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Well, it's that time of day again. | 0:00:06 | 0:00:08 | |
So draw up a chair, get comfy, and let's go bargain hunting. Yeah. | 0:00:08 | 0:00:13 | |
We're at an antiques fair | 0:00:41 | 0:00:43 | |
in the grounds of Grimsthorpe Castle in Lincolnshire. | 0:00:43 | 0:00:47 | |
Nancy Astor, the first female Member of Parliament, | 0:00:47 | 0:00:51 | |
used to visit her daughter, who once lived here. | 0:00:51 | 0:00:54 | |
But we're not interested in the politics of winning today. | 0:00:54 | 0:00:58 | |
The only Reds and Blues we are interested in are our teams. | 0:00:58 | 0:01:03 | |
Let's have a quick peek as to what's coming up. | 0:01:03 | 0:01:06 | |
And coming up today, | 0:01:08 | 0:01:09 | |
the Ladies In Red take a clinical approach to their shopping. | 0:01:09 | 0:01:13 | |
I don't know if anyone else would like it, | 0:01:13 | 0:01:14 | |
but I got quite excited, so... | 0:01:14 | 0:01:16 | |
Whilst the Boys In Blue try a few things on for size. | 0:01:16 | 0:01:19 | |
I'm glad that I got to come on Bargain Hunt and put some fancy dress on. | 0:01:19 | 0:01:22 | |
That was one of my main things I wanted to do. | 0:01:22 | 0:01:25 | |
There's auction fever in the air. | 0:01:25 | 0:01:26 | |
But will either team turn a profit when the final gavel strikes? | 0:01:26 | 0:01:29 | |
-Such wonderful things... -Look at that. | 0:01:29 | 0:01:32 | |
ALL: Yeah! | 0:01:32 | 0:01:34 | |
But first, let's meet the teams. | 0:01:34 | 0:01:36 | |
So, on today's programme, | 0:01:38 | 0:01:40 | |
for the Reds we have a team of twin sisters, Jamie and Kelly. | 0:01:40 | 0:01:45 | |
And for the Blues, we have friends Josh and Alan. Hello, everyone. | 0:01:45 | 0:01:49 | |
ALL: Hello. | 0:01:49 | 0:01:50 | |
-Now, Jamie, it says here that you're a doctor. -You're right there, I am. | 0:01:50 | 0:01:53 | |
Have you recently qualified, then? | 0:01:53 | 0:01:55 | |
Yeah, I qualified about a year ago from Birmingham University. | 0:01:55 | 0:01:58 | |
I'm currently working in a hospital in Wolverhampton. | 0:01:58 | 0:02:00 | |
I've been really lucky that I can do a number of different jobs. | 0:02:00 | 0:02:04 | |
But my real love is cardiology. | 0:02:04 | 0:02:06 | |
I'd love to work towards maybe getting a job in that field | 0:02:06 | 0:02:08 | |
in the near future. | 0:02:08 | 0:02:09 | |
-Is it the ventricles that get you going then, or is it...? -Could be. | 0:02:09 | 0:02:12 | |
-A bit of the atria. -You like your aorta. Is that a good one? | 0:02:12 | 0:02:17 | |
-That's right. -Very good. | 0:02:17 | 0:02:18 | |
It says here that you take your sister to rock concerts. | 0:02:18 | 0:02:21 | |
I do, that's my favourite thing to do at the moment, | 0:02:21 | 0:02:23 | |
-is take Kelly along to my rock gigs. -Can she not go on her own, then? | 0:02:23 | 0:02:26 | |
Has she got to be accompanied? | 0:02:26 | 0:02:28 | |
I think sometimes she feels it's not quite her scene, | 0:02:28 | 0:02:30 | |
-but we always have a great time, don't we? -We do. -We always enjoy it. | 0:02:30 | 0:02:33 | |
-Now listen, you're medically connected. -Sort of, yeah. | 0:02:33 | 0:02:36 | |
-But just in one particular area. -Yes. | 0:02:36 | 0:02:38 | |
I'm an optician, so I just deal with the eyes, yep. | 0:02:38 | 0:02:41 | |
-And do you enjoy your job? -I do, very much, yeah. | 0:02:41 | 0:02:43 | |
Cos it's still got the clinical knowledge there, | 0:02:43 | 0:02:46 | |
I still get to work with people, to solve their issues and sort | 0:02:46 | 0:02:48 | |
their glasses, but not quite the crazy hours that Jamie has to do. | 0:02:48 | 0:02:52 | |
No, quite. Do you need glasses yourself? | 0:02:52 | 0:02:53 | |
-I don't, actually, no. -Well, isn't that lucky? | 0:02:53 | 0:02:56 | |
But do you ever get tempted to go and buy the frames | 0:02:56 | 0:02:58 | |
-just to have the frames, cos they're so fab? -Very much. | 0:02:58 | 0:03:01 | |
You'd be surprised how many glasses I have with no prescription in them. | 0:03:01 | 0:03:05 | |
-They're fun things to wear, aren't they? -Absolutely, yes. | 0:03:05 | 0:03:07 | |
Without exception, they're fun. No, anyway. | 0:03:07 | 0:03:10 | |
Now, are you two going to make a great team? | 0:03:10 | 0:03:12 | |
You must make a great team today, you're twins! | 0:03:12 | 0:03:14 | |
I think so. I think we know each other well enough | 0:03:14 | 0:03:16 | |
that we know our likes and dislikes, | 0:03:16 | 0:03:18 | |
but we've got just enough differences to keep it interesting. | 0:03:18 | 0:03:22 | |
-Give it a bit of an edge. -That's it. -Well, we'll look forward to that. | 0:03:22 | 0:03:25 | |
Now, Josh. | 0:03:25 | 0:03:26 | |
-You make your living doing all sorts of things, don't you? -Yes. | 0:03:26 | 0:03:29 | |
I do graphic design, | 0:03:29 | 0:03:31 | |
I run and promote music nights in Leicester and down in London. | 0:03:31 | 0:03:34 | |
And currently I have just started work cheffing. | 0:03:34 | 0:03:37 | |
Now, tell me about your music and the events that you promote. | 0:03:37 | 0:03:40 | |
Well, over the last maybe nine years I've staged, promoted | 0:03:40 | 0:03:44 | |
and done all the designing for maybe 400 electronic music nights. | 0:03:44 | 0:03:48 | |
It's a big passion since I can remember, really. | 0:03:48 | 0:03:51 | |
My mum got me into music, and since then I've just ploughed on with it. | 0:03:51 | 0:03:55 | |
And then as soon as I came to Leicester, I realised that the city | 0:03:55 | 0:03:57 | |
needed some more nights, and I just tried to put some events on | 0:03:57 | 0:04:00 | |
for everyone to have a good time, really. | 0:04:00 | 0:04:03 | |
Sounds pretty successful to me. | 0:04:03 | 0:04:05 | |
Hopefully, I've made lots of people happy. | 0:04:05 | 0:04:07 | |
Alan, you've got this big travel bug. Tell us about that. | 0:04:07 | 0:04:11 | |
Yeah, like last year I started off the year by going to India | 0:04:11 | 0:04:14 | |
for five months, and then just had one of the best experiences ever. | 0:04:14 | 0:04:18 | |
And then went to Berlin for two months, then finished off the year | 0:04:18 | 0:04:22 | |
by going to America for one of my best friend's wedding. | 0:04:22 | 0:04:26 | |
That's one year in your life. That's a lot of travel in the year. | 0:04:26 | 0:04:29 | |
That was just last year. | 0:04:29 | 0:04:30 | |
It says here that you're incredibly creative. | 0:04:30 | 0:04:32 | |
Well, I like to dress up and be creative with my clothes | 0:04:32 | 0:04:36 | |
and fancy dress, and the nights that Josh puts on, | 0:04:36 | 0:04:40 | |
-we kind of always end up theming them. -Yeah. | 0:04:40 | 0:04:42 | |
So I always get the fancy dress on the go. | 0:04:42 | 0:04:46 | |
My favourite one was Edward Scissorhands, a personal best. | 0:04:46 | 0:04:50 | |
Very nice too, and good luck today. Now, the £300 moment. | 0:04:50 | 0:04:53 | |
There's your £300. You know the rules. Your experts await. | 0:04:53 | 0:04:56 | |
And off you go, and very, very good luck. | 0:04:56 | 0:05:00 | |
Edward Scissorhands, eh? | 0:05:00 | 0:05:03 | |
Now, let's hope today's experts can cut it. | 0:05:03 | 0:05:05 | |
For the Reds, never one to lounge around | 0:05:05 | 0:05:08 | |
and always looking to dazzle, it's Jonathan Pratt. | 0:05:08 | 0:05:12 | |
And for the Blues, we unmask the belle of the ball, | 0:05:12 | 0:05:15 | |
it's Anita Manning. | 0:05:15 | 0:05:16 | |
-What do you want to buy? -Um, I think maybe something small, pretty... | 0:05:22 | 0:05:26 | |
-Maybe a bit of jewellery or something? -OK. -I want some costumes. | 0:05:26 | 0:05:28 | |
-You want costumes? You like textiles? -Textiles, hats. | 0:05:28 | 0:05:31 | |
-You like dressing up? -Yes. I love fancy dress. -Me too! | 0:05:31 | 0:05:34 | |
I think it would be quite fun to have some unusual items | 0:05:34 | 0:05:36 | |
-as well in there. -Weird and wacky. -Weird and wacky. Like us! | 0:05:36 | 0:05:40 | |
Well, get your skates on, then, cos your 60 minutes starts now. | 0:05:40 | 0:05:43 | |
Let's go. | 0:05:43 | 0:05:45 | |
Well, there's lots here. I think we should get going. | 0:05:45 | 0:05:47 | |
Come on, let's go. | 0:05:47 | 0:05:49 | |
Hats off to Anita for diving straight into the costume challenge. | 0:05:49 | 0:05:53 | |
It'd suit you. Ah, a bit big... | 0:05:53 | 0:05:55 | |
Maybe this will be the perfect fit. | 0:06:00 | 0:06:02 | |
Is that something that might interest you guys? | 0:06:03 | 0:06:05 | |
-Is that a dressing up thing? -It is a dressing up thing. | 0:06:05 | 0:06:08 | |
It's a dressing up thing. I don't know if it's right | 0:06:08 | 0:06:10 | |
-for the competition though. -Uh-huh. | 0:06:10 | 0:06:12 | |
-This waistcoat belonged to Dave Berry. -OK... | 0:06:12 | 0:06:16 | |
Who's Dave Berry? Refresh my memory! | 0:06:16 | 0:06:19 | |
Hang on a minute, these kids don't know who Dave Berry is? | 0:06:19 | 0:06:23 | |
This can't be true. | 0:06:23 | 0:06:24 | |
Dave Berry was a singing sensation and former teen idol | 0:06:24 | 0:06:27 | |
who rocked the 1960s with songs such as Heartbeat and Memphis Tennessee. | 0:06:27 | 0:06:34 | |
That's enough of that. | 0:06:34 | 0:06:35 | |
It's a great item with the beads and the bone detail on it. | 0:06:35 | 0:06:40 | |
-Do you want one of us to put the waistcoat on? -Get it on, Alan. | 0:06:40 | 0:06:44 | |
Go on, go on. | 0:06:44 | 0:06:46 | |
Yeah, it's a bit, sort of, Red Indian. | 0:06:46 | 0:06:48 | |
Didn't take you long to start dressing up, Alan. | 0:06:48 | 0:06:50 | |
-Sit down in that chair. -How does it look? -It looks great. | 0:06:50 | 0:06:54 | |
-Shame we're not buying it for you. -Just chilling in my chair. | 0:06:54 | 0:06:58 | |
That's pretty cool. You look like a wild rock 'n' roll star. | 0:06:58 | 0:07:02 | |
Wild rock 'n' roll star? | 0:07:02 | 0:07:04 | |
I don't think I've ever been called a wild rock 'n' roll star before! | 0:07:04 | 0:07:07 | |
See, I do like it. I would like it... | 0:07:07 | 0:07:09 | |
For me, personally, I think I'd like it, | 0:07:09 | 0:07:10 | |
but I don't know if it's right for what we're looking for. | 0:07:10 | 0:07:13 | |
-What do you think, Josh? -I think maybe... | 0:07:13 | 0:07:16 | |
Cos it's the first item, maybe leave it and come back to it, | 0:07:16 | 0:07:18 | |
-cos we're not going to miss it. -OK. It's a maybe. -It's a maybe. | 0:07:18 | 0:07:23 | |
Did you enjoy dressing up? | 0:07:24 | 0:07:26 | |
Yeah, I'm glad I got to come on Bargain Hunt | 0:07:26 | 0:07:28 | |
and put some fancy dress on! | 0:07:28 | 0:07:29 | |
That was one of my main things I wanted to do, so... | 0:07:29 | 0:07:32 | |
-I got to dress up. -So, we have one happy contestant already. | 0:07:32 | 0:07:36 | |
But the clock is ticking, Blues, | 0:07:36 | 0:07:38 | |
and it looks as if doctor Jamie is about to start her own examination. | 0:07:38 | 0:07:43 | |
-How old is that? Probably '20s or something. -1950s. -1950s? | 0:07:43 | 0:07:47 | |
-"Midwife's medical case". -Really? Gosh. | 0:07:47 | 0:07:50 | |
It fills you with dread, doesn't it, really? | 0:07:50 | 0:07:52 | |
-To see what they come around with now. -Yeah. | 0:07:52 | 0:07:54 | |
Nothing's sterilised in there. | 0:07:54 | 0:07:57 | |
You wouldn't want anyone turning up with that, would you? | 0:07:57 | 0:08:01 | |
-I'd give birth straightaway. -Yeah. | 0:08:01 | 0:08:03 | |
-It's a fairly specialised, niche market. -Absolutely. | 0:08:03 | 0:08:06 | |
Yeah, I don't know if anybody else would like it, | 0:08:06 | 0:08:09 | |
but I got quite excited, so... | 0:08:09 | 0:08:11 | |
Whether it would appeal to everybody, I don't know. | 0:08:11 | 0:08:14 | |
The diagnosis is not looking good just yet. | 0:08:14 | 0:08:16 | |
Onwards and upwards, girls. | 0:08:16 | 0:08:19 | |
Back with the Blues, and Josh has found an unusual piece of China. | 0:08:19 | 0:08:23 | |
Tell me why you like it, Josh. | 0:08:23 | 0:08:26 | |
Just because, I'm not thinking for me, personally... | 0:08:26 | 0:08:28 | |
-I do like it, but I just think that oriental stuff does well. -Uh-huh. | 0:08:28 | 0:08:32 | |
We have in China a burgeoning economy with money | 0:08:32 | 0:08:36 | |
that people have to spend. So the oriental items are vibrant. | 0:08:36 | 0:08:42 | |
This is probably... | 0:08:42 | 0:08:45 | |
It's been part of something. | 0:08:45 | 0:08:47 | |
It's been a panel in a piece of furniture, | 0:08:47 | 0:08:49 | |
or a box or something like that. It's not dear at £45. | 0:08:49 | 0:08:55 | |
I think if you like it, it's not priced highly. | 0:08:55 | 0:08:58 | |
I do like it, but now I've sort of examined it, | 0:08:58 | 0:09:01 | |
-I don't think the quality is quite there. -We'll leave that, then. | 0:09:01 | 0:09:04 | |
-We do have a damage along the top. -Yeah. -Them's the breaks, Blues. | 0:09:04 | 0:09:09 | |
And it looks as if optician Kelly has her eye on | 0:09:09 | 0:09:13 | |
a possible first purchase for the Reds. | 0:09:13 | 0:09:15 | |
Do you think they look in good condition? | 0:09:15 | 0:09:17 | |
They do look in really good condition, yeah. | 0:09:17 | 0:09:19 | |
They can get more ornate than this, though. | 0:09:19 | 0:09:21 | |
The box is lovely, | 0:09:21 | 0:09:22 | |
with this gilt tooling around the inside of the rim, silk lining. | 0:09:22 | 0:09:25 | |
But you can get them where they're gilt... | 0:09:25 | 0:09:28 | |
You can get them with different coloured lacquer, | 0:09:28 | 0:09:31 | |
so that they're more bright. | 0:09:31 | 0:09:33 | |
These are more of a gentleman's opera glass, rather than a lady's. | 0:09:33 | 0:09:36 | |
But obviously their lack of decorative merit will be reflected | 0:09:36 | 0:09:39 | |
in their price of...38 quid. | 0:09:39 | 0:09:42 | |
-With a little bit of movement, maybe... -I'll do them for... | 0:09:44 | 0:09:48 | |
28. | 0:09:48 | 0:09:49 | |
-Oh. You got the start right. -Eh? | 0:09:49 | 0:09:53 | |
If you put them into an auction at 28 quid, | 0:09:53 | 0:09:55 | |
-they're not going to run away. -Jamie, what do you think of those? | 0:09:55 | 0:09:59 | |
I actually quite like them. | 0:09:59 | 0:10:01 | |
As you say, they're not as decorative as they could be. | 0:10:01 | 0:10:03 | |
-But I like the case. -You've got velvet lining, silk lining, | 0:10:03 | 0:10:07 | |
and that's all in nice condition. | 0:10:07 | 0:10:08 | |
-Have a look outside and see if you can focus. -If I can see anything? | 0:10:08 | 0:10:11 | |
See if they work. That might be useful. | 0:10:11 | 0:10:14 | |
Maybe it's Kelly should be doing this. | 0:10:14 | 0:10:16 | |
She knows more about it than I do. I can see through those. I can focus. | 0:10:16 | 0:10:20 | |
They work. I really like them. | 0:10:20 | 0:10:23 | |
But, as you say, | 0:10:23 | 0:10:25 | |
whether we're going to make a profit or not is another question. | 0:10:25 | 0:10:28 | |
So will the Reds see eye to eye on the opera glasses? | 0:10:28 | 0:10:32 | |
After a small intermission, | 0:10:32 | 0:10:33 | |
the Blues have returned to the Dave Berry waistcoat. | 0:10:33 | 0:10:37 | |
I was wondering if you could possibly do it for any cheaper | 0:10:37 | 0:10:40 | |
-than 45? -The cheapest... -What would be your best price | 0:10:40 | 0:10:44 | |
-that you could do it for me? -My best, best, best is £40. -£40? | 0:10:44 | 0:10:49 | |
-Is that your bestest best? -It is. | 0:10:49 | 0:10:51 | |
-I'm afraid it is. Even if I give you a big smile? -No! | 0:10:51 | 0:10:54 | |
You've got a lovely smile, but you can't tempt me. OK? | 0:10:54 | 0:10:59 | |
-Nice try, Alan. -Josh, what do you think? | 0:10:59 | 0:11:02 | |
-Yeah, go for it. Might as well. -£40? -Yes? -Yes, please. | 0:11:02 | 0:11:05 | |
-I'll take it for £40. -OK, then, it's a deal. -Thank you. -Thank you. | 0:11:05 | 0:11:09 | |
Sold. So that's the first sale of the day. | 0:11:09 | 0:11:11 | |
-Seems the Blues are going all hell for leather. -HE CHUCKLES | 0:11:11 | 0:11:15 | |
But don't get too comfortable, because having closed the case | 0:11:15 | 0:11:18 | |
on the opera glasses, | 0:11:18 | 0:11:19 | |
something's got Jamie's heart racing for the Reds. | 0:11:19 | 0:11:22 | |
-We've got a stethoscope... Is that a stethoscope? -Part of one. | 0:11:24 | 0:11:27 | |
Parts of a stethoscope, yeah. | 0:11:27 | 0:11:29 | |
For me, being quite sad, I'm quite interested in all this. | 0:11:29 | 0:11:33 | |
I'd have to say, I wouldn't. | 0:11:33 | 0:11:35 | |
But I do think the opera glasses are... | 0:11:35 | 0:11:37 | |
Just because they are in such nice condition. | 0:11:37 | 0:11:40 | |
-Yeah, I do like the glasses. -With a little bit of movement. | 0:11:40 | 0:11:43 | |
Could you do £20 for us? | 0:11:43 | 0:11:46 | |
With a nice smile? | 0:11:47 | 0:11:49 | |
I think that's about what it cost me, so go on, then. | 0:11:49 | 0:11:52 | |
-We'll do them at 20 for you. -20 quid. | 0:11:52 | 0:11:54 | |
-Do you think that's sensible? -Yep. -Perfect. | 0:11:54 | 0:11:57 | |
-Thank you very much. -Thank you. | 0:11:57 | 0:11:59 | |
Bravo, girls, you've caught up. So, with a pair of opera glasses, | 0:11:59 | 0:12:02 | |
that's the end of Act One for the Reds. | 0:12:02 | 0:12:05 | |
But could the Blues have found somewhere to hang | 0:12:05 | 0:12:07 | |
that Dave Berry leather waistcoat? | 0:12:07 | 0:12:09 | |
It's like the most modern thing I've seen today, really. | 0:12:10 | 0:12:13 | |
-It looks nice and stylish. -Yeah. -And up-to-date. | 0:12:13 | 0:12:17 | |
20th century. Probably 1960s. | 0:12:17 | 0:12:19 | |
It has an abstract modernist look about it, which I love. | 0:12:21 | 0:12:25 | |
And I like this. I like plastic. It's made of plastic. | 0:12:25 | 0:12:29 | |
And I think we can swivel these handles here, if we loosen this off. | 0:12:29 | 0:12:34 | |
So coats can be put right round it. | 0:12:34 | 0:12:37 | |
I think it's absolutely great. | 0:12:37 | 0:12:39 | |
-Good spot, Joshua. -Yeah. How much is it? -I've got £85 on that one. | 0:12:39 | 0:12:44 | |
-Could you do it to a little bit less? Maybe 70? -Could you go 75? | 0:12:44 | 0:12:50 | |
-Meet halfway? -72. | 0:12:50 | 0:12:54 | |
-Deal. Nice one. -Thank you. -Cheers, buddy. | 0:12:54 | 0:12:57 | |
-Yeah, second buy! -Well done. | 0:12:57 | 0:12:59 | |
So, that's two to the Blues with fancy dress, weird and wacky | 0:12:59 | 0:13:03 | |
all ticked off their list. But let's not stand about. | 0:13:03 | 0:13:06 | |
The clock is still ticking. | 0:13:06 | 0:13:08 | |
OK, guys. Number two. Fabulous. | 0:13:08 | 0:13:12 | |
We've got one more to go, and we've got about 20 minutes. | 0:13:12 | 0:13:15 | |
We're not bad, but let's not get complacent. | 0:13:15 | 0:13:18 | |
So whilst the teams continue with the rest of their shop, | 0:13:18 | 0:13:21 | |
I have something to show you folks at home. | 0:13:21 | 0:13:24 | |
There's been a considerable resurgence of interest | 0:13:25 | 0:13:28 | |
in recent years in all things connected with folk art. | 0:13:28 | 0:13:33 | |
And coming to a fair like this gives you an opportunity | 0:13:33 | 0:13:37 | |
of poking around and particularly trying to find things | 0:13:37 | 0:13:41 | |
that have a rustic and rural look. Like this little frame. | 0:13:41 | 0:13:46 | |
Now, this was on a stall 20 yards up the alleyway here, | 0:13:46 | 0:13:50 | |
and I think it's absolutely delightful. | 0:13:50 | 0:13:54 | |
What we've got has been created by some woodland craftsperson | 0:13:54 | 0:14:00 | |
who's probably been sitting in a forest full of fir trees. | 0:14:00 | 0:14:05 | |
And every so often, some fir cones have fallen from the trees, | 0:14:05 | 0:14:09 | |
and this bloke's gone around and gathered them up. | 0:14:09 | 0:14:12 | |
Having gathered them up, he's then dissected the pine cones | 0:14:12 | 0:14:16 | |
into the individual component seed scales. | 0:14:16 | 0:14:20 | |
And then with those seed scales, decorated this frame. | 0:14:20 | 0:14:24 | |
The background is made of strips of bark | 0:14:24 | 0:14:28 | |
which have been crudely nailed diagonally. | 0:14:28 | 0:14:31 | |
In the corners we've got nine pine cone sections | 0:14:31 | 0:14:36 | |
making a symmetrical pattern, | 0:14:36 | 0:14:38 | |
and they're interposed by flower heads. | 0:14:38 | 0:14:41 | |
Each of the flower heads is made of pine cone, | 0:14:41 | 0:14:45 | |
and capped with the bottom of a cork. | 0:14:45 | 0:14:49 | |
And as if that wasn't enough effort, all the outside edge, | 0:14:49 | 0:14:53 | |
all the way along, is made up of more bits of pine cone, | 0:14:53 | 0:14:58 | |
but cunningly overlaid one on top of the other, | 0:14:58 | 0:15:02 | |
so you can't see the nail | 0:15:02 | 0:15:04 | |
which is the securing bit holding each of these parts to the frame. | 0:15:04 | 0:15:08 | |
Isn't that clever? | 0:15:08 | 0:15:10 | |
Well, it's a phenomenal amount of work, I can tell you. | 0:15:10 | 0:15:13 | |
And I reckon this frame was made in France, | 0:15:13 | 0:15:16 | |
because of the hint given in the print in the middle of the frame. | 0:15:16 | 0:15:20 | |
Here we have three naughty little boys urinating over a park bench. | 0:15:20 | 0:15:27 | |
And the joke is in the script underneath, | 0:15:27 | 0:15:30 | |
which says "Le corps de pompiers". | 0:15:30 | 0:15:33 | |
The fire brigade. Putting out a fire. Isn't that charming? | 0:15:33 | 0:15:39 | |
All that work, all that history, and the sheer fun of it all, | 0:15:39 | 0:15:44 | |
could be yours, down the road, here, for £20. | 0:15:44 | 0:15:48 | |
Is that expensive? | 0:15:48 | 0:15:50 | |
I wouldn't want to do it for £20. | 0:15:50 | 0:15:52 | |
The Reds still have £280 left to spend. Let's see how they're doing. | 0:15:54 | 0:15:57 | |
-What do you think of that? -Oh, that's cute. | 0:15:57 | 0:16:03 | |
If anyone looked at it, they would say, "That's Lalique." | 0:16:03 | 0:16:06 | |
Lalique as in Rene Lalique, | 0:16:06 | 0:16:08 | |
a silver maker from the early part of the 20th century. | 0:16:08 | 0:16:10 | |
There is a Lalique shop still running now. | 0:16:10 | 0:16:13 | |
This is by another French company though, called Sevres. | 0:16:13 | 0:16:16 | |
Sevres established in the late 1740s in France, | 0:16:16 | 0:16:20 | |
and they were THE sort of porcelain factory, | 0:16:20 | 0:16:23 | |
predominantly for their royal family. | 0:16:23 | 0:16:25 | |
I quite liked it because Sevres is a mark of quality. | 0:16:25 | 0:16:28 | |
The condition's nice. | 0:16:28 | 0:16:31 | |
-It says it's 65. -I can do it for 45. | 0:16:31 | 0:16:35 | |
Is that likely to make a profit on 45? | 0:16:37 | 0:16:40 | |
You know, it might make 50, it might make 60, it might make 70 - | 0:16:40 | 0:16:43 | |
it might, possibly, on a really good day. | 0:16:43 | 0:16:46 | |
But it might only make £40, £45, you know? | 0:16:46 | 0:16:48 | |
I'll do it for 40, if that's any help. | 0:16:48 | 0:16:50 | |
-If she'll do it for 40, do you think? -I think that's reasonable. | 0:16:50 | 0:16:54 | |
-I quite like it. -Yeah. -Shall we go for it? -I think so. -Why not? -£40? | 0:16:54 | 0:16:58 | |
-Excellent. Perfect. -Thank you very much. | 0:16:58 | 0:17:01 | |
Now, I've helped you on one, you've got one... | 0:17:01 | 0:17:05 | |
-It's down to me. -Down to you! -I've spotted a skull. -She wants the skull | 0:17:05 | 0:17:08 | |
-down there. -I love that skull! -The skull? | 0:17:08 | 0:17:10 | |
Let's not lose our heads, Jamie. | 0:17:10 | 0:17:13 | |
So, well done, girls. One each to go. | 0:17:13 | 0:17:15 | |
-Time to get your thinking caps on, teams. -Is it stylin'? | 0:17:15 | 0:17:20 | |
-I'd like to know what you think of these. -Hmmm. | 0:17:20 | 0:17:23 | |
What are they? | 0:17:23 | 0:17:25 | |
Um, they're lasts for shoes. | 0:17:25 | 0:17:28 | |
As I suppose it suggests, | 0:17:28 | 0:17:31 | |
they make your shoes last longer, maybe. | 0:17:31 | 0:17:33 | |
You put them there and it's to stretch the foot out | 0:17:33 | 0:17:35 | |
so that when you've been walking and they get wet, if they dry, | 0:17:35 | 0:17:38 | |
they dry cold. So it's to keep the shape of your shoes. | 0:17:38 | 0:17:40 | |
But they've got these nice brass fittings. | 0:17:40 | 0:17:43 | |
This one is for Grafenstadt. They're a German street retailer. | 0:17:43 | 0:17:49 | |
And that's got some age. | 0:17:49 | 0:17:51 | |
And the little letters on here, which would have been the chap | 0:17:51 | 0:17:54 | |
who had the shoes, who put them in his shoes. | 0:17:54 | 0:17:56 | |
The style of lettering is from the '30s, | 0:17:56 | 0:17:58 | |
so these are not made yesterday. | 0:17:58 | 0:18:03 | |
-I like those. A bit unusual. -I quite like those, yeah. | 0:18:03 | 0:18:05 | |
Just nicely made, nice quality fittings. | 0:18:05 | 0:18:08 | |
-It would have been a wealthy man who had them. -Is there a price on them? | 0:18:08 | 0:18:13 | |
-Don't know. -They are 75. But I'll do them for 50. -OK. | 0:18:13 | 0:18:19 | |
-That's very kind of you. Thank you. -There we are, maybe. -Definitely. | 0:18:19 | 0:18:24 | |
-Just in case we are panicking. -Yeah, if we have to run back! | 0:18:24 | 0:18:27 | |
So the Reds step away from the lasts. | 0:18:27 | 0:18:30 | |
But it look as if the Blues are just about to slip on | 0:18:30 | 0:18:33 | |
-THEIR dancing shoes. -What have you found there, guys? | 0:18:33 | 0:18:35 | |
-It's an old HMV gramophone. -Oh, wow! -Working. -Yeah? | 0:18:35 | 0:18:41 | |
-We're into 20th-century design again, guys. -Yeah, this is perfect. | 0:18:41 | 0:18:44 | |
-That's in working order. -Yep. -Now, I know that you're into music. | 0:18:44 | 0:18:49 | |
-You organise music... Are you a DJ? -Yeah, a little bit. | 0:18:49 | 0:18:53 | |
More of a promoter. But disco, mainly. | 0:18:53 | 0:18:56 | |
So hopefully we can get a few disco numbers playing on there. | 0:18:56 | 0:18:59 | |
-Sort of late '70s, early '80s numbers. -That's absolutely fabulous. | 0:18:59 | 0:19:03 | |
Great design, very sort of simple, straightforward design. | 0:19:03 | 0:19:06 | |
Nothing ornate or fancy about it. OK, do you want to go for it? | 0:19:06 | 0:19:11 | |
-I think maybe... -Have another little walk up there. -Just double check. | 0:19:11 | 0:19:14 | |
-I think that would be a good finisher if not. -Yeah. | 0:19:14 | 0:19:17 | |
I can see you've got a wee smile on your face. Come on. | 0:19:17 | 0:19:20 | |
So both teams have something in reserve. | 0:19:20 | 0:19:23 | |
I want to go up there with the time we've got left | 0:19:23 | 0:19:26 | |
and check out some skis I saw. | 0:19:26 | 0:19:27 | |
Maybe see if anything else catches our eye. | 0:19:27 | 0:19:29 | |
But if not, go back to the record player. | 0:19:29 | 0:19:32 | |
But don't leave it too long, cos time's running out. | 0:19:32 | 0:19:35 | |
You see lots of walking canes in sort of stands around fairs. | 0:19:39 | 0:19:43 | |
I picked this one out because... | 0:19:43 | 0:19:46 | |
I mean, it's a typical Malacca cane. | 0:19:46 | 0:19:47 | |
But the finial, which is quite a nice sort of pommel, | 0:19:47 | 0:19:50 | |
is obviously modelled as a golf ball. | 0:19:50 | 0:19:53 | |
And it's silver, and it's hallmarked silver, | 0:19:53 | 0:19:55 | |
-and it's got a Victorian mark. It's had a few little knocks on it. -Yeah. | 0:19:55 | 0:19:59 | |
-He's asking £140 for it. -It's quite nice. | 0:20:00 | 0:20:06 | |
I like the idea of a walking cane. | 0:20:06 | 0:20:07 | |
But as you say, it's well worn, isn't it? | 0:20:07 | 0:20:11 | |
-You'd expect it, though. -Mmm. -Do you think it's worth the extra money? | 0:20:11 | 0:20:15 | |
-Er, depends how much extra we have to pay. -I'll go to 120. | 0:20:15 | 0:20:21 | |
-We don't have much time. -We've got the shoes over there as well. | 0:20:21 | 0:20:24 | |
-The shoes, which is a safer bet. -Yeah. | 0:20:24 | 0:20:26 | |
But is it going to make much of a profit? | 0:20:26 | 0:20:28 | |
I'd hazard a guess, to be honest, that golf at the right price | 0:20:28 | 0:20:31 | |
-might have a chance more. -OK. -Over the shoes. | 0:20:31 | 0:20:33 | |
It's tense stuff, but we need a decision, teams. | 0:20:35 | 0:20:38 | |
There's only five minutes to go. | 0:20:38 | 0:20:40 | |
-The boys have a choice to make. -Right. -Skis or radiogram? | 0:20:40 | 0:20:45 | |
You know the skis make sense. ANITA LAUGHS | 0:20:45 | 0:20:48 | |
What is the very, very best you can do on the skis? | 0:20:48 | 0:20:52 | |
-No haggling, bottom line, £80. -Right. | 0:20:52 | 0:20:56 | |
-Team huddle. -Yeah. -What do you think? I like the skis. | 0:20:56 | 0:20:59 | |
I do like the skis. But I think maybe the record player. | 0:20:59 | 0:21:01 | |
-I'm feeling the record player. -I think it's more us. -Yeah. | 0:21:01 | 0:21:04 | |
-I think go for the record player. -Final buy, record player? -Yeah. | 0:21:04 | 0:21:07 | |
I do like the skis, but, yeah, record player. | 0:21:07 | 0:21:09 | |
But the Blues will have to get back to the stall in record time. | 0:21:09 | 0:21:13 | |
-There it is. It's still there, thank God. -Good, good, good. | 0:21:13 | 0:21:16 | |
I was a wee bit worried. | 0:21:16 | 0:21:18 | |
I think that's what's putting me off, the fact that it's £100 and odd, | 0:21:18 | 0:21:21 | |
-but it's got quite an obvious... -Well, there's two markets for it. | 0:21:21 | 0:21:25 | |
-There's golf collectors and... -Cane and golf collectors, yeah. | 0:21:25 | 0:21:28 | |
-It's a nice Malacca cane too. 105, that's the best. -105. | 0:21:28 | 0:21:32 | |
Ladies, you decide. | 0:21:32 | 0:21:34 | |
Do you want to spend more, or less? | 0:21:34 | 0:21:36 | |
Tick-tock, Reds, it's all down to the price | 0:21:36 | 0:21:38 | |
for the third and final item. | 0:21:38 | 0:21:40 | |
What's the absolute, absolute best you could do us? | 0:21:40 | 0:21:44 | |
-The death. -To the death. Could you knock a tenner off? | 0:21:44 | 0:21:48 | |
Could we make it £80? | 0:21:48 | 0:21:49 | |
Maybe we might make that pound. That might be our £1 profit. | 0:21:49 | 0:21:52 | |
-Josh has definitely got the hang of this now. -Go on, then. -Nice one. | 0:21:52 | 0:21:56 | |
-Go on, then. -Thanks, nice one. Thank you. | 0:21:56 | 0:21:59 | |
You've made these boys very, very happy. | 0:21:59 | 0:22:02 | |
-I've got nothing to listen to... -Oh, never mind. | 0:22:02 | 0:22:05 | |
Full house for the Blues. | 0:22:05 | 0:22:06 | |
Well done, gents, and well done, Anita. | 0:22:06 | 0:22:08 | |
But have the Reds made a decision yet? | 0:22:08 | 0:22:11 | |
RED TEAM LAUGHS What do you think? | 0:22:11 | 0:22:13 | |
I think maybe because there's two markets for that, go for the cane. | 0:22:13 | 0:22:16 | |
-105, if that's OK. -Good. Thank you very much. | 0:22:16 | 0:22:20 | |
-And we're finished. -Yay! -Well done. -Relief! -Yeah. | 0:22:21 | 0:22:25 | |
-That was a lot more difficult than I ever thought. -Time's up. Nice work. | 0:22:25 | 0:22:30 | |
The Malacca cane completes the set for the Reds. | 0:22:30 | 0:22:33 | |
-High-fives all round, eh? -High-fives. | 0:22:33 | 0:22:36 | |
-Er, maybe not. -Three-way high-fives. | 0:22:36 | 0:22:38 | |
Three-way high-fives! I've never done this before. Wow, brilliant. | 0:22:38 | 0:22:41 | |
-It worked! -Got there in the end, teams. | 0:22:41 | 0:22:44 | |
Well, that shopping was no picnic. | 0:22:44 | 0:22:47 | |
Let's check out what the Red team bought, eh? | 0:22:47 | 0:22:49 | |
The Reds spied a pair of Victorian opera glasses for £20. | 0:22:49 | 0:22:53 | |
The circular glass dish was served up for £40. | 0:22:54 | 0:22:58 | |
And the girls took the Malacca walking cane in their stride | 0:22:58 | 0:23:01 | |
for £105. | 0:23:01 | 0:23:03 | |
-Well, that was fun, girls, wasn't it? -It was. I really enjoyed it. | 0:23:03 | 0:23:06 | |
A whole hour with JP. | 0:23:06 | 0:23:08 | |
-What could be nicer? -Lucky girls. | 0:23:08 | 0:23:11 | |
-Now, what I need to know is, how much did you spend? -We spent £165. | 0:23:11 | 0:23:15 | |
That is a very, very nice number, £165. | 0:23:15 | 0:23:18 | |
Which means I'd like £135 of leftover lolly, please. | 0:23:18 | 0:23:21 | |
There you go. | 0:23:21 | 0:23:22 | |
Eagerly anticipated by Jonathan, I know, | 0:23:22 | 0:23:25 | |
but I need to find out first, which is your favourite item? | 0:23:25 | 0:23:29 | |
I think out of all of them, my favourite's probably the cane. | 0:23:29 | 0:23:32 | |
-That's your personal favourite? -Yeah, I like that one. -Does the sister agree? | 0:23:32 | 0:23:35 | |
-I'll say the opera glasses, because that's right up my street. I like those. -OK. | 0:23:35 | 0:23:39 | |
Are they going to bring the biggest profit? | 0:23:39 | 0:23:41 | |
I'm hoping we'll get some profit out of the cane. | 0:23:41 | 0:23:43 | |
-You think the cane will bring the biggest profit? -I think there'll be interest in that. | 0:23:43 | 0:23:47 | |
Your opera glasses won't make much profit? You don't see a profit through them? | 0:23:47 | 0:23:51 | |
-They might make a little. They might. -Oh, they might? Very coy. | 0:23:51 | 0:23:54 | |
-Has she been as coy as this all through the shopping? -Yes! | 0:23:54 | 0:23:57 | |
I'm getting the coyness here. | 0:23:57 | 0:23:58 | |
So, Jonathan Pratt, what are you going to do with it? | 0:23:58 | 0:24:01 | |
I think I've got an idea for the sort of things they like. | 0:24:01 | 0:24:03 | |
We've seen a few things. | 0:24:03 | 0:24:04 | |
I might buy something they've seen already, perhaps. I don't know. | 0:24:04 | 0:24:07 | |
I'm not going to spend a lot, that's for sure. | 0:24:07 | 0:24:09 | |
-You're parking your options too. -THEY LAUGH | 0:24:09 | 0:24:12 | |
So, on that happy note, | 0:24:12 | 0:24:13 | |
why don't we check out what the Blue team bought, eh? | 0:24:13 | 0:24:16 | |
The Blues harked back to the '60s with the Dave Berry | 0:24:16 | 0:24:19 | |
leather waistcoat bought for £40, | 0:24:19 | 0:24:23 | |
hung their hopes on the hat stand at £72, and got well and truly | 0:24:23 | 0:24:29 | |
into their groove with the 1970s teak-cased radiogram for £79. | 0:24:29 | 0:24:35 | |
You are a bunch of jokers you are, aren't you? | 0:24:35 | 0:24:37 | |
I mean, modern contemporary, music, and a lot of messing about. | 0:24:37 | 0:24:41 | |
-Yep. -You had a good time? -Yeah, it's been amazing. -Yeah, brilliant. | 0:24:41 | 0:24:44 | |
-That's what it's all about. -It's all about spending a day with Anita. | 0:24:44 | 0:24:47 | |
And having Anita, I know! The bonus. | 0:24:47 | 0:24:51 | |
So I need to ask you, which is your favourite piece, Josh? | 0:24:51 | 0:24:53 | |
Probably the 1960s hat stand which sort of folds apart. | 0:24:53 | 0:24:57 | |
-That's your favourite. Do you agree? -My personal favourite piece is the waistcoat. | 0:24:57 | 0:25:01 | |
-The waistcoat is your favourite? -Yes. | 0:25:01 | 0:25:03 | |
-Will that bring the biggest profit? -I don't think so! | 0:25:03 | 0:25:05 | |
-You don't think so? -No. -What will bring the biggest profit? -The hat stand. | 0:25:05 | 0:25:09 | |
-Will the hat stand bring the biggest profit? -Hopefully. Fingers crossed. | 0:25:09 | 0:25:12 | |
You're going to hang your hat on it anyway, and hope for the best? OK. | 0:25:12 | 0:25:15 | |
-And you spent how much? -191. -That is a really good sum. | 0:25:15 | 0:25:18 | |
-191... I'd like £109 of leftover lolly, please. -If I've got it... | 0:25:18 | 0:25:23 | |
What do you mean, if you've got it? | 0:25:23 | 0:25:24 | |
-There'll be trouble if you haven't got it. -..There's the four. -OK. | 0:25:24 | 0:25:28 | |
You have got it. Congratulations. That goes straight over. | 0:25:28 | 0:25:31 | |
-Anita, that's a nice little wodge for you. -It is. | 0:25:31 | 0:25:34 | |
You're going to go off and find a wee jobbie with that, are you? | 0:25:34 | 0:25:36 | |
I think so. The boys like to go to events, to get all dressed up, | 0:25:36 | 0:25:40 | |
so I'm thinking sartorial might be the thing for the bonus buy. | 0:25:40 | 0:25:45 | |
-Sounds good. -Really? That's a bit of a hint then, isn't it? | 0:25:45 | 0:25:48 | |
But we won't have to wait long, | 0:25:48 | 0:25:50 | |
because just now we're going to shove off to the auction. Ooh-ah. | 0:25:50 | 0:25:53 | |
Well, I can't think of more fun we're about to have than at | 0:26:01 | 0:26:05 | |
Charles Hanson's saleroom in Etwall | 0:26:05 | 0:26:07 | |
on the outskirts of Derby with the great man himself. | 0:26:07 | 0:26:09 | |
-Charles, how are you? -Very well, thanks. | 0:26:09 | 0:26:11 | |
-Standing by for the fun and games? -Can't wait. | 0:26:11 | 0:26:13 | |
We've got a mixture here, I tell you, | 0:26:13 | 0:26:15 | |
looking across both team's lots. It's great. | 0:26:15 | 0:26:18 | |
Now, first up, are the fairly standard, I have to say, | 0:26:18 | 0:26:21 | |
-opera glasses. -Yeah, Tim, they're really standard, but they're neat. | 0:26:21 | 0:26:25 | |
Not a lot of people to use these opera glasses, | 0:26:25 | 0:26:27 | |
that's the problem, isn't it? | 0:26:27 | 0:26:29 | |
But if you want a really good pair of opera glasses, they are bygones. | 0:26:29 | 0:26:32 | |
They have that social nostalgia of how we used to be entertained. | 0:26:32 | 0:26:36 | |
-I think they're good fun. -How much? -We've been really cautious. | 0:26:36 | 0:26:39 | |
-Our guide price is between £10 and £20. -OK, £20 only. | 0:26:39 | 0:26:44 | |
-Next is the Lalique lookalike. -It's what we call Cristal de Sevres. | 0:26:44 | 0:26:49 | |
So rather than being part of that great Sevres porcelain factory, | 0:26:49 | 0:26:53 | |
it's more the glasshouse, which is more of a modern entity. | 0:26:53 | 0:26:56 | |
-But they're cribbing Lalique, really, aren't they? -Very much so. | 0:26:56 | 0:26:59 | |
This acid etched business. What sort of price do you think it'll bring? | 0:26:59 | 0:27:02 | |
Tim, it's in good condition, | 0:27:02 | 0:27:03 | |
and it's just, to a bird enthusiast, a good-looking bird. | 0:27:03 | 0:27:07 | |
-So our guide price is between £20 and £30. -Really? -Yes. | 0:27:07 | 0:27:11 | |
-Well, the team paid 40. So it's not so far off? -It might coo, Tim. | 0:27:11 | 0:27:16 | |
-It might coo! We might have a coo. -CHARLES LAUGHS | 0:27:16 | 0:27:19 | |
OK, super, Charles. | 0:27:19 | 0:27:20 | |
Now, lastly, and I rather rate this object, | 0:27:20 | 0:27:23 | |
cos I quite like Malacca as a substance. | 0:27:23 | 0:27:26 | |
-And then divinity on divinity, you have a golf ball finial. -Yes. | 0:27:26 | 0:27:32 | |
Tim, you could almost dance with it. | 0:27:32 | 0:27:34 | |
It balances, it sits so well. There's one problem, though, with it. | 0:27:34 | 0:27:38 | |
-Oh, is there? -Yeah. -What's that? | 0:27:38 | 0:27:39 | |
There's a huge split around the actual finial, or pommel, | 0:27:39 | 0:27:43 | |
-of the golf ball... -Yeah, you're absolutely right. | 0:27:43 | 0:27:46 | |
..which will really diminish value. | 0:27:46 | 0:27:48 | |
And if it was in that tiptop condition, it might be 150 to 250. | 0:27:48 | 0:27:52 | |
But because of that knock, we've gone down, down, down, | 0:27:52 | 0:27:56 | |
and I've gone in with a guide price, really, of between £30 and £50. | 0:27:56 | 0:28:01 | |
I'm afraid to say, Charles, that that could torpedo their chances. | 0:28:01 | 0:28:04 | |
In which case, they're going to need their bonus buy, | 0:28:04 | 0:28:06 | |
so let's go and have a look at it. | 0:28:06 | 0:28:08 | |
OK, kids. Now, you spent a magnificent £165. | 0:28:08 | 0:28:12 | |
You gave 135 to JP. JP, what did you buy? | 0:28:12 | 0:28:15 | |
-Well, what's a lady's favourite thing? -My favourite thing? Shoes. | 0:28:15 | 0:28:20 | |
-Oh, Jamie! -Yeah! -Amazing! -There we are. -Amazing! -This is your moment. | 0:28:20 | 0:28:27 | |
Yes, exactly. There you are. Have one each. | 0:28:27 | 0:28:29 | |
You have the left, you have the right. There we are. | 0:28:29 | 0:28:31 | |
-Don't you think that's fantastic? -I do. -The shape of the thing, | 0:28:31 | 0:28:34 | |
so every little curve of your tootsie... | 0:28:34 | 0:28:37 | |
-Exactly! -..has been carved out by a block maker. | 0:28:37 | 0:28:40 | |
So if you unscrew that device, which is like a piece of engineering | 0:28:40 | 0:28:44 | |
which is unbelievable. That comes off, | 0:28:44 | 0:28:46 | |
-and the two bits come into halves. -So you slot that bit in, | 0:28:46 | 0:28:49 | |
and then you can drop that down the back, and screw it in. | 0:28:49 | 0:28:52 | |
Then you can force the heel out, | 0:28:52 | 0:28:54 | |
-so it gets the shape of the shoe. -Brilliant. -How much did you spend? | 0:28:54 | 0:28:57 | |
-Now we get to the nitty-gritty. It cost me 50. -OK. -Yep. -Like that. | 0:28:57 | 0:29:02 | |
Perfect. Let's find out what the auctioneer thinks about the lasts. | 0:29:02 | 0:29:07 | |
Well, Charles, I think you would travel many a long mile before you | 0:29:07 | 0:29:13 | |
came across a better quality, better crafted pair of shoe lasts. | 0:29:13 | 0:29:18 | |
Tim, they just glow, don't they? | 0:29:18 | 0:29:19 | |
They just have a patination, a sophistication, | 0:29:19 | 0:29:23 | |
and elegance of how society looked after their garments. | 0:29:23 | 0:29:28 | |
Who were these people, Grafenstadt? | 0:29:28 | 0:29:31 | |
They were based on that wonderful street in London | 0:29:31 | 0:29:33 | |
called Jermyn Street. | 0:29:33 | 0:29:35 | |
And my homework I did on these earlier on is actually, | 0:29:35 | 0:29:39 | |
the concern went bankrupt in October 1890. | 0:29:39 | 0:29:43 | |
So clearly in age terms, they must be, I suppose, 1880, 1885. | 0:29:43 | 0:29:48 | |
-Very difficult to value. -Yes, they are, Tim. | 0:29:48 | 0:29:52 | |
We've been really cautious, because we don't see them. | 0:29:52 | 0:29:54 | |
-And our guide price on them is between £40 and £60. -Mm-hm. | 0:29:54 | 0:29:59 | |
And I would hope, Tim, they could make £100 plus. I really do. | 0:29:59 | 0:30:02 | |
That's it for the Reds. Now for the Blues, who've gone seriously weird. | 0:30:02 | 0:30:08 | |
Now, tell us about Dave Berry. What do you know about Dave Berry? | 0:30:08 | 0:30:11 | |
He was a Sheffield lad. He was a 1960s pop star. Do you remember him? | 0:30:11 | 0:30:15 | |
-No. Before my time. -OK. Sorry. I quite like it. | 0:30:15 | 0:30:19 | |
I'm not quite sure on the design. | 0:30:19 | 0:30:20 | |
I don't know if you'd wear this sort of thing, would you? | 0:30:20 | 0:30:23 | |
Navajo is not me, normally. But you never know. | 0:30:23 | 0:30:26 | |
-On the right occasion. -Exactly, Tim. -How much, please? | 0:30:26 | 0:30:30 | |
-I hope, and I really hope, it will make, top estimate, £50. -Good. | 0:30:30 | 0:30:35 | |
-Well, that's spot-on, because they only paid £40. -Good. | 0:30:35 | 0:30:38 | |
Moving on, before we get too enthusiastic, to the | 0:30:38 | 0:30:41 | |
grey plastic, modernist coat stand. | 0:30:41 | 0:30:44 | |
Tim, I've looked everywhere for a prototype. | 0:30:44 | 0:30:46 | |
We've done our homework, and can't find like-for-like. | 0:30:46 | 0:30:49 | |
-I'm not surprised. -Really, all I would say is the market | 0:30:49 | 0:30:52 | |
-is very hungry for modern objects. -Yes. | 0:30:52 | 0:30:56 | |
And I've got no idea what it's going to make, Tim. | 0:30:56 | 0:30:59 | |
It's very difficult, isn't it? | 0:30:59 | 0:31:00 | |
Well, we're going to start, and hopefully go up, up, up. | 0:31:00 | 0:31:03 | |
-Our guide price is between £10 and £20. -OK! | 0:31:03 | 0:31:08 | |
-Well, our lot spent £72 on that. -Really? -Yes. | 0:31:08 | 0:31:11 | |
And the last item, which I think is intriguing | 0:31:11 | 0:31:14 | |
-and actually rather interesting, is the radiogram. -Yes. | 0:31:14 | 0:31:17 | |
Cos there is the quintessential style object from 1968 to 1972. | 0:31:17 | 0:31:22 | |
It's in good condition, it's clean. | 0:31:22 | 0:31:25 | |
And it's the sort of thing which, again, | 0:31:25 | 0:31:27 | |
these younger generation of enthusiasts, who are the new collectors, want, | 0:31:27 | 0:31:31 | |
-because it's almost iconic. -All right, then. | 0:31:31 | 0:31:33 | |
So put your big bidding hat on. What's your estimate? | 0:31:33 | 0:31:36 | |
Well, again, we want buyers to come together in a frenzy. | 0:31:36 | 0:31:40 | |
-My valuation is about £20. -Is it? -Yes. -£79, our lot paid. | 0:31:40 | 0:31:45 | |
-I've been very cautious, Tim. -In case the frenzy doesn't happen this week... -I'm in trouble. | 0:31:45 | 0:31:48 | |
No. We've got the bonus buy to look at. | 0:31:48 | 0:31:51 | |
Let's have a butcher's at that. | 0:31:51 | 0:31:53 | |
-OK, chaps. This is fun, isn't it? -Yes. -You spent very nicely 191. | 0:31:53 | 0:31:57 | |
You gave A Manning £109 of leftover lolly. Anita, what did you buy? | 0:31:57 | 0:32:03 | |
Well, my lovely boys are all about style. | 0:32:03 | 0:32:06 | |
They love to dress up, they love to look good. | 0:32:06 | 0:32:10 | |
And what better to finish off an outfit than... | 0:32:10 | 0:32:15 | |
-A nice wee pair of cuff links. -Oh, cuff links. Nice. | 0:32:15 | 0:32:19 | |
These are Scandinavian. They are the later part of the 20th century. | 0:32:19 | 0:32:24 | |
They have this lovely modernist design, which again, for me, | 0:32:24 | 0:32:29 | |
and for younger people, is appealing. | 0:32:29 | 0:32:31 | |
And they are in sterling silver. Now, would you wear them? | 0:32:31 | 0:32:37 | |
-I would definitely wear these. -Oh! -They are nice. | 0:32:37 | 0:32:40 | |
Actually, I'm going to a wedding on the weekend, | 0:32:40 | 0:32:42 | |
-so they would go perfectly with my suit, to be honest! -You can't buy them! | 0:32:42 | 0:32:45 | |
Buy them yourself, yeah! How much did you pay for these? | 0:32:45 | 0:32:48 | |
-I paid £20. -That's good. -Bargain. -Tenner each. | 0:32:48 | 0:32:51 | |
Perfect. Everybody happy? Yep. Good. | 0:32:52 | 0:32:54 | |
For the audience at home, | 0:32:54 | 0:32:56 | |
let's find out what the auctioneer thinks about Anita's links. | 0:32:56 | 0:33:00 | |
-OK, Charles. Bit more Scandinavian. -Yeah. | 0:33:00 | 0:33:03 | |
They're decorative, they are bright-cut, they are Danish. | 0:33:03 | 0:33:06 | |
And they're quite late. | 0:33:06 | 0:33:08 | |
-I can't quite work out what decade they are. 1980s? -Don't know. | 0:33:08 | 0:33:12 | |
-They're bright-cut, aren't they? -They are. | 0:33:12 | 0:33:14 | |
I have to tell you that clever old Anita Manning, and she is | 0:33:14 | 0:33:17 | |
a mighty canny woman, as we know, has only spent £20 on these. | 0:33:17 | 0:33:22 | |
-I think £20 retail for solid silver Danish... -Exactly. -..and marked... | 0:33:22 | 0:33:26 | |
-And silver. -..and ready to go... -Yep. -...is a mighty canny price. | 0:33:26 | 0:33:30 | |
I think the joy is, | 0:33:30 | 0:33:31 | |
if you went to a nice retailers to buy like-for-like, they might be... | 0:33:31 | 0:33:35 | |
-I don't know, 225. -They might be 180. £180? Yes. | 0:33:35 | 0:33:39 | |
On a good day, I'd hope they might make between £20 and £30. | 0:33:39 | 0:33:42 | |
There you are. It just shows how cheap some of these things can be. | 0:33:42 | 0:33:45 | |
OK, Charles. | 0:33:45 | 0:33:47 | |
-We've got a great cross-section of objects today. -We have. | 0:33:47 | 0:33:50 | |
At 480, in the room, we are all done... | 0:33:53 | 0:33:56 | |
-Well, this is exciting, isn't it? -It is. -Just how excited are you? | 0:33:56 | 0:34:01 | |
I think I'm more nervous than anything. I'm so nervous! | 0:34:01 | 0:34:05 | |
-How can you be nervous? -I just don't know. -Are you feeling nervous, Kelly? | 0:34:05 | 0:34:09 | |
I am nervous, but I'm excited. It's the first auction, so... | 0:34:09 | 0:34:12 | |
-You've never been to an auction? -I've never been to an auction. | 0:34:12 | 0:34:15 | |
-Hey, JP, this is special, isn't it? -Yes. | 0:34:15 | 0:34:17 | |
But once the bug bites, you, I tell you, you can't give it up. | 0:34:17 | 0:34:20 | |
Anyway, first lot coming up, any sec, are the opera glasses. | 0:34:20 | 0:34:23 | |
And here they come. | 0:34:23 | 0:34:24 | |
A lovely pair of opera glasses, they're shown for you there. | 0:34:24 | 0:34:27 | |
I'm only bid £10. | 0:34:27 | 0:34:29 | |
I'm asking 12 now. 12, 15. The net is going wild. 25. 25. | 0:34:29 | 0:34:35 | |
-They are wonderful things. -Look at that. -I'm asking 30. 30, five... | 0:34:35 | 0:34:40 | |
I'd give up the medical and optical profession if I were you, | 0:34:40 | 0:34:43 | |
-and settle down to what you're suited to. -At £30. | 0:34:43 | 0:34:47 | |
-Fair warning at 30. -Brilliant. | 0:34:47 | 0:34:49 | |
-£30 is plus £10. -Let's keep it going. | 0:34:49 | 0:34:55 | |
..Modern Sevres, and I'm bid here 15, 18, 20. I'm asking two now. Two. | 0:34:55 | 0:35:01 | |
-I'm out. 22, I'm bid, 25. 28, madam. 28, 30. 32, 35. -Yes! -No more. | 0:35:01 | 0:35:08 | |
-You're in, sir. Fair warning, all done. At £32, all done. -No! | 0:35:08 | 0:35:14 | |
HAMMER | 0:35:14 | 0:35:15 | |
He can't do that! 32 is minus eight, which means you're plus two. | 0:35:15 | 0:35:19 | |
That's a pound each, all right? | 0:35:19 | 0:35:21 | |
It's a wonderful late Victorian Malacca walking stick, | 0:35:21 | 0:35:25 | |
and I'm bid £30. Do I see two now? 32, 35, 38. 38, 45. | 0:35:25 | 0:35:32 | |
40 I'm bid for the golfing, 45. The net's going wild. | 0:35:32 | 0:35:35 | |
50, I'm bid. Five. | 0:35:35 | 0:35:37 | |
Online, do I see 60 now? | 0:35:37 | 0:35:39 | |
60. Five. We're on the net. | 0:35:39 | 0:35:43 | |
Fair warning, all done at £60 today. | 0:35:43 | 0:35:47 | |
Minus 45. Which means it's minus 43. | 0:35:47 | 0:35:51 | |
Oh, dear, oh, dear. Never mind. | 0:35:52 | 0:35:54 | |
Let's not burst into tears. | 0:35:54 | 0:35:55 | |
-What are we going to do about the lasts? -Definitely. | 0:35:55 | 0:35:58 | |
-Are we going to support JP? We know he's right. -I'm nervous now. | 0:35:58 | 0:36:02 | |
The number is now 85, wonderful. | 0:36:02 | 0:36:06 | |
I'm only bid... Not a lot. | 0:36:06 | 0:36:09 | |
These are wonderful, wonderful things. | 0:36:09 | 0:36:11 | |
I've got 18, 20, 25, 30... | 0:36:11 | 0:36:17 | |
Bid me a fiver in the room, please. | 0:36:17 | 0:36:19 | |
-These are wonderful, wonderful things. -Come on. | 0:36:19 | 0:36:21 | |
35, 40, five. I've got 50. Five. And let's march on. | 0:36:21 | 0:36:27 | |
-OK, now keep going. -Well done, boy. -60 online. 60, five. | 0:36:27 | 0:36:31 | |
Fair warning, all done. Going, going, gone. | 0:36:31 | 0:36:35 | |
-Oh, well. There we go, kids. 65. Well done, Charles. -Thanks, Charlie. | 0:36:35 | 0:36:40 | |
Plus 15. We are minus £28. | 0:36:40 | 0:36:42 | |
Which is nothing in the scheme of things at all. | 0:36:42 | 0:36:44 | |
You've been very sporting about this. | 0:36:44 | 0:36:47 | |
The thing is that minus £28 could be a winning score, easily. | 0:36:47 | 0:36:49 | |
-Couldn't it, JP? -It could be. | 0:36:49 | 0:36:51 | |
-Don't say a word to the Blues, all right? -We won't. | 0:36:51 | 0:36:53 | |
Don't tell that lot a thing. | 0:36:53 | 0:36:54 | |
-So Josh, Alan, do you know how the girls got on? -No. | 0:37:02 | 0:37:05 | |
-They were tight-lipped. -They were tight-lipped. | 0:37:05 | 0:37:08 | |
-So, Dave Berry was your waistcoat? -Big fan. -Are you? Come on! | 0:37:08 | 0:37:13 | |
-I didn't know who he was. -No. -I just liked the tassels. -Yeah. | 0:37:13 | 0:37:17 | |
Then we've got the hat and coat rack, | 0:37:17 | 0:37:20 | |
which I'm afraid we were very rude about in the auctionist chat, | 0:37:20 | 0:37:23 | |
because we thought it might be made up out of drainpipe material. | 0:37:23 | 0:37:27 | |
-The boys loved it, and I liked it. -Yes, I like it. | 0:37:27 | 0:37:30 | |
-I'm standing by Josh. -You stand by your mate. | 0:37:30 | 0:37:32 | |
Anyway, we're going to start off with Dave Berry, and here it comes. | 0:37:32 | 0:37:36 | |
This has lived and breathed and sweated the glory of being on stage. | 0:37:36 | 0:37:40 | |
I'm only bid here £20. 25 I'm bid, I've got 30. | 0:37:40 | 0:37:45 | |
40, 45 on the net. | 0:37:45 | 0:37:48 | |
Go 50. At 55, I'm bid now 60. Five I've got. I've got 70. | 0:37:48 | 0:37:54 | |
-70! -Yeah! -Go on, Dave Berry. | 0:37:54 | 0:37:57 | |
Big Dave Berry fans after this. | 0:37:57 | 0:38:00 | |
85, I've got, don't miss it for one. 90, I'm bid. | 0:38:00 | 0:38:03 | |
Bid five now, or I shall sell on the net today at £90. | 0:38:03 | 0:38:08 | |
-That it is, all done. Sold. -Yes! -That is so good. | 0:38:08 | 0:38:12 | |
£90, is plus £50. Alan, you have done so well. | 0:38:12 | 0:38:15 | |
Plus £50. OK, give up the pub. | 0:38:15 | 0:38:19 | |
-Now, here we go. -..A grey, plastic hat and coat stand. | 0:38:20 | 0:38:24 | |
Where do we start this? Well, I'm bid nothing. | 0:38:24 | 0:38:26 | |
Do I see £5? | 0:38:27 | 0:38:30 | |
Only a fiver. We've got a phone line here. Good morning. | 0:38:30 | 0:38:33 | |
There's a phone line. Five, I'm bid. | 0:38:33 | 0:38:36 | |
I've got eight, 10, 12. | 0:38:36 | 0:38:38 | |
-Lots of hands going up. -Yes! | 0:38:38 | 0:38:41 | |
-Over there. 15, 18, 20, 25, 28, 30. -Yes! | 0:38:41 | 0:38:47 | |
-Five, I'll take two. -I can't bear the tension. -..38, 40, 45. | 0:38:47 | 0:38:53 | |
45, 50, five and 60. You're out. | 0:38:53 | 0:38:57 | |
-Five! -Yeah! -70. 75, Claire. Look at me. | 0:38:57 | 0:39:01 | |
-One more. Five, 80. -Yes! -You've done it. Well done. | 0:39:01 | 0:39:04 | |
-Put it there, mate. -One for the road. Five, I'm bid. | 0:39:04 | 0:39:09 | |
I'm asking 80 now. Fair warning at £75 to your phone bidder. It's over. | 0:39:09 | 0:39:14 | |
Yes, well done! Whoo! | 0:39:14 | 0:39:17 | |
Lovely job. 75 is plus £3. | 0:39:17 | 0:39:21 | |
-We love that. -That is wonderful. -That is so good. | 0:39:21 | 0:39:25 | |
A 1970s HMV teak-cased radiogram. Where do we start this? | 0:39:25 | 0:39:30 | |
20 I'm bid in the room. Do I see five? I've got you, sir. 25. | 0:39:30 | 0:39:35 | |
25, I'm bid. I'm asking eight now. Fair warning. I sell to you, sir. | 0:39:35 | 0:39:42 | |
-All out we are for £25. -Oh, no! -Is that all? -It's over. All done. | 0:39:42 | 0:39:49 | |
It's 25, it really is over. OK, | 0:39:49 | 0:39:52 | |
so 75 is four, | 0:39:52 | 0:39:54 | |
that's minus 54, isn't it? | 0:39:54 | 0:39:56 | |
Oh, no! I can't bear it. You had £53 profit, | 0:39:56 | 0:40:01 | |
and you've just lost £54. | 0:40:01 | 0:40:05 | |
Minus £1! | 0:40:05 | 0:40:08 | |
How cruel is that? How cruel to be 53 ahead, and then lose 54? | 0:40:08 | 0:40:14 | |
I can't bear it. OK, chaps. | 0:40:14 | 0:40:17 | |
-Now, what are we going to do about the cuff links? -Go for it. | 0:40:17 | 0:40:20 | |
-This is a roller coaster today, isn't it? -I like Scandinavia. | 0:40:20 | 0:40:23 | |
-Trust Anita. -Trust Anita. We like Scandinavia. Here they come. | 0:40:23 | 0:40:27 | |
Sterling cuff links, shown for you there. | 0:40:27 | 0:40:29 | |
And I'm only bid for these at £10. I'm asking 12 now. 12, 15, 18. | 0:40:29 | 0:40:35 | |
I'm out. 18, 22. | 0:40:35 | 0:40:38 | |
-Two, five, five, eight... -They're in profit! | 0:40:38 | 0:40:41 | |
35, 38. 38, 40. 38, I'm bid. | 0:40:41 | 0:40:46 | |
Do I see 40? Fair warning, all done. You're in, sir. | 0:40:46 | 0:40:49 | |
-At £38 today, it's over. -Yes! | 0:40:49 | 0:40:54 | |
Well done. Well done, chick. Plus £18, | 0:40:54 | 0:40:57 | |
-you were minus one, you're now plus £17. -Nice one, Anita. | 0:40:57 | 0:41:01 | |
I'm happy. | 0:41:01 | 0:41:02 | |
I mean, it's been a phenomenal bit of buying and selling, | 0:41:02 | 0:41:06 | |
I have to say. Now, don't say a word to the girls, all right? | 0:41:06 | 0:41:08 | |
You are plus £17, don't say a thing. | 0:41:08 | 0:41:11 | |
And all will be revealed in a moment. Well done, everybody. | 0:41:11 | 0:41:13 | |
Now, have you guys been talking at all? Chatting about the scores? | 0:41:21 | 0:41:24 | |
-We haven't. -No? So it's a complete mystery as to who is ahead | 0:41:24 | 0:41:28 | |
-and who is behind. -It is. | 0:41:28 | 0:41:30 | |
Of course, we don't have losers any more on this programme. | 0:41:30 | 0:41:33 | |
We only have runners-up. | 0:41:33 | 0:41:35 | |
And the runners-up today, by a chalk, just happen to be | 0:41:35 | 0:41:38 | |
-the Reds. -Oh, no! | 0:41:38 | 0:41:40 | |
But not by much of a chalk, I can tell you, | 0:41:40 | 0:41:43 | |
before you get too cocky about this. | 0:41:43 | 0:41:46 | |
Because our girls started out with a £10 profit, that was lovely, | 0:41:46 | 0:41:49 | |
-wasn't it? -It was. -Do you remember that moment? We had that warm flush. | 0:41:49 | 0:41:52 | |
And then it went slightly down the old proverbial. | 0:41:52 | 0:41:55 | |
-The Malacca walking cane was the poisonous plant. -It was. | 0:41:55 | 0:41:58 | |
Anyway, you were minus 43, | 0:41:58 | 0:42:00 | |
-and then fortunately JP came back with his shoe lasts. -Yes. | 0:42:00 | 0:42:04 | |
This is not the last we heard of JP. | 0:42:04 | 0:42:06 | |
Made a £15 profit, which was brilliant, | 0:42:06 | 0:42:08 | |
which took you to minus 28, | 0:42:08 | 0:42:10 | |
which ordinarily is a winning score on this programme. But not today. | 0:42:10 | 0:42:14 | |
-Not today. -Not when you're up against the brick wall that was the Blues. | 0:42:14 | 0:42:19 | |
-Cos the blues are going home with £17. -Woo-woo! | 0:42:19 | 0:42:22 | |
Whoo, look at this. Here comes the... There's the 15. | 0:42:22 | 0:42:26 | |
You've got a couple coming here. | 0:42:26 | 0:42:28 | |
They started out with a profit of £50, | 0:42:28 | 0:42:31 | |
and then they got a £3 profit off that terrible plastic thing, | 0:42:31 | 0:42:34 | |
I mean that lovely coat rack jobbie, | 0:42:34 | 0:42:36 | |
and then they lost £54 on the radiogram. | 0:42:36 | 0:42:39 | |
We were so excited by that stage. | 0:42:39 | 0:42:41 | |
And then you get a lovely £18 profit out of Anita's Scandinavian | 0:42:41 | 0:42:45 | |
-cuff links. Anyway, we've loved it. Did you enjoy it? -Amazing. | 0:42:45 | 0:42:48 | |
We enjoyed it. It was so good, so cool. So lovely. | 0:42:48 | 0:42:50 | |
In fact, so lovely, join us soon for some more bargain hunting, yes? | 0:42:50 | 0:42:54 | |
ALL: Yes! | 0:42:54 | 0:42:56 |