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We're in the Midlands today, in the town of Stafford, | 0:00:05 | 0:00:08 | |
which has an ancient tradition of shoemaking, | 0:00:08 | 0:00:12 | |
dating all the way back to the 15th century. | 0:00:12 | 0:00:15 | |
But that is not the SOLE reason for us being here today. | 0:00:15 | 0:00:19 | |
Oh, no, there's more afoot. | 0:00:19 | 0:00:21 | |
So, let's step this way, and let's go bargain hunting! | 0:00:21 | 0:00:27 | |
On today's show, we have two teams with slightly unusual relationships. | 0:00:54 | 0:00:59 | |
I had an unusual relationship once...he-he! | 0:00:59 | 0:01:02 | |
But that's another story. Let's take a sneaky peak | 0:01:02 | 0:01:05 | |
as to what's coming up. | 0:01:05 | 0:01:06 | |
Both teams give their expert the run-around. | 0:01:08 | 0:01:11 | |
The Reds know what they like when they see it. | 0:01:11 | 0:01:13 | |
What I've learned from you two is that if you like it, you like it. | 0:01:13 | 0:01:16 | |
-You don't, there's no reaction. -No. There's an instant gut feeling. -Yeah. | 0:01:16 | 0:01:21 | |
And the Blues know what they want. And they want a lot. | 0:01:21 | 0:01:25 | |
You're doing well. You're doing well. | 0:01:25 | 0:01:27 | |
-God, this is the toughest shopping list I've ever had. -I know. Sorry. | 0:01:27 | 0:01:31 | |
Right, lamp. OK, lamp. | 0:01:31 | 0:01:33 | |
OK, let's meet the teams. | 0:01:33 | 0:01:35 | |
On today's show, we have a | 0:01:37 | 0:01:38 | |
daughter-in-law and a mother-in-law, Rachel and Dotty. | 0:01:38 | 0:01:42 | |
And for the Blues, a partner's father | 0:01:42 | 0:01:45 | |
and a daughter's partner, Bill and Rachel. | 0:01:45 | 0:01:48 | |
-Hello, everyone. -ALL: Hello, Tim. | 0:01:48 | 0:01:50 | |
I thought you weren't supposed to | 0:01:50 | 0:01:52 | |
get along with your mother-in-law, Rach? | 0:01:52 | 0:01:54 | |
Apparently not. But we do, we get on really well. | 0:01:54 | 0:01:57 | |
And what do you like doing with your mother-in-law most? | 0:01:57 | 0:01:59 | |
Do you do the shopping, or... What do you do? | 0:01:59 | 0:02:01 | |
No, we share a boat together on the Thames. So we like going out | 0:02:01 | 0:02:04 | |
-and spending time on the river. -So you go zooming along? -Yes. | 0:02:04 | 0:02:07 | |
-Well, it's 4mph, is the speed limit. -Oh, not such a zoomer. | 0:02:07 | 0:02:12 | |
Now. It says here that you run a complementary therapy clinic | 0:02:12 | 0:02:15 | |
-in Wolverhampton. -I do. | 0:02:15 | 0:02:17 | |
It's the Bowen technique | 0:02:17 | 0:02:19 | |
and it's basically gentle rolling moves over muscles and tendons. | 0:02:19 | 0:02:23 | |
So it's not a firm pressure | 0:02:23 | 0:02:25 | |
and it's great for young children to the elderly... | 0:02:25 | 0:02:29 | |
And how did you get into it? | 0:02:29 | 0:02:31 | |
Well, thanks to my mother-in-law, really, | 0:02:31 | 0:02:33 | |
my two children suffered from infant colic and when the second one | 0:02:33 | 0:02:37 | |
was suffering with it, I was just desperate to find a solution. | 0:02:37 | 0:02:41 | |
And Dotty had already visited a Bowen therapist | 0:02:41 | 0:02:43 | |
and she recommended I go and visit a Bowen therapist, | 0:02:43 | 0:02:46 | |
because it's apparently great for relieving infant colic. | 0:02:46 | 0:02:48 | |
Pretty much overnight the symptoms disappeared and I was so amazed. | 0:02:48 | 0:02:51 | |
-You had a little miracle? -Yeah. | 0:02:51 | 0:02:53 | |
And that convinced me to go and train to help other people. | 0:02:53 | 0:02:56 | |
-Dotty, you are retired now, darling? -I am, yes. | 0:02:56 | 0:02:59 | |
Although I don't know why. You must have retired when you were 30. | 0:02:59 | 0:03:02 | |
Oh, you wonderful man. | 0:03:02 | 0:03:03 | |
-So, tell me about what jobs you've done in your time. -I was a Wren. | 0:03:03 | 0:03:07 | |
-I joined the Wrens when I was very young. -Yes. | 0:03:07 | 0:03:10 | |
Then I left the Wrens to have my children | 0:03:10 | 0:03:12 | |
and then I got a job as a driver for an ambulance. | 0:03:12 | 0:03:16 | |
And then I moved into the Magistrates' court, | 0:03:16 | 0:03:19 | |
to get myself... To get the brain working. | 0:03:19 | 0:03:22 | |
And then I ended up in insurance... | 0:03:22 | 0:03:24 | |
I mean, what has this woman not done? How lovely is that? | 0:03:24 | 0:03:28 | |
-It keeps the brain going, doesn't it? -Oh! | 0:03:28 | 0:03:30 | |
I think I need to drink a drop of what you're on, girl. | 0:03:30 | 0:03:33 | |
-And you do a bit of yoga? -Oh, I do. Yes, I do, yes. | 0:03:33 | 0:03:35 | |
-Swimming and...? -Yes, swimming. -All that kind of business. | 0:03:35 | 0:03:38 | |
-Keeps me out of mischief. I mean, come on. -You are amazing, Dotty. | 0:03:38 | 0:03:42 | |
Well done. You're going to love this bargain hunting lark. | 0:03:42 | 0:03:44 | |
Now, Bill, before you retired, you were a salesman. | 0:03:44 | 0:03:47 | |
-What did you use to sell? -Pretty well anything and everything. | 0:03:47 | 0:03:50 | |
I've done double glazing, cars, advertising, | 0:03:50 | 0:03:52 | |
-nuclear shelters... -Have you? -Yeah. | 0:03:52 | 0:03:54 | |
-They're handy, aren't they? -Well... | 0:03:54 | 0:03:56 | |
-We ended the Cold War, you know. -It didn't go as well as we thought. | 0:03:56 | 0:03:59 | |
We thought it'd go like a bomb, but... | 0:03:59 | 0:04:02 | |
We packed it in then, because we had a full load. | 0:04:02 | 0:04:05 | |
-Do you do comedy work at all? -No. -OK. | 0:04:05 | 0:04:08 | |
Well, there's another angle you might try. | 0:04:08 | 0:04:11 | |
Now, Rachel, what do you do for a living? | 0:04:11 | 0:04:13 | |
I'm a teacher of English and Media. Secondary school teacher. Yeah. | 0:04:13 | 0:04:17 | |
But you're a bit of an adrenaline junkie, aren't you? | 0:04:17 | 0:04:20 | |
I really like surfing, rock climbing... | 0:04:20 | 0:04:23 | |
Once I surfed in the greatest population of great white sharks | 0:04:23 | 0:04:27 | |
in Australia. I didn't know it at the time, but...yeah. | 0:04:27 | 0:04:32 | |
But, yeah, gave it a good go, anyway. | 0:04:32 | 0:04:34 | |
Now, what are your tactics, you two, today? | 0:04:34 | 0:04:36 | |
-Are you going to be a good team? -I think so. | 0:04:36 | 0:04:39 | |
Well, we are nicknamed Thelma and Louise, so... | 0:04:39 | 0:04:42 | |
Cos we generally tend to go on a few adventurous and things, don't we? | 0:04:42 | 0:04:45 | |
-Yeah, yeah. -Yeah, hopefully. | 0:04:45 | 0:04:46 | |
It'll be an adventure today. We're going to spend as much money | 0:04:46 | 0:04:49 | |
-as we possibly can. -That is the right answer. | 0:04:49 | 0:04:51 | |
Anyway, talking of money. Here's your £300. | 0:04:51 | 0:04:54 | |
£300, Dot. There you go, Rach. You know the rules. | 0:04:54 | 0:04:57 | |
Your experts await, and off you go. And very, very, very good luck. | 0:04:57 | 0:05:01 | |
Gosh. Whatever's going to happen next? | 0:05:01 | 0:05:03 | |
With the Reds, never afraid to blow his own trumpet, it's Thomas Plant. | 0:05:06 | 0:05:10 | |
And for the Blues, eyes down, it's Christina Trevanion. | 0:05:11 | 0:05:15 | |
So, Rachel, you're quite brave to bring the monster-in-law. | 0:05:17 | 0:05:21 | |
-Oh, cheeky beggar. -Aw, don't be mean. | 0:05:21 | 0:05:23 | |
-What are we looking for? -Something quite fun, something quirky. -OK. | 0:05:23 | 0:05:27 | |
Something quite vintage, maybe. | 0:05:27 | 0:05:30 | |
-Are you talking about Bill? -Yes. | 0:05:30 | 0:05:33 | |
Thank you very much indeed. We're off to a cracking start. | 0:05:33 | 0:05:36 | |
-A fine vintage. -A cracking start. | 0:05:36 | 0:05:37 | |
Who's going to be the decision-maker? | 0:05:37 | 0:05:39 | |
-Definitely Dotty. -Rachel. -No, Dotty. | 0:05:39 | 0:05:41 | |
Oh, no, this is going to be awful. | 0:05:41 | 0:05:43 | |
-And what are you looking for, Bill? -Art Nouveau or something | 0:05:43 | 0:05:46 | |
-with a lot of colour. -OK, good. | 0:05:46 | 0:05:47 | |
Well, that's a pretty clear remit. I like that. OK. | 0:05:47 | 0:05:50 | |
Right, teams, your time starts now. | 0:05:50 | 0:05:53 | |
-BIRDSONG -Oh, I do feel a twit... | 0:05:53 | 0:05:56 | |
-WHISTLE SCREAMS -Come on, let's go, then. | 0:05:56 | 0:05:58 | |
Go! | 0:05:58 | 0:06:00 | |
Straight from the off, the Reds have spotted something. | 0:06:04 | 0:06:07 | |
I do like that. I don't know how much it's worth, but it's lovely. | 0:06:08 | 0:06:11 | |
It's elegant. It's a bedside cabinet. Panelled doors | 0:06:11 | 0:06:13 | |
-with moulded backs. -I do quite like that. | 0:06:13 | 0:06:15 | |
Yeah, I like the flowers on the front. | 0:06:15 | 0:06:16 | |
You've got that 19th-century look to it. | 0:06:16 | 0:06:19 | |
How old do you reckon it is? Has it got a price on it? | 0:06:19 | 0:06:21 | |
It hasn't got a price on it at all. | 0:06:21 | 0:06:24 | |
And it's got a split top there, which is a bit of a pain. | 0:06:24 | 0:06:26 | |
-Oh, it's not supposed to be like that? -Not really, no. | 0:06:26 | 0:06:29 | |
It should be a solid top. So that's going to bring it down. | 0:06:29 | 0:06:31 | |
If we can get it for £15, we'd be all right. | 0:06:31 | 0:06:34 | |
Dotty, you're quite right. If you get it for 15, you've got... | 0:06:34 | 0:06:37 | |
-You've got a chance. -It's worth an ask. | 0:06:37 | 0:06:39 | |
We've been shopping for a minute, but you never know. | 0:06:39 | 0:06:41 | |
Take a look at this stand here, | 0:06:43 | 0:06:44 | |
there's some interesting things here. | 0:06:44 | 0:06:46 | |
Right. | 0:06:46 | 0:06:48 | |
Spoken to the dealer and they've said the bottom line | 0:06:48 | 0:06:52 | |
- the absolute underline of it all - | 0:06:52 | 0:06:54 | |
is £60. | 0:06:54 | 0:06:55 | |
-That's too much, isn't it? -I think it is. I think it is. | 0:06:55 | 0:06:58 | |
But we've got that as a backup. Remember. | 0:06:58 | 0:07:01 | |
-PLATE SHATTERS -Somebody's broken a plate. | 0:07:01 | 0:07:03 | |
Time to move on. | 0:07:03 | 0:07:05 | |
-Hopefully that's the Blues. -That's right. | 0:07:05 | 0:07:08 | |
Sorry to disappoint you, Tom, but actually, | 0:07:08 | 0:07:10 | |
the Blues are homing in on something rather interesting. | 0:07:10 | 0:07:13 | |
Because if you're into your travels, then I thought you might like | 0:07:13 | 0:07:16 | |
something that's exotic, a bit of... Something from the east. | 0:07:16 | 0:07:19 | |
See, I was looking at that cabinet there. It caught my eye | 0:07:19 | 0:07:22 | |
and I just think it's so beautiful. | 0:07:22 | 0:07:23 | |
I mean, look at all the different types of parquetry in here. | 0:07:23 | 0:07:26 | |
This is all wood inlay. | 0:07:26 | 0:07:28 | |
So I think it dates from the Meiji period, 1868-1912. | 0:07:28 | 0:07:31 | |
And this wonderful view of Mount Fuji here... | 0:07:31 | 0:07:34 | |
There is an artist called Hiroshige, | 0:07:34 | 0:07:37 | |
who did all these wonderful views of Mount Fuji. | 0:07:37 | 0:07:39 | |
So they were incredibly fashionable at the time and I think now, | 0:07:39 | 0:07:42 | |
it would be a really attractive thing to put | 0:07:42 | 0:07:44 | |
on your dressing table, to put jewellery in, | 0:07:44 | 0:07:47 | |
-to put all your bits and bobs in. -It's beautiful. -Cuff links... | 0:07:47 | 0:07:49 | |
I love how it's all different, it's got all the different drawers, | 0:07:49 | 0:07:52 | |
they've all got a different design. It looks really unique, | 0:07:52 | 0:07:55 | |
-don't you think? -Yeah. -Do you like it? -Yeah. | 0:07:55 | 0:07:58 | |
'Bill doesn't look convinced to me.' | 0:07:58 | 0:08:00 | |
I knew I was going to get bullied, Rachel. | 0:08:00 | 0:08:03 | |
After this, we'll look for a garish vase and something Art Nouveau. | 0:08:06 | 0:08:09 | |
-This almost goes into Art Nouveau. -How much is it? -I've no idea. | 0:08:09 | 0:08:13 | |
-Is this your stand, sir? -It certainly is. | 0:08:13 | 0:08:16 | |
-What have we got on this cabinet here? -What's your best price? | 0:08:16 | 0:08:19 | |
-Oh, he's looking nervous already. -No... | 0:08:19 | 0:08:22 | |
I'll actually do 175 on it. | 0:08:22 | 0:08:25 | |
-175? -Yeah. | 0:08:25 | 0:08:27 | |
I mean, that is quite a sizeable, sizeable, huge chunk of our budget. | 0:08:27 | 0:08:30 | |
-It is, yeah. -At 175. | 0:08:30 | 0:08:32 | |
I'll come back with three £50 notes. | 0:08:32 | 0:08:36 | |
-Can you squeeze just a touch more out of...? -149.99. No, I'm joking. | 0:08:36 | 0:08:39 | |
-No. 145. -145. | 0:08:39 | 0:08:42 | |
-Deal. -Oh, done! | 0:08:42 | 0:08:44 | |
-Fantastic. Thank you. -Exciting. | 0:08:44 | 0:08:46 | |
-Thank you. -Oh, my God. -We did it! | 0:08:46 | 0:08:48 | |
-Record time. -I'm here to win. -Yes! | 0:08:48 | 0:08:52 | |
Now, that's what I called decisive. | 0:08:52 | 0:08:54 | |
Just five minutes in, the Blues have spent nearly half their budget | 0:08:54 | 0:08:57 | |
on their first item. Cor, follow that, Reds. | 0:08:57 | 0:08:59 | |
-That's very cute, actually. -What's that? | 0:09:01 | 0:09:04 | |
-The little table and chairs here. -That is cute, isn't it? -Beautiful. | 0:09:04 | 0:09:07 | |
-Is it...? -Would it be a doll...? -I was going to say doll. | 0:09:07 | 0:09:11 | |
It's a bit small for children, really. | 0:09:11 | 0:09:14 | |
Yeah, it's a doll's piece. Or just somebody's apprentice piece. | 0:09:14 | 0:09:18 | |
-It's not that old, but it's quite unusual, isn't it? -It is. | 0:09:18 | 0:09:22 | |
Again, there's no price. | 0:09:22 | 0:09:24 | |
I mean, personally, I think that's worth £50-£80 at auction. | 0:09:24 | 0:09:27 | |
Would you think there's much of a profit in that? | 0:09:27 | 0:09:29 | |
Let me go and find out. You stay there, OK? | 0:09:29 | 0:09:32 | |
While Thomas looks for a big reduction on the small | 0:09:32 | 0:09:35 | |
furniture, the dust is still settling in the Blue camp | 0:09:35 | 0:09:38 | |
after that blistering start. | 0:09:38 | 0:09:40 | |
So we're looking for a very garish vase for Bill, who is, frankly, | 0:09:40 | 0:09:45 | |
a little bit grumpy that we railroaded him | 0:09:45 | 0:09:47 | |
into buying the cabinet. | 0:09:47 | 0:09:49 | |
Well, you know... | 0:09:49 | 0:09:50 | |
I going to be the first family feud that you've ever had? | 0:09:50 | 0:09:54 | |
Erm...no, I don't think so. | 0:09:54 | 0:09:57 | |
Oh, good. Phew! | 0:09:58 | 0:09:59 | |
OK, Reds, what's the news on the small table and chairs? | 0:09:59 | 0:10:03 | |
I've had a word with the dealer. The price is £35. | 0:10:03 | 0:10:07 | |
-I don't think that's out of the way. -I like this. | 0:10:07 | 0:10:09 | |
There's something about this that's grabbing me. | 0:10:09 | 0:10:11 | |
I like the fact that it grabs you. That's important. | 0:10:11 | 0:10:14 | |
If it grabs you, it'll grab somebody else. Do you want to go for it? £35? | 0:10:14 | 0:10:17 | |
-Yes. -Happy? -Yeah. Do it. | 0:10:17 | 0:10:20 | |
Well done, Reds. That's one on the board and still £265 | 0:10:21 | 0:10:25 | |
left in the bank. | 0:10:25 | 0:10:27 | |
Back with the Blues and they're looking for something to put | 0:10:27 | 0:10:30 | |
a smile on Bill's face. | 0:10:30 | 0:10:32 | |
You wanted something garish and something boldly coloured. | 0:10:32 | 0:10:35 | |
-What's your thoughts? -If you were a vase, you would be that one. | 0:10:35 | 0:10:39 | |
I have to say, I think it's very garish. | 0:10:39 | 0:10:41 | |
And I think it fits the bill. | 0:10:41 | 0:10:42 | |
-I'm not sure how saleable it would be at auction. -No. -£125, as well. | 0:10:42 | 0:10:46 | |
I know, I've seen the price, yeah. | 0:10:46 | 0:10:48 | |
-Yeah. -It might just be a bit too wacky for us. -Shall we move on? | 0:10:48 | 0:10:52 | |
Yeah? | 0:10:52 | 0:10:53 | |
-I love hippos. -Yeah, I just don't think it's of any great value. -No. | 0:10:57 | 0:11:01 | |
-But I like it. -Probably just a personal thing. | 0:11:02 | 0:11:05 | |
-Maybe you should come back and buy it. -Very diplomatic. | 0:11:05 | 0:11:09 | |
Maybe you should come back and take it away. | 0:11:09 | 0:11:12 | |
Moving swiftly on... | 0:11:12 | 0:11:15 | |
-Oh! -Your horn's gone. | 0:11:15 | 0:11:18 | |
-Children, come on. Are you not a school teacher? -I am, yes. | 0:11:21 | 0:11:25 | |
I think you need to be a little bit stricter with him. | 0:11:25 | 0:11:28 | |
Just in case you haven't got your fix... | 0:11:30 | 0:11:33 | |
-There's another one. -Another one here. -And another one! | 0:11:33 | 0:11:36 | |
-Look, look, on the top. -Rachel's into hippopotamuses. Or hippopotami? | 0:11:36 | 0:11:41 | |
Well, I quite like the black... Can I have a look at the inkwell? | 0:11:41 | 0:11:44 | |
So what is that? Is that a little quill box? | 0:11:44 | 0:11:47 | |
It's a Black Forest carved bear. | 0:11:47 | 0:11:50 | |
Black Forest, we call them Black Forest... | 0:11:50 | 0:11:53 | |
Means it's German. | 0:11:53 | 0:11:54 | |
There's no reaction. | 0:11:54 | 0:11:56 | |
So it's going straight back. Straight back. | 0:11:56 | 0:12:00 | |
Move on. | 0:12:00 | 0:12:01 | |
Hmm. I'm INKlined to agree with you, Thomas. | 0:12:01 | 0:12:04 | |
Now, want to see something interesting? | 0:12:04 | 0:12:07 | |
What do you think about this? | 0:12:07 | 0:12:10 | |
Take the sheath off, which is an early 20th-century replacement, | 0:12:10 | 0:12:14 | |
and have a butchers at this blade. | 0:12:14 | 0:12:17 | |
It's stamped with the Sheffield steel blade maker's name, | 0:12:17 | 0:12:21 | |
which is John Wigfall and Co. | 0:12:21 | 0:12:25 | |
It says bone fide, meaning it's the real steel from this man, | 0:12:25 | 0:12:31 | |
and he would want to reassure his customers that this is | 0:12:31 | 0:12:35 | |
a specially forged piece of steel, a specialist steel, | 0:12:35 | 0:12:39 | |
from the place that was renowned around the world for making | 0:12:39 | 0:12:44 | |
steel blades early in the 19th century. | 0:12:44 | 0:12:47 | |
And John Wigfall will have had a tremendous export trade | 0:12:47 | 0:12:51 | |
of his specialist blades. | 0:12:51 | 0:12:54 | |
And in Sheffield, they typically handled their knives with horn, | 0:12:54 | 0:12:59 | |
because it was a by-product of deer in forests, | 0:12:59 | 0:13:03 | |
and it does make an ideal handle, particularly if you shape it | 0:13:03 | 0:13:08 | |
so that it fits the palm of your hand. | 0:13:08 | 0:13:11 | |
But, joy of joy, what's special about the handle is its decoration. | 0:13:11 | 0:13:15 | |
Here we have a most unusual engraved design of a fantastic fish. | 0:13:15 | 0:13:23 | |
If you look at the terminal on the end, that's been delicately engraved | 0:13:23 | 0:13:28 | |
with a frond of foliage, and on the other side, the mystery is unveiled. | 0:13:28 | 0:13:34 | |
Because here we have a sailing vessel. | 0:13:34 | 0:13:36 | |
It's a whaling sailing vessel of a type, that probably | 0:13:36 | 0:13:41 | |
came from Nantucket, on the east coast of America, | 0:13:41 | 0:13:45 | |
where there was a huge whaling fleet in the 19th century. | 0:13:45 | 0:13:49 | |
If you look carefully, the flag on the stern looks to me | 0:13:49 | 0:13:53 | |
as if it could have some stars and stripes on it. | 0:13:53 | 0:13:57 | |
Probably the Americano who owned it took it on his whaling vessel. | 0:13:57 | 0:14:03 | |
The design of the ship has a whole lot of little dots on it. | 0:14:03 | 0:14:06 | |
That's because, when the whalers were decorating bone and teeth | 0:14:06 | 0:14:11 | |
from the whales that they'd caught, they had | 0:14:11 | 0:14:14 | |
pieces of tracing paper which had designs of vessels on them. | 0:14:14 | 0:14:19 | |
And they pricked through the tracing paper into the bone or horn, | 0:14:19 | 0:14:24 | |
which is called scrimshaw. All in all, this knife has it in spades. | 0:14:24 | 0:14:29 | |
And imagine my thrill when, here in Stafford, | 0:14:29 | 0:14:32 | |
I find it on a stall inside. | 0:14:32 | 0:14:35 | |
How much? | 0:14:35 | 0:14:36 | |
Well, to you, today, here in Staffordshire, £150. | 0:14:36 | 0:14:41 | |
But what might it make on another day? | 0:14:41 | 0:14:43 | |
In a specialist marine sale with lots of other bits | 0:14:43 | 0:14:47 | |
of whaling-interest scrimshaw, | 0:14:47 | 0:14:49 | |
I would say the top end of £400-£600. | 0:14:49 | 0:14:52 | |
Now that's really cutting edge. | 0:14:52 | 0:14:54 | |
Back with the shopping, and it's time for a plan of action. | 0:14:56 | 0:15:00 | |
-Everything that we're picking up is out of budget at the moment. -I know. | 0:15:00 | 0:15:04 | |
-We've got expensive taste. -Excellent taste, obviously. | 0:15:04 | 0:15:07 | |
But let's just kind of refine those boundaries a little bit. | 0:15:07 | 0:15:09 | |
-We are we going to go? That way or that way? -That way. | 0:15:09 | 0:15:12 | |
-That way? -Yeah. -Let's go. | 0:15:12 | 0:15:13 | |
Over with the Reds, something's stirring. | 0:15:15 | 0:15:18 | |
-We've found this butter creamer. -It's lovely and it's fully working. | 0:15:18 | 0:15:22 | |
By Lister... | 0:15:22 | 0:15:24 | |
-Famous firm of agricultural materials. -Yes. | 0:15:24 | 0:15:28 | |
-What is it, £45, I think? Oh, 85. -What can it be? | 0:15:28 | 0:15:32 | |
I don't know, we haven't asked. | 0:15:32 | 0:15:33 | |
Well, why don't you go and ask, then? | 0:15:33 | 0:15:35 | |
-Have you seen something else on this stand? -Yeah, behind you. -Really? | 0:15:35 | 0:15:39 | |
-What? -There's a little coffee grinder. -A Dutch coffee grinder. | 0:15:39 | 0:15:43 | |
-I prefer that one over that one. -Do you? I hadn't seen that one. | 0:15:43 | 0:15:46 | |
Because this one looks a bit... | 0:15:46 | 0:15:48 | |
-Plasticy. -Plastic. -Yeah. -Sorry. | 0:15:50 | 0:15:53 | |
And I like this one, which looks earlier, more cast iron, | 0:15:53 | 0:15:56 | |
and it's got "cafe" on it, so it's Continental. | 0:15:56 | 0:16:00 | |
Smells of coffee. Yeah, it is quite fun, that. I prefer that one. | 0:16:02 | 0:16:06 | |
-And so many people have coffee machines these days. -I'd love that. | 0:16:06 | 0:16:09 | |
-Yeah, it's great. It is. -How much is that? You two! £52. -Where is he? | 0:16:09 | 0:16:14 | |
Why don't you do a deal? For both. Have a chat. | 0:16:14 | 0:16:17 | |
What's the best deal you could do, if we add both? | 0:16:17 | 0:16:21 | |
110 for both? | 0:16:21 | 0:16:23 | |
What's the best? Never mention a figure or anything. | 0:16:23 | 0:16:25 | |
-And that's at 85. -100 would be my absolute... Good item. | 0:16:25 | 0:16:30 | |
Yeah, it's fun, it's fun. | 0:16:30 | 0:16:31 | |
German, nice glass counter on the side. | 0:16:31 | 0:16:34 | |
In the Lister, everything's working, | 0:16:34 | 0:16:37 | |
all the goods are inside. Works fine. | 0:16:37 | 0:16:39 | |
What do you want to do? These two have really excited you, | 0:16:39 | 0:16:41 | |
-haven't they? -Yes, we like those. -We do quite like those. | 0:16:41 | 0:16:44 | |
£100 for the two. | 0:16:44 | 0:16:46 | |
-Go for it? -Yeah. -OK. | 0:16:46 | 0:16:48 | |
-You want to do it? -Yeah, let's do it. -We'll buy them. £100. | 0:16:48 | 0:16:51 | |
Thank you very much. | 0:16:51 | 0:16:53 | |
At £37 less than the original ticket price, | 0:16:53 | 0:16:57 | |
that's a good bit of bargaining, Reds. | 0:16:57 | 0:16:59 | |
Back with the Blues, something understated has caught Bill's eye. | 0:16:59 | 0:17:03 | |
Yes, that's pretty garish. Yes, that's what you wanted. | 0:17:05 | 0:17:08 | |
You're going for very sort of...Clarice Cliff type things. | 0:17:08 | 0:17:11 | |
And these are by Lorna Bailey, who works in that sort of style. | 0:17:11 | 0:17:15 | |
And obviously very, very colourful. These will probably command | 0:17:15 | 0:17:17 | |
quite a high price in the retail environment, but not so much, | 0:17:17 | 0:17:20 | |
possibly, in an auction environment. | 0:17:20 | 0:17:22 | |
-They are quite modern... -What about the toucan? | 0:17:22 | 0:17:25 | |
-You're not listening to me. He's not listening to me. -I am! | 0:17:25 | 0:17:27 | |
He's really not listening to me. | 0:17:27 | 0:17:29 | |
They're basically for a collector, who's just started collecting. | 0:17:29 | 0:17:33 | |
-It's like an entry-level... -Yeah. | 0:17:33 | 0:17:36 | |
Sorry, Bill. Do you know what? | 0:17:36 | 0:17:37 | |
I'm telling him to be more assertive and to go for these things, | 0:17:37 | 0:17:40 | |
and then as soon as he's assertive... | 0:17:40 | 0:17:42 | |
-I'm just slapped down again. -Oh, Bill! -Come on! We'll find it. | 0:17:42 | 0:17:46 | |
Come on, live in hope. Thank you very much anyway. Thank you. | 0:17:46 | 0:17:49 | |
Poor Bill! The girls are ganging up on you. | 0:17:49 | 0:17:52 | |
TOUCAN play at that game. | 0:17:52 | 0:17:54 | |
Get it? Hm. | 0:17:54 | 0:17:55 | |
Meanwhile, with 20 minutes left, one item to buy | 0:17:55 | 0:17:58 | |
and £165 still in the bank, | 0:17:58 | 0:18:00 | |
the Reds are feeling pretty pleased with themselves. | 0:18:00 | 0:18:03 | |
The thing is, what I've learned from you two is that | 0:18:03 | 0:18:06 | |
-if you like it, you like it. If you don't, there's no reaction. -No. | 0:18:06 | 0:18:09 | |
There's an instant gut feeling, definitely. | 0:18:09 | 0:18:12 | |
So the Reds are looking pretty healthy. | 0:18:12 | 0:18:14 | |
Meanwhile, have the Blues finally found something garish | 0:18:14 | 0:18:17 | |
to put a grin on Bill's face? | 0:18:17 | 0:18:19 | |
So... | 0:18:19 | 0:18:21 | |
-Oh, yeah. -Brightly coloured things. He's in his element. | 0:18:21 | 0:18:26 | |
-Bill, what's your thoughts? -You're going to slap me again, aren't you? | 0:18:26 | 0:18:29 | |
-No. No, no. I'm feeling very self-conscious... -Poole is good. | 0:18:29 | 0:18:32 | |
I like Poole. | 0:18:32 | 0:18:34 | |
Poole Pottery, so a nice mark on there. In great shape. Very 1970s. | 0:18:34 | 0:18:39 | |
Great patterns. It's not really come into its own yet, | 0:18:39 | 0:18:43 | |
like other Poole ware has, | 0:18:43 | 0:18:45 | |
but it's certainly an emerging market. | 0:18:45 | 0:18:47 | |
And I do think that's quite fun. And it's got "Poole, England" | 0:18:47 | 0:18:50 | |
with a lovely typical dolphin mark that they used. | 0:18:50 | 0:18:53 | |
And 82, which would be either a pattern or a shape number. | 0:18:53 | 0:18:56 | |
-It's got £45 on it now. -Would you accept 25? | 0:18:56 | 0:18:59 | |
-30 is the best we can do on it. -30? What do you think, Bill? | 0:18:59 | 0:19:03 | |
-I think it's OK. -Yeah? Shall we go for it? -Do you like it? | 0:19:03 | 0:19:06 | |
-Does that tick your boxes? -Will it get profit? | 0:19:06 | 0:19:09 | |
I think it's possibly top end, but, with the internet bidding, | 0:19:09 | 0:19:12 | |
-I think it's an interesting shape... -I like it, it's colourful. Yeah. | 0:19:12 | 0:19:15 | |
-We'll be optimistic. -Are you going to go for it, Bill? | 0:19:15 | 0:19:19 | |
Bill's happy! Yay! | 0:19:19 | 0:19:21 | |
Thank you. | 0:19:21 | 0:19:23 | |
Thank goodness for that. | 0:19:23 | 0:19:25 | |
Two down, and we've ticked your exotic travelling, | 0:19:25 | 0:19:29 | |
-we've ticked your colourful... -Need a lamp. -You're doing well, | 0:19:29 | 0:19:31 | |
you're doing well. God, this is the toughest shopping list | 0:19:31 | 0:19:34 | |
-I've ever had. -I know. Sorry. | 0:19:34 | 0:19:36 | |
Right, lamp. OK, lamp. | 0:19:36 | 0:19:37 | |
I haven't seen one of those for a few years. | 0:19:42 | 0:19:44 | |
-No, come on, you're not that old. -Thank you, darling. | 0:19:44 | 0:19:47 | |
You have a Chance lemonade or carafe and glasses set. | 0:19:47 | 0:19:51 | |
And this is the spiral pattern by Margaret Casson, | 0:19:51 | 0:19:55 | |
for Chance glass, a real example of post-war... | 0:19:55 | 0:20:00 | |
..design. British post-war design. | 0:20:00 | 0:20:03 | |
Which I think is marvellous, it has this real sort of | 0:20:03 | 0:20:05 | |
sense of hope and optimism over it. | 0:20:05 | 0:20:09 | |
It's not looking backwards to the floral, it's looking forward, | 0:20:09 | 0:20:14 | |
-to the modern. -It's definitely, I would say, in trend now. | 0:20:14 | 0:20:18 | |
-Very much in trend, that vintage look. -What's the price on this one? | 0:20:18 | 0:20:22 | |
-£55. -That's not bad, is it, really? -It's not bad. | 0:20:22 | 0:20:26 | |
We've got on the Chance glass... You've got £55. | 0:20:26 | 0:20:29 | |
What's your best on this? | 0:20:29 | 0:20:31 | |
The best price is £50. It's in absolute mint condition. | 0:20:31 | 0:20:34 | |
We've got about 15 minutes left... | 0:20:34 | 0:20:38 | |
Do you mind, just holding it for 10 minutes? | 0:20:38 | 0:20:40 | |
-Go on. -10 minutes, while I look round? | 0:20:40 | 0:20:43 | |
Thank you. You're very kind. | 0:20:43 | 0:20:45 | |
Don't take too long, though, Reds, time is running out. | 0:20:45 | 0:20:48 | |
Meanwhile, is this the Blues' last stand? | 0:20:48 | 0:20:51 | |
Right, so what do you think of that? | 0:20:51 | 0:20:52 | |
£28? | 0:20:52 | 0:20:55 | |
-That seems ridiculously cheap. -It does, doesn't it? | 0:20:55 | 0:20:58 | |
Which makes me think, "Why?" | 0:20:58 | 0:21:00 | |
It looks very... | 0:21:00 | 0:21:02 | |
It's got a stain here. | 0:21:02 | 0:21:03 | |
Yeah, but that's OK. I mean, everyone says | 0:21:03 | 0:21:06 | |
brown furniture is not selling, and I would agree. | 0:21:06 | 0:21:08 | |
It's not selling hugely, | 0:21:08 | 0:21:10 | |
but at the same time this is a useful piece of furniture. | 0:21:10 | 0:21:12 | |
Obviously, it's shelves, | 0:21:12 | 0:21:14 | |
it's a little whatnot type thing, nice serpentine front. | 0:21:14 | 0:21:16 | |
It hasn't got a massive amount of age to it, | 0:21:16 | 0:21:18 | |
but it has got a little bit of age to it. It's mahogany. | 0:21:18 | 0:21:21 | |
I think if you can get it for, sort of, 15, £20 | 0:21:21 | 0:21:23 | |
-you're going to make a profit on it. -Excuse me. -Hiya. | 0:21:23 | 0:21:26 | |
Oh, hello. Is this yours? Ah. | 0:21:26 | 0:21:29 | |
-Over to Bill. -LAUGHTER | 0:21:29 | 0:21:32 | |
It's only because I'm holding this, that's all. | 0:21:32 | 0:21:34 | |
What would be the very, very best you could do on that? | 0:21:34 | 0:21:36 | |
Make it around £20. | 0:21:36 | 0:21:38 | |
£20? | 0:21:38 | 0:21:39 | |
That is the very best. | 0:21:39 | 0:21:41 | |
It is? You couldn't take a lot less than that? | 0:21:41 | 0:21:43 | |
£18, and we'll wheel it away now. | 0:21:43 | 0:21:46 | |
Go on. | 0:21:46 | 0:21:48 | |
Oh! Here we go. | 0:21:48 | 0:21:50 | |
-Yes! -We did it, guys. | 0:21:50 | 0:21:52 | |
OK, we'll think about it. | 0:21:52 | 0:21:53 | |
LAUGHTER | 0:21:53 | 0:21:56 | |
-At £18, guys, I don't think that's a bad buy. -No, it's a steal. | 0:21:56 | 0:21:59 | |
-Going to a furniture sale, surely... -Shall we shake hands? | 0:21:59 | 0:22:01 | |
There is no justice in this world if that doesn't make more than £18. | 0:22:01 | 0:22:04 | |
We're trusting you, Christina, we're trusting you. | 0:22:04 | 0:22:07 | |
Brilliant, brilliant. Thank you ever so much. That's fantastic. | 0:22:07 | 0:22:10 | |
-Shall we take it? -Yes, we'll take it. -Deal. Fantastic. | 0:22:10 | 0:22:12 | |
-Brilliant. -Thank you. -Thank you. -Careful of the plates! | 0:22:12 | 0:22:15 | |
Don't knock it over! | 0:22:15 | 0:22:17 | |
-That's brilliant! Guys, that's it! -Yes! We're done! | 0:22:17 | 0:22:20 | |
That's the Blues' final buy. | 0:22:20 | 0:22:22 | |
Meanwhile, the Reds are determined | 0:22:22 | 0:22:23 | |
to keep shopping till the bitter end. | 0:22:23 | 0:22:26 | |
-I think I prefer the glasses and the... -OK. | 0:22:26 | 0:22:29 | |
OK, well, that's all right. | 0:22:29 | 0:22:31 | |
What would your best offer be? | 0:22:35 | 0:22:37 | |
For you to take to auction? | 0:22:37 | 0:22:40 | |
£45. | 0:22:40 | 0:22:41 | |
We need to speak to Thomas, don't we? | 0:22:43 | 0:22:45 | |
Where's Thomas gone? Oh, he's over there. | 0:22:45 | 0:22:47 | |
Better grab him quick, girls! Just five minutes left. | 0:22:47 | 0:22:50 | |
So what was the item you've seen? | 0:22:50 | 0:22:52 | |
This one here, look. | 0:22:52 | 0:22:53 | |
-Yes? -This here. | 0:22:53 | 0:22:55 | |
That's quite handsome, isn't it? A samovar. | 0:22:55 | 0:22:57 | |
-Yeah. A tea urn. -Yeah. | 0:22:57 | 0:22:59 | |
A samovar is a type of Eastern European hot water urn, | 0:22:59 | 0:23:02 | |
but will this one turn out to be an earner? | 0:23:02 | 0:23:04 | |
I quite like that. What's the price of that? | 0:23:04 | 0:23:07 | |
45. | 0:23:07 | 0:23:08 | |
Gosh! | 0:23:08 | 0:23:10 | |
It's a really good price for that! | 0:23:10 | 0:23:12 | |
-What do you think, Dotty? Do you like it? -Yes, I do. | 0:23:12 | 0:23:14 | |
-I do. -It definitely caught my eye as we went past. | 0:23:14 | 0:23:16 | |
-Something a bit different. -It's a traditional antique. Brass... | 0:23:16 | 0:23:19 | |
-It's got a bit of the wow factor. -Yeah, it's got a wow factor. | 0:23:19 | 0:23:22 | |
-How old is it? -19th century. -Is it really? -Yes. -Wow. | 0:23:22 | 0:23:25 | |
Lovely lettering on the base here, | 0:23:25 | 0:23:27 | |
and that lettering tells me it's early Victorian. | 0:23:27 | 0:23:31 | |
-1840s. -I like that. My gut's saying that. | 0:23:31 | 0:23:34 | |
-Go on, then. -Yeah? -Yeah. | 0:23:34 | 0:23:35 | |
-You want to buy that? -Yeah. | 0:23:35 | 0:23:37 | |
£40? | 0:23:37 | 0:23:39 | |
42. | 0:23:39 | 0:23:40 | |
-£42? -42. -Yeah. | 0:23:40 | 0:23:43 | |
-I think that's a good goer. -That's a good deal. Yeah. | 0:23:43 | 0:23:45 | |
-All right. Thank you. -You're a star, sir. | 0:23:45 | 0:23:47 | |
-Thank you very much. -You're welcome. | 0:23:47 | 0:23:49 | |
Stop the clock! Time's up! | 0:23:49 | 0:23:51 | |
It's all over. | 0:23:51 | 0:23:53 | |
-Oh, don't cry. -The party's over. | 0:23:53 | 0:23:55 | |
-Oh. -Come on, you. | 0:23:55 | 0:23:57 | |
-Well, you've left me a load of money. -I have, yeah. | 0:23:57 | 0:24:00 | |
Let's check out what the Red team bought, eh? | 0:24:00 | 0:24:02 | |
This doll's furniture might bring a small profit. Bought for £35. | 0:24:02 | 0:24:07 | |
Next, they bought two items of vintage kitchenware for £100. | 0:24:09 | 0:24:14 | |
And in the heat of the moment, they bought this 19th-century | 0:24:14 | 0:24:17 | |
copper and brass samovar or hot water urn for £42. | 0:24:17 | 0:24:21 | |
Well, girls, you were decisive, weren't you? | 0:24:21 | 0:24:24 | |
Didn't you cover some territory? | 0:24:24 | 0:24:26 | |
-We did, it was great! -Fantastic, Dotty. | 0:24:26 | 0:24:28 | |
Now, which is your favourite piece? | 0:24:28 | 0:24:30 | |
The table and chairs, which we think would be for dolls. | 0:24:30 | 0:24:34 | |
They're too small for babies or children. | 0:24:34 | 0:24:36 | |
And what's your favourite, Rachel? | 0:24:36 | 0:24:38 | |
To be honest, I'd have to say the same thing. Very cute. | 0:24:38 | 0:24:40 | |
Fair enough. Always agree with your mother-in-law. | 0:24:40 | 0:24:43 | |
Oh, yes. I've learnt that very early on. | 0:24:43 | 0:24:44 | |
I mean, that's the top and bottom of it. | 0:24:44 | 0:24:46 | |
-No, only joking. So that's your favourite, anyway. -That is, yes. | 0:24:46 | 0:24:49 | |
And what's going to bring the biggest profit, Rach? | 0:24:49 | 0:24:52 | |
I think probably the tea urn. | 0:24:52 | 0:24:54 | |
-Mm-hm. Could be an earner? -Could be. | 0:24:54 | 0:24:56 | |
OK. And how much did you spend, sweet pea? | 0:24:56 | 0:24:59 | |
-£177. -£177. | 0:24:59 | 0:25:02 | |
I would like £133 of leftover lolly. Thank you. | 0:25:02 | 0:25:05 | |
133. Cool, calm and collected. | 0:25:05 | 0:25:07 | |
Over to you, TomTom. | 0:25:07 | 0:25:09 | |
You're going to be able to navigate your way | 0:25:09 | 0:25:11 | |
to a little profitable bonus buy, aren't you? | 0:25:11 | 0:25:14 | |
Something stylish. | 0:25:14 | 0:25:15 | |
Something stylish for our two girls. | 0:25:15 | 0:25:17 | |
All right. Well, there's a hint. Thank you very much. | 0:25:17 | 0:25:20 | |
Relax up and have a cup of tea, girls. | 0:25:20 | 0:25:21 | |
Meanwhile, we're going to check out | 0:25:21 | 0:25:23 | |
what the Blue team bought, aren't we? | 0:25:23 | 0:25:25 | |
They started boldly spending £145 on this Japanese inlaid cabinet. | 0:25:25 | 0:25:31 | |
They bought some colourful ceramics for Bill | 0:25:31 | 0:25:33 | |
with this Poole Pottery dish, for which they splashed out £30. | 0:25:33 | 0:25:39 | |
And, at £18, what's not to like about this five-tier whatnot? | 0:25:39 | 0:25:44 | |
-Well, team, that was fun, wasn't it? -Yeah, really good. -Brilliant. | 0:25:44 | 0:25:47 | |
-What is your favourite item? -The one that's going to make | 0:25:47 | 0:25:50 | |
-the most profit. -Which is? -The display stand. | 0:25:50 | 0:25:54 | |
-The sort of whatnot. -Yeah. | 0:25:54 | 0:25:55 | |
-You reckon that's going to bring the biggest profit, do you? -I do. -OK. | 0:25:55 | 0:25:58 | |
And it's your favourite. What about you? Do you agree with that? | 0:25:58 | 0:26:01 | |
No, not at all. I think my favourite was the Chinese cabinet. | 0:26:01 | 0:26:04 | |
-That was really nice. -Japanese. -Japanese! Yes! Japanese Cabinet! | 0:26:04 | 0:26:08 | |
-Yes. -So you've got a taste for the Oriental, have you? | 0:26:08 | 0:26:11 | |
-Yeah, a little bit. -Well, it's very fashionable and who knows? | 0:26:11 | 0:26:14 | |
-Anyway, how much did you spend? -We spent 193. | 0:26:14 | 0:26:17 | |
That is such a mature amount. OK, can I have £107, please? | 0:26:17 | 0:26:21 | |
-107. Yes. -Yes. -There you go. -Thank you very much. | 0:26:21 | 0:26:24 | |
107 Squadron. Here we go. Straight into the ever open maw. | 0:26:24 | 0:26:27 | |
-Thank you, my darling. -What are you going to do, Christina Trevanion? | 0:26:27 | 0:26:31 | |
It's been a bit like going around with two big kids today, | 0:26:31 | 0:26:33 | |
-so I think I might look for something... -Childish? | 0:26:33 | 0:26:36 | |
-..to appeal to their childish side. -Oh, really? Nicely said. | 0:26:36 | 0:26:40 | |
Well, you had better look slippy | 0:26:40 | 0:26:42 | |
because we're about to stagger off to the auction. Ooh-arr! | 0:26:42 | 0:26:45 | |
Well, we've popped the short distance from Stafford to Lichfield | 0:26:54 | 0:26:59 | |
to be with my old mate and mucker Richard Winterton | 0:26:59 | 0:27:03 | |
at Richard Winterton Auctions. | 0:27:03 | 0:27:05 | |
-Welcome to our fabulous city of Lichfield. -Thank you very much. | 0:27:05 | 0:27:08 | |
It's a delight to be here. | 0:27:08 | 0:27:10 | |
Now, Rachel and Dotty have gone completely dotty here, | 0:27:10 | 0:27:14 | |
and the first item is | 0:27:14 | 0:27:15 | |
their so-called miniature table and chairs. | 0:27:15 | 0:27:18 | |
Now, has that got anything to do with dolls, do you think? | 0:27:18 | 0:27:21 | |
I think it does. I just think it's a nice, fun sort of item. | 0:27:21 | 0:27:25 | |
It's period-looking. It's not period. | 0:27:25 | 0:27:28 | |
It's come from Far East, we think, don't we? | 0:27:28 | 0:27:30 | |
-What's your idea of fun when it comes to the price? -30 to 40. | 0:27:30 | 0:27:34 | |
-Not that much fun, then. -For the item, I think it's OK. | 0:27:34 | 0:27:37 | |
Unless you're going to tell me they've paid a tremendous amount. | 0:27:37 | 0:27:39 | |
-They paid £35. -Bang on. | 0:27:39 | 0:27:41 | |
Which is not a lot when you think of all that turning and timber. | 0:27:41 | 0:27:44 | |
-Yeah, I know. That's fine. -Good. Lovely. | 0:27:44 | 0:27:46 | |
Now, I know you love a bit of kitchenalia, here, | 0:27:46 | 0:27:50 | |
what we've got is this barrel churn | 0:27:50 | 0:27:52 | |
when you want to convert the milk into butter, | 0:27:52 | 0:27:56 | |
you give that a whizz, | 0:27:56 | 0:27:57 | |
and then you've got this very nice coffee grinder | 0:27:57 | 0:28:00 | |
which has come from central Europe | 0:28:00 | 0:28:03 | |
and how do you rate those two items, Richard? | 0:28:03 | 0:28:05 | |
-Clumpy. -Clumpy? | 0:28:05 | 0:28:07 | |
Your kitchenalia. Some kitchenalia sells really well, | 0:28:07 | 0:28:10 | |
when it's got something you can do. | 0:28:10 | 0:28:11 | |
You wouldn't put that in your kitchen. | 0:28:11 | 0:28:13 | |
The barrel butter churn does leave me slightly cold, I have to say. | 0:28:13 | 0:28:17 | |
And then... You know... | 0:28:17 | 0:28:18 | |
I mean, you could grind up a bit of coffee in that, | 0:28:18 | 0:28:20 | |
-that would be quite useful. -I wouldn't want my coffee out of that. | 0:28:20 | 0:28:23 | |
-You don't really fancy it, then? -Not particularly, no. | 0:28:23 | 0:28:26 | |
Well, it's what you call a double-header, | 0:28:26 | 0:28:27 | |
so the two items are in one lot. | 0:28:27 | 0:28:30 | |
I need you to be so, so positive, so give us your best number. | 0:28:30 | 0:28:33 | |
We have been positive. 40-50 is positive, Tim. | 0:28:33 | 0:28:38 | |
That's rather what I thought you were going to say. £100 they paid. | 0:28:38 | 0:28:41 | |
-That's quite a churn, isn't it? -It is. No. -OK, fine. That's it, then. | 0:28:41 | 0:28:45 | |
And, to cap it, we've got something that not a lot of people want | 0:28:45 | 0:28:48 | |
and that's a lump of copper. | 0:28:48 | 0:28:49 | |
When you're here looking at it, it has got a bit of style. | 0:28:49 | 0:28:52 | |
To be fair to it, it has got a bit of style. We've gone 30-40, so... | 0:28:52 | 0:28:56 | |
And I think, you know, we should be... | 0:28:56 | 0:28:58 | |
OK, £42, but if things don't go too well | 0:28:58 | 0:29:01 | |
on the churn-coffee grinder front, | 0:29:01 | 0:29:04 | |
and I think you could be right, | 0:29:04 | 0:29:05 | |
they're going to need their bonus buy, | 0:29:05 | 0:29:07 | |
so let's go and have a look at it. | 0:29:07 | 0:29:09 | |
This is the moment. You gave Tom £123. | 0:29:09 | 0:29:12 | |
Tom, what did you spend all that leftover lolly on? | 0:29:12 | 0:29:15 | |
-Well, Tim, would you do the honour? -I will. -Please, thank you. -Gently. | 0:29:15 | 0:29:19 | |
-Gently. Do you remember this? -I do. -We do, we do. | 0:29:19 | 0:29:23 | |
As you know, this is a spiral glass set by Chance Glass. | 0:29:23 | 0:29:27 | |
I would love to own this, so, yes, it cost me £50, | 0:29:27 | 0:29:31 | |
but I think it's worth every single penny and it might make a bit more. | 0:29:31 | 0:29:34 | |
-£50? -Mmm. | 0:29:34 | 0:29:36 | |
Why don't you take a piece, hold it, and see what you think about it? | 0:29:36 | 0:29:39 | |
Do you think it'll make a profit? | 0:29:39 | 0:29:41 | |
Well, there was an exhibition, in the early '00s, | 0:29:41 | 0:29:45 | |
by a firm called The Fine Art Society in Bond Street | 0:29:45 | 0:29:48 | |
and they had an exhibition called Austerity to Affluence, | 0:29:48 | 0:29:51 | |
1945 to 1964, and they had this set on there | 0:29:51 | 0:29:55 | |
and they had it retailing at £1,100. | 0:29:55 | 0:29:57 | |
-Really? -OK. -What? £1,100! 11... | 0:29:57 | 0:30:02 | |
That changes things slightly. | 0:30:02 | 0:30:05 | |
But I wouldn't have bought it as an antique. | 0:30:05 | 0:30:08 | |
But, you know, Rach, did you love it as much | 0:30:08 | 0:30:10 | |
before you heard the 1,100 moment or... | 0:30:10 | 0:30:12 | |
-Not quite as much. -Fair enough. -Definitely more appealing now. | 0:30:12 | 0:30:16 | |
Yes, exactly. Anyway, brilliant on the research, Tom. | 0:30:16 | 0:30:19 | |
Thank you very much. That's marvellous. | 0:30:19 | 0:30:21 | |
Now, though, let's find out what the auctioneer | 0:30:21 | 0:30:23 | |
thinks about Tom's lemonade set. | 0:30:23 | 0:30:25 | |
I quite like this and I'm always disappointed | 0:30:27 | 0:30:30 | |
what they make in the auctions. I think she's got a bit of style, | 0:30:30 | 0:30:32 | |
and this sort of style really is in at the moment. | 0:30:32 | 0:30:35 | |
-Does it stand a chance? -If they haven't paid more than £30-40, | 0:30:35 | 0:30:39 | |
-then, yes. -Well, Thomas Plant, on his bonus buys, | 0:30:39 | 0:30:42 | |
is known to be as sharp as a razor, right. He paid 50. | 0:30:42 | 0:30:46 | |
-So, how much will it bring? Now, you like it, you rate it... -I do, | 0:30:47 | 0:30:50 | |
at 30-40. I thought I had done quite well at 30. | 0:30:50 | 0:30:52 | |
I thought you were going to say he had paid £18-£20 for it, | 0:30:52 | 0:30:55 | |
-but, you know, 50... -Certainly not at 50. | 0:30:55 | 0:30:57 | |
Anyway, you never know with this stuff. | 0:30:57 | 0:30:58 | |
A bit of Internet bidding, maybe, for that. | 0:30:58 | 0:31:00 | |
Right, now, that's it for the Reds. Now for the Blues. | 0:31:00 | 0:31:03 | |
What a mixture they've got. | 0:31:03 | 0:31:05 | |
First up is this Japanese parquetry table cabinet | 0:31:05 | 0:31:08 | |
which, you have to admit, is a fantastic object. | 0:31:08 | 0:31:11 | |
-You like it? -I do. I do like it. | 0:31:11 | 0:31:14 | |
Although, when I tell you what price we've put on it, | 0:31:14 | 0:31:16 | |
you might think I don't like it, but I do, honestly. I do like it. | 0:31:16 | 0:31:19 | |
All that geometry, all those little bits of wood, Richard, | 0:31:19 | 0:31:22 | |
-interlocking and inlaid like that. Just amazing. -It is just amazing. | 0:31:22 | 0:31:27 | |
-How much? -We've got 40-60. -Is that all? -Yeah. -£145 they paid. | 0:31:27 | 0:31:32 | |
I don't see £150 for it, I have to say, | 0:31:32 | 0:31:34 | |
but I do see a bit more than 40-60. | 0:31:34 | 0:31:36 | |
I've probably been a bit mean to it. | 0:31:36 | 0:31:38 | |
There's a lot going on, but, you know... | 0:31:38 | 0:31:40 | |
You are the master of selling these things. | 0:31:40 | 0:31:43 | |
Right, now, moving on swiftly to the orange... | 0:31:43 | 0:31:47 | |
Well, what they used to call nuclear orange dish from Poole Delphis. | 0:31:47 | 0:31:52 | |
Right up your street, that, isn't it? | 0:31:52 | 0:31:54 | |
Well, you did say I had the art of selling. | 0:31:54 | 0:31:57 | |
-I think I'll need it for this lot. -I don't know. | 0:31:57 | 0:31:59 | |
It's a known products, you've got it on the internet, Poole Delphis-ware. | 0:31:59 | 0:32:02 | |
I mean, it's dropped a bit in price from its little peak, | 0:32:02 | 0:32:05 | |
-so what's it at now, do you think? -£20-30. | 0:32:05 | 0:32:08 | |
OK, that's fine. £30 they paid. That's not too bad, is it? | 0:32:08 | 0:32:11 | |
Unlike the Japanese cabinet. | 0:32:11 | 0:32:13 | |
Lastly, the quintessential Victorian antique used to be the whatnot. | 0:32:13 | 0:32:19 | |
-There is one. Standing proud. Ready for you. -I come through a lot. | 0:32:19 | 0:32:25 | |
They used to be pushing the 100 plus a few years ago, | 0:32:25 | 0:32:29 | |
-more like 40-60 now and we should get that. -40-60? Do you reckon? | 0:32:29 | 0:32:32 | |
-I think so, yeah. -They will be over the moon, Ricardo. -Really? | 0:32:32 | 0:32:36 | |
-Yeah, £18 they paid. -So we're going to claw back something. | 0:32:36 | 0:32:39 | |
We're going to claw back something and we're going to need to. | 0:32:39 | 0:32:42 | |
OK, well, good luck with that | 0:32:42 | 0:32:44 | |
because they're going to need their bonus buy. | 0:32:44 | 0:32:46 | |
Let's go and have a look at it. | 0:32:46 | 0:32:48 | |
OK, Bill and Rach, this is the moment. You gave Christina £107. | 0:32:48 | 0:32:52 | |
Christina, go girl! | 0:32:52 | 0:32:54 | |
Well, it was like being with a couple of big kids all day, | 0:32:54 | 0:32:57 | |
I have to be honest. It really was, so I'm the last of the big spenders. | 0:32:57 | 0:33:01 | |
I bought you... | 0:33:01 | 0:33:02 | |
THEY LAUGH | 0:33:02 | 0:33:05 | |
-I like it! -A wonderful toy puppet! -I like it! -Looks like you, Rach. | 0:33:05 | 0:33:11 | |
-Charming! -Now, it's what we call a Pelham puppet. | 0:33:11 | 0:33:16 | |
Now, Pelham puppets were started in 1947 by a chap called Bob Pelham, | 0:33:16 | 0:33:20 | |
-and, in this instance, we have a froggy. -Is it all original? | 0:33:20 | 0:33:23 | |
The strings and everything all original, do you think? | 0:33:23 | 0:33:26 | |
Certainly looks like it. Yes. I mean, there is a little bit of damage | 0:33:26 | 0:33:28 | |
we've got here on the toe. | 0:33:28 | 0:33:31 | |
Just down there, but that is reflected in the price. | 0:33:31 | 0:33:33 | |
I mean, I really didn't pay a huge amount for him. | 0:33:33 | 0:33:36 | |
-How old do you think it is? -I would say he's 1950s, 1960s. -Yeah. | 0:33:36 | 0:33:40 | |
He is not a rare example. He is a bit of fun. | 0:33:40 | 0:33:44 | |
He's got a great big smile there. Who could resist it? | 0:33:44 | 0:33:47 | |
He has a good taste in bow ties, though, Tim. | 0:33:47 | 0:33:49 | |
Good taste in bow ties and suiting. | 0:33:49 | 0:33:51 | |
OK, so, we need to find out what she spent. | 0:33:51 | 0:33:53 | |
-Yeah, how much did you spend, then? -I spent seven pounds. -Seven! | 0:33:53 | 0:33:57 | |
Seven! OK, that's really, really good! Well done, froggy! | 0:33:57 | 0:34:02 | |
I would seriously hope that he would make a small profit at that. | 0:34:02 | 0:34:06 | |
He's never going to be worth a fortune because he is what he is. | 0:34:06 | 0:34:09 | |
-10, 20 quid? -I would hope that he would, yeah. | 0:34:09 | 0:34:11 | |
Why don't we find out right now, for the audience at home, | 0:34:11 | 0:34:13 | |
just how happy the auctioneer is? | 0:34:13 | 0:34:15 | |
-Pelham puppet in its box. -A good old Pelham puppet. Box. | 0:34:17 | 0:34:20 | |
-You say box, very loosely-termed box. -Yeah, a bit ripped, isn't it? | 0:34:20 | 0:34:24 | |
It doesn't look in great nick, I have to say. | 0:34:24 | 0:34:28 | |
They do come through quite a lot. | 0:34:28 | 0:34:30 | |
-They're quite popular, but don't make a great deal of money. -No. | 0:34:30 | 0:34:33 | |
I mean, it's never going to be a big earner, is it? | 0:34:33 | 0:34:35 | |
-No, no, no. -So, that frog, how much? -We've gone £10-£15. | 0:34:35 | 0:34:40 | |
-Ribbit. That is amazing, that estimate. £10-£15. -Why? | 0:34:40 | 0:34:45 | |
That cunning Trevanion only paid seven pounds. | 0:34:45 | 0:34:47 | |
-Yeah, brilliantly done. -She knows a puppet when she sees it. | 0:34:47 | 0:34:50 | |
Anyway, many thanks, Richard. We'll stand by for you doing your stuff. | 0:34:50 | 0:34:53 | |
Thank you, Richard. | 0:34:53 | 0:34:55 | |
25 I'm bid. 25. 25. Sold at 130. | 0:34:56 | 0:35:02 | |
Today, first up is going to be | 0:35:02 | 0:35:04 | |
your mahogany doll's or small person's furniture. I don't know! | 0:35:04 | 0:35:11 | |
It's not quite nursery, because it's too grand for a nursery. | 0:35:11 | 0:35:13 | |
It must be for dolls, really. | 0:35:13 | 0:35:15 | |
Anyway, you paid £35 for the two chairs and the table. | 0:35:15 | 0:35:18 | |
The auctioneer thinks they're fine. | 0:35:18 | 0:35:19 | |
He's put £30-£40, so you're about in the middle, there. | 0:35:19 | 0:35:22 | |
Your dolls furniture is coming up now. | 0:35:22 | 0:35:25 | |
Nothing on my book. Nice little thing. £2 I'm bid. | 0:35:25 | 0:35:27 | |
£2 I'm bid. £2 the start. 4, 6, 8, 10. | 0:35:27 | 0:35:32 | |
15, 20, 25 at the back. 25 I'm bid. | 0:35:32 | 0:35:36 | |
25 I'm bid. 30 in the room. 35 in the room. | 0:35:36 | 0:35:39 | |
35 I'm bid. 35. 35. Stand up at 35. Linda, 40? No, she says. | 0:35:39 | 0:35:44 | |
-And again! -35 in the doorway. £35. You all finished? | 0:35:44 | 0:35:48 | |
Sold, then, at 35. | 0:35:48 | 0:35:52 | |
Wiped its face. Well done, girls. No shame, no gain. | 0:35:52 | 0:35:55 | |
-We haven't lost anything. -I got quite excited. -Oh, here we are! | 0:35:55 | 0:35:58 | |
Now, butter churn. | 0:35:58 | 0:36:01 | |
£20 I'm bid. £20 I'm bid. £20. 5, 30. £30. 5. | 0:36:01 | 0:36:07 | |
-40. £40 I'm bid. £40 I'm bid. -Uh-oh! -In the front, here, at £40. | 0:36:07 | 0:36:12 | |
-You all out? -Oh, no! | 0:36:12 | 0:36:14 | |
5, Internet. | 0:36:14 | 0:36:16 | |
-You get two for the price of one. -He's really churning this. | 0:36:16 | 0:36:20 | |
£50, front row. £50, all done in the room? At 50. Yours it is. | 0:36:20 | 0:36:26 | |
-£-50. Uh-oh! -Uh-oh, we're in trouble now. -Sorry about that. | 0:36:26 | 0:36:31 | |
Now, here comes the samovar. | 0:36:31 | 0:36:33 | |
10, 15, £20, 25. 25 I'm bid. | 0:36:33 | 0:36:37 | |
30, you're Internet, you're out. At 25 I'm bid. £25 I'm bid. | 0:36:37 | 0:36:42 | |
We're all finished? 30, the internet. Come in. £30, the internet. 35? | 0:36:42 | 0:36:46 | |
35. 35 in the room. £35. Nothing coming. | 0:36:46 | 0:36:50 | |
Sold at 35. | 0:36:50 | 0:36:53 | |
£35, it's £-7 . You are total £-57. | 0:36:53 | 0:36:57 | |
-What are you going to do about the lemonade set? -We'll go with it. | 0:36:57 | 0:37:00 | |
-It's a no-brainer. -Let's go with it. -£50 paid. Yeah? -Let's go with it. | 0:37:00 | 0:37:03 | |
-Trust Tom-Tom? -Yeah. We trust you. | 0:37:03 | 0:37:06 | |
We're looking for hundreds here, Tom. | 0:37:06 | 0:37:08 | |
Oh, I'm looking for hundreds, as well. | 0:37:08 | 0:37:10 | |
Right, we're going with the lemonade set. The iconic design classic | 0:37:10 | 0:37:13 | |
and here it comes. | 0:37:13 | 0:37:15 | |
Nothing again with me. £10? £10, start me. | 0:37:15 | 0:37:18 | |
£10, start me. The little lemonade glasses. £10. | 0:37:18 | 0:37:20 | |
£15. Internet's at 15. 20, the internet. | 0:37:20 | 0:37:24 | |
20. 25 in the room. 25 in the room. | 0:37:24 | 0:37:27 | |
30, the internet. £30 I'm bid. | 0:37:27 | 0:37:29 | |
Internet at 30. 30. 30. | 0:37:29 | 0:37:31 | |
Internet at 30. Room's out all round. | 0:37:31 | 0:37:33 | |
Sold, then, at £30. | 0:37:33 | 0:37:37 | |
-Oh, dear. -There's a shock. -It certainly is. | 0:37:37 | 0:37:40 | |
£-20. One internet bidder. | 0:37:40 | 0:37:43 | |
That's what can happen. -77, that is. | 0:37:43 | 0:37:46 | |
-Yeah, that's pretty good. -That's not so hot. | 0:37:46 | 0:37:51 | |
Listen, if it's as bad for you, it will be as bad for the others, | 0:37:51 | 0:37:54 | |
and if it's as bad for the others, this could be a winning score. | 0:37:54 | 0:37:57 | |
You never know your luck. | 0:37:57 | 0:37:59 | |
-Bill, Rachel, how are you feeling? -All right. -Are you? -Yes. | 0:38:05 | 0:38:08 | |
-You look a bit shifty to me. -Always look shifty. | 0:38:08 | 0:38:12 | |
-That her look, that is, Tim. -Is it? OK. | 0:38:12 | 0:38:13 | |
-Well, listen, do you know how the Reds got on? -No. -No. | 0:38:13 | 0:38:16 | |
We don't want you to know. First up is the Japanese cabinet | 0:38:16 | 0:38:18 | |
-and here it comes. -Good luck, guys. | 0:38:18 | 0:38:20 | |
Nothing on my book. £10 start. | 0:38:20 | 0:38:22 | |
£10 I'm bid. 15, 20. | 0:38:22 | 0:38:25 | |
45 up on the internet. Shout it out. | 0:38:25 | 0:38:27 | |
45. 45. 50 in the room. | 0:38:27 | 0:38:30 | |
50 I'm bid. 60, the internet. | 0:38:30 | 0:38:32 | |
60, the internet. 70, the room. | 0:38:32 | 0:38:34 | |
70, the room. 80, the internet. | 0:38:34 | 0:38:36 | |
£80, the internet. £80, the internet. | 0:38:36 | 0:38:38 | |
Come again. £90, the room. | 0:38:38 | 0:38:40 | |
£90. £100, the internet. | 0:38:40 | 0:38:42 | |
100 bid. 100. 110, Madam? | 0:38:42 | 0:38:45 | |
100 here. 100. 100. | 0:38:45 | 0:38:47 | |
-At £100, you all finished? -No! | 0:38:47 | 0:38:50 | |
At 100. 110, Madam? | 0:38:52 | 0:38:54 | |
-Go on, 110! -Yes! -110. | 0:38:54 | 0:38:58 | |
Internet, you are out at 110. | 0:38:58 | 0:39:00 | |
Done in the room. Sold at 110. | 0:39:00 | 0:39:04 | |
Very good bit of auctioneering. Yeah, -35. | 0:39:04 | 0:39:07 | |
-That's not too bad, is it? -Here comes the Poole dish. | 0:39:07 | 0:39:10 | |
-I have two bids on the book. -How lovely. | 0:39:10 | 0:39:13 | |
I am bidding at 22. 25, 28, £30 bid. | 0:39:13 | 0:39:18 | |
£30. £30 I'm bid. At 30. 30. At 30. | 0:39:18 | 0:39:22 | |
Room is out. | 0:39:22 | 0:39:23 | |
Internet, you're not coming at all. | 0:39:23 | 0:39:25 | |
All finished, then. Sold at £30. | 0:39:25 | 0:39:28 | |
-Yeah, wiped its face. -Wiped its face. -OK, -35. | 0:39:28 | 0:39:32 | |
The whatnot needs to make £35 profit plus. | 0:39:32 | 0:39:36 | |
£10 I'm bid. The whatnot, £10. | 0:39:36 | 0:39:38 | |
At £10. I'm bid £10. | 0:39:38 | 0:39:39 | |
£15, £18. £18. At 18. At 18. | 0:39:39 | 0:39:43 | |
One more bid. At £18 I'm bid. | 0:39:43 | 0:39:46 | |
We're so low. £18, Johnny. | 0:39:46 | 0:39:48 | |
One more at 18. | 0:39:48 | 0:39:50 | |
-Come on! -25, the internet. -Yes! | 0:39:51 | 0:39:53 | |
That's a get out of jail card, isn't it? | 0:39:55 | 0:39:58 | |
Internet at £25. | 0:39:58 | 0:39:59 | |
-Love that Internet! -Don't you just? | 0:39:59 | 0:40:02 | |
All finished in the room. Sold at 25. | 0:40:02 | 0:40:05 | |
Which is fantastic. That's +7. | 0:40:05 | 0:40:07 | |
You were -35 which means, at the moment, you are -28. | 0:40:07 | 0:40:12 | |
-No shame in that. -That's not too bad. -Now, listen, kids, -28. | 0:40:12 | 0:40:17 | |
Big decision. Could be a winning score, -28. | 0:40:17 | 0:40:20 | |
You going to risk seven of her pounds? Well, your pounds, actually. | 0:40:20 | 0:40:23 | |
-Yes. -Going to go for it? Going to go with the puppet? -Yeah, why not? | 0:40:23 | 0:40:26 | |
-Yeah. -Do it, brilliant. -Well, now you've decided that, | 0:40:26 | 0:40:29 | |
-I can tell you that the auctioneer's put £10-15 on the puppet. -OK. | 0:40:29 | 0:40:32 | |
We are going with the bonus buy and here it comes. | 0:40:32 | 0:40:34 | |
£2 I'm bid. £3, £4, £5, £6, | 0:40:34 | 0:40:39 | |
7, 8, 9, 10, 12, 15. | 0:40:39 | 0:40:43 | |
£15 I'm bid. At 15. 15, 15, 15. | 0:40:43 | 0:40:48 | |
£15 I'm bid. You're all out. | 0:40:48 | 0:40:51 | |
Sold, then, at £15. | 0:40:51 | 0:40:53 | |
+8. Well done, you double your money, | 0:40:53 | 0:40:57 | |
-which means, overall, it is £-20. --20. | 0:40:57 | 0:41:02 | |
Anyway, say nothing to the Reds and all will be revealed in a moment. | 0:41:02 | 0:41:06 | |
Thank you very much. | 0:41:06 | 0:41:08 | |
Well, well, well, | 0:41:15 | 0:41:17 | |
-it's no secret that today the landscape is pretty bleak. -Oh, no! | 0:41:17 | 0:41:22 | |
So you can relax up about getting a security firm | 0:41:22 | 0:41:25 | |
to take either of you home with your winnings. | 0:41:25 | 0:41:28 | |
In the scale of losses today, | 0:41:28 | 0:41:30 | |
I'm afraid the team that has rather larger losses than the other | 0:41:30 | 0:41:33 | |
-are the Blues. -BOTH: -Oh! | 0:41:33 | 0:41:37 | |
-£77 is the score. | 0:41:37 | 0:41:41 | |
And it started out so... What am I talking about? Oh, my God! | 0:41:41 | 0:41:44 | |
I'm going the wrong way! | 0:41:44 | 0:41:46 | |
THEY CHEER | 0:41:46 | 0:41:49 | |
Shame! | 0:41:50 | 0:41:52 | |
Spot the deliberate mistake! | 0:41:55 | 0:41:58 | |
-£77 doesn't sound too bad | 0:41:58 | 0:42:02 | |
and it started out so beautifully with a wiped face, didn't it? | 0:42:02 | 0:42:05 | |
-It certainly did. -With the dolls furniture, | 0:42:05 | 0:42:07 | |
and, then, it went rather downhill with the churn | 0:42:07 | 0:42:10 | |
and whatnot after that, but did you enjoy it? | 0:42:10 | 0:42:12 | |
-It's been lovely, thank you. -Yeah, it's been great. -Oh, good. | 0:42:12 | 0:42:15 | |
Well, I'm glad you had a good time. | 0:42:15 | 0:42:16 | |
Now, the team with less losses are the winners today | 0:42:16 | 0:42:19 | |
-and you win by only managing to lose £20. -BOTH: -Yay! | 0:42:19 | 0:42:23 | |
Which is nothing, really. You two had a wiped face with Poole pottery. | 0:42:23 | 0:42:27 | |
Not much in the way of profits, otherwise. | 0:42:27 | 0:42:29 | |
The whatnot made you seven pounds | 0:42:29 | 0:42:31 | |
and the puppet another £8, so, there you go. Overall, -£20. | 0:42:31 | 0:42:35 | |
-Not too bad! -Nothing to go home with apart from the pleasure of knowing | 0:42:35 | 0:42:38 | |
-that you are Bargain Hunt's victors today. -Hooray! | 0:42:38 | 0:42:43 | |
-Thank you! -Good fun. A great experience, I hope. | 0:42:43 | 0:42:45 | |
-It's been brilliant. -Really good. -And brilliant for us. | 0:42:45 | 0:42:48 | |
In fact, so brilliant, why don't you join us | 0:42:48 | 0:42:50 | |
for some more bargain-hunting soon, yes? | 0:42:50 | 0:42:52 | |
-ALL: -Yes! | 0:42:52 | 0:42:54 |