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Today, we're in the medieval market town of Leominster. | 0:00:03 | 0:00:07 | |
Where the streets are literally lined with antique shops galore. | 0:00:07 | 0:00:11 | |
So, what are we waiting for? Let's go bargain hunting, yeah! | 0:00:11 | 0:00:15 | |
It's a funny old game, this, isn't it? | 0:00:46 | 0:00:49 | |
Each of our teams today, start from the word go. | 0:00:49 | 0:00:53 | |
With £300 apiece. | 0:00:53 | 0:00:55 | |
They then work their way up and down the streets of Leominster | 0:00:55 | 0:00:59 | |
hoping to bank a piece of hot antique. | 0:00:59 | 0:01:03 | |
HE CHUCKLES | 0:01:03 | 0:01:04 | |
And then it's the roll of the dice...over at the auction room. | 0:01:04 | 0:01:07 | |
Who is going to make a profit and who isn't? | 0:01:07 | 0:01:10 | |
Let's take a sneaky peek as to what's coming up. | 0:01:10 | 0:01:12 | |
Hm...look at that. | 0:01:14 | 0:01:16 | |
On today's show, charismatic Carlos goes on the charm offensive. | 0:01:16 | 0:01:20 | |
They're very highbrow | 0:01:20 | 0:01:21 | |
because they've been bought by two highbrow people. | 0:01:21 | 0:01:24 | |
-Of course, of course. -You smooth talker, Charles. | 0:01:24 | 0:01:26 | |
-I'll come and stay, yeah? -Yeah. | 0:01:26 | 0:01:28 | |
However, there's fighting talk with the Reds. | 0:01:29 | 0:01:32 | |
-I have to beat Charles... -That's your mission today? | 0:01:32 | 0:01:34 | |
I wake up in the morning, it's the first thing I think of. | 0:01:34 | 0:01:37 | |
I've got to beat Charles. | 0:01:37 | 0:01:38 | |
But before all that, let's meet the teams. | 0:01:38 | 0:01:41 | |
How gorgeous is this? The Lion Ballroom in Leominster. | 0:01:42 | 0:01:46 | |
Great place. | 0:01:46 | 0:01:47 | |
Well, we've got a great bunch of folk on our show today. | 0:01:47 | 0:01:50 | |
For the Reds, we have married couple Marion and Paul. | 0:01:50 | 0:01:54 | |
And another married couple, Nick and Alison, for the Blues. | 0:01:54 | 0:01:57 | |
-Hello, everyone. -ALL: Hi. | 0:01:57 | 0:01:58 | |
-Great to see you. Now, Marion. You're retired now. -Yes. | 0:01:58 | 0:02:01 | |
-But you used to work in the art world? -That's right, yes. | 0:02:01 | 0:02:04 | |
-Tell us about that. -Um, I was the accountant | 0:02:04 | 0:02:06 | |
for a contemporary art company that sold all round the world. | 0:02:06 | 0:02:09 | |
Hm-hm. | 0:02:09 | 0:02:10 | |
Subsequently, we took over a corporate company | 0:02:10 | 0:02:13 | |
and we put all the art sculptures etc, etc on the cruise line ships. | 0:02:13 | 0:02:18 | |
Gosh. And did you have to go and visit the cruises, | 0:02:18 | 0:02:20 | |
-while they went out? -I did. One perk I got used to. | 0:02:20 | 0:02:23 | |
Accountants don't really get much perks but I did get... Yes. | 0:02:23 | 0:02:26 | |
-Yes. -On a launch party I went, yes. -Well, that sounds all right. | 0:02:26 | 0:02:29 | |
And you're something of a pinball wizard yourself. | 0:02:29 | 0:02:32 | |
I am. I restore art on pinballs. | 0:02:32 | 0:02:35 | |
Paul does the mechanics and I do the artwork. | 0:02:35 | 0:02:37 | |
So, we...we like to paint pictures back on. | 0:02:37 | 0:02:40 | |
They're older pinballs, 1960s, '70s. | 0:02:40 | 0:02:42 | |
Have you collected them? | 0:02:42 | 0:02:44 | |
We have our own but we also... | 0:02:44 | 0:02:46 | |
We do them up and sell them on at a show, just once a year. | 0:02:46 | 0:02:49 | |
-It's just a hobby, so... -Well, how nice. -Yes. | 0:02:49 | 0:02:51 | |
Um, Paul, it says you like all BALL games, is that right? | 0:02:51 | 0:02:56 | |
-Well, just one. Bowls, actually. -OK. | 0:02:56 | 0:02:58 | |
Well, it's all a question of pronunciation, isn't it? | 0:02:58 | 0:03:00 | |
-Absolutely. -So, why bowls? | 0:03:00 | 0:03:03 | |
Well, when I was sharing a flat in my younger days, | 0:03:03 | 0:03:06 | |
I shared with a teacher who was a keen bowler. | 0:03:06 | 0:03:09 | |
-And he asked me to have a go. -Hm. | 0:03:09 | 0:03:12 | |
And I said, "Well, it's just an old man's game, isn't it?" | 0:03:12 | 0:03:15 | |
Well, that was when I was 21 and I got into the game | 0:03:15 | 0:03:17 | |
and I've been playing it ever since. | 0:03:17 | 0:03:19 | |
And you're fond of the vintage vinyl. | 0:03:19 | 0:03:21 | |
Yes, yes. We have a couple of jukeboxes, | 0:03:21 | 0:03:24 | |
as well as...the pinball machines. | 0:03:24 | 0:03:26 | |
Do you really? You lived in quite a house, don't you? | 0:03:26 | 0:03:29 | |
-It's not, it's a little bungalow. -No, it's only a bungalow. | 0:03:29 | 0:03:32 | |
Well, I've got about 2,500 records, something like that. | 0:03:32 | 0:03:35 | |
Are you going to buy any vinyl today if you can find it in Leominster? | 0:03:35 | 0:03:38 | |
-Um, I might do, if I find some. -OK. | 0:03:38 | 0:03:40 | |
-You'll know what's rare, won't you? -Definitely. -OK. | 0:03:40 | 0:03:43 | |
Marion, what sort of things do you want to buy, darling? | 0:03:43 | 0:03:45 | |
Something silver, maybe, and quirky, definitely quirky. | 0:03:45 | 0:03:48 | |
-Definitely quirky. -If you can find quirky, yes. | 0:03:48 | 0:03:50 | |
You can find quirky, I tell you. Anyway, good fun. | 0:03:50 | 0:03:53 | |
-Thank you very much for joining us, you are brilliant. -Thank you. | 0:03:53 | 0:03:56 | |
Now, Nick. | 0:03:56 | 0:03:57 | |
There's a great story about how you two met, isn't there? | 0:03:57 | 0:04:00 | |
Yes, there is. | 0:04:00 | 0:04:02 | |
I was in the police force at the time | 0:04:02 | 0:04:04 | |
and a friend of mine came along and wanted me to go to | 0:04:04 | 0:04:07 | |
an infamous nurses' party. | 0:04:07 | 0:04:10 | |
He cajoled me to go and Alison was persuaded to go | 0:04:10 | 0:04:15 | |
-and we met at the party. -Right. | 0:04:15 | 0:04:17 | |
And when it came to the end, | 0:04:17 | 0:04:18 | |
I hadn't got anything to write her telephone number down on. | 0:04:18 | 0:04:21 | |
And the only thing I could find was a £5 note. | 0:04:21 | 0:04:23 | |
Then, the following morning I was on early turn | 0:04:23 | 0:04:26 | |
and purchased a bacon sandwich from the police canteen | 0:04:26 | 0:04:29 | |
with said £5 note. | 0:04:29 | 0:04:31 | |
-Ah. -But it wasn't until the end of the... | 0:04:31 | 0:04:34 | |
end of my shift that I suddenly realised | 0:04:34 | 0:04:36 | |
I had spent the £5 note. | 0:04:36 | 0:04:38 | |
So I had to run back round to the canteen to get them to cash up, | 0:04:38 | 0:04:41 | |
to see if they'd still got the £5 note. | 0:04:41 | 0:04:44 | |
Fortunately, they had and the rest is history, as they say. | 0:04:44 | 0:04:47 | |
Well, isn't that a marvellous story? | 0:04:47 | 0:04:49 | |
Nearly lost her for the price of a bacon buttie. | 0:04:49 | 0:04:53 | |
That's a sweet story. | 0:04:53 | 0:04:55 | |
But, um, Nick, you've done plenty of nicking in your own time, | 0:04:55 | 0:04:59 | |
-haven't you? -Yes, I went into the police cadets at 17. | 0:04:59 | 0:05:02 | |
And then into the regulars, where I did my full 30-year term. | 0:05:02 | 0:05:06 | |
-Did you? -All in Sussex. | 0:05:06 | 0:05:08 | |
Finally retiring four years ago | 0:05:08 | 0:05:10 | |
-having reached the rank of a custody sergeant. -OK. | 0:05:10 | 0:05:13 | |
And thoroughly enjoyed my time in there. | 0:05:13 | 0:05:16 | |
-Now, Alison. You're a retired nurse. -I am. I retired early, yes. | 0:05:16 | 0:05:20 | |
Very sensible. | 0:05:20 | 0:05:22 | |
But you've both come out of retirement | 0:05:22 | 0:05:24 | |
to try your hand at something new. | 0:05:24 | 0:05:26 | |
We have, yes. We moved up from Sussex | 0:05:26 | 0:05:28 | |
and purchased a bed and breakfast...just outside Ludlow. | 0:05:28 | 0:05:32 | |
We manage it between us and, er, yeah, | 0:05:32 | 0:05:35 | |
it's going very well at the moment. | 0:05:35 | 0:05:36 | |
And have you had any amusing stories from bed and breakfasting? | 0:05:36 | 0:05:41 | |
Well, soon after we moved there we had a lady turn up at the door | 0:05:41 | 0:05:46 | |
and she said to us that she wasn't alone. | 0:05:46 | 0:05:49 | |
-She had an eagle. -Oh, did she? | 0:05:49 | 0:05:51 | |
An eagle. Which was a new experience. | 0:05:51 | 0:05:54 | |
-What was he called? -Sebastian. | 0:05:54 | 0:05:57 | |
Was he called Sebastian the Eagle? | 0:05:57 | 0:06:00 | |
-I mean, that's a classic, isn't it? -Yes. | 0:06:00 | 0:06:02 | |
So, are you going to be using your eagle eyes | 0:06:02 | 0:06:05 | |
around the shops today in Leominster? | 0:06:05 | 0:06:08 | |
-We definitely are, yes. -We hope to spot a bargain from afar. | 0:06:08 | 0:06:11 | |
I bet you'll do it from a great height. | 0:06:11 | 0:06:13 | |
-We will. We will indeed. -Yes, good. | 0:06:13 | 0:06:15 | |
Well, on that happy note, I'm going to give you the £300 apiece, OK? | 0:06:15 | 0:06:20 | |
-There we go. £300. -Thank you. | 0:06:20 | 0:06:21 | |
You know the rules. Your experts await. | 0:06:21 | 0:06:24 | |
And off you go and very, very, very good look. | 0:06:24 | 0:06:27 | |
Now, time to meet today's experts. | 0:06:28 | 0:06:30 | |
Keeping an eye out for the Reds is Jonathan Pratt. | 0:06:32 | 0:06:35 | |
And going into battle for the Blues is Charles Hanson. | 0:06:36 | 0:06:39 | |
There's loads of stuff here. | 0:06:41 | 0:06:43 | |
Have you got any idea what you want to buy? | 0:06:43 | 0:06:45 | |
Well, we thought maybe silver is always good, isn't it? | 0:06:45 | 0:06:48 | |
-Can be. -Yes, you know. -Something quirky. -Quirky, great word. | 0:06:48 | 0:06:52 | |
-I quite like wood. -OK. -Wood is good for me. -OK. Alison? | 0:06:52 | 0:06:56 | |
-And perhaps some silver. A little piece of silver. -OK, yeah. | 0:06:56 | 0:07:00 | |
-That sounds rather good. -Well polished? | 0:07:00 | 0:07:01 | |
-Yes. Oh, very well polished, yes. -Good to go, yeah. | 0:07:01 | 0:07:04 | |
OK, teams. Brush up your skills, because your time starts now. | 0:07:04 | 0:07:08 | |
We're good to go. | 0:07:08 | 0:07:09 | |
-Here, your little bowling club, Paul. -Oh, is that what that is? -Yes. | 0:07:15 | 0:07:18 | |
-It's a bowling club scoreboard. -It's a score... -110, gosh. | 0:07:18 | 0:07:22 | |
-We'll give that one a miss, I think. -Yes. | 0:07:22 | 0:07:24 | |
-These are, in the truest sense, wonderful antiques. -Yeah. | 0:07:24 | 0:07:27 | |
Just look at the quality. | 0:07:27 | 0:07:28 | |
-We're looking at the prices, Charles, aren't we? -I mean... | 0:07:28 | 0:07:30 | |
-Oh, yeah. Gosh, you're right. -This bunch certainly have taste. | 0:07:30 | 0:07:33 | |
Just not necessarily the budget to match. | 0:07:33 | 0:07:36 | |
Back to the Reds. And there's definitely a running theme here. | 0:07:36 | 0:07:39 | |
If you're playing this game competitively, do you buy new ones? | 0:07:39 | 0:07:42 | |
We tend not to use the old lignum vitae ones for competition now | 0:07:42 | 0:07:45 | |
-cos they're generally too light. -Too light? | 0:07:45 | 0:07:47 | |
We all tend to play with composite bowls now, | 0:07:47 | 0:07:50 | |
-which are one solid material. -OK. So why would anyone want to buy these? | 0:07:50 | 0:07:53 | |
As a curio. Some people actually collect them. They polish them up... | 0:07:53 | 0:07:57 | |
-Oh, do they? -Yeah. -So, you're not interested in these anyway? -No. | 0:07:57 | 0:08:00 | |
-I don't think... -That's a no from the Mrs. | 0:08:00 | 0:08:02 | |
-Definitely, no. -SHE LAUGHS | 0:08:02 | 0:08:05 | |
Ah, the boss has spoken. Onwards and upwards then, team. | 0:08:05 | 0:08:09 | |
-Oh, what about...? Look, can you see this, Marion? -Oh, yeah. | 0:08:11 | 0:08:14 | |
What's that you've found? | 0:08:14 | 0:08:15 | |
-It's a '60s record rack. -It's different. | 0:08:15 | 0:08:17 | |
-I would probably buy that, if it was me. -Yeah. -What do you think? | 0:08:17 | 0:08:21 | |
The sort of stumbling block, is that... | 0:08:21 | 0:08:23 | |
People don't have vinyl like they used to. | 0:08:23 | 0:08:25 | |
But Paul does, JP. | 0:08:25 | 0:08:27 | |
Would they be displaying it in this? | 0:08:27 | 0:08:29 | |
And if the answer to that is no, what else would they use it for? | 0:08:29 | 0:08:32 | |
-Yeah, that's true. -All we need now is a price. Cue Stan. | 0:08:32 | 0:08:36 | |
-DEALER: -It's £12. | 0:08:36 | 0:08:38 | |
-OK. -That's not bad, is it? -That's not bad, yeah. | 0:08:38 | 0:08:40 | |
If I was at an auction, I would bid more than £12 for that, so... | 0:08:40 | 0:08:43 | |
-It's a sneaky one if we need to. -OK. | 0:08:43 | 0:08:46 | |
-But I can see the passion. -Yeah. | 0:08:46 | 0:08:48 | |
All right? So I think it's probably going to happen. | 0:08:48 | 0:08:50 | |
THEY LAUGH | 0:08:50 | 0:08:52 | |
Watch this space, eh? | 0:08:52 | 0:08:53 | |
Meanwhile, some quirky silver's on the menu for the Blues, | 0:08:53 | 0:08:57 | |
with an asking price of £75. | 0:08:57 | 0:08:59 | |
Wow. There you go. | 0:08:59 | 0:09:01 | |
-Have you ever seen...? I mean, are they...? -Have a handle. | 0:09:01 | 0:09:03 | |
-They're quite unusual. -Have you ever seen anything like it before? | 0:09:03 | 0:09:06 | |
What I like about them is they're leafy and they're long | 0:09:06 | 0:09:09 | |
-and they are...what is described as tea or cocktail straws. -Straws. | 0:09:09 | 0:09:13 | |
So very nicely hallmarked. Which we can see on the leafy spoons. | 0:09:13 | 0:09:17 | |
They are hallmarked London...1963. | 0:09:17 | 0:09:23 | |
-Aren't they wonderful? -They are. | 0:09:23 | 0:09:24 | |
-Yes, they are. -They're really pretty. -They almost swivel and swing, | 0:09:24 | 0:09:27 | |
-don't they, from that great '60s era? -They do, they do. | 0:09:27 | 0:09:30 | |
So... | 0:09:30 | 0:09:32 | |
would you...suck through them? | 0:09:32 | 0:09:34 | |
-Oh, yes. Look. -Oh, you do. -I hadn't realised that. -Yes. | 0:09:35 | 0:09:38 | |
So, I suppose, in your B&B, do you do this sort of thing then, do you? | 0:09:38 | 0:09:41 | |
-No. -Not at the moment. -Well, here's an idea for you. | 0:09:41 | 0:09:43 | |
Doesn't go down well with the full English. | 0:09:43 | 0:09:46 | |
-But these are for auction... -Yes. -..and we need to make money. -Yes. | 0:09:46 | 0:09:50 | |
What are they worth, copper? | 0:09:50 | 0:09:52 | |
-From days gone by. -I don't know. | 0:09:52 | 0:09:54 | |
-Well, I... -Were you on the beat at this time? | 0:09:54 | 0:09:56 | |
-I, I... -Oh, no. -I was... I was actually two years old, Charles. | 0:09:56 | 0:09:59 | |
Oh, sorry. Sorry about that. Sorry. | 0:09:59 | 0:10:02 | |
Sorry, mate. Sorry, mate. | 0:10:02 | 0:10:04 | |
Oh, Carlos. Putting your foot in it again. | 0:10:04 | 0:10:06 | |
Steph. Are you open to deals? | 0:10:06 | 0:10:08 | |
-DEALER: -Oh, I'm sure we can do something for you. | 0:10:08 | 0:10:12 | |
-Say about...£50? -We'll say 55. | 0:10:12 | 0:10:15 | |
It's up to you, Alison. | 0:10:15 | 0:10:17 | |
You know, you're a lady of quality and clout, what do we do? | 0:10:17 | 0:10:19 | |
-I think we should go for it. -Go for it, yeah, yeah. -Yes. Are you sure? | 0:10:21 | 0:10:24 | |
-Yes, let's do it. -It's a bit early in the hour. -Ooh, let's go for it. | 0:10:24 | 0:10:27 | |
I'm always wanting to hang on until the last minute. Are you sure? | 0:10:27 | 0:10:29 | |
-With this one, yes. -Go on, then. | 0:10:29 | 0:10:31 | |
Well done, Blues. You've bagged your first item. | 0:10:31 | 0:10:34 | |
They're very highbrow because they've been bought | 0:10:34 | 0:10:37 | |
-by two highbrow people. -Of course. | 0:10:37 | 0:10:39 | |
-Of course. -You're a smooth talker, Charles. | 0:10:39 | 0:10:41 | |
I'll come and stay, yeah? | 0:10:41 | 0:10:42 | |
-Yes, I'll do you a good discount. -Thanks a lot. | 0:10:42 | 0:10:45 | |
And it seems that Charles has bagged himself a bed for the night. | 0:10:45 | 0:10:48 | |
And all within ten minutes. | 0:10:48 | 0:10:50 | |
-Ah, kilt. -Would it suit me, that's the thing? -No...it wouldn't. | 0:10:50 | 0:10:54 | |
-Not with your legs, Paul. -What would that have been used for? | 0:10:54 | 0:10:57 | |
Right, it's, erm... Purely used as a goblet with lead. | 0:10:57 | 0:11:00 | |
It purports to be 18th century. | 0:11:00 | 0:11:03 | |
You have got some nice wear on the rims here. | 0:11:03 | 0:11:05 | |
-But I don't quite like the crispness of these turnings here. -Right. | 0:11:05 | 0:11:08 | |
Which would suggest to me, it could be a very clever...later example. | 0:11:08 | 0:11:12 | |
Well spotted, Mr H. | 0:11:12 | 0:11:14 | |
Meanwhile, the Reds are still empty-handed. | 0:11:14 | 0:11:16 | |
But has JP stumbled across something? | 0:11:16 | 0:11:20 | |
Decoupage is that sort of... | 0:11:20 | 0:11:22 | |
I think, basically, before TV and radio, people sewed, | 0:11:22 | 0:11:25 | |
painted and cut stuff up and stuck it on things. | 0:11:25 | 0:11:28 | |
And this is a piece of Victorian decoupage, | 0:11:28 | 0:11:31 | |
where they've cut out little things from papers and...other magazines. | 0:11:31 | 0:11:36 | |
And decorated what would otherwise be | 0:11:36 | 0:11:38 | |
quite a simple little bentwood box | 0:11:38 | 0:11:41 | |
with a portrait and all sorts of things on there. | 0:11:41 | 0:11:44 | |
And these are... | 0:11:44 | 0:11:45 | |
These are absolutely right for the period, I think. | 0:11:45 | 0:11:47 | |
-It's lovely, isn't it? -Um... I suppose... | 0:11:47 | 0:11:50 | |
And what would you use it for? You could probably | 0:11:50 | 0:11:52 | |
-put your needlework in there, couldn't you? -Needlework. | 0:11:52 | 0:11:55 | |
-It's steam bent. -Right. -So they get a piece of laminated wood, | 0:11:55 | 0:11:57 | |
in this instance or I think it might just be beechwood. | 0:11:57 | 0:12:00 | |
And they'd steam bend it. They'd get it so it's soft and pliable. | 0:12:00 | 0:12:02 | |
And then they'd put it into the position. | 0:12:02 | 0:12:04 | |
Let it cool down and it stays in the same shape. | 0:12:04 | 0:12:07 | |
-I rather like it. -Yes, I do as well. -But... -I don't... Yes. | 0:12:07 | 0:12:10 | |
-The other side tells me what they expect. -Yes. -£90. -90. | 0:12:10 | 0:12:14 | |
-I would see that at £40 to £60. -Right. | 0:12:14 | 0:12:17 | |
And who knows, it might make £60, £80. | 0:12:17 | 0:12:19 | |
At 90...it's a lot of work. | 0:12:19 | 0:12:22 | |
Crikey, team. You need a big discount then. | 0:12:22 | 0:12:25 | |
Let's leave you to find a dealer, | 0:12:25 | 0:12:27 | |
whilst we check out some Chinese Chien Lung with our Charlie. | 0:12:27 | 0:12:31 | |
-Isn't that wonderful? It would date to around 1770. -Yeah. -Wow. | 0:12:31 | 0:12:35 | |
I love these Chinese figures here. All hand-painted. | 0:12:35 | 0:12:38 | |
Oh, what a shame. What a shame. Can you see round here? Look. | 0:12:38 | 0:12:42 | |
-You've got a jigsaw puzzle. -Hm. -OK? You've got a jigsaw puzzle. | 0:12:42 | 0:12:45 | |
It's been in about ten bits. | 0:12:45 | 0:12:47 | |
What a shame. | 0:12:47 | 0:12:48 | |
Because if this was a pair in good condition, it would be worth £1,000. | 0:12:48 | 0:12:53 | |
-NICK WHISTLES -I know. | 0:12:53 | 0:12:55 | |
So when you see a price of £39... | 0:12:55 | 0:12:56 | |
-You know that's suspicious. -..you think that's really cheap. | 0:12:56 | 0:12:59 | |
It really reflects it, doesn't it? | 0:12:59 | 0:13:01 | |
-We'll leave him. -Old hawk-eye Hanson's on it again. | 0:13:01 | 0:13:04 | |
Meanwhile, the Reds are in negotiation | 0:13:04 | 0:13:07 | |
for the best price on the decoupage bentwood box. | 0:13:07 | 0:13:10 | |
-We can't come down as low as 40. -What can you come down to? | 0:13:10 | 0:13:13 | |
-60 would be the best. -60? | 0:13:13 | 0:13:14 | |
OK, so, auctioneer's estimate, 60 to 80. Is it worth 60 to 80? | 0:13:14 | 0:13:18 | |
It's a nice object, it's decorative. Functional and useful. | 0:13:18 | 0:13:21 | |
-I'm quite happy with that, I think it's all right. -Yes, definitely. -I think we should do it. | 0:13:21 | 0:13:25 | |
-Yes. -Do you think that's a sale? -Yes. -Definitely. -Fantastic. | 0:13:25 | 0:13:27 | |
Well done, Reds. That's both teams level-pegging with one apiece. | 0:13:27 | 0:13:32 | |
Now, it just so happens that I've come across | 0:13:32 | 0:13:35 | |
two wooden wonders of my own. | 0:13:35 | 0:13:36 | |
Well, we've all heard the term treen | 0:13:38 | 0:13:40 | |
applied to turned wooden objects. | 0:13:40 | 0:13:43 | |
And here in Leominster, I've found this wooden tool. | 0:13:43 | 0:13:48 | |
It is in fact a practice sword | 0:13:48 | 0:13:51 | |
from potentially the early part of the 19th century. | 0:13:51 | 0:13:55 | |
Made entirely out of one piece of timber. | 0:13:55 | 0:13:58 | |
The flat curvy blade is in the form of a cutlass. | 0:13:58 | 0:14:03 | |
And what's happened is the native craftsmen who created this, | 0:14:03 | 0:14:08 | |
perhaps in Turkey, or somewhere in the Middle East, | 0:14:08 | 0:14:12 | |
has turned the handle on the lathe. | 0:14:12 | 0:14:14 | |
Then we've got a little mini pommel. | 0:14:14 | 0:14:16 | |
And the blade itself has been inscribed | 0:14:16 | 0:14:19 | |
with some geometric designs. | 0:14:19 | 0:14:21 | |
It's the sort of object that would have been used, | 0:14:21 | 0:14:24 | |
not by a child to practise, but by a warrior | 0:14:24 | 0:14:28 | |
to literally practise their strokes. | 0:14:28 | 0:14:31 | |
Absolutely glorious. | 0:14:31 | 0:14:34 | |
Almost as glorious as this big old bowl. | 0:14:34 | 0:14:39 | |
It is a whopper, isn't it? | 0:14:39 | 0:14:42 | |
It doesn't look particularly spectacular as it is | 0:14:42 | 0:14:45 | |
because it's got this thick, treacly patination. | 0:14:45 | 0:14:48 | |
It would indicate to me that it might be late 18th | 0:14:48 | 0:14:51 | |
or early 19th century. | 0:14:51 | 0:14:53 | |
But when that's cleaned off, this thing will have a glorious colour. | 0:14:53 | 0:14:57 | |
And it's the quintessential object to have in a country kitchen. | 0:14:57 | 0:15:02 | |
It exemplifies also the 'waste not, want not' culture of India. | 0:15:02 | 0:15:08 | |
When this thing developed a hole in the bottom, | 0:15:08 | 0:15:13 | |
did he throw the bowl away? | 0:15:13 | 0:15:14 | |
Course he didn't. He did a repair job. | 0:15:14 | 0:15:17 | |
What he did, look, is to get a panel of metal | 0:15:17 | 0:15:21 | |
and hammer the panel of metal over the hole | 0:15:21 | 0:15:25 | |
so that the crack underneath wouldn't allow his washing-up water | 0:15:25 | 0:15:28 | |
to flow away. | 0:15:28 | 0:15:30 | |
Brilliant, isn't it? | 0:15:30 | 0:15:32 | |
So how much? | 0:15:32 | 0:15:33 | |
Well, the bowl today, here in Leominster, would set you back £70. | 0:15:33 | 0:15:39 | |
And the sword? Well, that could be yours for £100. | 0:15:39 | 0:15:44 | |
Now, that's cutting edge. | 0:15:44 | 0:15:46 | |
Now, the big question is how are our teams cutting it | 0:15:47 | 0:15:50 | |
out on the shop floor? Time check, please, JP. | 0:15:50 | 0:15:53 | |
-We've had half an hour, guys. -OK. -We've nearly got two items. | 0:15:53 | 0:15:57 | |
-I mean, that's not bad, is it? -One and a half. | 0:15:57 | 0:16:00 | |
So that record rack is looking more and more appealing. | 0:16:00 | 0:16:03 | |
Meanwhile, the Blues have spotted some more sparkle. | 0:16:03 | 0:16:07 | |
Pretty buckle in there. | 0:16:07 | 0:16:09 | |
Where's that? Oh, that's lovely. | 0:16:09 | 0:16:10 | |
Silver buckle in the Art Nouveau style made by the well-known | 0:16:10 | 0:16:14 | |
firm Norman. Assay - Birmingham, in the year 1987. | 0:16:14 | 0:16:19 | |
They're the sort we would have worn for nursing | 0:16:19 | 0:16:22 | |
-when we first qualified. -Of course, with your background. | 0:16:22 | 0:16:24 | |
-Before your B&B. -Yes, absolutely. | 0:16:24 | 0:16:26 | |
-Unfortunately, we're not allowed to wear them -any more. Why? | 0:16:26 | 0:16:29 | |
-Health and safety. -Isn't it sad? -It is. | 0:16:29 | 0:16:31 | |
-My mum wore one as well, she was a nurse. -Did she? -Yeah. -Oh. | 0:16:31 | 0:16:33 | |
I think it's time we had a butchers, Stan. | 0:16:33 | 0:16:35 | |
-Can you see the price? -£66. | 0:16:37 | 0:16:39 | |
There we are. | 0:16:42 | 0:16:43 | |
Just look at that for quality, the weight is fantastic. Importantly, | 0:16:43 | 0:16:47 | |
yes, you've got the hallmarks. | 0:16:47 | 0:16:48 | |
And what would you value that at your auction? | 0:16:48 | 0:16:51 | |
Between £50 and £70. So I think that isn't a bad price. | 0:16:51 | 0:16:55 | |
The only disappointment is it's 1987 | 0:16:55 | 0:17:00 | |
rather than being 1905, let's say. | 0:17:00 | 0:17:04 | |
-What would be the best on that? -Oh, it's a belter, isn't it? | 0:17:04 | 0:17:08 | |
I'll find out for you. | 0:17:08 | 0:17:09 | |
-A belter. Get it? -It's bad, Stan. It's not good. | 0:17:09 | 0:17:11 | |
Let's leave the Blues having a chuckle over the buckle | 0:17:13 | 0:17:16 | |
and check in with the Reds. | 0:17:16 | 0:17:18 | |
Oak long case clock painted dial, late 18th century, £400. | 0:17:18 | 0:17:24 | |
15 years ago, that would have set you back £800 at auction. | 0:17:24 | 0:17:29 | |
It's rather neat, but at £400... | 0:17:29 | 0:17:31 | |
If you got that at £250, there'd be a profit. | 0:17:31 | 0:17:33 | |
-There wouldn't be any budget left. -No! | 0:17:33 | 0:17:35 | |
THEY LAUGH | 0:17:35 | 0:17:36 | |
Your team doesn't even have £250 left, JP. | 0:17:36 | 0:17:40 | |
Anyway, that clock is ticking. Oh, Stan's back with the price. | 0:17:40 | 0:17:44 | |
-Well, this is a tough dealer, this one. -OK. | 0:17:44 | 0:17:46 | |
And he's saying that he can only go to £55. | 0:17:46 | 0:17:49 | |
-Got a bit of time left, haven't we? -Shall we mental note? | 0:17:49 | 0:17:52 | |
A mental note of that one because I think we could come back to that. | 0:17:52 | 0:17:56 | |
Something to ponder then, team. | 0:17:56 | 0:17:58 | |
Nothing's grabbing you in here? Nothing's grabbing me. | 0:18:01 | 0:18:04 | |
20 minutes left. What has old Charlie boy stumbled across here? | 0:18:04 | 0:18:08 | |
Tea bowls and saucers in the Ca Mau shipwreck. | 0:18:08 | 0:18:11 | |
The ship sank 1725 and remained at the bottom of the ocean | 0:18:11 | 0:18:15 | |
until it was discovered by fishermen in '98. £28 each. | 0:18:15 | 0:18:20 | |
The decoration on it, does that transfer or...? | 0:18:20 | 0:18:23 | |
It's all hand-painted. | 0:18:23 | 0:18:24 | |
If you imagine this lay on the seabed about 273 years, or | 0:18:24 | 0:18:30 | |
thereabouts. And because it's porcelain, unlike leathers or woods | 0:18:30 | 0:18:35 | |
which deteriorate in seawater, it's in remarkably good condition. | 0:18:35 | 0:18:39 | |
-I love that. You have got some issues. -There's a few chips. | 0:18:39 | 0:18:43 | |
And a chip on that one there and a chip on that one there. | 0:18:43 | 0:18:47 | |
But you've got a lot of it. 12 pieces. | 0:18:47 | 0:18:49 | |
Tempting, very tempting, eh, Blues? | 0:18:50 | 0:18:53 | |
But at £28 apiece, that will blow your budget. | 0:18:53 | 0:18:56 | |
In the right sale, that whole collection could make £300-£400. | 0:18:57 | 0:19:02 | |
-Really? -I kid you not. | 0:19:02 | 0:19:03 | |
Let's hope you can get a generous discount, eh, Charles? | 0:19:03 | 0:19:06 | |
-Little cutlery box. -That is lovely, isn't it? | 0:19:06 | 0:19:08 | |
It is lovely, little bit of oak. You really want £30 or £40 for that. | 0:19:08 | 0:19:13 | |
Yes. | 0:19:13 | 0:19:14 | |
But at £79, it's not exciting enough. | 0:19:14 | 0:19:17 | |
But how excited are the Blues getting over | 0:19:17 | 0:19:19 | |
that 18th-century shipwreck porcelain? | 0:19:19 | 0:19:22 | |
Can do it for £220. | 0:19:22 | 0:19:23 | |
What I've got to remember is you've got half of the teaware | 0:19:23 | 0:19:26 | |
-covered in seaweed and there are a few chips as well. -Yes. | 0:19:26 | 0:19:30 | |
You're not exactly selling it, Carlos. | 0:19:30 | 0:19:32 | |
I'm not convinced. | 0:19:32 | 0:19:34 | |
-Particularly because I like the buckle. -OK. | 0:19:34 | 0:19:37 | |
I almost feel, Alison, that your early career in nursing, | 0:19:37 | 0:19:41 | |
-it was made for you, wasn't it? -I think it was. | 0:19:41 | 0:19:44 | |
I think we need to either buy the buckle or take a chance on me. | 0:19:44 | 0:19:48 | |
Ha-ha! No pressure then, team. | 0:19:49 | 0:19:52 | |
-That's a horrible way of putting it. -No, don't worry. | 0:19:52 | 0:19:54 | |
-Listen, we go to auction together, win or lose. -Come what may! | 0:19:54 | 0:19:58 | |
My feeling is, buy the buckle and rush around for ten minutes. | 0:19:58 | 0:20:01 | |
-OK, let's do that. -OK, it's a plan. | 0:20:01 | 0:20:04 | |
Let's do that. Stan, the best on the buckle is...? | 0:20:04 | 0:20:07 | |
-The best on the buckle is £55. -OK. | 0:20:07 | 0:20:10 | |
-WHISPERS: -Shake his hand. -Thank you, Stan. | 0:20:10 | 0:20:12 | |
Thanks, Stan. We'll take the buckle. | 0:20:12 | 0:20:15 | |
Decisive team, I love it. | 0:20:15 | 0:20:17 | |
Which is more than I can say for the Reds. | 0:20:17 | 0:20:19 | |
Only one item bought and the tension's starting to mount. | 0:20:19 | 0:20:23 | |
You keep looking and see if there's anything that catches your eye. | 0:20:23 | 0:20:26 | |
Dear, oh, dear, we're panicking now. | 0:20:26 | 0:20:29 | |
We've one item. We've got to guarantee to get that rack. | 0:20:30 | 0:20:32 | |
We're at that panicking point. | 0:20:32 | 0:20:34 | |
I think they all knew that rack would come in handy. | 0:20:34 | 0:20:37 | |
They look quite nice, but the stoppers, | 0:20:37 | 0:20:39 | |
look at how they've been cast. | 0:20:39 | 0:20:40 | |
They look quite modern. | 0:20:40 | 0:20:41 | |
Match holder, 1950, on onyx. | 0:20:41 | 0:20:44 | |
I don't thing that ever started off life with it. | 0:20:44 | 0:20:47 | |
-The quality between the two... -Bit of a marriage... -I think it is. | 0:20:47 | 0:20:50 | |
There's got to be something. | 0:20:50 | 0:20:52 | |
We need some divine inspiration, don't we? | 0:20:53 | 0:20:55 | |
You certainly do, Mr H. | 0:20:55 | 0:20:57 | |
-What about this one? That's a clock. -That's a good thing to pick up. | 0:20:57 | 0:21:01 | |
-That's a cover, isn't it? -Birmingham, 1902. | 0:21:01 | 0:21:04 | |
What does it look like? It looks like crocodile skin, actually. | 0:21:04 | 0:21:07 | |
You see it's been reduced from £145 to £110. | 0:21:07 | 0:21:10 | |
A lot of people have been walking straight past it | 0:21:10 | 0:21:13 | |
because they think, "Well, look, it hasn't got the clock in." | 0:21:13 | 0:21:15 | |
A dealer would buy it. It's a funny shape, I have to say. | 0:21:15 | 0:21:19 | |
I'm wondering whether it is possible to put a hook in | 0:21:19 | 0:21:22 | |
-and they could have it to hang a pocket watch in. -Right. | 0:21:22 | 0:21:25 | |
Can we get a best price on that? | 0:21:25 | 0:21:28 | |
-What would you think? -£50. | 0:21:28 | 0:21:30 | |
-Can't do that, I'm afraid. -No. | 0:21:30 | 0:21:32 | |
Nice try, JP. | 0:21:32 | 0:21:33 | |
-Is £80 too much? It's not complete, that's the problem. -Yeah. | 0:21:35 | 0:21:38 | |
-Is £50 an offer? -Yeah. | 0:21:38 | 0:21:40 | |
-I'll go and ring him. -That's an offer, yeah. | 0:21:40 | 0:21:44 | |
Good man, Andrew. | 0:21:44 | 0:21:45 | |
You never know your luck, JP. | 0:21:45 | 0:21:46 | |
And with five minutes left, you are running out of options. | 0:21:46 | 0:21:49 | |
The Blues, however, have too many options. | 0:21:49 | 0:21:52 | |
-We're almost spoiled for choice here, aren't we? -We are. | 0:21:54 | 0:21:56 | |
There's so many nice objects. | 0:21:56 | 0:21:58 | |
-That's pretty. -What's that made of, Charles? | 0:21:58 | 0:22:01 | |
It's...peculiar. | 0:22:01 | 0:22:04 | |
Unusual, quite right. | 0:22:04 | 0:22:05 | |
Vintage, I'd go with that. | 0:22:05 | 0:22:08 | |
Metal dish with cats in a basket. | 0:22:08 | 0:22:11 | |
The big question is, is it old? | 0:22:11 | 0:22:13 | |
I think it's probably 1920s. Do you agree, Stan, this dish? | 0:22:13 | 0:22:17 | |
Let's have a look. Got a bit of age to it, hasn't it? | 0:22:17 | 0:22:20 | |
-You haven't got much time, have you? -No, we haven't. | 0:22:20 | 0:22:23 | |
I won't make a phone call, I'll just stick my neck out | 0:22:23 | 0:22:25 | |
-and I'll get into trouble if I'm wrong. -Yes. | 0:22:25 | 0:22:27 | |
And I'll say... | 0:22:27 | 0:22:28 | |
£65. | 0:22:28 | 0:22:30 | |
Yeah, goodness me. | 0:22:30 | 0:22:33 | |
-We've got two minutes... -Yeah. -To go. | 0:22:33 | 0:22:36 | |
120 seconds I'll go now. | 0:22:36 | 0:22:38 | |
This is in the Art Nouveau style, WMF, German. | 0:22:38 | 0:22:41 | |
-And it's a chrome plate. -There's a bit of weight to it, isn't there? | 0:22:41 | 0:22:44 | |
It's got a nice colour, you can | 0:22:44 | 0:22:46 | |
see it's got this peculiar gilded reverse. | 0:22:46 | 0:22:50 | |
We all know there's lots of cat lovers out there. | 0:22:50 | 0:22:53 | |
I think the big question Mr Wonnacott might be asking | 0:22:53 | 0:22:55 | |
the auctioneer in the sale room is, is it old? | 0:22:55 | 0:22:58 | |
You know me too well, Carlos. | 0:22:58 | 0:23:00 | |
Now, what's the verdict on that clock case? | 0:23:00 | 0:23:03 | |
-I'm afraid he said yes. -Did he?! | 0:23:03 | 0:23:05 | |
-Yeah! -Is that all right? -Yeah! -50 quid. | 0:23:05 | 0:23:07 | |
No-one's more surprised than me. | 0:23:07 | 0:23:09 | |
THEY LAUGH | 0:23:09 | 0:23:10 | |
Let's take it for £50. | 0:23:10 | 0:23:11 | |
See, JP, if you don't ask, you don't get. | 0:23:11 | 0:23:15 | |
Now then, have you made your mind up on that record stand? | 0:23:15 | 0:23:18 | |
-We can have it for £12? -You can, it's upstairs. -Would you go get it? | 0:23:18 | 0:23:21 | |
-I'll get it for you now. -Brilliant, we're done. Thank you. -Thank you. | 0:23:21 | 0:23:24 | |
Well done. And we can relax, well done. | 0:23:24 | 0:23:27 | |
That's the Reds done and dusted. | 0:23:27 | 0:23:29 | |
Now time to stick your neck on the line, Charlie boy. | 0:23:29 | 0:23:32 | |
We've got a minute to go. I think it's charming. | 0:23:32 | 0:23:35 | |
Stan, would you take £50? | 0:23:35 | 0:23:37 | |
Oh, I couldn't do that, no, I would be in trouble. | 0:23:37 | 0:23:39 | |
But your very best would be? £60? | 0:23:39 | 0:23:42 | |
-£60. -Yeah. | 0:23:42 | 0:23:43 | |
I feel at auction it's worth between £50 and £80, so it might give us... | 0:23:43 | 0:23:49 | |
-Shake the man's hand. -Thank you, Stan. -Thank you. | 0:23:49 | 0:23:53 | |
Thank you very much. | 0:23:53 | 0:23:54 | |
And that is literally half a minute to go. We've done it. | 0:23:54 | 0:23:57 | |
-Well done. -Good work. Thanks a lot. | 0:23:57 | 0:23:59 | |
Goodness me. Give us a kiss. Well done. | 0:23:59 | 0:24:01 | |
And that is your three items, Blues. Well done. | 0:24:01 | 0:24:05 | |
Time's up, let's check out what the Red Team bought, eh? | 0:24:07 | 0:24:11 | |
Their first item was the decoupage barrel box. They paid £60. | 0:24:12 | 0:24:17 | |
Next up, was the pocket watch case. A deal was done at £50. | 0:24:17 | 0:24:23 | |
And finally, they racked up their third item, | 0:24:23 | 0:24:25 | |
the record stand for £12. | 0:24:25 | 0:24:27 | |
-Well, that took you long enough to get started, didn't it? -It did! | 0:24:30 | 0:24:34 | |
Anyway, having got off the mark, you did very well. | 0:24:34 | 0:24:36 | |
How much did you spend in total? | 0:24:36 | 0:24:38 | |
£122. | 0:24:38 | 0:24:39 | |
I would like £178, please. | 0:24:39 | 0:24:43 | |
178. Thank you very much. Thank you. | 0:24:43 | 0:24:47 | |
And which is your favourite piece? | 0:24:47 | 0:24:49 | |
-The decoupage box. -OK, that's your favourite. -Yes. | 0:24:49 | 0:24:52 | |
-Mine's the record rack. -OK. | 0:24:52 | 0:24:53 | |
Which is going to bring the biggest profit? | 0:24:53 | 0:24:55 | |
-I think the clock case. -Clock case, do you agree with that? | 0:24:55 | 0:24:58 | |
-So do I, yes. -OK, fine, clock case is the prediction. | 0:24:58 | 0:25:01 | |
JP, your special moment. | 0:25:01 | 0:25:03 | |
-Going into the breach, again. -Do you know, I can't help myself. | 0:25:03 | 0:25:06 | |
I do like spending the money. | 0:25:06 | 0:25:08 | |
I've seen something that packs a bit of a punch this time, | 0:25:08 | 0:25:10 | |
-and maybe that would be it. -Really? -Ooh. | 0:25:10 | 0:25:12 | |
Oh, very enigmatic, I'm sure. | 0:25:12 | 0:25:14 | |
Right now, though, why don't we check out | 0:25:14 | 0:25:17 | |
what the Blue Team bought, eh? | 0:25:17 | 0:25:19 | |
First up, they drew the cocktail straws | 0:25:20 | 0:25:22 | |
and £55 was paid. | 0:25:22 | 0:25:25 | |
Next the belt buckle | 0:25:25 | 0:25:26 | |
which, again, cost them £55. | 0:25:26 | 0:25:28 | |
And their last item was an Art Nouveau basket. | 0:25:31 | 0:25:33 | |
They paid £60. | 0:25:33 | 0:25:35 | |
-Well, that was fun, wasn't it? -Good fun. -Brilliant. | 0:25:36 | 0:25:39 | |
-How much did you spend in total? -We spent £170. | 0:25:39 | 0:25:42 | |
That is a mature amount of money. | 0:25:42 | 0:25:44 | |
-Can I have the £130 of leftover lolly, please? -You may. | 0:25:44 | 0:25:47 | |
Oh, look at that. | 0:25:47 | 0:25:49 | |
Very nice too. Now, which is your favourite piece? | 0:25:49 | 0:25:52 | |
My favourite piece is the nurse's buckle that we bought, | 0:25:52 | 0:25:55 | |
-silver buckle. -And do you agree with that? | 0:25:55 | 0:25:57 | |
Well, I rather liked the first lot, which was the silver cocktail | 0:25:57 | 0:26:00 | |
straws. And I quite like those, I have to say. | 0:26:00 | 0:26:03 | |
What is going to bring the biggest profit though? | 0:26:03 | 0:26:05 | |
I think probably the silver cocktail straws. | 0:26:05 | 0:26:07 | |
-Yeah, I would agree with that. -Would you? -Yeah. -Carlos. | 0:26:07 | 0:26:11 | |
-I want to spend the entire lot, Tim. -Oh, really? -I do. -OK. | 0:26:11 | 0:26:14 | |
Well, what's new, Charles? | 0:26:14 | 0:26:16 | |
Anyway, very, very good luck. But look smartish though, Carlos, | 0:26:16 | 0:26:20 | |
because very shortly we'll be heading over to the auction. | 0:26:20 | 0:26:23 | |
I'm at Halls saleroom here in Shrewsbury with auctioneer | 0:26:27 | 0:26:30 | |
Andrew Beeston. | 0:26:30 | 0:26:32 | |
-Andrew, good morning. -Good morning, Tim. | 0:26:32 | 0:26:34 | |
Cracking to be here back in Shrewsbury. | 0:26:34 | 0:26:36 | |
First up is this decoupage decorated box. | 0:26:36 | 0:26:41 | |
Where do you think the box comes from? | 0:26:41 | 0:26:43 | |
It appears to be a Scandinavian sandwich box, basically, which the | 0:26:43 | 0:26:47 | |
Victorians have up-cycled into a work box with decoupage decoration. | 0:26:47 | 0:26:52 | |
-It's rather fun, isn't it? -It is, yes. -What's it worth? | 0:26:52 | 0:26:54 | |
£30-£50. | 0:26:54 | 0:26:55 | |
-Difficult thing to value, isn't it? -It is on the day, really. | 0:26:55 | 0:26:59 | |
OK, fine. £60 they paid. So maybe they paid a bit too much. | 0:26:59 | 0:27:03 | |
Now, the next item is the silver-mounted watch holder. | 0:27:03 | 0:27:07 | |
That's a very nice object, I think. | 0:27:07 | 0:27:10 | |
Synyer & Beddoes hallmarked, | 0:27:10 | 0:27:13 | |
Goliath pocket watch to go in there. | 0:27:13 | 0:27:16 | |
The little standard one would disappear, really, | 0:27:16 | 0:27:18 | |
so it needs to be quite a big pocket watch to | 0:27:18 | 0:27:20 | |
go in there. But it's smart, | 0:27:20 | 0:27:22 | |
so it should easily do £50-£70. | 0:27:22 | 0:27:25 | |
I mean, the watch collector who likes to put his prize | 0:27:25 | 0:27:29 | |
watch in a special place will really go for that, won't he? | 0:27:29 | 0:27:33 | |
Oh, most definitely, yes. It's in good condition, as well. | 0:27:33 | 0:27:36 | |
Yes, they get thin and worn or the leather is bad. | 0:27:36 | 0:27:39 | |
I mean, everything is perfect about it. Just find a watch. | 0:27:39 | 0:27:42 | |
Yeah, exactly. | 0:27:42 | 0:27:43 | |
Anyway, they only paid £50, so they'll be delighted for anything | 0:27:43 | 0:27:46 | |
north of that. | 0:27:46 | 0:27:47 | |
Next is the chromium-plated record stand. | 0:27:47 | 0:27:51 | |
Now, there was a moment when you put your LPs down below | 0:27:51 | 0:27:53 | |
and you put your 45s up above. | 0:27:53 | 0:27:56 | |
And it's definitely a period piece from the '60s | 0:27:56 | 0:28:00 | |
and I think rather fun. | 0:28:00 | 0:28:01 | |
If you are vinyl collector of any generation, this is going to appeal. | 0:28:01 | 0:28:06 | |
Yeah, condition is key with these. | 0:28:06 | 0:28:07 | |
Once you've any damage, the value just drops away. | 0:28:07 | 0:28:11 | |
In good condition, £15-£25. | 0:28:11 | 0:28:13 | |
-OK, well, they only paid £12. -OK. | 0:28:13 | 0:28:16 | |
-So that's perfect, isn't it? -Yeah. | 0:28:16 | 0:28:17 | |
Maybe they won't need the bonus buy, but let's go have a | 0:28:17 | 0:28:20 | |
look at it anyway. | 0:28:20 | 0:28:22 | |
-Now, team, this is fun, isn't it? -Yes. -Yes. | 0:28:22 | 0:28:24 | |
What has JP spent your £178 on, | 0:28:24 | 0:28:28 | |
on the way of the bonus buy? | 0:28:28 | 0:28:30 | |
OK, I think it's probably flat. | 0:28:30 | 0:28:32 | |
Jonathan, show us what you bought. | 0:28:32 | 0:28:36 | |
-Did I spend it all? -Did you spend it all? -Did I spend it all? | 0:28:36 | 0:28:39 | |
Oh, wow. | 0:28:39 | 0:28:41 | |
Not that I'm for a moment suggesting that you're big pub goers, | 0:28:41 | 0:28:44 | |
but it's a pub sign. | 0:28:44 | 0:28:46 | |
It's a form of art work which I think is underappreciated | 0:28:46 | 0:28:48 | |
-and obviously they're pretty much one offs, these things. -Right. | 0:28:48 | 0:28:52 | |
It's a pub called the Suffolk Punch. | 0:28:52 | 0:28:54 | |
This is oil painting onto board, obviously. | 0:28:54 | 0:28:57 | |
It's signed at the bottom, this RKH Jacob. | 0:28:57 | 0:29:00 | |
The style and the colour of it suggests it's | 0:29:00 | 0:29:03 | |
painted early part of the 20th century. | 0:29:03 | 0:29:05 | |
They chose this sort of palate and this sort of strong... | 0:29:05 | 0:29:08 | |
He's almost got an Art Deco sort of interpretation | 0:29:08 | 0:29:11 | |
to the way he's been painted. I rather liked that. | 0:29:11 | 0:29:14 | |
OK. It's a pub sign. | 0:29:14 | 0:29:15 | |
I was going to say, presumably there's something on the back, | 0:29:15 | 0:29:18 | |
-is there? -Let's have a look. | 0:29:18 | 0:29:20 | |
-Oh, yes, there is! -Two for the price of one! | 0:29:20 | 0:29:22 | |
There are collectors of these sorts of things. | 0:29:23 | 0:29:26 | |
The breed the Suffolk Punch was endangered to the | 0:29:26 | 0:29:28 | |
point of almost extinction in the last century. | 0:29:28 | 0:29:30 | |
And it's now become more popular again, | 0:29:30 | 0:29:32 | |
so there is a resurgence of interest in it as a breed. | 0:29:32 | 0:29:35 | |
It's got a lot going for it. | 0:29:35 | 0:29:36 | |
Whether it's got as much as I paid for it, | 0:29:36 | 0:29:38 | |
which you're going to ask me. | 0:29:38 | 0:29:39 | |
The big question is, how much did you pay? | 0:29:39 | 0:29:41 | |
You gave me £178, | 0:29:41 | 0:29:43 | |
and I spent £178. | 0:29:43 | 0:29:45 | |
-Oh, no! -You spent the lot. | 0:29:45 | 0:29:47 | |
-I spent a lot, yeah, I did. -The whole lot. | 0:29:47 | 0:29:49 | |
Well, I can only say, that's quite punchy. | 0:29:49 | 0:29:52 | |
Now, you don't have to decide right now. You decide after the sale | 0:29:52 | 0:29:55 | |
of your first three items. But for the audience at home, | 0:29:55 | 0:29:58 | |
let's find out what the auctioneer thinks about JP's pub sign. | 0:29:58 | 0:30:02 | |
So, Andrew, this is a handsome thing, isn't it? | 0:30:02 | 0:30:04 | |
Cos it's not a transfer printed job, it is painted. | 0:30:04 | 0:30:07 | |
It is hand painted, yes. | 0:30:07 | 0:30:10 | |
A Mr Jacobs painted it, | 0:30:10 | 0:30:11 | |
but we don't know who he is, really. | 0:30:11 | 0:30:14 | |
He's not listed. | 0:30:14 | 0:30:15 | |
No, he'll be a jobbing sign writer, sign painter, don't you think? | 0:30:15 | 0:30:19 | |
Yeah, it's going to appeal as a decorator's piece. | 0:30:19 | 0:30:23 | |
Probably not going to be for a pub, but somebody will like it. | 0:30:23 | 0:30:28 | |
Be very, very big coincidence if you've got a pub called the | 0:30:28 | 0:30:31 | |
Suffolk Punch and you happen to be missing a sign. | 0:30:31 | 0:30:34 | |
-Anyway, there we go. I think it's rather fun. -It is, yes. | 0:30:34 | 0:30:37 | |
How much? | 0:30:37 | 0:30:38 | |
-£100-£150. -OK, well, JP paid £178. | 0:30:38 | 0:30:42 | |
Anyway, that's it for the Reds. Super-duper. | 0:30:42 | 0:30:44 | |
Moving onto the Blues, and we've got these very unusual solid | 0:30:44 | 0:30:49 | |
silver and heavy chunky drinking straws. | 0:30:49 | 0:30:52 | |
I like them, they're 1960s. Asprey's did retail, | 0:30:52 | 0:30:57 | |
this type of design in boxes of six. | 0:30:57 | 0:31:00 | |
We've only got two. | 0:31:00 | 0:31:02 | |
Good fun for sipping your cocktail. | 0:31:02 | 0:31:06 | |
I fancy the leaf on the end is a mint leaf | 0:31:06 | 0:31:09 | |
and they were made for mint julep. | 0:31:09 | 0:31:11 | |
Oh, that's quite possible, yes. | 0:31:11 | 0:31:12 | |
They're not old, but they're fun and they're very good quality, | 0:31:12 | 0:31:15 | |
so how much? | 0:31:15 | 0:31:16 | |
I think £40-£60. They've got to be. | 0:31:16 | 0:31:18 | |
Spot on, £55 our lot paid. | 0:31:18 | 0:31:21 | |
Not a lot of profit for them, probably. | 0:31:21 | 0:31:23 | |
Now we've got the Art Nouveau buckle, but out of period again. | 0:31:23 | 0:31:27 | |
It is, 1987. | 0:31:27 | 0:31:30 | |
Ari Norman, the silversmith, | 0:31:30 | 0:31:32 | |
well known for producing silver | 0:31:32 | 0:31:35 | |
bijouterie in the period style. | 0:31:35 | 0:31:38 | |
OK, well, they're nicely made, that's a fact. How much? | 0:31:38 | 0:31:41 | |
£30- £40. | 0:31:41 | 0:31:43 | |
£55 they paid, so they are light on that. | 0:31:43 | 0:31:45 | |
Oh, dear. | 0:31:45 | 0:31:47 | |
Now, we've got the pewter or white metal or spelter, | 0:31:47 | 0:31:50 | |
call it what you like, two-handled dish. | 0:31:50 | 0:31:53 | |
If you're a cat lover, then it's going to appeal to you. | 0:31:53 | 0:31:58 | |
Anything with kittens on or cats always sells. | 0:31:58 | 0:32:03 | |
I'd be disappointed if we couldn't | 0:32:03 | 0:32:06 | |
get £30-£40 for that. | 0:32:06 | 0:32:07 | |
They paid £60, actually. Which could be a bit too much. | 0:32:07 | 0:32:11 | |
Well, you never know on the day. | 0:32:11 | 0:32:13 | |
Well, if our feline friends let us down, they're definitely | 0:32:13 | 0:32:16 | |
going to need their bonus buy so let's go and have a look at it. | 0:32:16 | 0:32:19 | |
Now, Nick, you spent £170, magnificent amount, | 0:32:19 | 0:32:24 | |
and you gave £130 to Charles Hanson. | 0:32:24 | 0:32:26 | |
Charles, what did you spend it on? | 0:32:26 | 0:32:28 | |
Tim, sometimes you've got to go, go, gone and spend whole lot, so I did. | 0:32:28 | 0:32:31 | |
£130 on this | 0:32:31 | 0:32:33 | |
magnificent plate. | 0:32:33 | 0:32:34 | |
-Right. -Right. -What do you think? | 0:32:34 | 0:32:37 | |
-It's...quite big. -Yeah. | 0:32:37 | 0:32:39 | |
What I love, Tim, about this is the fact it's a tin-glaze earthenware | 0:32:39 | 0:32:41 | |
body mimicking porcelain. | 0:32:41 | 0:32:44 | |
It's English delftware of probably circa 1760 | 0:32:44 | 0:32:48 | |
and our interpretation of our friends in China. | 0:32:48 | 0:32:50 | |
You've got a whimsical fishermen here in this dazzling, almost | 0:32:50 | 0:32:55 | |
chinoiserie landscape. | 0:32:55 | 0:32:56 | |
So it's 240 years old and has a real history, I think, for the money. | 0:32:56 | 0:33:01 | |
-So you spent £130. -Yes. | 0:33:01 | 0:33:05 | |
And what do you think it's going to make at auction? | 0:33:05 | 0:33:07 | |
Of course, this type of pottery is very crude | 0:33:07 | 0:33:10 | |
and it easily chips and the tin glaze in places on the surface | 0:33:10 | 0:33:15 | |
has been filled in with some minor restoration, | 0:33:15 | 0:33:18 | |
but don't forget it's so old. | 0:33:18 | 0:33:19 | |
I would hope between £150 and £200. | 0:33:19 | 0:33:22 | |
It's a bit of a gamble, | 0:33:22 | 0:33:23 | |
-but I have bought a real antique for my real Blues. -Thank you very much. | 0:33:23 | 0:33:26 | |
-You like it? -Yeah, actually. Very much. | 0:33:26 | 0:33:28 | |
What I like, Charles, is these things. | 0:33:28 | 0:33:30 | |
See those little lumps there? | 0:33:30 | 0:33:31 | |
They are called saggar marks. And when that was in a kiln, | 0:33:31 | 0:33:35 | |
there were 30 plates in a stack. And to separate them, | 0:33:35 | 0:33:39 | |
little tiny pieces of clay were put on those little lumps so that | 0:33:39 | 0:33:44 | |
when the stack was stacked, there was some support for the outer | 0:33:44 | 0:33:49 | |
edge of the plate, which otherwise might have collapsed. | 0:33:49 | 0:33:52 | |
I mean, it either gets your juices going or it doesn't, really. | 0:33:52 | 0:33:54 | |
-Do you feel your juices going, Nick? -Yes. -Good. | 0:33:54 | 0:33:57 | |
Well, on that happy note, | 0:33:57 | 0:33:58 | |
why don't we find out whether the auctioneer's juices | 0:33:58 | 0:34:01 | |
are flowing or not. | 0:34:01 | 0:34:02 | |
-Now, Andrew, a nice tin-glazed charger for you. -Excellent. | 0:34:03 | 0:34:08 | |
How do you rate that? | 0:34:08 | 0:34:10 | |
Mid-18th century, circa 1760, English, | 0:34:10 | 0:34:15 | |
just what the collectors will be looking for. | 0:34:15 | 0:34:18 | |
Good. | 0:34:18 | 0:34:19 | |
We feel there's been a little bit of restoration to the tin glaze | 0:34:19 | 0:34:23 | |
with some fritting which has been sort of oversprayed. | 0:34:23 | 0:34:26 | |
There's a little bit of gloss orange peel effect here, which is really | 0:34:26 | 0:34:31 | |
why we've said restored and been a little bit cautious, | 0:34:31 | 0:34:36 | |
but it could do OK. | 0:34:36 | 0:34:37 | |
I don't think the restoration is excessive. | 0:34:37 | 0:34:40 | |
So, you're being cautious about it, | 0:34:40 | 0:34:41 | |
you've mentioned the word restoration. | 0:34:41 | 0:34:43 | |
What does that do to the price? | 0:34:43 | 0:34:46 | |
-We have put £50-£100. -Well, fair enough. | 0:34:46 | 0:34:49 | |
It's a come-buy-me type estimate. | 0:34:49 | 0:34:51 | |
Charles actually paid £130. | 0:34:51 | 0:34:53 | |
-It may get there. -It may get there. -Yeah. | 0:34:53 | 0:34:55 | |
OK. We'll have to cross our legs and everything else | 0:34:55 | 0:34:59 | |
and hope that it does. Anyway, that is the excitement of this business. | 0:34:59 | 0:35:02 | |
-It is, indeed. -And it is an exciting business. -Oh, yes. -Oh, yes. | 0:35:02 | 0:35:06 | |
OK, Andrew, the room looks raring to go, so rise to your rostrum. | 0:35:06 | 0:35:11 | |
-Now, Marion, my fair maid. -Yes? -You're looking forward to this? | 0:35:12 | 0:35:16 | |
-Yes, definitely. -What about you, Paul? -Oh, yes, definitely. | 0:35:16 | 0:35:18 | |
-It's exciting, isn't it? -Yes. | 0:35:18 | 0:35:20 | |
-Jonathan, how nervous are you feeling? -You know what? | 0:35:20 | 0:35:22 | |
-I can't measure how nervous I am now. -Can you not? | 0:35:22 | 0:35:24 | |
-No. I have to beat Charles. -That's your mission today? | 0:35:24 | 0:35:27 | |
I wake up in the morning, it's the first thing I think of. | 0:35:27 | 0:35:29 | |
-I've got to beat Charles. -Yeah. | 0:35:29 | 0:35:30 | |
-That's a terrible thought, isn't it? -I know. | 0:35:30 | 0:35:32 | |
First up is the Scandinavian lunchbox and here it comes. | 0:35:32 | 0:35:36 | |
The bentwood decoupage work box. Probably a sandwich box conversion. | 0:35:36 | 0:35:42 | |
-Start me, £20. £20? -Come on, yes. -Get on. -Come on. | 0:35:42 | 0:35:45 | |
£20. Bid in the room at £20. £25 on the net. | 0:35:45 | 0:35:49 | |
£30 in the room. That's £30. £35? | 0:35:49 | 0:35:51 | |
-Come on. -Come on! -A bit more. | 0:35:51 | 0:35:53 | |
£35 internet bidder. £35 bidding on the internet. | 0:35:53 | 0:35:56 | |
At £35, make no mistakes. At £35. | 0:35:56 | 0:36:00 | |
Flat as a pancake. £35 is £5 off £40, that's minus £25. | 0:36:00 | 0:36:06 | |
The silver and crocodile skin pocket watch case. | 0:36:06 | 0:36:09 | |
Syner & Beddoes, Birmingham 1902. | 0:36:09 | 0:36:13 | |
Good-quality item. Start me at £30. £30? £30 in start. | 0:36:13 | 0:36:17 | |
£30. It's bid in the room at £30. | 0:36:17 | 0:36:20 | |
£35. £40. £45. £50. | 0:36:20 | 0:36:24 | |
-Come on. -Yes! | 0:36:24 | 0:36:27 | |
At £60. Standing in the room at £60. | 0:36:27 | 0:36:31 | |
£10, that's not too bad. Minus £15 is your overall score now. | 0:36:31 | 0:36:36 | |
So what we need is for this thing to make £27. | 0:36:36 | 0:36:40 | |
So come on, we want £27. | 0:36:40 | 0:36:42 | |
-1960s chromium plated record stand. -How groovy is this. -That's great. | 0:36:42 | 0:36:48 | |
Number 140. £10? £10. £10 bid. £15. £20 for you? £20. | 0:36:48 | 0:36:54 | |
Yes! | 0:36:54 | 0:36:56 | |
-£25. £30 on the internet. -£30. You're in profit. Overall profit. | 0:36:56 | 0:37:00 | |
£35 in the room. At £35. At £35, £40 on the internet. | 0:37:00 | 0:37:04 | |
-Wow! -I need to change what I do for a living, I think. -Hey. | 0:37:04 | 0:37:07 | |
-ANDREW: -At £40. | 0:37:07 | 0:37:09 | |
Out in the room at £40. | 0:37:09 | 0:37:11 | |
Plus £28. You were minus £15, which means you are plus £13. | 0:37:11 | 0:37:15 | |
-How cool is that? -Brilliant. -Thank goodness for the record holder. | 0:37:15 | 0:37:19 | |
They'd rather have that than the sandwich box, I can tell you. | 0:37:19 | 0:37:22 | |
Anyway, there we go. So what are we going to do about Suffolk Punch? | 0:37:22 | 0:37:25 | |
-I mean, you are in profit, you are going home with folding money. -Yes, exactly. | 0:37:25 | 0:37:28 | |
You don't have to go with the bonus buy, £178 worth. | 0:37:28 | 0:37:30 | |
Are you going to park it or are you going to swing with it? | 0:37:30 | 0:37:33 | |
Go with the sign or not? | 0:37:33 | 0:37:35 | |
We decided that if we made any money, that we wouldn't go with the Punch, I'm afraid. | 0:37:35 | 0:37:40 | |
-We're going to stick with it, but we do like it. -Yeah, yeah. | 0:37:40 | 0:37:43 | |
-It's a lot of money. -It is a lot of money. -OK. -So no, thank you. | 0:37:43 | 0:37:46 | |
-Thank you, but no, thank you. -Absolutely. | 0:37:46 | 0:37:48 | |
We're not going with the bonus buy | 0:37:48 | 0:37:49 | |
but we're going to sell it anyway and here it comes. | 0:37:49 | 0:37:51 | |
-Straightaway, that should be £50. £50. -That's very low. | 0:37:51 | 0:37:56 | |
£50 is bid. £55. At £55. I'll take £60. | 0:37:56 | 0:38:00 | |
Charles has got a long way to go. | 0:38:00 | 0:38:02 | |
At £55, make no... For £60. | 0:38:02 | 0:38:05 | |
£65, £70, £75. | 0:38:05 | 0:38:09 | |
Are you sure? You get two pictures, one each side. | 0:38:09 | 0:38:12 | |
-He is trying hard, isn't he? -Yes. | 0:38:12 | 0:38:14 | |
At £75. | 0:38:14 | 0:38:16 | |
-That is minus £103. -Oh, sorry, Jonathan. -There you go. | 0:38:16 | 0:38:20 | |
We didn't swing with it. Just as well, you have a profit of £13. | 0:38:20 | 0:38:24 | |
Just don't say a word to the Blues, all right? | 0:38:24 | 0:38:26 | |
-And well done. -Thank you. -Well done. Bad luck, JP. | 0:38:26 | 0:38:29 | |
-Now, Nick, Allie, this is fun, isn't it? -It is. | 0:38:36 | 0:38:39 | |
-Yes. Do you know how the Reds got on? -No. -Great, don't want you to. | 0:38:39 | 0:38:42 | |
Now, I really love these silver straws that you bought. | 0:38:42 | 0:38:46 | |
£55 you paid for them, which I think is plenty, personally. | 0:38:46 | 0:38:49 | |
£40 to £60 is its estimate, but really nice things and unusual. | 0:38:49 | 0:38:54 | |
And here they come. | 0:38:54 | 0:38:56 | |
-ANDREW: -Silver cocktail straws with | 0:38:56 | 0:38:59 | |
the leaf shape bowls, London 1963. | 0:38:59 | 0:39:03 | |
£30 for these. £30? | 0:39:03 | 0:39:06 | |
£20 and start them. £20 bid I'll take. | 0:39:06 | 0:39:08 | |
Oh, come on. | 0:39:08 | 0:39:10 | |
At £20. Two ware at £20. | 0:39:10 | 0:39:14 | |
-I can't believe it! -Wicked, so minus £35. There you go. | 0:39:14 | 0:39:18 | |
Now, here comes the belt buckle. | 0:39:18 | 0:39:21 | |
The Art Nouveau style belt buckle, Birmingham 1987. | 0:39:21 | 0:39:26 | |
£20 to start me. £20? £20 to start. | 0:39:26 | 0:39:29 | |
£20 to start the bid. | 0:39:29 | 0:39:31 | |
£10? Where are you? £10 bid. | 0:39:31 | 0:39:33 | |
-I feel giddy. -I feel sick. | 0:39:33 | 0:39:36 | |
£15. £18. | 0:39:36 | 0:39:39 | |
£18, it's running to the back of the room at £18. | 0:39:39 | 0:39:44 | |
Minus £37. £35 and £37 is £72. Minus £72. | 0:39:44 | 0:39:51 | |
The Art Nouveau pewter or spelter, two-handled, kittens in a basket. | 0:39:51 | 0:39:56 | |
Straightaway to £20. £25. | 0:39:56 | 0:39:58 | |
£25, £30, I'll take it. £25. £30. | 0:39:58 | 0:40:01 | |
Let's go. | 0:40:01 | 0:40:02 | |
At £30. Bidding in the room at £30. £35 on the net. | 0:40:02 | 0:40:05 | |
£40 in the room. | 0:40:05 | 0:40:07 | |
At £40 it bids in the room. At £40. | 0:40:07 | 0:40:09 | |
At £40. Seated in the room at £40. | 0:40:09 | 0:40:14 | |
Minus £20, which means you're minus £92. | 0:40:14 | 0:40:16 | |
-How can that be? That's not right. -What can I say? | 0:40:16 | 0:40:20 | |
-Minus £92. -Oh, dear. | 0:40:20 | 0:40:22 | |
-I'd stick to the B&B business, if I were you. -Yes, I think we'd better had. | 0:40:22 | 0:40:26 | |
No, seriously, it's just ridiculous bad luck, I'm so sorry. | 0:40:26 | 0:40:28 | |
-What are we going to do about the blue and white charger? -We've got to go for it. | 0:40:28 | 0:40:32 | |
We're going with the charger. Definitely. | 0:40:32 | 0:40:34 | |
-Trust Charles for that? -Absolutely. | 0:40:34 | 0:40:35 | |
Just take a chance. Pray, we have got to, don't we? | 0:40:35 | 0:40:38 | |
Well, Charles, such is the inspiration that you provide | 0:40:38 | 0:40:41 | |
for your teams they decided to go with your £130 investment. | 0:40:41 | 0:40:45 | |
-A lucky man. -You're a lucky man. -Absolutely. | 0:40:45 | 0:40:48 | |
The team have backed Charles Hanson yet again in his love of ancient ceramics | 0:40:48 | 0:40:53 | |
and here we go with the 18th-century tin-glazed charger. | 0:40:53 | 0:40:57 | |
-ANDREW: -Start the bidding straightaway, £50. | 0:40:57 | 0:40:59 | |
Come on, let's go. | 0:40:59 | 0:41:01 | |
£50 is bid. £50 bid. Take a five. £55 on the net. | 0:41:01 | 0:41:03 | |
-Here we go. Let's row home. -Yes. | 0:41:03 | 0:41:06 | |
£60. Bidding in the room at £60. £65 fresh bidder. | 0:41:06 | 0:41:09 | |
Come on. Hold tight. | 0:41:09 | 0:41:12 | |
£65. £65 bid in the room. | 0:41:12 | 0:41:15 | |
Internet, you're out. At £65. | 0:41:15 | 0:41:17 | |
-Oh, dear. -Oh, dear. | 0:41:17 | 0:41:19 | |
At £65. | 0:41:19 | 0:41:21 | |
I'm sorry, team. Sinking. | 0:41:21 | 0:41:22 | |
We are, I think we might have sunk. | 0:41:22 | 0:41:24 | |
That's £35 off, that means it's another minus £65. | 0:41:24 | 0:41:28 | |
That is minus £157 scoring. OK, minus £157. | 0:41:28 | 0:41:33 | |
It doesn't sound too bad if you say it quickly. | 0:41:33 | 0:41:35 | |
Gosh, what excitement today, hey? | 0:41:43 | 0:41:45 | |
-Yes. -Have you had a fantastic time? -Brilliant. -Great. | 0:41:45 | 0:41:48 | |
It's been marvellous, hasn't it? | 0:41:48 | 0:41:49 | |
Rarely is there such a chasm between the winners | 0:41:49 | 0:41:53 | |
and the runners-up as there are today, but there is a huge gap | 0:41:53 | 0:41:56 | |
and I'm afraid that the tail end of his gap are the Blues... | 0:41:56 | 0:41:59 | |
-I find that hard to believe. -..who've managed to get minus £157! | 0:42:01 | 0:42:06 | |
Yes! How about that for a disastrous result? | 0:42:06 | 0:42:12 | |
I mean, minus £35, minus £37, minus £20 and minus £65. | 0:42:12 | 0:42:16 | |
-Take some beating, I tell you. -Exactly. | 0:42:16 | 0:42:19 | |
I mean, that is a serious hounding through the whole arrangement, | 0:42:19 | 0:42:22 | |
-so we're not going to dwell, right? -No, no. | 0:42:22 | 0:42:25 | |
-We have had a ride with you guys. -It's been great. -It has been fantastic. -Brilliant. | 0:42:25 | 0:42:29 | |
-But the victors today go home with £13. -Yay! | 0:42:29 | 0:42:32 | |
-Well done, Marion. -Thank you. -There's the £10. -Thank you. | 0:42:32 | 0:42:35 | |
-And you get £3 coming your way. -Wow, wonderful. | 0:42:35 | 0:42:38 | |
Really, the surprising thing, I think, is that wirework stand, | 0:42:38 | 0:42:41 | |
which is absolutely super-duper. | 0:42:41 | 0:42:43 | |
You managed to avoid the bonus buy, which is a wise move too. | 0:42:43 | 0:42:47 | |
-Did you have a good time? -Perfect. -Brilliant. -We've loved it too. | 0:42:47 | 0:42:50 | |
In fact, such fun, why don't you join us soon | 0:42:50 | 0:42:52 | |
-for some more bargain hunting? Yes? -ALL: Yes! | 0:42:52 | 0:42:55 |