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We have navigated our way to the watery West Midlands, | 0:00:03 | 0:00:08 | |
where these very canals helped transform, in the 18th century, | 0:00:08 | 0:00:13 | |
Staffordshire's economy, | 0:00:13 | 0:00:14 | |
opening up trade routes for local industries like potting, | 0:00:14 | 0:00:18 | |
brewing and engineering. But our teams are dead | 0:00:18 | 0:00:21 | |
keen on locking onto a decent deal and barging off the old profits, | 0:00:21 | 0:00:26 | |
so, let's go bargain hunting, yeah! | 0:00:26 | 0:00:30 | |
Today, our teams are immersing themselves in the rafts | 0:00:56 | 0:01:00 | |
of goodies over at the Stafford Antiques And Collectables Fair. | 0:01:00 | 0:01:06 | |
They are longing to sink their £300 into objects which will | 0:01:06 | 0:01:12 | |
float off and make them a huge profit over at the auction. | 0:01:12 | 0:01:16 | |
So, why don't we now find out what floats their boats? | 0:01:16 | 0:01:22 | |
Today on Bargain Hunt... | 0:01:22 | 0:01:24 | |
The Reds are ruthless negotiators. | 0:01:26 | 0:01:29 | |
-£65. -OK. | 0:01:29 | 0:01:31 | |
-£65? -Yeah, he's already offered £65. | 0:01:31 | 0:01:33 | |
Oh, OK. Yes, I'll take it! | 0:01:33 | 0:01:35 | |
-You did really well there. -THEY LAUGH | 0:01:35 | 0:01:39 | |
While the Blues get a nasty fright. | 0:01:39 | 0:01:42 | |
Oh, my God! | 0:01:42 | 0:01:44 | |
No, no, no! | 0:01:44 | 0:01:45 | |
And the experts are smug and silly at auction. | 0:01:49 | 0:01:52 | |
Yes! | 0:01:52 | 0:01:54 | |
Whoo-hoo! | 0:01:54 | 0:01:55 | |
Let's meet today's teams. | 0:01:57 | 0:01:59 | |
Well, what fun today. | 0:02:01 | 0:02:02 | |
Beth has brought her mother, Sue, | 0:02:02 | 0:02:05 | |
and Imo has bought her dad, Henry. | 0:02:05 | 0:02:08 | |
-Hello, everyone. -Hello! -Hello! -Lovely to see you. | 0:02:08 | 0:02:11 | |
Now, Sue, you have navigated a strange | 0:02:11 | 0:02:14 | |
-path in your professional life, haven't you? -I have, yes. | 0:02:14 | 0:02:17 | |
I started out as an architect and now I am a wayfinding architect. | 0:02:17 | 0:02:20 | |
What does that mean? | 0:02:20 | 0:02:22 | |
So I design things to help people find their way, | 0:02:22 | 0:02:25 | |
so that means designing signs and maps outside, inside, | 0:02:25 | 0:02:29 | |
lots of interesting towns I've been to and cities. | 0:02:29 | 0:02:32 | |
And what sort of a sign have you had as | 0:02:32 | 0:02:34 | |
to how you're going to get on in Bargain Hunt? | 0:02:34 | 0:02:37 | |
Well, we hope we're going to do quite well, but you never know. | 0:02:37 | 0:02:40 | |
Now, Sue, it says here that you were introduced to this young lady | 0:02:40 | 0:02:44 | |
rather sooner than you thought. | 0:02:44 | 0:02:46 | |
Well, yes, what happened was two weeks before she was due, | 0:02:48 | 0:02:51 | |
we were in the theatre watching The Invisible Man, as it happens, | 0:02:51 | 0:02:56 | |
and about halfway through the second half, I suddenly thought, "Oh, | 0:02:56 | 0:02:59 | |
"something's happening here," but we were enjoying it | 0:02:59 | 0:03:02 | |
so much I thought, "Well, let's just stay," but my waters had broken so... | 0:03:02 | 0:03:07 | |
At the end of the theatre we then rushed out, | 0:03:08 | 0:03:11 | |
rushed to the hospital and Beth was born about an hour later. | 0:03:11 | 0:03:14 | |
-How lovely. -So we were very lucky, got there just in time. | 0:03:14 | 0:03:17 | |
As a result of that rather dramatic entry, | 0:03:17 | 0:03:20 | |
I suppose it's had an effect on you, Beth, has it? | 0:03:20 | 0:03:23 | |
Yeah, I studied film and TV at university | 0:03:23 | 0:03:27 | |
and my latest film actually has been shortlisted for a film festival. | 0:03:27 | 0:03:31 | |
-Congratulations. -Thank you. | 0:03:31 | 0:03:32 | |
How lovely is that? And where does | 0:03:32 | 0:03:34 | |
this ultimately take you, then, Beth? | 0:03:34 | 0:03:35 | |
What you want to do at the end of your degree course and whatnot? | 0:03:35 | 0:03:38 | |
Well, just by studying film, I do actually want to go into event | 0:03:38 | 0:03:43 | |
planning, especially city cultural events. | 0:03:43 | 0:03:46 | |
What has that got to do with your degree, pray? | 0:03:46 | 0:03:50 | |
Well, it's the same sort of process, | 0:03:50 | 0:03:51 | |
it's just the end element that's different. | 0:03:51 | 0:03:53 | |
Just tell me, what sort of things | 0:03:53 | 0:03:55 | |
will you be looking out for to buy today on Bargain Hunt? | 0:03:55 | 0:03:58 | |
Well, something novel, something interesting, unusual. | 0:03:58 | 0:04:01 | |
-Yeah. -We're going to have a hoot anyway. Very good, girls. | 0:04:01 | 0:04:04 | |
-Now, Henry. -Yes, Tim. | 0:04:04 | 0:04:06 | |
You intend milking it for what it's worth today, don't you? | 0:04:06 | 0:04:08 | |
-That's a good one, Tim. Yeah. -Thank you. | 0:04:08 | 0:04:10 | |
Somebody wrote that, I have to say. | 0:04:10 | 0:04:12 | |
-Because you are... -A dairy farmer. | 0:04:12 | 0:04:15 | |
There we go. We've got it out. Well done. | 0:04:15 | 0:04:18 | |
-And how many cows have you got? -250 at the moment, Tim. | 0:04:18 | 0:04:21 | |
Gosh, that's a serious herd. | 0:04:21 | 0:04:24 | |
-And then you have to get up every day and milk them. -Yeah. | 0:04:24 | 0:04:28 | |
Have you got one of those lovely milking parlours where you | 0:04:28 | 0:04:31 | |
-go around plugging these girls in like this? -Gosh, no, Tim. | 0:04:31 | 0:04:35 | |
-We've moved on a bit now. -Have we? Oh. -Yeah. | 0:04:35 | 0:04:37 | |
How do we milk them now? | 0:04:37 | 0:04:38 | |
You put 15 aside and you have one unit that goes | 0:04:38 | 0:04:40 | |
from one side to the other. | 0:04:40 | 0:04:42 | |
-Oh, do you? -Yeah. | 0:04:42 | 0:04:43 | |
And one person and just two and a half hours, and job's done. | 0:04:43 | 0:04:46 | |
-Is it really? As quick as that. -Yeah. | 0:04:46 | 0:04:48 | |
What sort of things do you like to get up to | 0:04:48 | 0:04:50 | |
-when you have some leisure? -Leisure? | 0:04:50 | 0:04:52 | |
Well, I do like farm sales. | 0:04:52 | 0:04:54 | |
-Whether you call that leisure, I don't know. -Well, I don't know. | 0:04:54 | 0:04:57 | |
Good fun, hey. | 0:04:57 | 0:04:58 | |
We do a bit of point-to-point racing which is out across the fields, | 0:04:58 | 0:05:02 | |
not in a proper race track. | 0:05:02 | 0:05:04 | |
-And do you do any riding yourself? -No. -You avoid that? | 0:05:04 | 0:05:07 | |
What about you, Imo? Do you do a bit of riding? | 0:05:07 | 0:05:09 | |
I do, I do enjoy riding a bit, yeah. | 0:05:09 | 0:05:11 | |
I've got a pony at home that I share with my sister. | 0:05:11 | 0:05:13 | |
So what do you get up to on the farm, Imo? | 0:05:13 | 0:05:15 | |
Well, the calves are sort of my side of things so I feed them | 0:05:15 | 0:05:19 | |
in the mornings and the afternoons and check if everything is OK. | 0:05:19 | 0:05:24 | |
If I am needed in the parlour then grudgingly I go and help milking. | 0:05:24 | 0:05:27 | |
But you are particularly fond of moo-sic, I'm told. | 0:05:27 | 0:05:30 | |
You got that right, yeah. | 0:05:30 | 0:05:32 | |
-Somebody wrote that too. -Yeah. | 0:05:32 | 0:05:35 | |
Yeah, I play the flute and the piano and I sing. | 0:05:35 | 0:05:38 | |
And I was at agricultural college for two years at Harper Adams. | 0:05:38 | 0:05:41 | |
And during the second year, | 0:05:41 | 0:05:43 | |
I decided my course wasn't really for me - | 0:05:43 | 0:05:45 | |
there was a bit too much maths involved and I sort of missed | 0:05:45 | 0:05:48 | |
my music an awful lot - so I've decided to pack my bags. | 0:05:48 | 0:05:52 | |
-I'm off to Huddersfield. -Are you going to read a music degree, then? | 0:05:52 | 0:05:55 | |
-Yes, music performance. -Nice, how lovely. | 0:05:55 | 0:05:57 | |
So what is going to be in your field of view today? | 0:05:57 | 0:05:59 | |
-What are you going to buy? -Something different, hopefully. | 0:05:59 | 0:06:03 | |
I know what we don't want, don't we? | 0:06:03 | 0:06:04 | |
-We don't want plates or cutlery or china. -All that boring stuff. | 0:06:04 | 0:06:08 | |
-You see it everywhere. -Agricultural, Tim. -Oh, really? -Try for that. | 0:06:08 | 0:06:12 | |
-Ah! -And I'd quite like something a bit musical | 0:06:12 | 0:06:15 | |
as well, get my own back. | 0:06:15 | 0:06:16 | |
It seems to me we're going to have a splendid show. | 0:06:16 | 0:06:19 | |
Now, the money moment, there's your £300, £300. | 0:06:19 | 0:06:22 | |
You know the rules, your experts await. | 0:06:22 | 0:06:24 | |
And off you go and very, very, very good luck. | 0:06:24 | 0:06:28 | |
No more farming puns, thank you. | 0:06:28 | 0:06:30 | |
Now, let's meet today's experts. | 0:06:33 | 0:06:35 | |
These boots are made for walking. | 0:06:35 | 0:06:38 | |
It's Thomas Plants for the Reds. | 0:06:38 | 0:06:40 | |
Yee-haw! | 0:06:40 | 0:06:41 | |
She is a big fan of antiques. | 0:06:41 | 0:06:43 | |
For the Blues, it's Christina Trevanian. | 0:06:43 | 0:06:45 | |
Sue, Beth. Are you excited? | 0:06:45 | 0:06:47 | |
-We're very excited, yes. -Very excited. | 0:06:47 | 0:06:49 | |
-Right, team. -Right. -Are we ready? -Ready as I'll ever be. | 0:06:49 | 0:06:52 | |
Now, what tickles your fancy, you lot? | 0:06:52 | 0:06:54 | |
I quite like oak furniture. | 0:06:54 | 0:06:56 | |
Yeah? And what about you, Sue? | 0:06:56 | 0:06:57 | |
-Well, I just want to find things that are cheap... -Cheap?! Cheap?! | 0:06:57 | 0:07:01 | |
We're in the antiques business! | 0:07:01 | 0:07:03 | |
-Father and daughter duo. -That's right. | 0:07:03 | 0:07:05 | |
Do you get on most of the time? | 0:07:05 | 0:07:06 | |
-SHE LAUGHS -Yes. We love to argue. | 0:07:06 | 0:07:10 | |
Right, teams. Your time starts now. | 0:07:11 | 0:07:14 | |
Oh, happy days, let's go. | 0:07:14 | 0:07:16 | |
Let's go! | 0:07:16 | 0:07:18 | |
-I love old things. -Old things, well, you're in the right place. | 0:07:21 | 0:07:24 | |
Yes, really old. | 0:07:24 | 0:07:26 | |
Don't be afraid to pick things up. | 0:07:26 | 0:07:28 | |
Just look at the price! | 0:07:31 | 0:07:32 | |
Oh, yeah. Move away. | 0:07:32 | 0:07:35 | |
-That's quite nice. -I don't... Do you think so? I'm not sure. | 0:07:35 | 0:07:38 | |
No, OK, moving on! | 0:07:38 | 0:07:39 | |
Our experts are going to have to work their socks off to | 0:07:39 | 0:07:41 | |
please their teams today. | 0:07:41 | 0:07:43 | |
-You're a farmer, aren't you, Henry? -Yeah, I am. | 0:07:43 | 0:07:46 | |
Quite a nice agricultural... | 0:07:46 | 0:07:49 | |
-Bucket. -Rustic bucket. -Bucket! | 0:07:49 | 0:07:52 | |
-Bedroom chair? -Not a big fan. | 0:07:52 | 0:07:55 | |
Not a big fan? Let's move on then. | 0:07:55 | 0:07:57 | |
Oh, God! | 0:07:57 | 0:07:58 | |
No, it's not on the table, is it? No. | 0:07:58 | 0:08:01 | |
I'm sorry. I'm trying for you, it's not working. | 0:08:01 | 0:08:05 | |
You'll have to try harder, Christina. | 0:08:05 | 0:08:08 | |
Oh, it looks like the Reds are being drawn in by something. | 0:08:10 | 0:08:13 | |
-I like these sort of boxes. -Oh, that's quite fun, isn't it? | 0:08:13 | 0:08:16 | |
If we got it for £15. | 0:08:16 | 0:08:17 | |
So, Freeman Cigars. Freeman is Britain's... | 0:08:17 | 0:08:21 | |
-Quite fun to mount on a wall. -It is, yeah. | 0:08:21 | 0:08:23 | |
-You could put all sorts of little nice... -Trinkets. | 0:08:23 | 0:08:25 | |
Trinkets and stuff in, yeah. | 0:08:25 | 0:08:27 | |
You could put trinkets in | 0:08:27 | 0:08:28 | |
and it's quite lovely having that | 0:08:28 | 0:08:29 | |
bit of advertising on it there, isn't it? | 0:08:29 | 0:08:31 | |
Well, it just looks a bit distinctive. | 0:08:31 | 0:08:33 | |
It looks like something I've not seen before. I like the shape of it. | 0:08:33 | 0:08:36 | |
For £15? What's the best on that? You've got £18 on it. | 0:08:36 | 0:08:39 | |
-£12. -£12. -£12. | 0:08:40 | 0:08:42 | |
That's a good thing, isn't it? It fits your requisite. | 0:08:42 | 0:08:45 | |
It does, it's cheap! SHE LAUGHS | 0:08:45 | 0:08:47 | |
Well, you can always ask, Beth. | 0:08:47 | 0:08:49 | |
-Why don't you go and ask? -I might do. | 0:08:49 | 0:08:52 | |
Go on, don't be shy. Go and ask. | 0:08:52 | 0:08:55 | |
Hey... | 0:08:55 | 0:08:56 | |
Would you possibly take ten pounds for it? | 0:08:56 | 0:08:58 | |
-Yes, go on. -Ten pounds. -Ten pounds. -Yeah, all right, let's do that. | 0:08:58 | 0:09:02 | |
-Yes? -You two drive a hard bargain. -Shake on it. | 0:09:02 | 0:09:04 | |
Thank you. | 0:09:04 | 0:09:06 | |
Beth's sweet and innocent charms | 0:09:06 | 0:09:08 | |
have worked their magic on the dealer. | 0:09:08 | 0:09:10 | |
-We got it for ten pounds! -Well done. -Fantastic. -That is really very good. | 0:09:10 | 0:09:14 | |
-Yeah? -Ten pounds. | 0:09:14 | 0:09:15 | |
-You've got to make a profit on that, haven't you? -Yeah. | 0:09:15 | 0:09:18 | |
That's your first item done. Is that the way we want to go? | 0:09:18 | 0:09:22 | |
Good items for not a great deal of money. | 0:09:22 | 0:09:24 | |
Well, no, we might find nicer items... | 0:09:24 | 0:09:26 | |
-That's a good starter. -It is a good one. -Yeah. | 0:09:26 | 0:09:29 | |
Come on then. | 0:09:29 | 0:09:31 | |
Well done, Reds. 15 minutes in, one down, two to go. | 0:09:31 | 0:09:35 | |
What have you found, Blues? | 0:09:35 | 0:09:37 | |
-Oh, my God! -What's hiding? | 0:09:37 | 0:09:40 | |
-There's a massive spider under there! -Oh, my God! | 0:09:40 | 0:09:42 | |
No, no, no! | 0:09:42 | 0:09:45 | |
Does that come with it? | 0:09:45 | 0:09:47 | |
-No, no, no! -What shall I do with it? | 0:09:47 | 0:09:49 | |
Oh, God, no! | 0:09:49 | 0:09:52 | |
Hey, you're farm girl, Imo. | 0:09:52 | 0:09:54 | |
I thought you were made of tougher stuff. | 0:09:54 | 0:09:56 | |
Beth's focused on something right up her street though. | 0:09:56 | 0:10:00 | |
Is that the kind of thing that you would have used in your degree? | 0:10:00 | 0:10:04 | |
That's great. | 0:10:04 | 0:10:05 | |
Bolex, Swiss-made, a bit different to the camera we're using today, | 0:10:05 | 0:10:09 | |
-isn't it? -Yes, just a little bit. | 0:10:09 | 0:10:11 | |
But the lens is probably really good. | 0:10:11 | 0:10:14 | |
You need to find a specialist auction for them. I really do. | 0:10:14 | 0:10:17 | |
-Great thing. -Yes. | 0:10:17 | 0:10:18 | |
Let's carry on. | 0:10:18 | 0:10:20 | |
I think it's a wrap on that one, Reds. | 0:10:20 | 0:10:23 | |
Over with the Blues, Christina is | 0:10:23 | 0:10:25 | |
getting a wooden reception from Henry. | 0:10:25 | 0:10:27 | |
What you think of this? | 0:10:27 | 0:10:29 | |
25 quid? | 0:10:29 | 0:10:30 | |
-Oh, £45! -£45. Yeah. | 0:10:30 | 0:10:32 | |
Just a really lovely piece of carved oak. | 0:10:32 | 0:10:35 | |
I just think it's early 20th century, | 0:10:35 | 0:10:37 | |
got the lovely acorns and leaves and I'm getting all carried away, | 0:10:37 | 0:10:40 | |
aren't it? But I just think it's quite nice. | 0:10:40 | 0:10:43 | |
Quite nice. Nicely carved. | 0:10:43 | 0:10:46 | |
You're not loving it? | 0:10:46 | 0:10:48 | |
Not... | 0:10:48 | 0:10:49 | |
-It looks a bit sort of dark, doesn't it? -It's beautiful! | 0:10:49 | 0:10:53 | |
One man's trash is another woman's treasure. | 0:10:53 | 0:10:56 | |
Acorns, a quintessential English tree. | 0:10:56 | 0:11:00 | |
It's like the sort of thing you find in a church. | 0:11:00 | 0:11:02 | |
-Could you use it for anything else, I wonder? -It's a letter rack, isn't it? | 0:11:02 | 0:11:06 | |
-That's what it is, yeah. -What else could you use it for? -Not a lot. | 0:11:06 | 0:11:08 | |
-Wine rack. -One bottle. -Loo roll rack. | 0:11:08 | 0:11:12 | |
Henry is not taken with Christina's charming little letter rack. | 0:11:12 | 0:11:15 | |
-Chocolate moulds. -Henry, no! | 0:11:15 | 0:11:18 | |
That's you told. | 0:11:18 | 0:11:20 | |
Sorry! | 0:11:20 | 0:11:22 | |
SHE LAUGHS | 0:11:22 | 0:11:23 | |
She gets quite fierce, doesn't she? | 0:11:23 | 0:11:26 | |
Let's ask the price and see what they say. | 0:11:26 | 0:11:29 | |
-Hello. -Hello. | 0:11:29 | 0:11:30 | |
What would your best be on the letter rack? | 0:11:30 | 0:11:34 | |
I can't remember what's on that. | 0:11:34 | 0:11:36 | |
-Don't look at it. -£15. | 0:11:36 | 0:11:38 | |
Fiver, I think. | 0:11:38 | 0:11:40 | |
You're making things up. | 0:11:40 | 0:11:42 | |
£35, Christina. | 0:11:42 | 0:11:45 | |
£35. I think that's lovely. No pressure. | 0:11:45 | 0:11:48 | |
But we could do with a purchase. And I think this is a lovely thing. | 0:11:48 | 0:11:51 | |
-I do quite like this stall, though. -Nice pieces here. | 0:11:51 | 0:11:53 | |
Lots of nice things. | 0:11:53 | 0:11:54 | |
Yeah, good rustic, agricultural sort of things, aren't they? | 0:11:54 | 0:11:57 | |
Have a good look around, but I would like you to buy something | 0:11:57 | 0:11:59 | |
-within the next couple of minutes, OK? -OK. | 0:11:59 | 0:12:01 | |
Well said, Christina. Shake a leg. | 0:12:01 | 0:12:04 | |
Is Thomas having any more luck with the Reds? | 0:12:04 | 0:12:07 | |
It looks like... | 0:12:07 | 0:12:08 | |
-The light isn't attached. -Oh, good. -Give it a spin. | 0:12:08 | 0:12:12 | |
Isn't that lovely? | 0:12:12 | 0:12:14 | |
Good bit of solid treen on there. | 0:12:14 | 0:12:16 | |
-I think that's a cake... Do you think it's a cake...? -Cake stand? | 0:12:16 | 0:12:19 | |
Well, you could use it for cakes because they're very popular. | 0:12:19 | 0:12:22 | |
I think it's more likely for pots from Staffordshire. | 0:12:22 | 0:12:25 | |
-Oh, of course, yes. -We're in Stafford here, Staffordshire. | 0:12:25 | 0:12:28 | |
-So how much is it? Let's have a look. -£85. | 0:12:28 | 0:12:31 | |
Oh, it says painter's wheel. | 0:12:31 | 0:12:33 | |
Painter's wheel, so it could be for painting pots, painting glass. | 0:12:33 | 0:12:36 | |
-I think it's rather stylish. -I quite like it, yeah. | 0:12:36 | 0:12:39 | |
I can't decide, do you think this is sycamore? | 0:12:39 | 0:12:42 | |
-The wood. -Yes. | 0:12:42 | 0:12:43 | |
It's a sycamore top, so very, very hard wood on a cast-iron base. | 0:12:43 | 0:12:47 | |
The base has got a mark here for the G Hassle Ltd. | 0:12:47 | 0:12:54 | |
Cast iron. And that is Colbridge, | 0:12:54 | 0:12:57 | |
that's where it has been made. | 0:12:57 | 0:12:59 | |
What's the best on that? | 0:12:59 | 0:13:01 | |
-£65. -£65. -Yeah. -I think that is a good thing. What you think? | 0:13:01 | 0:13:05 | |
-I like it. -Should we go for it? -How much? £65? -£65. | 0:13:05 | 0:13:10 | |
-£65. -OK. | 0:13:10 | 0:13:12 | |
-£65? -Yeah, well he's already offered £65. -Oh! | 0:13:12 | 0:13:15 | |
-OK, yes, I'll take it. -Thank you very much. | 0:13:15 | 0:13:17 | |
You did really well there. Thank you, sir. Pleasure. | 0:13:17 | 0:13:20 | |
Thank you very much. | 0:13:20 | 0:13:22 | |
Well done, Reds. That's two down in 20 minutes. | 0:13:22 | 0:13:25 | |
Meanwhile, the Blues are still cooking up a storm at the stall. | 0:13:25 | 0:13:29 | |
It came out of a big house, it could go back in a big house, couldn't it? | 0:13:29 | 0:13:32 | |
It could go over a range, like a cooker range. | 0:13:32 | 0:13:35 | |
-As a mantelpiece sort of thing. -Yeah. | 0:13:35 | 0:13:38 | |
If somebody has got the right property, it's a fantastic item. | 0:13:38 | 0:13:41 | |
But I have to say, it's just my opinion, | 0:13:41 | 0:13:44 | |
but I think there is a bigger market for that and you're spending less. | 0:13:44 | 0:13:49 | |
-Yeah, more people would buy that than that. -Exactly. | 0:13:49 | 0:13:51 | |
-Let's go for that. -Yeah? | 0:13:51 | 0:13:52 | |
Oh, she's won him round. | 0:13:52 | 0:13:54 | |
-So would you do that at £30? -£35. -£30. -£35. -£30. -£35. -£30. | 0:13:54 | 0:13:59 | |
We're taking a bit of firewood away for you. | 0:13:59 | 0:14:01 | |
I know, but won't keep the house warm, that one. | 0:14:01 | 0:14:03 | |
THEY LAUGH | 0:14:03 | 0:14:04 | |
-£30. You got a deal. -Yeah, go on. Yeah. | 0:14:04 | 0:14:07 | |
You're a star. Thank you. | 0:14:07 | 0:14:09 | |
Our Christina sure knows how to get her own way. | 0:14:09 | 0:14:13 | |
-Exactly. -35 minutes left still to shop. | 0:14:13 | 0:14:17 | |
Have you found a third item yet, Thomas? | 0:14:17 | 0:14:21 | |
Beth, so what about this? | 0:14:21 | 0:14:22 | |
A display cabinet for a shop display, | 0:14:25 | 0:14:28 | |
but what's interesting is the shape of it. | 0:14:28 | 0:14:30 | |
It's got quite an interesting sort of juxtaposition of shape | 0:14:30 | 0:14:34 | |
and I love... | 0:14:34 | 0:14:35 | |
What I really like are the sliding doors. | 0:14:35 | 0:14:38 | |
Oh, no, I do like that. | 0:14:38 | 0:14:40 | |
You can imagine it being in a shop where there'd be | 0:14:40 | 0:14:42 | |
things on display, sweeties or something. | 0:14:42 | 0:14:45 | |
-How much is it? -Very best is £125. | 0:14:45 | 0:14:49 | |
£125. | 0:14:49 | 0:14:52 | |
-It's a bit steep. -It is. -It is nice though, isn't it? | 0:14:52 | 0:14:56 | |
It's got a lot going for it. But I know what you mean, that's a good... | 0:14:56 | 0:15:00 | |
If it was under £100, I think we might... | 0:15:00 | 0:15:03 | |
I think that's going to be quite difficult. I think that is. | 0:15:03 | 0:15:06 | |
-I'm going to go and have a chat. -All right. | 0:15:06 | 0:15:08 | |
Back on the farm, Henry and Imogen are hard at work. | 0:15:10 | 0:15:15 | |
Oh, it works. | 0:15:15 | 0:15:17 | |
SHE LAUGHS | 0:15:17 | 0:15:20 | |
I have a lot more success driving this than the ones at home. | 0:15:20 | 0:15:23 | |
Didn't think I'd come here and buy a tractor. | 0:15:23 | 0:15:26 | |
-I suppose I've got to, really, haven't I? -I think, yeah. | 0:15:26 | 0:15:29 | |
-I mean, it's not refined or... -It's a bit raw, isn't it? | 0:15:29 | 0:15:32 | |
It's quite rustic, but you've got to buy a tractor, haven't you? | 0:15:32 | 0:15:35 | |
Got to buy a tractor. | 0:15:35 | 0:15:37 | |
-I've got to buy it. -Would you take ten or £15 on it? | 0:15:37 | 0:15:39 | |
I'll take £15, but I can't go any lower than that. | 0:15:39 | 0:15:43 | |
£15, it gives you a chance. | 0:15:43 | 0:15:45 | |
Do you want to go £15? | 0:15:45 | 0:15:46 | |
Someone will have a laugh after £15, won't they? | 0:15:46 | 0:15:48 | |
I don't know. Do you like it? | 0:15:48 | 0:15:50 | |
Well, we're struggling for time now, aren't we? So... | 0:15:50 | 0:15:52 | |
We are. We are getting very close on time. | 0:15:52 | 0:15:55 | |
What do we think? £15, guys. | 0:15:55 | 0:15:57 | |
-Mmm. -What's your thoughts? Running out of time. | 0:15:57 | 0:16:01 | |
-Henry? -Henry? | 0:16:01 | 0:16:05 | |
-It's not go to make less than £15. -It might. | 0:16:05 | 0:16:08 | |
If it doesn't, we're only losing not a huge amount. | 0:16:08 | 0:16:11 | |
-It'll be a laugh, won't it? -Yeah, let's go. Get it, get it. | 0:16:11 | 0:16:14 | |
-Shake the lady's hand. Say thank you very much. -Thank you very much. | 0:16:14 | 0:16:17 | |
Thank you very much. | 0:16:17 | 0:16:19 | |
-It takes some getting £15 out of me. -I'll take them away. | 0:16:19 | 0:16:24 | |
All right, you lot, let's plough on, shall we? | 0:16:24 | 0:16:27 | |
You have one item left to buy. What's it to be? | 0:16:28 | 0:16:31 | |
-A tractor for you. -A tractor, yeah. | 0:16:31 | 0:16:34 | |
It would be nice to get something musical for Imogen, wouldn't it? | 0:16:34 | 0:16:37 | |
-OK. -What do you think? -Yeah. | 0:16:37 | 0:16:39 | |
Something musical or... | 0:16:39 | 0:16:41 | |
We'll buy one of our own and argue over the third. | 0:16:41 | 0:16:43 | |
Yeah, what do you think? | 0:16:43 | 0:16:45 | |
Yeah, I'll keep my eye out for one. | 0:16:45 | 0:16:47 | |
Keep your eyes peeled for something that you like the look of. | 0:16:47 | 0:16:50 | |
Look out, Imo. | 0:16:50 | 0:16:52 | |
Right, has Thomas secured a good price on glass display cabinet? | 0:16:52 | 0:16:56 | |
-It's £120. -Right. | 0:16:56 | 0:16:59 | |
I don't mind, I think it's quite a good thing. | 0:16:59 | 0:17:01 | |
I think it's nice, I just sort of worry | 0:17:01 | 0:17:03 | |
whether with make a profit on it. | 0:17:03 | 0:17:05 | |
-It is a lovely item. -It is a lovely item. It's quality. | 0:17:05 | 0:17:08 | |
-How long have we got left? -We've not got long, ten minutes. | 0:17:08 | 0:17:12 | |
So we could hold this in abeyance. | 0:17:12 | 0:17:14 | |
Could she hold it for us for ten minutes? | 0:17:14 | 0:17:16 | |
I'm sure she'd hold it for us in abeyance. I'm sure she would. | 0:17:16 | 0:17:18 | |
And let's have another go. We'll look at something else. | 0:17:18 | 0:17:21 | |
-Where do you want to go? -I don't know but I just... | 0:17:21 | 0:17:23 | |
I think we're pushing it quite tight. | 0:17:23 | 0:17:24 | |
I'm a bit nervous about it so I don't want to make a decision. | 0:17:24 | 0:17:27 | |
No, it's a lot of money cos you've not spent three figures on an item. | 0:17:27 | 0:17:30 | |
No, I'm not very good at spending lots of money. | 0:17:30 | 0:17:32 | |
The issue we've got, you said £120 was your death, | 0:17:32 | 0:17:34 | |
and I know I'm pushing you and I feel so uncomfortable... | 0:17:34 | 0:17:37 | |
Oh, yeah, he's working his magic. | 0:17:37 | 0:17:40 | |
OK, £100. That's the best. | 0:17:40 | 0:17:41 | |
£100. | 0:17:41 | 0:17:43 | |
-I think that is... I think we'll do it, shall we? -Yeah. | 0:17:44 | 0:17:47 | |
I think that's very good. | 0:17:47 | 0:17:49 | |
-We'll go for it. -We'll take it. | 0:17:49 | 0:17:51 | |
Thank you very much. I'm sorry I pushed you so hard. | 0:17:51 | 0:17:54 | |
-But I think that's our third and final. -Yes. -Yes. | 0:17:54 | 0:17:57 | |
-Well done. -Well, that went very quickly. | 0:17:57 | 0:17:59 | |
-You spent a grand total of £175. -That's quite good, actually. | 0:17:59 | 0:18:03 | |
It is jolly good. Three items down and it's all over for you the Reds. | 0:18:03 | 0:18:07 | |
Now, the Blues are striking a chord with Imogen, | 0:18:07 | 0:18:10 | |
but aren't quite hitting the right notes. | 0:18:10 | 0:18:13 | |
-# Doo-doo-doo-doo! # -No, it's not going to work. | 0:18:13 | 0:18:15 | |
No, I don't think. We don't know what it is. | 0:18:15 | 0:18:18 | |
Don't know what it is, I just saw keys and I was drawn. | 0:18:18 | 0:18:21 | |
-How much is it? -£20. -Do you know what it is? | 0:18:21 | 0:18:24 | |
These guys really know their stuff, don't they? | 0:18:24 | 0:18:27 | |
What's that noise? | 0:18:27 | 0:18:29 | |
It's not very refined, though. It's a bit of a basic model, isn't it? | 0:18:29 | 0:18:32 | |
We know it's there. We can come back for it. | 0:18:32 | 0:18:35 | |
Cor, they're making a right song and dance of this one. | 0:18:35 | 0:18:38 | |
JAZZ MUSIC PLAYS Now that is a soft tone needle. | 0:18:38 | 0:18:41 | |
-And it's doing all the ridges. -It's quite fuzzy, isn't it? | 0:18:41 | 0:18:44 | |
So if you want something a bit harder, you put in another needle. | 0:18:44 | 0:18:48 | |
Do you get many records with it? | 0:18:50 | 0:18:51 | |
-I can give you a record with it. -That's what we like. | 0:18:53 | 0:18:55 | |
There's just something about the sound of the record | 0:18:57 | 0:18:59 | |
player that is so evocative, isn't it? Such a past era, love it. | 0:18:59 | 0:19:04 | |
-How much is this one? -That is £115. -£115. | 0:19:04 | 0:19:09 | |
-And that one is £90. -That one is £95. -That one's £95? -Yes. | 0:19:09 | 0:19:13 | |
That one... It's a lot more eye-catching, that one, isn't it? | 0:19:13 | 0:19:16 | |
It is in good condition, isn't it? Which is everything now, isn't it? | 0:19:16 | 0:19:19 | |
What would your absolute death be on that for us? | 0:19:19 | 0:19:23 | |
What would you be willing to...? | 0:19:23 | 0:19:25 | |
-I could do you that for £90. -£90. | 0:19:25 | 0:19:27 | |
-And would that include the record? -I'll throw the record in. | 0:19:27 | 0:19:31 | |
-There's also a pack of needles. -There's a pack of needles in there. | 0:19:31 | 0:19:34 | |
I think it is so appropriate for you. You are so musical. | 0:19:34 | 0:19:36 | |
We've got a tractor, we've got a music thing | 0:19:36 | 0:19:38 | |
and we've got something in between. | 0:19:38 | 0:19:40 | |
Any more than can come off that price? | 0:19:40 | 0:19:43 | |
It could make all the difference between winning and losing for us. | 0:19:43 | 0:19:47 | |
-Come on! -He's weakening. | 0:19:47 | 0:19:50 | |
I can see him smile. | 0:19:50 | 0:19:53 | |
-What about £85. -£85. | 0:19:53 | 0:19:57 | |
He started off at £115. | 0:19:57 | 0:20:00 | |
What's your thoughts? Come on, Amy. This is yours. | 0:20:00 | 0:20:02 | |
-I want it. -You want it? -Yeah, I want it. -OK, £85? -Yeah. | 0:20:02 | 0:20:06 | |
-You happy? -Yeah. -Are we done? -Yeah. | 0:20:06 | 0:20:08 | |
-Let me shake your hand. -Thank you very much. | 0:20:08 | 0:20:11 | |
-Ooh, my goodness! -Oh, steady. | 0:20:11 | 0:20:13 | |
Thank you so much. | 0:20:13 | 0:20:14 | |
That's all he wanted! | 0:20:14 | 0:20:16 | |
THEY LAUGH | 0:20:16 | 0:20:19 | |
Well done, team. That's it! | 0:20:19 | 0:20:21 | |
It's all over. | 0:20:21 | 0:20:23 | |
-You got quite a bit left, actually. -Don't say that! | 0:20:23 | 0:20:26 | |
Shhh! | 0:20:26 | 0:20:27 | |
We've got none at all, none at all. | 0:20:27 | 0:20:30 | |
Let's remind ourselves what the Red team bought. | 0:20:30 | 0:20:33 | |
They burnt through a mere ten pounds on a cigar display box. | 0:20:33 | 0:20:39 | |
An early-20th-century rotating painter's wheel was theirs for £65. | 0:20:39 | 0:20:45 | |
They literally blew a tonne of money on a mahogany | 0:20:45 | 0:20:48 | |
and glass display cabinet. | 0:20:48 | 0:20:49 | |
What a mother and daughter combo, hey? | 0:20:52 | 0:20:54 | |
Gosh, did you look at some stuff? | 0:20:54 | 0:20:56 | |
-Oh, yeah. -We did. Quite a lot. | 0:20:56 | 0:20:58 | |
-And it all finished up vaguely similar, which is healthy. -Yes. | 0:20:58 | 0:21:01 | |
So, which is your favourite piece? | 0:21:01 | 0:21:03 | |
Mine is the painter's table. | 0:21:03 | 0:21:05 | |
And, Ma, what's your favourite piece? | 0:21:05 | 0:21:07 | |
I think the angled display cabinet. | 0:21:07 | 0:21:09 | |
OK, that's your favourite. | 0:21:09 | 0:21:10 | |
-Is that going to bring the biggest profit? -No. -What is? | 0:21:10 | 0:21:13 | |
I think the little cigar case. | 0:21:13 | 0:21:15 | |
OK, you see the biggest profit there. | 0:21:15 | 0:21:16 | |
-What do you think? -I think the painter's table. | 0:21:16 | 0:21:18 | |
-OK, stick with your first... -I stand by it. -So sweet. | 0:21:18 | 0:21:22 | |
-OK, fine. And how much did you spend? -We spent 175. | 0:21:22 | 0:21:25 | |
-That is a mature amount of money... -Yes. | 0:21:25 | 0:21:26 | |
And I would like £125 of leftover lolly, please. | 0:21:26 | 0:21:29 | |
OK, Tom. | 0:21:29 | 0:21:30 | |
-There you go, 125. -Thank you. | 0:21:30 | 0:21:32 | |
What are you going to spend it on? | 0:21:32 | 0:21:33 | |
Do you know...you're such a perfect contradiction, you two. | 0:21:33 | 0:21:37 | |
-I have no idea! -THEY LAUGH | 0:21:37 | 0:21:39 | |
Well, that's exciting for us. Thank you, Tom. | 0:21:39 | 0:21:41 | |
Meanwhile, we're going to check out | 0:21:41 | 0:21:43 | |
what the Blue team bought, aren't we? | 0:21:43 | 0:21:45 | |
They bought a carved oak letter rack for £30. | 0:21:46 | 0:21:50 | |
They ploughed £15 into a little toy tractor. | 0:21:51 | 0:21:55 | |
How sweet. | 0:21:55 | 0:21:57 | |
They were in a spin with a 1950s record player for £85. | 0:22:00 | 0:22:04 | |
-Well, how was that you, Henry? -Pretty good, Tim. -Was it? | 0:22:06 | 0:22:08 | |
-How much did you spend? -130. | 0:22:08 | 0:22:11 | |
Quite a lot for a farmer, isn't it? | 0:22:11 | 0:22:12 | |
-It is. Too much. Too much. -THEY LAUGH | 0:22:12 | 0:22:15 | |
-Well, Imo, how was it for you, Imo? -Had a really good time, thank you. | 0:22:15 | 0:22:19 | |
Day out with Dad, how lovely. | 0:22:19 | 0:22:20 | |
-So, who's got the leftover lolly? -I have, I've been trusted with it. | 0:22:20 | 0:22:23 | |
-Have you? -Which is a little bit of a surprise. -OK, fine. | 0:22:23 | 0:22:25 | |
Well, I'll hang on to that. | 0:22:25 | 0:22:26 | |
-I won't count it cos I trust you, Imo. -Oh, thank you. | 0:22:26 | 0:22:29 | |
And which is your favourite piece? | 0:22:29 | 0:22:30 | |
My favourite is definitely the gramophone. | 0:22:30 | 0:22:32 | |
Gramophone's a favourite. | 0:22:32 | 0:22:34 | |
-Do you agree with that, Dad? -No. -No. | 0:22:34 | 0:22:35 | |
No, of course he doesn't. | 0:22:35 | 0:22:37 | |
I bought a tractor. | 0:22:37 | 0:22:38 | |
Oh, that's your favourite piece. | 0:22:38 | 0:22:40 | |
Of course. And, um... | 0:22:40 | 0:22:42 | |
Which is going to bring the biggest profit, Imo? | 0:22:42 | 0:22:44 | |
-I personally think the gramophone, but... -Yeah? | 0:22:44 | 0:22:47 | |
-Clearly, your father wouldn't. -No. -So, your tractor will? | 0:22:47 | 0:22:49 | |
I think there's profit in it, yeah. | 0:22:49 | 0:22:51 | |
-So our consultant said. -Oh, yes, exactly. | 0:22:51 | 0:22:53 | |
-Lovely. -Your cash there. -Thank you, my love. -Thank you. | 0:22:53 | 0:22:56 | |
-Go and do your worst... -I will. -..or your best. | 0:22:56 | 0:22:59 | |
-Got any ideas? -Look! -I know. | 0:22:59 | 0:23:01 | |
I might get a bit giddy with this. | 0:23:01 | 0:23:02 | |
Meanwhile, we're heading off to the Jewellery Quarter in Birmingham. | 0:23:02 | 0:23:05 | |
Gosh, how spangly. | 0:23:05 | 0:23:07 | |
From supplying high street stores with affordable jewellery, | 0:23:12 | 0:23:15 | |
to feeding the lavish tastes of London's West End | 0:23:15 | 0:23:19 | |
and the opulent palaces of the Middle East, | 0:23:19 | 0:23:21 | |
Birmingham's Jewellery Quarter is a living, evolving community | 0:23:21 | 0:23:25 | |
of craftspeople, manufacturers and retailers, | 0:23:25 | 0:23:29 | |
and home to a staggering 500 jewellery businesses. | 0:23:29 | 0:23:33 | |
Today's Jewellery Quarter, though, is just a reflection | 0:23:36 | 0:23:40 | |
of what this place was like in its heyday | 0:23:40 | 0:23:43 | |
because around 1900, | 0:23:43 | 0:23:46 | |
apparently some 60 to 70,000 people depended on their livelihood | 0:23:46 | 0:23:51 | |
from the jewellery trade from this place | 0:23:51 | 0:23:53 | |
which, of course, contributed to Birmingham becoming known as | 0:23:53 | 0:23:57 | |
the workshop of the world. | 0:23:57 | 0:23:59 | |
When the whistles blew at the end of the working day, | 0:24:04 | 0:24:08 | |
the streets of the quarter would fill | 0:24:08 | 0:24:10 | |
with hordes of workers and craftspeople | 0:24:10 | 0:24:13 | |
and become engulfed by the hustle and bustle of crowds and trams. | 0:24:13 | 0:24:17 | |
A jewellery metropolis less than a mile from Birmingham city centre. | 0:24:17 | 0:24:22 | |
I'm here at the Museum of the Jewellery Quarter | 0:24:22 | 0:24:25 | |
and former site of jewellers Smith and Pepper, | 0:24:25 | 0:24:28 | |
with curator Oliver Buckley. | 0:24:28 | 0:24:30 | |
Well, Oliver, this workshop is just extraordinary, isn't it? | 0:24:31 | 0:24:36 | |
Look at this lot. | 0:24:36 | 0:24:38 | |
Now, you can really see how it's a time capsule | 0:24:38 | 0:24:41 | |
and everything really just left as it was | 0:24:41 | 0:24:43 | |
the last day of trade. | 0:24:43 | 0:24:44 | |
They downed tools, as we say, and put them on the benches, | 0:24:44 | 0:24:48 | |
they hung their jackets on the wall there, | 0:24:48 | 0:24:51 | |
their grubby work jackets they'd no doubt worn for 40 years. | 0:24:51 | 0:24:54 | |
-And that was it. -Amazing, isn't it? | 0:24:54 | 0:24:55 | |
So, these are technically silversmiths or goldsmiths benches | 0:24:55 | 0:25:00 | |
with all the tools and all the rest of it. | 0:25:00 | 0:25:02 | |
And how many would have been working in this factory space? | 0:25:02 | 0:25:06 | |
Think about 20 people would be working here as jewellers | 0:25:06 | 0:25:09 | |
around the benches, engraving things, | 0:25:09 | 0:25:11 | |
and, of course, the women running other parts of | 0:25:11 | 0:25:13 | |
the jewellery-making process. | 0:25:13 | 0:25:14 | |
And they worked for the firm, these chaps, man and boy, did they? | 0:25:14 | 0:25:18 | |
Absolutely. | 0:25:18 | 0:25:19 | |
We think a lot of jewellers trained from about the age of 14 | 0:25:19 | 0:25:23 | |
and they did about a seven-year apprenticeship, | 0:25:23 | 0:25:26 | |
so it was a very long and, you know, demanding period | 0:25:26 | 0:25:30 | |
to become a fully qualified jeweller. | 0:25:30 | 0:25:32 | |
But people really wanted to do it because it was slightly higher-paid | 0:25:32 | 0:25:35 | |
than your average sort of factory work. | 0:25:35 | 0:25:38 | |
Behind me, there's an incredible array of what look like | 0:25:38 | 0:25:40 | |
stamps or punchers. | 0:25:40 | 0:25:42 | |
I mean, hundreds of them. | 0:25:42 | 0:25:44 | |
Absolutely, I mean, this is, in a way, | 0:25:44 | 0:25:46 | |
the intellectual property right of the firm really. | 0:25:46 | 0:25:49 | |
They've got about 7,000 here, we think. | 0:25:49 | 0:25:51 | |
-Gosh. -Individual designs. | 0:25:51 | 0:25:53 | |
And what, essentially, the technology is | 0:25:53 | 0:25:55 | |
is quite simple, really, | 0:25:55 | 0:25:56 | |
which is a die which is the bottom part of the press | 0:25:56 | 0:25:59 | |
and then a stamp or punch that punches out the shape | 0:25:59 | 0:26:02 | |
so the two fit together perfectly | 0:26:02 | 0:26:04 | |
and out pops your, in this case, cross shape. | 0:26:04 | 0:26:07 | |
So, your nine carat gold crucifix comes out of the bottom. | 0:26:07 | 0:26:10 | |
And you use a fly press like that, do you, to do the squashing bit? | 0:26:10 | 0:26:15 | |
Yes, and that presses or stamps or crimps or punches out shapes | 0:26:15 | 0:26:19 | |
-in the sheet gold that they use as their raw material. -Yeah... | 0:26:19 | 0:26:23 | |
So, what happens down these corridors? | 0:26:23 | 0:26:25 | |
What went on on the right there? | 0:26:25 | 0:26:26 | |
You've got the, what we call, the drop stamp pit, | 0:26:26 | 0:26:29 | |
and that's a bigger type of weighted stamp | 0:26:29 | 0:26:31 | |
that really thumps down on the sheet metal | 0:26:31 | 0:26:33 | |
and presses in really more detailed designs. | 0:26:33 | 0:26:36 | |
That was the domain of one particular man who worked at the factory | 0:26:36 | 0:26:40 | |
called Arthur Brewer. | 0:26:40 | 0:26:41 | |
And he almost became part of the Smith and Pepper family, really, | 0:26:41 | 0:26:44 | |
because he started in the 1920s | 0:26:44 | 0:26:46 | |
and he worked right through to the end, | 0:26:46 | 0:26:48 | |
so about 61 years, we think, | 0:26:48 | 0:26:50 | |
in that drop pit, stamp pit, every day. | 0:26:50 | 0:26:52 | |
And, in fact, you can see where he's worn the oak step | 0:26:52 | 0:26:56 | |
by putting his foot up and stamping down on the metal. | 0:26:56 | 0:26:58 | |
And he really worked here boy and man. | 0:26:58 | 0:27:01 | |
Gosh, isn't that marvellous? | 0:27:01 | 0:27:03 | |
Now, let's shimmy on over to see our teams | 0:27:03 | 0:27:06 | |
and see if they can sparkle at auction. | 0:27:06 | 0:27:09 | |
What could be nicer? | 0:27:20 | 0:27:21 | |
Cathedral City with the top chorister, | 0:27:21 | 0:27:25 | |
our Richard Winterton from Richard Winterton Auctioneers. | 0:27:25 | 0:27:28 | |
-Ricardo. -And welcome. -Thank you very much. | 0:27:28 | 0:27:31 | |
For a kick-off, you've got this Freeman cigar display cabinet. | 0:27:31 | 0:27:35 | |
Now, where do you think that might have been used? | 0:27:35 | 0:27:38 | |
I think, looking at it, it's going to be behind a bar. | 0:27:38 | 0:27:40 | |
Do we think hotel? | 0:27:40 | 0:27:42 | |
I don't think it's a shop one, it's too small for that, | 0:27:42 | 0:27:44 | |
so I think it's something that would have been up for display | 0:27:44 | 0:27:47 | |
for someone to have their cigars. | 0:27:47 | 0:27:48 | |
And would sell out of them. Yeah, exactly. | 0:27:48 | 0:27:51 | |
You could put your dinky toys in there, couldn't you? | 0:27:51 | 0:27:53 | |
You could do, or a little something, yeah. | 0:27:53 | 0:27:55 | |
-And how much will they pay? -About 20 to 30. | 0:27:55 | 0:27:57 | |
-We've gone 20 to 30 and... -Have you? | 0:27:57 | 0:27:59 | |
Yeah, and now I'm looking at this, | 0:27:59 | 0:28:01 | |
-I'm thinking 20 to 30 looks a bit top end. -OK. Well, they paid | 0:28:01 | 0:28:04 | |
ten pounds, so anything more than ten pounds is fine. | 0:28:04 | 0:28:06 | |
OK, that's a good start. | 0:28:06 | 0:28:08 | |
Um, now we've got this cast-iron stool or potter's wheel | 0:28:08 | 0:28:13 | |
or whatever it is. | 0:28:13 | 0:28:15 | |
-It's a handsome lump. -Yeah, yeah. | 0:28:15 | 0:28:17 | |
-It's just on trend, isn't it, this stuff? -Yeah, tremendous. | 0:28:17 | 0:28:19 | |
That kind of industrial look is really in at the moment. | 0:28:19 | 0:28:22 | |
And quite excited about that lot, you know. | 0:28:22 | 0:28:24 | |
-Already had quite a bit of interest. -Have you? What's it going to bring? | 0:28:24 | 0:28:27 | |
I think we're going to be 80 to 100, and the top end of that. | 0:28:27 | 0:28:30 | |
-Super, £65 spent. -Yeah, yeah. | 0:28:30 | 0:28:32 | |
Now, the mahogany and glass display cabinet | 0:28:32 | 0:28:34 | |
is kind of handy for anybody who's got a little collection. | 0:28:34 | 0:28:38 | |
Yeah, and it's the sort of thing that is easy to sell, | 0:28:38 | 0:28:41 | |
there's always people wanting them who have got fairs to go to | 0:28:41 | 0:28:45 | |
and who want... I don't think it's a home one, | 0:28:45 | 0:28:47 | |
I think it's more of a commercial job. | 0:28:47 | 0:28:49 | |
I think it's a shop job, don't you? | 0:28:49 | 0:28:51 | |
-Late Victorian shop fitting, really. -Yep. | 0:28:51 | 0:28:53 | |
Nicely made and it'll tickle up beautifully. | 0:28:53 | 0:28:55 | |
-What's it worth? -We've got 80 to 100, again, | 0:28:55 | 0:28:57 | |
hopefully it'll take the top end. | 0:28:57 | 0:28:59 | |
-OK, it needs to cos they paid £100. -OK. | 0:28:59 | 0:29:01 | |
But overall, I think they've paid sensible money for sensible objects. | 0:29:01 | 0:29:05 | |
They probably won't need the bonus buy, | 0:29:05 | 0:29:07 | |
but let's go and have a look at it anyway. | 0:29:07 | 0:29:09 | |
Beth, Sue, you gave your man £125. | 0:29:09 | 0:29:13 | |
Tom likes a spend up. Don't you, Tom? | 0:29:13 | 0:29:15 | |
I do like a spend up, | 0:29:15 | 0:29:16 | |
but I thought maybe I should follow your frugal antics, | 0:29:16 | 0:29:21 | |
and I bought this. | 0:29:21 | 0:29:23 | |
Now, this may not look like very much like this, | 0:29:24 | 0:29:26 | |
but it's folded. | 0:29:26 | 0:29:29 | |
But when you open it up | 0:29:29 | 0:29:30 | |
and you put it down, and look at the little table you've got. | 0:29:30 | 0:29:34 | |
It's a campaign table, | 0:29:34 | 0:29:36 | |
and this is an ideal thing by the side of your bed, | 0:29:36 | 0:29:39 | |
in your tent, putting your sort of glass of water on. | 0:29:39 | 0:29:42 | |
And somebody's done little pokerwork around here. | 0:29:42 | 0:29:45 | |
-What you think, Beth? -Um... -You hate it! -I don't hate it. | 0:29:45 | 0:29:49 | |
I can see that. | 0:29:49 | 0:29:50 | |
It doesn't wow me. | 0:29:50 | 0:29:51 | |
Well, it's not going to wow you for the money I paid! | 0:29:51 | 0:29:55 | |
-How much did you pay? -Guess! | 0:29:55 | 0:29:57 | |
-A tenner? -Oh, for... | 0:29:57 | 0:29:59 | |
If I got it for a tenner, I'd be over the moon! | 0:30:00 | 0:30:03 | |
-You are talking to a student here, OK? -Yeah. -£30? | 0:30:03 | 0:30:06 | |
-No, it was 20. -Oh, OK. -It was £20. -20? | 0:30:06 | 0:30:09 | |
Well, I like it a bit more now. | 0:30:09 | 0:30:11 | |
-You like it a bit more. It's all about the money, isn't it? -Yeah. | 0:30:11 | 0:30:14 | |
So how much do you think it will make? | 0:30:14 | 0:30:16 | |
-At least a tenner. -Yes. -At least. -Yeah, I would've thought that, yeah. | 0:30:16 | 0:30:19 | |
-There's a prediction, OK, girls? -OK. | 0:30:19 | 0:30:21 | |
Anyway, you don't pick it now, you pick it later. | 0:30:21 | 0:30:23 | |
But for the audience at home, right now, | 0:30:23 | 0:30:25 | |
let's find out what the auctioneer thinks about Tom's table. | 0:30:25 | 0:30:28 | |
It's, technically, a little coaching table | 0:30:29 | 0:30:32 | |
with a walnut pokerwork top. | 0:30:32 | 0:30:34 | |
I think the thing, all-round, has had quite a hard life, hasn't it? | 0:30:34 | 0:30:37 | |
It has. It's got a little bit of movement to it, it's... | 0:30:37 | 0:30:41 | |
It's OK, isn't it? Just a nice little occasional table. | 0:30:41 | 0:30:43 | |
-And what's your valuation? -20 to 30. -OK, £20 paid. | 0:30:43 | 0:30:46 | |
Well, that's it for the Reds, bless 'em. | 0:30:46 | 0:30:49 | |
And now, for the Blues, | 0:30:49 | 0:30:50 | |
who I think have got some more interesting things here, | 0:30:50 | 0:30:53 | |
because their first item is the oak letter rack... | 0:30:53 | 0:30:57 | |
..carved with berries and leaves. | 0:30:58 | 0:31:01 | |
-Was a useful thing to have. -Exactly. | 0:31:01 | 0:31:04 | |
-Um... -first class I'd say. | 0:31:04 | 0:31:06 | |
-RICHARD LAUGHS -Oh, dear. | 0:31:06 | 0:31:08 | |
So, how do you rate this sort of thing, Richard? | 0:31:08 | 0:31:10 | |
We've only put 10-15 on it. | 0:31:10 | 0:31:12 | |
It's a bit dark and a bit dismal and... | 0:31:12 | 0:31:15 | |
-Apart from that? -Apart from that... -Very nice. | 0:31:15 | 0:31:18 | |
-It's very nice(!) Well, it's nicely carved. -It is nicely carved. | 0:31:18 | 0:31:20 | |
-I can give it that. -Yeah, exactly. | 0:31:20 | 0:31:22 | |
-£30 they paid, so you're going to need to work hard on that. -Yeah. | 0:31:22 | 0:31:25 | |
Next is the wooden tractor. | 0:31:25 | 0:31:28 | |
Scratch built, so built by a proud father at home | 0:31:28 | 0:31:32 | |
-with love and care for his little nipper. -Yep. | 0:31:32 | 0:31:35 | |
-Probably, I guess, in the 1950s, right? -Yep. | 0:31:35 | 0:31:38 | |
-They've tried very hard. -Haven't they? -Yeah. | 0:31:38 | 0:31:40 | |
Extremely trying. | 0:31:40 | 0:31:41 | |
It's still not going to get me much up from the ten to 15. | 0:31:41 | 0:31:43 | |
-OK, well they only spent £15... -Ah. | 0:31:43 | 0:31:45 | |
-..so that's all right. -Clever move, yeah. -Clever move. | 0:31:45 | 0:31:47 | |
And, um, if you fancy giving us a tune, | 0:31:47 | 0:31:50 | |
you could always have a go on this portable record player. | 0:31:50 | 0:31:53 | |
That is super, isn't it? | 0:31:53 | 0:31:54 | |
And, as a good, yeah, good example, isn't it? | 0:31:55 | 0:31:57 | |
-Nice and clean, good example... -Yeah, clean, ready to go. | 0:31:57 | 0:32:00 | |
I mean, HMV, the very best make. | 0:32:00 | 0:32:03 | |
I mean, you can imagine playing that on the banks of the River Cam. | 0:32:03 | 0:32:07 | |
You're out punting one afternoon. | 0:32:07 | 0:32:09 | |
Have a little dance on the river bank. | 0:32:09 | 0:32:12 | |
In your dreams. | 0:32:12 | 0:32:14 | |
30 to 40 from us. | 0:32:14 | 0:32:16 | |
Is that all? Seriously, is that all? | 0:32:16 | 0:32:18 | |
It might get a touch more, but I can't... | 0:32:18 | 0:32:20 | |
Would you get £85 for it? | 0:32:20 | 0:32:22 | |
-Whoo-hoo. -See what I mean? I don't want to go against you, Rich, | 0:32:22 | 0:32:25 | |
cos you're the maestro of selling these things. | 0:32:25 | 0:32:27 | |
I hope you aren't struggling at 30 to 40, | 0:32:27 | 0:32:29 | |
-cos I think it's a good £85 worth. -OK. -OK. | 0:32:29 | 0:32:31 | |
Well, that's it, then. | 0:32:31 | 0:32:33 | |
So, depending on how the record player goes | 0:32:33 | 0:32:35 | |
will determine whether they need the bonus buy, | 0:32:35 | 0:32:37 | |
but let's go and have a look at it anyway. | 0:32:37 | 0:32:39 | |
Now, chickens, £130 was spent. | 0:32:39 | 0:32:42 | |
That meant that Christina had £170 of leftover lolly. | 0:32:42 | 0:32:45 | |
A small fortune by any standards. | 0:32:45 | 0:32:47 | |
What did you spend it on? | 0:32:47 | 0:32:48 | |
-I love it. -Oo! -All right. -I really, really, really love it. | 0:32:48 | 0:32:51 | |
-It's a box. -And inside this wonderful box... -Oh, wow. -Oh. | 0:32:51 | 0:32:55 | |
Gosh, a set. | 0:32:55 | 0:32:56 | |
Is this really rather lovely set of studs, cufflinks | 0:32:56 | 0:33:00 | |
made by a company called Asprey. | 0:33:00 | 0:33:02 | |
Oh, I've heard of them. | 0:33:02 | 0:33:03 | |
Now, you are a quality pair, | 0:33:03 | 0:33:05 | |
so I have bought you a piece of quality. | 0:33:05 | 0:33:08 | |
This really is quality. | 0:33:08 | 0:33:09 | |
We've got white gold, we've got mother-of-pearl | 0:33:09 | 0:33:13 | |
and little sea pearls in the middle. | 0:33:13 | 0:33:14 | |
-Very delicate, very wearable, very beautiful. -Right. | 0:33:14 | 0:33:18 | |
Still useful today, not only by a man, | 0:33:18 | 0:33:19 | |
who it would have been made for, | 0:33:19 | 0:33:21 | |
but a lady could use those cufflinks as well. | 0:33:21 | 0:33:23 | |
-So, they are still usable today. -You sold it, anyway. | 0:33:23 | 0:33:27 | |
-How much do you think, well, did you spend? -Oh, yeah, how much? | 0:33:27 | 0:33:30 | |
-Well, you gave me 170... -Yes. | 0:33:30 | 0:33:32 | |
..and I spent 170. | 0:33:32 | 0:33:34 | |
Did you manage to wangle it down a bit, or was it...? | 0:33:34 | 0:33:36 | |
I did. I believe they were marked up about £350. | 0:33:36 | 0:33:39 | |
-Oh, wow! -Good Lord! -Well done. | 0:33:39 | 0:33:41 | |
So, I... Yeah. | 0:33:41 | 0:33:42 | |
-Are you happy with that, Hen? -I don't know. -Oh... -Oh! | 0:33:42 | 0:33:45 | |
What do you mean you don't know? | 0:33:45 | 0:33:47 | |
-It's a bit...top end. -It is a risk, it is a risk. | 0:33:47 | 0:33:51 | |
What do you think, Imo? | 0:33:51 | 0:33:52 | |
I like them, and I like the fact that we knocked nearly £200 off. | 0:33:52 | 0:33:57 | |
-Lovely, yes? Happy with that? -Yes, happy. | 0:33:57 | 0:33:59 | |
You don't decide now, you decide later. | 0:33:59 | 0:34:01 | |
But let's find out what the auctioneer thinks | 0:34:01 | 0:34:03 | |
about Christina's little set. | 0:34:03 | 0:34:04 | |
Well, look at that. A dress set. | 0:34:06 | 0:34:08 | |
Look, cufflinks, studs, | 0:34:08 | 0:34:10 | |
back stud, front stud. | 0:34:10 | 0:34:12 | |
-They've done well to find this. Hasn't she? -Asprey's. | 0:34:12 | 0:34:16 | |
White gold, mother-of-pearl, seed pearl, complete. | 0:34:16 | 0:34:22 | |
-What more could you ask for, Richard? -You've said it all. | 0:34:22 | 0:34:25 | |
It's got the name, it's got everything, it's a great look... | 0:34:25 | 0:34:27 | |
I think she's done fab to find it. | 0:34:27 | 0:34:29 | |
Again, depends what she's paid for it, but we've put... | 0:34:29 | 0:34:33 | |
Well, we've put 100 to 120 on it. Probably slightly cautious. | 0:34:33 | 0:34:36 | |
-It should do well more than that. -Might it make 200? | 0:34:36 | 0:34:39 | |
-It's worth 200, isn't it? -It is really. -It is worth that. | 0:34:39 | 0:34:41 | |
Are we going to get that? It should do. | 0:34:41 | 0:34:43 | |
-OK. £170 she paid. -Well, there you go. -Yeah. | 0:34:43 | 0:34:46 | |
I mean, she's pretty sharp on this stuff. | 0:34:46 | 0:34:48 | |
-Are you confident? -I am. | 0:34:48 | 0:34:49 | |
I've never known you not be confident. | 0:34:49 | 0:34:52 | |
Excellent. The auction awaits. | 0:34:52 | 0:34:53 | |
At eight pounds, at eight pounds. No-one else coming at eight pounds? | 0:34:55 | 0:34:58 | |
£20... | 0:34:58 | 0:35:01 | |
-BANGS GAVEL -708, thank you. | 0:35:01 | 0:35:03 | |
-Sue, Beth, how're you feeling? -A bit nervous. | 0:35:03 | 0:35:06 | |
What have you got to be nervous about? | 0:35:06 | 0:35:08 | |
-It's just excitement. -Is it? -Yeah. | 0:35:08 | 0:35:09 | |
-Is there anything that you wish you hadn't bought? -No. -No? | 0:35:09 | 0:35:13 | |
-You like everything you've bought? -I like everything we bought... | 0:35:13 | 0:35:16 | |
And quite right too. | 0:35:16 | 0:35:17 | |
First up, though, is the cigar shop cabinet, | 0:35:17 | 0:35:20 | |
and here it comes. | 0:35:20 | 0:35:21 | |
Where are we going to be? Nothing on my book. | 0:35:21 | 0:35:22 | |
Two pound to start me. Start it off, two pound. | 0:35:22 | 0:35:25 | |
Two bed, four bid, six bid, ten bid. | 0:35:25 | 0:35:28 | |
Ten bid, internet. Ten bid, ten bid. | 0:35:28 | 0:35:30 | |
-15, the internet... -We paid ten! | 0:35:30 | 0:35:33 | |
£20, I'm bid. £20... | 0:35:33 | 0:35:35 | |
25, the room. 25, the room. | 0:35:35 | 0:35:37 | |
25, the room. 25, the room. | 0:35:37 | 0:35:39 | |
25 in the room. | 0:35:39 | 0:35:40 | |
£30, the room. £30 in the room. | 0:35:40 | 0:35:43 | |
At 30. 30, 30. | 0:35:43 | 0:35:45 | |
In the room at 30. | 0:35:45 | 0:35:46 | |
All done. Sold, then, at £30. | 0:35:46 | 0:35:50 | |
-BANGS GAVEL Yes! -Plus £20. | 0:35:50 | 0:35:52 | |
-You tripled your money. -Girls! -Oh, fab. | 0:35:52 | 0:35:54 | |
Hassall cast-iron wooden workshop revolving stool. | 0:35:54 | 0:35:57 | |
Bit of interest on this. £20, bid. | 0:35:57 | 0:35:59 | |
£30, £40, £50, £60, £70, | 0:35:59 | 0:36:02 | |
£80 in the room. £80 in the room. | 0:36:02 | 0:36:05 | |
-At £80, I'm bid, at £80. -Well done. | 0:36:05 | 0:36:07 | |
At £80, at £80. I'm bid at £80. | 0:36:07 | 0:36:10 | |
At £80, at £80. | 0:36:10 | 0:36:11 | |
At £80. £90, £90. | 0:36:11 | 0:36:14 | |
-£100. -I can't believe it. -£100. | 0:36:14 | 0:36:17 | |
There at £100. You're all done. | 0:36:17 | 0:36:19 | |
Sold, then, at 100. | 0:36:19 | 0:36:21 | |
-BANGS GAVEL -That is plus £35. | 0:36:21 | 0:36:25 | |
Amazing. You're plus 55. | 0:36:25 | 0:36:28 | |
The tabletop display cabinet. | 0:36:28 | 0:36:30 | |
30, 40, 50, 60, £60 with me. | 0:36:30 | 0:36:34 | |
£60 I'm bid. | 0:36:34 | 0:36:35 | |
£60, I'm bid. At £70 in the room. | 0:36:35 | 0:36:37 | |
£70 in the room. £80, I'm bid. | 0:36:37 | 0:36:40 | |
80, 90 in the room. | 0:36:40 | 0:36:41 | |
£90, I'm bid. In the room at 90. | 0:36:41 | 0:36:43 | |
-90, 90. -Come on. | 0:36:43 | 0:36:45 | |
90, 90 in the room... | 0:36:45 | 0:36:46 | |
£100, the internet, | 0:36:46 | 0:36:47 | |
100, the internet, | 0:36:47 | 0:36:48 | |
-100, the internet. -Come on, a bit more. | 0:36:48 | 0:36:50 | |
Says no, at the back, at £100. | 0:36:50 | 0:36:52 | |
All done, the internet. | 0:36:52 | 0:36:53 | |
All finished? Sold at 100. | 0:36:53 | 0:36:55 | |
-BANGS GAVEL -Wiped its face. | 0:36:55 | 0:36:58 | |
Very good. Wiped its face. | 0:36:58 | 0:37:00 | |
No profit, no loss. No shame, no gain! | 0:37:00 | 0:37:03 | |
-Well done! -Yes. -Thanks. | 0:37:03 | 0:37:04 | |
-So, overall, you are plus £55. That's cool, isn't it? -Oh, yes. | 0:37:04 | 0:37:08 | |
Oh, yes, says Mummy. | 0:37:08 | 0:37:10 | |
Good... Now, what are you going to do? | 0:37:10 | 0:37:11 | |
Are you going to do the folding table, risk it for a biscuit? | 0:37:11 | 0:37:14 | |
-No. -No. -What? -No, I don't know, it's just... | 0:37:14 | 0:37:16 | |
-You don't like it? Do you? -I don't like it. | 0:37:16 | 0:37:20 | |
-You're not going to do it, right? -No? -No? | 0:37:20 | 0:37:23 | |
We definitely have, we're not doing it? | 0:37:23 | 0:37:25 | |
OK, well, we're going to sell the table anyway. | 0:37:25 | 0:37:27 | |
Tom's folding table's coming now. | 0:37:27 | 0:37:28 | |
Nothing on my book. | 0:37:28 | 0:37:29 | |
Don't mind where you start. Two bid. | 0:37:29 | 0:37:31 | |
Two pound I bid. Two pound. | 0:37:31 | 0:37:32 | |
Four pound, six pound. | 0:37:32 | 0:37:34 | |
Eight pound... | 0:37:34 | 0:37:35 | |
Probably did the right thing. | 0:37:35 | 0:37:37 | |
£15. | 0:37:37 | 0:37:38 | |
Internet, you're out. | 0:37:38 | 0:37:39 | |
Room bid at 15. 15, 15. | 0:37:39 | 0:37:42 | |
£20. 25, the internet. | 0:37:42 | 0:37:44 | |
25 the internet, 25 the internet. | 0:37:44 | 0:37:46 | |
25 the internet. | 0:37:46 | 0:37:47 | |
You're all finished? | 0:37:47 | 0:37:48 | |
Sold, then, at 25. | 0:37:48 | 0:37:51 | |
-BANGS GAVEL -So, we didn't go with the bonus buy, | 0:37:51 | 0:37:53 | |
which made a five pound. Well done, Tom. | 0:37:53 | 0:37:55 | |
So, your profits stick at plus £55, | 0:37:55 | 0:37:58 | |
which is a very good number, I have to tell you. | 0:37:58 | 0:38:01 | |
So, congratulations on that. | 0:38:01 | 0:38:03 | |
-And, the big thing is, don't say a word to the Blues. -No. -No. | 0:38:03 | 0:38:05 | |
-OK, keep them in the dark. -Yeah. | 0:38:05 | 0:38:07 | |
-Henry, Imogen, how are you feeling? -Excited. -Yeah. | 0:38:13 | 0:38:16 | |
-Do you know how the Reds got on? -No idea. -Not a clue, no. | 0:38:16 | 0:38:18 | |
Good, that's the way we like it, not a clue. | 0:38:18 | 0:38:21 | |
First up is Christina's letter rack, | 0:38:21 | 0:38:23 | |
and here it comes. | 0:38:23 | 0:38:24 | |
The oak wall letter rack there. | 0:38:24 | 0:38:26 | |
Commission bids again, | 0:38:26 | 0:38:27 | |
on my book here. | 0:38:27 | 0:38:28 | |
4067. Ten pounds, I'm bid. | 0:38:28 | 0:38:31 | |
Ten pounds, I'm bid. 12, 15, £20, | 0:38:31 | 0:38:34 | |
25, £30, 35, | 0:38:34 | 0:38:37 | |
£40, madam. £40... | 0:38:37 | 0:38:39 | |
They know a good rack, don't they? | 0:38:39 | 0:38:41 | |
They know a good rack, yes, | 0:38:41 | 0:38:42 | |
and I will provide it. | 0:38:42 | 0:38:43 | |
'£40, you're in, madam.' | 0:38:43 | 0:38:45 | |
-Sold, then, at £40. -BANGS GAVEL | 0:38:45 | 0:38:48 | |
You like this game now, don't you, Henry? | 0:38:48 | 0:38:50 | |
# I told you so, I told you so. # | 0:38:50 | 0:38:52 | |
I'm dreading this one. | 0:38:52 | 0:38:53 | |
-Plus ten pounds. -Here it is. | 0:38:53 | 0:38:55 | |
The wooden model of the tractor. | 0:38:55 | 0:38:57 | |
Two pounds. | 0:38:57 | 0:38:59 | |
Two, three, four, six, eight, | 0:38:59 | 0:39:01 | |
'10, 15.' | 0:39:01 | 0:39:03 | |
15, right away at 15... | 0:39:04 | 0:39:05 | |
-Come on, come on, come on. -It's going to wipe its face. | 0:39:05 | 0:39:07 | |
£15, I bid. | 0:39:07 | 0:39:09 | |
-£15, all out. -Come on! | 0:39:09 | 0:39:10 | |
Sold, then, at 15. | 0:39:10 | 0:39:13 | |
-BANGS GAVEL -£15, it's wiped his face. | 0:39:13 | 0:39:15 | |
-That's OK, yeah. -No pain, no gain. That's OK. | 0:39:15 | 0:39:19 | |
Now, the gramophone. | 0:39:19 | 0:39:20 | |
Tremendous condition. 1469. | 0:39:20 | 0:39:22 | |
Ten pounds, I'm bid. | 0:39:22 | 0:39:23 | |
15, 20, 25, | 0:39:23 | 0:39:25 | |
-'30, 40...' -Be brave. | 0:39:25 | 0:39:27 | |
50 to you, sir. | 0:39:27 | 0:39:28 | |
Off the internet, 50 to you. | 0:39:28 | 0:39:30 | |
-See, they're all over it on the internet. -Come on, come on. | 0:39:30 | 0:39:32 | |
70, the room. | 0:39:32 | 0:39:34 | |
70, the room. 75, sir? 75. | 0:39:34 | 0:39:37 | |
-Yes! -'£80, sir?' | 0:39:37 | 0:39:38 | |
£80. | 0:39:38 | 0:39:40 | |
£80, I'm bid. | 0:39:40 | 0:39:41 | |
At 80, at 80, at 80, at 80. | 0:39:41 | 0:39:42 | |
Seated, at £80. | 0:39:42 | 0:39:44 | |
You're all finished? Sold at 80. | 0:39:44 | 0:39:47 | |
-BANGS GAVEL Oh! -Oh... -£80 is minus five. | 0:39:47 | 0:39:51 | |
-Which means overall... -It's all right. -..you are plus five. | 0:39:51 | 0:39:54 | |
Now, what are we going to do about this expensive lot? | 0:39:54 | 0:39:58 | |
-I can't, I can't... -I would rather not go with it. | 0:39:58 | 0:40:01 | |
I think, as we're plus five, | 0:40:01 | 0:40:02 | |
I said, if we'd have lost, I probably would have gone with it | 0:40:02 | 0:40:05 | |
just to hedge our bets, and we've got nothing to lose. | 0:40:05 | 0:40:07 | |
A fiver for a farmer is making a lot of money. | 0:40:07 | 0:40:10 | |
OK, we're not going with it, OK. Well, there we go. | 0:40:10 | 0:40:12 | |
But we're going to sell it anyway, and here it comes. | 0:40:12 | 0:40:15 | |
Nine carat white gold, tremendous thing. | 0:40:15 | 0:40:18 | |
In the box, it looks fab. | 0:40:18 | 0:40:20 | |
It looks fab. A lot of interest on my book. | 0:40:20 | 0:40:22 | |
-I'm in at 100 straight in at 100. -IMOGEN SIGHS | 0:40:22 | 0:40:24 | |
110, 120, 130, 140, 150, 160. | 0:40:24 | 0:40:29 | |
160, 170, 180. | 0:40:29 | 0:40:31 | |
Henry! | 0:40:31 | 0:40:33 | |
'180, I'm a bid at 180.' | 0:40:33 | 0:40:34 | |
180, 180. At 180. At 180. | 0:40:34 | 0:40:37 | |
180, you're hovering at 180. 180. | 0:40:37 | 0:40:41 | |
No, they say, 180. All done. | 0:40:41 | 0:40:43 | |
-Sold at 180. -BANGS GAVEL | 0:40:43 | 0:40:46 | |
-Oh, I'm sorry. -That's all right! -£180, well done, Christina. | 0:40:46 | 0:40:48 | |
-Plus ten pounds. -Apologise to me! | 0:40:48 | 0:40:50 | |
Kids, you've got a five-pound profit. | 0:40:50 | 0:40:52 | |
It's difficult enough on Bargain Hunt | 0:40:52 | 0:40:54 | |
-to make a profit at all, right? -It certainly is on this game. | 0:40:54 | 0:40:57 | |
Look at Henry's face. | 0:40:57 | 0:40:58 | |
-Anyway, say not a word to the Reds, all right? -No, no. | 0:40:58 | 0:41:00 | |
OK, mum's the word, and all will be revealed in a moment. | 0:41:00 | 0:41:03 | |
How lovely is this? | 0:41:10 | 0:41:11 | |
Two teams of winners on Bargain Hunt. | 0:41:11 | 0:41:13 | |
IMOGEN: Oh, no! | 0:41:13 | 0:41:14 | |
Each team is going home with cash. | 0:41:14 | 0:41:17 | |
Now, this is an unusual situation. | 0:41:17 | 0:41:18 | |
-Have you teams been chatting to one another at all? -OTHERS: No. | 0:41:18 | 0:41:21 | |
-Not about the results, anyway. -Not about the results, anyway. | 0:41:21 | 0:41:24 | |
Well, Imo, the truth has to come out at some point. | 0:41:24 | 0:41:28 | |
You're both taking home cash, | 0:41:28 | 0:41:30 | |
but the team taking home rather less cash than the other | 0:41:30 | 0:41:33 | |
just happens to be the Blues. | 0:41:33 | 0:41:35 | |
We thought so. | 0:41:35 | 0:41:36 | |
-The Blues are going home with five pounds in cash. -Yay! | 0:41:36 | 0:41:40 | |
Which is...in Bargain Hunt terms, a substantial amount. | 0:41:40 | 0:41:43 | |
Look, Henry's coming straightforward. | 0:41:43 | 0:41:45 | |
This is the farming father taking the aggressive pose. | 0:41:45 | 0:41:49 | |
Um, it started out beautifully | 0:41:49 | 0:41:51 | |
with a ten-pound unexpected profit on the letter rack, | 0:41:51 | 0:41:53 | |
then a wiped face, | 0:41:53 | 0:41:55 | |
and a tiny little loss on the gramophone, sadly. | 0:41:55 | 0:41:57 | |
And, um, you then stood with the five pounds | 0:41:57 | 0:42:00 | |
and could not sum up courage to support Christina | 0:42:00 | 0:42:03 | |
in her white gold and whatnot dress set, | 0:42:03 | 0:42:07 | |
leaving you with five pound. | 0:42:07 | 0:42:09 | |
-Better than nothing, isn't it? -It's better than nothing. | 0:42:09 | 0:42:11 | |
And did we have fun? | 0:42:11 | 0:42:13 | |
-Yeah, we did. -We did. -We sure did. -A lot of fun. | 0:42:13 | 0:42:15 | |
And I'm so glad you came. | 0:42:15 | 0:42:16 | |
Now, girls. | 0:42:16 | 0:42:17 | |
You are going home with £55, | 0:42:17 | 0:42:20 | |
which is what they used to call, in the old days, folding money, | 0:42:20 | 0:42:23 | |
which is clever of you. | 0:42:23 | 0:42:25 | |
£20 on that cigar case. | 0:42:25 | 0:42:26 | |
Who ever would have thought that? | 0:42:26 | 0:42:28 | |
-£35 on that revolving stool, and the wiped face, yes? -Yes. | 0:42:28 | 0:42:34 | |
And you didn't go with the bonus buy | 0:42:34 | 0:42:36 | |
because you didn't support the table...initiative of Tom's, | 0:42:36 | 0:42:39 | |
which made another five-pounds profit. | 0:42:39 | 0:42:41 | |
You could've made 60, but you're going home with 55, | 0:42:41 | 0:42:43 | |
-which is pretty good. -It's pretty good. | 0:42:43 | 0:42:45 | |
-You're pleased with it? -Very pleased. | 0:42:45 | 0:42:47 | |
-For a student, it's a fortune, right? -Yes! | 0:42:47 | 0:42:49 | |
No, lovely. Great team. | 0:42:49 | 0:42:51 | |
Great mother and daughter, father and daughter teams today. | 0:42:51 | 0:42:54 | |
Thank you so much for coming. | 0:42:54 | 0:42:55 | |
In fact, join us soon for some more bargain-hunting, yes? | 0:42:55 | 0:42:58 | |
ALL: Yes! | 0:42:58 | 0:42:59 |