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In 1086, the Domesday Book said that Dorking had got a church, | 0:00:08 | 0:00:14 | |
three mills and 88 hogs. Ha. | 0:00:14 | 0:00:17 | |
Well, times have changed, | 0:00:17 | 0:00:19 | |
because this place now has assets coming out of its ear holes. | 0:00:19 | 0:00:23 | |
So, pin back yours and let's go bargain hunting, yeah! | 0:00:23 | 0:00:28 | |
Did you know that Dorking had its very own breed of chicken, | 0:00:55 | 0:00:59 | |
which is blessed with an extra claw? | 0:00:59 | 0:01:01 | |
The big question today is, | 0:01:01 | 0:01:03 | |
will our teams be blessed | 0:01:03 | 0:01:05 | |
with the energy to dig out all those bargains? | 0:01:05 | 0:01:08 | |
Let's have a quick look at what hatched. | 0:01:08 | 0:01:10 | |
On the show today, it's hats off to the Reds... | 0:01:11 | 0:01:14 | |
Go on, then. | 0:01:14 | 0:01:15 | |
I see where this is going. Oh, no. | 0:01:15 | 0:01:17 | |
I'm going to give myself a black eye. | 0:01:17 | 0:01:19 | |
..and thinking caps on for the Blues. | 0:01:19 | 0:01:22 | |
-We'll have a think. We'll have think. -Noncommittal. -Noncommittal. | 0:01:22 | 0:01:25 | |
You're doing a lot of thinking. | 0:01:25 | 0:01:27 | |
Let's meet the teams, yes? | 0:01:27 | 0:01:28 | |
Well, today's programme is set to be one dirty, great love-in, | 0:01:30 | 0:01:34 | |
because for the Reds we have married couple Heidi and Ian, | 0:01:34 | 0:01:40 | |
and for the Blues we have a blossoming partnership | 0:01:40 | 0:01:44 | |
with Julian and Gemma. | 0:01:44 | 0:01:46 | |
Hello, everyone. | 0:01:46 | 0:01:47 | |
-ALL: Hello. -Hi. | 0:01:47 | 0:01:49 | |
Now, Heidi, what's this about your mother being a stripper? | 0:01:49 | 0:01:53 | |
A furniture stripper. | 0:01:53 | 0:01:54 | |
-Oh. Sorry about that. -Yes. | 0:01:54 | 0:01:57 | |
She worked for an antique shop in Surbiton, | 0:01:57 | 0:02:00 | |
and that's where basically our love of antiques came from, | 0:02:00 | 0:02:03 | |
cos she used to strip a lot of furniture back then. | 0:02:03 | 0:02:06 | |
-Yes. It was incredibly popular, wasn't it? -Yes. | 0:02:06 | 0:02:09 | |
High streets were full of stripped pine shops | 0:02:09 | 0:02:12 | |
which had come from professional people who had taken the paint off. | 0:02:12 | 0:02:16 | |
Yes. And, you know, my love of ceramics and glass | 0:02:16 | 0:02:20 | |
came from that as well. | 0:02:20 | 0:02:21 | |
-Funny how it can be ignited in a child, isn't it? -Yes. | 0:02:21 | 0:02:24 | |
-And then carries on later. -Yeah. -Lovely. -Thank you. | 0:02:24 | 0:02:27 | |
Perfect. So, Ian, the oval ball and the Orient | 0:02:27 | 0:02:31 | |
have had an effect on your love of sport, haven't they? | 0:02:31 | 0:02:33 | |
Yes, they have, Tim. When I was younger, | 0:02:33 | 0:02:35 | |
I lived in Hong Kong, | 0:02:35 | 0:02:37 | |
so I was brought up watching the Hong Kong Sevens way back then | 0:02:37 | 0:02:42 | |
with the men with the big sideburns and the big beards, | 0:02:42 | 0:02:45 | |
and watching proper rugby | 0:02:45 | 0:02:47 | |
way back when it was obviously an amateur sport. | 0:02:47 | 0:02:49 | |
And on my return to England, I took up the sport myself. | 0:02:49 | 0:02:53 | |
Yes, exactly. But then you took up some martial arts, didn't you? | 0:02:53 | 0:02:57 | |
Yes. Well, it was my eldest daughter. | 0:02:57 | 0:02:59 | |
We wanted her to do some kind of sport, | 0:02:59 | 0:03:02 | |
so she took up a martial art called Kuk Sool. | 0:03:02 | 0:03:05 | |
And we have both recently just been promoted to our blue belts. | 0:03:05 | 0:03:08 | |
-Have you really? -Yes. | 0:03:08 | 0:03:10 | |
I won't be arguing with you over this show, I can tell you. | 0:03:10 | 0:03:12 | |
I agree with everything. | 0:03:12 | 0:03:13 | |
What are you looking forward to unearthing today, | 0:03:13 | 0:03:16 | |
you two treasure hunters? | 0:03:16 | 0:03:18 | |
Anything that's a bit quirky, sparkly - cos I love sparkle. | 0:03:18 | 0:03:22 | |
If something just goes whoo, I'll be there. | 0:03:22 | 0:03:24 | |
-Really? -Yes. -Same with you, Ian? You get the "whoo"? | 0:03:24 | 0:03:26 | |
-Yeah, I go with Heidi. -You go with her "whoo-hoo"? | 0:03:26 | 0:03:29 | |
THEY LAUGH | 0:03:29 | 0:03:30 | |
Yes, anything that just catches our eye, and we think, we'll have that. | 0:03:30 | 0:03:33 | |
Well, we look forward to it. OK. Now, Julian, it says here | 0:03:33 | 0:03:36 | |
that you're an actor/theatre manager today. | 0:03:36 | 0:03:39 | |
-Theatre director. -OK. | 0:03:39 | 0:03:41 | |
But you were previously a magician. | 0:03:41 | 0:03:43 | |
-Yes, yes. -Why did you give up magic? | 0:03:43 | 0:03:45 | |
I decided that when you start yawning | 0:03:45 | 0:03:47 | |
in the middle of your own act, that's probably a good sign | 0:03:47 | 0:03:50 | |
-that it's time to... -Had you done it for a year or two? | 0:03:50 | 0:03:52 | |
I'd done it for about 25 years but, as I say, | 0:03:52 | 0:03:55 | |
I just got to the stage where it's like... | 0:03:55 | 0:03:57 | |
Well, you know, like any job. | 0:03:57 | 0:03:59 | |
It becomes like a job and it gets a tad tedious, | 0:03:59 | 0:04:02 | |
and acting had always been my ultimate ambition. | 0:04:02 | 0:04:06 | |
-So you made the switch? -Yes. | 0:04:06 | 0:04:07 | |
Now tell me, Gemma, did you do your own hair today? | 0:04:07 | 0:04:10 | |
Uh...sort of. | 0:04:10 | 0:04:12 | |
Cos it's looking spectacular. | 0:04:12 | 0:04:14 | |
-Thank you, Tim. -Not at all. | 0:04:14 | 0:04:16 | |
Like the future Queen of England's hair, if you don't mind my saying. | 0:04:16 | 0:04:19 | |
-Thank you! That's very nice. -Because you are a hairdresser... -I am. | 0:04:19 | 0:04:22 | |
..but you have a history of treading the boards. | 0:04:22 | 0:04:24 | |
I do. I do, yes. | 0:04:24 | 0:04:26 | |
I was a professional dancer for many a year, | 0:04:26 | 0:04:28 | |
then I had my two children, | 0:04:28 | 0:04:31 | |
and then retrained, and I'm now a hairdresser. | 0:04:31 | 0:04:34 | |
-And it's lovely. -Have you enjoyed all these roles equally? I expect... | 0:04:34 | 0:04:38 | |
-I have indeed. Yes, yes. -Perfect. | 0:04:38 | 0:04:40 | |
What sort of things will you be on the lookout for today, Jules? | 0:04:40 | 0:04:43 | |
Um, I don't know. | 0:04:43 | 0:04:44 | |
Just something that catches my eye because if it catches my eye, | 0:04:44 | 0:04:49 | |
it might catch somebody else's eye. | 0:04:49 | 0:04:51 | |
We don't really want to go for high-value stuff, | 0:04:51 | 0:04:53 | |
just stuff that's a bit quirky | 0:04:53 | 0:04:54 | |
and likely to have a few quid profit in it. | 0:04:54 | 0:04:57 | |
Anyway, very good luck today | 0:04:57 | 0:04:58 | |
because now is the moment for me to give you 300 smackers each. | 0:04:58 | 0:05:01 | |
300 smackers, there you go. | 0:05:01 | 0:05:03 | |
£300. You know the rules. | 0:05:03 | 0:05:05 | |
Your experts await, and off you go! | 0:05:05 | 0:05:07 | |
-ALL: Thank you. -And very, very, very good luck. | 0:05:07 | 0:05:09 | |
Gosh, what ever is going to happen next? | 0:05:09 | 0:05:12 | |
So that's our teams. Now, who are their experts? | 0:05:12 | 0:05:15 | |
The Reds are in for a laugh | 0:05:16 | 0:05:17 | |
because they've got the colourful David Harper. | 0:05:17 | 0:05:20 | |
And on call for the Blues, it's the chatty Natasha Raskin. | 0:05:21 | 0:05:26 | |
So, the stage is set on Dorking's West Street. | 0:05:26 | 0:05:29 | |
Here we go. Julian and Gemma, act one, scene one. | 0:05:29 | 0:05:32 | |
How are we going to get on today? | 0:05:32 | 0:05:33 | |
I'm going to do as I'm told. Gemma's in charge. | 0:05:33 | 0:05:36 | |
Heidi, what will we be looking for? | 0:05:36 | 0:05:37 | |
I think anything that's a bit sort of sparkly cos I love sparkle. | 0:05:37 | 0:05:41 | |
Ah, my dream woman. Ian? | 0:05:41 | 0:05:43 | |
THEY LAUGH | 0:05:43 | 0:05:44 | |
-I tend to go with Heidi but... -Course you do! | 0:05:44 | 0:05:46 | |
-..practical. Something practical. -Practical. | 0:05:46 | 0:05:48 | |
-And you're excited, fit to burst, right? -Absolutely fit to burst. | 0:05:48 | 0:05:51 | |
Let's not mess around. | 0:05:51 | 0:05:52 | |
-Let's go, go, go, go, go. -Let's go! -Curtains up. | 0:05:52 | 0:05:55 | |
And that's your cue to start, so break a leg. | 0:05:55 | 0:05:57 | |
She's panicking already, this one. | 0:05:59 | 0:06:02 | |
With Gemma behind-the-scenes, Julian takes centre stage. | 0:06:02 | 0:06:05 | |
They are quite good fun. | 0:06:05 | 0:06:07 | |
Whilst they're not matching, they are mismatching. | 0:06:07 | 0:06:09 | |
I think they're meant to be together. | 0:06:09 | 0:06:10 | |
Spotty, stripy, and we've got... What's that called? Gingham. | 0:06:10 | 0:06:13 | |
-We've got a gingham style as well. -Gingham. | 0:06:13 | 0:06:15 | |
-"Gingham style". -Oh, I don't know. Oh, my goodness. | 0:06:15 | 0:06:18 | |
Well, he was a magician, not a comedian. | 0:06:18 | 0:06:20 | |
SHE LAUGHS | 0:06:20 | 0:06:22 | |
Now Heidi is drawn to an inkwell. | 0:06:22 | 0:06:24 | |
-I've just seen this one. -OK. -It's a nice ink...well. | 0:06:24 | 0:06:28 | |
-OK, do you use these inkwells, Heidi? -No, I don't but... | 0:06:28 | 0:06:32 | |
Again, it was... I just saw it and thought it looked very nice. | 0:06:32 | 0:06:36 | |
You saw some light coming through it | 0:06:36 | 0:06:37 | |
and you saw the sparkliness, didn't you? | 0:06:37 | 0:06:39 | |
SHE LAUGHS Yes, I did. | 0:06:39 | 0:06:40 | |
-Magpie. -Rays of sunshine pouring out. Yes. | 0:06:40 | 0:06:43 | |
-It's a novel thing. -Yes. | 0:06:44 | 0:06:46 | |
What have we got here? 12 quid. | 0:06:46 | 0:06:48 | |
-Not expensive, is it? -No. | 0:06:48 | 0:06:49 | |
It really isn't. But what... | 0:06:49 | 0:06:51 | |
You've seen this programme, Ian. | 0:06:51 | 0:06:52 | |
You're the auctioneer, you're talking to Tim, | 0:06:52 | 0:06:56 | |
what's your valuation? | 0:06:56 | 0:06:57 | |
I think we can make... | 0:06:57 | 0:06:59 | |
I think there would be a small little profit on that. | 0:06:59 | 0:07:01 | |
-I really do. -If we were able to get it for the right price. | 0:07:01 | 0:07:04 | |
-If we can get it for the right price. -Ooh, I see. | 0:07:04 | 0:07:07 | |
Which is where I think she wants me to come in. | 0:07:07 | 0:07:09 | |
Are you the best negotiator? | 0:07:09 | 0:07:11 | |
I can... I've been told I can talk for England | 0:07:11 | 0:07:14 | |
and I could sell ice to Eskimos. | 0:07:14 | 0:07:15 | |
I think that's why you're here actually. | 0:07:15 | 0:07:17 | |
Yes, I think that's why I'm here. | 0:07:17 | 0:07:19 | |
-I think we should have to go on this. -Yes. | 0:07:19 | 0:07:21 | |
Do you think we should bag it if we can get it for like eight quid? | 0:07:21 | 0:07:24 | |
-Yes. -Is that the figure that comes to mind? -Yes. | 0:07:24 | 0:07:26 | |
And think that we know we'll make a few pounds profit | 0:07:26 | 0:07:28 | |
just to give us a good start. | 0:07:28 | 0:07:30 | |
Just a few profits would be nice. | 0:07:30 | 0:07:31 | |
SHE LAUGHS | 0:07:31 | 0:07:33 | |
-Do you want a Golden Gavel? -I want a Golden Gavel. | 0:07:33 | 0:07:35 | |
You'll need profits on all three items then. | 0:07:35 | 0:07:39 | |
Blues, what are you up to? | 0:07:39 | 0:07:41 | |
OK. So what have we got here? | 0:07:41 | 0:07:42 | |
I mean, they are really just what they are, aren't they? | 0:07:42 | 0:07:45 | |
They're just little table top condiment shakers. | 0:07:45 | 0:07:47 | |
-Sweet though, aren't they? -Why are there four of them? | 0:07:47 | 0:07:50 | |
I think they're for a large table. | 0:07:50 | 0:07:51 | |
I think you'd have them dotted around with salt and pepper. | 0:07:51 | 0:07:54 | |
They're kind of retro and can't be much older than 1970, something like that. | 0:07:54 | 0:07:58 | |
-They're sweet but we'll see. -We'll have a think. We'll have a think. | 0:07:58 | 0:08:00 | |
One to think about. | 0:08:00 | 0:08:01 | |
So, how is Ian's gift of the gab working out? | 0:08:02 | 0:08:06 | |
We've seen a reasonable price on that | 0:08:06 | 0:08:09 | |
but we're wondering, what is the best you could do for us on that? | 0:08:09 | 0:08:12 | |
I'm not very impressed so far, I've got to tell you. | 0:08:12 | 0:08:14 | |
Well, he's polite at least. | 0:08:14 | 0:08:17 | |
It is a beautiful object, isn't it? You must admit. | 0:08:17 | 0:08:19 | |
It's a beautiful object, it's got a lovely shine to it. | 0:08:19 | 0:08:22 | |
And to you, we can do that for £11. | 0:08:22 | 0:08:25 | |
-£11, that's... -Oh, dear. It's going badly wrong. | 0:08:25 | 0:08:27 | |
I was looking for a bit more than that, to be honest. | 0:08:27 | 0:08:29 | |
-£9.50. -9. | 0:08:29 | 0:08:31 | |
-Go on, then. -Thank you very much, sir. HEIDI: -Thank you very much. | 0:08:31 | 0:08:34 | |
Great work, Reds. Eight minutes gone. | 0:08:34 | 0:08:36 | |
First purchase in. Very quick. I love it. | 0:08:36 | 0:08:39 | |
Blues, have you found anything to get enthused about? | 0:08:39 | 0:08:42 | |
So, what's that? A Simple Simon teapot. | 0:08:43 | 0:08:46 | |
-It looks revolting. -And this has caught your eye? | 0:08:46 | 0:08:49 | |
-Yes. Why? -Because it's quirky. | 0:08:49 | 0:08:51 | |
-It is very quirky. -It's different. -It's different. | 0:08:51 | 0:08:53 | |
-It's um... Now... -It's cheap. -It's cheap?! Oh, my goodness. | 0:08:53 | 0:08:56 | |
OK, so what have we got going for it? | 0:08:56 | 0:08:57 | |
Different, quirky and cheap. | 0:08:57 | 0:08:59 | |
-Very much in the style of a potter called SylvaC. -Right. | 0:08:59 | 0:09:03 | |
SylvaC produced all of these... | 0:09:03 | 0:09:05 | |
Exactly that, little condiment jars called onion, | 0:09:05 | 0:09:08 | |
-celery, whatever. -Oh, right. -Oh, yes. | 0:09:08 | 0:09:10 | |
You've seen them a million times, with different coloured tops. | 0:09:10 | 0:09:13 | |
This is by Devonmoor, | 0:09:13 | 0:09:14 | |
and I don't know the association between SylvaC and Devonmoor. | 0:09:14 | 0:09:18 | |
Perhaps they're closely associated | 0:09:18 | 0:09:19 | |
but this is an iconic sort of onion shape. | 0:09:19 | 0:09:22 | |
-Right. -And it's 12 quid in this shop. | 0:09:22 | 0:09:24 | |
Do we have any big chunks? | 0:09:24 | 0:09:25 | |
Lid's good. Spout's good. | 0:09:27 | 0:09:29 | |
-I mean, he really is horrifically ugly, isn't he? -Yeah. | 0:09:29 | 0:09:32 | |
Oh, my goodness. | 0:09:32 | 0:09:33 | |
-I think the most we would want to pay is five or six quid. -Yeah, yeah. | 0:09:33 | 0:09:36 | |
Another one to think about. | 0:09:36 | 0:09:38 | |
Another one to think about, or do you want to go and make enquiries? | 0:09:38 | 0:09:41 | |
Because we're doing a lot of thinking. | 0:09:41 | 0:09:43 | |
Early days but be mindful of time. | 0:09:43 | 0:09:45 | |
-Let's find out how much it is then. -So if we say to them | 0:09:45 | 0:09:48 | |
-that IF we were to buy this... -Yes. | 0:09:48 | 0:09:50 | |
-How low can we go? -BOTH: How low can we go? | 0:09:50 | 0:09:52 | |
I think only one thing is certain - | 0:09:52 | 0:09:54 | |
I think that if we go anywhere, when we come back, | 0:09:54 | 0:09:56 | |
Simple Simon will still be here. | 0:09:56 | 0:09:58 | |
He will still be here. | 0:09:58 | 0:09:59 | |
Poor Simon, he's got feelings, you know. | 0:09:59 | 0:10:02 | |
And I have a feeling they'll be back for you, old boy. | 0:10:02 | 0:10:05 | |
Now, haggling isn't Ian's only talent... | 0:10:05 | 0:10:08 | |
And there we go. Do that again. | 0:10:08 | 0:10:11 | |
Let's see if I can do it again. Wait. | 0:10:11 | 0:10:13 | |
Perfect fit, actually. | 0:10:13 | 0:10:14 | |
I think there's a competition here. Let's see. | 0:10:14 | 0:10:16 | |
How many marks out of ten for Ian? | 0:10:16 | 0:10:18 | |
Well, he did very well. You're going to have to... Go on, then. | 0:10:18 | 0:10:22 | |
I see where this is going. | 0:10:22 | 0:10:23 | |
Oh, no! I'm going to give myself a black eye. Hang on. | 0:10:23 | 0:10:26 | |
Hang on! He's had years of prac... Heidi. | 0:10:26 | 0:10:29 | |
Ah, fabulous, ten out of ten. | 0:10:29 | 0:10:31 | |
Thank you very much. Ian. | 0:10:31 | 0:10:33 | |
-Ten out of ten. -Thank you. | 0:10:33 | 0:10:35 | |
That is fantastically cool, isn't it? | 0:10:35 | 0:10:37 | |
-I mean, that's a fun novelty champagne bucket. -Yes. | 0:10:37 | 0:10:41 | |
It's never going to be described as an antique. Ever. | 0:10:41 | 0:10:44 | |
-Could be a bargain. -Do you want to give it a go? | 0:10:44 | 0:10:46 | |
Heidi, what do you think? | 0:10:46 | 0:10:48 | |
It is priced at £35. | 0:10:48 | 0:10:52 | |
I personally would probably put a tenner on it. | 0:10:52 | 0:10:54 | |
-Yeah, so would I. 10-20. -10-20. | 0:10:54 | 0:10:57 | |
But on a mad day in the auction - and we get mad days all the time - | 0:10:57 | 0:11:01 | |
it might make 50 quid. | 0:11:01 | 0:11:03 | |
-Might. -It might. -I think in... | 0:11:03 | 0:11:05 | |
If the last one did so well, I think you might have to try it again, | 0:11:05 | 0:11:09 | |
-see if you can get it for a very low price. -Oh, dear. | 0:11:09 | 0:11:11 | |
-Oh, God, we're in trouble. -This might go very badly wrong. Come on. -Yes. | 0:11:11 | 0:11:14 | |
Yes, well, as the saying goes, if you want to get ahead, | 0:11:16 | 0:11:20 | |
get a hat-shaped ice bucket. | 0:11:20 | 0:11:23 | |
Hi there, Steve. | 0:11:23 | 0:11:24 | |
-This is Gemma and Julian. -ALL: -Hi. | 0:11:24 | 0:11:26 | |
And Gemma and Julian have been admiring Simple Simon. | 0:11:26 | 0:11:29 | |
-STEVE: -Right. -Probably the first of your customers in a while | 0:11:29 | 0:11:31 | |
to admire Simple Simon, but that's all right cos they like it. | 0:11:31 | 0:11:34 | |
It's got £12 on it. How does seven sound, which is a fiver off? | 0:11:34 | 0:11:39 | |
Uh, what if I said eight? | 0:11:39 | 0:11:41 | |
Would that be agreeable then? | 0:11:41 | 0:11:42 | |
Eight. | 0:11:42 | 0:11:44 | |
You've caught us at a time when Gemma doesn't want to commit. | 0:11:44 | 0:11:46 | |
-No. -Noncommittal. -Noncommittal. | 0:11:46 | 0:11:48 | |
But that, to be fair, is a nice offer. | 0:11:48 | 0:11:50 | |
-Would you hold it for half an hour? -I should think so. | 0:11:50 | 0:11:52 | |
-I don't think everyone will rush in the door. -THEY LAUGH | 0:11:52 | 0:11:55 | |
Now, once word gets out, they'll be in here. | 0:11:55 | 0:11:58 | |
Reds don't think so. | 0:11:59 | 0:12:00 | |
What is the best you can do for us on that, please, sir? | 0:12:00 | 0:12:04 | |
I could put some ice in it for you. | 0:12:04 | 0:12:06 | |
THEY CHUCKLE | 0:12:06 | 0:12:08 | |
I think there may be something more that we can do on that. | 0:12:08 | 0:12:12 | |
'Maybe some bubbly too.' | 0:12:12 | 0:12:13 | |
We were looking at... | 0:12:13 | 0:12:15 | |
..£12, £13 really. | 0:12:16 | 0:12:18 | |
27. | 0:12:19 | 0:12:20 | |
No. Afraid we're not going to be able to that, are we? | 0:12:23 | 0:12:25 | |
Perhaps we could hold it for you and you can browse. | 0:12:25 | 0:12:29 | |
Yes, maybe. | 0:12:29 | 0:12:30 | |
-Can you put that to one side for us? -Yes, sure. -Brilliant. | 0:12:30 | 0:12:33 | |
REDS: Thank you very much. | 0:12:33 | 0:12:34 | |
-Cheers. -Thank you. | 0:12:34 | 0:12:35 | |
Not working well, your negotiating, is it? | 0:12:35 | 0:12:38 | |
It wasn't that, to be honest. | 0:12:38 | 0:12:39 | |
So, as the teams move along the street, join me up the road | 0:12:39 | 0:12:43 | |
at Epsom Antiques Fair, | 0:12:43 | 0:12:45 | |
where, earlier, I found some illuminating treasures. | 0:12:45 | 0:12:48 | |
I want you to think candlesticks. | 0:12:55 | 0:12:56 | |
I want you to think international candlesticks. | 0:12:56 | 0:12:59 | |
And I want you to tell me where this candlestick comes from. | 0:12:59 | 0:13:03 | |
Well, a hint is that it's made in the form | 0:13:03 | 0:13:07 | |
of a lamp. Because the maker of this object, | 0:13:07 | 0:13:09 | |
in cast bronze, has incorporated a candle socket here, | 0:13:09 | 0:13:14 | |
where you might have expected to have the wick from the oil lamp. | 0:13:14 | 0:13:19 | |
It's the sort of thing that looks as if it's English | 0:13:19 | 0:13:23 | |
but, actually, was made in France. | 0:13:23 | 0:13:25 | |
But it resembles an oil lamp | 0:13:25 | 0:13:27 | |
that would have been made in the Roman period in Italy. | 0:13:27 | 0:13:31 | |
So that's a bit of a confusion, | 0:13:31 | 0:13:32 | |
and that's why it's a truly cosmopolitan candlestick. | 0:13:32 | 0:13:36 | |
Now if we look at this pair of candlesticks, | 0:13:36 | 0:13:40 | |
what do they remind you of? | 0:13:40 | 0:13:43 | |
They look incredibly Oriental, don't they? | 0:13:43 | 0:13:45 | |
Well, they're not. | 0:13:45 | 0:13:47 | |
Because these candlesticks were made in France. | 0:13:47 | 0:13:50 | |
The enamelling that you see on them is of a particular type | 0:13:50 | 0:13:54 | |
that was perfected in France in the 19th century, | 0:13:54 | 0:13:57 | |
and this is called champleve. | 0:13:57 | 0:14:01 | |
In Japan they make something similar, called cloisonne, | 0:14:01 | 0:14:05 | |
which is sections of rolled wire laid onto a solid body, | 0:14:05 | 0:14:10 | |
and then, in-between the wires they apply some enamel. | 0:14:10 | 0:14:14 | |
Different in France with champleve | 0:14:14 | 0:14:17 | |
because the body of the metal is cast with a hollow, | 0:14:17 | 0:14:21 | |
there's no wire in this, | 0:14:21 | 0:14:23 | |
but the individual colours are then inserted into the gaps | 0:14:23 | 0:14:27 | |
left by the casting. | 0:14:27 | 0:14:29 | |
And in a way, it's a more sophisticated technique | 0:14:29 | 0:14:33 | |
than the Japanese cloisonne. | 0:14:33 | 0:14:35 | |
I have to say, I absolutely adore these candlesticks. | 0:14:35 | 0:14:39 | |
Now, on the face of it, this little oil lamp, priced at £40, | 0:14:39 | 0:14:45 | |
is about the right price for a bit of tourist ware of this type, | 0:14:45 | 0:14:50 | |
but £80, which was the purchase price for the pair of candlesticks, | 0:14:50 | 0:14:55 | |
frankly, is cheap, | 0:14:55 | 0:14:56 | |
because they could make as much as £150-£200. | 0:14:56 | 0:15:01 | |
The speculative candlestick out of this tribe | 0:15:01 | 0:15:04 | |
is this fellow. | 0:15:04 | 0:15:06 | |
What's oddball about it is that it's made of ceramic - | 0:15:06 | 0:15:09 | |
you can see the red clay here. | 0:15:09 | 0:15:12 | |
And that red clay has been covered in a streaky green glaze | 0:15:12 | 0:15:17 | |
that's then covered in a thick lead glaze, | 0:15:17 | 0:15:20 | |
which is what makes it so shiny, | 0:15:20 | 0:15:22 | |
except this thing is absolutely filthy. | 0:15:22 | 0:15:25 | |
Why am I so excited about this thing? | 0:15:25 | 0:15:28 | |
Well, it represents something | 0:15:28 | 0:15:30 | |
that was made in the Arts and Crafts period. | 0:15:30 | 0:15:32 | |
And I need to do some research, because it's most likely, | 0:15:32 | 0:15:36 | |
with this glazed colour scheme, | 0:15:36 | 0:15:38 | |
that this thing comes from the north-east. | 0:15:38 | 0:15:41 | |
It comes from a place called Linthorpe, | 0:15:41 | 0:15:43 | |
and in the Linthorpe factory, between 1880 and 1900, | 0:15:43 | 0:15:47 | |
a particular famous designer, one Dr Christopher Dresser, | 0:15:47 | 0:15:51 | |
was producing designs for that pottery to produce their wares. | 0:15:51 | 0:15:56 | |
This top part which forms the sconce | 0:15:56 | 0:15:58 | |
looks exactly like the bud of a flower. | 0:15:58 | 0:16:02 | |
And the handle curves in that sinuous and organic way. | 0:16:02 | 0:16:06 | |
It looks like a Dresser design to me | 0:16:06 | 0:16:08 | |
and, if I'm right and it was made in Linthorpe, | 0:16:08 | 0:16:11 | |
it is worth between £200 and £300. | 0:16:11 | 0:16:14 | |
What would it cost you? | 0:16:15 | 0:16:16 | |
Here, today, it could be yours, filthy-dirty, for £20. | 0:16:16 | 0:16:20 | |
Where there's muck, there's brass. | 0:16:22 | 0:16:24 | |
Now back to the teams on Dorking's West Street | 0:16:24 | 0:16:28 | |
where the shopping is in full flow. | 0:16:28 | 0:16:30 | |
-Look at those chandeliers. -It's all very grand, isn't it? | 0:16:30 | 0:16:33 | |
Isn't it beautiful? | 0:16:33 | 0:16:34 | |
It goes on and on. | 0:16:35 | 0:16:37 | |
-Gosh, this is huge. -Look at this. -It's like an Aladdin's cave. | 0:16:37 | 0:16:40 | |
Look at that. | 0:16:40 | 0:16:41 | |
Could you just put a bed in here and sleep? Cos I could. | 0:16:41 | 0:16:43 | |
Believe it or not, 20 minutes have passed. | 0:16:44 | 0:16:48 | |
But we've come to a fresh, fresh centre | 0:16:48 | 0:16:51 | |
and, you never know, there could be some real fresh things in here. | 0:16:51 | 0:16:54 | |
So, are the Reds about to taste success with shop owner Christine? | 0:16:54 | 0:16:58 | |
Oh, I say. Cheers, Heidi. | 0:16:58 | 0:16:59 | |
-Oh, Cheers. -Dare we? Dare we? | 0:16:59 | 0:17:02 | |
-Ooh, they ring! WOMAN: -Nice ring. Nice ring. | 0:17:02 | 0:17:04 | |
Fantastic ring. Any marks? Any signatures on there? | 0:17:04 | 0:17:07 | |
I can't see any, no. | 0:17:07 | 0:17:08 | |
-Would be rare to find it, wouldn't it? -Yes. | 0:17:08 | 0:17:10 | |
-So these are lead crystal, aren't they? -They're very well cut. | 0:17:10 | 0:17:13 | |
-Just tap that. Tap it. -HE TAPS LIGHTLY | 0:17:13 | 0:17:16 | |
-That was rubbish. Here, listen. -SHE TAPS LIGHTLY | 0:17:16 | 0:17:18 | |
-I was too scared I'd bang it too hard. -Better. | 0:17:18 | 0:17:20 | |
GLASS PINGS | 0:17:20 | 0:17:21 | |
-Go on, try that again. -GLASS PINGS SOFTLY | 0:17:21 | 0:17:24 | |
Oh, my Lord. | 0:17:24 | 0:17:25 | |
He's great with top hats though. | 0:17:25 | 0:17:27 | |
The old wives' tale - if that's what you'd call it - | 0:17:27 | 0:17:31 | |
of how these things were designed, who were they modelled on? | 0:17:31 | 0:17:34 | |
Do you know the story? | 0:17:34 | 0:17:35 | |
-Oh, yes. -Do you? -Is it Antoinette? | 0:17:35 | 0:17:37 | |
Marie Antoinette. | 0:17:37 | 0:17:39 | |
By all accounts, they were modelled | 0:17:39 | 0:17:41 | |
on the shape of Marie Antoinette's bosom. | 0:17:41 | 0:17:44 | |
-Oh! -Yes. -That's interesting, isn't it? -Yes, so there you go. | 0:17:44 | 0:17:48 | |
-What else can you say? -I'm not going to say anything. | 0:17:48 | 0:17:51 | |
-ALL LAUGH -'Yes, I think you've said enough.' | 0:17:51 | 0:17:53 | |
-They are lovely. -Yes. -And there's six of those? -Set of six, yes. | 0:17:53 | 0:17:56 | |
OK. What do you reckon, Heidi? | 0:17:56 | 0:17:57 | |
Hang on, before you say anything, how much are they? | 0:17:57 | 0:18:00 | |
Well, you need a good price, don't you? Cos you are looking to win. | 0:18:00 | 0:18:03 | |
-Yes, we are. -Yes, we want the Golden Gavel. | 0:18:03 | 0:18:06 | |
Let's say 50, then. Absolutely rock bottom. | 0:18:06 | 0:18:09 | |
-I'm very happy with that price. -Yes. -You're a changed man. | 0:18:09 | 0:18:13 | |
-Heidi? -No. To be perfectly honest, you've been very kind to us | 0:18:13 | 0:18:16 | |
and so, yeah, we would like to take those for 50. | 0:18:16 | 0:18:19 | |
We'll wrap them well so they stay perfect. | 0:18:19 | 0:18:22 | |
-Thank you ever so much. -Thank you. | 0:18:22 | 0:18:23 | |
'Second purchase in less than 15 minutes. | 0:18:23 | 0:18:26 | |
'Cheers to that.' | 0:18:26 | 0:18:27 | |
We've got to now consider, | 0:18:27 | 0:18:29 | |
what are we going to do with that hat over there. | 0:18:29 | 0:18:31 | |
-Hmm. -So time to reflect, I think. | 0:18:31 | 0:18:34 | |
'Ha, that's exactly the mood the Blues are in.' | 0:18:34 | 0:18:37 | |
That is fabulous. | 0:18:37 | 0:18:39 | |
Julian, what do you make of that? | 0:18:39 | 0:18:41 | |
-I love it. -It's fun and quirky, and it's vintage. -Yes. | 0:18:41 | 0:18:45 | |
Vintage-meets-contemporary idea. | 0:18:45 | 0:18:47 | |
-Right. -I like it. -So, we're running out of time. | 0:18:47 | 0:18:50 | |
-Shall we get a price? -Yes. What's the price on the ticket? | 0:18:50 | 0:18:53 | |
-It's 58 on there now. -Shall I take it to the desk and ask them...? | 0:18:53 | 0:18:55 | |
And see what the best is. | 0:18:55 | 0:18:57 | |
I mean, if we could get that for around 45, I think, come on, | 0:18:57 | 0:19:00 | |
that is good fun. What a good idea. What a good idea. | 0:19:00 | 0:19:03 | |
-In the meantime, shall we keep looking? -Yes. | 0:19:03 | 0:19:06 | |
There's actually a glass perfume bottle on the shelf. | 0:19:06 | 0:19:08 | |
After you, lead the way. | 0:19:08 | 0:19:09 | |
-OK. -Natasha, what do you think of this? | 0:19:10 | 0:19:12 | |
Ah, love it. Absolutely love it. Scent bottles, how chic are they? | 0:19:12 | 0:19:16 | |
And whilst Julian is away we can appreciate the finer lady things. | 0:19:16 | 0:19:20 | |
Now, it says here that it is French Art Deco | 0:19:20 | 0:19:23 | |
and that it has got a knock-down price of £49. | 0:19:23 | 0:19:27 | |
This is a very tricky one because, | 0:19:27 | 0:19:29 | |
with glassware, it's difficult to age it. | 0:19:29 | 0:19:32 | |
Only thing that I can see holding it in my hand | 0:19:32 | 0:19:34 | |
-is a tiny little bubble here. -Right. | 0:19:34 | 0:19:36 | |
And that bubble gives me hope that this is a period item... | 0:19:36 | 0:19:40 | |
-OK. -..because modern glass would have no flaws. | 0:19:40 | 0:19:43 | |
If we could get that for £40, | 0:19:43 | 0:19:44 | |
and if this proves to be genuine French Art Deco...oh, beautiful! | 0:19:44 | 0:19:49 | |
Sorry to interrupt. I'm back and they've said they'll do this for 50. | 0:19:49 | 0:19:52 | |
-£50. -Yes. -OK. | 0:19:52 | 0:19:54 | |
It would be our first item. It is something to consider | 0:19:54 | 0:19:56 | |
-because it's so much fun. -BOTH: -Yeah. | 0:19:56 | 0:19:58 | |
-I really like it. -It's so much fun. -I think we should go for it. | 0:19:58 | 0:20:01 | |
-Are we going for it? -I think because of where we're selling it, | 0:20:01 | 0:20:03 | |
-predominantly that's going to help us. -Absolutely. -Yeah. Very fun. | 0:20:03 | 0:20:06 | |
-So we'll go for that? -Yes. -Yes! And we're going to follow you | 0:20:06 | 0:20:09 | |
cos we're going to ask about this, but you haven't seen it. | 0:20:09 | 0:20:12 | |
-GEMMA LAUGHS -What do you think? | 0:20:12 | 0:20:14 | |
It's nice. | 0:20:14 | 0:20:15 | |
I can see that in a lady's boudoir. | 0:20:15 | 0:20:17 | |
-OK. Fabulous. Let's follow you then. -Let's follow. -Thank you. | 0:20:19 | 0:20:21 | |
OK. So, yes, we would like to take this, but also, | 0:20:23 | 0:20:27 | |
we're looking at this perfume bottle. | 0:20:27 | 0:20:29 | |
Now, it's got £49 on it, | 0:20:29 | 0:20:30 | |
and we're wondering, how much leeway do you have on that? | 0:20:30 | 0:20:34 | |
-We can reduce that by five, so... -ALL: -44. | 0:20:34 | 0:20:37 | |
44. | 0:20:37 | 0:20:38 | |
Do you know, I think there's something about this | 0:20:38 | 0:20:41 | |
that I just absolutely love. | 0:20:41 | 0:20:43 | |
Right now, without any liquid in it it's quite difficult to imagine | 0:20:43 | 0:20:46 | |
but, filled up, it just would look so fabulous. | 0:20:46 | 0:20:50 | |
-'Time's ticking.' -Let's go for it. | 0:20:50 | 0:20:51 | |
-It's a real centrepiece. -Shall we go for it? -Two pieces then. -Yeah. -OK! | 0:20:51 | 0:20:55 | |
Done, done, done! Oh, my goodness. | 0:20:55 | 0:20:57 | |
Right, so 44 and 50 makes 94. | 0:20:57 | 0:21:00 | |
Next two items, 15 minutes left. | 0:21:00 | 0:21:03 | |
-OK. -OK, lovely. Great. -Let's pay and run. OK. -Pay and run. | 0:21:03 | 0:21:06 | |
I think they're off to pay Simple Simon a visit. | 0:21:06 | 0:21:09 | |
Here we are again. Hello, again, hello. Hi. | 0:21:09 | 0:21:13 | |
We've got about 12 minutes. | 0:21:13 | 0:21:15 | |
Let's just have a last look | 0:21:15 | 0:21:17 | |
and then we can just take it up to the last... | 0:21:17 | 0:21:19 | |
-So if we get to one minute to go, we buy Simon. -We buy Simon. | 0:21:19 | 0:21:22 | |
-Well, come on, then. -Look, look, look! | 0:21:22 | 0:21:24 | |
Well, we're not going to do it if we keep messing around. | 0:21:24 | 0:21:27 | |
Hello. | 0:21:30 | 0:21:32 | |
I bet you're pleased to see us again. | 0:21:32 | 0:21:34 | |
This time, Heidi's heading the haggle. | 0:21:34 | 0:21:37 | |
-22 and you've definitely got a deal. -22? -22. | 0:21:37 | 0:21:42 | |
-23. -22.50. -Done! | 0:21:42 | 0:21:46 | |
-IAN: -There we go. | 0:21:46 | 0:21:47 | |
'That's how it's done, fellows.' | 0:21:47 | 0:21:49 | |
That was hard work. | 0:21:49 | 0:21:50 | |
-Thank you very much. -Thank you so much. -And well done, you two. | 0:21:50 | 0:21:54 | |
We are on a major champagne fest here. | 0:21:54 | 0:21:57 | |
-That is marvellous, but now to round it off, a nice cup of tea. -Yes. | 0:21:57 | 0:22:00 | |
And even a nice slice of cake on me, how's that? Cos you've been so good. | 0:22:00 | 0:22:03 | |
-Aw, thank you. -You've been really good. Well done. Oh! Excellent! | 0:22:03 | 0:22:08 | |
Now that's a proper hat trick. | 0:22:09 | 0:22:12 | |
Come on, you Blues. One item left. | 0:22:12 | 0:22:14 | |
-How does jewellery sell? -Depends what it is entirely. | 0:22:14 | 0:22:17 | |
-How would a solid silver five piece condiment set go? -It's too risky. | 0:22:21 | 0:22:26 | |
Five minutes left. | 0:22:26 | 0:22:28 | |
We make a final decision on the teapot, the onion teapot. | 0:22:28 | 0:22:31 | |
-What do you think? -Yeah, I think we should go for it. | 0:22:31 | 0:22:33 | |
-We're not going to lose a lot of money on it. -OK. | 0:22:33 | 0:22:36 | |
-Because it's only £8. -OK. Can I be absolutely cheeky? | 0:22:36 | 0:22:40 | |
And ask if there's any way it can be any slightly less cheaper than £8? | 0:22:40 | 0:22:45 | |
-Could it possibly be six? -Um... Yes, all right. -Let's do the onion. | 0:22:45 | 0:22:51 | |
Where did that come from?! | 0:22:51 | 0:22:52 | |
-That was cheap. Oh, my goodness. -Let's do the onion. | 0:22:52 | 0:22:56 | |
Talk about leaving it late. Nice bit of haggling too, Gemma. | 0:22:56 | 0:23:00 | |
That's it, times up. Let's check out what the Red team bought, eh? | 0:23:02 | 0:23:05 | |
The late Victorian cut-glass inkwell was obtained for £9. | 0:23:06 | 0:23:10 | |
The set of six champagne glasses were picked up for £50. | 0:23:14 | 0:23:18 | |
The novelty plastic champagne bucket rounded off their trio | 0:23:20 | 0:23:24 | |
for £22.50. | 0:23:24 | 0:23:26 | |
Very smooth. | 0:23:27 | 0:23:28 | |
Well, you two love birds. How was it? All right? | 0:23:28 | 0:23:31 | |
-Yes, good fun, thank you. -Which is your favourite piece? | 0:23:31 | 0:23:34 | |
The champagne saucers. | 0:23:34 | 0:23:36 | |
-The champagne saucers. -Yes. -Right. Do you agree with that, Ian? -Yes. | 0:23:36 | 0:23:41 | |
-You do. -Yes, they were the find I think. | 0:23:41 | 0:23:44 | |
Which piece is going to bring the biggest profit, Ian? | 0:23:44 | 0:23:47 | |
-I think the inkwell... -The inkwell? | 0:23:47 | 0:23:50 | |
..might bring a small profit, and I think that's all we're going to get. | 0:23:50 | 0:23:54 | |
Well, that's optimism for you. And what about you, darling? | 0:23:54 | 0:23:57 | |
-Oh, no, champagne. -Champagne. Anyway, you've had a great time. | 0:23:57 | 0:24:01 | |
-How much did you spend? -£81.50. -On one item? -No. -Three. -On the lot? | 0:24:01 | 0:24:06 | |
-All three, I'm afraid. -All three. -Dear, dear, dear. -It's a bargain! | 0:24:06 | 0:24:10 | |
OK, fine. £81.50 is £.50 short of £82 which is 18 short of 100. | 0:24:10 | 0:24:15 | |
-That's £218.50. -Well done. -That's the way I do my math. | 0:24:15 | 0:24:20 | |
-But anyway, can I have it? -You certainly may. -It's a pile of dosh. | 0:24:20 | 0:24:24 | |
-Here we go. -David, where did you get your T-shirt from, mate? -Why? | 0:24:24 | 0:24:28 | |
-Just my colour, that. -I've seen you looking at it longingly. | 0:24:28 | 0:24:32 | |
THEY LAUGH | 0:24:32 | 0:24:33 | |
I was getting a bit worried, to be honest. | 0:24:33 | 0:24:36 | |
Well, even I couldn't squeeze into that. | 0:24:36 | 0:24:38 | |
Anyway, there you go, old friend. That's a lot of money, isn't it? | 0:24:38 | 0:24:41 | |
It's a big lump of it and I think I've got to buy something bling-y, | 0:24:41 | 0:24:44 | |
-don't you agree, Heidi? -I think you've got to spend the lot. | 0:24:44 | 0:24:47 | |
-I'm going to go for it. -I hope you're going to go mad. | 0:24:47 | 0:24:49 | |
-Going to go for it! -That's what I like to hear, Dave. | 0:24:49 | 0:24:52 | |
Meanwhile, why don't we check out what the Blue team bought, eh? | 0:24:52 | 0:24:55 | |
After much reflection, | 0:24:55 | 0:24:57 | |
they were served up the tennis racket wall mirror for an ace £50. | 0:24:57 | 0:25:01 | |
Closely followed by the large Art Deco-style scent bottle for £44. | 0:25:03 | 0:25:07 | |
And finally, they stewed over the Devonmoor Simple Simon | 0:25:09 | 0:25:13 | |
novelty teapot, returning to pay £6. | 0:25:13 | 0:25:16 | |
-Jules, Gems, how are you? -Very well, thank you, how are you? | 0:25:17 | 0:25:21 | |
-That was exhausting, wasn't it? -Yeah. -Right up to the wire. | 0:25:21 | 0:25:24 | |
Dear, oh, dear. Now, Gems, tell me, what's your favourite piece? | 0:25:24 | 0:25:28 | |
Hard decision but I'm going to go with the tennis racket. | 0:25:28 | 0:25:31 | |
The tennis racket is your fave. You agree with that, Jules? | 0:25:31 | 0:25:35 | |
I like the tennis racket but I'm very fond of the teapot. | 0:25:35 | 0:25:38 | |
-Will the teapot bring the biggest profit? -No. | 0:25:38 | 0:25:41 | |
-What will bring the biggest profit? -The tennis racket. | 0:25:41 | 0:25:44 | |
-The tennis racket? So 'er indoors is right. -She's always right. | 0:25:44 | 0:25:47 | |
-I've learned that a long time ago. -How much did you spend? | 0:25:47 | 0:25:50 | |
-£100. -Exactly 100. -£100, OK. I'd like £200 of leftover lolly. | 0:25:50 | 0:25:55 | |
Thank you. You're an absolute gem. And handing it on to Natasha. | 0:25:55 | 0:25:59 | |
There you go, Natasha. What are you going to do with that, darling? | 0:25:59 | 0:26:02 | |
We bought a whole variety of things, | 0:26:02 | 0:26:03 | |
so let's add to that and buy something quirky and just nuts. | 0:26:03 | 0:26:06 | |
-Might as well. -Absolutely. | 0:26:06 | 0:26:07 | |
So what's new? Some would say. | 0:26:07 | 0:26:10 | |
OK, well, very good luck with that, Natasha. | 0:26:10 | 0:26:12 | |
Meanwhile, we're heading straight off to the auction. Ooh-ah. | 0:26:12 | 0:26:15 | |
Well, we've winged it from Dorking into central London, | 0:26:28 | 0:26:31 | |
to Chiswick High Road, to High Road Auctions... | 0:26:31 | 0:26:34 | |
-to be with Ross Mercer. Ross, hello. -Hello there. -Are you good? -I am. | 0:26:34 | 0:26:38 | |
Now, for the Reds. | 0:26:38 | 0:26:40 | |
Their first item is the most miserable of miserable inkwells | 0:26:40 | 0:26:43 | |
-you ever did see. -Yes. It's quite mean, isn't it? | 0:26:43 | 0:26:46 | |
It's mean and you'd never give it an individual lot | 0:26:46 | 0:26:49 | |
in this smart sale room of yours in Chiswick High Road, would you? | 0:26:49 | 0:26:52 | |
-Ordinarily, if it wasn't for us. -I wouldn't. | 0:26:52 | 0:26:55 | |
-But for Bargain Hunt we'll do most things. -You're so kind. | 0:26:55 | 0:26:58 | |
-Anyway, what's your estimate on that little misery? -We've said £20-30. | 0:26:58 | 0:27:01 | |
Have you really? Gosh. | 0:27:01 | 0:27:03 | |
OK, you're just going to encourage them, you know? | 0:27:03 | 0:27:05 | |
£9 is what they paid, and frankly | 0:27:05 | 0:27:08 | |
if you get a £5 note for it I think you've done jolly well. | 0:27:08 | 0:27:11 | |
Anyway, we shall see. | 0:27:11 | 0:27:13 | |
Next are six cut-glass glasses. | 0:27:13 | 0:27:16 | |
Loosely called champagne glasses but they could be used for fruit sundae. | 0:27:16 | 0:27:21 | |
That's right. | 0:27:21 | 0:27:23 | |
Not the typical shape, but I think they're probably | 0:27:23 | 0:27:27 | |
post the golden period of champagne in the '20s, '30s, and '40s. | 0:27:27 | 0:27:31 | |
Exactly, cos these, I guess, date from the 1950s or '60s, don't they? | 0:27:31 | 0:27:35 | |
That's right. I think we could call them cocktail glasses. | 0:27:35 | 0:27:38 | |
OK, what's your estimate on them? | 0:27:38 | 0:27:40 | |
-We've said £25-45. -Very generous, too. | 0:27:40 | 0:27:43 | |
-£50 paid by our team so they paid too much. -Wow. | 0:27:43 | 0:27:46 | |
I think they got swept away on the prospect | 0:27:46 | 0:27:49 | |
of a bit of bubbly actually. | 0:27:49 | 0:27:51 | |
And whilst we're on the fizzy substance, | 0:27:51 | 0:27:53 | |
it has spilled over into their little bottle cooler. | 0:27:53 | 0:27:58 | |
I particularly dislike this thing because it's made of plastic. | 0:27:58 | 0:28:01 | |
Do you like it? | 0:28:01 | 0:28:02 | |
It's not really me, Tim, to be honest with you. | 0:28:02 | 0:28:04 | |
I think it's a bit of fun for a picnic or a barbecue | 0:28:04 | 0:28:09 | |
over the summer, maybe. | 0:28:09 | 0:28:11 | |
I think they call it kitsch. | 0:28:11 | 0:28:13 | |
Yeah, it's on the edge of kitsch, isn't it? OK, fine, how much? | 0:28:13 | 0:28:17 | |
-Well, for that we've said £30-50. -OK, well fair enough. | 0:28:17 | 0:28:21 | |
£22.50 they paid. | 0:28:21 | 0:28:23 | |
Anyway, overall, I am not personally terribly impressed | 0:28:23 | 0:28:26 | |
by this team's lot and I think they are going to need | 0:28:26 | 0:28:29 | |
the bonus buy, so let's go have a look at it. | 0:28:29 | 0:28:32 | |
Heidi and Ian, this is a moment, is it? The leftover lolly moment. | 0:28:32 | 0:28:36 | |
-You gave your man £218.50, a small fortune by anybody's standards. -Mm! | 0:28:36 | 0:28:42 | |
David, what did you go and blow it on? | 0:28:42 | 0:28:43 | |
OK, I blew it on something nice and shiny. | 0:28:43 | 0:28:47 | |
ALL: Ooh! | 0:28:47 | 0:28:49 | |
Oh, my gosh! Grab one each. Not two! | 0:28:49 | 0:28:52 | |
Oh, all right, take them all. | 0:28:52 | 0:28:54 | |
-What do you think of those napkin rings? -Yes. | 0:28:54 | 0:28:57 | |
Fantastically hallmarked. They are solid what? | 0:28:57 | 0:29:02 | |
-925, so that's silver. -Well done. | 0:29:03 | 0:29:06 | |
I thought you were going to fall into the trap | 0:29:06 | 0:29:08 | |
of saying they were solid gold. | 0:29:08 | 0:29:09 | |
Solid silver, gold plated, gilded silver. But quite interesting. | 0:29:09 | 0:29:14 | |
Without their box, sadly, but dated Sheffield 1977. | 0:29:14 | 0:29:19 | |
I feel it's commemorative pieces for the 25th Silver Jubilee. | 0:29:19 | 0:29:23 | |
-Silver Jubilee with a bit of gold. -How much did you pay for this? | 0:29:23 | 0:29:26 | |
How much would you pay for them? | 0:29:26 | 0:29:29 | |
-70? -Yeah, 70. -Pretty good. I paid 80. | 0:29:29 | 0:29:32 | |
-That's not bad. -I'd say very good guess. -Very good. -Crunch question. | 0:29:32 | 0:29:37 | |
I think they could do 100. 80-120 as a guess, | 0:29:37 | 0:29:41 | |
as an estimate would be a safe. | 0:29:41 | 0:29:43 | |
These will match the Golden Gavel we're going to get. | 0:29:43 | 0:29:45 | |
-This is the aim. -Ah. | 0:29:45 | 0:29:47 | |
We desperately want a Golden Gavel. | 0:29:47 | 0:29:49 | |
Anyway, on that happy note, why don't we check out | 0:29:49 | 0:29:52 | |
what the auctioneer thinks about Dave's napkin rings. Oh, yes. | 0:29:52 | 0:29:55 | |
Now, for a family of four, four napkin rings. | 0:29:56 | 0:30:00 | |
-Nice that they're in silver gilt. -They are nice quality. | 0:30:00 | 0:30:04 | |
They're a nice gauge as we say, a nice thickness of metal | 0:30:04 | 0:30:07 | |
and weight to them. | 0:30:07 | 0:30:08 | |
The thing with the gilding is you don't have to clean the silver. | 0:30:08 | 0:30:11 | |
They won't tarnish like silver tarnishes, | 0:30:11 | 0:30:13 | |
so, from that point of view, they are quite practical. | 0:30:13 | 0:30:16 | |
-Anyway, how much, then, for the four? -We've said £50-70. | 0:30:16 | 0:30:19 | |
OK, £80 paid by David, and I think that's close enough. | 0:30:19 | 0:30:22 | |
Now, moving on to the Blues, which is a pretty queer old mix | 0:30:22 | 0:30:27 | |
cos we've got the Dunlop Maxply tennis racket | 0:30:27 | 0:30:30 | |
that I used to use at school. | 0:30:30 | 0:30:32 | |
I can't believe that my old tennis racket | 0:30:32 | 0:30:34 | |
has now been made into a mirror. | 0:30:34 | 0:30:36 | |
-Well, it is...it is the first time I've ever seen one. -Is it? | 0:30:36 | 0:30:39 | |
You've got to really love tennis, really, | 0:30:39 | 0:30:41 | |
haven't you, to hang that up on your wall every day. | 0:30:41 | 0:30:43 | |
I think the novelty of it is good if you are a sportsman. Why not? | 0:30:43 | 0:30:47 | |
-Well, we've stuck our neck out a bit. We said £30-50. -Have you? -Yes. | 0:30:47 | 0:30:51 | |
-£50 the team paid. -I think that's all the money. -Yeah, so do I. | 0:30:51 | 0:30:55 | |
They'll not make a profit out of that. | 0:30:55 | 0:30:57 | |
-Next is the Deco-style scent bottle. -Not great quality. | 0:30:57 | 0:31:03 | |
It needs a thoroughly good clean. | 0:31:03 | 0:31:04 | |
-It's beginning to bloom so we can get some soda water perhaps. -Yeah. | 0:31:04 | 0:31:08 | |
-How much? -Well, we said £40-60, | 0:31:08 | 0:31:12 | |
-which I think is a bit optimistic. -Do you? OK, £44 the team paid. | 0:31:12 | 0:31:17 | |
Last, we've got the Simple Simon teapot. | 0:31:17 | 0:31:20 | |
This doesn't do much for me, I'm afraid, Tim. It's a novelty teapot. | 0:31:20 | 0:31:24 | |
There are good collectors for teapots, | 0:31:24 | 0:31:27 | |
but what will happen to it on the day... | 0:31:27 | 0:31:31 | |
Well, I can reassure you that the team | 0:31:31 | 0:31:34 | |
-only invested £6 in this teapot. -Yes, I think they probably paid... | 0:31:34 | 0:31:38 | |
-About the right price? -About the right price for it. -OK, fine. | 0:31:38 | 0:31:41 | |
Overall, they haven't invested that much. | 0:31:41 | 0:31:43 | |
They only spent £100 on all three items. | 0:31:43 | 0:31:47 | |
Let's go have a look at their bonus buy. | 0:31:47 | 0:31:50 | |
Gems, Jules, you gave Natasha £200. | 0:31:50 | 0:31:54 | |
A fortune in the way of leftover lolly. | 0:31:54 | 0:31:56 | |
-That's have a look at what you bought. -OK, it comes in two parts. | 0:31:56 | 0:31:59 | |
-I'm first going to reveal to you... A parcel. -Ooh. | 0:31:59 | 0:32:03 | |
And because I was in the company of such luvvies, I couldn't help | 0:32:03 | 0:32:07 | |
-but think of the theatre. The theatre. -Oh, nice! | 0:32:07 | 0:32:10 | |
-And saw these lovely little opera glasses, we thought of you! -Sweet. | 0:32:10 | 0:32:13 | |
-They are sweet. -They're lovely. -I'm going to reveal my hand to you. | 0:32:13 | 0:32:18 | |
They're not the world's best opera glasses. | 0:32:18 | 0:32:20 | |
They are mid-century, hopefully French, unstamped and, you know, | 0:32:20 | 0:32:24 | |
not silvered hallmarked or anything like that opera glasses. | 0:32:24 | 0:32:27 | |
We can safely say they are snakeskin. | 0:32:27 | 0:32:29 | |
They come with this little case. We can safely say they're lovely. | 0:32:29 | 0:32:32 | |
Were they expensive? | 0:32:32 | 0:32:34 | |
Well, I nearly spent the whole amount. No, just kidding! | 0:32:34 | 0:32:37 | |
-They were £38. -Great! | 0:32:37 | 0:32:40 | |
You wouldn't have to go to the theatre many times. | 0:32:40 | 0:32:43 | |
Is it a pound now that you have to put in | 0:32:43 | 0:32:44 | |
to get the glasses in the theatre? | 0:32:44 | 0:32:46 | |
-Exactly. -So, you wouldn't have to go many times to get your money back. | 0:32:46 | 0:32:49 | |
-I think they're lovely. -So, what do you reckon they'll fetch? | 0:32:49 | 0:32:53 | |
Well, I reckon the auctioneer is going to put | 0:32:53 | 0:32:55 | |
something like 20-40, 30-50. | 0:32:55 | 0:32:56 | |
He's not going to put on a whopping big estimate of 60-80 on them, | 0:32:56 | 0:32:59 | |
but they just need to inspire a little bit of competition | 0:32:59 | 0:33:02 | |
and then we are cracking. I think we're almost there. | 0:33:02 | 0:33:05 | |
We're almost there. | 0:33:05 | 0:33:06 | |
On that happy note, why don't we check out what the auctioneer | 0:33:06 | 0:33:09 | |
thinks about Natasha's opera glasses. | 0:33:09 | 0:33:11 | |
OK, there we go. Look, Ross. | 0:33:13 | 0:33:15 | |
Very, very, very ordinary. | 0:33:15 | 0:33:17 | |
They are, Tim. Not great quality. | 0:33:19 | 0:33:21 | |
And quite a small market who are going to buy these. | 0:33:23 | 0:33:26 | |
However, the condition is good. | 0:33:26 | 0:33:29 | |
If we're trying to be optimistic, | 0:33:29 | 0:33:31 | |
I think the condition might get them away on the day. | 0:33:31 | 0:33:35 | |
-Yeah, they'll look well on the internet, won't they? -They will. | 0:33:35 | 0:33:38 | |
That's the other thing that's in their favour. | 0:33:38 | 0:33:41 | |
OK, so Natasha invested £38. | 0:33:41 | 0:33:43 | |
Will she get out of trouble in your auction? | 0:33:43 | 0:33:45 | |
-We've said 30-50. -OK, well, she just might get lucky, mightn't she? | 0:33:45 | 0:33:49 | |
-I'll try my best. -Well, you are well in focus. | 0:33:49 | 0:33:51 | |
-Heidi, Ian, everything OK? -Yes. | 0:33:59 | 0:34:02 | |
Hoping for the best because you're desperate for the old GG, right? | 0:34:02 | 0:34:05 | |
-Yes. -Right, well, there's an ambition for you. | 0:34:05 | 0:34:09 | |
First up, then, is the little inkwell. Here it comes. | 0:34:09 | 0:34:13 | |
Next lot is the late-Victorian cut-glass inkwell. There it is. | 0:34:13 | 0:34:17 | |
Nice quality thing. £5, bid at five. Eight with you, sir. | 0:34:17 | 0:34:21 | |
£8, bid 10. | 0:34:21 | 0:34:23 | |
At £8 with the gentleman sat, 10 may I say. New place at £10. | 0:34:23 | 0:34:25 | |
-For 12. -Profit. Unbelievable. -14, 16. -16? -18? | 0:34:25 | 0:34:31 | |
At £18, bid 20. £20, at 20. In the back row at £20 only. | 0:34:32 | 0:34:38 | |
-£20. -Last chance, we're going to sell it on to the gentleman. 20. | 0:34:38 | 0:34:43 | |
-Trying to give me a heart attack here. £22. -22?! -24, 26. | 0:34:43 | 0:34:48 | |
-I can't believe this. -£26, 28. | 0:34:48 | 0:34:52 | |
-30 now. -It's the miracle of Chiswick. | 0:34:52 | 0:34:54 | |
30. May I say five to you? | 0:34:54 | 0:34:56 | |
32. OK, I'm not a proud man. We'll get every penny we can for this. | 0:34:58 | 0:35:03 | |
32, 35. At 35. | 0:35:03 | 0:35:06 | |
At 35, last chance at 35. Sold! | 0:35:06 | 0:35:11 | |
-35. -Thank you! | 0:35:11 | 0:35:13 | |
£35, 25... It's plus £26. £26! | 0:35:14 | 0:35:20 | |
Now here comes the champagne glasses. Looking nice. | 0:35:20 | 0:35:24 | |
A lot of interest here. Bids start against you all, £20. I have at 20. | 0:35:24 | 0:35:29 | |
Coming in at 20. Five. 30. Five. 40. Five with you, madam, at 45. Bid 50. | 0:35:29 | 0:35:36 | |
Five. 60, madam. | 0:35:36 | 0:35:39 | |
£60 I'm bid at the back of the room. 60. At £60 only. | 0:35:39 | 0:35:44 | |
Lovely suite of six cocktail glasses. | 0:35:44 | 0:35:47 | |
£65 now on the internet. At £65. | 0:35:47 | 0:35:52 | |
At £65, last chance, all done? Sold to the internet at 65. | 0:35:52 | 0:35:57 | |
£65 is plus £15, that's 26, 36, that's plus £41. | 0:35:57 | 0:36:02 | |
A novelty champagne bucket. £10 bid. £10, I'm bid at 10. 15, sir, at 15. | 0:36:02 | 0:36:09 | |
20 now. £20 bid, 25. | 0:36:09 | 0:36:12 | |
-25. 30 now. -You've done it. -30 bid. 35. | 0:36:13 | 0:36:18 | |
-They have cracked it. -At £35. | 0:36:18 | 0:36:22 | |
Sat in front of me at £35 and I'm going to sell. | 0:36:22 | 0:36:25 | |
Last chance, all done and selling at 35. | 0:36:25 | 0:36:28 | |
-Sold! -£35. | 0:36:30 | 0:36:33 | |
£22.50... | 0:36:33 | 0:36:35 | |
That is plus £53.50 profit. | 0:36:35 | 0:36:40 | |
So what you going to do about the bonus buy, then? | 0:36:40 | 0:36:43 | |
You going to park that? £80 for those jobbies. | 0:36:43 | 0:36:46 | |
Because we've done so well, I'm really sorry, | 0:36:46 | 0:36:48 | |
-would you mind if we passed? -Not at all. -Take the money, I'm afraid. | 0:36:48 | 0:36:51 | |
-You take the money and run. -And here comes the bonus buy. | 0:36:51 | 0:36:55 | |
The next lot now, lot 102. Lovely silver gilt napkin rings. | 0:36:55 | 0:36:59 | |
20 bid. 20 bid, five. 25, bid 30. 35. | 0:36:59 | 0:37:05 | |
At £35 stands. At the back at 35. | 0:37:05 | 0:37:10 | |
Doesn't seem a lot to me at 35. | 0:37:10 | 0:37:12 | |
£40, on the internet at 40. 45. 45. | 0:37:12 | 0:37:16 | |
-At £45 in the room. -I can't even look! | 0:37:16 | 0:37:19 | |
Going to sell to internet at 45. | 0:37:19 | 0:37:21 | |
Last chance. Done and selling at £45. | 0:37:21 | 0:37:24 | |
-Oh! -45, eh? -Good decision. Very good decision. | 0:37:25 | 0:37:29 | |
Minus £35, that would've made a hole, wouldn't it? | 0:37:29 | 0:37:33 | |
That would've made a hole. Anyway, well done, team. | 0:37:33 | 0:37:36 | |
You are plus £53.50. | 0:37:36 | 0:37:39 | |
Don't say a word to those Blues. Don't spoil their day. | 0:37:39 | 0:37:42 | |
-All will be revealed in a moment. -Yes. -Congratulations again. | 0:37:42 | 0:37:46 | |
Thank you very much. | 0:37:46 | 0:37:48 | |
OK, Jules, Gem, first up is your Maxply tennis racket mirror. | 0:37:59 | 0:38:03 | |
Here it comes. | 0:38:03 | 0:38:05 | |
Unusual, certainly it is. | 0:38:05 | 0:38:06 | |
It's the rather fun Dunlop tennis racket. | 0:38:06 | 0:38:10 | |
Some interest with me. On the books at £30 I'm bid. | 0:38:10 | 0:38:13 | |
-30 is in! -Come on, come on! -£30 now. | 0:38:13 | 0:38:17 | |
35 may I say, madam? | 0:38:17 | 0:38:18 | |
You've seen it at 35. 40, 45. 45, bid 50. | 0:38:18 | 0:38:24 | |
-We're in. -55, 60. | 0:38:24 | 0:38:27 | |
Five now. THEY CHEER | 0:38:27 | 0:38:29 | |
Shaking her head at £60, with me on a commission date. | 0:38:29 | 0:38:32 | |
Anyone else now has got a chance at £60. | 0:38:32 | 0:38:35 | |
With the auctioneer on a commission bid of 60. | 0:38:35 | 0:38:37 | |
60. That's a proper forehand, that is. Plus £10. | 0:38:39 | 0:38:44 | |
Now, OK, scent bottle. | 0:38:44 | 0:38:45 | |
The Art Deco-style cut-glass scent bottle. | 0:38:45 | 0:38:48 | |
There it is, you could fit a lot of perfume in it there. | 0:38:48 | 0:38:50 | |
£20 I'm bid on the books. At 20, looking for five now. | 0:38:50 | 0:38:54 | |
It's struggling already. | 0:38:54 | 0:38:55 | |
Everyone's shaking their head at £20. With me, may I say five? | 0:38:55 | 0:39:00 | |
No, at £20 only. | 0:39:00 | 0:39:03 | |
-No. -Oh, dear, we are in trouble. | 0:39:03 | 0:39:05 | |
With me on a maiden commission bid of 20 only. | 0:39:05 | 0:39:07 | |
Last chance, I've got to sell. | 0:39:07 | 0:39:10 | |
-At £20, sold! -Oh! -He put 40-60 on it. | 0:39:10 | 0:39:14 | |
Anyway, that's minus 24, which means it's only minus 14, actually. | 0:39:14 | 0:39:19 | |
-There you go. -It's OK. Simon. -Simple Simon. | 0:39:19 | 0:39:22 | |
Simon's going to do it for you. | 0:39:22 | 0:39:23 | |
Next lot, 117. | 0:39:23 | 0:39:25 | |
It's the rather fun Simple Simon Devonmoor novelty teapot. | 0:39:25 | 0:39:31 | |
-Come on, Simon! 15?! -18 straight in. | 0:39:31 | 0:39:35 | |
Bid 20. £20, bid 25, sir. Come along. At £25. | 0:39:35 | 0:39:40 | |
At £25 way in the back, at 25, I'm going to sell at £25 only. | 0:39:40 | 0:39:45 | |
£25 is plus £19. You were £14 down the lavatory. | 0:39:47 | 0:39:53 | |
You're now plus £5. How about that? | 0:39:53 | 0:39:56 | |
Oh, my goodness. Now what are you going to do about old snakeskin? | 0:39:56 | 0:39:59 | |
-The opera glasses. What you going to do? -I think we should go for it. | 0:39:59 | 0:40:02 | |
-We are only here once, yeah. -Yeah, absolutely. -Let's do it. | 0:40:02 | 0:40:05 | |
Oh, my goodness. | 0:40:05 | 0:40:06 | |
We are going with the opera glasses, and here they come. | 0:40:06 | 0:40:09 | |
Lot number 121, the pair of mid-20th-century | 0:40:09 | 0:40:13 | |
French white metal and snakeskin opera glasses. | 0:40:13 | 0:40:17 | |
-Some interest here. Bid start against you at £20. -20 is OK. | 0:40:17 | 0:40:20 | |
-20 is good. -25, bid 30. Five, | 0:40:20 | 0:40:23 | |
40 now. | 0:40:23 | 0:40:25 | |
£40. Well done. That is good. | 0:40:25 | 0:40:27 | |
Last chance, going to sell. £40 only. | 0:40:27 | 0:40:30 | |
All done? Selling now at 40. | 0:40:30 | 0:40:32 | |
40 is plus £2. I love it. | 0:40:34 | 0:40:37 | |
OK, you are plus £7, team. | 0:40:37 | 0:40:40 | |
That could be a winning score. Well done. | 0:40:40 | 0:40:43 | |
-And the excitement level, how about that? -It's amazing. | 0:40:43 | 0:40:45 | |
My heart is thumping, actually. | 0:40:45 | 0:40:47 | |
Anyway, say nothing to the Reds and all will be revealed in a moment. | 0:40:47 | 0:40:50 | |
Thank you very much. Well done. | 0:40:50 | 0:40:54 | |
-Well, well, well, well... A double whammy of winners today. -ALL: Whoo! | 0:41:03 | 0:41:09 | |
Everybody is going home with the folding money. | 0:41:09 | 0:41:12 | |
How lovely is that? Now, have you been chatting to one another? | 0:41:12 | 0:41:16 | |
-ALL: No. -It's just a question of scale then, really, isn't it? | 0:41:16 | 0:41:20 | |
The team with the slightly scaled-down winnings | 0:41:20 | 0:41:24 | |
today happens to be Blues. | 0:41:24 | 0:41:26 | |
But don't feel too badly about it | 0:41:28 | 0:41:30 | |
because you're going home with seven English pounds. | 0:41:30 | 0:41:33 | |
-We are! -There's the five there and a couple of bits of shrapnel. | 0:41:33 | 0:41:37 | |
-So, Gem, did you have a good time? -Wonderful. | 0:41:37 | 0:41:40 | |
-Was it good for you, Jules? -Brilliant. | 0:41:40 | 0:41:41 | |
-Well, it was clearly good for you, Natasha. -Always is! | 0:41:41 | 0:41:44 | |
Never have I seen a girl so excited about £7. | 0:41:44 | 0:41:47 | |
So what would happen if she gets into double digits? | 0:41:47 | 0:41:50 | |
Anyway, well done, team, | 0:41:50 | 0:41:51 | |
because the victors today are going home with £53.50. | 0:41:51 | 0:41:55 | |
Here's that. | 0:41:55 | 0:41:58 | |
This is... There's £2.50, you get another one. Look, £53.50. | 0:41:58 | 0:42:04 | |
Dear, oh, dear, oh, dear. So, how did you manage that? | 0:42:04 | 0:42:07 | |
-£26 on the old inkwell. -Unbelievable. -Mad! -It was lovely. | 0:42:07 | 0:42:13 | |
£15 on the not champagne glasses. | 0:42:13 | 0:42:17 | |
£12 on the champagne doodah means that you get a profit on every lot | 0:42:17 | 0:42:22 | |
which means you get the entry to the Golden Gavel! | 0:42:22 | 0:42:25 | |
The ancient order. The most competed decoration in British television. | 0:42:25 | 0:42:31 | |
-Thank you! Give that to me! -That's to go with your collection. | 0:42:31 | 0:42:35 | |
Such a competitive man, David Harper. | 0:42:35 | 0:42:37 | |
Anyway, what's the best bit for you, Heidi? | 0:42:37 | 0:42:41 | |
-Um... -The money. | 0:42:41 | 0:42:42 | |
THEY LAUGH | 0:42:42 | 0:42:44 | |
No, actually, meeting you all. It has been such good fun. | 0:42:44 | 0:42:47 | |
We've really, really enjoyed it, so thank you. | 0:42:47 | 0:42:49 | |
-But it was the money for you, right? -Yes, it's the money for me. Yes. | 0:42:49 | 0:42:53 | |
A proper man. | 0:42:53 | 0:42:54 | |
Anyway, such fun. Join us soon for some more bargain-hunting, yes? | 0:42:55 | 0:42:59 | |
ALL: Yes! | 0:42:59 | 0:43:00 |