Browse content similar to Westpoint 29. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, the show comes from the Westpoint Antiques Fair in Exeter. | 0:00:02 | 0:00:04 | |
Tim has passed the reins to me | 0:00:04 | 0:00:06 | |
and I'm getting togged up for some high-speed action. | 0:00:06 | 0:00:09 | |
ENGINE WHIRRS | 0:00:09 | 0:00:11 | |
14.9 million. Sold! | 0:00:11 | 0:00:16 | |
Now, for those of you that don't know, classic cars are my passion. | 0:00:16 | 0:00:20 | |
Auctioning them really gets me fired up... | 0:00:20 | 0:00:22 | |
-For the third and the last time, sold! 9.4 million. -Congratulations. | 0:00:22 | 0:00:28 | |
But nothing beats the high octane thrill of presenting Bargain Hunt. | 0:00:28 | 0:00:32 | |
Come on, let's go bargain hunting. | 0:00:32 | 0:00:36 | |
We're here at the Westpoint Antiques Fair in Exeter | 0:00:59 | 0:01:03 | |
and we've two teams really hoping to hit the big time. | 0:01:03 | 0:01:07 | |
But first, let's see what's coming up. | 0:01:07 | 0:01:12 | |
The Reds find their ideal man... | 0:01:12 | 0:01:15 | |
-You have a thing for the uniform, is it? -Yeah. | 0:01:15 | 0:01:19 | |
..and the Blues have a quacking time. | 0:01:19 | 0:01:22 | |
-Quack. -No, not the duck. -Not the duck. Kate. Send that back. | 0:01:22 | 0:01:26 | |
And there's excitement over at the auction. | 0:01:27 | 0:01:30 | |
£2. | 0:01:30 | 0:01:32 | |
Oh, yeah. Yeah. | 0:01:35 | 0:01:37 | |
So, let's meet the teams. | 0:01:37 | 0:01:40 | |
Now, today, we've got two mums and two daughters. | 0:01:41 | 0:01:45 | |
And for the Red team we have Samantha and Diane, | 0:01:45 | 0:01:48 | |
and for the Blue team, Megan and Elaine. | 0:01:48 | 0:01:52 | |
-Hello, everyone. -ALL: Hello! | 0:01:52 | 0:01:53 | |
-Very nice to see you. -And you. -Now, Samantha, I'm told | 0:01:53 | 0:01:56 | |
you're not really mum and daughter, are you? You're best chums. | 0:01:56 | 0:01:59 | |
Yes. Yeah, more like best chums. Definitely. | 0:01:59 | 0:02:02 | |
-I'll agree with that. -Is that right? -Yes. -You're the same age? | 0:02:02 | 0:02:05 | |
-No. -I wish. -Half a year's difference. | 0:02:05 | 0:02:09 | |
And what do you spend your life doing? | 0:02:09 | 0:02:11 | |
Oh, well, me and Mum do a little bit of rollerblading | 0:02:11 | 0:02:13 | |
together in our spare time. | 0:02:13 | 0:02:15 | |
I have three children at home, so they keep me very busy, | 0:02:15 | 0:02:18 | |
but in my meantime, I've just fully qualified | 0:02:18 | 0:02:21 | |
for painting and decorating and now I'm setting up business. | 0:02:21 | 0:02:24 | |
-So, where did you get all this interest from. -My mum. | 0:02:24 | 0:02:27 | |
Very young age, yes. | 0:02:27 | 0:02:29 | |
Very arty, crafty, paint-and-decorate, all sorts, so... | 0:02:29 | 0:02:32 | |
-Yeah. -Is that true, Mum? -Oh, of course. | 0:02:32 | 0:02:34 | |
Yeah, I've gone back to college, so I can get my degrees, | 0:02:34 | 0:02:37 | |
and then we can do business together. | 0:02:37 | 0:02:39 | |
Who's going to be the boss? | 0:02:39 | 0:02:41 | |
-Both of us. Yeah. -Equal, equal. We don't have to boss each other around | 0:02:41 | 0:02:45 | |
cos we work very well together, so I don't have to boss her... | 0:02:45 | 0:02:47 | |
Can you add up? Who's going to do the accounts? | 0:02:47 | 0:02:50 | |
-My mum, definitely... -I am, cos I've had to go back to college | 0:02:50 | 0:02:52 | |
to do accounts, as well as the painting and decorating. | 0:02:52 | 0:02:55 | |
Have you? Now, you also read tarot cards, don't you? | 0:02:55 | 0:02:59 | |
I do. I like the esoteric knowledge. | 0:02:59 | 0:03:03 | |
Reiki-practitioner, crystal therapy and read tarot cards, rune stones... | 0:03:03 | 0:03:09 | |
So, what are the tarot cards telling you? | 0:03:09 | 0:03:11 | |
Oh, that we're going to be guided to the right items for the right | 0:03:11 | 0:03:14 | |
price and the right choice. Yes. | 0:03:14 | 0:03:17 | |
No trouble, really. No trouble, at all. | 0:03:17 | 0:03:19 | |
-Hopefully, not. -Well, Megan, I hope you listened to all that. | 0:03:19 | 0:03:23 | |
-Now, what do you spend your life doing? -I study psychology at... | 0:03:23 | 0:03:26 | |
-Psychology? -Yeah. -Brunel University in London. | 0:03:26 | 0:03:28 | |
-And what made you do psychology? -I just really enjoyed it. | 0:03:28 | 0:03:31 | |
-I've always enjoyed being around people and... -Yes. | 0:03:31 | 0:03:33 | |
And dealing with people, so it seemed like a great choice for me | 0:03:33 | 0:03:36 | |
and I got to do a year's worth of work placement, as part of my degree. | 0:03:36 | 0:03:39 | |
-Did you? -Yeah, so I spent six months | 0:03:39 | 0:03:41 | |
working in a children's psychiatric unit. | 0:03:41 | 0:03:43 | |
-Mm-hmm. -And I spent six months mentoring ex-offenders. | 0:03:43 | 0:03:46 | |
-HE GASPS -That sounds quite scary. | 0:03:46 | 0:03:49 | |
It was quite scary, but it was very rewarding, as well. | 0:03:49 | 0:03:51 | |
I'm sure, I'm sure. And what else do you do in your spare time? | 0:03:51 | 0:03:55 | |
Well, at the moment I do a lot of dance and choreography and | 0:03:55 | 0:03:58 | |
musical theatre, but I used to be a competitive cheerleader, previously. | 0:03:58 | 0:04:03 | |
A competitive cheerleader. What is a competitive cheerleader? | 0:04:03 | 0:04:07 | |
Well, instead of just having the pom-poms | 0:04:07 | 0:04:09 | |
and doing the basketball games, we compete at national competitions. | 0:04:09 | 0:04:12 | |
I used to do it with my university, with lots of throwing | 0:04:12 | 0:04:15 | |
the girls around and dance and tumbling, so... It was good fun. | 0:04:15 | 0:04:19 | |
If I may say so, Mum, this sounds rather dangerous. | 0:04:19 | 0:04:21 | |
It's really quite scary. | 0:04:21 | 0:04:22 | |
They throw the girls up in the air really quite a long way. | 0:04:22 | 0:04:25 | |
That sounds horrible. It sounds like being on the touchline | 0:04:25 | 0:04:28 | |
when your son is playing rugby or something. | 0:04:28 | 0:04:30 | |
Yes, it is. It's equally... | 0:04:30 | 0:04:31 | |
Yes, I have a son who plays rugby and that was equally scary. | 0:04:31 | 0:04:34 | |
So, when you're not cheering, and bandaging them up, | 0:04:34 | 0:04:36 | |
-what are you doing? -I work in publishing. | 0:04:36 | 0:04:39 | |
-I write indexes for books and I'm also a proof reader. -Proof reader? | 0:04:39 | 0:04:44 | |
You must have huge powers of concentration. | 0:04:44 | 0:04:46 | |
-You do need to concentrate quite a lot. -Yeah. | 0:04:46 | 0:04:48 | |
I think people mistake the ability to read with | 0:04:48 | 0:04:51 | |
the ability to proof-read and the two are very, very different skills. | 0:04:51 | 0:04:54 | |
You're also studying for a degree or a Masters, I think? | 0:04:54 | 0:04:57 | |
Yes, that's right. Yes. | 0:04:57 | 0:04:58 | |
I did a degree with the Open University a few years ago | 0:04:58 | 0:05:01 | |
and I graduated in 2011 and I decided to follow that up with | 0:05:01 | 0:05:05 | |
-a Masters degree at Bristol. I'm reading History of Art. -Are you? | 0:05:05 | 0:05:09 | |
-Mm-hmm. -That should come in handy today, shouldn't it? | 0:05:09 | 0:05:12 | |
-Oh, I hope so, I hope so. -Now, you need a bit of dosh. | 0:05:12 | 0:05:14 | |
-We do. -Certainly. -300, for you. -Thank you. | 0:05:14 | 0:05:19 | |
And with any luck, 300, for you. Off you go and have a fantastic time. | 0:05:19 | 0:05:24 | |
-Thank you! Bye. -Brilliant. | 0:05:24 | 0:05:27 | |
Taking the reins with the Reds today is Colin Young | 0:05:31 | 0:05:35 | |
and with the Blues, always a good turn, it's Kate Bliss. | 0:05:35 | 0:05:39 | |
-So, what are we going to be looking for? -Erm... | 0:05:44 | 0:05:47 | |
-Something stylish, something classy. -Very elegant, beautiful. | 0:05:47 | 0:05:51 | |
Are the items going to find you or are you going to find them? | 0:05:51 | 0:05:53 | |
We're going to be divinely guided to an item. | 0:05:53 | 0:05:56 | |
-It's going to stand out. -Yeah. | 0:05:56 | 0:05:57 | |
So, basically, something fast and something cheap. | 0:05:57 | 0:05:59 | |
-Yep, pretty much. -That's right. -No pressure, then(!) | 0:05:59 | 0:06:02 | |
Right, teams. Your 60 minutes starts now. | 0:06:04 | 0:06:07 | |
Full steam ahead, Mr Bosun. Full steam ahead. | 0:06:07 | 0:06:12 | |
-Let's start up here. -OK, yeah. | 0:06:12 | 0:06:15 | |
Straight from the off, | 0:06:15 | 0:06:17 | |
the Blues have found something glitzy and girlie. | 0:06:17 | 0:06:20 | |
There's a little compact, there. | 0:06:20 | 0:06:22 | |
I don't know whether that's your thing. | 0:06:22 | 0:06:24 | |
That's for Kigu, which is a really well-known brand, | 0:06:24 | 0:06:27 | |
actually a British brand, in manufacturing compacts. | 0:06:27 | 0:06:31 | |
-This looks very much '50s. -Is there anything in it? | 0:06:31 | 0:06:33 | |
That's where your lipstick would have been. You kept your powder under here. | 0:06:33 | 0:06:37 | |
-Does it flick up, or...? -Just there. -There, see? -Oh... | 0:06:37 | 0:06:40 | |
You would have a little powder puff in there, to puff your nose. | 0:06:40 | 0:06:42 | |
So, did you use something like this, Elaine? I mean, | 0:06:42 | 0:06:45 | |
-you're talking very knowledgeably about it. -No, my mother had one. | 0:06:45 | 0:06:48 | |
The price is 55, on there. Do you know what I like about it? | 0:06:48 | 0:06:52 | |
I like the fact that you've got the lovely little bevelled mirror. | 0:06:52 | 0:06:55 | |
-Do you see? -Yeah. -This one has got a great name, you know, | 0:06:55 | 0:06:58 | |
-the Kigu name is very well known. -OK. -But we think 55 is too much. | 0:06:58 | 0:07:03 | |
I would say anything from £25-£50, on a good day. | 0:07:03 | 0:07:09 | |
Would you go down, maybe, to 30, if we're really cheeky? | 0:07:09 | 0:07:13 | |
The best, 38. | 0:07:13 | 0:07:15 | |
Maybe 35? | 0:07:15 | 0:07:18 | |
36, that's it. | 0:07:18 | 0:07:20 | |
I think it's got a chance, at that. | 0:07:20 | 0:07:23 | |
The market for these sort of things is very much on the up. | 0:07:23 | 0:07:25 | |
You know, vintage is very in at the moment. They're good investments. | 0:07:25 | 0:07:29 | |
-Yes? -Go on, then. -Yes, we'll take it. -First item done. Thank you. | 0:07:29 | 0:07:33 | |
First item in the bag. They're all made-up. Ha, couldn't resist it. | 0:07:33 | 0:07:38 | |
-So, girls, that took you about six minutes. -Is that all? | 0:07:38 | 0:07:41 | |
-Six minutes? -Doing well. -I love it when a plan comes together. | 0:07:41 | 0:07:46 | |
Meanwhile, the Reds need to get a move on | 0:07:46 | 0:07:48 | |
but it seems they're all at sea. | 0:07:48 | 0:07:50 | |
-Mum likes the sailor things. -You do? -Yes. | 0:07:50 | 0:07:54 | |
-You have a thing for the uniform, is it? -Yeah. | 0:07:54 | 0:07:57 | |
The manufacturer of these, Norah Wellings, very, very popular. | 0:07:57 | 0:08:01 | |
Plenty of them out there in the market. | 0:08:01 | 0:08:04 | |
Date-wise, they're probably going to be post-war, but only just. | 0:08:04 | 0:08:07 | |
When they were still very, very popular | 0:08:07 | 0:08:09 | |
and people were still looking at things that were, you know, | 0:08:09 | 0:08:12 | |
commemorating what had gone on in the war. | 0:08:12 | 0:08:14 | |
-Pricing? -£25. -£17. How much is yours? | 0:08:14 | 0:08:17 | |
-It's not too bad. -£17. -Do you think we'd make it profit on it? | 0:08:17 | 0:08:22 | |
There is the chance of a fiver loss, | 0:08:22 | 0:08:24 | |
there's a chance of a little bit out on it. | 0:08:24 | 0:08:27 | |
-Interesting piece, the face, there. -One option. | 0:08:27 | 0:08:29 | |
-Keep it as an option for later. -Definitely, yeah. -OK? | 0:08:29 | 0:08:32 | |
And while we're on a nautical theme... | 0:08:32 | 0:08:35 | |
What's floating your boat? | 0:08:35 | 0:08:37 | |
I really like things that are silver and, like, velvet, as well. | 0:08:37 | 0:08:41 | |
-Like the pincushions. -With the pincushions, yeah. | 0:08:41 | 0:08:43 | |
Things that have, like, multi-audience appeal. | 0:08:43 | 0:08:45 | |
Yeah, cos then, you would buy them, if you like silver | 0:08:45 | 0:08:47 | |
-or if you like pincushions or if you collect small animals. -Yeah. | 0:08:47 | 0:08:50 | |
Have you done this before? | 0:08:50 | 0:08:53 | |
Pincushions are great sellers, cos you've got sewing collectors. | 0:08:53 | 0:08:59 | |
-These are some really nice examples, though, which means expensive. -Yeah. | 0:08:59 | 0:09:03 | |
There's some little miniature chairs, little silver chairs. | 0:09:03 | 0:09:06 | |
-No, I don't like those. -You don't like those? OK. | 0:09:06 | 0:09:08 | |
-Hi, there. -Hello. -It's us. Hi. | 0:09:08 | 0:09:11 | |
You haven't got a pincushion that's a little bit more affordable, | 0:09:11 | 0:09:15 | |
-have you, by any chance? -No. -No? | 0:09:15 | 0:09:18 | |
While we leave the Blues pondering, | 0:09:18 | 0:09:19 | |
the Reds are ready to drive a hard bargain. | 0:09:19 | 0:09:22 | |
Set of cars, down there. | 0:09:22 | 0:09:24 | |
Don't think they'll make very much profit on them, would they, | 0:09:24 | 0:09:27 | |
-at that price... -No, it's only a few pounds apiece, play-worn... | 0:09:27 | 0:09:30 | |
I think it's time to rev up those Reds. | 0:09:30 | 0:09:32 | |
-And... -How's it going, girls? | 0:09:32 | 0:09:34 | |
-And boys. -Lovely, thank you. -Spent all your dosh? | 0:09:34 | 0:09:37 | |
-No, not spent a penny yet. -No. -You haven't spent a penny yet? | 0:09:37 | 0:09:40 | |
No, we've not been guided to the item yet. | 0:09:40 | 0:09:41 | |
It's great that you've turned up, Charlie, because | 0:09:41 | 0:09:44 | |
I know that one of your areas of expertise | 0:09:44 | 0:09:46 | |
-is auctioneering in the automotive areas. -Absolutely. -Ah, wonderful. | 0:09:46 | 0:09:50 | |
So, we've been looking at if you have these. Should we be doing it? | 0:09:50 | 0:09:53 | |
-Absolutely. -Really? | 0:09:53 | 0:09:55 | |
-What you need to go is the earlier ones, though. -Early. -Yeah. -Yeah. | 0:09:55 | 0:09:57 | |
As early as possible and, hopefully, they'll have the paint on. | 0:09:57 | 0:10:02 | |
-OK. -If they're missing the paint and the tyres | 0:10:02 | 0:10:05 | |
and if you can find something boxed... | 0:10:05 | 0:10:07 | |
-Oh. -M & B, mint and boxed. That's what we like. | 0:10:07 | 0:10:11 | |
-M & B. -Mint and boxed. -Leave you to it. -OK. Thanks, Charlie. | 0:10:11 | 0:10:13 | |
-Thank you. -That's great help, because they haven't got any boxes. | 0:10:13 | 0:10:18 | |
-So, I think we'd better keep going. -Yeah. -Yeah. | 0:10:18 | 0:10:20 | |
Meanwhile, it's back to the Blues, wherever they are. | 0:10:23 | 0:10:26 | |
I've lost them. | 0:10:26 | 0:10:28 | |
-Where'd you go? -Sorry. -Where'd you go? -Sorry. | 0:10:30 | 0:10:32 | |
-We got distracted by the things that were silver and glass. -Oh. | 0:10:32 | 0:10:35 | |
All right, OK. What have you spotted? | 0:10:35 | 0:10:38 | |
-I like the one with the engine turned top. -That's lovely. -But £220. | 0:10:38 | 0:10:43 | |
Right. OK, better rein you in a bit, I think. | 0:10:43 | 0:10:46 | |
The Reds still haven't bought their first item. Come on, Reds. | 0:10:46 | 0:10:50 | |
I'm glad you found something, | 0:10:50 | 0:10:51 | |
-because we've had 15 minutes already and bought nothing. -OK, yeah. | 0:10:51 | 0:10:55 | |
-Well, I think this is lovely. -You know what it is? -That is stunning. | 0:10:55 | 0:10:58 | |
-I think it's a smoker's box. -Yeah, absolutely. -For holding tobacco. | 0:10:58 | 0:11:01 | |
-It's mahogany, as well. -And the jar's in there, as well. | 0:11:01 | 0:11:03 | |
-That's stunning. -Can I hand it to you, very slowly? | 0:11:03 | 0:11:06 | |
Very slowly, yes. Just in case. | 0:11:06 | 0:11:08 | |
-There we are. -There we go. And going to have a bit of a guess on date? | 0:11:08 | 0:11:11 | |
-About 1945. -1945, yeah? -I'll go with my mum, yeah. -That's not bad. | 0:11:11 | 0:11:16 | |
OK. That's probably the newest it's going to be. | 0:11:16 | 0:11:18 | |
The jar that's inside it is one of those jars that... | 0:11:18 | 0:11:22 | |
Did it originally go with it? Probably not. Does it quite fit? | 0:11:22 | 0:11:25 | |
Not quite. But it's all going to come down to money. | 0:11:25 | 0:11:28 | |
If it went to auction, the estimate | 0:11:28 | 0:11:30 | |
I would place on it would be 25 to 40, so what's being asked for it? | 0:11:30 | 0:11:34 | |
-That's going to be the question. -Oh, £40. -Marked at 40. | 0:11:34 | 0:11:38 | |
-Well, you've got to do some serious damage on that price... -OK. -OK. | 0:11:38 | 0:11:41 | |
..to actually stand a chance of making a profit in the sale. | 0:11:41 | 0:11:44 | |
We were just looking at this item. | 0:11:44 | 0:11:46 | |
-Yes? -I was wondering if you would be able to do it at a lower price | 0:11:46 | 0:11:48 | |
than what it's marked up for, at all, please? | 0:11:48 | 0:11:50 | |
-I can do you 20 on that. -That's a deal. -Brilliant, lovely. | 0:11:50 | 0:11:54 | |
-Thank you. -Thank you very much. Brilliant. | 0:11:54 | 0:11:56 | |
£20. That's half the original asking price, | 0:11:56 | 0:11:58 | |
which is a smoking deal, girls. | 0:11:58 | 0:12:01 | |
Kate has finally caught up with the Blues. | 0:12:01 | 0:12:04 | |
What have you found? | 0:12:04 | 0:12:05 | |
It's a basket. | 0:12:05 | 0:12:07 | |
Let's have a closer look. | 0:12:07 | 0:12:11 | |
Great, thank you. | 0:12:11 | 0:12:13 | |
This is silver-plated, rather than silver. | 0:12:13 | 0:12:16 | |
It's done by a very well-known company in Germany. | 0:12:16 | 0:12:19 | |
-So, you see on the label, it says WMF? -Mm-hmm. | 0:12:19 | 0:12:22 | |
Well, that stands for Wurttembergische Metallwarenfabrik. | 0:12:22 | 0:12:26 | |
-It's quite a mouthful, isn't it? -OK. | 0:12:26 | 0:12:30 | |
But basically, it's a metal factory, | 0:12:30 | 0:12:33 | |
in Wurttemberg, in Germany, is what it's saying. | 0:12:33 | 0:12:36 | |
But the WMF factory were very well-known for making really | 0:12:36 | 0:12:39 | |
stylish Jugendstil, which is the German equivalent of Art Nouveau. | 0:12:39 | 0:12:44 | |
-Shall we just ask the best price? -About £38, best. -OK. | 0:12:44 | 0:12:48 | |
The thing that I like about it is that it's not very expensive. | 0:12:48 | 0:12:52 | |
We can always keep it on the backburner. | 0:12:53 | 0:12:55 | |
-Yeah. -Can't we? -Good decision. | 0:12:55 | 0:12:57 | |
The Reds also have their eyes on something shiny. | 0:12:57 | 0:13:00 | |
What sort of money are you looking for on these? | 0:13:00 | 0:13:02 | |
This is 170. | 0:13:02 | 0:13:07 | |
-170. -170. | 0:13:07 | 0:13:08 | |
These spill vases were placed on a mantelpiece | 0:13:08 | 0:13:10 | |
and were used to hold firelighters - | 0:13:10 | 0:13:13 | |
either rolled-up paper or thin sticks of wood, called spill.' | 0:13:13 | 0:13:17 | |
-Silver, Birmingham, 19... No, 1894, they are. -Oh, lovely. | 0:13:17 | 0:13:24 | |
-Yeah, so good Victorian model. -Yes. -You've got a good combination | 0:13:24 | 0:13:27 | |
of designs on there, because you've got this rococo scroll | 0:13:27 | 0:13:30 | |
that's happening around the base. | 0:13:30 | 0:13:32 | |
-I love the bows. -Very neo-classical, as well. -Yes. | 0:13:32 | 0:13:36 | |
It's a mixture of styles, it is. | 0:13:36 | 0:13:37 | |
Now, the problem that you have with these can be | 0:13:37 | 0:13:39 | |
the damage around there, so we're just going to hold it up to the | 0:13:39 | 0:13:42 | |
light and just see if we've got any edges and problems with them. | 0:13:42 | 0:13:46 | |
-Run your finger through... -There's no damage. | 0:13:46 | 0:13:48 | |
No, it's nice and clean. | 0:13:48 | 0:13:50 | |
Marked at 170. | 0:13:50 | 0:13:53 | |
Would you be able to do them slightly cheaper, | 0:13:53 | 0:13:55 | |
-at all, for us, please? -Oh... 145. | 0:13:55 | 0:13:57 | |
-145. What do you think? -It's not bad. | 0:13:57 | 0:14:00 | |
We're getting a good price knocked off there, actually, yeah. | 0:14:00 | 0:14:03 | |
I think 145 is OK, | 0:14:03 | 0:14:06 | |
but for the miracles that we've got to perform at auction... | 0:14:06 | 0:14:09 | |
Would he knock them down any more? | 0:14:09 | 0:14:11 | |
Would he knock the price down any more, for us? | 0:14:11 | 0:14:13 | |
-OK, 40. 140. -Yes! | 0:14:13 | 0:14:17 | |
-Look at the pain in his eyes. -Thank you. Thank you. | 0:14:17 | 0:14:20 | |
-You're going to get your money back, you know? -Yes. | 0:14:20 | 0:14:24 | |
That's two items down for the Reds and £140 left to spend. | 0:14:24 | 0:14:29 | |
The Blues are looking for some glassware - | 0:14:29 | 0:14:31 | |
preferably something that will clear a profit. | 0:14:31 | 0:14:35 | |
It's only £38 and it's blue. | 0:14:35 | 0:14:37 | |
It's, sort of, very much '60s, in shape, I would say. It's great. | 0:14:37 | 0:14:40 | |
It makes me think of the Scandinavian designers. | 0:14:40 | 0:14:43 | |
Mm-hmm, it says it's...Riihimaki. | 0:14:43 | 0:14:45 | |
What do we think about this one, though? | 0:14:45 | 0:14:48 | |
-I think that's sort of thing I would buy. -Is that the colour you like? | 0:14:48 | 0:14:51 | |
-It's a great shape, isn't it? -Yeah. I think that's really... | 0:14:51 | 0:14:54 | |
That was 58, price-wise. | 0:14:54 | 0:14:56 | |
I've just got to check there aren't any chips are cracks, | 0:14:56 | 0:14:59 | |
-with glass, obviously, really important. -Yeah. | 0:14:59 | 0:15:03 | |
I like that better than the WMF thing that we just looked at, so... | 0:15:03 | 0:15:06 | |
-Right. OK. -I like the blue one more than I like that one. -Do you? | 0:15:06 | 0:15:10 | |
I do like that one, but I just like the blue one more. | 0:15:10 | 0:15:13 | |
OK. | 0:15:13 | 0:15:14 | |
Erm... I think we'd better see what sort of money we're talking. | 0:15:14 | 0:15:20 | |
While Kate goes off to do some haggling, | 0:15:20 | 0:15:22 | |
the Reds are also thinking of some VAST profits. | 0:15:22 | 0:15:26 | |
The thing that's interesting about it | 0:15:26 | 0:15:28 | |
-is actually that pink ground that's on it. -Yes. | 0:15:28 | 0:15:30 | |
-Because a lot of them are fairly beige and boring... -Yeah. | 0:15:30 | 0:15:33 | |
..whereas that's got a little bit of a fleck on it that's | 0:15:33 | 0:15:35 | |
just a little bit different in palette. | 0:15:35 | 0:15:38 | |
-What sort of money are you looking for on it? -That's up for 65. -OK. | 0:15:38 | 0:15:42 | |
-But...45 would be a fair... -45 you would be able to do that for. | 0:15:42 | 0:15:46 | |
The number one thing is, is there any damage? | 0:15:46 | 0:15:49 | |
Well, that's actually not damage or breakage. | 0:15:49 | 0:15:51 | |
That's actually a shrinkage that's happened in the kiln. | 0:15:51 | 0:15:54 | |
It's actually a firing crack and, really, | 0:15:54 | 0:15:57 | |
that's nothing to worry about on this. Looks to be in good order. | 0:15:57 | 0:16:01 | |
Can't really find any problems with it, | 0:16:01 | 0:16:03 | |
-but it's not tremendously valuable. -Yeah. -What do you think? | 0:16:03 | 0:16:08 | |
I think we should look somewhere else | 0:16:08 | 0:16:09 | |
-for our last item. -I thought that. | 0:16:09 | 0:16:11 | |
Back with the Blues, Kate has some news. | 0:16:11 | 0:16:15 | |
-I've done a bit of swotting up. -OK. | 0:16:15 | 0:16:17 | |
-Riihimaki glass, it is Finnish. -OK. | 0:16:17 | 0:16:21 | |
-Scandinavian glass is very much on the up. -Yup. | 0:16:21 | 0:16:23 | |
-And certainly, the internet is a really good place for this. -OK. | 0:16:23 | 0:16:25 | |
-so we know our auction's online, so that's going to help. -That's good. | 0:16:25 | 0:16:30 | |
-You like this one and then the two blue ones? -Yeah. | 0:16:30 | 0:16:33 | |
Well, this is marked at 58. | 0:16:33 | 0:16:34 | |
Now, the stallholder's gone down to 35 on that, on the green one. | 0:16:34 | 0:16:38 | |
-Right, that's good. -And actually, | 0:16:38 | 0:16:40 | |
I think that's a brilliant price reduction. | 0:16:40 | 0:16:43 | |
The thing I like about this one is that there is a designer | 0:16:43 | 0:16:46 | |
attributed to it, so we can't just catalogue it as Riihimaki. | 0:16:46 | 0:16:50 | |
We can say it's Riihimaki and it's by Tamara Aladin. | 0:16:50 | 0:16:55 | |
Now, Tamara Aladin was associated with designs very much | 0:16:55 | 0:16:58 | |
from the late '50s through to about 1975, | 0:16:58 | 0:17:02 | |
so that also helps us to date it | 0:17:02 | 0:17:04 | |
because the factory started in about 1910 | 0:17:04 | 0:17:07 | |
and they're still making glassware, | 0:17:07 | 0:17:09 | |
-although... -I'm happy with that. You like it, don't you? -I love it. | 0:17:09 | 0:17:13 | |
Tamara Aladin, Riihimaki Finnish glass. Let's hope it does it. 35. | 0:17:13 | 0:17:19 | |
-It's got to have its...genie. -Genie? -From Aladdin's genie. | 0:17:19 | 0:17:23 | |
-Aladin. Aladdin. Pull the genie out, and... -It's a good omen. | 0:17:23 | 0:17:26 | |
-Shall I go and do the deal? -Yes, please. -See you in a bit. | 0:17:26 | 0:17:30 | |
Great. | 0:17:30 | 0:17:32 | |
And if you could have three wishes, ladies, | 0:17:32 | 0:17:34 | |
I'm sure they would be profit, profit and more profit. | 0:17:34 | 0:17:38 | |
Now, I have a question... | 0:17:38 | 0:17:41 | |
What do you think this is? Oil? Wrong. | 0:17:41 | 0:17:45 | |
Vinegar? Wrong. | 0:17:45 | 0:17:47 | |
Something to do with communion? Wrong. | 0:17:47 | 0:17:50 | |
In my pocket, I have the answer, and here it comes. A little label. | 0:17:50 | 0:17:55 | |
Whisky. Yes, it's a noggin. | 0:17:55 | 0:17:59 | |
If you went to Scotland, sitting round a baronial table somewhere, | 0:17:59 | 0:18:05 | |
everybody would have one of these. | 0:18:05 | 0:18:07 | |
You could then administer the wonderful liquid yourself. | 0:18:07 | 0:18:12 | |
Pour your own Scotch to taste on to the haggis and the neeps | 0:18:12 | 0:18:16 | |
and the mashed potatoes. | 0:18:16 | 0:18:19 | |
And I just love the idea of being able to serve up your own whisky, | 0:18:19 | 0:18:24 | |
rather than having to pass around a bottle or a decanter. | 0:18:24 | 0:18:28 | |
It dates from 1910, this particular one. | 0:18:28 | 0:18:32 | |
The bottle itself is made by Levi & Salaman, of Birmingham. | 0:18:32 | 0:18:36 | |
The label is by Hukin & Heath, | 0:18:36 | 0:18:39 | |
very famous and made a lot of things for that | 0:18:39 | 0:18:43 | |
wonderful iconic designer Christopher Dresser. | 0:18:43 | 0:18:46 | |
I think it's a charming, charming object. | 0:18:46 | 0:18:48 | |
I paid £165 for this, because I simply loved it and I notice, | 0:18:48 | 0:18:54 | |
quite encouragingly, that somebody's got one for sale for £230 today. | 0:18:54 | 0:18:59 | |
Well bought, Ross. | 0:18:59 | 0:19:02 | |
One problem. | 0:19:02 | 0:19:04 | |
It's empty. | 0:19:04 | 0:19:07 | |
Back with the shopping, | 0:19:07 | 0:19:08 | |
both teams have two items apiece and there is 20 minutes left. | 0:19:08 | 0:19:13 | |
-We don't do figurines... -No, we don't do porcelain. | 0:19:13 | 0:19:15 | |
You don't do figurines? OK. | 0:19:15 | 0:19:17 | |
-Wow, I like that. -Do you want to go closer and have a look, Sam? -Yeah. | 0:19:17 | 0:19:20 | |
-You do like it? -Pop round and have a quick look. | 0:19:20 | 0:19:22 | |
-Stunning, I like that. -OK, we're going to have a look at it. | 0:19:22 | 0:19:24 | |
-I can tell you a little bit about it. -OK. | 0:19:24 | 0:19:27 | |
It's actually late 19th, early 20th century. It's oak again. | 0:19:27 | 0:19:31 | |
Those sorts of griffins, it's very much in the Jacobean style, | 0:19:31 | 0:19:34 | |
it's a, sort of, 17th-Century design | 0:19:34 | 0:19:36 | |
-but revival back up into the early 20th century. -Yeah. | 0:19:36 | 0:19:41 | |
Now, as for money on it, 195, you'd have to get one | 0:19:41 | 0:19:43 | |
heck of a whack out of that to actually get it down, so... | 0:19:43 | 0:19:48 | |
-I think we should go for something cheaper. -Yeah. -Something cheaper? | 0:19:48 | 0:19:51 | |
Meanwhile, back with the Blues... | 0:19:51 | 0:19:56 | |
-Quack. -No, not the duck. -Not the duck. | 0:19:56 | 0:19:59 | |
Now, are you sitting comfortably? | 0:19:59 | 0:20:01 | |
-Then let's see what the Reds are looking at. -That is beautiful. | 0:20:01 | 0:20:05 | |
-I like that. -It's gorgeous, isn't it? -It is fantastic. | 0:20:05 | 0:20:07 | |
That's going to be something that certainly is no newer | 0:20:07 | 0:20:10 | |
-than 1920, could be as old as around 1900. -OK. | 0:20:10 | 0:20:14 | |
That's the, sort of, period that that drops into. | 0:20:14 | 0:20:16 | |
It's all going to come down to, "Is there repairs, | 0:20:16 | 0:20:18 | |
-"damage and the rest of it?" -Doesn't look like it. -No. | 0:20:18 | 0:20:22 | |
-That looks fine, doesn't it? Yup. -Yes. | 0:20:22 | 0:20:25 | |
It's got a fairly high-sheen varnish on it, so we'll pop that back. | 0:20:25 | 0:20:28 | |
At auction, if that went in with an estimate of £30-£50 | 0:20:28 | 0:20:31 | |
and it ended up making 70 or 80, you wouldn't bat an eyelid. | 0:20:31 | 0:20:35 | |
-Yeah. -If it went to auction with an estimate of 50 to 80, I think | 0:20:35 | 0:20:39 | |
-you'd scare a few people off. -That's yet another item rejected. | 0:20:39 | 0:20:43 | |
Come on, teams. You haven't got all day. | 0:20:43 | 0:20:47 | |
We made such a great start and, you know, they really know what | 0:20:47 | 0:20:50 | |
they like, but now, I don't know where the time's gone. | 0:20:50 | 0:20:53 | |
Where has the time gone? | 0:20:53 | 0:20:54 | |
What in the world have those Reds found now? | 0:20:54 | 0:20:58 | |
I love this globe, it's stunning. So, I just imagine one of those | 0:20:58 | 0:21:03 | |
old quaint places that have got one of these globes. | 0:21:03 | 0:21:05 | |
It has got the damage, which is reflected in the price, | 0:21:05 | 0:21:08 | |
so it's, sort of, all right. | 0:21:08 | 0:21:10 | |
But then, it's a total flip of a coin, when you go to auction. | 0:21:10 | 0:21:13 | |
Would you knock it down a little bit in price for us? | 0:21:13 | 0:21:17 | |
-- I'd do it for 90, for example. - 90? -90? What do you think? | 0:21:17 | 0:21:22 | |
That's pretty good. What does your heart go with, Mum? | 0:21:22 | 0:21:24 | |
Cos I normally go with you on these things when we're stuck on something. | 0:21:24 | 0:21:28 | |
-I'd say, to make me famous, you want it for 80. -Yes. | 0:21:28 | 0:21:31 | |
80, so competition's on. | 0:21:31 | 0:21:32 | |
-I was just going to ask him that. -Competition's on. Excellent. | 0:21:32 | 0:21:35 | |
While the Reds mull over world economics, | 0:21:35 | 0:21:38 | |
the Blues are clear about one thing. | 0:21:38 | 0:21:41 | |
I wonder if it's a glass rolling pin. | 0:21:41 | 0:21:43 | |
Do you know, glass rolling pins were made in the Victorian period. | 0:21:43 | 0:21:48 | |
This is a much later one, I think. There's something quite... | 0:21:48 | 0:21:51 | |
-We found a glass rolling pin. -Know anything about it? | 0:21:51 | 0:21:54 | |
-Are you a baker? -No. -No! | 0:21:54 | 0:21:57 | |
We are going to go out of this world and see what happens, | 0:21:57 | 0:22:00 | |
but we'll try and bargain our price down to 75, instead of 80. | 0:22:00 | 0:22:03 | |
-All right, OK. -We were wondering, | 0:22:03 | 0:22:04 | |
would you maybe go down to 75 on that? | 0:22:04 | 0:22:07 | |
I know it's pushing it a little bit, but would that be possible, at all? | 0:22:07 | 0:22:11 | |
-Yes, that'll be fine. We'll get the deal done. -75, lovely. | 0:22:11 | 0:22:14 | |
-Oh, fantastic, thank you. -There's a lot going on here today, so... | 0:22:14 | 0:22:17 | |
-Time is money. -Thank you so much. Thank you, lovely. -Thank you. | 0:22:17 | 0:22:21 | |
With time running out, Kate has spotted something. | 0:22:22 | 0:22:25 | |
And it's only £20. | 0:22:25 | 0:22:28 | |
It's not particularly old. | 0:22:28 | 0:22:30 | |
It's not an antique, but I think it's highly commercial. | 0:22:30 | 0:22:34 | |
-The lady's just come down to £10. -Oh, really? -Yes. | 0:22:34 | 0:22:38 | |
It's Burleigh Ware, which is a very well known British manufacturer. | 0:22:38 | 0:22:42 | |
-Arden is the pattern. -Is it damaged? -No, as far as I can see it's... | 0:22:42 | 0:22:49 | |
-Transfer-printed? -Yeah, it's transfer-printed, absolutely right. | 0:22:49 | 0:22:52 | |
-You're so knowledgeable. -It's not particularly old, but it's... | 0:22:52 | 0:22:55 | |
-Commercial. -..very commercial. What's the absolute rock bottom? | 0:22:55 | 0:22:59 | |
-Really, really, really, please. -Rock bottom. | 0:22:59 | 0:23:01 | |
-We have to win... -How about 7? | 0:23:01 | 0:23:05 | |
Not satisfied with that and, with just three minutes left, | 0:23:05 | 0:23:09 | |
something else has caught Elaine's eye. | 0:23:09 | 0:23:11 | |
It's a piece of art pottery. | 0:23:11 | 0:23:14 | |
You've got to ask yourself, "Who is going to like the look of it?" | 0:23:14 | 0:23:19 | |
Because it hasn't got a famous designer or a famous artist | 0:23:19 | 0:23:22 | |
associated with it, it's, literally, on its decorative appeal. | 0:23:22 | 0:23:25 | |
-What's the best price on this one, madam? -I'll come down to 10. | 0:23:25 | 0:23:30 | |
I like both of them. I think... Cracking choices. | 0:23:30 | 0:23:33 | |
Just seconds left, Blues. So, what's it to be? The jug or the bowl? | 0:23:33 | 0:23:38 | |
This gets my vote. | 0:23:38 | 0:23:40 | |
-Yeah, I think we should go for that. -I think that's a wider market. | 0:23:40 | 0:23:43 | |
-Yeah, I think you're right. -£7. -Bargain. -Bargain. | 0:23:43 | 0:23:46 | |
-I think so. -We'll have it, yeah. -Great. Are we done? | 0:23:46 | 0:23:49 | |
-Say goodbye to the jug. -Say goodbye to the jug. | 0:23:49 | 0:23:51 | |
Right, teams, your time is up. | 0:23:51 | 0:23:54 | |
-They don't even need a stopwatch with our team. -Oh, no. We did it. | 0:23:54 | 0:23:57 | |
-Makes a change, us. We're on time. -We are the A-Team. | 0:23:57 | 0:24:00 | |
-That was really odd. I thought we started off so well. -You did. | 0:24:00 | 0:24:04 | |
-On that first one... -And then, we descended into panic. | 0:24:04 | 0:24:07 | |
Now, let's remind ourselves just what the Red team have bought... | 0:24:09 | 0:24:14 | |
They struck a good deal on this | 0:24:14 | 0:24:16 | |
early 20th-century smoker's compendium. | 0:24:16 | 0:24:21 | |
They hope these Victorian spill vases will light up the sale-room. | 0:24:21 | 0:24:27 | |
And, ATLASt - get it? - this should get the bidders in a spin. | 0:24:27 | 0:24:32 | |
-Have you had a good time, girls? -Lovely time, thanks. | 0:24:34 | 0:24:37 | |
-Really enjoyed it? -Yes. -Behaved yourselves? -Yes, just about. | 0:24:37 | 0:24:40 | |
-Has the old man been all right? -Yes, he's been fine. -Very helpful. | 0:24:40 | 0:24:43 | |
-Very good. -Old man? -What's your favourite lot? | 0:24:43 | 0:24:46 | |
-Vases. Silver vases. -The silver vases? -Yes, yeah. | 0:24:46 | 0:24:49 | |
And what's going to make the biggest profit? | 0:24:49 | 0:24:51 | |
Maybe the smoking box, because we paid so little for it. | 0:24:51 | 0:24:54 | |
-Yeah, we hope it's... Keep fingers crossed. -How much did you spend? | 0:24:54 | 0:24:58 | |
-£235. -Did you? -Yes. -Bravo. | 0:24:58 | 0:25:02 | |
-65, to give to me? -Yes. -Yeah. -There we are. -You're very kind. | 0:25:02 | 0:25:06 | |
-Well, £65...young man. -Thank you very much. | 0:25:06 | 0:25:11 | |
What are you going to spend it on? | 0:25:11 | 0:25:12 | |
I'm going to be buying something you've not really seen before. | 0:25:12 | 0:25:15 | |
Something different and I'm going to try | 0:25:15 | 0:25:17 | |
-and blow as much of it as possible. -That's what we like. -Oh, yes. | 0:25:17 | 0:25:23 | |
Now, let's go and see what the Blue team have bought. | 0:25:23 | 0:25:26 | |
They bought this 1950s ladies' compact and lipstick case | 0:25:26 | 0:25:30 | |
and, at £36, they think it's pretty pucker. | 0:25:30 | 0:25:34 | |
This Finnish glass vase, designed by Tamara Aladin, | 0:25:34 | 0:25:37 | |
should hopefully find a GENIE-AL buyer. | 0:25:37 | 0:25:40 | |
And they were BOWLED over, when they managed to buy this, | 0:25:42 | 0:25:45 | |
their final item, for just £7. | 0:25:45 | 0:25:48 | |
Have you been spending, girls? | 0:25:51 | 0:25:52 | |
BOTH: Hmm... | 0:25:52 | 0:25:54 | |
Hang on, let's try that again. Have you been spending, girls? | 0:25:54 | 0:25:57 | |
-We have been spending cautiously. -Cautiously. | 0:25:57 | 0:25:59 | |
-But you bought three things. -And wisely. -Yes, we did. | 0:25:59 | 0:26:02 | |
-So, what was your best lot? -My favourite is the compact mirror. | 0:26:02 | 0:26:04 | |
-Compact mirror. -We've got the gold compact... -Are you at one in that? | 0:26:04 | 0:26:07 | |
No, I love the glass vase. That's my favourite. | 0:26:07 | 0:26:10 | |
-And what's going to make the biggest profit? -Probably the third one. | 0:26:10 | 0:26:13 | |
-The bowl. -The bowl? -The bowl. -The one you don't like? | 0:26:13 | 0:26:15 | |
It's not that we don't like it, it's just not our favourite. | 0:26:15 | 0:26:18 | |
-We like them all. -And it was a steal. | 0:26:18 | 0:26:19 | |
It was a steal. That's good. Was it a steal, Kate? | 0:26:19 | 0:26:22 | |
I think it was a steal, actually. | 0:26:22 | 0:26:23 | |
It was a little bit of a scramble at the end and I don't think | 0:26:23 | 0:26:27 | |
Elaine will mind me saying that she got slightly stressed. | 0:26:27 | 0:26:30 | |
-Just a little. -No good getting stressed. -Great teamwork. | 0:26:30 | 0:26:33 | |
-How much did you spend? -£78. | 0:26:33 | 0:26:35 | |
£78? | 0:26:35 | 0:26:37 | |
That leaves me with a huge whacking amount to give to Kate, doesn't it? | 0:26:37 | 0:26:41 | |
-222. Does that make sense? -Yeah. There you go. | 0:26:41 | 0:26:46 | |
It feels quite a wad. | 0:26:46 | 0:26:47 | |
Kate... Kate, you're going to have a bit of a time with this, aren't you? | 0:26:47 | 0:26:50 | |
What are you going to do with all that lot? | 0:26:50 | 0:26:52 | |
Well, do you know what I'm going to do? | 0:26:52 | 0:26:54 | |
I'm going to go and revisit old haunts. | 0:26:54 | 0:26:57 | |
-Ooh. -Exciting. | 0:26:57 | 0:26:58 | |
Meanwhile, we're off to the auction. | 0:26:58 | 0:27:01 | |
We've come just a few minutes down the road, to the centre | 0:27:10 | 0:27:13 | |
of Exeter and we're at Bearnes, Hampton & Littlewood, | 0:27:13 | 0:27:17 | |
with our auctioneer for the day, Brian Goodison-Blanks. | 0:27:17 | 0:27:20 | |
-Good morning, Brian. -Morning. -How are you? -Fine, thank you. | 0:27:20 | 0:27:23 | |
Now, Samantha and Diane went shopping with Colin | 0:27:23 | 0:27:26 | |
and the first object they have to offer you is this | 0:27:26 | 0:27:31 | |
-rather, dare I say, ordinary smoker's cabinet. -Yes. | 0:27:31 | 0:27:35 | |
It's a thing you would have seen in most households, | 0:27:35 | 0:27:38 | |
-probably 50-60 years ago, when pipe-smoking was very popular. -Yeah. | 0:27:38 | 0:27:43 | |
-It's probably 1920s. -Yes. | 0:27:43 | 0:27:46 | |
And the vase and cover inside is probably a little bit later, | 0:27:46 | 0:27:48 | |
1930s, 1940s. Probably only about £20-£30. | 0:27:48 | 0:27:52 | |
Well, that's not too bad. | 0:27:52 | 0:27:53 | |
-They paid £20 for it. -Oh, right, so we're probably... | 0:27:53 | 0:27:55 | |
-Probably about right? -Probably about right, yes. | 0:27:55 | 0:27:58 | |
Well, from something that's really rather mundane to | 0:27:58 | 0:28:00 | |
a very nice pair of silver vases. | 0:28:00 | 0:28:03 | |
Yes, they are nice, aren't they? | 0:28:03 | 0:28:05 | |
Typical Victorian conical shape to them. | 0:28:05 | 0:28:07 | |
The thing is that, obviously, there's, with all the pierce-work. | 0:28:07 | 0:28:10 | |
The silver weight to them - not a great deal. | 0:28:10 | 0:28:13 | |
-But the decoration is the thing that I think is going to help them. -Yeah. | 0:28:13 | 0:28:16 | |
But based on the silver weight and the fact they have weighted bases, | 0:28:16 | 0:28:18 | |
we're probably looking at about 40 to 60, as an open market value. | 0:28:18 | 0:28:21 | |
-CHARLIE HISSES -Crumbs. | 0:28:21 | 0:28:24 | |
Well, I can tell you that | 0:28:24 | 0:28:25 | |
-Samantha and Diane paid £140 for these. -Right. | 0:28:25 | 0:28:30 | |
-It's probably top-end, retail price. -Can you get them out of trouble? | 0:28:30 | 0:28:33 | |
-We need a fair wind, I think. -Yeah. Moving on to the globe. | 0:28:33 | 0:28:37 | |
You'd probably expect drinks to come out of that, but... | 0:28:37 | 0:28:41 | |
Decorative, I think that's about all we can say positive. | 0:28:41 | 0:28:44 | |
Some parts of the various countries have gone missing, haven't they? | 0:28:44 | 0:28:47 | |
They have, yes, so really only about £20-£30. | 0:28:47 | 0:28:50 | |
Mmm. £75 paid. That could represent a little loss. | 0:28:50 | 0:28:55 | |
I think they're going to struggle quite a bit with that, actually. | 0:28:55 | 0:28:58 | |
So it rather looks as if they might need their bonus buy. | 0:28:58 | 0:29:01 | |
-So, here we go. -OK. -Ooh. | 0:29:03 | 0:29:06 | |
It was £45 was spent | 0:29:06 | 0:29:08 | |
and what you have here is something from the 1920s-1930s. | 0:29:08 | 0:29:13 | |
A gramophone cabinet, with the most wonderful burr walnut top | 0:29:13 | 0:29:16 | |
on it, lovely cavetto moulding on the mahogany on the side, | 0:29:16 | 0:29:20 | |
lovely beading and wonderful cabriole legs, | 0:29:20 | 0:29:23 | |
terminating in pad feet. | 0:29:23 | 0:29:25 | |
There is one slight thing that brings the value down. | 0:29:25 | 0:29:27 | |
-CHARLIE CHUCKLES -It doesn't have the gramophone. | 0:29:27 | 0:29:29 | |
That's just a minor thing, but nevertheless, | 0:29:29 | 0:29:32 | |
it's a wonderful-looking cabinet that you can use for drinks, | 0:29:32 | 0:29:35 | |
a whole variety of things you can use this for | 0:29:35 | 0:29:38 | |
and, hopefully, that person's going to spend a lot more than £45. | 0:29:38 | 0:29:41 | |
-What do you think of it? -Yes. -It's really nice, actually. | 0:29:41 | 0:29:44 | |
-Like it? -So how much do you reckon it's going to make at auction? | 0:29:44 | 0:29:47 | |
I would put that into a sale with an estimate of £50-£70 | 0:29:47 | 0:29:50 | |
and fingers crossed, you're at the top end of the scale. | 0:29:50 | 0:29:52 | |
-OK. -Well, you don't have to make any decision now, | 0:29:52 | 0:29:55 | |
as to whether you go with it. | 0:29:55 | 0:29:56 | |
See how the auction's going and then pounce and make your decision. | 0:29:56 | 0:30:00 | |
But meanwhile, let's see what hat nice auctioneer thinks of it. | 0:30:00 | 0:30:06 | |
Well, the bonus buy is lurking in the corner there | 0:30:06 | 0:30:09 | |
and, once upon a time, it was a gramophone. | 0:30:09 | 0:30:11 | |
Yes, it was. I think it probably would have done a little bit better | 0:30:11 | 0:30:14 | |
had it still had the interior inside for the gramophone, | 0:30:14 | 0:30:17 | |
-because some of them are very collectable. -Yeah. | 0:30:17 | 0:30:19 | |
But it's obviously been stripped out for a drinks cabinet. | 0:30:19 | 0:30:22 | |
But it has some nice walnut veneers to it. | 0:30:22 | 0:30:24 | |
Couple of...a few ring-marks on the top, so obviously | 0:30:24 | 0:30:27 | |
a few raucous parties with people leaving their drinks on the top. | 0:30:27 | 0:30:30 | |
1920s-1930s period again, at about £40-£50. | 0:30:30 | 0:30:35 | |
Well, they paid £45 for it, so they're in | 0:30:35 | 0:30:38 | |
-the right, sort of, ballpark. -Right sort of area, yes, they are. | 0:30:38 | 0:30:41 | |
Well, that's the Reds. Now, moving onto the Blues, here. | 0:30:41 | 0:30:44 | |
-Megan and Elaine went shopping with the lovely Kate Bliss... -Right. | 0:30:44 | 0:30:47 | |
..and have bought these offerings for you, | 0:30:47 | 0:30:50 | |
starting with the gilt compact and lipstick combination. | 0:30:50 | 0:30:56 | |
A lot of them were produced 1950s-1960s. | 0:30:56 | 0:30:58 | |
-The, sort of, the debutante days.... -Yeah. | 0:30:58 | 0:31:01 | |
They were very popular | 0:31:01 | 0:31:02 | |
and very useful for ladies going out for an evening. | 0:31:02 | 0:31:05 | |
We have collectors for them, who like the... | 0:31:05 | 0:31:08 | |
Some of them who like the enamel versions, with nice decoration, | 0:31:08 | 0:31:11 | |
nice attractive female figure on or flowers, you know. | 0:31:11 | 0:31:14 | |
But this one just has a, sort of, milled decoration, | 0:31:14 | 0:31:17 | |
so realistically, I think, probably about £10-£15. | 0:31:17 | 0:31:21 | |
-They paid £36 for it. -Right. | 0:31:21 | 0:31:23 | |
-So they've paid top end, really, haven't they? -Yes. | 0:31:23 | 0:31:25 | |
Then, we've gone off to Finland for a piece of glassware. It's... | 0:31:25 | 0:31:31 | |
-It's plain, isn't it? -It is. | 0:31:31 | 0:31:33 | |
I think Kate's ascribed a designer to it - | 0:31:33 | 0:31:36 | |
Tamara Aladin, I think is her name. | 0:31:36 | 0:31:38 | |
It's the sort of thing that you would probably see in a modern | 0:31:38 | 0:31:41 | |
-shop today, because it has that kind of retro feel to it. -Yes. | 0:31:41 | 0:31:44 | |
-That, sort of, throwback to the 1960s. -Yeah. | 0:31:44 | 0:31:46 | |
Green probably not the most decorative colour, | 0:31:46 | 0:31:49 | |
but still attractive and I think we've probably said, sort of, | 0:31:49 | 0:31:52 | |
-30 to 40 on that. -They paid £35 for it. I think they did quite | 0:31:52 | 0:31:55 | |
well to get that at a fair for that sort of money. | 0:31:55 | 0:31:59 | |
-I think they did. I think it's a reasonable price. -Yeah. | 0:31:59 | 0:32:01 | |
Moving on to the bowl. What more can I say than, "the bowl"? | 0:32:01 | 0:32:06 | |
It's Burleigh Ware. Talk to me about it. | 0:32:06 | 0:32:09 | |
Well, it's very typical 19th century, | 0:32:09 | 0:32:10 | |
late 19th-Century Staffordshire Burleigh Ware, | 0:32:10 | 0:32:13 | |
-with a blue and white transfer printed decoration. -Yeah. | 0:32:13 | 0:32:15 | |
Probably, originally, part of a set of a wash bowl. | 0:32:15 | 0:32:18 | |
Blue and white is still very popular, | 0:32:18 | 0:32:20 | |
but not so much with this, sort of, decoration. | 0:32:20 | 0:32:22 | |
If it were the more oriental pieces, I think it would | 0:32:22 | 0:32:25 | |
-appeal little bit more. -Yeah. | 0:32:25 | 0:32:26 | |
But very, very typical standard earthenwares | 0:32:26 | 0:32:29 | |
-and tablewares of the late 19th century. -Yeah. | 0:32:29 | 0:32:32 | |
So, realistically, only about £10-£15. | 0:32:32 | 0:32:34 | |
That's OK, because they only paid £7 for it. | 0:32:34 | 0:32:37 | |
Yeah, that's reasonable, I think. | 0:32:37 | 0:32:39 | |
So, the bowl, we think, will do all right. | 0:32:39 | 0:32:40 | |
-Yes. -And they might well need their bonus buy. | 0:32:40 | 0:32:43 | |
Well, they left Kate with £222 to spend. | 0:32:43 | 0:32:50 | |
Let's see what she spent it on... | 0:32:50 | 0:32:52 | |
Megan, Elaine... | 0:32:53 | 0:32:55 | |
-Did you give this young girl some money to spend or what? -Lots. | 0:32:55 | 0:33:01 | |
-Never have you felt so rich, Kate. -I know. -Well, let's have a look. | 0:33:01 | 0:33:05 | |
I spent a tenner. | 0:33:05 | 0:33:08 | |
-HE MOUTHS -It's a jug. | 0:33:08 | 0:33:11 | |
-Oh, excellent. Oh, I love it. -So, I know... | 0:33:11 | 0:33:14 | |
-Elaine, you particularly liked this, didn't you? -I do, yes. | 0:33:14 | 0:33:16 | |
And we did get to the third item in a little bit of a rush. | 0:33:16 | 0:33:19 | |
-Yeah. -I think it's fair to say. | 0:33:19 | 0:33:20 | |
And we had a little bit of a toss-up and we went for what we went for. | 0:33:20 | 0:33:23 | |
-Mm-hmm. -But, I think, for a tenner, this is a steal. -It's perfect. | 0:33:23 | 0:33:28 | |
It is signed. I don't know the artist, | 0:33:28 | 0:33:30 | |
but we have got a signature there, which is quite nice. | 0:33:30 | 0:33:33 | |
So, how much do you think it's going to make? | 0:33:33 | 0:33:34 | |
Well, if that doesn't make £20, | 0:33:34 | 0:33:37 | |
there is no justice in the auction business! | 0:33:37 | 0:33:40 | |
If my wife went shopping with £222, I'm... | 0:33:40 | 0:33:44 | |
I'm sure she'd spend more than a tenner. | 0:33:44 | 0:33:46 | |
-But it's not about what you spend, it's about profit. -Mm-hmm. | 0:33:46 | 0:33:49 | |
-That's right, exactly. -You're right. -And I think there's profit here. | 0:33:49 | 0:33:52 | |
-There jolly well should be profit here. -You like it. | 0:33:52 | 0:33:54 | |
The girls like it. Let's see if the auctioneer agrees with them. | 0:33:54 | 0:33:58 | |
-Large. -It is large, isn't it? | 0:34:01 | 0:34:03 | |
Well, it's very typical studio pottery. | 0:34:03 | 0:34:05 | |
-Very, very typical 1940s going on 1950s-1960s period, isn't it? -Yeah. | 0:34:05 | 0:34:09 | |
This one, I think, has got a small mark on it. | 0:34:09 | 0:34:12 | |
Couldn't find that, really, with any of the references that we have, | 0:34:12 | 0:34:15 | |
because it's one of the more obscure factories, I think. | 0:34:15 | 0:34:17 | |
-I think probably only about £10-£15. -She spent 10. | 0:34:17 | 0:34:22 | |
-Right. -Value for money, I think. | 0:34:22 | 0:34:24 | |
-Yes. -And that again, like the bowl, needs some flowers coming out of it. | 0:34:24 | 0:34:27 | |
It does. It needs a few flowers. Probably dried flowers, | 0:34:27 | 0:34:29 | |
in this instance. Typical, sort of, decoration | 0:34:29 | 0:34:32 | |
-that they would have had in that sort of period. -Yeah, yeah, yeah. | 0:34:32 | 0:34:35 | |
-Now, Brian, you will be taking the sale? -Yes. -Well, good luck. | 0:34:35 | 0:34:38 | |
Let's see how they get on... | 0:34:38 | 0:34:39 | |
5... | 0:34:41 | 0:34:44 | |
-Well, girls. Feeling confident? -Yes. -Yes. -Very confident? -Very confident. | 0:34:45 | 0:34:49 | |
Fantastic. Here we go. | 0:34:49 | 0:34:52 | |
Lot 344 is the early 20th-century oak smoker's compendium. | 0:34:52 | 0:34:56 | |
1930s, single-glazed door, fitted with a tobacco jar | 0:34:56 | 0:35:00 | |
to the interior, as well. what am I saying for that? £30. | 0:35:00 | 0:35:04 | |
-Start at 20, then. -Come on. -Way in the corner at 20. | 0:35:04 | 0:35:08 | |
-Straight in at £20. -2, now, elsewhere. | 0:35:08 | 0:35:09 | |
22. 25, standing. 28. 30. 2. | 0:35:09 | 0:35:13 | |
35. 32, standing. | 0:35:13 | 0:35:16 | |
5. Do you wish to come in, sir? No? 32, here. On my right, at 32. | 0:35:16 | 0:35:20 | |
-Come on, girls. -£32. You're all done now, at 32? You quite sure, sir? | 0:35:20 | 0:35:25 | |
35, change of mind. 38, sir. | 0:35:25 | 0:35:27 | |
38. 40. 38, this time. | 0:35:27 | 0:35:30 | |
-38. -I've already written the price down and it's gone up. | 0:35:30 | 0:35:33 | |
-38. -Yes! | 0:35:33 | 0:35:35 | |
That is a profit of 18 smackers. | 0:35:35 | 0:35:39 | |
Here come the spill vase. | 0:35:39 | 0:35:41 | |
Lot 345, a pair of late Victorian trumpet spill vases. | 0:35:41 | 0:35:45 | |
-Birmingham, 1894. Conical form. -Cost 140. | 0:35:45 | 0:35:49 | |
Say that very quickly and it doesn't sound a lot. | 0:35:49 | 0:35:51 | |
And with me at 25, 28, £30, here. 32, I'm out. | 0:35:51 | 0:35:55 | |
-32. -Not going very quick. -No. | 0:35:55 | 0:36:00 | |
At 32, I have. 35. 38? 40. 2. | 0:36:00 | 0:36:04 | |
45, 48, 50, 5, 60. 55, here. | 0:36:04 | 0:36:08 | |
60 elsewhere. £55. 60, internet? No. | 0:36:08 | 0:36:12 | |
At 55, then. | 0:36:12 | 0:36:13 | |
At 55 and finished now, at 55. | 0:36:13 | 0:36:16 | |
55. | 0:36:17 | 0:36:18 | |
That represents a small loss of £85(!) | 0:36:19 | 0:36:23 | |
-Here goes our globe. -It just means the globe's got to | 0:36:23 | 0:36:26 | |
make about 100 quid and you'll be well away. | 0:36:26 | 0:36:29 | |
Lot 346 | 0:36:29 | 0:36:31 | |
is the terrestrial globe on stand, in your hands here. | 0:36:31 | 0:36:35 | |
What am I saying for that? £20? 20, straight away, thank you. | 0:36:35 | 0:36:38 | |
I have at 20. And 2, now, elsewhere? At £20, opening bid. | 0:36:38 | 0:36:41 | |
22, internet? 25, sir. 28, internet? | 0:36:41 | 0:36:45 | |
-We paid 75 for it. -We're creeping up to 30. -Come on. | 0:36:45 | 0:36:49 | |
-32, 35, 38, internet? -It's got to come back for this. | 0:36:49 | 0:36:54 | |
-A world of bidders for it. -35. Looking for 8, now. At 35. | 0:36:54 | 0:36:59 | |
Not going to get the 8. I have the 35, though. | 0:36:59 | 0:37:03 | |
£35 for the globe, | 0:37:03 | 0:37:04 | |
which is not a bad price for a globe | 0:37:04 | 0:37:06 | |
when you haven't got Russia with it. | 0:37:06 | 0:37:08 | |
Means that we are down £107. | 0:37:08 | 0:37:13 | |
-What are you going to do about this bonus buy? -Go for it. -Yeah. | 0:37:13 | 0:37:17 | |
Lot 350, the early 20th-century walnut cabinet on stand. | 0:37:17 | 0:37:21 | |
Formerly a gramophone cabinet. And what am I saying for that? £30? | 0:37:21 | 0:37:26 | |
-£20, the cabinet? 20, I have. -He's got 20. -22, now, at all? | 0:37:26 | 0:37:31 | |
At £20 only, maiden bid, centre of the room, at 20. Do I see 2? | 0:37:31 | 0:37:36 | |
-22, internet. 25, sir. -Internet. -25. 28, internet. 28. | 0:37:36 | 0:37:40 | |
-30, now, sir. -Saved by the internet. -32, internet. | 0:37:40 | 0:37:43 | |
-Get up. -No, it's in the room, at £30. At 30. At 30, all done. | 0:37:43 | 0:37:48 | |
Internet's dropped off now. At £30. In the room at 30, then. | 0:37:48 | 0:37:52 | |
-At 30. -£30. | 0:37:52 | 0:37:56 | |
£15 loss. Can you add 107 to 15? | 0:37:56 | 0:37:59 | |
Because it comes up with £122 loss. | 0:37:59 | 0:38:04 | |
-An absolute steal, at 122. -Done it in style. | 0:38:04 | 0:38:07 | |
So, whatever you do... You've done it in tremendous style! | 0:38:07 | 0:38:10 | |
Keep quiet, don't mention it to the Blues and go away | 0:38:10 | 0:38:14 | |
and pray, like the clappers. | 0:38:14 | 0:38:16 | |
-And you never know, 122 could be a winning score. -We hope so. | 0:38:16 | 0:38:22 | |
Megan, Elaine. You haven't been talking to those Reds, have you? | 0:38:28 | 0:38:32 | |
-Those naughty Reds? -No. -You haven't got a clue what they've done? -No. | 0:38:32 | 0:38:35 | |
-Lips are sealed. -Just as well, just as well. Here goes. | 0:38:35 | 0:38:39 | |
Lot 366 is the | 0:38:39 | 0:38:41 | |
1950s KIG gilt compact and lipstick combination. | 0:38:41 | 0:38:48 | |
And what am I going to say for that? £15? | 0:38:48 | 0:38:51 | |
-£10, then. -Come on. | 0:38:51 | 0:38:53 | |
-5, to start, then. -Fiver? -Oh, no. | 0:38:53 | 0:38:56 | |
£2, then, if you will. 2, I have. | 0:38:56 | 0:38:59 | |
-Wave of the hand, at £2 and 3, now. -Oh, girls. | 0:38:59 | 0:39:01 | |
At £2 only, then. You're quite sure, then? | 0:39:01 | 0:39:05 | |
To you, sir, then, at £2. | 0:39:05 | 0:39:07 | |
Thank you. | 0:39:07 | 0:39:10 | |
-Oh... -I don't believe it. I do not believe it. -That's just ridiculous. | 0:39:10 | 0:39:14 | |
According to my maths, that's -34. It wasn't a very hard sum to do. | 0:39:14 | 0:39:19 | |
-That's outrageous. -Here we go. We're going to bounce back now. | 0:39:19 | 0:39:22 | |
We're going to Finland. | 0:39:22 | 0:39:24 | |
So, the green glass vase, and what am I saying for that? £30? | 0:39:24 | 0:39:28 | |
30, thank you, straight away at £30. And 2, now, elsewhere? | 0:39:28 | 0:39:31 | |
At 30 straight away, maiden bid. 2, internet, are you in? | 0:39:31 | 0:39:35 | |
At 30, back wall, then. 2, I'm looking for, now. | 0:39:35 | 0:39:37 | |
Quite sure, then? 1960s green glass vase, at £30 only. | 0:39:37 | 0:39:41 | |
-Oh, no. -That's minus 5. | 0:39:43 | 0:39:44 | |
That means you're now minus 39. | 0:39:44 | 0:39:47 | |
Steadily growing the losses, I like it. | 0:39:47 | 0:39:50 | |
So, the blue and white patterned bowl, there. | 0:39:50 | 0:39:53 | |
-What am I saying, again? Is it 15? Is it 10? -Please don't go below 10. | 0:39:53 | 0:39:59 | |
-Is it 5? -Oh, no. -It's 5, this time. At 5, I've taken in the room. | 0:39:59 | 0:40:02 | |
8, internet. Are you in? | 0:40:02 | 0:40:05 | |
No, at £5, the room has it, then. | 0:40:05 | 0:40:07 | |
8, internet is in. Saviour again. | 0:40:07 | 0:40:09 | |
10, sir? 10, I have. 12, internet? | 0:40:09 | 0:40:13 | |
At £10 in the room. 12, internet. Are you in? | 0:40:13 | 0:40:15 | |
Internet's out. It's in the room at £10, then. | 0:40:16 | 0:40:20 | |
-Yes. -You've... | 0:40:20 | 0:40:24 | |
You've smashed a profit out of that. £3! | 0:40:24 | 0:40:27 | |
-Oh, my God. How did it happen? -You're only minus 36. | 0:40:27 | 0:40:31 | |
-We've got to think about the bonus buy. -It's your decision. -Yes. | 0:40:31 | 0:40:35 | |
-Yes, we'll do it. Definitely. -Going for it. | 0:40:35 | 0:40:38 | |
-We're going for the bonus buy. -Oh, boy! | 0:40:38 | 0:40:40 | |
Lot 372 is the large art pottery ewer, | 0:40:40 | 0:40:43 | |
with the brown glazes and, again, | 0:40:43 | 0:40:45 | |
various interests here, | 0:40:45 | 0:40:47 | |
commissions with me. 10, 12, 15, | 0:40:47 | 0:40:49 | |
18, £20, I have. 20, with me. | 0:40:49 | 0:40:52 | |
22, now, elsewhere? Any advance on 20, then. With the 20. | 0:40:52 | 0:40:58 | |
2, Internet, are you in? No, at £20. That's all there, then. At 20. | 0:40:58 | 0:41:01 | |
That's all it is today, at 20. | 0:41:01 | 0:41:04 | |
That'll do. | 0:41:05 | 0:41:07 | |
You've doubled your money. | 0:41:07 | 0:41:09 | |
So, the result of all that wonderful shopping in a full hour | 0:41:09 | 0:41:12 | |
is that you are minus £26. | 0:41:12 | 0:41:14 | |
Well, that's not too bad. It could have been worse. | 0:41:16 | 0:41:18 | |
I think that's a stunning result. Now, not a word to the Reds. | 0:41:18 | 0:41:23 | |
Samantha and Diane, you've lost some money, haven't you? | 0:41:29 | 0:41:32 | |
Megan and Elaine, you've lost some money, haven't you? | 0:41:32 | 0:41:36 | |
It's all a question of who's gone the furthest down the plughole, really, isn't it? | 0:41:36 | 0:41:40 | |
Well, I can safely say that it's the Red team that have had | 0:41:40 | 0:41:45 | |
the biggest loss. | 0:41:45 | 0:41:46 | |
As if it wasn't bad enough, you were down £107. You then | 0:41:46 | 0:41:50 | |
went with that fabulous walnut cabinet and, well done, Colin, | 0:41:50 | 0:41:54 | |
That lost you another £15. | 0:41:54 | 0:41:58 | |
So, £122 later, I've got no cash for you. | 0:41:58 | 0:42:03 | |
But don't you be too smug, girls, | 0:42:03 | 0:42:05 | |
-because you weren't swimming in profits, were you? -No. | 0:42:05 | 0:42:08 | |
But, probably the nadir of your existence, | 0:42:08 | 0:42:12 | |
if I may call it that, was the gilt compact. | 0:42:12 | 0:42:16 | |
Cost - 36, | 0:42:16 | 0:42:18 | |
sold - 2. | 0:42:18 | 0:42:21 | |
-That was good, wasn't it? A loss of £34. -That was an outrage. -Outrage. | 0:42:21 | 0:42:25 | |
-It was an outrage. You did better on the glass vase. -We was robbed. | 0:42:25 | 0:42:27 | |
You were robbed. You're quite right. You were robbed. | 0:42:27 | 0:42:30 | |
The great thing was your bonus buy, Kate, wasn't it? | 0:42:30 | 0:42:32 | |
An enormous jug which cost 10 and you doubled your money. | 0:42:32 | 0:42:37 | |
It was your choice, really. | 0:42:37 | 0:42:39 | |
Well, well done, because it took your loss to a tiny - | 0:42:39 | 0:42:43 | |
-a miserable- £26. -Yay! | 0:42:43 | 0:42:47 | |
Which, I have to say, in comparative terms, is really rather good. | 0:42:47 | 0:42:50 | |
-Anyway, had a great time? -Yes. -Good time? -Yes. | 0:42:50 | 0:42:54 | |
Well, why don't you join us for some more bargain hunting next time? Yes? | 0:42:54 | 0:42:58 | |
ALL: Yes! | 0:42:58 | 0:42:59 |