0:35:09 | |
I can start this lot with bids with me at 12, 15, 18, 20. | 0:35:09 | 0:35:16 | |
I'm looking for 2 now. | 0:35:16 | 0:35:18 | |
20 I'm bid, do I see 2 now? | 0:35:18 | 0:35:21 | |
-Give me a heads-up, somebody. -TIM LAUGHS | 0:35:21 | 0:35:24 | |
I'm asking 2 now. Surely 2! | 0:35:24 | 0:35:26 | |
One more, do I see? Fair warning. | 0:35:26 | 0:35:29 | |
You're out in the room so I shall sell at £20 today. | 0:35:29 | 0:35:33 | |
-All done. -Uh-oh. | 0:35:33 | 0:35:34 | |
-Oh, that's a loss of 2. -£20. | 0:35:34 | 0:35:36 | |
20 is minus 2, it's not a disaster, though, kids. | 0:35:36 | 0:35:38 | |
Now, here comes the Voigtlander. | 0:35:38 | 0:35:40 | |
Nice camera, bit of interest here, | 0:35:40 | 0:35:42 | |
I can start this off with bids at £10, 12, 15,18. | 0:35:42 | 0:35:47 | |
-You're in profit. -I'm out, sir. -Look at us! Over two! | 0:35:47 | 0:35:49 | |
-20, 2. -Oh, 22! -25, 28, | 0:35:49 | 0:35:53 | |
30, one for the... Are you sure, ma'am? | 0:35:53 | 0:35:56 | |
Not one more? 30 I'm bid, do I see 5 now? No. £30 I sell. | 0:35:56 | 0:36:01 | |
All done at £30, thank you. | 0:36:01 | 0:36:04 | |
Whoop! That's par-fect, that's... | 0:36:04 | 0:36:06 | |
£30 is plus £20 which means you're £18. Fair, how about that? | 0:36:06 | 0:36:09 | |
-It's not so bad. -You're going home with folding money. | 0:36:09 | 0:36:12 | |
What are you going to do about the old copper bowl? | 0:36:12 | 0:36:14 | |
-I think we should go with it. -You are certain about this? | 0:36:14 | 0:36:18 | |
No, I think we should do it, I think | 0:36:18 | 0:36:20 | |
-it's worth the risk. -OK, you're going with the bonus buy for £75 and here it comes. | 0:36:20 | 0:36:23 | |
Number is now 46, a cavalry officer's copper wash bowl | 0:36:23 | 0:36:27 | |
with a brown, leather cover. | 0:36:27 | 0:36:28 | |
There we are, with also a very nice dish engraved with a crest | 0:36:28 | 0:36:32 | |
and motto of HMS St Vincent. Where do we start this? | 0:36:32 | 0:36:36 | |
I'm only bid 12, 15, 18, £20. It's cheap. I'm asking 5 now. | 0:36:36 | 0:36:42 | |
At £20, do I see 5? 30, 5, 40, my bid, 5, I'm out. 45 I'm bid. | 0:36:42 | 0:36:49 | |
-Keep going, keep going! -An interesting lot. | 0:36:49 | 0:36:51 | |
50, 5, 60, 5, are you sure, ma'am, not one more? Life's too short! | 0:36:51 | 0:36:58 | |
-5, 70. -Yes! Yes-yes-yes! -70, 5. -One more! -Give me a fiver. | 0:36:58 | 0:37:03 | |
Or I shall sell to you, sir, all done at £70. We are. | 0:37:03 | 0:37:08 | |
-Oh, no, so close! -It's OK. -It's over. -Ugh! -£70. -Never mind. | 0:37:08 | 0:37:12 | |
Well, that feels good, doesn't it? Because you are plus £13. | 0:37:12 | 0:37:15 | |
-What can we get with that? -Chicken chow mein each and, er... | 0:37:15 | 0:37:18 | |
We can go and have dinner at the pub now. | 0:37:18 | 0:37:20 | |
-Anyway, there we go. It's a profit. It could be a winning score. -Yeah. | 0:37:20 | 0:37:23 | |
-Walk tall, walk proud. -That's what matters. -Well done, ladies. -Yes, exactly, plus 13. | 0:37:23 | 0:37:28 | |
We're on the cusp here now. Are you excited? | 0:37:34 | 0:37:37 | |
-I couldn't put it into words. -Could you not? Is it up there? | 0:37:37 | 0:37:40 | |
-Is it a high ten? -A high ten. -It's high and a ten. | 0:37:40 | 0:37:43 | |
Good, that's perfect, that's the way we want you to be, that's the place we want you to be | 0:37:43 | 0:37:47 | |
because your first lot is coming up now and GO BONGO! | 0:37:47 | 0:37:50 | |
Number 59, er, Dave, er, | 0:37:50 | 0:37:52 | |
Berry who was a wonderful pop star in the '60s. | 0:37:52 | 0:37:55 | |
A pair of modern wooden bongo drums. | 0:37:55 | 0:37:59 | |
They're quite quirky and they do work. I'm only bid here £10... | 0:37:59 | 0:38:04 | |
-There you go! -Oh, they're cheap. 12, 15, 18, 25, 35, I'm out, 35 I'm bid. | 0:38:04 | 0:38:10 | |
I'm asking now 40. | 0:38:10 | 0:38:12 | |
40, 5, 40, 5, 50 I am bid. 5 you place. 60. Drum roll! | 0:38:12 | 0:38:18 | |
-This is intense! -60. 65, sir. -Yes! -No. | 0:38:18 | 0:38:25 | |
60 I am with the lady. 5 online. 70. | 0:38:25 | 0:38:30 | |
-70, I've got you, sir. -Yeah! -Oh, yes! -One more, do I see? | 0:38:30 | 0:38:35 | |
On the net, 5, 80, sir? | 0:38:35 | 0:38:37 | |
I'm asking 80, or I sell on the internet, all done, at £75. | 0:38:37 | 0:38:43 | |
-Going, going, gone. -Oh! -Yes! -That is so tough, isn't it? -You know what? | 0:38:44 | 0:38:49 | |
- I'm not even disappointed. - I'm really happy. | 0:38:49 | 0:38:51 | |
Come on, here come your hooks. | 0:38:51 | 0:38:53 | |
And I'm only... | 0:38:53 | 0:38:54 | |
Well, I've got four commission bids here and I can start at 42, | 0:38:54 | 0:39:00 | |
-5, 8, bid me 50 now. -£48. | 0:39:00 | 0:39:04 | |
48 I'm bid. Bid 50, 50, I'm out. 5, 60. 65. | 0:39:04 | 0:39:10 | |
-Yes! -60 I am bid, I'm asking 5 now. | 0:39:10 | 0:39:14 | |
Fair warning, all done, I shall sell at £60 today. All done. | 0:39:15 | 0:39:19 | |
-Well done, chaps, that's only minus £15. -Number now is 61. | 0:39:19 | 0:39:25 | |
Baxendale&Co of Manchester, er, domed-top travelling trunk. | 0:39:25 | 0:39:29 | |
There we are and I'm only bid here £18. | 0:39:29 | 0:39:33 | |
-Ooh. -Paid 87. -Come on! It's cheap. 18 I'm bid, I'm asking now 20. | 0:39:33 | 0:39:39 | |
-18, 20, 2, 5. -Here we go. | 0:39:39 | 0:39:42 | |
25 I'm bid. 8, 30, 5, I'll take 2. 32, 35? | 0:39:42 | 0:39:48 | |
-35 I'm bid... -35! -I'm asking 8 now. -This is amazing. | 0:39:49 | 0:39:52 | |
All out at £35, it's over. | 0:39:52 | 0:39:56 | |
-Ugh! -You know what? -That's good, that's minus 52. | 0:39:56 | 0:40:00 | |
You had minus 60 before which means you're minus 112. | 0:40:00 | 0:40:05 | |
-You're going to invest in her £17 pencil? -Yeah, I think so? | 0:40:05 | 0:40:08 | |
-It's a no-brainer, isn't it? -Yeah. Go hard or go home. -OK, fine, we're going to do it. | 0:40:08 | 0:40:13 | |
We're going to go with Anita here, aren't we? | 0:40:13 | 0:40:15 | |
-Oh, yes. -OK, we're going with the bonus buy. | 0:40:15 | 0:40:18 | |
Number 66. It's a pencil being shown for you there. | 0:40:18 | 0:40:21 | |
Art Deco silver propelling pencil, a wonderful object, | 0:40:21 | 0:40:25 | |
Continental. Where do we start number 66? I'm only bid here £10. | 0:40:25 | 0:40:30 | |
It's solid silver. I'm asking 12 now. At 10, 12, 15, 18, I'm out. | 0:40:30 | 0:40:36 | |
-Profit, yeah! -18, 20, 2. 22, 25? 28. -28! -Yes! | 0:40:36 | 0:40:44 | |
Fair warning, all done. | 0:40:44 | 0:40:45 | |
-Yeah! -We are at £25. -Yeah! -£25 is £8. | 0:40:45 | 0:40:53 | |
Your only profit has come from the girl. | 0:40:53 | 0:40:57 | |
-I don't want to let go! I will. -That was lovely. | 0:40:59 | 0:41:02 | |
Right, lads... What the hug or the profit? Anyway, well done. | 0:41:02 | 0:41:05 | |
-£8 profit which takes you to a miserable minus 104, all right? -That's fantastic. | 0:41:05 | 0:41:09 | |
The way things are that could be a winning score | 0:41:09 | 0:41:12 | |
so say not a word to the girls. So all will be revealed in a mo... | 0:41:12 | 0:41:15 | |
Well, almost all will be revealed in a moment. All right, chaps? | 0:41:15 | 0:41:18 | |
-Well, kids, have we had fun today? -Oh, yes. | 0:41:25 | 0:41:29 | |
You bet we've had fun, right? | 0:41:29 | 0:41:30 | |
But there is a chasm between the two teams, | 0:41:30 | 0:41:33 | |
I just can't believe that the teams have been shopping in the same place | 0:41:33 | 0:41:36 | |
with the same amount of money and one has done | 0:41:36 | 0:41:38 | |
so brilliantly and one hasn't done so brilliantly. | 0:41:38 | 0:41:41 | |
And the team that's done not so brilliantly... You been chatting, you lot? | 0:41:41 | 0:41:44 | |
-No idea. -..well, I must reveal it is the Blues that have done not so brilliantly. | 0:41:44 | 0:41:48 | |
In fact, the Blues are £104 down the proverbial lavatory department. | 0:41:48 | 0:41:55 | |
- I'm pleased with that. - I'm pleased! | 0:41:55 | 0:41:57 | |
TIM LAUGHS That's absolutely fine. | 0:41:57 | 0:41:59 | |
And congratulations, Anita, for your propelling pencil. The triumph. | 0:41:59 | 0:42:04 | |
Yeah, thank you for making us a slight bit of money. | 0:42:04 | 0:42:06 | |
-We failed so miserably. -The only slight bit of money, I might add. | 0:42:06 | 0:42:10 | |
-But anyway, seriousement, you had a nice time, yes? -Yes. Brilliant. | 0:42:10 | 0:42:13 | |
Thank you for enlightening our day, it's been good fun. | 0:42:13 | 0:42:15 | |
But, girls, you are actually going home with folding money. | 0:42:15 | 0:42:18 | |
You're going home with £13. | 0:42:18 | 0:42:20 | |
-THEY LAUGH -All right? -Wow. | 0:42:20 | 0:42:22 | |
So, how does it feel to be, like, you know, big winners on this programme? | 0:42:22 | 0:42:25 | |
-Yeah, I just don't know what I'm going to spend it on. -Well, I know. | 0:42:25 | 0:42:28 | |
-It will require an awful lot of thought, won't it? -Yup. -Yeah. | 0:42:28 | 0:42:31 | |
-Anyway, have you had a good time, Rebecca? -Yes. It's been really good. | 0:42:31 | 0:42:34 | |
Well, we've loved having you. Thanks very much, JP, it's been the greatest fun. In fact, so much fun! | 0:42:34 | 0:42:38 | |
Why don't you join us soon for some more bargain hunting. Yes? Yes! | 0:42:38 | 0:42:42 |