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Never let it be said that we don't brighten up your day. | 0:00:04 | 0:00:08 | |
Pull up a chair, eat a sandwich on an enamel plate | 0:00:08 | 0:00:11 | |
and let's go bargain hunting, yeah! | 0:00:11 | 0:00:14 | |
Lincolnshire is renowned as being a bomber county in the 20th century, | 0:00:43 | 0:00:48 | |
and there are still some rarities in the air in these parts. | 0:00:48 | 0:00:54 | |
Look at that! | 0:00:54 | 0:00:55 | |
A Vulcan bomber doing a display especially for Bargain Hunt. | 0:00:55 | 0:01:01 | |
That has to make this the ideal place for our teams to do battle. | 0:01:02 | 0:01:08 | |
Let's take a sneaky peek at what's coming up. | 0:01:08 | 0:01:11 | |
The Reds tell it how it is... | 0:01:13 | 0:01:16 | |
-Don't you like these vases? -No. -Joy, look. | 0:01:16 | 0:01:17 | |
-No, they're horrible. -If I gave you a gorgeous pair of vases like this, | 0:01:17 | 0:01:20 | |
-what would you say? -Thank you very much. -No, thank you. | 0:01:20 | 0:01:23 | |
-Really? -Absolutely. | 0:01:23 | 0:01:24 | |
Look at them, Charles! | 0:01:24 | 0:01:26 | |
Look at the dust that they're going to collect. | 0:01:26 | 0:01:28 | |
..whilst the Blues had no fear of putting their foot in it. | 0:01:28 | 0:01:31 | |
-Is this it? I'm thinking Holy Grail. -One foot in the grave. | 0:01:31 | 0:01:35 | |
ALL LAUGH | 0:01:35 | 0:01:36 | |
Ha-ha! But who has what it takes to be the winner at auction? | 0:01:37 | 0:01:41 | |
(No!) Bid over there, come on. | 0:01:42 | 0:01:45 | |
Come on. | 0:01:48 | 0:01:49 | |
Let's meet the teams. | 0:01:51 | 0:01:53 | |
GAVEL BANGS | 0:01:53 | 0:01:55 | |
On Bargain Hunt today, we have a married couple for the Reds. | 0:01:55 | 0:01:59 | |
We've got Joy and a ray of sunshine in the form of Ray. | 0:01:59 | 0:02:03 | |
And, for the Blues, we have friends Sheila and Christine. | 0:02:03 | 0:02:06 | |
-Hello, everyone. -ALL: -Hi. | 0:02:06 | 0:02:08 | |
-Hello, Tim. -Now, Joy, what is this about you buying a house | 0:02:08 | 0:02:11 | |
without even looking at it? | 0:02:11 | 0:02:12 | |
Short version, our house was up for sale for a long time in France. | 0:02:12 | 0:02:18 | |
We had four days to come and buy a house. | 0:02:18 | 0:02:20 | |
The house we were buying, we were being shown by an estate agent | 0:02:20 | 0:02:25 | |
who had his own house for sale, | 0:02:25 | 0:02:26 | |
and we bought it without seeing inside. | 0:02:26 | 0:02:28 | |
-Were you disappointed? -No, it's all we could afford. | 0:02:28 | 0:02:31 | |
It was such a tight budget, Tim. You would have been proud - a bargain. | 0:02:31 | 0:02:35 | |
You bargained with an estate agent | 0:02:35 | 0:02:36 | |
-and bought an estate agent's house for a bargain? -Yes, yes. | 0:02:36 | 0:02:40 | |
Well, then, you've done very, very well. | 0:02:40 | 0:02:42 | |
Now, you're a retired lady now. | 0:02:42 | 0:02:44 | |
-I am. -What do you do with your spare time? | 0:02:44 | 0:02:47 | |
Love exploring the countryside and I like charity shops. | 0:02:47 | 0:02:51 | |
-And do you find bargains in these places? -I married him. | 0:02:51 | 0:02:54 | |
-What, in a car boot? -SHE LAUGHS | 0:02:54 | 0:02:56 | |
-I found him in a car boot. -Did you find him on a stall? | 0:02:56 | 0:02:59 | |
No, brilliant. Now, Ray, it says here you're retired | 0:02:59 | 0:03:01 | |
-but you used to be a prison officer. -That's correct. | 0:03:01 | 0:03:04 | |
-Did you enjoy those years... -Yes, yes. -..behind bars? -22... | 0:03:04 | 0:03:06 | |
-HE LAUGHS -22 years behind bars. | 0:03:06 | 0:03:08 | |
You'd have to do quite an offence to get that. | 0:03:08 | 0:03:10 | |
-You would, you would indeed. -What was good about prison officer work? | 0:03:10 | 0:03:14 | |
-The people I was working with. -Yeah. | 0:03:14 | 0:03:16 | |
And then I ended up doing courses for inmates | 0:03:16 | 0:03:20 | |
to teach learning skills, and that was interesting. | 0:03:20 | 0:03:22 | |
So, what sort of things are you going to go for between you? | 0:03:22 | 0:03:25 | |
-Something bright and shiny, I think. -Yeah? Do you agree with that, Joy? | 0:03:25 | 0:03:28 | |
-Absolutely. -Do you? -Yeah. | 0:03:28 | 0:03:29 | |
Anyway, good luck. Now, for the Blues. Sheila. | 0:03:29 | 0:03:32 | |
-Hi. -How did you meet and become friends? | 0:03:32 | 0:03:34 | |
It was about 30 years ago. | 0:03:34 | 0:03:35 | |
We met in a playground. It wasn't for us, | 0:03:35 | 0:03:38 | |
it was for our children. THEY LAUGH | 0:03:38 | 0:03:40 | |
We were waiting for the children to come out of school... | 0:03:40 | 0:03:42 | |
-Yeah. -..and, as parents do, we started talking to each other. | 0:03:42 | 0:03:45 | |
And the children got to know each other and wanted to play | 0:03:45 | 0:03:48 | |
with each other, so we got to know each other that well. | 0:03:48 | 0:03:51 | |
We then started to socialise together. | 0:03:51 | 0:03:53 | |
We joined a singing group that we... still continue to sing today. | 0:03:53 | 0:03:58 | |
-What sort of things do you like to sing, you girls? -We do film themes. | 0:03:58 | 0:04:02 | |
Have you two girls got a song in you | 0:04:02 | 0:04:04 | |
that's bursting to come out right now? | 0:04:04 | 0:04:06 | |
-Ooh. -Which one? -What shall we sing? | 0:04:06 | 0:04:08 | |
How about Hallelujah? | 0:04:08 | 0:04:09 | |
BOTH: # Hallelujah | 0:04:09 | 0:04:12 | |
# Hallelujah | 0:04:12 | 0:04:16 | |
# Hallelujah | 0:04:16 | 0:04:19 | |
# Hallelujah. # | 0:04:19 | 0:04:24 | |
Whoa, how about that? That's pretty good, isn't it? | 0:04:24 | 0:04:27 | |
Now, it says here, Sheila, | 0:04:27 | 0:04:29 | |
that doughnuts played a big part in your life, is that true? | 0:04:29 | 0:04:31 | |
Yes, when my sons were small, | 0:04:31 | 0:04:34 | |
I was stood in a queue because they wanted doughnuts | 0:04:34 | 0:04:37 | |
and the queue was so long I thought, there's got to be something in this. | 0:04:37 | 0:04:40 | |
And so I decided to make enquiries as to where I could buy | 0:04:40 | 0:04:44 | |
a doughnut trailer, and I've been doing doughnuts part-time ever since. | 0:04:44 | 0:04:48 | |
-Marvellous. Now, Christine. -Hello. -Hello, darling. | 0:04:48 | 0:04:51 | |
You've had a recent change of career. | 0:04:51 | 0:04:53 | |
Yes, I used to work in a care home for older people for 12 years | 0:04:53 | 0:04:58 | |
but, unfortunately, the care home closed down | 0:04:58 | 0:05:02 | |
and we were made redundant, of course. | 0:05:02 | 0:05:04 | |
-Oh, dear. -So I have changed career. I now work in the local supermarket | 0:05:04 | 0:05:08 | |
on the butchery deli counter. | 0:05:08 | 0:05:11 | |
But there is a lot to the job that I didn't realise. | 0:05:11 | 0:05:14 | |
You're at the cutting edge, aren't you, in the butchery? | 0:05:14 | 0:05:17 | |
-Absolutely, yes. -Now, how are you going to get on as a team today? | 0:05:17 | 0:05:19 | |
What things are you going to buy? | 0:05:19 | 0:05:21 | |
-I like Art Deco, so... -Me too. -..if we can find something, | 0:05:21 | 0:05:24 | |
that would be great. | 0:05:24 | 0:05:25 | |
-Yeah, do you agree? -Yes, me too. I'm an Art Deco fan, yes. | 0:05:25 | 0:05:28 | |
We like unusual as well, so we're open to... | 0:05:28 | 0:05:30 | |
-Go with anything really, won't you? -Oh, yeah. | 0:05:30 | 0:05:33 | |
Wouldn't you say you're easily led, you girls? | 0:05:33 | 0:05:35 | |
Well, it depends who's leading us. THEY LAUGH | 0:05:35 | 0:05:37 | |
That is the right answer. | 0:05:37 | 0:05:39 | |
Anyway, first off, though, you have £300. There is the money moment. | 0:05:39 | 0:05:42 | |
£300 apiece. You know the rules. Your experts await and off you go! | 0:05:42 | 0:05:46 | |
And very, very, very good luck. | 0:05:46 | 0:05:48 | |
Well, you can't beat a good doughnut, can you? | 0:05:48 | 0:05:51 | |
Now, let's meet our experts. | 0:05:53 | 0:05:54 | |
Bargain spotter Charles Hanson will be advising the Reds. | 0:05:54 | 0:05:59 | |
And Sheila will be pleased the Blues are being led by a man who's | 0:05:59 | 0:06:02 | |
always armed and ready for action - Paul Laidlaw. | 0:06:02 | 0:06:05 | |
-This is it, the hour is about to start. -Yes! -Joy to the world. | 0:06:08 | 0:06:11 | |
What's the plan? | 0:06:11 | 0:06:12 | |
The plan is silver, unusual, and priority - what makes a profit. | 0:06:12 | 0:06:17 | |
Make money. | 0:06:17 | 0:06:18 | |
-Unusual or quirky. -Love that. | 0:06:18 | 0:06:21 | |
-Definitely. -We're in agreement? -Absolutely. | 0:06:21 | 0:06:24 | |
So, no controversy here, we are one united team on a mission. | 0:06:24 | 0:06:27 | |
-Yes. -Indeed. -High-five. -Wahey! | 0:06:27 | 0:06:30 | |
Buy cheap, sell expensive. | 0:06:30 | 0:06:32 | |
-Yeah. -We can do it, Charles. -I like your style. | 0:06:32 | 0:06:34 | |
-We're going to beat the cunning Laidlaw. -Quite right. | 0:06:34 | 0:06:36 | |
Let's go this way. | 0:06:36 | 0:06:37 | |
Fighting talk, Reds and Blues, this is going to be fun. | 0:06:39 | 0:06:42 | |
OK, teams, 60 minutes starts now. | 0:06:43 | 0:06:45 | |
BELL CHIMES | 0:06:45 | 0:06:47 | |
OK, so, team, we can either go cross-country, Joy, | 0:06:48 | 0:06:51 | |
or we could keep on this highway and head south this way. | 0:06:51 | 0:06:54 | |
-Highway safe. -Let's go this way. Come on. | 0:06:54 | 0:06:56 | |
As the Reds take the high road, | 0:06:56 | 0:06:58 | |
Joy certainly knows who they're up against. | 0:06:58 | 0:07:00 | |
You've got lots of bargains, haven't you? | 0:07:00 | 0:07:03 | |
Bargains, lots of bargains, exactly, yeah. | 0:07:03 | 0:07:05 | |
-We've got to beat the Laidlaw. -Yeah, Paul Laidlaw. | 0:07:05 | 0:07:07 | |
And surely, even Carlos' archrival can't have a potential buy already? | 0:07:07 | 0:07:13 | |
I think we've seen it all before. | 0:07:13 | 0:07:15 | |
-I recognise this. -Is that a Poole? | 0:07:15 | 0:07:17 | |
Very distinctive of the period, and this is interwar era, | 0:07:17 | 0:07:20 | |
with Poole, England. | 0:07:20 | 0:07:22 | |
-But, look, the dealer has done some work. -Yes. | 0:07:22 | 0:07:24 | |
This distinctive stylised floral decoration is hand applied. | 0:07:24 | 0:07:28 | |
None of your transfer print. | 0:07:28 | 0:07:30 | |
And the decorator puts their mark, in this instance - BN, | 0:07:30 | 0:07:34 | |
and it's almost like a dollar sign there, the scored 'S'. | 0:07:34 | 0:07:36 | |
Iris Skinner's the decorator, and she was working from 1928 and 1937. | 0:07:36 | 0:07:40 | |
And we said the interwar years, we're bang on. Yours for £55. | 0:07:40 | 0:07:44 | |
Baluster vase like that, it should be worth that in auction. | 0:07:44 | 0:07:47 | |
And this is a retail environment. | 0:07:47 | 0:07:48 | |
We are on fire! We are on fire! | 0:07:48 | 0:07:51 | |
THEY LAUGH | 0:07:51 | 0:07:52 | |
Do you like that, by the way? | 0:07:52 | 0:07:53 | |
-I do. -Definitely. -You've actually brought my attention to this. -Yes. | 0:07:53 | 0:07:56 | |
-And I don't actually dislike it. -Can we... | 0:07:56 | 0:07:59 | |
I mean, after what you've just explained, | 0:07:59 | 0:08:00 | |
I find it very interesting now, which is something I never knew before. | 0:08:00 | 0:08:04 | |
Looks like it's time to muscle down on the price, then. | 0:08:04 | 0:08:07 | |
Meet my new best friend. | 0:08:07 | 0:08:09 | |
-REDS: Ah! -How are you doing, mate? | 0:08:09 | 0:08:10 | |
-MAN: -Good. -You all right? -Yes, excellent. | 0:08:10 | 0:08:12 | |
So is this your work? Did you identify that or did you...? | 0:08:12 | 0:08:15 | |
-I did, yes. -Did you? Good for you. -Yes. | 0:08:15 | 0:08:17 | |
-Well, it's a crazy cheap price. -A crazy cheap price. | 0:08:17 | 0:08:19 | |
-To kick off our journey here... -£30. | 0:08:19 | 0:08:21 | |
-Do you still like it? -Yes, I do. | 0:08:21 | 0:08:23 | |
-Not at £30. -Well, I like the way you think. | 0:08:23 | 0:08:26 | |
-Instead of... -I need to squeeze you a bit more. | 0:08:26 | 0:08:29 | |
-She'd like to squeeze you... -THEY LAUGH | 0:08:29 | 0:08:31 | |
'Oi, cheeky.' | 0:08:31 | 0:08:32 | |
-MAN: -I tell you what, 25, but that's it, I'm afraid. -25. | 0:08:32 | 0:08:36 | |
-What do you think? -I think it's very nice, I do. | 0:08:36 | 0:08:38 | |
-Do you think that's good at 25? -For an early piece, | 0:08:38 | 0:08:40 | |
-I think it's good value. -What do you think, Paul? | 0:08:40 | 0:08:42 | |
I agree with what the man says, I'm not going to be silly about it. | 0:08:42 | 0:08:46 | |
He's pitched it right, we know what we're doing here. | 0:08:46 | 0:08:49 | |
-Can we do this? -Thank you. -Thank you. Can I give you a squeeze? | 0:08:49 | 0:08:52 | |
THEY LAUGH | 0:08:52 | 0:08:53 | |
'Careful you don't crush her.' | 0:08:53 | 0:08:56 | |
Good man, I like your style. | 0:08:56 | 0:08:57 | |
Good. Ladies, are you on some sort of mission here to beat records? | 0:08:57 | 0:09:02 | |
-That was under four minutes. -Wow. -We love a challenge. | 0:09:02 | 0:09:06 | |
Quick workers. | 0:09:06 | 0:09:07 | |
If we extrapolate from here, | 0:09:07 | 0:09:09 | |
we could be having a bacon roll in 15 minutes. | 0:09:09 | 0:09:12 | |
HE LAUGHS A glass of wine? | 0:09:12 | 0:09:14 | |
-Oh, I'm loving it. -Let's go bargain hunting! -Come on, then. | 0:09:14 | 0:09:17 | |
Oi, that's my line. | 0:09:18 | 0:09:19 | |
So, at four minutes in, the Blues make their first buy. | 0:09:19 | 0:09:22 | |
Good on you, girls. Now, how are those Reds getting on? | 0:09:22 | 0:09:26 | |
-What about clock garniture? -That's quite nice. | 0:09:26 | 0:09:28 | |
-Why does it appeal to you? -Well, it's very attractive, isn't it? | 0:09:28 | 0:09:31 | |
-Especially with these... -Enamel. -Yes. -It's what you call cloisonne, | 0:09:31 | 0:09:34 | |
and it's almost wire work with inset enamel. | 0:09:34 | 0:09:38 | |
And the reason I quite like it, it almost gives off that Egyptian, | 0:09:38 | 0:09:41 | |
Tutankhamen time, and that's when this was made. | 0:09:41 | 0:09:44 | |
1920s, 1930s. And we like it, don't we? | 0:09:44 | 0:09:48 | |
-We do. -Yes. What do you think on the condition? | 0:09:48 | 0:09:50 | |
It's... I think, because this age, some of the enamel just on here... | 0:09:50 | 0:09:54 | |
-It has been repaired, though, hasn't it? -Oh. | 0:09:54 | 0:09:57 | |
But don't forget, it's maybe 90 years old. | 0:09:57 | 0:10:00 | |
-Yes. People like things when they're perfect, don't they? -They do, yeah. | 0:10:00 | 0:10:03 | |
If you saw that at an antique shop, | 0:10:03 | 0:10:05 | |
like we are today, what do you think it's worth? | 0:10:05 | 0:10:07 | |
-40-60. -£400-£600? | 0:10:07 | 0:10:09 | |
-No, 40-60. -Really? That little? | 0:10:09 | 0:10:11 | |
How much, madam? | 0:10:11 | 0:10:12 | |
-Very best on that would be 85. -Really? | 0:10:12 | 0:10:15 | |
For the quality, I thought I was going to hear maybe 125. | 0:10:15 | 0:10:20 | |
-So, I know we're very early in, Joy... -Yeah. | 0:10:20 | 0:10:23 | |
-..but that's pretty good value. -Even with the damage? | 0:10:23 | 0:10:26 | |
Even with the damage, because it's quite unusual. | 0:10:26 | 0:10:29 | |
Would you consider 40? | 0:10:29 | 0:10:32 | |
No, I couldn't. I couldn't do it again. | 0:10:32 | 0:10:33 | |
What is your real, real bottom? | 0:10:33 | 0:10:35 | |
I mean, I'd make a little bit of an effort and say 75. | 0:10:35 | 0:10:38 | |
Thanks a lot. | 0:10:38 | 0:10:39 | |
-OK, you sound fair. -Shall we mental note it and come back? -BOTH: Yes. | 0:10:39 | 0:10:42 | |
We'll come back. Thank you for your time. | 0:10:42 | 0:10:44 | |
So, mental note. We'll come back to it | 0:10:44 | 0:10:46 | |
and say to the stallholder thanks ever so much. | 0:10:46 | 0:10:48 | |
-BLUES: Thank you. You're very kind. -All right, no problem. | 0:10:48 | 0:10:51 | |
-We've literally just started. -But the time flies. | 0:10:51 | 0:10:53 | |
It certainly does, Charles. | 0:10:53 | 0:10:54 | |
Let's hope it's still there if you come back. | 0:10:54 | 0:10:57 | |
-What's crying out at you? -Nothing yet. -A bit rustic, yes. | 0:10:59 | 0:11:02 | |
Nothing yet. | 0:11:02 | 0:11:03 | |
-I like the fact that you're even looking at this stuff. -Yes. | 0:11:03 | 0:11:06 | |
Because, you know, clearly you've got an open mind | 0:11:06 | 0:11:09 | |
if you're scratching about in that. | 0:11:09 | 0:11:11 | |
What are you trying to say there, Paul? | 0:11:11 | 0:11:12 | |
Quality is in the eye of the beholder, after all. | 0:11:12 | 0:11:15 | |
-How about sort of trunks and... -No. -What is up now? -No, won't sell. | 0:11:15 | 0:11:21 | |
-Are you sure? -Yeah. | 0:11:21 | 0:11:23 | |
We'll take your word for it, Joy, you are very determined. | 0:11:23 | 0:11:26 | |
-I quite like these vases. -15 quid. -No, they've had their day, Charles. | 0:11:26 | 0:11:30 | |
-Don't you like these vases? Joy, look. -No, they're horrible. | 0:11:30 | 0:11:33 | |
If I gave you a gorgeous pair of vases like this, what would you say? | 0:11:33 | 0:11:36 | |
-Thank you very much. -No, thank you. | 0:11:36 | 0:11:37 | |
-'Listen up, Charles.' -Absolutely. Look at them, Charles. | 0:11:37 | 0:11:40 | |
-Look at the dust that they're going to collect. -They are just... | 0:11:40 | 0:11:43 | |
You know, these were Grandmother's favourites. | 0:11:43 | 0:11:45 | |
Yeah, but Grandmother's dead now, I'm not a grandmother. | 0:11:45 | 0:11:47 | |
-Oh, yes, I am a grandmother. -'Are you sure about that, Joy? | 0:11:47 | 0:11:50 | |
'It's not the sort of thing you usually forget.' | 0:11:50 | 0:11:52 | |
-Look at that. And it's a complete... -Shambles. -It is a shambles. | 0:11:52 | 0:11:56 | |
And thanks for coming. But it has potential. | 0:11:56 | 0:11:59 | |
-Tell you what, Charles, as it's you and you are special... -Yeah. | 0:11:59 | 0:12:03 | |
-..we'll come back to it. -OK, thanks a lot. | 0:12:03 | 0:12:05 | |
You know, you're a tease. Come on. Let's go. Sir, we'll leave it. | 0:12:05 | 0:12:09 | |
Cor, she speaks her mind, that one. | 0:12:09 | 0:12:11 | |
Joy's got you wrapped around her little finger, Carlos. | 0:12:11 | 0:12:14 | |
Now, are those Blues finding more things they like? | 0:12:14 | 0:12:16 | |
How are we doing? | 0:12:16 | 0:12:18 | |
-Anything? -No. No, not yet. | 0:12:18 | 0:12:21 | |
-Anything for you, ladies? -No, not for me. | 0:12:23 | 0:12:25 | |
-What are you seeing, anything? -No, nothing grabbed me. | 0:12:27 | 0:12:30 | |
After a great start, the Blues are starting to stutter. | 0:12:30 | 0:12:33 | |
Now is the time for the Reds to step up their game. | 0:12:33 | 0:12:36 | |
-Where next? -I think we need to start buying. -I know we do. | 0:12:36 | 0:12:40 | |
You tell them, Joy. | 0:12:40 | 0:12:41 | |
-Enjoying it, Ray? -Absolutely. -Good. -Well, we've got one potential one. | 0:12:41 | 0:12:44 | |
-Yes. -What was that? -BOTH: The clock. | 0:12:44 | 0:12:47 | |
Yeah, which we saw first of all. | 0:12:47 | 0:12:48 | |
-Almost it was too early, wasn't it, to see that? Amazing. -Yeah. | 0:12:48 | 0:12:52 | |
Now, that may be, Carlos, but, like Joy says, | 0:12:52 | 0:12:54 | |
you now need to start buying. | 0:12:54 | 0:12:57 | |
So, how's it all going, Paul? | 0:12:57 | 0:12:59 | |
Oh, my word, we've lost that advantage, have we not? | 0:12:59 | 0:13:01 | |
We're half an hour in. | 0:13:01 | 0:13:03 | |
Now, we're not behind schedule - | 0:13:03 | 0:13:05 | |
two things in 40 minutes is the schedule, but we've lost that lead. | 0:13:05 | 0:13:09 | |
I think we just need a light on another killer purchase. | 0:13:09 | 0:13:12 | |
Maybe it's over there. | 0:13:12 | 0:13:14 | |
Get back to your girls then, boy. | 0:13:14 | 0:13:16 | |
Seems the Reds want to revisit the clock stall. | 0:13:16 | 0:13:19 | |
-Hi. -Hello, my darling. | 0:13:19 | 0:13:21 | |
We do like this. | 0:13:21 | 0:13:22 | |
Would you consider... | 0:13:22 | 0:13:24 | |
Tell us to go away if you're not happy cos I don't want to offend you. | 0:13:24 | 0:13:28 | |
-£60? -65 would be better. | 0:13:28 | 0:13:31 | |
For what it represents, in terms of quality and craftsmanship, | 0:13:31 | 0:13:34 | |
-is a really good price. -And we're after quality. | 0:13:34 | 0:13:36 | |
And you want to stand at that auction with a quality item... | 0:13:36 | 0:13:39 | |
And that, for £65, is a really good start in my opinion. | 0:13:39 | 0:13:43 | |
-Shake the lady's hand. It's our first one. -65. -You are a darling. | 0:13:43 | 0:13:47 | |
-Thank you so much. -Thank you. That's really, really kind. | 0:13:47 | 0:13:50 | |
-That's one down, team. -Yeah. -Two to go. -Onwards and upwards. | 0:13:50 | 0:13:53 | |
-Onwards and upwards. -Thanks so much. Thanks a lot. | 0:13:53 | 0:13:55 | |
Well done, Reds, that's the first purchase in the old bag. | 0:13:55 | 0:13:58 | |
Both teams have had half their shopping time. | 0:13:58 | 0:14:01 | |
It's all terribly nail-biting. | 0:14:01 | 0:14:03 | |
Now, we all know about excitement, don't we? | 0:14:03 | 0:14:05 | |
But today, I have come across an object of such incredible beauty | 0:14:05 | 0:14:10 | |
it has taken my breath away. | 0:14:10 | 0:14:13 | |
What makes this box so special? | 0:14:13 | 0:14:16 | |
Well, if you took the top of, you'd notice that it's extremely heavy. | 0:14:17 | 0:14:23 | |
That's because this black stuff is a slab of Japanese iron. | 0:14:23 | 0:14:28 | |
And the form of decoration is called damascening. | 0:14:28 | 0:14:32 | |
What happens is that the artist engraves a series of lines | 0:14:32 | 0:14:37 | |
and then other metals, principally gold, but also silver and platinum, | 0:14:37 | 0:14:42 | |
has been hammered into those iron lines and then it's been polished. | 0:14:42 | 0:14:47 | |
But you've got to look at the intricacy of the lines themselves. | 0:14:47 | 0:14:51 | |
On the left, we've got a couple of buildings. | 0:14:51 | 0:14:53 | |
But look at the way the craftsman has treated the thatched roofs. | 0:14:53 | 0:14:58 | |
They've been scratched to texture them | 0:14:58 | 0:15:01 | |
and make them look even more realistic. | 0:15:01 | 0:15:04 | |
In the foreground, we've got a worker wearing a typical circular | 0:15:04 | 0:15:07 | |
sampan-type hat, transporting water in hampers. | 0:15:07 | 0:15:13 | |
The mythical nature of Mount Fuji is also present | 0:15:13 | 0:15:17 | |
but all knobbly and roughly inlaid | 0:15:17 | 0:15:20 | |
deliberately to give it that special texture. | 0:15:20 | 0:15:23 | |
The generic name for this type of damascening is Komai work, | 0:15:23 | 0:15:28 | |
after the family that perfected its technique | 0:15:28 | 0:15:32 | |
early in the 20th century. | 0:15:32 | 0:15:34 | |
In fact, from 1880 onwards, this type of gold onlaid iron | 0:15:34 | 0:15:39 | |
was all the rage in the West. | 0:15:39 | 0:15:42 | |
The other nice thing about it is the way that the top has been repaired. | 0:15:42 | 0:15:46 | |
Here, we've got metal brackets, look, in silver with a rivet, | 0:15:46 | 0:15:50 | |
have been inserted to make quite sure that the slender wood frame | 0:15:50 | 0:15:54 | |
doesn't flex with the weight of the iron panel. | 0:15:54 | 0:15:58 | |
All in all, this is the business. What would it cost you over there? | 0:15:58 | 0:16:03 | |
If you did a bit of hard negotiating, well, | 0:16:03 | 0:16:06 | |
you might get it for £320. | 0:16:06 | 0:16:09 | |
What might it make in a specialist Japanese works-of-art sale? | 0:16:09 | 0:16:13 | |
I don't know, say 1,200-1,800. | 0:16:13 | 0:16:17 | |
How's that? | 0:16:17 | 0:16:18 | |
Right, back to the shopping. | 0:16:19 | 0:16:21 | |
Both teams have one purchase each, and Joy still has plenty of energy. | 0:16:21 | 0:16:25 | |
-Let's keep going. -Let's keep going. -I know it's cross-country but... | 0:16:25 | 0:16:28 | |
But it's good. We can do cross-country. | 0:16:28 | 0:16:31 | |
-If I get tired, you can carry me. -I'll carry you. -Thank you. | 0:16:33 | 0:16:35 | |
-Joy, you are petite enough to be carried. -Ooh! | 0:16:35 | 0:16:38 | |
You charmer, Carlos. | 0:16:38 | 0:16:40 | |
-I like you more and more. -Ha-ha! | 0:16:40 | 0:16:42 | |
Now, what have the Blues found? | 0:16:42 | 0:16:44 | |
Is this it? I'm thinking Holy Grail. | 0:16:44 | 0:16:47 | |
-No... Ha! -No. -No, one foot in the grave. | 0:16:47 | 0:16:50 | |
THEY LAUGH | 0:16:50 | 0:16:53 | |
-That's more like it. -I fear you may be closer to the mark by that. | 0:16:53 | 0:16:58 | |
Don't do yourselves down, Blues. | 0:16:58 | 0:17:00 | |
Meanwhile, Charles is still working hard with the Reds. | 0:17:00 | 0:17:03 | |
-How much is it? -I'll do it for 30 quid. | 0:17:05 | 0:17:08 | |
Just hold that for me, Ray. Joy, look at that. | 0:17:08 | 0:17:11 | |
You know, if you have a London home | 0:17:11 | 0:17:13 | |
and you want a really retro-looking radio in Bakelite | 0:17:13 | 0:17:18 | |
which almost has this burr walnut appeal or appearance... | 0:17:18 | 0:17:23 | |
It's actually in good condition as well. | 0:17:23 | 0:17:25 | |
Will it make a profit? | 0:17:25 | 0:17:26 | |
Well, it all comes down to those internet buys, | 0:17:26 | 0:17:29 | |
which in Lincolnshire, maybe the market's more traditional, | 0:17:29 | 0:17:32 | |
but this in my sale room, I think, might walk away. | 0:17:32 | 0:17:35 | |
What's your best, sir, £30? | 0:17:35 | 0:17:37 | |
-25 quid. -Yeah. | 0:17:37 | 0:17:38 | |
So, let me explain what we've got here. | 0:17:38 | 0:17:40 | |
-Yeah, General Electricity Company. -Yeah, GEC... | 0:17:41 | 0:17:44 | |
..Electric Company radio and it must be | 0:17:46 | 0:17:49 | |
I would've thought 1935, 40. Team, what do you think? | 0:17:49 | 0:17:52 | |
Yeah, no, that's fine. | 0:17:52 | 0:17:54 | |
25 quid, what are you going to do? | 0:17:54 | 0:17:55 | |
-I just think... Joy, look at me. -I am. | 0:17:55 | 0:17:58 | |
..if you want your young man to make you money, this is the one for me. | 0:17:58 | 0:18:02 | |
-Can I just say one thing? -Yes, sir. | 0:18:02 | 0:18:03 | |
Can we put it down cos it is really heavy? | 0:18:03 | 0:18:05 | |
-THEY LAUGH -Of course. | 0:18:05 | 0:18:07 | |
It weighs a tonne. | 0:18:07 | 0:18:08 | |
-Joy? -Yeah, let's go for it. -Go for it. -Happy? -Deal. | 0:18:11 | 0:18:15 | |
Do you know what? | 0:18:15 | 0:18:16 | |
-If I was going to say to you, "That's my banker." -Yeah. | 0:18:16 | 0:18:19 | |
-That is there. -OK. -You're my expert. -Are you sure? -Yeah. -OK. | 0:18:19 | 0:18:23 | |
-Shake the man's hand quick. -Thank you so much. | 0:18:23 | 0:18:25 | |
-No problem. -You've been very kind. | 0:18:25 | 0:18:27 | |
-RAY: -A nice-looking radio. | 0:18:27 | 0:18:28 | |
Yeah, it is and to me that's a bargain. | 0:18:28 | 0:18:30 | |
-And that's why WE have YOU as the expert. -I hope so. | 0:18:30 | 0:18:33 | |
She has faith at least. | 0:18:33 | 0:18:34 | |
-You can't lose much on it, you know, can you? -No. -Really at £25. -No. | 0:18:34 | 0:18:37 | |
-Job done? -Job done. -Yeah, job done. -Two down... -One to go. | 0:18:37 | 0:18:40 | |
..one to go with a half hour to spare. | 0:18:40 | 0:18:43 | |
-Excellent! We could get a cup of tea. -OK. -Not yet. | 0:18:43 | 0:18:46 | |
Huh! I'll say, Charles. | 0:18:46 | 0:18:47 | |
Took long enough to get that second item, though. | 0:18:47 | 0:18:50 | |
Lordy, clocks seem popular today. | 0:18:50 | 0:18:53 | |
-What a belting, elegant Deco clock that is! -Hm. -That is. | 0:18:53 | 0:18:57 | |
-Out of Monte Carlo. -Wow! | 0:18:57 | 0:19:00 | |
-How you doing? -MAN: -I think it was 50 quid. | 0:19:00 | 0:19:02 | |
50 quid, eh? | 0:19:02 | 0:19:04 | |
Is he the kind of guy that you can talk to and do a deal with, or...? | 0:19:04 | 0:19:07 | |
-MAN: -Of course, he's the kind of guy you could talk to. | 0:19:07 | 0:19:10 | |
-Do you like it, ladies? -Yes, I do. | 0:19:10 | 0:19:12 | |
You'd almost think it was out of a grandmother clock, but no. | 0:19:12 | 0:19:16 | |
-That's what you get this stark, geometric, you said Art Deco? -Yes. | 0:19:16 | 0:19:20 | |
-It's Art Deco. -It's exactly it. -Yeah. -Yeah-yeah. | 0:19:20 | 0:19:22 | |
-So, we are waiting on... -Paul. -..we are waiting on a price. | 0:19:22 | 0:19:25 | |
-Somebody call Paul. -MAN: -Paul! | 0:19:25 | 0:19:26 | |
-Sell us that clock. -PAUL: -40 quid. | 0:19:26 | 0:19:29 | |
-Can I make you an offer or no? -No. -No. | 0:19:29 | 0:19:30 | |
-MAN: -It's a nice thing. -It is a nice thing. -Well...you... | 0:19:30 | 0:19:35 | |
-Yeah, but you are only going to make 40. -It's better than a nice thing. | 0:19:35 | 0:19:38 | |
-It's a gorgeous thing. -MAN: -Honestly, it's 40 quid. | 0:19:38 | 0:19:41 | |
-Do you want my opinion? -Yes, please. | 0:19:41 | 0:19:43 | |
-I'd buy it. -Would you? | 0:19:43 | 0:19:44 | |
-Do you like it? -Yes, I like it. -I like it. We both like it very much. | 0:19:44 | 0:19:47 | |
-It's a head-turner. -Yeah. | 0:19:47 | 0:19:49 | |
The worst thing with it is the marking to the face there. | 0:19:49 | 0:19:52 | |
That's silvered and it cannot be undone. | 0:19:52 | 0:19:55 | |
So if you like it, you've got to be prepared to live with that. Yeah? | 0:19:55 | 0:19:58 | |
-Yeah, I do like it. -Are we buying this thing? | 0:19:58 | 0:20:00 | |
-We're buying this, Paul. -Is it your hand I'm shaking or Paul's? | 0:20:00 | 0:20:03 | |
-MAN: -It'll be my hand you're shaking, Paul seems to have disappeared. | 0:20:03 | 0:20:06 | |
-Thanks very much. You've got a deal. -No problem. | 0:20:06 | 0:20:08 | |
-Ladies, we've done it. -Got a deal. -Thank you very much, sir. | 0:20:08 | 0:20:11 | |
-Thank you. -Thank you. -But... Well, I say but. | 0:20:11 | 0:20:13 | |
Two things purchased in 40 minutes. | 0:20:13 | 0:20:14 | |
-Yes! -We're bang on schedule, aren't we? We're like a train. | 0:20:14 | 0:20:17 | |
HE LAUGHS | 0:20:17 | 0:20:19 | |
-We're...we're on time! -I love... Oh-ho-ho! | 0:20:19 | 0:20:22 | |
Oh, I do love punctuality. Well done to you two, Blues. | 0:20:22 | 0:20:26 | |
That's another purchase made. Just one more to go. | 0:20:26 | 0:20:29 | |
-I think we might have to run now. -We're not far off it. | 0:20:29 | 0:20:32 | |
-I thought we'd have had them all in the bag by now. -I would. -HE LAUGHS | 0:20:32 | 0:20:35 | |
You can never tell, Ray. | 0:20:35 | 0:20:37 | |
As I say, there's much more to this shopping lark than meets the eye. | 0:20:37 | 0:20:40 | |
Time is really starting to fly and Paul has got to rally his troops. | 0:20:42 | 0:20:45 | |
-I think I've done all the work here so far on the spotting front. -Ah! | 0:20:47 | 0:20:51 | |
-What do you reckon? -We do need an expert. -We're a team! | 0:20:51 | 0:20:54 | |
-That's it, we're going to get the next one. -I love that. | 0:20:54 | 0:20:57 | |
-We're going to get the next one. -Come on, Sheila. | 0:20:57 | 0:20:59 | |
-Now you know it's done? -Yep. -Yeah? | 0:20:59 | 0:21:01 | |
And between us, we're going to find another belter, are we not? | 0:21:01 | 0:21:04 | |
-Yes. -Definitely. -Come on, let's do it. -BOTH: Let's go. | 0:21:04 | 0:21:06 | |
You may be wanting in time, but not confidence. I like it. | 0:21:06 | 0:21:11 | |
-Let's go in this one, Joy. -This one here? -Yep. | 0:21:11 | 0:21:13 | |
Let's give it a whirl. | 0:21:13 | 0:21:15 | |
Now, what have the Blues found here? | 0:21:15 | 0:21:18 | |
So, we're looking at an eel spear, yeah? | 0:21:18 | 0:21:20 | |
This is what, when hunting for eels, this is one way to do it. | 0:21:20 | 0:21:24 | |
Very striking object. Wrought iron, these tines here. | 0:21:24 | 0:21:29 | |
You can see what it does, | 0:21:29 | 0:21:30 | |
there's no point in dwelling on the nitty-gritty. | 0:21:30 | 0:21:33 | |
Who does it appeal to? Well, it's a great decorative object | 0:21:33 | 0:21:36 | |
to hang on the side of your barn conversion or whatever | 0:21:36 | 0:21:38 | |
and if you're in a rural area | 0:21:38 | 0:21:40 | |
where eel fishing was something that went on, | 0:21:40 | 0:21:43 | |
-well, you can see the appeal there, yeah? -Yeah. | 0:21:43 | 0:21:45 | |
It's pub decor, it's interior decor, call it what you will. | 0:21:45 | 0:21:48 | |
Or it's just a collectable for those that are interested in | 0:21:48 | 0:21:51 | |
fishing and related items. We need to find out the price, do we not? | 0:21:51 | 0:21:54 | |
-Give me two ticks, I'll find out what the ticket is. -BOTH: OK. | 0:21:54 | 0:21:57 | |
Time for some negotiation with our shy stallholder. | 0:21:57 | 0:22:00 | |
Right, look, it's £75. | 0:22:00 | 0:22:03 | |
I saw another one here at about 120. | 0:22:03 | 0:22:06 | |
So, it's looking OK. It's buyable. | 0:22:06 | 0:22:08 | |
Is there a profit in it? Maybe not at the moment. | 0:22:08 | 0:22:12 | |
-Do we want to push through this or not? -Yes. -We do. | 0:22:12 | 0:22:16 | |
-Do you like it? -Yes, definitely. | 0:22:16 | 0:22:17 | |
If that crosses you two, I'll tell you. | 0:22:17 | 0:22:19 | |
THEY LAUGH | 0:22:19 | 0:22:21 | |
-I'll go and see if I can get it down a bit cheaper. -Good luck. | 0:22:21 | 0:22:24 | |
Off you go, then, Christine. Do your stuff. | 0:22:24 | 0:22:27 | |
What often is very worthy of saleroom interest | 0:22:27 | 0:22:30 | |
is maybe buying a collection of walking canes. | 0:22:30 | 0:22:33 | |
If I was to pick my favourites, I would do something like this, Joy. | 0:22:33 | 0:22:37 | |
If we could almost say, "Right, sir, we want to buy these four canes." | 0:22:37 | 0:22:41 | |
And IF we can get a bit more off for buying quantity, | 0:22:41 | 0:22:44 | |
it could be a good wholesale price for auction. | 0:22:44 | 0:22:46 | |
-OK. -So, this one is late Victorian. -Right. | 0:22:46 | 0:22:49 | |
This one here is Aesthetic, late-Victorian, | 0:22:49 | 0:22:52 | |
-with this wonderful, almost bamboo-effect cane. -OK. | 0:22:52 | 0:22:55 | |
That's a late-Victorian one with an ebonised cane | 0:22:55 | 0:22:58 | |
and a nice mushroom cover of 1890. | 0:22:58 | 0:23:00 | |
This one is horn with a white metal collar of circa 1880. | 0:23:00 | 0:23:05 | |
-So, we could buy four. -Right. -What do you think, Joy? | 0:23:05 | 0:23:08 | |
-I think that's the plan, off you go. -I know you want to spend money | 0:23:08 | 0:23:11 | |
and I just think rather than, perhaps, buying one big object | 0:23:11 | 0:23:14 | |
that could rise or fall. | 0:23:14 | 0:23:15 | |
When you buy a collection of a similar type of object, | 0:23:15 | 0:23:19 | |
-it could do quite well at auction. -There could be a rare one, then. | 0:23:19 | 0:23:22 | |
For the four, what would be your very, very, very best? | 0:23:22 | 0:23:26 | |
50, 50... 120 for the four. | 0:23:28 | 0:23:31 | |
-100 and you got a deal. -Make it 110. -100. -Go on. | 0:23:31 | 0:23:34 | |
100, please, go on, cos we've got to win... | 0:23:34 | 0:23:37 | |
-Go on, then, go on, then. 100. -Thank you. | 0:23:37 | 0:23:39 | |
-Are you sure? -Yeah, seen as though it's you, Charles. | 0:23:39 | 0:23:42 | |
Well, get out of here! | 0:23:42 | 0:23:43 | |
To me, £100. | 0:23:43 | 0:23:45 | |
That one at auction ought to make 30, | 0:23:45 | 0:23:47 | |
that one ought to make, hopefully, 40, | 0:23:47 | 0:23:50 | |
that one might make 30 and that one could make 50. | 0:23:50 | 0:23:53 | |
Add it all together for £100, I think we could make some money. | 0:23:53 | 0:23:57 | |
-You're very kind. -Thank you so much. -Thank you very much. | 0:23:57 | 0:24:00 | |
Well done, Reds. That's you sorted. | 0:24:00 | 0:24:02 | |
You now have your three items to take auction. | 0:24:02 | 0:24:05 | |
But how is Christine getting on with the price on the eel spear? | 0:24:05 | 0:24:09 | |
Well, good news. | 0:24:09 | 0:24:11 | |
-I've shook on 58. -Good girl. -Well done. | 0:24:11 | 0:24:13 | |
-We've done it! -BOTH CHEER | 0:24:13 | 0:24:16 | |
-What happened there? -THEY LAUGH | 0:24:16 | 0:24:19 | |
Yep, with high fives all-round, that's your third and final buy. | 0:24:19 | 0:24:22 | |
Congratulations. Now, how about some basic arithmetic? | 0:24:22 | 0:24:27 | |
Three times 20 equals... | 0:24:27 | 0:24:29 | |
60 minutes are up! | 0:24:29 | 0:24:31 | |
Let's check out what the Red Team bought, eh? | 0:24:31 | 0:24:33 | |
Tick-tock, they spent £65 on this French Art Deco clock garniture. | 0:24:35 | 0:24:39 | |
They tuned into this Bakelite radio, which cost them £25. | 0:24:41 | 0:24:46 | |
And, finally, they walked away with | 0:24:47 | 0:24:49 | |
a collection of silver mounted walking canes for the sum of £100. | 0:24:49 | 0:24:53 | |
-Great, Joy, was that fab? -Superb. -Excellent. | 0:24:55 | 0:24:58 | |
-You followed your leader though, didn't you? -We did. | 0:24:58 | 0:25:00 | |
-What a man to follow. -What a man to follow. | 0:25:00 | 0:25:03 | |
-He used to be a boy, and now he's a man. -We've watched him grow up. | 0:25:03 | 0:25:06 | |
It's been lovely. What was your favourite piece, Joy? | 0:25:06 | 0:25:09 | |
-The walking sticks. -The walking sticks your favourite. | 0:25:09 | 0:25:11 | |
-Do you agree with that, Ray? -No. -No. -No, clock garniture. | 0:25:11 | 0:25:14 | |
-Clock... -Garniture. -Is your favourite? -Yes. | 0:25:14 | 0:25:16 | |
-Is that going to bring the biggest profit? -No. -OK, what is going to... | 0:25:16 | 0:25:19 | |
-Walking sticks. -And are they going to bring a bigger profit? -The clock. | 0:25:19 | 0:25:22 | |
And the clock! We have a split decision, how lovely. | 0:25:22 | 0:25:25 | |
-How much did you spend? -£190. -£190, thank you. | 0:25:25 | 0:25:28 | |
I'd like £110 of leftover lolly. Here it comes, 110. | 0:25:28 | 0:25:32 | |
Straight across to our man. OK, Carlos? | 0:25:32 | 0:25:34 | |
I really want to bring joy to Joy, | 0:25:34 | 0:25:36 | |
because she is a hard act to follow. | 0:25:36 | 0:25:38 | |
-So, something sparkly, gorgeous to impress you. -Whoo! | 0:25:38 | 0:25:42 | |
-And you. -Oh, thank you. | 0:25:42 | 0:25:44 | |
Well, there's your challenge, Carlos, and good luck with it. | 0:25:44 | 0:25:46 | |
Meanwhile, why don't we check out what the Blue Team bought, eh? | 0:25:46 | 0:25:50 | |
The 1930s Iris Skinner Poole Pottery vase cost them £25. | 0:25:50 | 0:25:54 | |
Ooh, la, la. | 0:25:56 | 0:25:58 | |
This mid-20th century French Art Deco table clock set them back £40. | 0:25:58 | 0:26:02 | |
And they finally wiggled away with this wrought iron eel spear, | 0:26:04 | 0:26:07 | |
as you do, for £58. | 0:26:07 | 0:26:08 | |
Well, girls, you almost peaked early | 0:26:10 | 0:26:12 | |
-and then you delayed everything to the last minute. -Yes. -We did. | 0:26:12 | 0:26:15 | |
Quite extraordinary. Now, Christine, which is your favourite piece? | 0:26:15 | 0:26:18 | |
My favourite piece is the Art Deco clock. | 0:26:18 | 0:26:20 | |
-Art Deco clock, do you agree with that? -Definitely. -You do, lovely. | 0:26:20 | 0:26:23 | |
-Is the Art Deco clock going to bring the biggest profit? -Oh, yes. | 0:26:23 | 0:26:26 | |
-Oh, we've got no split decision here. -No. | 0:26:26 | 0:26:28 | |
-How much did you spend in total? -£123. | 0:26:28 | 0:26:32 | |
£123. I'd like £177, please. | 0:26:32 | 0:26:36 | |
Thank you very much. | 0:26:36 | 0:26:37 | |
There's the five and the two which makes up the seven, | 0:26:37 | 0:26:40 | |
cos Laidlaw is very particular about this. | 0:26:40 | 0:26:42 | |
-He likes to have exactly the right cash. Thank you, Paul. -Indeed, yeah. | 0:26:42 | 0:26:45 | |
And why not? Cos every penny counts. | 0:26:45 | 0:26:48 | |
Have you got any idea what you're going to spend it on? | 0:26:48 | 0:26:50 | |
If it's still there, Tim, I've seen something which is astonishing. | 0:26:50 | 0:26:54 | |
Technology and history combined. I just hope it's still there. | 0:26:54 | 0:26:57 | |
Yeah, well, it's a risky business this, you better beetle off, | 0:26:57 | 0:27:00 | |
cos right now, we're going to shove off to the auction, aren't we? | 0:27:00 | 0:27:03 | |
Well, it's very nice to be with Colin Young | 0:27:13 | 0:27:15 | |
in his saleroom in Bourne, Lincolnshire. | 0:27:15 | 0:27:17 | |
Thank you very much for having us. | 0:27:17 | 0:27:19 | |
Now, first up, we've got a clock garniture | 0:27:19 | 0:27:21 | |
and, frankly, I cannot believe that it's possible, retail, | 0:27:21 | 0:27:25 | |
to buy a three-piece clock garniture with all that marble for only £65. | 0:27:25 | 0:27:28 | |
-I think that's cheap enough. -It is. | 0:27:28 | 0:27:30 | |
It's got to clear that sort of figure, I would think. | 0:27:30 | 0:27:32 | |
-So what's your estimate, then? -We've put £60-£90 on it. | 0:27:32 | 0:27:35 | |
OK, so they should be all right. Which is brilliant. | 0:27:35 | 0:27:37 | |
Next up is the GEC Bakelite radio. | 0:27:37 | 0:27:41 | |
What sort of period is that? | 0:27:41 | 0:27:42 | |
It's going to be just post-war or there, thereabouts. | 0:27:42 | 0:27:45 | |
Could be a wartime one, but certainly no newer than 1950. | 0:27:45 | 0:27:48 | |
-OK, fine. And do they sell? -They do. They sell very well. | 0:27:48 | 0:27:50 | |
The Bakelite case really has got to be in perfect order. | 0:27:50 | 0:27:53 | |
That looks fine. I'll put 25 to 40 on it on that basis. | 0:27:53 | 0:27:57 | |
OK, well, the team paid £25 for it, doing rather well so far. | 0:27:57 | 0:28:00 | |
Next, the four sticks, which are an intriguing mixture, aren't they? | 0:28:00 | 0:28:04 | |
-How do you rate them? -I think, in this case, we're valuing by volume. | 0:28:04 | 0:28:07 | |
The Dandy cane here, the topknot looks OK with that. | 0:28:07 | 0:28:10 | |
A little bit of turned horn on there as well, so, nice combination, | 0:28:10 | 0:28:13 | |
but it starts to get a little bit painful as you go down. | 0:28:13 | 0:28:16 | |
The next one, the silver top is pretty poor, | 0:28:16 | 0:28:19 | |
so that's not a good cane. | 0:28:19 | 0:28:21 | |
-OK, so, how much for the four? -£50-80. | 0:28:21 | 0:28:23 | |
Well, that's a bit tight, because they paid 100, actually. | 0:28:23 | 0:28:26 | |
They may need their bonus buy, so let's go and have a look at it. | 0:28:26 | 0:28:29 | |
Now, you spent £190. You gave Charles Hanson £110. | 0:28:30 | 0:28:34 | |
What did you spend it on, Charles? | 0:28:34 | 0:28:35 | |
-OK... -What do you think? | 0:28:37 | 0:28:39 | |
Now, first of all. Let me tell you about them. | 0:28:39 | 0:28:41 | |
There's a great name. It's CH. It's Charles Horner, 1907. | 0:28:41 | 0:28:46 | |
This wonderful Edwardian quite jazzy bookmark imitating jade, | 0:28:46 | 0:28:50 | |
but it isn't, it's probably Bakelite. | 0:28:50 | 0:28:52 | |
And then, going forward about 30 years, | 0:28:52 | 0:28:55 | |
you go to the great Norwegian designs and the great enamellers. | 0:28:55 | 0:28:59 | |
And this brooch here has great style. | 0:28:59 | 0:29:01 | |
I'm no jewellery expert but this caught my eye. | 0:29:01 | 0:29:04 | |
Made by a Norwegian man called Andersen | 0:29:04 | 0:29:06 | |
and to me, it just has style So, I bought the two together | 0:29:06 | 0:29:09 | |
to really galvanise the internet market, | 0:29:09 | 0:29:12 | |
-because their market is worldwide. Do you like them? -They're gorgeous. | 0:29:12 | 0:29:15 | |
-They're growing, they're growing. -Good. They're quite organic. | 0:29:15 | 0:29:18 | |
-Go on, grab one, Joy. -May I? -Yeah, please do. | 0:29:18 | 0:29:21 | |
I just thought, I couldn't let them both go. | 0:29:21 | 0:29:23 | |
I had £110 and I wanted to go big and spend my money, you see. | 0:29:23 | 0:29:26 | |
-All of it? -Well, not quite. | 0:29:26 | 0:29:29 | |
-How much? -The two together cost me £80. -Oh. -OK. | 0:29:29 | 0:29:34 | |
-And what do you think they'll make? -100, 120. In my opinion. | 0:29:34 | 0:29:38 | |
It was more I just liked them for you, basically. | 0:29:38 | 0:29:41 | |
Aw, I think you've chosen really well, Charles. | 0:29:41 | 0:29:43 | |
Well, they say that Scandinavian design is everything, | 0:29:43 | 0:29:46 | |
-don't they? -Yes, they do. | 0:29:46 | 0:29:48 | |
And Mr Andersen is a flavour of the moment | 0:29:48 | 0:29:50 | |
and the bookmark is the bookmark, isn't it? | 0:29:50 | 0:29:52 | |
It's quite sickly in colour, isn't it? | 0:29:52 | 0:29:55 | |
Sorry, but I mean that in a wonderful avant-garde way. | 0:29:55 | 0:29:58 | |
You won't miss it, will you? | 0:29:58 | 0:29:59 | |
And in Edwardian times, they wouldn't have done. | 0:29:59 | 0:30:02 | |
Anyway, lovely stuff. Are you happy, kids? | 0:30:02 | 0:30:03 | |
-ALL: Yes, absolutely. -OK, that's the main thing. | 0:30:03 | 0:30:06 | |
But right now why don't we check out for the viewers at home | 0:30:06 | 0:30:09 | |
what the auctioneer thinks about Charles' mixed lot. | 0:30:09 | 0:30:14 | |
Well, here we go, Colin. | 0:30:14 | 0:30:15 | |
A nice lily of the valley Scandinavian brooch. | 0:30:15 | 0:30:19 | |
-Isn't that wonderful? -And a plastic bookmark with a silver mark. | 0:30:19 | 0:30:22 | |
-I would say jade effect. -Yes, exactly, but I would say plastic. | 0:30:22 | 0:30:26 | |
Yeah, that's probably going to be the thing that's not a lot of value, | 0:30:26 | 0:30:29 | |
you know, maybe £15, £20, something like that. | 0:30:29 | 0:30:31 | |
This is the part of the lot, does sort of excite a little bit more. | 0:30:31 | 0:30:34 | |
Nicely marked up. Andersen of Norway - | 0:30:34 | 0:30:36 | |
very well-known for these sort of things. | 0:30:36 | 0:30:38 | |
Nice enamel work, very simplistic in its design. | 0:30:38 | 0:30:41 | |
And I suppose as a combination with the two, | 0:30:41 | 0:30:44 | |
you've got to be a good £40-£60, I would think. | 0:30:44 | 0:30:47 | |
Well, Charles took a punt and he paid £80 | 0:30:47 | 0:30:49 | |
which I have to say, I think, is probably enough. | 0:30:49 | 0:30:52 | |
But still, he may not go with that bonus buy. | 0:30:52 | 0:30:55 | |
That's it for the Reds, now for the Blues. | 0:30:55 | 0:30:58 | |
First up is the Poole Pottery vase. Pretty this, isn't it? | 0:30:58 | 0:31:01 | |
It is, this is OK. Nicely turned baluster and, of course, | 0:31:01 | 0:31:05 | |
it's an Iris Skinner piece. It's still a fairly lowly £25-£40. | 0:31:05 | 0:31:08 | |
It's OK, don't bang yourself up about it. £25 spent. | 0:31:08 | 0:31:11 | |
-OK. -So, they paid the right price. The Art Deco table clock. | 0:31:11 | 0:31:14 | |
I always like these strut-type pieces cos, you know, | 0:31:14 | 0:31:17 | |
they're handy you can fold it up, | 0:31:17 | 0:31:19 | |
-move it around. -Yeah. -Got quite a good look, hasn't it? | 0:31:19 | 0:31:22 | |
It is fantastic, so Deco. | 0:31:22 | 0:31:23 | |
That's one of the, sort of, periods that I have a lot of enthusiasm for. | 0:31:23 | 0:31:27 | |
When you see something as big and bold as that, | 0:31:27 | 0:31:29 | |
you can imagine that being on a partner's desk in a study. | 0:31:29 | 0:31:32 | |
It is a statement clock, really, isn't it? | 0:31:32 | 0:31:34 | |
Certainly is, Monte Carlo retailer too. | 0:31:34 | 0:31:36 | |
-So that helps. -Yeah, absolutely. -Ritzy old place. | 0:31:36 | 0:31:39 | |
Anyway, so, how much? | 0:31:39 | 0:31:40 | |
Well, a good £50-£80 and I'd be amazed | 0:31:40 | 0:31:43 | |
-if it didn't make that sort of money. -They paid 40. | 0:31:43 | 0:31:45 | |
-It's looking good. -Yeah. -And lastly, we've got the eel spear | 0:31:45 | 0:31:49 | |
-which, I have to say, is a rather magnificent example. -It is. | 0:31:49 | 0:31:52 | |
They don't come on the market very often but they do appear | 0:31:52 | 0:31:54 | |
from time to time and certainly in this area. | 0:31:54 | 0:31:57 | |
It's an area that we do have a lot of eels, being in the Fens | 0:31:57 | 0:32:00 | |
-and the River Glen just down the road. -Yeah, anyway, how much? | 0:32:00 | 0:32:03 | |
Well, £25-£40 I should think would be enough bait. | 0:32:03 | 0:32:07 | |
Well, it's a slippery old subject cos they paid £58. | 0:32:07 | 0:32:10 | |
Which is just a tad too much. | 0:32:12 | 0:32:13 | |
In which case, they're going to need their bonus buy | 0:32:13 | 0:32:16 | |
so let's go and have a look at it. | 0:32:16 | 0:32:17 | |
Now, Sheila, Christine, this is exciting, | 0:32:19 | 0:32:21 | |
this is your bonus buy moment. | 0:32:21 | 0:32:23 | |
You gave Paul Laidlaw £177. | 0:32:23 | 0:32:27 | |
What did you buy, Paul? | 0:32:27 | 0:32:29 | |
-Oh. -Ta-da! -Hello. -OK. | 0:32:29 | 0:32:31 | |
So, this is a Deutsche Volksempfaenger, | 0:32:31 | 0:32:34 | |
a German people's radio. | 0:32:34 | 0:32:37 | |
This is designed in the mid-30s under the instruction | 0:32:37 | 0:32:40 | |
of Joseph Goebbels, Reich's Propaganda Minister. | 0:32:40 | 0:32:45 | |
The Third Reich realised the way to get | 0:32:45 | 0:32:48 | |
their tainted message into people's homes | 0:32:48 | 0:32:51 | |
is via the radio. And radios were expensive | 0:32:51 | 0:32:54 | |
but if they bring about the design | 0:32:54 | 0:32:56 | |
of a very cheap radio | 0:32:56 | 0:32:58 | |
and get it into every home then the evil Goebbels | 0:32:58 | 0:33:02 | |
can feed their vile propaganda into the German people. | 0:33:02 | 0:33:07 | |
And in truth, there's another facet to this. | 0:33:07 | 0:33:10 | |
Because it was cheap it could only receive a limited number | 0:33:10 | 0:33:13 | |
-of wavelengths. -Right, yeah. | 0:33:13 | 0:33:15 | |
What they didn't want it to pick up was the BBC World Service, | 0:33:15 | 0:33:18 | |
and Allied propaganda. So, truth of the matter is, it's not actually | 0:33:18 | 0:33:21 | |
a particularly good receiver. So, of course, they were all ditched | 0:33:21 | 0:33:24 | |
after the war, so they ARE scarce. | 0:33:24 | 0:33:26 | |
-Shall I tell you what I paid for it? -Yes, please. | 0:33:26 | 0:33:28 | |
-Yes, please. -Just £90 for that. -90!? | 0:33:28 | 0:33:31 | |
At auction it should make £120-£180. | 0:33:31 | 0:33:35 | |
-Absolutely. -Anywhere, any day. -It's very significant, isn't it? | 0:33:35 | 0:33:39 | |
-Very significant. -It is. Chillingly fascinating. -Yeah. | 0:33:39 | 0:33:43 | |
-OK, kids, got it? -Thank you. -Yes, thank you very much. Thanks, Paul. | 0:33:43 | 0:33:46 | |
-Very interesting, Paul, thank you very much. -Well done. | 0:33:46 | 0:33:48 | |
And for the audience at home, right now, let's find out | 0:33:48 | 0:33:51 | |
what the auctioneer thinks about the Nazi radio set. | 0:33:51 | 0:33:54 | |
Ooh-arr. | 0:33:54 | 0:33:55 | |
OK, Colin, there we go. | 0:33:56 | 0:33:57 | |
-We've got the German equivalent, almost, of this. -Yeah. | 0:33:57 | 0:34:01 | |
Except it's got the Third Reich stamp on it which is pretty scary. | 0:34:01 | 0:34:05 | |
Yeah, I suppose that's going to predate our earlier one. | 0:34:05 | 0:34:08 | |
These don't come on the market very often over here | 0:34:08 | 0:34:11 | |
because, lo and behold, most of them are over in Germany | 0:34:11 | 0:34:13 | |
so fairly common type of radio receiver. | 0:34:13 | 0:34:16 | |
The condition is good on this but I suppose similar sort of figures | 0:34:16 | 0:34:18 | |
to the other, it's going to be mid tens maybe 40-60. | 0:34:18 | 0:34:22 | |
Well, young Laidlaw, it's his bonus buy, he's invested £90. | 0:34:22 | 0:34:25 | |
Well, it's his reputation on the line, not mine, | 0:34:25 | 0:34:27 | |
-so I'm quite happy with that. -OK, fine. | 0:34:27 | 0:34:29 | |
22, 25 now, do I see five? | 0:34:32 | 0:34:34 | |
-You happy, guys? -Yeah. -Yes. -Excited? -Very, very. -Yes. -Good. | 0:34:35 | 0:34:39 | |
You've got the clock garniture that you paid £65 for. | 0:34:39 | 0:34:41 | |
-He's put 60-90 on it. -Wow. -Brilliant. -Excellent, excellent. | 0:34:41 | 0:34:44 | |
Which is good. | 0:34:44 | 0:34:45 | |
This is the Art Deco clock garniture this time. | 0:34:45 | 0:34:47 | |
Who's going to start me at £80 for that? | 0:34:47 | 0:34:49 | |
£80 everybody, 80, 50 to go, then, surely. £50, anyone? | 0:34:49 | 0:34:52 | |
50, who's first in at 50? There's a lot of clock there for £50. | 0:34:52 | 0:34:55 | |
Who's first at 50? 40 if we have to, £40, anybody, 40? | 0:34:55 | 0:34:58 | |
30, £30 bid, 30, 32 now. 32 anywhere else now, surely two with you? | 0:34:58 | 0:35:03 | |
Five, five bid, 38, bid 40 and two. | 0:35:03 | 0:35:04 | |
£40 bid, £40 bid, two now do I see? At £40 bid. | 0:35:04 | 0:35:06 | |
Two, surely. There's a heck of a lot | 0:35:06 | 0:35:08 | |
-of clock there if you're buying by weight. -Internet, come on. | 0:35:08 | 0:35:11 | |
Two now, two, 45, 45, 48 now, at 45 got a bid, 48, now, surely. | 0:35:11 | 0:35:15 | |
At 45 got a bid, any more now? At 45, just look at what | 0:35:15 | 0:35:17 | |
we're selling here, ladies and gentlemen. | 0:35:17 | 0:35:19 | |
-All done, going then at £45. -GAVEL BANGS | 0:35:19 | 0:35:22 | |
£45, that's minus £20. OK, now, stand by for the radio. | 0:35:22 | 0:35:27 | |
Bakelite radio this time, who's going to start me | 0:35:27 | 0:35:30 | |
at £50 for this. 40, 30 to go then, surely. £30, anybody, 30? | 0:35:30 | 0:35:34 | |
£30, who's going to start me, then, 30? 20 to go then, £20, anybody, 20? | 0:35:34 | 0:35:38 | |
£20 do you have for me now, 20? | 0:35:38 | 0:35:39 | |
£20, ten if you're going to need to tune in at a lower amount then, ten? | 0:35:39 | 0:35:42 | |
-No. -Ten over there. -Come on, let's go. -Ten bid, 12 anywhere else? | 0:35:42 | 0:35:46 | |
-Internet might come in? -12 bid, 15 bid, 15 bid, 18 bid, 18 bid, 20 now. | 0:35:46 | 0:35:51 | |
Do I see at 18 another bid? 20 now, surely. At £20, surely. | 0:35:51 | 0:35:54 | |
At 18 got a bid. 20 now, do I see? At 18 bid, 20? 20 bid and two? | 0:35:54 | 0:35:57 | |
Two bid now. Two, no? At 20 got a bid. Two now, surely. | 0:35:57 | 0:36:00 | |
-One more. -At 20 got a bid, two anywhere else now? At 20 got a bid. | 0:36:00 | 0:36:04 | |
-Done and finished then going at £20. -GAVEL BANGS | 0:36:04 | 0:36:06 | |
-I can't bear it, minus £5. Oh, Lord. -25 down. | 0:36:06 | 0:36:11 | |
-Oh, Raymondo. -It's only money. | 0:36:11 | 0:36:13 | |
We have the ebony walking cane and the other three to go with it. | 0:36:13 | 0:36:17 | |
There we go, a good composite lot, this. I have many, many bids. | 0:36:17 | 0:36:20 | |
In fact, I've got four bids at £60. | 0:36:20 | 0:36:23 | |
-At 60, five anywhere else now? 65. -Come on, keep going. | 0:36:23 | 0:36:26 | |
70 now, surely. At 65 got a bid. 70 now do I see? | 0:36:26 | 0:36:29 | |
-At 65... -Come on, auctioneer, four bids on there. | 0:36:29 | 0:36:31 | |
..any more bids in the room? At 65. 70, at 70 | 0:36:31 | 0:36:34 | |
right at the back of the room. At 70, five anywhere else now? | 0:36:34 | 0:36:36 | |
At 70, all my commissions are out, we're in the room, | 0:36:36 | 0:36:39 | |
-I will sell them at £70. -GAVEL BANGS | 0:36:39 | 0:36:42 | |
-Uh-oh, £70. -No. -That's minus £30. -I don't believe it. -That's minus 55. | 0:36:42 | 0:36:47 | |
-Oh, is that all. -So what are we going to do about | 0:36:47 | 0:36:49 | |
-the brooch and the bookmark? -Take it. | 0:36:49 | 0:36:51 | |
OK, they're not going with the bonus buy, | 0:36:51 | 0:36:53 | |
you are ring-fencing the lot, is it? | 0:36:53 | 0:36:54 | |
Minus £55, and that's where you're sticking | 0:36:54 | 0:36:57 | |
and that could be a winning score, this could be your wisest move. | 0:36:57 | 0:37:01 | |
Anyway, here we go. | 0:37:01 | 0:37:02 | |
-AUCTIONEER: -There's a nice combination here. | 0:37:02 | 0:37:04 | |
We have the Andersen of Norway basse-taille enamel brooch. | 0:37:04 | 0:37:07 | |
But to go with it as well, a nice little bookmarker in green. | 0:37:07 | 0:37:10 | |
It has got the assay mark for Charles Horner. | 0:37:10 | 0:37:13 | |
40 to go then, £40 anybody? 40. | 0:37:13 | 0:37:15 | |
£40 then, 40 bid, two, now make it at two, at 42, 45 anywhere else? | 0:37:15 | 0:37:18 | |
Now, 42 for the bid, five now, surely? Five, 45, 48 now, 48 bid, | 0:37:18 | 0:37:21 | |
50 now, do I see it? 48 for the bid, 50 surely? 50, 50 for the bid. | 0:37:21 | 0:37:24 | |
It's on the net at 50, and five now. | 0:37:24 | 0:37:26 | |
At £50 bid, five, 55. Any more, now? | 0:37:26 | 0:37:29 | |
-At 55, any more, now? -Come on now, put the hammer down. | 0:37:29 | 0:37:31 | |
The lady's bid at 55. Last call, then. Selling at £55. | 0:37:31 | 0:37:34 | |
-You made the right decision, there. -Well done. -Yeah. | 0:37:34 | 0:37:37 | |
That is five off 60, that's minus £25. | 0:37:37 | 0:37:40 | |
You'd be in a different place if you hadn't rejected poor Charles there. | 0:37:40 | 0:37:43 | |
Not that the money it wasn't in those objects, Charles, | 0:37:43 | 0:37:46 | |
-but today you made the right decision, all right? -Thanks. | 0:37:46 | 0:37:48 | |
You are minus £55, it could be a winning score | 0:37:48 | 0:37:50 | |
-and don't say a word to the Blues. -No. -No. | 0:37:50 | 0:37:53 | |
That's 12 bid, 15 bid... | 0:37:54 | 0:37:55 | |
-How you feeling, Sheil'? -Hm, excited. | 0:38:03 | 0:38:05 | |
-Are you? -Yes. -How excited? | 0:38:05 | 0:38:07 | |
-Extremely excited. -I mean, are you right up there in the tens? | 0:38:07 | 0:38:10 | |
-I am in the tens, I'm in elevens. -What about you, Christine? | 0:38:10 | 0:38:12 | |
Oh, I've had to give her some stiff whisky to keep her calm, you know? | 0:38:12 | 0:38:16 | |
Hm. Where you keeping your stash? | 0:38:16 | 0:38:19 | |
Anyway, the 1930s Iris Skinner vase, Poole, | 0:38:19 | 0:38:22 | |
£25 paid, he's put £25-£40, he thinks it's rather cool. | 0:38:22 | 0:38:25 | |
-So you should be all right with that. -BOTH: Good. -And here it comes. | 0:38:25 | 0:38:28 | |
The Iris Skinner Poole pottery vase. | 0:38:28 | 0:38:30 | |
Who's going to start me at £40 for this? 40, 20 to go then, surely? | 0:38:30 | 0:38:33 | |
-£20, who's first? £20. Nobody interested? 20. -Come on. | 0:38:33 | 0:38:35 | |
Ten in the bank, ten bid, 12 now, do I see it? | 0:38:35 | 0:38:37 | |
Ten for the bid, ten, 12 now, 12, 12, 15, 15 for the bid, 15, 15, | 0:38:37 | 0:38:40 | |
18, 18, 18, 20, 20 bid? | 0:38:40 | 0:38:42 | |
No? At £18 bid, 20 surely? 20 bid, 22 bid now, two, two... | 0:38:42 | 0:38:45 | |
-It must make £25! -You'd think so. | 0:38:45 | 0:38:47 | |
..at £20 bid, 22 now, do I see? two is a last call. | 0:38:47 | 0:38:49 | |
At 20 bid, two now, no? Selling at £20, are we all done? Sold at 20. | 0:38:49 | 0:38:53 | |
-£20 is minus £5. -BLUE TEAM: Close. -I could cry. | 0:38:53 | 0:38:56 | |
OK, here comes Monte Carlo. | 0:38:56 | 0:38:59 | |
The French Art Deco easel clock. | 0:38:59 | 0:39:01 | |
Who's going to start me at 30? 30, 30 with you, at 30 bid, two now, | 0:39:01 | 0:39:03 | |
make it at two... At two, five bid, 38, 38 bid, 40, | 0:39:03 | 0:39:06 | |
at 40 for the bid, two, 42, 45, 45, 48 bid, 50, | 0:39:06 | 0:39:09 | |
-50 for the bid, five, five bid, 60, 60 for the bid... -You are in profit. | 0:39:09 | 0:39:12 | |
At £60 bid, 65 surely? Look at what we're selling, time's running out. | 0:39:12 | 0:39:16 | |
-70, 70 bid, five now... -Oh, my God. -A £70 bid, | 0:39:16 | 0:39:18 | |
five anywhere else now, surely? At £70, I will sell this time. | 0:39:18 | 0:39:21 | |
-GAVEL BANGS Yes! -£70, is plus £30. | 0:39:21 | 0:39:24 | |
-Well done, girls. -Very good. -You were minus five, you're now plus 25. | 0:39:24 | 0:39:28 | |
A wrought iron eel spear. | 0:39:28 | 0:39:30 | |
Now, these don't come on the market very often. | 0:39:30 | 0:39:32 | |
Who's going to start me at £30? | 0:39:32 | 0:39:34 | |
-He's going to... -I want to bid. -20 then. | 0:39:34 | 0:39:36 | |
£20 bid. At 20, two now, do I see? | 0:39:36 | 0:39:40 | |
22, 25, 28, and 30, | 0:39:40 | 0:39:43 | |
-and two, 35, five, 38, 38, 40, -He's nodding, he's nodding. | 0:39:43 | 0:39:46 | |
40 bid, 42, 45, 45, | 0:39:46 | 0:39:48 | |
-48, 48, 50. -It's going up. | 0:39:48 | 0:39:50 | |
-50, 55, 55, bid 60. -Up, up. | 0:39:50 | 0:39:52 | |
At £60 bid, two now, surely? At £60 bid, two anywhere else, now? | 0:39:52 | 0:39:55 | |
At 60, it's the last call, on my left, in the stripes. | 0:39:55 | 0:39:58 | |
-Selling then at £60. -£60. -HAMMER BANGS | 0:39:58 | 0:40:00 | |
-ALL: Yes! -So good. -That £2 did it. -That is plus £2. | 0:40:00 | 0:40:02 | |
-£2 did it, you remember that £2? -That is marvellous, isn't it? | 0:40:02 | 0:40:05 | |
-He certainly had a spurt, didn't he? -Yes. | 0:40:05 | 0:40:08 | |
Well, that's just as well. Anyway, you have... We're £25 plus two, | 0:40:08 | 0:40:11 | |
is you are plus £27. | 0:40:11 | 0:40:13 | |
Now, what you going to do about the radio receiver? | 0:40:13 | 0:40:15 | |
-You going to go with it? -Yes. -Yes, definitely. | 0:40:15 | 0:40:18 | |
-We trust you, Paul. -Lovely, and here it comes. | 0:40:18 | 0:40:21 | |
-AUCTIONEER: -This is the German people's radio receiver. | 0:40:21 | 0:40:24 | |
We've had an enormous amount of presale enquiries about it. | 0:40:24 | 0:40:27 | |
-So everybody knows about it. -Come on. -Who's going to start me at £50? | 0:40:27 | 0:40:30 | |
50, 40 to go then, surely? £40 anyone? 40. 30 to go, then. | 0:40:30 | 0:40:34 | |
30 on the net, 30 bid, 32 now, do I see? | 0:40:34 | 0:40:36 | |
32, 35, 38, 38 bid, 40... | 0:40:36 | 0:40:38 | |
-All internet bids, all internet bids. -42, at 42, | 0:40:38 | 0:40:41 | |
45, 48 bid, 50, £50 bid, | 0:40:41 | 0:40:43 | |
50 bid, five, 55, 60, 65, | 0:40:43 | 0:40:46 | |
at 65, 70, 70 bid, 75 bid, 80 bid. | 0:40:46 | 0:40:50 | |
-Five now, do I see? -Come on. | 0:40:50 | 0:40:52 | |
85 bid, 90, have another one, got to be worth another one? | 0:40:52 | 0:40:54 | |
It has got to be worth another one. | 0:40:54 | 0:40:56 | |
I have a bid of 88, the next bid is in. | 0:40:56 | 0:40:58 | |
-88, 90, rounded up now. -Yes. | 0:40:58 | 0:41:00 | |
90, surely? I have £88 on the internet. | 0:41:00 | 0:41:03 | |
-It's the last chance for everybody now. -Oh, come on. | 0:41:03 | 0:41:06 | |
At £88, are we all done? | 0:41:06 | 0:41:08 | |
I'm going to sell at £88. | 0:41:08 | 0:41:11 | |
-£88 -Ooooh. -Two, shame. -£88. -Two, shame. | 0:41:11 | 0:41:15 | |
That is minus £2, I can't believe it. | 0:41:15 | 0:41:18 | |
Which takes the winnings to plus £25. Could be a winning score. | 0:41:18 | 0:41:22 | |
-BOTH: Yeah. -You could be in luck here, girls. | 0:41:22 | 0:41:24 | |
Don't say a word to the Reds and all will be revealed in a moment. | 0:41:24 | 0:41:27 | |
-And well done, Paul, thank you very much. -BOTH: Yes, thank you. | 0:41:27 | 0:41:29 | |
At 95 in the room, at 95... | 0:41:31 | 0:41:33 | |
Well, teams, I know you got on famously in the green room | 0:41:39 | 0:41:42 | |
-but have you been talking about the scores at all? -ALL: No. | 0:41:42 | 0:41:45 | |
Well, I'm pleased about that | 0:41:45 | 0:41:47 | |
because you might not have got on quite so well in the green room | 0:41:47 | 0:41:49 | |
if you had been talking about the scores | 0:41:49 | 0:41:51 | |
because one team, I'm afraid, is, um, way behind | 0:41:51 | 0:41:54 | |
and one team is way ahead. | 0:41:54 | 0:41:55 | |
And the team that's way behind are, | 0:41:55 | 0:41:58 | |
-the Reds. -Oh, no. | 0:41:58 | 0:42:00 | |
Yeah, I'm afraid so. I mean, | 0:42:00 | 0:42:02 | |
as you made absolutely nothing on anything that you handled today, | 0:42:02 | 0:42:06 | |
it's not really surprising that you might be just a tad behind | 0:42:06 | 0:42:10 | |
cos that's where you are. You were minus £55, all right? | 0:42:10 | 0:42:12 | |
Sorry, Charles, to have to say that. | 0:42:12 | 0:42:14 | |
-Thank you very much, Charles. -Well played. -We tried our best. | 0:42:14 | 0:42:17 | |
You've been great sports, I hope you've enjoyed it? | 0:42:17 | 0:42:19 | |
-BOTH: Absolutely. -Well, it's been a joy for us, Joy, I can tell you. | 0:42:19 | 0:42:22 | |
-And a pleasure to meet you. -Thank you very much. | 0:42:22 | 0:42:25 | |
-Very nice to see you, Ray. -And you. -Well done, Charles... | 0:42:25 | 0:42:27 | |
-Thank you, Tim, I've enjoyed it. -..for playing and for being a good sport as usual. | 0:42:27 | 0:42:31 | |
But the team that's going home with some money, £25 for the Blues. | 0:42:31 | 0:42:34 | |
-Never... -How much? -£25. -RED TEAM: Hurrah. | 0:42:34 | 0:42:38 | |
Never have I seen two women look happier in all my life. | 0:42:38 | 0:42:42 | |
THEY LAUGH | 0:42:42 | 0:42:43 | |
Isn't that marvellous? I rest my case. | 0:42:43 | 0:42:46 | |
This is what winning Bargain Hunt and taking home some cash can do | 0:42:46 | 0:42:50 | |
-to the facial expressions. -Yeah. | 0:42:50 | 0:42:51 | |
-Anyway, the end number is £25 so that's good, isn't it? -It's lovely. | 0:42:51 | 0:42:55 | |
-You pleased with that, Sheila? -I am, yes, very. | 0:42:55 | 0:42:57 | |
-Christine, you happy? -Absolutely, yeah. -Well, I'm ecstatic for you. | 0:42:57 | 0:43:00 | |
In fact, so ecstatic why don't you join us soon | 0:43:00 | 0:43:03 | |
-for some more bargain hunting, yes? -ALL: Yeah! | 0:43:03 | 0:43:05 |