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DRAMATIC VOICEOVER: In a time long ago, | 0:00:03 | 0:00:06 | |
one man had only one target in sight. | 0:00:06 | 0:00:10 | |
Yes, we're in Nottinghamshire. | 0:00:16 | 0:00:20 | |
And with any luck, our teams might pick up a tip or two | 0:00:20 | 0:00:24 | |
from the Prince of Thieves himself. Hi, Prince. | 0:00:24 | 0:00:28 | |
Who knows? They could hit the target and get the steal of a deal. | 0:00:28 | 0:00:32 | |
Or the whole thing could leave them all of a quiver. Ha! | 0:00:32 | 0:00:36 | |
Let's find out - let's go bargain hunting! Yeah! | 0:00:36 | 0:00:40 | |
Now, in the spirit of Robin Hood, | 0:01:05 | 0:01:08 | |
today's merry men have each won the heart of their fair maiden | 0:01:08 | 0:01:13 | |
in the most romantic of ways, utilising Cupid's bow. | 0:01:13 | 0:01:18 | |
Or was it Robin's bow? Well, whoever's bow it was, | 0:01:18 | 0:01:23 | |
let's take a quick squint as to what's coming up. | 0:01:23 | 0:01:25 | |
Catherine's risking her neck for the Reds. | 0:01:27 | 0:01:29 | |
I don't want to be buying a product that was made in the '80s. | 0:01:29 | 0:01:32 | |
If it was, you can take this and... | 0:01:32 | 0:01:34 | |
-While the Blues are excited. -High-five! Cup of tea, bacon butty? | 0:01:36 | 0:01:41 | |
Go on! | 0:01:41 | 0:01:43 | |
But will it be the Blues bringing home the bacon at auction? | 0:01:43 | 0:01:45 | |
-Hopefully it'll work. -We keep rubbing him. -Or will it be the Reds? | 0:01:45 | 0:01:49 | |
-Yes! Yes! -That's all for later. Now, let's meet today's teams. | 0:01:49 | 0:01:54 | |
On today's programme we've got a couple of couples. | 0:01:54 | 0:01:58 | |
For the Reds, we've got Robyn and Alan, and for the Blues, | 0:01:58 | 0:02:02 | |
we have Andrew and Stephanie. | 0:02:02 | 0:02:03 | |
-Hello, everyone! -ALL: Hello. | 0:02:03 | 0:02:05 | |
Now, you two, originally from South Africa. | 0:02:05 | 0:02:09 | |
What dragged you back from South Africa to the mother country? | 0:02:09 | 0:02:12 | |
We came here on holiday first, and then Alan was offered a job, | 0:02:12 | 0:02:15 | |
working with excluded youth. | 0:02:15 | 0:02:17 | |
So we went back home and told our children we were emigrating. | 0:02:17 | 0:02:22 | |
Our daughter said we were mad. | 0:02:22 | 0:02:25 | |
She stayed, she was at university, and our two sons came over with us. | 0:02:25 | 0:02:28 | |
-But we're very happy here now. -So it's described as a pastor job. | 0:02:28 | 0:02:33 | |
Yes, I have a bus that I run, and I work with young people, | 0:02:33 | 0:02:37 | |
-I go and visit ten different locations. -Tell me about the bus. | 0:02:37 | 0:02:40 | |
Well, it's an old double decker bus, | 0:02:40 | 0:02:43 | |
we're a mobile children's centre really, or youth centre. | 0:02:43 | 0:02:47 | |
So where there is no youth club, your purple bus will go. | 0:02:47 | 0:02:49 | |
-Our purple bus will go. -And what's it called? -The Roadhog. | 0:02:49 | 0:02:53 | |
The Roadhog! The Roadhog isn't the only thing | 0:02:53 | 0:02:55 | |
that gets your engine revving, is it? | 0:02:55 | 0:02:57 | |
No, not at all, I've got a few other interests. | 0:02:57 | 0:03:00 | |
My classic car interest, importing old cars from South Africa. | 0:03:00 | 0:03:04 | |
Great, and then you restore them, do you? | 0:03:04 | 0:03:07 | |
Well, generally they don't need restoration, | 0:03:07 | 0:03:09 | |
-we bring them in and sell them straight on. -Do you? -Yes. | 0:03:09 | 0:03:12 | |
Sounds like we've got an entrepreneur on our hands here, | 0:03:12 | 0:03:14 | |
brilliant. What brought the two of you lovebirds | 0:03:14 | 0:03:17 | |
-together in the first place? -We were both working in the hotel industry. | 0:03:17 | 0:03:20 | |
He wanted to buy me flowers apparently, | 0:03:20 | 0:03:23 | |
and the florist had closed down in our village, | 0:03:23 | 0:03:26 | |
so he phoned my housemate and said, "Is there anything you need?" | 0:03:26 | 0:03:29 | |
So she said, "Actually, we've got | 0:03:29 | 0:03:30 | |
"a huge lounge space and no lounge suite." | 0:03:30 | 0:03:32 | |
He said, "I've got one of those in storage, I'll bring it around!" | 0:03:32 | 0:03:36 | |
-Any old excuse, eh? -Any old excuse. | 0:03:36 | 0:03:38 | |
We've just celebrated our 20th wedding anniversary. | 0:03:38 | 0:03:41 | |
-Well, congratulations. -Thank you. | 0:03:41 | 0:03:43 | |
And you're looking forward to bargain hunting? | 0:03:43 | 0:03:45 | |
-Oh, so looking forward to it, been so excited! -Good. | 0:03:45 | 0:03:47 | |
Now, moving on to the Blues, | 0:03:47 | 0:03:49 | |
because you're a couple of romantics too, aren't you? | 0:03:49 | 0:03:52 | |
Stephanie, tell us how you got together with Andrew? | 0:03:52 | 0:03:55 | |
Well, a work colleague, it was my 21st birthday, and she said, | 0:03:55 | 0:03:59 | |
"Happy 21st, I've arranged a blind date for you tomorrow | 0:03:59 | 0:04:03 | |
"with my brother, who's going to be taking you out." | 0:04:03 | 0:04:06 | |
-Right. -Needless to say, not much work got done that day, | 0:04:06 | 0:04:09 | |
as I was grilling her extensively about what kind of nutter | 0:04:09 | 0:04:13 | |
would want to take out a girl he'd never even seen. | 0:04:13 | 0:04:16 | |
But luckily, he turned out to be my kind of nutter, | 0:04:16 | 0:04:19 | |
and we've been married 42 years. | 0:04:19 | 0:04:21 | |
Well, that's amazing, isn't it? Have you done anything to celebrate? | 0:04:21 | 0:04:25 | |
Yes, we went to Las Vegas to renew our vows. | 0:04:25 | 0:04:28 | |
And being Las Vegas, well, it had to be an Elvis chapel, didn't it? | 0:04:28 | 0:04:31 | |
Oh, was it? And was Elvis there to do it? | 0:04:31 | 0:04:34 | |
-Yes. -Funny that, he goes on and on, doesn't he, that fella? | 0:04:34 | 0:04:37 | |
It says here you're quite adventurous. | 0:04:37 | 0:04:40 | |
Yes, I've done abseiling, indoor skydiving, | 0:04:40 | 0:04:44 | |
clay pigeon and rifle shooting, | 0:04:44 | 0:04:46 | |
but this year my husband's joining me, | 0:04:46 | 0:04:50 | |
because we're both going to take part in Europe's longest zip wire, | 0:04:50 | 0:04:54 | |
which is over five miles, | 0:04:54 | 0:04:56 | |
and he's going to be zipping along beside me on the wire. | 0:04:56 | 0:04:59 | |
-Really? Are you going to be able to hang on for five miles? -I hope so! | 0:04:59 | 0:05:03 | |
I hope so too! Now, Andrew, tell us about your current job. | 0:05:03 | 0:05:06 | |
Well, I currently volunteer at a National Trust property | 0:05:06 | 0:05:10 | |
locally called The Workhouse. | 0:05:10 | 0:05:12 | |
I play the schoolmaster and I take the school lessons | 0:05:12 | 0:05:15 | |
and I love to watch their faces when I'm telling them off, | 0:05:15 | 0:05:18 | |
telling them to sit up straight and face the front and don't speak. | 0:05:18 | 0:05:22 | |
-Are you quite fierce with them? -Indeed I am and I have a cane | 0:05:22 | 0:05:25 | |
which I tend to bend, | 0:05:25 | 0:05:27 | |
which makes the children's eyes look and the lips quiver a little. | 0:05:27 | 0:05:31 | |
It's lovely. | 0:05:31 | 0:05:32 | |
Anyway, good fun(!) So, being a former bank teller, | 0:05:32 | 0:05:35 | |
-you'll be able to keep tally of the money. -Yes. -Yes. | 0:05:35 | 0:05:38 | |
Talking about the money, £300 coming up - there's your £300. | 0:05:38 | 0:05:41 | |
You know the rules. | 0:05:41 | 0:05:43 | |
Your experts await and off you go, and very, very, very good luck. | 0:05:43 | 0:05:46 | |
Wouldn't want to be a pupil of his. | 0:05:47 | 0:05:49 | |
Ooh! Heads up, it's time to meet today's experts. | 0:05:53 | 0:05:57 | |
Predicting a profit for the Reds is Catherine Southon. | 0:05:57 | 0:06:00 | |
And doing battle for the Blues is Richard Madley. | 0:06:01 | 0:06:04 | |
So, what are you after today, teams? | 0:06:06 | 0:06:08 | |
Alan, Robyn, apart from a hot-water bottle, | 0:06:08 | 0:06:12 | |
because it's absolutely freezing today, what are we going to buy? | 0:06:12 | 0:06:15 | |
-I was hoping pretty. -Pretty, OK. | 0:06:15 | 0:06:18 | |
-Pretty... With you? -No, something... | 0:06:18 | 0:06:20 | |
Something perhaps striking. | 0:06:20 | 0:06:22 | |
Something maybe small or silver, but anything really that jumps out at us. | 0:06:22 | 0:06:27 | |
Yes, anything that jumps out at us. | 0:06:27 | 0:06:28 | |
Yes, all right. Like a silver jack-in-the-box. | 0:06:28 | 0:06:30 | |
Saddle up, teams, your 60 minutes starts now. | 0:06:30 | 0:06:33 | |
Let's go for it. Come on, team! | 0:06:33 | 0:06:36 | |
Look, we've got a huge fair to go to. | 0:06:36 | 0:06:38 | |
I think I know where to start, come with me now. | 0:06:38 | 0:06:40 | |
And the Reds are diving straight in. | 0:06:43 | 0:06:45 | |
-That's pretty. Look at that lovely box. -It is pretty. | 0:06:46 | 0:06:49 | |
What wood do you think it is? | 0:06:49 | 0:06:51 | |
-I'm not sure, but this is all brass and it's all been cut. -Or pierced. | 0:06:51 | 0:06:54 | |
What's nice is that it does all meet together, | 0:06:54 | 0:06:57 | |
because so often when you buy boxes like this, they don't close... | 0:06:57 | 0:07:00 | |
-That closes quite nicely. -I'd like to keep it in mind. | 0:07:00 | 0:07:04 | |
-It's beautiful, but not at that price. -No. | 0:07:04 | 0:07:06 | |
-It's an eye-watering £280, if you were wondering. -It's disappointing. | 0:07:06 | 0:07:10 | |
Yes. | 0:07:10 | 0:07:12 | |
-Never mind. -Those Blues are also out to splash the cash. | 0:07:12 | 0:07:16 | |
-What do you like? -That Chinese... | 0:07:16 | 0:07:17 | |
The Chinese urn stand? I would say it's possibly late 19th century. | 0:07:17 | 0:07:22 | |
-The price on this, please? -190. -190. It's a good start. | 0:07:22 | 0:07:27 | |
The lady has got a good eye, certainly, indeed. | 0:07:29 | 0:07:31 | |
-If we spent two thirds of our budget in the first two minutes... -No. | 0:07:31 | 0:07:34 | |
It is a good thing, and the Chinese market is good, | 0:07:34 | 0:07:37 | |
-but I'm going to keep going. -Thank you. | 0:07:37 | 0:07:39 | |
Today's teams have obviously got expensive taste, | 0:07:39 | 0:07:41 | |
but they'll have to reel it in if they want to make a tidy profit. | 0:07:41 | 0:07:45 | |
Now, over with the Reds, and something has caught Alan's eye. | 0:07:45 | 0:07:48 | |
-I like the look of that lantern over there. -This one? -Yes, that one. | 0:07:48 | 0:07:52 | |
-Why do you like the lantern? -I don't know, it's striking. | 0:07:52 | 0:07:54 | |
There's something about it - I would say it's quite old. | 0:07:54 | 0:07:57 | |
Is it brass? It's not brass, is it? | 0:07:57 | 0:07:58 | |
-No, it's not brass, or copper. -It's a very thin metal... | 0:07:58 | 0:08:01 | |
-It's a thin metal, no. -I don't think it's that great quality. | 0:08:01 | 0:08:04 | |
I must admit, it's got a nice look to it. | 0:08:04 | 0:08:07 | |
If you had quite an attractive house with a nice porch outside, | 0:08:07 | 0:08:11 | |
-this would look...pretty stylish. -Could be very pretty. | 0:08:11 | 0:08:14 | |
Actually, if you just had that in your garden, hanging up, | 0:08:14 | 0:08:16 | |
it might look quite... It just doesn't feel... | 0:08:16 | 0:08:19 | |
-Great quality, does it? -No, no. | 0:08:19 | 0:08:22 | |
What do you do here, you open this up... | 0:08:22 | 0:08:24 | |
Open the flap and this is where you would have put your light in. | 0:08:24 | 0:08:29 | |
I think it would have taken a candle. | 0:08:29 | 0:08:32 | |
If we want to get this, it needs to be really cheap. | 0:08:32 | 0:08:35 | |
Cheap, yeah. | 0:08:35 | 0:08:37 | |
Hello, lovely man! So you've got the right colours on, the red. | 0:08:37 | 0:08:40 | |
You're with us in our team. | 0:08:40 | 0:08:42 | |
You can't recruit the dealers, Catherine. | 0:08:42 | 0:08:44 | |
-It's 65, do 50 quid on that. -I mean, that needs to be a bit less | 0:08:44 | 0:08:48 | |
than that, I think, if we're going to make a profit. | 0:08:48 | 0:08:51 | |
-I don't think it's particularly good quality. -No. | 0:08:51 | 0:08:54 | |
I think you're just buying it for the look. | 0:08:54 | 0:08:56 | |
-If you stand back and look at it... -Coloured bulb in it... | 0:08:56 | 0:08:58 | |
-It's all different. -Oh, you're selling it. | 0:08:58 | 0:09:02 | |
Can we say 35? | 0:09:02 | 0:09:04 | |
-Go on, then - give us 35 quid. -OK. -OK, 35. | 0:09:04 | 0:09:08 | |
Well done, Reds. That's your first item in just over ten minutes. | 0:09:08 | 0:09:11 | |
Over with the blues, | 0:09:11 | 0:09:13 | |
it looks like Richard has found something for Stephanie. | 0:09:13 | 0:09:16 | |
I'm drawn towards this cabinet here, because we did say | 0:09:16 | 0:09:19 | |
-we'd like something small and shiny, didn't we? -Yes. -Yeah. | 0:09:19 | 0:09:21 | |
There is a little piece in there, | 0:09:21 | 0:09:24 | |
I'm not even sure exactly what it is. | 0:09:24 | 0:09:26 | |
-An engine-turned something or other. -Penknife, is it? | 0:09:26 | 0:09:29 | |
-Could be, we'll ask the owner if we can have a look at it and let's find out what it is. -OK. | 0:09:29 | 0:09:33 | |
Rob, could we again have a look in your cabinet of curios? | 0:09:33 | 0:09:37 | |
There's this little engine-turned, silver... | 0:09:37 | 0:09:40 | |
-We're not even sure what it is. -It's not marked. | 0:09:40 | 0:09:43 | |
-It went on a chatelaine chain... -It's not marked? A-ha. | 0:09:43 | 0:09:46 | |
OK, not marked. That's fine. OK. | 0:09:46 | 0:09:48 | |
Oh, I see - it's a propelling pencil... | 0:09:48 | 0:09:51 | |
Knife... | 0:09:52 | 0:09:54 | |
It's silver-plated... | 0:09:54 | 0:09:57 | |
And I think that could be a good start for us. | 0:09:58 | 0:10:02 | |
THEY TALK OVER EACH OTHER HESITANTLY | 0:10:02 | 0:10:04 | |
What do you think? Do you like it? | 0:10:04 | 0:10:07 | |
We did say we wanted something small and silver. | 0:10:07 | 0:10:10 | |
-It's a collector's item. -I was just thinking shiny! | 0:10:10 | 0:10:13 | |
-You could polish it up before the auction. -OK. | 0:10:13 | 0:10:15 | |
Unmarked, that is a shame. | 0:10:15 | 0:10:18 | |
-However... Well... -The price. | 0:10:18 | 0:10:21 | |
-Everything depends on the price, doesn't it? -Indeed. | 0:10:21 | 0:10:23 | |
-The price on that, please? -For this, sir, it's 45. | 0:10:23 | 0:10:27 | |
-So at £30, we couldn't tempt you? -I couldn't, no, sorry, it cost more. | 0:10:27 | 0:10:31 | |
-I would take 40 for it. -OK. Shall we go for it? | 0:10:31 | 0:10:35 | |
-Yep. -There you are, deal. | 0:10:35 | 0:10:37 | |
Excellent, thank you very much indeed. | 0:10:37 | 0:10:39 | |
16 minutes down and that's your first item sewn up, Blues. | 0:10:39 | 0:10:42 | |
It seems the girls are both keen on silver today. | 0:10:42 | 0:10:45 | |
-There was a little vase here that I... -Robyn liked it. | 0:10:45 | 0:10:49 | |
To be honest, things like that will just sell on their scrap metal... | 0:10:49 | 0:10:53 | |
-Only scrap value. -OK. | 0:10:53 | 0:10:56 | |
37p a gram! | 0:10:56 | 0:10:57 | |
-He's done his homework! -He certainly has, Catherine. | 0:10:57 | 0:11:01 | |
Now, the Blues are EGG-cited about something. | 0:11:01 | 0:11:04 | |
That's fabulous! | 0:11:04 | 0:11:06 | |
-That's a great spot. -That's superb, isn't it? | 0:11:06 | 0:11:09 | |
-Oh, yes. -How cool is that? | 0:11:09 | 0:11:12 | |
-I think you've got to try it for comfort. -Definitely, yeah! | 0:11:12 | 0:11:15 | |
I hope it's well made! | 0:11:15 | 0:11:17 | |
-There we go. -Yes! | 0:11:17 | 0:11:19 | |
Comfortable as well. | 0:11:19 | 0:11:20 | |
That's lovely, it swivels, too. | 0:11:20 | 0:11:22 | |
Now, now - you'd better keep an eye on their spending, Richard. | 0:11:22 | 0:11:25 | |
I would think that's mid hundreds. I would think so. | 0:11:25 | 0:11:28 | |
You just carry on... | 0:11:28 | 0:11:31 | |
No time to sit about. The Reds are about to take off. | 0:11:31 | 0:11:34 | |
That left-hand prop would have been off a microlight or something | 0:11:34 | 0:11:37 | |
with a left-hand rotation engine, | 0:11:37 | 0:11:39 | |
probably it could be off a VW-powered aircraft. | 0:11:39 | 0:11:42 | |
I'm sorry, I have to interrupt you there. | 0:11:42 | 0:11:45 | |
You lost me when you mentioned prop. | 0:11:45 | 0:11:48 | |
You're not the only one, Catherine. | 0:11:48 | 0:11:50 | |
But don't you think, forget about the whole aviation thing, | 0:11:50 | 0:11:53 | |
I'm seeing that as a brilliant piece to stick on your wall. | 0:11:53 | 0:11:57 | |
They normally put a clock in the middle of it | 0:11:57 | 0:12:00 | |
and put it on their wall, but I'm looking at the wooden prop, | 0:12:00 | 0:12:03 | |
not the metal, not the three-blade. The wooden one on the floor. | 0:12:03 | 0:12:06 | |
In fact, the propeller he's holding there is a modern microlight prop. | 0:12:06 | 0:12:10 | |
-He's bought it! -Yes! | 0:12:10 | 0:12:12 | |
I can't believe it! | 0:12:12 | 0:12:15 | |
That's the one that I wanted! | 0:12:15 | 0:12:16 | |
I thought that looked amazing and he's bought it. | 0:12:16 | 0:12:19 | |
Hesitate and you lose it in this business, | 0:12:19 | 0:12:21 | |
but look out, the Blues are about to fly away with a second item. | 0:12:21 | 0:12:25 | |
What's that little bit of enamel there? Was that a pipe? | 0:12:25 | 0:12:28 | |
I think it is. Should we have a look inside? | 0:12:28 | 0:12:32 | |
Ooh, yes. | 0:12:32 | 0:12:34 | |
-What are we thinking? -Well... I didn't know what it was, for a start! | 0:12:34 | 0:12:39 | |
But I'm very impressed that you spotted it in the first place. | 0:12:39 | 0:12:42 | |
That's so unusual. The colouring on a pipe. | 0:12:42 | 0:12:45 | |
It's a nice little piece of enamel ware, isn't it? | 0:12:45 | 0:12:49 | |
Could be late 19th century. And, um... | 0:12:49 | 0:12:52 | |
Well... | 0:12:52 | 0:12:53 | |
It COULD be a Russian pipe, who knows? | 0:12:53 | 0:12:56 | |
Just a fun sort of thing. | 0:12:56 | 0:12:58 | |
-Love the decoration. -Yes, colourful. | 0:12:58 | 0:13:01 | |
-The Russian market is quite strong, isn't it? -It has been. | 0:13:01 | 0:13:05 | |
See if we can get the auctioneer to put that in his catalogue | 0:13:05 | 0:13:09 | |
-that it's a Russian enamel pipe. -So it's cost 25, | 0:13:09 | 0:13:12 | |
what do you think it might fetch at auction? | 0:13:12 | 0:13:15 | |
Well, if I had it in my auction room, I think | 0:13:15 | 0:13:18 | |
I'd probably give it a guide price of perhaps £30-£50. | 0:13:18 | 0:13:22 | |
That's excellent. Put that in your pipe and smoke it! | 0:13:22 | 0:13:25 | |
Indeed. | 0:13:25 | 0:13:27 | |
-Shall we have it? -OK. -Yes, let's take it. | 0:13:27 | 0:13:30 | |
-Have it. -Yes. -We'll have it! | 0:13:30 | 0:13:32 | |
No messing about, Blues. Two items down. | 0:13:32 | 0:13:34 | |
Let's hope it doesn't go up in smoke, eh? | 0:13:34 | 0:13:36 | |
Ooh, look out, the Reds are about - arm for battle, teams. | 0:13:36 | 0:13:39 | |
-Look, oh! Shhhh! -Ah! | 0:13:41 | 0:13:44 | |
-Shhhh! We've finished. -We've finished! | 0:13:46 | 0:13:48 | |
Cards on the table, how many have you bought? | 0:13:50 | 0:13:52 | |
We have bought two. | 0:13:52 | 0:13:54 | |
You're ahead of us. | 0:13:54 | 0:13:56 | |
Well, can we have a look around here, then? | 0:13:56 | 0:13:58 | |
Yes, you help yourself, because we know another place | 0:13:58 | 0:14:01 | |
-where there's the third and final treasure. -OK. | 0:14:01 | 0:14:03 | |
You're very confident, aren't you? | 0:14:03 | 0:14:06 | |
We're confident as well, aren't we? | 0:14:06 | 0:14:09 | |
-Good luck. -Thank you. -Maybe not, Catherine! | 0:14:09 | 0:14:12 | |
You're one behind the Blues now. But how are you feeling, Richard? | 0:14:12 | 0:14:15 | |
Look at me, I'm relaxed. | 0:14:15 | 0:14:17 | |
25 minutes in, two lots in the bag, | 0:14:17 | 0:14:19 | |
we are going well. These guys are good - | 0:14:19 | 0:14:22 | |
they bought two nice, small, quality items | 0:14:22 | 0:14:25 | |
which I think will do well and now we can relax | 0:14:25 | 0:14:28 | |
into the next half hour to make our third and final purchase. | 0:14:28 | 0:14:32 | |
Well, the Blues may be taking it easy, but the Reds still need to catch up. | 0:14:32 | 0:14:36 | |
I think Catherine's been a bit naughty and taken the bit between her teeth. | 0:14:36 | 0:14:40 | |
I'm really sorry, but as we didn't have a lot of time, | 0:14:40 | 0:14:43 | |
I've been and bought something without you seeing it. | 0:14:43 | 0:14:46 | |
I'm sorry. | 0:14:46 | 0:14:48 | |
Oh! LAUGHTER | 0:14:48 | 0:14:50 | |
-Oh, Lord(!) -Argh! | 0:14:50 | 0:14:52 | |
-No, I promise you I haven't. -I'm so glad you haven't! | 0:14:53 | 0:14:56 | |
I wouldn't be that mean! | 0:14:56 | 0:14:58 | |
Thank goodness for that. Now, the Blues are full of Eastern promise. | 0:14:58 | 0:15:02 | |
I was actually looking at this... | 0:15:02 | 0:15:04 | |
Oh, right. | 0:15:04 | 0:15:05 | |
This is called... It's a Ruyi sceptre. | 0:15:05 | 0:15:08 | |
A Chinese enamel Ruyi sceptre. | 0:15:08 | 0:15:11 | |
I've not seen one of those before. | 0:15:11 | 0:15:13 | |
No, what is it? | 0:15:13 | 0:15:15 | |
We bought one piece of enamel already, | 0:15:15 | 0:15:17 | |
that we understand is from Russia, | 0:15:17 | 0:15:20 | |
here's a piece of enamel from China. | 0:15:20 | 0:15:22 | |
And of course we've got exquisite taste... | 0:15:24 | 0:15:26 | |
-Oh, no! -How much? -Only £495! | 0:15:26 | 0:15:30 | |
-Oh, gracious! -I know we've still got some money left in the kitty... | 0:15:30 | 0:15:33 | |
Oh, dear. But not that much! | 0:15:33 | 0:15:35 | |
-Have the Reds spotted a second item? -That's nice. | 0:15:35 | 0:15:38 | |
Mm, that's a little telescope. | 0:15:38 | 0:15:40 | |
Look at that beautiful refracting telescope. | 0:15:40 | 0:15:43 | |
A pocket telescope, so you open this up, so we've got... | 0:15:43 | 0:15:46 | |
How many have we got? One, two, three draws. | 0:15:46 | 0:15:52 | |
Look at that name on there. | 0:15:52 | 0:15:54 | |
Steward. Steward, good make! | 0:15:54 | 0:15:57 | |
Steward's of London were a 19th-century optician | 0:15:57 | 0:16:00 | |
and clockmakers, so well regarded in their craft that they even made | 0:16:00 | 0:16:04 | |
pieces for the British and foreign governments. | 0:16:04 | 0:16:07 | |
Let's look at the lens, important. | 0:16:07 | 0:16:09 | |
-Check the lens. -Have a look through. | 0:16:09 | 0:16:11 | |
Does it look like it's focused? Just look in the distance. | 0:16:11 | 0:16:14 | |
-Do you see ships? -I see nothing. | 0:16:14 | 0:16:16 | |
It's just got an opaque lens in the inside. So you're not getting... | 0:16:18 | 0:16:21 | |
It looks like it's got a problem with one of the lenses. | 0:16:21 | 0:16:25 | |
-That's just me. -Can you see? -I think it's fine. | 0:16:25 | 0:16:28 | |
Let me tell you, Steward is a very good maker. | 0:16:28 | 0:16:32 | |
-This is late 19th century... -What do you want to pay for it? | 0:16:32 | 0:16:35 | |
That's the question. | 0:16:35 | 0:16:36 | |
If I was selling this, honestly, at auction, it's 80 to 120. | 0:16:36 | 0:16:40 | |
-It's on at £50. That would be a tidy profit, Catherine. -To me... | 0:16:40 | 0:16:44 | |
It's still nice as a display piece. | 0:16:44 | 0:16:46 | |
-Yes. -If we can get over 20, or something. | 0:16:46 | 0:16:49 | |
-If we say to him 20, because it's not working. -Yep. | 0:16:49 | 0:16:52 | |
Do you want to try? Push it to 25. | 0:16:52 | 0:16:56 | |
Go on, Robyn - work your magic. | 0:16:56 | 0:16:58 | |
I just think if we can get that a bit cheaper, that'll be... | 0:16:59 | 0:17:02 | |
-Got it for 25. -25 - I think we'd be crazy not to take it. | 0:17:02 | 0:17:06 | |
I think you're a star. | 0:17:06 | 0:17:08 | |
And if it works, fantastic. If it doesn't, it doesn't. | 0:17:08 | 0:17:11 | |
For £25, it's not a lot to lose. | 0:17:11 | 0:17:13 | |
It's a good gamble at that price, Reds. | 0:17:14 | 0:17:16 | |
Now, it's neck and neck, | 0:17:16 | 0:17:17 | |
but the Blues may have got a tip-off for their third item. | 0:17:17 | 0:17:21 | |
What we'd like from you, | 0:17:21 | 0:17:22 | |
is something we can buy from you to make a guaranteed profit on. | 0:17:22 | 0:17:26 | |
Guaranteed profit, 50 quid for this. | 0:17:26 | 0:17:28 | |
Guaranteed profit. | 0:17:28 | 0:17:30 | |
-It looks good, doesn't it? -What do you think of that? | 0:17:30 | 0:17:33 | |
-It's nice, isn't it? -Silver bowl, hallmarked. -Mm-hm. | 0:17:33 | 0:17:38 | |
Looks like London to me. | 0:17:38 | 0:17:40 | |
Maker's Mark RP, late 19th century | 0:17:40 | 0:17:43 | |
and it's got two marks, | 0:17:43 | 0:17:45 | |
London mark for lion's head and a lion passant showing it's silver, | 0:17:45 | 0:17:50 | |
so you've got everything you want there, probably weighs 4oz, | 0:17:50 | 0:17:53 | |
so if worst came to worst, you'd get £40 for it, scrap. | 0:17:53 | 0:17:56 | |
What is it, a bonbon dish? | 0:17:56 | 0:17:58 | |
No, it's a bowl. Peanuts? | 0:17:58 | 0:18:01 | |
-Trinket bowl? -Sugar? | 0:18:01 | 0:18:03 | |
-Whatever you'd like in there! -You put whatever you want in there! | 0:18:03 | 0:18:07 | |
It's sweet if you only pay peanuts. | 0:18:07 | 0:18:10 | |
Over with the Reds, they're all of a panic - get a move on, now - | 0:18:10 | 0:18:13 | |
the clock is ticking. Quick time check, please, Catherine. | 0:18:13 | 0:18:17 | |
-We've got about eight minutes left. -We have to buy something quickly. | 0:18:17 | 0:18:21 | |
Yes, you do, and it looks like the Blues are onto a winner. | 0:18:21 | 0:18:24 | |
And the most important thing is it's a guaranteed profit. | 0:18:24 | 0:18:27 | |
It's not often you can come to a member of the trade who will | 0:18:27 | 0:18:30 | |
-lay down his life and say, "There's money in this." -And he's on film! | 0:18:30 | 0:18:34 | |
-Exactly, indeed. -Guaranteed! -We know where he lives. | 0:18:34 | 0:18:37 | |
Shall we go for it? | 0:18:37 | 0:18:38 | |
-Yes. -Let's take it. -Great, we've got a deal. -Sorted. | 0:18:38 | 0:18:41 | |
-Thank you very much indeed. High five! -Yay, we finished! | 0:18:41 | 0:18:45 | |
Done it! And we've still got... | 0:18:45 | 0:18:46 | |
-We've got time! -Six minutes on our time. | 0:18:46 | 0:18:49 | |
-Cup of tea, bacon butty? -Go on, yeah! | 0:18:49 | 0:18:51 | |
Well done, team. Now, while the Blues take it easy, | 0:18:51 | 0:18:54 | |
Catherine is taking a stab at that final item for the Reds. | 0:18:54 | 0:18:57 | |
Alan, what do you think about this? Look at that. | 0:18:57 | 0:18:59 | |
-A sort of ceremonial sword. -OK, I don't really like it. | 0:18:59 | 0:19:03 | |
I'm not sure of its age. I don't how old it is. | 0:19:03 | 0:19:06 | |
Alan is going to take some persuading. | 0:19:06 | 0:19:09 | |
I don't think it's a modern reproduction. | 0:19:09 | 0:19:11 | |
I mean, if you look at the wear on the brass there, | 0:19:11 | 0:19:15 | |
there's quite a lot of patination, there's a lot of wear to it. | 0:19:15 | 0:19:19 | |
Look at the scabbard here, look. | 0:19:19 | 0:19:22 | |
All the brass on there - my thought is it's early 20th century. | 0:19:22 | 0:19:27 | |
-Do you think it's as old as that? I don't know. -It's got 120 on it. -Yes. | 0:19:27 | 0:19:31 | |
It's just...wondering if it's a reproduction. | 0:19:31 | 0:19:35 | |
What... What... | 0:19:35 | 0:19:36 | |
Why do you think it is a reproduction? | 0:19:36 | 0:19:38 | |
To me, it looks cast, but again... Instead of handmade. | 0:19:38 | 0:19:42 | |
-They could have cast it at that age. -Yes, they could have cast it. | 0:19:42 | 0:19:46 | |
So there's no reason it wouldn't have been. | 0:19:46 | 0:19:48 | |
It's just I don't want to be buying a product that was made in the '80s! | 0:19:48 | 0:19:51 | |
-No, I did think that was made in the '80s! -That's all! | 0:19:51 | 0:19:54 | |
If it was, you can take this and... | 0:19:54 | 0:19:56 | |
Oh, Lordy - Catherine's really sticking her neck out on this one. | 0:19:58 | 0:20:01 | |
I think novelty items like this do well at auction. | 0:20:01 | 0:20:05 | |
He's come down to 70. | 0:20:05 | 0:20:07 | |
I mean, if we could get it for 60, it might be worth a punt. | 0:20:07 | 0:20:10 | |
What do you think, Robyn? | 0:20:10 | 0:20:11 | |
Our friend Keaton would love this, because he loves swords, | 0:20:11 | 0:20:14 | |
collecting swords and looking at old military stuff. | 0:20:14 | 0:20:16 | |
I think that's lovely. | 0:20:16 | 0:20:19 | |
Could you come down to 60, sir? | 0:20:19 | 0:20:22 | |
INDISTINCT | 0:20:22 | 0:20:23 | |
-65? -Thank you very much. -Do you want to? What do you think? | 0:20:23 | 0:20:27 | |
-Well, it's up to you. Get it for 65. -We've got seconds to go. -It's fine. | 0:20:27 | 0:20:31 | |
You've got a deal then, sir, at 65. | 0:20:31 | 0:20:34 | |
I've shaken on it, there you are! | 0:20:34 | 0:20:37 | |
Teams, your 60 minutes are over. | 0:20:37 | 0:20:39 | |
-Yay! -Well done. Fantastic. | 0:20:39 | 0:20:42 | |
Coffee. Let's go and warm up. | 0:20:42 | 0:20:45 | |
Well done, Reds. Got there in the end. | 0:20:45 | 0:20:48 | |
Let's weigh up what the Red team bought, eh? | 0:20:48 | 0:20:50 | |
They really lit up for this 20th-century | 0:20:51 | 0:20:55 | |
copper and glass lantern at £35. | 0:20:55 | 0:20:57 | |
They focused on the Steward telescope and got it for just £25. | 0:20:57 | 0:21:01 | |
Catherine is risking her neck, literally, | 0:21:03 | 0:21:06 | |
on this novelty officer's sword letter-opener at £65. | 0:21:06 | 0:21:09 | |
Well, you lot, that wasn't entirely plain sailing, was it? | 0:21:10 | 0:21:13 | |
-A little bit of a disagreement! -Yeah(!) | 0:21:13 | 0:21:16 | |
OK, which is your favourite piece? | 0:21:16 | 0:21:19 | |
-I have to say the lantern. -OK. | 0:21:19 | 0:21:21 | |
I'd agree, because we all agreed on that. | 0:21:21 | 0:21:24 | |
It's something that we all like and it's grown on me. | 0:21:24 | 0:21:27 | |
-Good, so the total that you spent is how much? -125. | 0:21:29 | 0:21:33 | |
£125, so I'd like £175 leftover lolly, please. | 0:21:33 | 0:21:37 | |
Thank you. Catherine... | 0:21:38 | 0:21:40 | |
You've had your work cut out today, haven't you, doll? | 0:21:40 | 0:21:43 | |
I have, yes, we haven't agreed on everything. | 0:21:43 | 0:21:46 | |
There's been a view ifs and buts. | 0:21:46 | 0:21:49 | |
But today, I think I'm going to go off and buy something...pretty. | 0:21:49 | 0:21:53 | |
Oh, good. | 0:21:53 | 0:21:55 | |
The thing is, you're totally in control, you don't | 0:21:55 | 0:21:57 | |
have to defer to anyone, you have £175 and the world is your oyster. | 0:21:57 | 0:22:01 | |
-Enjoy! -Meanwhile, why don't we check out what the Blue team bought, eh? | 0:22:01 | 0:22:06 | |
They paid £40 for the late-Victorian silver-plated etui. | 0:22:06 | 0:22:09 | |
£25 went up in smoke on the Russian enamel pipe. | 0:22:11 | 0:22:16 | |
It's the dealer's guaranteed profit - | 0:22:18 | 0:22:20 | |
the silver sugar bowl set them back £50. | 0:22:20 | 0:22:23 | |
-Well, was that fun, or was it fun? -It was smashing. -Wonderful! | 0:22:24 | 0:22:27 | |
Really enjoyed that. | 0:22:27 | 0:22:28 | |
What's this guaranteed profit, then, on the silver bowl? | 0:22:28 | 0:22:32 | |
Well, hopefully, according to our expert | 0:22:32 | 0:22:35 | |
-and according to the gentleman who sold it to us, it is. -Yes, good. | 0:22:35 | 0:22:39 | |
Well, there's something to look forward to. | 0:22:39 | 0:22:41 | |
-And how much did you spend all round? -£115. | 0:22:41 | 0:22:45 | |
I'd like £185 of leftover lolly, please. | 0:22:45 | 0:22:48 | |
185. Thank you. | 0:22:48 | 0:22:50 | |
-Loads of leftover lolly going across. -Thank you. | 0:22:50 | 0:22:53 | |
What are you likely to spend that on, any ideas? | 0:22:53 | 0:22:57 | |
I might go back to that honest silver dealer who guaranteed | 0:22:57 | 0:23:00 | |
a profit on that bowl he sold us. | 0:23:00 | 0:23:03 | |
-I can't go wrong. -Absolutely! | 0:23:03 | 0:23:04 | |
-Go and find another one. -He could have a pair! | 0:23:04 | 0:23:07 | |
Well, good luck with that. | 0:23:09 | 0:23:10 | |
Meanwhile, we're going to dash to Masson Mill, heard of it? | 0:23:10 | 0:23:15 | |
It's in Matlock Bath, in Derbyshire - how lovely. | 0:23:15 | 0:23:19 | |
Located on the banks of the River Derwent | 0:23:19 | 0:23:22 | |
is this magnificent Grade 2 listed building, the Masson Mills. | 0:23:22 | 0:23:26 | |
Originally constructed as a paper mill back in 1771, | 0:23:27 | 0:23:31 | |
this location was later to become the jewel in the crown | 0:23:31 | 0:23:35 | |
to one of England's earliest entrepreneurs. | 0:23:35 | 0:23:38 | |
Self-made industrialist and inventor Sir Richard Arkwright | 0:23:38 | 0:23:41 | |
was at the forefront of the Industrial Revolution | 0:23:41 | 0:23:45 | |
and is known as the father of the factory system. | 0:23:45 | 0:23:48 | |
It was near this very spot that Sir Richard Arkwright had | 0:23:48 | 0:23:52 | |
the vision to harness the power of the River Derwent | 0:23:52 | 0:23:57 | |
in order to fire up one of the finest textile mills in the world. | 0:23:57 | 0:24:03 | |
Let's take a shufty, shall we? | 0:24:03 | 0:24:05 | |
This room is full of clanking machinery which, in its day, | 0:24:12 | 0:24:18 | |
would have produced the finest-quality thread | 0:24:18 | 0:24:21 | |
anywhere in the world. | 0:24:21 | 0:24:24 | |
It once upon a time employed 500 people throughout the building | 0:24:24 | 0:24:29 | |
and, Arkwright's employees, such was the noise of these machines, | 0:24:29 | 0:24:34 | |
had to learn how to lip-read. | 0:24:34 | 0:24:36 | |
Combining this semi-skilled labour force with powered machinery, | 0:24:36 | 0:24:40 | |
by harnessing the power of the River Derwent, Arkwright made | 0:24:40 | 0:24:45 | |
developments to many machines, producing a system | 0:24:45 | 0:24:48 | |
in which labour was divided, greatly improving efficiency | 0:24:48 | 0:24:51 | |
and increasing profits. | 0:24:51 | 0:24:54 | |
Robert Aram, the current owner of Masson Mills, is showing me | 0:24:54 | 0:24:57 | |
some of the machinery that has been restored to full working order. | 0:24:57 | 0:25:01 | |
-What do you think of that? -My word! | 0:25:01 | 0:25:04 | |
That is something else, Robert, isn't it? | 0:25:04 | 0:25:07 | |
'Arkwright was one of the first to use James Watts' steam engines | 0:25:07 | 0:25:10 | |
'to power textile machinery | 0:25:10 | 0:25:13 | |
'and this led to an enormous increase | 0:25:13 | 0:25:15 | |
'in the number of power looms.' | 0:25:15 | 0:25:17 | |
Well, Robert, this is quite a hairy machine, isn't it? | 0:25:18 | 0:25:22 | |
-What was it used for? -This was called the Devil | 0:25:22 | 0:25:26 | |
or the Fearnought. | 0:25:26 | 0:25:27 | |
When the cotton came in, in the bale, the bale would be broken open | 0:25:27 | 0:25:31 | |
and the cotton would be thrown into this machine. | 0:25:31 | 0:25:35 | |
The machine would then rotate these very fearsome hooks, | 0:25:35 | 0:25:39 | |
which would interconnect | 0:25:39 | 0:25:41 | |
and they would rip the cotton apart | 0:25:41 | 0:25:44 | |
and really, this is what Arkwright does - he takes raw cotton | 0:25:44 | 0:25:48 | |
and turns it into the finest thread in the world. | 0:25:48 | 0:25:52 | |
There's more of the tale to be told over here, isn't there? | 0:25:52 | 0:25:55 | |
So, Robert, we're now in the weaving shed. | 0:25:57 | 0:26:01 | |
Tell me about this loom. | 0:26:01 | 0:26:03 | |
This loom that you can see here | 0:26:03 | 0:26:05 | |
is possibly the oldest working loom in the world. | 0:26:05 | 0:26:09 | |
It's a Harling and Todd Lancashire loom that was acquired second-hand | 0:26:09 | 0:26:13 | |
in 1867, and 150 years later, | 0:26:13 | 0:26:17 | |
it's still turning out beautiful-quality cloth. | 0:26:17 | 0:26:20 | |
This is a shuttle, Tim. | 0:26:22 | 0:26:24 | |
The purpose of the shuttle is to take the thread | 0:26:24 | 0:26:28 | |
from one side of the loom to the other | 0:26:28 | 0:26:30 | |
and that is called the weft. | 0:26:30 | 0:26:33 | |
Well, thank you very much, Robert. | 0:26:33 | 0:26:35 | |
I fear we now have to get weaving, though, | 0:26:35 | 0:26:38 | |
and slip off to the auction. | 0:26:38 | 0:26:40 | |
And today, we're off to Hanson's Auctioneers in Etwall. | 0:26:40 | 0:26:44 | |
I think it's only nearly 50 miles from Newark to Etwall | 0:26:50 | 0:26:54 | |
in Derbyshire to join my old mate and mucker, Charlie Hanson. | 0:26:54 | 0:26:59 | |
-How are you, Charles? -Good to see you, mate - very well. -Great. | 0:26:59 | 0:27:01 | |
Now, for these lucky Reds is this hanging lantern. | 0:27:01 | 0:27:05 | |
This doesn't look so terribly old to me, Charles. How do you rate it? | 0:27:05 | 0:27:08 | |
Tim, I tend to agree. It's got that Moorish look. | 0:27:08 | 0:27:12 | |
It's got that Turkish flavour, but will it be a delight at auction? | 0:27:12 | 0:27:16 | |
Ha-ha! I don't see it being terribly tasty. | 0:27:16 | 0:27:19 | |
No. To me, Tim, it's got some signs of rust, | 0:27:19 | 0:27:23 | |
but I don't think it's very old. | 0:27:23 | 0:27:24 | |
So this is £35 worth, according to our team. | 0:27:24 | 0:27:27 | |
That's what they paid retail. Can you turn them a profit, Charles? | 0:27:27 | 0:27:30 | |
Tim, it's a work of art, so hopefully between £30 and £40. | 0:27:30 | 0:27:33 | |
You are a miracle worker if you get that. OK, good. | 0:27:33 | 0:27:36 | |
Now, I really rate this next item. This little telescope. | 0:27:36 | 0:27:39 | |
Tim, it's a really nice lot. | 0:27:39 | 0:27:41 | |
It's so tactile, it's an object which is from yesteryear. | 0:27:41 | 0:27:45 | |
I suspect it's probably circa 1850 in date. | 0:27:45 | 0:27:48 | |
The finish on that patinated metalwork is really good. | 0:27:48 | 0:27:51 | |
It's a lovely three-draw telescope, which we really rate. | 0:27:51 | 0:27:55 | |
Ordinarily, for my money, | 0:27:55 | 0:27:57 | |
that little four-draw telescope | 0:27:57 | 0:28:00 | |
is £150 worth. How do you rate it? | 0:28:00 | 0:28:02 | |
It's a really good object. | 0:28:02 | 0:28:04 | |
There's a slight mark there, | 0:28:04 | 0:28:06 | |
but we would hope it might make between £70 and £100. | 0:28:06 | 0:28:09 | |
OK, £25, the team paid. Can you believe that, Charlie? | 0:28:09 | 0:28:12 | |
-That, Tim, is a remarkable price. -Isn't it? Now, that's that. | 0:28:12 | 0:28:16 | |
Next is the little novelty toy naval officer's sword. | 0:28:16 | 0:28:21 | |
How do you rate that, Charles? | 0:28:21 | 0:28:23 | |
Again, Tim, novelty is one thing, early-20th-century collectables | 0:28:23 | 0:28:26 | |
of a militaria interest are also highly sought after. | 0:28:26 | 0:28:29 | |
Clearly it's a letter opener, but even so, | 0:28:29 | 0:28:32 | |
to a militaria collector, | 0:28:32 | 0:28:35 | |
we hope it will make between £30 and £40. | 0:28:35 | 0:28:38 | |
-OK, £65 paid. -OK. | 0:28:38 | 0:28:40 | |
Overall, then, we've got a bit of up and down here, haven't we? | 0:28:40 | 0:28:43 | |
I think we've got all up, actually. | 0:28:43 | 0:28:45 | |
-I think all the lots will do very well. -Do you? -Yes, I do. | 0:28:45 | 0:28:48 | |
-You're eternally optimistic. -I hope so. | 0:28:48 | 0:28:50 | |
Just in case you're wrong, we might need the Bonus Buy, | 0:28:50 | 0:28:53 | |
so let's go and have a look at it. | 0:28:53 | 0:28:55 | |
£175 you gave to Catherine Southon, who is known to be | 0:28:55 | 0:28:58 | |
a bit of a devil when it comes to the spending sprees. | 0:28:58 | 0:29:00 | |
Catherine, what did you buy? | 0:29:00 | 0:29:03 | |
This is what I bought. Now this is Tudric pewter. | 0:29:05 | 0:29:07 | |
It's a basket and it's all handmade. | 0:29:07 | 0:29:09 | |
This has all been hammered, | 0:29:09 | 0:29:11 | |
can you see that lovely patination, that lovely feel? | 0:29:11 | 0:29:15 | |
Now, I was really pleased with this because I only paid... | 0:29:15 | 0:29:18 | |
How much? | 0:29:20 | 0:29:21 | |
-£10. -No! -How much? | 0:29:21 | 0:29:24 | |
-£10! -Really? -Yes, I'm so happy with this. | 0:29:24 | 0:29:27 | |
£10?! | 0:29:27 | 0:29:28 | |
-Wow. -£10 is all I paid. I know... | 0:29:28 | 0:29:31 | |
you will make money on this. | 0:29:31 | 0:29:34 | |
-I think it's going to make 30, 40. -I'm very impressed, well done! | 0:29:34 | 0:29:37 | |
-Isn't she a clever girl? -Very. | 0:29:37 | 0:29:39 | |
You don't have to choose it, but right now, for the audience at home, | 0:29:39 | 0:29:42 | |
let's find out what the auctioneer thinks about Catherine's basket. | 0:29:42 | 0:29:46 | |
Well, Tim, it's lovely. Lovely finish, nice patinated pewter. | 0:29:48 | 0:29:52 | |
It's obviously Tudric, that great Liberty name. | 0:29:52 | 0:29:55 | |
Not quite Cymric, it's pewter ware, I love the hammered ground. | 0:29:55 | 0:29:58 | |
It's quite a boring rim though, isn't it? | 0:29:58 | 0:30:00 | |
It's not really a style that really oozes nouveau or Celtic form. | 0:30:00 | 0:30:06 | |
-It's a bit whimsical. -Yes, to me, it comes more in the deco bit. | 0:30:06 | 0:30:10 | |
Yes, I can see this at 35 Acacia Avenue in 1928 | 0:30:10 | 0:30:14 | |
-with the tangerines in. -I like your style. | 0:30:14 | 0:30:16 | |
That is where I think it comes from. | 0:30:16 | 0:30:18 | |
It's got that lovely colour, that nice pewter hue. | 0:30:18 | 0:30:21 | |
My only concern is a small dint there, which you can just see. | 0:30:21 | 0:30:25 | |
You've got such an eye, Charles. I never even noticed that little bump. | 0:30:25 | 0:30:30 | |
It clearly had a bit of a shock in the night. OK, what's it worth? | 0:30:30 | 0:30:34 | |
-Because it's Tudric, love the name, between £50 and £70. -Do you really? | 0:30:34 | 0:30:39 | |
-That cunning girl Catherine, she only pay £10 for that. -£10? | 0:30:39 | 0:30:43 | |
-£10, it's her Bonus Buy. -I can't believe that. | 0:30:43 | 0:30:45 | |
With any luck, the team will go with it and you'll sell it | 0:30:45 | 0:30:48 | |
for 40 or 50 and everybody will be stinking of roses, Charles. | 0:30:48 | 0:30:51 | |
-I hope so, Tim. -Anyway, that's it now for the Reds. | 0:30:51 | 0:30:54 | |
Now the Blues, Andrew and Steph. | 0:30:54 | 0:30:56 | |
They went with the little etui, which in engine turning | 0:30:56 | 0:31:00 | |
and solid silver, is really sweet, isn't it? | 0:31:00 | 0:31:03 | |
It's a really sweet object. | 0:31:03 | 0:31:04 | |
The engine turning is good. Again, what I like about it, | 0:31:04 | 0:31:07 | |
it hasn't been overly cleaned, it hasn't been overly polished. | 0:31:07 | 0:31:11 | |
I think to the buyers at auction, it's quite sleepy. | 0:31:11 | 0:31:14 | |
It is in good condition, it's all complete, all the utensils | 0:31:14 | 0:31:17 | |
and the hooks, the blades are all there. | 0:31:17 | 0:31:20 | |
-There is some minor wear, nice object. -OK, how much? | 0:31:20 | 0:31:24 | |
Our guide price, we're being a bit cautious, between £20 and £30. | 0:31:24 | 0:31:27 | |
-Gosh, £40 paid. -OK. -Now, moving on is the enamel pipe. | 0:31:27 | 0:31:31 | |
-Do you think that comes from Constantinople? -Tim, I believe so. | 0:31:31 | 0:31:35 | |
It bright, it's vibrant, it's quite fun. | 0:31:35 | 0:31:39 | |
Clearly, it's from a very distant region to our European friends. | 0:31:39 | 0:31:45 | |
-It's probably 1930s. -Could be, couldn't it? -Yes, I think so. | 0:31:45 | 0:31:48 | |
-Bit of touristy ware, but fun. -It's in good condition. -How much? | 0:31:48 | 0:31:52 | |
-Tim, between £15 and £25. -OK, £25 paid. | 0:31:52 | 0:31:55 | |
So we're on the cusp again, there. | 0:31:55 | 0:31:57 | |
What about this nice Carolean-style bowl, Charles? | 0:31:57 | 0:32:02 | |
If only it was period, if only it was 1615, | 0:32:02 | 0:32:06 | |
James I or Charles I. | 0:32:06 | 0:32:09 | |
I like this embossed acanthus detail, | 0:32:09 | 0:32:12 | |
it's Edwardian of course. | 0:32:12 | 0:32:14 | |
The Edwardians ousted our late Victorians, | 0:32:14 | 0:32:16 | |
-they revived all these wonderful styles. -Right, how much? | 0:32:16 | 0:32:19 | |
Scrap value is about £22, | 0:32:19 | 0:32:22 | |
so we've gone in quite cautiously | 0:32:22 | 0:32:25 | |
-between 20 and 30. -OK, they paid 50. | 0:32:25 | 0:32:27 | |
Andrew got carried away, he obviously liked the style of it, | 0:32:27 | 0:32:30 | |
Charles, so you'll have to work pretty hard on that. | 0:32:30 | 0:32:32 | |
If you're unsuccessful, they're definitely going to | 0:32:32 | 0:32:34 | |
need their Bonus Buy, so let's go and have a look at it. | 0:32:34 | 0:32:37 | |
Now, Richard... | 0:32:37 | 0:32:39 | |
You had £185. | 0:32:39 | 0:32:40 | |
How marvellous is that? | 0:32:40 | 0:32:42 | |
What did you spend it on? | 0:32:42 | 0:32:44 | |
-Oh, that's nice. -Ah! -An 18th-century Chinese tankard. | 0:32:44 | 0:32:48 | |
Quart tankard. | 0:32:48 | 0:32:50 | |
Probably made round about 1800. | 0:32:50 | 0:32:54 | |
It's got a nice rope twist handle | 0:32:54 | 0:32:56 | |
and it appears to me | 0:32:56 | 0:32:58 | |
-to be in pretty good shape. -And much did you pay for it? | 0:32:58 | 0:33:01 | |
How much did I pay for it? | 0:33:01 | 0:33:03 | |
-I secured it for £100. Right? -Right. | 0:33:03 | 0:33:07 | |
-That's lovely, I love the handle. -So you'd go and buy it, Andrew? | 0:33:07 | 0:33:10 | |
-I would. -What about you, Steph? -I would definitely buy it. | 0:33:10 | 0:33:14 | |
I'm not certain about the price... | 0:33:14 | 0:33:16 | |
Well, you get a chance to choose after the sale of the first three items, | 0:33:16 | 0:33:19 | |
but the audience at home, let's find out | 0:33:19 | 0:33:21 | |
what Charles Hanson does think of Richard's mug. | 0:33:21 | 0:33:24 | |
Well, that's handsome, Charles. | 0:33:24 | 0:33:26 | |
Oh, Tim, if objects can identify an expert, this is really me, | 0:33:26 | 0:33:31 | |
because it's just so antique and so real. | 0:33:31 | 0:33:34 | |
This was made in China in the Qianlong period, | 0:33:34 | 0:33:37 | |
which was 1735 to '99 and was made for us Europeans | 0:33:37 | 0:33:41 | |
to admire the wonderful products made in China. | 0:33:41 | 0:33:46 | |
It's great, because you've got this what we call entwined handle, | 0:33:46 | 0:33:50 | |
with this sprigged ornamentation, | 0:33:50 | 0:33:52 | |
which was copied by the Leeds Creamware potteries | 0:33:52 | 0:33:56 | |
in which China thought, "Well, they're popular, we'll do the same." | 0:33:56 | 0:34:00 | |
It's high-fired porcelain, | 0:34:00 | 0:34:02 | |
you've got some minor tearing to the handle, | 0:34:02 | 0:34:05 | |
the handle hasn't been off, but it's full of Eastern promise | 0:34:05 | 0:34:08 | |
-and I love it. -You love it. | 0:34:08 | 0:34:10 | |
What I like about it is, it looks like transfer printing | 0:34:10 | 0:34:13 | |
-blue-and-white, but it ain't. -Hand-painted. -It's hand-painted. | 0:34:13 | 0:34:16 | |
-It is. -We know where it came from, we know when it came, | 0:34:16 | 0:34:18 | |
we know exactly what it copies. | 0:34:18 | 0:34:20 | |
What we don't know - at least we'd like to find out from you, | 0:34:20 | 0:34:23 | |
-Charles - is what it's worth. -Tim, again, we've been quite cautious. | 0:34:23 | 0:34:26 | |
-Surprise, surprise. -We've put it between £50 and £80. -Is that all? | 0:34:26 | 0:34:31 | |
Richard Madley, he paid £100 and he really rates that. | 0:34:31 | 0:34:34 | |
-Well, we've learned a lot, Charles. Thank you very much. A lovely object. -Pleasure. | 0:34:34 | 0:34:38 | |
All will be revealed in the auction in a minute. | 0:34:38 | 0:34:40 | |
-Are you taking the stand? -I will do indeed. -We are in safe hands. | 0:34:40 | 0:34:44 | |
Do I see five now? 50 I'm bid, do I see five now? | 0:34:44 | 0:34:47 | |
50, 5, 60. | 0:34:47 | 0:34:49 | |
I'm out at £60. All done. | 0:34:49 | 0:34:51 | |
-OK, Robyn, Alan, how are you feeling? -Very good. -Very excited. | 0:34:51 | 0:34:56 | |
My first auction I've ever been to. | 0:34:56 | 0:34:58 | |
-Is it? -It's thrilling! -What about you? | 0:34:58 | 0:35:01 | |
I've sold bulls and cows and things like that before, | 0:35:01 | 0:35:04 | |
but never, um, never...collectables. | 0:35:04 | 0:35:06 | |
Really? | 0:35:06 | 0:35:07 | |
Well, you've got some collectables. Be proud of it. | 0:35:09 | 0:35:12 | |
We are on the edge, your first item is coming up... | 0:35:12 | 0:35:15 | |
right now. | 0:35:15 | 0:35:16 | |
Number 100 is a wonderful copper and glass ceiling hanging lantern... | 0:35:16 | 0:35:21 | |
It looks good, doesn't it? It looks the business. | 0:35:21 | 0:35:24 | |
I'm bid here £12. I'm asking 15 now. | 0:35:24 | 0:35:28 | |
15, 18, 20. 5 and 30, I'm out. | 0:35:28 | 0:35:32 | |
35, 40, 5, 50, | 0:35:32 | 0:35:35 | |
-5... -Look out! -60 I'm asking now. | 0:35:35 | 0:35:38 | |
Come on, one more, do I see? Good morning, it's yours, ma'm, at £55. | 0:35:38 | 0:35:44 | |
£55. | 0:35:44 | 0:35:46 | |
That is super, plus £20. | 0:35:46 | 0:35:48 | |
-Brilliant. -Perfect. | 0:35:48 | 0:35:50 | |
Now, the telescope. | 0:35:50 | 0:35:52 | |
Will it make £100? | 0:35:52 | 0:35:54 | |
It's a very good London three-draw telescope by a very good name. | 0:35:54 | 0:35:57 | |
A good name, that's a really good name, that one. | 0:35:57 | 0:36:00 | |
Where do we start this lot? We really rate it. | 0:36:00 | 0:36:03 | |
I'm only bid £40 here, 45 online. | 0:36:03 | 0:36:05 | |
You paid 25, he's got 40 already. | 0:36:05 | 0:36:08 | |
55. | 0:36:08 | 0:36:09 | |
-Yes! -5! -Yes! | 0:36:09 | 0:36:11 | |
At 60... I'll take five, sir. | 0:36:11 | 0:36:14 | |
All done at £60. | 0:36:14 | 0:36:16 | |
-Yes, brilliant! -So that was plus 35. Well done. | 0:36:16 | 0:36:20 | |
So overall, you are plus 55, which is magnificent. | 0:36:20 | 0:36:23 | |
Now, what about the letter knife? | 0:36:23 | 0:36:27 | |
Our wonderful, novelty, sword letter opener, there we are. | 0:36:27 | 0:36:30 | |
Nice object, 102, I'm only bid... | 0:36:30 | 0:36:33 | |
I've got 15, 18, 20... | 0:36:33 | 0:36:35 | |
This is our fault, because he didn't like it. | 0:36:35 | 0:36:38 | |
-I'll blame you both. -Prove him wrong. | 0:36:38 | 0:36:40 | |
25, 30, 5... | 0:36:40 | 0:36:42 | |
-Keep going. Keep going! -40 here, | 0:36:42 | 0:36:44 | |
45? 45, we've got you over there. | 0:36:44 | 0:36:47 | |
50 online. Make no mistake, we are going at £50. | 0:36:47 | 0:36:51 | |
Well done, Charles. | 0:36:51 | 0:36:52 | |
£50 pounds is minus £15. Overall, you are plus £40. | 0:36:52 | 0:36:56 | |
-What are you going to do with the pewter basket? -Go with it. | 0:36:56 | 0:37:00 | |
Now that decision is emphatically made, | 0:37:00 | 0:37:02 | |
I can tell you that Charles loved it. | 0:37:02 | 0:37:04 | |
He's estimating 50 to 70 - you only paid £10, Catherine. | 0:37:04 | 0:37:08 | |
So if it's right, 50 to 70 on a £10 purchase is super. | 0:37:09 | 0:37:12 | |
Anyway, let's see what happens, | 0:37:12 | 0:37:14 | |
we're going with the Bonus Buy and here it comes. | 0:37:14 | 0:37:16 | |
There we are, made by Liberty under the Tudric name, in around 1925. | 0:37:16 | 0:37:22 | |
oval basket, there we are. | 0:37:22 | 0:37:24 | |
I am bid for this, I've got a couple of bids... | 0:37:24 | 0:37:27 | |
Oh, yes. | 0:37:27 | 0:37:28 | |
I've got one at £12... | 0:37:28 | 0:37:30 | |
One at 15... | 0:37:30 | 0:37:32 | |
18 I'm bid online, I'm asking 20 now. | 0:37:32 | 0:37:35 | |
20, 2, 5, 8... | 0:37:35 | 0:37:37 | |
Yes, yes! | 0:37:37 | 0:37:39 | |
-40, 2, 5... -Gosh! | 0:37:39 | 0:37:42 | |
He's phenomenal! | 0:37:43 | 0:37:45 | |
55, 60... Are you sure? | 0:37:45 | 0:37:48 | |
You've come so far! 65. | 0:37:48 | 0:37:50 | |
70. | 0:37:50 | 0:37:52 | |
At £65, I'm selling, all done at 65. | 0:37:53 | 0:37:57 | |
Yes! Yes, yes, yes! | 0:37:57 | 0:37:59 | |
That's plus £55. | 0:37:59 | 0:38:02 | |
-Wow! -55 and 40 is plus 95. | 0:38:02 | 0:38:05 | |
Excellent, that's very respectable. | 0:38:05 | 0:38:07 | |
Now, well done, well done, well done. | 0:38:07 | 0:38:09 | |
Thank you for containing your excitement! You did very well! | 0:38:09 | 0:38:14 | |
Listen, don't say a word to the Blues, right? | 0:38:14 | 0:38:17 | |
All will be revealed in a moment. | 0:38:17 | 0:38:18 | |
-So Steph, what have we got here, love? -My lucky pig. | 0:38:24 | 0:38:29 | |
-Hopefully it'll work. -Keep rubbing him. -If not...! | 0:38:29 | 0:38:33 | |
You'll knock it off! | 0:38:33 | 0:38:34 | |
Fair enough. Lucky pig. Let's hope so. | 0:38:34 | 0:38:37 | |
First up is the little etui, and here it comes. | 0:38:37 | 0:38:41 | |
My number is now 122, very nice late-Victorian plated etui. | 0:38:41 | 0:38:45 | |
I'm bid here, straight in with me, at £12. Do I see 15 now? | 0:38:45 | 0:38:50 | |
-Go on. -Go on - more, more! | 0:38:50 | 0:38:53 | |
Bid me 8 now. 8. 30. | 0:38:53 | 0:38:56 | |
Go, Charles. | 0:38:56 | 0:38:57 | |
All out, I sell to you, sir, at £35. | 0:38:59 | 0:39:04 | |
Oh, bad luck, team. Close enough. | 0:39:04 | 0:39:07 | |
Now, enamel pipe. | 0:39:08 | 0:39:09 | |
It's now 123. | 0:39:09 | 0:39:11 | |
I'm only bid £12, I'm asking 15 now. | 0:39:11 | 0:39:14 | |
Interesting lot - 12 I'm bid, 15, 18, 20. | 0:39:14 | 0:39:18 | |
-Oh, come on! -Go on! | 0:39:18 | 0:39:19 | |
-Come on, Charles! -20 I'm bid. | 0:39:19 | 0:39:22 | |
2, 5, 8... | 0:39:22 | 0:39:24 | |
One more. | 0:39:24 | 0:39:26 | |
At £25, going, going... | 0:39:26 | 0:39:30 | |
Oh, no, wiped its face! | 0:39:30 | 0:39:32 | |
-I thought we were there! -Oh, dear, oh, dear. -Here comes the bowl. | 0:39:32 | 0:39:36 | |
Rub the pig! | 0:39:36 | 0:39:37 | |
-It's no good, that pig, I can tell you. -Guaranteed profit. | 0:39:39 | 0:39:42 | |
Being shown to you there, a very nice bordered, beaded rim bowl. | 0:39:42 | 0:39:47 | |
London, 1908, I'm bid here | 0:39:47 | 0:39:49 | |
straight in at £18, 20 and 2, 5, | 0:39:49 | 0:39:53 | |
-5, 30... -Come on, internet! | 0:39:53 | 0:39:56 | |
It's a wonderful bowl, go one more. | 0:39:56 | 0:39:58 | |
40 over there. 5, 50... 5... | 0:39:58 | 0:40:02 | |
-60? -Yes, you're in profit! | 0:40:02 | 0:40:04 | |
-Well done. -65. | 0:40:04 | 0:40:07 | |
Fair warning, at £60. | 0:40:07 | 0:40:09 | |
Plus £10. | 0:40:09 | 0:40:11 | |
You were minus £5, overall you're plus £5. | 0:40:11 | 0:40:14 | |
Now, will piggy help you make the decision as to | 0:40:14 | 0:40:17 | |
-whether you go with the Chinese tankard or not? -He says stick. | 0:40:17 | 0:40:20 | |
We're not going with the Bonus Buy, but we're going to sell it anyway. | 0:40:20 | 0:40:23 | |
The auctioneer's estimate is £50-£80, | 0:40:23 | 0:40:25 | |
he doesn't think it's worth £100. | 0:40:25 | 0:40:27 | |
Let us find out who is right and who is wrong, | 0:40:27 | 0:40:30 | |
cos here comes the Bonus Buy. | 0:40:30 | 0:40:32 | |
It's a wonderful Chinese tankard, blue and white painted, | 0:40:32 | 0:40:37 | |
in wonderful condition and unrestored. | 0:40:37 | 0:40:40 | |
I'm bid here straight in at £35, | 0:40:40 | 0:40:43 | |
I'm asking 40 for it now. | 0:40:43 | 0:40:45 | |
45, 50, 5, 60, | 0:40:45 | 0:40:47 | |
5, 70, 5, 80... | 0:40:47 | 0:40:50 | |
-Crack on! -95, 100. | 0:40:50 | 0:40:52 | |
At 110 I'm bid, 120, 130... | 0:40:52 | 0:40:55 | |
-Good boy! You're in, there. -Well... | 0:40:55 | 0:40:58 | |
-Good spot. -I sell, thank you, madam, at £130. | 0:40:58 | 0:41:03 | |
-Plus £30. -Well done, Richard. -Bad luck, team. | 0:41:03 | 0:41:07 | |
LAUGHTER | 0:41:07 | 0:41:08 | |
-Piggy's going! -Oh, Piggy's going! | 0:41:08 | 0:41:11 | |
I had my doubts about him, actually! Anyway, there we are. | 0:41:11 | 0:41:14 | |
Well done, Richard. | 0:41:14 | 0:41:16 | |
Don't talk to the Reds about the score | 0:41:16 | 0:41:18 | |
and all will be revealed in a moment. | 0:41:18 | 0:41:21 | |
Well, well, well. You teams been chatting at all? | 0:41:26 | 0:41:29 | |
-No. -Not about the scores? -No. | 0:41:29 | 0:41:31 | |
Well, today is a tale of the team that took the expert's advice | 0:41:31 | 0:41:36 | |
and went with the Bonus Buy and the team that didn't | 0:41:36 | 0:41:39 | |
take the expert's advice and didn't go with the Bonus Buy. | 0:41:39 | 0:41:42 | |
So, we only have one team of winners, | 0:41:42 | 0:41:46 | |
we don't have loses any more, we only have runners-up | 0:41:46 | 0:41:48 | |
and the team that are runners-up, | 0:41:48 | 0:41:50 | |
who managed to go home with cash nevertheless, are the Blues. | 0:41:50 | 0:41:54 | |
Who sadly are runners-up by only having managed to accumulate | 0:41:56 | 0:42:01 | |
-a score of five lonely pounds. But have you had a nice time? -Lovely. | 0:42:01 | 0:42:06 | |
-Absolutely lovely. -A wonderful time. Really enjoyed it. | 0:42:06 | 0:42:08 | |
We've loved having you on, and congratulations, Richard, | 0:42:08 | 0:42:11 | |
on your substantial profit, which your team didn't take up! | 0:42:11 | 0:42:13 | |
You weren't a mug after all, were you? | 0:42:16 | 0:42:18 | |
Anyway, the victors today, though, | 0:42:18 | 0:42:20 | |
who go home with a cool £95... | 0:42:20 | 0:42:23 | |
Whoa! | 0:42:23 | 0:42:25 | |
This is folding money! | 0:42:25 | 0:42:27 | |
You started out with a lovely £20 profit on your modern light. | 0:42:27 | 0:42:30 | |
The telescope, as predicted, made £35 | 0:42:30 | 0:42:33 | |
so that was a jolly good find, | 0:42:33 | 0:42:34 | |
and then Catherine, unbelievably, | 0:42:34 | 0:42:37 | |
comes up with a £55 Bonus Buy profit which is a fantastic number. | 0:42:37 | 0:42:42 | |
-Congratulations on that. -Thank you. | 0:42:42 | 0:42:44 | |
-You'll be well pleased then, Alan, won't you? -Yes, very well pleased! | 0:42:44 | 0:42:49 | |
You look like a very happy couple. | 0:42:49 | 0:42:51 | |
Quite rightly so. | 0:42:51 | 0:42:52 | |
We've loved having you on the show. | 0:42:52 | 0:42:54 | |
In fact, it's been such fun, | 0:42:54 | 0:42:55 | |
-why don't you join us soon for some more bargain-hunting, yes? -ALL: Yes! | 0:42:55 | 0:42:59 |